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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:21,221 --> 00:00:22,689 YOU TRIED REACHING THIS GUY? 2 00:00:22,723 --> 00:00:25,692 NO ANSWER UPSTAIRS, NO ANSWER ON HIS CELL PHONE. 3 00:00:25,726 --> 00:00:28,662 THIS IS AN IN?TOUCH TENANT. WHO�S THE WHOM TO CALL? 4 00:00:28,695 --> 00:00:30,764 I CALLED HIS NEPHEW. 5 00:00:30,797 --> 00:00:33,333 THAT SMART?ASS PISSPOT HADN�T SEEN HIM IN TWO DAYS. 6 00:00:33,366 --> 00:00:34,768 SAYS, "DON�T WORRY, RHODES. 7 00:00:34,801 --> 00:00:37,170 "WALTER�S PROBABLY INCOMMUNICADO AT THE HAMPTONS 8 00:00:37,203 --> 00:00:39,172 BANGING SOME NEW 22?YEAR?OLD GUY." 9 00:00:39,205 --> 00:00:41,441 WALTER GOODE ?? NO ONE�S SEEN HIM FOR TWO DAYS. 10 00:00:41,474 --> 00:00:44,344 THIS IS THE DOORMAN BRUCE RHODES. 11 00:00:44,377 --> 00:00:46,246 REPORTED MR. GOODE�S TAUPE MERCEDES MISSING. 12 00:00:46,279 --> 00:00:48,248 WHAT KIND OF MERCEDES? 13 00:00:48,281 --> 00:00:49,583 TAUPE. 14 00:00:49,616 --> 00:00:51,451 IT�S A COLOR, LIKE BEIGE. 15 00:00:51,484 --> 00:00:54,054 SO WHY DON�T YOU SHOW US THE GARAGE 16 00:00:54,087 --> 00:00:56,056 WHERE MR. GOODE�S TAUPE MERCEDES WENT MISSING FROM? 17 00:00:56,089 --> 00:00:57,758 YEAH, SURE. UH, THIS WAY. 18 00:00:57,791 --> 00:00:59,292 MR. GOODE�S APARTMENT DONE IN TAUPE? 19 00:00:59,325 --> 00:01:02,863 WE MAY NEED TO LOOK AT THAT, TOO. 20 00:01:02,896 --> 00:01:05,365 HIS APARTMENT�S UNDISTURBED. 21 00:01:05,398 --> 00:01:07,300 YOU�RE SHOWING A LOT OF INITIATIVE, BRUCE. 22 00:01:07,333 --> 00:01:08,769 WELL, I WAS WORRIED SICK, 23 00:01:08,802 --> 00:01:11,104 SO I TOOK A RIDE IN THE ELEVATOR. 24 00:01:13,607 --> 00:01:15,241 THIS IS MR. GOODE�S SPACE? 25 00:01:15,275 --> 00:01:16,743 YEAH, RIGHT THERE. 26 00:01:16,777 --> 00:01:19,145 THERE�S SOMETHING HERE BY THE DRIVER�S SIDE. 27 00:01:22,649 --> 00:01:24,317 BLOOD AND HAIR. 28 00:01:24,350 --> 00:01:27,120 DID YOU SEE THIS BLOOD AND HAIR OVER HERE, RHODES? 29 00:01:27,153 --> 00:01:28,722 YEAH, I�VE SEEN IT. 30 00:01:28,755 --> 00:01:30,891 YOU BETTER CALL CRIME SCENE, GREG. 31 00:01:30,924 --> 00:01:32,893 DO YOU THINK BEFORE MAKING SURE WE KNEW 32 00:01:32,926 --> 00:01:34,661 THIS GUY�S CAR WAS TAUPE?COLORED, 33 00:01:34,695 --> 00:01:37,497 YOU SHOULD HAVE CONVEYED TO US 34 00:01:37,531 --> 00:01:39,900 PART OF HIS HEAD OCCUPIED HIS PARKING SPACE? 35 00:01:39,933 --> 00:01:42,503 THAT WAS THE TIP?OFF THERE MIGHT HAVE BEEN FOUL PLAY. 36 00:01:42,536 --> 00:01:45,672 DEDUCING FOUL PLAY OFF JUST BLOOD AND HAIR 37 00:01:45,706 --> 00:01:47,440 AND LITTLE PIECES OF BRAIN MATTER? 38 00:01:47,473 --> 00:01:49,843 YOU MAY BE IN THE WRONG LINE OF WORK. 39 00:01:49,876 --> 00:01:52,445 GOOD. I�M GOING TO BE LOOKING FOR A JOB. 40 00:03:22,703 --> 00:03:24,871 GOOD MORNING. 41 00:03:24,905 --> 00:03:27,941 MY DAUGHTER�S GOING TO HAVE A DRINK OF WATER, 42 00:03:27,974 --> 00:03:29,710 THEN WE�RE GOING IN HERE. 43 00:03:29,743 --> 00:03:31,545 I�M DIANE RUSSELL, A DETECTIVE IN THE SQUAD. 44 00:03:31,578 --> 00:03:34,280 IS THERE SOMETHING I COULD HELP YOU WITH? 45 00:03:34,314 --> 00:03:36,349 JANET AND OSCAR WEBB. 46 00:03:36,382 --> 00:03:38,685 THIS IS OUR DAUGHTER ANYA. 47 00:03:38,719 --> 00:03:40,420 HI, ANYA. 48 00:03:40,453 --> 00:03:41,387 HI. 49 00:03:41,421 --> 00:03:43,223 A TERRIBLE THING HAPPENED TO HER. 50 00:03:43,256 --> 00:03:44,691 SHE WAS ATTACKED. 51 00:03:44,725 --> 00:03:45,926 I�M SORRY, ANYA. 52 00:03:45,959 --> 00:03:48,529 THANK YOU. 53 00:03:48,562 --> 00:03:52,733 COME ON. WE�LL TALK ABOUT WHAT HAPPENED. 54 00:03:56,603 --> 00:03:59,573 ANYA AND I ARE GOING TO TALK IN THE COFFEE ROOM. 55 00:03:59,606 --> 00:04:01,575 WOULD YOU SEE IF MR. AND MRS. WEBB 56 00:04:01,608 --> 00:04:03,710 WOULD LIKE ANYTHING FROM DOWNSTAIRS? 57 00:04:03,744 --> 00:04:04,978 OF COURSE. 58 00:04:05,011 --> 00:04:06,913 SHE NEEDS US WITH HER. 59 00:04:06,947 --> 00:04:08,749 HOW OLD ARE YOU, ANYA? 60 00:04:08,782 --> 00:04:10,551 Janet: 23. 61 00:04:10,584 --> 00:04:12,786 SINCE YOU�RE NOT A MINOR, IT ISN�T USUAL PROCEDURE 62 00:04:12,819 --> 00:04:16,723 TO HAVE YOUR PARENTS WITH YOU, BUT WE CAN MAKE AN EXCEPTION. 63 00:04:16,757 --> 00:04:19,459 NOT IF IT CHANGES THE PROCEDURE. 64 00:04:19,492 --> 00:04:20,561 ANYA. 65 00:04:20,594 --> 00:04:22,428 Jill: GOOD MORNING. 66 00:04:22,462 --> 00:04:24,631 THESE ARE THE WEBBS, JILL. THEIR DAUGHTER WAS ATTACKED. 67 00:04:24,665 --> 00:04:25,832 I�M SORRY. 68 00:04:25,866 --> 00:04:27,568 JILL KIRKENDALL. 69 00:04:27,601 --> 00:04:29,736 DID YOU WANT TO MAKE OUT A BACKGROUND STATEMENT 70 00:04:29,770 --> 00:04:31,505 ON THE INCIDENT? 71 00:04:31,538 --> 00:04:34,407 I�M GOING TO TAKE HER IN THE COFFEE ROOM. 72 00:04:34,440 --> 00:04:36,777 OKAY, WE CAN TALK AT MY DESK. 73 00:04:36,810 --> 00:04:38,745 THE DOWNSTAIRS COFFEE�S BETTER IF YOU WANT SOME. 74 00:04:38,779 --> 00:04:40,013 Janet: NO, THANK YOU. 75 00:04:40,046 --> 00:04:41,982 HE PROMISED WE�D BE WITH HER. 76 00:04:42,015 --> 00:04:43,850 YOU PROMISED ANYA? 77 00:04:43,884 --> 00:04:47,020 HE PROMISED. 78 00:04:47,053 --> 00:04:48,689 SO, THAT�S GREAT. 79 00:04:48,722 --> 00:04:51,491 SHE KNOWS YOU�RE RIGHT OUT HERE. 80 00:04:51,525 --> 00:04:53,860 PLEASE HAVE A SEAT. 81 00:04:59,966 --> 00:05:02,636 ONE OF THE KITTENS AT MY WORK 82 00:05:02,669 --> 00:05:05,005 WAS DOING BAD LAST NIGHT 83 00:05:05,038 --> 00:05:06,873 AFTER IT HAD GOTTEN FIXED, 84 00:05:06,907 --> 00:05:09,009 SO I STAYED PETTING HER A WHILE 85 00:05:09,042 --> 00:05:11,512 TILL I COULD GET HER ASLEEP. 86 00:05:11,545 --> 00:05:13,614 AND THEN WHEN DID YOU LEAVE WORK, ANYA? 87 00:05:13,647 --> 00:05:15,348 9:15. 88 00:05:15,381 --> 00:05:18,652 AND WHEN I WAS WAITING FOR THE BUS, 89 00:05:18,685 --> 00:05:23,957 THREE SPANISH BOYS IN BIG HOODED JACKETS CAME UP. 90 00:05:23,990 --> 00:05:26,627 I WAS HOPING THEY�D PASS BY, 91 00:05:26,660 --> 00:05:28,862 BUT THEY GRABBED ME 92 00:05:28,895 --> 00:05:31,497 AND TOLD ME IF I MADE A NOISE, 93 00:05:31,532 --> 00:05:33,834 THEY�D KILL ME RIGHT THERE, 94 00:05:33,867 --> 00:05:37,738 AND ONE PUT HIS JACKET ON ME 95 00:05:37,771 --> 00:05:42,809 AND TIED THE HOOD TIGHT AND LOW ON MY FACE, 96 00:05:42,843 --> 00:05:46,980 AND THEN THEY STARTED ME WALKING BETWEEN THEM 97 00:05:47,013 --> 00:05:49,983 AND TELLING ME KEEP MY HEAD DOWN 98 00:05:50,016 --> 00:05:52,686 AND JUST LOOK AT THE GROUND. 99 00:05:52,719 --> 00:05:56,156 CAN YOU GUESS HOW LONG YOU WALKED, ANYA? 100 00:05:56,189 --> 00:05:59,660 I TRIED TO COUNT SECONDS. 