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1
00:00:26,026 --> 00:00:28,695
BODY PARTS
IN THIS BARREL HERE.
2
00:00:33,433 --> 00:00:36,336
OH, IT�S PRETTY HEAVY, ANDY.
IT�S A FULL CORPSE.
3
00:00:36,369 --> 00:00:38,438
MORNING.
WHO CALLED IT IN?
4
00:00:38,471 --> 00:00:40,574
HARRY FORSIC ??
JUST BOUGHT THE PLACE.
5
00:00:40,607 --> 00:00:42,442
FOUND IT IN THE BASEMENT.
6
00:00:42,475 --> 00:00:44,711
MR. FORSIC?
7
00:00:44,745 --> 00:00:46,713
THIS IS THE WORST NIGHTMARE.
8
00:00:46,747 --> 00:00:49,115
I�M SURE IT MUST HAVE COME
AS A REAL SHOCK.
9
00:00:49,149 --> 00:00:51,117
I FOUND IT YESTERDAY
BEHIND SOME SHEETROCK.
10
00:00:51,151 --> 00:00:53,286
HAD MY MOVERS CART IT OUT,
11
00:00:53,319 --> 00:00:56,289
THEN TODAY THE GARBAGE GUYS
MAKE A BIG DEAL
12
00:00:56,322 --> 00:00:58,525
ABOUT BEING WORRIED
IT�S HAZARDOUS WASTE.
13
00:00:58,559 --> 00:01:00,894
I PRIED THE TOP OPEN
TO FIND THAT.
14
00:01:00,927 --> 00:01:02,896
DO YOU MIND
IF WE LOOK AROUND INSIDE?
15
00:01:02,929 --> 00:01:04,731
NO, GO CRAZY.
16
00:01:09,235 --> 00:01:10,571
YOU A DETECTIVE?
17
00:01:10,604 --> 00:01:12,105
ARE YOU A WRESTLER?
18
00:01:12,138 --> 00:01:15,141
IS THAT A DEAD PERSON
IN THAT BARREL THERE?
19
00:01:15,175 --> 00:01:16,777
THAT�S OUR
PRELIMINARY IMPRESSION.
20
00:01:16,810 --> 00:01:19,780
WELL, IF THAT�S A DEAD PERSON
WHO�S BEEN DEAD A WHILE,
21
00:01:19,813 --> 00:01:22,115
THEN THE OWNER OF THIS HOUSE
22
00:01:22,148 --> 00:01:25,118
BEFORE THE LAST ONE ??
MAFIOSO.
23
00:01:25,151 --> 00:01:27,487
MM?HMM. OH, YEAH.
24
00:01:27,521 --> 00:01:31,124
LATE?NIGHT CUSSING,
FANCY CARS, EVERYTHING.
25
00:01:31,157 --> 00:01:33,894
YOU FIGURE HE MIGHT HAVE
FOLLOWED THE MAFIA CUSTOM
26
00:01:33,927 --> 00:01:35,896
OF KEEPING ONE
OF HIS VICTIMS
27
00:01:35,929 --> 00:01:37,964
WITH HIM IN A BARREL
AS A SOUVENIR?
28
00:01:37,998 --> 00:01:40,901
WHAT ARE YOU,
A BALL?BREAKER?
29
00:01:40,934 --> 00:01:41,902
HEY, DOC.
30
00:01:41,935 --> 00:01:43,403
WHAT DO WE GOT?
31
00:01:43,436 --> 00:01:45,606
WELL, SHE�S BEEN
IN THERE A WHILE.
32
00:01:45,639 --> 00:01:48,609
LOOKS LIKE YOU�RE GOING
TO BE THE ONE TELLING US.
33
00:01:48,642 --> 00:01:50,076
HOW�S IT GOING, DOC?
34
00:01:50,110 --> 00:01:52,112
SHE YOUR TYPE, SIPOWICZ?
35
00:01:52,145 --> 00:01:55,248
UH, SHE�S SOME
NEIGHBORHOOD HEN.
36
00:01:55,281 --> 00:01:57,518
I THOUGHT MAYBE
SHE WAS SIPOWICZ�S TYPE.
37
00:01:57,551 --> 00:02:00,420
THEY WERE LOOKING
TO EXCHANGE PHONE NUMBERS.
38
00:02:00,453 --> 00:02:03,624
I GOT UP THIS MORNING
FEELING PRETTY GOOD.
39
00:03:18,965 --> 00:03:23,003
OH, OH, AND IS THIS, LIKE,
GALLAGHER�S FINAL SHOW EVER
40
00:03:23,036 --> 00:03:25,005
IN ATLANTIC CITY, MR. BUNIN?
41
00:03:25,038 --> 00:03:27,541
IS THAT WHY YOU�RE
IN SUCH A RUSH, HUH?
42
00:03:27,574 --> 00:03:31,177
WILL HE NEVER BE SQUASHING FRUIT
ONSTAGE DOWN THERE AGAIN?
43
00:03:31,211 --> 00:03:34,548
MY QUESTION IS,
WHEN YOU OWNED THE HOME,
44
00:03:34,581 --> 00:03:38,552
DID YOU EVER HAPPEN
TO NOTICE A STORAGE CONTAINER
45
00:03:38,585 --> 00:03:42,022
ON THE PREMISES ??
A 50?GALLON DRUM?
46
00:03:42,055 --> 00:03:43,757
ALL RIGHT, GOOD.
47
00:03:43,790 --> 00:03:46,259
YEAH, I�LL CALL BACK
WITH ANY FOLLOW?UP.
48
00:03:46,292 --> 00:03:48,929
[ SIGHS ]
49
00:03:48,962 --> 00:03:51,932
NO, WELL, WITH RELATIVES
IN FROM ORLANDO,
50
00:03:51,965 --> 00:03:56,469
I CAN SEE WHY YOU WOULDN�T WANT
TO MISS THE OPENING CURTAIN.
51
00:03:56,503 --> 00:03:59,272
DON�T GET HIT
WITH ANY MELON RINDS.
52
00:03:59,305 --> 00:04:02,275
PISSES OFF THE RELATIVES
FROM ORLANDO,
53
00:04:02,308 --> 00:04:04,911
THEN WHO�S HE GOING
TO SPONGE OFF OF
54
00:04:04,945 --> 00:04:06,780
WHEN HE VISITS DISNEY WORLD?
55
00:04:06,813 --> 00:04:08,949
GOT TO GET DINO FERRARA
BACK HERE.
56
00:04:08,982 --> 00:04:10,917
Danny: YEAH, THAT MAKES SENSE.
57
00:04:10,951 --> 00:04:13,086
PETE MANGRINI BEING ONE
OF THE FORMER OWNERS
58
00:04:13,119 --> 00:04:15,822
OF THE HOUSE WHERE
THE BODY WAS FOUND, ANDY,
59
00:04:15,856 --> 00:04:17,490
THE BOSS WAS SAYING
60
00:04:17,524 --> 00:04:19,292
HAVE THE MARSHALS
BRING DINO FERRARA DOWN HERE.
61
00:04:19,325 --> 00:04:21,795
IT SHOULDN�T BE
TOO TOUGH A SELL
62
00:04:21,828 --> 00:04:23,797
GETTING DINO FERRARA TO RAT
ON PETE MANGRINI.
63
00:04:23,830 --> 00:04:26,499
PUT A QUARTER IN HIS SLOT,
DINO INCRIMINATES THE POPE.
64
00:04:26,533 --> 00:04:28,502
WITH MANGRINI,
IT WOULD BE PERSONAL.
65
00:04:28,535 --> 00:04:30,504
BECAUSE MANGRINI
TOOK DINO�S TERRITORY.
66
00:04:30,537 --> 00:04:33,574
IS THIS SOMETHING THE WHOLE
CLASS CAN APPRECIATE?
67
00:04:33,607 --> 00:04:36,242
NOTHING FROM THAT GUY
IN ATLANTIC CITY?
68
00:04:36,276 --> 00:04:39,412
NO, HE DON�T RECALL
NO 50?GALLON DRUMS.
69
00:04:39,445 --> 00:04:41,414
WHICH WAS
BEFORE MANGRINI OWNED IT.
70
00:04:41,447 --> 00:04:46,587
GOT TO LIKE MANGRINI�S WIFE
FOR BEING IN THAT DRUM.
71
00:04:46,620 --> 00:04:49,089
MANGRINI�S WIFE ??
SHE DISAPPEARED FIVE YEARS AGO.
72
00:04:49,122 --> 00:04:51,091
IN THE JEWISH HOLY BOOKS,
73
00:04:51,124 --> 00:04:53,326
THAT�S REGARDED AS SIN,
BALDWIN,
74
00:04:53,359 --> 00:04:55,295
FINISHING SOMEONE
ELSE�S STORY.
75
00:04:55,328 --> 00:04:57,430
YEAH, I KNOW.
76
00:04:57,463 --> 00:04:58,932
YOU�RE GOING TO WANT
TO SIT ON MANGRINI.
77
00:04:58,965 --> 00:05:01,201
YOU THINK HE MIGHT HEAD
FOR THE AIRPORT?
78
00:05:01,234 --> 00:05:02,836
PRESS ISN�T
GOING TO HAVE IT.
79
00:05:02,869 --> 00:05:05,105
THE ONLY WAY HE�D HEAD
FOR THE AIRPORT,
80
00:05:05,138 --> 00:05:08,308
HE�D HAVE TO HAVE SOME NEIGHBOR
ON THE EYE AROUND THAT HOUSE.
81
00:05:08,341 --> 00:05:09,843
ME AND SORENSON
CAN�T SIT ON HIM.
82
00:05:09,876 --> 00:05:12,012
HE KNOWS ME
FROM WHEN HE WAS SOLDIER
83
00:05:12,045 --> 00:05:13,947
FOR ALFONSE GIARDELLA.
84
00:05:13,980 --> 00:05:16,116
GREG, YOU AND BALDWIN SIT
ON MANGRINI.
85
00:05:16,149 --> 00:05:18,451
AND YOU COORDINATE
THE FORENSICS
86
00:05:18,484 --> 00:05:21,354
AND REACH OUT TO GET
DINO FERRARA DOWN HERE.
87
00:05:21,387 --> 00:05:23,857
ALFONSE GIARDELLA ??
NOW, THAT�S BEFORE MY TIME.
88
00:05:23,890 --> 00:05:26,359
SEEK ELSEWHERE FOR YOUR
BACKGROUND INFORMATION.
89
00:05:26,392 --> 00:05:29,896
Andy: WHAT�S
JOE KROFT�S PROBLEM?
90
00:05:29,930 --> 00:05:31,898
THE MEDICAL EXAMINER?
I DON�T KNOW.
91
00:05:31,932 --> 00:05:34,501
HE�S ACTING LIKE
I GOT SOME PLAGUE,
92
00:05:34,535 --> 00:05:36,903
DIRECTING ANIMOSITY
TOWARD ME SPECIFICALLY.
93
00:05:36,937 --> 00:05:39,472
WELL, I DON�T KNOW
WHY THAT WOULD BE, ANDY,
94
00:05:39,506 --> 00:05:41,241
NOT THE WAY
YOU SPRAY SUNSHINE AROUND.
95
00:06:03,730 --> 00:06:05,331
SHE WOULDN�T LEAVE.
96
00:06:05,365 --> 00:06:07,701
WHAT DO YOU MEAN
SHE WOULDN�T LEAVE?
