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1
00:00:22,523 --> 00:00:24,124
HOW�S IT GOING, GREG?
2
00:00:24,157 --> 00:00:25,726
AH, I�M A SOLO ACT.
AH.
3
00:00:25,759 --> 00:00:27,127
MORNING, ANDY.
4
00:00:27,160 --> 00:00:29,563
YOU LOOK LIKE HAM
WITHOUT CHEESE.
5
00:00:29,596 --> 00:00:32,132
I�M A SOLO ACT
WITHOUT JAMES NEXT TO ME.
6
00:00:32,165 --> 00:00:35,602
GUY HAD BEEN IN THE DRUGSTORE.
LOOKS LIKE HE WAS GOING TO HIS CAR.
7
00:00:35,636 --> 00:00:37,437
CLERK WAS THE ONLY ONE
THAT CAME FORWARD.
8
00:00:37,470 --> 00:00:39,072
YOU SEE
THE SHOOTER?
9
00:00:39,105 --> 00:00:40,841
WHEN I HEARD THE SHOT,
I RAN OUTSIDE
10
00:00:40,874 --> 00:00:42,609
AND THEN CALLED 911.
11
00:00:42,643 --> 00:00:44,945
ANYONE SUSPICIOUS
IN THE STORE JUST BEFORE?
12
00:00:44,978 --> 00:00:47,180
I DIDN�T SEE ANYONE.
13
00:00:51,351 --> 00:00:53,453
AW, JEEZ.
14
00:00:53,486 --> 00:00:55,088
ROBBED.
DID YOU GET HER NUMBER?
15
00:00:55,121 --> 00:00:56,690
YEAH,
ALL HER INFORMATION.
16
00:00:56,723 --> 00:00:58,458
THANK YOU. WE�LL BE
CONTACTING YOU LATER.
17
00:00:58,491 --> 00:00:59,325
Woman: SORRY.
18
00:01:01,294 --> 00:01:03,997
FRANCIS XAVIER COLLINS.
19
00:01:09,169 --> 00:01:10,837
OH, GOD. HE�S A COP!
20
00:01:10,871 --> 00:01:13,173
YOU DIDN�T GO THROUGH
HIS POCKETS?
21
00:01:13,206 --> 00:01:14,841
WE�RE NOT SUPPOSED TO.
22
00:01:14,875 --> 00:01:16,276
ALL RIGHT.
23
00:01:16,309 --> 00:01:20,146
YOU DIDN�T SEE THIS BULGE
ON THE SIDE OF HIS SHIRT?
24
00:01:20,180 --> 00:01:22,883
MILLER, LET ME GET
THE COMMAND CHIEF NOTIFIED.
25
00:01:22,916 --> 00:01:25,318
IF WE GO THROUGH THEIR POCKETS,
HE BREAKS OUR BALLS.
26
00:01:28,689 --> 00:01:31,491
HAD A QUARTER FEELING
THIS WAS A COP.
27
00:01:31,525 --> 00:01:33,660
SO DID MILLER, ANDY.
28
00:01:33,694 --> 00:01:35,729
[ SIGHS ]
29
00:03:11,424 --> 00:03:13,627
HOW ARE YOU DOING, JILL?
30
00:03:13,660 --> 00:03:16,062
ONE FOOT IN FRONT
OF THE OTHER, I GUESS.
31
00:03:16,096 --> 00:03:20,934
HMM. I KEEP WAITING
TO HEAR A BETTER IDEA.
32
00:03:20,967 --> 00:03:23,570
ARE YOUR MOM
AND YOUR BROTHER OKAY?
33
00:03:23,604 --> 00:03:26,306
WAS THAT ONE OF THEM
BEEPING YOU LAST NIGHT?
34
00:03:26,339 --> 00:03:29,442
YEAH, THEY�RE OKAY.
35
00:03:32,779 --> 00:03:35,248
I ASSUME DON MADE IT
OUT OF TOWN,
36
00:03:37,223 --> 00:03:42,488
OR I ASSUME HE WOULD HAVE
REACHED OUT FOR MORE MONEY.
37
00:03:42,523 --> 00:03:45,526
YOU�RE WEARING
BOBBY�S RING.
38
00:03:45,559 --> 00:03:48,261
YEAH, I�M WEARING IT.
39
00:03:48,294 --> 00:03:50,797
NEVER SAW YOU
DO THAT BEFORE.
40
00:03:50,831 --> 00:03:52,566
MM.
41
00:03:54,034 --> 00:03:56,469
[ TELEPHONE RINGS ]
42
00:03:56,503 --> 00:03:59,405
15th SQUAD.
DETECTIVE RUSSELL.
43
00:04:01,742 --> 00:04:06,647
NO, BUT, UH, I CAN RELAY
THE INFORMATION.
44
00:04:06,680 --> 00:04:08,882
UH?HUH. RIGHT.
45
00:04:08,915 --> 00:04:10,884
HI, GOOD MORNING.
I�M HERE TO SEE LIEUTENANT FANCY.
46
00:04:10,917 --> 00:04:12,485
IS HE EXPECTING YOU?
47
00:04:12,519 --> 00:04:14,721
I WAS TRANSFERRED
TO THIS SQUAD.
48
00:04:14,755 --> 00:04:16,322
UH, THERE�S
LIEUTENANT FANCY�S OFFICE.
49
00:04:19,926 --> 00:04:21,828
Fancy:
THEY�RE ON THEIR WAY BACK.
50
00:04:21,862 --> 00:04:23,864
I�LL CALL
IF THEY HAVE ANYTHING.
51
00:04:23,897 --> 00:04:25,498
[ KNOCK KNOCK KNOCK ]
52
00:04:25,532 --> 00:04:28,702
ALL RIGHT.
53
00:04:28,735 --> 00:04:31,171
LIEUTENANT FANCY,
I�M BALDWIN JONES.
54
00:04:31,204 --> 00:04:33,640
GOOD TO MEET YOU.
55
00:04:33,674 --> 00:04:35,241
I�M TRANSFERRING
TO YOUR SQUAD.
56
00:04:35,275 --> 00:04:37,844
I GUESS SOMEONE MISSED
MAKING A PHONE CALL.
57
00:04:37,878 --> 00:04:41,081
NOT THE FIRST TIME
THAT�S HAPPENED ON THIS JOB.
58
00:04:41,114 --> 00:04:43,416
UH, ANYWAYS...
59
00:04:48,354 --> 00:04:52,058
SO, BIAS INCIDENT
INVESTIGATIONS UNIT.
60
00:04:52,092 --> 00:04:54,494
YES, SIR.
WE ACCOMPLISHED A LOT,
61
00:04:54,528 --> 00:04:56,496
BUT I WANTED INTO
SOME REAL SQUAD WORK.
62
00:04:56,530 --> 00:04:59,332
I JUST FOUND OUT
WE GOT AN OFF?DUTY COP D. O. A.
63
00:04:59,365 --> 00:05:00,567
HOW�D THAT HAPPEN?
64
00:05:00,601 --> 00:05:03,737
LOOKS LIKE A ROBBERY
IN THE STREET.
65
00:05:03,770 --> 00:05:06,573
ALL RIGHT, LET ME
GET YOU INTRODUCED. GOOD.
66
00:05:06,607 --> 00:05:08,174
TRACK DOWN THAT
COMMUNICATIONS PROBLEM
67
00:05:08,208 --> 00:05:09,442
LATER ON.
68
00:05:14,948 --> 00:05:18,351
D.O.A. SHOT IN THE BACK
AND ROBBED. NO WITNESSES.
69
00:05:18,384 --> 00:05:21,588
WE GO THROUGH HIS EFFECTS,
COME UP WITH A SHIELD.
70
00:05:21,622 --> 00:05:23,790
FRANK COLLINS,
WORKED NARCOTICS IN MANHATTAN SOUTH.
71
00:05:23,824 --> 00:05:27,060
CHAPLAIN�S OFFICE
IS TRACKING DOWN HIS WIFE.
72
00:05:27,093 --> 00:05:29,596
THIS IS BALDWIN JONES.
HE�S COMING INTO THE SQUAD.
73
00:05:29,630 --> 00:05:31,765
ANDY SIPOWICZ.
HOW�S IT GOING?
74
00:05:31,798 --> 00:05:33,166
JOE PAVELKA SAYS HELLO.
75
00:05:34,635 --> 00:05:37,403
[ Sighs ]
JUST CAME IN ON 911.
76
00:05:39,472 --> 00:05:42,375
TRACE THE CALL
AND GET THE TAPE.
77
00:05:42,408 --> 00:05:43,644
DANNY SORENSON.
78
00:05:43,677 --> 00:05:44,945
GOOD TO MEET YOU, DANNY.
79
00:05:44,978 --> 00:05:46,813
DIANE RUSSELL. MY PARTNER,
JILL KIRKENDALL.
80
00:05:46,847 --> 00:05:48,582
BALDWIN JONES.
HOW YOU DOIN�? HEY.
81
00:05:48,615 --> 00:05:50,150
GREG MEDAVOY,
BALDWIN.
82
00:05:50,183 --> 00:05:51,652
UH, GOOD TO MEET
YOU, GREG.
83
00:05:51,685 --> 00:05:54,387
AHEM. WHAT�S THAT?
Fancy: ANONYMOUS TIP.
84
00:05:54,420 --> 00:05:56,990
THE D. O. A. AND HIS PARTNER
WERE HAVING AN AFFAIR. OH, COME ON.
85
00:05:57,023 --> 00:05:58,625
PHONE LINES GO DOWN
86
00:05:58,659 --> 00:06:01,294
BEFORE THE TIPSTER CONVEYED
IF THAT WAS RELEVANT?
87
00:06:01,327 --> 00:06:04,297
GET THE PARTNER. FIND OUT
WHAT COLLINS WAS WORKING ON.
88
00:06:04,330 --> 00:06:05,899
IT�S GONNA BE
SKELLS DID THE HOMICIDE.
89
00:06:05,932 --> 00:06:08,669
YOU AND SORENSON GOT TO
RUN THE TRIANGLE DOWN.
90
00:06:08,702 --> 00:06:11,071
NARCOTICS AND VICE
CAN HELP CHECK THE TRACE.