101 00:05:59,693 --> 00:06:01,995 UH, 1 AND 2 AND ?? 102 00:06:02,028 --> 00:06:04,064 THAT WAS SMART. 103 00:06:04,097 --> 00:06:06,900 COUNTING THAT WAY, 104 00:06:06,933 --> 00:06:10,436 I COUNTED 16 1/2 MINUTES. 105 00:06:10,470 --> 00:06:12,673 I?I HEARD A BUNCH OF SOUNDS, 106 00:06:12,706 --> 00:06:15,008 BUT THEY COULD HAVE BEEN FROM ANY STREET. 107 00:06:15,041 --> 00:06:17,177 BUT THEN AFTER 11 MINUTES, 108 00:06:17,210 --> 00:06:19,546 THE ONE THING I KNOW 109 00:06:19,580 --> 00:06:21,682 IS WE WENT THROUGH SOME CONSTRUCTION. 110 00:06:21,715 --> 00:06:23,684 THE SIDEWALK WAS DUG OUT, 111 00:06:23,717 --> 00:06:28,955 AND WE WERE WALKING ON SAND FOR ABOUT...40 STEPS. 112 00:06:28,989 --> 00:06:31,592 THAT�S REALLY HELPFUL 113 00:06:31,625 --> 00:06:34,460 THAT YOU PAID ATTENTION TO ALL THAT. 114 00:06:34,494 --> 00:06:37,397 THANK YOU. 115 00:06:37,430 --> 00:06:42,468 WE WALKED UP THREE FLIGHTS IN A BUILDING 116 00:06:42,503 --> 00:06:44,905 THAT THE FRONT DOOR WASN�T LOCKED 117 00:06:44,938 --> 00:06:48,609 AND THEN INTO AN APARTMENT THAT WASN�T LOCKED 118 00:06:48,642 --> 00:06:52,045 AND HAD A MATTRESS... 119 00:06:52,078 --> 00:06:54,214 WITH NO SHEETS... 120 00:06:54,247 --> 00:06:56,717 THAT WAS DIRTY, 121 00:06:56,750 --> 00:07:00,754 AND NOTHING ELSE IN THE APARTMENT 122 00:07:00,787 --> 00:07:05,559 EXCEPT VENETIAN BLINDS. 123 00:07:05,592 --> 00:07:10,731 THEY PULLED DOWN MY UNDERWEAR... 124 00:07:10,764 --> 00:07:13,233 AND PUSHED MY SKIRT UP... 125 00:07:13,266 --> 00:07:18,138 AND PUSHED MY SHIRT AND SWEATER UP, 126 00:07:18,171 --> 00:07:21,074 COVERING MY FACE 127 00:07:21,107 --> 00:07:24,945 AND PUSHED MY BRASSIERE UP. 128 00:07:24,978 --> 00:07:29,182 AND... 129 00:07:29,215 --> 00:07:32,619 AFTER 85 MINUTES... 130 00:07:34,487 --> 00:07:39,793 TWO NEW MEN CAME IN, TOO. 131 00:07:39,826 --> 00:07:41,962 NONE OF THEM SAID THEIR NAMES. 132 00:07:41,995 --> 00:07:43,897 THEY ALL SMELLED LIKE BEER. 133 00:07:46,132 --> 00:07:49,936 IF I HAD STAYED LATE WORKING OR NOT 134 00:07:49,970 --> 00:07:52,506 OR I SHOULD HAVE KNOWN OR NOT ?? 135 00:07:52,539 --> 00:07:55,175 YOU DIDN�T DO ANYTHING WRONG, ANYA, 136 00:07:55,208 --> 00:07:57,110 AND WHAT YOU JUST TOLD ME 137 00:07:57,143 --> 00:08:00,013 IS REALLY GOING TO HELP. 138 00:08:00,046 --> 00:08:01,682 IF I SHOULD HAVE FOUGHT ?? 139 00:08:01,715 --> 00:08:03,617 NO, NO, NO. THERE WERE THREE OF THEM 140 00:08:03,650 --> 00:08:06,019 AND THEN THERE WERE FIVE OF THEM. 141 00:08:06,052 --> 00:08:09,556 IF YOU�D HAVE FOUGHT, THEY MIGHT HAVE KILLED YOU. 142 00:08:13,059 --> 00:08:15,962 CAN YOU TELL MY PARENTS? 143 00:08:15,996 --> 00:08:20,501 THEY DON�T KNOW YET ABOUT THE SEX PART. 144 00:08:29,543 --> 00:08:31,812 THERE�S EVERY ELEMENT... 145 00:08:31,845 --> 00:08:34,715 IN THE NEIGHBORHOOD WHERE ANYA WORKS. 146 00:08:34,748 --> 00:08:36,583 AND NEW ELEMENTS EVERY DAY. 147 00:08:40,286 --> 00:08:41,988 IS SHE ALL RIGHT? 148 00:08:42,022 --> 00:08:44,991 WHY IS THE DOOR CLOSED? 149 00:08:45,025 --> 00:08:47,994 ANYA�S ASKED ME TO TELL YOU MORE ABOUT WHAT HAPPENED ?? 150 00:08:48,028 --> 00:08:50,196 MORE SPECIFIC THINGS ABOUT HOW SHE WAS ATTACKED. 151 00:08:50,230 --> 00:08:51,832 THANK GOD SHE�S ALL RIGHT. 152 00:08:51,865 --> 00:08:53,266 SHE SAID SHE WAS. 153 00:08:53,299 --> 00:08:55,836 ANYA WAS ATTACKED SEXUALLY, 154 00:08:55,869 --> 00:08:58,038 AND SHE HAD NO OPPORTUNITY TO RESIST... 155 00:08:58,071 --> 00:09:00,106 OH, MY GOD. 156 00:09:00,140 --> 00:09:02,175 WHICH IS WHY SHE�S NOT BRUISED. 157 00:09:02,208 --> 00:09:04,010 WE NEED TO GET ANYA EXAMINED AT A HOSPITAL. 158 00:09:04,044 --> 00:09:06,012 AS UPSET AS YOU ARE, 159 00:09:06,046 --> 00:09:09,282 YOU�RE GOING TO WANT TO BE WITH HER AND SUPPORT HER. 160 00:09:27,634 --> 00:09:29,903 SHE SAID SHE WASN�T HURT. 161 00:09:29,936 --> 00:09:33,073 SHE SAID SHE JUST WANTED TO REPORT THE INCIDENT. 162 00:09:54,194 --> 00:09:56,162 I DON�T KNOW. I JUST GOT HERE. 163 00:09:56,196 --> 00:09:58,765 DONNY GOODE. I�M NOTIFIED MY UNCLE�S MISSING. 164 00:09:58,799 --> 00:10:02,068 THE INVESTIGATING DETECTIVES ARE JUST ON THEIR WAY BACK. 165 00:10:02,102 --> 00:10:03,770 UM... 166 00:10:05,639 --> 00:10:09,175 CANCEL THE 10:00. TELL TREVOR I�LL BE THERE IN AN HOUR. 167 00:10:17,651 --> 00:10:21,755 YOU EVER BUMP INTO A GUY NAMED BLAKE FROM LOUISVILLE? 168 00:10:21,788 --> 00:10:23,657 WHAT ARE YOU TALKING ABOUT? 169 00:10:23,690 --> 00:10:25,992 WELL, HE PROBABLY KILLED MY UNCLE. 170 00:10:26,026 --> 00:10:28,829 I JUST THOUGHT YOUR FLIGHT PATHS MIGHT HAVE CROSSED. 171 00:10:31,364 --> 00:10:33,299 EITHER OF YOU TWO SORENSON? 172 00:10:33,333 --> 00:10:35,001 ME. ARE YOU DONNY GOODE? 173 00:10:35,035 --> 00:10:37,037 YEAH. WHAT�S THE STORY WITH MY UNCLE? 174 00:10:37,070 --> 00:10:39,806 LIKE I SAID ON THE PHONE, YOUR UNCLE�S CAR IS MISSING. 175 00:10:39,840 --> 00:10:41,441 THERE�S INDICATION OF FOUL PLAY. 176 00:10:41,474 --> 00:10:43,443 WE�RE HOPING YOU CAN GIVE US SOME BACKGROUND. 177 00:10:43,476 --> 00:10:45,145 MY PARTNER ANDY SIPOWICZ. 178 00:10:45,178 --> 00:10:48,849 HOW�S IT GOING, SIPOWICZ? BUT, I MEAN, NOTHING FURTHER? 179 00:10:48,882 --> 00:10:50,383 NO, NOTHING FURTHER YET, DONNY, 180 00:10:50,416 --> 00:10:52,953 FROM THE 20 MINUTES AGO WHEN MY PARTNER CALLED. 181 00:10:52,986 --> 00:10:54,287 MR. GOODE WAS SAYING 182 00:10:54,320 --> 00:10:55,956 HE THOUGHT HIS UNCLE HAD BEEN KILLED 183 00:10:55,989 --> 00:10:57,290 BY A BLAKE FROM LOUISVILLE. 184 00:10:57,323 --> 00:10:59,159 NO KIDDING? 185 00:10:59,192 --> 00:11:01,361 YEAH, WELL, JUST GUESSING. 186 00:11:01,394 --> 00:11:04,898 WELL, COME HERE, DONNY, AND FILL US IN. 187 00:11:04,931 --> 00:11:06,132 WHO�S BLAKE? 188 00:11:06,166 --> 00:11:07,233 THAT GUY�S GAY, RIGHT? 189 00:11:07,267 --> 00:11:09,069 WHY? 190 00:11:09,102 --> 00:11:10,837 I�M YANKING HIS CHAIN ASKING HIM ABOUT BLAKE. 191 00:11:10,871 --> 00:11:12,205 BLAKE�S ANOTHER FAG. 192 00:11:13,840 --> 00:11:15,141 I�M TRYING TO REMEMBER TAKING A SHINE 193 00:11:15,175 --> 00:11:17,177 TO SOMEBODY RIGHT OFF THE BAT LIKE I AM TO YOU. 194 00:11:17,210 --> 00:11:19,212 I GROW ON PEOPLE. 195 00:11:19,245 --> 00:11:20,881 WHY WOULD YOU SAY 196 00:11:20,914 --> 00:11:23,383 YOU THOUGHT BLAKE KILLED YOUR UNCLE? 197 00:11:23,416 --> 00:11:26,319 WELL, BECAUSE WALTER JUST BROKE UP WITH BLAKE. 198 00:11:26,352 --> 00:11:28,922 WALTER SAID BLAKE WAS BEING DRAMATIC ABOUT IT. 199 00:11:28,955 --> 00:11:31,725 OTHERWISE, WALTER�S LIFE WAS PRETTY NORMAL. 