97
00:06:07,734 --> 00:06:09,703
I TOLD HER WE WERE COPS,
98
00:06:09,736 --> 00:06:13,339
I TOLD HER WE MADE
HER LICENSE PLATES FOR PRESS,
99
00:06:13,373 --> 00:06:17,077
AND I TOLD HER WE WANTED HER
OUT OF THE AREA.
100
00:06:17,110 --> 00:06:20,080
SHE SAID SHE WOULDN�T LEAVE.
101
00:06:20,113 --> 00:06:21,782
YEAH, GOOD.
102
00:06:24,751 --> 00:06:27,253
THE QUESTION IS,
HOW MUCH ATTENTION
103
00:06:27,287 --> 00:06:29,723
YOU�RE PREPARED TO DRAW
IN THE COURSE
104
00:06:29,756 --> 00:06:32,058
OF TRYING
TO KEEP A LOW PROFILE?
105
00:06:55,682 --> 00:06:56,950
HI.
106
00:06:56,983 --> 00:06:58,985
GET OUT OF THE STREET.
107
00:06:59,019 --> 00:07:00,486
YOU THINK I�M NOTICEABLE?
108
00:07:00,521 --> 00:07:03,089
GET IN THE CAR.
GET IN THE CAR.
109
00:07:05,792 --> 00:07:07,293
THIS IS GREAT.
110
00:07:07,327 --> 00:07:09,630
THEY PROBABLY DON�T SEE
AFRICAN?AMERICANS OUT HERE
111
00:07:09,663 --> 00:07:10,997
THAT AREN�T WEARING
DELIVERY UNIFORMS.
112
00:07:11,031 --> 00:07:13,734
IF YOU�RE WORRIED
ABOUT PETE MANGRINI REALIZING
113
00:07:13,767 --> 00:07:15,669
HE�S BEING WATCHED,
THIS IS A REAL SHORTCUT.
114
00:07:15,702 --> 00:07:17,270
WHAT�S YOUR NAME?
115
00:07:17,303 --> 00:07:18,404
NICOLE.
116
00:07:18,438 --> 00:07:20,807
NICOLE, HUH?
JUST THE ONE NAME?
117
00:07:20,841 --> 00:07:23,109
I�M ONE AHEAD OF YOU.
118
00:07:23,143 --> 00:07:24,410
MY NAME�S BALDWIN JONES.
119
00:07:24,444 --> 00:07:26,112
I�M WITH
THE 15th DETECTIVE SQUAD,
120
00:07:26,146 --> 00:07:28,014
AND I NEED YOU OUT
OF HERE, NICOLE.
121
00:07:28,048 --> 00:07:29,482
IT�S NOT HAPPENING,
BALDWIN.
122
00:07:29,516 --> 00:07:31,585
I DON�T CARE
IF YOU GET PUFF DADDY
123
00:07:31,618 --> 00:07:34,020
TO SIT IN THE BACK.
I FIGURED THIS OUT.
124
00:07:34,054 --> 00:07:36,623
I�M THE ONLY REPORTER
WHO DID.
125
00:07:36,657 --> 00:07:38,124
I�M STAYING
ON PETE MANGRINI�S ASS.
126
00:07:38,158 --> 00:07:40,093
DO NOT LOOK
AT MANGRINI�S HOUSE.
127
00:07:40,126 --> 00:07:41,528
MANGRINI�S COMING,
128
00:07:41,562 --> 00:07:44,197
AND YOU ARE NOT GOING
TO QUEER THE TAIL.
129
00:07:44,230 --> 00:07:47,133
HOW ABOUT I REAR?END
THIS CAR?
130
00:07:47,167 --> 00:07:49,302
YOU THINK THAT WILL
GRAB HIS ATTENTION?
131
00:07:49,335 --> 00:07:51,805
I AM GOING
TO BLOW THE HORN.
132
00:07:51,838 --> 00:07:54,775
DON�T BLOW THE HORN.
DON�T BLOW THE HORN.
133
00:07:54,808 --> 00:07:57,177
I�M DRIVING,
AND BELIEVE ME,
134
00:07:57,210 --> 00:08:00,446
I�M GOING
TO TAIL MANGRINI BETTER
135
00:08:00,480 --> 00:08:02,182
THAN YOUR PARTNER DOES.
136
00:08:20,266 --> 00:08:22,468
WHO�S DINO KIDDING?
LAST TIME WE SAW HIM,
137
00:08:22,503 --> 00:08:26,472
HE WAS CATATONIC
BECAUSE HE WAS SHOOTING BLANKS.
138
00:08:26,507 --> 00:08:28,975
NONNEGOTIABLE ??
DINO GETS TO THROW A HUMP
139
00:08:29,009 --> 00:08:30,476
INTO HIS GIRLFRIEND ANGELA
140
00:08:30,511 --> 00:08:32,579
BEFORE HE TALKS TO US
ABOUT PETE MANGRINI.
141
00:08:32,613 --> 00:08:35,181
SURE, TELL HIM
WE�LL PROVIDE THE SPLINT.
142
00:08:35,215 --> 00:08:37,317
IS HE STILL OBLIGATED
FOR THE CONVERSATION
143
00:08:37,350 --> 00:08:39,520
IF HE CAN�T GET IT UP?
144
00:08:39,553 --> 00:08:41,221
ALL RIGHT.
145
00:08:41,254 --> 00:08:43,489
WELL, PUT DINO ON THE ROAD,
146
00:08:43,524 --> 00:08:45,225
AND WE�LL REACH OUT
FOR HIS GIRLFRIEND.
147
00:08:45,258 --> 00:08:46,593
DELUSIONS OF GRANDEUR.
148
00:08:46,627 --> 00:08:48,662
AHEM.
149
00:08:48,695 --> 00:08:51,164
UH, A FRIEND OF MINE
150
00:08:51,197 --> 00:08:53,734
FOR SEVERAL MONTHS
AFTER HIS PROSTRATE OPERATION,
151
00:08:53,767 --> 00:08:56,670
HE HAD BIG PROBLEMS
IN THAT AREA.
152
00:08:56,703 --> 00:08:58,672
THEY THREW HIM SOME
OF THIS VIAGRA.
153
00:08:58,705 --> 00:09:01,575
YOU COULD HAVE HUNG LAUNDRY
OFF THE GUY.
154
00:09:01,608 --> 00:09:03,844
WHO WAS THIS?
155
00:09:03,877 --> 00:09:06,780
DON�T ASK ME
TO BREAK THAT CONFIDENCE.
156
00:09:31,572 --> 00:09:33,406
30 MINUTES,
WE�RE OVER THE BRIDGE,
157
00:09:33,439 --> 00:09:36,109
EATING IN MANHATTAN,
AND NOBODY LOOKS AT US TWICE.
158
00:09:36,142 --> 00:09:37,711
WHAT�S DRAWING ATTENTION
IS YOU ACTING
159
00:09:37,744 --> 00:09:39,646
LIKE YOU GOT ANTS
IN YOUR PANTS.
160
00:09:39,680 --> 00:09:42,148
HOW�S IT GOING?
GOOD TO SEE YOU.
161
00:09:42,182 --> 00:09:44,484
YEAH, GOOD TO SEE YOU.
162
00:09:44,518 --> 00:09:50,456
HEY, RUDY,
DID YOU ORDER EGGPLANT?
163
00:09:50,490 --> 00:09:53,059
ISN�T THIS CALLED HIDING
IN PLAIN SIGHT?
164
00:09:53,093 --> 00:09:55,328
I DON�T KNOW IF WE�RE GOING
TO BE HIDING
165
00:09:55,361 --> 00:09:58,164
WHEN I PUNCH THAT GUY
IN THE MOUTH.
166
00:09:58,198 --> 00:10:01,134
STOP ACTING LIKE LINCOLN
NEVER GOT ELECTED.
167
00:10:01,167 --> 00:10:02,969
TWO MINUTES, MR. MANGRINI.
168
00:10:03,003 --> 00:10:06,339
WE�RE MOVING THEM
TO ANOTHER TABLE.
169
00:10:06,372 --> 00:10:09,610
MY FAULT, SWEETHEART.
I CROSSED YOU UP.
170
00:10:09,643 --> 00:10:11,612
YOU SAID
YOU WOULDN�T BE IN.
171
00:10:11,645 --> 00:10:13,179
LOOK DEEPLY INTO MY EYES.
172
00:10:13,213 --> 00:10:14,447
IT�S OKAY.
173
00:10:14,480 --> 00:10:17,150
AND WHEN WILL
OUR TABLE BE READY?
174
00:10:17,183 --> 00:10:21,354
WHEN I COME GET YOU.
175
00:10:21,387 --> 00:10:24,024
AREN�T YOU GLAD
WE CAME IN TWO CARS?
176
00:10:24,057 --> 00:10:26,527
NICOLE, THE BLAZER
YOU JUST SAW MY PARTNER DRIVE
177
00:10:26,560 --> 00:10:29,495
INTO THAT FENDER?BENDER WHILE
WE WERE TAILING MANGRINI ??
178
00:10:29,530 --> 00:10:33,266
I�M THE GUY THAT MAKES
THE PAYMENT ON THAT.
179
00:10:33,299 --> 00:10:34,668
I�M SICK OF IT, RENET.
180
00:10:34,701 --> 00:10:36,503
LET ALONE GO OUT FOR DINNER,
181
00:10:36,537 --> 00:10:39,472
WE CAN�T EVEN STOP
AT THE RITE AID
182
00:10:39,506 --> 00:10:41,341
WITHOUT ME BEING HUMILIATED.
183
00:10:41,374 --> 00:10:42,776
SHUT UP.
184
00:10:42,809 --> 00:10:44,611
ALL RIGHT, PETER.
185
00:10:44,645 --> 00:10:46,780
DO YOU WANT TO LEAVE
BECAUSE YOU CAN�T BEHAVE
186
00:10:46,813 --> 00:10:47,848
LIKE A CIVILIZED PERSON?
187
00:10:47,881 --> 00:10:50,216
FINE.
188
00:10:50,250 --> 00:10:52,886
THERE�S A GIRL WHO COULD HAVE
A 50?GALLON DRUM IN HER FUTURE.
189
00:10:52,919 --> 00:10:55,622
RENET, HERE SHE COMES
TO TAKE US TO OUR TABLE
190
00:10:55,656 --> 00:10:58,725
SO SHE CAN SHOVE HER
FAKE TITS IN PETER�S FACE.
191
00:10:58,759 --> 00:11:01,662
YOU�RE A STRUNG?OUT LITTLE
SPEED FREAK, YOU KNOW THAT?
192
00:11:01,695 --> 00:11:03,063
I�M SORRY, ANGEL.
193
00:11:03,096 --> 00:11:05,065
DON�T WORRY, MR. MANGRINI.
I CONSIDER THE SOURCE.
194
00:11:05,098 --> 00:11:08,168
I TAKE AMPHETAMINE
UNDER DOCTOR�S ORDERS.
195
00:11:08,201 --> 00:11:10,604
I WONDER
WHO�S PRESCRIBING HIS COKE.
196
00:11:13,339 --> 00:11:16,810
GIVE THE FRIGGIN� TABLE AWAY.
197
00:11:16,843 --> 00:11:18,344
COME ON, STACE,
YOU WANT TO GO HOME?