91
00:06:11,104 --> 00:06:13,239
IF COLLINS WAS INVOLVED
WITH HIS PARTNER, ANDY,
92
00:06:13,273 --> 00:06:16,142
HIS WIFE WON�T WANT TO BE
TALKING TO FEMALE DETECTIVES.
93
00:06:16,176 --> 00:06:17,611
ARE WE BORING YOU?
94
00:06:19,613 --> 00:06:20,614
NO.
95
00:06:22,315 --> 00:06:24,551
I�M GOING TO WANT BALDWIN
PARTNERED WITH GREG.
96
00:06:27,554 --> 00:06:29,790
THAT�LL BE YOURS.
97
00:06:29,823 --> 00:06:31,792
UH, COME ON,
98
00:06:31,825 --> 00:06:33,794
LET�S GET YOU
SITUATED HERE.
99
00:06:33,827 --> 00:06:35,529
EXCUSE ME. EXCUSE ME.
100
00:06:37,664 --> 00:06:39,465
I LOOK FORWARD
TO WORKING WITH YOU.
101
00:06:39,499 --> 00:06:41,535
YEAH, SAME HERE,
BALDWIN.
102
00:06:45,872 --> 00:06:48,609
"JOE PAVELKA SAYS HI."
YOU KNOW WHAT THAT MEANS, DON�T YOU?
103
00:06:48,642 --> 00:06:50,376
I�D NEED A SECOND
CUP OF COFFEE.
104
00:06:50,410 --> 00:06:52,979
BALDWIN OVER THERE
WORKED IN THE BIAS UNIT.
105
00:06:53,013 --> 00:06:54,447
AH.
106
00:06:54,480 --> 00:06:56,049
YOU KNOW WHAT THAT MEANS.
107
00:06:56,082 --> 00:06:59,019
EVERY WORD FROM NOW ON
YOU GOT TO DRY?CLEAN.
108
00:06:59,052 --> 00:07:00,386
FRUIT, WINK, WOP ??
109
00:07:00,420 --> 00:07:02,322
GET THEM ALL OUT.
110
00:07:02,355 --> 00:07:05,058
I�M DONE. I SAID MINE
OVER MY MORNING CEREAL.
111
00:07:05,091 --> 00:07:07,393
HE�S STAND?OFFISH, TOO.
DID YOU GET THAT IMPRESSION?
112
00:07:09,095 --> 00:07:12,966
THIS WAS MY FORMER PARTNER
JAMES MARTINEZ�S DESK.
113
00:07:12,999 --> 00:07:14,167
HUH.
114
00:07:14,200 --> 00:07:15,536
AND THIS WAS HIS CHAIR.
115
00:07:15,569 --> 00:07:18,038
JAMES WENT ON
TO BECOME A SERGEANT.
116
00:07:18,071 --> 00:07:19,673
IS THAT RIGHT?
117
00:07:19,706 --> 00:07:23,109
YOU WANT TO TRY IT OUT,
BALDWIN?
118
00:07:26,246 --> 00:07:27,881
[ CHUCKLES ]
119
00:07:27,914 --> 00:07:29,683
LOOK AT THAT.
IT FITS YOU GOOD.
120
00:07:29,716 --> 00:07:32,519
YOU KNOW, UH,
121
00:07:32,553 --> 00:07:35,522
I GOT TWO COUSINS
LIVE IN BALDWIN, LONG ISLAND,
122
00:07:35,556 --> 00:07:38,659
WHICH IS PROBABLY A LONG SHOT
WHERE YOUR NAME�S DERIVED.
123
00:07:38,692 --> 00:07:41,595
MY MOMS NAMED ME AFTER
THE WRITER JAMES BALDWIN.
124
00:07:41,628 --> 00:07:44,565
HEY. "INVISIBLE MAN."
125
00:07:44,598 --> 00:07:47,333
NO, ACTUALLY, RALPH ELLISON
WAS THE BLACK WRITER THAT WROTE "INVISIBLE MAN."
126
00:07:47,367 --> 00:07:49,703
AH, YEAH. JAMES BALDWIN.
127
00:07:49,736 --> 00:07:52,105
"GO TELL IT
ON THE MOUNTAIN."
128
00:07:52,138 --> 00:07:53,874
THERE YOU GO, GREG.
129
00:07:53,907 --> 00:07:55,609
NO, �CAUSE MY WIFE
TOOK THIS COURSE ??
130
00:07:55,642 --> 00:07:57,878
UH, MY FORMER WIFE ??
131
00:07:57,911 --> 00:08:02,448
AND SHE HAD HER BOOKS
STACKED ON OUR NIGHT DRESSER.
132
00:08:02,482 --> 00:08:03,884
SO, ARE WE
HEADING OUT SOON?
133
00:08:03,917 --> 00:08:05,619
YEAH, ANY MINUTE NOW.
134
00:08:11,157 --> 00:08:13,359
IF YOU DON�T MIND,
I LIKE BEING CALLED D.
135
00:08:13,393 --> 00:08:14,961
D.? GOOD.
136
00:08:14,995 --> 00:08:18,865
YEAH, AND, UH,
I LIKE GOING WITH GREG.
137
00:08:18,899 --> 00:08:20,400
OKAY.
138
00:08:22,435 --> 00:08:24,470
Greg: OH, HERE WE GO.
139
00:08:24,505 --> 00:08:26,640
SEE YOU LATER, GUYS.
140
00:08:29,442 --> 00:08:32,245
WAS GREG STYLING?
141
00:08:33,980 --> 00:08:35,882
BALDWIN JONES.
142
00:08:35,916 --> 00:08:38,251
SORRY I DIDN�T SAY HI
EARLIER. I WAS NERVOUS.
143
00:08:38,284 --> 00:08:40,621
JOHN...UH, IRVIN.
144
00:08:44,525 --> 00:08:48,194
HUMPH. THIS MARTINEZ
WITH HIS CAREER AMBITIONS.
145
00:08:49,663 --> 00:08:52,098
HOW�S IT WORKING,
MY FRIEND?
146
00:08:52,132 --> 00:08:54,067
WHAT�S GOING ON, DANNY?
147
00:08:54,100 --> 00:08:55,602
WHAT�S GOING ON, J. B.?
148
00:08:55,636 --> 00:08:58,104
SUN CAME UP,
AM I RIGHT?
149
00:08:58,138 --> 00:09:00,974
LEAVE OUR HEARTS HOME,
BRING OUR BALLS TO THE STREET.
150
00:09:01,007 --> 00:09:02,576
THAT�S DISRESPECTFUL.
151
00:09:02,609 --> 00:09:05,178
OH. ?CON PERMISSIMO?
152
00:09:05,211 --> 00:09:08,181
NO, WHY DON�T YOU STAND
AND TELL ME WHAT YOU GOT?
153
00:09:08,214 --> 00:09:09,583
JIMMY IPPOLITO.
154
00:09:09,616 --> 00:09:11,918
I GOT ?? I SAW SOMETHING
AROUND THAT COP.
155
00:09:11,952 --> 00:09:14,521
I NEED SOME HELP
TO MOVE HIM.
156
00:09:14,555 --> 00:09:16,523
HOW YOU GOING TO MOVE
JIMMY IPPOLITO?
157
00:09:16,557 --> 00:09:18,825
TRYING TO GET ME
DIVULGING TRADE SECRETS.
158
00:09:18,859 --> 00:09:21,628
JUST THROW ME THE FINANCE,
DANNY, AND LEAVE ME TO MY WILY WAYS.
159
00:09:21,662 --> 00:09:23,630
JIMMY IPPOLITO�S
A JUNKIE.
160
00:09:23,664 --> 00:09:24,798
SO WHAT?
161
00:09:24,831 --> 00:09:27,300
ARE YOU GOING TO USE
TO MOVE HIM?
162
00:09:27,333 --> 00:09:29,002
WHY SHOULD I USE?
I�LL DO MY ACT, HE�LL DO HIS.
163
00:09:29,035 --> 00:09:30,837
ARE YOU HIGH NOW, J. B.?
164
00:09:30,871 --> 00:09:34,708
WHAT, DID WE SUDDENLY
INTRODUCE A MORALS CLAUSE?
165
00:09:34,741 --> 00:09:36,109
WHEN DID YOU START
USING AGAIN?
166
00:09:36,142 --> 00:09:38,779
I ADMITTED NO GUILT ?? A.
167
00:09:38,812 --> 00:09:40,981
I THOUGHT WE WERE ON THE TRAIL
OF A COP KILLER.
168
00:09:41,014 --> 00:09:44,050
WE ARE. YOU LET YOUR JONES
BRING YOU IN HERE LYING.
169
00:09:44,084 --> 00:09:47,187
MY SMALL SLIP STRIKES
JIMMY IPPOLITO BLIND.
170
00:09:47,220 --> 00:09:48,955
IF JIMMY IPPOLITO
SAW WHAT HAPPENED TO THAT COP,
171
00:09:48,989 --> 00:09:50,957
HE�D BE UP HERE
LOOKING TO EARN.
172
00:09:50,991 --> 00:09:52,292
BEAT IT, J. B.
173
00:09:52,325 --> 00:09:53,359
BEAT IT?
174
00:09:53,393 --> 00:09:54,795
WALK OUT
175
00:09:54,828 --> 00:09:57,731
AND GET STRAIGHT
BEFORE I SEE YOU AGAIN.
176
00:10:01,902 --> 00:10:04,370
YEAH, WELL, MAYBE
JIMMY IPPOLITO�S NOT UP HERE
177
00:10:04,404 --> 00:10:06,973
BECAUSE HE�S NOT GULLIBLE
LIKE CERTAIN OTHER PEOPLE,
178
00:10:07,007 --> 00:10:08,709
ALL RIGHT, DANNY,
179
00:10:08,742 --> 00:10:12,045
WHO�S HIS FRIEND?
180
00:10:12,078 --> 00:10:15,516
OR CUT HIM SOME SLACK
WHEN HE SLIPS.
181
00:10:17,951 --> 00:10:19,820
GOOD LUCK
FINDING YOUR COP KILLER.
182
00:10:19,853 --> 00:10:21,421
PEOPLE AROUND HERE
183
00:10:21,454 --> 00:10:23,123
GOT THEIR VALUES
ALL UPSIDE DOWN.
