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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:18,018 --> 00:00:19,886 YOU DON�T THINK HE�S ILL IN SOME WAY, 2 00:00:19,920 --> 00:00:21,522 DO YOU, SORENSON? 3 00:00:21,555 --> 00:00:22,656 ANDY? NAH. 4 00:00:22,689 --> 00:00:24,157 CRULLER, EDDIE? 5 00:00:24,190 --> 00:00:25,892 I JUST PUT THEM OUT. 6 00:00:25,926 --> 00:00:28,094 THANKS, ANYWAY. 7 00:00:28,128 --> 00:00:31,164 NOTE I DIDN�T OFFER COFFEE. 8 00:00:31,197 --> 00:00:33,700 OH, I�D GO THROUGH THE ROOF. 9 00:00:33,734 --> 00:00:36,703 OH, ANDY, THANK GOODNESS. 10 00:00:36,737 --> 00:00:38,104 Danny: MORNING. 11 00:00:38,138 --> 00:00:40,507 HOW HAVE YOU BEEN? HOW ARE YOU DOING? 12 00:00:40,541 --> 00:00:42,108 OKAY. HOW ARE YOU DOING? 13 00:00:42,142 --> 00:00:44,210 OH, SAME OLD, SAME OLD, ANDY ?? 14 00:00:44,244 --> 00:00:46,613 DOING WHAT I CAN, WORKING NIGHT WATCH. 15 00:00:46,647 --> 00:00:50,216 I NEED TO SPEAK TO YOU IMMEDIATELY IN PRIVATE, ANDY. 16 00:00:50,250 --> 00:00:52,452 THAT�S THE LONG AND SHORT OF IT. 17 00:00:56,122 --> 00:00:58,925 BACK ON THEM NASAL INHALERS, GIBSON? 18 00:00:58,959 --> 00:01:01,127 NO. THOSE INHALERS GAVE ME HEART PALPITATIONS, 19 00:01:01,161 --> 00:01:03,597 BESIDES MAKING ME AGITATED. WHY, DO I SEEM AGITATED? 20 00:01:03,630 --> 00:01:06,466 NO, NOT COMPARED TO A BANK ROBBER. 21 00:01:15,308 --> 00:01:17,443 THE FIRST THING I WANT TO ESTABLISH ?? 22 00:01:17,477 --> 00:01:19,746 IF YOU AGREE ?? 23 00:01:19,780 --> 00:01:22,115 SOUP TO NUTS, THE WHOLE THING�S ON ME. 24 00:01:22,148 --> 00:01:24,751 YOU WANT ME TO MURDER SOMEBODY, GIBSON? 25 00:01:24,785 --> 00:01:26,820 BECAUSE FOR 100 BUCKS, IT AIN�T HAPPENING. 26 00:01:26,853 --> 00:01:30,624 IF I HAD MURDER MONEY, I KNOW WHO I�D HAVE HIT ?? 27 00:01:30,657 --> 00:01:33,126 THAT DICKHEAD JIMMY ELKINS. 28 00:01:33,159 --> 00:01:35,395 FOUR MONTHS IT TOOK ME, ANDY, 29 00:01:35,428 --> 00:01:37,764 GETTING THIS GIRL TO COME UP FROM PHILADELPHIA. 30 00:01:37,798 --> 00:01:40,100 AND JIMMY ELKINS ?? THAT I ASK ONE LOUSY FAVOR 31 00:01:40,133 --> 00:01:42,936 AND WHO I HAVE HELD THE BAG FOR 32 00:01:42,969 --> 00:01:45,572 MORE TIMES THAN YOU CAN SHAKE A STICK AT ?? 33 00:01:45,606 --> 00:01:48,474 THIS BUM ELKINS COMES UP M. I. A. ON ME 34 00:01:48,509 --> 00:01:50,143 WITH EIGHT LOUSY HOURS NOTICE. 35 00:01:50,176 --> 00:01:52,779 DO I GOT TO SMACK YOU IN THE HEAD 36 00:01:52,813 --> 00:01:55,415 TO GET YOU TO TELL ME WHATEVER IT IS 37 00:01:55,448 --> 00:01:57,984 YOU�RE TRYING TO SAY OUT OF YOUR MOUTH? 38 00:01:58,018 --> 00:02:00,153 ANDY, MY NIECE IS IN TOWN ?? 39 00:02:00,186 --> 00:02:03,423 MY SWEETHEART OF A 38?YEAR?OLD, 40 00:02:03,456 --> 00:02:06,593 ON?THE?SHY?SIDE, AND PLAIN?LOOKING NIECE. 41 00:02:06,627 --> 00:02:09,162 ABSOLUTELY NOT, GIBSON, IF SHE WAS ZSA ZSA GABOR. 42 00:02:09,195 --> 00:02:11,331 ONE OF HIS DOORMEN CANCELED. 43 00:02:11,364 --> 00:02:14,334 HE HAS TO FILL IN. NOW, YOU TELL ME, 44 00:02:14,367 --> 00:02:16,336 IS THAT A LEGITIMATE EXCUSE 45 00:02:16,369 --> 00:02:19,806 WITH A GIRL WHO CARED FOR MY OLDER SISTER 46 00:02:19,840 --> 00:02:22,208 THROUGH 16 YEARS OF MULTIPLE SCLEROSIS? 47 00:02:22,242 --> 00:02:24,811 GOOD, GOOD. YEAH, TOSS IN A FATAL DISEASE. 48 00:02:24,845 --> 00:02:27,380 ELKINS IS AN 86. 49 00:02:27,413 --> 00:02:29,683 MY NIECE BOUGHT AN OUTFIT AND SHOES. 50 00:02:29,716 --> 00:02:31,552 SHE�S A SWEET GIRL. 51 00:02:31,585 --> 00:02:33,654 YOU�RE THE MOST DECENT GUY I KNOW. 52 00:02:33,687 --> 00:02:34,821 AH, NO, NO. 53 00:02:34,855 --> 00:02:37,658 IF YOU NEED IT NOW, MY ANSWER IS NO. 54 00:02:37,691 --> 00:02:40,694 WHEN CAN I HOPE FOR AN ALTERNATIVE? 55 00:02:40,727 --> 00:02:43,063 I NEED A COUPLE OF HOURS. 56 00:02:43,096 --> 00:02:44,397 I SEE. 57 00:02:44,430 --> 00:02:46,199 I GOT TO SEEK COUNSEL. 58 00:02:46,232 --> 00:02:48,502 YOU SURE THEY�RE IN, THESE PEOPLE? 59 00:02:48,535 --> 00:02:50,804 I�M GOING TO GET SOME ADVICE, GIBSON, 60 00:02:50,837 --> 00:02:53,840 AND I NEED TO SEE CAN I GET A SITTER. 61 00:02:53,874 --> 00:02:55,542 THE $100�s YOURS REGARDLESS. 62 00:02:55,576 --> 00:02:59,212 GO AWAY. I WILL CALL YOU IN A COUPLE OF HOURS. 63 00:02:59,245 --> 00:03:01,081 I�LL BE YOUR SITTER. 64 00:03:09,856 --> 00:03:11,324 HEY, LIEU. 65 00:03:11,357 --> 00:03:12,693 HOW�S IT GOING, GIBSON? 66 00:03:12,726 --> 00:03:15,762 OH, YOU KNOW ME. 67 00:03:15,796 --> 00:03:18,398 YEAH, HOMICIDE IN AN APARTMENT. LOOKS GANG?RELATED. 68 00:03:18,431 --> 00:03:20,701 I�LL PAGE THE OTHERS TO MEET YOU. 69 00:03:20,734 --> 00:03:24,404 GOOD. HOMICIDE, ANDY. 70 00:03:24,437 --> 00:03:26,740 I�LL LET YOU GUYS GET TO WORK. 71 00:03:26,773 --> 00:03:28,208 ALL RIGHT, GIBSON. 72 00:03:28,241 --> 00:03:32,278 GREAT GUY, YOUR PARTNER. ONE OF THE GREATS. 73 00:03:32,312 --> 00:03:34,648 TAKE CARE. BE WELL. 74 00:04:57,698 --> 00:04:59,933 I SMELLED SOMETHING FOUL, SO I OPENED IT UP, 75 00:04:59,966 --> 00:05:01,935 AND I SAW WHAT YOU SAW. 76 00:05:01,968 --> 00:05:03,537 YOU RECOGNIZE THE D. O. A.? 77 00:05:03,570 --> 00:05:06,306 YOU KIDDING ME? ONE GOOD WHIFF, I DID A 180. 78 00:05:06,339 --> 00:05:07,974 WHO LIVES THERE? 79 00:05:08,008 --> 00:05:10,343 RICKY GUERRERO, UP UNTIL THREE WEEKS AGO 80 00:05:10,376 --> 00:05:11,878 WHEN HE GOT EVICTED. 81 00:05:11,912 --> 00:05:13,947 LET�S GO SEE IF YOU RECOGNIZE HIM. 82 00:05:13,980 --> 00:05:15,381 MY PAYCHECK DON�T INCLUDE FOR CRIME FIGHTING SERVICES. 83 00:05:15,415 --> 00:05:17,684 HEY, WE GOT A HOMICIDE HERE, PAL. 84 00:05:17,718 --> 00:05:19,553 COME ON. BREATHE THROUGH YOUR MOUTH. 85 00:05:19,586 --> 00:05:22,055 MAN, I AIN�T EVEN HAD MY COFFEE YET. 86 00:05:22,088 --> 00:05:24,891 HOW LONG YOU FIGURE THE GUY�S BEEN DEAD? 87 00:05:24,925 --> 00:05:26,793 ABOUT THREE OR FOUR DAYS. 88 00:05:26,827 --> 00:05:28,662 HOW�D HE GET IT? BACK OF THE HEAD. 89 00:05:28,695 --> 00:05:30,831 THERE�S GRAFFITI ON THE WALL 90 00:05:30,864 --> 00:05:32,365 YOU�RE GOING TO WANT TO LOOK AT. 91 00:05:32,398 --> 00:05:34,000 IS THAT RICKY GUERRERO? 92 00:05:34,034 --> 00:05:36,202 AFTER HE�D BEEN MICROWAVED ON HIGH FOR 10 MINUTES. 