200 00:11:31,758 --> 00:11:33,393 HE GOT OTHER FAMILY, YOUR UNCLE? 201 00:11:33,426 --> 00:11:34,895 JUST ME. 202 00:11:34,928 --> 00:11:36,329 HE�S GOT A NICE PLACE. 203 00:11:36,362 --> 00:11:38,765 NICE TAUPE MERCEDES THAT�S MISSING. 204 00:11:38,799 --> 00:11:40,834 HEY, GUYS, I HAVE MY OWN CONSULTING FIRM 205 00:11:40,867 --> 00:11:44,270 AND 58,000 SHARES IN THE MAGELLAN GROWTH FUND. 206 00:11:44,304 --> 00:11:46,172 I DON�T NEED TO KILL ANYBODY. 207 00:11:46,206 --> 00:11:49,442 YOU GOT AN IDEA HOW WE CAN REACH OUT FOR THIS BLAKE? 208 00:11:49,475 --> 00:11:52,012 BLAKE DeWITT. 209 00:11:52,045 --> 00:11:54,080 I HANDLED THE KISS?OFF. 210 00:11:54,114 --> 00:11:57,283 DON�T THROW THINGS AT US, OR WE�LL THROW THINGS AT YOU. 211 00:11:57,317 --> 00:12:00,220 MI DISPIACE. 212 00:12:02,488 --> 00:12:05,358 I�M STUDYING ITALIAN. 213 00:12:05,391 --> 00:12:09,963 BLAKE MOVED, BUT I�VE GOT HIS MOMMY�S NUMBER IN THERE. 214 00:12:12,966 --> 00:12:15,869 HELLO? THIS IS DANNY, MRS. DeWITT. 215 00:12:15,902 --> 00:12:18,204 I�M A BUDDY OF YOUR SON BLAKE�S. 216 00:12:18,238 --> 00:12:21,241 I GOT SOME CONCERT TICKETS HE MIGHT BE INTERESTED IN, 217 00:12:21,274 --> 00:12:25,211 BUT THE NUMBER HE WROTE OUT FOR ME AIN�T WORKING. 218 00:12:25,245 --> 00:12:27,413 DID HE MOVE OR SOMETHING? OH, YEAH? 219 00:12:27,447 --> 00:12:30,551 YOU GOT THAT NEW ONE FOR HIM? 220 00:12:30,584 --> 00:12:31,985 YOU GUYS ARE DOGS. 221 00:12:32,018 --> 00:12:33,419 SHUT YOUR MOUTH. 222 00:12:33,453 --> 00:12:36,056 YOU�RE THINK OF COMING UP FROM LEXINGTON? 223 00:12:36,089 --> 00:12:39,225 I KNOW BLAKE, HE�D BE GLAD TO SEE YOU, 224 00:12:39,259 --> 00:12:42,062 BUT MAYBE YOU SHOULD GIVE HIM TIME TO GET STRAIGHT 225 00:12:42,095 --> 00:12:45,766 AT HIS NEW PLACE, THEN HE�LL BE READY FOR GUESTS. 226 00:12:45,799 --> 00:12:48,101 THANKS AN AWFUL LOT FOR THE NEW PHONE NUMBER. 227 00:12:48,134 --> 00:12:49,903 TAKE GOOD CARE. 228 00:12:49,936 --> 00:12:53,073 BLAKE JUST RELOCATED WITH A NEW ROOMMATE. 229 00:12:53,106 --> 00:12:55,942 YOU CAN TRACE HIS ADDRESS OFF THE PHONE NUMBER. 230 00:12:55,976 --> 00:12:58,444 WHERE CAN WE FIND YOU, DONNY, 231 00:12:58,478 --> 00:13:00,080 YOUR STOCKBROKER�S? 232 00:13:00,113 --> 00:13:02,583 SEE HOW POLITELY I JUST HANDED THIS BACK TO YOU? 233 00:13:02,616 --> 00:13:04,450 MY STOCKBROKER�S, HUH? 234 00:13:04,484 --> 00:13:07,788 AFTER I GO, EXPLAIN THEY INVENTED THE INTERNET. 235 00:13:10,891 --> 00:13:12,859 SEE YOU, GORGEOUS. 236 00:13:12,893 --> 00:13:15,061 KEEP THINKING YOU�RE STRAIGHT. 237 00:13:21,167 --> 00:13:22,435 JOHN... 238 00:13:22,468 --> 00:13:25,038 THAT CRACK YOU MADE, 239 00:13:25,071 --> 00:13:29,109 WERE YOU INFERRING THAT THIS DONNY 240 00:13:29,142 --> 00:13:31,545 INADVERTENTLY, WITHOUT HIS KNOWING IT... 241 00:13:34,347 --> 00:13:35,882 ON YOUR SIDE? 242 00:13:35,916 --> 00:13:37,818 PLEASE. 243 00:13:42,322 --> 00:13:43,824 PICK UP THIS BLAKE? 244 00:14:15,221 --> 00:14:17,257 LOOK, THE STORE�S AROUND THE CORNER 245 00:14:17,290 --> 00:14:18,992 WHERE I WORK, 246 00:14:19,025 --> 00:14:21,427 AND THIS IS WHERE I WAS WAITING, 247 00:14:21,461 --> 00:14:22,596 LIKE I DO EVERY DAY. 248 00:14:22,629 --> 00:14:24,330 THEY CAME FROM OVER THERE 249 00:14:24,364 --> 00:14:26,166 AND TURNED ME 250 00:14:26,199 --> 00:14:29,503 AND WALKED ME BACK THE SAME WAY. 251 00:14:29,536 --> 00:14:31,171 YOU�RE POSITIVE ABOUT THE DIRECTION? 252 00:14:31,204 --> 00:14:34,007 WELL, EVEN WITH MAKING ME STARE AT THE GROUND, 253 00:14:34,040 --> 00:14:36,510 I�M 100% POSITIVE OF THE DIRECTION WE TOOK, 254 00:14:36,543 --> 00:14:39,345 AND I TRIED TO KEEP REGULAR COUNT OF THE TIME. 255 00:14:39,379 --> 00:14:41,915 FEEL LIKE WALKING A WHILE? 256 00:14:41,948 --> 00:14:44,685 AND YOU WANT ME TO COUNT EXACTLY THE SAME PACE? 257 00:14:44,718 --> 00:14:47,954 YEAH, EXACTLY THE SAME. 258 00:14:49,590 --> 00:14:53,026 IT WAS RIGHT NOT TO LET MY PARENTS COME, RIGHT? 259 00:14:53,059 --> 00:14:54,427 YOU WERE RIGHT, ANYA. 260 00:14:54,460 --> 00:14:57,297 THIS WOULDN�T HAVE DONE YOUR MOM OR DAD ANY GOOD. 261 00:14:57,330 --> 00:14:59,399 AND IT DIDN�T HAPPEN TO THEM. 262 00:14:59,432 --> 00:15:01,201 NO... 263 00:15:01,234 --> 00:15:04,470 IT HAPPENED TO YOU. 264 00:15:07,407 --> 00:15:09,142 ONE?1,000... 265 00:15:09,175 --> 00:15:11,645 TWO?1,000... 266 00:15:11,678 --> 00:15:14,047 THREE?1,000... 267 00:15:14,080 --> 00:15:15,481 FOUR?1,000... 268 00:15:31,264 --> 00:15:34,668 OH, FOR HEAVEN�S SAKE. 269 00:15:34,701 --> 00:15:36,937 SIT DOWN OVER THERE. 270 00:15:36,970 --> 00:15:39,405 BELIEVE ME OR NOT, THIS IS THE FIRST TIME 271 00:15:39,439 --> 00:15:42,075 IN MY LIFE I�VE BEEN IN A POLICE STATION. 272 00:15:42,108 --> 00:15:43,977 WHY WOULDN�T WE BELIEVE YOU? 273 00:15:44,010 --> 00:15:46,246 WELL, GOOD, �CAUSE IT�S THE TRUTH. 274 00:15:46,279 --> 00:15:49,583 YOU GOT SOME IDEA WHAT WE WANT TO TALK TO YOU ABOUT? 275 00:15:49,616 --> 00:15:52,485 WALTER GOODE�S CAR IS MISSING. 276 00:15:52,519 --> 00:15:54,354 IF WALTER�S SAYING I TOOK HIS CAR, 277 00:15:54,387 --> 00:15:56,289 THAT�S AN OUT?AND?OUT LIE. 278 00:15:56,322 --> 00:15:59,025 YOU GOT NO IDEA WHERE IT�S AT? 279 00:15:59,059 --> 00:16:01,427 IF HE�S SAYING OTHERWISE, WALTER�S LYING. 280 00:16:01,461 --> 00:16:04,097 WHEN�S THE LAST YOU SAW WALTER? 281 00:16:04,130 --> 00:16:06,499 3 WEEKS AGO. 23 DAYS. 282 00:16:06,533 --> 00:16:08,368 YOU MARK THEM OFF ON YOUR CALENDAR? 283 00:16:08,401 --> 00:16:09,970 YES. 284 00:16:13,306 --> 00:16:15,642 IT�S NOT JUST WALTER�S CAR, BLAKE. 285 00:16:15,676 --> 00:16:18,612 HE�S MISSING, TOO. 286 00:16:18,645 --> 00:16:20,446 MAYBE WALTER TOOK HIS CAR HIMSELF 287 00:16:20,480 --> 00:16:22,448 AND NEITHER OF THEM ARE MISSING. 288 00:16:22,482 --> 00:16:24,150 TOOK OFF ON A JAUNT SOMEWHERES? 289 00:16:24,184 --> 00:16:26,452 IF THAT IS WHAT WALTER DID, 290 00:16:26,486 --> 00:16:28,655 IT WOULD HAVE BEEN THE ABSOLUTE 291 00:16:28,689 --> 00:16:31,625 BEST PRESENT IN THE WORLD HE COULD�VE GIVEN HIMSELF. 292 00:16:31,658 --> 00:16:34,294 AND LEAVING THAT LITTLE PART OF HIS HEAD BEHIND, 293 00:16:34,327 --> 00:16:36,630 THAT WOULD BE HIS ABSOLUTE BEST FAREWELL PRESENT 294 00:16:36,663 --> 00:16:38,632 TO THE PARKING GARAGE FLOOR? 295 00:16:38,665 --> 00:16:42,168 WHAT ARE YOU SAYING? 296 00:16:42,202 --> 00:16:45,506 WE THINK SOMETHING BAD MIGHT HAVE HAPPENED TO WALTER, BLAKE. 297 00:16:49,342 --> 00:16:50,677 OH, MY GOD. 298 00:16:53,580 --> 00:16:55,348 MY GOD IN HEAVEN. 