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1
00:00:21,221 --> 00:00:22,689
YOU TRIED
REACHING THIS GUY?
2
00:00:22,723 --> 00:00:25,692
NO ANSWER UPSTAIRS,
NO ANSWER ON HIS CELL PHONE.
3
00:00:25,726 --> 00:00:28,662
THIS IS AN IN?TOUCH TENANT.
WHO�S THE WHOM TO CALL?
4
00:00:28,695 --> 00:00:30,764
I CALLED HIS NEPHEW.
5
00:00:30,797 --> 00:00:33,333
THAT SMART?ASS PISSPOT
HADN�T SEEN HIM IN TWO DAYS.
6
00:00:33,366 --> 00:00:34,768
SAYS, "DON�T WORRY, RHODES.
7
00:00:34,801 --> 00:00:37,170
"WALTER�S PROBABLY
INCOMMUNICADO AT THE HAMPTONS
8
00:00:37,203 --> 00:00:39,172
BANGING SOME NEW
22?YEAR?OLD GUY."
9
00:00:39,205 --> 00:00:41,441
WALTER GOODE ?? NO ONE�S
SEEN HIM FOR TWO DAYS.
10
00:00:41,474 --> 00:00:44,344
THIS IS THE DOORMAN
BRUCE RHODES.
11
00:00:44,377 --> 00:00:46,246
REPORTED MR. GOODE�S
TAUPE MERCEDES MISSING.
12
00:00:46,279 --> 00:00:48,248
WHAT KIND OF MERCEDES?
13
00:00:48,281 --> 00:00:49,583
TAUPE.
14
00:00:49,616 --> 00:00:51,451
IT�S A COLOR, LIKE BEIGE.
15
00:00:51,484 --> 00:00:54,054
SO WHY DON�T YOU SHOW US
THE GARAGE
16
00:00:54,087 --> 00:00:56,056
WHERE MR. GOODE�S TAUPE MERCEDES
WENT MISSING FROM?
17
00:00:56,089 --> 00:00:57,758
YEAH, SURE.
UH, THIS WAY.
18
00:00:57,791 --> 00:00:59,292
MR. GOODE�S APARTMENT
DONE IN TAUPE?
19
00:00:59,325 --> 00:01:02,863
WE MAY NEED TO LOOK
AT THAT, TOO.
20
00:01:02,896 --> 00:01:05,365
HIS APARTMENT�S UNDISTURBED.
21
00:01:05,398 --> 00:01:07,300
YOU�RE SHOWING A LOT
OF INITIATIVE, BRUCE.
22
00:01:07,333 --> 00:01:08,769
WELL, I WAS WORRIED SICK,
23
00:01:08,802 --> 00:01:11,104
SO I TOOK A RIDE
IN THE ELEVATOR.
24
00:01:13,607 --> 00:01:15,241
THIS IS MR. GOODE�S SPACE?
25
00:01:15,275 --> 00:01:16,743
YEAH, RIGHT THERE.
26
00:01:16,777 --> 00:01:19,145
THERE�S SOMETHING HERE
BY THE DRIVER�S SIDE.
27
00:01:22,649 --> 00:01:24,317
BLOOD AND HAIR.
28
00:01:24,350 --> 00:01:27,120
DID YOU SEE THIS BLOOD
AND HAIR OVER HERE, RHODES?
29
00:01:27,153 --> 00:01:28,722
YEAH, I�VE SEEN IT.
30
00:01:28,755 --> 00:01:30,891
YOU BETTER CALL
CRIME SCENE, GREG.
31
00:01:30,924 --> 00:01:32,893
DO YOU THINK
BEFORE MAKING SURE WE KNEW
32
00:01:32,926 --> 00:01:34,661
THIS GUY�S CAR
WAS TAUPE?COLORED,
33
00:01:34,695 --> 00:01:37,497
YOU SHOULD HAVE
CONVEYED TO US
34
00:01:37,531 --> 00:01:39,900
PART OF HIS HEAD OCCUPIED
HIS PARKING SPACE?
35
00:01:39,933 --> 00:01:42,503
THAT WAS THE TIP?OFF THERE
MIGHT HAVE BEEN FOUL PLAY.
36
00:01:42,536 --> 00:01:45,672
DEDUCING FOUL PLAY
OFF JUST BLOOD AND HAIR
37
00:01:45,706 --> 00:01:47,440
AND LITTLE PIECES
OF BRAIN MATTER?
38
00:01:47,473 --> 00:01:49,843
YOU MAY BE
IN THE WRONG LINE OF WORK.
39
00:01:49,876 --> 00:01:52,445
GOOD. I�M GOING
TO BE LOOKING FOR A JOB.
40
00:03:22,703 --> 00:03:24,871
GOOD MORNING.
41
00:03:24,905 --> 00:03:27,941
MY DAUGHTER�S GOING
TO HAVE A DRINK OF WATER,
42
00:03:27,974 --> 00:03:29,710
THEN WE�RE GOING IN HERE.
43
00:03:29,743 --> 00:03:31,545
I�M DIANE RUSSELL,
A DETECTIVE IN THE SQUAD.
44
00:03:31,578 --> 00:03:34,280
IS THERE SOMETHING
I COULD HELP YOU WITH?
45
00:03:34,314 --> 00:03:36,349
JANET AND OSCAR WEBB.
46
00:03:36,382 --> 00:03:38,685
THIS IS OUR DAUGHTER ANYA.
47
00:03:38,719 --> 00:03:40,420
HI, ANYA.
48
00:03:40,453 --> 00:03:41,387
HI.
49
00:03:41,421 --> 00:03:43,223
A TERRIBLE THING
HAPPENED TO HER.
50
00:03:43,256 --> 00:03:44,691
SHE WAS ATTACKED.
51
00:03:44,725 --> 00:03:45,926
I�M SORRY, ANYA.
52
00:03:45,959 --> 00:03:48,529
THANK YOU.
53
00:03:48,562 --> 00:03:52,733
COME ON. WE�LL TALK
ABOUT WHAT HAPPENED.
54
00:03:56,603 --> 00:03:59,573
ANYA AND I ARE GOING TO TALK
IN THE COFFEE ROOM.
55
00:03:59,606 --> 00:04:01,575
WOULD YOU SEE
IF MR. AND MRS. WEBB
56
00:04:01,608 --> 00:04:03,710
WOULD LIKE ANYTHING
FROM DOWNSTAIRS?
57
00:04:03,744 --> 00:04:04,978
OF COURSE.
58
00:04:05,011 --> 00:04:06,913
SHE NEEDS US WITH HER.
59
00:04:06,947 --> 00:04:08,749
HOW OLD ARE YOU, ANYA?
60
00:04:08,782 --> 00:04:10,551
Janet: 23.
61
00:04:10,584 --> 00:04:12,786
SINCE YOU�RE NOT A MINOR,
IT ISN�T USUAL PROCEDURE
62
00:04:12,819 --> 00:04:16,723
TO HAVE YOUR PARENTS WITH YOU,
BUT WE CAN MAKE AN EXCEPTION.
63
00:04:16,757 --> 00:04:19,459
NOT IF IT CHANGES
THE PROCEDURE.
64
00:04:19,492 --> 00:04:20,561
ANYA.
65
00:04:20,594 --> 00:04:22,428
Jill: GOOD MORNING.
66
00:04:22,462 --> 00:04:24,631
THESE ARE THE WEBBS, JILL.
THEIR DAUGHTER WAS ATTACKED.
67
00:04:24,665 --> 00:04:25,832
I�M SORRY.
68
00:04:25,866 --> 00:04:27,568
JILL KIRKENDALL.
69
00:04:27,601 --> 00:04:29,736
DID YOU WANT TO MAKE OUT
A BACKGROUND STATEMENT
70
00:04:29,770 --> 00:04:31,505
ON THE INCIDENT?
71
00:04:31,538 --> 00:04:34,407
I�M GOING TO TAKE HER
IN THE COFFEE ROOM.
72
00:04:34,440 --> 00:04:36,777
OKAY,
WE CAN TALK AT MY DESK.
73
00:04:36,810 --> 00:04:38,745
THE DOWNSTAIRS COFFEE�S BETTER
IF YOU WANT SOME.
74
00:04:38,779 --> 00:04:40,013
Janet: NO, THANK YOU.
75
00:04:40,046 --> 00:04:41,982
HE PROMISED
WE�D BE WITH HER.
76
00:04:42,015 --> 00:04:43,850
YOU PROMISED ANYA?
77
00:04:43,884 --> 00:04:47,020
HE PROMISED.
78
00:04:47,053 --> 00:04:48,689
SO, THAT�S GREAT.
79
00:04:48,722 --> 00:04:51,491
SHE KNOWS
YOU�RE RIGHT OUT HERE.
80
00:04:51,525 --> 00:04:53,860
PLEASE HAVE A SEAT.
81
00:04:59,966 --> 00:05:02,636
ONE OF THE KITTENS
AT MY WORK
82
00:05:02,669 --> 00:05:05,005
WAS DOING BAD LAST NIGHT
83
00:05:05,038 --> 00:05:06,873
AFTER IT HAD GOTTEN FIXED,
84
00:05:06,907 --> 00:05:09,009
SO I STAYED
PETTING HER A WHILE
85
00:05:09,042 --> 00:05:11,512
TILL I COULD GET HER ASLEEP.
86
00:05:11,545 --> 00:05:13,614
AND THEN WHEN DID YOU
LEAVE WORK, ANYA?
87
00:05:13,647 --> 00:05:15,348
9:15.
88
00:05:15,381 --> 00:05:18,652
AND WHEN I WAS WAITING
FOR THE BUS,
89
00:05:18,685 --> 00:05:23,957
THREE SPANISH BOYS
IN BIG HOODED JACKETS CAME UP.
90
00:05:23,990 --> 00:05:26,627
I WAS HOPING THEY�D PASS BY,
91
00:05:26,660 --> 00:05:28,862
BUT THEY GRABBED ME
92
00:05:28,895 --> 00:05:31,497
AND TOLD ME
IF I MADE A NOISE,
93
00:05:31,532 --> 00:05:33,834
THEY�D KILL ME RIGHT THERE,
94
00:05:33,867 --> 00:05:37,738
AND ONE PUT HIS JACKET ON ME
95
00:05:37,771 --> 00:05:42,809
AND TIED THE HOOD TIGHT
AND LOW ON MY FACE,
96
00:05:42,843 --> 00:05:46,980
AND THEN THEY STARTED ME
WALKING BETWEEN THEM
97
00:05:47,013 --> 00:05:49,983
AND TELLING ME
KEEP MY HEAD DOWN
98
00:05:50,016 --> 00:05:52,686
AND JUST LOOK AT THE GROUND.
99
00:05:52,719 --> 00:05:56,156
CAN YOU GUESS HOW LONG
YOU WALKED, ANYA?
100
00:05:56,189 --> 00:05:59,660
I TRIED TO COUNT SECONDS.