184
00:10:41,107 --> 00:10:43,443
Man over Recording:
FRANK COLLINS WAS CHEATING ON HIS WIFE.
185
00:10:43,476 --> 00:10:46,046
HE WAS HAVING AN AFFAIR
WITH LISA MARANTZ.
186
00:10:46,079 --> 00:10:48,281
LOOK AT THAT PART
OF HIS DEATH.
187
00:10:48,314 --> 00:10:51,051
WHAT THE HELL DOES
THAT MEAN? "LOOK AT THAT PART OF HIS DEATH"?
188
00:10:51,084 --> 00:10:54,287
NO ONE AT THEIR STATION
RECOGNIZED HIS VOICE.
189
00:10:54,320 --> 00:10:55,689
TALKING THROUGH
A HANDKERCHIEF.
190
00:10:55,722 --> 00:10:57,290
THAT�S SOME GOSSIPING JERK,
191
00:10:57,323 --> 00:10:59,225
DON�T KNOW DICK
ABOUT THIS HOMICIDE.
192
00:10:59,259 --> 00:11:01,227
YOU SAYING WE SHOULDN�T
LOOK AT THE ANGLE?
193
00:11:01,261 --> 00:11:04,030
FEMALE PARTNER COULD�VE
HAD A JEALOUS BOYFRIEND.
194
00:11:04,064 --> 00:11:05,699
WIFE COULD�VE
HIRED SOMEONE.
195
00:11:05,732 --> 00:11:08,702
AND LET�S NOT RULE OUT
THEM TWO LAS VEGAS FRUITCAKES
196
00:11:08,735 --> 00:11:12,472
WITH THEIR MAGICAL TIGER ACT
FOR POSSIBLE SUSPECTS.
197
00:11:12,506 --> 00:11:15,475
DON�T WORRY. WE�LL COME DOWN
ON THE PARTNER AND WIFE
198
00:11:15,509 --> 00:11:17,443
LIKE A TON OF BRICKS.
199
00:11:17,477 --> 00:11:19,713
HI.
200
00:11:19,746 --> 00:11:22,616
GOING TO BE
THE PARTNER.
201
00:11:22,649 --> 00:11:25,919
GOT THAT SHIFTY LOOK
ABOUT HER, TOO.
202
00:11:25,952 --> 00:11:29,489
[ TELEPHONE RINGS ]
203
00:11:29,523 --> 00:11:30,924
ARTHUR FANCY.
204
00:11:30,957 --> 00:11:32,292
HOW�S IT GOING,
LIEUTENANT?
205
00:11:32,325 --> 00:11:35,729
SO I GUESS MY PHONE�S
NOT OUT OF ORDER.
206
00:11:35,762 --> 00:11:37,798
YEAH, BALDWIN JONES.
THAT�S RIGHT.
207
00:11:37,831 --> 00:11:39,900
UH, THIS IS
LISA MORANTZ.
208
00:11:39,933 --> 00:11:41,334
ANDY SIPOWICZ.
209
00:11:41,367 --> 00:11:43,303
I WAS FRANK COLLINS�
PARTNER.
210
00:11:43,336 --> 00:11:46,339
DANNY SORENSON.
APPRECIATE YOUR COMING OVER.
211
00:11:46,372 --> 00:11:49,342
COME ON.
LET�S TALK IN HERE.
212
00:11:49,375 --> 00:11:50,977
REST OF YOUR SQUAD�S OUT?
213
00:11:51,011 --> 00:11:52,445
YEAH, THEY�RE OUT
WORKING THIS.
214
00:11:54,715 --> 00:11:57,150
45 MINUTES.
215
00:11:57,183 --> 00:11:58,418
FINE.
216
00:11:58,451 --> 00:12:01,354
YOU GUYS GOT
A DIRECTION?
217
00:12:01,387 --> 00:12:03,356
NOT YET.
218
00:12:04,991 --> 00:12:08,294
SOME LOUSY RANDOM FLUKEY
STREET CRIME.
219
00:12:08,328 --> 00:12:09,996
YEAH, ROBBERY�S
A DEFINITE POSSIBILITY.
220
00:12:29,015 --> 00:12:31,685
ANYONE YOU GUYS LOCKED UP
WHO HAD A HARD?ON FOR FRANK
221
00:12:31,718 --> 00:12:33,319
GET PAROLED OR MAKE BAIL?
222
00:12:33,353 --> 00:12:34,955
NO. BEEN RACKING
MY BRAIN.
223
00:12:34,988 --> 00:12:36,957
ANY SITUATION FRANK
MIGHT HAVE BEEN IN
224
00:12:36,990 --> 00:12:39,159
THAT COULD HAVE
MADE HIM VULNERABLE?
225
00:12:39,192 --> 00:12:40,794
WHAT�S THAT
SUPPOSED TO MEAN?
226
00:12:40,827 --> 00:12:43,129
WE�RE LOOKING
FOR DIRECTIONS.
227
00:12:43,163 --> 00:12:46,567
WELL, DON�T LOOK IN THAT ONE.
FRANK WAS AN HONEST COP.
228
00:12:46,600 --> 00:12:48,168
NO, THAT�S WHAT
EVERYONE SAID.
229
00:12:48,201 --> 00:12:50,036
HOW LONG WERE
THE TWO OF YOU PARTNERED?
230
00:12:50,070 --> 00:12:51,672
ALMOST NINE MONTHS.
231
00:12:51,705 --> 00:12:53,907
FRANK YOUR FIRST?
232
00:12:53,940 --> 00:12:55,976
MY FIRST PARTNER
3/4�d OFF A RUPTURED DISC
233
00:12:56,009 --> 00:12:57,343
SEVEN WEEKS
AFTER WE STARTED.
234
00:12:57,377 --> 00:12:59,980
FRANK HAD A DISC
TWICE THAT BAD.
235
00:13:00,013 --> 00:13:03,316
HE�D BEEN HIDING IT FOR FIVE
YEARS SO HE COULD KEEP WORKING.
236
00:13:03,349 --> 00:13:04,918
HE HAVE
ANY FAMILY PROBLEMS?
237
00:13:04,951 --> 00:13:06,920
ANYTHING THAT MIGHT
GIVE US A DIRECTION?
238
00:13:06,953 --> 00:13:08,555
FRANK LOVED HIS FAMILY.
239
00:13:08,589 --> 00:13:11,191
HE LOVED HIS WIFE,
AND HE LOVED HIS KIDS.
240
00:13:11,224 --> 00:13:13,359
ANY BROTHERS OR SISTERS
HE HAD PROBLEMS WITH?
241
00:13:13,393 --> 00:13:14,995
PAIN?IN?THE?BALLS IN?LAWS?
242
00:13:15,028 --> 00:13:17,363
NO. I DON�T KNOW.
243
00:13:17,397 --> 00:13:19,866
HE DIDN�T HAVE NO PROBLEMS,
OR YOU DON�T KNOW?
244
00:13:19,900 --> 00:13:21,502
DON�T THINK HE HAD ANY.
245
00:13:21,535 --> 00:13:23,870
I DIDN�T QUIZ HIM
ON HIS FAMILY RELATIONSHIPS.
246
00:13:23,904 --> 00:13:27,240
YOU PARTNER WITH SOMEBODY,
YOU DON�T NEED TO QUIZ THEM.
247
00:13:27,273 --> 00:13:29,242
I DON�T KNOW ANY PROBLEMS
HE HAD, OKAY?
248
00:13:29,275 --> 00:13:31,244
HEY, LISA,
YOU GOT A BUS TO CATCH?
249
00:13:31,277 --> 00:13:33,213
YOUR PARTNER JUST GOT SHOT.
250
00:13:33,246 --> 00:13:35,448
HEY, SCREW YOU,
SAYING THAT TO ME! COME ON, ANDY.
251
00:13:35,481 --> 00:13:38,284
NO, BUT SHE�S RESENTFUL
WE GOT TO ASK QUESTIONS.
252
00:13:38,318 --> 00:13:40,286
I�M A LITTLE UPSET
MY PARTNER GOT KILLED,
253
00:13:40,320 --> 00:13:42,288
ALL RIGHT, ASSHOLE?
254
00:13:42,322 --> 00:13:44,290
I DON�T MIND
IF YOU�RE A LITTLE UPSET.
255
00:13:44,324 --> 00:13:46,927
MIND IF I�M TRYING
TO CLEAR A COP HOMICIDE?
256
00:13:46,960 --> 00:13:49,429
YEAH, AND I DON�T
WANT IT SOLVED.
257
00:13:49,462 --> 00:13:50,631
REALLY? WHY?
258
00:13:50,664 --> 00:13:52,633
WHAT ELSE
DO YOU WANT TO KNOW?
259
00:13:52,666 --> 00:13:53,967
BECAUSE
I�M OUT OF HERE.
260
00:13:54,000 --> 00:13:56,236
OH, JEEZ,
LET ME RUSH TO THINK.
261
00:13:56,269 --> 00:13:58,739
WERE YOU INVOLVED
WITH FRANK, LISA? HUH?
262
00:13:58,772 --> 00:14:00,406
IS THERE ANYTHING
WE SHOULD BE LOOKING AT?
263
00:14:00,440 --> 00:14:01,642
OH, MAN.
264
00:14:01,675 --> 00:14:03,043
NO, IS THAT UNHEARD OF?
265
00:14:03,076 --> 00:14:04,711
SCREW YOU, ALL RIGHT?
266
00:14:04,745 --> 00:14:06,947
IN ALL THAT SCREWING,
I�M NOT HEARING A "YES" OR "NO."
267
00:14:06,980 --> 00:14:10,116
I�M DONE WITH HIM.
I DON�T ANSWER NO MORE QUESTIONS FROM HIM.
268
00:14:10,150 --> 00:14:11,417
WERE YOU AND FRANK
ROMANTICALLY INVOLVED?
269
00:14:11,451 --> 00:14:14,755
FRANK WAS MARRIED,
AND I HAVE A BOYFRIEND.
270
00:14:14,788 --> 00:14:17,724
WHO?
JACK GORMAN AT THE 3?4.
