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1
00:00:21,254 --> 00:00:22,388
I SHOULD HAVE KNOWN
2
00:00:22,422 --> 00:00:23,489
YOU�D BE TELLING THE TRUTH
ABOUT THIS.
3
00:00:23,524 --> 00:00:25,859
ABOUT...WHAT�S THAT?
4
00:00:25,892 --> 00:00:28,762
WORKING OUT IN THE MORNING
BEFORE YOUR SHIFT STARTS.
5
00:00:28,795 --> 00:00:31,565
AND HERE I AM,
JUST GOING HOME.
6
00:00:33,700 --> 00:00:35,702
UP LATE ON A STORY?
7
00:00:35,736 --> 00:00:37,704
MORE OR LESS.
8
00:00:37,738 --> 00:00:39,906
YOU�RE A COP.
9
00:00:39,940 --> 00:00:43,276
YOU�VE HEARD A FEW
CONFESSIONS, RIGHT, BALDWIN?
10
00:00:43,309 --> 00:00:45,879
SHOULD I BE GIVING YOU
YOUR RIGHTS?
11
00:00:45,912 --> 00:00:48,348
SOMEBODY DOES ME A FAVOR,
12
00:00:48,381 --> 00:00:51,184
I�M NOT COMFORTABLE UNLESS
I GO TO BED WITH HIM.
13
00:00:51,217 --> 00:00:52,753
NICE TO KNOW
14
00:00:52,786 --> 00:00:55,188
THERE ARE STILL GRATEFUL
JOURNALISTS OUT THERE.
15
00:00:55,221 --> 00:00:57,758
GETTING THAT STORY ON
PETE MAGRINI KILLING HIS WIFE
16
00:00:57,791 --> 00:01:00,193
WAS THE BIGGEST BREAK
OF MY PROFESSIONAL CAREER.
17
00:01:00,226 --> 00:01:02,629
AND HERE YOU ARE
OFFERING ME THANK?YOU SEX,
18
00:01:02,663 --> 00:01:04,898
AFTER YOU�VE BEEN
MORE OR LESS
19
00:01:04,931 --> 00:01:07,033
WORKING ON A STORY
ALL NIGHT.
20
00:01:07,067 --> 00:01:09,035
I TOLD YOU
I WAS A SISTER.
21
00:01:09,069 --> 00:01:11,237
YOU WANT ME TO TELL YOU
I�M A VIRGIN, TOO?
22
00:01:11,271 --> 00:01:14,641
[ PAGER BEEPS ]
23
00:01:14,675 --> 00:01:16,209
NICOLE...
24
00:01:16,242 --> 00:01:18,612
YOU WANT TO HEAR
SOMETHING WEIRD?
25
00:01:18,645 --> 00:01:19,880
I PREFER IT.
26
00:01:19,913 --> 00:01:21,782
I LIKE YOU.
27
00:01:21,815 --> 00:01:23,216
THANKS, BALDWIN.
28
00:01:23,249 --> 00:01:25,251
WHY DON�T YOU GET
SOME SLEEP
29
00:01:25,285 --> 00:01:27,654
AND MAYBE GIVE YOURSELF
SOME TIME TO COME DOWN,
30
00:01:27,688 --> 00:01:30,657
AND I�LL CALL LATER ON,
AND IF YOU FEEL LIKE IT,
31
00:01:30,691 --> 00:01:35,428
WHEN MY SHIFT�S OVER
AND I�M DONE WITH MY RUN,
32
00:01:35,461 --> 00:01:37,564
WE CAN GET SOME DINNER.
33
00:01:37,598 --> 00:01:40,300
THAT WOULD BE ANOTHER WAY
TO GO ABOUT THINGS.
34
00:01:40,333 --> 00:01:42,302
YOU WANT TO TRY THAT?
35
00:01:42,335 --> 00:01:45,271
CALL. I�LL SEE
HOW I FEEL.
36
00:01:45,305 --> 00:01:46,940
YEAH.
37
00:01:46,973 --> 00:01:49,843
I GOT TO GO TO WORK NOW.
38
00:01:53,446 --> 00:01:56,016
SO, BALDWIN,
39
00:01:56,049 --> 00:01:58,685
DO YOU THANK GOD EVERY DAY
FOR HOW YOU LOOK?
40
00:01:58,719 --> 00:02:00,954
I THANK HIM
EVERY DAY I WAKE UP.
41
00:03:24,805 --> 00:03:26,339
A LIGATURE STRANGULATION.
42
00:03:26,372 --> 00:03:28,909
SHE�S GOT SEMEN
IN HER VAGINAL AREA
43
00:03:28,942 --> 00:03:31,845
AND IN HER FACE
AND IN HER HAIR.
44
00:03:31,878 --> 00:03:35,081
DIDN�T HAPPEN HERE,
AND HE HAD TO CASE
45
00:03:35,115 --> 00:03:37,217
WHERE HE WAS GOING
TO DUMP HER.
46
00:03:37,250 --> 00:03:39,252
YEAH, WE GOT A MAN
WITH A PLAN.
47
00:03:39,285 --> 00:03:40,086
GOOD MORNING.
48
00:03:40,120 --> 00:03:41,622
HEY, GUYS.
49
00:03:41,655 --> 00:03:45,091
TAPES HER PANTIES AROUND
HER ANKLES WITH DUCT TAPE.
50
00:03:45,125 --> 00:03:46,693
START A CANVAS?
51
00:03:46,727 --> 00:03:48,294
SHE�S A DUMP JOB.
52
00:03:48,328 --> 00:03:50,731
YOU WANT A SUSPICIOUS
VEHICLE NEAR THE ALLEY.
53
00:03:50,764 --> 00:03:52,599
LIVIDITY MARKS
ON HER BACK.
54
00:03:52,633 --> 00:03:54,568
SHE�S HERE
AT LEAST FOUR HOURS.
55
00:03:54,601 --> 00:03:55,702
CHAT THE BUMS UP.
56
00:03:55,736 --> 00:03:57,237
YOUR BEST SHOT�S
57
00:03:57,270 --> 00:03:59,205
SOMEONE IN THE DUMPSTERS
AROUND 4:00 A. M.
58
00:03:59,239 --> 00:04:00,874
NEW YORK 1�s GOT IT.
59
00:04:00,907 --> 00:04:01,908
AH. GOOD.
60
00:04:01,942 --> 00:04:03,810
HE�S NEAT, ANDY.
61
00:04:03,844 --> 00:04:05,812
CLOTHES AREN�T TORN.
62
00:04:05,846 --> 00:04:07,480
UNDERNEATH, EITHER?
63
00:04:07,514 --> 00:04:09,816
YOU KNOW, THERE�S NO BLOOD
COMING FROM THIS WOUND
64
00:04:09,850 --> 00:04:12,085
IN HER CHEEK HERE, ANDY.
65
00:04:12,118 --> 00:04:14,454
SHE WAS HIT A WHILE
AFTER SHE WAS DEAD.
66
00:04:14,487 --> 00:04:16,957
THIS PRICK MUST HAVE
LAID HER OUT HERE
67
00:04:16,990 --> 00:04:18,792
AND THEN PUNCHED HER
ONCE GOOD?BYE.
68
00:04:28,769 --> 00:04:29,736
HELLO.
69
00:04:29,770 --> 00:04:31,404
MAY I HELP YOU?
70
00:04:31,437 --> 00:04:35,241
YES, YOU HAD A HOMICIDE
THIS MORNING OFF WAVERLY?
71
00:04:35,275 --> 00:04:37,811
MAY I SPEAK WITH ONE
OF THE DETECTIVES?
72
00:04:37,844 --> 00:04:39,780
I�M ARTHUR FANCY.
CAN I HELP YOU?
73
00:04:39,813 --> 00:04:40,981
JAMES CHEATHAM.
74
00:04:41,014 --> 00:04:42,182
JIMMY CHEATHAM.
75
00:04:42,215 --> 00:04:43,817
YOU HAVE INFORMATION
ABOUT THE CASE?
76
00:04:43,850 --> 00:04:45,418
DID YOU CATCH IT?
77
00:04:45,451 --> 00:04:49,189
I�M IN CHARGE OF THE SQUAD.
WHY ARE YOU ASKING ABOUT IT?
78
00:04:49,222 --> 00:04:51,257
I�M PRETTY SURE
YOU�LL MAKE A PATTERN
79
00:04:51,291 --> 00:04:54,528
WITH A HOMICIDE
IN THE 25th PRECINCT
80
00:04:54,561 --> 00:04:56,129
APRIL THE 19th,
81
00:04:56,162 --> 00:04:58,765
HOW THE DUCT TAPE
IS APPLIED,
82
00:04:58,799 --> 00:05:01,434
WHERE PART OF THE EJACULATE
IS ON THE VICTIM�S BODY.
83
00:05:01,467 --> 00:05:04,037
YOU�RE PRETTY SURE
ABOUT THAT.
84
00:05:04,070 --> 00:05:06,873
YEAH, THE SICK BASTARD
LEFT ENGLAND FIVE MONTHS AGO.
85
00:05:06,907 --> 00:05:09,375
YOU�RE ON THE JOB
OVER THERE?
86
00:05:09,409 --> 00:05:12,879
I�M RETIRED.
HERE�S MY PARTICULARS.
87
00:05:12,913 --> 00:05:14,548
Andy: HOW�S IT GOING?
88
00:05:14,581 --> 00:05:19,352
THIS IS JIMMY CHEATHAM.
HE�S RETIRED OFF THE JOB.
89
00:05:19,385 --> 00:05:21,955
HE HAS SOME INFORMATION
ABOUT YOUR CASE.
90
00:05:21,988 --> 00:05:23,489
DANNY SORENSON,
ANDY SIPOWICZ.
91
00:05:23,524 --> 00:05:25,325
HOW�S IT GOING, JIMMY?
92
00:05:25,358 --> 00:05:27,027
HOW�S IT GOING?
HOW�S IT GOING?
93
00:05:27,060 --> 00:05:28,862
YEAH, HOW�S IT GOING?
94
00:05:28,895 --> 00:05:30,731
EXCUSE ME.
95
00:05:30,764 --> 00:05:32,566
WHERE ARE YOU FROM ??
ENGLAND?
96
00:05:32,599 --> 00:05:33,734
LONDON. RIGHT.
97
00:05:33,767 --> 00:05:35,702
I WAS GOING TO SAY.
98
00:05:35,736 --> 00:05:38,905
WHAT DO YOU GOT
FOR US, JIMMY?
99
00:05:38,939 --> 00:05:41,675
IF THERE WAS SEMEN
IN YOUR D. O. A.�s FACE AND HAIR,
100
00:05:41,708 --> 00:05:44,545
AND HER PANTIES WERE
TAPED AROUND HER ANKLES,
101
00:05:44,578 --> 00:05:48,014
THEN I THINK I KNOW
WHO KILLED HER.
102
00:05:48,048 --> 00:05:50,383
DUCT TAPE
OVER THE PANTIES.
103
00:05:50,416 --> 00:05:53,319
YOU WERE WORKING
THIS GUY IN ENGLAND?