93 00:05:36,236 --> 00:05:37,804 RICKY HAVE STEADY COMPANY? 94 00:05:37,838 --> 00:05:39,573 MIMI ESQUIBEL ?? 95 00:05:39,606 --> 00:05:41,207 ANOTHER WINNER. 96 00:05:41,241 --> 00:05:42,976 THANKS FOR YOUR HELP, MR. UPCHURCH. 97 00:05:43,009 --> 00:05:44,578 WE�LL BE IN TOUCH 98 00:05:44,611 --> 00:05:46,813 IF WE HAVE ANY OTHER QUESTIONS. 99 00:05:46,847 --> 00:05:48,481 HOW DO YOU DO IT? 100 00:05:48,515 --> 00:05:50,250 NOT FOR $1 MILLION. 101 00:05:52,218 --> 00:05:53,386 WE�LL CANVASS. 102 00:05:53,419 --> 00:05:54,287 YEAH, GOOD. 103 00:05:57,891 --> 00:06:00,326 GOOD MORNING. 104 00:06:00,360 --> 00:06:03,229 [ FLIES BUZZING ] 105 00:06:03,263 --> 00:06:04,430 WHOA. 106 00:06:19,613 --> 00:06:21,081 OHH. 107 00:06:22,749 --> 00:06:23,950 GOOD MORNING. 108 00:06:23,984 --> 00:06:25,451 MORNING, BALDWIN. 109 00:06:25,485 --> 00:06:27,721 "P.R. GO HOME" I GOT, THE 9 INSIDE A JEWISH STAR. 110 00:06:27,754 --> 00:06:29,723 WHAT THE HELL IS THIS "NTG"? 111 00:06:29,756 --> 00:06:31,124 NINE TREY GANGSTAS. 112 00:06:31,157 --> 00:06:33,359 I DON�T THINK THAT�S A JEWISH STAR. 113 00:06:33,393 --> 00:06:35,228 THAT�S A JEWISH STAR. 114 00:06:35,261 --> 00:06:38,064 [ Clears throat ] SIX POINTS. 115 00:06:40,100 --> 00:06:42,769 ALL RIGHT, SO WE ELIMINATE THE ISRAELIS. 116 00:06:42,803 --> 00:06:44,771 STEAL YOUR BAILIWICK FROM THE BIAS UNIT, BALDWIN, 117 00:06:44,805 --> 00:06:46,640 DOES THIS LOOK LIKE A HATE CRIME 118 00:06:46,673 --> 00:06:47,974 OR A GANG HIT TO YOU? 119 00:06:48,008 --> 00:06:50,210 NOT REALLY. 120 00:06:50,243 --> 00:06:53,479 NO MATTER WHAT IT LOOKS LIKE TO US MERE MORTALS, 121 00:06:53,514 --> 00:06:55,882 THE BUREAUCRATIC NOTIFICATIONS HAVE TO GO OUT. 122 00:06:55,916 --> 00:06:57,751 THE STENCH SURE IS TRYING 123 00:06:57,784 --> 00:06:59,753 TO YANK THAT HOLLANDAISE SAUCE BACK UP. 124 00:06:59,786 --> 00:07:02,088 THEN DO NOT VISUALIZE THINGS 125 00:07:02,122 --> 00:07:03,957 LIKE LICKING A DIRTY ASHTRAY 126 00:07:03,990 --> 00:07:07,661 OR CHUGGING A GALLON OF COOKING OIL, GREG. 127 00:07:07,694 --> 00:07:10,263 MEDAVOY, YOU BARF ON A D. O. A., 128 00:07:10,296 --> 00:07:11,932 YOU�RE WIPING HIM OFF. 129 00:07:15,101 --> 00:07:17,871 TOUGH CROWD. 130 00:07:30,517 --> 00:07:32,318 MM?HMM. 131 00:07:34,988 --> 00:07:36,790 MM?HMM. 132 00:07:36,823 --> 00:07:39,593 OKAY, I GOT IT. 133 00:07:39,626 --> 00:07:42,495 PRINTS YOU ASKED FOR COME BACK CONFIRMED 134 00:07:42,529 --> 00:07:44,130 FOR A RICKY GUERRERO. 135 00:07:44,164 --> 00:07:46,767 THAT�S WHO THE SUPER THOUGHT HE WAS ?? THE D. O. A. 136 00:07:46,800 --> 00:07:49,169 WOULDN�T TAKE TOO CLOSE A LOOK ?? THE SUPER. 137 00:07:49,202 --> 00:07:51,672 ONE TO THE BACK OF THE HEAD. 138 00:07:51,705 --> 00:07:53,874 DIANE AND JILL STILL ON CANVASS? 139 00:07:53,907 --> 00:07:55,676 YEAH. 140 00:07:55,709 --> 00:07:56,877 WHERE�S GREG? 141 00:07:56,910 --> 00:07:58,311 HE�S ON CANVASS, TOO. 142 00:07:58,344 --> 00:07:59,946 SO WHAT ARE YOU DOING HERE? 143 00:07:59,980 --> 00:08:02,182 HATE GRAFFITI ON THE WALLS. 144 00:08:02,215 --> 00:08:04,551 "P.R. GO HOME" ABOVE NINE TREY�S GANG TAG. 145 00:08:04,585 --> 00:08:07,220 NINE TREY�S A BLOOD SET. 146 00:08:07,253 --> 00:08:09,856 CRIME SCENE LOOK LIKE A GANG HIT? 147 00:08:09,890 --> 00:08:12,693 HE COULD HAVE BEEN HOOKED WITH A GANG ?? GUERRERO. 148 00:08:12,726 --> 00:08:14,895 YEAH, THE EVICTED PUERTO RICAN 149 00:08:14,928 --> 00:08:16,997 HALF?ASSED PIMP AND SKELL?JUNKIE BUM SET. 150 00:08:17,030 --> 00:08:18,999 SUPER SAID HE BOOTED GUERRERO THREE WEEKS AGO, 151 00:08:19,032 --> 00:08:21,001 BUT HE WAS HALFWAY SURE GUERRERO COME BACK 152 00:08:21,034 --> 00:08:22,869 AND SQUATTED WITH HIS GIRLFRIEND. 153 00:08:22,903 --> 00:08:24,037 HALFWAY SURE? 154 00:08:24,070 --> 00:08:25,672 COMPLETELY SURE, BUT DIDN�T FEEL 155 00:08:25,706 --> 00:08:27,240 LIKE HE WAS GETTING PAID ENOUGH 156 00:08:27,273 --> 00:08:29,242 TO DO NOTHING BUT LOOK THE OTHER WAY. 157 00:08:29,275 --> 00:08:31,244 HE GAVE US THE HOOKER? GIRLFRIEND�S NAME. 158 00:08:31,277 --> 00:08:33,046 WE�RE GETTING ALL HER PLACES FROM B.C.I. 159 00:08:33,079 --> 00:08:34,414 WORK THAT, 160 00:08:34,447 --> 00:08:36,817 AND GO AHEAD AND NOTIFY THE BIAS UNIT 161 00:08:36,850 --> 00:08:38,418 BEHIND THE GRAFFITI. 162 00:08:38,451 --> 00:08:41,688 I GOT TO SAY THE NINE TREY TAG IS PRETTY CRUDE. 163 00:08:41,722 --> 00:08:44,024 MAYBE A KID TRYING TO CATCH A REP? 164 00:08:44,057 --> 00:08:46,159 YEAH, IT COULD BE, 165 00:08:46,192 --> 00:08:47,694 OR A MISDIRECT. 166 00:08:47,728 --> 00:08:49,730 SO GO AHEAD AND NOTIFY LIEUTENANT ABNER, 167 00:08:49,763 --> 00:08:51,097 THE BIAS UNIT. 168 00:08:51,131 --> 00:08:54,100 SURE. 169 00:08:57,137 --> 00:09:00,273 THAT�S SOME PRIVATE THING, BRINGING ABNER IN. 170 00:09:00,306 --> 00:09:01,908 OH, YEAH. 171 00:09:05,946 --> 00:09:08,915 I WAS TRYING TO STEER THE BOSS OFF THE HATE ANGLE. 172 00:09:08,949 --> 00:09:10,517 STEERING THE BOSS? 173 00:09:10,551 --> 00:09:12,352 VERY OFTEN, 174 00:09:12,385 --> 00:09:14,921 THE BOSS HAS UNANNOUNCED LUGGAGE IN THE BOAT. 175 00:09:14,955 --> 00:09:16,923 AND, UH, TIMES LIKE THAT, 176 00:09:16,957 --> 00:09:19,560 YOU LET HIM STEER, AND YOU JUST PADDLE 177 00:09:19,593 --> 00:09:23,329 UNTIL YOU FIGURE OUT WHAT�S IN HIS SUITCASE. 178 00:09:27,167 --> 00:09:29,269 WELL, LET ME CALL MY FORMER BOSS 179 00:09:29,302 --> 00:09:32,573 OVER AT THE BIAS UNIT. 180 00:09:32,606 --> 00:09:36,109 I DIDN�T REALIZE YOU WERE SO INVOLVED WITH THE SEA. 181 00:09:36,142 --> 00:09:41,314 GENERATIONS OF SIPOWICZES HAVE BEEN SEAFARERS. 182 00:09:41,347 --> 00:09:42,616 COME HERE. 183 00:09:52,526 --> 00:09:54,961 GIVE ME YOUR OPINION ON SOMETHING. 184 00:09:54,995 --> 00:09:56,429 SURE. 185 00:10:11,344 --> 00:10:13,179 IS THIS ABOUT GIBSON? 186 00:10:13,213 --> 00:10:15,415 IT IS ABOUT GIBSON. 187 00:10:15,448 --> 00:10:17,483 WHAT DID HE WANT? 188 00:10:17,518 --> 00:10:20,286 ME TO DATE HIS DISFIGURED NIECE. 189 00:10:20,320 --> 00:10:21,922 SHE�S DISFIGURED? 190 00:10:21,955 --> 00:10:23,790 I GUESS SHE�S NOT DISFIGURED. 