271
00:14:17,758 --> 00:14:19,292
I�M WAITING TO HEAR HER SAY
272
00:14:19,325 --> 00:14:20,661
SHE WASN�T SCREWING
HER PARTNER.
273
00:14:20,694 --> 00:14:22,128
YOU PRICK.
274
00:14:22,162 --> 00:14:24,898
YOU PRICK! GOD!
275
00:14:24,931 --> 00:14:27,601
[ Crying ]
OH, MY GOD.
276
00:14:27,634 --> 00:14:29,936
OH, MY GOD.
277
00:14:29,970 --> 00:14:32,839
YOU WOULDN�T BE
THE FIRST, LISA.
278
00:14:32,873 --> 00:14:35,108
IT HAS NOTHING TO DO
WITH WHAT HAPPENED,
279
00:14:35,141 --> 00:14:36,643
I SWEAR TO GOD.
280
00:14:36,677 --> 00:14:38,645
ALL RIGHT.
281
00:14:38,679 --> 00:14:40,046
ALL RIGHT.
282
00:14:59,666 --> 00:15:01,535
[ KNOCK KNOCK ]
283
00:15:01,568 --> 00:15:04,037
ARTHUR.
284
00:15:04,070 --> 00:15:07,107
YOU SHOW ME
A LOT OF INITIATIVE.
285
00:15:07,140 --> 00:15:08,975
THIS WON�T TAKE LONG.
286
00:15:09,009 --> 00:15:12,679
COORDINATING ON A CASE
WITH THE FEDS.
287
00:15:12,713 --> 00:15:15,649
ON THIS TRANSFER...
288
00:15:15,682 --> 00:15:17,183
BALDWIN JONES.
289
00:15:17,217 --> 00:15:18,384
YEAH.
290
00:15:18,418 --> 00:15:20,286
WANT TO TELL ME
291
00:15:20,320 --> 00:15:22,455
WHY YOU DIDN�T
GIVE ME A PHONE CALL?
292
00:15:22,488 --> 00:15:24,825
DON�T MAKE TOO MUCH OF IT,
ARTHUR. I HAD IT ON MY TO?DO LIST.
293
00:15:24,858 --> 00:15:26,292
MM?HMM.
294
00:15:26,326 --> 00:15:28,294
WASN�T A LOT TO SAY,
ANYHOW.
295
00:15:28,328 --> 00:15:30,296
BIAS UNIT
WASN�T A GOOD FIT,
296
00:15:30,330 --> 00:15:33,233
AND I KNEW BALDWIN WAS GOING
TO THE RIGHT COMMAND.
297
00:15:33,266 --> 00:15:35,035
WAS HE
A DISCIPLINE PROBLEM?
298
00:15:35,068 --> 00:15:36,703
NO.
299
00:15:36,737 --> 00:15:38,805
WHAT MADE THE FIT BAD?
300
00:15:38,839 --> 00:15:40,807
WHEN IT WAS TIME
TO SWALLOW OR SPIT
301
00:15:40,841 --> 00:15:43,176
ON WHETHER OR NOT
TO FIND A HATE COMPONENT,
302
00:15:43,209 --> 00:15:44,811
BALDWIN STILL TENDED
TO CHEW.
303
00:15:44,845 --> 00:15:46,412
HE SAW COMPLEXITY
304
00:15:46,446 --> 00:15:48,248
WHERE I FELT A SIMPLER
STANDARD SHOULD APPLY.
305
00:15:48,281 --> 00:15:49,983
YOU AND HE DISAGREED.
306
00:15:50,016 --> 00:15:51,918
WE DISAGREED.
307
00:15:53,754 --> 00:15:55,922
HOW IS THE 15th, ARTHUR?
308
00:15:55,956 --> 00:15:57,524
HOW�S, UM...
309
00:15:57,558 --> 00:15:59,325
SIPOWICZ.
310
00:15:59,359 --> 00:16:01,928
YEAH. SIPOWICZ.
311
00:16:01,962 --> 00:16:03,897
HOW IS HE COMING ALONG?
312
00:16:03,930 --> 00:16:05,899
STILL DOING HIS JOB.
313
00:16:05,932 --> 00:16:08,201
NOT THAT HIS TYPE
OF RACIST PRICK EVER DOES,
314
00:16:08,234 --> 00:16:10,436
OR YOU�D EVER
HOLD HIM TO IT,
315
00:16:10,470 --> 00:16:13,406
BUT I GUESS HE HAS YOU
TO THANK FOR THAT.
316
00:16:13,439 --> 00:16:15,676
I GUESS WE ALL
HAVE YOU TO THANK.
317
00:16:15,709 --> 00:16:18,044
THANKS FOR
THE RECOMMENDATION ON JONES.
318
00:16:18,078 --> 00:16:19,846
DID I RECOMMEND HIM?
319
00:16:19,880 --> 00:16:23,283
A GOOD COP HAS TO KNOW
HOW TO LISTEN.
320
00:16:23,316 --> 00:16:25,218
I�M PRETTY BUSY HERE,
ARTHUR.
321
00:17:37,290 --> 00:17:38,992
Andy: ANYWAYS,
THAT�S ACCOMPLISHED.
322
00:17:39,025 --> 00:17:40,994
THIS GIRL
COLLINS WAS RIDING WITH
323
00:17:41,027 --> 00:17:43,496
ADMITTING THAT
SHE AND COLLINS WERE INVOLVED
324
00:17:43,530 --> 00:17:46,667
EVEN THOUGH THAT DON�T
HAVE DICK TO DO
325
00:17:46,700 --> 00:17:48,301
WITH HIM BEING KILLED.
326
00:17:48,334 --> 00:17:50,303
HOW LONG
YOU GOING TO WASH?
327
00:17:50,336 --> 00:17:53,273
I�M FINISHED NOW.
I�M GOING OVER TO DRY.
328
00:17:53,306 --> 00:17:54,975
AHEM.
MIDDLE OF THE INTERVIEW,
329
00:17:55,008 --> 00:17:57,611
THE PARTNER MENTIONED
DATING A COP AT THE 3?4 JACK GORMAN.
330
00:17:57,644 --> 00:17:59,646
MAYBE LOOK AT HIM
FOR A JEALOUSY MOTIVE?
331
00:17:59,680 --> 00:18:02,348
SHE MENTIONED THE 3?4 COP
TO STEER US OFF.
332
00:18:02,382 --> 00:18:03,850
SHE HADN�T ADMITTED
TO SLEEPING WITH HER PARTNER
333
00:18:03,884 --> 00:18:05,986
AT THAT POINT.
334
00:18:06,019 --> 00:18:08,121
WE�RE STILL GOING
TO BRING THE 3?4 COP IN JUST TO BE THOROUGH.
335
00:18:08,154 --> 00:18:11,024
MRS. COLLINS IS HERE.
336
00:18:11,057 --> 00:18:13,860
YOU SAID TO LET YOU KNOW
IMMEDIATELY.
337
00:18:13,894 --> 00:18:16,897
YEAH, BECAUSE NOW WE GET
TO MAKE THE WIDOW MISERABLE
338
00:18:16,930 --> 00:18:19,232
ASKING HER
A BUNCH OF QUESTIONS
339
00:18:19,265 --> 00:18:21,968
THAT DON�T HAVE NOTHING TO DO
WITH THE PRICE OF EGGS.
340
00:18:22,002 --> 00:18:24,738
GO AHEAD. JUST GO AHEAD.
341
00:18:24,771 --> 00:18:26,807
OKAY.
342
00:18:26,840 --> 00:18:29,142
SHEESH. LOOKS LIKE
HE WAS ON ONE OF THEM
343
00:18:29,175 --> 00:18:31,211
CARNIVAL TORTURE WHEELS
344
00:18:31,244 --> 00:18:34,214
WHERE THOSE GUYS THROW
THOSE DAGGERS AT YOU.
345
00:18:34,247 --> 00:18:37,017
ANYTHING COMING
OFF THE SWEEPS?
346
00:18:37,050 --> 00:18:39,252
NOT YET.
347
00:18:39,285 --> 00:18:41,421
ANYWAYS, THAT WAS DEFINITELY
THE RIGHT ALLOCATION,
348
00:18:41,454 --> 00:18:43,724
PUTTING OUR CRACK
NEW MANPOWER OUT THERE.
349
00:18:43,757 --> 00:18:45,491
FIRST DAY ON THE SQUAD,
350
00:18:45,526 --> 00:18:49,262
WOULD YOU HAVE ASSIGNED HIM
ONE OF THOSE FAMILY INTERVIEWS?
351
00:18:49,295 --> 00:18:50,664
GOT AN ANSWER
FOR EVERYTHING,
352
00:18:50,697 --> 00:18:52,666
THIS GUY.
353
00:18:52,699 --> 00:18:54,134
ANDY, BREATHE.
354
00:18:57,871 --> 00:18:59,540
I DON�T DO THAT STUFF.
355
00:19:09,049 --> 00:19:10,751
I�M ANNE COLLINS.
356
00:19:10,784 --> 00:19:12,853
ANDY SIPOWICZ.
I�M SORRY FOR YOUR LOSS.
357
00:19:12,886 --> 00:19:15,889
THIS IS OFFICER WALSH
KEEPING ME COMPANY.
358
00:19:15,922 --> 00:19:17,357
MY PARTNER
DANNY SORENSON.
359
00:19:17,390 --> 00:19:19,860
SORRY FOR YOUR LOSS,
MRS. COLLINS.
360
00:19:19,893 --> 00:19:21,327
I KNOW YOU HAVE TO.
361
00:19:24,130 --> 00:19:28,101
I DIDN�T WANT TO TALK
TO YOU IN MY HOUSE.
362
00:19:28,134 --> 00:19:30,236
BE MORE COMFORTABLE
IN OUR COFFEE ROOM?
363
00:19:30,270 --> 00:19:31,237
MM?MMM.
364
00:19:32,939 --> 00:19:35,876
AHEM. BRIEFLY AS WE CAN,
MRS. COLLINS,
365
00:19:35,909 --> 00:19:38,545
THERE ANYONE YOU FEEL
WE SHOULD BE TALKING TO
366
00:19:38,579 --> 00:19:40,280
CONCERNING
YOUR HUSBAND�S DEATH?