299 00:16:57,417 --> 00:17:00,086 WHICH HIS NEPHEW SAYS THAT YOU WERE PRETTY UPSET 300 00:17:00,120 --> 00:17:02,155 WHEN WALTER BROKE UP WITH YOU, 301 00:17:02,188 --> 00:17:04,490 AND WE�RE WONDERING 302 00:17:04,525 --> 00:17:07,193 IF YOU WERE UPSET ENOUGH THAT MAYBE IT WAS YOU 303 00:17:07,227 --> 00:17:09,663 THAT SEPARATED THAT LITTLE PART OF HIS HEAD 304 00:17:09,696 --> 00:17:11,665 THAT WE FOUND ON THE GARAGE FLOOR 305 00:17:11,698 --> 00:17:13,499 FROM THE REST OF WALTER. 306 00:17:13,534 --> 00:17:17,070 I WOULD NEVER DO ANYTHING TO HURT WALTER 307 00:17:17,103 --> 00:17:20,140 OR HIS CAR OR, I HOPE, ANY LIVING CREATURE. 308 00:17:24,210 --> 00:17:27,247 OH, GOD, THIS IS SO TERRIBLE. 309 00:17:27,280 --> 00:17:30,183 THIS NEW GUY PHILLIP THAT YOU�RE LIVING WITH, 310 00:17:30,216 --> 00:17:32,185 WHAT�S HE THINK ABOUT WALTER? 311 00:17:32,218 --> 00:17:34,387 PHILLIP DOESN�T EVEN KNOW WALTER. 312 00:17:34,420 --> 00:17:37,223 BUT YOU DON�T TELL EACH OTHER, LIKE, 313 00:17:37,257 --> 00:17:40,060 WAR STORIES OF PREVIOUS INTIMATES? 314 00:17:40,093 --> 00:17:44,197 WELL, AS FAR AS THAT GOES, 315 00:17:44,230 --> 00:17:49,269 UM, IN TERMS OF HIS ROLE IN MY LIFE, 316 00:17:49,302 --> 00:17:53,106 PHILLIP SAID THAT WALTER WAS SATAN INCARNATE. 317 00:17:55,676 --> 00:17:57,744 PHILLIP SAID THAT, HUH? 318 00:19:11,384 --> 00:19:13,153 IT WAS HERE. 319 00:19:16,523 --> 00:19:19,325 OH, I DIDN�T KNOW PEOPLE WAS IN HERE. 320 00:19:19,359 --> 00:19:22,195 YOU LIVE ON THIS FLOOR? DOWN THE HALL. 321 00:19:22,228 --> 00:19:25,331 HEAR ANYTHING GOING ON IN THIS APARTMENT LAST NIGHT? 322 00:19:25,365 --> 00:19:28,334 LAST NIGHT? NO. WORLD WIDE WRESTLING ON TV. 323 00:19:28,368 --> 00:19:30,170 THEY PLAY THAT STUFF PRETTY LOUD. 324 00:19:30,203 --> 00:19:31,738 WHAT�S YOUR NAME? 325 00:19:31,772 --> 00:19:34,374 CARLOS JIMENEZ. CAN I GO? 326 00:19:34,407 --> 00:19:36,342 YEAH, YOU CAN GO, CARLOS. 327 00:19:37,578 --> 00:19:39,813 WHY, WHAT WENT ON IN HERE? 328 00:19:39,846 --> 00:19:41,515 GO AHEAD, CARLOS. 329 00:19:46,219 --> 00:19:49,189 HE�S A SON OF A BITCH TO STAND THERE AND LIE. 330 00:19:49,222 --> 00:19:51,525 WAS HE ONE OF THEM? THE LAST ONE. 331 00:19:51,558 --> 00:19:52,593 CARLOS. 332 00:19:52,626 --> 00:19:54,360 YEAH, WHAT DO YOU WANT? 333 00:19:54,394 --> 00:19:57,263 I GOT TO GET YOU ON THE COMINGS AND GOINGS. 334 00:19:57,297 --> 00:19:58,832 WHAT DO YOU MEAN? 335 00:19:58,865 --> 00:20:01,735 YOU GOT TO WORK WITH ME ON THE TRESPASSING GOING ON. 336 00:20:01,768 --> 00:20:05,005 YEAH, BUT I DON�T PAY THAT MUCH ATTENTION. 337 00:20:05,038 --> 00:20:07,007 IF YOU WANT TO GET BACK HERE 338 00:20:07,040 --> 00:20:08,842 ANY TIME TONIGHT, CARLOS, 339 00:20:08,875 --> 00:20:11,011 YOU BETTER COME IN WITH ME COOPERATIVE. 340 00:20:11,044 --> 00:20:12,613 YEAH, RIGHT. 341 00:20:15,882 --> 00:20:17,851 HE DIDN�T EVEN RECOGNIZE HER. 342 00:20:17,884 --> 00:20:20,320 NOT WITHOUT HER SWEATER OVER HER HEAD. 343 00:20:23,323 --> 00:20:25,859 IS HE GOING TO BE ARRESTED? 344 00:20:25,892 --> 00:20:28,228 IT�LL GET TO THAT. 345 00:20:28,261 --> 00:20:32,332 DID I HELP YOU BY NOT SHOWING I WAS AFRAID? 346 00:20:34,635 --> 00:20:36,537 COME HERE. 347 00:20:36,570 --> 00:20:37,738 COME HERE. 348 00:20:44,978 --> 00:20:47,548 "WELCOME TO THE POKEY." 349 00:20:47,581 --> 00:20:50,551 YOU GOT A LITTLE GLUM FACE IN THE "O" 350 00:20:50,584 --> 00:20:54,788 AND A STICK FIGURE IN WHAT�S INTENDED TO BE THE POKEY. 351 00:20:54,821 --> 00:20:58,258 DID YOU DRAW THAT? 352 00:21:02,963 --> 00:21:05,566 SO DOES IT PLEASE YOU TO KNOW 353 00:21:05,599 --> 00:21:07,568 YOU�VE COST A MAN HIS DAY�S SALARY? 354 00:21:07,601 --> 00:21:09,402 YEAH, WE�RE SORRY ABOUT THAT. 355 00:21:09,435 --> 00:21:11,938 WELL, THAT�S MORE THAN ADEQUATE COMPENSATION. 356 00:21:11,972 --> 00:21:14,908 DOES THAT PEACOCK ACT DRUM UP TIPS FOR YOU, PHIL, 357 00:21:14,941 --> 00:21:16,743 DOWN THERE AT THE CAFE? 358 00:21:16,777 --> 00:21:18,845 WHAT WOULD YOU GUESS, DETECTIVE? 359 00:21:18,879 --> 00:21:20,981 TOP OF MY HEAD, NO. 360 00:21:21,014 --> 00:21:23,584 WELL, SINCE YOU�D NEVER DINED AT THE CAFE, 361 00:21:23,617 --> 00:21:25,919 YOUR OPINION ISN�T REALLY COMPETENT. 362 00:21:25,952 --> 00:21:28,689 ALTHOUGH THE TOP OF YOUR HEAD IS VERY AMPLE. 363 00:21:28,722 --> 00:21:32,292 YOU GETTING READY TO GO ON A PUDDING DIET, PHIL? 364 00:21:32,325 --> 00:21:34,427 MEANING YOU�RE ABOUT TO KNOCK MY TEETH OUT? 365 00:21:34,460 --> 00:21:37,297 PHILLIP, WALTER GOODE�S GONE MISSING. 366 00:21:37,330 --> 00:21:39,365 THAT USED TO BE YOUR BOYFRIEND�S LOVER. 367 00:21:39,399 --> 00:21:41,635 SO ARE WE ORGANIZING SEARCH TEAMS? 368 00:21:41,668 --> 00:21:44,971 WE�RE WONDERING IF MAYBE YOU�RE WHO GOT HIM THAT WAY. 369 00:21:45,005 --> 00:21:45,939 MISSING, YOU MEAN. 370 00:21:45,972 --> 00:21:47,608 MISSING IS WHAT I MEAN. 371 00:21:47,641 --> 00:21:48,842 NO. 372 00:21:48,875 --> 00:21:50,977 YOU DON�T KNOW NOTHING ABOUT MR. GOODE? 373 00:21:51,011 --> 00:21:53,614 I KNOW THAT MR. GOODE TOOK A PRURIENT PLEASURE 374 00:21:53,647 --> 00:21:55,716 IN TURNING BLAKE OUT AS COUNTRY TRADE. 375 00:21:55,749 --> 00:21:58,384 I KNOW HIS NAME CONFIRMS IRONY AS A CONCEPT. 376 00:21:58,418 --> 00:22:00,053 AND THAT�S ALL I KNOW 377 00:22:00,086 --> 00:22:02,989 THAT I�M WILLING TO SHARE WITH THE TWO OF YOU. 378 00:22:03,023 --> 00:22:06,492 YOU FEEL YOU SHOULD BE EARNING ON ONE OF THEM QUIZ SHOWS 379 00:22:06,527 --> 00:22:09,329 WITH ALL THIS CLEVER CRAP THAT YOU�RE GETTING OFF, 380 00:22:09,362 --> 00:22:11,331 AND HERE WE ARE WASTING YOUR TIME 381 00:22:11,364 --> 00:22:14,334 JUST �CAUSE A GUY THAT YOU HAD A MOTIVE TO HURT 382 00:22:14,367 --> 00:22:16,670 GOT SEPARATED FROM SOME OF HIS BRAIN MATTER? 383 00:22:16,703 --> 00:22:18,972 I�M GOING TO HURRY MATTERS ALONG, DETECTIVE. 384 00:22:19,005 --> 00:22:21,642 YOU HAVE NOWHERE TO GO IN YOUR INTERROGATION STRATEGY 385 00:22:21,675 --> 00:22:23,977 OTHER THAN PHYSICAL FORCE, AT WHICH POINT 386 00:22:24,010 --> 00:22:26,146 I�M IMMEDIATELY GOING TO DEMAND COUNSEL. 387 00:22:26,179 --> 00:22:28,815 WHICH YOU ASSUME I AM GOING TO RUN AND GET YOU 388 00:22:28,849 --> 00:22:30,851 INSTEAD OF SMACKING YOU IN THE FACE. 389 00:22:30,884 --> 00:22:32,819 YOU�RE NOT WILLING TO ADMINISTER A BEATING 390 00:22:32,853 --> 00:22:34,821 MORE SEVERE THAN I�M PREPARED TO TAKE 391 00:22:34,855 --> 00:22:36,857 WHEN YOU�RE NOT POSITIVE I COMMITTED THE CRIME. 