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1
00:00:48,214 --> 00:00:50,917
SKINNY LITTLE JERK.
2
00:00:55,321 --> 00:00:57,257
HE�S GONE ?? J. B.
3
00:00:57,290 --> 00:00:59,025
UNLOCKS
THE BATHROOM WINDOW
4
00:00:59,059 --> 00:01:01,928
WHILE HE�S FLUSHING
THE TOILET.
5
00:01:04,230 --> 00:01:07,200
HE TOLD ME
HE�D STAY THE NIGHT.
6
00:01:07,233 --> 00:01:09,703
BROKE HIS PROMISE TO ME,
THIS LITTLE JERK.
7
00:01:09,736 --> 00:01:11,271
HE�S A DOPE FIEND, DANNY.
8
00:01:11,304 --> 00:01:12,806
THANKS FOR THE NEWS FLASH.
9
00:01:12,839 --> 00:01:14,708
WHAT ARE YOU GOING TO DO,
10
00:01:14,741 --> 00:01:16,476
TAKE THE GIMMICK OUT
OF HIS ARM?
11
00:01:16,510 --> 00:01:18,612
WHY?
12
00:01:18,645 --> 00:01:20,380
I�M TRYING TO FIGURE
WHAT YOU�RE DOING.
13
00:01:20,413 --> 00:01:22,549
YOU WORK ON THAT.
LEAVE ME A NOTE.
14
00:01:22,583 --> 00:01:25,051
THIS IS YOUR MESSAGE, DANNY.
READ BETWEEN THE LINES.
15
00:01:25,085 --> 00:01:26,319
YEAH? GOOD.
16
00:01:28,855 --> 00:01:31,925
[ ALARM CLOCK BUZZES ]
17
00:02:56,710 --> 00:02:57,844
MAY I HELP YOU?
18
00:02:57,878 --> 00:02:59,846
YES, UH,
MY NAME IS MICHELLE BEACHAM,
19
00:02:59,880 --> 00:03:01,582
AND I OWN SYNCHRONICITY.
20
00:03:01,615 --> 00:03:03,249
IT�S A VINTAGE
CLOTHING STORE.
21
00:03:03,283 --> 00:03:05,151
ON BLEECKER.
OH, YOU SHOP THERE?
22
00:03:05,185 --> 00:03:07,320
I WAS MARIA BUTYRSKAYA
FOR HALLOWEEN LAST YEAR.
23
00:03:07,353 --> 00:03:08,655
THAT�S GREAT.
24
00:03:08,689 --> 00:03:11,324
MICHELLE BEACHAM,
VINTAGE CLOTHING STORE OWNER.
25
00:03:11,357 --> 00:03:13,393
I�M DETECTIVE MEDAVOY.
26
00:03:13,426 --> 00:03:15,762
THAT�S MY PARTNER ??
DETECTIVE JONES.
27
00:03:15,796 --> 00:03:18,899
I THINK I BOUGHT
SOME STOLEN PROPERTY.
28
00:03:18,932 --> 00:03:21,167
HOW DID THAT COME ABOUT?
29
00:03:21,201 --> 00:03:23,203
WELL, I BUY USED CLOTHES.
30
00:03:23,236 --> 00:03:25,338
A GIRL CAME IN
TO SELL SOME DRESSES.
31
00:03:25,371 --> 00:03:27,240
THEY WERE BEAUTIFUL,
BEAUTIFUL DRESSES.
32
00:03:27,273 --> 00:03:29,375
THEY WERE WORTH
A LOT MORE,
33
00:03:29,409 --> 00:03:31,512
BUT I JUST SORT OF
OFFERED HER $400
34
00:03:31,545 --> 00:03:33,614
TO START THE BIDDING,
AND SHE WENT OUTSIDE
35
00:03:33,647 --> 00:03:36,683
TO TALK TO HER BOYFRIEND,
WHO I COULD SEE OUTSIDE.
36
00:03:36,717 --> 00:03:38,619
WHEN SHE CAME BACK IN,
SHE SAID YES.
37
00:03:38,652 --> 00:03:39,853
YOU BOUGHT THE DRESSES?
38
00:03:39,886 --> 00:03:41,888
I MADE UP SOME EXCUSE
39
00:03:41,922 --> 00:03:45,025
THAT I HADN�T SEEN THE BEADING
ON ONE OF THEM.
40
00:03:45,058 --> 00:03:47,027
I GAVE HER $600.
41
00:03:47,060 --> 00:03:49,362
THERE WERE 6 BEADED L�ENVINS
FROM THE �20s.
42
00:03:49,395 --> 00:03:50,864
OH, MY GOODNESS.
43
00:03:50,897 --> 00:03:52,265
MM?HMM.
44
00:03:52,298 --> 00:03:54,134
THREE WERE STRIPPED
FOR THE BEADS,
45
00:03:54,167 --> 00:03:56,637
BUT THE OTHER THREE WERE
IN NEAR?PERFECT CONDITION.
46
00:03:56,670 --> 00:03:59,540
HAD THE GIRL DONE BUSINESS
WITH YOU BEFORE?
47
00:03:59,573 --> 00:04:01,207
NO, I�D NEVER
SEEN HER BEFORE.
48
00:04:01,241 --> 00:04:03,710
HOW LONG AGO
DID THIS HAPPEN?
49
00:04:03,744 --> 00:04:07,581
THREE WEEKS.
THAT�S HOW LONG IT TOOK ME
50
00:04:07,614 --> 00:04:11,484
TO DECIDE WHETHER I WANTED
TO PAY OFF MY CREDIT CARDS
51
00:04:11,518 --> 00:04:12,919
OR BE ABLE
TO SLEEP AT NIGHT.
52
00:04:12,953 --> 00:04:14,755
MOST PEOPLE
WOULDN�T EVEN EXPERIENCE
53
00:04:14,788 --> 00:04:16,590
THAT TYPE OF AMBIVALENCE.
54
00:04:18,592 --> 00:04:20,727
HERE�S AN INVENTORY
AND DESCRIPTION
55
00:04:20,761 --> 00:04:21,995
OF WHAT I BOUGHT,
56
00:04:22,028 --> 00:04:24,565
AND THAT�S WHERE YOU CAN
GET IN TOUCH WITH ME.
57
00:04:24,598 --> 00:04:26,733
WE�LL RUN A DESCRIPTION
OF THE DRESSES
58
00:04:26,767 --> 00:04:30,837
THROUGH STOLEN PROPERTY
TO SEE IF A MATCH COMES UP.
59
00:04:30,871 --> 00:04:33,940
WILL YOU LET ME KNOW?
ABSOLUTELY.
60
00:04:33,974 --> 00:04:35,909
YOU MAY JUST HAVE BROUGHT
SO MUCH HAPPINESS
61
00:04:35,942 --> 00:04:37,911
BACK INTO SOMEONE�S LIFE.
62
00:04:37,944 --> 00:04:39,946
THAT WOULD BE NICE,
BECAUSE I KNOW
63
00:04:39,980 --> 00:04:42,015
I DIDN�T BRING ANY
INTO DISCOVER CARD�S.
64
00:04:42,048 --> 00:04:43,717
HA HA HA.
65
00:04:48,855 --> 00:04:52,158
YOU IN A BEADED L�ENVIN ??
66
00:04:52,192 --> 00:04:54,460
OH, YES.
67
00:04:56,530 --> 00:04:59,733
WHERE�S SORENSON?
68
00:05:05,739 --> 00:05:08,274
HE BROUGHT THAT JUNKIE HOME
WITH HIM LAST NIGHT.
69
00:05:08,308 --> 00:05:09,710
DID YOU KNOW THAT?
70
00:05:09,743 --> 00:05:10,777
NO.
71
00:05:10,811 --> 00:05:12,045
WELL, HE DID.
72
00:05:13,847 --> 00:05:16,149
HOW�S IT GOING?
73
00:05:17,984 --> 00:05:19,252
HI.
74
00:05:22,689 --> 00:05:24,057
WHAT�S HIS PROBLEM?
75
00:05:24,090 --> 00:05:26,126
WHY DOES HE HAVE
TO HAVE A PROBLEM
76
00:05:26,159 --> 00:05:28,662
TO FEED HIS FISH?
77
00:05:28,695 --> 00:05:31,297
YEAH, HE DIDN�T SEE ME
WALK IN. MORNING, ANDY.
78
00:05:31,331 --> 00:05:34,134
WHERE WERE YOU,
OUT GETTING YOUR HOTEL PERMIT
79
00:05:34,167 --> 00:05:36,637
FOR YOUR YOUTH HOSTEL
FOR SKELL JUNKIES?
80
00:05:36,670 --> 00:05:38,739
DON�T. I�M NOT GOING
TO HAVE PATIENCE FOR IT.
81
00:05:38,772 --> 00:05:40,340
FOR WHAT�S THAT?
82
00:05:40,373 --> 00:05:42,976
DO I NEED YOUR SEAL
OF APPROVAL
83
00:05:43,009 --> 00:05:45,546
WHO I REACH OUT TO?
84
00:05:45,579 --> 00:05:48,014
DID I MISS THAT SOMEWHERE
IN THE REGS?
85
00:05:48,048 --> 00:05:50,150
ANYWAYS, THE SKELL JUNKIE�S
IN THE WIND.
86
00:05:50,183 --> 00:05:52,686
AND YOU STILL GOT
ALL YOUR APPLIANCES?