101
00:05:59,693 --> 00:06:01,995
UH, 1 AND 2 AND ??
102
00:06:02,028 --> 00:06:04,064
THAT WAS SMART.
103
00:06:04,097 --> 00:06:06,900
COUNTING THAT WAY,
104
00:06:06,933 --> 00:06:10,436
I COUNTED 16 1/2 MINUTES.
105
00:06:10,470 --> 00:06:12,673
I?I HEARD A BUNCH OF SOUNDS,
106
00:06:12,706 --> 00:06:15,008
BUT THEY COULD HAVE BEEN
FROM ANY STREET.
107
00:06:15,041 --> 00:06:17,177
BUT THEN AFTER 11 MINUTES,
108
00:06:17,210 --> 00:06:19,546
THE ONE THING I KNOW
109
00:06:19,580 --> 00:06:21,682
IS WE WENT THROUGH
SOME CONSTRUCTION.
110
00:06:21,715 --> 00:06:23,684
THE SIDEWALK WAS DUG OUT,
111
00:06:23,717 --> 00:06:28,955
AND WE WERE WALKING ON SAND
FOR ABOUT...40 STEPS.
112
00:06:28,989 --> 00:06:31,592
THAT�S REALLY HELPFUL
113
00:06:31,625 --> 00:06:34,460
THAT YOU PAID ATTENTION
TO ALL THAT.
114
00:06:34,494 --> 00:06:37,397
THANK YOU.
115
00:06:37,430 --> 00:06:42,468
WE WALKED UP THREE FLIGHTS
IN A BUILDING
116
00:06:42,503 --> 00:06:44,905
THAT THE FRONT DOOR
WASN�T LOCKED
117
00:06:44,938 --> 00:06:48,609
AND THEN INTO AN APARTMENT
THAT WASN�T LOCKED
118
00:06:48,642 --> 00:06:52,045
AND HAD A MATTRESS...
119
00:06:52,078 --> 00:06:54,214
WITH NO SHEETS...
120
00:06:54,247 --> 00:06:56,717
THAT WAS DIRTY,
121
00:06:56,750 --> 00:07:00,754
AND NOTHING ELSE
IN THE APARTMENT
122
00:07:00,787 --> 00:07:05,559
EXCEPT VENETIAN BLINDS.
123
00:07:05,592 --> 00:07:10,731
THEY PULLED DOWN
MY UNDERWEAR...
124
00:07:10,764 --> 00:07:13,233
AND PUSHED MY SKIRT UP...
125
00:07:13,266 --> 00:07:18,138
AND PUSHED MY SHIRT
AND SWEATER UP,
126
00:07:18,171 --> 00:07:21,074
COVERING MY FACE
127
00:07:21,107 --> 00:07:24,945
AND PUSHED MY BRASSIERE UP.
128
00:07:24,978 --> 00:07:29,182
AND...
129
00:07:29,215 --> 00:07:32,619
AFTER 85 MINUTES...
130
00:07:34,487 --> 00:07:39,793
TWO NEW MEN CAME IN, TOO.
131
00:07:39,826 --> 00:07:41,962
NONE OF THEM
SAID THEIR NAMES.
132
00:07:41,995 --> 00:07:43,897
THEY ALL SMELLED LIKE BEER.
133
00:07:46,132 --> 00:07:49,936
IF I HAD STAYED LATE
WORKING OR NOT
134
00:07:49,970 --> 00:07:52,506
OR I SHOULD HAVE KNOWN
OR NOT ??
135
00:07:52,539 --> 00:07:55,175
YOU DIDN�T DO ANYTHING
WRONG, ANYA,
136
00:07:55,208 --> 00:07:57,110
AND WHAT YOU JUST TOLD ME
137
00:07:57,143 --> 00:08:00,013
IS REALLY GOING TO HELP.
138
00:08:00,046 --> 00:08:01,682
IF I SHOULD HAVE FOUGHT ??
139
00:08:01,715 --> 00:08:03,617
NO, NO, NO.
THERE WERE THREE OF THEM
140
00:08:03,650 --> 00:08:06,019
AND THEN
THERE WERE FIVE OF THEM.
141
00:08:06,052 --> 00:08:09,556
IF YOU�D HAVE FOUGHT,
THEY MIGHT HAVE KILLED YOU.
142
00:08:13,059 --> 00:08:15,962
CAN YOU TELL MY PARENTS?
143
00:08:15,996 --> 00:08:20,501
THEY DON�T KNOW YET
ABOUT THE SEX PART.
144
00:08:29,543 --> 00:08:31,812
THERE�S EVERY ELEMENT...
145
00:08:31,845 --> 00:08:34,715
IN THE NEIGHBORHOOD
WHERE ANYA WORKS.
146
00:08:34,748 --> 00:08:36,583
AND NEW ELEMENTS EVERY DAY.
147
00:08:40,286 --> 00:08:41,988
IS SHE ALL RIGHT?
148
00:08:42,022 --> 00:08:44,991
WHY IS THE DOOR CLOSED?
149
00:08:45,025 --> 00:08:47,994
ANYA�S ASKED ME TO TELL YOU
MORE ABOUT WHAT HAPPENED ??
150
00:08:48,028 --> 00:08:50,196
MORE SPECIFIC THINGS
ABOUT HOW SHE WAS ATTACKED.
151
00:08:50,230 --> 00:08:51,832
THANK GOD SHE�S ALL RIGHT.
152
00:08:51,865 --> 00:08:53,266
SHE SAID SHE WAS.
153
00:08:53,299 --> 00:08:55,836
ANYA WAS ATTACKED SEXUALLY,
154
00:08:55,869 --> 00:08:58,038
AND SHE HAD NO OPPORTUNITY
TO RESIST...
155
00:08:58,071 --> 00:09:00,106
OH, MY GOD.
156
00:09:00,140 --> 00:09:02,175
WHICH IS WHY
SHE�S NOT BRUISED.
157
00:09:02,208 --> 00:09:04,010
WE NEED TO GET ANYA
EXAMINED AT A HOSPITAL.
158
00:09:04,044 --> 00:09:06,012
AS UPSET AS YOU ARE,
159
00:09:06,046 --> 00:09:09,282
YOU�RE GOING TO WANT TO
BE WITH HER AND SUPPORT HER.
160
00:09:27,634 --> 00:09:29,903
SHE SAID SHE WASN�T HURT.
161
00:09:29,936 --> 00:09:33,073
SHE SAID SHE JUST WANTED
TO REPORT THE INCIDENT.
162
00:09:54,194 --> 00:09:56,162
I DON�T KNOW.
I JUST GOT HERE.
163
00:09:56,196 --> 00:09:58,765
DONNY GOODE. I�M NOTIFIED
MY UNCLE�S MISSING.
164
00:09:58,799 --> 00:10:02,068
THE INVESTIGATING DETECTIVES
ARE JUST ON THEIR WAY BACK.
165
00:10:02,102 --> 00:10:03,770
UM...
166
00:10:05,639 --> 00:10:09,175
CANCEL THE 10:00. TELL TREVOR
I�LL BE THERE IN AN HOUR.
167
00:10:17,651 --> 00:10:21,755
YOU EVER BUMP INTO A GUY
NAMED BLAKE FROM LOUISVILLE?
168
00:10:21,788 --> 00:10:23,657
WHAT ARE YOU TALKING ABOUT?
169
00:10:23,690 --> 00:10:25,992
WELL, HE PROBABLY
KILLED MY UNCLE.
170
00:10:26,026 --> 00:10:28,829
I JUST THOUGHT YOUR FLIGHT
PATHS MIGHT HAVE CROSSED.
171
00:10:31,364 --> 00:10:33,299
EITHER OF YOU TWO SORENSON?
172
00:10:33,333 --> 00:10:35,001
ME. ARE YOU DONNY GOODE?
173
00:10:35,035 --> 00:10:37,037
YEAH. WHAT�S THE STORY
WITH MY UNCLE?
174
00:10:37,070 --> 00:10:39,806
LIKE I SAID ON THE PHONE,
YOUR UNCLE�S CAR IS MISSING.
175
00:10:39,840 --> 00:10:41,441
THERE�S INDICATION
OF FOUL PLAY.
176
00:10:41,474 --> 00:10:43,443
WE�RE HOPING YOU CAN
GIVE US SOME BACKGROUND.
177
00:10:43,476 --> 00:10:45,145
MY PARTNER ANDY SIPOWICZ.
178
00:10:45,178 --> 00:10:48,849
HOW�S IT GOING, SIPOWICZ?
BUT, I MEAN, NOTHING FURTHER?
179
00:10:48,882 --> 00:10:50,383
NO, NOTHING FURTHER YET,
DONNY,
180
00:10:50,416 --> 00:10:52,953
FROM THE 20 MINUTES AGO
WHEN MY PARTNER CALLED.
181
00:10:52,986 --> 00:10:54,287
MR. GOODE WAS SAYING
182
00:10:54,320 --> 00:10:55,956
HE THOUGHT HIS UNCLE
HAD BEEN KILLED
183
00:10:55,989 --> 00:10:57,290
BY A BLAKE FROM LOUISVILLE.
184
00:10:57,323 --> 00:10:59,159
NO KIDDING?
185
00:10:59,192 --> 00:11:01,361
YEAH, WELL, JUST GUESSING.
186
00:11:01,394 --> 00:11:04,898
WELL, COME HERE, DONNY,
AND FILL US IN.
187
00:11:04,931 --> 00:11:06,132
WHO�S BLAKE?
188
00:11:06,166 --> 00:11:07,233
THAT GUY�S GAY, RIGHT?
189
00:11:07,267 --> 00:11:09,069
WHY?
190
00:11:09,102 --> 00:11:10,837
I�M YANKING HIS CHAIN
ASKING HIM ABOUT BLAKE.
191
00:11:10,871 --> 00:11:12,205
BLAKE�S ANOTHER FAG.
192
00:11:13,840 --> 00:11:15,141
I�M TRYING TO REMEMBER
TAKING A SHINE
193
00:11:15,175 --> 00:11:17,177
TO SOMEBODY RIGHT OFF THE BAT
LIKE I AM TO YOU.
194
00:11:17,210 --> 00:11:19,212
I GROW ON PEOPLE.
195
00:11:19,245 --> 00:11:20,881
WHY WOULD YOU SAY
196
00:11:20,914 --> 00:11:23,383
YOU THOUGHT BLAKE
KILLED YOUR UNCLE?
197
00:11:23,416 --> 00:11:26,319
WELL, BECAUSE WALTER
JUST BROKE UP WITH BLAKE.
198
00:11:26,352 --> 00:11:28,922
WALTER SAID BLAKE
WAS BEING DRAMATIC ABOUT IT.
199
00:11:28,955 --> 00:11:31,725
OTHERWISE, WALTER�S LIFE
WAS PRETTY NORMAL.
