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1
00:00:22,022 --> 00:00:24,257
BULLET THEY DUG OUT
OF OUR D. O. A. CAME OUT
2
00:00:24,290 --> 00:00:26,660
OF THE SAME GUN USED
IN YOUR SHOOTING TWO YEARS AGO.
3
00:00:26,693 --> 00:00:29,563
HE DON�T WANT
TO COME OUT WITH US, DOES HE, THIS LAZY BUM?
4
00:00:29,596 --> 00:00:32,498
YEAH, HOW ABOUT THAT?
BALLISTICS MAKES A MATCH.
5
00:00:32,533 --> 00:00:35,368
I GUESS EVEN A STOPPED CLOCK�S
RIGHT TWICE A DAY.
6
00:00:35,401 --> 00:00:37,871
BELIEVE ME, THIS FAT?ASS
DOES NOT COME WITH US
7
00:00:37,904 --> 00:00:39,506
TO RE?INTERVIEW HIS VICTIM.
8
00:00:39,540 --> 00:00:42,342
HE SITS RIGHT ON HIS PILES
IN THAT STATION HOUSE.
9
00:00:42,375 --> 00:00:45,712
BEING WE GOT NO LEADS IN OUR
OWN INVESTIGATION, TOMMY,
10
00:00:45,746 --> 00:00:48,214
ANDY SIPOWICZ AND ME
THOUGHT WE�D COME TALK
11
00:00:48,248 --> 00:00:50,216
TO THE VICTIM IN YOUR SHOOTING
WHERE THE SAME GUN WAS USED.
12
00:00:50,250 --> 00:00:52,085
Fancy: THIS YOUR D.O.A.
FROM LAST NIGHT?
13
00:00:52,118 --> 00:00:53,520
"GIVE ANDY MY BEST
14
00:00:53,554 --> 00:00:56,456
AND TELL HIM I HAVEN�T MOVED
SIX YEARS SINCE HE SAW ME."
15
00:00:56,489 --> 00:00:58,458
YEAH,
HE SAID TO SAY HI.
16
00:00:58,491 --> 00:01:00,360
HE�S HAVING
HIS MORNING CONSTITUTIONAL.
17
00:01:00,393 --> 00:01:02,963
YEAH, WE CATCH
SOME BREAK.
18
00:01:02,996 --> 00:01:05,532
WE GOT THIS
ON OUR HOMICIDE
19
00:01:05,566 --> 00:01:08,635
OFF CRIME SCENE AND CANVASS.
HERE COMES BALLISTICS CATCHING
20
00:01:08,669 --> 00:01:10,904
A MATCH WITH A CASE
OF LARD?ASS TOMMY COLANGELO�S
21
00:01:10,937 --> 00:01:12,205
FROM TWO YEARS AGO.
22
00:01:12,238 --> 00:01:14,207
COLANGELO�S NOT COMING OUT
TO RE?INTERVIEW.
23
00:01:14,240 --> 00:01:17,210
TOMMY COLANGELO
DON�T RE?INTERVIEW WITH NEW INFORMATION
24
00:01:17,243 --> 00:01:18,411
ON THE HOFFA CASE.
25
00:01:18,444 --> 00:01:19,546
NO, ABSOLUTELY.
26
00:01:19,580 --> 00:01:21,548
IF YOU DON�T FEEL
YOU COULD CONTRIBUTE...
27
00:01:21,582 --> 00:01:23,884
WHAT�S HE SAYING,
A MIGRAINE?
28
00:01:23,917 --> 00:01:26,319
IF IT MIGHT PUT HIM OFF,
DEFINITELY STAY AWAY.
29
00:01:26,352 --> 00:01:28,488
HE FEELS HE MAY HAVE
ALIENATED THE VICTIM.
30
00:01:28,522 --> 00:01:31,091
ALL HIS AGGRESSIVE DETECTIVE
WORK TWO YEARS AGO.
31
00:01:31,124 --> 00:01:33,827
AND THEN IF ANYTHING
NEW DEVELOPS,
32
00:01:33,860 --> 00:01:36,329
WE�LL KEEP YOU POSTED,
ALL RIGHT, TOMMY?
33
00:01:36,362 --> 00:01:39,600
SAYS GO IT ALONE, TOM.
[ ALL CHUCKLE ]
34
00:01:41,868 --> 00:01:44,004
WHO WAS THAT,
TOMMY COLANGELO, HUH?
35
00:01:45,305 --> 00:01:48,174
REMEMBER THAT CASE
WE WORKED WITH HIM?
36
00:01:48,208 --> 00:01:50,276
HAD TO BE
ABOUT SIX YEARS AGO.
37
00:01:50,310 --> 00:01:51,778
THAT�S RIGHT.
38
00:01:51,812 --> 00:01:54,515
HE NEVER GOT OFF HIS ASS.
39
00:01:58,985 --> 00:02:01,254
SERGEANT MARTINEZ.
40
00:02:01,287 --> 00:02:02,422
HEY.
41
00:02:02,455 --> 00:02:03,957
NOT TILL TOMORROW.
42
00:02:03,990 --> 00:02:06,159
LET THE GUY DO
A LAST DAY�S HONEST WORK.
43
00:02:08,895 --> 00:02:11,131
ANYWAYS...
44
00:02:11,164 --> 00:02:12,332
WE�LL GO OUT AND TALK
TO THIS GUY.
45
00:02:12,365 --> 00:02:14,668
YEAH, THAT�D BE
SOME BREAK, HUH?
46
00:02:14,701 --> 00:02:17,137
YEAH, IT LOOKED
LIKE A COMPLETE MYSTERY.
47
00:02:17,170 --> 00:02:20,974
AFTERWARDS, WE STILL GOT SOME
CELEBRATING TO DO, ANYWAYS.
48
00:02:21,007 --> 00:02:21,975
YEAH.
49
00:02:22,008 --> 00:02:23,944
7:00 AT MAC�S, RIGHT?
50
00:02:23,977 --> 00:02:25,178
YOU�RE COMING, RIGHT?
51
00:02:25,211 --> 00:02:27,848
YEAH, GREG SAYS
HE�S PICKING UP THE TAB.
52
00:02:27,881 --> 00:02:29,516
YEAH, RIGHT, DANNY.
53
00:02:29,550 --> 00:02:32,519
HA HA.
54
00:03:53,900 --> 00:03:55,702
HI.
55
00:03:55,736 --> 00:03:59,205
HI.
56
00:03:59,239 --> 00:04:02,242
SO, UH, YOU DON�T HAVE
TO HAVE ANYTHING
57
00:04:02,275 --> 00:04:04,611
TO DO WITH THAT
TASK FORCE GUY, JILL.
58
00:04:04,645 --> 00:04:06,780
DON�T GIVE HIM ANYTHING.
59
00:04:06,813 --> 00:04:08,448
OKAY.
60
00:04:08,481 --> 00:04:10,050
HOW ABOUT THIS?
61
00:04:10,083 --> 00:04:12,919
THEY�VE ALREADY GOT
ALL THE EVIDENCE THEY NEED.
62
00:04:12,953 --> 00:04:15,989
THE FEDERAL PROSECUTOR�S
JUST AFRAID TO GO TO BAT.
63
00:04:16,022 --> 00:04:18,992
THIS TASK FORCE GUY
COULDN�T EVEN BELIEVE
64
00:04:19,025 --> 00:04:21,427
THEY GAVE DON A DEAL.
65
00:04:21,461 --> 00:04:24,631
SOUNDS LIKE YOU GOT HIM
TO OPEN UP PRETTY GOOD.
66
00:04:24,665 --> 00:04:27,067
OH, YEAH.
67
00:04:27,100 --> 00:04:29,970
SO YOU MAKING DROPS FOR DON
NOT KNOWING WHAT WAS GOING ON,
68
00:04:30,003 --> 00:04:31,738
KEEP THAT TO YOURSELF.
69
00:04:31,772 --> 00:04:34,741
THAT�S NOT COMING UP
IN A MILLION YEARS.
70
00:04:34,775 --> 00:04:37,243
YOU DIDN�T DRINK
WITH HIM?
71
00:04:37,277 --> 00:04:40,413
NO, NO.
72
00:04:40,446 --> 00:04:43,249
I TOLD HIM I, UH,
73
00:04:43,283 --> 00:04:45,852
I TOLD HIM I GOT OFF
WATCHING HIM DRINK.
74
00:04:45,886 --> 00:04:49,656
GOT A LITTLE MESSY
AT THE END, WAS ALL,
75
00:04:49,690 --> 00:04:52,626
BUT NOTHING 50 GALLONS
OF LAVORIS WON�T CURE.
76
00:04:52,659 --> 00:04:55,428
I�M SORRY, DIANE.
77
00:04:55,461 --> 00:04:57,097
DON�T BE.
78
00:04:57,130 --> 00:05:00,100
I WAS GLAD TO FIND OUT
WHERE YOU STOOD.
79
00:05:00,133 --> 00:05:02,536
I JUST HAVEN�T BEEN OUT
THAT LATE IN A WHILE.
80
00:05:20,353 --> 00:05:21,655
THANKS A LOT.
81
00:05:21,688 --> 00:05:24,558
THIS IS GOING TO GET ME
IN REAL GOOD WITH MY BOSS.
82
00:05:24,591 --> 00:05:26,960
PUT THE BROOMS
FROM THERE TO THERE.
83
00:05:26,993 --> 00:05:28,361
MAKE YOURSELF LOOK BUSY.
84
00:05:28,394 --> 00:05:30,296
YOU DON�T WANT US
LEAVING TWICE DAILY MESSAGES
85
00:05:30,330 --> 00:05:33,299
FOR YOU TO CONTACT US AT OUR
STATION HOUSE, RAY, DO YA?
86
00:05:33,333 --> 00:05:35,536
YOU�RE A CITIZEN
OF THIS NATION, RAY, RIGHT?
87
00:05:35,569 --> 00:05:36,870
AND?
88
00:05:36,903 --> 00:05:39,906
AND YOU WERE INVOLVED
IN A SHOOTING TWO YEARS AGO.
89
00:05:39,940 --> 00:05:43,176
I GOT SHOT IN THE BACK.
THAT WHAT WE�RE TALKING ABOUT?