191 00:10:23,824 --> 00:10:26,259 THAT�S NOT THE POINT. 192 00:10:26,292 --> 00:10:28,261 I�M ASKING, RELEVANT TO MY SITUATION, 193 00:10:28,294 --> 00:10:30,130 HOW DOES THIS STACK UP? 194 00:10:30,163 --> 00:10:32,032 GOING OUT ON A DATE. 195 00:10:32,065 --> 00:10:35,201 IT�S NOT A DATE ?? LIKE KEEP THE DISFIGURED NIECE 196 00:10:35,235 --> 00:10:36,870 FROM GOING OFF THE CHRYSLER BUILDING 197 00:10:36,903 --> 00:10:38,505 �CAUSE SHE COMES FROM PHILADELPHIA 198 00:10:38,539 --> 00:10:40,507 TO GET STOOD UP BY JIMMY ELKINS, 199 00:10:40,541 --> 00:10:42,643 AND SHE�S A RETIRING TYPE TO BEGIN WITH. 200 00:10:42,676 --> 00:10:46,112 TOOK CARE OF A SICKLY PARENT 16 YEARS 201 00:10:46,146 --> 00:10:48,114 AND BOUGHT A NEW OUTFIT AND SHOES ?? 202 00:10:48,148 --> 00:10:50,050 PRESUMING I COULD GET A SITTER. 203 00:10:50,083 --> 00:10:52,485 ANDY, IS SHE DISFIGURED OR NOT? 204 00:10:52,519 --> 00:10:55,155 SHE�S NOT DISFIGURED. SHE�S PLAIN. 205 00:10:57,357 --> 00:11:00,561 AS FAR AS THAT GOES, I�M NOT TYRONE POWER. 206 00:11:02,863 --> 00:11:07,333 I�M NOT WILLIAM HOLDEN, ALL RIGHT? 207 00:11:07,367 --> 00:11:09,035 I�M NOT RANDOLPH SCOTT. 208 00:11:09,069 --> 00:11:10,571 PRESUMING THE SITTER, 209 00:11:10,604 --> 00:11:13,339 WOULD YOU DO GIBSON THE SOLID? 210 00:11:13,373 --> 00:11:15,676 WOULD YOU THINK THIS WOULD BE ALL RIGHT? 211 00:11:29,623 --> 00:11:31,157 I WOULD, YEAH. 212 00:11:31,191 --> 00:11:34,027 YOU WOULD? 213 00:11:34,060 --> 00:11:36,930 DOES IT FEEL OKAY TO YOU? 214 00:11:36,963 --> 00:11:40,366 HEY, DON�T START THAT TOUCHY?FEELY CRAP. 215 00:11:42,468 --> 00:11:46,239 GO AHEAD, ANDY. 216 00:11:46,272 --> 00:11:47,307 IT�S OKAY. 217 00:11:49,309 --> 00:11:52,045 ALL RIGHT. THANKS FOR THE ADVICE. 218 00:11:52,078 --> 00:11:53,580 SURE. 219 00:12:05,659 --> 00:12:07,060 THANKS A LOT. 220 00:12:26,780 --> 00:12:31,284 A BLACK MAN HAS BEEN DRAGGED BEHIND A PICKUP TRUCK 221 00:12:31,317 --> 00:12:33,053 HOWEVER MANY MILES 222 00:12:33,086 --> 00:12:34,955 UNTIL THE FLESH IS TORN FROM HIS BODY. 223 00:12:34,988 --> 00:12:37,591 FINALLY, HE GETS HIS SKULL CRUSHED 224 00:12:37,624 --> 00:12:39,726 AGAINST A BRIDGE ABUTMENT. 225 00:12:39,760 --> 00:12:41,962 BIAS UNIT CATCHES. 226 00:12:41,995 --> 00:12:43,930 AT THE CRIME SCENE, EXAMINING THE BODY, 227 00:12:43,964 --> 00:12:46,567 I NOTE IN WHAT IS LEFT OF THE POCKET 228 00:12:46,600 --> 00:12:48,168 OF THE D. O. A.�s PANTS, 229 00:12:48,201 --> 00:12:51,437 THERE�S NO FOLDING MONEY ?? NOT A SINGLE DOLLAR. 230 00:12:51,471 --> 00:12:55,776 GIVEN THE CONTEXT, DO I INVOLVE A PRECINCT SQUAD ?? 231 00:12:55,809 --> 00:12:57,611 YOURS, SAY, LIEUTENANT ?? 232 00:12:57,644 --> 00:12:59,680 TO INVESTIGATE THE ROBBERY ANGLE? 233 00:12:59,713 --> 00:13:02,348 NOBODY AFFILIATED WITH THE NINE TREYS 234 00:13:02,382 --> 00:13:03,817 ADVERTISES LIKE THIS TO THE COPS. 235 00:13:03,850 --> 00:13:06,186 THE HATE GRAFFITI IS ALSO A MISDIRECT. 236 00:13:06,219 --> 00:13:07,921 EXCUSE ME. 237 00:13:07,954 --> 00:13:10,490 YOU DON�T SHOW ENOUGH RESPECT FOR MY TIME. 238 00:13:10,524 --> 00:13:11,925 IF I HADN�T NOTIFIED YOU, 239 00:13:11,958 --> 00:13:13,827 WHEN I RAN THIS CASE FOR COMSTAT, 240 00:13:13,860 --> 00:13:16,162 YOU�D HAVE BEEN WORKING THE ROOM. 241 00:13:16,196 --> 00:13:17,931 IF YOU BELIEVE THAT�S WHY YOU CALLED ME, 242 00:13:17,964 --> 00:13:20,166 THE NEXT TIME YOU�RE LOOKING IN THE MIRROR, 243 00:13:20,200 --> 00:13:23,504 ASK YOURSELF WHY YOUNG JONES HAD TO BE PRESENT. 244 00:13:23,537 --> 00:13:25,639 HE TOOK THE PICTURES. 245 00:13:31,545 --> 00:13:34,515 I WOULD HAVE THOUGHT AFTER 18 MONTHS 246 00:13:34,548 --> 00:13:35,982 IN MY UNIT, DETECTIVE, 247 00:13:36,016 --> 00:13:38,118 SPOTTING SUCH AN OBVIOUS MISDIRECT 248 00:13:38,151 --> 00:13:40,521 MIGHT HAVE BEEN SOMETHING YOU�D HAVE PICKED UP. 249 00:13:40,554 --> 00:13:41,955 DECIDING WHAT WEREN�T HATE CRIMES 250 00:13:41,988 --> 00:13:44,290 IS PART OF OUR WORK, TOO, LIEUTENANT. 251 00:13:44,324 --> 00:13:45,859 YOU DID LIKE HAVING THE INFORMATION 252 00:13:45,892 --> 00:13:48,128 AND BEING THE ONE TO MAKE THAT CALL. 253 00:13:48,161 --> 00:13:50,964 YOU DO KNOW HOW TO HIDE, SON, DON�T YOU? 254 00:13:50,997 --> 00:13:53,133 THAT�S ALL OF THIS I�M GOING TO HAVE. 255 00:13:53,166 --> 00:13:55,702 SHALL WE GO ON TO SOMETHING ELSE? 256 00:14:08,549 --> 00:14:10,884 SHOULD I GO IN THERE? 257 00:14:10,917 --> 00:14:13,019 AND DO WHAT, BALDWIN? 258 00:14:13,053 --> 00:14:15,488 YOU DON�T WANT TO BE A WITNESS. 259 00:14:15,522 --> 00:14:17,257 YOU DON�T NEED TO GO IN THERE 260 00:14:17,290 --> 00:14:19,025 UNLESS YOU�RE TRYING TO KEEP THEM 261 00:14:19,059 --> 00:14:20,493 FROM MURDERING EACH OTHER. 262 00:14:20,527 --> 00:14:22,095 WHAT�S OPEN? 263 00:14:22,128 --> 00:14:23,496 NOT THE COFFEE ROOM. 264 00:14:23,530 --> 00:14:25,666 NOT THE COFFEE ROOM? 265 00:14:25,699 --> 00:14:27,267 I AM NOT MIMI ESQUIBEL. 266 00:14:27,300 --> 00:14:29,269 YOU ANSWER TO MIMI, WE THINK YOU�RE HER. 267 00:14:29,302 --> 00:14:31,605 WELL, I�M NOT, AND I HOPE YOU ASSHOLES 268 00:14:31,638 --> 00:14:33,206 SMACK ME AROUND PLENTY. 269 00:14:33,239 --> 00:14:35,108 COUNT ON THAT BEING JUST AROUND THE CORNER. 270 00:14:35,141 --> 00:14:36,910 GOOD. I�LL BUILD UP MY I. R. A. 271 00:14:36,943 --> 00:14:38,512 WHO�S IN THE COFFEE ROOM? 272 00:14:38,545 --> 00:14:39,913 LIEUTENANT FANCY 273 00:14:39,946 --> 00:14:42,015 AND MY OLD BOSS FROM THE BIAS UNIT 274 00:14:42,048 --> 00:14:43,383 GOT THE DOOR CLOSED. 275 00:14:43,416 --> 00:14:44,618 FRANK DISCUSSION. 276 00:14:44,651 --> 00:14:46,286 REAL FRANK. 277 00:14:46,319 --> 00:14:49,389 STAY OUT HERE TILL YOU HEAR SOMETHING BREAKING. 278 00:14:49,422 --> 00:14:51,357 COME HERE. 279 00:14:51,391 --> 00:14:54,895 DON�T YOU WANT TO CALL ME MIMI IN FRONT OF MORE WITNESSES? 280 00:15:09,075 --> 00:15:11,277 DON�T YOU EVER HAND ME MY OVERCOAT 281 00:15:11,311 --> 00:15:13,947 OR CALL ME INTO A CASE JUST TO EMBARRASS ME 282 00:15:13,980 --> 00:15:15,649 IN FRONT OF A SUBORDINATE. 283 00:15:15,682 --> 00:15:17,651 THERE WAS HATE GRAFFITI ON THE WALLS 284 00:15:17,684 --> 00:15:19,152 OF A HOMICIDE CRIME SCENE. 