392 00:22:36,890 --> 00:22:39,993 AT THIS POINT, I THINK BOTH OF YOU REALIZE 393 00:22:40,026 --> 00:22:42,162 I�M NOT GOING TO BE RESPONDING 394 00:22:42,195 --> 00:22:43,864 TO ALL THESE SOULFUL, 395 00:22:43,897 --> 00:22:46,533 SUBLIMINAL MESSAGES OF SUPPORT AND UNDERSTANDING 396 00:22:46,567 --> 00:22:49,002 THAT YOUR COLLEAGUE HERE IS SENDING MY WAY 397 00:22:49,035 --> 00:22:51,872 SO HE CAN GET ME TO ACT AGAINST MY OWN INTERESTS. 398 00:22:51,905 --> 00:22:53,940 I TELL YOU ALL THIS 399 00:22:53,974 --> 00:22:57,844 �CAUSE I�M HOPING I CAN MAKE IT TO THE CAFE IN TIME 400 00:22:57,878 --> 00:23:00,881 TO PERFORM MY PEACOCK ACT FOR THE LATE?LUNCH CROWD. 401 00:23:07,554 --> 00:23:09,122 Danny: SO, PHILLIP, 402 00:23:09,155 --> 00:23:12,893 DON�T BE EXPECTING BLAKE HOME ANY TIME SOON. 403 00:23:12,926 --> 00:23:15,696 AND THEY SAY THE DESAPARECIDOS ARE IN ARGENTINA. 404 00:23:15,729 --> 00:23:17,964 I THOUGHT THAT WAS ALL THE GAUCHOS. 405 00:23:17,998 --> 00:23:19,766 YOU ARE A VULGAR PIG. 406 00:23:19,800 --> 00:23:23,036 SEE, THAT�S THE TYPE OF THING THAT MAKES YOU WANT TO OINK. 407 00:23:23,069 --> 00:23:25,606 ANY MESSAGE YOU WANT US CONVEYING TO BLAKE? 408 00:23:25,639 --> 00:23:27,574 YEAH, �CAUSE WE GOT THE IMPRESSION 409 00:23:27,608 --> 00:23:30,410 THAT BLAKE LOOKED TO YOU AS SORT OF A PROTECTOR TYPE. 410 00:23:30,443 --> 00:23:32,913 NO, NO MESSAGE I WANT YOU CONVEYING. 411 00:23:32,946 --> 00:23:35,582 I�LL TELL HIM YOU SAID HE�S ON HIS OWN, 412 00:23:35,616 --> 00:23:37,651 THAT�S LIFE IN THE BIG CITY ?? 413 00:23:37,684 --> 00:23:39,820 GETTING JAMMED FOR SOMETHING YOU DIDN�T DO. 414 00:23:39,853 --> 00:23:45,225 YOU TELL HIM THAT I�M GOING TO WIDEN THE LOOP. 415 00:23:45,258 --> 00:23:47,794 WIDEN THE LOOP, HUH? 416 00:23:47,828 --> 00:23:50,597 AND DO WHAT, STICK YOUR WEENIE THROUGH IT? 417 00:23:52,198 --> 00:23:54,601 THAT GUY�S TOUGH. 418 00:23:57,037 --> 00:23:59,005 WHAT DO YOU THINK, JOHN? 419 00:23:59,039 --> 00:24:01,007 YOU SAW THAT WHOLE INTERVIEW, RIGHT? 420 00:24:01,041 --> 00:24:03,009 I THINK HE KILLED THAT OTHER MAN. 421 00:24:03,043 --> 00:24:05,445 HOW ARE WE GOING TO CATCH HIM? 422 00:24:05,478 --> 00:24:07,614 GIVE ME A CHANCE. I�M NEW AT THIS. 423 00:24:07,648 --> 00:24:10,784 SURE. TAKE ALL THE TIME YOU NEED. 424 00:24:37,177 --> 00:24:39,813 OUT OF THE BLUE, YOU KNOW, 425 00:24:39,846 --> 00:24:42,048 GAY JOHN PASSES A REMARK, 426 00:24:42,082 --> 00:24:44,718 PUTS THIS ASSHOLE NEPHEW WE�RE TALKING TO 427 00:24:44,751 --> 00:24:47,554 INTO TOTAL FOCUS ?? THAT HE WAS HIMSELF A LATENT FRUIT. 428 00:24:47,588 --> 00:24:50,857 BUT WE DON�T LIKE THE NEPHEW FOR HARMING HIS UNCLE. 429 00:24:50,891 --> 00:24:53,994 THE NEPHEW WE ONLY LIKE FOR BEING A SPOILED JERK. 430 00:24:54,027 --> 00:24:56,797 IT�S JUST, WITH GAY JOHN PASSING THIS PERCEPTIVE REMARK, 431 00:24:56,830 --> 00:24:59,800 DANNY GETS THE IDEA, YOU KNOW, THAT THIS IS A GAY MURDER, 432 00:24:59,833 --> 00:25:02,202 OR WHATEVER HAPPENED WITH THIS MISSING WALTER. 433 00:25:02,235 --> 00:25:06,139 WHY NOT HAVE GAY JOHN WATCH THE INTERVIEW 434 00:25:06,172 --> 00:25:08,575 WITH THIS OTHER FRUIT PHILLIP ?? 435 00:25:08,609 --> 00:25:10,143 WE COME OUT LIKING THIS PHILLIP, 436 00:25:10,176 --> 00:25:12,746 BUT NO REAL WAY TO GO AT HIM. 437 00:25:12,779 --> 00:25:15,716 BUT JOHN�S GOT THIS IDEA HOW PHILLIP�S GOING TO ACT. 438 00:25:15,749 --> 00:25:17,718 OFF THIS PHILLIP�S GAY THINKING 439 00:25:17,751 --> 00:25:20,020 INVOLVING HIS GAY BOYFRIEND BLAKE. 440 00:25:20,053 --> 00:25:22,523 I THINK WE�VE GOT EVERYONE ESTABLISHED AS GAY. 441 00:25:22,556 --> 00:25:27,928 ANYWAYS, IT�S RISKY WHERE IF ANYTHING GOES WRONG, 442 00:25:27,961 --> 00:25:30,864 YOU COULD WIND UP YOUR SUSPECT HAS REPRESENTATION, 443 00:25:30,897 --> 00:25:33,567 BUT I THINK YOU OUGHT TO LISTEN TO HIS THINKING. 444 00:25:33,600 --> 00:25:35,068 DON�T YOU AGREE? 445 00:25:35,101 --> 00:25:36,637 YEAH, ABSOLUTELY. 446 00:25:52,252 --> 00:25:54,721 GO AHEAD. 447 00:26:04,898 --> 00:26:07,267 I DON�T THINK HE�D KILL HIM FOR MONEY. 448 00:26:07,300 --> 00:26:09,936 HE�D DO IT BECAUSE HE COULDN�T GET 449 00:26:09,970 --> 00:26:12,372 THAT OTHER BOY TO HATE HIM. 450 00:26:12,405 --> 00:26:14,040 NAMES, JOHN. 451 00:26:14,074 --> 00:26:15,742 PHILLIP, BLAKE�S PRESENT BOYFRIEND, 452 00:26:15,776 --> 00:26:18,812 IS SO AFRAID OF EVERYTHING ?? 453 00:26:18,845 --> 00:26:21,047 LET ME COLLECT MYSELF. 454 00:26:21,081 --> 00:26:23,917 SEE, THAT ?? ABOUT PHILLIP BEING AFRAID OF EVERYTHING ?? 455 00:26:23,950 --> 00:26:25,919 I DON�T NECESSARILY SUBSCRIBE TO 456 00:26:25,952 --> 00:26:29,590 �CAUSE WE WERE ON THIS PHILLIP PRETTY GOOD, 457 00:26:29,623 --> 00:26:31,291 AND HE DIDN�T GIVE UP NOTHING, 458 00:26:31,324 --> 00:26:34,127 BUT I?I STILL GO WITH HIS OVERALL IDEA. 459 00:26:34,160 --> 00:26:37,163 HOW ABOUT WE LET JOHN SAY WHAT HIS OVERALL IDEA IS? 460 00:26:37,197 --> 00:26:39,833 YEAH, ABSOLUTELY. 461 00:26:39,866 --> 00:26:42,402 PHILLIP, BLAKE�S CURRENT BOYFRIEND, 462 00:26:42,435 --> 00:26:46,740 UH, CAN�T STAND BEING COMPARED TO ANYONE... 463 00:26:46,773 --> 00:26:48,742 WE DON�T HAVE TO START 464 00:26:48,775 --> 00:26:50,977 WITH THE FORMATION OF THE SOLAR SYSTEM. 465 00:26:51,011 --> 00:26:52,412 I�M A LITTLE NERVOUS. 466 00:26:52,445 --> 00:26:53,847 JOHN�S OVERALL POINT ?? 467 00:26:53,880 --> 00:26:56,116 PHILLIP PROBABLY DID AWAY WITH WALTER 468 00:26:56,149 --> 00:26:58,619 �CAUSE BLAKE THAT WE�VE GOT IN INTERVIEW THREE 469 00:26:58,652 --> 00:27:00,086 WOULDN�T HATE WALTER 470 00:27:00,120 --> 00:27:02,355 EVEN THOUGH WALTER BUSTED UP WITH HIM. 471 00:27:02,388 --> 00:27:04,124 THAT�S IT. 472 00:27:04,157 --> 00:27:06,159 WHICH JOHN THINKS THAT THIS PHILLIP 473 00:27:06,192 --> 00:27:08,962 IS GOING TO BRING BACK A LAWYER FOR BLAKE. 474 00:27:08,995 --> 00:27:11,331 I THINK THAT�S WHAT WIDENING THE LOOP MEANT. 475 00:27:11,364 --> 00:27:13,333 BUT BLAKE AIN�T LOOKING FOR REPRESENTATION. 476 00:27:13,366 --> 00:27:15,135 HE WANTS WALTER�S DISAPPEARANCE SOLVED. 477 00:27:15,168 --> 00:27:16,837 SO WE SHOULD LET PHILLIP 478 00:27:16,870 --> 00:27:18,839 MAKE HIS PITCH TO BLAKE ABOUT LAWYERING UP, 479 00:27:18,872 --> 00:27:20,841 AND WHEN BLAKE TURNS HIM DOWN, 480 00:27:20,874 --> 00:27:23,143 THAT�S GOING TO GET PHILLIP�S NOSE OPEN, 481 00:27:23,176 --> 00:27:25,445 AND WE CAN GO TO WORK ON HIM. 482 00:27:25,478 --> 00:27:28,014 HOW OPEN DO YOU THINK THE LAWYER 483 00:27:28,048 --> 00:27:30,851 STANDING NEXT TO HIM IS GOING TO LET PHILLIP�S NOSE GET? 484 00:27:30,884 --> 00:27:33,053 HIS POINT ?? PROTECTING HIS OWN SICK ASS 485 00:27:33,086 --> 00:27:35,321 IS GOING TO BE LESS IMPORTANT TO PHILLIP 486 00:27:35,355 --> 00:27:38,058 THAN GETTING BLAKE BACK ON HIS TEAM. 487 00:27:38,091 --> 00:27:41,862 IF BLAKE DON�T WANT A LAWYER, PHILLIP SENDS THE LAWYER AWAY. 488 00:27:41,895 --> 00:27:44,898 HE NEEDS TO BE THE ONLY THING IN THAT BOY�S HEAD. 489 00:27:44,931 --> 00:27:47,934 ALL RIGHT. IF HE COMES BACK, LET�S PUT THEM TOGETHER. 