90
00:05:43,209 --> 00:05:45,011
THE SAME GUN
THAT SHOT YOU
91
00:05:45,045 --> 00:05:47,013
WAS USED LAST NIGHT
IN ANOTHER CRIME.
92
00:05:47,047 --> 00:05:50,216
RAY, WHAT WE CALL THE DD5
OF THE INCIDENT TWO YEARS AGO
93
00:05:50,250 --> 00:05:51,718
DESCRIBES YOU
AS UNCOOPERATIVE.
94
00:05:51,752 --> 00:05:53,754
WHICH I FIND HARD
TO BELIEVE
95
00:05:53,787 --> 00:05:56,256
GIVEN HOW FORTHCOMING
WE SEE YOU AT PRESENT.
96
00:05:56,289 --> 00:05:58,191
HOW AM I GOING
TO BE COOPERATIVE?
97
00:05:58,224 --> 00:06:00,861
I GOT SHOT IN THE BACK.
I DIDN�T SEE ANYTHING.
98
00:06:00,894 --> 00:06:03,263
IF THAT WAS THE CASE,
THIS DD5 WOULD SAY
99
00:06:03,296 --> 00:06:05,265
THAT THE VICTIM
COULD NOT IDENTIFY.
100
00:06:05,298 --> 00:06:08,268
THAT�S NOT WHAT IT SAYS. SEE
WHERE IT SAYS "UNCOOPERATIVE"?
101
00:06:08,301 --> 00:06:09,603
DON�T BE DEMONSTRATIVE.
102
00:06:09,636 --> 00:06:10,937
RAY, OUR EXPERIENCE,
103
00:06:10,971 --> 00:06:12,773
THE COMBINATION
SHOT IN THE BACK
104
00:06:12,806 --> 00:06:15,175
AND UNCOOPERATIVE OFTENTIMES
INDICATES THAT THE VICTIM
105
00:06:15,208 --> 00:06:18,011
ISN�T SO MUCH UNABLE
TO IDENTIFY THE PERPETRATOR
106
00:06:18,044 --> 00:06:19,379
AS HE IS UNWILLING.
107
00:06:19,412 --> 00:06:22,348
WHICH WE COULD GIVE LESS
OF A RAT�S ASS ABOUT, RAY.
108
00:06:22,382 --> 00:06:25,385
YOU GOT SHOT. YOU DON�T
WANT TO PRESS CHARGES, FINE.
109
00:06:25,418 --> 00:06:27,453
BUT YOU AIN�T THE VICTIM
IN THIS SHOOTING
110
00:06:27,487 --> 00:06:28,789
LAST NIGHT, RAY.
111
00:06:28,822 --> 00:06:30,624
LAST NIGHT�S VICTIM,
RAY, IS DEAD,
112
00:06:30,657 --> 00:06:32,693
AND WE�RE ASKING YOU
TO REALIZE YOU�RE SOMEWHAT
113
00:06:32,726 --> 00:06:34,695
AT A SKILL LEVEL,
WHEN COPS COME TALKING
114
00:06:34,728 --> 00:06:36,630
TO YOU ALL THE TIME,
115
00:06:36,663 --> 00:06:40,200
YOUR BOSS BEGINS REGARDING YOU
AS A NON?ESSENTIAL EMPLOYEE.
116
00:06:40,233 --> 00:06:43,203
WHAT GOOD�S MY INFORMATION
GOING TO DO YOU, ANYWAY, MAN?
117
00:06:43,236 --> 00:06:45,205
TWO YEARS IS TWO YEARS.
118
00:06:45,238 --> 00:06:47,207
THAT GUN�S PROBABLY
CHANGED HANDS MORE TIMES
119
00:06:47,240 --> 00:06:48,709
THAN A $20 BILL.
120
00:06:48,742 --> 00:06:50,711
MAYBE, RAY,
AND THEN AGAIN, MAYBE NOT.
121
00:06:50,744 --> 00:06:53,213
SOME PEOPLE DEVELOP A DEEP
AFFECTION FOR THEIR HANDGUNS.
122
00:06:53,246 --> 00:06:55,882
GUY ON MY STREET
STARTS CLOWNING ME
123
00:06:55,916 --> 00:06:58,318
ABOUT MY UNIFORM.
I WAS WORKING FAST FOOD THEN.
124
00:06:58,351 --> 00:07:00,253
THIS IS IN FRONT
OF PEOPLE.
125
00:07:00,286 --> 00:07:03,089
PUT A NAME ON THE GUY.
126
00:07:03,123 --> 00:07:05,659
JASON WIGGINS.
127
00:07:05,692 --> 00:07:07,661
YEAH, I TELL HIM
TO GET ON THESE.
128
00:07:07,694 --> 00:07:09,563
I TURN AROUND
AND WALK AWAY.
129
00:07:09,596 --> 00:07:12,733
JASON TAKES THAT AS DISRESPECT,
YELLS AT ME TO TURN AROUND.
130
00:07:12,766 --> 00:07:16,302
I DON�T. I GET SHOT.
131
00:07:16,336 --> 00:07:18,338
IF HE�S STILL
GOT THAT PIECE,
132
00:07:18,371 --> 00:07:20,741
I HEARD HE
CLEANED UP HIS ACT.
133
00:07:20,774 --> 00:07:24,611
NOW IF YOU�LL EXCUSE ME,
I GOT TO KISS MY MANAGER�S ASS.
134
00:07:24,645 --> 00:07:26,580
GO AHEAD, RAY.
135
00:07:26,613 --> 00:07:29,415
YEAH, I�M CITIZEN
OF THE WEEK.
136
00:07:29,449 --> 00:07:31,852
SEE IF JASON WIGGINS
HAS GOT A SHEET?
137
00:07:31,885 --> 00:07:33,486
I�M CONFIDENT HE MAY.
138
00:07:46,800 --> 00:07:50,036
JASON�S ONE OF THEM GUYS,
EARTH STARTS SHAKING,
139
00:07:50,070 --> 00:07:51,872
HE�S IN THE STREET,
140
00:07:51,905 --> 00:07:55,108
HALF A CHANCE OF STAYING
OUT OF HARM�S WAY,
141
00:07:55,141 --> 00:07:57,043
RUNS INTO THE BIGGEST BUILDING
HE CAN FIND.
142
00:07:57,077 --> 00:07:59,780
GOD FORBID HE JUST
STAYS OUT IN THE STREET
143
00:07:59,813 --> 00:08:02,949
AND WINDS UP WITH JUST
A COUPLE SCRATCHES.
144
00:08:02,983 --> 00:08:04,785
YEAH, JASON WANTS
TO POSITION HIMSELF
145
00:08:04,818 --> 00:08:07,621
SO INSTEAD OF TAKING ADVANTAGE
OF WHERE HE HAPPENED TO BE
146
00:08:07,654 --> 00:08:08,955
WHEN THE EARTHQUAKE BEGAN,
147
00:08:08,989 --> 00:08:11,357
HE�S LOCATED WHERE NOT
A SINGLE ONE
148
00:08:11,391 --> 00:08:13,860
OF THEM SLABS OF CONCRETE
FROM THAT HUGE BUILDING
149
00:08:13,894 --> 00:08:16,129
THAT HE RAN INTO
MISSES LANDING
150
00:08:16,162 --> 00:08:18,498
ON HIS BIG DOPEY HEAD.
151
00:08:20,333 --> 00:08:23,303
YOU GET WHERE WE�RE GOING
WITH ANY OF THIS, JASON, HUH?
152
00:08:23,336 --> 00:08:25,839
NOBODY IS LOOKING TO MAKE YOU
THE MAIN PERFORMER.
153
00:08:25,872 --> 00:08:27,340
PERFORMER?
154
00:08:27,373 --> 00:08:29,843
I AIN�T IN YOUR CIRCUS
NO KIND OF WAY.
155
00:08:29,876 --> 00:08:31,477
I AIN�T PLAYIN�.
156
00:08:31,512 --> 00:08:33,647
OKAY, JASON, YOU
REMIND THEM UPSTATE
157
00:08:33,680 --> 00:08:36,149
WHEN THEY�RE BANGING YOU
FOUR AT A TIME
158
00:08:36,182 --> 00:08:38,151
HOW TOUGH YOU WERE
IN THE STATION HOUSE.
159
00:08:38,184 --> 00:08:40,186
Andy: YOU�RE NOT
IN THE CIRCUS, HUH, PAL?
160
00:08:40,220 --> 00:08:44,224
WELL, DON�T EVER FIND YOURSELF
BY MISTAKE IN A HERD
161
00:08:44,257 --> 00:08:45,726
OF EARRING?WEARING OSTRICHES,
162
00:08:45,759 --> 00:08:49,195
BECAUSE THE NEXT THING YOU KNOW,
YOU ARE GOING TO BE RIGHT
163
00:08:49,229 --> 00:08:51,231
WITH THE REST
OF THE FLOCK SPRINTING
164
00:08:51,264 --> 00:08:53,233
AROUND THE CENTER RING,
DUCKING YOUR HEAD
165
00:08:53,266 --> 00:08:56,036
WHILE THAT PSYCHO
WITH THE TOP HAT CRACKS HIS WHIP
166
00:08:56,069 --> 00:08:58,404
A HALF INCH FROM YOUR NOSE.
167
00:09:00,574 --> 00:09:02,509
SO STUPID, ARROGANT.
168
00:09:02,543 --> 00:09:04,444
KNOWING HE DIDN�T
DO THIS ONE LAST NIGHT,
169
00:09:04,477 --> 00:09:05,846
HE�S GOING TO PUT HIMSELF
170
00:09:05,879 --> 00:09:08,214
IN JAIL FOR A CASE NO ONE�S
EVEN LOOKING AT NO MORE.
171
00:09:11,217 --> 00:09:13,720
THIS IS MRS. WIGGINS.
172
00:09:13,754 --> 00:09:15,188
YOU HAVE MY SON HERE.
173
00:09:15,221 --> 00:09:18,692
HIS NAME CAME UP IN CONNECTION
WITH A CRIME LAST NIGHT.
174
00:09:18,725 --> 00:09:20,360
MY SON CAME HOME
AT 5:30 IN THE AFTERNOON.