285 00:15:19,185 --> 00:15:20,887 IT WAS AN APPROPRIATE NOTIFICATION. 286 00:15:20,921 --> 00:15:23,156 WHAT THE HELL IS YOUR PROBLEM? 287 00:15:23,189 --> 00:15:25,158 I AM NOT GOING TO BE BETRAYED 288 00:15:25,191 --> 00:15:26,793 AS A RACE?PIMPING BUREAUCRAT 289 00:15:26,827 --> 00:15:28,762 OR SOME J. EDGAR HOOVER? TYPE FANATIC. 290 00:15:28,795 --> 00:15:31,131 JONES WORKED WITH YOU. HE FORMED HIS OWN OPINIONS, 291 00:15:31,164 --> 00:15:33,133 NOT TO SAY YOU DIDN�T EMBARRASS YOURSELF 292 00:15:33,166 --> 00:15:35,435 HARASSING HIM IN THAT SQUAD ROOM. 293 00:15:35,468 --> 00:15:38,171 DID IT EVER OCCUR TO YOU THAT SENDING HIM OVER HERE, 294 00:15:38,204 --> 00:15:41,174 I MIGHT HAVE BEEN TRYING TO LOOK OUT FOR JONES? 295 00:15:41,207 --> 00:15:43,243 I DIDN�T THINK HE WAS READY 296 00:15:43,276 --> 00:15:45,946 TO BE LOOKING AT THE WORLD OUT OF MY WINDOW. 297 00:15:52,218 --> 00:15:56,456 AND YOU RESPOND BY TRYING TO MARGINALIZE 298 00:15:56,489 --> 00:15:58,659 AND RIDICULE ME 299 00:15:58,692 --> 00:16:00,627 IN HIS EYES? 300 00:16:02,462 --> 00:16:04,665 I WASN�T. 301 00:16:04,698 --> 00:16:08,368 I�M GOING TO ASK YOU TO BELIEVE ME ABOUT THAT. 302 00:16:08,401 --> 00:16:12,038 WELL, I CAN�T. 303 00:16:12,072 --> 00:16:13,607 I DON�T. 304 00:16:13,640 --> 00:16:16,710 MAYBE YOU�VE BEEN LOOKING OUT THAT WINDOW 305 00:16:16,743 --> 00:16:20,113 TOO LONG YOURSELF. 306 00:16:20,146 --> 00:16:25,318 THERE�S THAT PATRONIZING QUALITY AGAIN. 307 00:16:28,221 --> 00:16:31,992 NOW THAT YOU�VE SEEN FIT TO LUG ME INTO THIS, 308 00:16:32,025 --> 00:16:34,861 I�LL EXPECT TO BE COPIED ON THE PAPERWORK. 309 00:16:34,895 --> 00:16:37,230 SURE. 310 00:16:49,075 --> 00:16:52,378 COPIES TO LIEUTENANT ABNER ON ALL YOUR PAPERWORK. 311 00:16:52,412 --> 00:16:53,847 YES, SIR. 312 00:17:07,761 --> 00:17:10,496 LAURA KREBS. 313 00:17:10,531 --> 00:17:13,033 LAURA KREBS. 314 00:17:13,066 --> 00:17:16,737 I MEAN, DON�T YOU PEOPLE KEEP RECORDS OF WHO�S WHO? 315 00:17:16,770 --> 00:17:18,505 WE�VE GOT A UNIT DEVOTED TO PHOTOGRAPHS EXCLUSIVELY, 316 00:17:18,539 --> 00:17:20,541 WHICH OCCASIONALLY MISPLACES THEM. 317 00:17:20,574 --> 00:17:22,843 SAY YOU�RE NOT MIMI ESQUIBEL. SAY YOU�RE FLORENCE HENDERSON. 318 00:17:22,876 --> 00:17:25,045 IF I WAS FLORENCE HENDERSON, 319 00:17:25,078 --> 00:17:28,048 I�D HAVE KNOWN THAT GUY I WAS MARRIED TO 320 00:17:28,081 --> 00:17:30,551 ON "THE BRADY BUNCH" WAS A FRUIT. 321 00:17:30,584 --> 00:17:32,052 WHAT DO YOU GOT FOR US 322 00:17:32,085 --> 00:17:33,854 CONNECTED TO RICKY GUERRERO THAT IS DEAD? 323 00:17:33,887 --> 00:17:36,923 LIKE I�LL LET GO THAT EASY ON THIS FALSE ARREST. 324 00:17:36,957 --> 00:17:38,559 YOU�RE NOT ARRESTED. 325 00:17:38,592 --> 00:17:41,294 CUFFS ?? CUFFS ARE THE TIP?OFF YOU�RE A COLLAR. 326 00:17:41,327 --> 00:17:43,930 I WANT $1,000 TO TELL YOU WHAT I KNOW. 327 00:17:43,964 --> 00:17:45,899 DO YOU KNOW WHO KILLED RICKY? 328 00:17:45,932 --> 00:17:47,768 I KNOW WHERE MIMI ESQUIBEL IS. 329 00:17:47,801 --> 00:17:51,104 GOT TO BE A SPEED FREAK. THEY�RE DELUDED WITH GRANDEUR. 330 00:17:51,137 --> 00:17:53,106 YOU WANT $1,000 TO TELL US WHERE A HOOKER STROLLS? 331 00:17:53,139 --> 00:17:55,375 DO YOU KNOW? 332 00:17:55,408 --> 00:17:58,144 HOW ABOUT WE GIVE YOU 50 BUCKS AND DON�T EXPLORE 333 00:17:58,178 --> 00:18:00,581 WHAT WARRANTS YOU�VE GOT UNDER YOUR REAL NAME, 334 00:18:00,614 --> 00:18:02,916 WHICH WOULD EXPLAIN WHY YOU ANSWERED TO MIMI 335 00:18:02,949 --> 00:18:05,552 WHEN WE CAME TO YOUR DOOR? 336 00:18:05,586 --> 00:18:06,820 ALL RIGHT. 337 00:18:06,853 --> 00:18:08,789 NOW WE�RE IN BUSINESS. 338 00:18:08,822 --> 00:18:11,224 AND I AM NOT A SPEED FREAK. 339 00:18:11,257 --> 00:18:13,459 MINIMUM, YOU�RE ONE OF THEM VOLUNTARY PUKERS. 340 00:18:13,493 --> 00:18:15,562 I AM NATURALLY THIN. 341 00:18:15,596 --> 00:18:17,397 YEAH, THAT�S WHAT THE JAPANESE SAID 342 00:18:17,430 --> 00:18:19,132 ABOUT ALL OUR SOLDIERS MARCHING FROM BATAAN. 343 00:18:19,165 --> 00:18:22,002 WHERE DO WE FIND THE TRUE MIMI? 344 00:18:22,035 --> 00:18:23,970 WHEN DO I FIND THE TRUE $50? 345 00:18:24,004 --> 00:18:25,739 THAT�S THE SECOND PART OF THE TRANSACTION. 346 00:18:25,772 --> 00:18:28,074 COME ON. I�LL SHOW YOU. 347 00:18:28,108 --> 00:18:30,343 DROP ME OFF. 348 00:18:30,376 --> 00:18:32,646 AND IF MIMI�S KID WAS INVOLVED, 349 00:18:32,679 --> 00:18:34,147 THAT ASSHOLE RICKY PROVOKED HIM. 350 00:18:34,180 --> 00:18:37,618 PUT A NAME ON MIMI�S KID. 351 00:18:37,651 --> 00:18:40,086 ISAIAH. 352 00:18:40,120 --> 00:18:43,489 NOW, HE IS SWEET ENOUGH TO EAT. 353 00:18:57,904 --> 00:19:00,140 I�VE GOT TO TALK TO HIM. 354 00:19:00,173 --> 00:19:02,776 WHEN HE WANTS YOU TO KNOW SOMETHING, D., 355 00:19:02,809 --> 00:19:05,646 A BOSS TELLS YOU. 356 00:19:05,679 --> 00:19:07,848 THEN I�M ABOUT TO MAKE A MISTAKE, 357 00:19:07,881 --> 00:19:09,950 �CAUSE I NEED TO ASK WHAT WENT ON 358 00:19:09,983 --> 00:19:11,952 BETWEEN HIM AND LIEUTENANT ABNER. 359 00:19:11,985 --> 00:19:14,320 YOU WILL NOT BE THE FIRST PERSON IN HISTORY 360 00:19:14,354 --> 00:19:15,656 TO IGNORE MY ADVICE. 361 00:19:25,566 --> 00:19:28,535 CAN WE TALK ABOUT THAT BEEF WITH LIEUTENANT ABNER? 362 00:19:28,569 --> 00:19:30,704 �CAUSE IT�S REALLY GOT ME TURNED AROUND. 363 00:19:30,737 --> 00:19:32,539 CLOSE THE DOOR. 364 00:19:38,745 --> 00:19:40,213 TURNED AROUND HOW? 365 00:19:40,246 --> 00:19:42,482 I WAS TRYING TO BE CLEAR 366 00:19:42,516 --> 00:19:44,685 I DIDN�T FEEL THIS WAS A HATE CRIME. 367 00:19:44,718 --> 00:19:47,353 WITH THAT KIND OF GRAFFITI ON THE WALLS, 368 00:19:47,387 --> 00:19:49,723 I�D HAVE BEEN DERELICT NOT HAVING HIM SIGN OFF. 369 00:19:49,756 --> 00:19:52,659 SO YOU WEREN�T LOOKING TO PICK A FIGHT WITH HIM? 370 00:19:52,693 --> 00:19:54,661 I DON�T KNOW TOO MANY MOTIVES 371 00:19:54,695 --> 00:19:56,663 THAT DON�T HAVE A LITTLE OF THIS 372 00:19:56,697 --> 00:19:59,065 AND A LITTLE OF THAT THROWN INTO IT, BALDWIN, 373 00:19:59,099 --> 00:20:02,002 AND LIEUTENANT ABNER AND I HAVE OUR DISAGREEMENTS, 374 00:20:02,035 --> 00:20:04,538 BUT I WASN�T LOOKING FOR HELL TO BREAK LOOSE. 