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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:26,026 --> 00:00:28,695 BODY PARTS IN THIS BARREL HERE. 2 00:00:33,433 --> 00:00:36,336 OH, IT�S PRETTY HEAVY, ANDY. IT�S A FULL CORPSE. 3 00:00:36,369 --> 00:00:38,438 MORNING. WHO CALLED IT IN? 4 00:00:38,471 --> 00:00:40,574 HARRY FORSIC ?? JUST BOUGHT THE PLACE. 5 00:00:40,607 --> 00:00:42,442 FOUND IT IN THE BASEMENT. 6 00:00:42,475 --> 00:00:44,711 MR. FORSIC? 7 00:00:44,745 --> 00:00:46,713 THIS IS THE WORST NIGHTMARE. 8 00:00:46,747 --> 00:00:49,115 I�M SURE IT MUST HAVE COME AS A REAL SHOCK. 9 00:00:49,149 --> 00:00:51,117 I FOUND IT YESTERDAY BEHIND SOME SHEETROCK. 10 00:00:51,151 --> 00:00:53,286 HAD MY MOVERS CART IT OUT, 11 00:00:53,319 --> 00:00:56,289 THEN TODAY THE GARBAGE GUYS MAKE A BIG DEAL 12 00:00:56,322 --> 00:00:58,525 ABOUT BEING WORRIED IT�S HAZARDOUS WASTE. 13 00:00:58,559 --> 00:01:00,894 I PRIED THE TOP OPEN TO FIND THAT. 14 00:01:00,927 --> 00:01:02,896 DO YOU MIND IF WE LOOK AROUND INSIDE? 15 00:01:02,929 --> 00:01:04,731 NO, GO CRAZY. 16 00:01:09,235 --> 00:01:10,571 YOU A DETECTIVE? 17 00:01:10,604 --> 00:01:12,105 ARE YOU A WRESTLER? 18 00:01:12,138 --> 00:01:15,141 IS THAT A DEAD PERSON IN THAT BARREL THERE? 19 00:01:15,175 --> 00:01:16,777 THAT�S OUR PRELIMINARY IMPRESSION. 20 00:01:16,810 --> 00:01:19,780 WELL, IF THAT�S A DEAD PERSON WHO�S BEEN DEAD A WHILE, 21 00:01:19,813 --> 00:01:22,115 THEN THE OWNER OF THIS HOUSE 22 00:01:22,148 --> 00:01:25,118 BEFORE THE LAST ONE ?? MAFIOSO. 23 00:01:25,151 --> 00:01:27,487 MM?HMM. OH, YEAH. 24 00:01:27,521 --> 00:01:31,124 LATE?NIGHT CUSSING, FANCY CARS, EVERYTHING. 25 00:01:31,157 --> 00:01:33,894 YOU FIGURE HE MIGHT HAVE FOLLOWED THE MAFIA CUSTOM 26 00:01:33,927 --> 00:01:35,896 OF KEEPING ONE OF HIS VICTIMS 27 00:01:35,929 --> 00:01:37,964 WITH HIM IN A BARREL AS A SOUVENIR? 28 00:01:37,998 --> 00:01:40,901 WHAT ARE YOU, A BALL?BREAKER? 29 00:01:40,934 --> 00:01:41,902 HEY, DOC. 30 00:01:41,935 --> 00:01:43,403 WHAT DO WE GOT? 31 00:01:43,436 --> 00:01:45,606 WELL, SHE�S BEEN IN THERE A WHILE. 32 00:01:45,639 --> 00:01:48,609 LOOKS LIKE YOU�RE GOING TO BE THE ONE TELLING US. 33 00:01:48,642 --> 00:01:50,076 HOW�S IT GOING, DOC? 34 00:01:50,110 --> 00:01:52,112 SHE YOUR TYPE, SIPOWICZ? 35 00:01:52,145 --> 00:01:55,248 UH, SHE�S SOME NEIGHBORHOOD HEN. 36 00:01:55,281 --> 00:01:57,518 I THOUGHT MAYBE SHE WAS SIPOWICZ�S TYPE. 37 00:01:57,551 --> 00:02:00,420 THEY WERE LOOKING TO EXCHANGE PHONE NUMBERS. 38 00:02:00,453 --> 00:02:03,624 I GOT UP THIS MORNING FEELING PRETTY GOOD. 39 00:03:18,965 --> 00:03:23,003 OH, OH, AND IS THIS, LIKE, GALLAGHER�S FINAL SHOW EVER 40 00:03:23,036 --> 00:03:25,005 IN ATLANTIC CITY, MR. BUNIN? 41 00:03:25,038 --> 00:03:27,541 IS THAT WHY YOU�RE IN SUCH A RUSH, HUH? 42 00:03:27,574 --> 00:03:31,177 WILL HE NEVER BE SQUASHING FRUIT ONSTAGE DOWN THERE AGAIN? 43 00:03:31,211 --> 00:03:34,548 MY QUESTION IS, WHEN YOU OWNED THE HOME, 44 00:03:34,581 --> 00:03:38,552 DID YOU EVER HAPPEN TO NOTICE A STORAGE CONTAINER 45 00:03:38,585 --> 00:03:42,022 ON THE PREMISES ?? A 50?GALLON DRUM? 46 00:03:42,055 --> 00:03:43,757 ALL RIGHT, GOOD. 47 00:03:43,790 --> 00:03:46,259 YEAH, I�LL CALL BACK WITH ANY FOLLOW?UP. 48 00:03:46,292 --> 00:03:48,929 [ SIGHS ] 49 00:03:48,962 --> 00:03:51,932 NO, WELL, WITH RELATIVES IN FROM ORLANDO, 50 00:03:51,965 --> 00:03:56,469 I CAN SEE WHY YOU WOULDN�T WANT TO MISS THE OPENING CURTAIN. 51 00:03:56,503 --> 00:03:59,272 DON�T GET HIT WITH ANY MELON RINDS. 52 00:03:59,305 --> 00:04:02,275 PISSES OFF THE RELATIVES FROM ORLANDO, 53 00:04:02,308 --> 00:04:04,911 THEN WHO�S HE GOING TO SPONGE OFF OF 54 00:04:04,945 --> 00:04:06,780 WHEN HE VISITS DISNEY WORLD? 55 00:04:06,813 --> 00:04:08,949 GOT TO GET DINO FERRARA BACK HERE. 56 00:04:08,982 --> 00:04:10,917 Danny: YEAH, THAT MAKES SENSE. 57 00:04:10,951 --> 00:04:13,086 PETE MANGRINI BEING ONE OF THE FORMER OWNERS 58 00:04:13,119 --> 00:04:15,822 OF THE HOUSE WHERE THE BODY WAS FOUND, ANDY, 59 00:04:15,856 --> 00:04:17,490 THE BOSS WAS SAYING 60 00:04:17,524 --> 00:04:19,292 HAVE THE MARSHALS BRING DINO FERRARA DOWN HERE. 61 00:04:19,325 --> 00:04:21,795 IT SHOULDN�T BE TOO TOUGH A SELL 62 00:04:21,828 --> 00:04:23,797 GETTING DINO FERRARA TO RAT ON PETE MANGRINI. 63 00:04:23,830 --> 00:04:26,499 PUT A QUARTER IN HIS SLOT, DINO INCRIMINATES THE POPE. 64 00:04:26,533 --> 00:04:28,502 WITH MANGRINI, IT WOULD BE PERSONAL. 65 00:04:28,535 --> 00:04:30,504 BECAUSE MANGRINI TOOK DINO�S TERRITORY. 66 00:04:30,537 --> 00:04:33,574 IS THIS SOMETHING THE WHOLE CLASS CAN APPRECIATE? 67 00:04:33,607 --> 00:04:36,242 NOTHING FROM THAT GUY IN ATLANTIC CITY? 68 00:04:36,276 --> 00:04:39,412 NO, HE DON�T RECALL NO 50?GALLON DRUMS. 69 00:04:39,445 --> 00:04:41,414 WHICH WAS BEFORE MANGRINI OWNED IT. 70 00:04:41,447 --> 00:04:46,587 GOT TO LIKE MANGRINI�S WIFE FOR BEING IN THAT DRUM. 71 00:04:46,620 --> 00:04:49,089 MANGRINI�S WIFE ?? SHE DISAPPEARED FIVE YEARS AGO. 72 00:04:49,122 --> 00:04:51,091 IN THE JEWISH HOLY BOOKS, 73 00:04:51,124 --> 00:04:53,326 THAT�S REGARDED AS SIN, BALDWIN, 74 00:04:53,359 --> 00:04:55,295 FINISHING SOMEONE ELSE�S STORY. 75 00:04:55,328 --> 00:04:57,430 YEAH, I KNOW. 76 00:04:57,463 --> 00:04:58,932 YOU�RE GOING TO WANT TO SIT ON MANGRINI. 77 00:04:58,965 --> 00:05:01,201 YOU THINK HE MIGHT HEAD FOR THE AIRPORT? 78 00:05:01,234 --> 00:05:02,836 PRESS ISN�T GOING TO HAVE IT. 79 00:05:02,869 --> 00:05:05,105 THE ONLY WAY HE�D HEAD FOR THE AIRPORT, 80 00:05:05,138 --> 00:05:08,308 HE�D HAVE TO HAVE SOME NEIGHBOR ON THE EYE AROUND THAT HOUSE. 81 00:05:08,341 --> 00:05:09,843 ME AND SORENSON CAN�T SIT ON HIM. 82 00:05:09,876 --> 00:05:12,012 HE KNOWS ME FROM WHEN HE WAS SOLDIER 83 00:05:12,045 --> 00:05:13,947 FOR ALFONSE GIARDELLA. 84 00:05:13,980 --> 00:05:16,116 GREG, YOU AND BALDWIN SIT ON MANGRINI. 85 00:05:16,149 --> 00:05:18,451 AND YOU COORDINATE THE FORENSICS 86 00:05:18,484 --> 00:05:21,354 AND REACH OUT TO GET DINO FERRARA DOWN HERE. 87 00:05:21,387 --> 00:05:23,857 ALFONSE GIARDELLA ?? NOW, THAT�S BEFORE MY TIME. 88 00:05:23,890 --> 00:05:26,359 SEEK ELSEWHERE FOR YOUR BACKGROUND INFORMATION. 89 00:05:26,392 --> 00:05:29,896 Andy: WHAT�S JOE KROFT�S PROBLEM? 90 00:05:29,930 --> 00:05:31,898 THE MEDICAL EXAMINER? I DON�T KNOW. 91 00:05:31,932 --> 00:05:34,501 HE�S ACTING LIKE I GOT SOME PLAGUE, 92 00:05:34,535 --> 00:05:36,903 DIRECTING ANIMOSITY TOWARD ME SPECIFICALLY. 93 00:05:36,937 --> 00:05:39,472 WELL, I DON�T KNOW WHY THAT WOULD BE, ANDY, 94 00:05:39,506 --> 00:05:41,241 NOT THE WAY YOU SPRAY SUNSHINE AROUND. 95 00:06:03,730 --> 00:06:05,331 SHE WOULDN�T LEAVE. 96 00:06:05,365 --> 00:06:07,701 WHAT DO YOU MEAN SHE WOULDN�T LEAVE? 