104
00:05:53,353 --> 00:05:55,556
HE�S COME HERE. HE�S DONE
ONE IN YOUR 25th PRECINCT,
105
00:05:55,589 --> 00:05:59,492
APRIL THE 19th, YOURS,
AND HE�LL TRY ONE MORE.
106
00:05:59,526 --> 00:06:00,994
THREE IS HIS PATTERN.
107
00:06:01,027 --> 00:06:03,496
YEAH, HE RESTS THEN,
THE TWISTED SOD.
108
00:06:03,530 --> 00:06:05,231
A YEAR LATER,
HE STARTS AGAIN.
109
00:06:05,265 --> 00:06:07,734
HOW MANY
DO YOU LIKE HIM FOR?
110
00:06:07,768 --> 00:06:10,103
SIX IN LONDON
AND THREE IN MANCHESTER.
111
00:06:10,136 --> 00:06:11,838
THAT�S WHERE HE�S FROM.
112
00:06:11,872 --> 00:06:14,440
I WORKED THE FINAL TWO
IN LONDON,
113
00:06:14,474 --> 00:06:16,910
AND IT TOOK ME TO THE LAST
TO MAKE THE PATTERN.
114
00:06:16,943 --> 00:06:18,712
IS HE WANTED OVER THERE?
115
00:06:18,745 --> 00:06:20,947
WE WATCHED HIM,
I INTERVIEWED HIM TWICE,
116
00:06:20,981 --> 00:06:23,283
BUT MY BOSSES
WEREN�T READY TO FILE,
117
00:06:23,316 --> 00:06:24,885
AND THEN HE LEFT.
118
00:06:24,918 --> 00:06:28,221
ANDREW CONOVER.
119
00:06:28,254 --> 00:06:29,523
TRULY.
120
00:06:29,556 --> 00:06:33,359
DID YOU TALK TO ANYONE
AT THE 25th, JIMMY?
121
00:06:33,393 --> 00:06:36,062
YES. LOU SIMPKINS
ABOUT 10 DAYS AGO.
122
00:06:36,096 --> 00:06:38,364
HE GAVE ME A RUB?UP
AND SENT ME ON MY WAY.
123
00:06:38,398 --> 00:06:41,134
GAVE HIM A HAND JOB.
LOUIE SIMPKINS.
124
00:06:41,167 --> 00:06:43,570
YEAH. LOUIE.
A HAND JOB.
125
00:06:43,604 --> 00:06:45,438
STILL GOT TO NOTIFY
ON THE PATTERN.
126
00:06:45,471 --> 00:06:47,808
YOU GOT A PLACE WE CAN
LOOK FOR THIS GUY?
127
00:06:47,841 --> 00:06:50,410
HE�S WORKING WITH BODIES.
HE�S AN EMBALMER.
128
00:06:50,443 --> 00:06:52,312
NEW EMBALMER
WITH AN ENGLISH ACCENT,
129
00:06:52,345 --> 00:06:53,780
REACH OUT
THROUGH THE MORTUARIES.
130
00:06:53,814 --> 00:06:55,381
I�M VERY GRATEFUL.
131
00:06:55,415 --> 00:06:57,784
HEY, YOU KNOW,
WE GOT A HOMICIDE.
132
00:06:57,818 --> 00:06:59,119
SIT DOWN.
133
00:06:59,152 --> 00:07:00,654
TRY THE M. E., TOO.
134
00:07:00,687 --> 00:07:02,589
ENGLISH GUY
PICKING THE BODIES UP.
135
00:07:02,623 --> 00:07:04,257
WANT SOME TEA?
136
00:07:04,290 --> 00:07:06,459
UH, MUST I?
137
00:07:06,492 --> 00:07:08,629
NO. HELL, NO.
138
00:07:08,662 --> 00:07:12,232
MY PARTNER DRANK TEA.
PASSED LAST YEAR.
139
00:07:12,265 --> 00:07:13,834
OH, REALLY?
140
00:07:13,867 --> 00:07:15,301
YEAH. EARL GREY.
141
00:07:16,803 --> 00:07:21,274
THAT WAS
THE BRAND HE DRANK.
142
00:07:21,307 --> 00:07:25,011
IT�S SORENSON AT THE 15th.
CAN I GET THE DOC ON AUTOPSY?
143
00:07:30,651 --> 00:07:33,286
DOC CROFT, HE MAYBE
GAVE US ONE, ANDY.
144
00:07:33,319 --> 00:07:35,756
THE GUY PICKS UP STIFFS
FOR THE ZISK MORTUARY.
145
00:07:35,789 --> 00:07:37,357
GOT AN ENGLISH ACCENT?
146
00:07:37,390 --> 00:07:40,160
GUY DON�T HAVE MUCH TO SAY,
BUT THE DOC THINKS MAYBE.
147
00:07:40,193 --> 00:07:41,962
HE STARTED, LIKE,
SIX WEEKS AGO.
148
00:07:41,995 --> 00:07:43,329
RIGHT TIME FRAME.
149
00:07:43,363 --> 00:07:45,131
HE DON�T REMEMBER
HIS NAME,
150
00:07:45,165 --> 00:07:47,033
BUT WE CAN REACH OUT
THROUGH THE MORTUARY.
151
00:07:47,067 --> 00:07:48,635
DID THE DOC THINK
152
00:07:48,669 --> 00:07:51,271
THE GUY WAS TRYING
TO HIDE THE ACCENT?
153
00:07:51,304 --> 00:07:53,039
DIDN�T HAVE NO OPINION,
THE DOC,
154
00:07:53,073 --> 00:07:55,842
IF HE WAS TRYING TO HIDE IT
OR JUST WASN�T TALKATIVE.
155
00:07:55,876 --> 00:07:58,178
OF COURSE, THE DOC�S
NO JAY LENO HIMSELF.
156
00:07:58,211 --> 00:08:00,180
THIS JIMMY CHEATHAM,
157
00:08:00,213 --> 00:08:02,616
HE�S GOT TO BE
SOME FRUSTRATED, HUH, ANDY?
158
00:08:02,649 --> 00:08:04,350
HE COULDN�T LOCK
THIS GUY UP.
159
00:08:04,384 --> 00:08:05,786
AT THE END,
160
00:08:05,819 --> 00:08:07,988
YOU DON�T WANT NOTHING
LEFT IN YOUR NOTEBOOK.
161
00:08:08,021 --> 00:08:09,556
NICE ENOUGH GUY, TOO.
162
00:08:09,590 --> 00:08:12,192
YEAH, HE�S HANDLING HIMSELF
LIKE A GENTLEMAN.
163
00:08:12,225 --> 00:08:15,195
AND BELIEVE ME, OUR D. O. A.
AND THE ONE IN THE 2?5 ??
164
00:08:15,228 --> 00:08:18,198
HE FEELS LIKE THOSE
ARE ON HIM.
165
00:08:22,603 --> 00:08:23,837
HEY.
166
00:08:23,870 --> 00:08:25,471
HOW�S IT GOING?
167
00:08:25,506 --> 00:08:27,974
DID YOU MEET
JIMMY CHEATHAM?
168
00:08:28,008 --> 00:08:29,876
YEAH, HE WENT UPSTAIRS
TO LIE DOWN.
169
00:08:29,910 --> 00:08:32,412
DID HE LOOK SICK?
170
00:08:32,445 --> 00:08:34,380
I DON�T KNOW WHAT
HE USUALLY LOOKS LIKE.
171
00:08:36,049 --> 00:08:39,052
WHAT�S RUPERT ZISK
DOING IN YOUR NOTEBOOK?
172
00:08:39,085 --> 00:08:41,354
OH, HE RUNS A MORTUARY.
173
00:08:41,387 --> 00:08:43,890
WE THINK HE HIRED A GUY
WE WANT TO TALK TO.
174
00:08:43,924 --> 00:08:45,726
IN VICE,
I COLLARED RUPERT ZISK
175
00:08:45,759 --> 00:08:47,694
FOR A DICKEY WAVING.
176
00:08:47,728 --> 00:08:50,396
MAYBE SHE SHOULD TALK TO ZISK,
BEING HE SHOWED HER HIS JOINT.
177
00:08:50,430 --> 00:08:52,098
I�LL CATCH DIANE UP,
178
00:08:52,132 --> 00:08:54,267
AND WE GOT TO GET
LOU SIMPKINS OVER HERE.
179
00:08:54,300 --> 00:08:56,002
YOU GOT MORE CONSCIENCE
THAN I DO.
180
00:08:56,036 --> 00:08:57,203
GOING TO THE CRIB?
181
00:08:57,237 --> 00:08:58,772
YEAH, LET ME GO
182
00:08:58,805 --> 00:09:01,107
CATCH THIS JIMMY UP
ON WHAT�S GOING ON.
183
00:09:05,145 --> 00:09:07,514
SO HE�S A RETIRED COP
FROM ENGLAND.
184
00:09:07,548 --> 00:09:10,183
HE WAS WORKING OUR GUY
OVER THERE.
185
00:09:10,216 --> 00:09:12,519
HE GAVE US
HE WAS AN EMBALMER.
186
00:09:12,553 --> 00:09:13,920
HE�S NICE ENOUGH.
187
00:09:13,954 --> 00:09:15,756
YEAH, NICE POLITE GUY.
188
00:09:15,789 --> 00:09:20,160
ANYWAYS, UH,
HERE�S ZISK�S PHONE NUMBER.
189
00:09:21,895 --> 00:09:23,797
AND I�M GOING TO ASSUME
190
00:09:23,830 --> 00:09:25,799
YOU RUMMAGING
IN MY NOTEBOOK
191
00:09:25,832 --> 00:09:27,300
WAS AN ISOLATED INCIDENT.
192
00:09:27,333 --> 00:09:29,903
ABSOLUTELY.
193
00:09:29,936 --> 00:09:32,438
[ KNOCK ON DOOR ]
194
00:09:34,340 --> 00:09:37,043
OH. HOW�S IT GOING?
195
00:09:37,077 --> 00:09:38,579
GOOD.
196
00:09:38,612 --> 00:09:41,281
I THINK WE GOT A MORTUARY
FOR US TO LOOK AT.
197
00:09:41,314 --> 00:09:43,550
OH, DO YOU?
198
00:09:43,584 --> 00:09:45,819
GO ON. LIE DOWN
IF YOU FEEL LIKE IT.
199
00:09:45,852 --> 00:09:47,588
I WAS GOING TO,
200
00:09:47,621 --> 00:09:50,924
BUT IF I NAP, I�LL NEVER
ADAPT TO THE TIME CHANGE.
201
00:09:50,957 --> 00:09:54,828
KENYON ?? A FRIEND OF MINE,
A FEMALE FORMER COLLEAGUE,
202
00:09:54,861 --> 00:09:57,664
IS HERE
AS A PRIVATE CITIZEN.
203
00:09:57,698 --> 00:09:59,933
NOW, IF IT COMES
TO BAITING CONOVER,
204
00:09:59,966 --> 00:10:01,568
SHE CAN GO FARTHER
205
00:10:01,602 --> 00:10:03,970
THAN SOME OF YOUR
REGULATIONS MIGHT ALLOW.