200
00:11:31,758 --> 00:11:33,393
HE GOT OTHER FAMILY,
YOUR UNCLE?
201
00:11:33,426 --> 00:11:34,895
JUST ME.
202
00:11:34,928 --> 00:11:36,329
HE�S GOT A NICE PLACE.
203
00:11:36,362 --> 00:11:38,765
NICE TAUPE MERCEDES
THAT�S MISSING.
204
00:11:38,799 --> 00:11:40,834
HEY, GUYS, I HAVE
MY OWN CONSULTING FIRM
205
00:11:40,867 --> 00:11:44,270
AND 58,000 SHARES
IN THE MAGELLAN GROWTH FUND.
206
00:11:44,304 --> 00:11:46,172
I DON�T NEED
TO KILL ANYBODY.
207
00:11:46,206 --> 00:11:49,442
YOU GOT AN IDEA HOW WE
CAN REACH OUT FOR THIS BLAKE?
208
00:11:49,475 --> 00:11:52,012
BLAKE DeWITT.
209
00:11:52,045 --> 00:11:54,080
I HANDLED THE KISS?OFF.
210
00:11:54,114 --> 00:11:57,283
DON�T THROW THINGS AT US,
OR WE�LL THROW THINGS AT YOU.
211
00:11:57,317 --> 00:12:00,220
MI DISPIACE.
212
00:12:02,488 --> 00:12:05,358
I�M STUDYING ITALIAN.
213
00:12:05,391 --> 00:12:09,963
BLAKE MOVED, BUT I�VE GOT
HIS MOMMY�S NUMBER IN THERE.
214
00:12:12,966 --> 00:12:15,869
HELLO?
THIS IS DANNY, MRS. DeWITT.
215
00:12:15,902 --> 00:12:18,204
I�M A BUDDY
OF YOUR SON BLAKE�S.
216
00:12:18,238 --> 00:12:21,241
I GOT SOME CONCERT TICKETS
HE MIGHT BE INTERESTED IN,
217
00:12:21,274 --> 00:12:25,211
BUT THE NUMBER HE WROTE OUT
FOR ME AIN�T WORKING.
218
00:12:25,245 --> 00:12:27,413
DID HE MOVE OR SOMETHING?
OH, YEAH?
219
00:12:27,447 --> 00:12:30,551
YOU GOT THAT NEW ONE
FOR HIM?
220
00:12:30,584 --> 00:12:31,985
YOU GUYS ARE DOGS.
221
00:12:32,018 --> 00:12:33,419
SHUT YOUR MOUTH.
222
00:12:33,453 --> 00:12:36,056
YOU�RE THINK OF COMING UP
FROM LEXINGTON?
223
00:12:36,089 --> 00:12:39,225
I KNOW BLAKE,
HE�D BE GLAD TO SEE YOU,
224
00:12:39,259 --> 00:12:42,062
BUT MAYBE YOU SHOULD
GIVE HIM TIME TO GET STRAIGHT
225
00:12:42,095 --> 00:12:45,766
AT HIS NEW PLACE,
THEN HE�LL BE READY FOR GUESTS.
226
00:12:45,799 --> 00:12:48,101
THANKS AN AWFUL LOT
FOR THE NEW PHONE NUMBER.
227
00:12:48,134 --> 00:12:49,903
TAKE GOOD CARE.
228
00:12:49,936 --> 00:12:53,073
BLAKE JUST RELOCATED
WITH A NEW ROOMMATE.
229
00:12:53,106 --> 00:12:55,942
YOU CAN TRACE HIS ADDRESS
OFF THE PHONE NUMBER.
230
00:12:55,976 --> 00:12:58,444
WHERE CAN WE FIND YOU,
DONNY,
231
00:12:58,478 --> 00:13:00,080
YOUR STOCKBROKER�S?
232
00:13:00,113 --> 00:13:02,583
SEE HOW POLITELY I JUST
HANDED THIS BACK TO YOU?
233
00:13:02,616 --> 00:13:04,450
MY STOCKBROKER�S, HUH?
234
00:13:04,484 --> 00:13:07,788
AFTER I GO, EXPLAIN
THEY INVENTED THE INTERNET.
235
00:13:10,891 --> 00:13:12,859
SEE YOU, GORGEOUS.
236
00:13:12,893 --> 00:13:15,061
KEEP THINKING
YOU�RE STRAIGHT.
237
00:13:21,167 --> 00:13:22,435
JOHN...
238
00:13:22,468 --> 00:13:25,038
THAT CRACK YOU MADE,
239
00:13:25,071 --> 00:13:29,109
WERE YOU INFERRING
THAT THIS DONNY
240
00:13:29,142 --> 00:13:31,545
INADVERTENTLY,
WITHOUT HIS KNOWING IT...
241
00:13:34,347 --> 00:13:35,882
ON YOUR SIDE?
242
00:13:35,916 --> 00:13:37,818
PLEASE.
243
00:13:42,322 --> 00:13:43,824
PICK UP THIS BLAKE?
244
00:14:15,221 --> 00:14:17,257
LOOK, THE STORE�S
AROUND THE CORNER
245
00:14:17,290 --> 00:14:18,992
WHERE I WORK,
246
00:14:19,025 --> 00:14:21,427
AND THIS IS WHERE
I WAS WAITING,
247
00:14:21,461 --> 00:14:22,596
LIKE I DO EVERY DAY.
248
00:14:22,629 --> 00:14:24,330
THEY CAME FROM OVER THERE
249
00:14:24,364 --> 00:14:26,166
AND TURNED ME
250
00:14:26,199 --> 00:14:29,503
AND WALKED ME BACK
THE SAME WAY.
251
00:14:29,536 --> 00:14:31,171
YOU�RE POSITIVE
ABOUT THE DIRECTION?
252
00:14:31,204 --> 00:14:34,007
WELL, EVEN WITH MAKING ME
STARE AT THE GROUND,
253
00:14:34,040 --> 00:14:36,510
I�M 100% POSITIVE
OF THE DIRECTION WE TOOK,
254
00:14:36,543 --> 00:14:39,345
AND I TRIED TO KEEP
REGULAR COUNT OF THE TIME.
255
00:14:39,379 --> 00:14:41,915
FEEL LIKE WALKING A WHILE?
256
00:14:41,948 --> 00:14:44,685
AND YOU WANT ME TO COUNT
EXACTLY THE SAME PACE?
257
00:14:44,718 --> 00:14:47,954
YEAH, EXACTLY THE SAME.
258
00:14:49,590 --> 00:14:53,026
IT WAS RIGHT NOT TO LET
MY PARENTS COME, RIGHT?
259
00:14:53,059 --> 00:14:54,427
YOU WERE RIGHT, ANYA.
260
00:14:54,460 --> 00:14:57,297
THIS WOULDN�T HAVE DONE
YOUR MOM OR DAD ANY GOOD.
261
00:14:57,330 --> 00:14:59,399
AND IT DIDN�T HAPPEN
TO THEM.
262
00:14:59,432 --> 00:15:01,201
NO...
263
00:15:01,234 --> 00:15:04,470
IT HAPPENED TO YOU.
264
00:15:07,407 --> 00:15:09,142
ONE?1,000...
265
00:15:09,175 --> 00:15:11,645
TWO?1,000...
266
00:15:11,678 --> 00:15:14,047
THREE?1,000...
267
00:15:14,080 --> 00:15:15,481
FOUR?1,000...
268
00:15:31,264 --> 00:15:34,668
OH, FOR HEAVEN�S SAKE.
269
00:15:34,701 --> 00:15:36,937
SIT DOWN OVER THERE.
270
00:15:36,970 --> 00:15:39,405
BELIEVE ME OR NOT,
THIS IS THE FIRST TIME
271
00:15:39,439 --> 00:15:42,075
IN MY LIFE I�VE BEEN
IN A POLICE STATION.
272
00:15:42,108 --> 00:15:43,977
WHY WOULDN�T WE
BELIEVE YOU?
273
00:15:44,010 --> 00:15:46,246
WELL, GOOD,
�CAUSE IT�S THE TRUTH.
274
00:15:46,279 --> 00:15:49,583
YOU GOT SOME IDEA WHAT WE
WANT TO TALK TO YOU ABOUT?
275
00:15:49,616 --> 00:15:52,485
WALTER GOODE�S CAR
IS MISSING.
276
00:15:52,519 --> 00:15:54,354
IF WALTER�S SAYING
I TOOK HIS CAR,
277
00:15:54,387 --> 00:15:56,289
THAT�S AN OUT?AND?OUT LIE.
278
00:15:56,322 --> 00:15:59,025
YOU GOT NO IDEA
WHERE IT�S AT?
279
00:15:59,059 --> 00:16:01,427
IF HE�S SAYING OTHERWISE,
WALTER�S LYING.
280
00:16:01,461 --> 00:16:04,097
WHEN�S THE LAST
YOU SAW WALTER?
281
00:16:04,130 --> 00:16:06,499
3 WEEKS AGO.
23 DAYS.
282
00:16:06,533 --> 00:16:08,368
YOU MARK THEM OFF
ON YOUR CALENDAR?
283
00:16:08,401 --> 00:16:09,970
YES.
284
00:16:13,306 --> 00:16:15,642
IT�S NOT JUST
WALTER�S CAR, BLAKE.
285
00:16:15,676 --> 00:16:18,612
HE�S MISSING, TOO.
286
00:16:18,645 --> 00:16:20,446
MAYBE WALTER TOOK
HIS CAR HIMSELF
287
00:16:20,480 --> 00:16:22,448
AND NEITHER OF THEM
ARE MISSING.
288
00:16:22,482 --> 00:16:24,150
TOOK OFF
ON A JAUNT SOMEWHERES?
289
00:16:24,184 --> 00:16:26,452
IF THAT IS
WHAT WALTER DID,
290
00:16:26,486 --> 00:16:28,655
IT WOULD HAVE BEEN
THE ABSOLUTE
291
00:16:28,689 --> 00:16:31,625
BEST PRESENT IN THE WORLD
HE COULD�VE GIVEN HIMSELF.
292
00:16:31,658 --> 00:16:34,294
AND LEAVING THAT LITTLE PART
OF HIS HEAD BEHIND,
293
00:16:34,327 --> 00:16:36,630
THAT WOULD BE HIS ABSOLUTE
BEST FAREWELL PRESENT
294
00:16:36,663 --> 00:16:38,632
TO THE PARKING GARAGE FLOOR?
295
00:16:38,665 --> 00:16:42,168
WHAT ARE YOU SAYING?
296
00:16:42,202 --> 00:16:45,506
WE THINK SOMETHING BAD MIGHT
HAVE HAPPENED TO WALTER, BLAKE.
297
00:16:49,342 --> 00:16:50,677
OH, MY GOD.
298
00:16:53,580 --> 00:16:55,348
MY GOD IN HEAVEN.
