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1
00:00:21,054 --> 00:00:23,189
YOO?HOO.
2
00:00:28,361 --> 00:00:32,032
AH, THIS IS GOING TO BE
AN ART THEFT?
3
00:00:32,065 --> 00:00:33,900
IT�S NOT
THE FRAME�S FAULT.
4
00:00:33,934 --> 00:00:35,536
ARE YOU A MEMBER
5
00:00:35,569 --> 00:00:37,370
OF THE ART FRAME
DEFENSE LEAGUE?
6
00:00:37,403 --> 00:00:38,371
Man: MORNING.
7
00:00:38,404 --> 00:00:39,840
WHAT HAPPENED?
8
00:00:39,873 --> 00:00:42,208
THE OWNER GAVE ME THIS.
HE COULDN�T STICK AROUND.
9
00:00:42,242 --> 00:00:43,844
IS THAT SO?
10
00:00:43,877 --> 00:00:46,212
WHAT, DID HE HAVE
A SQUASH APPOINTMENT?
11
00:00:46,246 --> 00:00:48,882
"I NEED A DRINK
SOMEPLACE
12
00:00:48,915 --> 00:00:51,885
WHERE I DON�T HAVE TO LOOK
AT ALL THESE EMPTY FRAMES."
13
00:00:51,918 --> 00:00:54,521
GIVE ME A BREAK.
14
00:00:54,555 --> 00:00:56,723
OH.
15
00:00:56,757 --> 00:00:59,092
I DEFINITELY UNDERSTAND WHY
THEY DIDN�T TAKE THIS ONE.
16
00:00:59,125 --> 00:01:01,562
THIS ASSHOLE
TELL YOU WHEN HE WAS
17
00:01:01,595 --> 00:01:03,864
GOING TO GET AROUND
TO TALKING TO US?
18
00:01:03,897 --> 00:01:05,866
THE GIRL SAID
SHE�D BRING HIM IN.
19
00:01:05,899 --> 00:01:08,234
I AM STARTING
TO TAKE A BURN AT YOU.
20
00:01:08,268 --> 00:01:10,070
OVER WHAT?
21
00:01:10,103 --> 00:01:11,471
OVER YOU
DISPENSE INFORMATION
22
00:01:11,505 --> 00:01:14,541
IN DRIPS AND DRABS
LIKE A LEAKY FAUCET.
23
00:01:14,575 --> 00:01:16,543
THE GIRL�S NAME�S
NIKKI CAMERON.
24
00:01:16,577 --> 00:01:18,945
THE OWNER�S NAME�S
NOEL BELLER.
25
00:01:18,979 --> 00:01:21,715
AND NIKKI CAMERON
IS TO NOEL BELLER WHAT?
26
00:01:21,748 --> 00:01:24,084
SHE STOOD HERE
CONSOLING HIM.
27
00:01:24,117 --> 00:01:27,287
I WAS FIRST ON THE SCENE.
I DIDN�T DO AN INTERVIEW.
28
00:01:27,320 --> 00:01:29,055
THIS BEAT?UP DOOR ??
29
00:01:29,089 --> 00:01:31,424
ENLIGHTEN ME WHY IT�S
SMASHED UP ON BOTH SIDES.
30
00:01:31,457 --> 00:01:34,961
YOU KNOW, THE OUTSIDE�S
SMASHED UP.
31
00:01:34,995 --> 00:01:37,764
THAT�S THE PERPETRATORS
FORCING ENTRY.
32
00:01:37,798 --> 00:01:40,133
BEATING UP THE INSIDE,
MAYBE YOU ALREADY HAD ACCESS,
33
00:01:40,166 --> 00:01:42,736
AND YOU�RE SCREWING UP
A TRY AT A MISDIRECT.
34
00:01:42,769 --> 00:01:45,138
MAYBE YOU�RE A NOVICE
OR A BONEHEAD OR AMATEUR THIEF.
35
00:01:45,171 --> 00:01:47,508
HOW MANY BELTS
DID IT LOOK LIKE
36
00:01:47,541 --> 00:01:50,511
IT WAS GOING TO TAKE
THIS GUY TO EVEN OUT?
37
00:01:50,544 --> 00:01:53,113
I WOULDN�T SEE HIM
ON A BENDER.
38
00:01:53,146 --> 00:01:56,349
ANYBODY ELSE RETURNS HERE,
TRY AND PERSUADE THEM TO STAY.
39
00:03:21,134 --> 00:03:22,869
MAY I HELP YOU?
40
00:03:22,903 --> 00:03:24,838
MY WIFE IS MISSING.
41
00:03:24,871 --> 00:03:26,873
DETECTIVE MEDAVOY
CAN SEE YOU.
42
00:03:26,907 --> 00:03:28,274
YEAH.
43
00:03:28,308 --> 00:03:30,343
IT�S ABOUT
A MISSING PERSON.
44
00:03:30,376 --> 00:03:32,579
YVETTE GUNTHER ??
MY WIFE ??
45
00:03:32,613 --> 00:03:35,281
SHE DIDN�T COME HOME
YESTERDAY.
46
00:03:35,315 --> 00:03:38,118
UH, WELL, LET�S, UH,
GO IN HERE
47
00:03:38,151 --> 00:03:40,386
WHERE WE CAN ALL
SIT DOWN.
48
00:03:40,420 --> 00:03:42,122
I?I DIDN�T CATCH
YOUR NAME.
49
00:03:42,155 --> 00:03:43,690
I�M DWIGHT GUNTHER.
50
00:03:43,724 --> 00:03:47,027
THIS WAY.
51
00:03:47,060 --> 00:03:49,429
THAT�S MY PARTNER
DETECTIVE JONES.
52
00:03:51,397 --> 00:03:54,434
MY WIFE HAD A TICKET
TO FLY TO ST. AUGUSTINE
53
00:03:54,467 --> 00:03:56,870
YESTERDAY AFTERNOON,
NON?REFUNDABLE.
54
00:03:56,903 --> 00:03:59,906
SHE WAS PACKED AND WENT OUT
TO RUN SOME ERRANDS.
55
00:03:59,940 --> 00:04:01,608
I WENT TO WORK,
56
00:04:01,642 --> 00:04:05,045
AND I LEFT A MESSAGE
FOR HER TO CALL ME
57
00:04:05,078 --> 00:04:07,781
BEFORE SHE LEFT
FOR THE AIRPORT,
58
00:04:07,814 --> 00:04:10,717
BUT SHE NEVER CALLED.
I CAME HOME LAST NIGHT.
59
00:04:10,751 --> 00:04:13,286
HER LUGGAGE AND THE TICKET
WERE STILL THERE.
60
00:04:13,319 --> 00:04:17,190
THERE WASN�T ANY SIGN
SHE�D EVER COME BACK.
61
00:04:21,261 --> 00:04:22,629
HUH!
62
00:04:22,663 --> 00:04:24,598
YEAH, SHE�S 53, 5�2".
63
00:04:24,631 --> 00:04:27,400
HERE�S A PICTURE
AND A DESCRIPTION.
64
00:04:27,433 --> 00:04:29,269
I RAN THESE OFF
IN A KINKO�S.
65
00:04:29,302 --> 00:04:32,238
I POSTED SOME
IN OUR NEIGHBORHOOD.
66
00:04:32,272 --> 00:04:34,608
YOU WERE VERY ACTIVE
BEFORE COMING IN.
67
00:04:34,641 --> 00:04:36,342
YOUR WIFE GOT
ANY MEDICAL CONDITION?
68
00:04:36,376 --> 00:04:38,478
NO.
69
00:04:38,512 --> 00:04:40,446
WERE YOU HAVING
DOMESTIC PROBLEMS?
70
00:04:40,480 --> 00:04:42,683
I GOT ON HER NERVES
A LITTLE,
71
00:04:42,716 --> 00:04:44,851
BUT THAT�S HOW IT GOES
WHEN YOU�VE BEEN MARRIED
72
00:04:44,885 --> 00:04:46,286
30 YEARS.
73
00:04:46,319 --> 00:04:48,488
MAYBE I�M A LITTLE SLOPPY
OR I�M LATE
74
00:04:48,522 --> 00:04:50,123
OR I�M A PROCRASTINATOR
75
00:04:50,156 --> 00:04:51,925
OR WHATEVER
THE COMPLAINT IS,
76
00:04:51,958 --> 00:04:54,861
BUT WE DIDN�T HAVE
ANY BIG BLOWUP.
77
00:04:54,895 --> 00:04:58,031
SHE�S NEVER DONE ANYTHING
LIKE THIS BEFORE.
78
00:04:58,064 --> 00:05:01,502
WHAT KIND OF ERRANDS
WAS SHE GOING TO RUN?
79
00:05:01,535 --> 00:05:03,169
I DIDN�T ASK.
80
00:05:03,203 --> 00:05:05,806
AND WHAT WAS THE TRIP
TO ST. AUGUSTINE FOR?
81
00:05:05,839 --> 00:05:07,874
TO PUT OUR VACATION HOUSE
ON THE MARKET.
82
00:05:07,908 --> 00:05:09,976
SHE WAS GOING TO
PACK OUR THINGS.
83
00:05:10,010 --> 00:05:14,981
DID YOUR WIFE EVER TALK
ABOUT DOING AWAY WITH HERSELF?
84
00:05:15,015 --> 00:05:16,482
NOT TO ME.
85
00:05:20,153 --> 00:05:22,989
AHEM. WHAT KIND OF WORK
YOU IN, MR. GUNTHER?
86
00:05:23,023 --> 00:05:24,991
I HAVE A SMALL
MANUFACTURING COMPANY
87
00:05:25,025 --> 00:05:27,127
OVER IN BROOKLYN.
WE MAKE LAMPSHADES.
88
00:05:27,160 --> 00:05:29,896
YOU GOT ANY ENEMIES?
NOT TO MY KNOWLEDGE.
89
00:05:29,930 --> 00:05:31,898
IS THERE A CHANCE
THAT, UH,
90
00:05:31,932 --> 00:05:34,568
YOUR WIFE COULD HAVE BEEN
INVOLVED WITH SOMEONE ELSE?
91
00:05:34,601 --> 00:05:37,170
I�D SAY NO,
THOUGH I SUPPOSE
92
00:05:37,203 --> 00:05:39,673
IT�S ALWAYS
A POSSIBILITY.
93
00:05:39,706 --> 00:05:42,375
WELL, WE�LL, UH,
CERTAINLY PUT THIS
94
00:05:42,408 --> 00:05:44,978
IN THE HANDS
OF MISSING PERSONS,
95
00:05:45,011 --> 00:05:47,648
AND, UH, WE�LL OPEN
A FILE ON IT OURSELVES
96
00:05:47,681 --> 00:05:49,550
BASED ON THIS
THOROUGH INFORMATION
97
00:05:49,583 --> 00:05:51,317
YOU�VE PROVIDED, UH,
WITH THESE FLIERS
98
00:05:51,351 --> 00:05:52,519
FROM KINKO�S.
99
00:05:52,553 --> 00:05:54,054
ALL RIGHT.
100
00:05:54,087 --> 00:05:56,022
WE�LL ALL HOPE
FOR THE BEST.
101
00:05:56,056 --> 00:05:59,025
THANK YOU.
102
00:05:59,059 --> 00:06:01,595
SHALL I SHOW MYSELF OUT?
103
00:06:01,628 --> 00:06:04,798
YEAH, SURE. GO AHEAD.
104
00:06:09,402 --> 00:06:11,505
I THINK WE NOW KNOW,
BALDWIN,
105
00:06:11,538 --> 00:06:13,507
HOW A MALE RESIDENT
OF MARS
106
00:06:13,540 --> 00:06:15,475
WOULD REPORT
HIS WIFE MISSING.
107
00:06:26,052 --> 00:06:27,921
Man: THIS IS WHERE
WE�RE GOING?
108
00:06:27,954 --> 00:06:29,556
Woman: SIT THERE, NOEL.
109
00:06:29,590 --> 00:06:31,024
MY HEART IS GOING
LIKE CRAZY.
110
00:06:31,057 --> 00:06:32,092
SIT DOWN.
111
00:06:32,125 --> 00:06:33,960
CAN I HELP YOU?
112
00:06:33,994 --> 00:06:35,962
I�M NIKKI CAMERON,
A FRIEND OF MR. BELLER�S.
113
00:06:35,996 --> 00:06:37,798
I�M SO SORRY
ABOUT YOUR COLLECTION.
114
00:06:37,831 --> 00:06:42,135
IT�S VERY CONSIDERATE
OF YOU TO SAY.
115
00:06:42,168 --> 00:06:44,638
DETECTIVE,
THIS IS MR. BELLER.
116
00:06:44,671 --> 00:06:46,272
HOW�S IT GOING?
117
00:06:46,306 --> 00:06:47,641
HOW�S IT GOING?