175
00:09:20,393 --> 00:09:22,696
I WAS HOME FROM WORK.
I SAW HIM COME IN.
176
00:09:22,729 --> 00:09:25,431
HE HAD BEEN DRINKING, SO HE
WENT TO HIS ROOM AND SLEPT.
177
00:09:25,465 --> 00:09:27,433
I WOKE HIM UP
AT 7:00 FOR DINNER.
178
00:09:27,467 --> 00:09:30,436
AFTER THAT, HE WATCHED TV
WHILE I READ IN THE KITCHEN.
179
00:09:30,470 --> 00:09:32,606
HE FELL ASLEEP
ON THE COUCH AT 11:00,
180
00:09:32,639 --> 00:09:35,108
AND I DIDN�T GO TO BED
UNTIL MIDNIGHT.
181
00:09:35,141 --> 00:09:38,879
AND HE WAS STILL ON THAT COUCH
WHEN I LEFT THIS MORNING.
182
00:09:38,912 --> 00:09:41,381
I GOT WOOD FLOORS,
AND I SLEEP LIGHT.
183
00:09:41,414 --> 00:09:44,384
NOBODY COMES IN OR OUT
WITHOUT ME WAKING UP.
184
00:09:44,417 --> 00:09:46,820
I WANT MY SON RELEASED.
185
00:09:46,853 --> 00:09:49,890
YOUR SON MAY HAVE BEEN INVOLVED
IN A SHOOTING TWO YEARS AGO
186
00:09:49,923 --> 00:09:53,059
WHERE THE SAME GUN WAS USED
THAT WAS USED LAST NIGHT.
187
00:09:53,093 --> 00:09:55,395
I TOLD YOU WHERE MY SON
WAS LAST NIGHT!
188
00:09:55,428 --> 00:09:58,732
YOU GOING TO TELL US WHERE HE
WAS TWO YEARS AGO WHEN THIS OTHER SHOOTING HAPPENED?
189
00:09:58,765 --> 00:10:01,067
THAT SHOOTING TWO YEARS AGO,
MRS. WIGGINS,
190
00:10:01,101 --> 00:10:03,269
THANK GOD IT WASN�T FATAL.
THE VICTIM RECOVERED.
191
00:10:03,303 --> 00:10:06,239
AS FAR AS HOW HARD WE GO
AT YOUR SON,
192
00:10:06,272 --> 00:10:07,974
WE�VE GOT SOME WIGGLE ROOM.
193
00:10:08,008 --> 00:10:10,476
THE ONLY REASON
WE�D LOOK AT THAT CASE HARD
194
00:10:10,511 --> 00:10:13,313
IS IF WE DON�T GET COOPERATION
ON WHAT�S IN FRONT OF US,
195
00:10:13,346 --> 00:10:15,115
BECAUSE THAT VICTIM
DIDN�T RECOVER.
196
00:10:15,148 --> 00:10:18,318
MY SON HAS BEEN
IN TROUBLE BEFORE.
197
00:10:18,351 --> 00:10:20,687
I�M NOT BLIND TO THAT.
198
00:10:20,721 --> 00:10:23,657
I�M A SINGLE WORKING MOTHER,
AND I LOST HIM TO THE STREETS,
199
00:10:23,690 --> 00:10:26,159
BUT HE�S BEEN TRYING
TO MAKE A CHANGE,
200
00:10:26,192 --> 00:10:28,829
AND I BELIEVE
HE CAN MAKE IT.
201
00:10:28,862 --> 00:10:31,297
CAN I TALK TO HIM?
202
00:10:33,466 --> 00:10:36,202
WHY DON�T WE ALL GO TALK?
203
00:10:41,207 --> 00:10:42,809
[ DOOR OPENS ]
204
00:10:42,843 --> 00:10:45,846
AW, MAN,
WHAT�S UP WITH THIS?
205
00:10:45,879 --> 00:10:48,214
IT�S CALLED SOMEBODY
GIVING A DAMN ABOUT YOU.
206
00:10:48,248 --> 00:10:50,116
MOM, I DIDN�T DO IT.
I KNOW YOU DIDN�T.
207
00:10:50,150 --> 00:10:51,317
THEY AIN�T GOT NOTHING.
208
00:10:51,351 --> 00:10:53,554
JUST GO HOME, AND I�M
GOING TO BE THERE LATER.
209
00:10:53,587 --> 00:10:56,022
QUIT ACTING LIKE YOU�RE
IN CHARGE, BECAUSE YOU�RE NOT.
210
00:10:56,056 --> 00:10:58,625
NOW YOU�RE BUYING YOURSELF
TROUBLE IF YOU DON�T TELL THEM
211
00:10:58,659 --> 00:10:59,693
WHO HAS YOUR GUN.
212
00:10:59,726 --> 00:11:01,461
I DIDN�T DO ANYTHING
LAST NIGHT.
213
00:11:01,494 --> 00:11:04,130
Andy: THAT SHOOTING
TWO YEARS AGO, JASON,
214
00:11:04,164 --> 00:11:06,132
WHERE YOU WERE BEEFIN�
WITH THE GUY ??
215
00:11:06,166 --> 00:11:08,869
WHERE YOU LOST YOUR TEMPER
AND THREW A SHOT INTO HIM ??
216
00:11:08,902 --> 00:11:10,804
THAT CAN COME
OR GO DEPENDING
217
00:11:10,837 --> 00:11:12,539
ON HOW YOU PLAY THIS.
218
00:11:12,573 --> 00:11:15,341
JASON, BABY,
IF YOU LET YOURSELF
219
00:11:15,375 --> 00:11:18,311
BE TAKEN AWAY FROM ME,
I WILL NEVER FORGIVE YOU.
220
00:11:18,344 --> 00:11:20,313
YOU ASKING ME
TO TRUST THEM?
221
00:11:20,346 --> 00:11:22,516
I�M ASKIN� YOU TO UNDERSTAND
THAT RIGHT NOW,
222
00:11:22,549 --> 00:11:24,851
YOU DON�T HAVE A CHOICE.
223
00:11:28,021 --> 00:11:31,157
SAY I RENT OUT
MY GUN LAST NIGHT.
224
00:11:31,191 --> 00:11:34,661
THE GUY USE IT,
HE�S SUPPOSED TO DUMP THE GUN
225
00:11:34,695 --> 00:11:38,331
AND PAY MY BUY?OUT FEE.
SAY THEY BRING IT BACK TO ME,
226
00:11:38,364 --> 00:11:40,200
EVEN THOUGH I FIND OUT
HE DID USE IT.
227
00:11:40,233 --> 00:11:42,836
IF I GIVE YOU HIS NAME,
WHAT�S TO SAY
228
00:11:42,869 --> 00:11:45,238
HE AIN�T GOING TO LIE,
AND I�M HUNG OUT?
229
00:11:45,271 --> 00:11:48,675
WILL YOU DO THAT,
HANG MY BOY OUT
230
00:11:48,709 --> 00:11:51,244
IF YOU CAN�T CONVICT
THE OTHER ONE?
231
00:11:51,277 --> 00:11:53,279
NO, WE WON�T DO THAT.
232
00:11:59,720 --> 00:12:01,287
GO AHEAD, SON.
233
00:12:02,889 --> 00:12:06,593
IT�S TREY LANGDON.
234
00:12:06,627 --> 00:12:10,531
TREY LIVES ON LUDLOW
OFF DELANCEY
235
00:12:10,564 --> 00:12:12,198
OVER THE SHOE REPAIR.
236
00:12:12,232 --> 00:12:15,068
WHERE�S THE GUN
HE RETURNED TO YOU?
237
00:12:15,101 --> 00:12:16,603
IT�S UNDER MY MATTRESS.
238
00:12:16,637 --> 00:12:19,005
WILL YOU GO WITH US
AND GET IT?
239
00:12:20,907 --> 00:12:22,042
I TRUSTED YOU.
240
00:12:22,075 --> 00:12:23,544
I KNOW.
241
00:12:23,577 --> 00:12:26,046
WE�RE WALKING OUT
OF HERE, BABY,
242
00:12:26,079 --> 00:12:28,749
AS SOON AS I GET BACK HERE.
243
00:12:56,543 --> 00:12:57,911
HI.
244
00:12:57,944 --> 00:12:59,312
MM?HMM.
245
00:12:59,345 --> 00:13:01,982
I NEED SOME HELP.
246
00:13:02,015 --> 00:13:04,084
A LOT.
247
00:13:04,117 --> 00:13:06,286
I DON�T REMEMBER
WHAT HAPPENED LAST NIGHT.
248
00:13:06,319 --> 00:13:07,788
IS THAT RIGHT?
249
00:13:07,821 --> 00:13:09,756
YOU WERE AN ASSHOLE.
250
00:13:09,790 --> 00:13:13,660
DID YOU COME
TO THE MOTEL WITH ME?
251
00:13:13,694 --> 00:13:16,162
IS THIS
ANOTHER SICK GAME?
252
00:13:16,196 --> 00:13:18,665
BLACK OUT.
253
00:13:18,699 --> 00:13:22,335
BECAUSE I GOT WHAT I NEEDED
TO KNOW FROM YOU.
254
00:13:22,368 --> 00:13:25,338
HE�S IN THE WIND.
255
00:13:25,371 --> 00:13:27,340
WHAT ARE YOU
TALKING ABOUT?
256
00:13:27,373 --> 00:13:30,176
YOUR PARTNER�S EX?HUSBAND
IS IN THE WIND.
257
00:13:30,210 --> 00:13:32,513
COME HERE, DENBY.
258
00:13:41,154 --> 00:13:44,525
I HAD WATCH ON HIM
LAST NIGHT AT THE MOTEL.
259
00:13:44,558 --> 00:13:46,527
WOKE UP, LIKE,
5:00 IN THE MORNING,
260
00:13:46,560 --> 00:13:47,861
AND HE WAS GONE.
261
00:13:47,894 --> 00:13:51,497
HIM LOOSE CAN SCREW
YOUR PARTNER UP BAD.
262
00:13:51,532 --> 00:13:54,835
YEAH. OTHERWISE, I�D SURE LIKE
TO SPEND SOME TIME THINKING
263
00:13:54,868 --> 00:13:56,870
ABOUT YOU
BLOWING YOUR CAREER.