97 00:06:07,734 --> 00:06:09,703 I TOLD HER WE WERE COPS, 98 00:06:09,736 --> 00:06:13,339 I TOLD HER WE MADE HER LICENSE PLATES FOR PRESS, 99 00:06:13,373 --> 00:06:17,077 AND I TOLD HER WE WANTED HER OUT OF THE AREA. 100 00:06:17,110 --> 00:06:20,080 SHE SAID SHE WOULDN�T LEAVE. 101 00:06:20,113 --> 00:06:21,782 YEAH, GOOD. 102 00:06:24,751 --> 00:06:27,253 THE QUESTION IS, HOW MUCH ATTENTION 103 00:06:27,287 --> 00:06:29,723 YOU�RE PREPARED TO DRAW IN THE COURSE 104 00:06:29,756 --> 00:06:32,058 OF TRYING TO KEEP A LOW PROFILE? 105 00:06:55,682 --> 00:06:56,950 HI. 106 00:06:56,983 --> 00:06:58,985 GET OUT OF THE STREET. 107 00:06:59,019 --> 00:07:00,486 YOU THINK I�M NOTICEABLE? 108 00:07:00,521 --> 00:07:03,089 GET IN THE CAR. GET IN THE CAR. 109 00:07:05,792 --> 00:07:07,293 THIS IS GREAT. 110 00:07:07,327 --> 00:07:09,630 THEY PROBABLY DON�T SEE AFRICAN?AMERICANS OUT HERE 111 00:07:09,663 --> 00:07:10,997 THAT AREN�T WEARING DELIVERY UNIFORMS. 112 00:07:11,031 --> 00:07:13,734 IF YOU�RE WORRIED ABOUT PETE MANGRINI REALIZING 113 00:07:13,767 --> 00:07:15,669 HE�S BEING WATCHED, THIS IS A REAL SHORTCUT. 114 00:07:15,702 --> 00:07:17,270 WHAT�S YOUR NAME? 115 00:07:17,303 --> 00:07:18,404 NICOLE. 116 00:07:18,438 --> 00:07:20,807 NICOLE, HUH? JUST THE ONE NAME? 117 00:07:20,841 --> 00:07:23,109 I�M ONE AHEAD OF YOU. 118 00:07:23,143 --> 00:07:24,410 MY NAME�S BALDWIN JONES. 119 00:07:24,444 --> 00:07:26,112 I�M WITH THE 15th DETECTIVE SQUAD, 120 00:07:26,146 --> 00:07:28,014 AND I NEED YOU OUT OF HERE, NICOLE. 121 00:07:28,048 --> 00:07:29,482 IT�S NOT HAPPENING, BALDWIN. 122 00:07:29,516 --> 00:07:31,585 I DON�T CARE IF YOU GET PUFF DADDY 123 00:07:31,618 --> 00:07:34,020 TO SIT IN THE BACK. I FIGURED THIS OUT. 124 00:07:34,054 --> 00:07:36,623 I�M THE ONLY REPORTER WHO DID. 125 00:07:36,657 --> 00:07:38,124 I�M STAYING ON PETE MANGRINI�S ASS. 126 00:07:38,158 --> 00:07:40,093 DO NOT LOOK AT MANGRINI�S HOUSE. 127 00:07:40,126 --> 00:07:41,528 MANGRINI�S COMING, 128 00:07:41,562 --> 00:07:44,197 AND YOU ARE NOT GOING TO QUEER THE TAIL. 129 00:07:44,230 --> 00:07:47,133 HOW ABOUT I REAR?END THIS CAR? 130 00:07:47,167 --> 00:07:49,302 YOU THINK THAT WILL GRAB HIS ATTENTION? 131 00:07:49,335 --> 00:07:51,805 I AM GOING TO BLOW THE HORN. 132 00:07:51,838 --> 00:07:54,775 DON�T BLOW THE HORN. DON�T BLOW THE HORN. 133 00:07:54,808 --> 00:07:57,177 I�M DRIVING, AND BELIEVE ME, 134 00:07:57,210 --> 00:08:00,446 I�M GOING TO TAIL MANGRINI BETTER 135 00:08:00,480 --> 00:08:02,182 THAN YOUR PARTNER DOES. 136 00:08:20,266 --> 00:08:22,468 WHO�S DINO KIDDING? LAST TIME WE SAW HIM, 137 00:08:22,503 --> 00:08:26,472 HE WAS CATATONIC BECAUSE HE WAS SHOOTING BLANKS. 138 00:08:26,507 --> 00:08:28,975 NONNEGOTIABLE ?? DINO GETS TO THROW A HUMP 139 00:08:29,009 --> 00:08:30,476 INTO HIS GIRLFRIEND ANGELA 140 00:08:30,511 --> 00:08:32,579 BEFORE HE TALKS TO US ABOUT PETE MANGRINI. 141 00:08:32,613 --> 00:08:35,181 SURE, TELL HIM WE�LL PROVIDE THE SPLINT. 142 00:08:35,215 --> 00:08:37,317 IS HE STILL OBLIGATED FOR THE CONVERSATION 143 00:08:37,350 --> 00:08:39,520 IF HE CAN�T GET IT UP? 144 00:08:39,553 --> 00:08:41,221 ALL RIGHT. 145 00:08:41,254 --> 00:08:43,489 WELL, PUT DINO ON THE ROAD, 146 00:08:43,524 --> 00:08:45,225 AND WE�LL REACH OUT FOR HIS GIRLFRIEND. 147 00:08:45,258 --> 00:08:46,593 DELUSIONS OF GRANDEUR. 148 00:08:46,627 --> 00:08:48,662 AHEM. 149 00:08:48,695 --> 00:08:51,164 UH, A FRIEND OF MINE 150 00:08:51,197 --> 00:08:53,734 FOR SEVERAL MONTHS AFTER HIS PROSTRATE OPERATION, 151 00:08:53,767 --> 00:08:56,670 HE HAD BIG PROBLEMS IN THAT AREA. 152 00:08:56,703 --> 00:08:58,672 THEY THREW HIM SOME OF THIS VIAGRA. 153 00:08:58,705 --> 00:09:01,575 YOU COULD HAVE HUNG LAUNDRY OFF THE GUY. 154 00:09:01,608 --> 00:09:03,844 WHO WAS THIS? 155 00:09:03,877 --> 00:09:06,780 DON�T ASK ME TO BREAK THAT CONFIDENCE. 156 00:09:31,572 --> 00:09:33,406 30 MINUTES, WE�RE OVER THE BRIDGE, 157 00:09:33,439 --> 00:09:36,109 EATING IN MANHATTAN, AND NOBODY LOOKS AT US TWICE. 158 00:09:36,142 --> 00:09:37,711 WHAT�S DRAWING ATTENTION IS YOU ACTING 159 00:09:37,744 --> 00:09:39,646 LIKE YOU GOT ANTS IN YOUR PANTS. 160 00:09:39,680 --> 00:09:42,148 HOW�S IT GOING? GOOD TO SEE YOU. 161 00:09:42,182 --> 00:09:44,484 YEAH, GOOD TO SEE YOU. 162 00:09:44,518 --> 00:09:50,456 HEY, RUDY, DID YOU ORDER EGGPLANT? 163 00:09:50,490 --> 00:09:53,059 ISN�T THIS CALLED HIDING IN PLAIN SIGHT? 164 00:09:53,093 --> 00:09:55,328 I DON�T KNOW IF WE�RE GOING TO BE HIDING 165 00:09:55,361 --> 00:09:58,164 WHEN I PUNCH THAT GUY IN THE MOUTH. 166 00:09:58,198 --> 00:10:01,134 STOP ACTING LIKE LINCOLN NEVER GOT ELECTED. 167 00:10:01,167 --> 00:10:02,969 TWO MINUTES, MR. MANGRINI. 168 00:10:03,003 --> 00:10:06,339 WE�RE MOVING THEM TO ANOTHER TABLE. 169 00:10:06,372 --> 00:10:09,610 MY FAULT, SWEETHEART. I CROSSED YOU UP. 170 00:10:09,643 --> 00:10:11,612 YOU SAID YOU WOULDN�T BE IN. 171 00:10:11,645 --> 00:10:13,179 LOOK DEEPLY INTO MY EYES. 172 00:10:13,213 --> 00:10:14,447 IT�S OKAY. 173 00:10:14,480 --> 00:10:17,150 AND WHEN WILL OUR TABLE BE READY? 174 00:10:17,183 --> 00:10:21,354 WHEN I COME GET YOU. 175 00:10:21,387 --> 00:10:24,024 AREN�T YOU GLAD WE CAME IN TWO CARS? 176 00:10:24,057 --> 00:10:26,527 NICOLE, THE BLAZER YOU JUST SAW MY PARTNER DRIVE 177 00:10:26,560 --> 00:10:29,495 INTO THAT FENDER?BENDER WHILE WE WERE TAILING MANGRINI ?? 178 00:10:29,530 --> 00:10:33,266 I�M THE GUY THAT MAKES THE PAYMENT ON THAT. 179 00:10:33,299 --> 00:10:34,668 I�M SICK OF IT, RENET. 180 00:10:34,701 --> 00:10:36,503 LET ALONE GO OUT FOR DINNER, 181 00:10:36,537 --> 00:10:39,472 WE CAN�T EVEN STOP AT THE RITE AID 182 00:10:39,506 --> 00:10:41,341 WITHOUT ME BEING HUMILIATED. 183 00:10:41,374 --> 00:10:42,776 SHUT UP. 184 00:10:42,809 --> 00:10:44,611 ALL RIGHT, PETER. 185 00:10:44,645 --> 00:10:46,780 DO YOU WANT TO LEAVE BECAUSE YOU CAN�T BEHAVE 186 00:10:46,813 --> 00:10:47,848 LIKE A CIVILIZED PERSON? 187 00:10:47,881 --> 00:10:50,216 FINE. 188 00:10:50,250 --> 00:10:52,886 THERE�S A GIRL WHO COULD HAVE A 50?GALLON DRUM IN HER FUTURE. 189 00:10:52,919 --> 00:10:55,622 RENET, HERE SHE COMES TO TAKE US TO OUR TABLE 190 00:10:55,656 --> 00:10:58,725 SO SHE CAN SHOVE HER FAKE TITS IN PETER�S FACE. 191 00:10:58,759 --> 00:11:01,662 YOU�RE A STRUNG?OUT LITTLE SPEED FREAK, YOU KNOW THAT? 192 00:11:01,695 --> 00:11:03,063 I�M SORRY, ANGEL. 193 00:11:03,096 --> 00:11:05,065 DON�T WORRY, MR. MANGRINI. I CONSIDER THE SOURCE. 194 00:11:05,098 --> 00:11:08,168 I TAKE AMPHETAMINE UNDER DOCTOR�S ORDERS. 195 00:11:08,201 --> 00:11:10,604 I WONDER WHO�S PRESCRIBING HIS COKE. 196 00:11:13,339 --> 00:11:16,810 GIVE THE FRIGGIN� TABLE AWAY. 197 00:11:16,843 --> 00:11:18,344 COME ON, STACE, YOU WANT TO GO HOME? 198 00:11:18,378 --> 00:11:20,380 Baldwin: EASY, MY FRIEND. 