367
00:19:40,313 --> 00:19:41,915
NO.
368
00:19:41,948 --> 00:19:44,284
I WISH HE DIED HAPPIER,
369
00:19:44,317 --> 00:19:46,052
IN HIS MORE NATURAL
HAPPINESS.
370
00:19:46,086 --> 00:19:47,654
THAT�S THE ONLY THING.
371
00:19:47,688 --> 00:19:50,290
I SEE.
372
00:19:50,323 --> 00:19:52,225
FRANK WAS SO GOOD,
373
00:19:52,258 --> 00:19:54,260
AND HE HAD
A LOT OF HAPPINESS,
374
00:19:54,294 --> 00:19:56,997
AND HE WAS
A WONDERFUL DAD.
375
00:19:57,030 --> 00:19:58,732
IS THAT SO?
376
00:19:58,765 --> 00:20:00,734
AND THAT HE SHOULD DIE
UNHAPPY
377
00:20:00,767 --> 00:20:03,236
AND FEELING BAD
ABOUT HIMSELF
378
00:20:03,269 --> 00:20:06,439
IS WHAT
I�M REALLY SORRY FOR.
379
00:20:06,472 --> 00:20:08,675
WHAT WAS IT
MAKING HIM UNHAPPY?
380
00:20:08,709 --> 00:20:10,744
IN HIS PERSONAL CONDUCT
AND WAY HE LOST CONTROL.
381
00:20:10,777 --> 00:20:13,079
IN A RELATIONSHIP?
382
00:20:13,113 --> 00:20:15,081
HE LOST CONTROL
OF HIS BEHAVIOR,
383
00:20:15,115 --> 00:20:17,483
AND HE KNEW
THAT I COULD TELL,
384
00:20:17,518 --> 00:20:20,153
AND THE HARDER
HE TRIED TO CONTROL IT,
385
00:20:20,186 --> 00:20:23,389
THE MORE ASHAMED HE�D BE
AND UNHAPPY...
386
00:20:25,225 --> 00:20:28,529
AND EVEN THE BOYS GOT
WHERE THEY COULD TELL,
387
00:20:28,562 --> 00:20:30,931
EVEN THOUGH
HE KEPT UP WITH
388
00:20:30,964 --> 00:20:33,266
WHAT THEY�D DO TOGETHER.
389
00:20:33,299 --> 00:20:36,202
DID IT HAVE ANYTHING
TO DO WITH HIM DYING ??
390
00:20:36,236 --> 00:20:38,038
THE OUT?OF?CONTROL
RELATIONSHIP?
391
00:20:39,973 --> 00:20:41,542
SHE�S NOT SELFISH.
392
00:20:41,575 --> 00:20:43,710
SHE WAS SORRY
IT WAS HAPPENING.
393
00:20:43,744 --> 00:20:46,312
SHE�S NOT
A SELFISH GIRL.
394
00:20:46,346 --> 00:20:49,015
TO HAVE TO DIE
395
00:20:49,049 --> 00:20:51,718
BEFORE HE CAME BACK
TO HIMSELF IS...
396
00:20:55,556 --> 00:20:58,324
THANKS VERY MUCH
FOR COMING IN.
397
00:20:58,358 --> 00:21:00,561
MM.
398
00:21:00,594 --> 00:21:03,063
PROBABLY JUST SOMETHING BAD
THAT HAPPENED ??
399
00:21:03,096 --> 00:21:05,566
SEEING HIM COME OUT
OF THE GROCERY OR SO FORTH.
400
00:21:05,599 --> 00:21:07,868
SOMEONE
JUST ON THE STREET.
401
00:21:07,901 --> 00:21:10,837
THAT�S HOW
WE�RE GOING TO GO AT IT.
402
00:21:21,782 --> 00:21:23,750
THE DAY FEMALE COPS
GOT ASSIGNED
403
00:21:23,784 --> 00:21:25,586
AS PARTNERS IN RADIO CARS,
404
00:21:25,619 --> 00:21:29,389
THE WIVES DEMONSTRATED
OUTSIDE POLICE HEADQUARTERS.
405
00:21:29,422 --> 00:21:32,092
LIKE THAT WAS THE DAY
GUYS INVENTED CHEATING.
406
00:22:50,704 --> 00:22:54,240
DON�T TAP THE TANK.
407
00:22:54,274 --> 00:22:55,809
I WASN�T TAPPING THE TANK.
408
00:22:55,842 --> 00:22:59,846
YOU WERE THINKING
ABOUT TAPPING THE TANK.
409
00:22:59,880 --> 00:23:01,615
THIS TOMAS IS IN A BAR.
410
00:23:01,648 --> 00:23:03,617
A LITTLE WHILE
AFTER COLLINS GETS SHOT,
411
00:23:03,650 --> 00:23:06,853
A GUY HE�S SEEN AROUND
COMES TO HIM AND SAYS HE WANTS TO COP.
412
00:23:06,887 --> 00:23:09,489
WHICH ISN�T
THE OTHER GUY�S USUAL ACT.
413
00:23:09,523 --> 00:23:11,758
TELLS TOMAS
HE DID A BAD THING.
414
00:23:11,792 --> 00:23:14,494
IF TOMAS WILL BRING IT BACK,
HE�LL PAY $15 FOR A $10 BAG TO GET HIMSELF RIGHT.
415
00:23:14,528 --> 00:23:16,496
TOMAS SCORES THE BAG,
BRINGS IT BACK ??
416
00:23:16,530 --> 00:23:18,498
GUY DON�T WANT
THE DOPE NO MORE.
417
00:23:18,532 --> 00:23:20,366
HE HAD A COUPLE
OF DRINKS IN HIM.
418
00:23:20,400 --> 00:23:22,035
HE�S CALMED HIMSELF DOWN,
419
00:23:22,068 --> 00:23:24,104
PRESUMABLY NOT FEELING
AS MUCH REMORSE
420
00:23:24,137 --> 00:23:26,106
ABOUT THE BAD THING
HE DID THIS MORNING,
421
00:23:26,139 --> 00:23:28,308
I.E. POSSIBLY
MURDERING A COP
422
00:23:28,341 --> 00:23:30,310
IS WHAT TOMAS IS THINKING,
423
00:23:30,343 --> 00:23:32,478
AND, UH, WE FEEL
IT�S WORTH A SHOT.
424
00:23:32,513 --> 00:23:34,380
WE GOT A NAME?
425
00:23:34,414 --> 00:23:37,818
NO NAME, BUT TOMAS SAYS
EVERY TIME HE�S IN THE BAR,
426
00:23:37,851 --> 00:23:39,452
THIS GUY IS, TOO.
427
00:23:39,485 --> 00:23:41,454
SO THAT�S PROBABLY
WHERE WE CAN REACH HIM.
428
00:23:41,487 --> 00:23:43,056
WE GOT TOMAS FOR POSSESSION.
429
00:23:43,089 --> 00:23:45,992
SAYS HE�LL PICK THE GUY OUT
FOR A WALK AND 500.
430
00:23:46,026 --> 00:23:48,461
$500 IF THE GUY�S RIGHT
FOR THE MURDER.
431
00:23:48,494 --> 00:23:50,330
YEAH, 500 IF HE�S RIGHT.
432
00:23:50,363 --> 00:23:52,498
GET BACKUP FROM ANTI?CRIME.
433
00:23:57,437 --> 00:24:00,306
COME ON. I�M GOING TO GET YOU
INTO SOMETHING UNRECOGNIZABLE.
434
00:24:00,340 --> 00:24:02,308
NOT LIKE WHAT
HE�S GOT ON.
435
00:24:02,342 --> 00:24:05,979
HEY, WHAT THE HELL IS WRONG
WITH WHAT I GOT ON?
436
00:24:06,012 --> 00:24:07,981
BEFORE I�D PUT
A SHIRT LIKE THAT ON,
437
00:24:08,014 --> 00:24:10,383
I�D THROW MYSELF
UNDER THE "A" TRAIN.
438
00:24:10,416 --> 00:24:12,285
DON�T HIT HIM, ANDY.
I THINK THEY GOT TO USE HIM.
439
00:24:14,721 --> 00:24:18,224
I THINK THAT�S ONE
OF YOUR NICEST PATTERNS.
440
00:24:27,133 --> 00:24:29,069
HOW.
441
00:24:41,815 --> 00:24:44,450
POLICE! NOBODY MOVE!
HANDS WHERE WE CAN SEE THEM.
442
00:24:44,484 --> 00:24:46,553
GET YOUR HANDS
ON THE BAR.
443
00:24:46,587 --> 00:24:49,790
YOU CAN�T EVEN HAVE A DRINK
WITHOUT THE COPS BUSTING IN.
444
00:24:49,823 --> 00:24:52,759
HEY, HAVE WE GOT
A WARRANT ON YOU? NO, MAN. I�M CLEAN.
445
00:24:52,793 --> 00:24:54,194
DO YOU WANT TO GO TO JAIL?
NO.
446
00:24:54,227 --> 00:24:55,295
DO YOU WANT TO GO TO JAIL?
MM?MMM.
447
00:24:55,328 --> 00:24:57,130
SHUT UP AND TURN AROUND.
448
00:24:57,163 --> 00:24:58,231
OKAY, READY.
449
00:25:00,066 --> 00:25:01,568
[ Disguised voice ]
I�M SCARED. I�M SCARED.
450
00:25:01,602 --> 00:25:03,570
IT�S OKAY. JUST RELAX.
451
00:25:03,604 --> 00:25:06,306
WHAT THE HELL IS THIS,
THE UNKNOWN COMIC?
452
00:25:06,339 --> 00:25:07,941
WHAT DID I TELL YOU?
MAN, I LOVE HIS STUFF.
453
00:25:07,974 --> 00:25:09,643
TURN AROUND.
454
00:25:09,676 --> 00:25:11,745
Greg: JUST POINT.
455
00:25:11,778 --> 00:25:12,946
THAT�S HIM.
456
00:25:12,979 --> 00:25:15,716
WHAT�S GOING ON?
WHAT DID I DO?
457
00:25:15,749 --> 00:25:17,383
SHUT UP.
WHAT YOU BOTHERING ME FOR?