87
00:05:52,719 --> 00:05:54,855
HEY, FEED YOUR FISH.
88
00:05:56,523 --> 00:05:59,325
THE VIRGIN MARY
WOULD TEAR HER HAIR OUT
89
00:05:59,359 --> 00:06:02,262
BEHIND HIS BALL?BREAKING.
90
00:06:02,295 --> 00:06:04,030
UH, EXCUSE ME.
91
00:06:04,064 --> 00:06:06,032
I�M TRYING TO FIND, UM,
92
00:06:06,066 --> 00:06:09,169
THAT�S WHO I NEED
TO TALK TO.
93
00:06:09,202 --> 00:06:11,171
YEAH, WHAT�S GOING ON,
LESLIE?
94
00:06:11,204 --> 00:06:13,039
WHERE DO YOU WANT
TO TALK AT?
95
00:06:13,073 --> 00:06:14,541
COME HERE. COME ON.
96
00:06:17,911 --> 00:06:19,445
GOOD MORNING, BOZO.
97
00:06:19,479 --> 00:06:21,782
YEAH, GOOD.
98
00:06:23,383 --> 00:06:26,386
THE HOSTEL�S BACK OPEN.
99
00:06:28,421 --> 00:06:31,291
WHAT�S GOING ON?
100
00:06:31,324 --> 00:06:32,759
BACK AT YOU, LESLIE.
101
00:06:32,793 --> 00:06:35,028
WHEN DID YOU LAST
SEE YOUR BOY, DANNY?
102
00:06:35,061 --> 00:06:37,063
I�M JUST COMING AT YOU
STRAIGHT OUT.
103
00:06:37,097 --> 00:06:38,398
WHO?
104
00:06:38,431 --> 00:06:41,535
OH, COME ON.
WE PLAYING GAMES NOW?
105
00:06:41,568 --> 00:06:43,604
WHAT, YOU MEAN J. B.?
YEAH.
106
00:06:43,637 --> 00:06:46,072
I SAW HIM LAST NIGHT.
107
00:06:46,106 --> 00:06:47,207
ALL RIGHT.
108
00:06:47,240 --> 00:06:49,375
WHEN DID YOU
SEE HIM LAST, LESLIE?
109
00:06:49,409 --> 00:06:51,812
I�M JUST SAYING, YOU KNOW ??
EXCUSE ME ??
110
00:06:51,845 --> 00:06:53,880
HE COULD USE
AN INTERVENTION, YOU KNOW?
111
00:06:53,914 --> 00:06:55,749
WHERE SHOULD I GO
TO INTERVENE?
112
00:06:55,782 --> 00:06:58,585
WELL, UH,
IF THEY INTERVENE
113
00:06:58,619 --> 00:07:00,486
WHERE I SAW HIM AT LAST,
114
00:07:00,521 --> 00:07:03,089
IT COULD BE UP AT BELLEVUE
115
00:07:03,123 --> 00:07:06,326
ON A BUNCH OF BIG MACHINES
AND STUFF LIKE THAT.
116
00:07:06,359 --> 00:07:08,562
HE O. D.�d?
117
00:07:08,595 --> 00:07:10,496
HE WAS LOOKING
PRETTY BLURPLED.
118
00:07:10,531 --> 00:07:11,565
WHAT GALLERY?
119
00:07:11,598 --> 00:07:15,235
THE ONE ON B
AT THE HARDWARE.
120
00:07:15,268 --> 00:07:18,404
I DON�T KNOW IF ANYBODY
INTERVENED WITH HIM OR NOT.
121
00:07:18,438 --> 00:07:20,406
INTERVENED MEANING
THEY THREW HIM OUT
122
00:07:20,440 --> 00:07:22,442
ON THE STREET IN FRONT
OF THE HOSPITAL?
123
00:07:22,475 --> 00:07:27,247
YEAH, I DON�T KNOW
IF SOMEBODY STEPPED UP.
124
00:07:27,280 --> 00:07:30,250
WELL, WE KNOW YOU DIDN�T,
RIGHT, LESLIE?
125
00:07:30,283 --> 00:07:32,152
OKAY.
126
00:07:39,159 --> 00:07:41,762
I GOT TO GO.
I GOT TO GO SOMEPLACE.
127
00:07:41,795 --> 00:07:43,630
WANT SOME COMPANY?
128
00:07:43,664 --> 00:07:46,432
NO.
129
00:07:46,466 --> 00:07:48,535
LOST TIME.
130
00:07:56,710 --> 00:08:00,213
UM, A FRIEND OF OURS
IS IN TROUBLE,
131
00:08:00,246 --> 00:08:01,515
SO, YOU KNOW ??
132
00:08:01,548 --> 00:08:04,718
YOU ON HIS SIDE,
I KNOW HE�S COMING OUT OKAY.
133
00:08:04,751 --> 00:08:06,887
DO YOU GET EXHAUSTED
FROM JUST BEING RIGHT
134
00:08:06,920 --> 00:08:08,889
AND PERFECT ALL THE TIME?
IS THAT IT?
135
00:08:08,922 --> 00:08:11,157
YOU GOT ALL THE DOUGHNUTS
YOU NEED?
136
00:08:11,191 --> 00:08:13,827
THANK YOU, THANK YOU.
IT WAS VERY HELPFUL.
137
00:08:13,860 --> 00:08:14,961
VERY HELPFUL.
138
00:08:14,995 --> 00:08:17,330
WHAT YOU NEED TO DO
IS BE MORE RESPECTFUL
139
00:08:17,363 --> 00:08:19,866
WHEN YOU�RE TALKING
ABOUT THE POSSIBLE DEAD.
140
00:08:19,900 --> 00:08:23,169
THAT�S WHAT YOU NEED TO DO.
141
00:08:33,847 --> 00:08:38,151
LISA, CAN YOU TAKE THESE KIDS
UP TO THE CRIB?
142
00:08:38,184 --> 00:08:39,986
SURE.
143
00:08:40,020 --> 00:08:42,322
YEAH, GO WITH THE NICE LADY.
144
00:08:42,355 --> 00:08:44,658
THIS IS LISA, JENNY.
145
00:08:44,691 --> 00:08:46,026
HI, JENNY.
146
00:08:46,059 --> 00:08:47,493
THERE YOU GO.
147
00:08:47,528 --> 00:08:51,264
WALK QUICK WITH ME.
148
00:08:51,297 --> 00:08:53,900
STOLEN PROPERTY ??
I NEED TO VOUCHER THAT.
149
00:08:53,934 --> 00:08:55,401
ALL RIGHT.
150
00:08:55,435 --> 00:08:58,238
THE BABY SLING�S
BOUGHT AND PAID FOR.
151
00:08:58,271 --> 00:09:01,107
THE BABY SLING�S HERS.
WHAT�S OPEN?
152
00:09:01,141 --> 00:09:03,043
INTERVIEW THREE.
SHOPLIFTING COLLAR?
153
00:09:03,076 --> 00:09:04,945
I�M GOING TO TALK TO HER
DOWN HERE.
154
00:09:04,978 --> 00:09:07,013
I COLLARED HER MYSELF.
YOU LEAVE YOUR BABIES
155
00:09:07,047 --> 00:09:09,015
WITH THAT SON
OF A BITCH, LUCY?
156
00:09:09,049 --> 00:09:11,451
Lucy: NO.
157
00:09:11,484 --> 00:09:13,920
BECAUSE RIGHT NOW
HE�S GOT THEM IN A BAR.
158
00:09:13,954 --> 00:09:16,590
THE BABIES ARE ALL RIGHT.
THEY�RE UPSTAIRS.
159
00:09:16,623 --> 00:09:19,960
I�LL GIVE YOU
A LITTLE BACKGROUND ON THIS.
160
00:09:19,993 --> 00:09:22,963
HERE, TAKE OFF
YOUR COAT, LUCY,
161
00:09:22,996 --> 00:09:25,065
AND PUT IT ON THE TABLE.
162
00:09:28,234 --> 00:09:29,402
SIT.
163
00:09:38,444 --> 00:09:39,980
THAT TEAR�S JUST THERE.
164
00:09:40,013 --> 00:09:43,449
IT�S NOT ON PURPOSE
TO PUT THINGS IN.
165
00:09:43,483 --> 00:09:45,886
WHAT�S GOING ON IN YOUR HEAD,
EXPOSING YOUR KIDS
166
00:09:45,919 --> 00:09:48,054
TO THEIR MOTHER STEALING
AND GETTING BUSTED?
167
00:09:48,088 --> 00:09:50,724
I�M SORRY.
168
00:09:50,757 --> 00:09:53,226
THE HUSBAND, HE�S THE ONE
THAT SENDS HER OUT.
169
00:09:53,259 --> 00:09:54,561
WHAT�S
YOUR HUSBAND�S NAME?
170
00:09:54,595 --> 00:09:55,829
HARVEY.
171
00:09:55,862 --> 00:09:59,465
DOES HARVEY WORK?
172
00:09:59,499 --> 00:10:00,634
NOT NOW.
173
00:10:00,667 --> 00:10:02,603
WITH UNEMPLOYMENT
AT HISTORIC ALL?TIME LOWS.
174
00:10:02,636 --> 00:10:04,070
LAUGHLIN.
175
00:10:04,104 --> 00:10:07,741
COULDN�T WE JUST GO HOME
IF I WON�T DO IT ANYMORE?