206
00:10:04,004 --> 00:10:06,139
KENYON ?? IS THAT
HER FIRST NAME OR LAST NAME?
207
00:10:06,172 --> 00:10:08,509
I?IT�S HER LAST NAME.
208
00:10:08,542 --> 00:10:12,078
I EXPECT SHE�LL BE
GETTING IN TOUCH.
209
00:10:12,112 --> 00:10:14,314
YOU WANT AN ASPIRIN
OR SOMETHING?
210
00:10:14,347 --> 00:10:15,916
NO, I�VE AN IBUPROFEN
211
00:10:15,949 --> 00:10:18,218
I�M GOING TO TAKE
IN A SECOND.
212
00:10:20,821 --> 00:10:21,988
ANDY...
213
00:10:23,456 --> 00:10:26,326
PLEASE KEEP IT
TO YOURSELF.
214
00:10:54,154 --> 00:10:55,856
HOW HAVE YOU BEEN,
RUPERT?
215
00:10:55,889 --> 00:10:57,691
WELL ENOUGH.
216
00:10:57,724 --> 00:10:58,859
KEEPING OUT OF TROUBLE.
217
00:10:58,892 --> 00:11:00,293
ARE YOU?
218
00:11:00,326 --> 00:11:02,696
EMPHATICALLY, YEAH.
219
00:11:02,729 --> 00:11:05,198
WE HAVE SOME HISTORY
IN THE TROUBLE AREA.
220
00:11:05,231 --> 00:11:07,400
SINCE I LOCKED YOU UP,
221
00:11:07,433 --> 00:11:09,870
YOU HAVEN�T EXPOSED YOURSELF
TO ANOTHER WOMAN.
222
00:11:09,903 --> 00:11:11,905
OH, NO, NO, I HAVEN�T.
223
00:11:11,938 --> 00:11:14,474
THANK GOD, I HAVE NOT.
224
00:11:14,508 --> 00:11:17,511
NOT ONE CHARGE
OF IT SINCE.
225
00:11:17,544 --> 00:11:19,680
DID YOU HIRE A NEW EMBALMER
IN THE LAST SIX WEEKS?
226
00:11:19,713 --> 00:11:21,147
NOT THAT I RECALL.
227
00:11:21,181 --> 00:11:22,516
LET�S GO AGAIN, RUPERT.
228
00:11:22,549 --> 00:11:24,751
IF YOU HIRED SOMEONE
WITH NO GREEN CARD
229
00:11:24,785 --> 00:11:26,853
IN THE LAST SIX WEEKS,
230
00:11:26,887 --> 00:11:29,055
AND YOU CAN SAVE YOUR LICENSE
ADMITTING IT NOW,
231
00:11:29,089 --> 00:11:30,824
WOULD YOU REMEMBER
A NEW EMBALMER
232
00:11:30,857 --> 00:11:32,926
FROM ENGLAND
GOING TO WORK FOR YOU?
233
00:11:32,959 --> 00:11:34,327
YES.
234
00:11:34,360 --> 00:11:36,697
WHAT�S HIS NAME?
235
00:11:36,730 --> 00:11:38,031
JIMMY CHEATHAM.
236
00:11:38,064 --> 00:11:41,101
DID HE SHOW YOU ANY I. D.?
237
00:11:41,134 --> 00:11:43,537
I, UH, NEGLECTED TO ASK.
238
00:11:44,705 --> 00:11:46,773
IS THAT HIM?
239
00:11:46,807 --> 00:11:48,842
OH, YES. YES, IT IS.
240
00:11:48,875 --> 00:11:50,944
HIS NAME�S ANDREW CONOVER.
241
00:11:50,977 --> 00:11:52,746
I SEE.
242
00:11:52,779 --> 00:11:56,082
JIMMY CHEATHAM�S THE NAME
OF A COP WHO�S FOLLOWED HIM.
243
00:11:56,116 --> 00:11:58,418
USING CHEATHAM�S NAME IS
CONOVER�S IDEA OF A JOKE.
244
00:11:58,451 --> 00:12:01,855
WHAT�S HE DONE, THEN ??
CONOVER?
245
00:12:01,888 --> 00:12:04,525
HE�S A SERIAL
RAPIST/MURDERER, RUPERT.
246
00:12:04,558 --> 00:12:06,727
OH, MY WORD.
OH, MY WORD.
247
00:12:06,760 --> 00:12:08,061
THIS IS SICKENING.
248
00:12:08,094 --> 00:12:10,697
YOU HAD NO IDEA HE�D BE
UP TO THAT KIND OF STUFF?
249
00:12:10,731 --> 00:12:13,099
HAS HE GOT A KEY
TO THE MORTUARY?
250
00:12:13,133 --> 00:12:16,269
NO, NOT TO THE MORTUARY
PROPER. ABSOLUTELY NOT.
251
00:12:16,302 --> 00:12:18,104
BUT HE DOES HAVE A KEY.
252
00:12:18,138 --> 00:12:19,305
TO THE WORK AREA.
253
00:12:19,339 --> 00:12:20,907
HE�D HAVE TO ??
254
00:12:20,941 --> 00:12:22,876
TO THE EMBALMING
AND REFRIGERATION AREA.
255
00:12:22,909 --> 00:12:24,878
AND YOU HAD NO IDEA
256
00:12:24,911 --> 00:12:27,113
WHAT HE MIGHT DO
DOWN THERE AT NIGHT.
257
00:12:27,147 --> 00:12:28,782
ABSOLUTELY NONE.
258
00:12:28,815 --> 00:12:31,885
SO WHEN WE COLLAR
THIS EVIL SON OF A BITCH,
259
00:12:31,918 --> 00:12:34,788
HE�S NOT GOING TO TELL US YOU
WERE IN THE CHEERING SECTION.
260
00:12:34,821 --> 00:12:36,322
HE�S NOT. HE�S NOT.
261
00:12:36,356 --> 00:12:38,792
IF HE DOES,
262
00:12:38,825 --> 00:12:42,062
THEN HE�S THE MOST
SICKENING SORT OF LIAR.
263
00:12:42,095 --> 00:12:45,165
YOU�RE GOING TO LET US SET UP
IN YOUR PLACE, RUPERT,
264
00:12:45,198 --> 00:12:46,232
AREN�T YOU?
265
00:12:46,266 --> 00:12:48,401
KEEP YOUR LICENSE?
266
00:12:48,434 --> 00:12:50,704
KEEP US BELIEVING
YOU DIDN�T WATCH?
267
00:12:58,612 --> 00:13:01,515
HE�S ALL RIGHT,
THOUGH ?? JIMMY?
268
00:13:01,548 --> 00:13:05,819
PROBABLY THAT TIME CHANGE
GOT HIM LYING DOWN UPSTAIRS.
269
00:13:05,852 --> 00:13:08,254
YEAH, IT THROWS
YOUR RHYTHMS OUT OF WHACK.
270
00:13:08,288 --> 00:13:12,626
COULD BE THE MIDDLE
OF THE NIGHT OVER THERE.
271
00:13:12,659 --> 00:13:15,328
Baldwin: THAT NICOLE CAME BY
WHEN I WAS DOING MY WEIGHTS.
272
00:13:15,361 --> 00:13:16,697
YEAH, HUH?
273
00:13:16,730 --> 00:13:18,364
BEEN OUT ALL NIGHT.
274
00:13:18,398 --> 00:13:22,135
SHE LOOKED LIKE
SHE MIGHT BE A PARTY TYPE.
275
00:13:22,168 --> 00:13:24,037
OH, IS THAT RIGHT, GREG?
276
00:13:24,070 --> 00:13:27,874
SUPERFICIAL
FIRST IMPRESSION.
277
00:13:30,844 --> 00:13:33,046
LOU SIMPKINS
GIVE YOU ATTITUDE?
278
00:13:33,079 --> 00:13:35,716
I DIDN�T TELL HIM NOTHING
TO GIVE ME ATTITUDE ABOUT.
279
00:13:35,749 --> 00:13:38,351
NOTHING ABOUT HOW HE GAVE
CHEATHAM A HAND JOB?
280
00:13:38,384 --> 00:13:40,687
JUST SAID WE HAD
A SAME PATTERN HOMICIDE.
281
00:13:40,721 --> 00:13:43,356
AND HE SAID
HE WAS COMING OVER.
282
00:13:43,389 --> 00:13:44,658
YEAH, ANDY.
283
00:13:44,691 --> 00:13:47,393
SO WHERE IS HE?
284
00:13:47,427 --> 00:13:49,362
THAT TWITCH
I. D.�d CONOVER.
285
00:13:49,395 --> 00:13:52,365
HIRED HIM AS AN EMBALMER
FIVE WEEKS AGO.
286
00:13:52,398 --> 00:13:54,034
WILL HE COOPERATE?
287
00:13:54,067 --> 00:13:56,703
SAID IF WE KEPT HIM HIS LICENSE,
WE COULD PUT HIS PLACE UP.
288
00:13:56,737 --> 00:13:59,472
Diane: WANT TO KNOW WHOSE NAME
CONOVER�S USING HERE?
289
00:13:59,506 --> 00:14:01,307
JIMMY CHEATHAM.
290
00:14:01,341 --> 00:14:02,909
USING A COP�S NAME.
291
00:14:02,943 --> 00:14:04,811
THIS ARROGANT
MURDERING PRICK.
292
00:14:04,845 --> 00:14:06,980
IS THE REAL JIMMY CHEATHAM
STILL LYING DOWN?
293
00:14:07,013 --> 00:14:09,015
YEAH. ANDY THINKS
IT�S THE TIME CHANGE.
294
00:14:09,049 --> 00:14:12,185
MY NAME IS ALICE KENYON.
295
00:14:12,218 --> 00:14:14,855
ANDY SIPOWICZ.
296
00:14:14,888 --> 00:14:17,858
I WORKED THE CASE YOUR
PARTNER�S INTERESTED IN.
297
00:14:17,891 --> 00:14:19,359
HELLO.
298
00:14:19,392 --> 00:14:21,361
ALICE KENYON ??
JIMMY CHEATHAM�S PARTNER.
299
00:14:21,394 --> 00:14:23,764
THIS IS DIANE RUSSELL ??
A FEMALE AMERICAN DETECTIVE.
300
00:14:23,797 --> 00:14:25,732
HOW�S IT GOING?
301
00:14:25,766 --> 00:14:27,033
HOW DO YOU DO?
302
00:14:27,067 --> 00:14:28,869
JILL KIRKENDALL, ALSO...
303
00:14:28,902 --> 00:14:30,336
DANNY SORENSON, MY PARTNER.
304
00:14:30,370 --> 00:14:32,773
GOOD TO KNOW YOU, ALICE.
305
00:14:32,806 --> 00:14:34,007
UH...
306
00:14:34,040 --> 00:14:37,911
GA?? UH, JOHN ??
OUR CIVILIAN AIDE.
307
00:14:37,944 --> 00:14:40,847
HELLO.
HELLO.
308
00:14:40,881 --> 00:14:43,617
YOU�RE HERE PRIVATELY,
RIGHT?