458
00:25:17,417 --> 00:25:20,086
GET ALL YOUR ANSWERS
DOWN AT THE STATION.
459
00:25:20,120 --> 00:25:21,988
COPS COME IN, DISTRACT US
WITH THE UNKNOWN COMIC,
460
00:25:22,022 --> 00:25:24,991
COLLAR MY HOMEBOY
WITH THE RAGGEDY HOOD
461
00:25:25,025 --> 00:25:27,293
AND THAT CHEAP?ASS
WINDBREAKER.
462
00:25:27,327 --> 00:25:30,063
YOU NEED TO CHECK YOURSELF
IN THE MIRROR, MY BROTHER.
463
00:25:30,096 --> 00:25:32,666
MAN, I�M LOOKING GOOD.
464
00:25:44,010 --> 00:25:46,713
ANDY,
HAVE YOU GOT A MINUTE?
465
00:25:49,149 --> 00:25:52,452
YOU SURE THAT�S ALL
YOU�LL NEED?
466
00:25:52,485 --> 00:25:54,521
I�LL HOLD THE FORT.
467
00:26:12,138 --> 00:26:14,274
WHAT�S THE MATTER?
468
00:26:14,307 --> 00:26:19,312
UM, THAT BURNED?UP D.O.A.
FROM LAST NIGHT IN THE 27th?
469
00:26:19,345 --> 00:26:21,815
DON�T FORGET DECAPITATED.
470
00:26:21,848 --> 00:26:24,350
I�VE GOT AN IDEA
WHO THAT WAS,
471
00:26:24,384 --> 00:26:28,354
A PRETTY GOOD IDEA...
472
00:26:28,388 --> 00:26:30,857
AND IF IT WAS A GUY
473
00:26:30,891 --> 00:26:33,026
WHERE THERE
WAS NO UPSIDE, REALLY,
474
00:26:33,059 --> 00:26:35,161
ANYONE KNOWING WHO IT WAS
475
00:26:35,195 --> 00:26:39,165
AND A BIG DOWNSIDE
EMOTIONALLY, YOU KNOW,
476
00:26:39,199 --> 00:26:42,235
WHERE A SURVIVING
FAMILY MEMBER�S FEELING
477
00:26:42,268 --> 00:26:45,005
ABOUT HERSELF
AND HER WHOLE FAMILY SITUATION
478
00:26:45,038 --> 00:26:46,907
WOULD BE SO MUCH BETTER
WITHOUT KNOWING
479
00:26:46,940 --> 00:26:49,342
HOW IT WAS THIS GUY HAD DIED
480
00:26:49,375 --> 00:26:51,645
OR THAT HE HAD DIED,
481
00:26:51,678 --> 00:26:54,581
WOULD YOU TELL HER
WHO HE WAS
482
00:26:54,615 --> 00:26:56,482
AND WHAT HAD HAPPENED?
483
00:26:56,517 --> 00:26:59,586
WHAT WOULD IT DO TO YOU
NOT TELLING HER?
484
00:26:59,620 --> 00:27:02,088
WHAT WOULD IT DO TO ME?
485
00:27:02,122 --> 00:27:04,658
CARRYING IT AROUND,
YOU DIDN�T.
486
00:27:04,691 --> 00:27:06,392
I?I�M NOT THE ONE
487
00:27:06,426 --> 00:27:08,762
I�M WORRIED ABOUT
RIGHT NOW, ANDY.
488
00:27:08,795 --> 00:27:12,232
IF IT WAS ME...
489
00:27:12,265 --> 00:27:15,001
PRETTY SOON I WOULDN�T LIKE
SEEING HER NO MORE,
490
00:27:15,035 --> 00:27:17,103
WORKING NEXT TO HER.
491
00:27:17,137 --> 00:27:19,405
EVERYTHING WOULD REMIND ME
OF THE SECRET.
492
00:27:19,439 --> 00:27:21,908
WOULD YOU BE WILLING
493
00:27:21,942 --> 00:27:24,377
TO, UH, LET THE RELATIONSHIP
GO BAD THAT WAY ??
494
00:27:24,410 --> 00:27:25,812
THE PARTNERSHIP?
495
00:27:27,981 --> 00:27:30,917
THANKS.
496
00:27:30,951 --> 00:27:34,154
I�M ALSO AVAILABLE
FOR CHECKERS.
497
00:27:45,331 --> 00:27:47,901
YOU�LL KNOW HOW TO DO IT.
498
00:27:56,610 --> 00:27:57,911
WHAT�S UP?
499
00:27:57,944 --> 00:28:00,781
WANTS ME TO FIX A TICKET.
500
00:28:05,418 --> 00:28:07,721
JACK GORMAN.
501
00:28:07,754 --> 00:28:10,757
ANDY SIPOWICZ.
MY PARTNER DANNY SORENSON.
502
00:28:10,791 --> 00:28:13,393
Danny: THANKS FOR COMING OVER.
SURE.
503
00:28:13,426 --> 00:28:15,295
HAVE A SEAT.
504
00:28:15,328 --> 00:28:17,463
YOU HEARD ABOUT
THIS COP HOMICIDE?
505
00:28:17,497 --> 00:28:18,732
YEAH.
506
00:28:18,765 --> 00:28:19,733
Danny: FRANK COLLINS.
507
00:28:19,766 --> 00:28:20,834
YEAH, I HEARD.
508
00:28:25,005 --> 00:28:28,675
LISA MORANTZ THAT WAS PARTNERED
WITH COLLINS SAID THE TWO OF YOU WENT OUT.
509
00:28:28,709 --> 00:28:31,077
WE STOPPED FOUR MONTHS AGO.
510
00:28:31,111 --> 00:28:33,580
SORRY FOR THE PERSONAL
QUESTION.
511
00:28:33,614 --> 00:28:35,582
WHOSE IDEA WAS STOPPING?
512
00:28:35,616 --> 00:28:37,818
WHOSE DID SHE SAY?
513
00:28:37,851 --> 00:28:39,285
SHE SAID IT WAS HER IDEA.
514
00:28:39,319 --> 00:28:41,688
OKAY, THEN.
I GO ALONG WITH THAT.
515
00:28:41,722 --> 00:28:43,624
YOU KNOW WHO SHE GOT
INVOLVED WITH SUBSEQUENT?
516
00:28:43,657 --> 00:28:44,925
NOT REALLY, NO.
517
00:28:44,958 --> 00:28:46,359
YOU WEREN�T INTERESTED?
518
00:28:46,392 --> 00:28:48,128
NO.
519
00:28:48,161 --> 00:28:50,130
SHE SAID SHE GOT
INVOLVED WITH COLLINS.
520
00:28:50,163 --> 00:28:52,866
OKAY, THEN SHE GOT
INVOLVED WITH COLLINS.
521
00:28:52,899 --> 00:28:56,136
DO YOU WANT US TO LIKE YOU
FOR THIS HOMICIDE?
522
00:28:56,169 --> 00:28:58,138
I�M NOT INVOLVED
IN THIS HOMICIDE
523
00:28:58,171 --> 00:28:59,840
AND LISA�S
PERSONAL LIFE ANYMORE.
524
00:28:59,873 --> 00:29:01,141
YOU ACCOUNT FOR YOUR TIME
THIS MORNIN�?
525
00:29:01,174 --> 00:29:04,177
I�M A DOORMAN
AT THE WORCHESTER.
526
00:29:04,210 --> 00:29:06,012
I�M ON VIDEOTAPE
TILL 7:00 A. M.
527
00:29:06,046 --> 00:29:08,549
THE D. O. A.
WAS CALLED IN AT 7:15.
528
00:29:08,582 --> 00:29:10,651
OKAY, THEN I�M A SUSPECT.
529
00:29:10,684 --> 00:29:13,119
I DROVE 80 MILES AN HOUR
FROM MIDTOWN,
530
00:29:13,153 --> 00:29:15,488
AND I GOT LUCKY FINDING
THE GUY ON THE STREET.
531
00:29:15,522 --> 00:29:17,524
I KILLED THE PRICK
OVER MY EX?GIRLFRIEND
532
00:29:17,558 --> 00:29:19,993
FALLING IN LOVE WITH HIM.
533
00:29:21,562 --> 00:29:22,863
THANKS FOR COMING IN.
534
00:29:31,271 --> 00:29:33,840
HOW BAD�S LISA TAKING IT?
535
00:29:33,874 --> 00:29:35,542
SHE�S TAKING IT HARD.
536
00:29:42,616 --> 00:29:44,718
TOTALLY BLIND ALLEY.
537
00:29:50,557 --> 00:29:52,593
JOSH, CAN YOU HELP
BALDWIN A MINUTE,
538
00:29:52,626 --> 00:29:54,761
PUT THIS GUY
IN THE POKEY?
539
00:29:59,399 --> 00:30:01,167
THIS CAME IN.
540
00:30:01,201 --> 00:30:04,505
BALDWIN�S SOME EFFICIENT,
HUH, CALLING AHEAD
541
00:30:04,538 --> 00:30:07,107
TO RUN THIS DARNELL JAMES
THROUGH BCI?
542
00:30:07,140 --> 00:30:09,109
HOW YOU GOING TO GO AT HIM?
543
00:30:09,142 --> 00:30:10,744
WHAT DO YOU THINK?
544
00:30:10,777 --> 00:30:13,947
THINK MAYBE WE SHOULD SEE
WHAT KIND OF CHOPS HE�S GOT?
545
00:30:13,980 --> 00:30:16,449
MIGHT AS WELL.
546
00:30:16,482 --> 00:30:19,185
HE FALLS DOWN AT ALL,
THIS BALDWIN, I�M THERE TO STEP IN.
547
00:30:19,219 --> 00:30:20,954
AHEM.
548
00:30:23,990 --> 00:30:27,027
HOW DO YOU WANT
TO WORK HIM?
549
00:30:27,060 --> 00:30:29,462
GO AHEAD AND TAKE HIM.
550
00:30:35,068 --> 00:30:38,972
LET�S SEE WHAT KIND
OF CHOPS YOU GOT.
551
00:31:12,372 --> 00:31:13,974
YOU SHOT A COP, DARNELL.
552
00:31:14,007 --> 00:31:16,510
WHAT THE HELL
ARE YOU TALKING ABOUT?