199 00:11:20,413 --> 00:11:22,248 TAKE IT EASY ON HER ARM. 200 00:11:22,282 --> 00:11:25,719 [ LAUGHS ] 201 00:11:25,752 --> 00:11:27,487 TAKE A GOOD LOOK AT YOUR FUTURE, STACEY. 202 00:11:27,521 --> 00:11:29,723 THIS IS THE LEVEL OF PEOPLE 203 00:11:29,756 --> 00:11:31,825 A DEGENERATE LOUDMOUTH SPEED FREAK 204 00:11:31,858 --> 00:11:34,795 CAN LOOK FORWARD TO GETTING TO KNOW. 205 00:11:36,530 --> 00:11:38,231 LET HER ARM UP. 206 00:11:38,264 --> 00:11:41,167 NO PROBLEM. 207 00:11:41,201 --> 00:11:43,436 ABSOLUTELY. 208 00:11:43,469 --> 00:11:45,772 WE WERE JUST LEAVING, ANYWAYS. 209 00:11:53,379 --> 00:11:55,348 YOU KNOW, IT USED TO BE 210 00:11:55,381 --> 00:11:57,718 ALL THE SALT AND PEPPER IN THIS PLACE 211 00:11:57,751 --> 00:11:59,219 WAS ON THE TABLES. 212 00:12:03,456 --> 00:12:05,491 WELL, THAT�S KEEPING A NICE LOW PROFILE. 213 00:12:08,494 --> 00:12:10,230 IS THAT ONE SPOKEN FOR? 214 00:12:10,263 --> 00:12:11,865 I�D HAVE TO CHECK. 215 00:12:11,898 --> 00:12:15,301 NAH, YOU KNOW WHAT? 216 00:12:15,335 --> 00:12:17,638 LET�S DRIVE TO MANHATTAN. 217 00:12:44,330 --> 00:12:46,399 I�M NOT WEARING AN OVERCOAT ?? 218 00:12:46,432 --> 00:12:48,535 FIRST TIME THIS SPRING. 219 00:12:51,872 --> 00:12:52,773 GOOD. 220 00:12:54,775 --> 00:12:57,010 Danny: HOW�S IT GOING, JOHN? 221 00:12:57,043 --> 00:12:59,445 ISN�T IT A LOVELY SPRING DAY? 222 00:12:59,479 --> 00:13:02,916 ANDY, WHILE THEY�RE TAILING MANGRINI LAST NIGHT, 223 00:13:02,949 --> 00:13:06,019 GREG PUTS BALDWIN�S BLAZER IN A FENDER?BENDER. 224 00:13:06,052 --> 00:13:08,488 BALDWIN ?? HE�S LOOKING AT THE ACCIDENT REPORT. 225 00:13:08,522 --> 00:13:10,924 IN THE COFFEE ROOM? 226 00:13:10,957 --> 00:13:14,460 STEAM IS COMING OUT OF BALDWIN�S EARS. 227 00:13:14,494 --> 00:13:15,996 SERVES JONES RIGHT. 228 00:13:16,029 --> 00:13:18,031 MEDAVOY�S A MENACE IN NORMAL TRAFFIC, 229 00:13:18,064 --> 00:13:20,801 LET ALONE PAYING ATTENTION TO WHAT�S IN FRONT OF HIM 230 00:13:20,834 --> 00:13:22,836 PLUS SOME GUY FIVE CARS AHEAD. 231 00:13:22,869 --> 00:13:25,171 ANYWAYS, ANYTHING BREAKS OUT IN THAT COFFEE ROOM, 232 00:13:25,205 --> 00:13:26,573 YOU�RE ON JONES. 233 00:13:30,310 --> 00:13:33,714 E.M.S. COULD TELL IMMEDIATELY 234 00:13:33,747 --> 00:13:35,849 THIS LADY WAS PLAYING IT UP. 235 00:13:35,882 --> 00:13:37,483 SHE SEES MY BADGE, 236 00:13:37,518 --> 00:13:39,853 FINDS OUT I�M USING A CAR ON POLICE BUSINESS ?? 237 00:13:39,886 --> 00:13:41,955 RIGHT AWAY, HER NECK GOES STIFF. 238 00:13:41,988 --> 00:13:43,790 TREATED AND RELEASED. 239 00:13:43,824 --> 00:13:45,692 TREATED AND RELEASED ?? ABSOLUTELY. 240 00:13:45,726 --> 00:13:47,460 BELIEVE ME, D., 241 00:13:47,493 --> 00:13:49,462 IF THIS LADY PURSUES HER REMEDIES 242 00:13:49,495 --> 00:13:50,831 INSURANCE LIABILITY?WISE, 243 00:13:50,864 --> 00:13:52,699 IT IS A SCANDAL AND DISGRACE. 244 00:13:57,771 --> 00:14:01,174 WHEN DO YOU SUPPOSE HE MIGHT BE GETTING IN? 245 00:14:01,207 --> 00:14:03,710 THE LIEUTENANT SHOULD BE HERE MOMENTARILY. 246 00:14:03,744 --> 00:14:06,847 IS THERE ANYTHING YOU�D LIKE TO CONVEY TO US, 247 00:14:06,880 --> 00:14:08,414 BEING YOU�RE THE MEDICAL EXAMINER 248 00:14:08,448 --> 00:14:11,317 AND WE�RE THE WORKING SLOBS CONDUCTING THE INVESTIGATION? 249 00:14:11,351 --> 00:14:12,819 ANYPLACE ELSE TO WAIT? 250 00:14:12,853 --> 00:14:14,755 YEAH, THE ROOF�S UNOCCUPIED. 251 00:14:14,788 --> 00:14:16,557 MORNING. 252 00:14:16,590 --> 00:14:18,224 CAN WE DO THIS? 253 00:14:18,258 --> 00:14:20,761 SURE. COME ON. 254 00:14:30,537 --> 00:14:32,272 WHAT THE HELL IS THAT? 255 00:14:32,305 --> 00:14:35,075 DINAH SHORE BLOWING A KISS GOOD?BYE TO HER CHEVROLET. 256 00:14:39,279 --> 00:14:42,448 HOW�D IT GO TAILING MANGRINI? 257 00:14:42,482 --> 00:14:45,919 OH, THAT�S SOME LONG STORY 258 00:14:45,952 --> 00:14:48,689 PROBABLY BEST TOLD ANOTHER TIME. 259 00:14:48,722 --> 00:14:50,757 CAN WE DO THIS? YEAH, SURE. 260 00:14:50,791 --> 00:14:53,927 IN THAT 50?GALLON DRUM, I FOUND A FULLY DEVELOPED 261 00:14:53,960 --> 00:14:56,763 NON?ARTHRITIC SKELETON OF AN ADULT WHITE FEMALE, 262 00:14:56,797 --> 00:14:59,900 LATE 20s, EARLY 30s AT THE TIME OF HER DEATH, 263 00:14:59,933 --> 00:15:02,102 LONG BLACK HAIR, 5�5", 264 00:15:02,135 --> 00:15:04,571 BUT THERE WAS PROBABLY SOME SHRINKAGE INVOLVED. 265 00:15:04,605 --> 00:15:06,973 IT HAPPENS TO ALL OF US. 266 00:15:07,007 --> 00:15:10,777 I ALSO RECOVERED A SMALL HANDBAG FROM THE DRUM. 267 00:15:10,811 --> 00:15:14,214 THE HANDBAG WAS SATURATED WITH BODY FLUID. 268 00:15:14,247 --> 00:15:16,583 LOOKS LIKE THERE WAS AN ADDRESS BOOK IN IT. 269 00:15:16,617 --> 00:15:18,752 I SENT ALL THAT OVER TO THE CRIME LAB. 270 00:15:18,785 --> 00:15:20,386 ANYTHING ON FINGERPRINTS? 271 00:15:20,420 --> 00:15:23,724 SHE HAD NO DENTAL WORK DONE, 272 00:15:23,757 --> 00:15:25,992 SO DON�T EXPECT TO GET ANY HELP 273 00:15:26,026 --> 00:15:27,594 I.D.ing HER FROM THAT. 274 00:15:27,628 --> 00:15:29,763 WE�RE HYDRATING THE FINGERTIPS TO LIFT PRINTS. 275 00:15:29,796 --> 00:15:32,599 HOW LONG DO YOU THINK SHE WAS IN THAT BARREL? 276 00:15:32,633 --> 00:15:35,068 I WOULDN�T GUESS. 277 00:15:35,101 --> 00:15:37,070 SHE HAD A FETUS IN HER BELLY. 278 00:15:37,103 --> 00:15:39,072 I�D SAY SHE WAS SIX MONTHS ALONG. 279 00:15:39,105 --> 00:15:41,241 THE CRIME LAB SEEMS TO THINK 280 00:15:41,274 --> 00:15:43,610 THEY CAN DO SOMETHING WITH THAT ADDRESS BOOK. 281 00:15:43,644 --> 00:15:46,813 I�LL HAVE THE BONE DENSITY STUFF TOMORROW 282 00:15:46,847 --> 00:15:49,015 OR THE NEXT DAY. I�M LATE. 283 00:15:49,049 --> 00:15:51,184 GOT TO GO GIVE A LECTURE. 284 00:15:51,217 --> 00:15:53,186 THE DOC HERE TEACHES THE CHARM COURSE 285 00:15:53,219 --> 00:15:54,821 FOR THE M.E. TRAINEES. 286 00:15:54,855 --> 00:15:58,224 YOU GOT ONE PAIR OF BALLS TALKING TO ME LIKE THAT. 287 00:16:03,530 --> 00:16:07,934 ANYWAYS, BOSS, WE GOT DINO FERRARA COMING DOWN. 288 00:16:07,968 --> 00:16:09,703 HOW DID IT GO WITH MANGRINI? 289 00:16:12,205 --> 00:16:15,175 I�M GOING TO GO SEE IF HE�S PISSING ON MY LOCKER. 290 00:16:19,179 --> 00:16:21,147 I GAVE YOU WHAT I�VE GOT. 291 00:16:21,181 --> 00:16:23,950 NO, BUT I FIGURE I�M A SPLIT PERSONALITY, KROFT, 292 00:16:23,984 --> 00:16:26,887 OR I SLEEPWALK WHERE I DID SOMETHING TO YOU 293 00:16:26,920 --> 00:16:28,689 I GOT NO RECOLLECTION OF. 294 00:16:28,722 --> 00:16:30,891 HOW ABOUT THIS, SIPOWICZ? 295 00:16:30,924 --> 00:16:33,860 HOW ABOUT WE KEEP AWAY FROM EACH OTHER? 296 00:16:33,894 --> 00:16:36,396 WHAT THE HELL IS WRONG WITH YOU? 297 00:16:36,429 --> 00:16:38,565 TOLD YOU TO STAY OUT OF MY HAIR. 298 00:16:38,599 --> 00:16:41,334 I�M NOT GOING TO POINT OUT HOW STUPID THAT STATEMENT IS 299 00:16:41,367 --> 00:16:43,504 COMING FROM EITHER ONE OF US. 300 00:16:43,537 --> 00:16:46,873 I GOT A LOT ON MY PLATE. 301 00:16:46,907 --> 00:16:49,342 THE RIGHT GUY LEAVES ME ALONE. 