309
00:14:43,650 --> 00:14:45,451
YEAH, I�M HERE
ON HOLIDAY.
310
00:14:45,485 --> 00:14:47,554
AS A PRIVATE CITIZEN,
SHE�S HERE,
311
00:14:47,588 --> 00:14:50,290
SO THOSE PAIN?IN?THE?BALLS
ENTRAPMENT STATUTES,
312
00:14:50,323 --> 00:14:53,527
IF ?? IF SHE WERE INVOLVED
TRYING TO GRAB THIS GUY,
313
00:14:53,560 --> 00:14:54,895
THOSE WOULDN�T APPLY.
314
00:14:54,928 --> 00:14:57,063
YOU WANT A BEVERAGE?
315
00:14:57,097 --> 00:14:57,964
DO YOU HAVE TEA?
316
00:14:57,998 --> 00:14:59,600
YEAH.
317
00:14:59,633 --> 00:15:01,334
YEAH, YEAH, COME ON.
318
00:15:06,640 --> 00:15:08,408
OH, GOD.
319
00:15:08,441 --> 00:15:09,943
UM...
320
00:15:09,976 --> 00:15:11,878
ALICE KENYON,
TWO MORE DETECTIVES ??
321
00:15:11,912 --> 00:15:13,914
MEDAVOY AND JONES.
322
00:15:13,947 --> 00:15:15,148
GREG MEDAVOY.
323
00:15:15,181 --> 00:15:16,883
BALDWIN JONES.
324
00:15:16,917 --> 00:15:18,218
THERE�S YOUR
TEA MATERIALS ??
325
00:15:18,251 --> 00:15:20,587
YOUR WATER AND YOUR CUPS
AND YOUR SUGAR.
326
00:15:20,621 --> 00:15:22,255
GOT OUR TEA
IN THE BAGS THERE.
327
00:15:22,288 --> 00:15:23,323
THANK YOU.
328
00:15:23,356 --> 00:15:24,891
YOU�RE WELCOME.
329
00:15:24,925 --> 00:15:26,927
SHE�LL WORK
WITH JIMMY CHEATHAM,
330
00:15:26,960 --> 00:15:28,962
THIS ENGLISH COP
YOU HAVEN�T MET YET,
331
00:15:28,995 --> 00:15:31,097
AND THE GUY THAT WE LIKE
FOR THIS HOMICIDE.
332
00:15:31,131 --> 00:15:32,733
WHERE IS JIMMY?
333
00:15:32,766 --> 00:15:36,837
UM, HE�S UPSTAIRS
LYING DOWN. RESTING.
334
00:15:36,870 --> 00:15:39,673
IS HE RESTING COMFORTABLY?
335
00:15:39,706 --> 00:15:42,242
HE�S COMFORTABLE ENOUGH
UP THERE.
336
00:15:42,275 --> 00:15:45,679
PROBABLY
HE�LL BE DOWN SOON.
337
00:15:47,013 --> 00:15:49,149
HE DID HIS SECOND
HOMICIDE ?? CONOVER?
338
00:15:49,182 --> 00:15:52,152
WE KNOW WHERE HE IS NOW ??
THE MORTUARY HE WORKS AT.
339
00:15:52,185 --> 00:15:53,987
IS THAT RIGHT?
340
00:15:54,020 --> 00:15:55,822
DIANE AND JILL
JUST GOT IT.
341
00:15:55,856 --> 00:15:57,357
HAVE YOU EVIDENCE?
342
00:15:57,390 --> 00:16:00,827
WE CAN START
WATCHING HIM, THOUGH.
343
00:16:00,861 --> 00:16:02,996
HAS HE GOT
A USUAL SPACING?
344
00:16:03,029 --> 00:16:04,831
THE THIRD COMES
FASTER THAN THE SECOND.
345
00:16:04,865 --> 00:16:07,267
START SITTING
ON HIM, HUH?
346
00:16:07,300 --> 00:16:08,935
IN ENGLAND, I WAS MIKED.
347
00:16:08,969 --> 00:16:11,638
I COULDN�T LET HIM
LAY HANDS ON ME.
348
00:16:11,672 --> 00:16:12,372
DID HE MAKE YOU
FOR A COP?
349
00:16:12,405 --> 00:16:13,439
NO, HE DIDN�T.
350
00:16:13,473 --> 00:16:14,708
GOOD.
351
00:16:14,741 --> 00:16:16,176
I NEEDN�T WEAR
A MIKE HERE.
352
00:16:16,209 --> 00:16:17,578
REALLY?
353
00:16:19,312 --> 00:16:21,014
MAY I SEE JIMMY?
354
00:16:21,047 --> 00:16:23,984
WHY DON�T YOU SHOW HER
WHERE THE CRIB IS?
355
00:16:24,017 --> 00:16:25,519
COME ON, ALICE.
356
00:16:25,552 --> 00:16:27,521
AND KNOCK
BEFORE YOU WALK IN.
357
00:16:27,554 --> 00:16:28,689
LET HIM KNOW
YOU�RE COMING IN, YOU KNOW.
358
00:16:28,722 --> 00:16:30,591
GOOD, STRONG KNOCK.
359
00:16:35,161 --> 00:16:37,564
[ SIGHS ]
360
00:16:37,598 --> 00:16:39,633
WHY WOULD YOU ASK
BALDWIN TO KNOCK?
361
00:16:39,666 --> 00:16:42,302
WHERE ARE THESE
PEOPLE FROM, MEDAVOY?
362
00:16:42,335 --> 00:16:43,303
ENGLAND.
363
00:16:43,336 --> 00:16:44,671
ALL RIGHT.
364
00:16:44,705 --> 00:16:46,740
THAT�S WHAT I�M SAYING.
365
00:16:48,875 --> 00:16:51,244
DETECTIVE SIMPKINS
IS PARKING HIS CAR.
366
00:16:51,277 --> 00:16:53,680
WE�RE IN FOR SIMPKINS
WITH THE BOSS?
367
00:16:53,714 --> 00:16:55,248
I�LL TELL YOU SOMETHING.
368
00:16:55,281 --> 00:16:57,250
WHATEVER SALARY
THEM DIPLOMATS MAKE
369
00:16:57,283 --> 00:17:00,987
THAT WORK AT THE U. N.,
THEY ARE UNDERPAID.
370
00:17:01,021 --> 00:17:02,923
YOU KNOW THE AMERICAN WRITER
JAMES BALDWIN?
371
00:17:02,956 --> 00:17:04,558
I�M ACTUALLY
NAMED AFTER HIM.
372
00:17:04,591 --> 00:17:06,593
ARE YOU?
373
00:17:06,627 --> 00:17:08,829
OH, ALICE.
ALICE KENYON.
374
00:17:08,862 --> 00:17:10,230
HELLO, JIMMY.
375
00:17:10,263 --> 00:17:12,533
JIMMY CHEATHAM.
376
00:17:12,566 --> 00:17:14,034
BALDWIN JONES.
I�M A DETECTIVE.
377
00:17:14,067 --> 00:17:16,102
OH. HOW�S IT GOING,
BALDWIN?
378
00:17:16,136 --> 00:17:17,337
SORRY.
379
00:17:17,370 --> 00:17:19,105
OH.
380
00:17:19,139 --> 00:17:21,341
THERE�S LOU SIMPKINS
OF THE 25th PRECINCT.
381
00:17:21,374 --> 00:17:24,010
BLOKE THAT GAVE YOU
THE RUB?OFF?
382
00:17:24,044 --> 00:17:25,111
THEY�RE GOING
TO CATCH HIM UP,
383
00:17:25,145 --> 00:17:26,780
AND I�D LIKE
TO BE IN ON IT.
384
00:17:26,813 --> 00:17:28,281
EXCUSE ME, OLD GIRL.
SURE.
385
00:17:28,314 --> 00:17:29,950
Lou: LOU SIMPKINS
TO SEE LIEUTENANT FANCY.
386
00:17:29,983 --> 00:17:32,185
John: STRAIGHT AHEAD
THROUGH THAT DOOR.
387
00:17:32,218 --> 00:17:35,522
OH, BALDWIN,
WHERE�S YOUR LAVATORY?
388
00:17:35,556 --> 00:17:36,757
OH. FOOT OF THE STAIRS.
389
00:17:36,790 --> 00:17:39,425
OH. THANK YOU.
GOOD TO MEET YOU.
390
00:17:39,459 --> 00:17:40,260
GOOD TO MEET YOU,
JIMMY.
391
00:17:49,302 --> 00:17:52,038
HEY, GUYS, LIEUTENANT.
392
00:17:52,072 --> 00:17:53,373
YOU KNOW
DANNY SORENSON?
393
00:17:53,406 --> 00:17:54,541
LOU SIMPKINS.
394
00:17:54,575 --> 00:17:55,842
GOOD TO KNOW YOU.
395
00:17:57,611 --> 00:17:59,379
YOU THINK WE�RE WORKING
THE SAME GUY ??
396
00:17:59,412 --> 00:18:00,581
Arthur:
IT�S LOOKING LIKE THAT.
397
00:18:00,614 --> 00:18:02,916
HOW HE TAPED THE PANTIES,
BLEW HIS LOAD?
398
00:18:02,949 --> 00:18:05,385
YEAH.
399
00:18:05,418 --> 00:18:06,787
Danny:
COME ON IN, JIMMY.
400
00:18:08,088 --> 00:18:09,756
YOU REMEMBER
JIMMY CHEATHAM?
401
00:18:09,790 --> 00:18:10,791
YEAH.
HOW�S IT GOING?
402
00:18:10,824 --> 00:18:12,793
HOW�S IT GOING?
403
00:18:12,826 --> 00:18:14,628
YOU�RE THE GUY
THAT GAVE ME THE PUSH
404
00:18:14,661 --> 00:18:16,296
ON MY PERP
BEING ENGLISH.
405
00:18:16,329 --> 00:18:18,464
YEAH.
TURNS OUT HE IS.
406
00:18:18,498 --> 00:18:19,800
IS THAT RIGHT?
407
00:18:19,833 --> 00:18:21,434
IS THAT RIGHT?
408
00:18:21,467 --> 00:18:23,069
GOOD FOR YOU.
409
00:18:23,103 --> 00:18:24,771
TURNS OUT HE WAS ENGLISH
AND AN EMBALMER,
410
00:18:24,805 --> 00:18:26,973
WHICH JIMMY ALSO GAVE US.
411
00:18:27,007 --> 00:18:29,610
AND HIS NAME�S
ANDREW CONOVER,
412
00:18:29,643 --> 00:18:31,344
WHICH JIMMY
ALSO GAVE YOU.
413
00:18:31,377 --> 00:18:33,514
ANYTHING COME UP
ON ANDREW CONOVER?
414
00:18:33,547 --> 00:18:35,816
NO, HE�S USING A DIFFERENT
NAME OVER HERE.
415
00:18:35,849 --> 00:18:37,350
YEAH, WELL,
�CAUSE ANDREW CONOVER ??
416
00:18:37,383 --> 00:18:39,119
I RAN THE NAME.