553
00:31:18,679 --> 00:31:20,280
YOU SHOT A COP.
554
00:31:20,313 --> 00:31:22,516
I DIDN�T SHOOT NOBODY!
555
00:31:22,549 --> 00:31:24,618
COME WALKING IN
ON MY DRINKIN�,
556
00:31:24,651 --> 00:31:26,286
BRINGING SOME FOOL
WITH HIS HEAD IN A BAG.
557
00:31:26,319 --> 00:31:28,855
IT WAS A COP YOU SHOT,
AND HE DIED.
558
00:31:28,889 --> 00:31:31,424
I DIDN�T ROB ANYBODY
OR SHOOT ANYBODY ??
559
00:31:31,457 --> 00:31:33,960
COP OR NO COP.
560
00:31:33,994 --> 00:31:36,763
LIE, DARNELL,
I�M GOING TO BUST YOU UP.
561
00:31:36,797 --> 00:31:38,464
I AIN�T GOING
FOR SOMETHING I DIDN�T DO.
562
00:31:43,970 --> 00:31:46,973
Baldwin: YOU�VE GOT TO SHOW
ME YOU DIDN�T MEAN FOR IT TO BE A KILLING.
563
00:31:47,007 --> 00:31:48,675
YOUR MAN
GOT HEARING PROBLEMS.
564
00:31:48,709 --> 00:31:51,177
IT�S THE ONLIEST WAY YOU�RE
GOING TO BEAT EXECUTION.
565
00:31:51,211 --> 00:31:53,614
IS THAT MY ACT,
SHOOTING A DAMN COP?
566
00:31:53,647 --> 00:31:55,448
YOU GOT MY SHEET
RIGHT IN FRONT OF YOU.
567
00:31:55,481 --> 00:31:57,684
I SEE TWO STREET STICKUPS.
568
00:31:57,718 --> 00:31:59,485
YOU SEE A SINGLE DAMN TIME
A GUN WAS FIRED?
569
00:31:59,520 --> 00:32:01,287
YOU GONNA LET THAT
SPEAK FOR YOU?
570
00:32:01,321 --> 00:32:02,889
SHOW HOW THIS WAS AN ACCIDENT,
OR SIT THERE ACTIN� A FOOL?
571
00:32:02,923 --> 00:32:05,158
SHOOTING ANY DAMN PERSON
AIN�T MY ACT.
572
00:32:05,191 --> 00:32:08,729
AND PUTTING ME SHOOTING A COP
OVER SOME CHUMP CHANGE?
573
00:32:08,762 --> 00:32:10,731
YOU MUST THINK
I�M A DAMN IDIOT.
574
00:32:10,764 --> 00:32:13,800
HOW MUCH MONEY WAS IT
GOT STOLE FROM THIS GUY?
575
00:32:13,834 --> 00:32:15,335
AAH!
576
00:32:21,407 --> 00:32:23,376
I TOLD YOU
NOT TO LIE, DARNELL.
577
00:32:23,409 --> 00:32:26,079
YOU STOLE MONEY.
YOU KNOW HOW MUCH YOU TOOK.
578
00:32:26,112 --> 00:32:28,715
THINK I�M GOING TO STAND
FOR YOU BEATING ON ME?
579
00:32:28,749 --> 00:32:30,551
WHAT IF I ASK
FOR A DAMN LAWYER?
580
00:32:30,584 --> 00:32:32,986
ASK FOR A SYRINGE.
YOU KILLED A COP.
581
00:32:33,019 --> 00:32:34,988
WITHOUT EXPLANATION
OR REMORSE,
582
00:32:35,021 --> 00:32:37,390
YOU�RE A DEAD MAN.
583
00:32:37,423 --> 00:32:40,594
GET UP AND SIT DOWN.
584
00:32:45,766 --> 00:32:47,668
MAKE ME BELIEVE
THIS HAPPENED
585
00:32:47,701 --> 00:32:49,202
WITHOUT YOU MEANING IT,
DARNELL.
586
00:32:49,235 --> 00:32:51,271
I�LL STAND UP
IN COURT WITH YOU
587
00:32:51,304 --> 00:32:52,673
AND I�LL SAY THAT
TO THE JUDGE.
588
00:32:52,706 --> 00:32:55,208
WILL YOU, MY BROTHER?
589
00:32:55,241 --> 00:32:56,843
YOU SHOOT HIM BY ACCIDENT?
590
00:32:56,877 --> 00:32:59,913
I DIDN�T SHOOT HIM AT ALL!
DON�T HIT ME. DON�T HIT ME.
591
00:32:59,946 --> 00:33:02,115
THE DAMN GUN
JUST WENT OFF ON ME.
592
00:33:02,148 --> 00:33:04,785
MY GUN�S
A LITTLE POO?PUTT .22,
593
00:33:04,818 --> 00:33:07,053
TWO NIGHTS AGO
I TOOK OFF SOME FOOL,
594
00:33:07,087 --> 00:33:09,422
HE HAD A DAMN
.380 AUTOMATIC IN HIS BELT.
595
00:33:09,455 --> 00:33:11,424
THAT�S WHAT KILLED MY MAN.
596
00:33:11,457 --> 00:33:12,793
YOU GOT THAT RIGHT.
597
00:33:12,826 --> 00:33:14,795
IT WAS THE GUN
THAT KILLED HIM.
598
00:33:14,828 --> 00:33:16,797
THE DAMN GUN WENT OFF
599
00:33:16,830 --> 00:33:19,365
WHILE ALL I WAS DOING
WAS COCKING IT.
600
00:33:19,399 --> 00:33:23,870
THAT�S THE WHOLE DAMN THING
THAT HAPPENED.
601
00:33:23,904 --> 00:33:26,773
THINK I WANT TO SHOOT
SOMEBODY IN THE BACK?
602
00:33:26,807 --> 00:33:29,042
THAT AIN�T MY ACT.
603
00:33:29,075 --> 00:33:31,745
THINK I WANT
TO SHOOT A DAMN COP?
604
00:33:31,778 --> 00:33:33,747
I NEED
THE HAIR?TRIGGER .380
605
00:33:33,780 --> 00:33:35,816
TO MAKE ME BELIEVE YOU,
DARNELL.
606
00:33:35,849 --> 00:33:37,951
YOU GOING TO
TAKE ME TO IT?
607
00:33:46,593 --> 00:33:50,163
THAT�S A NICE INTERVIEW.
608
00:33:50,196 --> 00:33:52,766
YOU�D HAVE LIKED TO SEE
WHAT KIND OF LEFT HE�S GOT.
609
00:34:07,013 --> 00:34:08,782
HEY, BALDWIN.
610
00:34:08,815 --> 00:34:10,651
HEY, GREG.
611
00:34:10,684 --> 00:34:13,086
I WAS CHANGING A DAMN
TYPEWRITER RIBBON.
612
00:34:13,119 --> 00:34:15,989
I GOT INK
ALL OVER MY HANDS.
613
00:34:16,022 --> 00:34:17,490
OH, D., RIGHT?
614
00:34:17,524 --> 00:34:19,526
YOU WANT ME
TO CALL YOU D.
615
00:34:19,560 --> 00:34:21,795
IT AIN�T NO BIG THING.
616
00:34:21,828 --> 00:34:23,664
NO, NO, I?I�LL GET IT.
617
00:34:23,697 --> 00:34:26,132
I�M GOING TO TAKE MY RUN.
618
00:34:26,166 --> 00:34:28,034
OH, YEAH, HUH?
619
00:34:28,068 --> 00:34:30,336
HEADQUARTERS, I RUN THE FDR
TO THE 59th STREET BRIDGE.
620
00:34:30,370 --> 00:34:33,940
HERE I�M GOING TO TRY IT
UP TO 72nd STREET.
621
00:34:33,974 --> 00:34:38,779
STRETCH IT OUT
A LITTLE, HUH?
622
00:34:38,812 --> 00:34:41,414
WELL, YOU�RE A GROWING BOY.
623
00:34:43,584 --> 00:34:45,986
ANYWAYS, UH,
I WAS GOING TO INVITE YOU
624
00:34:46,019 --> 00:34:47,988
FOR A SANDWICH
OR A BITE TO EAT,
625
00:34:48,021 --> 00:34:50,123
BUT THAT�S OBVIOUSLY OUT.
626
00:34:50,156 --> 00:34:51,625
WANT TO GO OUT?
627
00:34:51,658 --> 00:34:53,960
NO, GO AHEAD
AND TAKE YOUR RUN.
628
00:34:53,994 --> 00:34:56,362
I CAN TAKE MY RUN
IN THE MORNING.
629
00:34:56,396 --> 00:34:59,032
NO, THAT�S SOME GOOD
DISCIPLINE ROUTINE.
630
00:34:59,065 --> 00:35:01,234
PROBABLY I SHOULD BE DOING
SOME RATIONAL EQUIVALENT
631
00:35:01,267 --> 00:35:02,803
OF THAT MYSELF.
632
00:35:02,836 --> 00:35:04,237
WELL, KEEP ME COMPANY
A FEW BLOCKS.
633
00:35:04,270 --> 00:35:05,739
NO, NO, NO.
634
00:35:05,772 --> 00:35:06,840
WE�D WIND UP AT BELLEVUE.
635
00:35:11,077 --> 00:35:13,714
HEY, I?I FEEL
WE WORKED GOOD.
636
00:35:15,348 --> 00:35:19,252
I, UH...
637
00:35:19,285 --> 00:35:22,088
I APPRECIATE YOU EXTENDING
YOURSELF TO ME, GREG.
638
00:35:22,122 --> 00:35:24,525
WELL, I?I FELT THAT
WAS, UH, VERY RECIPROCAL,
639
00:35:24,558 --> 00:35:25,926
COMPLETELY CANDID.
640
00:35:29,696 --> 00:35:32,398
ALL RIGHT.
YEAH.
641
00:35:32,432 --> 00:35:33,734
HERE WE GO.
642
00:35:38,071 --> 00:35:39,606
HEY, BOSS.
643
00:35:39,640 --> 00:35:41,542
EXCUSE ME.
644
00:35:41,575 --> 00:35:43,710
WE�VE GOT A RUNNER
IN THE SQUAD.