490 00:28:06,419 --> 00:28:08,021 HOW�S IT GOING? 491 00:28:08,054 --> 00:28:10,023 THOSE WOMEN DETECTIVES ARE STARING DAGGERS. 492 00:28:10,056 --> 00:28:11,725 DON�T WORRY ABOUT THEM. 493 00:28:11,758 --> 00:28:14,027 YOU AND ME ARE GOING TO TALK ALONE. 494 00:28:14,060 --> 00:28:16,730 DOES THAT MEAN I SHOULD WORRY ABOUT YOU? 495 00:28:16,763 --> 00:28:18,732 WE CAN TAKE CARE OF THIS HERE. 496 00:28:18,765 --> 00:28:20,834 WOULD YOU BE MORE COMFORTABLE IN HERE? 497 00:28:20,867 --> 00:28:23,436 YEAH, GOOD. KEEP ME NEAR THE EXIT. 498 00:28:25,739 --> 00:28:27,874 THEY SAY THIS IS ABOUT TRESPASSING 499 00:28:27,908 --> 00:28:29,843 IN THAT OPEN APARTMENT, HUH? 500 00:28:29,876 --> 00:28:32,378 YEAH. YOU SEE ANYTHING GOING ON THERE LAST NIGHT? 501 00:28:32,412 --> 00:28:35,248 MAYBE SOME KIDS WERE AROUND. NO BIG DEAL. 502 00:28:35,281 --> 00:28:37,250 THEY COME AROUND A LOT? 503 00:28:37,283 --> 00:28:40,253 JUST SOMETIMES. I HEAR THEM EVERY ONCE IN A WHILE. 504 00:28:40,286 --> 00:28:41,888 YOU GOT NAMES? 505 00:28:41,922 --> 00:28:44,891 I DON�T WANT TO GET THEM IN TROUBLE 506 00:28:44,925 --> 00:28:47,460 OR ME IN THE MIDDLE OF SOMETHING. 507 00:28:47,493 --> 00:28:50,864 YOU WANT TO GET OUT OF HERE IN A TIMELY FASHION, 508 00:28:50,897 --> 00:28:53,033 I�M GOING TO NEED NAMES. 509 00:28:53,066 --> 00:28:55,969 I ONLY KNOW ONE OF THEM FROM CHURCH ?? EDDIE FELIX. 510 00:28:56,002 --> 00:28:57,538 EDDIE FELIX. 511 00:28:57,571 --> 00:28:59,105 YEAH. 512 00:28:59,139 --> 00:29:01,875 WHAT HAPPENED IS I WENT OUT TAKING OUT THE TRASH, 513 00:29:01,908 --> 00:29:04,310 AND I HEARD THEM IN THERE PARTYING. 514 00:29:04,344 --> 00:29:06,813 PARTYING LIKE DRINKING, DRUGS? 515 00:29:06,847 --> 00:29:08,549 NO DRUGS, NO. 516 00:29:08,582 --> 00:29:10,416 GIRLS? 517 00:29:13,286 --> 00:29:15,288 LOOK, I�M A FAMILY MAN, OKAY? 518 00:29:15,321 --> 00:29:17,090 MARRIED 18 YEARS. 519 00:29:17,123 --> 00:29:19,092 OKAY. 520 00:29:19,125 --> 00:29:21,227 NOW, IF WE CAN KEEP THIS BETWEEN US... 521 00:29:21,261 --> 00:29:22,763 SURE. 522 00:29:24,831 --> 00:29:27,300 THEY HAD A GIRL IN THERE DOING EVERYONE. 523 00:29:27,333 --> 00:29:28,769 IS THAT RIGHT? 524 00:29:28,802 --> 00:29:29,936 YEAH. 525 00:29:29,970 --> 00:29:31,437 I�M TAKING OUT THE TRASH, 526 00:29:31,471 --> 00:29:33,940 AND I SEE THIS EDDIE WHO I BARELY KNOW. 527 00:29:33,974 --> 00:29:35,441 HE SAYS, "HEY, CARLOS, 528 00:29:35,475 --> 00:29:37,944 YOU WANT TO PUT A HUMP ON THIS GIRL?" 529 00:29:37,978 --> 00:29:40,781 FAMILY MAN OR NOT, WE ALL GOT URGES, RIGHT? 530 00:29:40,814 --> 00:29:42,482 MM?HMM. 531 00:29:42,516 --> 00:29:45,451 NOW, MY WIFE AND KIDS ARE IN OUR APARTMENT WATCHING TV. 532 00:29:45,485 --> 00:29:49,155 HEY, I�M TAKING OUT THE TRASH. IT�S A BORING NIGHT. 533 00:29:49,189 --> 00:29:51,291 WHO WOULD EVER GUESS SOMETHING EXCITING IS HAPPENING? 534 00:29:51,324 --> 00:29:53,493 RIGHT NEXT DOOR. 535 00:29:53,527 --> 00:29:55,461 ANYWAYS, I WENT IN THERE 536 00:29:55,495 --> 00:29:58,865 AND PUT A HUMP ON THE GIRL LIKE EDDIE SUGGESTED. 537 00:29:58,899 --> 00:30:02,135 GIRL SEEM LIKE SHE WAS ENJOYING HERSELF, CARLOS? 538 00:30:02,168 --> 00:30:05,105 I DON�T KNOW. SHE WAS KIND OF TIRED. 539 00:30:05,138 --> 00:30:06,940 BEEN WITH FOUR OF THEM ALREADY. 540 00:30:06,973 --> 00:30:08,441 FIFTH MAN IN. 541 00:30:08,474 --> 00:30:10,844 I FIGURED WHY IS ONE MORE GOING TO MATTER? 542 00:30:10,877 --> 00:30:13,313 YOU GOT WHERE EDDIE LIVES? 543 00:30:13,346 --> 00:30:16,016 THEN I GO? 544 00:30:16,049 --> 00:30:17,483 WRITE DOWN EDDIE�S ADDRESS 545 00:30:17,518 --> 00:30:19,986 AND WRITE DOWN WHAT YOU JUST TOLD ME, 546 00:30:20,020 --> 00:30:22,288 THEN WE�LL SEE IF YOU CAN GO. 547 00:30:22,322 --> 00:30:26,326 FIFTH MAN IN, RIGHT? 548 00:30:26,359 --> 00:30:27,861 WHAT THE HELL? 549 00:30:27,894 --> 00:30:29,495 YEAH, WHAT THE HELL. 550 00:30:39,039 --> 00:30:41,474 MY NAME IS DARREL LYMAN. I�M AN ATTORNEY. 551 00:30:41,508 --> 00:30:43,476 UM, TO SPEAK TO WHOM? 552 00:30:43,510 --> 00:30:45,478 BLAKE DeWITT. 553 00:30:45,512 --> 00:30:47,981 HOW�S IT GOING? I�M WORKING THAT CASE. 554 00:30:48,014 --> 00:30:49,650 HE�S ABBOTT, THAT�S COSTELLO. 555 00:30:49,683 --> 00:30:51,918 I�D LIKE TO SEE MY CLIENT. 556 00:30:51,952 --> 00:30:54,054 MR. DeWITT�S TURNED DOWN HIS RIGHT TO A LAWYER. 557 00:30:54,087 --> 00:30:56,256 THESE MANIPULATING SONS OF BITCHES. 558 00:30:56,289 --> 00:30:59,192 Andy: WOULD THAT BE PETER POT CALLING KARL KETTLE BLACK? 559 00:30:59,225 --> 00:31:01,061 I�D LIKE TO HEAR MR. DeWITT DECLINE. 560 00:31:01,094 --> 00:31:03,163 SURE, OKAY. I GUESS THAT�S OKAY. 561 00:31:03,196 --> 00:31:05,498 YOU DON�T HAVE TO LET HIM HEAR NOTHING. 562 00:31:05,532 --> 00:31:07,367 NO, IT�S OKAY, ANDY. HE�S DOWN HERE. 563 00:31:07,400 --> 00:31:09,335 WHOA, HEY. 564 00:31:09,369 --> 00:31:11,672 IX?NAY ON OING WITH THEM GAY, PHIL. 565 00:31:11,705 --> 00:31:14,407 YEAH. THIS IS JUST MR. LYMAN HEARING HIM DECLINE. 566 00:31:14,440 --> 00:31:18,411 FINE. GREAT. JUST TELL HIM I�M HERE. 567 00:31:32,559 --> 00:31:34,595 HELLO. 568 00:31:34,628 --> 00:31:36,563 THIS IS MR. LYMAN. HE�S A LAWYER. 569 00:31:36,597 --> 00:31:38,131 YOU NEED AN ATTORNEY. 570 00:31:38,164 --> 00:31:40,066 HEY. 571 00:31:40,100 --> 00:31:42,402 HAVE YOU WAIVED YOUR RIGHT TO COUNSEL? 572 00:31:42,435 --> 00:31:45,105 YES. I WANT TO HELP IN SOLVING WALTER�S DISAPPEARANCE. 573 00:31:45,138 --> 00:31:46,973 BLAKE ?? 574 00:31:47,007 --> 00:31:49,576 YOU HEARD IT, COUNSELOR. LET�S GO. 575 00:31:49,610 --> 00:31:51,377 PLEASED TO MEET YOU. 576 00:31:51,411 --> 00:31:55,048 WHAT�S THE BASEBALL LOOK LIKE THIS YEAR, PHIL? 577 00:31:55,081 --> 00:31:57,918 YOU FOLLOW THE YANKEES, THE METS? 578 00:31:57,951 --> 00:31:59,452 JUST MY FAVORITE GAY PLAYERS. 579 00:32:05,992 --> 00:32:08,094 HOW IS HE? DID YOU TELL HIM I�M HERE? 580 00:32:08,128 --> 00:32:09,596 BLAKE SEEMS ALL RIGHT, 581 00:32:09,630 --> 00:32:11,632 AND HE HAS DECLINED COUNSEL, PHILLIP. 582 00:32:11,665 --> 00:32:13,567 DID THEY BEAT HIM? 583 00:32:13,600 --> 00:32:16,069 I HOPE TO HELL YOU LAID ON THE MAKEUP. 