198
00:11:18,378 --> 00:11:20,380
Baldwin: EASY, MY FRIEND.
199
00:11:20,413 --> 00:11:22,248
TAKE IT EASY ON HER ARM.
200
00:11:22,282 --> 00:11:25,719
[ LAUGHS ]
201
00:11:25,752 --> 00:11:27,487
TAKE A GOOD LOOK
AT YOUR FUTURE, STACEY.
202
00:11:27,521 --> 00:11:29,723
THIS IS THE LEVEL OF PEOPLE
203
00:11:29,756 --> 00:11:31,825
A DEGENERATE LOUDMOUTH
SPEED FREAK
204
00:11:31,858 --> 00:11:34,795
CAN LOOK FORWARD
TO GETTING TO KNOW.
205
00:11:36,530 --> 00:11:38,231
LET HER ARM UP.
206
00:11:38,264 --> 00:11:41,167
NO PROBLEM.
207
00:11:41,201 --> 00:11:43,436
ABSOLUTELY.
208
00:11:43,469 --> 00:11:45,772
WE WERE JUST LEAVING, ANYWAYS.
209
00:11:53,379 --> 00:11:55,348
YOU KNOW, IT USED TO BE
210
00:11:55,381 --> 00:11:57,718
ALL THE SALT AND PEPPER
IN THIS PLACE
211
00:11:57,751 --> 00:11:59,219
WAS ON THE TABLES.
212
00:12:03,456 --> 00:12:05,491
WELL, THAT�S KEEPING
A NICE LOW PROFILE.
213
00:12:08,494 --> 00:12:10,230
IS THAT ONE SPOKEN FOR?
214
00:12:10,263 --> 00:12:11,865
I�D HAVE TO CHECK.
215
00:12:11,898 --> 00:12:15,301
NAH, YOU KNOW WHAT?
216
00:12:15,335 --> 00:12:17,638
LET�S DRIVE TO MANHATTAN.
217
00:12:44,330 --> 00:12:46,399
I�M NOT WEARING
AN OVERCOAT ??
218
00:12:46,432 --> 00:12:48,535
FIRST TIME THIS SPRING.
219
00:12:51,872 --> 00:12:52,773
GOOD.
220
00:12:54,775 --> 00:12:57,010
Danny: HOW�S IT GOING, JOHN?
221
00:12:57,043 --> 00:12:59,445
ISN�T IT
A LOVELY SPRING DAY?
222
00:12:59,479 --> 00:13:02,916
ANDY, WHILE THEY�RE
TAILING MANGRINI LAST NIGHT,
223
00:13:02,949 --> 00:13:06,019
GREG PUTS BALDWIN�S BLAZER
IN A FENDER?BENDER.
224
00:13:06,052 --> 00:13:08,488
BALDWIN ?? HE�S LOOKING
AT THE ACCIDENT REPORT.
225
00:13:08,522 --> 00:13:10,924
IN THE COFFEE ROOM?
226
00:13:10,957 --> 00:13:14,460
STEAM IS COMING OUT
OF BALDWIN�S EARS.
227
00:13:14,494 --> 00:13:15,996
SERVES JONES RIGHT.
228
00:13:16,029 --> 00:13:18,031
MEDAVOY�S A MENACE
IN NORMAL TRAFFIC,
229
00:13:18,064 --> 00:13:20,801
LET ALONE PAYING ATTENTION
TO WHAT�S IN FRONT OF HIM
230
00:13:20,834 --> 00:13:22,836
PLUS SOME GUY
FIVE CARS AHEAD.
231
00:13:22,869 --> 00:13:25,171
ANYWAYS, ANYTHING BREAKS OUT
IN THAT COFFEE ROOM,
232
00:13:25,205 --> 00:13:26,573
YOU�RE ON JONES.
233
00:13:30,310 --> 00:13:33,714
E.M.S. COULD TELL
IMMEDIATELY
234
00:13:33,747 --> 00:13:35,849
THIS LADY
WAS PLAYING IT UP.
235
00:13:35,882 --> 00:13:37,483
SHE SEES MY BADGE,
236
00:13:37,518 --> 00:13:39,853
FINDS OUT I�M USING A CAR
ON POLICE BUSINESS ??
237
00:13:39,886 --> 00:13:41,955
RIGHT AWAY,
HER NECK GOES STIFF.
238
00:13:41,988 --> 00:13:43,790
TREATED AND RELEASED.
239
00:13:43,824 --> 00:13:45,692
TREATED AND RELEASED ??
ABSOLUTELY.
240
00:13:45,726 --> 00:13:47,460
BELIEVE ME, D.,
241
00:13:47,493 --> 00:13:49,462
IF THIS LADY
PURSUES HER REMEDIES
242
00:13:49,495 --> 00:13:50,831
INSURANCE LIABILITY?WISE,
243
00:13:50,864 --> 00:13:52,699
IT IS A SCANDAL
AND DISGRACE.
244
00:13:57,771 --> 00:14:01,174
WHEN DO YOU SUPPOSE
HE MIGHT BE GETTING IN?
245
00:14:01,207 --> 00:14:03,710
THE LIEUTENANT SHOULD
BE HERE MOMENTARILY.
246
00:14:03,744 --> 00:14:06,847
IS THERE ANYTHING YOU�D LIKE
TO CONVEY TO US,
247
00:14:06,880 --> 00:14:08,414
BEING YOU�RE
THE MEDICAL EXAMINER
248
00:14:08,448 --> 00:14:11,317
AND WE�RE THE WORKING SLOBS
CONDUCTING THE INVESTIGATION?
249
00:14:11,351 --> 00:14:12,819
ANYPLACE ELSE TO WAIT?
250
00:14:12,853 --> 00:14:14,755
YEAH, THE ROOF�S UNOCCUPIED.
251
00:14:14,788 --> 00:14:16,557
MORNING.
252
00:14:16,590 --> 00:14:18,224
CAN WE DO THIS?
253
00:14:18,258 --> 00:14:20,761
SURE. COME ON.
254
00:14:30,537 --> 00:14:32,272
WHAT THE HELL IS THAT?
255
00:14:32,305 --> 00:14:35,075
DINAH SHORE BLOWING A KISS
GOOD?BYE TO HER CHEVROLET.
256
00:14:39,279 --> 00:14:42,448
HOW�D IT GO
TAILING MANGRINI?
257
00:14:42,482 --> 00:14:45,919
OH, THAT�S SOME LONG STORY
258
00:14:45,952 --> 00:14:48,689
PROBABLY BEST TOLD
ANOTHER TIME.
259
00:14:48,722 --> 00:14:50,757
CAN WE DO THIS?
YEAH, SURE.
260
00:14:50,791 --> 00:14:53,927
IN THAT 50?GALLON DRUM,
I FOUND A FULLY DEVELOPED
261
00:14:53,960 --> 00:14:56,763
NON?ARTHRITIC SKELETON
OF AN ADULT WHITE FEMALE,
262
00:14:56,797 --> 00:14:59,900
LATE 20s, EARLY 30s
AT THE TIME OF HER DEATH,
263
00:14:59,933 --> 00:15:02,102
LONG BLACK HAIR, 5�5",
264
00:15:02,135 --> 00:15:04,571
BUT THERE WAS PROBABLY
SOME SHRINKAGE INVOLVED.
265
00:15:04,605 --> 00:15:06,973
IT HAPPENS TO ALL OF US.
266
00:15:07,007 --> 00:15:10,777
I ALSO RECOVERED A SMALL
HANDBAG FROM THE DRUM.
267
00:15:10,811 --> 00:15:14,214
THE HANDBAG WAS SATURATED
WITH BODY FLUID.
268
00:15:14,247 --> 00:15:16,583
LOOKS LIKE THERE
WAS AN ADDRESS BOOK IN IT.
269
00:15:16,617 --> 00:15:18,752
I SENT ALL THAT OVER
TO THE CRIME LAB.
270
00:15:18,785 --> 00:15:20,386
ANYTHING ON FINGERPRINTS?
271
00:15:20,420 --> 00:15:23,724
SHE HAD NO DENTAL WORK DONE,
272
00:15:23,757 --> 00:15:25,992
SO DON�T EXPECT
TO GET ANY HELP
273
00:15:26,026 --> 00:15:27,594
I.D.ing HER FROM THAT.
274
00:15:27,628 --> 00:15:29,763
WE�RE HYDRATING THE FINGERTIPS
TO LIFT PRINTS.
275
00:15:29,796 --> 00:15:32,599
HOW LONG DO YOU THINK
SHE WAS IN THAT BARREL?
276
00:15:32,633 --> 00:15:35,068
I WOULDN�T GUESS.
277
00:15:35,101 --> 00:15:37,070
SHE HAD A FETUS
IN HER BELLY.
278
00:15:37,103 --> 00:15:39,072
I�D SAY
SHE WAS SIX MONTHS ALONG.
279
00:15:39,105 --> 00:15:41,241
THE CRIME LAB SEEMS TO THINK
280
00:15:41,274 --> 00:15:43,610
THEY CAN DO SOMETHING
WITH THAT ADDRESS BOOK.
281
00:15:43,644 --> 00:15:46,813
I�LL HAVE THE BONE DENSITY
STUFF TOMORROW
282
00:15:46,847 --> 00:15:49,015
OR THE NEXT DAY.
I�M LATE.
283
00:15:49,049 --> 00:15:51,184
GOT TO GO GIVE A LECTURE.
284
00:15:51,217 --> 00:15:53,186
THE DOC HERE
TEACHES THE CHARM COURSE
285
00:15:53,219 --> 00:15:54,821
FOR THE M.E. TRAINEES.
286
00:15:54,855 --> 00:15:58,224
YOU GOT ONE PAIR OF BALLS
TALKING TO ME LIKE THAT.
287
00:16:03,530 --> 00:16:07,934
ANYWAYS, BOSS, WE GOT
DINO FERRARA COMING DOWN.
288
00:16:07,968 --> 00:16:09,703
HOW DID IT GO
WITH MANGRINI?
289
00:16:12,205 --> 00:16:15,175
I�M GOING TO GO SEE
IF HE�S PISSING ON MY LOCKER.
290
00:16:19,179 --> 00:16:21,147
I GAVE YOU WHAT I�VE GOT.
291
00:16:21,181 --> 00:16:23,950
NO, BUT I FIGURE I�M
A SPLIT PERSONALITY, KROFT,
292
00:16:23,984 --> 00:16:26,887
OR I SLEEPWALK WHERE
I DID SOMETHING TO YOU
293
00:16:26,920 --> 00:16:28,689
I GOT NO RECOLLECTION OF.
294
00:16:28,722 --> 00:16:30,891
HOW ABOUT THIS, SIPOWICZ?
295
00:16:30,924 --> 00:16:33,860
HOW ABOUT WE KEEP AWAY
FROM EACH OTHER?
296
00:16:33,894 --> 00:16:36,396
WHAT THE HELL IS WRONG
WITH YOU?
297
00:16:36,429 --> 00:16:38,565
TOLD YOU TO STAY OUT
OF MY HAIR.
298
00:16:38,599 --> 00:16:41,334
I�M NOT GOING TO POINT OUT
HOW STUPID THAT STATEMENT IS
299
00:16:41,367 --> 00:16:43,504
COMING FROM EITHER ONE OF US.
300
00:16:43,537 --> 00:16:46,873
I GOT A LOT ON MY PLATE.