299
00:16:57,417 --> 00:17:00,086
WHICH HIS NEPHEW SAYS
THAT YOU WERE PRETTY UPSET
300
00:17:00,120 --> 00:17:02,155
WHEN WALTER BROKE UP WITH YOU,
301
00:17:02,188 --> 00:17:04,490
AND WE�RE WONDERING
302
00:17:04,525 --> 00:17:07,193
IF YOU WERE UPSET ENOUGH
THAT MAYBE IT WAS YOU
303
00:17:07,227 --> 00:17:09,663
THAT SEPARATED THAT LITTLE PART
OF HIS HEAD
304
00:17:09,696 --> 00:17:11,665
THAT WE FOUND
ON THE GARAGE FLOOR
305
00:17:11,698 --> 00:17:13,499
FROM THE REST OF WALTER.
306
00:17:13,534 --> 00:17:17,070
I WOULD NEVER DO ANYTHING
TO HURT WALTER
307
00:17:17,103 --> 00:17:20,140
OR HIS CAR OR, I HOPE,
ANY LIVING CREATURE.
308
00:17:24,210 --> 00:17:27,247
OH, GOD,
THIS IS SO TERRIBLE.
309
00:17:27,280 --> 00:17:30,183
THIS NEW GUY PHILLIP
THAT YOU�RE LIVING WITH,
310
00:17:30,216 --> 00:17:32,185
WHAT�S HE THINK
ABOUT WALTER?
311
00:17:32,218 --> 00:17:34,387
PHILLIP DOESN�T EVEN
KNOW WALTER.
312
00:17:34,420 --> 00:17:37,223
BUT YOU DON�T
TELL EACH OTHER, LIKE,
313
00:17:37,257 --> 00:17:40,060
WAR STORIES
OF PREVIOUS INTIMATES?
314
00:17:40,093 --> 00:17:44,197
WELL, AS FAR
AS THAT GOES,
315
00:17:44,230 --> 00:17:49,269
UM, IN TERMS OF HIS ROLE
IN MY LIFE,
316
00:17:49,302 --> 00:17:53,106
PHILLIP SAID THAT WALTER
WAS SATAN INCARNATE.
317
00:17:55,676 --> 00:17:57,744
PHILLIP SAID THAT, HUH?
318
00:19:11,384 --> 00:19:13,153
IT WAS HERE.
319
00:19:16,523 --> 00:19:19,325
OH, I DIDN�T KNOW
PEOPLE WAS IN HERE.
320
00:19:19,359 --> 00:19:22,195
YOU LIVE ON THIS FLOOR?
DOWN THE HALL.
321
00:19:22,228 --> 00:19:25,331
HEAR ANYTHING GOING ON
IN THIS APARTMENT LAST NIGHT?
322
00:19:25,365 --> 00:19:28,334
LAST NIGHT? NO.
WORLD WIDE WRESTLING ON TV.
323
00:19:28,368 --> 00:19:30,170
THEY PLAY THAT STUFF
PRETTY LOUD.
324
00:19:30,203 --> 00:19:31,738
WHAT�S YOUR NAME?
325
00:19:31,772 --> 00:19:34,374
CARLOS JIMENEZ.
CAN I GO?
326
00:19:34,407 --> 00:19:36,342
YEAH, YOU CAN GO, CARLOS.
327
00:19:37,578 --> 00:19:39,813
WHY, WHAT WENT ON IN HERE?
328
00:19:39,846 --> 00:19:41,515
GO AHEAD, CARLOS.
329
00:19:46,219 --> 00:19:49,189
HE�S A SON OF A BITCH
TO STAND THERE AND LIE.
330
00:19:49,222 --> 00:19:51,525
WAS HE ONE OF THEM?
THE LAST ONE.
331
00:19:51,558 --> 00:19:52,593
CARLOS.
332
00:19:52,626 --> 00:19:54,360
YEAH, WHAT DO YOU WANT?
333
00:19:54,394 --> 00:19:57,263
I GOT TO GET YOU
ON THE COMINGS AND GOINGS.
334
00:19:57,297 --> 00:19:58,832
WHAT DO YOU MEAN?
335
00:19:58,865 --> 00:20:01,735
YOU GOT TO WORK WITH ME
ON THE TRESPASSING GOING ON.
336
00:20:01,768 --> 00:20:05,005
YEAH, BUT I DON�T
PAY THAT MUCH ATTENTION.
337
00:20:05,038 --> 00:20:07,007
IF YOU WANT
TO GET BACK HERE
338
00:20:07,040 --> 00:20:08,842
ANY TIME TONIGHT, CARLOS,
339
00:20:08,875 --> 00:20:11,011
YOU BETTER COME IN
WITH ME COOPERATIVE.
340
00:20:11,044 --> 00:20:12,613
YEAH, RIGHT.
341
00:20:15,882 --> 00:20:17,851
HE DIDN�T EVEN
RECOGNIZE HER.
342
00:20:17,884 --> 00:20:20,320
NOT WITHOUT HER SWEATER
OVER HER HEAD.
343
00:20:23,323 --> 00:20:25,859
IS HE GOING
TO BE ARRESTED?
344
00:20:25,892 --> 00:20:28,228
IT�LL GET TO THAT.
345
00:20:28,261 --> 00:20:32,332
DID I HELP YOU BY NOT SHOWING
I WAS AFRAID?
346
00:20:34,635 --> 00:20:36,537
COME HERE.
347
00:20:36,570 --> 00:20:37,738
COME HERE.
348
00:20:44,978 --> 00:20:47,548
"WELCOME TO THE POKEY."
349
00:20:47,581 --> 00:20:50,551
YOU GOT A LITTLE GLUM FACE
IN THE "O"
350
00:20:50,584 --> 00:20:54,788
AND A STICK FIGURE IN WHAT�S
INTENDED TO BE THE POKEY.
351
00:20:54,821 --> 00:20:58,258
DID YOU DRAW THAT?
352
00:21:02,963 --> 00:21:05,566
SO DOES IT PLEASE YOU
TO KNOW
353
00:21:05,599 --> 00:21:07,568
YOU�VE COST A MAN
HIS DAY�S SALARY?
354
00:21:07,601 --> 00:21:09,402
YEAH,
WE�RE SORRY ABOUT THAT.
355
00:21:09,435 --> 00:21:11,938
WELL, THAT�S MORE
THAN ADEQUATE COMPENSATION.
356
00:21:11,972 --> 00:21:14,908
DOES THAT PEACOCK ACT
DRUM UP TIPS FOR YOU, PHIL,
357
00:21:14,941 --> 00:21:16,743
DOWN THERE AT THE CAFE?
358
00:21:16,777 --> 00:21:18,845
WHAT WOULD YOU GUESS,
DETECTIVE?
359
00:21:18,879 --> 00:21:20,981
TOP OF MY HEAD, NO.
360
00:21:21,014 --> 00:21:23,584
WELL, SINCE YOU�D NEVER
DINED AT THE CAFE,
361
00:21:23,617 --> 00:21:25,919
YOUR OPINION ISN�T
REALLY COMPETENT.
362
00:21:25,952 --> 00:21:28,689
ALTHOUGH THE TOP OF YOUR HEAD
IS VERY AMPLE.
363
00:21:28,722 --> 00:21:32,292
YOU GETTING READY TO GO
ON A PUDDING DIET, PHIL?
364
00:21:32,325 --> 00:21:34,427
MEANING YOU�RE ABOUT
TO KNOCK MY TEETH OUT?
365
00:21:34,460 --> 00:21:37,297
PHILLIP,
WALTER GOODE�S GONE MISSING.
366
00:21:37,330 --> 00:21:39,365
THAT USED TO BE
YOUR BOYFRIEND�S LOVER.
367
00:21:39,399 --> 00:21:41,635
SO ARE WE ORGANIZING
SEARCH TEAMS?
368
00:21:41,668 --> 00:21:44,971
WE�RE WONDERING IF MAYBE
YOU�RE WHO GOT HIM THAT WAY.
369
00:21:45,005 --> 00:21:45,939
MISSING, YOU MEAN.
370
00:21:45,972 --> 00:21:47,608
MISSING IS WHAT I MEAN.
371
00:21:47,641 --> 00:21:48,842
NO.
372
00:21:48,875 --> 00:21:50,977
YOU DON�T KNOW NOTHING
ABOUT MR. GOODE?
373
00:21:51,011 --> 00:21:53,614
I KNOW THAT MR. GOODE
TOOK A PRURIENT PLEASURE
374
00:21:53,647 --> 00:21:55,716
IN TURNING BLAKE OUT
AS COUNTRY TRADE.
375
00:21:55,749 --> 00:21:58,384
I KNOW HIS NAME
CONFIRMS IRONY AS A CONCEPT.
376
00:21:58,418 --> 00:22:00,053
AND THAT�S ALL I KNOW
377
00:22:00,086 --> 00:22:02,989
THAT I�M WILLING TO SHARE
WITH THE TWO OF YOU.
378
00:22:03,023 --> 00:22:06,492
YOU FEEL YOU SHOULD BE EARNING
ON ONE OF THEM QUIZ SHOWS
379
00:22:06,527 --> 00:22:09,329
WITH ALL THIS CLEVER CRAP
THAT YOU�RE GETTING OFF,
380
00:22:09,362 --> 00:22:11,331
AND HERE WE ARE
WASTING YOUR TIME
381
00:22:11,364 --> 00:22:14,334
JUST �CAUSE A GUY
THAT YOU HAD A MOTIVE TO HURT
382
00:22:14,367 --> 00:22:16,670
GOT SEPARATED FROM SOME
OF HIS BRAIN MATTER?
383
00:22:16,703 --> 00:22:18,972
I�M GOING TO HURRY MATTERS
ALONG, DETECTIVE.
384
00:22:19,005 --> 00:22:21,642
YOU HAVE NOWHERE TO GO
IN YOUR INTERROGATION STRATEGY
385
00:22:21,675 --> 00:22:23,977
OTHER THAN PHYSICAL FORCE,
AT WHICH POINT
386
00:22:24,010 --> 00:22:26,146
I�M IMMEDIATELY GOING
TO DEMAND COUNSEL.
387
00:22:26,179 --> 00:22:28,815
WHICH YOU ASSUME I AM
GOING TO RUN AND GET YOU
388
00:22:28,849 --> 00:22:30,851
INSTEAD OF SMACKING YOU
IN THE FACE.
389
00:22:30,884 --> 00:22:32,819
YOU�RE NOT WILLING
TO ADMINISTER A BEATING
390
00:22:32,853 --> 00:22:34,821
MORE SEVERE
THAN I�M PREPARED TO TAKE
391
00:22:34,855 --> 00:22:36,857
WHEN YOU�RE NOT POSITIVE
I COMMITTED THE CRIME.