375 00:20:07,774 --> 00:20:10,877 NOW I NEED TO ASK YOU SOMETHING. 376 00:20:10,911 --> 00:20:12,746 OKAY. 377 00:20:12,779 --> 00:20:14,347 HOW DIFFERENT 378 00:20:14,380 --> 00:20:15,849 WAS LIEUTENANT ABNER�S BEHAVIOR TODAY 379 00:20:15,882 --> 00:20:18,852 FROM HOW YOU�VE SEEN HIM OVER THE LAST 18 MONTHS? 380 00:20:18,885 --> 00:20:21,588 LIEUTENANT ABNER�S NEVER BEEN SHY ABOUT HIS OPINIONS. 381 00:20:21,622 --> 00:20:23,590 I�M NOT ASKING ABOUT HIS OPINIONS. 382 00:20:23,624 --> 00:20:25,626 I�M ASKING IF HIS BEHAVIOR WAS DIFFERENT. 383 00:20:27,594 --> 00:20:29,530 YEAH. 384 00:20:29,563 --> 00:20:32,065 HE SEEMED PRETTY HIGH?STRUNG. 385 00:20:32,098 --> 00:20:34,801 THAT LEVEL OF AGITATION WAS UNCHARACTERISTIC? 386 00:20:34,835 --> 00:20:36,436 YEAH, I�D SAY SO. 387 00:20:36,469 --> 00:20:39,606 ALL RIGHT. THANK YOU VERY MUCH. 388 00:20:39,640 --> 00:20:43,209 ARE YOU CONCERNED FOR LIEUTENANT ABNER, BOSS? 389 00:20:43,243 --> 00:20:44,277 THANKS, BALDWIN. 390 00:21:14,770 --> 00:21:16,314 SOME JUNCTURE, SOMEONE BETTER START TELLING ME 391 00:21:16,347 --> 00:21:18,116 WHAT THE HELL THIS IS INVOLVING. 392 00:21:18,149 --> 00:21:20,384 IS THAT GENUINE SNAKESKIN? 393 00:21:20,418 --> 00:21:22,453 I GOT TO CALL ON THIS OTHER THING ?? 394 00:21:22,486 --> 00:21:24,222 THIS OTHER SITUATION. 395 00:21:24,255 --> 00:21:25,323 AH. 396 00:21:25,356 --> 00:21:28,192 YOU GUYS COPS OR SPIES? 397 00:21:28,226 --> 00:21:30,361 COME ON, MIMI. AGENT 99�s WAITING FOR US. 398 00:21:52,083 --> 00:21:55,153 YEAH, YEAH, IT�S ME ?? SIPOWICZ. 399 00:21:55,186 --> 00:21:59,190 ALL RIGHT, HERE�S MY CONDITIONS, EDDIE ?? NON?NEGOTIABLE. 400 00:21:59,223 --> 00:22:04,027 "A" ?? DINNER EXCLUSIVELY WITH NO MOVIE OPTION. 401 00:22:04,062 --> 00:22:07,865 "B" ?? IS SHE AMENABLE TO ITALIAN FOOD OR SO FORTH, 402 00:22:07,898 --> 00:22:10,033 SOME KIND OF NORMAL CUISINE? 403 00:22:12,136 --> 00:22:13,504 ALL RIGHT. 404 00:22:13,537 --> 00:22:18,042 TELL HER CIRESI�S AROUND 8:00 OR SO FORTH, HUH? 405 00:22:18,076 --> 00:22:19,677 NO, NO, YOU TELL HER. 406 00:22:19,710 --> 00:22:21,745 I DON�T WANT TO TALK ON THE PHONE. 407 00:22:21,779 --> 00:22:24,182 YEAH, I�LL MEET HER FRESH, 408 00:22:24,215 --> 00:22:27,385 AND YOU�LL TELL HER HOW TO RECOGNIZE ME, ALL RIGHT? 409 00:22:30,621 --> 00:22:32,956 THE GUY IN THE RESTAURANT 410 00:22:32,990 --> 00:22:34,725 LOOKING MOST COMPLETELY MISERABLE. 411 00:22:42,666 --> 00:22:47,371 YOU, UH, GOT TIME FOR A LITTLE TRIM LATER? 412 00:22:47,405 --> 00:22:49,473 CERTAINLY. 413 00:22:49,507 --> 00:22:52,009 OR DON�T YOU THINK I NEED ONE? 414 00:22:55,012 --> 00:22:58,082 NEVER ANY HARM IN A BUFF?UP. 415 00:23:02,453 --> 00:23:06,224 IT WAS THAT BITCH LAURA GIVING ME UP, CORRECT? 416 00:23:06,257 --> 00:23:07,825 INCORRECT. 417 00:23:07,858 --> 00:23:11,129 NO, NO, IT WAS HER BECAUSE HERE YOU COME, 418 00:23:11,162 --> 00:23:13,431 AND SHE MATERIALIZED THE OTHER SIDE OF THE STREET, 419 00:23:13,464 --> 00:23:15,466 ALL BUSY, LOOKING UP AT THE SKY 420 00:23:15,499 --> 00:23:17,501 LIKE THERE�S SOME METEOR SHOWER. 421 00:23:17,535 --> 00:23:19,503 IT WAS HER. 422 00:23:19,537 --> 00:23:21,805 RICKY GUERRERO. 423 00:23:21,839 --> 00:23:24,575 JUST WHEN I THOUGHT I COULDN�T FEEL ANY WORSE, 424 00:23:24,608 --> 00:23:25,843 I HAVE TO HEAR THAT NAME. 425 00:23:25,876 --> 00:23:28,746 YOU AND RICKY ON THE OUTS? 426 00:23:28,779 --> 00:23:31,115 WAY PAST THAT ?? FOR WEEKS. 427 00:23:31,149 --> 00:23:33,984 I HOPE I NEVER SEE THAT FACE AGAIN. 428 00:23:34,017 --> 00:23:36,520 THAT�S WHERE I�M AT WITH RICKY GUERRERO. 429 00:23:36,554 --> 00:23:39,090 WEEKS SINCE YOU SAW RICKY LAST? 430 00:23:39,123 --> 00:23:41,492 WEEKS, MONTHS ?? A LONG, LONG TIME. 431 00:23:41,525 --> 00:23:44,595 NOT LONG ENOUGH, THOUGH, THAT�S FOR SURE. 432 00:23:44,628 --> 00:23:46,864 WELL, BRACE YOURSELF, MIMI. RICKY�S DEAD. 433 00:23:46,897 --> 00:23:49,200 OH, MY GOD. 434 00:23:49,233 --> 00:23:50,834 ARE YOU SERIOUS? 435 00:23:50,868 --> 00:23:53,971 LET THE FIRST SHOCK WAVE PASS. 436 00:23:54,004 --> 00:23:56,974 I WOULDN�T HAVE SAID THOSE THINGS ABOUT HIM. 437 00:23:57,007 --> 00:23:58,976 MAY HIS SOUL REST IN PEACE. 438 00:23:59,009 --> 00:24:00,978 SO, MIMI, ABOUT 20 WITNESSES 439 00:24:01,011 --> 00:24:03,347 PUT YOU IN AND OUT OF THAT APARTMENT 440 00:24:03,381 --> 00:24:06,184 YOU AND RICKY SQUATTED AT TILL THREE DAYS AGO. 441 00:24:06,217 --> 00:24:08,052 ALSO KNOWN AS THE DAY RICKY BOUGHT IT. 442 00:24:08,086 --> 00:24:10,354 WHOEVER�S SAYING IT�S NOT WEEKS 443 00:24:10,388 --> 00:24:13,124 SINCE I LAID EYES ON RICKY IS ON DRUGS. 444 00:24:13,157 --> 00:24:15,326 MIMI, AWAKE. 445 00:24:15,359 --> 00:24:17,528 WHAT THE HELL�S THAT ABOUT? 446 00:24:17,561 --> 00:24:19,297 THAT�S MY PARTNER TRYING TO BRING YOU OUT 447 00:24:19,330 --> 00:24:20,898 OF YOUR DOPEY TRANCE 448 00:24:20,931 --> 00:24:23,134 THIS MURDER�S FALLING ON ANYONE BUT YOU, MIMI. 449 00:24:23,167 --> 00:24:25,503 YOU WERE THE LAST ONE SEEN LEAVING THE APARTMENT 450 00:24:25,536 --> 00:24:27,871 AND YOU HATED RICKY�S GUTS ?? YOUR WORDS. 451 00:24:27,905 --> 00:24:30,074 YOU EXPECT ME TO GIVE UP MY SON? 452 00:24:30,108 --> 00:24:32,310 WHAT�S BEEN HAPPENING ALL THIS TIME, 453 00:24:32,343 --> 00:24:34,345 MIMI�S BEEN PROTECTING A LOVED ONE. 454 00:24:34,378 --> 00:24:37,681 ISAIAH AND RICKY WERE ALWAYS AT EACH OTHER. 455 00:24:37,715 --> 00:24:38,716 OVER WHAT? 456 00:24:38,749 --> 00:24:41,219 ELECTRONICS AND WHATNOT. 457 00:24:41,252 --> 00:24:43,387 LIKE WHO INVENTED THE LIGHT BULB? 458 00:24:43,421 --> 00:24:45,223 IF, LIKE, RICKY WAS CONTINUOUSLY BOOSTING 459 00:24:45,256 --> 00:24:46,857 MY SON�S NINTENDO ?? 460 00:24:46,890 --> 00:24:48,159 SUPPORTING HIS JONES. 461 00:24:48,192 --> 00:24:49,560 AND WAS HE? 462 00:24:49,593 --> 00:24:52,496 I�M NOT TAKING A POSITION ON THAT OR ANY MURDER. 