118
00:06:47,674 --> 00:06:50,076
MR. BELLER�S
ART COLLECTION
119
00:06:50,110 --> 00:06:51,311
WAS STOLEN.
120
00:06:51,344 --> 00:06:52,579
IT�S MY CASE.
121
00:06:52,613 --> 00:06:54,214
IF IT�S YOUR CASE,
122
00:06:54,247 --> 00:06:57,050
AND YOU KNOW THAT
THE COLLECTION�S BEEN STOLEN,
123
00:06:57,083 --> 00:06:59,886
WHY WOULD YOU ASK ME,
"HOW ARE THINGS GOING?"
124
00:06:59,920 --> 00:07:03,590
EITHER OF YOU HAS A GUN,
FEEL FREE TO SHOOT ME.
125
00:07:03,624 --> 00:07:05,592
I MEANT IT LIKE "HELLO."
126
00:07:11,097 --> 00:07:13,066
THANK YOU.
127
00:07:13,099 --> 00:07:15,869
AHEM.
128
00:07:19,139 --> 00:07:21,307
MY PARTNER DANNY SORENSON.
DON�T ASK HOW IT�S GOING.
129
00:07:21,341 --> 00:07:23,510
HI.
130
00:07:23,544 --> 00:07:26,146
MR. BELLER, WHO HAD
HIS ART COLLECTION STOLEN.
131
00:07:26,179 --> 00:07:27,914
WHAT DID YOU SAY?
132
00:07:27,948 --> 00:07:32,085
NOT THAT YOU HAD IT STOLEN.
NOW THIS IS GOING TO BE A PIP.
133
00:07:32,118 --> 00:07:33,520
WHO WOULD YOU BE?
134
00:07:33,554 --> 00:07:36,189
NIKKI CAMERON.
I�VE BEEN VISITING MR. BELLER.
135
00:07:36,222 --> 00:07:37,323
WHERE FROM?
136
00:07:37,357 --> 00:07:39,425
SANTA MONICA...CALIFORNIA.
137
00:07:39,459 --> 00:07:42,929
I�VE BEEN PREPARING AN ARTICLE
ON MR. BELLER�S COLLECTION.
138
00:07:42,963 --> 00:07:46,366
YOU MIGHT CALL IT
"OBJETS COLLECTED WITH LOVE,
139
00:07:46,399 --> 00:07:49,970
"AND I�D LIKE TO THINK
SOME AMOUNT OF DISCERNMENT
140
00:07:50,003 --> 00:07:52,773
GONE FOREVER FROM
NOEL BELLER�S POSSESSION."
141
00:07:52,806 --> 00:07:54,541
DON�T TAKE
A DEFEATIST TONE.
142
00:07:54,575 --> 00:07:56,209
WHAT ALL DID YOU LOSE?
143
00:07:56,242 --> 00:07:59,780
OFF THE TOP OF MY HEAD,
WHAT ALL I LOST WAS A MONDRIAN
144
00:07:59,813 --> 00:08:01,615
APPRAISED AT
$4 MILLION 7 YEARS AGO.
145
00:08:01,648 --> 00:08:03,483
WITH THE ARRIVISTE
INTERNET MONEY
146
00:08:03,517 --> 00:08:05,118
BLOATING THE MARKET,
147
00:08:05,151 --> 00:08:07,621
IT WOULD BRING
THREE TIMES THAT TODAY.
148
00:08:07,654 --> 00:08:09,623
YEAH, WELL,
EVIDENTLY NOT TO ME.
149
00:08:09,656 --> 00:08:12,225
AND I ALSO LOST
AN ARTHUR DOVE WATERCOLOR
150
00:08:12,258 --> 00:08:14,828
AND A STUART DAVIS GOUACHE
AND SOME GIACOMETTI DRAWINGS.
151
00:08:14,861 --> 00:08:17,698
THANK GOD AT LEAST
THEY WERE ALL INSURED.
152
00:08:17,731 --> 00:08:23,303
NOT THAT THAT CAN COMPENSATE
FOR THE EMOTIONAL DEVASTATION.
153
00:08:23,336 --> 00:08:26,239
THESE ARE THINGS I�VE HAD
FOR A VERY LONG TIME.
154
00:08:26,272 --> 00:08:28,241
I ALSO LOST
ALL MY JEWELRY ??
155
00:08:28,274 --> 00:08:31,144
DIAMOND RING,
DIAMOND CUFF LINKS.
156
00:08:31,177 --> 00:08:34,414
ALL OF IT�S GOING TO
END UP IN SOME PAWN SHOP.
157
00:08:34,447 --> 00:08:36,416
KEEPING SOME DRUG ADDICT
IN HEROIN.
158
00:08:36,449 --> 00:08:37,584
YOUR DOOR LOCKS.
159
00:08:37,618 --> 00:08:40,020
YOU COULD SEE
WHERE THE BURGLAR
160
00:08:40,053 --> 00:08:41,688
PUSHED THE DOOR OPEN.
161
00:08:41,722 --> 00:08:43,924
YOU COULD SEE
THE DAMAGE HE DID.
162
00:08:43,957 --> 00:08:47,260
SOMEBODY BEAT THE DOOR.
WHO ELSE HAS KEYS?
163
00:08:47,293 --> 00:08:49,596
NO ONE. I LIVE ALONE.
164
00:08:49,630 --> 00:08:52,098
YOU GOT A SET
FOR FRIENDS?
165
00:08:52,132 --> 00:08:54,735
NO, NOR DO MR. BELLER�S
FRIENDS TAKE THAT AMISS.
166
00:08:54,768 --> 00:08:57,671
MY COUSIN MOVED TO EUROPE
ABOUT A YEAR AGO.
167
00:08:57,704 --> 00:08:59,372
HE HAD A SET.
168
00:08:59,405 --> 00:09:01,007
WE�LL NEED THAT NAME.
169
00:09:01,041 --> 00:09:02,943
HE WOULD NEVER DO
SOMETHING LIKE THIS.
170
00:09:02,976 --> 00:09:06,212
THIS IS EVAN?
171
00:09:06,246 --> 00:09:08,381
JUST DON�T
MAKE IT SOUND
172
00:09:08,414 --> 00:09:10,283
LIKE I WAS
ACCUSING HIM.
173
00:09:10,316 --> 00:09:12,886
HIS NAME IS EVAN SIBLEY,
174
00:09:12,919 --> 00:09:15,622
AND I�LL GET YOU
HIS PHONE NUMBER IN PARIS.
175
00:09:15,656 --> 00:09:18,391
EVAN COMMITTING A BURGLARY,
THAT�S COMPLETELY IMPOSSIBLE.
176
00:09:18,424 --> 00:09:21,962
ANYONE ANGRY AT YOU?
177
00:09:21,995 --> 00:09:26,066
ONLY THOSE I CHOOSE
TO BE DISAGREEABLE TO.
178
00:09:26,099 --> 00:09:28,702
AHEM. BUSINESS DISPUTES
WITH ANYONE?
179
00:09:28,735 --> 00:09:30,436
Nikki: MR. BELLER
DOESN�T HAVE ANY BUSINESS
180
00:09:30,470 --> 00:09:32,072
TO BE DISPUTATIOUS ABOUT.
181
00:09:32,105 --> 00:09:34,875
WHAT DO YOU DO
WITH YOURSELF?
182
00:09:34,908 --> 00:09:36,810
I HAVE MY INTERESTS,
LITTLE ROUTINES.
183
00:09:36,843 --> 00:09:39,045
ANY PHOTOS
OF THESE ARTWORKS?
184
00:09:39,079 --> 00:09:41,247
PHOTOGRAPHS WERE TAKEN
FOR THE INSURANCE POLICY.
185
00:09:41,281 --> 00:09:43,483
DID YOU BRING THOSE IN?
186
00:09:43,517 --> 00:09:45,218
AH! I�M A DOLT.
187
00:09:45,251 --> 00:09:48,922
I�M INCAPABLE RIGHT NOW
OF A COGENT ACT.
188
00:09:48,955 --> 00:09:50,924
I�LL SEE THAT
YOU GET THE PHOTOS
189
00:09:50,957 --> 00:09:53,259
AND A LIST OF POSSESSIONS
THAT WERE TAKEN.
190
00:09:53,293 --> 00:09:54,728
GOOD. THANKS VERY MUCH.
191
00:09:54,761 --> 00:09:57,463
ARE YOU STAYING
AT MR. BELLER�S PLACE?
192
00:09:57,497 --> 00:09:59,065
NO, THE ESSEX HOUSE.
193
00:09:59,099 --> 00:10:00,000
ALONE?
194
00:10:00,033 --> 00:10:02,068
YES. WHY?
195
00:10:02,102 --> 00:10:03,637
JUST TO MAKE SURE
THE ROOM�S IN YOUR NAME.
196
00:10:03,670 --> 00:10:06,072
ANYWAYS, OUR JOB�S
GOT TASK FORCE DETECTIVES
197
00:10:06,106 --> 00:10:08,509
THAT SPECIALIZE
IN THIS TYPE OF CRIME.
198
00:10:08,542 --> 00:10:11,177
WE�LL BE STAYING
IN TOUCH WITH YOU.
199
00:10:11,211 --> 00:10:12,846
ALL RIGHT.
200
00:10:12,879 --> 00:10:15,015
SORRY YOU LOST
ALL YOUR ART.
201
00:10:15,048 --> 00:10:17,317
YOU MIGHT HAVE COMMISERATED
BY OFFERING ME
202
00:10:17,350 --> 00:10:18,685
SOME SORT OF BEVERAGE.
203
00:10:18,719 --> 00:10:20,286
YOU WANT A BEVERAGE?
204
00:10:20,320 --> 00:10:22,455
NO, NOT NOW.
205
00:10:41,675 --> 00:10:43,877
HOW ABOUT A CUP
OF LIQUID DRANO?
206
00:10:43,910 --> 00:10:46,813
THAT WOULDN�T BE
THE FIRST TOXIC CHEMICAL
207
00:10:46,847 --> 00:10:49,149
HE�S INGESTED TODAY.
208
00:10:58,358 --> 00:11:01,227
THE MONDRIAN�S
WORTH A LOT OF MONEY.
209
00:11:01,261 --> 00:11:03,697
THE DOVE�S
A MINOR PIECE.
210
00:11:03,730 --> 00:11:05,866
THE DAVIS
IS A MINOR PIECE.
211
00:11:05,899 --> 00:11:07,868
THE GIACOMETTI DRAWINGS
ARE DECENT.
212
00:11:07,901 --> 00:11:09,703
SOMEONE HAD KEYS
TO THIS GUY�S PLACE.
213
00:11:09,736 --> 00:11:11,371
Andy: KNOCKED OFF
THE DOORKNOBS
214
00:11:11,404 --> 00:11:13,373
TO MAKE IT LOOK LIKE
A BREAK?IN,
215
00:11:13,406 --> 00:11:15,909
BUT IT WAS THE INSIDE
DOORKNOB THEY BANGED AROUND.
216
00:11:15,942 --> 00:11:17,578
WHAT ABOUT BELLER?
217
00:11:17,611 --> 00:11:19,379
HE�S A SOCIAL?TYPE
DOUCHE BAG.
218
00:11:19,412 --> 00:11:22,082
YOU SEE HIM IN PARTY PHOTOS
IN THEM SOCIETY MAGAZINES.
219
00:11:22,115 --> 00:11:24,250
EVER HEAR
HE�S GOT MONEY PROBLEMS?
220
00:11:24,284 --> 00:11:26,520
NO, HE�S SUPPOSED
TO BE LOADED.
221
00:11:26,553 --> 00:11:28,822
I THINK HIS GRANDFATHER
MADE TOILET BOWLS OR SOMETHING.
222
00:11:28,855 --> 00:11:30,090
YOU�LL NOTIFY THE GUILDS?
223
00:11:30,123 --> 00:11:31,692
AND THE FBI AND INTERPOL,
224
00:11:31,725 --> 00:11:34,995
AND I HAVE EARS
WITH A FEW CRIMINAL RECEIVERS.
225
00:11:35,028 --> 00:11:38,364
THANKS A LOT
FOR COMING IN, WALLY.
226
00:11:38,398 --> 00:11:40,366
YOU TOOK WEIGHT OFF,
DIDN�T YOU?
227
00:11:40,400 --> 00:11:42,035
A FEW POUNDS.
228
00:11:42,068 --> 00:11:43,770
MY VACATION,
I�M GOING ON A RUTHLESS
229
00:11:43,804 --> 00:11:45,606
EXERCISE AND DIET REGIME.
230
00:11:45,639 --> 00:11:47,173
WHEN�S THAT COMING UP?
231
00:11:47,207 --> 00:11:51,545
JUNE 14, PAL.