264
00:13:56,903 --> 00:14:00,707
NO WAY HE DOESN�T
REACH OUT TO HER.
265
00:14:00,741 --> 00:14:04,745
THAT�S YOU LOCKING IN
ON HOW A PRICK WILL BEHAVE,
266
00:14:04,778 --> 00:14:07,080
RIGHT, DENBY?
267
00:14:07,113 --> 00:14:08,582
LIKE YOU SAY,
268
00:14:08,615 --> 00:14:10,584
I DON�T
GET THIS GUY BACK,
269
00:14:10,617 --> 00:14:12,653
I�M LOOKING
AT LOSING MY JOB.
270
00:14:12,686 --> 00:14:15,522
I DON�T HAVE TO ASK
HOW YOU AND ME HIT IT OFF,
271
00:14:15,556 --> 00:14:18,358
BUT IT�S IN YOUR GIRLFRIEND�S
INTEREST LETTING ME KNOW
272
00:14:18,391 --> 00:14:19,926
WHEN HE REACHES OUT.
273
00:14:19,960 --> 00:14:23,664
IF I DECIDE THAT�S TRUE,
I KNOW HOW TO GET IN TOUCH.
274
00:14:23,697 --> 00:14:26,733
FOR WHAT IT�S WORTH,
I APOLOGIZE.
275
00:14:26,767 --> 00:14:30,270
NOTHING IS HOW MUCH
THAT�S WORTH.
276
00:14:38,211 --> 00:14:39,680
I�M NOT MEETING YOU,
277
00:14:39,713 --> 00:14:42,448
BECAUSE YOU�RE TALKING
TO THE WRONG PERSON.
278
00:14:46,252 --> 00:14:47,721
I�M TELLING YOU,
279
00:14:47,754 --> 00:14:50,390
YOU GOT ME CONFUSED
WITH SOMEBODY ELSE.
280
00:14:52,559 --> 00:14:55,128
YOU�RE NOT GOING
TO BELIEVE THIS.
281
00:14:55,161 --> 00:14:58,198
I KNOW DON�S
IN THE WIND.
282
00:14:58,231 --> 00:14:59,966
WHERE IS HE?
283
00:15:00,000 --> 00:15:03,136
I TOLD HIM I DIDN�T
WANT TO KNOW.
284
00:15:03,169 --> 00:15:05,639
GOOD FOR YOU, JILL.
285
00:15:05,672 --> 00:15:07,307
I CAN�T GET INVOLVED
WITH HIM.
286
00:15:07,340 --> 00:15:10,577
THE ONLY SMART THING
HE CAN DO IS TURN HIMSELF IN.
287
00:15:10,611 --> 00:15:11,578
[ TELEPHONE RINGS ]
288
00:15:11,612 --> 00:15:12,813
Jill: THAT�S RIGHT.
289
00:15:12,846 --> 00:15:15,315
I CAN�T GIVE HIM MONEY
TO GET AWAY.
290
00:15:15,348 --> 00:15:17,217
THAT�S RIGHT.
291
00:15:17,250 --> 00:15:19,385
I�M SURE
THEY�RE WATCHING MY HOUSE.
292
00:15:19,419 --> 00:15:22,889
John: WHO IS THIS, PLEASE?
YOU CAN�T GET INVOLVED WITH HIM, JILL.
293
00:15:22,923 --> 00:15:26,226
I GUESS THAT TASK FORCE GUY
MUST HAVE SHOWN UP
294
00:15:26,259 --> 00:15:28,061
AT THE MOTEL DRUNK.
295
00:15:28,094 --> 00:15:30,063
HE CAN�T REMEMBER
WHAT HAPPENED.
296
00:15:30,096 --> 00:15:32,566
THINKS HE MUST HAVE
LEFT THE DOOR UNGUARDED.
297
00:15:32,599 --> 00:15:34,434
DID HE PUT
AN ALARM OUT?
298
00:15:34,467 --> 00:15:36,236
Diane: NOT YET.
299
00:15:36,269 --> 00:15:38,338
HE�S HOPING DON
WILL USE HIS HEAD THE WAY YOU SAID.
300
00:15:38,371 --> 00:15:40,941
NOT TO MENTION
THAT IT WILL SAVE HIS ASS.
301
00:15:40,974 --> 00:15:42,976
THAT WOULD BE THE BONUS
FOR DENBY.
302
00:15:45,178 --> 00:15:47,814
THAT SAME PERSON
WHO CALLED BEFORE
303
00:15:47,848 --> 00:15:51,151
AND DIDN�T IDENTIFY HIMSELF
IS CALLING AGAIN.
304
00:15:51,184 --> 00:15:54,688
DO YOU WANT TO FIND OUT
WHERE DON IS, JILL,
305
00:15:54,721 --> 00:15:57,991
LET DENBY KNOW
SO THEY CAN PICK HIM UP?
306
00:15:58,024 --> 00:16:00,326
I DON�T WANT THE CALL, JOHN.
307
00:16:00,360 --> 00:16:03,329
TELL HIM I�M NOT AROUND,
308
00:16:03,363 --> 00:16:06,533
WHOEVER IT IS THAT�S CALLING.
309
00:16:06,567 --> 00:16:09,603
I CAN�T GIVE HIM UP,
THOUGH, EITHER, DIANE.
310
00:16:09,636 --> 00:16:11,437
YOU�D JUST GET
ON HIS BAD SIDE
311
00:16:11,471 --> 00:16:13,339
IN TERMS OF WHAT
HE MIGHT TELL THE D. A.
312
00:16:13,373 --> 00:16:15,341
I CAN�T GIVE HIM UP.
313
00:16:15,375 --> 00:16:16,442
OKAY,
314
00:16:16,476 --> 00:16:18,579
OKAY.
315
00:16:20,814 --> 00:16:23,684
SIT DOWN.
316
00:16:25,886 --> 00:16:28,522
MAN, THIS IS MESSED UP.
317
00:16:28,555 --> 00:16:30,957
MURDER CLASSIFYING
AS "MESSED UP" IN TREY�S BOOK.
318
00:16:30,991 --> 00:16:34,360
MURDER? Y�ALL LOOKING
AT ME FOR MURDER?
319
00:16:34,394 --> 00:16:37,564
A YOUTH NAMED MICHAEL BAYLOR,
TREY, IS NO LONGER AMONGST US.
320
00:16:37,598 --> 00:16:39,700
OUR HOPE IS
THAT YOU KILLED HIM,
321
00:16:39,733 --> 00:16:42,803
�CAUSE YOU�RE WHO WE�RE
TALKIN� TO, AND THAT WOULD MAKE OUR LIVES SIMPLER,
322
00:16:42,836 --> 00:16:44,738
BUT IF YOU GOT
DIFFERING INFORMATION,
323
00:16:44,771 --> 00:16:46,306
NOW�S YOUR TIME
TO LEAP IN.
324
00:16:46,339 --> 00:16:47,874
WHO GAVE ME UP? JASON?
325
00:16:47,908 --> 00:16:50,644
ASKING QUESTIONS IS NOT
WHERE YOUR BEST INTERESTS LIE.
326
00:16:50,677 --> 00:16:52,646
WELL, JASON SHOULD HAVE
KEPT HIS MOUTH SHUT,
327
00:16:52,679 --> 00:16:54,480
BECAUSE THIS BOOMERANGS
BACK ONTO ROBBIE.
328
00:16:54,515 --> 00:16:56,316
START PUTTIN� LAST NAMES
TO THESE PEOPLE.
329
00:16:56,349 --> 00:16:58,819
ROBBIE WIGGINS.
330
00:16:58,852 --> 00:17:00,587
THAT�S RIGHT ??
331
00:17:00,621 --> 00:17:01,755
JASON�S BROTHER ROBBIE.
332
00:17:01,788 --> 00:17:03,156
WHY WOULD YOU HAVE
333
00:17:03,189 --> 00:17:07,561
TO RENT A GUN FROM ONE BROTHER
TO GIVE TO ANOTHER?
334
00:17:07,594 --> 00:17:09,863
ROBBIE KNEW JASON WOULDN�T
GIVE HIM NO GUN TO USE,
335
00:17:09,896 --> 00:17:13,534
SO ROBBIE HAD ME RENT THE GUN
OFF OF JASON FOR HIM.
336
00:17:13,567 --> 00:17:16,402
AND HERE GOES JASON,
GIVIN� ME UP, PUTTING HIS OWN BROTHER
337
00:17:16,436 --> 00:17:18,739
IN THE HOT SEAT,
BECAUSE I SURE AS HELL
338
00:17:18,772 --> 00:17:21,842
AIN�T TAKING NO HIT FOR MURDER
JUST FOR BEING NO GO?BETWEEN.
339
00:17:21,875 --> 00:17:24,845
DID ROBBIE TELL YOU
WHAT HE WANTED THE GUN FOR?
340
00:17:24,878 --> 00:17:26,179
SOME ROMANTIC NONSENSE.
341
00:17:26,212 --> 00:17:29,516
THAT MICHAEL ??
I DON�T KNOW THE DUDE,
342
00:17:29,550 --> 00:17:33,219
BUT ROBBIE WAS SAYING SOME
MICHAEL WAS HASSLING LATASHA.
343
00:17:33,253 --> 00:17:35,522
THAT�S WHO
ROBBIE�S SEEING NOW.
344
00:17:35,556 --> 00:17:37,558
HEY, I DON�T KNOW
THE DETAILS.
345
00:17:37,591 --> 00:17:40,426
ALLS I DID WAS RENT
THE GUN ROBBIE WANTED
346
00:17:40,460 --> 00:17:42,696
FROM HIS BROTHER
HE KNEW WOULDN�T GIVE IT TO HIM.
347
00:17:42,729 --> 00:17:45,532
WHERE ARE WE GOING
TO FIND ROBBIE? HER PLACE, PROBABLY.
348
00:17:45,566 --> 00:17:47,934
WRITE DOWN
WHERE LATASHA LIVES.
349
00:17:53,073 --> 00:17:55,876
JOSH, KEEP AN EYE
ON THIS GUY FOR A WHILE?
350
00:17:55,909 --> 00:17:57,143
YOU GOT IT.