392
00:22:36,890 --> 00:22:39,993
AT THIS POINT,
I THINK BOTH OF YOU REALIZE
393
00:22:40,026 --> 00:22:42,162
I�M NOT GOING
TO BE RESPONDING
394
00:22:42,195 --> 00:22:43,864
TO ALL THESE SOULFUL,
395
00:22:43,897 --> 00:22:46,533
SUBLIMINAL MESSAGES OF SUPPORT
AND UNDERSTANDING
396
00:22:46,567 --> 00:22:49,002
THAT YOUR COLLEAGUE HERE
IS SENDING MY WAY
397
00:22:49,035 --> 00:22:51,872
SO HE CAN GET ME TO ACT
AGAINST MY OWN INTERESTS.
398
00:22:51,905 --> 00:22:53,940
I TELL YOU ALL THIS
399
00:22:53,974 --> 00:22:57,844
�CAUSE I�M HOPING I CAN
MAKE IT TO THE CAFE IN TIME
400
00:22:57,878 --> 00:23:00,881
TO PERFORM MY PEACOCK ACT
FOR THE LATE?LUNCH CROWD.
401
00:23:07,554 --> 00:23:09,122
Danny: SO, PHILLIP,
402
00:23:09,155 --> 00:23:12,893
DON�T BE EXPECTING
BLAKE HOME ANY TIME SOON.
403
00:23:12,926 --> 00:23:15,696
AND THEY SAY THE DESAPARECIDOS
ARE IN ARGENTINA.
404
00:23:15,729 --> 00:23:17,964
I THOUGHT THAT WAS
ALL THE GAUCHOS.
405
00:23:17,998 --> 00:23:19,766
YOU ARE A VULGAR PIG.
406
00:23:19,800 --> 00:23:23,036
SEE, THAT�S THE TYPE OF THING
THAT MAKES YOU WANT TO OINK.
407
00:23:23,069 --> 00:23:25,606
ANY MESSAGE YOU WANT US
CONVEYING TO BLAKE?
408
00:23:25,639 --> 00:23:27,574
YEAH, �CAUSE WE GOT
THE IMPRESSION
409
00:23:27,608 --> 00:23:30,410
THAT BLAKE LOOKED TO YOU
AS SORT OF A PROTECTOR TYPE.
410
00:23:30,443 --> 00:23:32,913
NO, NO MESSAGE
I WANT YOU CONVEYING.
411
00:23:32,946 --> 00:23:35,582
I�LL TELL HIM YOU SAID
HE�S ON HIS OWN,
412
00:23:35,616 --> 00:23:37,651
THAT�S LIFE IN THE BIG CITY ??
413
00:23:37,684 --> 00:23:39,820
GETTING JAMMED FOR SOMETHING
YOU DIDN�T DO.
414
00:23:39,853 --> 00:23:45,225
YOU TELL HIM THAT I�M GOING
TO WIDEN THE LOOP.
415
00:23:45,258 --> 00:23:47,794
WIDEN THE LOOP, HUH?
416
00:23:47,828 --> 00:23:50,597
AND DO WHAT,
STICK YOUR WEENIE THROUGH IT?
417
00:23:52,198 --> 00:23:54,601
THAT GUY�S TOUGH.
418
00:23:57,037 --> 00:23:59,005
WHAT DO YOU THINK, JOHN?
419
00:23:59,039 --> 00:24:01,007
YOU SAW THAT WHOLE
INTERVIEW, RIGHT?
420
00:24:01,041 --> 00:24:03,009
I THINK HE KILLED
THAT OTHER MAN.
421
00:24:03,043 --> 00:24:05,445
HOW ARE WE
GOING TO CATCH HIM?
422
00:24:05,478 --> 00:24:07,614
GIVE ME A CHANCE.
I�M NEW AT THIS.
423
00:24:07,648 --> 00:24:10,784
SURE. TAKE ALL THE TIME
YOU NEED.
424
00:24:37,177 --> 00:24:39,813
OUT OF THE BLUE, YOU KNOW,
425
00:24:39,846 --> 00:24:42,048
GAY JOHN PASSES A REMARK,
426
00:24:42,082 --> 00:24:44,718
PUTS THIS ASSHOLE NEPHEW
WE�RE TALKING TO
427
00:24:44,751 --> 00:24:47,554
INTO TOTAL FOCUS ?? THAT HE
WAS HIMSELF A LATENT FRUIT.
428
00:24:47,588 --> 00:24:50,857
BUT WE DON�T LIKE THE NEPHEW
FOR HARMING HIS UNCLE.
429
00:24:50,891 --> 00:24:53,994
THE NEPHEW WE ONLY LIKE
FOR BEING A SPOILED JERK.
430
00:24:54,027 --> 00:24:56,797
IT�S JUST, WITH GAY JOHN
PASSING THIS PERCEPTIVE REMARK,
431
00:24:56,830 --> 00:24:59,800
DANNY GETS THE IDEA, YOU KNOW,
THAT THIS IS A GAY MURDER,
432
00:24:59,833 --> 00:25:02,202
OR WHATEVER HAPPENED
WITH THIS MISSING WALTER.
433
00:25:02,235 --> 00:25:06,139
WHY NOT HAVE GAY JOHN
WATCH THE INTERVIEW
434
00:25:06,172 --> 00:25:08,575
WITH THIS
OTHER FRUIT PHILLIP ??
435
00:25:08,609 --> 00:25:10,143
WE COME OUT
LIKING THIS PHILLIP,
436
00:25:10,176 --> 00:25:12,746
BUT NO REAL WAY TO GO AT HIM.
437
00:25:12,779 --> 00:25:15,716
BUT JOHN�S GOT THIS IDEA
HOW PHILLIP�S GOING TO ACT.
438
00:25:15,749 --> 00:25:17,718
OFF THIS PHILLIP�S
GAY THINKING
439
00:25:17,751 --> 00:25:20,020
INVOLVING HIS
GAY BOYFRIEND BLAKE.
440
00:25:20,053 --> 00:25:22,523
I THINK WE�VE GOT EVERYONE
ESTABLISHED AS GAY.
441
00:25:22,556 --> 00:25:27,928
ANYWAYS, IT�S RISKY
WHERE IF ANYTHING GOES WRONG,
442
00:25:27,961 --> 00:25:30,864
YOU COULD WIND UP YOUR
SUSPECT HAS REPRESENTATION,
443
00:25:30,897 --> 00:25:33,567
BUT I THINK YOU OUGHT
TO LISTEN TO HIS THINKING.
444
00:25:33,600 --> 00:25:35,068
DON�T YOU AGREE?
445
00:25:35,101 --> 00:25:36,637
YEAH, ABSOLUTELY.
446
00:25:52,252 --> 00:25:54,721
GO AHEAD.
447
00:26:04,898 --> 00:26:07,267
I DON�T THINK
HE�D KILL HIM FOR MONEY.
448
00:26:07,300 --> 00:26:09,936
HE�D DO IT
BECAUSE HE COULDN�T GET
449
00:26:09,970 --> 00:26:12,372
THAT OTHER BOY TO HATE HIM.
450
00:26:12,405 --> 00:26:14,040
NAMES, JOHN.
451
00:26:14,074 --> 00:26:15,742
PHILLIP,
BLAKE�S PRESENT BOYFRIEND,
452
00:26:15,776 --> 00:26:18,812
IS SO AFRAID OF EVERYTHING ??
453
00:26:18,845 --> 00:26:21,047
LET ME COLLECT MYSELF.
454
00:26:21,081 --> 00:26:23,917
SEE, THAT ?? ABOUT PHILLIP
BEING AFRAID OF EVERYTHING ??
455
00:26:23,950 --> 00:26:25,919
I DON�T
NECESSARILY SUBSCRIBE TO
456
00:26:25,952 --> 00:26:29,590
�CAUSE WE WERE
ON THIS PHILLIP PRETTY GOOD,
457
00:26:29,623 --> 00:26:31,291
AND HE DIDN�T GIVE UP NOTHING,
458
00:26:31,324 --> 00:26:34,127
BUT I?I STILL GO
WITH HIS OVERALL IDEA.
459
00:26:34,160 --> 00:26:37,163
HOW ABOUT WE LET JOHN SAY
WHAT HIS OVERALL IDEA IS?
460
00:26:37,197 --> 00:26:39,833
YEAH, ABSOLUTELY.
461
00:26:39,866 --> 00:26:42,402
PHILLIP,
BLAKE�S CURRENT BOYFRIEND,
462
00:26:42,435 --> 00:26:46,740
UH, CAN�T STAND BEING
COMPARED TO ANYONE...
463
00:26:46,773 --> 00:26:48,742
WE DON�T HAVE TO START
464
00:26:48,775 --> 00:26:50,977
WITH THE FORMATION
OF THE SOLAR SYSTEM.
465
00:26:51,011 --> 00:26:52,412
I�M A LITTLE NERVOUS.
466
00:26:52,445 --> 00:26:53,847
JOHN�S OVERALL POINT ??
467
00:26:53,880 --> 00:26:56,116
PHILLIP PROBABLY
DID AWAY WITH WALTER
468
00:26:56,149 --> 00:26:58,619
�CAUSE BLAKE THAT WE�VE GOT
IN INTERVIEW THREE
469
00:26:58,652 --> 00:27:00,086
WOULDN�T HATE WALTER
470
00:27:00,120 --> 00:27:02,355
EVEN THOUGH WALTER
BUSTED UP WITH HIM.
471
00:27:02,388 --> 00:27:04,124
THAT�S IT.
472
00:27:04,157 --> 00:27:06,159
WHICH JOHN THINKS
THAT THIS PHILLIP
473
00:27:06,192 --> 00:27:08,962
IS GOING TO BRING BACK
A LAWYER FOR BLAKE.
474
00:27:08,995 --> 00:27:11,331
I THINK THAT�S WHAT
WIDENING THE LOOP MEANT.
475
00:27:11,364 --> 00:27:13,333
BUT BLAKE AIN�T LOOKING
FOR REPRESENTATION.
476
00:27:13,366 --> 00:27:15,135
HE WANTS WALTER�S
DISAPPEARANCE SOLVED.
477
00:27:15,168 --> 00:27:16,837
SO WE SHOULD LET PHILLIP
478
00:27:16,870 --> 00:27:18,839
MAKE HIS PITCH TO BLAKE
ABOUT LAWYERING UP,
479
00:27:18,872 --> 00:27:20,841
AND WHEN BLAKE
TURNS HIM DOWN,
480
00:27:20,874 --> 00:27:23,143
THAT�S GOING TO GET
PHILLIP�S NOSE OPEN,
481
00:27:23,176 --> 00:27:25,445
AND WE CAN GO TO WORK ON HIM.
482
00:27:25,478 --> 00:27:28,014
HOW OPEN DO YOU THINK
THE LAWYER
483
00:27:28,048 --> 00:27:30,851
STANDING NEXT TO HIM IS GOING
TO LET PHILLIP�S NOSE GET?
484
00:27:30,884 --> 00:27:33,053
HIS POINT ??