10 WEEKS AND COUNTING.
232
00:11:51,578 --> 00:11:52,946
WHY?
233
00:11:52,979 --> 00:11:55,215
I JUST THOUGHT YOU MIGHT GO
FOR INCOME TAX DAY.
234
00:11:55,248 --> 00:11:57,217
WAIT TILL YOU HIT 35
235
00:11:57,250 --> 00:11:59,385
AND YOUR METABOLISM
SLOWS DOWN.
236
00:11:59,419 --> 00:12:03,256
WALLY CAN�T SEE 35 NO MORE
IN HIS REAR?VIEW MIRROR.
237
00:12:03,289 --> 00:12:06,226
PEOPLE START TO DIET WHEN
THEIR STOMACHS STICK OUT FARTHER
238
00:12:06,259 --> 00:12:07,493
THAN THEIR DICKY?DOO.
239
00:12:10,430 --> 00:12:12,899
AHEM. THIS, UH, COUSIN
240
00:12:12,933 --> 00:12:15,636
THAT HAD A SET OF KEYS
TO THE PLACE...
241
00:12:15,669 --> 00:12:17,103
EVAN SIBLEY.
242
00:12:17,137 --> 00:12:19,272
THAT BELLER THINKS
IS IN PARIS.
243
00:12:19,305 --> 00:12:21,642
WE CALL. 2?WEEK?OLD MESSAGE
ON THE ANSWERING MACHINE
244
00:12:21,675 --> 00:12:23,043
SAYS HE�S IN NEW YORK.
245
00:12:23,076 --> 00:12:25,278
WE GOT A PLACE FOR HIM?
246
00:12:25,311 --> 00:12:27,280
HE�S STAYING WITH FRIENDS
IN THE VILLAGE.
247
00:12:27,313 --> 00:12:29,049
THAT�S PROBABLY WORTH
AN UNANNOUNCED APPEARANCE.
248
00:12:29,082 --> 00:12:31,084
I WOULDN�T BE GIVING HIM
ANY NOTICE.
249
00:12:31,117 --> 00:12:32,586
John: MAY I HELP YOU?
250
00:12:32,619 --> 00:12:34,788
AHEM.
251
00:12:34,821 --> 00:12:36,322
THAT�S BELLER�S FRIEND?
252
00:12:36,356 --> 00:12:38,725
YEAH ?? NIKKI CAMERON.
253
00:12:38,759 --> 00:12:40,326
WE LIKE HER?
254
00:12:40,360 --> 00:12:42,996
SHE SHOWS UP IN TOWN
AND THE GUY GETS ROBBED.
255
00:12:43,029 --> 00:12:44,631
I�LL GO TALK TO HER.
256
00:12:44,665 --> 00:12:47,568
FIND OUT WHERE SHE
GOT THEM LONG LEGS.
257
00:12:47,601 --> 00:12:50,070
YOU DON�T WANT TO
TALK TO HER?
258
00:12:50,103 --> 00:12:52,305
IF SHE�S GOING TO
TRY TO WORK SOMETHING,
259
00:12:52,338 --> 00:12:54,240
SHE�S GOING TO DO IT
WITH HIM.
260
00:12:54,274 --> 00:12:55,942
HOW�S IT GOING,
MISS CAMERON?
261
00:12:55,976 --> 00:12:57,644
HI.
262
00:12:57,678 --> 00:13:00,280
PERMIT ME TO IMMEDIATELY
OFFER YOU A BEVERAGE.
263
00:13:00,313 --> 00:13:02,849
I�M NOT A STICKLER
THE WAY NOEL IS.
264
00:13:02,883 --> 00:13:05,986
WHY DON�T WE TALK
IN OUR REFRESHMENT AREA,
265
00:13:06,019 --> 00:13:08,288
WHERE BESIDES COFFEE,
WE�VE ALSO GOT SODA
266
00:13:08,321 --> 00:13:10,490
AND BOTTLED WATER
AND FOOD THAT�S BEEN
267
00:13:10,524 --> 00:13:12,859
LEFT IN OUR REFRIGERATOR
PERIODS UP TO SEVERAL WEEKS.
268
00:13:12,893 --> 00:13:16,262
I WISH I COULD SAY I�D NEVER
HEARD OF SUCH A THING.
269
00:13:16,296 --> 00:13:18,331
FOOD LEFT TO SPOIL
IN THE FRIDGE ??
270
00:13:18,364 --> 00:13:20,133
THE UNIVERSAL SIN
OF SINGLE PEOPLE.
271
00:13:20,166 --> 00:13:22,135
DO YOU HAVE, LIKE,
A SPRITE?
272
00:13:22,168 --> 00:13:23,504
THERE�S AN UPSET.
273
00:13:23,537 --> 00:13:25,138
WHAT DO YOU MEAN?
274
00:13:25,171 --> 00:13:26,507
YOU WANTING A SPRITE.
275
00:13:26,540 --> 00:13:28,041
OH.
276
00:13:28,074 --> 00:13:30,343
YOU REMEMBER TOM CRUISE
IN "COCKTAIL,"
277
00:13:30,376 --> 00:13:32,713
THE WAY HE�D THROW
THAT DRINK OVER HIS SHOULDER
278
00:13:32,746 --> 00:13:34,347
BEFORE HE POURED IT?
279
00:13:34,380 --> 00:13:35,782
YEAH.
280
00:13:35,816 --> 00:13:37,951
YOU WANT ME
TO DO THAT FOR YOU?
281
00:13:37,984 --> 00:13:40,020
I THINK IT MIGHT SPRAY.
282
00:13:40,053 --> 00:13:42,122
I�LL JUST OPEN IT UP
AND POUR.
283
00:13:42,155 --> 00:13:46,026
PLEASE DON�T SUSPECT ME
BECAUSE I�M NERVOUS.
284
00:13:46,059 --> 00:13:49,029
OKAY.
285
00:13:49,062 --> 00:13:50,697
OKAY.
286
00:13:50,731 --> 00:13:53,266
WHY DON�T YOU
HAVE A SEAT?
287
00:13:58,171 --> 00:14:00,006
IF NOEL FEELS
YOU�VE OVERSTEPPED,
288
00:14:00,040 --> 00:14:01,842
HE CAN BE VINDICTIVE,
289
00:14:01,875 --> 00:14:04,511
AND I�M NOT IN A POSITION
AT THE MOMENT
290
00:14:04,545 --> 00:14:07,247
WHERE THAT WOULD BE
VERY GOOD FOR ME.
291
00:14:07,280 --> 00:14:09,750
THAT�S WHAT
I�M NERVOUS ABOUT.
292
00:14:09,783 --> 00:14:13,186
YOU CAN BEAT YOUR NERVES.
JUST SAY WHAT�S ON YOUR MIND.
293
00:14:13,219 --> 00:14:16,590
HA. YOU MAKE LIFE
SOUND VERY SIMPLE.
294
00:14:19,560 --> 00:14:22,996
EVAN SIBLEY ??
NOEL�S COUSIN IN PARIS...
295
00:14:23,029 --> 00:14:24,998
THAT HAD THE EXTRA SET
OF KEYS
296
00:14:25,031 --> 00:14:26,600
TO MR. BELLER�S APARTMENT.
297
00:14:26,633 --> 00:14:29,002
EVAN THAT HAD
THE EXTRA SET OF KEYS ??
298
00:14:29,035 --> 00:14:30,671
HE�S IN NEW YORK.
299
00:14:30,704 --> 00:14:32,272
IS THAT RIGHT?
300
00:14:32,305 --> 00:14:34,775
AND HE HAS BEEN
FOR A COUPLE OF WEEKS.
301
00:14:34,808 --> 00:14:36,376
HOW DO YOU KNOW THIS?
302
00:14:36,409 --> 00:14:39,412
AFTER WE LEFT, I SUGGESTED
TO NOEL THAT HE CALL EVAN
303
00:14:39,445 --> 00:14:43,049
TO FIND OUT IF EVAN
HAD LOST THE KEYS
304
00:14:43,083 --> 00:14:46,119
OR FOR WHATEVER REASON.
I MEAN, WHY NOT CALL HIM?
305
00:14:46,152 --> 00:14:47,353
SURE.
306
00:14:47,387 --> 00:14:48,955
AND NOEL WOULDN�T,
307
00:14:48,989 --> 00:14:51,391
AND SO WHEN NOEL
WAS IN THE KITCHEN,
308
00:14:51,424 --> 00:14:53,026
I CALLED EVAN�S NUMBER,
309
00:14:53,059 --> 00:14:56,029
AND HIS MESSAGE MACHINE
SAID THAT FROM MARCH 12th
310
00:14:56,062 --> 00:14:59,399
HE WAS GOING TO BE
IN NEW YORK CITY.
311
00:14:59,432 --> 00:15:01,768
DID YOU FEEL HE KNEW
HIS COUSIN WAS IN TOWN?
312
00:15:01,802 --> 00:15:03,403
I HAD THAT FEELING.
313
00:15:03,436 --> 00:15:05,939
HOW DID YOU
KNOW THAT?
314
00:15:05,972 --> 00:15:09,309
ANYWAYS, WE MADE THAT
PHONE CALL TO PARIS,
315
00:15:09,342 --> 00:15:11,311
ALSO, MISS CAMERON.
WE KNOW HE�S IN TOWN,
316
00:15:11,344 --> 00:15:14,615
AND WE�RE GOING TO SEE
IF WE CAN TALK TO MR. SIBLEY.
317
00:15:14,648 --> 00:15:16,917
ALL RIGHT.
THAT�S GREAT,
318
00:15:16,950 --> 00:15:19,385
BECAUSE THE BIG THING
FOR ME,
319
00:15:19,419 --> 00:15:20,987
WHOEVER DID THIS,
320
00:15:21,021 --> 00:15:23,757
I DON�T NEED NOEL
ANGRY AT ME.
321
00:15:23,790 --> 00:15:26,727
OR HE WON�T LET YOU DO
THE ART MAGAZINE ARTICLE.
322
00:15:26,760 --> 00:15:31,732
WHICH WOULD BE MY FIRST.
323
00:15:31,765 --> 00:15:35,001
I�M A BIT OF A HANGER?ON
AT THE MOMENT, DETECTIVE.
324
00:15:35,035 --> 00:15:37,437
AT THIS POINT, MY BIGGEST
ACCOMPLISHMENT IN LIFE
325
00:15:37,470 --> 00:15:40,073
IS HAVING PARENTS
WHO SENT ME TO VASSAR.
326
00:15:40,106 --> 00:15:42,308
HOW ABOUT IF MR. BELLER
STOLE THE PAINTINGS HIMSELF
327
00:15:42,342 --> 00:15:44,244
AND HE�S TRYING
TO FRAME HIS COUSIN?
328
00:15:44,277 --> 00:15:46,246
THEN YOU COULD SELL
YOUR ARTICLE
329
00:15:46,279 --> 00:15:48,081
TO PEOPLE MAGAZINE.
330
00:15:48,114 --> 00:15:50,917
I DON�T KNOW IF THAT
WOULD BE THE EXACT VENUE,
331
00:15:50,951 --> 00:15:53,987
BUT THE PIECE WOULD HAVE
A LARGER AUDIENCE.
332
00:15:54,020 --> 00:15:56,590
I APPRECIATE YOU COMING IN
WITH THIS INFORMATION.
333
00:15:56,623 --> 00:16:00,160
THANKS FOR THE SPRITE.
334
00:16:00,193 --> 00:16:02,629
WELL, WHY DON�T YOU
TAKE IT WITH YOU?
335
00:16:02,663 --> 00:16:03,830
NO, THANKS.
336
00:16:03,864 --> 00:16:05,532
ALL RIGHT,
I�LL WALK YOU OUT.
337
00:16:10,070 --> 00:16:13,006
YOU WERE RIGHT
ABOUT THE UPSET.
338
00:16:13,039 --> 00:16:14,641
THAT�S THE FIRST SPRITE
339
00:16:14,675 --> 00:16:17,644
I DRANK SINCE I WAS
A JUNIOR IN HIGH SCHOOL,
340
00:16:17,678 --> 00:16:20,681
AND IF YOU ASKED WHY,
I COULDN�T TELL YOU.
341
00:16:20,714 --> 00:16:23,684
AHEM. HAVE THEY GOT
A NEW AD CAMPAIGN?
342
00:16:23,717 --> 00:16:26,553
MAYBE THAT�S IT.
343
00:16:26,587 --> 00:16:29,189
SO, YOU�RE NOT GOING
ANYWHERE, ARE YOU,
344
00:16:29,222 --> 00:16:31,792
IN TERMS OF LEAVING
OUR FAIR CITY?
345
00:16:31,825 --> 00:16:33,359
NO, I�LL BE AROUND.
346
00:16:33,393 --> 00:16:34,995
GOOD. THAT�S GREAT.