417
00:18:39,152 --> 00:18:40,587
EMBALMER WOULD HAVE BEEN
NICE TO HEAR.
418
00:18:40,621 --> 00:18:42,155
YOU GOT A PLACE
OFF EMBALMER?
419
00:18:42,188 --> 00:18:45,692
YEAH.
WE GOT A PLACE.
420
00:18:45,726 --> 00:18:48,962
WHAT THE GUY�S ACT WAS
AND A WAY TO LOOK FOR HIM
421
00:18:48,995 --> 00:18:50,531
WOULD�VE BEEN
NICE TO HEAR.
422
00:18:50,564 --> 00:18:52,432
NICE ENOUGH YOU�D ASK?
423
00:18:52,465 --> 00:18:54,434
WHAT�S THAT
SUPPOSED TO MEAN?
424
00:18:54,467 --> 00:18:57,137
PROBABLY YOU HAD THREE OR FOUR
THINGS GOING SIMULTANEOUS.
425
00:18:57,170 --> 00:18:59,806
YOU HAD TO PRIORITIZE
WHAT YOU WERE LOOKING AT.
426
00:18:59,840 --> 00:19:02,008
THAT WAS
WHAT WAS GOING ON.
427
00:19:02,042 --> 00:19:03,143
PRIORITIZING,
428
00:19:03,176 --> 00:19:05,879
SOMEBODY�S GOT
TO GET JERKED OFF.
429
00:19:05,912 --> 00:19:08,014
SO WHILE YOU GUYS
COLLAR UP,
430
00:19:08,048 --> 00:19:10,450
BECAUSE I DIDN�T REACH
DOWN THIS GUY�S THROAT
431
00:19:10,483 --> 00:19:11,985
AND YANK UP ALL HE HAD,
432
00:19:12,018 --> 00:19:13,987
I END UP HOLDING THE BAG.
IS THAT HOW IT WORKS?
433
00:19:14,020 --> 00:19:15,989
IS THAT THE WAY YOU THINK
IT�S GOING TO WORK?
434
00:19:16,022 --> 00:19:17,290
YEAH. THAT�S WHY
WE CALLED YOU UP HERE ??
435
00:19:17,323 --> 00:19:18,859
TO CUT YOU OUT
OF THE PLAY.
436
00:19:18,892 --> 00:19:21,394
YOU WANT ME
TO WORK IT WITH YOU?
437
00:19:21,427 --> 00:19:23,463
I�LL BE HAPPY
TO WORK IT ??
438
00:19:23,496 --> 00:19:25,365
SHARE INFORMATION,
EVERYTHING ELSE.
439
00:19:26,833 --> 00:19:30,403
Arthur:
WHY DON�T WE DO THAT?
440
00:19:30,436 --> 00:19:31,738
IT�S JIMMY, RIGHT?
441
00:19:31,772 --> 00:19:33,373
JIMMY CHEATHAM. YES.
442
00:19:33,406 --> 00:19:37,811
BELIEVE ME. I HEAR EMBALMER,
I�M ALL OVER THAT.
443
00:19:37,844 --> 00:19:39,212
WELL,
MY MISTAKE, THEN.
444
00:19:39,245 --> 00:19:40,847
WHAT IS THAT?
445
00:19:40,881 --> 00:19:41,882
I�M GETTING SOME ATTITUDE
OFF OF YOU NOW?
446
00:19:41,915 --> 00:19:43,984
OH, NO, I GOT NO ATTITUDE.
447
00:19:44,017 --> 00:19:45,151
WHAT ARE YOU LOOKING AT,
SIPOWICZ?
448
00:19:45,185 --> 00:19:46,653
NOTHING.
449
00:19:46,687 --> 00:19:48,855
SAYING THAT�S WHO I AM?
I�M NOTHING.
450
00:19:48,889 --> 00:19:50,323
NO, YOU�RE A GUY
WITHOUT THE BALLS
451
00:19:50,356 --> 00:19:51,925
TO ADMIT A MISTAKE.
452
00:19:51,958 --> 00:19:53,994
MAYBE I HAVEN�T MADE
AS MANY AS YOU
453
00:19:54,027 --> 00:19:55,596
TO GET
THE HANG OF IT.
454
00:19:55,629 --> 00:19:56,830
YOU KNOW, I GOT
A GOOD, STRONG FEELING
455
00:19:56,863 --> 00:19:59,499
ONE OF THE THINGS
YOU WERE BUSY PRIORITIZING
456
00:19:59,533 --> 00:20:02,536
THAT MADE YOU MISS WHAT CHEATHAM
HAD FOR YOU, SIMPKINS,
457
00:20:02,569 --> 00:20:04,671
WAS HOW TO GET WHEREVER
IN YOUR SQUAD
458
00:20:04,705 --> 00:20:05,839
YOU HAD YOUR BOTTLE HID,
459
00:20:05,872 --> 00:20:07,508
WHICH MAY BE
THE PROBLEM
460
00:20:07,541 --> 00:20:10,611
THAT�S PISSING YOU OFF,
MAKING YOU SO SENSITIVE.
461
00:20:10,644 --> 00:20:14,014
THAT�S COMING FROM ONE OF
THE KNOWN FALL?DOWN DRUNKS
462
00:20:14,047 --> 00:20:15,081
ON OUR JOB HERE,
JIMMY.
463
00:20:15,115 --> 00:20:16,517
WHO WOULD KNOW
THE SIGNS BETTER?
464
00:20:16,550 --> 00:20:20,621
LOU, YOU SHOULD RECONSIDER
US ALL WORKING TOGETHER.
465
00:20:20,654 --> 00:20:22,623
THERE GOES COOPERATION
RIGHT OUT THE WINDOW.
466
00:20:22,656 --> 00:20:25,091
YEAH. BETTER COOPERATION
THAN YOU.
467
00:20:25,125 --> 00:20:26,860
I WANT TO BE
KEPT APPRISED.
468
00:20:26,893 --> 00:20:28,695
GOOD.
STICK BY YOUR PHONE.
469
00:20:28,729 --> 00:20:30,897
AND I DON�T WANT NO RUMORS
CIRCULATING ABOUT ME AND BOOZE.
470
00:20:39,439 --> 00:20:40,774
I DIDN�T MEAN
TO JUMP YOUR PLAY.
471
00:20:40,807 --> 00:20:42,442
NAH.
472
00:20:42,475 --> 00:20:44,310
I�M GETTING TO THAT AGE,
YOU KNOW?
473
00:21:03,597 --> 00:21:05,165
THANK YOU.
474
00:21:05,198 --> 00:21:06,099
SURE.
475
00:21:08,602 --> 00:21:09,936
YOU�RE NOT
THE FORGETFUL TYPE,
476
00:21:09,970 --> 00:21:11,972
ARE YOU, ALICE?
477
00:21:12,005 --> 00:21:12,973
WHO WALKS AWAY
FROM HER PURSE
478
00:21:13,006 --> 00:21:16,610
THAT HAS
THE TRANSMITTER? NO.
479
00:21:16,643 --> 00:21:19,145
NOT TO SAY A GUY LIKE THIS
WOULDN�T TOSS A PURSE.
480
00:21:19,179 --> 00:21:20,847
TOSS MUST MEAN
SOMETHING DIFFERENT OVER HERE.
481
00:21:20,881 --> 00:21:23,283
"TOSS" MEANING THE GUY
MIGHT GO THROUGH YOUR PURSE
482
00:21:23,316 --> 00:21:24,918
TO SEE WHAT�S INSIDE,
483
00:21:24,951 --> 00:21:26,920
MAYBE JUST LOOKING
FOR MACE OR A RAZOR.
484
00:21:26,953 --> 00:21:28,922
I�M NOT WEARING
A BODY MIKE, BALDWIN.
485
00:21:28,955 --> 00:21:31,491
LAST TIME IT STOPPED ME
FROM SHOWING HIM
486
00:21:31,525 --> 00:21:32,425
WHAT HE NEEDED TO SEE.
487
00:21:32,458 --> 00:21:35,428
MEANING TO GET HIM
TO TRY TO STRANGLE YOU.
488
00:21:35,461 --> 00:21:38,198
I WON�T WEAR ONE.
489
00:21:38,231 --> 00:21:40,133
I�M BRIMMING
WITH CONFIDENCE
490
00:21:40,166 --> 00:21:41,134
AT YOUR
SURVEILLANCE TECHNIQUE.
491
00:21:43,136 --> 00:21:44,805
I�LL BE WATCHING.
492
00:21:44,838 --> 00:21:45,706
HE WAS
MY FAVORITE WRITER ??
493
00:21:45,739 --> 00:21:47,040
JAMES BALDWIN.
494
00:22:02,823 --> 00:22:05,125
Man: 3, 4, 5 IS $10.
495
00:22:05,158 --> 00:22:06,827
Alice: THANK YOU.
496
00:22:14,434 --> 00:22:16,369
ARE YOU FROM LONDON?
497
00:22:16,402 --> 00:22:18,038
SOUTH AFRICA.
498
00:22:18,071 --> 00:22:21,174
YEAH, BUT DID YOU LIVE
IN LONDON LAST YEAR?
499
00:22:21,207 --> 00:22:24,010
YOUR HAIR IS LONGER.
500
00:22:24,044 --> 00:22:26,513
YEAH.
I�VE GONE NATIVE.
501
00:22:26,547 --> 00:22:27,914
UM...NO.
502
00:22:27,948 --> 00:22:30,150
NO, UM, DON�T GO.
503
00:22:30,183 --> 00:22:32,052
LET�S, UH,
LET�S TAKE A WALK.
504
00:22:33,754 --> 00:22:35,522
ANDREW, YEAH?
505
00:22:35,556 --> 00:22:36,890
DREWY.
506
00:22:36,923 --> 00:22:38,859
ALICE.
507
00:22:38,892 --> 00:22:40,861
THE GIRL
WHO GOT SHY.
508
00:22:40,894 --> 00:22:42,863
WELL, UNDER
THE CIRCUMSTANCES.
509
00:22:42,896 --> 00:22:45,866
I WAS,
UH, INAPPROPRIATE.
510
00:22:45,899 --> 00:22:48,869
FOR OUR BEING IN A PARK,
YES, YOU WERE.
511
00:22:48,902 --> 00:22:51,872
WELL, NOW�S MY CHANCE
TO APOLOGIZE.
512
00:22:51,905 --> 00:22:53,674
YOU GOT LOVELY BREASTS.
513
00:22:53,707 --> 00:22:56,342
THAT�S ALL I CAN SAY
IN MY DEFENSE.
514
00:22:56,376 --> 00:22:58,344
APOLOGY AND COMPLIMENT
ACCEPTED.
515
00:22:58,378 --> 00:23:00,714
GOT A CLASSY LINE,
THIS ASSHOLE.
516
00:23:00,747 --> 00:23:03,249
YOU TAKING MANHATTAN
BY STORM THEN, ALICE?
517
00:23:03,283 --> 00:23:04,885
OH, NOT EXACTLY.
518
00:23:04,918 --> 00:23:08,088
I�M A RECEPTIONIST
AT A PUBLIC RELATIONS FIRM.