PROTECTING HIS OWN SICK ASS
485
00:27:33,086 --> 00:27:35,321
IS GOING TO BE
LESS IMPORTANT TO PHILLIP
486
00:27:35,355 --> 00:27:38,058
THAN GETTING BLAKE BACK
ON HIS TEAM.
487
00:27:38,091 --> 00:27:41,862
IF BLAKE DON�T WANT A LAWYER,
PHILLIP SENDS THE LAWYER AWAY.
488
00:27:41,895 --> 00:27:44,898
HE NEEDS TO BE THE ONLY THING
IN THAT BOY�S HEAD.
489
00:27:44,931 --> 00:27:47,934
ALL RIGHT. IF HE COMES BACK,
LET�S PUT THEM TOGETHER.
490
00:28:06,419 --> 00:28:08,021
HOW�S IT GOING?
491
00:28:08,054 --> 00:28:10,023
THOSE WOMEN DETECTIVES
ARE STARING DAGGERS.
492
00:28:10,056 --> 00:28:11,725
DON�T WORRY ABOUT THEM.
493
00:28:11,758 --> 00:28:14,027
YOU AND ME ARE GOING
TO TALK ALONE.
494
00:28:14,060 --> 00:28:16,730
DOES THAT MEAN
I SHOULD WORRY ABOUT YOU?
495
00:28:16,763 --> 00:28:18,732
WE CAN TAKE CARE
OF THIS HERE.
496
00:28:18,765 --> 00:28:20,834
WOULD YOU BE
MORE COMFORTABLE IN HERE?
497
00:28:20,867 --> 00:28:23,436
YEAH, GOOD.
KEEP ME NEAR THE EXIT.
498
00:28:25,739 --> 00:28:27,874
THEY SAY THIS
IS ABOUT TRESPASSING
499
00:28:27,908 --> 00:28:29,843
IN THAT OPEN APARTMENT,
HUH?
500
00:28:29,876 --> 00:28:32,378
YEAH. YOU SEE ANYTHING
GOING ON THERE LAST NIGHT?
501
00:28:32,412 --> 00:28:35,248
MAYBE SOME KIDS WERE AROUND.
NO BIG DEAL.
502
00:28:35,281 --> 00:28:37,250
THEY COME AROUND A LOT?
503
00:28:37,283 --> 00:28:40,253
JUST SOMETIMES. I HEAR THEM
EVERY ONCE IN A WHILE.
504
00:28:40,286 --> 00:28:41,888
YOU GOT NAMES?
505
00:28:41,922 --> 00:28:44,891
I DON�T WANT
TO GET THEM IN TROUBLE
506
00:28:44,925 --> 00:28:47,460
OR ME IN THE MIDDLE
OF SOMETHING.
507
00:28:47,493 --> 00:28:50,864
YOU WANT TO GET OUT OF HERE
IN A TIMELY FASHION,
508
00:28:50,897 --> 00:28:53,033
I�M GOING TO NEED NAMES.
509
00:28:53,066 --> 00:28:55,969
I ONLY KNOW ONE OF THEM
FROM CHURCH ?? EDDIE FELIX.
510
00:28:56,002 --> 00:28:57,538
EDDIE FELIX.
511
00:28:57,571 --> 00:28:59,105
YEAH.
512
00:28:59,139 --> 00:29:01,875
WHAT HAPPENED IS I WENT OUT
TAKING OUT THE TRASH,
513
00:29:01,908 --> 00:29:04,310
AND I HEARD THEM
IN THERE PARTYING.
514
00:29:04,344 --> 00:29:06,813
PARTYING LIKE DRINKING,
DRUGS?
515
00:29:06,847 --> 00:29:08,549
NO DRUGS, NO.
516
00:29:08,582 --> 00:29:10,416
GIRLS?
517
00:29:13,286 --> 00:29:15,288
LOOK, I�M A FAMILY MAN,
OKAY?
518
00:29:15,321 --> 00:29:17,090
MARRIED 18 YEARS.
519
00:29:17,123 --> 00:29:19,092
OKAY.
520
00:29:19,125 --> 00:29:21,227
NOW, IF WE CAN
KEEP THIS BETWEEN US...
521
00:29:21,261 --> 00:29:22,763
SURE.
522
00:29:24,831 --> 00:29:27,300
THEY HAD A GIRL IN THERE
DOING EVERYONE.
523
00:29:27,333 --> 00:29:28,769
IS THAT RIGHT?
524
00:29:28,802 --> 00:29:29,936
YEAH.
525
00:29:29,970 --> 00:29:31,437
I�M TAKING OUT THE TRASH,
526
00:29:31,471 --> 00:29:33,940
AND I SEE THIS EDDIE
WHO I BARELY KNOW.
527
00:29:33,974 --> 00:29:35,441
HE SAYS, "HEY, CARLOS,
528
00:29:35,475 --> 00:29:37,944
YOU WANT TO PUT A HUMP
ON THIS GIRL?"
529
00:29:37,978 --> 00:29:40,781
FAMILY MAN OR NOT,
WE ALL GOT URGES, RIGHT?
530
00:29:40,814 --> 00:29:42,482
MM?HMM.
531
00:29:42,516 --> 00:29:45,451
NOW, MY WIFE AND KIDS ARE
IN OUR APARTMENT WATCHING TV.
532
00:29:45,485 --> 00:29:49,155
HEY, I�M TAKING OUT THE TRASH.
IT�S A BORING NIGHT.
533
00:29:49,189 --> 00:29:51,291
WHO WOULD EVER GUESS SOMETHING
EXCITING IS HAPPENING?
534
00:29:51,324 --> 00:29:53,493
RIGHT NEXT DOOR.
535
00:29:53,527 --> 00:29:55,461
ANYWAYS, I WENT IN THERE
536
00:29:55,495 --> 00:29:58,865
AND PUT A HUMP ON THE GIRL
LIKE EDDIE SUGGESTED.
537
00:29:58,899 --> 00:30:02,135
GIRL SEEM LIKE SHE WAS
ENJOYING HERSELF, CARLOS?
538
00:30:02,168 --> 00:30:05,105
I DON�T KNOW.
SHE WAS KIND OF TIRED.
539
00:30:05,138 --> 00:30:06,940
BEEN WITH FOUR
OF THEM ALREADY.
540
00:30:06,973 --> 00:30:08,441
FIFTH MAN IN.
541
00:30:08,474 --> 00:30:10,844
I FIGURED WHY IS ONE MORE
GOING TO MATTER?
542
00:30:10,877 --> 00:30:13,313
YOU GOT WHERE EDDIE LIVES?
543
00:30:13,346 --> 00:30:16,016
THEN I GO?
544
00:30:16,049 --> 00:30:17,483
WRITE DOWN EDDIE�S ADDRESS
545
00:30:17,518 --> 00:30:19,986
AND WRITE DOWN
WHAT YOU JUST TOLD ME,
546
00:30:20,020 --> 00:30:22,288
THEN WE�LL SEE
IF YOU CAN GO.
547
00:30:22,322 --> 00:30:26,326
FIFTH MAN IN, RIGHT?
548
00:30:26,359 --> 00:30:27,861
WHAT THE HELL?
549
00:30:27,894 --> 00:30:29,495
YEAH, WHAT THE HELL.
550
00:30:39,039 --> 00:30:41,474
MY NAME IS DARREL LYMAN.
I�M AN ATTORNEY.
551
00:30:41,508 --> 00:30:43,476
UM, TO SPEAK TO WHOM?
552
00:30:43,510 --> 00:30:45,478
BLAKE DeWITT.
553
00:30:45,512 --> 00:30:47,981
HOW�S IT GOING?
I�M WORKING THAT CASE.
554
00:30:48,014 --> 00:30:49,650
HE�S ABBOTT, THAT�S COSTELLO.
555
00:30:49,683 --> 00:30:51,918
I�D LIKE TO SEE MY CLIENT.
556
00:30:51,952 --> 00:30:54,054
MR. DeWITT�S TURNED DOWN
HIS RIGHT TO A LAWYER.
557
00:30:54,087 --> 00:30:56,256
THESE MANIPULATING
SONS OF BITCHES.
558
00:30:56,289 --> 00:30:59,192
Andy: WOULD THAT BE PETER POT
CALLING KARL KETTLE BLACK?
559
00:30:59,225 --> 00:31:01,061
I�D LIKE TO HEAR
MR. DeWITT DECLINE.
560
00:31:01,094 --> 00:31:03,163
SURE, OKAY.
I GUESS THAT�S OKAY.
561
00:31:03,196 --> 00:31:05,498
YOU DON�T HAVE TO LET HIM
HEAR NOTHING.
562
00:31:05,532 --> 00:31:07,367
NO, IT�S OKAY, ANDY.
HE�S DOWN HERE.
563
00:31:07,400 --> 00:31:09,335
WHOA, HEY.
564
00:31:09,369 --> 00:31:11,672
IX?NAY ON OING
WITH THEM GAY, PHIL.
565
00:31:11,705 --> 00:31:14,407
YEAH. THIS IS JUST MR. LYMAN
HEARING HIM DECLINE.
566
00:31:14,440 --> 00:31:18,411
FINE. GREAT.
JUST TELL HIM I�M HERE.
567
00:31:32,559 --> 00:31:34,595
HELLO.
568
00:31:34,628 --> 00:31:36,563
THIS IS MR. LYMAN.
HE�S A LAWYER.
569
00:31:36,597 --> 00:31:38,131
YOU NEED AN ATTORNEY.
570
00:31:38,164 --> 00:31:40,066
HEY.
571
00:31:40,100 --> 00:31:42,402
HAVE YOU WAIVED YOUR RIGHT
TO COUNSEL?
572
00:31:42,435 --> 00:31:45,105
YES. I WANT TO HELP IN SOLVING
WALTER�S DISAPPEARANCE.
573
00:31:45,138 --> 00:31:46,973
BLAKE ??
574
00:31:47,007 --> 00:31:49,576
YOU HEARD IT, COUNSELOR.
LET�S GO.
575
00:31:49,610 --> 00:31:51,377
PLEASED TO MEET YOU.
576
00:31:51,411 --> 00:31:55,048
WHAT�S THE BASEBALL
LOOK LIKE THIS YEAR, PHIL?
577
00:31:55,081 --> 00:31:57,918
YOU FOLLOW THE YANKEES,
THE METS?
578
00:31:57,951 --> 00:31:59,452
JUST MY FAVORITE GAY PLAYERS.
579
00:32:05,992 --> 00:32:08,094
HOW IS HE?
DID YOU TELL HIM I�M HERE?
580
00:32:08,128 --> 00:32:09,596
BLAKE SEEMS ALL RIGHT,
581
00:32:09,630 --> 00:32:11,632
AND HE HAS
DECLINED COUNSEL, PHILLIP.
582
00:32:11,665 --> 00:32:13,567
DID THEY BEAT HIM?
583
00:32:13,600 --> 00:32:16,069
I HOPE TO HELL
YOU LAID ON THE MAKEUP.