347
00:16:37,097 --> 00:16:39,032
BYE.
348
00:16:43,504 --> 00:16:45,639
SHE�S GOT SOMETHING
TO DO WITH IT.
349
00:16:45,672 --> 00:16:48,008
MAYBE YOU COULD FIND OUT
OVER A BANANA SPLIT
350
00:16:48,041 --> 00:16:49,810
AT RUMPELSTILSKIN�S.
351
00:16:49,843 --> 00:16:51,645
THAT�S RIGHT NEAR
THE ESSEX HOUSE, AIN�T IT?
352
00:16:51,678 --> 00:16:53,479
RUMPELMAYER�S.
353
00:16:53,514 --> 00:16:56,016
THAT PINK DOPEY PLACE
WITH ALL THE ICE CREAM.
354
00:16:56,049 --> 00:16:57,383
I READ ABOUT RUMPELMAYER�S
355
00:16:57,417 --> 00:17:00,220
IN THE FIRST BOOK
I BOUGHT ABOUT NEW YORK.
356
00:17:00,253 --> 00:17:02,523
WHEN EACH OF MY SISTERS
TURNED 10,
357
00:17:02,556 --> 00:17:04,891
I TOOK THEM THERE
FOR THEIR BIRTHDAY PARTIES.
358
00:17:04,925 --> 00:17:06,259
I HEARD IT�S VERY NICE.
359
00:17:10,396 --> 00:17:12,733
SO SHOULD WE MAKE
OUR UNANNOUNCED VISIT
360
00:17:12,766 --> 00:17:14,434
TO THIS EVAN SIBLEY?
361
00:17:14,467 --> 00:17:16,503
YEAH, WE�LL JUST
GIVE HER A CHANCE
362
00:17:16,537 --> 00:17:20,106
TO CLEAR THE BUILDING
BEFORE WE GO.
363
00:17:39,225 --> 00:17:41,562
HOW YOU DOING?
364
00:17:41,595 --> 00:17:43,396
THIS YVETTE GUNTHER
LISTED MISSING
365
00:17:43,429 --> 00:17:44,765
ON THE LIGHT POLE FLIERS ??
366
00:17:44,798 --> 00:17:46,366
MENTION OF A REWARD?
367
00:17:46,399 --> 00:17:48,368
YOU KNOW ANYTHING
ABOUT HER WHEREABOUTS?
368
00:17:48,401 --> 00:17:50,971
WELL, I RENTED A CAR
TO A DWIGHT GUNTHER
369
00:17:51,004 --> 00:17:52,773
YESTERDAY THAT BEHAVED
PRETTY STRANGE.
370
00:17:52,806 --> 00:17:54,140
IS THAT SO?
371
00:17:54,174 --> 00:17:55,609
YEAH. OH, UH...
372
00:17:55,642 --> 00:17:57,043
THAT�S ME ??
373
00:17:57,077 --> 00:17:59,613
RANDALL DIXON,
RELIANCE AUTO RENTAL.
374
00:17:59,646 --> 00:18:01,915
BALDWIN JONES.
I�M A DETECTIVE HERE.
375
00:18:01,948 --> 00:18:03,984
COME ON IN, MR. DIXON.
376
00:18:04,017 --> 00:18:06,987
WHERE IT�S GOT "REWARD" ??
WHO IS IT OFFERING THAT?
377
00:18:07,020 --> 00:18:09,890
HERE,
RIGHT STRAIGHT AHEAD.
378
00:18:09,923 --> 00:18:11,491
Baldwin: HEY, GREG.
RANDALL DIXON,
379
00:18:11,525 --> 00:18:14,260
THIS IS MY PARTNER
DETECTIVE MEDAVOY.
380
00:18:14,294 --> 00:18:16,296
YEAH, HOW�S IT GOING,
RANDALL?
381
00:18:16,329 --> 00:18:20,066
WHERE IT SAYS "REWARD,"
WHO IS OFFERING THAT?
382
00:18:20,100 --> 00:18:21,902
MR. DIXON SAID
HE RENTED A CAR
383
00:18:21,935 --> 00:18:23,770
TO MR. GUNTHER
YESTERDAY...
384
00:18:23,804 --> 00:18:25,305
STATION WAGON.
385
00:18:25,338 --> 00:18:27,240
AND THAT MR. GUNTHER
WAS BEHAVING STRANGE.
386
00:18:27,273 --> 00:18:29,109
AH, STRANGE, EH?
387
00:18:29,142 --> 00:18:30,811
UM...
388
00:18:34,715 --> 00:18:36,316
IN WHAT WAY?
389
00:18:36,349 --> 00:18:38,952
PUT ME THROUGH
ANY AMOUNT OF HASSLE
390
00:18:38,985 --> 00:18:41,622
ON THE R. A. RIGHT OUT
ON THE STREET.
391
00:18:41,655 --> 00:18:42,989
THE R. A.?
392
00:18:43,023 --> 00:18:45,191
THE RENTAL AGREEMENT
ON THE STATION WAGON.
393
00:18:45,225 --> 00:18:47,360
DEMANDED I GIVE HIM
A DISCOUNT.
394
00:18:47,393 --> 00:18:49,362
WANTED THE 7?DAY DISCOUNT,
395
00:18:49,395 --> 00:18:51,131
BUT HE ORDERED THE CAR
THAT MORNING.
396
00:18:51,164 --> 00:18:53,133
I SAID
HE COULDN�T HAVE IT.
397
00:18:53,166 --> 00:18:55,368
HE SAYS,
"TAKE THE WAGON BACK.
398
00:18:55,401 --> 00:18:58,104
I�LL GO SOMEPLACE
THEY APPRECIATE MY BUSINESS."
399
00:18:58,138 --> 00:19:00,006
THAT�S WHAT
YOU THOUGHT WAS STRANGE.
400
00:19:00,040 --> 00:19:01,374
SO I OFF?LOAD THE LUGGAGE
401
00:19:01,407 --> 00:19:03,476
THAT I JUST HELPED HIM
LOAD UP,
402
00:19:03,510 --> 00:19:06,112
AND THEN HE SAYS,
"ALL RIGHT, NEVER MIND.
403
00:19:06,146 --> 00:19:09,783
I�LL TAKE THE CARAVAN
WITHOUT THE DISCOUNT."
404
00:19:09,816 --> 00:19:13,687
SO I SAID TO HIM,
"IF YOU THINK I�M RELOADING
405
00:19:13,720 --> 00:19:16,657
"THAT DAMN LUGGAGE
YOU JUST HAD ME OFF?LOAD,
406
00:19:16,690 --> 00:19:19,025
I HOPE YOU�RE DRIVING
TO SEE A PSYCHIATRIST."
407
00:19:19,059 --> 00:19:20,894
IT WAS LIKE
HE DIDN�T HEAR ME.
408
00:19:20,927 --> 00:19:22,529
JUST SIGNED THE R. A.
409
00:19:22,563 --> 00:19:24,865
AND LOADED HIS LUGGAGE
BACK UP HIMSELF.
410
00:19:24,898 --> 00:19:27,801
I DIDN�T HAVE HIM DROP ME
BACK AT THE OFFICE.
411
00:19:27,834 --> 00:19:30,804
LET HIM DRIVE OFF WITH ME
STANDING IN THE STREET.
412
00:19:30,837 --> 00:19:33,406
HAD ONE OF MY OWN MEN
COME AND GET ME.
413
00:19:33,439 --> 00:19:35,475
HOW WOULD YOU DESCRIBE
THE LUGGAGE
414
00:19:35,509 --> 00:19:36,843
YOU WERE LOADING
AND OFF?LOADING,
415
00:19:36,877 --> 00:19:38,078
MR. DIXON?
416
00:19:38,111 --> 00:19:39,680
JUST THREE PIECES
STANDARD?SIZE
417
00:19:39,713 --> 00:19:41,314
PLAID?PATTERN LUGGAGE.
418
00:19:41,347 --> 00:19:43,049
DIDN�T HAVE
ANY PECULIAR SMELL
419
00:19:43,083 --> 00:19:46,386
TO THEM, OR THE LIKE?
420
00:19:46,419 --> 00:19:48,722
OH, GOD! OH!
421
00:19:48,755 --> 00:19:52,092
THAT�S JUST AN EXPLORATORY
QUESTION WE NEED TO ASK,
422
00:19:52,125 --> 00:19:55,261
AND WHICH YOU SAY
THERE WAS NO PECULIAR SMELL.
423
00:19:55,295 --> 00:19:58,264
NO, BUT I LOADED
AND OFF?LOADED THAT LUGGAGE.
424
00:19:58,298 --> 00:20:00,233
DON�T GET AHEAD
OF YOURSELF.
425
00:20:00,266 --> 00:20:02,669
YOU DID A VERY CIVIC THING
COMING IN,
426
00:20:02,703 --> 00:20:05,105
REPORTING THE POSSIBLY
SUSPICIOUS BEHAVIOR
427
00:20:05,138 --> 00:20:07,373
OF THIS MR. GUNTHER.
428
00:20:07,407 --> 00:20:10,343
PAST THAT, LET�S LEAVE
THE GRUESOME IMAGININGS
429
00:20:10,376 --> 00:20:12,345
TO, UH, "TALES OF THE CRYPT."
430
00:20:12,378 --> 00:20:16,349
SO, WHO�S OFFERING
THE REWARD IN THIS THING?
431
00:20:16,382 --> 00:20:18,685
IN ?? IN TERMS
OF THOSE FLIERS,
432
00:20:18,719 --> 00:20:21,688
THAT WOULD, UH, ACTUALLY BE
MR. GUNTHER HIMSELF
433
00:20:21,722 --> 00:20:24,124
THAT PUT THOSE
IN CIRCULATION.
434
00:20:24,157 --> 00:20:26,627
THE MR. GUNTHER
I�M IN HERE REPORTING.
435
00:20:26,660 --> 00:20:28,762
THAT WOULD BE THE ONE.
436
00:20:28,795 --> 00:20:31,632
SO HE WOULDN�T BE GIVING ME
ANY REWARD, WOULD HE?
437
00:20:41,341 --> 00:20:43,710
I GAVE UP FOUR HOURS
OF WORK FOR THIS.
438
00:20:43,744 --> 00:20:46,412
ANOTHER HAPPY CUSTOMER.
439
00:20:52,185 --> 00:20:54,120
WHEN THIS GUY SHOWS UP
TELLING US
440
00:20:54,154 --> 00:20:56,122
HOW HIS WIFE
HAS GONE MISSING,
441
00:20:56,156 --> 00:20:58,258
GREG AND I HAD
THE SAME REACTION.
442
00:20:58,291 --> 00:21:00,293
SHE JUST PICKED
A NEW LIFESTYLE
443
00:21:00,326 --> 00:21:03,396
THAT DIDN�T INVOLVE LIVING
WITH SOMEONE WHO TALKED
444
00:21:03,429 --> 00:21:05,131
LIKE HAL
IN THE "2001" MOVIE.
445
00:21:05,165 --> 00:21:07,067
BUT THIS CAR RENTAL AGENT
446
00:21:07,100 --> 00:21:09,069
COMES IN CONTRADICTING
EVERYTHING
447
00:21:09,102 --> 00:21:10,737
THIS ROBOT?SOUNDING
GUY TOLD US.
448
00:21:10,771 --> 00:21:13,106
YOU THINK THE ROBOT?SOUNDING
GUY MIGHT HAVE KILLED HER?
449
00:21:13,139 --> 00:21:15,075
WACKY AS HE ACTED WITH US,
450
00:21:15,108 --> 00:21:18,444
BALDWIN AND ME DEFINITELY THINK
YOU GOT TO LOOK AT THIS GUY
451
00:21:18,478 --> 00:21:20,681
FOR MAYBE PORTIONING OUT
HIS WIFE
452
00:21:20,714 --> 00:21:22,282
AMONG THEM THREE
PLAID?PATTERNED SUITCASES.
453
00:21:22,315 --> 00:21:24,618
HOW DO YOU WANT
TO GO AT HIM?
454
00:21:24,651 --> 00:21:26,620
WE FIGURE FIRING
OUR RETRO THRUSTERS,
455
00:21:26,653 --> 00:21:28,622
WE COULD ACHIEVE
ORBITAL INSERTION
456
00:21:28,655 --> 00:21:30,323
AROUND THIS GUNTHER�S PLANET.
457
00:21:30,356 --> 00:21:33,660
AT THAT POINT WE DESCEND
TO HIS HOME PLANET�S SURFACE
458
00:21:33,694 --> 00:21:35,662
IN OUR LANDING MODULE.
459
00:21:35,696 --> 00:21:38,198
THIS WACKY GUNTHER, UH...
460
00:21:38,231 --> 00:21:43,136
AND, UH, UH, ONCE
WE�VE INITIATED CONTACT,
461
00:21:43,169 --> 00:21:46,873
WE COULD, UH, MAYBE BRING HIM
BACK TO OUR HOME PLANET.