302 00:16:49,375 --> 00:16:52,012 LIKE WHAT, KROFT? WHAT DO YOU GOT ON YOUR PLATE? 303 00:16:52,045 --> 00:16:54,881 I GOT A WIFE ?? 304 00:16:54,915 --> 00:16:59,219 GOT CANCER IN EVERY PART OF HER BODY, ALL RIGHT? 305 00:16:59,252 --> 00:17:01,588 PAIN SO BAD, YOU CAN�T STAND TO SEE IT, 306 00:17:01,622 --> 00:17:03,223 ALL RIGHT, SIPOWICZ? 307 00:17:03,256 --> 00:17:05,225 MAYBE YOU COULD, 308 00:17:05,258 --> 00:17:08,662 BUT I CAN�T STAND TO SEE IT. 309 00:17:08,695 --> 00:17:11,264 I KNOW YOU HAD A WIFE THAT DIED. 310 00:17:11,297 --> 00:17:14,868 MAYBE YOU CAN GO ON AND ACT 311 00:17:14,901 --> 00:17:17,671 LIKE YOU GOT THE WORLD BY THE TAIL, 312 00:17:17,704 --> 00:17:19,272 BUT I CAN�T. 313 00:17:19,305 --> 00:17:21,207 I CAN�T, 314 00:17:21,241 --> 00:17:26,813 AND I�M NOT CONSORTING WITH ANYBODY WHO CAN. 315 00:17:30,316 --> 00:17:31,552 ALL RIGHT. 316 00:17:31,585 --> 00:17:33,353 ALL RIGHT, KROFT. 317 00:17:33,386 --> 00:17:36,022 OH, MY GOD. 318 00:17:36,056 --> 00:17:38,391 I�M NOT GOING TO BE ABLE TO LIVE. 319 00:17:38,424 --> 00:17:41,562 THAT�S NOT YOUR PORTION FOR NOW. 320 00:17:41,595 --> 00:17:44,798 JUST SEE TO HER FOR NOW, 321 00:17:44,831 --> 00:17:48,902 AND THEN YOU�LL SEE WHAT DEVELOPS. 322 00:17:58,845 --> 00:18:00,213 SUM AND SUBSTANCE, BOSS, 323 00:18:00,246 --> 00:18:03,149 IN A NUTSHELL, I CANNOT IMAGINE 324 00:18:03,183 --> 00:18:05,051 THIS UTTERLY MINOR FENDER?BENDER WINDING UP 325 00:18:05,085 --> 00:18:06,419 ON THE CORPORATION COUNSEL�S DESK. 326 00:18:06,452 --> 00:18:08,421 WITH YOU ON POLICE BUSINESS 327 00:18:08,454 --> 00:18:10,591 AND WITH THE LADY CLAIMING WHIPLASH? 328 00:18:10,624 --> 00:18:13,326 CANNOT IMAGINE IT, WITH HER CLAIMING WHIPLASH 329 00:18:13,359 --> 00:18:16,029 AND E. M. S. BEING CALLED TO THE SCENE. 330 00:18:20,801 --> 00:18:23,770 I WOULD BE SHOCKED AND STUPEFIED. 331 00:18:23,804 --> 00:18:26,640 DO I NEED TO FIND A RUG TO ROLL KROFT UP IN? 332 00:18:26,673 --> 00:18:28,008 NO, HE LEFT. 333 00:18:29,610 --> 00:18:33,479 [ TELEPHONE RINGS ] 334 00:18:33,514 --> 00:18:34,915 15th SQUAD. 335 00:18:34,948 --> 00:18:37,618 YOU KNOW WHY HE COME AT ME LIKE THAT? 336 00:18:37,651 --> 00:18:39,452 IT�S ABOUT HIS SICK WIFE. 337 00:18:39,485 --> 00:18:41,922 THAT WAS THE U. S. MARSHALS. 338 00:18:41,955 --> 00:18:44,525 THEY�RE FIVE MINUTES AWAY WITH DINO FERRARA. 339 00:18:44,558 --> 00:18:47,528 SO YOU DON�T THINK IT WOULD BE MORE APROPOS, 340 00:18:47,561 --> 00:18:49,830 ME REACHING OUT TO THIS STACEY, 341 00:18:49,863 --> 00:18:52,032 HUH, BALDWIN, KEEP YOUR COVER INTACT? 342 00:18:52,065 --> 00:18:55,268 I WANT HER TO KNOW A COP WAS SITTING NEXT TO HER. 343 00:18:55,301 --> 00:18:57,604 BRING HOME TO HER MANGRINI�S HOT. 344 00:18:57,638 --> 00:18:59,205 I LIKE IT. 345 00:18:59,239 --> 00:19:01,107 [ TELEPHONE RINGS ] 346 00:19:01,141 --> 00:19:04,110 15th SQUAD, DETECTIVE JONES. 347 00:19:04,144 --> 00:19:06,880 YEAH, YEAH, HOW�S IT GOING? 348 00:19:06,913 --> 00:19:08,882 NO, NO, I�LL COME DOWN. 349 00:19:12,719 --> 00:19:14,154 SOMEONE DOWNSTAIRS? 350 00:19:14,187 --> 00:19:17,390 GREG, DON�T WORRY ABOUT THE CAR. 351 00:19:17,423 --> 00:19:19,092 NO, GOOD. 352 00:19:21,828 --> 00:19:23,463 I WASN�T WORRIED. 353 00:19:23,496 --> 00:19:26,533 HOW�S HER BEING SICK YOUR PROBLEM? 354 00:19:26,567 --> 00:19:29,536 AFRAID TO THINK OF LIVING WITHOUT HER, KROFT ?? 355 00:19:29,570 --> 00:19:33,173 LIKE IF HE EVEN THINKS ABOUT IT, SHE�LL DIE. 356 00:19:33,206 --> 00:19:35,809 SEES ME STANDING IN FRONT OF HIM 357 00:19:35,842 --> 00:19:37,210 WITH SYLVIA GONE. 358 00:19:37,243 --> 00:19:40,080 LET ME GOOSE DIANE AT THE CRIME LAB 359 00:19:40,113 --> 00:19:42,248 ABOUT THE D. O. A.�s ADDRESS BOOK. 360 00:19:42,282 --> 00:19:45,251 POOR SON OF A BITCH ?? KROFT. 361 00:19:45,285 --> 00:19:47,921 I KNOW THEM HOSPITAL CAFETERIAS. 362 00:19:49,690 --> 00:19:52,225 LOOK ME IN THE EYE. 363 00:19:52,258 --> 00:19:54,327 THE BODY HASN�T BEEN IDENTIFIED YET. 364 00:19:54,360 --> 00:19:56,930 SO THEN I GO WITH WHAT I GOT ?? 365 00:19:56,963 --> 00:19:59,332 A CORPSE FOUND IN MANGRINI�S FORMER HOME. 366 00:19:59,365 --> 00:20:01,502 THAT�S THE SHORT MONEY, NICOLE. 367 00:20:01,535 --> 00:20:04,671 YOU WANT ME TO WAIT TILL I GOT MY T�s CROSSED 368 00:20:04,705 --> 00:20:06,673 AND SEE THE STORY IN EVERY OTHER PAPER 369 00:20:06,707 --> 00:20:08,108 IN THIS CITY? 370 00:20:08,141 --> 00:20:10,511 THIS IS YOU ASKING IF YOU HOLD OFF, 371 00:20:10,544 --> 00:20:12,679 WILL I GIVE YOU AN EXCLUSIVE? 372 00:20:12,713 --> 00:20:14,247 ABSOLUTELY. YES. 373 00:20:14,280 --> 00:20:16,249 PLUS COOPERATE ON A SIDEBAR FEATURE ?? 374 00:20:16,282 --> 00:20:17,751 MY NIGHT ON SURVEILLANCE. 375 00:20:17,784 --> 00:20:19,352 ABSOLUTELY NOT. 376 00:20:19,385 --> 00:20:21,387 HOW CAN I SWEETEN THE POT? 377 00:20:21,421 --> 00:20:24,525 THAT I. D. MAY BE COMING IN RIGHT NOW, NICOLE, 378 00:20:24,558 --> 00:20:26,727 AND HERE I AM STANDING OUTSIDE. 379 00:20:26,760 --> 00:20:28,729 YOU DIDN�T SUFFER SOME KIND OF PERSONAL INJURY, 380 00:20:28,762 --> 00:20:30,096 DID YOU, BALDWIN? 381 00:20:30,130 --> 00:20:31,632 NOT LAST I LOOKED. 382 00:20:31,665 --> 00:20:35,201 I MIGHT HAVE TO DO MY OWN PRIVATE EXAMINATION. 383 00:20:35,235 --> 00:20:39,239 YOU WANT TO KNOW A SECRET ABOUT ME, NICOLE? 384 00:20:39,272 --> 00:20:40,440 WHAT�S THAT? 385 00:20:40,473 --> 00:20:43,610 I DON�T LIKE THE MUSIC UP SO LOUD. 386 00:20:43,644 --> 00:20:47,113 YOU MAY NOT KNOW EXACTLY WHAT YOU LIKE YET, BALDWIN. 387 00:20:47,147 --> 00:20:50,483 I GUESS THAT�S POSSIBLE, TOO. 388 00:20:50,517 --> 00:20:52,252 MY DEADLINE�S AT 7:00. 389 00:20:52,285 --> 00:20:55,889 I�D LIKE A 6:30 CALL EITHER WAY. 390 00:20:55,922 --> 00:20:58,224 YEAH, I CAN DO THAT. 391 00:20:58,258 --> 00:21:00,661 OTHERWISE, I GO WITH WHAT I GOT. 392 00:21:00,694 --> 00:21:03,964 YEAH, IT SEEMS LIKE YOU�RE REAL COMFORTABLE DOING THAT. 393 00:21:07,200 --> 00:21:09,603 WATCH YOUR HEAD. 394 00:21:09,636 --> 00:21:11,538 ALL RIGHT. 395 00:21:26,186 --> 00:21:29,923 THE WHOLE DECLINE OF A CERTAIN WAY OF LIFE, 396 00:21:29,956 --> 00:21:32,526 PETE MANGRINI EPITOMIZES. 397 00:21:32,559 --> 00:21:34,961 WHEN I WAS COMING UP, 398 00:21:34,995 --> 00:21:36,963 THE PETE MANGRINIS OF THIS WORLD 399 00:21:36,997 --> 00:21:38,965 YOU COULD BUY ON ANY STREET CORNER 400 00:21:38,999 --> 00:21:40,534 FOR A HAM SANDWICH. 401 00:21:40,567 --> 00:21:43,169 AND AFTER THEY DID WHAT YOU HAD THEM DO, 402 00:21:43,203 --> 00:21:45,539 THEN THEY WOULD COME AND MOW YOUR LAWN. 403 00:21:45,572 --> 00:21:48,174 SO HE�D BE CAPABLE OF MURDERING HIS WIFE? 404 00:21:48,208 --> 00:21:50,511 AND SLEEPING ON TOP OF HER. 405 00:21:50,544 --> 00:21:52,178 YOU CHOOSE THAT WAY OF SAYING IT? 406 00:21:52,212 --> 00:21:54,314 SLEEPING ON TOP OF HER. 407 00:21:54,347 --> 00:21:57,183 IT�S A FIGURE OF SPEECH. 