176
00:10:07,774 --> 00:10:09,743
NO, YOU CAN�T JUST
GO HOME,
177
00:10:09,776 --> 00:10:12,078
AND I NEED TO TALK
TO YOUR HUSBAND,
178
00:10:12,112 --> 00:10:14,414
OTHERWISE YOUR KIDS ARE
GOING TO CHILD SERVICES.
179
00:10:14,447 --> 00:10:16,683
I CAN HELP YOU
WITH THE HUSBAND.
180
00:10:16,717 --> 00:10:18,685
OH, GOD,
PLEASE DON�T BRING HIM IN.
181
00:10:18,719 --> 00:10:19,820
I KNOW ALL HIS GIN MILLS.
182
00:10:19,853 --> 00:10:21,154
JUST A SECOND.
183
00:10:22,222 --> 00:10:24,658
EVERYTHING�S SUCH A MESS.
184
00:10:24,691 --> 00:10:26,760
I DON�T WANT
TO BE A BAD PERSON.
185
00:10:26,793 --> 00:10:30,296
YOU SIT STILL.
186
00:10:32,465 --> 00:10:35,869
SO WHAT�S YOUR PLAN,
LAUGHLIN,
187
00:10:35,902 --> 00:10:38,271
FIND THIS GUY WHEREVER
HE�S GETTING HIS LOAD ON
188
00:10:38,304 --> 00:10:39,606
AND DRAG HIM IN BY THE HAIR?
189
00:10:39,640 --> 00:10:42,509
THREE TIMES I CAUGHT HER.
IT�S HIM THAN SENDS HER OUT.
190
00:10:42,543 --> 00:10:45,345
IF YOU CAN�T GET HER TO LEAVE,
WHAT KIND OF NIGHT
191
00:10:45,378 --> 00:10:48,782
ARE YOU SETTING THIS WOMAN UP
FOR ROUGHING THE HUSBAND UP?
192
00:10:48,815 --> 00:10:50,150
YEAH, ALL RIGHT.
193
00:10:50,183 --> 00:10:52,586
YOU TAKE IT EASY
WHEN YOU BRING THIS GUY IN.
194
00:12:48,602 --> 00:12:51,337
A DETECTIVE CALLED
ABOUT SOME PERSONAL PROPERTY.
195
00:12:51,371 --> 00:12:53,339
WHICH DETECTIVE WAS THAT?
196
00:12:53,373 --> 00:12:55,308
A DETECTIVE MEDAVOY.
197
00:12:55,341 --> 00:12:58,078
AND MY NAME
IS JULIANNE MAURICE.
198
00:12:58,111 --> 00:13:00,113
MS. MAURICE.
199
00:13:00,146 --> 00:13:01,648
HOW DO YOU DO?
200
00:13:01,682 --> 00:13:04,084
SORRY IF I
STARTLED YOU THERE.
201
00:13:04,117 --> 00:13:06,152
YOU LEFT A MESSAGE
202
00:13:06,186 --> 00:13:08,421
ABOUT CERTAIN LOST PROPERTY.
203
00:13:08,454 --> 00:13:10,323
WHY DON�T WE TALK
AT MY DESK?
204
00:13:10,356 --> 00:13:12,693
MY PARTNER DETECTIVE JONES
AND I WILL ASK YOU
205
00:13:12,726 --> 00:13:14,661
A FEW PRELIMINARY QUESTIONS,
AND THEN I SUSPECT
206
00:13:14,695 --> 00:13:17,197
WE�LL HAVE SOME VERY GOOD NEWS
IN THAT REGARD.
207
00:13:17,230 --> 00:13:20,667
MS. MORRIS, MY PARTNER ??
BALDWIN JONES.
208
00:13:20,701 --> 00:13:22,703
HOW DO YOU DO?
209
00:13:26,372 --> 00:13:29,175
I NOTICED THAT ALTHOUGH
210
00:13:29,209 --> 00:13:32,445
YOU PRONOUNCE
YOUR NAME MORRIS,
211
00:13:32,478 --> 00:13:35,115
IT�S SPELLED AS IF IT WOULD
BE PRONOUNCED MAURICE.
212
00:13:35,148 --> 00:13:38,284
PLEASE DON�T TURN THIS
INTO A GAME SHOW.
213
00:13:38,318 --> 00:13:40,120
NO, CERTAINLY NOT.
214
00:13:40,153 --> 00:13:42,556
MS. MAURICE, COULD YOU
SHOW US A DRIVER�S LICENSE
215
00:13:42,589 --> 00:13:44,791
OR SOME OTHER FORM
OF PICTURE IDENTIFICATION?
216
00:13:44,825 --> 00:13:49,062
ARE THESE
MY GRANDMOTHER�S DRESSES?
217
00:13:49,095 --> 00:13:53,667
MA�AM,
JUST TRUST THE PROCESS.
218
00:13:53,700 --> 00:13:56,136
I DON�T DRIVE,
219
00:13:56,169 --> 00:13:58,338
BUT I DO HAVE THIS
220
00:13:58,371 --> 00:14:00,306
FROM THE MOTOR VEHICLE BUREAU.
221
00:14:00,340 --> 00:14:04,044
WELL, THERE�S ONE BUREAUCRATIC
HURDLE OVERCOME RIGHT THERE,
222
00:14:04,077 --> 00:14:06,312
AND IF YOU HAVE IT,
223
00:14:06,346 --> 00:14:08,649
IF YOU COULD PRODUCE
ANY TYPE OF DOCUMENTS
224
00:14:08,682 --> 00:14:12,152
OF OWNERSHIP OF THE PROPERTY
YOU REPORTED STOLEN...
225
00:14:12,185 --> 00:14:15,388
THESE ARE PHOTOGRAPHS
OF MY GRANDMOTHER
226
00:14:15,421 --> 00:14:17,057
WEARING THE GOWNS
IN QUESTION.
227
00:14:17,090 --> 00:14:19,392
THOSE ARE
AMPLE DOCUMENTATION.
228
00:14:19,425 --> 00:14:21,361
I�M SORRY THAT
THEY�RE NOT IN COLOR.
229
00:14:21,394 --> 00:14:24,397
THEY ONLY HAD
BLACK AND WHITE BACK THEN.
230
00:14:24,430 --> 00:14:25,866
OH, MY GOD.
231
00:14:28,569 --> 00:14:30,837
THOSE ARE GOING TO BE AMPLE.
232
00:14:30,871 --> 00:14:34,541
I WILL CERTAINLY WANT TO REWARD
THE PERSON WHO FOUND THEM.
233
00:14:34,575 --> 00:14:36,577
UH, BEING THAT YOU FILED
234
00:14:36,610 --> 00:14:38,344
A STOLEN PROPERTY REPORT,
235
00:14:38,378 --> 00:14:40,714
WE HAVE TO SUPERVISE
THE EXCHANGE.
236
00:14:40,747 --> 00:14:43,750
SHALL I CALL THE OTHER PARTY
AND SET UP A TIME NOW?
237
00:14:43,784 --> 00:14:47,220
I�LL COME IN
WHENEVER IT�S CONVENIENT
238
00:14:47,253 --> 00:14:48,555
FOR THE OTHER PERSON.
239
00:14:48,589 --> 00:14:51,024
JUST CALL AND TELL ME
WHEN TO COME.
240
00:14:51,057 --> 00:14:52,893
ALL RIGHT.
241
00:14:52,926 --> 00:14:54,895
LUCKY YOUR THINGS
TURNED UP AT ALL,
242
00:14:54,928 --> 00:14:56,262
HUH, MS. MAURICE?
243
00:14:56,296 --> 00:14:59,099
I APOLOGIZE
IF I�M SEEMING RUDE.
244
00:14:59,132 --> 00:15:03,103
OBVIOUSLY THE DRESSES
MEAN A LOT TO YOU,
245
00:15:03,136 --> 00:15:05,906
I�M SURE PROBABLY BECAUSE
OF THE FAMILY CONNECTION.
246
00:15:05,939 --> 00:15:07,908
DO YOU THINK
THAT THE THREE
247
00:15:07,941 --> 00:15:09,375
ARE DAMAGED BEYOND REPAIR?
248
00:15:09,409 --> 00:15:12,378
I REALLY DIDN�T GET
THAT IMPRESSION, MS. MAURICE.
249
00:15:12,412 --> 00:15:15,381
PLEASE SAY HOW GRATEFUL I AM
AND THAT I INTEND
250
00:15:15,415 --> 00:15:17,884
TO PAY A REWARD
AND THAT I�LL BE HERE
251
00:15:17,918 --> 00:15:19,886
AT THE OTHER PERSON�S
CONVENIENCE.
252
00:15:19,920 --> 00:15:22,589
THANK YOU FOR YOUR WORK
ON MY CASE.
253
00:15:22,623 --> 00:15:25,425
SURE.
254
00:15:27,460 --> 00:15:30,230
THOSE MUST BE
SOME DRESSES.
255
00:15:30,263 --> 00:15:32,766
POOR SOUL.
256
00:15:37,938 --> 00:15:40,006
SO WHAT
DID SHE DO NOW?
257
00:15:40,040 --> 00:15:41,575
JUST HAVE A SEAT, HARVEY.
258
00:15:41,608 --> 00:15:44,110
NO, BUT IS IT
THE SAME THING?
259
00:15:44,144 --> 00:15:46,279
LUCY HAD SOME THINGS
FROM WALGREENS
260
00:15:46,312 --> 00:15:47,781
SHE HADN�T PAID FOR.