463 00:24:52,530 --> 00:24:55,399 ALLS I�M SAYING ?? I LAST SAW RICKY LIVING 464 00:24:55,433 --> 00:24:58,102 WITH A SPIKE IN HIS ACCUSTOMED ARM. 465 00:24:58,136 --> 00:25:00,804 ISAIAH, MIMI, OR YOU�RE WEARING THE BULL�S?EYE. 466 00:25:03,074 --> 00:25:05,709 DOES HE HAVE TO KNOW IT CAME FROM ME? 467 00:25:05,743 --> 00:25:09,380 WE�LL AVOID THAT IF WE CAN. 468 00:25:09,413 --> 00:25:11,749 AND CAN I GO BACK TO WORK? 469 00:25:11,782 --> 00:25:13,717 NOT TILL WE BRING HIM IN. 470 00:25:13,751 --> 00:25:15,919 BUT HE DON�T HAVE TO SEE ME. 471 00:25:15,953 --> 00:25:18,222 HEY, MIMI, JUST SO WE KEEP 472 00:25:18,256 --> 00:25:20,023 YOUR DEEP MOTHER�S LOVE IN PERSPECTIVE, 473 00:25:20,058 --> 00:25:21,692 SUPPOSE WE GIVE YOU THE CHOICE 474 00:25:21,725 --> 00:25:23,894 OF HIM FINDING OUT YOU GAVE HIM UP 475 00:25:23,927 --> 00:25:27,131 BUT YOU GET TO STROLL OUT OF HERE AND SCORE, 476 00:25:27,165 --> 00:25:29,567 OR HE NEVER FINDS OUT IT WAS YOU 477 00:25:29,600 --> 00:25:32,370 BUT YOU GOT TO SIT HERE AND JONES. 478 00:25:32,403 --> 00:25:34,938 BUILDING ACROSS THE STREET FROM RICKY�S ?? 479 00:25:34,972 --> 00:25:36,940 SHAWN McSOMETHING?OR?OTHER. 480 00:25:36,974 --> 00:25:38,609 SECOND FLOOR, I THINK. 481 00:25:40,911 --> 00:25:42,746 GIVING UP HER SON ?? 482 00:25:42,780 --> 00:25:45,716 THAT�S A ROTTEN CHOICE TO FORCE ON A MOTHER. 483 00:25:45,749 --> 00:25:47,351 SHUT YOUR MOUTH. 484 00:25:58,629 --> 00:26:01,165 Did your sources mention any specific individuals 485 00:26:01,199 --> 00:26:04,068 in the Nine Treys who may have done this? 486 00:26:04,102 --> 00:26:05,169 No, man. 487 00:26:05,203 --> 00:26:07,238 WATCH YOUR MAN WORK. 488 00:26:07,271 --> 00:26:08,472 And this is strictly confidential. 489 00:26:08,506 --> 00:26:09,840 Okay. 490 00:26:09,873 --> 00:26:11,475 Witnesses in Ricky�s building 491 00:26:11,509 --> 00:26:13,944 SAY HE AND YOUR MOTHER WERE BOYFRIEND?GIRLFRIEND. 492 00:26:13,977 --> 00:26:16,580 OKAY. 493 00:26:16,614 --> 00:26:18,516 BASED ON YOUR KNOWLEDGE ?? AND THIS IS CRITICAL ?? 494 00:26:18,549 --> 00:26:20,751 COULD RICKY GUERRERO HAVE BEEN AFFILIATED 495 00:26:20,784 --> 00:26:22,920 WITH A RIVAL GANG OF THE NINE TREYS? 496 00:26:22,953 --> 00:26:24,522 HELL, YEAH. EASILY. 497 00:26:24,555 --> 00:26:25,756 OKAY, THAT�S VITAL INFORMATION. 498 00:26:25,789 --> 00:26:27,791 YOU KNEW HIM PRETTY GOOD THROUGH CONTACT 499 00:26:27,825 --> 00:26:29,593 HE HAD WITH YOUR MOM. 500 00:26:29,627 --> 00:26:31,595 YEAH, I KNEW HIM. 501 00:26:31,629 --> 00:26:33,331 YOU STAYED AT HIS APARTMENT WHEN YOUR MOM DID. 502 00:26:33,364 --> 00:26:35,099 OCCASIONALLY MAYBE, YEAH. 503 00:26:35,133 --> 00:26:37,468 SO, BASED ON YOUR EXPERIENCE, 504 00:26:37,501 --> 00:26:39,770 WHAT KIND OF A PERSON WAS HE ?? 505 00:26:39,803 --> 00:26:41,305 GOOD GUY, BAD GUY? 506 00:26:41,339 --> 00:26:43,541 YEAH, HE WAS AN ASSHOLE, 507 00:26:43,574 --> 00:26:46,710 UNLESS HE WAS PASSED OUT OR NEEDED SOMETHING FROM YOU. 508 00:26:46,744 --> 00:26:48,512 I�M TRYING TO BUILD WHAT WE CALL 509 00:26:48,546 --> 00:26:49,880 A CHARACTER COMPOSITE, ISAIAH. 510 00:26:49,913 --> 00:26:51,949 Give me an example 511 00:26:51,982 --> 00:26:54,318 OF HOW THIS RICKY WAS AN ASSHOLE. 512 00:26:54,352 --> 00:26:57,488 OKAY, WELL, I COME HOME, AND RICKY�S ALL, 513 00:26:57,521 --> 00:26:59,490 "YOU�RE NOT GOING TO BELIEVE IT. 514 00:26:59,523 --> 00:27:02,126 SOMEBODY BROKE IN AND STOLE ALL OUR STUFF." 515 00:27:02,160 --> 00:27:04,128 ALL MY STUFF HE�S TALKING ABOUT, 516 00:27:04,162 --> 00:27:07,198 �CAUSE HE ALREADY SOLD ALL HIS FOR DRUGS, 517 00:27:07,231 --> 00:27:09,500 SO I GET A NEW TV AND NINTENDO, 518 00:27:09,533 --> 00:27:11,135 AND THE NEXT WEEK ?? 519 00:27:11,169 --> 00:27:13,137 "YOU�RE NOT GOING TO BELIEVE IT." 520 00:27:13,171 --> 00:27:16,006 You tell your mom about this or handle it on your own? 521 00:27:16,039 --> 00:27:17,641 No, I handled it. 522 00:27:17,675 --> 00:27:19,643 You stand up to him and confront Ricky 523 00:27:19,677 --> 00:27:21,212 on him selling your possessions. 524 00:27:21,245 --> 00:27:23,514 HOW DID HE RESPOND? 525 00:27:23,547 --> 00:27:25,249 HE DENIED IT, BUT HE�S GOT THIS SMILE 526 00:27:25,283 --> 00:27:27,518 LIKE HE�S TRYING NOT TO LAUGH 527 00:27:27,551 --> 00:27:29,587 OR LIKE HE DON�T TAKE ME SERIOUSLY. 528 00:27:29,620 --> 00:27:30,888 WHICH, OBVIOUSLY, HE DOESN�T. 529 00:27:30,921 --> 00:27:32,723 NO, LIKE, HE NEVER DID. 530 00:27:32,756 --> 00:27:34,358 I CAN GO OUT 531 00:27:34,392 --> 00:27:36,727 AND I CAN ROUND ME UP A NEW SYSTEM, 532 00:27:36,760 --> 00:27:39,763 BUT BEFORE I DO, I WANT HIM TO ADMIT IT ?? 533 00:27:39,797 --> 00:27:43,667 TO ADMIT THAT HE CHUMPED ME AND HE SOLD THEM FOR DRUGS, 534 00:27:43,701 --> 00:27:44,968 BUT HE WOULDN�T. 535 00:27:46,537 --> 00:27:48,506 AND THEN HE CALLED ME A NAME 536 00:27:48,539 --> 00:27:51,109 THAT I TOLD HIM NEVER TO CALL ME AGAIN, 537 00:27:51,142 --> 00:27:53,044 AND HE PROMISED ME THAT HE WOULDN�T. 538 00:27:53,077 --> 00:27:54,612 WHAT�D HE CALL YOU? 539 00:27:54,645 --> 00:27:56,747 JACKASS. 540 00:27:56,780 --> 00:27:59,550 That set you off, getting called jackass? 541 00:27:59,583 --> 00:28:01,285 HE GOT REALLY MAD AT ME ONE NIGHT 542 00:28:01,319 --> 00:28:02,920 AND HE CALLED ME THAT. 543 00:28:02,953 --> 00:28:04,922 SAID THAT IT WAS THE BABY 544 00:28:04,955 --> 00:28:07,058 OF A MALE DONKEY AND A FEMALE HORSE, 545 00:28:07,091 --> 00:28:09,227 AND NO ONE WANTED IT WHEN IT WAS BORN, 546 00:28:09,260 --> 00:28:11,562 NOT THE HORSES OR THE DONKEYS, 547 00:28:11,595 --> 00:28:13,797 �CAUSE IT WAS USELESS AND STUPID. 548 00:28:15,599 --> 00:28:18,636 AND THEN HE SAID THAT IT WAS JUST LIKE ME 549 00:28:18,669 --> 00:28:21,939 BECAUSE MY MOM IS PUERTO RICAN AND MY DAD�S BLACK. 550 00:28:21,972 --> 00:28:23,707 But then guess what I did. 551 00:28:23,741 --> 00:28:26,577 WHAT? 552 00:28:26,610 --> 00:28:28,946 I WENT TO THE LIBRARY AND LOOKED IT UP, 553 00:28:28,979 --> 00:28:30,948 AND I WENT BACK TO RICKY 554 00:28:30,981 --> 00:28:33,084 AND TOLD HIM THAT HE�S SO STUPID ?? 555 00:28:33,117 --> 00:28:35,619 THAT A JACKASS IS THE SAME AS A DONKEY. 556 00:28:35,653 --> 00:28:37,988 IT WAS A MULE THAT�S WHAT HAD HAPPENED 557 00:28:38,021 --> 00:28:40,258 WHEN A DONKEY DID A HORSE. 