584
00:32:16,102 --> 00:32:18,438
I DIDN�T GET
THAT CLOSE A LOOK.
585
00:32:18,471 --> 00:32:20,006
WHY NOT?
586
00:32:20,040 --> 00:32:22,075
BLAKE HAS DECLINED
REPRESENTATION, PHILLIP.
587
00:32:22,108 --> 00:32:24,310
THAT�S THE FUN FOR YOU,
ISN�T IT,
588
00:32:24,344 --> 00:32:25,612
TWISTING PEOPLE�S
HEADS AROUND?
589
00:32:25,646 --> 00:32:28,248
HE SAYS HE�S GOT
NO HARD FEELINGS.
590
00:32:28,281 --> 00:32:30,083
I GUESS
WHEN THEY WERE TOGETHER,
591
00:32:30,116 --> 00:32:32,085
WALTER SHOWED HIM
A GOOD TIME.
592
00:32:32,118 --> 00:32:34,254
YES, WALTER HAD DEEP POCKETS
AND AN EVIL MIND.
593
00:32:34,287 --> 00:32:35,756
ALL RIGHT, PHILLIP.
594
00:32:35,789 --> 00:32:38,258
HE�S GOING OVER THEIR LIFE,
WHO THEY MET,
595
00:32:38,291 --> 00:32:40,994
TRYING TO HELP US
COME UP WITH LEADS.
596
00:32:41,027 --> 00:32:42,963
ANYWAY, I DON�T THINK
EITHER OF US
597
00:32:42,996 --> 00:32:45,465
HAS A GOOD REASON
TO STAY HERE RIGHT NOW.
598
00:32:45,498 --> 00:32:48,268
IF HE CHANGES HIS MIND,
PLEASE GIVE THIS TO MR. DeWITT.
599
00:32:48,301 --> 00:32:50,170
SURE, ABSOLUTELY.
600
00:32:50,203 --> 00:32:51,705
I WANT TO TALK TO HIM.
601
00:32:51,738 --> 00:32:53,473
LET�S GET A CUP OF COFFEE.
602
00:32:53,507 --> 00:32:56,442
CAN I TALK TO HIM?
603
00:32:56,476 --> 00:32:59,112
WE�D NEED MORE COOPERATION
THAN OUR LAST TALK, PHILLIP.
604
00:32:59,145 --> 00:33:00,781
SOME PRIOR CONVERSATION
WITH US
605
00:33:00,814 --> 00:33:02,983
BEFORE WE LET YOU
TALK TO BLAKE.
606
00:33:03,016 --> 00:33:05,619
I AM COUNSEL TO PHILLIP ROGERS.
THAT�S NOT GOING TO HAPPEN.
607
00:33:05,652 --> 00:33:08,321
I TALK TO YOU IF YOU PROMISE,
608
00:33:08,354 --> 00:33:12,125
IN FRONT OF THESE WITNESSES,
I CAN TALK TO BLAKE.
609
00:33:12,158 --> 00:33:15,228
YOU DON�T THINK THEY CAN
GET INSIDE YOUR HEAD, TOO?
610
00:33:15,261 --> 00:33:17,664
THAT�S A CHALLENGE
I THINK I�M EQUAL TO.
611
00:33:17,698 --> 00:33:20,567
DO I NEED TO SAY SOMETHING
TO MAKE THIS OFFICIAL?
612
00:33:20,601 --> 00:33:22,302
"YOU�RE FIRED" GETS IT DONE.
613
00:33:22,335 --> 00:33:24,037
PHILLIP ??
614
00:33:24,070 --> 00:33:26,472
YOU�RE FIRED!
615
00:33:26,507 --> 00:33:28,509
LET�S GO TALK DOWN HERE.
616
00:33:50,096 --> 00:33:51,665
WHAT HAVE YOU GOT BLAKE
THINKING ABOUT ME?
617
00:33:51,698 --> 00:33:55,201
DID PHIL GET THE IDEA HE WAS
GOING TO BE INTERVIEWING US?
618
00:33:55,235 --> 00:33:56,537
IF HE�S TURNING DOWN
REPRESENTATION,
619
00:33:56,570 --> 00:33:58,672
I CAN ONLY IMAGINE WHAT
YOU�VE GOT HIM THINKING.
620
00:33:58,705 --> 00:34:01,708
YOU�LL GET THAT FROM BLAKE
AFTER WE HAVE OUR TALK.
621
00:34:01,742 --> 00:34:04,711
I EXPECT BLAKE AND I WILL BE
RIDING THEN IN A HANSOM CAB
622
00:34:04,745 --> 00:34:06,346
IN THE BOTANICAL GARDENS.
623
00:34:06,379 --> 00:34:09,516
YOU KNOW YOU�RE NOT
GETTING OUT OF HERE.
624
00:34:09,550 --> 00:34:12,285
DON�T YOU THINK YOU�D BE MORE
WITHIN YOUR COMFORT ZONE
625
00:34:12,318 --> 00:34:14,588
PROBING THE PSYCHE OF CHIMPS?
626
00:34:14,621 --> 00:34:18,725
YOU�RE GOING TO GIVE IT UP
SO YOU CAN HOLD BLAKE
627
00:34:18,759 --> 00:34:22,295
AND TELL HIM YOU LOVE AND WISH
HIM HAPPINESS ?? BOO?HOO?HOO ??
628
00:34:22,328 --> 00:34:24,430
AND WILL HE WRITE YOU
LONG LETTERS IN PRISON.
629
00:34:24,464 --> 00:34:26,066
I WANT TO SEE HIM.
630
00:34:26,099 --> 00:34:29,435
PHILLIP, THE GREAT RUNNING BACK
O. J. SIMPSON ??
631
00:34:29,469 --> 00:34:32,405
THAT WAS FOUND NOT GUILTY
BY A JURY OF HIS PEERS ??
632
00:34:32,438 --> 00:34:35,408
WHEN HE COME BACK FROM CHICAGO,
BEFORE HE WENT IN
633
00:34:35,441 --> 00:34:37,477
TO BE INTERVIEWED
BY THE L. A. DETECTIVES,
634
00:34:37,511 --> 00:34:41,081
THE GREAT SIMPSON DISMISSED
COUNSEL EXACTLY HOW YOU DID,
635
00:34:41,114 --> 00:34:43,316
AND, PHIL, SO YOU KNOW
WHERE YOU STAND,
636
00:34:43,349 --> 00:34:46,386
IF THE GREAT SIMPSON
HAD GONE IN WITH ME
637
00:34:46,419 --> 00:34:48,722
AFTER WITNESSES HEARD HIM
LET HIS LAWYERS GO,
638
00:34:48,755 --> 00:34:51,324
THAT MURDERING PRICK�S
ONLY CHANCE OF WALKING OUT
639
00:34:51,357 --> 00:34:54,227
OF THAT INTERVIEW ROOM
BEFORE I GOT HIS CONFESSION
640
00:34:54,260 --> 00:34:56,630
WOULD HAVE BEEN AN EARTHQUAKE.
641
00:34:56,663 --> 00:34:59,666
WHICH I GATHER SOMETIMES
DOES OCCUR IN THAT AREA.
642
00:34:59,700 --> 00:35:01,467
GIVE IT UP.
643
00:35:01,501 --> 00:35:04,304
WHY DON�T YOU GO ON
TO THE BEATING?
644
00:35:04,337 --> 00:35:06,306
NO ONE�S LOOKING
TO DO THAT.
645
00:35:06,339 --> 00:35:08,308
NOBODY WANTS TO BEAT YOU.
646
00:35:08,341 --> 00:35:10,410
THAT�S A CROCK.
YOU�D LOVE TO BEAT ME.
647
00:35:10,443 --> 00:35:12,245
NO.
648
00:35:12,278 --> 00:35:14,515
ISN�T THAT YOUR VERSION
OF SEX?
649
00:35:14,548 --> 00:35:17,250
ISN�T THAT WHAT YOU�D
HAVE DONE TO SIMPSON?
650
00:35:17,283 --> 00:35:19,485
I�D HAVE TOLD HIM
THAT WHEN HIS EX?WIFE DIED
651
00:35:19,520 --> 00:35:22,255
AND THAT WAITER IN THE WRONG
PLACE AT THE WRONG TIME,
652
00:35:22,288 --> 00:35:25,258
WAS THE NIGHT WEEKS BEFORE
WHEN HE COME TO TALK TO HER
653
00:35:25,291 --> 00:35:26,860
AND THEIR KIDS
WERE ASLEEP UPSTAIRS,
654
00:35:26,893 --> 00:35:29,530
AND THROUGH THE WINDOW
HE SEES HER GOING DOWN
655
00:35:29,563 --> 00:35:32,866
ON WHOEVER THAT WAS THAT SHE
HAD ON THE LIVING ROOM SOFA.
656
00:35:32,899 --> 00:35:35,368
PEOPLE�S PASSIONS
GET THE BEST OF THEM.
657
00:35:35,401 --> 00:35:37,604
AND IF HE GOES OVER,
MAYBE TWO WEEKS LATER,
658
00:35:37,638 --> 00:35:40,541
AND HE�S HAD TOO MUCH TO DRINK
LIKE I HAVE 5,000 TIMES,
659
00:35:40,574 --> 00:35:42,709
OR HE�S PUT SOMETHING
UP HIS NOSE
660
00:35:42,743 --> 00:35:44,878
AND HE�S GOING TO DO
VANDALISM ON HER CAR ??
661
00:35:44,911 --> 00:35:47,614
AND THAT�S ALL
HE�S PLANNING TO DO.
662
00:35:47,648 --> 00:35:50,283
THAT�S ALL HE WENT OVER
INTENDING TO DO.
663
00:35:50,316 --> 00:35:51,885
HE�S PUTTING A DENT
IN A MERCEDES,
664
00:35:51,918 --> 00:35:53,620
THE COLOR OF WHICH
665
00:35:53,654 --> 00:35:55,789
SOMEONE SHOULD�VE HAD THE TASTE
NOT TO CONCEIVE.
666
00:35:55,822 --> 00:35:58,792
SOMETHING�S IN FRONT OF HIM
HE HADN�T EXPECTED.
667
00:35:58,825 --> 00:36:00,794
THAT KILLS KINDNESS
AND SWEETNESS AND PITY.
668
00:36:00,827 --> 00:36:02,295
AND THAT EMOTION EXPLODES.
669
00:36:02,328 --> 00:36:04,731
IT JUST EXPLODES!
IT EXPLODES!
670
00:36:06,700 --> 00:36:09,335
I PUT A HAMMER 2 INCHES
INTO HIS HEAD.
671
00:36:17,377 --> 00:36:20,180
AND I�M AFRAID
TO HAMMER A NAIL.
672
00:36:21,715 --> 00:36:23,383
AND A MINUTE BEFORE,
673
00:36:23,416 --> 00:36:26,386
IF YOU�D TOLD HIM
HE WAS GOING TO DO IT,
674
00:36:26,419 --> 00:36:29,590
HE�D HAVE TAKEN ANY BETS
AGAINST IT YOU WANTED TO MAKE.