261
00:15:47,814 --> 00:15:50,283
OH, FOR GOD�S SAKE!
262
00:15:54,788 --> 00:15:56,289
YOUR KIDS ARE UPSTAIRS.
263
00:15:56,322 --> 00:15:59,192
I WAS JUST GOING TO ASK
WHERE THE KIDS ARE.
264
00:15:59,225 --> 00:16:03,496
YEAH, THEY�RE UPSTAIRS,
AND THEY�RE BOTH FINE.
265
00:16:03,530 --> 00:16:04,865
BUT THEY WERE WITH HER
WHILE SHE WAS BEING A KLEPTO.
266
00:16:04,898 --> 00:16:07,167
YOU HYPOCRITE BASTARD.
267
00:16:07,200 --> 00:16:08,268
WHAT IS YOUR PROBLEM?
268
00:16:08,301 --> 00:16:10,436
THE ONLY PROBLEM YOU NEED
TO BE WORRYING ABOUT
269
00:16:10,470 --> 00:16:11,772
IS YOUR HOME SITUATION.
270
00:16:11,805 --> 00:16:15,275
I�M HERE TO DEAL WITH THAT.
I DON�T NEED HIS ABUSE.
271
00:16:15,308 --> 00:16:18,278
OKAY, SO LET�S KEEP OUR EYES
ON THE BALL.
272
00:16:18,311 --> 00:16:20,514
HAVE I BEEN ANYTHING
BUT RESPECTFUL BRINGING YOU IN?
273
00:16:20,547 --> 00:16:22,549
DID YOU JUST
CALL ME A BASTARD?
274
00:16:22,583 --> 00:16:24,317
HARVEY,
IT�S OBVIOUS TO ME
275
00:16:24,350 --> 00:16:27,521
THAT YOU CAN TELL LUCY
HAS A PROBLEM.
276
00:16:27,554 --> 00:16:29,022
SHE�S A FRIGGIN� KLEPTOMANIAC.
277
00:16:29,055 --> 00:16:30,824
WHETHER SHE�S A KLEPTOMANIAC
278
00:16:30,857 --> 00:16:33,459
OR SHE�S TAKING THINGS
BECAUSE OF SOME IDEA
279
00:16:33,493 --> 00:16:35,395
RIGHT NOW
YOUR FAMILY NEEDS HELP ??
280
00:16:35,428 --> 00:16:37,831
HAVING TO BE IN THE POLICE
STATION WHEN I�M OUT OF WORK?
281
00:16:37,864 --> 00:16:39,866
IS THAT WHAT YOU WERE DOING
AT MALLORY�S,
282
00:16:39,900 --> 00:16:42,402
LOOKING FOR A JOB AT THE BOTTOM
OF THAT ROCK AND RYE?
283
00:16:42,435 --> 00:16:44,004
I HOPE YOU NEVER HAVE TO DEAL
284
00:16:44,037 --> 00:16:47,040
WITH THE DEPRESSION THAT COMES
FROM BEING UNEMPLOYED.
285
00:16:47,073 --> 00:16:51,545
HARVEY, WHAT I NEED
TO HEAR FROM YOU IS WHETHER
286
00:16:51,578 --> 00:16:54,147
YOU�RE PREPARED
TO KEEP YOUR FAMILY TOGETHER.
287
00:16:54,180 --> 00:16:55,816
ISN�T THAT WHAT
I�VE BEEN TRYING TO DO?
288
00:16:55,849 --> 00:16:58,484
WHICH MEANS
IF THESE CHARGES GO AWAY
289
00:16:58,519 --> 00:17:01,321
AND LUCY COMES HOME,
YOU�RE GOING TO KEEP MAKING
290
00:17:01,354 --> 00:17:03,223
A GOOD STRONG EFFORT
FINDING WORK.
291
00:17:03,256 --> 00:17:05,025
HAS SHE BEEN COMPLAINING
ABOUT THAT?
292
00:17:05,058 --> 00:17:08,194
LUCY ABSOLUTELY HAS NOT
BEEN COMPLAINING ABOUT THAT.
293
00:17:08,228 --> 00:17:11,832
HEY, I�M WILLING
TO MAKE 100% EFFORT.
294
00:17:11,865 --> 00:17:13,900
IF YOU THINK I LIKE
BEING DRAGGED DOWN
295
00:17:13,934 --> 00:17:15,001
TO A STATION HOUSE,
YOU�RE OUT OF YOUR MIND.
296
00:17:15,035 --> 00:17:16,603
NOBODY DRAGGED YOU, ASSHOLE.
297
00:17:16,637 --> 00:17:20,607
NO, BUT I DEFINITELY
TAKE YOUR POINT,
298
00:17:20,641 --> 00:17:23,176
AND OFF YOU
SHOWING GOOD FAITH,
299
00:17:23,209 --> 00:17:26,179
I�M GOING TO PUT THE CHARGES
AGAINST LUCY IN ABEYANCE.
300
00:17:26,212 --> 00:17:28,048
AND IN THE NEXT WEEK,
IF YOU COME IN
301
00:17:28,081 --> 00:17:29,449
AND SHOW EVIDENCE
OF EMPLOYMENT,
302
00:17:29,482 --> 00:17:32,686
OR EVEN PLACES
YOU�VE APPLIED,
303
00:17:32,719 --> 00:17:35,956
THAT�S GOING TO SHOW ME
YOU GOING THE EXTRA MILE,
304
00:17:35,989 --> 00:17:38,224
MAYBE EVEN MORE
THAN SHE HAS.
305
00:17:38,258 --> 00:17:40,727
HEY, I�M NOT GOING TO
HANG UP ANY DIRTY LINEN
306
00:17:40,761 --> 00:17:42,763
ABOUT WHO PUTS HIS OAR DEEPER
IN THE WATER
307
00:17:42,796 --> 00:17:47,568
IN THIS RELATIONSHIP,
BUT IT�S ME.
308
00:17:47,601 --> 00:17:49,636
ALL RIGHT.
309
00:17:49,670 --> 00:17:52,773
I REALLY APPRECIATE THAT
310
00:17:52,806 --> 00:17:55,776
AND YOU REACHING A HAND OUT
TO TRY TO HELP LUCY.
311
00:17:55,809 --> 00:17:57,944
ALL RIGHT.
312
00:17:57,978 --> 00:18:00,614
IT�S NICE TO BE APPRECIATED
ONCE IN A WHILE.
313
00:18:00,647 --> 00:18:04,585
I MEAN,
THAT IS THE GIRL I MARRIED.
314
00:18:04,618 --> 00:18:08,254
I�M GLAD YOU�RE REACHING OUT
TO MAKE THIS NEW EFFORT.
315
00:18:33,680 --> 00:18:36,316
WHERE�S HE GOING?
316
00:18:36,349 --> 00:18:37,818
UPSTAIRS.
317
00:18:37,851 --> 00:18:42,088
YOU SEE THAT? THIS HAS
GONE TOO FAR WITH HIM.
318
00:18:42,122 --> 00:18:44,825
I HAD TO TAKE MYSELF OUT
OF THE CATCHING ORDER
319
00:18:44,858 --> 00:18:45,926
AND EVERYTHING ELSE.
320
00:18:45,959 --> 00:18:47,861
DO YOU WANT TO WORK
ON THOSE STOLEN DRESSES?
321
00:18:47,894 --> 00:18:50,831
YOU REALIZE YOU TAKE HIS SIDE
EVERY AVAILABLE CHOICE?
322
00:18:50,864 --> 00:18:54,467
OH, ANDY, STOP IT.
323
00:19:08,982 --> 00:19:11,317
HE�S DEAD ?? J. B.
324
00:19:13,520 --> 00:19:14,788
O.D.�d.
325
00:19:14,821 --> 00:19:18,191
THEN SOMEONE BURNED HIM UP.
326
00:19:18,224 --> 00:19:22,462
HE CHOSE WHAT HE WANTED.
327
00:19:22,495 --> 00:19:23,797
[SIGHS]
328
00:19:23,830 --> 00:19:26,667
THAT WRAPS HIM UP
IN A NICE LITTLE BOW.
329
00:19:29,435 --> 00:19:32,405
YOU CAN�T LIVE
OTHER PEOPLE�S LIVES FOR �EM, DANNY.
330
00:19:32,438 --> 00:19:35,041
IT�S JUST RUNNING
AWAY FROM YOUR OWN.
331
00:19:40,446 --> 00:19:43,216
WE COULD BE IN
EACH OTHER�S LIVES.
332
00:19:47,220 --> 00:19:49,189
ANYWAYS...
333
00:20:33,099 --> 00:20:34,267
Danny:
OD�d.
334
00:20:36,570 --> 00:20:38,371
ON B...
335
00:20:38,404 --> 00:20:40,774
AT THE HARDWARE STORE.
336
00:20:43,476 --> 00:20:45,278
AND SOMEONE...
337
00:20:45,311 --> 00:20:48,414
SET THE ROOM ON FIRE.
338
00:20:49,516 --> 00:20:51,151
ARSON SHOULD LOOK AT
THE BUILDING OWNER
339
00:20:51,184 --> 00:20:53,453
FOR SETTIN� THE FIRE.
340
00:20:53,486 --> 00:20:56,322
THEY�RE GENTRIFYIN�
OVER THERE.