584 00:32:16,102 --> 00:32:18,438 I DIDN�T GET THAT CLOSE A LOOK. 585 00:32:18,471 --> 00:32:20,006 WHY NOT? 586 00:32:20,040 --> 00:32:22,075 BLAKE HAS DECLINED REPRESENTATION, PHILLIP. 587 00:32:22,108 --> 00:32:24,310 THAT�S THE FUN FOR YOU, ISN�T IT, 588 00:32:24,344 --> 00:32:25,612 TWISTING PEOPLE�S HEADS AROUND? 589 00:32:25,646 --> 00:32:28,248 HE SAYS HE�S GOT NO HARD FEELINGS. 590 00:32:28,281 --> 00:32:30,083 I GUESS WHEN THEY WERE TOGETHER, 591 00:32:30,116 --> 00:32:32,085 WALTER SHOWED HIM A GOOD TIME. 592 00:32:32,118 --> 00:32:34,254 YES, WALTER HAD DEEP POCKETS AND AN EVIL MIND. 593 00:32:34,287 --> 00:32:35,756 ALL RIGHT, PHILLIP. 594 00:32:35,789 --> 00:32:38,258 HE�S GOING OVER THEIR LIFE, WHO THEY MET, 595 00:32:38,291 --> 00:32:40,994 TRYING TO HELP US COME UP WITH LEADS. 596 00:32:41,027 --> 00:32:42,963 ANYWAY, I DON�T THINK EITHER OF US 597 00:32:42,996 --> 00:32:45,465 HAS A GOOD REASON TO STAY HERE RIGHT NOW. 598 00:32:45,498 --> 00:32:48,268 IF HE CHANGES HIS MIND, PLEASE GIVE THIS TO MR. DeWITT. 599 00:32:48,301 --> 00:32:50,170 SURE, ABSOLUTELY. 600 00:32:50,203 --> 00:32:51,705 I WANT TO TALK TO HIM. 601 00:32:51,738 --> 00:32:53,473 LET�S GET A CUP OF COFFEE. 602 00:32:53,507 --> 00:32:56,442 CAN I TALK TO HIM? 603 00:32:56,476 --> 00:32:59,112 WE�D NEED MORE COOPERATION THAN OUR LAST TALK, PHILLIP. 604 00:32:59,145 --> 00:33:00,781 SOME PRIOR CONVERSATION WITH US 605 00:33:00,814 --> 00:33:02,983 BEFORE WE LET YOU TALK TO BLAKE. 606 00:33:03,016 --> 00:33:05,619 I AM COUNSEL TO PHILLIP ROGERS. THAT�S NOT GOING TO HAPPEN. 607 00:33:05,652 --> 00:33:08,321 I TALK TO YOU IF YOU PROMISE, 608 00:33:08,354 --> 00:33:12,125 IN FRONT OF THESE WITNESSES, I CAN TALK TO BLAKE. 609 00:33:12,158 --> 00:33:15,228 YOU DON�T THINK THEY CAN GET INSIDE YOUR HEAD, TOO? 610 00:33:15,261 --> 00:33:17,664 THAT�S A CHALLENGE I THINK I�M EQUAL TO. 611 00:33:17,698 --> 00:33:20,567 DO I NEED TO SAY SOMETHING TO MAKE THIS OFFICIAL? 612 00:33:20,601 --> 00:33:22,302 "YOU�RE FIRED" GETS IT DONE. 613 00:33:22,335 --> 00:33:24,037 PHILLIP ?? 614 00:33:24,070 --> 00:33:26,472 YOU�RE FIRED! 615 00:33:26,507 --> 00:33:28,509 LET�S GO TALK DOWN HERE. 616 00:33:50,096 --> 00:33:51,665 WHAT HAVE YOU GOT BLAKE THINKING ABOUT ME? 617 00:33:51,698 --> 00:33:55,201 DID PHIL GET THE IDEA HE WAS GOING TO BE INTERVIEWING US? 618 00:33:55,235 --> 00:33:56,537 IF HE�S TURNING DOWN REPRESENTATION, 619 00:33:56,570 --> 00:33:58,672 I CAN ONLY IMAGINE WHAT YOU�VE GOT HIM THINKING. 620 00:33:58,705 --> 00:34:01,708 YOU�LL GET THAT FROM BLAKE AFTER WE HAVE OUR TALK. 621 00:34:01,742 --> 00:34:04,711 I EXPECT BLAKE AND I WILL BE RIDING THEN IN A HANSOM CAB 622 00:34:04,745 --> 00:34:06,346 IN THE BOTANICAL GARDENS. 623 00:34:06,379 --> 00:34:09,516 YOU KNOW YOU�RE NOT GETTING OUT OF HERE. 624 00:34:09,550 --> 00:34:12,285 DON�T YOU THINK YOU�D BE MORE WITHIN YOUR COMFORT ZONE 625 00:34:12,318 --> 00:34:14,588 PROBING THE PSYCHE OF CHIMPS? 626 00:34:14,621 --> 00:34:18,725 YOU�RE GOING TO GIVE IT UP SO YOU CAN HOLD BLAKE 627 00:34:18,759 --> 00:34:22,295 AND TELL HIM YOU LOVE AND WISH HIM HAPPINESS ?? BOO?HOO?HOO ?? 628 00:34:22,328 --> 00:34:24,430 AND WILL HE WRITE YOU LONG LETTERS IN PRISON. 629 00:34:24,464 --> 00:34:26,066 I WANT TO SEE HIM. 630 00:34:26,099 --> 00:34:29,435 PHILLIP, THE GREAT RUNNING BACK O. J. SIMPSON ?? 631 00:34:29,469 --> 00:34:32,405 THAT WAS FOUND NOT GUILTY BY A JURY OF HIS PEERS ?? 632 00:34:32,438 --> 00:34:35,408 WHEN HE COME BACK FROM CHICAGO, BEFORE HE WENT IN 633 00:34:35,441 --> 00:34:37,477 TO BE INTERVIEWED BY THE L. A. DETECTIVES, 634 00:34:37,511 --> 00:34:41,081 THE GREAT SIMPSON DISMISSED COUNSEL EXACTLY HOW YOU DID, 635 00:34:41,114 --> 00:34:43,316 AND, PHIL, SO YOU KNOW WHERE YOU STAND, 636 00:34:43,349 --> 00:34:46,386 IF THE GREAT SIMPSON HAD GONE IN WITH ME 637 00:34:46,419 --> 00:34:48,722 AFTER WITNESSES HEARD HIM LET HIS LAWYERS GO, 638 00:34:48,755 --> 00:34:51,324 THAT MURDERING PRICK�S ONLY CHANCE OF WALKING OUT 639 00:34:51,357 --> 00:34:54,227 OF THAT INTERVIEW ROOM BEFORE I GOT HIS CONFESSION 640 00:34:54,260 --> 00:34:56,630 WOULD HAVE BEEN AN EARTHQUAKE. 641 00:34:56,663 --> 00:34:59,666 WHICH I GATHER SOMETIMES DOES OCCUR IN THAT AREA. 642 00:34:59,700 --> 00:35:01,467 GIVE IT UP. 643 00:35:01,501 --> 00:35:04,304 WHY DON�T YOU GO ON TO THE BEATING? 644 00:35:04,337 --> 00:35:06,306 NO ONE�S LOOKING TO DO THAT. 645 00:35:06,339 --> 00:35:08,308 NOBODY WANTS TO BEAT YOU. 646 00:35:08,341 --> 00:35:10,410 THAT�S A CROCK. YOU�D LOVE TO BEAT ME. 647 00:35:10,443 --> 00:35:12,245 NO. 648 00:35:12,278 --> 00:35:14,515 ISN�T THAT YOUR VERSION OF SEX? 649 00:35:14,548 --> 00:35:17,250 ISN�T THAT WHAT YOU�D HAVE DONE TO SIMPSON? 650 00:35:17,283 --> 00:35:19,485 I�D HAVE TOLD HIM THAT WHEN HIS EX?WIFE DIED 651 00:35:19,520 --> 00:35:22,255 AND THAT WAITER IN THE WRONG PLACE AT THE WRONG TIME, 652 00:35:22,288 --> 00:35:25,258 WAS THE NIGHT WEEKS BEFORE WHEN HE COME TO TALK TO HER 653 00:35:25,291 --> 00:35:26,860 AND THEIR KIDS WERE ASLEEP UPSTAIRS, 654 00:35:26,893 --> 00:35:29,530 AND THROUGH THE WINDOW HE SEES HER GOING DOWN 655 00:35:29,563 --> 00:35:32,866 ON WHOEVER THAT WAS THAT SHE HAD ON THE LIVING ROOM SOFA. 656 00:35:32,899 --> 00:35:35,368 PEOPLE�S PASSIONS GET THE BEST OF THEM. 657 00:35:35,401 --> 00:35:37,604 AND IF HE GOES OVER, MAYBE TWO WEEKS LATER, 658 00:35:37,638 --> 00:35:40,541 AND HE�S HAD TOO MUCH TO DRINK LIKE I HAVE 5,000 TIMES, 659 00:35:40,574 --> 00:35:42,709 OR HE�S PUT SOMETHING UP HIS NOSE 660 00:35:42,743 --> 00:35:44,878 AND HE�S GOING TO DO VANDALISM ON HER CAR ?? 661 00:35:44,911 --> 00:35:47,614 AND THAT�S ALL HE�S PLANNING TO DO. 662 00:35:47,648 --> 00:35:50,283 THAT�S ALL HE WENT OVER INTENDING TO DO. 663 00:35:50,316 --> 00:35:51,885 HE�S PUTTING A DENT IN A MERCEDES, 664 00:35:51,918 --> 00:35:53,620 THE COLOR OF WHICH 665 00:35:53,654 --> 00:35:55,789 SOMEONE SHOULD�VE HAD THE TASTE NOT TO CONCEIVE. 666 00:35:55,822 --> 00:35:58,792 SOMETHING�S IN FRONT OF HIM HE HADN�T EXPECTED. 667 00:35:58,825 --> 00:36:00,794 THAT KILLS KINDNESS AND SWEETNESS AND PITY. 668 00:36:00,827 --> 00:36:02,295 AND THAT EMOTION EXPLODES. 669 00:36:02,328 --> 00:36:04,731 IT JUST EXPLODES! IT EXPLODES! 