All language subtitles for 03. Creative block and self doubt.ENGlish

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:04,410 --> 00:00:08,009 Alright, I said there wouldn't be any lessons before we get into the exercise, 2 00:00:08,012 --> 00:00:12,810 but it wouldn't be one of my classes unless I gave you a bit of a primer to start. 3 00:00:13,610 --> 00:00:19,210 So I just wanted to explain why I made this class and how it can help you in the real world. 4 00:00:20,330 --> 00:00:26,329 So there are two things that all creative people struggle with, and the first is coming up with 5 00:00:26,332 --> 00:00:33,209 ideas, and the second is getting stuck in self-doubt and self-criticism. If you follow me 6 00:00:33,212 --> 00:00:39,449 on my podcast, Thoughts on Illustration, you'll know how much I've tended to get stuck over the 7 00:00:39,452 --> 00:00:45,209 years, especially with self-doubt. Where it comes to finding ideas, often what happens is we get 8 00:00:45,212 --> 00:00:51,289 stuck in one way of thinking. For example, sometimes I just get one image in my head, 9 00:00:51,292 --> 00:00:56,889 and I can't stop drawing that one thing over and over again. What I love about 10 00:00:56,892 --> 00:01:01,067 the techniques in this class is that they're truly among the best ways I know 11 00:01:01,067 --> 00:01:03,371 Subtitled by online-courses.club We compress knowledge for you! 12 00:01:03,372 --> 00:01:08,175 how to get myself out of idea ruts and bulldoze over my self-doubt. 13 00:01:08,178 --> 00:01:14,975 So before we begin, here's just a little rundown of how my responsive composition technique works. 14 00:01:14,978 --> 00:01:20,175 We'll go into more detail when we get to the actual exercises. 15 00:01:20,178 --> 00:01:23,175 So first, we start by drawing shapes. 16 00:01:23,178 --> 00:01:27,475 The more open and irregular the shapes, the better. 17 00:01:27,478 --> 00:01:34,175 Next, we start to draw things based on a prompt or a theme inside the shapes. 18 00:01:34,178 --> 00:01:37,675 We're letting the shapes kind of tell us what to draw, 19 00:01:37,678 --> 00:01:42,375 rather than trying to draw something more on purpose or from our minds. 20 00:01:42,378 --> 00:01:44,575 That's why I call it responsive composition, 21 00:01:44,578 --> 00:01:49,875 because we're responding to these shapes on the page in a more improvisational way. 22 00:01:49,878 --> 00:01:55,975 And that's where the magic of this technique is. Our ideas need to come out fast and loose, 23 00:01:55,978 --> 00:01:59,375 just like improv is often full of embarrassing mistakes. 24 00:01:59,378 --> 00:02:01,676 The sketches are just the starting point. 25 00:02:01,760 --> 00:02:05,839 And then later on we can transform them into finished illustrations. 26 00:02:05,842 --> 00:02:09,199 You know, maybe they'll even cause others to wonder, 27 00:02:09,202 --> 00:02:10,639 how did they think of that? 28 00:02:10,642 --> 00:02:14,080 The whole point here is to have fun and maybe even raise some eyebrows. 29 00:02:14,960 --> 00:02:17,039 So that's really all you need to know for now. 30 00:02:17,042 --> 00:02:21,679 We're going to get into everything else as we go through the exercises. 31 00:02:21,682 --> 00:02:25,839 So get out your pencils and paper or your digital equivalents 32 00:02:25,842 --> 00:02:27,680 and let's get into the exercises. 3302

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