341
00:20:58,692 --> 00:21:00,927
[STIFLED SOB]
342
00:21:08,602 --> 00:21:10,236
A SKELL JUNKIE,
343
00:21:10,270 --> 00:21:12,138
HE�S DISSOLVIN� OVER
IN TEARS.
344
00:21:18,645 --> 00:21:20,981
IT�S ALL RIGHT, DANNY.
345
00:21:22,282 --> 00:21:25,385
HE BURNED UP...
LIKE MY SISTERS.
346
00:21:28,388 --> 00:21:30,924
THEY�RE ALIVE, DANNY.
347
00:21:30,957 --> 00:21:32,926
THAT�S RIGHT...
348
00:21:32,959 --> 00:21:34,160
THAT�S RIGHT.
349
00:21:40,500 --> 00:21:43,570
I DON�T KNOW
HOW TO LIVE.
350
00:21:46,339 --> 00:21:49,275
AND ME,
WITH MY MANUAL AT HOME.
351
00:21:49,309 --> 00:21:50,811
[LAUGHS]
352
00:21:55,381 --> 00:21:57,551
HEY, IT�S OKAY.
353
00:21:58,652 --> 00:22:01,655
I GOT YOUR HAIR
FULL OF SNOT.
354
00:22:01,688 --> 00:22:03,657
OH, THAT�S NICE.
355
00:22:05,091 --> 00:22:06,459
NO, I�M JUST KIDDIN�.
356
00:22:06,492 --> 00:22:10,664
I WAS JUST SAYIN�
WHAT I WAS AFRAID OF.
357
00:22:18,238 --> 00:22:20,206
[SIRENS IN DISTANCE]
358
00:22:31,084 --> 00:22:32,519
Ms. Maurice:
YOU KNOW...
359
00:22:32,553 --> 00:22:35,822
I KNOW
I SHOULD SEE THEM...
360
00:22:35,856 --> 00:22:37,190
I KNOW
I SHOULD SEE THEM.
361
00:22:37,223 --> 00:22:40,827
THESE ARE THE DRESSES,
OBVIOUSLY,
362
00:22:40,861 --> 00:22:43,530
AND THE DAMAGE
IS THE DAMAGE,
363
00:22:43,564 --> 00:22:44,831
WHATEVER THE DAMAGE IS,
364
00:22:44,865 --> 00:22:48,602
AND SO WHY DON�T I JUST
REIMBURSE AND REWARD YOU...
365
00:22:48,635 --> 00:22:51,705
AND LOOK AT
THE DRESSES LATER.
366
00:22:54,741 --> 00:22:58,244
I�M MAKING THIS
FOR $1500.
367
00:22:58,278 --> 00:23:00,046
THAT�S FINE.
368
00:23:00,080 --> 00:23:03,216
I KNOW YOU COULD HAVE
SOLD THEM FOR MUCH MORE,
369
00:23:03,249 --> 00:23:06,853
AND I WISH I COULD
AFFORD TO PAY YOU MORE,
370
00:23:06,887 --> 00:23:08,054
BUT I CAN�T.
371
00:23:08,088 --> 00:23:09,890
IT�S FINE,
DON�T WORRY ABOUT IT.
372
00:23:13,159 --> 00:23:15,962
THANK YOU
SO VERY MUCH.
373
00:23:17,163 --> 00:23:18,431
YOU�RE WELCOME,
JULIANNE.
374
00:23:18,464 --> 00:23:19,866
COULD YOU
FILL IN YOUR NAME,
375
00:23:19,900 --> 00:23:21,467
I�M SORRY,
I CAN�T REMEMBER IT.
376
00:23:21,502 --> 00:23:26,239
UH...IT�S MICHELLE BEACHAM.
377
00:23:26,272 --> 00:23:28,575
COULD YOU
FILL IT IN?
378
00:23:28,609 --> 00:23:30,611
I WILL...
379
00:23:30,644 --> 00:23:32,012
BUT I WANTED YOU
TO KNOW IT.
380
00:23:33,980 --> 00:23:35,048
ALL RIGHT.
381
00:23:35,081 --> 00:23:37,984
DO YOU NEED SOME HELP
WITH THEM, MS. MAURICE?
382
00:23:38,018 --> 00:23:39,953
NO. I DON�T KNOW
383
00:23:39,986 --> 00:23:42,155
IF I�M GOING TO
BE SO HAPPY
384
00:23:42,188 --> 00:23:45,391
AS MY MOTHER WOULD BE
TO GET THEM BACK
385
00:23:45,425 --> 00:23:50,330
BECAUSE OF THE MISSING BEADS
AND OTHER POSSIBLE DAMAGE.
386
00:23:50,363 --> 00:23:53,734
DID YOUR MOTHER
HAVE THE DRESSES BEFORE YOU?
387
00:23:53,767 --> 00:23:56,737
THEY WERE IN MY SAFEKEEPING
WHEN THEY WERE STOLEN.
388
00:23:56,770 --> 00:23:59,405
THEY BELONGED TO MY MOTHER...
389
00:23:59,439 --> 00:24:03,076
AND SINCE THEY WERE STOLEN,
390
00:24:03,109 --> 00:24:07,347
SHE HAD A FATAL
CEREBRAL INCIDENT,
391
00:24:07,380 --> 00:24:11,852
OR THEY SAY ACCIDENT.
392
00:24:11,885 --> 00:24:15,922
I�M SURE THAT�S
WHAT I HEAR THEM SAY,
393
00:24:15,956 --> 00:24:17,090
BUT I THINK
394
00:24:17,123 --> 00:24:19,760
THAT THEY MUST
MEAN INCIDENT,
395
00:24:19,793 --> 00:24:21,628
DON�T YOU?
396
00:24:25,999 --> 00:24:28,101
I�M SORRY YOUR MOM DIED.
397
00:24:28,134 --> 00:24:30,637
BEFORE THE DRESSES
CAME BACK,
398
00:24:32,472 --> 00:24:35,842
WELL, IT�S TWO WEEKS.
399
00:24:37,010 --> 00:24:39,946
I�M SURE IT�S JUST
A QUESTION OF TIME
400
00:24:39,980 --> 00:24:41,982
TILL I FEEL BETTER.
401
00:24:45,686 --> 00:24:47,220
I�LL TELL YOU,
A LOUSY BREAK
402
00:24:47,253 --> 00:24:50,323
IS THIS SKELL JUNKIE C. I.
BURNING UP.
403
00:24:50,356 --> 00:24:53,527
HE CONFIDED A DREAM TO ME
WHERE THIS HAPPENS
404
00:24:53,560 --> 00:24:56,196
TO HIS SISTERS
THAT HE TAKES CARE OF.
405
00:24:56,229 --> 00:24:57,531
HE WAS SAYING THAT.
406
00:24:57,564 --> 00:25:00,333
HE CONFIDED THAT DREAM
TO YOU?
407
00:25:00,366 --> 00:25:02,168
HE SAID
J. B. HAD BURNED UP
408
00:25:02,202 --> 00:25:03,970
LIKE HIS SISTERS,
ALMOST AS IF
409
00:25:04,004 --> 00:25:05,806
IT HAD REALLY HAPPENED
TO THEM.
410
00:25:05,839 --> 00:25:08,208
AND SO HE WAS
TERRIFICALLY UPSET?
411
00:25:09,876 --> 00:25:11,311
WHAT�S HE DOING NOW?
412
00:25:11,344 --> 00:25:13,246
I THINK HE�S WASHING UP
413
00:25:13,279 --> 00:25:15,081
AND GETTING READY
TO COME OUT, ANDY.
414
00:25:15,115 --> 00:25:17,417
�CAUSE NOBODY WANTS
TO GIVE HIM A HARD TIME.
415
00:25:17,450 --> 00:25:19,419
NO, I KNOW.
416
00:25:30,096 --> 00:25:32,833
THE BOSS NEVER
COME BACK FROM COMSTAT?
417
00:25:32,866 --> 00:25:35,101
TAKE OFF,
I�LL SIGN YOU OUT LATER.
418
00:25:35,135 --> 00:25:37,904
I WANT TO MAKE ARRANGEMENTS
FOR HIM AT DUFFY�S.
419
00:25:37,938 --> 00:25:40,206
YEAH, GO AHEAD.
420
00:25:42,075 --> 00:25:45,512
YOU LOSE SOMEBODY YOU LIKE,
421
00:25:45,546 --> 00:25:51,017
THEY DON�T HAVE
TO BE DAG HAMMARSKJOLD...
422
00:25:51,051 --> 00:25:52,753
WILLY SUTTON.
423
00:25:52,786 --> 00:25:55,355
IF THEY�RE CLOSE TO YOU,
YOU�RE GOING TO GET UPSET.
424
00:25:55,388 --> 00:25:58,525
ANYWAYS, I�M GOING TO SEE
TO HIM AT DUFFY�S,
425
00:25:58,559 --> 00:26:02,062
THEN I�M GOING
TO GET MY LOAD ON.
426
00:26:02,095 --> 00:26:04,364
YOU�RE GOING
TO GET YOUR LOAD ON?
427
00:26:04,397 --> 00:26:05,398
YEAH.
428
00:26:05,431 --> 00:26:07,033
WELL, THAT�S GOOD.
429
00:26:07,067 --> 00:26:09,302
THAT�S FACING UP
TO THE PROBLEM.
430
00:26:09,335 --> 00:26:11,872
ANDY, HAVE YOU EVER SEEN
THE INSIDE OF A SALOON?