301
00:16:46,907 --> 00:16:49,342
THE RIGHT GUY
LEAVES ME ALONE.
302
00:16:49,375 --> 00:16:52,012
LIKE WHAT, KROFT?
WHAT DO YOU GOT ON YOUR PLATE?
303
00:16:52,045 --> 00:16:54,881
I GOT A WIFE ??
304
00:16:54,915 --> 00:16:59,219
GOT CANCER IN EVERY PART
OF HER BODY, ALL RIGHT?
305
00:16:59,252 --> 00:17:01,588
PAIN SO BAD,
YOU CAN�T STAND TO SEE IT,
306
00:17:01,622 --> 00:17:03,223
ALL RIGHT, SIPOWICZ?
307
00:17:03,256 --> 00:17:05,225
MAYBE YOU COULD,
308
00:17:05,258 --> 00:17:08,662
BUT I CAN�T STAND
TO SEE IT.
309
00:17:08,695 --> 00:17:11,264
I KNOW YOU HAD A WIFE
THAT DIED.
310
00:17:11,297 --> 00:17:14,868
MAYBE YOU CAN GO ON
AND ACT
311
00:17:14,901 --> 00:17:17,671
LIKE YOU GOT THE WORLD
BY THE TAIL,
312
00:17:17,704 --> 00:17:19,272
BUT I CAN�T.
313
00:17:19,305 --> 00:17:21,207
I CAN�T,
314
00:17:21,241 --> 00:17:26,813
AND I�M NOT CONSORTING
WITH ANYBODY WHO CAN.
315
00:17:30,316 --> 00:17:31,552
ALL RIGHT.
316
00:17:31,585 --> 00:17:33,353
ALL RIGHT, KROFT.
317
00:17:33,386 --> 00:17:36,022
OH, MY GOD.
318
00:17:36,056 --> 00:17:38,391
I�M NOT GOING
TO BE ABLE TO LIVE.
319
00:17:38,424 --> 00:17:41,562
THAT�S NOT YOUR PORTION
FOR NOW.
320
00:17:41,595 --> 00:17:44,798
JUST SEE TO HER FOR NOW,
321
00:17:44,831 --> 00:17:48,902
AND THEN YOU�LL SEE
WHAT DEVELOPS.
322
00:17:58,845 --> 00:18:00,213
SUM AND SUBSTANCE, BOSS,
323
00:18:00,246 --> 00:18:03,149
IN A NUTSHELL,
I CANNOT IMAGINE
324
00:18:03,183 --> 00:18:05,051
THIS UTTERLY MINOR
FENDER?BENDER WINDING UP
325
00:18:05,085 --> 00:18:06,419
ON THE CORPORATION
COUNSEL�S DESK.
326
00:18:06,452 --> 00:18:08,421
WITH YOU
ON POLICE BUSINESS
327
00:18:08,454 --> 00:18:10,591
AND WITH THE LADY
CLAIMING WHIPLASH?
328
00:18:10,624 --> 00:18:13,326
CANNOT IMAGINE IT,
WITH HER CLAIMING WHIPLASH
329
00:18:13,359 --> 00:18:16,029
AND E. M. S. BEING CALLED
TO THE SCENE.
330
00:18:20,801 --> 00:18:23,770
I WOULD BE SHOCKED
AND STUPEFIED.
331
00:18:23,804 --> 00:18:26,640
DO I NEED TO FIND A RUG
TO ROLL KROFT UP IN?
332
00:18:26,673 --> 00:18:28,008
NO, HE LEFT.
333
00:18:29,610 --> 00:18:33,479
[ TELEPHONE RINGS ]
334
00:18:33,514 --> 00:18:34,915
15th SQUAD.
335
00:18:34,948 --> 00:18:37,618
YOU KNOW
WHY HE COME AT ME LIKE THAT?
336
00:18:37,651 --> 00:18:39,452
IT�S ABOUT HIS SICK WIFE.
337
00:18:39,485 --> 00:18:41,922
THAT WAS THE U. S. MARSHALS.
338
00:18:41,955 --> 00:18:44,525
THEY�RE FIVE MINUTES AWAY
WITH DINO FERRARA.
339
00:18:44,558 --> 00:18:47,528
SO YOU DON�T THINK
IT WOULD BE MORE APROPOS,
340
00:18:47,561 --> 00:18:49,830
ME REACHING OUT
TO THIS STACEY,
341
00:18:49,863 --> 00:18:52,032
HUH, BALDWIN,
KEEP YOUR COVER INTACT?
342
00:18:52,065 --> 00:18:55,268
I WANT HER TO KNOW A COP
WAS SITTING NEXT TO HER.
343
00:18:55,301 --> 00:18:57,604
BRING HOME TO HER
MANGRINI�S HOT.
344
00:18:57,638 --> 00:18:59,205
I LIKE IT.
345
00:18:59,239 --> 00:19:01,107
[ TELEPHONE RINGS ]
346
00:19:01,141 --> 00:19:04,110
15th SQUAD,
DETECTIVE JONES.
347
00:19:04,144 --> 00:19:06,880
YEAH, YEAH,
HOW�S IT GOING?
348
00:19:06,913 --> 00:19:08,882
NO, NO, I�LL COME DOWN.
349
00:19:12,719 --> 00:19:14,154
SOMEONE DOWNSTAIRS?
350
00:19:14,187 --> 00:19:17,390
GREG, DON�T WORRY
ABOUT THE CAR.
351
00:19:17,423 --> 00:19:19,092
NO, GOOD.
352
00:19:21,828 --> 00:19:23,463
I WASN�T WORRIED.
353
00:19:23,496 --> 00:19:26,533
HOW�S HER BEING SICK
YOUR PROBLEM?
354
00:19:26,567 --> 00:19:29,536
AFRAID TO THINK OF LIVING
WITHOUT HER, KROFT ??
355
00:19:29,570 --> 00:19:33,173
LIKE IF HE EVEN THINKS
ABOUT IT, SHE�LL DIE.
356
00:19:33,206 --> 00:19:35,809
SEES ME STANDING
IN FRONT OF HIM
357
00:19:35,842 --> 00:19:37,210
WITH SYLVIA GONE.
358
00:19:37,243 --> 00:19:40,080
LET ME GOOSE DIANE
AT THE CRIME LAB
359
00:19:40,113 --> 00:19:42,248
ABOUT THE D. O. A.�s
ADDRESS BOOK.
360
00:19:42,282 --> 00:19:45,251
POOR SON OF A BITCH ??
KROFT.
361
00:19:45,285 --> 00:19:47,921
I KNOW
THEM HOSPITAL CAFETERIAS.
362
00:19:49,690 --> 00:19:52,225
LOOK ME IN THE EYE.
363
00:19:52,258 --> 00:19:54,327
THE BODY HASN�T
BEEN IDENTIFIED YET.
364
00:19:54,360 --> 00:19:56,930
SO THEN I GO
WITH WHAT I GOT ??
365
00:19:56,963 --> 00:19:59,332
A CORPSE FOUND
IN MANGRINI�S FORMER HOME.
366
00:19:59,365 --> 00:20:01,502
THAT�S THE SHORT MONEY,
NICOLE.
367
00:20:01,535 --> 00:20:04,671
YOU WANT ME TO WAIT
TILL I GOT MY T�s CROSSED
368
00:20:04,705 --> 00:20:06,673
AND SEE THE STORY
IN EVERY OTHER PAPER
369
00:20:06,707 --> 00:20:08,108
IN THIS CITY?
370
00:20:08,141 --> 00:20:10,511
THIS IS YOU ASKING
IF YOU HOLD OFF,
371
00:20:10,544 --> 00:20:12,679
WILL I GIVE YOU
AN EXCLUSIVE?
372
00:20:12,713 --> 00:20:14,247
ABSOLUTELY.
YES.
373
00:20:14,280 --> 00:20:16,249
PLUS COOPERATE
ON A SIDEBAR FEATURE ??
374
00:20:16,282 --> 00:20:17,751
MY NIGHT ON SURVEILLANCE.
375
00:20:17,784 --> 00:20:19,352
ABSOLUTELY NOT.
376
00:20:19,385 --> 00:20:21,387
HOW CAN I SWEETEN
THE POT?
377
00:20:21,421 --> 00:20:24,525
THAT I. D. MAY BE COMING IN
RIGHT NOW, NICOLE,
378
00:20:24,558 --> 00:20:26,727
AND HERE I AM
STANDING OUTSIDE.
379
00:20:26,760 --> 00:20:28,729
YOU DIDN�T SUFFER SOME KIND
OF PERSONAL INJURY,
380
00:20:28,762 --> 00:20:30,096
DID YOU, BALDWIN?
381
00:20:30,130 --> 00:20:31,632
NOT LAST I LOOKED.
382
00:20:31,665 --> 00:20:35,201
I MIGHT HAVE TO DO
MY OWN PRIVATE EXAMINATION.
383
00:20:35,235 --> 00:20:39,239
YOU WANT TO KNOW A SECRET
ABOUT ME, NICOLE?
384
00:20:39,272 --> 00:20:40,440
WHAT�S THAT?
385
00:20:40,473 --> 00:20:43,610
I DON�T LIKE THE MUSIC
UP SO LOUD.
386
00:20:43,644 --> 00:20:47,113
YOU MAY NOT KNOW EXACTLY
WHAT YOU LIKE YET, BALDWIN.
387
00:20:47,147 --> 00:20:50,483
I GUESS THAT�S POSSIBLE, TOO.
388
00:20:50,517 --> 00:20:52,252
MY DEADLINE�S AT 7:00.
389
00:20:52,285 --> 00:20:55,889
I�D LIKE A 6:30 CALL
EITHER WAY.
390
00:20:55,922 --> 00:20:58,224
YEAH, I CAN DO THAT.
391
00:20:58,258 --> 00:21:00,661
OTHERWISE,
I GO WITH WHAT I GOT.
392
00:21:00,694 --> 00:21:03,964
YEAH, IT SEEMS LIKE YOU�RE
REAL COMFORTABLE DOING THAT.
393
00:21:07,200 --> 00:21:09,603
WATCH YOUR HEAD.
394
00:21:09,636 --> 00:21:11,538
ALL RIGHT.
395
00:21:26,186 --> 00:21:29,923
THE WHOLE DECLINE
OF A CERTAIN WAY OF LIFE,
396
00:21:29,956 --> 00:21:32,526
PETE MANGRINI EPITOMIZES.
397
00:21:32,559 --> 00:21:34,961
WHEN I WAS COMING UP,
398
00:21:34,995 --> 00:21:36,963
THE PETE MANGRINIS
OF THIS WORLD
399
00:21:36,997 --> 00:21:38,965
YOU COULD BUY
ON ANY STREET CORNER
400
00:21:38,999 --> 00:21:40,534
FOR A HAM SANDWICH.
401
00:21:40,567 --> 00:21:43,169
AND AFTER THEY DID
WHAT YOU HAD THEM DO,
402
00:21:43,203 --> 00:21:45,539
THEN THEY WOULD COME
AND MOW YOUR LAWN.
403
00:21:45,572 --> 00:21:48,174
SO HE�D BE CAPABLE
OF MURDERING HIS WIFE?
404
00:21:48,208 --> 00:21:50,511
AND SLEEPING
ON TOP OF HER.
405
00:21:50,544 --> 00:21:52,178
YOU CHOOSE THAT WAY
OF SAYING IT?