462
00:21:46,907 --> 00:21:49,710
WHY DON�T YOU GO AHEAD
AND TALK TO HIM AGAIN?
463
00:21:49,743 --> 00:21:51,377
YEAH, WE�LL GO AHEAD
AND RE?INTERVIEW.
464
00:21:56,750 --> 00:21:58,351
THE NEXT TIME
YOU�RE WATCHING
465
00:21:58,384 --> 00:22:00,353
FROM THE COMFORT
OF YOUR DINGHY
466
00:22:00,386 --> 00:22:02,556
WHILE I�M BEING TOSSED
AND BATTERED
467
00:22:02,589 --> 00:22:04,725
BY THE OCEAN WAVES,
BALDWIN,
468
00:22:04,758 --> 00:22:07,393
YOU MIGHT CONSIDER
SOME KIND OF RESCUE EFFORT.
469
00:22:07,427 --> 00:22:09,830
AND WHERE DID YOU WANT ME
LEAPING IN, PARTNER?
470
00:22:09,863 --> 00:22:11,832
THE RETRO THRUSTER,
THE LANDING MODULE?
471
00:22:11,865 --> 00:22:14,367
ANYWAYS, YOU�RE ON POINT
472
00:22:14,400 --> 00:22:16,637
RE?INTERVIEWING
THIS WACK JOB.
473
00:22:16,670 --> 00:22:21,675
AND I KNOW
YOU GOT OUR PERIMETER
474
00:22:21,708 --> 00:22:23,476
IF OUR RETRO BLASTER
DON�T MALFUNCTION.
475
00:22:23,510 --> 00:22:26,547
NEVER AGAIN REFER
TO THAT CONVERSATION.
476
00:22:34,054 --> 00:22:35,756
HOW�S IT GOING?
477
00:22:35,789 --> 00:22:37,991
EVERYONE, INCLUDING
THE MORTALLY WOUNDED,
478
00:22:38,024 --> 00:22:40,060
GET ASKED,
"HOW�S IT GOING?"
479
00:22:40,093 --> 00:22:42,663
Greg: HOW�S IT GOING?
480
00:22:42,696 --> 00:22:44,264
YEAH, HOW�S IT GOING?
481
00:22:44,297 --> 00:22:45,666
CHECK IT OUT, ANDY.
482
00:22:45,699 --> 00:22:47,834
WHO�S THAT WITH HIM?
483
00:22:47,868 --> 00:22:49,369
GENTLEMEN,
HOW�S IT GOING?
484
00:22:49,402 --> 00:22:51,104
THIS IS MY COUSIN
EVAN SIBLEY.
485
00:22:51,137 --> 00:22:52,573
HOW COINCIDENTAL.
486
00:22:52,606 --> 00:22:54,608
WE WERE JUST
LOOKING FOR YOU.
487
00:22:54,641 --> 00:22:56,176
I WISH I COULD�VE
SAVED YOU A TRIP.
488
00:22:56,209 --> 00:22:58,679
OH, PISH.
489
00:22:58,712 --> 00:23:00,847
YOUR COUSIN EXPLAIN WHY
WE WANTED TO TALK TO YOU?
490
00:23:00,881 --> 00:23:03,584
HIS APARTMENT HAS BEEN ROBBED
AND I HAVE THE SPARE KEYS.
491
00:23:03,617 --> 00:23:06,687
EVEN APART FROM EVAN�S
EXEMPLARY CHARACTER,
492
00:23:06,720 --> 00:23:10,123
DON�T MY JIMMIED DOORKNOBS
SUGGEST A THEFT BY INTRUDERS?
493
00:23:10,156 --> 00:23:12,392
ACTUALLY, YOUR DOORKNOBS WERE
JIMMIED FROM THE INSIDE.
494
00:23:12,425 --> 00:23:14,460
OH, MY GOODNESS.
495
00:23:14,494 --> 00:23:16,697
YOU DIDN�T REALIZE THEY WERE
JIMMIED FROM THE INSIDE?
496
00:23:16,730 --> 00:23:19,065
I DON�T SUPPOSE I REALIZED
THE FULL IMPLICATION.
497
00:23:19,099 --> 00:23:20,701
THANK GOODNESS
498
00:23:20,734 --> 00:23:23,203
CHARACTER STILL INSULATES YOU
FROM SUSPICION, EVAN.
499
00:23:23,236 --> 00:23:26,540
NOEL, I DON�T EVEN
LIKE YOUR ART.
500
00:23:26,573 --> 00:23:30,143
OF COURSE THE THIEF
WOULD NEVER LET HIS OWN TASTE
501
00:23:30,176 --> 00:23:32,478
CIRCUMSCRIBE THE FARE
HE TOOK TO MARKET.
502
00:23:32,513 --> 00:23:34,881
SO YOU�RE ACCUSING ME
OF STEALING YOUR THINGS?
503
00:23:34,915 --> 00:23:36,249
CERTAINLY NOT.
504
00:23:36,282 --> 00:23:39,219
FOR ONE THING, THAT WOULD
BE UP TO THESE GENTLEMEN.
505
00:23:39,252 --> 00:23:41,888
FELLAS, ARE YOU ENTERTAINING
ANY SUSPICIONS OF MR. SIBLEY?
506
00:23:41,922 --> 00:23:44,725
HOW IS IT GOING
IN THAT REGARD?
507
00:23:44,758 --> 00:23:46,927
THIS IS ABOUT MACAO,
ISN�T IT, NOEL?
508
00:23:46,960 --> 00:23:48,729
MACAO?
509
00:23:48,762 --> 00:23:51,898
NOEL CAME DOWN WITH GOUT AND WAS
PUT OFF WITH SOME FRIENDS AND I
510
00:23:51,932 --> 00:23:53,967
BECAUSE WE WOULDN�T
POSTPONE OUR TRIP.
511
00:23:54,000 --> 00:23:57,003
CAN YOU ACCOUNT FOR YOUR
TIME IN THE LAST 24 HOURS?
512
00:23:57,037 --> 00:23:59,005
I�VE BEEN WITH PEOPLE
EVERY MINUTE
513
00:23:59,039 --> 00:24:01,007
FOR THE LAST FOUR DAYS.
514
00:24:01,041 --> 00:24:03,109
THERE.
THAT DISPOSES OF IT.
515
00:24:03,143 --> 00:24:04,778
WHAT�S YOUR ACT EXACTLY,
MR. BELLER?
516
00:24:04,811 --> 00:24:06,813
IS THIS SOME KIND
OF SKIPPY?WHIP ??
517
00:24:06,847 --> 00:24:09,082
PUTTING US THROUGH OUR PACES?
518
00:24:09,115 --> 00:24:11,117
MY SUSPICIONS ARE INCREASINGLY
FOCUSED ON MS. CAMERON.
519
00:24:11,151 --> 00:24:12,753
THAT STARTED WHEN?
520
00:24:12,786 --> 00:24:15,689
I�VE JUST BEEN PUTTING
TWO AND TWO TOGETHER.
521
00:24:15,722 --> 00:24:17,824
MEANING YOU LIKED HER
FROM THE JUMP.
522
00:24:17,858 --> 00:24:20,594
IF IT�S NOT HER, YOU WANT
TO KNOW WHO I LIKE? YOU.
523
00:24:20,627 --> 00:24:22,929
$34 MILLION AND COUNTING,
DETECTIVE.
524
00:24:22,963 --> 00:24:25,331
THAT DON�T RULE YOU OUT YET
IN MY BOOK,
525
00:24:25,365 --> 00:24:27,868
�CAUSE I�M FIGURING YOU�RE
THE KIND OF HUMP JERK?OFF
526
00:24:27,901 --> 00:24:30,436
ONE DAY FINDS HIS LITTLE
INTERESTS AND ROUTINES ??
527
00:24:30,470 --> 00:24:32,639
THEY DON�T HOLD
HIS ATTENTION NO MORE.
528
00:24:32,673 --> 00:24:35,141
DECIDES HE�S GOING TO PUT
ZEST IN HIS LIFE
529
00:24:35,175 --> 00:24:37,143
BY DOING SOMETHING NAUGHTY.
530
00:24:37,177 --> 00:24:38,545
I�M FLATTERED,
DETECTIVE,
531
00:24:38,579 --> 00:24:40,881
BUT I DON�T HAVE THAT MUCH
IMAGINATION OR NERVE.
532
00:24:40,914 --> 00:24:43,249
PERHAPS IF I DIDN�T
TAKE SO MUCH VICODIN.
533
00:24:45,151 --> 00:24:47,888
ACTUALLY, I BELIEVE MS. CAMERON
IS BACK AT MY APARTMENT.
534
00:24:47,921 --> 00:24:49,890
I SUPPOSE
FOR YOUR PURPOSES
535
00:24:49,923 --> 00:24:52,693
MY PRESENCE WOULD BE
AN IMPEDIMENT.
536
00:24:55,896 --> 00:24:58,632
SO, ANY SPECIAL KNOCK CODE
WE SHOULD USE?
537
00:24:58,665 --> 00:25:01,535
NO. JUST PRESS
THE BELL VIGOROUSLY.
538
00:25:01,568 --> 00:25:03,904
MR. SIBLEY, WE�RE SORRY
TO PUT YOU OUT.
539
00:25:03,937 --> 00:25:05,238
ENJOYED THE FLOOR SHOW.
540
00:25:08,609 --> 00:25:11,444
SEE? NONE OF THEM
WILL LET YOU LIKE THEM.
541
00:26:36,429 --> 00:26:38,398
[ DOORBELL RINGS ]
542
00:26:38,431 --> 00:26:40,133
Nikki: NOEL?
543
00:26:40,166 --> 00:26:41,501
DETECTIVES, MS. CAMERON.
544
00:26:41,535 --> 00:26:45,271
OH, SURE.
JUST A MINUTE.
545
00:26:47,007 --> 00:26:48,174
HI.
546
00:26:48,208 --> 00:26:49,776
HI.
547
00:26:49,810 --> 00:26:51,144
UH,
NOEL�S NOT HERE.
548
00:26:51,177 --> 00:26:53,146
HE TOLD US YOU WERE.
549
00:26:53,179 --> 00:26:54,581
HE TOLD YOU?
550
00:26:54,615 --> 00:26:56,416
SAID HE�D STARTED
HAVING MISGIVINGS ??
551
00:26:56,449 --> 00:26:58,418
MAYBE YOU WERE INVOLVED
STEALING HIS ART.
552
00:26:58,451 --> 00:27:00,186
NOEL CAN BE PERVERSE.
553
00:27:00,220 --> 00:27:02,455
WE DON�T THINK
SEX PREFERENCE FACTORS IN.
554
00:27:02,488 --> 00:27:04,157
[ TELEPHONE RINGS ]
555
00:27:04,190 --> 00:27:06,960
YOU WANT TO WALK US THROUGH YOUR
WHEREABOUTS SINCE LAST NIGHT,
556
00:27:06,993 --> 00:27:09,129
AND IF MAYBE SOMEONE
COULD VOUCH FOR THEM?
557
00:27:09,162 --> 00:27:10,931
MILLION SQUARE?FOOT
LIVING ROOM
558
00:27:10,964 --> 00:27:12,966
WITH NOT ONE PHONE
IN IT?
559
00:27:12,999 --> 00:27:15,101
THE WELL?TO?DO DON�T HAVE
PHONES IN THE LIVING ROOM.
560
00:27:15,135 --> 00:27:17,871
WHAT THE HELL MAGAZINES
ARE YOU READING?
561
00:27:17,904 --> 00:27:19,372
[ RINGS ]
562
00:27:19,405 --> 00:27:21,307
GUN, DANNY!
563
00:27:21,341 --> 00:27:22,676
Danny: FACE DOWN.
564
00:27:22,709 --> 00:27:25,278
HE�S GOT A DOOR
BEHIND HIM.
565
00:27:25,311 --> 00:27:27,147
WHERE DOES
THE DAMN DOOR GO?
566
00:27:27,180 --> 00:27:28,715
NOWHERE.
INTO THE CLOSET.
567
00:27:28,749 --> 00:27:32,318
YOU LAY YOUR GUN DOWN
OR YOU DIE HERE, PAL!
568
00:27:32,352 --> 00:27:34,487
WHAT�S HIS NAME?
DERRICK.
569
00:27:34,521 --> 00:27:36,657
YOU WANT TO DIE
IN THIS ASSHOLE�S APARTMENT
570
00:27:36,690 --> 00:27:37,958
OVER A LARCENY COLLAR?
571
00:27:37,991 --> 00:27:39,893
I GOT EMERGENCY SERVICES
COMING, ANDY.