431
00:26:11,905 --> 00:26:13,974
WHICH PROVES EXACTLY WHAT?
432
00:26:14,007 --> 00:26:15,876
I�M NOT LOOKING
TO PROVE NOTHING.
433
00:26:15,909 --> 00:26:19,913
NO, BUT YOU THINK THAT YOU
CAN CARRY ON LIKE THIS, HUH?
434
00:26:19,946 --> 00:26:21,748
UPSET ABOUT EVERY DAMN THING
435
00:26:21,782 --> 00:26:23,717
TILL ALLS
THAT GETS YOU ANY PEACE
436
00:26:23,750 --> 00:26:26,419
IS THEM STUPID PAPER CLIPS?
437
00:26:26,452 --> 00:26:29,656
YOU REMIND ME
OF MY FIRST WIFE KATIE.
438
00:26:29,690 --> 00:26:32,058
THE MINUTE SHE GOT UP
TILL SHE LAID DOWN AT NIGHT,
439
00:26:32,092 --> 00:26:33,894
SHE�D EXHAUST HERSELF
WITH WORRY.
440
00:26:33,927 --> 00:26:35,829
I WOULDN�T FIGURE
YOU GAVE HER ANY CAUSE.
441
00:26:35,862 --> 00:26:37,731
AM I WHO
WE�RE TALKIN� ABOUT?
442
00:26:37,764 --> 00:26:39,600
ANDY, LET ME GO SEE TO HIM.
443
00:26:39,633 --> 00:26:42,002
SURE, GO SEE TO A JUNKIE
444
00:26:42,035 --> 00:26:44,404
YOU COULDN�T HELP
ALIVE OR DEAD.
445
00:26:44,437 --> 00:26:46,907
YOU�RE GOING TO LOSE
ALL YOUR NORMAL FRIENDS.
446
00:26:46,940 --> 00:26:51,144
WHO YOU SHOULD BE SEEING
IS THAT NICE GIRL UPSTAIRS.
447
00:26:51,177 --> 00:26:52,312
ANYWAYS...
448
00:27:05,158 --> 00:27:06,760
HEY, JILL.
449
00:27:06,793 --> 00:27:07,861
HEY.
450
00:27:09,663 --> 00:27:12,098
WHERE WERE YOU?
451
00:27:12,132 --> 00:27:13,800
OUT WALKING.
452
00:27:16,202 --> 00:27:18,505
SLIDE OVER.
453
00:27:18,539 --> 00:27:20,641
ONE OF THOSE, HUH?
454
00:27:20,674 --> 00:27:24,277
YEAH. COLLARED A WOMAN
SHOPLIFTING AT WALGREENS
455
00:27:24,310 --> 00:27:25,712
WHO�S LUCKY SHE�S NOT
A CAREER CRIMINAL
456
00:27:25,746 --> 00:27:28,615
BECAUSE SHE�S BAD
AT WHAT SHE DOES.
457
00:27:28,649 --> 00:27:30,651
GOT HER KIDS WITH HER ??
3 AND 1.
458
00:27:30,684 --> 00:27:32,953
HUSBAND�S OUT OF WORK,
ABUSIVE,
459
00:27:32,986 --> 00:27:35,956
GOT A LEG UP
ON BEING A DRUNK.
460
00:27:35,989 --> 00:27:38,959
YOU KNOW, I?I TAKE HER
FOR ACTING OUT.
461
00:27:38,992 --> 00:27:40,393
FIGURED SHE�S LOOKING
TO GET OUT
462
00:27:40,426 --> 00:27:42,563
OF THE DOMESTIC SITUATION.
463
00:27:42,596 --> 00:27:44,297
LONG?TERM, YOU�D HOPE
THAT WOULD TURN HER
464
00:27:44,330 --> 00:27:46,499
INTO HEADING FOR A SHELTER,
465
00:27:46,533 --> 00:27:48,468
WHICH MEANS PRESENTLY
KEEPING HER OUT OF JAIL,
466
00:27:48,501 --> 00:27:52,739
PLUS THERE�S TWO KIDS
UPSTAIRS IN THE CRIB...
467
00:27:52,773 --> 00:27:54,875
WHO YOU WANT TO KEEP OUT
OF THE SYSTEM.
468
00:27:54,908 --> 00:27:59,145
MEANWHILE, EVERY TIME
I GET THINGS COOLED DOWN
469
00:27:59,179 --> 00:28:00,881
BETWEEN THE HUSBAND AND WIFE,
470
00:28:00,914 --> 00:28:02,482
LAUGHLIN FROM ANTI?CRIME
471
00:28:02,516 --> 00:28:05,418
STARTS LOBBING MOLOTOV
COCKTAILS ONTO THE BARBECUE.
472
00:28:05,451 --> 00:28:06,987
HOW�S LAUGHLIN GET
INTO THE PICTURE?
473
00:28:07,020 --> 00:28:09,155
ISN�T THAT A PUZZLE?
474
00:28:09,189 --> 00:28:12,392
THERE�S SOMETHING
ABOUT THIS WOMAN,
475
00:28:12,425 --> 00:28:14,494
THIS SITUATION,
THAT PUSHES HIS BUTTONS,
476
00:28:14,528 --> 00:28:17,130
HE�S GOT TO COME IN
LIKE THE CAPED CRUSADER.
477
00:28:21,234 --> 00:28:24,370
POOR DANNY�S SO UPSET.
478
00:28:24,404 --> 00:28:27,007
THAT JUNKIE INFORMANT
OF HIS O. D.�d.
479
00:28:27,040 --> 00:28:28,609
THAT KID J. B.?
480
00:28:28,642 --> 00:28:30,911
I GUESS DANNY HAD HIM
AT HIS APARTMENT
481
00:28:30,944 --> 00:28:32,913
THE NIGHT BEFORE,
TRYING TO GET HIM TO KICK.
482
00:28:32,946 --> 00:28:35,782
AT HIS APARTMENT?
483
00:28:35,816 --> 00:28:37,518
DANNY SEEMED SO LOST.
484
00:28:37,551 --> 00:28:40,453
HE WAS CRYING BEFORE
IN THE LOCKER ROOM.
485
00:28:40,486 --> 00:28:43,123
SAID HE DIDN�T KNOW HOW
TO LIVE.
486
00:28:45,391 --> 00:28:48,962
ANYWAYS, ANDY WAS OUT THERE
TRYING TO COUNSEL DANNY.
487
00:28:48,995 --> 00:28:50,597
UH?HUH.
488
00:28:50,631 --> 00:28:54,901
YEAH. LET ME SEE
HOW THAT WENT.
489
00:28:54,935 --> 00:28:57,370
YOU KNOW, MY YOUNGEST, UH,
490
00:28:57,403 --> 00:28:58,705
IS ALWAYS BRINGING
HURT BIRDS HOME.
491
00:28:58,739 --> 00:29:00,140
KYLE?
492
00:29:00,173 --> 00:29:02,375
BETWEEN HIM AND FRANK,
493
00:29:02,408 --> 00:29:03,610
HE�S THE ONE I WORRY ABOUT.
494
00:30:31,665 --> 00:30:32,799
HEY.
495
00:30:32,833 --> 00:30:35,101
YEAH, HOW�S IT GOING?
496
00:30:37,504 --> 00:30:39,472
WHATEVER WE�D LIKE
TO SEE, LAUGHLIN,
497
00:30:39,506 --> 00:30:41,474
SHE�S STAYING
WITH THAT GUY.
498
00:30:41,508 --> 00:30:42,976
EVERYTHING ELSE
IS CONVERSATION.
499
00:30:43,009 --> 00:30:45,178
SO YOU KISS UP TO HIM,
500
00:30:45,211 --> 00:30:48,181
TREAT HIM LIKE HE�S GOT
AN OUNCE OF RESPONSIBILITY
501
00:30:48,214 --> 00:30:49,650
IN HIS BODY?
502
00:30:49,683 --> 00:30:52,719
LAUGHLIN, WHILE HE�S TAKING
HER AND THOSE CHILDREN HOME,
503
00:30:52,753 --> 00:30:54,655
ACTING LIKE
HE�S THE RESPONSIBLE ONE
504
00:30:54,688 --> 00:30:56,156
IN THE MARRIAGE,
505
00:30:56,189 --> 00:30:59,159
SUPPOSE HARVEY STOPS BY
SOME EMPLOYMENT OFFICE.
506
00:30:59,192 --> 00:31:01,862
WELL, SUPPOSE HE LUCKS
INTO A JOB.
507
00:31:01,895 --> 00:31:03,864
BETTER HOPE
THEY DON�T DOPE TEST YOU
508
00:31:03,897 --> 00:31:06,166
ON YOUR WAY OUT OF HERE.
509
00:31:06,199 --> 00:31:07,668
I�M NOT ON DRUGS.
510
00:31:07,701 --> 00:31:10,604
I KNOW WHAT THE SYSTEM
WILL DO TO THOSE KIDS.
511
00:31:10,637 --> 00:31:14,908
THEIR BEST CHANCE IS
HER STAYING ALIVE LONG ENOUGH
512
00:31:14,941 --> 00:31:17,343
TO FIGURE OUT
ANOTHER WAY TO LIVE.
513
00:31:17,377 --> 00:31:19,513
IF WE IMPROVE HER ODDS
THIS MUCH,
514
00:31:19,546 --> 00:31:21,715
WE DID OUR PART.