675
00:36:40,767 --> 00:36:43,236
[ DOOR OPENS ]
676
00:37:47,934 --> 00:37:49,503
HI.
677
00:37:49,536 --> 00:37:52,573
WE THINK IT�S TIME
FOR ANYA TO COME HOME.
678
00:37:52,606 --> 00:37:54,407
HOW�S IT GOING
WITH THE CASE?
679
00:37:54,440 --> 00:37:56,777
ONE MAN�S IN CUSTODY,
AND HE GAVE US THE NAME
680
00:37:56,810 --> 00:37:59,012
OF ONE OF THE OTHER
PERPETRATORS.
681
00:37:59,045 --> 00:38:01,414
ANYA�S LOOKING AT PHOTOS,
682
00:38:01,447 --> 00:38:04,585
TRYING TO IDENTIFY THE OTHER
THREE MEN WHO ASSAULTED HER.
683
00:38:04,618 --> 00:38:06,953
ANYWAY, WE THINK IT�S TIME
FOR HER TO COME HOME.
684
00:38:06,987 --> 00:38:09,590
ANYA WANTS TO SPEND
MORE TIME TO SEE
685
00:38:09,623 --> 00:38:11,858
IF SHE CAN IDENTIFY
THE OTHER THREE MEN.
686
00:38:11,892 --> 00:38:14,294
SHE WANTS TO
OR YOU�RE MAKING HER?
687
00:38:14,327 --> 00:38:16,597
WE DO FEEL, IT�S, UH,
688
00:38:16,630 --> 00:38:19,866
SOMEWHAT TIME
FOR HER TO COME HOME.
689
00:38:19,900 --> 00:38:22,368
IT�S WHAT ANYA FEELS
THAT WE�RE GOING TO GO BY.
690
00:38:22,402 --> 00:38:24,370
DO YOU WANT
TO TALK TO HER?
691
00:38:24,404 --> 00:38:26,607
WE WANT YOU
TO LET HER COME HOME.
692
00:38:26,640 --> 00:38:29,042
THIS TERRIBLE THING HAS HAPPENED
TO YOUR DAUGHTER.
693
00:38:29,075 --> 00:38:31,044
SHE�S FOUND A WAY
TO FEEL SHE�S GETTING
694
00:38:31,077 --> 00:38:33,379
A LITTLE CONTROL
OF HER LIFE BACK.
695
00:38:33,413 --> 00:38:35,115
OF COURSE
ANYA CAN GO HOME,
696
00:38:35,148 --> 00:38:37,618
BUT IF SHE WANTS TO STAY,
697
00:38:37,651 --> 00:38:39,886
CAN�T YOU BE BRAVE ENOUGH
TO LET HER?
698
00:38:39,920 --> 00:38:42,956
I THINK WE SHOULD LET HER,
SOMEWHAT, JANET,
699
00:38:42,989 --> 00:38:44,390
IF ?? IF SHE WANTS TO.
700
00:38:46,727 --> 00:38:51,031
AND THEN YOU�D ARRANGE
FOR HER TRANSPORTATION HOME?
701
00:38:51,064 --> 00:38:53,967
YEAH, WE�D BRING ANYA HOME.
702
00:38:54,000 --> 00:38:56,336
POLICE TRANSPORTATION.
703
00:38:56,369 --> 00:38:58,739
I GUESS THAT�S AS SAFE
AS YOU CAN GET.
704
00:38:58,772 --> 00:38:59,906
FINE, THEN.
705
00:38:59,940 --> 00:39:02,475
IT�S A FINE WAY
TO END IT.
706
00:39:02,509 --> 00:39:04,477
END WHAT?
707
00:39:04,511 --> 00:39:05,979
WE BROUGHT HER IN,
708
00:39:06,012 --> 00:39:07,981
AND NOW WE CAN�T
GET HER OUT.
709
00:39:08,014 --> 00:39:10,416
COME HERE.
710
00:39:24,030 --> 00:39:26,533
I WANT TO STAY, MAMA.
711
00:39:29,736 --> 00:39:31,505
FINE, THEN.
712
00:39:31,538 --> 00:39:36,214
I�M FINE.
YOU AND DADDY GO HOME.
713
00:39:39,646 --> 00:39:42,382
OKAY?
714
00:39:47,554 --> 00:39:51,391
SO SHE�S ALONE
WITH EVERY ELEMENT.
715
00:39:51,424 --> 00:39:53,627
YEAH, SHE�S ALL ALONE
WITH DETECTIVE JONES.
716
00:39:57,731 --> 00:40:01,067
YOU�LL SEE SHE GETS HOME?
717
00:40:36,937 --> 00:40:41,575
I DON�T SEE YOU WORKING
ON YOUR 5 THERE, JOHN.
718
00:40:41,608 --> 00:40:44,678
CRUCIAL AS YOU WERE
TO THE CASE,
719
00:40:44,711 --> 00:40:47,748
LET�S NOT BE TARDY
WITH OUR PAPERWORK.
720
00:40:47,781 --> 00:40:50,150
COULD I SEE
THAT POOR YOUNG MAN?
721
00:40:50,183 --> 00:40:51,752
BLAKE?
722
00:40:51,785 --> 00:40:55,589
THAT�S WAITING
TO SAY FAREWELL TO PHILLIP?
723
00:40:55,622 --> 00:40:57,157
WOULD THAT BE INAPPROPRIATE?
724
00:40:59,225 --> 00:41:01,094
WELL, HE�S NOT IN CUSTODY.
725
00:41:01,127 --> 00:41:04,030
NO, HE�S JUST WAITING
TO SAY FAREWELL.
726
00:41:04,064 --> 00:41:07,934
WHY? WHAT DO YOU
WANT TO DO?
727
00:41:07,968 --> 00:41:10,103
HE�S ALONE, AND I FEEL
IT MIGHT BE HELPFUL.
728
00:41:10,136 --> 00:41:11,938
LET HIM KNOW
PHILLIP�S GOING OVER
729
00:41:11,972 --> 00:41:15,008
IN AROUND HALF AN HOUR.
730
00:41:15,041 --> 00:41:16,777
TO THE TOMBS.
731
00:41:16,810 --> 00:41:20,146
HE�S IN INTERVIEW THREE,
BLAKE.
732
00:41:24,518 --> 00:41:25,852
THANK YOU.
733
00:41:33,827 --> 00:41:36,597
PROBABLY WANTS TO EXCHANGE
PHONE NUMBERS.
734
00:41:40,667 --> 00:41:42,936
HE COULD DO WORSE,
THAT BLAKE.
735
00:41:46,673 --> 00:41:48,542
[ KNOCK ON DOOR ]
736
00:41:51,578 --> 00:41:53,847
PHILLIP WILL BE LEAVING
FOR CENTRAL BOOKING
737
00:41:53,880 --> 00:41:55,148
IN HALF AN HOUR.
738
00:41:55,181 --> 00:41:57,250
ALL RIGHT, THANKS.
739
00:42:00,687 --> 00:42:03,857
MY NAME IS JOHN IRVIN,
AND I�M A CIVILIAN AIDE.
740
00:42:03,890 --> 00:42:08,228
BLAKE DeWITT.
HOW DO YOU DO?
741
00:42:08,261 --> 00:42:11,565
HOW DO YOU DO?
742
00:42:11,598 --> 00:42:12,766
WHAT�S, UM,
743
00:42:12,799 --> 00:42:14,701
A CIVILIAN AIDE�S
RESPONSIBILITIES?
744
00:42:14,735 --> 00:42:18,972
OH, UH, THEY VARY. UM...
745
00:42:22,308 --> 00:42:25,245
BLAKE, I KNOW JUST NOW
YOU FEEL LOST AND CONFUSED.
746
00:42:25,278 --> 00:42:29,049
HOW DO YOU KNOW THAT?
747
00:42:29,082 --> 00:42:30,751
I JUST DO,
748
00:42:30,784 --> 00:42:33,119
AND I HOPE YOU WON�T
GIVE IN TO DESPAIR.
749
00:42:33,153 --> 00:42:35,789
THAT�S WHAT I WANT
TO TELL YOU.
750
00:42:35,822 --> 00:42:39,125
IT�S SO HARD MAKING SENSE
OF OUR LIVES,
751
00:42:39,159 --> 00:42:43,363
OR I GUESS I MEAN TO SAY,
MAKING OUR LIVES SENSIBLE.
752
00:42:43,396 --> 00:42:46,700
WE�RE IN A STRANGE CITY.
753
00:42:46,733 --> 00:42:49,302
WE BEGIN A DIFFERENT
LIFESTYLE COMPLETELY,
754
00:42:49,335 --> 00:42:52,773
MAYBE NOT
EXACTLY SURE INSIDE
755
00:42:52,806 --> 00:42:56,242
IF THE CHANGES
WE�RE CHOOSING
756
00:42:56,276 --> 00:42:58,879
ARE RIGHT NECESSARILY,
757
00:42:58,912 --> 00:43:02,115
EVEN IF THEY�RE RIGHT
FOR US.
758
00:43:02,148 --> 00:43:04,117
IT�S SO EASY
TO BECOME CONFUSED.
759
00:43:04,150 --> 00:43:08,955
IT�S SO HARD
TO LOVE OURSELVES
760
00:43:08,989 --> 00:43:13,059
AND TO FIND WHAT�S GOOD
FOR OUR LIVES,
761
00:43:13,093 --> 00:43:15,762
AND THEN
TO EXPERIENCE SOMETHING
762
00:43:15,796 --> 00:43:17,230
LIKE YOU�VE
JUST EXPERIENCED...
763
00:43:17,263 --> 00:43:19,232
I WANT YOU TO KNOW
764
00:43:19,265 --> 00:43:22,268
IT�S POSSIBLE
TO MAKE YOUR WAY,
765
00:43:22,302 --> 00:43:25,271
AND THAT HAPPINESS,
FRIENDSHIP,
766
00:43:25,305 --> 00:43:28,408
THE SUN RISING AND SETTING,
767
00:43:28,441 --> 00:43:32,679
THE BIRDS IN THE WIND
AT THE HARBOR,
768
00:43:32,713 --> 00:43:34,080
THEY�RE ALL HERE,
TOO, BLAKE,
769
00:43:34,114 --> 00:43:36,349
AS MUCH FOR YOU
AS FOR ANYONE ELSE
770
00:43:36,382 --> 00:43:38,084
IN THE WORLD.
771
00:43:38,118 --> 00:43:41,421
THANK YOU VERY MUCH.
772
00:43:41,454 --> 00:43:46,793
I REALLY APPRECIATE
THAT, JOHN.
773
00:43:46,827 --> 00:43:48,795
YOU�RE WELCOME.
774
00:43:48,845 --> 00:43:53,395
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