408 00:21:57,217 --> 00:22:00,053 ARE YOU TELLING ME THAT AFTER HE KILLED HER, 409 00:22:00,086 --> 00:22:03,189 THIS SLIMY LITTLE SCHKEEVE WITH A STORE?BOUGHT SMILE 410 00:22:03,223 --> 00:22:06,292 WAS SLEEPING ON TOP OF HIS WIFE? 411 00:22:06,326 --> 00:22:09,395 SHE WAS IN A 50?GALLON DRUM IN THE BASEMENT. 412 00:22:09,429 --> 00:22:12,232 ON TOP OF HER IN THAT SENSE ?? 413 00:22:12,265 --> 00:22:14,334 THAT HE COULD DEFINITELY DO. 414 00:22:14,367 --> 00:22:17,337 BEING PETE TURNED YOUR CREWS OUT TO PASTURE, DINO, 415 00:22:17,370 --> 00:22:19,906 REASSURE US THAT WHAT YOU�RE TELLING US SHOULDN�T GO 416 00:22:19,940 --> 00:22:21,975 IN THE CATEGORY OF SOUR GRAPES. 417 00:22:22,008 --> 00:22:24,377 I AM SO FAR BEYOND THAT. 418 00:22:24,410 --> 00:22:26,847 UNDER TELLING THE BOYS WHAT THEY�D LIKE TO HEAR... 419 00:22:26,880 --> 00:22:28,815 HEY, I GOT MINE ALREADY. 420 00:22:28,849 --> 00:22:31,317 THE KID BROUGHT THE HAMMER DOWN LAST NIGHT. 421 00:22:31,351 --> 00:22:33,887 YOU SPEAKING OF YOUR RENDEZVOUS WITH ANGELA? 422 00:22:33,920 --> 00:22:36,523 I HAVEN�T BEEN IN A MOTEL LIKE THAT 423 00:22:36,557 --> 00:22:38,258 SINCE I BROUGHT IN UNTAXED CIGARETTES 424 00:22:38,291 --> 00:22:40,260 FROM NORTH CAROLINA. 425 00:22:40,293 --> 00:22:42,663 ON THE SUBJECT OF MANGRINI KILLING HIS WIFE, 426 00:22:42,696 --> 00:22:45,832 ARE YOU SPEAKING FROM FIRSTHAND KNOWLEDGE, DINO? 427 00:22:45,866 --> 00:22:47,901 DID I SEE HIM KILL HER? NO. 428 00:22:47,934 --> 00:22:50,270 WHAT KNOWLEDGE ARE YOU SPEAKING FROM? 429 00:22:50,303 --> 00:22:51,738 ANECDOTAL. 430 00:22:51,772 --> 00:22:52,906 ANECDOTAL, HUH? 431 00:22:52,939 --> 00:22:54,908 THAT PUTS THE LAST FINISHING TOUCHES 432 00:22:54,941 --> 00:22:57,010 ON DINO�S CHARACTER ?? 433 00:22:57,043 --> 00:22:59,746 HIS EXPOSURE TO LEGAL TERMINOLOGY. 434 00:22:59,780 --> 00:23:02,415 NAME SOME PEOPLE YOU HEARD THE ANECDOTES FROM. 435 00:23:02,448 --> 00:23:03,784 TEDDY LUKAZIE. 436 00:23:03,817 --> 00:23:04,718 DEAD. 437 00:23:04,751 --> 00:23:06,286 TOMMY BROWN. 438 00:23:06,319 --> 00:23:07,721 ALSO DEAD. 439 00:23:07,754 --> 00:23:09,422 IT�S A HAZARDOUS OCCUPATION. 440 00:23:09,455 --> 00:23:12,626 HEY, DINO, WHY DO I FEEL LIKE WE�RE GETTING TODAY 441 00:23:12,659 --> 00:23:14,460 WHAT ANGELA GOT LAST NIGHT? 442 00:23:14,494 --> 00:23:16,863 YOU WANT ME TO TESTIFY AGAINST THIS BUM MANGRINI? 443 00:23:16,897 --> 00:23:18,565 I AM THERE. 444 00:23:18,599 --> 00:23:21,635 WE�LL BE SURE TO BRING YOU DOWN FOR SOME ANECDOTAL HEARSAY. 445 00:23:21,668 --> 00:23:24,971 LEAST I HOPE I HELPED YOU ON SOME DEEP BACKGROUND. 446 00:23:25,005 --> 00:23:27,407 YOURS. 447 00:23:27,440 --> 00:23:29,475 CAN I USE THE CAN? 448 00:23:29,510 --> 00:23:30,310 PLEASE. 449 00:23:37,984 --> 00:23:39,953 THAT DINO DON�T KNOW ABOUT IT 450 00:23:39,986 --> 00:23:42,556 DON�T MEAN MANGRINI DIDN�T KILL HER, ANDY. 451 00:23:42,589 --> 00:23:46,059 MAYBE OUR FUTURE�S PIMPING. 452 00:23:46,092 --> 00:23:48,895 UH, DESK SERGEANT DAUGHERTY. 453 00:23:48,929 --> 00:23:50,230 OH, THANKS. 454 00:23:50,263 --> 00:23:52,999 YEAH, SARGE. 455 00:23:53,033 --> 00:23:55,669 OKAY, THANKS FOR THE HEADS?UP. 456 00:23:55,702 --> 00:23:58,505 BALDWIN, YOU WANT TO BE IN THE COFFEE ROOM. 457 00:23:58,539 --> 00:24:00,574 PETE MANGRINI�S COMING UPSTAIRS. 458 00:24:00,607 --> 00:24:02,909 DINO FERRARA JUST WENT INTO THE LAVATORY. 459 00:24:02,943 --> 00:24:05,512 TELL THE MARSHALS TO KEEP DINO INSIDE. 460 00:24:05,546 --> 00:24:07,848 AREN�T HE AND MANGRINI SWORN ENEMIES? 461 00:24:07,881 --> 00:24:09,616 JOHN, GO IN THE BATHROOM. 462 00:24:14,120 --> 00:24:16,089 MY STRONGEST STREAM IN THREE YEARS. 463 00:24:16,122 --> 00:24:17,858 LIFE�S GOOD, HUH, DINO? 464 00:24:17,891 --> 00:24:19,359 GET THIS. 465 00:24:19,392 --> 00:24:20,794 HO, PIETRO! 466 00:24:24,297 --> 00:24:25,932 LOOK AT THIS. 467 00:24:25,966 --> 00:24:27,701 WANT ME TO BREAK THIS UP? 468 00:24:27,734 --> 00:24:29,302 LET�S SEE WHAT WE HIT. 469 00:24:29,335 --> 00:24:32,105 Dino: STAND BACK. DON�T TAINT YOURSELF. 470 00:24:32,138 --> 00:24:34,107 I�M GOING TO MAKE MYSELF COMFORTABLE. 471 00:24:34,140 --> 00:24:35,341 HOW ARE YOU DOING? 472 00:24:35,375 --> 00:24:36,943 I�M ALL RIGHT. YOURSELF? 473 00:24:36,977 --> 00:24:38,011 NO COMPLAINTS. 474 00:24:38,044 --> 00:24:39,613 WHO WOULD LISTEN ANYWAY? 475 00:24:39,646 --> 00:24:41,381 WHO�D LISTEN IF WE COMPLAIN ANYWAY? 476 00:24:41,414 --> 00:24:43,183 THAT�S 100% RIGHT. 477 00:24:43,216 --> 00:24:44,985 SO, HOW�S THE FAMILY? 478 00:24:45,018 --> 00:24:46,352 EVERYONE�S ALL RIGHT. 479 00:24:46,386 --> 00:24:48,288 THE NEW BRIDE? 480 00:24:48,321 --> 00:24:49,556 SHE�S A VERY SWEET GIRL. 481 00:24:49,590 --> 00:24:52,358 YEAH, EVERYONE SAID THAT ABOUT HER. 482 00:24:56,530 --> 00:24:58,832 ARE YOU DOWN HERE TESTIFYING? 483 00:24:58,865 --> 00:25:01,334 I�M HAVING SOME CONVERSATIONS. 484 00:25:01,367 --> 00:25:04,738 I THINK YOU WOULD HAVE LOST YOUR VOICE BY NOW, HUH? 485 00:25:04,771 --> 00:25:07,073 PETEY, YOU THINK WHAT YOU WANT TO THINK. 486 00:25:07,107 --> 00:25:09,976 YOU CAN�T STOP PEOPLE FROM THINKING 487 00:25:10,010 --> 00:25:11,678 WHETHER THEY�RE GARBAGE OR WHATEVER ELSE THEY ARE. 488 00:25:11,712 --> 00:25:13,246 GARBAGE IS GARBAGE, EH, DINO? 489 00:25:13,279 --> 00:25:16,382 GARBAGE IS GARBAGE AND VULTURES ARE VULTURES 490 00:25:16,416 --> 00:25:18,484 THAT FLY IN LIKE DIRTY PARASITES 491 00:25:18,519 --> 00:25:21,387 CAPITALIZING ON OTHERS� MISFORTUNES 492 00:25:21,421 --> 00:25:23,924 AND EVERY OTHER PARASITIC THING THEY DO 493 00:25:23,957 --> 00:25:25,992 IN THEIR PARASITIC NATURES. 494 00:25:26,026 --> 00:25:29,095 WELL, AS FAR AS THAT GOES, SOME PEOPLE KISS JOINT, 495 00:25:29,129 --> 00:25:31,565 AND THEY KISS ASS FOR A BONUS 496 00:25:31,598 --> 00:25:35,401 FOR THE LOUSY RAT CHEESE?EATERS THAT THEY ARE. 497 00:25:35,435 --> 00:25:37,738 IT�S GOOD TO SEE YOU. 498 00:25:37,771 --> 00:25:40,907 GOOD TO SEE YOU, TOO. HOPE YOU�RE WELL UP THERE. 499 00:25:40,941 --> 00:25:43,710 AND YOU BE WELL DOWN HERE AS LONG AS GOD GIVES YOU. 500 00:25:43,744 --> 00:25:45,912 IT�S NICE TO KNOW THAT SOME PEOPLE 501 00:25:45,946 --> 00:25:49,049 STILL HAVE DELUSIONS THAT THEY HAVE SOME KIND OF EFFECT 502 00:25:49,082 --> 00:25:51,351 ON THOSE DECISIONS. 503 00:25:51,384 --> 00:25:53,053 ISN�T LIFE FULL OF SURPRISES, THOUGH? 504 00:25:53,086 --> 00:25:54,420 OH, YEAH. 505 00:25:59,325 --> 00:26:01,928 YOU�RE A DETECTIVE? 506 00:26:01,962 --> 00:26:04,330 YEAH. COME ON IN, PETEY. 507 00:26:11,505 --> 00:26:14,941 HOW COME YOU�RE NOT GOING AT MANGRINI? 