519
00:23:08,121 --> 00:23:09,523
THEY LIKE YOUR ACCENT,
DO THEY?
520
00:23:09,556 --> 00:23:10,724
I SUPPOSE.
521
00:23:10,757 --> 00:23:12,526
THEY�RE WALKING
AT THE VAN.
522
00:23:12,559 --> 00:23:15,028
DO YOU WANT TO KNOW
WHAT I�M DOING HERE?
523
00:23:15,061 --> 00:23:16,396
I DIDN�T THINK TO ASK.
524
00:23:16,429 --> 00:23:18,398
YOU PUT ME OFF STRIDE,
YOU KNOW?
525
00:23:18,431 --> 00:23:20,233
IN WHAT WAY?
526
00:23:20,266 --> 00:23:23,604
YOU JUST MAKE ME
A LITTLE NERVOUS.
527
00:23:23,637 --> 00:23:25,606
I�M DOING EMBALMING.
528
00:23:25,639 --> 00:23:27,307
OF DEAD PEOPLE?
529
00:23:27,340 --> 00:23:29,943
WELL, EMBALMING THE LIVING
IS A CRIME.
530
00:23:29,976 --> 00:23:31,578
I THINK IN LONDON
531
00:23:31,612 --> 00:23:33,914
YOU TOLD ME YOU WERE
DOING LANDSCAPING.
532
00:23:33,947 --> 00:23:35,916
OH. I TOLD A FIB.
533
00:23:35,949 --> 00:23:37,618
YOU WERE AN EMBALMER
IN LONDON AS WELL?
534
00:23:37,651 --> 00:23:39,620
I�M MUCH MORE
STRAIGHTFORWARD
535
00:23:39,653 --> 00:23:41,755
SINCE I�VE GOT HERE
ABOUT WHAT I DO.
536
00:23:41,788 --> 00:23:45,759
IF I TOOK YOU
TO WHERE I WORK, ALICE,
537
00:23:45,792 --> 00:23:49,429
WOULD THOSE CIRCUMSTANCES
MAKE YOU SHY AS WELL?
538
00:23:49,462 --> 00:23:52,733
IT�S WHERE I LIVE, TOO,
YOU SEE?
539
00:23:52,766 --> 00:23:54,735
I DON�T KNOW.
540
00:23:54,768 --> 00:23:57,470
IS IT ALL TOGETHER ??
WHERE YOU WORK AND LIVE?
541
00:23:57,504 --> 00:23:58,939
WELL, WHY DON�T
YOU COME AND SEE?
542
00:23:58,972 --> 00:24:01,407
I SUPPOSE THAT MIGHT
BE INTERESTING.
543
00:24:01,441 --> 00:24:02,976
WILL YOU COME
TOMORROW NIGHT?
544
00:24:03,009 --> 00:24:04,578
TOMORROW NIGHT?
WHAT�S THAT ABOUT?
545
00:24:04,611 --> 00:24:08,148
EASY ON, ALICE.
GENTLE ON THE REEL.
546
00:24:08,181 --> 00:24:10,584
NO, I�D RATHER DO SOMETHING
SPUR OF THE MOMENT.
547
00:24:10,617 --> 00:24:12,085
REALLY?
548
00:24:12,118 --> 00:24:14,655
YEAH. BY TOMORROW NIGHT
I MIGHT BE TOO AFRAID.
549
00:24:14,688 --> 00:24:17,524
IT�S ALL RIGHT
TO BE AFRAID, ALICE.
550
00:24:17,558 --> 00:24:19,826
BEING A LITTLE AFRAID
IS EXCITING.
551
00:24:19,860 --> 00:24:22,863
ALL RIGHT, THEN.
552
00:24:22,896 --> 00:24:25,632
I GUESS TOMORROW NIGHT�S
ALL RIGHT.
553
00:24:25,666 --> 00:24:28,602
YOU GOT SOMETHING IN YOUR PURSE
I CAN WRITE WITH?
554
00:24:28,635 --> 00:24:30,303
OH, BOY. THE PURSE.
555
00:24:30,336 --> 00:24:32,338
NO. WHY DON�T WE MEET
RIGHT HERE
556
00:24:32,372 --> 00:24:34,140
AT JUST THE SAME TIME?
557
00:24:34,174 --> 00:24:36,376
ALL RIGHT, THEN.
558
00:24:36,409 --> 00:24:38,144
THAT�S
A LITTLE EXCITING, TOO.
559
00:24:38,178 --> 00:24:40,146
GOOD, ALICE.
560
00:24:40,180 --> 00:24:42,683
RIGHT HERE, THEN.
561
00:24:42,716 --> 00:24:47,120
ALL RIGHT.
562
00:24:47,153 --> 00:24:49,656
YOU KNOW, ALL OF THIS HAS
MADE ME BELIEVE IN FATE.
563
00:24:49,690 --> 00:24:52,893
AND ?140 AIRFARES.
564
00:24:52,926 --> 00:24:54,294
YOU�RE A CLEVER GIRL.
565
00:24:54,327 --> 00:24:56,062
GOT THAT RIGHT,
ASSHOLE.
566
00:24:56,096 --> 00:24:58,064
YOU DON�T WORK ONE
ANY BETTER THAN THAT.
567
00:24:58,098 --> 00:25:00,667
YES.
SHE�S VERY GOOD.
568
00:25:21,121 --> 00:25:24,357
DO YOU THINK HE INTENDS
TO MEET HER TONIGHT?
569
00:25:24,390 --> 00:25:25,759
DEFINITELY.
570
00:25:25,792 --> 00:25:27,828
HE DIDN�T MAKE HER.
571
00:25:27,861 --> 00:25:29,429
PROBABLY GOT
SOME ROUTINE
572
00:25:29,462 --> 00:25:31,497
HE�S GOT TO GO THROUGH
IN HIS HEAD.
573
00:25:31,532 --> 00:25:33,667
I THINK ANDY�S
ABSOLUTELY ONTO IT.
574
00:25:33,700 --> 00:25:35,435
WHEN HE GOT BACK
TO THE MORTUARY,
575
00:25:35,468 --> 00:25:37,070
D. AND I WATCHED
THIS CONOVER
576
00:25:37,103 --> 00:25:39,072
ON THE SURVEILLANCE CAMERAS
WE PUT IN THERE.
577
00:25:39,105 --> 00:25:41,107
HE WAS GOING AROUND
THE EMBALMING ROOM
578
00:25:41,141 --> 00:25:44,110
LIKE HE HAD SOME RITUAL.
579
00:25:44,144 --> 00:25:45,378
FEELS LIKE I COULD BE
ONTO SOMETHING,
580
00:25:45,411 --> 00:25:46,947
THIS GUY HAVING
A SCREW LOOSE.
581
00:25:46,980 --> 00:25:48,615
HOW�D CHEATHAM HOLD UP?
582
00:25:48,649 --> 00:25:49,850
GOOD.
583
00:25:49,883 --> 00:25:51,451
Andy:
WHAT DO YOU MEAN?
584
00:25:51,484 --> 00:25:53,920
HE�S OLDER. I WAS ASKING
IF HE GOT TIRED
585
00:25:53,954 --> 00:25:55,121
ON THE SURVEILLANCE.
586
00:25:55,155 --> 00:25:57,157
NO, HE GOT
NORMALLY TIRED.
587
00:25:59,225 --> 00:26:01,962
I CAN GIVE HIM
A MESSAGE...
588
00:26:01,995 --> 00:26:04,397
NICOLE, YOU ASKING 57 WAYS
WHAT I�M WORKING ON
589
00:26:04,430 --> 00:26:05,899
IS NOT MY IDEA
OF A CONVERSATION.
590
00:26:12,272 --> 00:26:14,808
ANYWAYS, TONIGHT COULD BE
A LONG ONE, TOO.
591
00:26:14,841 --> 00:26:16,510
TAKE CARE.
592
00:26:19,145 --> 00:26:21,114
DON�T WORRY
ABOUT NOTHING.
593
00:26:21,147 --> 00:26:22,616
MEDAVOY TOOK NOTES.
594
00:26:33,760 --> 00:26:35,328
MORNING.
595
00:26:35,361 --> 00:26:36,963
MORNING, BALDWIN.
596
00:26:36,997 --> 00:26:39,165
DID YOU GET
SOME SLEEP?
597
00:26:39,199 --> 00:26:40,567
I DON�T KNOW
IF IT�S THE TIME DIFFERENCE
598
00:26:40,601 --> 00:26:42,969
OR MY HOTEL ROOM BEING
NEXT TO AN ELEVATOR SHAFT.
599
00:26:43,003 --> 00:26:44,905
NOT TO MENTION
SEEING CONOVER.
600
00:26:44,938 --> 00:26:48,474
I JUST WANTED IT
TO BE OVER LAST NIGHT.
601
00:26:48,509 --> 00:26:51,411
WE GOT HIS ROOM
IN WARRANT WHEN HE LEAVES.
602
00:26:51,444 --> 00:26:54,447
THERE�S TWO DEAD
SINCE WE LOST HIM.
603
00:26:54,480 --> 00:26:55,516
YEAH, WELL, NO ONE�S
GOING TO GET HURT
604
00:26:55,549 --> 00:26:56,550
BEFORE WE MOVE
ON THIS PRICK.
605
00:26:58,552 --> 00:27:00,020
AHEM.
606
00:27:00,053 --> 00:27:02,523
EXCUSE MY LANGUAGE.
607
00:27:02,556 --> 00:27:05,458
OH, THAT�S ALL RIGHT,
BALDWIN.
608
00:27:05,491 --> 00:27:07,493
COUPLE TIMES LAST NIGHT
I LOOKED AT HIM.
609
00:27:07,528 --> 00:27:09,162
HE WAS
IN SERIOUS PAIN.
610
00:27:09,195 --> 00:27:12,165
YESTERDAY WHEN I WALKED IN
ON HIM IN THE CRIB,
611
00:27:12,198 --> 00:27:13,667
HE WAS DOUBLED OVER ??
JIMMY.
612
00:27:13,700 --> 00:27:15,702
YEAH. I THINK
HE�S PRETTY SICK.
613
00:27:15,736 --> 00:27:18,404
HE ASKED ME
NOT TO SAY NOTHING.
614
00:27:21,542 --> 00:27:23,143
WHEN WE TAKE THIS GUY,
615
00:27:23,176 --> 00:27:25,145
I DON�T WANT HIM DOING
NO HEAVY LIFTING,
616
00:27:25,178 --> 00:27:26,980
WHY I BETRAY
THE CONFIDENCE.
617
00:27:27,013 --> 00:27:28,081
YEAH. SURE.
618
00:27:35,055 --> 00:27:36,456
GOOD MORNING.
619
00:27:36,489 --> 00:27:37,558
GOOD MORNING.
HOW ARE YOU?
620
00:27:43,897 --> 00:27:45,231
HOW�S IT GOING?
621
00:27:45,265 --> 00:27:46,867
YEAH.
HOW�S IT GOING?
622
00:27:46,900 --> 00:27:48,101
HOW�S IT GOING,
JIMMY?