406
00:21:52,212 --> 00:21:54,314
SLEEPING ON TOP OF HER.
407
00:21:54,347 --> 00:21:57,183
IT�S A FIGURE OF SPEECH.
408
00:21:57,217 --> 00:22:00,053
ARE YOU TELLING ME THAT
AFTER HE KILLED HER,
409
00:22:00,086 --> 00:22:03,189
THIS SLIMY LITTLE SCHKEEVE
WITH A STORE?BOUGHT SMILE
410
00:22:03,223 --> 00:22:06,292
WAS SLEEPING ON TOP
OF HIS WIFE?
411
00:22:06,326 --> 00:22:09,395
SHE WAS IN A 50?GALLON DRUM
IN THE BASEMENT.
412
00:22:09,429 --> 00:22:12,232
ON TOP OF HER
IN THAT SENSE ??
413
00:22:12,265 --> 00:22:14,334
THAT HE COULD
DEFINITELY DO.
414
00:22:14,367 --> 00:22:17,337
BEING PETE TURNED YOUR CREWS
OUT TO PASTURE, DINO,
415
00:22:17,370 --> 00:22:19,906
REASSURE US THAT WHAT YOU�RE
TELLING US SHOULDN�T GO
416
00:22:19,940 --> 00:22:21,975
IN THE CATEGORY
OF SOUR GRAPES.
417
00:22:22,008 --> 00:22:24,377
I AM SO FAR BEYOND THAT.
418
00:22:24,410 --> 00:22:26,847
UNDER TELLING THE BOYS
WHAT THEY�D LIKE TO HEAR...
419
00:22:26,880 --> 00:22:28,815
HEY, I GOT MINE ALREADY.
420
00:22:28,849 --> 00:22:31,317
THE KID BROUGHT
THE HAMMER DOWN LAST NIGHT.
421
00:22:31,351 --> 00:22:33,887
YOU SPEAKING OF YOUR
RENDEZVOUS WITH ANGELA?
422
00:22:33,920 --> 00:22:36,523
I HAVEN�T BEEN
IN A MOTEL LIKE THAT
423
00:22:36,557 --> 00:22:38,258
SINCE I BROUGHT IN
UNTAXED CIGARETTES
424
00:22:38,291 --> 00:22:40,260
FROM NORTH CAROLINA.
425
00:22:40,293 --> 00:22:42,663
ON THE SUBJECT OF MANGRINI
KILLING HIS WIFE,
426
00:22:42,696 --> 00:22:45,832
ARE YOU SPEAKING FROM
FIRSTHAND KNOWLEDGE, DINO?
427
00:22:45,866 --> 00:22:47,901
DID I SEE HIM KILL HER? NO.
428
00:22:47,934 --> 00:22:50,270
WHAT KNOWLEDGE
ARE YOU SPEAKING FROM?
429
00:22:50,303 --> 00:22:51,738
ANECDOTAL.
430
00:22:51,772 --> 00:22:52,906
ANECDOTAL, HUH?
431
00:22:52,939 --> 00:22:54,908
THAT PUTS THE LAST
FINISHING TOUCHES
432
00:22:54,941 --> 00:22:57,010
ON DINO�S CHARACTER ??
433
00:22:57,043 --> 00:22:59,746
HIS EXPOSURE
TO LEGAL TERMINOLOGY.
434
00:22:59,780 --> 00:23:02,415
NAME SOME PEOPLE
YOU HEARD THE ANECDOTES FROM.
435
00:23:02,448 --> 00:23:03,784
TEDDY LUKAZIE.
436
00:23:03,817 --> 00:23:04,718
DEAD.
437
00:23:04,751 --> 00:23:06,286
TOMMY BROWN.
438
00:23:06,319 --> 00:23:07,721
ALSO DEAD.
439
00:23:07,754 --> 00:23:09,422
IT�S A HAZARDOUS
OCCUPATION.
440
00:23:09,455 --> 00:23:12,626
HEY, DINO, WHY DO I FEEL
LIKE WE�RE GETTING TODAY
441
00:23:12,659 --> 00:23:14,460
WHAT ANGELA GOT LAST NIGHT?
442
00:23:14,494 --> 00:23:16,863
YOU WANT ME TO TESTIFY
AGAINST THIS BUM MANGRINI?
443
00:23:16,897 --> 00:23:18,565
I AM THERE.
444
00:23:18,599 --> 00:23:21,635
WE�LL BE SURE TO BRING YOU DOWN
FOR SOME ANECDOTAL HEARSAY.
445
00:23:21,668 --> 00:23:24,971
LEAST I HOPE I HELPED YOU
ON SOME DEEP BACKGROUND.
446
00:23:25,005 --> 00:23:27,407
YOURS.
447
00:23:27,440 --> 00:23:29,475
CAN I USE THE CAN?
448
00:23:29,510 --> 00:23:30,310
PLEASE.
449
00:23:37,984 --> 00:23:39,953
THAT DINO DON�T KNOW
ABOUT IT
450
00:23:39,986 --> 00:23:42,556
DON�T MEAN MANGRINI
DIDN�T KILL HER, ANDY.
451
00:23:42,589 --> 00:23:46,059
MAYBE OUR FUTURE�S PIMPING.
452
00:23:46,092 --> 00:23:48,895
UH, DESK SERGEANT DAUGHERTY.
453
00:23:48,929 --> 00:23:50,230
OH, THANKS.
454
00:23:50,263 --> 00:23:52,999
YEAH, SARGE.
455
00:23:53,033 --> 00:23:55,669
OKAY,
THANKS FOR THE HEADS?UP.
456
00:23:55,702 --> 00:23:58,505
BALDWIN, YOU WANT TO BE
IN THE COFFEE ROOM.
457
00:23:58,539 --> 00:24:00,574
PETE MANGRINI�S
COMING UPSTAIRS.
458
00:24:00,607 --> 00:24:02,909
DINO FERRARA JUST WENT
INTO THE LAVATORY.
459
00:24:02,943 --> 00:24:05,512
TELL THE MARSHALS
TO KEEP DINO INSIDE.
460
00:24:05,546 --> 00:24:07,848
AREN�T HE AND MANGRINI
SWORN ENEMIES?
461
00:24:07,881 --> 00:24:09,616
JOHN, GO IN THE BATHROOM.
462
00:24:14,120 --> 00:24:16,089
MY STRONGEST STREAM
IN THREE YEARS.
463
00:24:16,122 --> 00:24:17,858
LIFE�S GOOD, HUH, DINO?
464
00:24:17,891 --> 00:24:19,359
GET THIS.
465
00:24:19,392 --> 00:24:20,794
HO, PIETRO!
466
00:24:24,297 --> 00:24:25,932
LOOK AT THIS.
467
00:24:25,966 --> 00:24:27,701
WANT ME TO BREAK THIS UP?
468
00:24:27,734 --> 00:24:29,302
LET�S SEE WHAT WE HIT.
469
00:24:29,335 --> 00:24:32,105
Dino: STAND BACK.
DON�T TAINT YOURSELF.
470
00:24:32,138 --> 00:24:34,107
I�M GOING TO MAKE MYSELF
COMFORTABLE.
471
00:24:34,140 --> 00:24:35,341
HOW ARE YOU DOING?
472
00:24:35,375 --> 00:24:36,943
I�M ALL RIGHT. YOURSELF?
473
00:24:36,977 --> 00:24:38,011
NO COMPLAINTS.
474
00:24:38,044 --> 00:24:39,613
WHO WOULD LISTEN ANYWAY?
475
00:24:39,646 --> 00:24:41,381
WHO�D LISTEN
IF WE COMPLAIN ANYWAY?
476
00:24:41,414 --> 00:24:43,183
THAT�S 100% RIGHT.
477
00:24:43,216 --> 00:24:44,985
SO, HOW�S THE FAMILY?
478
00:24:45,018 --> 00:24:46,352
EVERYONE�S ALL RIGHT.
479
00:24:46,386 --> 00:24:48,288
THE NEW BRIDE?
480
00:24:48,321 --> 00:24:49,556
SHE�S A VERY SWEET GIRL.
481
00:24:49,590 --> 00:24:52,358
YEAH, EVERYONE SAID THAT
ABOUT HER.
482
00:24:56,530 --> 00:24:58,832
ARE YOU DOWN HERE
TESTIFYING?
483
00:24:58,865 --> 00:25:01,334
I�M HAVING
SOME CONVERSATIONS.
484
00:25:01,367 --> 00:25:04,738
I THINK YOU WOULD HAVE LOST
YOUR VOICE BY NOW, HUH?
485
00:25:04,771 --> 00:25:07,073
PETEY, YOU THINK WHAT
YOU WANT TO THINK.
486
00:25:07,107 --> 00:25:09,976
YOU CAN�T STOP PEOPLE
FROM THINKING
487
00:25:10,010 --> 00:25:11,678
WHETHER THEY�RE GARBAGE
OR WHATEVER ELSE THEY ARE.
488
00:25:11,712 --> 00:25:13,246
GARBAGE IS GARBAGE,
EH, DINO?
489
00:25:13,279 --> 00:25:16,382
GARBAGE IS GARBAGE
AND VULTURES ARE VULTURES
490
00:25:16,416 --> 00:25:18,484
THAT FLY IN
LIKE DIRTY PARASITES
491
00:25:18,519 --> 00:25:21,387
CAPITALIZING
ON OTHERS� MISFORTUNES
492
00:25:21,421 --> 00:25:23,924
AND EVERY OTHER
PARASITIC THING THEY DO
493
00:25:23,957 --> 00:25:25,992
IN THEIR PARASITIC NATURES.
494
00:25:26,026 --> 00:25:29,095
WELL, AS FAR AS THAT GOES,
SOME PEOPLE KISS JOINT,
495
00:25:29,129 --> 00:25:31,565
AND THEY KISS ASS FOR A BONUS
496
00:25:31,598 --> 00:25:35,401
FOR THE LOUSY RAT
CHEESE?EATERS THAT THEY ARE.
497
00:25:35,435 --> 00:25:37,738
IT�S GOOD TO SEE YOU.
498
00:25:37,771 --> 00:25:40,907
GOOD TO SEE YOU, TOO.
HOPE YOU�RE WELL UP THERE.
499
00:25:40,941 --> 00:25:43,710
AND YOU BE WELL DOWN HERE
AS LONG AS GOD GIVES YOU.
500
00:25:43,744 --> 00:25:45,912
IT�S NICE TO KNOW
THAT SOME PEOPLE
501
00:25:45,946 --> 00:25:49,049
STILL HAVE DELUSIONS THAT
THEY HAVE SOME KIND OF EFFECT
502
00:25:49,082 --> 00:25:51,351
ON THOSE DECISIONS.
503
00:25:51,384 --> 00:25:53,053
ISN�T LIFE FULL
OF SURPRISES, THOUGH?
504
00:25:53,086 --> 00:25:54,420
OH, YEAH.
505
00:25:59,325 --> 00:26:01,928
YOU�RE A DETECTIVE?
506
00:26:01,962 --> 00:26:04,330
YEAH. COME ON IN, PETEY.
507
00:26:11,505 --> 00:26:14,941
HOW COME YOU�RE NOT GOING
AT MANGRINI?
508
00:26:14,975 --> 00:26:16,476
WE WILL.