508 00:26:14,975 --> 00:26:16,476 WE WILL. 509 00:26:16,510 --> 00:26:20,480 WE DIDN�T KNOW HE WAS HERE UNTIL YOU JUST TOLD US. 510 00:26:20,514 --> 00:26:23,283 I DON�T EVEN KNOW WHY I�M HIDING IN HERE. 511 00:26:23,316 --> 00:26:25,085 I THINK MANGRINI SHOULD KNOW HE�S HOT. 512 00:26:25,118 --> 00:26:26,987 [ KNOCK ON DOOR ] 513 00:26:29,856 --> 00:26:32,959 MANGRINI�S IN THE POKEY ROOM, D. 514 00:26:32,993 --> 00:26:35,361 COAST IS CLEAR. 515 00:26:38,298 --> 00:26:40,901 WHERE ARE WE GOING? 516 00:26:40,934 --> 00:26:43,236 YOU�RE GOING TO ASK ME ABOUT STORAGE CONTAINERS 517 00:26:43,269 --> 00:26:44,838 IN THAT BROWNSTONE? 518 00:26:44,871 --> 00:26:47,240 IT�S BEEN FIVE YEARS SINCE I�VE EVEN BEEN THERE. 519 00:26:47,273 --> 00:26:50,310 WOULD THAT MAKE IT AROUND WHEN YOUR WIFE WAS LAST SEEN? 520 00:26:50,343 --> 00:26:51,477 MY WIFE? 521 00:26:51,512 --> 00:26:52,746 HMM. 522 00:26:52,779 --> 00:26:54,681 YEAH, YEAH, SHE�S GONE. SHE DISAPPEARED. 523 00:26:54,715 --> 00:26:57,684 GOD REST HER SOUL, GOOD LUCK TO HER DEPENDING. 524 00:26:57,718 --> 00:27:00,153 WHEN ALFONSE GIARDELLA WOULD SAY, "JUMP THIS HIGH," 525 00:27:00,186 --> 00:27:03,857 PETE WOULD GO STRAIGHT TO LICKING HIS SHOES. 526 00:27:03,890 --> 00:27:06,426 YOU DIDN�T GET PLASTIC SURGERY ON THAT MUG YET? 527 00:27:06,459 --> 00:27:07,828 HOW�S IT GOING, PETE? 528 00:27:07,861 --> 00:27:09,763 IT ALL BECOMES CLEAR TO ME NOW. 529 00:27:09,796 --> 00:27:11,464 I SHOULD HAVE KNOWN YOU WOULDN�T HAVE THE BALLS 530 00:27:11,497 --> 00:27:12,766 TO CALL ME OUT 531 00:27:12,799 --> 00:27:15,135 WITHOUT A BADGE FOR A HOLD CARD. 532 00:27:15,168 --> 00:27:18,271 SHOULD HAVE SEEN PETE GETTING HIS PROPS 533 00:27:18,304 --> 00:27:19,472 IN THAT RESTAURANT LAST NIGHT. 534 00:27:19,506 --> 00:27:21,307 WHAT IS THIS ABOUT ?? 535 00:27:21,341 --> 00:27:23,977 SOME STORAGE CONTAINERS IN A PROPERTY I USED TO OWN? 536 00:27:24,010 --> 00:27:26,279 THAT�S A MYSTERY TO YOU, HUH, PETE, 537 00:27:26,312 --> 00:27:27,881 WHY WE WOULD BE INQUIRING? 538 00:27:27,914 --> 00:27:29,783 YEAH. 539 00:27:29,816 --> 00:27:32,452 ARE THEY TALKING TO MANGRINI YET? 540 00:27:32,485 --> 00:27:34,187 UH, YES. HE�S IN THE POKEY. 541 00:27:34,220 --> 00:27:36,156 THANKS, JOHN. 542 00:27:36,189 --> 00:27:38,825 I DON�T KNOW NOTHING ABOUT NO 50?GALLON DRUMS. 543 00:27:38,859 --> 00:27:40,827 THEN HOW ABOUT LET�S TALK ABOUT THE CONTENTS? 544 00:27:40,861 --> 00:27:43,196 MAYBE WHAT�S IN THE DRUM WILL RING A BELL. 545 00:27:43,229 --> 00:27:44,497 [ KNOCK ON DOOR ] 546 00:27:49,670 --> 00:27:52,973 YOU WANT TO KNOW WHY I GO ON TO THE CONTENT? 547 00:27:53,006 --> 00:27:54,541 IT�S NOT MANGRINI�S WIFE. 548 00:27:54,575 --> 00:27:56,543 IT�S SOME WOMAN NAMED ERMA GALLEGO. 549 00:27:56,577 --> 00:27:59,312 WE GOT A NAME TO REACH OUT TO FROM HER ADDRESS BOOK. 550 00:27:59,345 --> 00:28:00,881 THANKS. 551 00:28:00,914 --> 00:28:04,551 YOU WANT TO KNOW WHY I GO ON TO THE CONTENTS 552 00:28:04,585 --> 00:28:07,153 AND WHY I RAISED THAT SUBJECT. 553 00:28:07,187 --> 00:28:08,755 Not his wife. 554 00:28:08,789 --> 00:28:11,858 I WANT TO KNOW BECAUSE YOU KEEP REPEATING YOURSELF. 555 00:28:11,892 --> 00:28:13,827 WHAT�S IN THIS 50?GALLON DRUM? 556 00:28:13,860 --> 00:28:16,563 WHAT IS IN THAT DRUM, PETE, 557 00:28:16,597 --> 00:28:18,932 IS WHAT WE WANT YOU TO GO HOME 558 00:28:18,965 --> 00:28:22,068 AND YOU THINK ABOUT AND YOU DECIDE 559 00:28:22,102 --> 00:28:25,105 IF YOU WANT TO RETURN HERE WITH REPRESENTATION. 560 00:28:25,138 --> 00:28:26,707 I KNOW NOTHING ABOUT NO DRUMS. 561 00:28:26,740 --> 00:28:28,441 IF I�M YOU, PETE, 562 00:28:28,474 --> 00:28:31,111 I ASK MY ATTORNEY, "DO I KEEP PLEADING IGNORANCE?" 563 00:28:31,144 --> 00:28:33,179 AND I GET ADVICE OF COUNSEL. 564 00:28:33,213 --> 00:28:36,449 OF COURSE, I�M JUST A MENIAL CIVIL SERVICE EMPLOYEE. 565 00:28:38,952 --> 00:28:40,921 YOU KNOW WHAT? I�M OUT OF HERE. 566 00:28:40,954 --> 00:28:43,724 HEY, YOU DO WHAT YOU GOT TO DO. 567 00:28:43,757 --> 00:28:46,392 ALL THAT BOOZE ?? 50?50 CHANCE YOUR BRAIN�S PICKLED. 568 00:28:46,426 --> 00:28:50,130 HEY, NEVER MIND THAT. 569 00:28:50,163 --> 00:28:52,432 WHO THE HELL IS THE D. O. A.? 570 00:28:52,465 --> 00:28:53,767 ERMA GALLEGO. 571 00:29:07,948 --> 00:29:09,883 PLEASE, JUST TELL ME WHAT IT�S FOR. 572 00:29:09,916 --> 00:29:11,885 I NEVER DID NOTHING WRONG. 573 00:29:11,918 --> 00:29:13,820 WE�RE INVESTIGATING SOMEONE�S DEATH. 574 00:29:13,854 --> 00:29:16,089 YOUR NAME WAS FOUND IN HER EFFECTS. 575 00:29:16,122 --> 00:29:17,123 WHOSE DEATH? 576 00:29:17,157 --> 00:29:19,125 ERMA GALLEGO. 577 00:29:19,159 --> 00:29:23,396 I HAVEN�T SEEN HER FOR 30 YEARS. 578 00:29:23,429 --> 00:29:27,668 WHY DON�T YOU SIT DOWN, MRS. ROJAS? 579 00:29:29,870 --> 00:29:31,772 WHEN DID SHE DIE? 580 00:29:31,805 --> 00:29:34,107 TELL US A LITTLE BIT ABOUT YOUR RELATIONSHIP 581 00:29:34,140 --> 00:29:37,177 AND WHEN WAS THE LAST TIME YOU SAW HER. 582 00:29:37,210 --> 00:29:39,946 I LAST SAW HER JULY 4, 1969, 583 00:29:39,980 --> 00:29:42,983 WHEN SHE CALLED ME TO COME TO HOBOKEN ACROSS THE RIVER. 584 00:29:43,016 --> 00:29:44,985 WHERE WERE YOU LIVING? 585 00:29:45,018 --> 00:29:46,953 I WAS JUST HERE FOR 17 MONTHS, 586 00:29:46,987 --> 00:29:49,255 AND I NEVER BEEN TO NEW JERSEY. 587 00:29:49,289 --> 00:29:52,626 I DIDN�T KNOW HOW TO USE THE TRAIN, AND I GOT LOST. 588 00:29:52,659 --> 00:29:54,961 AND I FINALLY GOT TO ERMA�S APARTMENT, 589 00:29:54,995 --> 00:29:56,763 AND SHE WAS GONE... 590 00:29:56,797 --> 00:29:59,465 WITH THE FOOD STILL WARM ON THE STOVE. 591 00:29:59,499 --> 00:30:03,670 WHY HAD ERMA ASKED YOU TO COME? 592 00:30:03,704 --> 00:30:05,438 SHE WAS IN LOVE WITH SOMEONE, 593 00:30:05,471 --> 00:30:07,608 AND IT WASN�T GOING GOOD. 594 00:30:07,641 --> 00:30:09,275 SHE CALLED HIS HOUSE, 595 00:30:09,309 --> 00:30:11,845 AND NOW SHE SAID SHE WAS AFRAID. 596 00:30:11,878 --> 00:30:14,047 WHO WAS SHE IN LOVE WITH? 597 00:30:14,080 --> 00:30:18,118 HER BOSS THAT WAS MARRIED. HE GOT HER PREGNANT. 598 00:30:18,151 --> 00:30:21,321 SO ERMA WAS AFRAID HER BOSS WAS GOING TO HARM HER? 599 00:30:21,354 --> 00:30:24,791 I THINK SO, AFTER SHE CALLED HIS HOUSE. 600 00:30:24,825 --> 00:30:27,828 OVER THE NEXT DAYS WHEN YOU DIDN�T SEE OR HEAR FROM ERMA, 601 00:30:27,861 --> 00:30:30,697 I�M SURE YOU BECAME MORE AND MORE CONCERNED. 602 00:30:32,699 --> 00:30:36,002 BUT YOU DIDN�T TELL ANYONE. 603 00:30:36,036 --> 00:30:39,973 I WENT TO MISSING PERSONS AFTER TWO DAYS, 604 00:30:40,006 --> 00:30:43,209 BUT SOMEONE BEHIND ME ON THE LINE SAID 605 00:30:43,243 --> 00:30:46,813 IF I WEREN�T FAMILY, I COULD NOT FILE A REPORT. 606 00:30:46,847 --> 00:30:51,017 I WAS ONLY HERE FOR 17 MONTHS. 607 00:30:52,786 --> 00:30:55,288 MY PAPERS WEREN�T RIGHT YET. 608 00:30:58,024 --> 00:31:01,795 WAS THE BABY STILL INSIDE HER? 609 00:31:13,039 --> 00:31:16,743 I DON�T KNOW HIS NAME, BUT HE WAS HER BOSS. 610 00:31:16,777 --> 00:31:19,112 SHE WORKED FOR A PLASTIC FLOWER FACTORY 611 00:31:19,145 --> 00:31:20,881 IN THE BRONX. 