351
00:18:02,415 --> 00:18:04,585
MAKE A PROMISE, NOW WE�RE
GOING TO LOCK HER OTHER SON UP.
352
00:18:04,618 --> 00:18:07,320
LOOK, SHE�S GOTTA
KNOW THIS COMES OUT OF LEFT FIELD.
353
00:18:07,353 --> 00:18:09,322
SO YOU FIGURE THE UNFORTUNATE
COINCIDENCE ASPECT,
354
00:18:09,355 --> 00:18:11,658
THAT�LL MOVE HER
TO LET US OFF THE HOOK?
355
00:18:11,692 --> 00:18:13,827
I FIGURE HER LETTING US
OFF THE HOOK
356
00:18:13,860 --> 00:18:15,896
CAN�T DECIDE
HOW WE WORK THE CASE.
357
00:18:15,929 --> 00:18:18,298
OH, NOW YOU�RE CARRYING
STONE TABLETS OFF THE MOUNTAIN,
358
00:18:18,331 --> 00:18:20,601
TELLING ME
HOW TO DO MY JOB? COME ON, ANDY.
359
00:18:20,634 --> 00:18:22,603
I AM TELLING YOU,
THESE ARE PREJUDICED PEOPLE,
360
00:18:22,636 --> 00:18:24,605
AND I DON�T WANT
NO UNFORTUNATE COINCIDENCES
361
00:18:24,638 --> 00:18:27,073
CONFIRMING THEIR PREJUDICES
AGAINST ME.
362
00:18:27,107 --> 00:18:29,075
MAYBE ROBBIE
DIDN�T PULL THE TRIGGER,
363
00:18:29,109 --> 00:18:31,077
DIDN�T HAVE MURDER
ON HIS MIND.
364
00:18:31,111 --> 00:18:33,514
IF HE KNOWS
WHAT�S GOOD FOR HIM,
365
00:18:33,547 --> 00:18:36,783
IT BETTER BE
WHAT WENT ON.
366
00:18:41,454 --> 00:18:43,690
WHAT IS GOING ON?
367
00:18:43,724 --> 00:18:47,093
WE�RE FOLLOWING
THIS THING OUT, MISS WIGGINS.
368
00:18:47,127 --> 00:18:49,429
FOLLOWING IT HOW?
I TOOK YOU TO JASON�S GUN.
369
00:18:49,462 --> 00:18:50,664
YOU�VE GOT TREY
370
00:18:50,697 --> 00:18:52,833
THAT MY SON JASON
TOLD YOU ABOUT.
371
00:18:52,866 --> 00:18:54,500
NOW, YOU PROMISED ME.
372
00:18:54,535 --> 00:18:57,170
THERE�S A NEW COMPLICATION,
MRS. WIGGINS.
373
00:18:57,203 --> 00:18:59,973
IT LOOKS LIKE IT MIGHT
INVOLVE YOUR OTHER SON.
374
00:19:00,006 --> 00:19:01,441
WHAT?
375
00:19:01,474 --> 00:19:03,043
YOUR OTHER SON, ROBBIE.
376
00:19:03,076 --> 00:19:04,878
ROBBIE? NO.
377
00:19:04,911 --> 00:19:06,947
ROBBIE�S OUTSIDE
OF THAT LIFE.
378
00:19:06,980 --> 00:19:08,949
WE GOT TO LOOK
INTO POSSIBLE COMPLICATIONS.
379
00:19:08,982 --> 00:19:10,116
NO.
380
00:19:10,150 --> 00:19:12,285
NO, NO, NO.
381
00:19:12,318 --> 00:19:15,155
LET US LOOK INTO THEM,
AND WE�LL KEEP YOU POSTED.
382
00:19:15,188 --> 00:19:16,857
DOES THIS
INVOLVE HIS GIRLFRIEND?
383
00:19:16,890 --> 00:19:18,491
WE CAN�T TELL SPECIFICS.
384
00:19:18,525 --> 00:19:21,494
YOU AND JASON
NEED TO STAY HERE TILL WE FIND OUT WHAT HAPPENED.
385
00:19:21,528 --> 00:19:24,798
THAT LATASHA�S NO GOOD.
IT MAY BE HER BEHIND THIS,
386
00:19:24,831 --> 00:19:26,299
OR HER OLD BOYFRIEND ??
387
00:19:26,332 --> 00:19:28,268
HOOD BY THE NAME
OF MICHAEL BAYLOR.
388
00:19:30,837 --> 00:19:32,305
HE�S THE HOMICIDE VICTIM,
389
00:19:32,338 --> 00:19:34,340
THAT MICHAEL BAYLOR
YOU MENTION.
390
00:19:52,192 --> 00:19:54,427
WE�RE NOT LOOKING
TO HURT YOUR FAMILY.
391
00:19:54,460 --> 00:19:55,862
YOU GOT OUR WORD.
392
00:19:57,430 --> 00:19:59,199
YOUR WORD?
393
00:20:00,534 --> 00:20:02,002
WELL, IN THAT CASE,
394
00:20:02,035 --> 00:20:04,370
I HAVE NOTHING
TO WORRY ABOUT, DO I?
395
00:20:22,222 --> 00:20:24,525
[ TELEPHONE RINGS ]
396
00:20:24,558 --> 00:20:26,292
15th SQUAD.
397
00:20:30,330 --> 00:20:31,898
UH, I�M SORRY.
398
00:20:31,932 --> 00:20:33,534
SHE�S STILL NOT AVAILABLE.
399
00:20:33,567 --> 00:20:35,035
NO, WAIT, JOHN, WAIT.
400
00:20:35,068 --> 00:20:36,970
YES, HELLO.
401
00:20:38,772 --> 00:20:40,741
ALL RIGHT,
LISTEN TO ME. Listen!
402
00:20:41,808 --> 00:20:46,312
555?0146.
403
00:20:46,346 --> 00:20:50,584
IN 45 MINUTES, I WANT YOU
TO CALL THAT NUMBER.
404
00:20:50,617 --> 00:20:54,655
NO, 0146.
405
00:20:54,688 --> 00:20:57,658
SAY THE NUMBER AGAIN.
406
00:20:57,691 --> 00:21:00,160
CALL THERE IN 45 MINUTES.
407
00:21:04,865 --> 00:21:07,433
THAT NUMBER
SOUNDS FAMILIAR.
408
00:21:07,467 --> 00:21:09,135
PLEASE, DIANE.
409
00:21:09,169 --> 00:21:12,305
WHAT, YOU WANT ME TO GO
TO MY PLACE AND TALK TO DON?
410
00:21:12,338 --> 00:21:14,140
I NEED TO SEE HIM.
411
00:21:14,174 --> 00:21:16,109
IF DENBY�S ANY KIND
OF COP,
412
00:21:16,142 --> 00:21:17,778
HE�S GOT MY PLACE UP.
413
00:21:17,811 --> 00:21:19,012
JILL...
414
00:21:19,045 --> 00:21:20,213
PLEASE.
415
00:21:43,804 --> 00:21:45,939
TELL ME WHAT YOUR PLAN IS.
416
00:21:45,972 --> 00:21:48,041
RIGHT NOW HE�S
A MATERIAL WITNESS.
417
00:21:48,074 --> 00:21:50,944
IF HE RUNS, THEY�LL
REINSTATE THE CHARGES,
418
00:21:50,977 --> 00:21:53,313
AND THEN HE�LL BE
A FUGITIVE.
419
00:21:53,346 --> 00:21:55,682
ARE YOU GOING TO
TALK HIM THROUGH
420
00:21:55,716 --> 00:21:57,117
TO UNDERSTANDING THAT?
421
00:21:57,150 --> 00:21:58,885
THAT�S RIGHT.
THAT MAKES SENSE.
422
00:22:01,321 --> 00:22:03,790
HE�S GOT A DEAL IN PLACE
IF HE COOPERATES,
423
00:22:03,824 --> 00:22:06,660
AND HE MAY NOT
EVEN HAVE TO TESTIFY.
424
00:22:06,693 --> 00:22:09,663
OKAY. I UNDERSTAND.
425
00:22:15,435 --> 00:22:17,971
JILL, DON�T HURT YOURSELF.
426
00:22:18,004 --> 00:22:19,706
I WON�T.
THANKS, DIANE.
427
00:22:26,880 --> 00:22:30,016
[ THUNDER RUMBLING ]
428
00:22:34,287 --> 00:22:35,388
BOSS?
429
00:22:35,421 --> 00:22:36,990
HEY, JILL.
430
00:22:37,023 --> 00:22:39,726
I NEED A FEW HOURS
LOST TIME.
431
00:22:39,760 --> 00:22:41,261
EVERYTHING OKAY?
432
00:22:41,294 --> 00:22:44,698
YEAH, EVERYTHING�S
OKAY AT HOME.
433
00:22:47,300 --> 00:22:49,335
SO, IS ??
IS THAT OKAY ??
434
00:22:49,369 --> 00:22:51,672
IF I TAKE THE TIME?
435
00:22:51,705 --> 00:22:53,740
YEAH.
436
00:23:05,719 --> 00:23:06,887
HEY, GREG.
437
00:23:06,920 --> 00:23:08,522
IS THIS WHERE YOU�VE BEEN?
438
00:23:08,555 --> 00:23:09,856
WHAT DID I MISS?
439
00:23:09,890 --> 00:23:11,224
NOTHING.
440
00:23:11,257 --> 00:23:13,660
I�VE JUST BEEN LOOKING
ALL OVER FOR YOU, BUDDY.
441
00:23:15,228 --> 00:23:17,598
YOU COMPOSING YOUR SPEECH
FOR THE RACKET TONIGHT?
442
00:23:17,631 --> 00:23:20,567
YEAH, I GUESS.
443
00:23:20,601 --> 00:23:23,236
YEAH, I�M BRINGING
MY, UH, "A" GAME
444
00:23:23,269 --> 00:23:25,739
TO INTRODUCING YOU,
I�LL TELL YOU THAT RIGHT NOW.
445
00:23:25,772 --> 00:23:27,407
ATTABOY.