509
00:26:16,510 --> 00:26:20,480
WE DIDN�T KNOW HE WAS HERE
UNTIL YOU JUST TOLD US.
510
00:26:20,514 --> 00:26:23,283
I DON�T EVEN KNOW
WHY I�M HIDING IN HERE.
511
00:26:23,316 --> 00:26:25,085
I THINK MANGRINI
SHOULD KNOW HE�S HOT.
512
00:26:25,118 --> 00:26:26,987
[ KNOCK ON DOOR ]
513
00:26:29,856 --> 00:26:32,959
MANGRINI�S
IN THE POKEY ROOM, D.
514
00:26:32,993 --> 00:26:35,361
COAST IS CLEAR.
515
00:26:38,298 --> 00:26:40,901
WHERE ARE WE GOING?
516
00:26:40,934 --> 00:26:43,236
YOU�RE GOING TO ASK ME
ABOUT STORAGE CONTAINERS
517
00:26:43,269 --> 00:26:44,838
IN THAT BROWNSTONE?
518
00:26:44,871 --> 00:26:47,240
IT�S BEEN FIVE YEARS
SINCE I�VE EVEN BEEN THERE.
519
00:26:47,273 --> 00:26:50,310
WOULD THAT MAKE IT AROUND
WHEN YOUR WIFE WAS LAST SEEN?
520
00:26:50,343 --> 00:26:51,477
MY WIFE?
521
00:26:51,512 --> 00:26:52,746
HMM.
522
00:26:52,779 --> 00:26:54,681
YEAH, YEAH, SHE�S GONE.
SHE DISAPPEARED.
523
00:26:54,715 --> 00:26:57,684
GOD REST HER SOUL,
GOOD LUCK TO HER DEPENDING.
524
00:26:57,718 --> 00:27:00,153
WHEN ALFONSE GIARDELLA
WOULD SAY, "JUMP THIS HIGH,"
525
00:27:00,186 --> 00:27:03,857
PETE WOULD GO STRAIGHT
TO LICKING HIS SHOES.
526
00:27:03,890 --> 00:27:06,426
YOU DIDN�T GET PLASTIC
SURGERY ON THAT MUG YET?
527
00:27:06,459 --> 00:27:07,828
HOW�S IT GOING, PETE?
528
00:27:07,861 --> 00:27:09,763
IT ALL BECOMES CLEAR
TO ME NOW.
529
00:27:09,796 --> 00:27:11,464
I SHOULD HAVE KNOWN
YOU WOULDN�T HAVE THE BALLS
530
00:27:11,497 --> 00:27:12,766
TO CALL ME OUT
531
00:27:12,799 --> 00:27:15,135
WITHOUT A BADGE
FOR A HOLD CARD.
532
00:27:15,168 --> 00:27:18,271
SHOULD HAVE SEEN PETE
GETTING HIS PROPS
533
00:27:18,304 --> 00:27:19,472
IN THAT RESTAURANT
LAST NIGHT.
534
00:27:19,506 --> 00:27:21,307
WHAT IS THIS ABOUT ??
535
00:27:21,341 --> 00:27:23,977
SOME STORAGE CONTAINERS
IN A PROPERTY I USED TO OWN?
536
00:27:24,010 --> 00:27:26,279
THAT�S A MYSTERY
TO YOU, HUH, PETE,
537
00:27:26,312 --> 00:27:27,881
WHY WE WOULD BE INQUIRING?
538
00:27:27,914 --> 00:27:29,783
YEAH.
539
00:27:29,816 --> 00:27:32,452
ARE THEY TALKING
TO MANGRINI YET?
540
00:27:32,485 --> 00:27:34,187
UH, YES.
HE�S IN THE POKEY.
541
00:27:34,220 --> 00:27:36,156
THANKS, JOHN.
542
00:27:36,189 --> 00:27:38,825
I DON�T KNOW NOTHING
ABOUT NO 50?GALLON DRUMS.
543
00:27:38,859 --> 00:27:40,827
THEN HOW ABOUT LET�S TALK
ABOUT THE CONTENTS?
544
00:27:40,861 --> 00:27:43,196
MAYBE WHAT�S IN THE DRUM
WILL RING A BELL.
545
00:27:43,229 --> 00:27:44,497
[ KNOCK ON DOOR ]
546
00:27:49,670 --> 00:27:52,973
YOU WANT TO KNOW WHY
I GO ON TO THE CONTENT?
547
00:27:53,006 --> 00:27:54,541
IT�S NOT MANGRINI�S WIFE.
548
00:27:54,575 --> 00:27:56,543
IT�S SOME WOMAN
NAMED ERMA GALLEGO.
549
00:27:56,577 --> 00:27:59,312
WE GOT A NAME TO REACH OUT TO
FROM HER ADDRESS BOOK.
550
00:27:59,345 --> 00:28:00,881
THANKS.
551
00:28:00,914 --> 00:28:04,551
YOU WANT TO KNOW WHY
I GO ON TO THE CONTENTS
552
00:28:04,585 --> 00:28:07,153
AND WHY
I RAISED THAT SUBJECT.
553
00:28:07,187 --> 00:28:08,755
Not his wife.
554
00:28:08,789 --> 00:28:11,858
I WANT TO KNOW BECAUSE
YOU KEEP REPEATING YOURSELF.
555
00:28:11,892 --> 00:28:13,827
WHAT�S IN THIS
50?GALLON DRUM?
556
00:28:13,860 --> 00:28:16,563
WHAT IS IN THAT DRUM, PETE,
557
00:28:16,597 --> 00:28:18,932
IS WHAT WE WANT YOU
TO GO HOME
558
00:28:18,965 --> 00:28:22,068
AND YOU THINK ABOUT
AND YOU DECIDE
559
00:28:22,102 --> 00:28:25,105
IF YOU WANT TO RETURN HERE
WITH REPRESENTATION.
560
00:28:25,138 --> 00:28:26,707
I KNOW NOTHING
ABOUT NO DRUMS.
561
00:28:26,740 --> 00:28:28,441
IF I�M YOU, PETE,
562
00:28:28,474 --> 00:28:31,111
I ASK MY ATTORNEY, "DO I
KEEP PLEADING IGNORANCE?"
563
00:28:31,144 --> 00:28:33,179
AND I GET ADVICE
OF COUNSEL.
564
00:28:33,213 --> 00:28:36,449
OF COURSE, I�M JUST A MENIAL
CIVIL SERVICE EMPLOYEE.
565
00:28:38,952 --> 00:28:40,921
YOU KNOW WHAT?
I�M OUT OF HERE.
566
00:28:40,954 --> 00:28:43,724
HEY, YOU DO
WHAT YOU GOT TO DO.
567
00:28:43,757 --> 00:28:46,392
ALL THAT BOOZE ?? 50?50 CHANCE
YOUR BRAIN�S PICKLED.
568
00:28:46,426 --> 00:28:50,130
HEY, NEVER MIND THAT.
569
00:28:50,163 --> 00:28:52,432
WHO THE HELL
IS THE D. O. A.?
570
00:28:52,465 --> 00:28:53,767
ERMA GALLEGO.
571
00:29:07,948 --> 00:29:09,883
PLEASE, JUST TELL ME
WHAT IT�S FOR.
572
00:29:09,916 --> 00:29:11,885
I NEVER DID NOTHING WRONG.
573
00:29:11,918 --> 00:29:13,820
WE�RE INVESTIGATING
SOMEONE�S DEATH.
574
00:29:13,854 --> 00:29:16,089
YOUR NAME WAS FOUND
IN HER EFFECTS.
575
00:29:16,122 --> 00:29:17,123
WHOSE DEATH?
576
00:29:17,157 --> 00:29:19,125
ERMA GALLEGO.
577
00:29:19,159 --> 00:29:23,396
I HAVEN�T SEEN HER
FOR 30 YEARS.
578
00:29:23,429 --> 00:29:27,668
WHY DON�T YOU SIT DOWN,
MRS. ROJAS?
579
00:29:29,870 --> 00:29:31,772
WHEN DID SHE DIE?
580
00:29:31,805 --> 00:29:34,107
TELL US A LITTLE BIT
ABOUT YOUR RELATIONSHIP
581
00:29:34,140 --> 00:29:37,177
AND WHEN WAS THE LAST TIME
YOU SAW HER.
582
00:29:37,210 --> 00:29:39,946
I LAST SAW HER JULY 4, 1969,
583
00:29:39,980 --> 00:29:42,983
WHEN SHE CALLED ME TO COME
TO HOBOKEN ACROSS THE RIVER.
584
00:29:43,016 --> 00:29:44,985
WHERE WERE YOU LIVING?
585
00:29:45,018 --> 00:29:46,953
I WAS JUST HERE
FOR 17 MONTHS,
586
00:29:46,987 --> 00:29:49,255
AND I NEVER BEEN
TO NEW JERSEY.
587
00:29:49,289 --> 00:29:52,626
I DIDN�T KNOW HOW TO USE
THE TRAIN, AND I GOT LOST.
588
00:29:52,659 --> 00:29:54,961
AND I FINALLY GOT
TO ERMA�S APARTMENT,
589
00:29:54,995 --> 00:29:56,763
AND SHE WAS GONE...
590
00:29:56,797 --> 00:29:59,465
WITH THE FOOD STILL WARM
ON THE STOVE.
591
00:29:59,499 --> 00:30:03,670
WHY HAD ERMA ASKED YOU
TO COME?
592
00:30:03,704 --> 00:30:05,438
SHE WAS IN LOVE
WITH SOMEONE,
593
00:30:05,471 --> 00:30:07,608
AND IT WASN�T GOING GOOD.
594
00:30:07,641 --> 00:30:09,275
SHE CALLED HIS HOUSE,
595
00:30:09,309 --> 00:30:11,845
AND NOW SHE SAID
SHE WAS AFRAID.
596
00:30:11,878 --> 00:30:14,047
WHO WAS SHE IN LOVE WITH?
597
00:30:14,080 --> 00:30:18,118
HER BOSS THAT WAS MARRIED.
HE GOT HER PREGNANT.
598
00:30:18,151 --> 00:30:21,321
SO ERMA WAS AFRAID HER BOSS
WAS GOING TO HARM HER?
599
00:30:21,354 --> 00:30:24,791
I THINK SO,
AFTER SHE CALLED HIS HOUSE.
600
00:30:24,825 --> 00:30:27,828
OVER THE NEXT DAYS WHEN YOU
DIDN�T SEE OR HEAR FROM ERMA,
601
00:30:27,861 --> 00:30:30,697
I�M SURE YOU BECAME
MORE AND MORE CONCERNED.
602
00:30:32,699 --> 00:30:36,002
BUT YOU DIDN�T TELL ANYONE.
603
00:30:36,036 --> 00:30:39,973
I WENT TO MISSING PERSONS
AFTER TWO DAYS,
604
00:30:40,006 --> 00:30:43,209
BUT SOMEONE BEHIND ME
ON THE LINE SAID
605
00:30:43,243 --> 00:30:46,813
IF I WEREN�T FAMILY,
I COULD NOT FILE A REPORT.
606
00:30:46,847 --> 00:30:51,017
I WAS ONLY HERE
FOR 17 MONTHS.
607
00:30:52,786 --> 00:30:55,288
MY PAPERS WEREN�T RIGHT YET.
608
00:30:58,024 --> 00:31:01,795
WAS THE BABY
STILL INSIDE HER?