515
00:31:21,748 --> 00:31:24,918
ARE YOU SURE THIS
ISN�T YOU TELLING ME
516
00:31:24,951 --> 00:31:27,554
YOU GOT THE CORNER ON KNOWING
HOW TO HELP PEOPLE?
517
00:31:27,588 --> 00:31:29,089
NO.
518
00:31:29,122 --> 00:31:31,224
MY CONCERN IS NOT
AS LEGITIMATE AS YOURS?
519
00:31:31,257 --> 00:31:32,893
ABSOLUTELY NOT.
520
00:31:32,926 --> 00:31:35,529
BECAUSE I KNOW WHAT
THAT HOME LIFE IS LIKE.
521
00:31:35,562 --> 00:31:38,364
I�M A VETERAN
OF THAT HOME LIFE.
522
00:31:38,398 --> 00:31:40,734
SO DON�T BE DE?LEGITIMIZING
MY CONCERN.
523
00:31:42,936 --> 00:31:47,373
ANYWAY, UM,
I HOPE WE CAN LET THEM
524
00:31:47,407 --> 00:31:49,309
FIND THEIR WAY.
525
00:31:57,317 --> 00:31:59,152
Medavoy:
WELL, THIS IS EXCELLENT ??
526
00:31:59,185 --> 00:32:01,922
VERY THOROUGH DESCRIPTION,
AND, UH, WE�LL SEE
527
00:32:01,955 --> 00:32:03,624
THAT IT�S
APPROPRIATELY CIRCULATED,
528
00:32:03,657 --> 00:32:07,060
AND, OF COURSE, IF SHE SHOULD
COME BACK INTO YOUR STORE
529
00:32:07,093 --> 00:32:08,729
TO SELL YOU MORE PROPERTY,
530
00:32:08,762 --> 00:32:10,731
YOU SHOULD ASSUME
THAT IT�S STOLEN
531
00:32:10,764 --> 00:32:12,232
AND CONTACT US
IMMEDIATELY.
532
00:32:12,265 --> 00:32:13,600
THAT�S A GOOD PLAN.
533
00:32:23,677 --> 00:32:26,346
A GOOD DEED LIKE YOU DID,
534
00:32:26,379 --> 00:32:28,582
I EXPECT IT�S
A LITTLE DISAPPOINTING
535
00:32:28,615 --> 00:32:32,352
THE PERSON BENEFITS WASN�T
A LITTLE MORE ENTHUSIASTIC.
536
00:32:32,385 --> 00:32:35,088
OH, IT�S NOT THAT.
537
00:32:35,121 --> 00:32:38,091
PEOPLE IN
THE SECONDHAND BUSINESS
538
00:32:38,124 --> 00:32:39,760
SPEND A LOT OF TIME
IN OTHER PEOPLE�S SKIN,
539
00:32:39,793 --> 00:32:41,361
IMAGINING THEIR LIVES.
540
00:32:41,394 --> 00:32:44,197
I�M GOOD AT THAT,
541
00:32:44,230 --> 00:32:45,966
WHICH, I GUESS,
IS A BLESSING,
542
00:32:45,999 --> 00:32:47,601
BUT IT CAN
ALSO BE A CURSE.
543
00:32:47,634 --> 00:32:50,270
HOW SO?
544
00:32:50,303 --> 00:32:54,307
I KEEP THINKING
OF THAT POOR GIRL�S MOTHER
545
00:32:54,340 --> 00:32:55,475
ON HER DEATHBED,
546
00:32:55,509 --> 00:32:58,178
WANTING TO SEE HER LOVELY
DRESSES ONE MORE TIME,
547
00:32:58,211 --> 00:33:00,947
HOW IF I HADN�T DELAYED
BRINGING HER DRESSES BACK,
548
00:33:00,981 --> 00:33:03,449
SHE WOULD HAVE.
549
00:33:03,483 --> 00:33:06,286
OF COURSE, THERE IS
NO WAY HUMANLY POSSIBLE
550
00:33:06,319 --> 00:33:09,222
YOU COULD HAVE KNOWN THAT.
551
00:33:12,392 --> 00:33:13,994
WHEN YOU LIVE
IN OTHER PEOPLE�S SKIN,
552
00:33:14,027 --> 00:33:18,298
WHAT�S HUMANLY POSSIBLE
DOESN�T MATTER.
553
00:33:18,331 --> 00:33:22,603
THAT�S THE CURSE PART.
554
00:34:17,791 --> 00:34:19,660
Danny:
BUD, PLEASE.
555
00:34:31,437 --> 00:34:33,406
AND A JACK BACK
WHEN YOU GET A SECOND.
556
00:34:35,075 --> 00:34:37,110
WHO YOU TRYING
TO CATCH UP WITH?
557
00:34:37,143 --> 00:34:39,780
I HEARD THEY WERE RUNNING OUT.
HOW�S IT GOIN�, LAUGHLIN?
558
00:34:39,813 --> 00:34:41,948
NOT TOO BAD IF YOU
DON�T MIND A WORLD
559
00:34:41,982 --> 00:34:43,149
FILLED WITH ASSHOLES.
560
00:34:43,183 --> 00:34:44,785
WELL, DOES THAT INCLUDE ME?
561
00:34:44,818 --> 00:34:46,620
ARE WE GOING TO
HAVE TO THROW DOWN?
562
00:34:46,653 --> 00:34:51,324
PRESENT COMPANY EXCLUDED.
HOW�S IT GOING WITH MARY?
563
00:34:51,357 --> 00:34:53,894
GOOD. YOU KNOW.
564
00:34:53,927 --> 00:34:55,996
NO HARD FEELINGS ON THAT,
ALL RIGHT, SORENSON?
565
00:34:56,029 --> 00:34:58,398
IN WHAT RESPECT?
566
00:34:58,431 --> 00:35:01,301
I HAD A THING FOR MARY,
ALL RIGHT?
567
00:35:01,334 --> 00:35:03,937
THAT�S WHY WE BROKE UP
BEING PARTNERS.
568
00:35:03,970 --> 00:35:05,506
WHEN THEY TOOK US
TO ANTI?CRIME,
569
00:35:05,539 --> 00:35:08,474
I WAS FEELING
SO OVERPROTECTIVE.
570
00:35:08,509 --> 00:35:10,143
UH?HUH.
571
00:35:10,176 --> 00:35:11,745
NEVER MENTIONED THAT?
572
00:35:11,778 --> 00:35:13,914
YEAH, SHE MIGHT HAVE
MENTIONED IT.
573
00:35:13,947 --> 00:35:15,448
THAT WHY YOU�RE SITTING THERE
BREAKING MY BALLS?
574
00:35:15,481 --> 00:35:18,184
NO, I�M TRYING
TO GET MY LOAD ON,
575
00:35:18,218 --> 00:35:19,352
AND I GUESS
I DREW THE LUCKY CARD
576
00:35:19,385 --> 00:35:21,121
WHERE YOU GET TO PISS
IN MY EAR.
577
00:35:21,154 --> 00:35:22,623
EXCUSE ME
FOR ASSUMING ONE MINUTE
578
00:35:22,656 --> 00:35:23,990
WE MIGHT HAVE SHARED
THE SAME JOB
579
00:35:24,024 --> 00:35:25,959
OR WORK EXPERIENCES
OR ATTITUDES
580
00:35:25,992 --> 00:35:28,428
OR DRAWING HUMAN BREATH.
581
00:35:28,461 --> 00:35:30,931
WAIT A MINUTE.
YOU�RE LEAVING?
582
00:35:30,964 --> 00:35:32,132
I KNOW WHEN I�M NOT WANTED.
583
00:35:32,165 --> 00:35:34,768
LAUGHLIN, COME ON.
584
00:35:34,801 --> 00:35:37,504
SIT DOWN.
585
00:35:37,538 --> 00:35:39,606
YOU KNOW, WE LOSE
OUR SENSES OF HUMOR,
586
00:35:39,640 --> 00:35:41,542
AND WHERE ARE WE?
587
00:35:41,575 --> 00:35:43,443
YEAH, WE�RE DEAD
WITHOUT THOSE.
588
00:35:43,476 --> 00:35:47,047
WE�RE DEAD ON OUR FEET.
WE�RE DEAD AS DOORNAILS.
589
00:35:47,080 --> 00:35:49,983
WHAT DID YOU SAY,
THEY WERE RUNNING OUT?
590
00:35:50,016 --> 00:35:52,686
YEAH, ALL INTOXICATING
SPIRITS ??
591
00:35:52,719 --> 00:35:54,555
THAT�S THE RUMOR AFLOAT.
592
00:35:54,588 --> 00:35:56,957
BOILERMAKER.
593
00:35:56,990 --> 00:35:57,958
UH?OH.
594
00:35:57,991 --> 00:36:00,160
YEAH, BEFORE
EVERYTHING�S GONE.
595
00:36:00,193 --> 00:36:02,462
YOU KNOW THAT KIRKENDALL
IN YOUR SQUAD
596
00:36:02,495 --> 00:36:04,364
WITH THE SERIOUS RACK?
597
00:36:04,397 --> 00:36:06,199
BE NICE, LAUGHLIN.
598
00:36:06,232 --> 00:36:08,669
BUILDS THIS GUY UP
I GOT PERSONAL KNOWLEDGE
599
00:36:08,702 --> 00:36:10,571
IS A WIFE?BEATING SCUMMER.