670 00:36:06,700 --> 00:36:09,335 I PUT A HAMMER 2 INCHES INTO HIS HEAD. 671 00:36:17,377 --> 00:36:20,180 AND I�M AFRAID TO HAMMER A NAIL. 672 00:36:21,715 --> 00:36:23,383 AND A MINUTE BEFORE, 673 00:36:23,416 --> 00:36:26,386 IF YOU�D TOLD HIM HE WAS GOING TO DO IT, 674 00:36:26,419 --> 00:36:29,590 HE�D HAVE TAKEN ANY BETS AGAINST IT YOU WANTED TO MAKE. 675 00:36:40,767 --> 00:36:43,236 [ DOOR OPENS ] 676 00:37:47,934 --> 00:37:49,503 HI. 677 00:37:49,536 --> 00:37:52,573 WE THINK IT�S TIME FOR ANYA TO COME HOME. 678 00:37:52,606 --> 00:37:54,407 HOW�S IT GOING WITH THE CASE? 679 00:37:54,440 --> 00:37:56,777 ONE MAN�S IN CUSTODY, AND HE GAVE US THE NAME 680 00:37:56,810 --> 00:37:59,012 OF ONE OF THE OTHER PERPETRATORS. 681 00:37:59,045 --> 00:38:01,414 ANYA�S LOOKING AT PHOTOS, 682 00:38:01,447 --> 00:38:04,585 TRYING TO IDENTIFY THE OTHER THREE MEN WHO ASSAULTED HER. 683 00:38:04,618 --> 00:38:06,953 ANYWAY, WE THINK IT�S TIME FOR HER TO COME HOME. 684 00:38:06,987 --> 00:38:09,590 ANYA WANTS TO SPEND MORE TIME TO SEE 685 00:38:09,623 --> 00:38:11,858 IF SHE CAN IDENTIFY THE OTHER THREE MEN. 686 00:38:11,892 --> 00:38:14,294 SHE WANTS TO OR YOU�RE MAKING HER? 687 00:38:14,327 --> 00:38:16,597 WE DO FEEL, IT�S, UH, 688 00:38:16,630 --> 00:38:19,866 SOMEWHAT TIME FOR HER TO COME HOME. 689 00:38:19,900 --> 00:38:22,368 IT�S WHAT ANYA FEELS THAT WE�RE GOING TO GO BY. 690 00:38:22,402 --> 00:38:24,370 DO YOU WANT TO TALK TO HER? 691 00:38:24,404 --> 00:38:26,607 WE WANT YOU TO LET HER COME HOME. 692 00:38:26,640 --> 00:38:29,042 THIS TERRIBLE THING HAS HAPPENED TO YOUR DAUGHTER. 693 00:38:29,075 --> 00:38:31,044 SHE�S FOUND A WAY TO FEEL SHE�S GETTING 694 00:38:31,077 --> 00:38:33,379 A LITTLE CONTROL OF HER LIFE BACK. 695 00:38:33,413 --> 00:38:35,115 OF COURSE ANYA CAN GO HOME, 696 00:38:35,148 --> 00:38:37,618 BUT IF SHE WANTS TO STAY, 697 00:38:37,651 --> 00:38:39,886 CAN�T YOU BE BRAVE ENOUGH TO LET HER? 698 00:38:39,920 --> 00:38:42,956 I THINK WE SHOULD LET HER, SOMEWHAT, JANET, 699 00:38:42,989 --> 00:38:44,390 IF ?? IF SHE WANTS TO. 700 00:38:46,727 --> 00:38:51,031 AND THEN YOU�D ARRANGE FOR HER TRANSPORTATION HOME? 701 00:38:51,064 --> 00:38:53,967 YEAH, WE�D BRING ANYA HOME. 702 00:38:54,000 --> 00:38:56,336 POLICE TRANSPORTATION. 703 00:38:56,369 --> 00:38:58,739 I GUESS THAT�S AS SAFE AS YOU CAN GET. 704 00:38:58,772 --> 00:38:59,906 FINE, THEN. 705 00:38:59,940 --> 00:39:02,475 IT�S A FINE WAY TO END IT. 706 00:39:02,509 --> 00:39:04,477 END WHAT? 707 00:39:04,511 --> 00:39:05,979 WE BROUGHT HER IN, 708 00:39:06,012 --> 00:39:07,981 AND NOW WE CAN�T GET HER OUT. 709 00:39:08,014 --> 00:39:10,416 COME HERE. 710 00:39:24,030 --> 00:39:26,533 I WANT TO STAY, MAMA. 711 00:39:29,736 --> 00:39:31,505 FINE, THEN. 712 00:39:31,538 --> 00:39:36,214 I�M FINE. YOU AND DADDY GO HOME. 713 00:39:39,646 --> 00:39:42,382 OKAY? 714 00:39:47,554 --> 00:39:51,391 SO SHE�S ALONE WITH EVERY ELEMENT. 715 00:39:51,424 --> 00:39:53,627 YEAH, SHE�S ALL ALONE WITH DETECTIVE JONES. 716 00:39:57,731 --> 00:40:01,067 YOU�LL SEE SHE GETS HOME? 717 00:40:36,937 --> 00:40:41,575 I DON�T SEE YOU WORKING ON YOUR 5 THERE, JOHN. 718 00:40:41,608 --> 00:40:44,678 CRUCIAL AS YOU WERE TO THE CASE, 719 00:40:44,711 --> 00:40:47,748 LET�S NOT BE TARDY WITH OUR PAPERWORK. 720 00:40:47,781 --> 00:40:50,150 COULD I SEE THAT POOR YOUNG MAN? 721 00:40:50,183 --> 00:40:51,752 BLAKE? 722 00:40:51,785 --> 00:40:55,589 THAT�S WAITING TO SAY FAREWELL TO PHILLIP? 723 00:40:55,622 --> 00:40:57,157 WOULD THAT BE INAPPROPRIATE? 724 00:40:59,225 --> 00:41:01,094 WELL, HE�S NOT IN CUSTODY. 725 00:41:01,127 --> 00:41:04,030 NO, HE�S JUST WAITING TO SAY FAREWELL. 726 00:41:04,064 --> 00:41:07,934 WHY? WHAT DO YOU WANT TO DO? 727 00:41:07,968 --> 00:41:10,103 HE�S ALONE, AND I FEEL IT MIGHT BE HELPFUL. 728 00:41:10,136 --> 00:41:11,938 LET HIM KNOW PHILLIP�S GOING OVER 729 00:41:11,972 --> 00:41:15,008 IN AROUND HALF AN HOUR. 730 00:41:15,041 --> 00:41:16,777 TO THE TOMBS. 731 00:41:16,810 --> 00:41:20,146 HE�S IN INTERVIEW THREE, BLAKE. 732 00:41:24,518 --> 00:41:25,852 THANK YOU. 733 00:41:33,827 --> 00:41:36,597 PROBABLY WANTS TO EXCHANGE PHONE NUMBERS. 734 00:41:40,667 --> 00:41:42,936 HE COULD DO WORSE, THAT BLAKE. 735 00:41:46,673 --> 00:41:48,542 [ KNOCK ON DOOR ] 736 00:41:51,578 --> 00:41:53,847 PHILLIP WILL BE LEAVING FOR CENTRAL BOOKING 737 00:41:53,880 --> 00:41:55,148 IN HALF AN HOUR. 738 00:41:55,181 --> 00:41:57,250 ALL RIGHT, THANKS. 739 00:42:00,687 --> 00:42:03,857 MY NAME IS JOHN IRVIN, AND I�M A CIVILIAN AIDE. 740 00:42:03,890 --> 00:42:08,228 BLAKE DeWITT. HOW DO YOU DO? 741 00:42:08,261 --> 00:42:11,565 HOW DO YOU DO? 742 00:42:11,598 --> 00:42:12,766 WHAT�S, UM, 743 00:42:12,799 --> 00:42:14,701 A CIVILIAN AIDE�S RESPONSIBILITIES? 744 00:42:14,735 --> 00:42:18,972 OH, UH, THEY VARY. UM... 745 00:42:22,308 --> 00:42:25,245 BLAKE, I KNOW JUST NOW YOU FEEL LOST AND CONFUSED. 746 00:42:25,278 --> 00:42:29,049 HOW DO YOU KNOW THAT? 747 00:42:29,082 --> 00:42:30,751 I JUST DO, 748 00:42:30,784 --> 00:42:33,119 AND I HOPE YOU WON�T GIVE IN TO DESPAIR. 749 00:42:33,153 --> 00:42:35,789 THAT�S WHAT I WANT TO TELL YOU. 750 00:42:35,822 --> 00:42:39,125 IT�S SO HARD MAKING SENSE OF OUR LIVES, 751 00:42:39,159 --> 00:42:43,363 OR I GUESS I MEAN TO SAY, MAKING OUR LIVES SENSIBLE. 752 00:42:43,396 --> 00:42:46,700 WE�RE IN A STRANGE CITY. 753 00:42:46,733 --> 00:42:49,302 WE BEGIN A DIFFERENT LIFESTYLE COMPLETELY, 754 00:42:49,335 --> 00:42:52,773 MAYBE NOT EXACTLY SURE INSIDE 755 00:42:52,806 --> 00:42:56,242 IF THE CHANGES WE�RE CHOOSING 756 00:42:56,276 --> 00:42:58,879 ARE RIGHT NECESSARILY, 757 00:42:58,912 --> 00:43:02,115 EVEN IF THEY�RE RIGHT FOR US. 758 00:43:02,148 --> 00:43:04,117 IT�S SO EASY TO BECOME CONFUSED. 759 00:43:04,150 --> 00:43:08,955 IT�S SO HARD TO LOVE OURSELVES 760 00:43:08,989 --> 00:43:13,059 AND TO FIND WHAT�S GOOD FOR OUR LIVES, 761 00:43:13,093 --> 00:43:15,762 AND THEN TO EXPERIENCE SOMETHING 762 00:43:15,796 --> 00:43:17,230 LIKE YOU�VE JUST EXPERIENCED... 763 00:43:17,263 --> 00:43:19,232 I WANT YOU TO KNOW 764 00:43:19,265 --> 00:43:22,268 IT�S POSSIBLE TO MAKE YOUR WAY, 765 00:43:22,302 --> 00:43:25,271 AND THAT HAPPINESS, FRIENDSHIP, 766 00:43:25,305 --> 00:43:28,408 THE SUN RISING AND SETTING, 767 00:43:28,441 --> 00:43:32,679 THE BIRDS IN THE WIND AT THE HARBOR, 768 00:43:32,713 --> 00:43:34,080 THEY�RE ALL HERE, TOO, BLAKE, 769 00:43:34,114 --> 00:43:36,349 AS MUCH FOR YOU AS FOR ANYONE ELSE 770 00:43:36,382 --> 00:43:38,084 IN THE WORLD. 771 00:43:38,118 --> 00:43:41,421 THANK YOU VERY MUCH. 772 00:43:41,454 --> 00:43:46,793 I REALLY APPRECIATE THAT, JOHN. 773 00:43:46,827 --> 00:43:48,795 YOU�RE WELCOME. 774 00:43:48,845 --> 00:43:53,395 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 57118

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