558 00:28:40,291 --> 00:28:42,993 "SO THERE, MAN. HOW STUPID ARE YOU?" 559 00:28:43,026 --> 00:28:45,729 HE JUST LAUGHED AT ME AND HE SAID, 560 00:28:45,763 --> 00:28:47,465 "WHATEVER YOU SAY, JACKASS." 561 00:28:47,498 --> 00:28:50,068 AND HE KEPT CALLING YOU JACKASS, RIGHT? 562 00:28:50,101 --> 00:28:52,803 Whenever he was mad 563 00:28:52,836 --> 00:28:56,740 or my mom wasn�t around. 564 00:28:56,774 --> 00:28:59,643 WHEN YOU HAD THAT FIGHT OVER HIM STEALING YOUR STUFF, 565 00:28:59,677 --> 00:29:01,879 he called you jackass again. 566 00:29:05,816 --> 00:29:08,018 THEN YOU SHOT HIM, ISAIAH. 567 00:29:18,896 --> 00:29:23,134 AND THEN I SAID, "CALL ME A JACKASS NOW," 568 00:29:23,167 --> 00:29:25,303 AND HE DIDN�T. 569 00:29:25,336 --> 00:29:27,671 HE DIDN�T OPEN HIS MEAN UGLY MOUTH 570 00:29:27,705 --> 00:29:29,707 TO SAY NOTHING. 571 00:29:29,740 --> 00:29:35,446 And then I put the graffiti on the wall. 572 00:29:35,479 --> 00:29:39,783 DID YOU THINK IT WAS REAL WHEN YOU SAW IT? 573 00:29:39,817 --> 00:29:41,052 YEAH, ABSOLUTELY. 574 00:29:43,221 --> 00:29:46,390 I WISH MY MOM WAS HERE, 575 00:29:46,424 --> 00:29:49,360 EVEN IF IT WAS HER GAVE ME UP. 576 00:29:56,067 --> 00:29:58,035 THAT�S A GOOD INTERVIEW. 577 00:29:58,069 --> 00:30:01,939 HE LEARNED HOW TO DO THAT FROM YOU. 578 00:30:24,395 --> 00:30:26,197 I APPRECIATE THIS, ARTHUR. 579 00:30:26,230 --> 00:30:29,867 THIS WAS A GENEROUS GESTURE. 580 00:30:29,900 --> 00:30:33,237 WHY DON�T WE GET TOGETHER FOR LUNCH THIS WEEK, 581 00:30:33,271 --> 00:30:35,106 PAT ME ON THE BACK? 582 00:30:37,608 --> 00:30:39,610 EXCUSE ME. 583 00:30:42,046 --> 00:30:46,750 JONES WAS PROBABLY THE FIRST ADULT AFRICAN?AMERICAN MALE 584 00:30:46,784 --> 00:30:50,054 THAT MADE THAT BOY FEEL LIKE HE GAVE A DAMN... 585 00:30:55,726 --> 00:30:59,597 AND HE WAS DOING IT TO GET A CONFESSION. 586 00:31:01,999 --> 00:31:06,770 SO MANY LOST. 587 00:31:06,804 --> 00:31:09,407 SO MANY LOST. 588 00:31:16,347 --> 00:31:19,650 YOU TELL JONES GOOD WORK. 589 00:31:19,683 --> 00:31:21,319 YOU WANT TO TELL HIM? 590 00:31:21,352 --> 00:31:23,787 NO, NO, YOU HAVE TO TELL HIM, 591 00:31:23,821 --> 00:31:26,657 AND TELL HIM HOW HE CAN HELP THAT BOY 592 00:31:26,690 --> 00:31:28,392 WITH HIS CONFESSION 593 00:31:28,426 --> 00:31:30,561 SO IT DOESN�T GO SO BAD WITH HIM. 594 00:31:30,594 --> 00:31:31,995 ALL RIGHT. 595 00:31:32,029 --> 00:31:34,098 THE BOY WHO COULDN�T STAND BEING CALLED JACKASS. 596 00:31:34,132 --> 00:31:36,033 YEAH, I KNOW. 597 00:31:47,345 --> 00:31:49,313 YOU KNOW HOW YOU GET TRAPPED 598 00:31:49,347 --> 00:31:50,681 DOING FAVORS FOR FRIENDS? 599 00:31:50,714 --> 00:31:52,616 THAT�S THIS. 600 00:31:52,650 --> 00:31:55,519 I AM CORNERED LIKE AN ALLEY RAT 601 00:31:55,553 --> 00:31:57,688 WITH THE HOMELY STOOD?UP NIECE 602 00:31:57,721 --> 00:31:59,090 OF EDDIE GIBSON. 603 00:31:59,123 --> 00:32:01,159 YOU WANT TO SEE 604 00:32:01,192 --> 00:32:04,428 A HUMILIATING AMOUNT OF SWEAT ON A PERSON�S FOREHEAD? 605 00:32:04,462 --> 00:32:06,830 YOU WATCH ME DINE WITH A STRANGER. 606 00:32:06,864 --> 00:32:11,869 ANYWAYS, CIRESI�S DOES A NICE ENOUGH JOB, 607 00:32:11,902 --> 00:32:16,440 AND 9:15 I�LL BE HOME, 9:30 AT THE LATEST. 608 00:32:16,474 --> 00:32:18,742 THE MOVIE I RULED OUT TOTALLY. 609 00:32:25,149 --> 00:32:27,718 YOU KNOW, I DON�T NEED TO CARRY 610 00:32:27,751 --> 00:32:30,121 THE CONVERSATIONAL BALL HERE ON EVERY PLAY. 611 00:32:30,154 --> 00:32:31,155 WE�RE DONE. 612 00:32:33,757 --> 00:32:38,129 OR DO YOU THINK I�M MAKING A MISTAKE? 613 00:32:38,162 --> 00:32:42,032 NO, I DON�T. 614 00:32:42,066 --> 00:32:44,268 I THINK SHE�D BE GLAD. 615 00:33:06,590 --> 00:33:09,227 HEY, SOME INTERVIEW, D. 616 00:33:09,260 --> 00:33:10,594 THANKS, GREG. 617 00:33:13,931 --> 00:33:17,201 DID YOU KNOW YOUR OLD BOSS WAS WATCHING? 618 00:33:17,235 --> 00:33:19,237 NO. 619 00:33:19,270 --> 00:33:21,004 OH. 620 00:33:21,038 --> 00:33:23,841 I WAS THINKING MAYBE IT WAS YOUR INITIATIVE 621 00:33:23,874 --> 00:33:27,178 THAT PREVAILED ON THE BOSS TO BURY THE HATCHET. 622 00:33:27,211 --> 00:33:31,949 NO, I DIDN�T KNOW HE WAS THERE. 623 00:33:31,982 --> 00:33:34,218 WELL, FOR WHAT IT�S WORTH, D., 624 00:33:34,252 --> 00:33:36,920 I HEARD HIM SAY, "GOOD INTERVIEW" ?? 625 00:33:36,954 --> 00:33:39,557 ABNER. 626 00:33:39,590 --> 00:33:40,958 THANKS. 627 00:33:40,991 --> 00:33:43,594 YOU WANT TO WALK OUT WITH ME? 628 00:33:43,627 --> 00:33:46,064 PEOPLE WILL THINK I�M YOUR TRAINER. 629 00:33:46,097 --> 00:33:48,866 NO, YOU GO AHEAD. 630 00:33:48,899 --> 00:33:50,568 YEAH, ALL RIGHT. NIGHT. 631 00:33:50,601 --> 00:33:52,503 GOOD NIGHT. 632 00:34:14,258 --> 00:34:17,428 THE OLD BOSS WATCHED YOUR INTERVIEW. 633 00:34:17,461 --> 00:34:20,598 HE WAS PROUD OF HOW YOU HANDLED YOURSELF. 634 00:34:27,171 --> 00:34:28,539 SIT DOWN. 635 00:34:36,480 --> 00:34:38,816 YOU SAY YOU�RE WORRIED SOMEONE IN THIS JOB 636 00:34:38,849 --> 00:34:42,153 MAY BE A DANGER TO HIMSELF. 637 00:34:42,186 --> 00:34:44,455 A PHONE CALL TO THE EARLY INTERVENTION UNIT, 638 00:34:44,488 --> 00:34:46,357 YOU BETTER KNOW WHAT YOU�RE DOING 639 00:34:46,390 --> 00:34:47,991 TO THAT PERSON�S CAREER. 640 00:34:48,025 --> 00:34:50,928 THEY COME TAKE HIS GUN TILL THEY CHECK HIM OUT, 641 00:34:50,961 --> 00:34:53,531 AND HE HAS A SHADOW OVER HIM 642 00:34:53,564 --> 00:34:56,767 FOR THE REST OF HIS TIME ON THE JOB. 643 00:34:56,800 --> 00:34:59,670 YOU BETTER KNOW WHAT YOU�RE DOING. 644 00:35:02,673 --> 00:35:05,209 YEAH. GOOD NIGHT, BALDWIN. 645 00:35:05,243 --> 00:35:08,179 GOOD NIGHT. 646 00:35:08,212 --> 00:35:13,951 HE TOLD ME TO BE SURE TO TELL YOU HE WAS PROUD. 647 00:35:13,984 --> 00:35:16,220 MAYBE I CAN CALL HIM AND TELL HIM THANKS. 648 00:35:16,254 --> 00:35:19,557 DO THAT. 649 00:35:19,590 --> 00:35:21,259 THAT�S A GOOD IDEA. 650 00:35:24,362 --> 00:35:25,829 THANKS. 651 00:35:45,083 --> 00:35:47,485 I GOT TO TAKE CARE OF MY DUCKS. 652 00:35:47,518 --> 00:35:48,786 ALL DONE, THEO. 653 00:35:50,121 --> 00:35:53,524 AUNT KATIE�S GIVING YOU A GOOD BATH, HUH, SON? 654 00:35:53,557 --> 00:35:55,893 SHE PICKED MY NOSE WITH THE WASHCLOTH. 655 00:35:55,926 --> 00:35:58,696 YEAH, AND I FOUND POTATOES IN THERE. 