[ CHUCKLES ]
446
00:23:27,440 --> 00:23:29,409
ONE THING, EACH DAY
THAT GOES BY,
447
00:23:29,442 --> 00:23:32,378
A LITTLE MORE OF ME
IS LOOKING FORWARD TO IT.
448
00:23:32,412 --> 00:23:34,548
YOUR NEW POSITION?
ABSOLUTELY, JAMES.
449
00:23:34,581 --> 00:23:37,718
AS DIFFICULT AS IT�S
GOING TO BE MISSING EVERYONE.
450
00:23:37,751 --> 00:23:40,386
NO, I?I UNDERSTAND.
451
00:23:40,420 --> 00:23:42,388
NOT WORKING WITH YOU,
ESPECIALLY.
452
00:23:42,422 --> 00:23:45,458
ALL RIGHT,
DON�T GET ME STARTED, JAMES.
453
00:23:46,927 --> 00:23:50,030
DON�T GET ME STARTED.
454
00:23:57,270 --> 00:23:58,471
DOWN HERE.
455
00:24:06,613 --> 00:24:10,250
YOU�RE IN SOME JACKPOT,
ROBBIE.
456
00:24:10,283 --> 00:24:14,120
WE KNOW WHAT YOU DONE.
YOU UNDERSTAND, ROBBIE?
457
00:24:14,154 --> 00:24:17,090
WE KNOW YOU SHOT
MIKE BAYLOR.
458
00:24:17,123 --> 00:24:20,026
NOW, YOU�VE HAD FAMILY
MEMBERS FORTHCOMING WITH US
459
00:24:20,060 --> 00:24:21,928
WITHOUT KNOWING
YOU WERE INVOLVED,
460
00:24:21,962 --> 00:24:24,831
AND WE�RE NOT ON THIS JOB
TAKING ADVANTAGE OF THAT,
461
00:24:24,865 --> 00:24:26,800
WHETHER YOU BELIEVE IT
OR NOT.
462
00:24:26,833 --> 00:24:28,802
YOUR JOB�S PUTTING
WHAT HAPPENED
463
00:24:28,835 --> 00:24:30,804
IN THE RIGHT LIGHT,
ROBBIE,
464
00:24:30,837 --> 00:24:32,773
WHERE WE MIGHT
FIND SOME EXTENUATION.
465
00:24:32,806 --> 00:24:35,609
HE STOLE THE 6?MONTHS
ANNIVERSARY RING I GAVE HER
466
00:24:35,642 --> 00:24:37,611
OFF MY GIRLFRIEND
LATASHA�S FINGER.
467
00:24:37,644 --> 00:24:39,279
THAT�S WHY YOU WENT
468
00:24:39,312 --> 00:24:41,481
TO MIKE BAYLOR�S
APARTMENT LAST NIGHT?
469
00:24:41,515 --> 00:24:43,183
I WENT TO GET IT BACK.
470
00:24:43,216 --> 00:24:44,518
AND YOU
WENT THERE PACKING.
471
00:24:44,551 --> 00:24:45,652
THAT�S RIGHT.
472
00:24:45,686 --> 00:24:48,555
WAS THAT PRIMARILY
SELF?DEFENSIVE?
473
00:24:48,589 --> 00:24:52,526
WERE YOU NECESSARILY
INTENDING TO USE THAT PIECE?
474
00:24:52,559 --> 00:24:55,028
OR WAS THAT PRIMARILY
SELF?DEFENSIVE?
475
00:24:55,061 --> 00:24:57,363
I DIDN�T GO THERE
INTENDING TO USE IT.
476
00:24:57,397 --> 00:24:59,833
I WENT TO GET
THE RING BACK.
477
00:24:59,866 --> 00:25:01,167
ALL RIGHT,
SO WHAT HAPPENED?
478
00:25:01,201 --> 00:25:03,670
I KNOCK ON THE DOOR,
HE LETS ME IN.
479
00:25:03,704 --> 00:25:06,006
I TELL HIM I WANT
THAT RING BACK
480
00:25:06,039 --> 00:25:07,908
HE TOOK OFF LATASHA�S
FINGER.
481
00:25:07,941 --> 00:25:10,143
SO, I�D BE RIGHT
SAYING AT THIS POINT
482
00:25:10,176 --> 00:25:11,645
THAT YOU DIDN�T
HAVE YOUR PIECE OUT?
483
00:25:11,678 --> 00:25:13,814
I HAD IT IN MY BELT.
484
00:25:13,847 --> 00:25:15,381
SO WHAT DOES MICHAEL DO?
485
00:25:15,415 --> 00:25:17,851
PULLS HIS PIECE ON ME ??
SAYS HE�S GOING TO
486
00:25:17,884 --> 00:25:19,686
RUB THE RING ON HIS DICK,
487
00:25:19,720 --> 00:25:22,188
TELLS ME WHAT HE
USED TO DO TO LATASHA
488
00:25:22,222 --> 00:25:24,390
WHEN HE WAS TAKING HER OUT.
489
00:25:24,424 --> 00:25:26,827
THAT�S WHEN I WENT CRAZY.
490
00:25:26,860 --> 00:25:28,862
OKAY, BUT NOW WHEN YOU
SAY YOU WENT CRAZY,
491
00:25:28,895 --> 00:25:30,697
HE�S ALREADY
GOT HIS GUN OUT,
492
00:25:30,731 --> 00:25:32,498
POINTING IT AT YOU,
CORRECT, ROBBIE?
493
00:25:32,533 --> 00:25:34,835
HE COULD HAVE SHOT YOU
AT ANY SECOND
494
00:25:34,868 --> 00:25:37,337
IS WHAT I GUESS
YOU MUST HAVE BEEN FEELING.
495
00:25:37,370 --> 00:25:40,841
I WENT AFTER HIM.
496
00:25:40,874 --> 00:25:42,008
MEANING WHAT?
497
00:25:42,042 --> 00:25:44,210
I WENT AFTER HIM
TO KICK HIS ASS.
498
00:25:44,244 --> 00:25:47,013
KICK HIS ASS WHILE HE�S
POINTING A GUN AT YOU?
499
00:25:47,047 --> 00:25:48,715
I TOLD YOU I WENT CRAZY.
500
00:25:48,749 --> 00:25:51,217
AND SAYING YOU
DIDN�T PULL YOUR PIECE?
501
00:25:51,251 --> 00:25:54,688
I FORGOT I HAD IT
TILL HE SHOT AT ME.
502
00:25:54,721 --> 00:25:58,692
THEN I SHOT AT HIM BACK.
503
00:25:58,725 --> 00:26:00,894
WE DIDN�T FIND
NO GUN OF MICHAEL�S
504
00:26:00,927 --> 00:26:02,295
IN THAT APARTMENT, ROBBIE.
505
00:26:04,731 --> 00:26:06,399
I TOOK MICHAEL�S GUN.
506
00:26:06,432 --> 00:26:08,401
I WAS GOING TO GIVE IT
507
00:26:08,434 --> 00:26:11,071
TO WHO I RENTED
MY PIECE FROM,
508
00:26:11,104 --> 00:26:13,607
�CAUSE IF I USED MY PIECE,
I WAS SUPPOSED
509
00:26:13,640 --> 00:26:17,043
TO THROW IT AWAY
AND PAY A BUY?OUT,
510
00:26:17,077 --> 00:26:19,513
BUT I DIDN�T
HAVE NO MONEY.
511
00:26:22,282 --> 00:26:25,151
COME TO FIND OUT,
I THOUGHT I THREW MY GUN
512
00:26:25,185 --> 00:26:27,387
IN THE DUMPSTER
BEHIND THAT BUILDING,
513
00:26:27,420 --> 00:26:29,489
IT WAS MICHAEL�S
I THREW AWAY,
514
00:26:29,523 --> 00:26:33,393
SO I HAD TO GIVE
MY PIECE BACK.
515
00:26:33,426 --> 00:26:35,629
YOU COULD NOT
MAKE THIS STUFF UP.
516
00:26:37,497 --> 00:26:39,566
DID I GET JASON
IN TROUBLE?
517
00:26:39,600 --> 00:26:41,067
JUST SIT HERE, ROBBIE,
518
00:26:41,101 --> 00:26:44,004
WHILE WE CHECK OUT
THAT DUMPSTER.
519
00:26:52,345 --> 00:26:54,981
UH, ONE P. P. ?? HE�LL
BE BACK IN 20 MINUTES.
520
00:26:55,015 --> 00:26:57,150
WHAT DID MY SON SAY?
521
00:26:57,183 --> 00:27:00,320
WE GOT TO CONFIRM THAT,
AND THEN MAYBE THINGS ARE GOING TO BE ALL RIGHT.
522
00:27:00,353 --> 00:27:02,255
WHAT DID ROBBIE SAY?!
MRS. WIGGINS...
523
00:27:02,288 --> 00:27:04,490
WAS HE INVOLVED?
SHH!
524
00:27:06,960 --> 00:27:08,461
DON�T YOU SHUSH ME.
525
00:27:08,494 --> 00:27:10,831
WE�RE GOING TO TALK
IN HALF AN HOUR.
526
00:27:10,864 --> 00:27:12,766
WHAT IS GOING
TO HAPPEN NOW?
527
00:27:12,799 --> 00:27:13,967
SHH!
528
00:27:15,636 --> 00:27:18,471
WE�RE GOING BACK
TO THE CRIME SCENE.
529
00:27:18,505 --> 00:27:21,675
YOU SOUND LIKE
DR. EVIL ?? SHH.
530
00:27:21,708 --> 00:27:23,710
YEAH, LIKE THAT
MOTORCYCLE LUNATIC
531
00:27:23,744 --> 00:27:27,313
WOULD HAVE ANY BETTER CHANCE
MAKING THAT WOMAN HEAR REASON.
532
00:27:38,324 --> 00:27:40,093
[ KNOCK ON DOOR ]
533
00:27:47,333 --> 00:27:49,235
WHOSE PLACE IS THIS?
534
00:27:49,269 --> 00:27:50,804
WHO�S BOBBY SIMONE?
535
00:27:50,837 --> 00:27:52,072
NEVER MIND.
536
00:27:52,105 --> 00:27:54,040
WHO�S THIS GUY TO YOU?
537
00:27:54,074 --> 00:27:57,477
YOU THINK MAYBE WE GOT
OTHER THINGS TO TALK ABOUT?