572
00:27:39,926 --> 00:27:42,062
OFF YOUR WORK AS A THIEF,
573
00:27:42,095 --> 00:27:44,364
I DON�T SEE YOU
BEING MUCH WITH THAT GUN,
574
00:27:44,397 --> 00:27:46,366
AND I AM NOT GOING TO LET
575
00:27:46,399 --> 00:27:48,301
AN EMERGENCY SERVICE
TAKE MY COLLAR.
576
00:27:48,334 --> 00:27:50,370
NOW LAY IT DOWN,
OR I START SHOOTING.
577
00:27:50,403 --> 00:27:51,738
DERRICK,
FOR GOD�S SAKE!
578
00:27:51,772 --> 00:27:53,039
LAY IT DOWN!
579
00:27:53,073 --> 00:27:54,875
ALL RIGHT!
580
00:27:54,908 --> 00:27:56,510
DON�T TOSS IT!
581
00:27:56,543 --> 00:27:58,979
LAY IT ON THE GROUND
AND PUSH IT AWAY.
582
00:27:59,012 --> 00:28:01,715
PUSHING IT AWAY.
GETTING ON THE GROUND.
583
00:28:01,748 --> 00:28:02,983
GET UP.
584
00:28:03,016 --> 00:28:05,752
[ RINGS ]
585
00:28:05,786 --> 00:28:07,420
LAY DOWN.
586
00:28:07,453 --> 00:28:09,590
YOU SON OF A BITCH!
587
00:28:09,623 --> 00:28:12,559
YOU�RE GOING TO POINT
A GUN AT ME!
588
00:28:12,593 --> 00:28:15,596
WHAT?
BELLER RESIDENCE.
589
00:28:15,629 --> 00:28:17,931
WAIT, EXCUSE ME A SECOND.
SAY THAT AGAIN.
590
00:28:17,964 --> 00:28:20,567
Beller: How is my
little play going?
591
00:28:20,601 --> 00:28:22,435
WHAT?
592
00:28:22,468 --> 00:28:24,437
WELL, NIKKI�S HERE,
MR. BELLER.
593
00:28:24,470 --> 00:28:25,872
Is Derrick there?
594
00:28:25,906 --> 00:28:27,708
OH,
THIS INBRED HUMP.
595
00:28:27,741 --> 00:28:30,577
YEAH, DERRICK�S HERE, WHO HAD
A SURPRISE PROP WITH HIM.
596
00:28:30,611 --> 00:28:32,245
What sort of prop?
597
00:28:32,278 --> 00:28:34,247
NEVER MIND.
IT�S NOT IMPORTANT.
598
00:28:34,280 --> 00:28:35,782
I confided to Nikki
599
00:28:35,816 --> 00:28:38,184
my suspicions
about what she�d done,
600
00:28:38,218 --> 00:28:41,522
and we agreed I�d meet her
at 4:00 to ransom my art.
601
00:28:41,555 --> 00:28:44,457
Nikki, were you surprised
when the police showed up?
602
00:28:44,490 --> 00:28:46,927
Can Nikki hear me now?
603
00:28:46,960 --> 00:28:48,929
I GOT TO RING OFF NOW,
MR. B.
604
00:28:48,962 --> 00:28:50,697
COME BY THE STATION HOUSE
TO SEE US.
605
00:28:50,731 --> 00:28:52,899
TAKE YOUR CURTAIN CALL THERE.
606
00:28:52,933 --> 00:28:54,134
Bravo, detectives.
607
00:28:54,167 --> 00:28:55,201
WONDERFUL.
608
00:28:55,235 --> 00:28:57,037
I�LL GIVE HIM
A CURTAIN CALL.
609
00:28:57,070 --> 00:28:59,039
Danny:
COME ON, GET UP.
610
00:28:59,072 --> 00:29:01,241
YEAH, WALKED US INTO
A POSSIBLE AMBUSH ?? ABSOLUTELY.
611
00:29:01,274 --> 00:29:04,210
ANY TROUBLE, I�M GOING
TO BREAK YOUR FINGER
612
00:29:04,244 --> 00:29:06,780
THAT YOU HAD ON THAT TRIGGER
OFF YOUR HAND.
613
00:29:06,813 --> 00:29:08,649
STAND UP, NIKKI.
614
00:29:08,682 --> 00:29:10,283
THESE CUFFS ARE TIGHT.
615
00:29:10,316 --> 00:29:14,020
YEAH, THEY COME LIKE THAT
FROM THE FACTORY.
616
00:29:31,638 --> 00:29:33,974
WE SAID WE�D COME GET YOU
AT 4:00.
617
00:29:34,007 --> 00:29:36,242
I�M SORRY
ABOUT JUMPING THE GUN.
618
00:29:36,276 --> 00:29:39,012
I WAS HOPING THERE�S
GOOD NEWS ABOUT YVETTE.
619
00:29:43,216 --> 00:29:45,451
AS FAR AS THAT GOES,
620
00:29:45,485 --> 00:29:47,588
A WOMAN MORE OR LESS FITTING
YOUR WIFE�S DESCRIPTION
621
00:29:47,621 --> 00:29:50,156
TURNED UP DISORIENTED
IN ATLANTIC CITY,
622
00:29:50,190 --> 00:29:52,759
IDENTIFYING HERSELF
AS A MRS. GUNDERSON.
623
00:29:52,793 --> 00:29:54,494
FITTING MY WIFE�S
DESCRIPTION?
624
00:29:54,528 --> 00:29:56,196
MORE OR LESS.
625
00:29:56,229 --> 00:29:58,599
I�D LIKE VERY MUCH
TO MEET THIS WOMAN.
626
00:29:58,632 --> 00:30:00,534
HAVE YOU
KNOWN YOUR WIFE
627
00:30:00,567 --> 00:30:02,536
TO TAKE DAY TRIPS
TO ATLANTIC CITY ??
628
00:30:02,569 --> 00:30:04,805
ENJOY PLAYING THE SLOTS
OR THE LIKE?
629
00:30:04,838 --> 00:30:07,541
NO, NOT THAT I�M AWARE OF.
I�D LIKE TO MEET THIS WOMAN.
630
00:30:07,574 --> 00:30:10,544
IF IT�S YOUR WIFE, I GUESS
YOU�VE ALREADY MET HER.
631
00:30:10,577 --> 00:30:12,045
YES, IF IT�S YVETTE.
632
00:30:12,078 --> 00:30:13,780
RIGHT NOW YOU�RE
SUPPOSED TO BE ASKING,
633
00:30:13,814 --> 00:30:16,482
"HAVE WE GOT A PHONE NUMBER
WHERE I CAN TALK TO HER?
634
00:30:16,517 --> 00:30:18,184
HOPE SHE�S ALL RIGHT."
635
00:30:18,218 --> 00:30:21,354
"I�M GOING TO BE SO RELIEVED
IF IT IS MY WIFE."
636
00:30:21,387 --> 00:30:23,323
ALL THAT
GOES WITHOUT SAYING.
637
00:30:23,356 --> 00:30:27,060
NO.
USUALLY IT ALL GETS SAID.
638
00:30:27,093 --> 00:30:30,096
WELL, HAVE YOU GOT
A PHONE NUMBER?
639
00:30:35,669 --> 00:30:37,738
WE WENT
TO YOUR PLANT EARLIER.
640
00:30:37,771 --> 00:30:39,405
SOME OF YOUR EMPLOYEES
SAID THEY SAW YOU
641
00:30:39,439 --> 00:30:41,141
DRIVE OUT IN THE WEEDS
BEHIND THE PLACE THIS MORNING
642
00:30:41,174 --> 00:30:42,208
AND TAKE OUT SOME SUITCASES
643
00:30:42,242 --> 00:30:43,343
AND THEN PUT THEM BACK
IN YOUR CAR.
644
00:30:43,376 --> 00:30:44,745
YES, I DID.
645
00:30:44,778 --> 00:30:47,180
WHAT WAS IN THOSE SUITCASES
YOU WANTED TO DITCH?
646
00:30:47,213 --> 00:30:49,550
THINGS OF YVETTE�S
I WANTED TO BE RID OF.
647
00:30:49,583 --> 00:30:51,384
AND WHERE
ARE THE SUITCASES NOW?
648
00:30:51,417 --> 00:30:53,854
I TOOK THEM TO A DUMP.
CAN�T REMEMBER WHICH ONE.
649
00:30:53,887 --> 00:30:56,857
THERE WAS SOME SORT OF FIRE
GOING IN ALL THE REFUSE,
650
00:30:56,890 --> 00:30:59,092
AND I TOSSED THEM
IN THERE.
651
00:30:59,125 --> 00:31:01,995
WHY DON�T WE TAKE A RIDE?
MAYBE IT�LL COME BACK TO YOU.
652
00:31:02,028 --> 00:31:04,430
I WANT TO PUT ALL THIS
BEHIND ME
653
00:31:04,464 --> 00:31:07,100
AND SPEAK TO THAT WOMAN
IN ATLANTIC CITY.
654
00:31:07,133 --> 00:31:09,102
WHAT�S YOUR HOPE HERE,
MR. GUNTHER ??
655
00:31:09,135 --> 00:31:12,105
YOU MURDERED YOUR WIFE,
NOW YOU�RE GOING TO START ANEW
656
00:31:12,138 --> 00:31:13,774
WITH SOME WOMAN
HAS AMNESIA?
657
00:31:13,807 --> 00:31:15,742
YOU KNOW WHAT LUMINOL IS,
MR GUNTHER?
658
00:31:15,776 --> 00:31:17,911
IT�S A SPRAY WE PUT DOWN
AT CRIME SCENES.
659
00:31:17,944 --> 00:31:19,713
IT MAKES
BLOOD RESIDUE GLOW.
660
00:31:19,746 --> 00:31:21,381
NOBODY IN HISTORY
661
00:31:21,414 --> 00:31:23,750
HAS EVER BEEN CUT
INTO PARTS SMALL ENOUGH
662
00:31:23,784 --> 00:31:26,119
TO FIT
INTO THREE SUITCASES
663
00:31:26,152 --> 00:31:28,054
WITHOUT LUMINOL
PICKING OUT RESIDUE
664
00:31:28,088 --> 00:31:30,090
AT THE DISMEMBERMENT
SITE.
665
00:31:30,123 --> 00:31:33,426
BEFORE WE GET THE WARRANT
TO GO INTO YOUR HOUSE
666
00:31:33,459 --> 00:31:35,529
AND LAY DOWN THE LUMINOL
AND 100% INCRIMINATE YOU,
667
00:31:35,562 --> 00:31:37,531
YOU GOT A CHANCE
TO MAKE A STATEMENT
668
00:31:37,564 --> 00:31:39,966
WHERE IT WILL COUNT
FOR SOMETHING WITH A JUDGE
669
00:31:40,000 --> 00:31:41,968
INSTEAD OF AFTER
YOU�RE INCRIMINATED
670
00:31:42,002 --> 00:31:43,737
WHEN IT DON�T COUNT
FOR JACK.
671
00:31:43,770 --> 00:31:45,972
BUT ALL OF THIS IS MOOT
672
00:31:46,006 --> 00:31:48,141
IF THE WOMAN IN ATLANTIC CITY
IS YVETTE.
673
00:31:48,174 --> 00:31:51,945
IS SHE, MR. GUNTHER?
674
00:31:51,978 --> 00:31:54,981
YOU MIGHT ASK
IF THAT WOMAN
675
00:31:55,015 --> 00:31:59,385
IS TOLERABLE IN ANY WAY
AS A HUMAN BEING,
676
00:31:59,419 --> 00:32:02,589
WHICH WOULD
RULE HER OUT ABSOLUTELY
677
00:32:02,623 --> 00:32:05,091
AS BEING MY WIFE.
678
00:32:05,125 --> 00:32:07,728
MEANING YOU DID AWAY
WITH MRS. GUNTHER ??
679
00:32:07,761 --> 00:32:09,095
DISMEMBERED HER ??
680
00:32:09,129 --> 00:32:11,064
PUT HER IN
THE THREE SUITCASES,
681
00:32:11,097 --> 00:32:14,467
AND YOUR EMPLOYEES SEEING YOU
OUT BACK OF THE PLANT
682
00:32:14,500 --> 00:32:17,103
WAS YOU LOOKING
TO DISPOSE OF HER BODY,
683
00:32:17,137 --> 00:32:20,607
WHICH, EVIDENTLY,
YOU THEN TOOK HER TO A DUMP.
684
00:32:20,641 --> 00:32:22,242
WELL, THE TRUTH IS,
685
00:32:22,275 --> 00:32:24,611
I CAN�T SEEM
TO DISPOSE OF HER.
686
00:32:24,645 --> 00:32:26,246
I TAKE HER PLACES
687
00:32:26,279 --> 00:32:28,849
AND WIND UP BRINGING HER
BACK INTO THE HOUSE.