656 00:35:58,729 --> 00:35:59,863 HA HA. 657 00:35:59,897 --> 00:36:01,432 WHERE I�LL BE. 658 00:36:01,465 --> 00:36:02,700 THANK YOU. 659 00:36:02,733 --> 00:36:05,369 WHERE ARE YOU GOING TO BE, DADDY? 660 00:36:05,403 --> 00:36:08,372 DADDY�S GOING OUT FOR DINNER. 661 00:36:08,406 --> 00:36:10,174 IS IT SOME RETIREMENT RACKET? 662 00:36:10,208 --> 00:36:11,575 THIS GUY EDDIE GIBSON. 663 00:36:11,609 --> 00:36:13,911 WHEN I GET BACK, I�M ASKING YOUR FISHES, 664 00:36:13,944 --> 00:36:16,847 DID YOU TELL THEM GOOD NIGHT BY NAME? 665 00:36:16,880 --> 00:36:18,082 OKAY, DADDY, I WILL. 666 00:36:18,116 --> 00:36:20,084 I THINK I REMEMBER EDDIE GIBSON. 667 00:36:20,118 --> 00:36:21,852 HE�S RETIRING? 668 00:36:21,885 --> 00:36:24,288 I COULDN�T BEGIN TO EXPLAIN IT ALL TO YOU, 669 00:36:24,322 --> 00:36:26,890 WHAT HE ASKED ME TO DO, IS HOW COMPLICATED IT IS. 670 00:36:26,924 --> 00:36:29,960 I GOT FOUR DUCKS IN THE BATH. 671 00:36:29,993 --> 00:36:32,430 LET�S DROP IT, ALL RIGHT? 672 00:36:32,463 --> 00:36:34,232 ALL RIGHT. 673 00:36:34,265 --> 00:36:36,800 ANYWAYS, I�LL TRY NOT TO BE TOO LATE. 674 00:36:36,834 --> 00:36:39,437 ALL RIGHT, ANDY. 675 00:36:39,470 --> 00:36:41,472 I PROMISE I WON�T BE, OKAY? 676 00:36:41,505 --> 00:36:42,806 SEE YOU, SQUIRT. 677 00:36:45,609 --> 00:36:47,778 DADDY PROMISES. 678 00:36:47,811 --> 00:36:50,314 I HEARD HIM, BABY. 679 00:37:12,536 --> 00:37:14,338 YOU MUST BE ANDY. 680 00:37:14,372 --> 00:37:15,773 HOW DO YOU DO? 681 00:37:19,543 --> 00:37:21,779 I�M CYNTHIA. 682 00:37:21,812 --> 00:37:25,149 HOW DO YOU DO? 683 00:37:27,485 --> 00:37:29,453 I HOPE YOU WEREN�T WAITING LONG. 684 00:37:29,487 --> 00:37:32,456 THE CAB DRIVER COULDN�T FIND THE RESTAURANT. 685 00:37:32,490 --> 00:37:34,458 HOW MANY TONGUES YOU GO THROUGH 686 00:37:34,492 --> 00:37:36,694 TRYING TO MAKE HIM UNDERSTAND? 687 00:37:39,897 --> 00:37:42,566 CALAMARI�S GOOD HERE, F.Y.I. 688 00:37:46,404 --> 00:37:48,772 IT WAS VERY NICE OF YOU TO FILL IN 689 00:37:48,806 --> 00:37:50,374 ON SUCH SHORT NOTICE. 690 00:37:50,408 --> 00:37:52,043 DON�T WORRY ABOUT IT. 691 00:37:52,076 --> 00:37:54,212 I�M AFRAID TO THINK WHAT KIND OF PRESSURE 692 00:37:54,245 --> 00:37:56,180 MY UNCLE EDDIE PUT ON YOU. 693 00:37:56,214 --> 00:37:58,782 EVERY COP KEEPS A SET OF THUMBSCREWS 694 00:37:58,816 --> 00:38:01,852 JUST FOR THIS TYPE SITUATION. 695 00:38:32,416 --> 00:38:35,553 CALAMARI�S ONE OF THE SPECIALTIES HERE, 696 00:38:35,586 --> 00:38:36,920 IF YOU LIKE SQUID. 697 00:38:36,954 --> 00:38:41,159 WE CAN CALL THIS OFF, ANDY. 698 00:38:41,192 --> 00:38:43,594 I�LL GO BOOK SHOPPING, AND YOU CAN DO 699 00:38:43,627 --> 00:38:45,896 WHATEVER YOU REALLY WANTED TO DO TONIGHT, 700 00:38:45,929 --> 00:38:48,999 AND WE�LL TELL UNCLE EDDIE WE HAD A GOOD TIME 701 00:38:49,032 --> 00:38:50,901 SO HE DOESN�T FEEL BAD. 702 00:38:50,934 --> 00:38:52,703 HEY, PUT THAT OUT OF YOUR MIND. 703 00:38:52,736 --> 00:38:54,438 NO, REALLY, I ENJOY BOOK SHOPPING, 704 00:38:54,472 --> 00:38:56,074 AND, UM... 705 00:38:56,107 --> 00:38:58,342 I�M NOT REALLY THAT HUNGRY. 706 00:38:58,376 --> 00:39:02,113 "A" ?? IF I�M MAKING YOU UNCOMFORTABLE, 707 00:39:02,146 --> 00:39:04,115 DON�T TAKE THAT PERSONAL. 708 00:39:04,148 --> 00:39:06,350 I HAVEN�T BEEN OUT TO DINNER 709 00:39:06,384 --> 00:39:09,520 WITH CIRCUMSTANCES LIKE THIS IN A LONG TIME. 710 00:39:09,553 --> 00:39:11,955 PLUS WHEN YOU�RE NOT HUNGRY, 711 00:39:11,989 --> 00:39:13,724 THAT�S WHEN YOU�RE SUPPOSED TO EAT 712 00:39:13,757 --> 00:39:15,293 SO YOU DON�T OVERFILL. 713 00:39:15,326 --> 00:39:18,096 MY LITTLE GUY IS GOING TO BE ASLEEP, 714 00:39:18,129 --> 00:39:21,132 SO AT THIS JUNCTURE, 715 00:39:21,165 --> 00:39:23,234 ALLS YOU�D BE KEEPING ME FROM 716 00:39:23,267 --> 00:39:25,336 IS FALLING ASLEEP WATCHING THE NEWS. 717 00:39:28,972 --> 00:39:31,209 OKAY, ANDY. 718 00:39:31,242 --> 00:39:32,243 OKAY? 719 00:39:38,849 --> 00:39:42,920 HOW�S THEIR CALAMARI HERE? 720 00:40:04,375 --> 00:40:06,444 HI. 721 00:40:06,477 --> 00:40:09,012 HOW IS HE? 722 00:40:09,047 --> 00:40:11,049 FINE. 723 00:40:16,120 --> 00:40:18,689 HE WENT TO SLEEP ALL RIGHT? 724 00:40:18,722 --> 00:40:20,791 HE WAS ASLEEP BY 8:30. 725 00:40:23,227 --> 00:40:26,664 ANYWAYS, THANKS VERY MUCH. 726 00:40:26,697 --> 00:40:28,666 IT�S ALL RIGHT. 727 00:40:34,638 --> 00:40:38,609 YOU SEEM DISTURBED. 728 00:40:38,642 --> 00:40:41,779 MY FEELINGS ARE HURT, ANDY, THAT YOU LIED TO ME, 729 00:40:41,812 --> 00:40:44,382 BUT THAT�S MY PROBLEM TO DEAL WITH. 730 00:40:44,415 --> 00:40:46,984 WHAT WAS MY LIE YOU�RE SAYING I TOLD YOU? 731 00:40:52,423 --> 00:40:54,958 ALL RIGHT, I APOLOGIZE. 732 00:40:54,992 --> 00:40:57,628 AS A FAVOR TO EDDIE GIBSON, 733 00:40:57,661 --> 00:41:00,198 I TOOK EDDIE GIBSON�S NIECE TO DINNER. 734 00:41:00,231 --> 00:41:05,069 I DON�T NEED TO KNOW THAT, BUT I ACCEPT YOUR APOLOGY. 735 00:41:05,103 --> 00:41:06,870 I FELT AWKWARD. 736 00:41:06,904 --> 00:41:10,007 I UNDERSTAND, ANDY. 737 00:41:10,041 --> 00:41:12,743 SOMETHING YOU COULD MISUNDERSTAND MY MOTIVES ON. 738 00:41:12,776 --> 00:41:16,547 I UNDERSTAND. 739 00:41:16,580 --> 00:41:19,817 KATIE... 740 00:41:19,850 --> 00:41:21,419 HURTING YOUR FEELINGS 741 00:41:21,452 --> 00:41:24,021 IS THE LAST THING I WANT IN THE WORLD. 742 00:41:24,055 --> 00:41:26,257 BUT SOMETIMES IT HAS TO HAPPEN, 743 00:41:26,290 --> 00:41:29,493 BUT LYING IS HURTFUL AND IT MAKES YOU ANGRY, 744 00:41:29,527 --> 00:41:32,196 AND THEO HEARD IT. 745 00:41:32,230 --> 00:41:36,834 I�M SORRY. 746 00:41:36,867 --> 00:41:41,205 IT�S ALL RIGHT. YOU HAVE TO LIVE. 747 00:41:41,239 --> 00:41:43,907 I�LL TRY AND BE MORE TRUTHFUL, 748 00:41:43,941 --> 00:41:46,510 THEN HE WON�T HEAR ME ANGRY. 749 00:41:46,544 --> 00:41:49,680 I WISHED YOU�D DATED ME. 750 00:41:49,713 --> 00:41:54,085 THAT�S MY PART IN IT. I WISHED YOU�D DATED ME. 751 00:41:54,118 --> 00:41:56,554 Captioned by VISUAL DATA Your Closed Captioning Resource 752 00:41:56,604 --> 00:42:01,154 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 53448

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