609
00:31:13,039 --> 00:31:16,743
I DON�T KNOW HIS NAME,
BUT HE WAS HER BOSS.
610
00:31:16,777 --> 00:31:19,112
SHE WORKED
FOR A PLASTIC FLOWER FACTORY
611
00:31:19,145 --> 00:31:20,881
IN THE BRONX.
612
00:31:36,830 --> 00:31:39,733
GUESS THIS WAS
PETE MANGRINI�S DAY
613
00:31:39,766 --> 00:31:41,768
TO PLAY THE LOTTO.
614
00:31:41,802 --> 00:31:44,137
YEAH, WHAT WERE THE ODDS
THIS MORNING
615
00:31:44,170 --> 00:31:47,140
ON PETE MANGRINI
NOT BEING LOCKED UP BY NOW?
616
00:31:49,510 --> 00:31:51,477
HEY, DIANE,
CHECK THIS OUT ??
617
00:31:51,512 --> 00:31:53,647
DINO FERRARA�S GIRLFRIEND.
618
00:31:53,680 --> 00:31:56,583
MS. ANGELA ZIRELLI IN REGARDS
TO THE MANGRINI INVESTIGATION.
619
00:31:56,617 --> 00:31:58,451
UH, MS. ZIRELLI
REGARDING MR. MANGRINI.
620
00:31:58,484 --> 00:32:00,320
ANGELA, DIANE RUSSELL.
621
00:32:00,353 --> 00:32:03,156
YOU MAY NOT REMEMBER ??
WE MET WHILE I WAS IN VICE.
622
00:32:03,189 --> 00:32:04,825
OH, YEAH.
623
00:32:04,858 --> 00:32:07,127
MY PARTNER JILL KIRKENDALL.
624
00:32:07,160 --> 00:32:08,662
HELLO.
625
00:32:08,695 --> 00:32:11,097
IS THERE SOMEWHERE
WE CAN SPEAK?
626
00:32:11,131 --> 00:32:14,300
ACTUALLY, THE, UH,
PETE MANGRINI INVESTIGATION
627
00:32:14,334 --> 00:32:16,937
IS KIND OF, UH...
628
00:32:16,970 --> 00:32:19,706
OR SURE, WE CAN, UH,
TALK IN HERE.
629
00:32:26,647 --> 00:32:29,616
WALKING A LITTLE WIDE,
ANGELA.
630
00:32:29,650 --> 00:32:32,986
WOW. WHAT AN INTENSELY
PERSONAL OBSERVATION.
631
00:32:33,019 --> 00:32:34,420
COFFEE?
632
00:32:34,454 --> 00:32:37,023
NO. I HAVE WATER.
633
00:32:37,057 --> 00:32:40,160
SO, DID DINO HELP YOU
WITH PETE MANGRINI?
634
00:32:40,193 --> 00:32:41,962
WHY?
635
00:32:41,995 --> 00:32:44,965
IT�S MY UNDERSTANDING DINO
PUTTING THE WOOD TO ME
636
00:32:44,998 --> 00:32:48,134
WAS THE QUID PRO QUO FOR HIM
COOPERATING WITH YOU PEOPLE.
637
00:32:48,168 --> 00:32:50,103
SO YOU FIGURE
THROWING A HUMP INTO DINO
638
00:32:50,136 --> 00:32:51,538
EARNS YOU
A SPECIAL BRIEFING.
639
00:32:51,572 --> 00:32:53,774
AND A PURPLE HEART.
640
00:32:53,807 --> 00:32:55,441
YOU�RE A CUTIE, ANGELA,
641
00:32:55,475 --> 00:32:57,343
BUT WE�D STILL NEED
TO KNOW WHY
642
00:32:57,377 --> 00:32:58,979
YOU�RE ASKING THE QUESTION.
643
00:32:59,012 --> 00:33:02,348
BECAUSE IF DINO DIDN�T HELP YOU
WITH PETE MANGRINI ??
644
00:33:02,382 --> 00:33:03,650
AND BELIEVE ME,
645
00:33:03,684 --> 00:33:05,619
THE WHOLE TIME
HE WAS SCREWING ME,
646
00:33:05,652 --> 00:33:07,688
HE WAS LAUGHING HIS ASS OFF
647
00:33:07,721 --> 00:33:09,690
ABOUT GETTING OVER
ON YOU PEOPLE ??
648
00:33:09,723 --> 00:33:12,358
I CAN HELP WITH MANGRINI
AND WILL
649
00:33:12,392 --> 00:33:14,861
BECAUSE PETE MANGRINI
IS A RAT BASTARD SCUMBAG
650
00:33:14,895 --> 00:33:16,863
WHO OUGHT TO GET THE NEEDLE.
651
00:33:16,897 --> 00:33:18,398
WE�RE LISTENING.
652
00:33:18,431 --> 00:33:22,368
IF YOU�RE LOOKING AT HIM
FOR KILLING HIS WIFE PATSY ??
653
00:33:22,402 --> 00:33:26,172
WHO WAS ALSO
MY BEST GIRLFRIEND ??
654
00:33:26,206 --> 00:33:27,641
HE DID.
655
00:33:27,674 --> 00:33:30,310
YOU SUSPECT THIS.
656
00:33:30,343 --> 00:33:31,812
I KNOW IT.
HOW?
657
00:33:31,845 --> 00:33:35,181
BECAUSE HE TOLD ME
AT AN INTIMATE MOMENT.
658
00:33:35,215 --> 00:33:37,984
AN INTIMATE MOMENT BETWEEN YOU
AND PETE MANGRINI?
659
00:33:38,018 --> 00:33:39,986
YES.
660
00:33:40,020 --> 00:33:42,355
WHILE YOU WERE
DINO FERRARA�S GIRLFRIEND
661
00:33:42,388 --> 00:33:44,357
AND BEST FRIENDS
WITH MANGRINI�S WIFE.
662
00:33:44,390 --> 00:33:45,926
I�M PROVIDING INFORMATION,
663
00:33:45,959 --> 00:33:47,694
NOT NOMINATING MYSELF
AS THE NEXT MOTHER TERESA.
664
00:33:47,728 --> 00:33:49,530
THE NATURAL CONCERN IS,
665
00:33:49,563 --> 00:33:51,898
IF INSTEAD OF YOUR CONSCIENCE
BRINGING YOU IN HERE,
666
00:33:51,932 --> 00:33:54,601
YOU�RE ON AN ERRAND FROM DINO
667
00:33:54,635 --> 00:33:56,402
TO MAKE PETE MANGRINI�S LIFE
MISERABLE.
668
00:33:56,436 --> 00:34:00,206
I�M HERE BECAUSE I�M SICK
OF BEING A SEXUAL FOOTBALL.
669
00:34:00,240 --> 00:34:03,343
WHEN PETE CONFESSED TO YOU
HE�D KILLED HIS WIFE,
670
00:34:03,376 --> 00:34:06,580
IS THAT ALSO WHEN HE TOLD YOU
ABOUT PUTTING HER BODY
671
00:34:06,613 --> 00:34:09,783
IN A 50?GALLON DRUM
IN HIS BASEMENT?
672
00:34:09,816 --> 00:34:12,418
NO, HE TOLD ME PATSY
WAS BURIED
673
00:34:12,452 --> 00:34:15,989
BEHIND HIS COUSIN TOMMY�S HOUSE
IN ENGLEWOOD CLIFFS.
674
00:34:26,567 --> 00:34:29,135
WHAT EXACTLY IS GOING
TO TRANSPIRE HERE?
675
00:34:29,169 --> 00:34:32,305
IT�S PROBABLY GOING TO GO
BETTER WITH YOU ELSEWHERE.
676
00:34:32,338 --> 00:34:35,208
HEY, THIS IS MY PROPERTY,
EVEN IF IT IS CURSED.
677
00:34:35,241 --> 00:34:38,211
YOU CAN�T THROW A MAN OUT
OF HIS OWN HOUSE.
678
00:34:38,244 --> 00:34:39,980
HARD ENOUGH, HE�LL BOUNCE.
679
00:34:40,013 --> 00:34:41,114
HELLO?
680
00:34:41,147 --> 00:34:42,916
MR. EPPS.
681
00:34:42,949 --> 00:34:44,651
THIS IS MY WIFE SUSAN.
682
00:34:44,685 --> 00:34:46,252
MY PARTNER ANDY SIPOWICZ.
683
00:34:46,286 --> 00:34:48,254
I�M HARRY FORSIC,
THE PRESENT OWNER.
684
00:34:48,288 --> 00:34:51,958
YEAH, GO TO ANOTHER PART
OF THE RESIDENCE.
685
00:34:51,992 --> 00:34:55,061
YOU SAID A BODY
HAD BEEN FOUND.
686
00:34:55,095 --> 00:34:56,897
THAT�S RIGHT,
687
00:34:56,930 --> 00:34:58,832
IN THE BASEMENT
UNDERNEATH THE STAIRS.
688
00:34:58,865 --> 00:35:00,400
IN A 50?GALLON DRUM.
689
00:35:00,433 --> 00:35:02,402
WE DON�T KNOW ANYTHING
ABOUT THAT.
690
00:35:02,435 --> 00:35:06,239
YOU USED TO OWN
ETERNAL FLORAL COMPANY?
691
00:35:06,272 --> 00:35:08,909
MADE PLASTIC FLOWERS?
YES.
692
00:35:08,942 --> 00:35:11,244
A & G CONTAINERS
THAT MANUFACTURED IT
693
00:35:11,277 --> 00:35:13,980
SOLD THE 50?GALLON DRUM
THE BODY WAS FOUND IN
694
00:35:14,014 --> 00:35:16,249
TO YOUR COMPANY.
695
00:35:16,282 --> 00:35:18,284
I WOULDN�T KNOW
WHAT TO SAY ABOUT THAT.
696
00:35:18,318 --> 00:35:20,921
THE WOMAN WHOSE BODY
WE FOUND IN THAT DRUM
697
00:35:20,954 --> 00:35:22,656
WAS AN EMPLOYEE
OF YOUR COMPANY.
698
00:35:22,689 --> 00:35:24,290
ERMA GALLEGO.
699
00:35:24,324 --> 00:35:26,860
WELL, I WOULDN�T KNOW
WHAT TO SAY.
700
00:35:26,893 --> 00:35:29,295
DID YOU KNOW ERMA GALLEGO?
701
00:35:29,329 --> 00:35:30,964
YES, HE DID.
702
00:35:33,166 --> 00:35:35,168
SHOULD WE CONTINUE
OUR CONVERSATION
703
00:35:35,201 --> 00:35:37,170
SOMEWHERE ELSE, MR. EPPS?
704
00:35:37,203 --> 00:35:39,773
MAYBE MRS. EPPS CAN TALK
TO MY PARTNER?
705
00:35:39,806 --> 00:35:42,008
YES, I KNEW ERMA GALLEGO.
706
00:35:42,042 --> 00:35:44,978
DO YOU KNOW HOW HER BODY
GOT IN OUR BASEMENT?
707
00:35:45,011 --> 00:35:47,180
NO.
NO?
708
00:35:47,213 --> 00:35:49,850
NO IDEA HOW IT COULD HAVE
GOTTEN DOWN THERE?