612 00:31:36,830 --> 00:31:39,733 GUESS THIS WAS PETE MANGRINI�S DAY 613 00:31:39,766 --> 00:31:41,768 TO PLAY THE LOTTO. 614 00:31:41,802 --> 00:31:44,137 YEAH, WHAT WERE THE ODDS THIS MORNING 615 00:31:44,170 --> 00:31:47,140 ON PETE MANGRINI NOT BEING LOCKED UP BY NOW? 616 00:31:49,510 --> 00:31:51,477 HEY, DIANE, CHECK THIS OUT ?? 617 00:31:51,512 --> 00:31:53,647 DINO FERRARA�S GIRLFRIEND. 618 00:31:53,680 --> 00:31:56,583 MS. ANGELA ZIRELLI IN REGARDS TO THE MANGRINI INVESTIGATION. 619 00:31:56,617 --> 00:31:58,451 UH, MS. ZIRELLI REGARDING MR. MANGRINI. 620 00:31:58,484 --> 00:32:00,320 ANGELA, DIANE RUSSELL. 621 00:32:00,353 --> 00:32:03,156 YOU MAY NOT REMEMBER ?? WE MET WHILE I WAS IN VICE. 622 00:32:03,189 --> 00:32:04,825 OH, YEAH. 623 00:32:04,858 --> 00:32:07,127 MY PARTNER JILL KIRKENDALL. 624 00:32:07,160 --> 00:32:08,662 HELLO. 625 00:32:08,695 --> 00:32:11,097 IS THERE SOMEWHERE WE CAN SPEAK? 626 00:32:11,131 --> 00:32:14,300 ACTUALLY, THE, UH, PETE MANGRINI INVESTIGATION 627 00:32:14,334 --> 00:32:16,937 IS KIND OF, UH... 628 00:32:16,970 --> 00:32:19,706 OR SURE, WE CAN, UH, TALK IN HERE. 629 00:32:26,647 --> 00:32:29,616 WALKING A LITTLE WIDE, ANGELA. 630 00:32:29,650 --> 00:32:32,986 WOW. WHAT AN INTENSELY PERSONAL OBSERVATION. 631 00:32:33,019 --> 00:32:34,420 COFFEE? 632 00:32:34,454 --> 00:32:37,023 NO. I HAVE WATER. 633 00:32:37,057 --> 00:32:40,160 SO, DID DINO HELP YOU WITH PETE MANGRINI? 634 00:32:40,193 --> 00:32:41,962 WHY? 635 00:32:41,995 --> 00:32:44,965 IT�S MY UNDERSTANDING DINO PUTTING THE WOOD TO ME 636 00:32:44,998 --> 00:32:48,134 WAS THE QUID PRO QUO FOR HIM COOPERATING WITH YOU PEOPLE. 637 00:32:48,168 --> 00:32:50,103 SO YOU FIGURE THROWING A HUMP INTO DINO 638 00:32:50,136 --> 00:32:51,538 EARNS YOU A SPECIAL BRIEFING. 639 00:32:51,572 --> 00:32:53,774 AND A PURPLE HEART. 640 00:32:53,807 --> 00:32:55,441 YOU�RE A CUTIE, ANGELA, 641 00:32:55,475 --> 00:32:57,343 BUT WE�D STILL NEED TO KNOW WHY 642 00:32:57,377 --> 00:32:58,979 YOU�RE ASKING THE QUESTION. 643 00:32:59,012 --> 00:33:02,348 BECAUSE IF DINO DIDN�T HELP YOU WITH PETE MANGRINI ?? 644 00:33:02,382 --> 00:33:03,650 AND BELIEVE ME, 645 00:33:03,684 --> 00:33:05,619 THE WHOLE TIME HE WAS SCREWING ME, 646 00:33:05,652 --> 00:33:07,688 HE WAS LAUGHING HIS ASS OFF 647 00:33:07,721 --> 00:33:09,690 ABOUT GETTING OVER ON YOU PEOPLE ?? 648 00:33:09,723 --> 00:33:12,358 I CAN HELP WITH MANGRINI AND WILL 649 00:33:12,392 --> 00:33:14,861 BECAUSE PETE MANGRINI IS A RAT BASTARD SCUMBAG 650 00:33:14,895 --> 00:33:16,863 WHO OUGHT TO GET THE NEEDLE. 651 00:33:16,897 --> 00:33:18,398 WE�RE LISTENING. 652 00:33:18,431 --> 00:33:22,368 IF YOU�RE LOOKING AT HIM FOR KILLING HIS WIFE PATSY ?? 653 00:33:22,402 --> 00:33:26,172 WHO WAS ALSO MY BEST GIRLFRIEND ?? 654 00:33:26,206 --> 00:33:27,641 HE DID. 655 00:33:27,674 --> 00:33:30,310 YOU SUSPECT THIS. 656 00:33:30,343 --> 00:33:31,812 I KNOW IT. HOW? 657 00:33:31,845 --> 00:33:35,181 BECAUSE HE TOLD ME AT AN INTIMATE MOMENT. 658 00:33:35,215 --> 00:33:37,984 AN INTIMATE MOMENT BETWEEN YOU AND PETE MANGRINI? 659 00:33:38,018 --> 00:33:39,986 YES. 660 00:33:40,020 --> 00:33:42,355 WHILE YOU WERE DINO FERRARA�S GIRLFRIEND 661 00:33:42,388 --> 00:33:44,357 AND BEST FRIENDS WITH MANGRINI�S WIFE. 662 00:33:44,390 --> 00:33:45,926 I�M PROVIDING INFORMATION, 663 00:33:45,959 --> 00:33:47,694 NOT NOMINATING MYSELF AS THE NEXT MOTHER TERESA. 664 00:33:47,728 --> 00:33:49,530 THE NATURAL CONCERN IS, 665 00:33:49,563 --> 00:33:51,898 IF INSTEAD OF YOUR CONSCIENCE BRINGING YOU IN HERE, 666 00:33:51,932 --> 00:33:54,601 YOU�RE ON AN ERRAND FROM DINO 667 00:33:54,635 --> 00:33:56,402 TO MAKE PETE MANGRINI�S LIFE MISERABLE. 668 00:33:56,436 --> 00:34:00,206 I�M HERE BECAUSE I�M SICK OF BEING A SEXUAL FOOTBALL. 669 00:34:00,240 --> 00:34:03,343 WHEN PETE CONFESSED TO YOU HE�D KILLED HIS WIFE, 670 00:34:03,376 --> 00:34:06,580 IS THAT ALSO WHEN HE TOLD YOU ABOUT PUTTING HER BODY 671 00:34:06,613 --> 00:34:09,783 IN A 50?GALLON DRUM IN HIS BASEMENT? 672 00:34:09,816 --> 00:34:12,418 NO, HE TOLD ME PATSY WAS BURIED 673 00:34:12,452 --> 00:34:15,989 BEHIND HIS COUSIN TOMMY�S HOUSE IN ENGLEWOOD CLIFFS. 674 00:34:26,567 --> 00:34:29,135 WHAT EXACTLY IS GOING TO TRANSPIRE HERE? 675 00:34:29,169 --> 00:34:32,305 IT�S PROBABLY GOING TO GO BETTER WITH YOU ELSEWHERE. 676 00:34:32,338 --> 00:34:35,208 HEY, THIS IS MY PROPERTY, EVEN IF IT IS CURSED. 677 00:34:35,241 --> 00:34:38,211 YOU CAN�T THROW A MAN OUT OF HIS OWN HOUSE. 678 00:34:38,244 --> 00:34:39,980 HARD ENOUGH, HE�LL BOUNCE. 679 00:34:40,013 --> 00:34:41,114 HELLO? 680 00:34:41,147 --> 00:34:42,916 MR. EPPS. 681 00:34:42,949 --> 00:34:44,651 THIS IS MY WIFE SUSAN. 682 00:34:44,685 --> 00:34:46,252 MY PARTNER ANDY SIPOWICZ. 683 00:34:46,286 --> 00:34:48,254 I�M HARRY FORSIC, THE PRESENT OWNER. 684 00:34:48,288 --> 00:34:51,958 YEAH, GO TO ANOTHER PART OF THE RESIDENCE. 685 00:34:51,992 --> 00:34:55,061 YOU SAID A BODY HAD BEEN FOUND. 686 00:34:55,095 --> 00:34:56,897 THAT�S RIGHT, 687 00:34:56,930 --> 00:34:58,832 IN THE BASEMENT UNDERNEATH THE STAIRS. 688 00:34:58,865 --> 00:35:00,400 IN A 50?GALLON DRUM. 689 00:35:00,433 --> 00:35:02,402 WE DON�T KNOW ANYTHING ABOUT THAT. 690 00:35:02,435 --> 00:35:06,239 YOU USED TO OWN ETERNAL FLORAL COMPANY? 691 00:35:06,272 --> 00:35:08,909 MADE PLASTIC FLOWERS? YES. 692 00:35:08,942 --> 00:35:11,244 A & G CONTAINERS THAT MANUFACTURED IT 693 00:35:11,277 --> 00:35:13,980 SOLD THE 50?GALLON DRUM THE BODY WAS FOUND IN 694 00:35:14,014 --> 00:35:16,249 TO YOUR COMPANY. 695 00:35:16,282 --> 00:35:18,284 I WOULDN�T KNOW WHAT TO SAY ABOUT THAT. 696 00:35:18,318 --> 00:35:20,921 THE WOMAN WHOSE BODY WE FOUND IN THAT DRUM 697 00:35:20,954 --> 00:35:22,656 WAS AN EMPLOYEE OF YOUR COMPANY. 698 00:35:22,689 --> 00:35:24,290 ERMA GALLEGO. 699 00:35:24,324 --> 00:35:26,860 WELL, I WOULDN�T KNOW WHAT TO SAY. 700 00:35:26,893 --> 00:35:29,295 DID YOU KNOW ERMA GALLEGO? 701 00:35:29,329 --> 00:35:30,964 YES, HE DID. 702 00:35:33,166 --> 00:35:35,168 SHOULD WE CONTINUE OUR CONVERSATION 703 00:35:35,201 --> 00:35:37,170 SOMEWHERE ELSE, MR. EPPS? 704 00:35:37,203 --> 00:35:39,773 MAYBE MRS. EPPS CAN TALK TO MY PARTNER? 705 00:35:39,806 --> 00:35:42,008 YES, I KNEW ERMA GALLEGO. 706 00:35:42,042 --> 00:35:44,978 DO YOU KNOW HOW HER BODY GOT IN OUR BASEMENT? 707 00:35:45,011 --> 00:35:47,180 NO. NO? 708 00:35:47,213 --> 00:35:49,850 NO IDEA HOW IT COULD HAVE GOTTEN DOWN THERE? 709 00:35:51,384 --> 00:35:56,022 AFTER 30 YEARS, TO ASK US ABOUT SOMETHING 710 00:35:56,056 --> 00:35:59,159 NEITHER OF US HAS THE VAGUEST EXPLANATION FOR, 711 00:35:59,192 --> 00:36:01,361 OTHER THAN WHAT SOME DISGRUNTLED EMPLOYEE 712 00:36:01,394 --> 00:36:03,530 MAY HAVE DONE 713 00:36:03,564 --> 00:36:07,133 WHILE MY WIFE AND I WERE ON VACATION. 