623
00:27:49,770 --> 00:27:51,237
HELLO.
624
00:27:51,271 --> 00:27:53,106
HELLO, YOUNG MAN.
625
00:28:02,849 --> 00:28:06,219
SHE HAS A VERY PROTECTIVE
IMPULSE TOWARD THAT JIMMY.
626
00:28:06,252 --> 00:28:07,921
DID YOU NOTICE THAT
627
00:28:07,954 --> 00:28:09,923
IN THE COURSE
OF THE DAY?
628
00:28:09,956 --> 00:28:13,493
Andrew: MY, UH, BOSS
LETS ME STAY HERE
629
00:28:13,527 --> 00:28:15,261
WHILE I SAVE
FOR SOMETHING PROPER.
630
00:28:15,295 --> 00:28:17,598
Alice: I SEE.
631
00:28:17,631 --> 00:28:21,668
THAT�S MY PERSONAL AREA
OVER THERE,
632
00:28:21,702 --> 00:28:25,238
AND THIS
IS WHERE I WORK,
633
00:28:25,271 --> 00:28:27,574
SUCH AS IT IS.
634
00:28:32,613 --> 00:28:35,281
AM I YOUR FIRST COMPANY
DOWN HERE?
635
00:28:35,315 --> 00:28:37,618
SHOULD
I TELL YOU THAT?
636
00:28:37,651 --> 00:28:39,620
WELL, YOU NEEDN�T BE
SO DISCREET.
637
00:28:39,653 --> 00:28:41,054
I WOULDN�T BE HERE
638
00:28:41,087 --> 00:28:42,055
IF I WEREN�T
THE CURIOUS TYPE,
639
00:28:42,088 --> 00:28:42,889
NOW WOULD I?
640
00:28:44,925 --> 00:28:46,459
I�M GOING
TO KISS YOU NOW.
641
00:28:48,461 --> 00:28:49,395
MAY I?
642
00:28:49,429 --> 00:28:51,064
SO POLITE.
643
00:28:58,471 --> 00:29:00,206
ALL RIGHT.
644
00:29:00,240 --> 00:29:05,278
THERE HAVE BEEN OTHERS.
645
00:29:05,311 --> 00:29:07,047
I�VE GOT ONE NOW.
646
00:29:07,080 --> 00:29:08,448
Andy:
STAY HERE, JIMMY.
647
00:29:08,481 --> 00:29:09,950
ABSOLUTELY NOT.
648
00:29:09,983 --> 00:29:11,818
STAY HERE, OR IT�S GOING
TO GIVE US LEGAL PROBLEMS.
649
00:29:11,852 --> 00:29:13,286
HE�S ABSOLUTELY RIGHT, JIMMY.
650
00:29:13,319 --> 00:29:15,255
I DOUBT THAT ONE
WALKED IN.
651
00:29:15,288 --> 00:29:16,523
NO.
652
00:29:19,626 --> 00:29:21,494
AREN�T YOU GOING TO ASK
FOR SOME MONEY?
653
00:29:21,528 --> 00:29:24,297
WON�T PRETEND
I COULDN�T USE SOME.
654
00:29:24,330 --> 00:29:26,132
100?
655
00:29:26,166 --> 00:29:27,934
DOLLARS, NOT QUID.
656
00:29:27,968 --> 00:29:29,803
ALL RIGHT.
657
00:29:29,836 --> 00:29:32,172
I�LL GIVE YOU $200,
ALICE,
658
00:29:32,205 --> 00:29:35,676
BECAUSE I�M GOING TO DO
SOME SPECIAL THINGS.
659
00:29:35,709 --> 00:29:36,610
I�D RATHER
YOU DIDN�T TALK TO ME
660
00:29:36,643 --> 00:29:38,244
LIKE A PROSTITUTE.
661
00:29:38,278 --> 00:29:40,280
I SAID I NEED MONEY.
662
00:29:40,313 --> 00:29:42,683
I�M NOT GOING TO START
BARTERING THE COST ??
663
00:29:42,716 --> 00:29:44,017
ALICE,
REMEMBER WHERE YOU ARE.
664
00:29:44,050 --> 00:29:46,252
YOU�RE HURTING ME.
YES.
665
00:29:46,286 --> 00:29:49,022
IS THAT THE SPECIAL THING
YOU WANT TO DO ??
666
00:29:49,055 --> 00:29:50,691
HURTING ME?
667
00:29:50,724 --> 00:29:53,126
I CAN ACCEPT THAT...
WITHIN REASON.
668
00:29:53,159 --> 00:29:55,195
AND WHAT ABOUT
BEYOND REASON, ALICE?
669
00:29:55,228 --> 00:29:57,831
YOU MISERABLE,
HYPOCRITE WHORE!
670
00:29:57,864 --> 00:29:59,465
WAIT. WAIT.
671
00:29:59,499 --> 00:30:00,834
YOU�LL GET HIM TO SAY
HE�S MURDERED.
672
00:30:00,867 --> 00:30:02,503
Alice: ARE YOU GOING
TO KILL ME?
673
00:30:02,536 --> 00:30:04,104
YOU BRING WOMEN HERE
TO KILL THEM.
674
00:30:04,137 --> 00:30:05,271
YES, ALICE.
675
00:30:05,305 --> 00:30:07,541
I HAVE MY WAY WITH THEM
RIGHT HERE.
676
00:30:07,574 --> 00:30:10,210
I KILL THEM
AND THEN I CARRY THEM AWAY.
677
00:30:10,243 --> 00:30:13,379
WE�RE GOING.
LET US DO OUR PROCEDURE.
678
00:30:13,413 --> 00:30:15,181
Alice: OKAY! OKAY!
OKAY! OKAY!
679
00:30:17,651 --> 00:30:20,821
LET HER GO,
OR YOU�RE DEAD IN THE ROOM.
680
00:30:20,854 --> 00:30:23,156
BACK OFF!
TURN AROUND!
681
00:30:23,189 --> 00:30:24,190
DON�T MOVE!
682
00:30:24,224 --> 00:30:26,059
YOU OKAY?
683
00:30:26,092 --> 00:30:28,161
IT�S JUST
GOING TO BRUISE.
684
00:30:28,194 --> 00:30:29,062
WHERE�S JIMMY?
685
00:30:29,095 --> 00:30:31,364
I�M HERE.
686
00:30:38,772 --> 00:30:41,141
HELLO, DREWY.
687
00:30:41,174 --> 00:30:44,545
NOW WE�RE ALL GOING TO HAVE
A LONG CHAT.
688
00:31:09,703 --> 00:31:10,604
THANKS, ANDY.
689
00:31:15,241 --> 00:31:17,210
SOME JOB
IN THERE, JIMMY.
690
00:31:17,243 --> 00:31:18,712
THANKS VERY MUCH.
691
00:31:25,986 --> 00:31:29,255
DIFFERENT WAYS
YOU BREAK THEIR WILLS.
692
00:31:29,289 --> 00:31:31,057
THIS JIMMY ??
693
00:31:31,091 --> 00:31:33,727
THE GUY KNOWS JIMMY�S
GOING TO OUTLAST HIM.
694
00:31:33,760 --> 00:31:35,762
I WOULD CONFESS,
GET THAT STARE OFF ME.
695
00:31:35,796 --> 00:31:38,298
DIDN�T LET HIM SEE
HE WAS SICK
696
00:31:38,331 --> 00:31:40,400
OR SHOW HIM WEAKNESS.
697
00:31:49,275 --> 00:31:51,111
I�M QUICK TO INTIMIDATION
698
00:31:51,144 --> 00:31:53,614
OR A SMACK
IN THE BACK OF THE HEAD,
699
00:31:53,647 --> 00:31:56,783
BUT IT�S GOOD YOU SEE
DIFFERENT TECHNIQUES.
700
00:31:56,817 --> 00:31:59,219
THAT�S THE TEXTBOOK WAY
701
00:31:59,252 --> 00:32:01,688
OF ANOTHER TYPE INTERVIEW.
702
00:32:14,100 --> 00:32:16,903
IT MEANT ANY AMOUNT,
BEING IN ON THE INTERVIEW.
703
00:32:16,937 --> 00:32:18,805
WELL, YOU HAD THE CUE
OF THE GUY, JIMMY.
704
00:32:18,839 --> 00:32:21,007
HOW LONG HE DID HIS ACT,
705
00:32:21,041 --> 00:32:22,909
ALL HE TRIED
TO GET AWAY FROM YOU ??
706
00:32:22,943 --> 00:32:24,678
CUTS HIM OFF,
SAYING HE WAS NUTS.
707
00:32:24,711 --> 00:32:27,781
YOU WANT TO CLEAR
YOUR NOTEBOOK.
708
00:32:27,814 --> 00:32:29,415
ANDY WAS SAYING
THE OTHER DAY.
709
00:32:29,449 --> 00:32:31,752
AS BEST YOU CAN
YOU WANT TO FIND OUT
710
00:32:31,785 --> 00:32:33,119
WHAT�S BEEN ON.
711
00:32:33,153 --> 00:32:34,487
SURE.
712
00:32:34,521 --> 00:32:36,456
MORNING.
713
00:32:36,489 --> 00:32:37,524
MORNING.
714
00:32:43,630 --> 00:32:45,498
SO, CONGRATULATIONS,
YOU KNOW?
715
00:32:45,532 --> 00:32:48,001
COLLARING UP.
GREAT.
716
00:32:48,034 --> 00:32:50,537
I WAS WONDERING
HOW BIG A BAG
717
00:32:50,571 --> 00:32:52,138
THE ENGLISH GUY�S
GOING TO HAND ME.
718
00:32:52,172 --> 00:32:54,775
WORKING THIS CONOVER
ALL THAT TIME,
719
00:32:54,808 --> 00:32:55,809
COMING OVER HERE
ON HIS OWN HOOK,
720
00:32:55,842 --> 00:32:58,144
FEELING LIKE
THIS EXTRA WOMAN DIED
721
00:32:58,178 --> 00:33:00,180
�CAUSE HE COULDN�T
GET YOU TO HEAR HIM...
722
00:33:00,213 --> 00:33:02,516
PUTS IT IN THAT LIGHT,
I COULD TAKE SOME BIG HIT.
723
00:33:04,751 --> 00:33:07,220
I?I WAS REMISS,
ALL RIGHT?
724
00:33:07,253 --> 00:33:09,155
IN HINDSIGHT
I WAS REMISS,
725
00:33:09,189 --> 00:33:11,491
AND I�D BE ABSOLUTELY READY
TO SAY THAT PERSONALLY
726
00:33:11,525 --> 00:33:13,359
TO THE ENGLISH GUY,
727
00:33:13,393 --> 00:33:15,328
AND I�M SAYING IT
TO YOU TWO PERSONALLY.
728
00:33:15,361 --> 00:33:18,131
I HOPE YOU WOULDN�T
HAVE TO PUT IT IN YOUR 5s.
729
00:33:18,164 --> 00:33:21,835
I COULD TAKE
SOME BIG HIT OFF IT.
730
00:33:21,868 --> 00:33:23,003
WE HEAR YOU, SIMPKINS.