600
00:36:10,604 --> 00:36:13,039
PUTS THE TWO OF THEM
BACK TOGETHER!
601
00:36:13,073 --> 00:36:16,009
AS OPPOSED TO WHAT?
602
00:36:16,042 --> 00:36:17,578
GOLD SHIELDS STICK TOGETHER.
603
00:36:17,611 --> 00:36:20,380
WHAT WAS THE ALTERNATIVE
TO PUTTING THEM BACK TOGETHER?
604
00:36:20,413 --> 00:36:21,882
THE ALTERNATIVE
WAS GIVING HIM
605
00:36:21,915 --> 00:36:23,416
THE ASS?BEATING
THAT HE DESERVED
606
00:36:23,449 --> 00:36:25,519
FOR SENDING HER OUT THERE
TO DO WHAT SHE DID
607
00:36:25,552 --> 00:36:29,956
WHILE HE SAT ON HIS DRUNKEN,
WIFE?BEATING, UNEMPLOYED ASS.
608
00:36:33,093 --> 00:36:35,829
BUT I TOOK CARE OF BUSINESS.
609
00:36:35,862 --> 00:36:37,531
YOU DID?
610
00:36:37,564 --> 00:36:39,733
YEAH. I SAW TOO MUCH OF THAT
GROWING UP, SORENSON.
611
00:36:39,766 --> 00:36:42,168
I�M NOT ABOUT
TO TURN MY BACK ON THAT.
612
00:36:42,202 --> 00:36:43,604
THAT�S NOT WHY I TOOK
THIS JOB.
613
00:36:43,637 --> 00:36:49,209
SO, UH, HOW DID YOU
TAKE CARE OF BUSINESS?
614
00:36:49,242 --> 00:36:51,344
I WAITED FOR HIM
OUTSIDE THE LIQUOR STORE
615
00:36:51,377 --> 00:36:53,013
THAT I KNOW HE GOES TO,
616
00:36:53,046 --> 00:36:55,248
AND I BROKE THE BOTTLE
IN HIS HAND
617
00:36:55,281 --> 00:36:58,084
AND HUMILIATED HIM
ON THE STREET.
618
00:36:58,118 --> 00:37:00,253
HE�S GOING TO KNOW,
ALL RIGHT?
619
00:37:00,286 --> 00:37:01,622
WHEN HE GOES THROUGH
THAT DOOR TO HER,
620
00:37:01,655 --> 00:37:03,857
HE�S GOING TO KNOW
HE�S GOT ME ON HIS SHOULDER.
621
00:37:03,890 --> 00:37:06,226
ALL THAT WEIGHT FROM YOU
BEING ON HIS SHOULDER
622
00:37:06,259 --> 00:37:08,895
IS GOING TO
BE COMFORTABLE FOR HIM?
623
00:37:14,267 --> 00:37:16,336
HEY, JILL.
624
00:37:18,171 --> 00:37:19,773
SHE�S DEAD.
625
00:37:19,806 --> 00:37:21,074
OH, MY GOD.
626
00:37:21,107 --> 00:37:22,943
HE DID IT?
627
00:37:22,976 --> 00:37:26,046
AFTER WHAT YOU DID TO HIM
OUTSIDE THAT LIQUOR STORE,
628
00:37:26,079 --> 00:37:28,649
HE WENT HOME
AND FRACTURED HER SKULL.
629
00:37:28,682 --> 00:37:33,086
SO NOW SHE�S DEAD,
HE�S GOING TO JAIL,
630
00:37:33,119 --> 00:37:35,421
AND THOSE KIDS ARE GOING
INTO THE SYSTEM.
631
00:37:35,455 --> 00:37:37,758
NICE WORK, LAUGHLIN.
632
00:37:37,791 --> 00:37:40,727
YOU LOOKED AFTER THAT FAMILY
REAL GOOD.
633
00:37:40,761 --> 00:37:42,796
YOU�RE LUCKY
YOU�RE NOT A MAN.
634
00:37:42,829 --> 00:37:43,897
NO YOU�RE LUCKY I�M NOT A MAN,
635
00:37:43,930 --> 00:37:45,799
BECAUSE I�D LIKE
TO BEAT YOUR BALLS OFF.
636
00:37:45,832 --> 00:37:49,102
THERE ARE ENOUGH PROBLEMS
ON THE STREET
637
00:37:49,135 --> 00:37:51,605
WITHOUT US ADDING OURS ON.
638
00:37:51,638 --> 00:37:53,907
NOW, YOU HAD PROBLEMS
IN YOUR FAMILY GROWING UP,
639
00:37:53,940 --> 00:37:56,142
GET OVER IT.
640
00:37:56,176 --> 00:37:58,478
THE HELL WITH YOU,
MAN OR WOMAN.
641
00:37:58,512 --> 00:38:00,914
NO, I KNOW WHO I AM,
LAUGHLIN.
642
00:38:00,947 --> 00:38:02,415
I KNOW WHO I AM,
643
00:38:02,448 --> 00:38:04,885
AND I�M STANDING RIGHT
IN FRONT OF YOU.
644
00:38:17,864 --> 00:38:19,499
ARE YOU ALL RIGHT, JILL?
645
00:38:19,533 --> 00:38:22,936
YEAH, YEAH, I�M ALL RIGHT.
646
00:38:22,969 --> 00:38:24,805
ARE YOU?
647
00:38:27,240 --> 00:38:29,510
YEAH, I�M GOOD.
648
00:38:32,412 --> 00:38:34,114
NIGHT, DANNY.
649
00:38:34,147 --> 00:38:36,482
YEAH, GOOD NIGHT.
650
00:39:03,376 --> 00:39:04,845
HI.
651
00:39:05,946 --> 00:39:08,582
SO, THIS IS WRONG, YEAH.
652
00:39:08,615 --> 00:39:13,654
THIS IS WRONG.
THIS IS INAPPROPRIATE.
653
00:39:13,687 --> 00:39:15,321
I SHOULDN�T BE HERE.
654
00:39:15,355 --> 00:39:17,223
YOU SEEM TO BE DRUNK.
655
00:39:17,257 --> 00:39:20,060
OH, I�M DRUNK.
656
00:39:20,093 --> 00:39:21,595
I�M DRUNK.
657
00:39:21,628 --> 00:39:24,464
COME ON IN.
658
00:39:32,639 --> 00:39:34,274
LOVELY PLACE.
659
00:39:34,307 --> 00:39:36,677
THANK YOU.
660
00:39:36,710 --> 00:39:39,646
YOU KNOW WHAT KIND
OF DRUNK I AM, DIANE?
661
00:39:41,715 --> 00:39:44,851
DIZZY ?? I�M A DIZZY DRUNK.
662
00:39:44,885 --> 00:39:47,220
YOU WANT TO BE DIZZY
SITTING DOWN?
663
00:39:47,253 --> 00:39:51,625
UH...NO.
664
00:39:51,658 --> 00:39:53,527
WELL, YOU, UH,
665
00:39:53,560 --> 00:39:56,530
YOU WANT TO LIE DOWN
ON THE SOFA?
666
00:39:56,563 --> 00:40:00,801
WELL, AS HUMILIATING
AS IT WOULD BE...
667
00:40:00,834 --> 00:40:01,935
COULD I?
668
00:40:01,968 --> 00:40:03,637
GO AHEAD.
669
00:40:10,010 --> 00:40:11,545
[ GROANS ]
670
00:40:11,578 --> 00:40:13,914
I�M GOING TO LIE RIGHT HERE
ON THE SOFA,
671
00:40:13,947 --> 00:40:15,716
AND I�M GOING TO PUT
ONE FOOT ON THE FLOOR
672
00:40:15,749 --> 00:40:19,653
AS AN ANTI?DIZZINESS
TECHNIQUE.
673
00:40:19,686 --> 00:40:23,890
BOY, YOU ARE
A SORRY PICTURE.
674
00:40:23,924 --> 00:40:26,326
YEAH, I CAN ONLY IMAGINE.
675
00:40:26,359 --> 00:40:31,131
DIANE,
YOU GOT THAT MANUAL?
676
00:40:31,164 --> 00:40:35,501
IT�S, UH, IT�S 1:30
IN THE MORNING, DANNY.
677
00:40:35,536 --> 00:40:37,604
I DON�T KNOW WHAT
YOU�RE TALKING ABOUT,
678
00:40:37,638 --> 00:40:40,941
AND, UM, I HAVE
TO GET BACK TO SLEEP.
679
00:40:40,974 --> 00:40:44,244
FINE. THANKS FOR LETTING ME
SLEEP HERE.
680
00:40:44,277 --> 00:40:45,812
MM?HMM.
681
00:40:45,846 --> 00:40:48,148
THANKS.
682
00:40:48,181 --> 00:40:50,751
I�M, UH, GOING TO TAKE
MY SHOES AND SOCKS OFF
683
00:40:50,784 --> 00:40:53,520
ONCE I STOP TRYING
TO NOT THROW UP.
684
00:40:55,121 --> 00:40:57,691
THE "HOW TO LIVE" MANUAL
WE WERE TALKING ABOUT
685
00:40:57,724 --> 00:40:58,959
IN THE LOCKER ROOM.
686
00:40:58,992 --> 00:41:01,962
YEAH, NO RUSH.
687
00:41:01,995 --> 00:41:05,999
I WOULDN�T READ IT TONIGHT
ANYWAYS.
688
00:41:06,049 --> 00:41:10,599
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