538
00:27:57,511 --> 00:27:59,813
YEAH. I GUESS YOU
GOT TO LIVE YOUR LIFE.
539
00:27:59,846 --> 00:28:01,582
YOU NEED TO GO BACK
TO THAT MOTEL.
540
00:28:01,615 --> 00:28:04,250
[ SCOFFS ]
DO I NEED TO?
541
00:28:04,284 --> 00:28:06,152
WHY DOES THE GUY WHO
GUARDS YOU GETTING DRUNK
542
00:28:06,186 --> 00:28:08,321
MEAN YOU GOT TO BLOW A DEAL
KEEPING YOU OUT OF JAIL?
543
00:28:08,354 --> 00:28:10,023
I�M OUT NOW.
AND YOU AREN�T HERE
544
00:28:10,056 --> 00:28:11,858
TO MAKE ME
GO BACK TO THAT MOTEL.
545
00:28:11,892 --> 00:28:13,860
WHY AM I HERE, DON?
546
00:28:13,894 --> 00:28:17,497
TO STAKE YOU HITTING THE ROAD,
LIVIN� A SKELL�S LIFE
547
00:28:17,531 --> 00:28:19,199
TILL THEY COLLAR YOU
FOR THIS OR SOMETHIN� ELSE?
548
00:28:19,232 --> 00:28:20,667
LIKE THAT�S
THE ONLY CHOICE.
549
00:28:20,701 --> 00:28:23,203
IT�S THE ONE YOU MADE
WITH BOYS WHO WANTED
550
00:28:23,236 --> 00:28:26,172
TO LOOK UP TO YOU AND ME
HOPING YOU�D MAKE GOOD.
551
00:28:26,206 --> 00:28:27,841
YEAH, WELL MAYBE
I�D DO BETTER
552
00:28:27,874 --> 00:28:30,243
WITHOUT THE HOLY TRINITY
KEEPING SCORE.
553
00:28:30,276 --> 00:28:34,247
YOU THINK I WANT TO BE
BITTER LIKE THIS, JILL?
554
00:28:34,280 --> 00:28:37,017
I WOULDN�T RATHER STAY
WHERE I COULD SEE THE BOYS?
555
00:28:37,050 --> 00:28:39,853
BUT I GO BACK,
AND I�M LOOKING AT MONTHS
556
00:28:39,886 --> 00:28:42,255
IN THAT RATTRAP
TILL I TESTIFY,
557
00:28:42,288 --> 00:28:45,091
AND THEN GOD KNOWS
WHAT RELOCATION SOMEPLACE
558
00:28:45,125 --> 00:28:47,227
AWAY FROM HERE ANYWAY?
559
00:28:47,260 --> 00:28:49,395
ISN�T A CLEAN BREAK
BETTER NOW?
560
00:28:49,429 --> 00:28:51,431
SOME CLEAN BREAK.
561
00:28:51,464 --> 00:28:54,735
HEY, I�M THINKING ABOUT
MAKING A FEW OTHER STOPS,
562
00:28:54,768 --> 00:28:56,570
LET SOME PEOPLE PAY
FOR HOW I�VE BEEN SET UP.
563
00:28:56,603 --> 00:28:57,771
OH, DON...
564
00:28:57,804 --> 00:28:59,740
DID YOU BRING MONEY FOR ME?
565
00:29:01,808 --> 00:29:04,144
I DIDN�T HAVE TIME TO WRAP
THAT QUESTION UP PRETTY
566
00:29:04,177 --> 00:29:06,246
AND FIND A NICE CARD.
567
00:29:06,279 --> 00:29:09,215
I�VE GOT $780.
568
00:29:09,249 --> 00:29:11,585
OKAY.
569
00:29:11,618 --> 00:29:13,620
GREAT.
570
00:29:13,654 --> 00:29:16,890
HEY, LOOK, MAYBE
WHEN I LAND SOMEPLACE ??
571
00:29:16,923 --> 00:29:18,925
GET IN TOUCH WITH ME AGAIN,
572
00:29:18,959 --> 00:29:21,762
AND I�LL TELL THEM
WHERE TO PICK YOU UP.
573
00:29:21,795 --> 00:29:23,263
ALL RIGHT.
574
00:29:23,296 --> 00:29:25,165
I UNDERSTAND.
575
00:29:34,608 --> 00:29:37,844
MAYBE WE FOUND
EACH OTHER TOO YOUNG.
576
00:29:37,878 --> 00:29:41,147
MAYBE I DID
PUT PRESSURE ON YOU
577
00:29:41,181 --> 00:29:44,951
SO YOU COULDN�T BECOME
WHAT YOU NEEDED TO.
578
00:29:46,352 --> 00:29:48,522
MAKE A LIFE, DON.
579
00:29:53,459 --> 00:29:56,630
HEY, TELL THE BOYS
I LOVE THEM.
580
00:29:57,898 --> 00:29:59,332
[ JILL SIGHS ]
581
00:30:01,134 --> 00:30:03,570
GO AWAY.
582
00:30:36,202 --> 00:30:37,904
HI.
583
00:30:40,507 --> 00:30:43,510
YOU WANT TO GET
A CUP OF COFFEE?
584
00:30:43,544 --> 00:30:45,846
SURE.
585
00:30:54,855 --> 00:30:57,858
THANKS, DIANE.
586
00:30:57,891 --> 00:30:59,660
WHAT HAPPENED?
587
00:30:59,693 --> 00:31:03,029
HE MAY NOT
TURN HIMSELF IN.
588
00:31:03,063 --> 00:31:04,998
HE MAY LEAVE TOWN.
589
00:31:05,031 --> 00:31:08,769
IN OTHER WORDS,
HE�S LEAVING TOWN.
590
00:31:08,802 --> 00:31:10,871
I GUESS, MAYBE.
591
00:31:10,904 --> 00:31:12,673
DID YOU GIVE HIM MONEY?
592
00:31:12,706 --> 00:31:14,340
IF HE�S CAUGHT, JILL,
593
00:31:14,374 --> 00:31:16,276
HE CAN GIVE YOU UP
594
00:31:16,309 --> 00:31:18,579
FOR ACCESSORY
TO FELONY ESCAPE.
595
00:31:18,612 --> 00:31:22,048
LOOK, IF ANYTHING HAPPENS,
596
00:31:22,082 --> 00:31:26,386
OBVIOUSLY YOU DIDN�T KNOW
I WAS TAKING YOUR KEYS.
597
00:31:29,422 --> 00:31:32,225
HE NEVER WOULD HAVE
GOTTEN HIS DEAL.
598
00:31:32,258 --> 00:31:34,060
HE NEVER WOULD HAVE
KEPT HIS END
599
00:31:34,094 --> 00:31:35,729
OF THE BARGAIN TO GET IT.
600
00:31:35,762 --> 00:31:38,098
HE WANTED TO RUN.
601
00:31:38,131 --> 00:31:40,734
THAT�S WHAT HE DOES.
602
00:31:40,767 --> 00:31:43,103
OKAY.
603
00:31:45,405 --> 00:31:48,141
I BELIEVE HE�S GOING TO BE
OUT OF MY LIFE NOW.
604
00:31:50,076 --> 00:31:52,879
IN A WAY, UH,
I FEEL LIKE I RANSOMED
605
00:31:52,913 --> 00:31:55,549
THE REST OF MY LIFE
AND THE BOYS�.
606
00:31:55,582 --> 00:31:57,551
I REALLY BELIEVE THAT.
607
00:31:57,584 --> 00:32:00,987
I HOPE THAT�S HOW IT WORKS.
608
00:32:11,097 --> 00:32:12,766
USING THE LAVATORY.
609
00:32:16,169 --> 00:32:19,072
WELCOME BACK.
610
00:32:19,105 --> 00:32:21,241
Danny: LOOKS LIKE WE
CLEARED THIS, BOSS.
611
00:32:21,274 --> 00:32:23,577
THE GUY THAT OWNED THE GUN
IN THE SHOOTING TWO YEARS AGO ??
612
00:32:23,610 --> 00:32:26,412
THAT YOU WERE WITH US
WHEN THAT BALLISTICS INFORMATION CAME IN ??
613
00:32:26,446 --> 00:32:28,515
HE KEPT THAT PIECE.
WHAT DO YOU THINK OF THAT?
614
00:32:28,549 --> 00:32:30,917
AND THIS GUY
THAT HAD THE PIECE,
615
00:32:30,951 --> 00:32:33,319
HIS YOUNGER BROTHER
REACHED OUT TO GET IT,
616
00:32:33,353 --> 00:32:35,155
BECAUSE THE YOUNGER BROTHER
GOT DISSED
617
00:32:35,188 --> 00:32:37,090
BY HIS GIRLFRIEND�S
FORMER SQUEEZE.
618
00:32:37,123 --> 00:32:39,025
THE FORMER SQUEEZE
BEING OUR D. O. A.?
619
00:32:39,059 --> 00:32:41,327
WHO HAD A PIECE
OF HIS OWN, THIS D. O. A.,
620
00:32:41,361 --> 00:32:43,930
WHICH DETECTIVE SIPOWICZ
WILL NOW SHOW YOU.
621
00:32:43,964 --> 00:32:45,932
HE�S NOT ADDRESSING
THE PROBLEM.
622
00:32:45,966 --> 00:32:47,868
WHAT IS THE PROBLEM?
623
00:32:47,901 --> 00:32:50,604
THE PROBLEM�S COMING OUT
OF THE CAN.
624
00:32:50,637 --> 00:32:52,606
THE D. O. A. THREW SHOTS
625
00:32:52,639 --> 00:32:55,776
AT THIS WOMAN�S YOUNGER SON
WHICH CRIME SCENE MISSED
626
00:32:55,809 --> 00:32:59,379
AND MY SAME EAGLE?EYED
PARTNER JUST COME UP WITH OUT OF THE HALLWAY FLOORBOARD.
627
00:32:59,412 --> 00:33:01,114
HERE�S THE POINT.
628
00:33:01,147 --> 00:33:03,049
HERE IS THE CRUCIAL POINT.