688
00:32:30,951 --> 00:32:33,153
IS EITHER OF YOU MARRIED?
689
00:32:35,622 --> 00:32:37,190
I WAS.
690
00:32:37,223 --> 00:32:40,193
HOW DID YOU EVER
GET RID OF HER?
691
00:32:40,226 --> 00:32:42,128
SHE DUMPED ME.
692
00:32:44,665 --> 00:32:46,633
NOT IN THE SAME SENSE
693
00:32:46,667 --> 00:32:49,703
THAT YOU WERE LOOKING
TO DUMP MRS. GUNTHER.
694
00:32:59,880 --> 00:33:01,347
YOU�LL GET HIM SITUATED?
695
00:33:01,381 --> 00:33:04,317
YEAH, DERRICK AND ALL 25
OF HIS CALIBERS.
696
00:33:04,350 --> 00:33:06,452
LET ME GET SOMEONE DOING
A CAVITY SEARCH ON HER.
697
00:33:06,486 --> 00:33:07,854
OH, COME ON.
698
00:33:07,888 --> 00:33:10,023
THE ONLY SITUATING YOU�RE
GOING TO BE DOING FOR ME
699
00:33:10,056 --> 00:33:11,858
IS CALLING ME A LAWYER.
700
00:33:11,892 --> 00:33:14,327
OKAY, YOU�RE A LAWYER. THAT�S
A STEP DOWN FROM STEALING.
701
00:33:14,360 --> 00:33:15,461
KISS MY ASS.
702
00:33:15,495 --> 00:33:16,997
EXCUSE ME.
703
00:33:17,030 --> 00:33:18,632
I THINK I SAID
"KISS MY ASS! "
704
00:33:18,665 --> 00:33:20,567
YOU GOT A MINUTE, DIANE,
BEFORE A BOMB BLOWS?
705
00:33:20,601 --> 00:33:21,835
SURE.
706
00:33:21,868 --> 00:33:22,803
THIS ONE
NEEDS TO BE SEARCHED.
707
00:33:22,836 --> 00:33:24,738
Diane: GO IN THERE.
708
00:33:24,771 --> 00:33:26,573
HEY, DERRICK,
709
00:33:26,607 --> 00:33:30,577
LET�S HEAR HOW "KISS MY ASS"
SOUNDS WITH A PUFF NOSE.
710
00:33:30,611 --> 00:33:32,579
KITH MY ATH ??
COME ON.
711
00:33:32,613 --> 00:33:34,180
DERRICK
WOULD LIKE TO KNOW
712
00:33:34,214 --> 00:33:36,349
IF THERE�S ANYONE
IN THE POKEY.
713
00:33:36,382 --> 00:33:38,919
DETECTIVES MEDAVOY AND JONES
ARE IN THE POKEY.
714
00:33:38,952 --> 00:33:41,254
INTERVIEW THREE IS OPEN.
715
00:33:41,287 --> 00:33:42,589
THAT�S THE ANSWER
TO ONE QUESTION I DID ASK
716
00:33:42,623 --> 00:33:44,257
AND ONE I DIDN�T.
717
00:33:44,290 --> 00:33:45,992
YES, THE POKEY
IS OCCUPIED.
718
00:33:46,026 --> 00:33:50,664
LET�S SIT YOU DOWN
ON THE BENCH HERE TEMPORARILY.
719
00:33:50,697 --> 00:33:52,365
MAY I OFFER HIM
A TISSUE?
720
00:33:55,201 --> 00:33:56,169
JUST RELAX.
721
00:33:56,202 --> 00:33:57,538
SURE,
I�LL KNOW TO COME HERE
722
00:33:57,571 --> 00:33:58,438
NEXT TIME THAT�S
WHAT I WANT TO DO.
723
00:33:58,471 --> 00:34:00,073
IS THAT ENOUGH WISECRACKS?
724
00:34:00,106 --> 00:34:03,544
�CAUSE THIS IS
WHERE YOU ARE RIGHT NOW.
725
00:34:03,577 --> 00:34:05,411
I�M GOING TO LAY
SOME THINGS OUT FOR YOU
726
00:34:05,445 --> 00:34:06,747
THAT IF YOU�RE
UP TO DO IT,
727
00:34:06,780 --> 00:34:09,015
MAYBE YOU�RE GOING
TO SAVE YOURSELF SOME YEARS.
728
00:34:09,049 --> 00:34:11,552
LET HER PUT
HER SWEATER BACK ON.
729
00:34:11,585 --> 00:34:12,686
OKAY, COMMANDER.
730
00:34:12,719 --> 00:34:14,688
SORRY.
731
00:34:14,721 --> 00:34:16,289
[ KNOCK ON DOOR ]
732
00:34:16,322 --> 00:34:17,924
WHAT�S UP, ANDY?
733
00:34:17,958 --> 00:34:19,926
YOU NEED THIS ROOM?
734
00:34:19,960 --> 00:34:22,395
WE�RE TAKING A STATEMENT.
735
00:34:22,428 --> 00:34:23,730
AND I�M ASKING
IF YOU NEED THIS ROOM.
736
00:34:23,764 --> 00:34:25,398
NOT THIS ONE
PARTICULARLY, NO.
737
00:34:25,431 --> 00:34:27,768
WE NEED
THIS PARTICULAR ROOM.
738
00:34:27,801 --> 00:34:29,102
WE CAN MOVE.
739
00:34:29,135 --> 00:34:30,537
THANK YOU.
740
00:34:30,571 --> 00:34:33,306
I ACTUALLY PREFER
THE REFRESHMENT ROOM.
741
00:34:35,809 --> 00:34:39,145
WHATEVER YOU TELL US
DON�T GET YOU NO YEARS OFF
742
00:34:39,179 --> 00:34:40,614
IF WE CAN�T
CORROBORATE IT.
743
00:34:40,647 --> 00:34:42,415
HOW WOULD YOU
CORROBORATE IT?
744
00:34:42,448 --> 00:34:43,950
EITHER IF CAN WE GET
YOU AND DERRICK
745
00:34:43,984 --> 00:34:46,219
INTO A ROOM THAT�S MIKED
746
00:34:46,252 --> 00:34:48,922
AND YOU GET DERRICK
TALKING ABOUT WHAT HE DID,
747
00:34:48,955 --> 00:34:51,324
OR OTHERWISE, ARE YOU
WILLING TO BE WIRED?
748
00:34:51,357 --> 00:34:52,593
YOU GET HIM TALKING.
749
00:34:52,626 --> 00:34:53,827
WHAT IF HE DOESN�T
SAY ANYTHING
750
00:34:53,860 --> 00:34:54,995
THAT CORROBORATES
MY INNOCENCE?
751
00:34:55,028 --> 00:34:57,564
ARE YOU INNOCENT?
752
00:34:57,598 --> 00:35:01,267
THE TAPE WILL CONFIRM
YOUR GUILT AND HIS,
753
00:35:01,301 --> 00:35:04,137
BUT YOUR WEARING A WIRE
SHOWS CONSTRUCTIVE COOPERATION.
754
00:35:04,170 --> 00:35:06,072
WHICH TRANSLATES
TO TIME OFF.
755
00:35:06,106 --> 00:35:08,108
HOW COME
I�M THE LUCKY ONE?
756
00:35:08,141 --> 00:35:09,275
YOUR PAL DERRICK
PULLING THAT PIECE ??
757
00:35:09,309 --> 00:35:13,013
THAT MOVED HIM
TO THE HEAD OF THE LINE.
758
00:35:13,046 --> 00:35:16,449
THIS IS WHERE YOU WANT
TO SAY YES, NIKKI.
759
00:35:16,482 --> 00:35:20,854
I�LL DO WHATEVER
I HAVE TO DO.
760
00:35:20,887 --> 00:35:22,689
GOOD.
761
00:35:22,723 --> 00:35:26,560
SHE DON�T NEED TO BE MIKED.
WE GOT THE POKEY ROOM.
762
00:35:38,204 --> 00:35:40,440
ARE YOU SUPPOSED
TO BE IN HERE?
763
00:35:40,473 --> 00:35:42,643
I�M PROBABLY NOT THE ONE
YOU NEED TO ASK.
764
00:35:42,676 --> 00:35:44,044
�CAUSE HE�S
SUPPOSED TO GO IN THE POKEY.
765
00:35:44,077 --> 00:35:46,446
THE POLICEWOMAN LEFT HERE
ABOUT THREE MINUTES AGO.
766
00:35:46,479 --> 00:35:47,548
SET YOU UP
IN ANOTHER INTERVIEW ROOM?
767
00:35:47,581 --> 00:35:49,850
I DON�T KNOW.
768
00:35:49,883 --> 00:35:52,185
SO WHEN YOU AREN�T PULLING
SOMEONE AROUND BY THE NOSE,
769
00:35:52,218 --> 00:35:53,353
YOU PEOPLE DON�T KNOW
WHAT YOU�RE DOING.
770
00:35:53,386 --> 00:35:55,288
HEY,
I�LL GRAB YOU BY THE NOSE
771
00:35:55,321 --> 00:35:56,790
IF YOU WANT
TO DO IT THAT WAY.
772
00:35:56,823 --> 00:35:58,358
COME ON.
773
00:36:03,764 --> 00:36:05,231
IN HERE.
774
00:36:10,671 --> 00:36:11,738
DON�T BE
TALKING TO EACH OTHER.
775
00:36:11,772 --> 00:36:12,806
THAT�S A 2?WAY MIRROR,
776
00:36:12,839 --> 00:36:15,308
AND YOU ARE
UNDER OBSERVATION.
777
00:36:15,341 --> 00:36:17,511
Andy: ALWAYS TELL THEM
THE TRUTH.
778
00:36:17,544 --> 00:36:19,713
IT�S THE ONE THING
THEY NEVER BELIEVE.
779
00:36:19,746 --> 00:36:22,716
SO, YOU GOT YOUR LEGS UP
FOR THEM, NIKKI?
780
00:36:22,749 --> 00:36:24,350
LEAVE ME ALONE.
781
00:36:24,384 --> 00:36:27,420
GET YOURSELF A LAWYER
AND KEEP YOUR MOUTH SHUT.
782
00:36:27,453 --> 00:36:30,524
I�M JUST SITTING HERE
FEELING SORRY FOR MYSELF.
783
00:36:30,557 --> 00:36:33,527
ARE YOU GETTING A LAWYER?
�CAUSE WE CAN RIDE THIS OUT.
784
00:36:33,560 --> 00:36:36,530
IS THAT WHY YOU PULLED
THE GUN ON THOSE COPS ??
785
00:36:36,563 --> 00:36:38,599
BECAUSE YOU WERE SO CONFIDENT
WITH THE RIGHT REPRESENTATION
786
00:36:38,632 --> 00:36:40,534
WE COULD RIDE THIS OUT?
787
00:36:40,567 --> 00:36:43,036
WAS THAT YOU WASTED AND BROKE
UNDER THAT STATUE AT CAESAR�S
788
00:36:43,069 --> 00:36:45,739
WITH YOUR WISE MOUTH
AND YOUR COLLEGE EDUCATION,
789
00:36:45,772 --> 00:36:48,509
AND WAS THAT ME THAT PUT YOU
BACK ON YOUR FEET?
790
00:36:48,542 --> 00:36:50,744
I WISH YOU WOULD�VE
LEFT ME THERE.
791
00:36:50,777 --> 00:36:52,546
GOING ON ABOUT YOUR
RICH FRIENDS SO I�D KNOW
792
00:36:52,579 --> 00:36:55,381
HOW LUCKY I WAS THAT YOU
WERE GIVING ME A PIECE OF ASS.
793
00:36:55,415 --> 00:36:58,351
LITTLE DID I KNOW I�D WIND UP
FORCED ACROSS THE COUNTRY
794
00:36:58,384 --> 00:37:01,187
AT GUNPOINT SO WE COULD
ROB ONE OF THEM.
795
00:37:01,221 --> 00:37:04,591
THAT GUN WAS ON YOU
ALL THE TIME.
796
00:37:04,625 --> 00:37:07,628
I NEVER TRIED TO ROB ANYONE
IN MY LIFE TILL I MET YOU.
797
00:37:07,661 --> 00:37:10,130
IT�S LIKE HOW I MADE YOU
SCREAM IN BED.
798
00:37:10,163 --> 00:37:12,465
YOU JUST DIDN�T KNOW
YOU HAD IT IN YOU.
799
00:37:18,672 --> 00:37:21,274
THAT�S GOOD ENOUGH?
800
00:37:23,143 --> 00:37:25,278
YEAH,
THAT�S GOOD ENOUGH.
801
00:37:35,989 --> 00:37:38,124
I DO WISH
802
00:37:38,158 --> 00:37:42,162
YOU�D LET DETECTIVES SORENSON
AND SIPOWICZ KNOW I�M HERE.