714 00:36:07,167 --> 00:36:09,703 I�M GOING TO URINATE. 715 00:36:11,605 --> 00:36:12,906 IS THAT PERMITTED? 716 00:36:12,939 --> 00:36:14,374 SURE, THAT�S PERMITTED. 717 00:36:14,407 --> 00:36:18,144 GO AHEAD AND USE THE BATHROOM. 718 00:36:18,178 --> 00:36:20,547 IS IT STILL IN THE SAME PLACE? 719 00:36:20,581 --> 00:36:22,315 I DON�T KNOW. 720 00:36:22,348 --> 00:36:24,417 THE NEW OWNER�S BACK THERE. 721 00:36:29,956 --> 00:36:32,192 HE WAS INVOLVED WITH THAT GIRL. 722 00:36:32,225 --> 00:36:34,427 SHE CALLED ME AND TOLD ME THEY WERE INVOLVED. 723 00:36:34,460 --> 00:36:36,530 SHE SAID HE GOT HER PREGNANT. 724 00:36:36,563 --> 00:36:39,099 WAS THERE A BABY INSIDE HER? 725 00:36:39,132 --> 00:36:40,534 [ GUNSHOT ] 726 00:36:40,567 --> 00:36:42,202 Forsic: OH, MY GOD! 727 00:36:42,235 --> 00:36:46,106 HE SHOT HIMSELF IN THE HEAD! 728 00:37:02,388 --> 00:37:04,457 IT�S 10 MINUTES TO 7:00, BALDWIN. 729 00:37:04,490 --> 00:37:08,228 WELL, NICOLE, THE WOMAN IN THAT BARREL 730 00:37:08,261 --> 00:37:10,463 ISN�T PETE MANGRINI�S WIFE. 731 00:37:10,496 --> 00:37:12,465 HER NAME IS ERMA GALLEGO. 732 00:37:12,498 --> 00:37:14,601 SHE WORKED FOR A GUY NAMED EPPS 733 00:37:14,635 --> 00:37:16,937 WHO OWNED THE HOUSE BEFORE MANGRINI, 734 00:37:16,970 --> 00:37:19,072 WHO JUST CROAKED HIMSELF. 735 00:37:19,105 --> 00:37:22,776 OH, GREAT. THAT�LL BUY ME 12 LINES ON PAGE 4. 736 00:37:22,809 --> 00:37:24,778 ON THE OTHER HAND, NICOLE, 737 00:37:24,811 --> 00:37:27,113 WE JUST DID COME UP WITH PATSY MANGRINI�S BODY 738 00:37:27,147 --> 00:37:29,115 OVER IN ENGLEWOOD, NEW JERSEY. 739 00:37:29,149 --> 00:37:30,751 ARE YOU KIDDING? 740 00:37:30,784 --> 00:37:33,219 I DON�T THINK YOU�D HAVE A SENSE OF HUMOR 741 00:37:33,253 --> 00:37:34,821 FOR SOMETHING LIKE THAT. 742 00:37:34,855 --> 00:37:36,823 DID MANGRINI DO IT? 743 00:37:36,857 --> 00:37:39,826 WE�RE GOING TO BE LOOKING AT PETE PRETTY HARD. 744 00:37:39,860 --> 00:37:42,395 WHY ARE YOU GIVING THIS TO ME? 745 00:37:42,428 --> 00:37:44,665 YOU COOPERATING, 746 00:37:44,698 --> 00:37:47,067 HOLDING OFF ON WHAT YOU HAD ?? 747 00:37:47,100 --> 00:37:49,803 I THOUGHT THAT�S WHAT I AGREED TO DO. 748 00:37:49,836 --> 00:37:52,973 YOU KEEP IT ON THE TABLE IN FRONT OF YOU, DON�T YOU? 749 00:37:53,006 --> 00:37:55,008 SEEMS TO GO EASIER THAT WAY. 750 00:37:55,041 --> 00:37:58,078 SO WOULD IT GO EASIER, ME GETTING IN BED WITH YOU, 751 00:37:58,111 --> 00:38:00,581 IF I TOLD YOU I WAS HIS SISTER? 752 00:38:00,614 --> 00:38:02,616 ARE YOU? 753 00:38:02,649 --> 00:38:04,150 ABSOLUTELY. 754 00:38:07,453 --> 00:38:09,455 THAT�S NOT WHAT IT�S ABOUT, NICOLE. 755 00:38:09,489 --> 00:38:12,092 I�D LIKE TO FIND OUT WHAT IT IS ABOUT, 756 00:38:12,125 --> 00:38:15,829 JUST NOT AS MUCH AS I WANT TO FILE ON THIS STORY. 757 00:38:15,862 --> 00:38:17,063 DON�T MISS THAT DEADLINE. 758 00:38:19,332 --> 00:38:21,034 TAKE CARE, BALDWIN. THANKS A LOT. 759 00:38:21,067 --> 00:38:22,536 SURE. 760 00:38:22,569 --> 00:38:25,038 I�M CALLING YOU FROM THE WORD PROCESSOR 761 00:38:25,071 --> 00:38:26,673 TO GET THOSE NAMES. 762 00:38:26,707 --> 00:38:28,675 I�LL BE UPSTAIRS. 763 00:38:28,709 --> 00:38:30,143 ALL RIGHT. 764 00:38:46,226 --> 00:38:50,163 I�M SO AFRAID FOR HER TO DIE. 765 00:38:50,196 --> 00:38:52,899 TIME MAY COME IT�LL BE A RELIEF. 766 00:38:52,933 --> 00:38:56,069 WAS IT A RELIEF FOR YOU? 767 00:38:58,404 --> 00:39:00,373 NO. 768 00:39:00,406 --> 00:39:02,709 WITH HER, SHE WAS YOUNG... 769 00:39:02,743 --> 00:39:05,311 A MOTHER TAKEN. 770 00:39:05,345 --> 00:39:08,014 SHE�S NOT YOUNG. 771 00:39:08,048 --> 00:39:10,416 WE DON�T HAVE CHILDREN, 772 00:39:10,450 --> 00:39:12,986 BUT SHE�S EVERYTHING IN THE WORLD. 773 00:39:13,019 --> 00:39:16,156 ALL HER SUFFERING... 774 00:39:16,189 --> 00:39:19,059 I�M AFRAID TO LET HER GO. 775 00:39:19,092 --> 00:39:22,195 BUT I�VE SEEN TOO MUCH. 776 00:39:22,228 --> 00:39:25,498 I KNOW THERE�S NOTHING AFTER. 777 00:39:25,532 --> 00:39:28,001 I�VE SEEN TOO MANY PEOPLE DEAD 778 00:39:28,034 --> 00:39:29,703 TOO MANY WAYS. 779 00:39:33,273 --> 00:39:37,544 I SAW MY SON LAID OUT ON A GURNEY 780 00:39:37,578 --> 00:39:40,213 IN THE EMERGENCY ROOM, 781 00:39:40,246 --> 00:39:43,249 MURDERED BY TWO SKELLS 782 00:39:43,283 --> 00:39:46,419 THAT HE WAS TRYING TO KEEP FROM ROBBING A BAR. 783 00:39:46,452 --> 00:39:49,856 MY PARTNER AND ME 784 00:39:49,890 --> 00:39:54,595 WALKED IN ON AN UNIDENTIFIED D. O. A., 785 00:39:54,628 --> 00:39:57,297 AND THE NURSE HANDED ME MY BOY�S I. D. 786 00:40:00,166 --> 00:40:03,570 SO I WENT OVER, 787 00:40:03,604 --> 00:40:06,272 AND I SAW HIM ON THE GURNEY 788 00:40:06,306 --> 00:40:08,642 WITH A BULLET WOUND IN HIS NECK 789 00:40:08,675 --> 00:40:11,812 THE SIZE OF MY FIST, 790 00:40:11,845 --> 00:40:14,047 AND I HELD HIM DEAD 791 00:40:14,080 --> 00:40:18,218 AND MY WIFE WHILE SHE WAS DYING. 792 00:40:18,251 --> 00:40:20,420 YOU KNOW THEN. 793 00:40:20,453 --> 00:40:23,289 BEFORE... 794 00:40:23,323 --> 00:40:27,594 I KNEW THERE WAS NO GOD... 795 00:40:27,628 --> 00:40:28,795 BUT... 796 00:40:31,331 --> 00:40:36,637 AFTER HE WAS MURDERED... 797 00:40:36,670 --> 00:40:41,742 I DREAMT ABOUT MY SON COMING BACK TO ME DEAD... 798 00:40:41,775 --> 00:40:44,611 A SPIRIT... 799 00:40:44,645 --> 00:40:48,114 AND I DIDN�T ARGUE IF THAT WAS REAL. 800 00:40:52,519 --> 00:40:54,855 MY EX?WIFE... 801 00:40:54,888 --> 00:40:57,824 HAS VISIONS... 802 00:40:57,858 --> 00:41:01,628 WHERE SHE SEES OUR SON ALIVE 803 00:41:01,662 --> 00:41:03,429 IN OTHER PEOPLE 804 00:41:03,463 --> 00:41:06,432 A COUPLE OF SECONDS AT A TIME, 805 00:41:06,466 --> 00:41:10,837 AND SINCE SHE SAID THAT... 806 00:41:10,871 --> 00:41:12,372 I�LL FEEL LIKE ?? 807 00:41:12,405 --> 00:41:14,875 LIKE I�LL SEE HIM SOMETIMES 808 00:41:14,908 --> 00:41:19,479 IN MY LITTLE GUY THAT�S 3 1/2. 809 00:41:19,513 --> 00:41:21,848 I�M NOT GOING TO ARGUE WITH YOU IF ?? 810 00:41:21,882 --> 00:41:24,785 IF ANY OF THAT�S REAL, KROFT, 811 00:41:24,818 --> 00:41:28,354 BUT... 812 00:41:28,388 --> 00:41:31,291 IT ?? IT FEELS REAL, 813 00:41:31,324 --> 00:41:33,527 AND IT�S COME TO ME 814 00:41:33,560 --> 00:41:35,929 SINCE THE PEOPLE I LOVED DIED. 815 00:41:37,931 --> 00:41:39,700 SO... 816 00:41:39,733 --> 00:41:42,368 MAYBE THAT�S SOMETHING IN STORE FOR YOU 817 00:41:42,402 --> 00:41:45,171 YOU CAN�T BELIEVE IN RIGHT NOW, 818 00:41:45,205 --> 00:41:47,173 AND WHEN THE TIME COMES, 819 00:41:47,207 --> 00:41:49,543 IT�LL HELP YOU GO ON, 820 00:41:49,576 --> 00:41:52,445 �CAUSE I PROMISE... 821 00:41:54,380 --> 00:41:57,217 IT ?? IT FEELS REAL. 822 00:41:57,267 --> 00:42:01,817 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 59547

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