731
00:33:23,036 --> 00:33:24,538
AND IF YOU WANT,
732
00:33:24,571 --> 00:33:27,140
I ADMIT I MIGHT HAVE A PROBLEM,
ALL RIGHT, SIPOWICZ?
733
00:33:27,173 --> 00:33:29,209
IS THAT GOING TO GET YOU
OFF MY BACK?
734
00:33:29,242 --> 00:33:31,177
IT�S NOT ME
ON THERE, SIMPKINS.
735
00:33:31,211 --> 00:33:33,647
ANYWAYS, WE�LL SEE
HOW THIS SHAKES OUT.
736
00:33:33,680 --> 00:33:35,849
YOU DON�T WANT ME
CRAWLING YET ON MY KNEES.
737
00:33:35,882 --> 00:33:36,883
NO.
738
00:33:36,917 --> 00:33:37,918
TELL THE ENGLISH GUY
739
00:33:37,951 --> 00:33:42,088
THAT I MADE THE CIRCUIT
ON MY KNEES.
740
00:33:42,122 --> 00:33:45,526
THE ENGLISH GUY�S NAME
IS JIMMY CHEATHAM.
741
00:33:45,559 --> 00:33:47,528
WHY DON�T YOU GO NOW?
742
00:33:47,561 --> 00:33:49,596
YEAH, SURE.
743
00:33:49,630 --> 00:33:51,565
I�M GOING TO GO.
744
00:33:56,703 --> 00:33:59,272
SEE IF JIMMY WANTS
TO SAVE THIS PRICK.
745
00:34:04,911 --> 00:34:08,014
OH, JUST HAVING SOME OF YOUR
OLD PARTNER�S EARL GREY.
746
00:34:08,048 --> 00:34:10,450
JIMMY, BELIEVE ME, THIS GUY ??
DEPENDENT ON THE STINK.
747
00:34:10,483 --> 00:34:11,952
SOMEBODY WANTED TO MAKE,
748
00:34:11,985 --> 00:34:14,054
LOU SIMPKINS COULD TAKE
SOME SERIOUS RIP.
749
00:34:14,087 --> 00:34:15,689
ABSOLUTELY.
750
00:34:15,722 --> 00:34:17,691
HIM NOT FILING A 5,
751
00:34:17,724 --> 00:34:19,926
THAT COULD BE
SOME SERIOUS RIP.
752
00:34:19,960 --> 00:34:22,763
ALL I HAD WHICH COULD
REALLY HAVE HELPED HIM
753
00:34:22,796 --> 00:34:25,031
WAS CONOVER�S LINE OF WORK,
754
00:34:25,065 --> 00:34:27,300
WHICH I NEVER GOT
TO TELL HIM ABOUT.
755
00:34:27,333 --> 00:34:29,469
�CAUSE SIMPKINS SENT YOU
ON YOUR WAY
756
00:34:29,503 --> 00:34:30,871
BEFORE YOU COULD.
757
00:34:30,904 --> 00:34:32,906
KEEP LOU SIMPKINS
OUT OF HARM�S WAY,
758
00:34:32,939 --> 00:34:34,708
EVERY REFERENCE
TO YOU FIRST REACHING OUT
759
00:34:34,741 --> 00:34:35,976
WOULD HAVE TO DISAPPEAR.
760
00:34:36,009 --> 00:34:38,812
WHICH OUR BOSS
IS NEVER GOING TO ALLOW,
761
00:34:38,845 --> 00:34:42,415
US DROPPING IT FROM OUR 5s
DEPENDENT ON YOUR ATTITUDE.
762
00:34:42,448 --> 00:34:44,718
�CAUSE SUPPOSE THEN YOU
WERE TO TALK ABOUT IT.
763
00:34:44,751 --> 00:34:47,621
WE LOOK LIKE
WE�RE SUPPRESSING EVIDENCE.
764
00:34:49,489 --> 00:34:51,925
YES, WELL, UH,
765
00:34:51,958 --> 00:34:55,161
I DIDN�T GET INTO THIS LINE
TO HURT OTHER COPS, DID I?
766
00:35:02,703 --> 00:35:06,272
THAT�S
A GENERAL NEW YORK MUG.
767
00:35:06,306 --> 00:35:08,441
GIVE HIM ONE
OF OUR MUGS, HUH?
768
00:35:08,474 --> 00:35:11,812
YEAH, WE�LL GET YOU
A DETECTIVE�S ENDOWMENT MUG.
769
00:35:11,845 --> 00:35:13,146
DO YOU HAVE ANY PINS?
770
00:35:13,179 --> 00:35:14,915
NO, NO, I DON�T.
771
00:35:14,948 --> 00:35:16,650
I GOT SOME PINS
IN MY DESK.
772
00:35:16,683 --> 00:35:19,019
I GOT SOME PINS.
773
00:35:19,052 --> 00:35:21,187
OR IN MY LOCKER ??
ONE OR THE OTHER.
774
00:35:21,221 --> 00:35:22,756
OH, THAT�S VERY KIND.
775
00:35:22,789 --> 00:35:26,126
HERE, THIS IS
D. E. A. PINS,
776
00:35:26,159 --> 00:35:30,296
AND THIS IS
A BIG APPLE PIN.
777
00:35:30,330 --> 00:35:32,365
I DON�T REMEMBER
WHO PUT THAT OUT.
778
00:35:32,398 --> 00:35:33,867
IS THAT THE SERGEANT�S?
779
00:35:33,900 --> 00:35:35,802
I DON�T KNOW.
780
00:35:35,836 --> 00:35:40,440
AND THESE ARE SOME D.E.A.
COURTESY CARDS.
781
00:35:40,473 --> 00:35:42,609
USED TO BE ABLE TO GET
ONE FREE MURDER
782
00:35:42,643 --> 00:35:43,844
WITH ONE OF THEM.
783
00:35:45,746 --> 00:35:47,147
UH, THIS,
784
00:35:47,180 --> 00:35:49,349
UH, THIS I, UH,
785
00:35:49,382 --> 00:35:52,152
I MEANT TO BRING THIS HOME
TO MY BOY.
786
00:35:52,185 --> 00:35:54,788
I BET HE�LL ENJOY THAT.
787
00:35:54,821 --> 00:35:57,357
IT�S A LITTLE TOY
POLICE CAR.
788
00:35:57,390 --> 00:36:00,226
AS FAR AS US NOT MAKING IT
TO DINNER AGAIN LAST NIGHT,
789
00:36:00,260 --> 00:36:03,063
PAST APOLOGIZING
AND ROLLING OVER WITH MY LEGS UP
790
00:36:03,096 --> 00:36:05,498
AND BEGGING LIKE A DOG,
HOW I AM,
791
00:36:05,532 --> 00:36:07,701
YOU GOT TO TAKE IT UP
WITH MY BOSS.
792
00:36:07,734 --> 00:36:10,270
[ DOOR CLOSES IN HALL ]
793
00:36:18,779 --> 00:36:20,647
AT HOME,
794
00:36:20,681 --> 00:36:25,318
WE GIVE THE BLOKES THESE
WHEN THEY RETIRE.
795
00:36:25,351 --> 00:36:26,920
OH, THOSE ARE NICE.
796
00:36:30,557 --> 00:36:34,160
THIS IS A, UH,
A DINOSAUR PIN.
797
00:36:34,194 --> 00:36:37,230
THEY GIVE YOU THESE
FOR 25 YEARS
798
00:36:37,263 --> 00:36:39,666
WHETHER YOU�RE STILL
ON THE JOB OR NOT.
799
00:36:39,700 --> 00:36:41,935
I�LL BE RIGHT BACK.
800
00:36:44,404 --> 00:36:46,272
CONGRATULATIONS.
801
00:36:46,306 --> 00:36:47,273
THANKS, BOSS.
802
00:36:49,242 --> 00:36:50,577
CONGRATULATIONS, JIMMY.
803
00:36:50,611 --> 00:36:52,078
THANK YOU VERY MUCH.
804
00:36:58,318 --> 00:37:01,688
HERE ARE TWO DIFFERENT KINDS
OF D. E. A. HATS.
805
00:37:01,722 --> 00:37:03,356
OH, THANK YOU.
806
00:37:03,389 --> 00:37:06,359
TELL HIM IT�S
A LIEUTENANT�S ENDOWMENT PIN.
807
00:37:06,392 --> 00:37:10,363
THIS IS
A D. E. A. SWEATSHIRT.
808
00:37:10,396 --> 00:37:12,533
DID WE EVER GET HIM
A MUG, ANDY?
809
00:37:12,566 --> 00:37:14,100
I WAS COMING TO THAT.
810
00:37:20,574 --> 00:37:24,377
IT�S, UH,
IT�S WATER?REPELLENT.
811
00:37:24,410 --> 00:37:25,679
OH.
812
00:37:31,284 --> 00:37:32,553
THAT�S EXACTLY RIGHT.
813
00:37:32,586 --> 00:37:34,087
I�M ASKING IF YOU�LL FOLLOW
THE RULES
814
00:37:34,120 --> 00:37:37,023
OF OUR GREAT NATIONAL PASTIME
AND GIVE ME ONE LAST SWING.
815
00:37:40,260 --> 00:37:41,194
THANKS.
816
00:37:51,838 --> 00:37:54,274
WERE YOU STANDING WATCH?
817
00:37:54,307 --> 00:37:56,142
I KNOW
THAT LOCK�S BUSTED.
818
00:37:59,279 --> 00:38:01,414
I�M GOING TO SEND YOU
MY MARKED?UP
819
00:38:01,447 --> 00:38:03,984
STUDY COPY OF
"GO TELL IT ON THE MOUNTAIN."
820
00:38:04,017 --> 00:38:05,986
I WOULD APPRECIATE
HAVING THAT.
821
00:38:09,489 --> 00:38:11,925
WHAT I WAS
GOING TO SAY...
822
00:38:11,958 --> 00:38:14,528
I WAS HONORED
TO SEE YOU WORK
823
00:38:14,561 --> 00:38:17,664
AND HOW YOU AND JIMMY
PARTNER TOGETHER.
824
00:38:17,698 --> 00:38:19,666
I LOVE HIM.
825
00:38:21,868 --> 00:38:24,237
ISN�T THAT GOOD LUCK?
826
00:39:00,574 --> 00:39:03,544
I KIND OF FIGURED YOU
FOR A DIET FANATIC.
827
00:39:03,577 --> 00:39:05,411
NO.
828
00:39:05,445 --> 00:39:08,649
YEAH, WELL, THANKS FOR MOVING
THE CONVERSATION ALONG.
829
00:39:08,682 --> 00:39:12,185
NICOLE...
830
00:39:12,218 --> 00:39:14,154
NOBODY�S GRADING
THE CONVERSATION.
831
00:39:14,187 --> 00:39:16,657
OKAY, BALDWIN,
832
00:39:16,690 --> 00:39:18,091
YOUR PLAY.
833
00:39:30,604 --> 00:39:32,105
I DON�T PLAY, NICOLE.
834
00:39:32,155 --> 00:39:36,705
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