709
00:35:51,384 --> 00:35:56,022
AFTER 30 YEARS,
TO ASK US ABOUT SOMETHING
710
00:35:56,056 --> 00:35:59,159
NEITHER OF US HAS
THE VAGUEST EXPLANATION FOR,
711
00:35:59,192 --> 00:36:01,361
OTHER THAN WHAT
SOME DISGRUNTLED EMPLOYEE
712
00:36:01,394 --> 00:36:03,530
MAY HAVE DONE
713
00:36:03,564 --> 00:36:07,133
WHILE MY WIFE AND I
WERE ON VACATION.
714
00:36:07,167 --> 00:36:09,703
I�M GOING TO URINATE.
715
00:36:11,605 --> 00:36:12,906
IS THAT PERMITTED?
716
00:36:12,939 --> 00:36:14,374
SURE, THAT�S PERMITTED.
717
00:36:14,407 --> 00:36:18,144
GO AHEAD
AND USE THE BATHROOM.
718
00:36:18,178 --> 00:36:20,547
IS IT STILL
IN THE SAME PLACE?
719
00:36:20,581 --> 00:36:22,315
I DON�T KNOW.
720
00:36:22,348 --> 00:36:24,417
THE NEW OWNER�S
BACK THERE.
721
00:36:29,956 --> 00:36:32,192
HE WAS INVOLVED
WITH THAT GIRL.
722
00:36:32,225 --> 00:36:34,427
SHE CALLED ME AND TOLD ME
THEY WERE INVOLVED.
723
00:36:34,460 --> 00:36:36,530
SHE SAID
HE GOT HER PREGNANT.
724
00:36:36,563 --> 00:36:39,099
WAS THERE A BABY
INSIDE HER?
725
00:36:39,132 --> 00:36:40,534
[ GUNSHOT ]
726
00:36:40,567 --> 00:36:42,202
Forsic: OH, MY GOD!
727
00:36:42,235 --> 00:36:46,106
HE SHOT HIMSELF IN THE HEAD!
728
00:37:02,388 --> 00:37:04,457
IT�S 10 MINUTES
TO 7:00, BALDWIN.
729
00:37:04,490 --> 00:37:08,228
WELL, NICOLE,
THE WOMAN IN THAT BARREL
730
00:37:08,261 --> 00:37:10,463
ISN�T PETE MANGRINI�S WIFE.
731
00:37:10,496 --> 00:37:12,465
HER NAME IS ERMA GALLEGO.
732
00:37:12,498 --> 00:37:14,601
SHE WORKED
FOR A GUY NAMED EPPS
733
00:37:14,635 --> 00:37:16,937
WHO OWNED THE HOUSE
BEFORE MANGRINI,
734
00:37:16,970 --> 00:37:19,072
WHO JUST CROAKED HIMSELF.
735
00:37:19,105 --> 00:37:22,776
OH, GREAT. THAT�LL BUY ME
12 LINES ON PAGE 4.
736
00:37:22,809 --> 00:37:24,778
ON THE OTHER HAND, NICOLE,
737
00:37:24,811 --> 00:37:27,113
WE JUST DID COME UP
WITH PATSY MANGRINI�S BODY
738
00:37:27,147 --> 00:37:29,115
OVER IN ENGLEWOOD,
NEW JERSEY.
739
00:37:29,149 --> 00:37:30,751
ARE YOU KIDDING?
740
00:37:30,784 --> 00:37:33,219
I DON�T THINK YOU�D HAVE
A SENSE OF HUMOR
741
00:37:33,253 --> 00:37:34,821
FOR SOMETHING LIKE THAT.
742
00:37:34,855 --> 00:37:36,823
DID MANGRINI DO IT?
743
00:37:36,857 --> 00:37:39,826
WE�RE GOING TO BE LOOKING
AT PETE PRETTY HARD.
744
00:37:39,860 --> 00:37:42,395
WHY ARE YOU GIVING THIS
TO ME?
745
00:37:42,428 --> 00:37:44,665
YOU COOPERATING,
746
00:37:44,698 --> 00:37:47,067
HOLDING OFF
ON WHAT YOU HAD ??
747
00:37:47,100 --> 00:37:49,803
I THOUGHT THAT�S WHAT
I AGREED TO DO.
748
00:37:49,836 --> 00:37:52,973
YOU KEEP IT ON THE TABLE
IN FRONT OF YOU, DON�T YOU?
749
00:37:53,006 --> 00:37:55,008
SEEMS TO GO EASIER THAT WAY.
750
00:37:55,041 --> 00:37:58,078
SO WOULD IT GO EASIER,
ME GETTING IN BED WITH YOU,
751
00:37:58,111 --> 00:38:00,581
IF I TOLD YOU
I WAS HIS SISTER?
752
00:38:00,614 --> 00:38:02,616
ARE YOU?
753
00:38:02,649 --> 00:38:04,150
ABSOLUTELY.
754
00:38:07,453 --> 00:38:09,455
THAT�S NOT WHAT IT�S ABOUT,
NICOLE.
755
00:38:09,489 --> 00:38:12,092
I�D LIKE TO FIND OUT
WHAT IT IS ABOUT,
756
00:38:12,125 --> 00:38:15,829
JUST NOT AS MUCH AS I WANT
TO FILE ON THIS STORY.
757
00:38:15,862 --> 00:38:17,063
DON�T MISS THAT DEADLINE.
758
00:38:19,332 --> 00:38:21,034
TAKE CARE, BALDWIN.
THANKS A LOT.
759
00:38:21,067 --> 00:38:22,536
SURE.
760
00:38:22,569 --> 00:38:25,038
I�M CALLING YOU
FROM THE WORD PROCESSOR
761
00:38:25,071 --> 00:38:26,673
TO GET THOSE NAMES.
762
00:38:26,707 --> 00:38:28,675
I�LL BE UPSTAIRS.
763
00:38:28,709 --> 00:38:30,143
ALL RIGHT.
764
00:38:46,226 --> 00:38:50,163
I�M SO AFRAID FOR HER
TO DIE.
765
00:38:50,196 --> 00:38:52,899
TIME MAY COME
IT�LL BE A RELIEF.
766
00:38:52,933 --> 00:38:56,069
WAS IT A RELIEF FOR YOU?
767
00:38:58,404 --> 00:39:00,373
NO.
768
00:39:00,406 --> 00:39:02,709
WITH HER, SHE WAS YOUNG...
769
00:39:02,743 --> 00:39:05,311
A MOTHER TAKEN.
770
00:39:05,345 --> 00:39:08,014
SHE�S NOT YOUNG.
771
00:39:08,048 --> 00:39:10,416
WE DON�T HAVE CHILDREN,
772
00:39:10,450 --> 00:39:12,986
BUT SHE�S EVERYTHING
IN THE WORLD.
773
00:39:13,019 --> 00:39:16,156
ALL HER SUFFERING...
774
00:39:16,189 --> 00:39:19,059
I�M AFRAID TO LET HER GO.
775
00:39:19,092 --> 00:39:22,195
BUT I�VE SEEN TOO MUCH.
776
00:39:22,228 --> 00:39:25,498
I KNOW THERE�S NOTHING AFTER.
777
00:39:25,532 --> 00:39:28,001
I�VE SEEN
TOO MANY PEOPLE DEAD
778
00:39:28,034 --> 00:39:29,703
TOO MANY WAYS.
779
00:39:33,273 --> 00:39:37,544
I SAW MY SON LAID OUT
ON A GURNEY
780
00:39:37,578 --> 00:39:40,213
IN THE EMERGENCY ROOM,
781
00:39:40,246 --> 00:39:43,249
MURDERED BY TWO SKELLS
782
00:39:43,283 --> 00:39:46,419
THAT HE WAS TRYING TO KEEP
FROM ROBBING A BAR.
783
00:39:46,452 --> 00:39:49,856
MY PARTNER AND ME
784
00:39:49,890 --> 00:39:54,595
WALKED IN
ON AN UNIDENTIFIED D. O. A.,
785
00:39:54,628 --> 00:39:57,297
AND THE NURSE HANDED ME
MY BOY�S I. D.
786
00:40:00,166 --> 00:40:03,570
SO I WENT OVER,
787
00:40:03,604 --> 00:40:06,272
AND I SAW HIM ON THE GURNEY
788
00:40:06,306 --> 00:40:08,642
WITH A BULLET WOUND
IN HIS NECK
789
00:40:08,675 --> 00:40:11,812
THE SIZE OF MY FIST,
790
00:40:11,845 --> 00:40:14,047
AND I HELD HIM DEAD
791
00:40:14,080 --> 00:40:18,218
AND MY WIFE
WHILE SHE WAS DYING.
792
00:40:18,251 --> 00:40:20,420
YOU KNOW THEN.
793
00:40:20,453 --> 00:40:23,289
BEFORE...
794
00:40:23,323 --> 00:40:27,594
I KNEW THERE WAS NO GOD...
795
00:40:27,628 --> 00:40:28,795
BUT...
796
00:40:31,331 --> 00:40:36,637
AFTER HE WAS MURDERED...
797
00:40:36,670 --> 00:40:41,742
I DREAMT ABOUT MY SON
COMING BACK TO ME DEAD...
798
00:40:41,775 --> 00:40:44,611
A SPIRIT...
799
00:40:44,645 --> 00:40:48,114
AND I DIDN�T ARGUE
IF THAT WAS REAL.
800
00:40:52,519 --> 00:40:54,855
MY EX?WIFE...
801
00:40:54,888 --> 00:40:57,824
HAS VISIONS...
802
00:40:57,858 --> 00:41:01,628
WHERE SHE SEES OUR SON ALIVE
803
00:41:01,662 --> 00:41:03,429
IN OTHER PEOPLE
804
00:41:03,463 --> 00:41:06,432
A COUPLE OF SECONDS
AT A TIME,
805
00:41:06,466 --> 00:41:10,837
AND SINCE SHE SAID THAT...
806
00:41:10,871 --> 00:41:12,372
I�LL FEEL LIKE ??
807
00:41:12,405 --> 00:41:14,875
LIKE I�LL SEE HIM SOMETIMES
808
00:41:14,908 --> 00:41:19,479
IN MY LITTLE GUY
THAT�S 3 1/2.
809
00:41:19,513 --> 00:41:21,848
I�M NOT GOING TO ARGUE
WITH YOU IF ??
810
00:41:21,882 --> 00:41:24,785
IF ANY OF THAT�S REAL,
KROFT,
811
00:41:24,818 --> 00:41:28,354
BUT...
812
00:41:28,388 --> 00:41:31,291
IT ?? IT FEELS REAL,
813
00:41:31,324 --> 00:41:33,527
AND IT�S COME TO ME
814
00:41:33,560 --> 00:41:35,929
SINCE THE PEOPLE
I LOVED DIED.
815
00:41:37,931 --> 00:41:39,700
SO...
816
00:41:39,733 --> 00:41:42,368
MAYBE THAT�S SOMETHING
IN STORE FOR YOU
817
00:41:42,402 --> 00:41:45,171
YOU CAN�T BELIEVE IN
RIGHT NOW,
818
00:41:45,205 --> 00:41:47,173
AND WHEN THE TIME COMES,
819
00:41:47,207 --> 00:41:49,543
IT�LL HELP YOU GO ON,
820
00:41:49,576 --> 00:41:52,445
�CAUSE I PROMISE...
821
00:41:54,380 --> 00:41:57,217
IT ?? IT FEELS REAL.
822
00:41:57,267 --> 00:42:01,817
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