645
00:35:43,744 --> 00:35:45,345
D. HERE�S A RUNNER.
646
00:35:45,378 --> 00:35:47,447
GOOD NIGHT.
647
00:35:47,480 --> 00:35:48,615
NIGHT.
648
00:35:48,649 --> 00:35:50,450
WE�LL BE MORE FUN TOMORROW
649
00:35:50,483 --> 00:35:52,252
WHEN WE�RE NOT PINNED
TO OUR DESKS.
650
00:35:52,285 --> 00:35:53,920
ALL RIGHT.
651
00:35:58,424 --> 00:36:01,061
HAVE YOU GOT A MINUTE?
SURE.
652
00:36:01,094 --> 00:36:03,229
I?I�LL JUST SAY GOOD NIGHT.
SEE YOU TOMORROW.
653
00:36:03,263 --> 00:36:05,031
YEAH,
SEE YOU TOMORROW, GREG.
654
00:36:05,065 --> 00:36:07,067
I�LL SEE YOU TOMORROW,
PARTNER.
655
00:36:07,100 --> 00:36:08,835
AH. ALL RIGHT.
656
00:36:14,107 --> 00:36:16,710
I FINALLY HOOKED UP
WITH LIEUTENANT ABNER.
657
00:36:16,743 --> 00:36:19,913
I�M NOT A BOSS?HATER, LOO.
658
00:36:19,946 --> 00:36:22,382
PEOPLE HAVE HONEST
DISAGREEMENTS.
659
00:36:22,415 --> 00:36:25,118
DID HIM NOT CALLING
HAVE SOMETHING TO DO WITH ME?
660
00:36:25,151 --> 00:36:27,120
THERE�S A DETECTIVE
IN THIS SQUAD
661
00:36:27,153 --> 00:36:28,655
YOUR OLD BOSS THOUGHT
662
00:36:28,689 --> 00:36:31,625
I SHOULD HAVE DONE SOMETHING
ABOUT A LONG TIME AGO.
663
00:36:31,658 --> 00:36:34,127
NOT CALLING IS JUST HIS WAY
OF REMINDING ME ??
664
00:36:34,160 --> 00:36:38,164
HIS WAY OF SAYING
I�M NOT ON THE TEAM.
665
00:36:38,198 --> 00:36:41,234
I TAKE PEOPLE
AS I FIND THEM, BALDWIN.
666
00:36:41,267 --> 00:36:43,469
I TRY TO DO THAT, TOO.
667
00:36:43,504 --> 00:36:45,806
I TRY TO LIVE LIKE THAT.
668
00:36:47,473 --> 00:36:50,911
ANYWAYS, UM,
I�LL SEE YOU TOMORROW.
669
00:36:50,944 --> 00:36:53,947
WE�RE GOING TO HAVE TO WALK
DOWN THESE STAIRS TOGETHER.
670
00:36:53,980 --> 00:36:55,949
YEAH,
SOMETIMES I JUST TALK
671
00:36:55,982 --> 00:36:57,651
TO HEAR MY OWN VOICE.
672
00:37:05,491 --> 00:37:08,161
THE VOICE ON THAT
911 TAPE, ANDY ??
673
00:37:08,194 --> 00:37:09,996
THAT DIDN�T SOUND LIKE THIS
GORMAN WE INTERVIEWED, DID IT?
674
00:37:10,030 --> 00:37:11,932
NO.
675
00:37:11,965 --> 00:37:14,367
TO ME IT DIDN�T SOUND
LIKE HIM, EITHER.
676
00:37:16,670 --> 00:37:18,639
THE NEW GUY�S GOOD.
677
00:37:18,672 --> 00:37:22,676
BALDWIN ?? A NAME LIKE THAT,
HIS MOTHER WAS SETTING HIM UP
678
00:37:22,709 --> 00:37:24,044
FOR A CHILDHOOD
OF FISTFIGHTS.
679
00:37:24,077 --> 00:37:26,112
I�M FIGURING
HER NAMING HIM JOE
680
00:37:26,146 --> 00:37:28,214
MIGHT HAVE RUBBED
YOU WRONG, TOO.
681
00:37:28,248 --> 00:37:30,717
BALDWIN.
682
00:37:30,751 --> 00:37:33,587
OH, BALDWIN.
683
00:37:37,190 --> 00:37:38,324
AHEM.
684
00:37:44,665 --> 00:37:46,466
YOU COLLARED UP?
685
00:37:46,499 --> 00:37:49,836
A SKELL WENT TO ROB FRANK.
HE WOULDN�T GIVE IT UP.
686
00:37:49,870 --> 00:37:52,072
THE CASE IS GOOD?
687
00:37:52,105 --> 00:37:54,007
YEAH.
688
00:37:54,040 --> 00:37:56,076
AS FAR AS
OUR CONVERSATION, LISA,
689
00:37:56,109 --> 00:37:57,744
NOTHING�S GOING IN
ON THAT.
690
00:37:57,778 --> 00:37:59,379
AS FAR AS
THAT CONVERSATION,
691
00:37:59,412 --> 00:38:02,649
I HOPE YOU UNDERSTAND HAVING
TO TAKE A CERTAIN TONE.
692
00:38:02,683 --> 00:38:05,218
I LOVED FRANK.
693
00:38:05,251 --> 00:38:07,220
IF I�D BEEN INVOLVED,
694
00:38:07,253 --> 00:38:10,824
I WOULD HAVE WANTED YOU
TO GO AT ME LIKE THAT.
695
00:38:10,857 --> 00:38:14,928
ANYWAYS, THERE�S NOTHING
ON ANY OF THAT ASPECT.
696
00:38:18,198 --> 00:38:22,603
I FEEL LIKE HE...
697
00:38:22,636 --> 00:38:25,405
WAS PUNISHED
FOR WHAT I MADE HIM DO.
698
00:38:25,438 --> 00:38:27,708
NO.
699
00:38:27,741 --> 00:38:29,843
DON�T PUT YOURSELF
IN THE MIDDLE OF THE UNIVERSE.
700
00:38:29,876 --> 00:38:33,847
FRANK�S WIFE DON�T BEAR
YOU NO ILL WILL, LISA.
701
00:38:33,880 --> 00:38:36,282
SHE TOLD US THAT ??
HER OWN WORDS.
702
00:38:36,316 --> 00:38:39,185
OH, GOD.
703
00:38:39,219 --> 00:38:43,389
SHE SAID, "HIS PARTNER
IS NOT A SELFISH GIRL."
704
00:38:45,959 --> 00:38:48,929
WHERE�S THE SKELL?
705
00:38:48,962 --> 00:38:51,031
DOWNSTAIRS.
706
00:38:51,064 --> 00:38:54,134
I DON�T THINK
I SHOULD SEE HIM.
707
00:38:56,603 --> 00:39:00,373
AS FAR AS THAT JACK GORMAN,
THAT COP FROM THE 3?4...
708
00:39:00,406 --> 00:39:02,408
WHAT DID JACK SAY?
709
00:39:04,344 --> 00:39:06,312
JUST CONFIRMED
YOUR INFORMATION ??
710
00:39:06,346 --> 00:39:08,749
THAT THE TWO OF YOU�D
HAD A RELATIONSHIP,
711
00:39:08,782 --> 00:39:11,417
THAT FOR WHATEVER REASON
IT STOPPED,
712
00:39:11,451 --> 00:39:14,955
AND, YOU KNOW,
HE JUST ASKED AFTER YOU.
713
00:39:14,988 --> 00:39:16,990
NO FIVE ON THAT, EITHER.
714
00:39:22,629 --> 00:39:24,030
Okay.
715
00:39:25,666 --> 00:39:27,668
SORRY FOR YOUR LOSS.
716
00:39:49,790 --> 00:39:50,957
HI.
717
00:39:50,991 --> 00:39:53,894
CAN WE GO IN HERE?
718
00:40:16,517 --> 00:40:19,553
JILL...
719
00:40:19,586 --> 00:40:22,055
ALL YOU�VE BEEN
THROUGH WITH DON
720
00:40:22,088 --> 00:40:24,991
AND KNOWING WHAT HE CHOSE
721
00:40:25,025 --> 00:40:28,995
AS FAR AS WHAT KIND OF LIFE
HE WAS LOOKING AT,
722
00:40:29,029 --> 00:40:30,997
WHAT KIND OF THINGS
COULD HAPPEN
723
00:40:31,031 --> 00:40:32,999
LIVING THAT KIND OF LIFE...
724
00:40:33,033 --> 00:40:35,536
ANYTHING COULD HAPPEN TO DON.
725
00:40:35,569 --> 00:40:38,238
ISN�T THAT RIGHT?
726
00:40:40,574 --> 00:40:42,142
YEAH.
727
00:40:42,175 --> 00:40:45,512
AND IF THAT HAPPENED,
728
00:40:45,546 --> 00:40:48,615
HOW MUCH WOULD IT BE IMPORTANT
TO KNOW ABOUT THAT?
729
00:40:51,051 --> 00:40:55,722
I�M ASKING BECAUSE YESTERDAY
AFTER YOU WENT TO SEE DON
730
00:40:55,756 --> 00:41:00,393
AND DID WHAT YOU FELT
YOU NEEDED TO DO FOR HIM,
731
00:41:00,426 --> 00:41:04,364
YOU SAID YOU FELT
LIKE YOU PAID A RANSOM,
732
00:41:04,397 --> 00:41:07,701
THAT YOU AND THE BOYS
COULD BE FREE NOW
733
00:41:07,734 --> 00:41:12,706
SO SOME NEW JOLT WOULDN�T
BE AROUND THE CORNER...
734
00:41:12,739 --> 00:41:16,777
WHERE THE DETAILS COULD BREAK
YOUR HEART AND THE BOYS�.
735
00:41:19,045 --> 00:41:21,748
WOULD THERE BE ANY POINT
736
00:41:21,782 --> 00:41:24,184
IN KNOWING THE DETAILS
737
00:41:24,217 --> 00:41:27,453
IF SOMETHING
HAD HAPPENED TO DON?
738
00:43:03,517 --> 00:43:06,219
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739
00:43:06,252 --> 00:43:08,188
740
00:43:08,238 --> 00:43:12,788
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