803
00:37:42,195 --> 00:37:44,631
THEY TOLD ME TO HANG OUT
WITH YOU, MR. BELLER.
804
00:37:44,665 --> 00:37:47,233
LOOK, I�VE BEEN INSTRUMENTAL
IN THEIR CASE.
805
00:37:47,267 --> 00:37:50,971
THEY SPECIFICALLY ASKED ME
TO COME TO THE STATION HOUSE.
806
00:37:51,004 --> 00:37:53,173
THEY WOULDN�T WANT ME
TO BE COOLING MY HEELS.
807
00:37:53,206 --> 00:37:54,941
ACTUALLY,
I THINK THEY GOT
808
00:37:54,975 --> 00:37:57,177
ABOUT 18 MONTHS OF THAT
IN MIND.
809
00:37:57,210 --> 00:37:58,344
EXCUSE ME?
810
00:37:58,378 --> 00:38:01,081
NOT MY CASE,
NOT MY PLACE.
811
00:38:01,114 --> 00:38:03,483
THAT ALMOST REACHES THE QUALITY
OF THE METAPHYSICAL ??
812
00:38:03,517 --> 00:38:05,351
YOUR LITTLE
POLICE APHORISM.
813
00:38:05,385 --> 00:38:08,421
YOU KNOW, I DON�T THINK
SOMEONE WITH YOUR PROBLEMS
814
00:38:08,454 --> 00:38:11,792
OUGHT TO BE MAKING
COMMENTS ABOUT MY ASS.
815
00:38:11,825 --> 00:38:15,128
WHAT PROBLEM, DETECTIVE?
WHAT 18 MONTHS?
816
00:38:15,161 --> 00:38:17,631
18 MONTHS FOR IMPEDING POLICE
ADMINISTRATION, MR. BELLER.
817
00:38:17,664 --> 00:38:19,633
ARE YOU SAYING
THEY�RE INTENDING
818
00:38:19,666 --> 00:38:21,535
TO TAKE ME INTO CUSTODY?
819
00:38:21,568 --> 00:38:23,870
YOU THINK I�M LEANING
MY POLICE APHORISM
820
00:38:23,904 --> 00:38:26,206
AGAINST THIS DESK BECAUSE
I LIKE KEEPING COMPANY
821
00:38:26,239 --> 00:38:27,774
WITH A LAME?O
VICODIN FREAK?
822
00:38:27,808 --> 00:38:30,276
ARE THEY INTENDING
TO ARREST ME?
823
00:38:30,310 --> 00:38:32,478
I�M JUST THE P. A. A.
824
00:38:32,513 --> 00:38:34,881
I DEMAND TO SEE DETECTIVE
SIPOWICZ OR SORENSON.
825
00:38:34,915 --> 00:38:36,850
A COLLAR
ONLY GETS ONE CALL.
826
00:38:36,883 --> 00:38:39,485
I THINK YOU
OUGHT TO BE DECIDING
827
00:38:39,520 --> 00:38:42,689
WHETHER THAT�S GOING TO BE
YOUR LAWYER OR YOUR DEALER.
828
00:38:42,723 --> 00:38:45,959
I DIDN�T INTEND TO IMPEDE
POLICE ADMINISTRATION.
829
00:38:45,992 --> 00:38:47,493
I THINK BEING ROBBED
830
00:38:47,528 --> 00:38:50,496
ENTITLED ME TO SOME
SMALL AMUSEMENT
831
00:38:50,531 --> 00:38:52,198
ORCHESTRATING
THE THIEVES� CAPTURE.
832
00:38:52,232 --> 00:38:54,701
WELL, THAT�S �CAUSE YOU�RE
A LAME?O VICODIN FREAK.
833
00:38:54,735 --> 00:38:57,671
Danny: HOW�S IT GOING,
MR. BELLER?
834
00:38:57,704 --> 00:38:59,339
NOT WELL.
835
00:38:59,372 --> 00:39:01,374
I DON�T THINK MR. BELLER
836
00:39:01,407 --> 00:39:03,877
REALLY UNDERSTANDS
HIS SITUATION YET.
837
00:39:03,910 --> 00:39:05,846
IF YOU SHOUT UP HIS ASS
838
00:39:05,879 --> 00:39:07,848
WHEN HIS HEAD�S
POSITIONED RIGHT ??
839
00:39:07,881 --> 00:39:10,050
ONE OF HIS EARS POINTED
TOWARDS THE OUTSIDE WORLD ??
840
00:39:10,083 --> 00:39:12,485
HE GETS SOME KIND OF CLUE
WHAT�S GOING ON.
841
00:39:12,519 --> 00:39:14,588
HOW PEOPLE
DOING THEIR JOBS,
842
00:39:14,621 --> 00:39:16,890
WHICH INCLUDES TRYING TO GET
HIS ART BACK,
843
00:39:16,923 --> 00:39:19,593
WHICH HE EARNED WITH THE SWEAT
OF HIS GRANDFATHER�S BROW...
844
00:39:19,626 --> 00:39:21,528
GRANDPA WAS IN
TOILET BOWL MANUFACTURE?
845
00:39:21,562 --> 00:39:23,196
HOW PEOPLE LIKE THAT
MIGHT GET PISSED OFF
846
00:39:23,229 --> 00:39:24,765
HIS IDEA OF A HOOT
847
00:39:24,798 --> 00:39:27,000
IS SENDING THEM
INTO AN APARTMENT
848
00:39:27,033 --> 00:39:30,203
WHERE SOMEONE DUMB ENOUGH
TO USE IT�S GOT A GUN OUT.
849
00:39:30,236 --> 00:39:31,772
DERRICK HAD A GUN OUT?
850
00:39:31,805 --> 00:39:35,008
SOMEBODY OUT TO TAPE RECORD
YOU SAYING THAT
851
00:39:35,041 --> 00:39:37,944
AND MAKE YOU LISTEN TO IT
FOR THE REST OF YOUR LIFE.
852
00:39:37,978 --> 00:39:40,413
COULD I DO THAT
AS AN ALTERNATIVE TO JAIL?
853
00:39:40,446 --> 00:39:43,617
NO ONE�S SENDING YOU
TO JAIL, DOUCHE BAG.
854
00:39:43,650 --> 00:39:45,251
THANKS.
855
00:39:45,285 --> 00:39:47,220
NO PROBLEM.
856
00:39:47,253 --> 00:39:49,055
NIGHT.
857
00:39:52,759 --> 00:39:55,896
SO THIS WAS JUST
SOME LITTLE MORALITY PLAY
858
00:39:55,929 --> 00:39:57,531
STAGED FOR MY BENEFIT?
859
00:39:57,564 --> 00:40:01,067
NOW WHERE WOULD WE GET AN IDEA
TO DO SOMETHING LIKE THAT?
860
00:40:01,101 --> 00:40:02,903
WHAT WOULD BENEFIT YOU ??
861
00:40:02,936 --> 00:40:05,238
SOMEBODY SMACKING YOU
IN THE BACK OF THE HEAD
862
00:40:05,271 --> 00:40:08,474
FOR ABOUT SIX STRAIGHT HOURS,
BUT WE GOT HOMES TO GO TO.
863
00:40:08,509 --> 00:40:11,144
THE ART
IS AT THE ESSEX HOUSE.
864
00:40:11,177 --> 00:40:13,279
IT�S GOT TO BE VOUCHERED
AND HELD AS EVIDENCE.
865
00:40:13,313 --> 00:40:14,948
YOU�LL GET IT BACK.
866
00:40:14,981 --> 00:40:16,750
OH, OUR PLEASURE.
867
00:40:16,783 --> 00:40:18,519
TAKE A HIKE,
MR. BELLER.
868
00:40:31,331 --> 00:40:33,900
YOU DON�T WANT TO CALL
THE DESK SERGEANT
869
00:40:33,934 --> 00:40:36,937
AND HAVE SOME COP TOSS
THIS PRICK FOR HIS PILLS?
870
00:40:36,970 --> 00:40:38,672
NOT TO COLLAR HIM?
871
00:40:38,705 --> 00:40:41,074
NO. JUST TO GIVE HIM
A FAREWELL SCARE.
872
00:40:41,107 --> 00:40:45,045
YEAH, WE COULD DO THAT,
BUT IT WOULD BE BENEATH US.
873
00:41:00,994 --> 00:41:04,164
"I WOULD NOT EAT THEM
FROM A BOX.
874
00:41:04,197 --> 00:41:06,600
I WOULD NOT EAT THEM
WITH A FOX."
875
00:41:06,633 --> 00:41:08,168
YOU DO YOURS.
876
00:41:08,201 --> 00:41:10,537
"I WOULD NOT EAT THEM
HERE OR THERE.
877
00:41:10,571 --> 00:41:12,806
"I WOULD NOT
EAT THEM ANYWHERE.
878
00:41:12,839 --> 00:41:15,175
"I DO NOT LIKE
GREEN EGGS AND HAM.
879
00:41:15,208 --> 00:41:18,779
I DO NOT LIKE THEM,
SAM I AM."
880
00:41:18,812 --> 00:41:20,614
NOW YOURS.
881
00:41:20,647 --> 00:41:24,718
UH, I WOULD NOT
EAT THEM IN A BUS.
882
00:41:24,751 --> 00:41:28,321
I WOULD NOT PUT THEM
IN MY TRUSS.
883
00:41:28,354 --> 00:41:33,226
I, UH, I�D THROW A FEW
AT COUSIN GUS...
884
00:41:33,259 --> 00:41:37,531
BUT NOT AT LARRY, MOE,
OR PETE.
885
00:41:37,564 --> 00:41:40,901
THEO, DO YOU REMEMBER
WHEN YOU WERE SICK
886
00:41:40,934 --> 00:41:43,970
AND YOU DID THESE WATERCOLORS
WITH AUNT KATY?
887
00:41:44,004 --> 00:41:46,540
I WOULD NOT EAT THEM
IN YOUR SHOE.
888
00:41:46,573 --> 00:41:48,909
YEAH, WE�LL DO MORE
"SAM I AM" LATER,
889
00:41:48,942 --> 00:41:51,978
BUT, HERE, LOOK AT THESE
WATERCOLORS THAT YOU MADE.
890
00:41:52,012 --> 00:41:53,980
THERE�S THE PARK.
891
00:41:54,014 --> 00:41:55,716
DID THESE COME TO YOU
892
00:41:55,749 --> 00:41:57,984
�CAUSE YOU HAD
THE FEVER, SON,
893
00:41:58,018 --> 00:42:00,521
OR COULD YOU TURN THEM OUT
ON A REGULAR BASIS?
894
00:42:00,554 --> 00:42:02,355
THAT�S ME AND GREGORY.
895
00:42:02,388 --> 00:42:07,493
YEAH, THAT�S ?? THAT�S YOU
AND YOUR PAL GREGORY.
896
00:42:07,528 --> 00:42:10,564
I WOULD NOT EAT THEM
WITH MY PAL GREGORY.
897
00:42:10,597 --> 00:42:14,367
ALL RIGHT,
BUT I�LL TELL YOU,
898
00:42:14,400 --> 00:42:16,670
I THINK THOSE
ARE GREAT PAINTINGS,
899
00:42:16,703 --> 00:42:19,405
AND IF YOU EVER FEEL
LIKE PICKING UP A BRUSH,
900
00:42:19,439 --> 00:42:20,941
YOU JUST HOLLER.
901
00:42:20,974 --> 00:42:23,677
I DON�T FEEL LIKE
PICKING UP A BRUSH.
902
00:42:23,710 --> 00:42:29,182
ALL RIGHT,
BUT LET ME TELL YOU...
903
00:42:29,215 --> 00:42:31,752
GUYS ARE PAINTING
CRAP OUT THERE
904
00:42:31,785 --> 00:42:34,187
THAT DON�T HOLD A CANDLE
TO YOUR STUFF,
905
00:42:34,220 --> 00:42:38,224
AND THEY ARE MAKING
SOME LIVING AT IT, TOO.
906
00:42:38,258 --> 00:42:40,594
OKAY.
907
00:42:40,627 --> 00:42:43,296
I WOULD NOT PUT THEM
IN YOUR NOSE.
908
00:42:43,329 --> 00:42:45,699
NO, DON�T PICK
MY NOSE HAIRS, THEO.
909
00:42:45,732 --> 00:42:49,402
"I WOULD NOT, COULD NOT,
IN THE RAIN.
910
00:42:49,435 --> 00:42:52,606
I WOULD NOT, COULD NOT,
ON A TRAIN."
911
00:42:52,639 --> 00:42:54,941
"I DO NOT LIKE
GREEN EGGS AND HAM."
912
00:42:54,975 --> 00:42:58,178
"I DO NOT LIKE THEM,
SAM I AM."
913
00:42:58,228 --> 00:43:02,778
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