629
00:33:03,083 --> 00:33:05,952
THIS WOMAN STARING DAGGERS
GOT HER OLDER SON
630
00:33:05,986 --> 00:33:08,454
THAT OWNED THE PIECE
TO COOPERATE WITH US
631
00:33:08,488 --> 00:33:11,024
PRIOR TO KNOWING
THAT IT WAS HER YOUNGER SON
632
00:33:11,057 --> 00:33:13,560
THAT ACTUALLY USED THE PIECE.
633
00:33:13,594 --> 00:33:17,363
WHICH THE OLDER BROTHER
DIDN�T KNOW HE WAS RENTING IT TO THE YOUNGER BROTHER.
634
00:33:17,397 --> 00:33:20,400
THE YOUNGER BROTHER
KNEW THE OLDER BROTHER WOULDN�T RENT TO HIM,
635
00:33:20,433 --> 00:33:23,303
SO HE RENTED
THROUGH AN INTERMEDIARY.
636
00:33:23,336 --> 00:33:24,805
SO HERE,
THIS WOMAN STARING DAGGERS
637
00:33:24,838 --> 00:33:26,372
GETS THE OLDER SON
638
00:33:26,406 --> 00:33:28,341
INADVERTENTLY GIVING UP
HER YOUNGER SON ??
639
00:33:28,374 --> 00:33:30,310
THAT SHOULD MAKE
A PRETTY GOOD ARGUMENT
640
00:33:30,343 --> 00:33:31,712
FOR SELF?DEFENSE FOR,
641
00:33:31,745 --> 00:33:34,314
TO BEGIN WITH,
THE YOUNGER SON.
642
00:33:34,347 --> 00:33:38,151
SO, IT SHOULDN�T GO BAD
FOR NEITHER SON ON THE MERITS,
643
00:33:38,184 --> 00:33:40,654
PLUS THEY BOTH
WERE ALSO COOPERATIVE,
644
00:33:40,687 --> 00:33:43,323
AND WE�RE GOING TO DO
EVERYTHING WE CAN
645
00:33:43,356 --> 00:33:45,559
HOW WE WRITE THINGS UP.
646
00:33:47,393 --> 00:33:50,831
AND THIS IS WHAT YOU
GOT TO EXPLAIN TO HER.
647
00:33:50,864 --> 00:33:52,733
THE WOMAN STARING DAGGERS?
648
00:33:52,766 --> 00:33:56,169
YEAH, �CAUSE SHE�S GOING
TO TAKE IT A LOT BETTER COMING FROM YOU.
649
00:33:56,202 --> 00:33:59,840
WE KIND OF STEERED HER INTO
A JACKPOT WITHOUT MEANING TO.
650
00:33:59,873 --> 00:34:02,342
PLUS SHE�S TAKEN
AN INSTINCTIVE DISLIKE ??
651
00:34:02,375 --> 00:34:04,277
POSSIBLE RACIAL COMPONENT.
652
00:34:07,447 --> 00:34:09,482
Andy: LORRAINE WIGGINS.
653
00:34:19,225 --> 00:34:20,393
I�M ARTHUR FANCY.
654
00:34:20,426 --> 00:34:22,362
MY DETECTIVES ASKED ME
TO TALK WITH YOU.
655
00:34:22,395 --> 00:34:24,197
Lorraine: MAKE ME
WAIT ALL THIS TIME
656
00:34:24,230 --> 00:34:26,933
AND DON�T HAVE NERVE
TO TALK TO ME THEIRSELVES?
657
00:34:28,001 --> 00:34:29,870
SHALL WE TALK
IN MY OFFICE?
658
00:34:29,903 --> 00:34:32,573
NO. TELL ME OUT HERE.
659
00:34:36,677 --> 00:34:38,812
I KNOW YOU�RE
AFRAID FOR YOUR BOYS.
660
00:34:38,845 --> 00:34:40,280
HE TOLD ME I COULD
TRUST HIM ??
661
00:34:40,313 --> 00:34:41,548
THAT OLD BALD ONE,
662
00:34:41,582 --> 00:34:43,416
AND LOOK WHAT IT GOT ME.
663
00:34:43,449 --> 00:34:45,919
THAT OLD BALD DETECTIVE
AND HIS PARTNER,
664
00:34:45,952 --> 00:34:48,088
THEY TOLD ME
THIS HOMICIDE CLEARS
665
00:34:48,121 --> 00:34:50,591
BECAUSE YOU
AND YOUR SONS COOPERATED.
666
00:34:50,624 --> 00:34:52,626
AND WHAT DOES THAT
COUNT FOR?
667
00:34:52,659 --> 00:34:55,395
D.A.s DON�T FIGURE
TO MAKE THEIR CAREERS
668
00:34:55,428 --> 00:34:58,298
PROSECUTING CASES DETECTIVES
AREN�T REALLY BEHIND.
669
00:34:58,331 --> 00:35:02,402
THEY KNOW THINGS CAN GET
EMBARRASSING AT TRIAL.
670
00:35:02,435 --> 00:35:04,404
THEY�LL HAVE TO BE ARRAIGNED,
MRS. WIGGINS,
671
00:35:04,437 --> 00:35:06,807
BUT I�D BE SURPRISED
IF EITHER OF YOUR SONS
672
00:35:06,840 --> 00:35:08,241
GETS JAIL TIME.
673
00:35:08,274 --> 00:35:11,144
AND IF THEY
DO END UP IN JAIL,
674
00:35:11,177 --> 00:35:14,347
WHERE DO I CASH
YOU BEING SURPRISED?
675
00:35:14,380 --> 00:35:18,184
WE HONOR THE FAVORS
PEOPLE DO US.
676
00:35:21,688 --> 00:35:25,859
I WON�T BE ABLE TO STAND
SAYING GOODBYE TO THEM.
677
00:35:25,892 --> 00:35:30,597
I�LL TELL YOUR BOYS
YOU SAID GOODBYE,
678
00:35:30,631 --> 00:35:34,200
AND I�LL HAVE A LOT MORE
INFORMATION FOR YOU TOMORROW.
679
00:35:34,234 --> 00:35:37,604
TELL THAT OLD BALD ONE
680
00:35:37,638 --> 00:35:39,973
I HOLD HIM ACCOUNTABLE.
681
00:35:40,006 --> 00:35:41,708
HE KNOWS.
682
00:35:53,820 --> 00:35:55,889
Andy: HOW�D IT GO?
683
00:35:55,922 --> 00:35:57,624
IT WENT OKAY.
684
00:35:57,658 --> 00:36:00,060
WAS SHE, UH, COMBATIVE?
685
00:36:00,093 --> 00:36:01,795
NO.
686
00:36:01,828 --> 00:36:03,329
WHAT WAS SHE?
687
00:36:03,363 --> 00:36:05,866
SHE ACCEPTS WE�RE
GOING TO TRY OUR BEST
688
00:36:05,899 --> 00:36:08,368
TO KEEP HER SONS
OUT OF JAIL.
689
00:36:08,401 --> 00:36:11,905
YEAH. I KNEW YOU�D
HAVE A BETTER RAPPORT.
690
00:36:11,938 --> 00:36:16,476
SHE MAKE ANY
DEROGATORY REFERENCES?
691
00:36:16,510 --> 00:36:18,879
SHE SAID YOU
WERE OLD AND BALD.
692
00:36:18,912 --> 00:36:20,146
OLD?
693
00:36:20,180 --> 00:36:21,381
BALD?
694
00:36:21,414 --> 00:36:24,718
[ GREG GRUNTS ]
695
00:36:24,751 --> 00:36:26,687
YOU HURT YOUR BACK, GREG?
696
00:36:26,720 --> 00:36:29,856
NO, I JUST CAUGHT A TWINGE
WHEN I STRAIGHTENED.
697
00:36:29,890 --> 00:36:31,091
MAC�S AT 7:00?
698
00:36:31,124 --> 00:36:33,126
MAC�S AT 7:00.
699
00:36:36,262 --> 00:36:38,398
GET THE RIGHT STATEMENTS
FROM HER SON.
700
00:36:38,431 --> 00:36:40,734
ABSOLUTELY.
701
00:36:51,578 --> 00:36:53,547
[ PEOPLE CHATTERING ]
702
00:36:58,151 --> 00:36:59,520
HEY, UH, TOMMY.
703
00:36:59,553 --> 00:37:01,454
[ TOMMY CLINKING GLASS ]
704
00:37:01,487 --> 00:37:04,190
UH?OH. HERE YOU GO.
705
00:37:04,224 --> 00:37:08,361
UH, I BETTER GET ALL
THE, UH, TEASING AND LEVITY
706
00:37:08,394 --> 00:37:10,631
OUT OF MY SYSTEM HERE TONIGHT
707
00:37:10,664 --> 00:37:13,700
�CAUSE, UH, JAMES BEING
PROMOTED TO SERGEANT,
708
00:37:13,734 --> 00:37:17,270
I KNOW ANY SHOE?SQUEEZING
I DO THE NEXT TIME I SEE HIM
709
00:37:17,303 --> 00:37:20,073
IS LIABLE TO COST ME
A 10?DAY RIP.
710
00:37:20,106 --> 00:37:22,743
[ PEOPLE LAUGHING AND GROANING ]
711
00:37:22,776 --> 00:37:25,579
Greg: YEAH. UH, ONE THING,
712
00:37:25,612 --> 00:37:28,649
UH, HIM GOING
BACK IN THE BAG,
713
00:37:28,682 --> 00:37:31,885
I GET TO KEEP POSTPONING
THAT CONVERSATION
714
00:37:31,918 --> 00:37:34,087
I�VE ALWAYS DREADED
HAVING WITH JAMES,
715
00:37:34,120 --> 00:37:36,557
UH, ABOUT HIS TASTE
IN CLOTHES.
716
00:37:36,590 --> 00:37:39,325
Woman: OH!
717
00:37:39,359 --> 00:37:40,727
SO, UH,
718
00:37:40,761 --> 00:37:43,429
WHAT SHOULD I
SAY ABOUT MY PARTNER
719
00:37:43,463 --> 00:37:46,266
I HOOKED UP WITH
SEVEN YEARS AGO?
720
00:37:46,299 --> 00:37:51,071
CAME OVER FROM ANTI?CRIME
WET BEHIND THE EARS,
721
00:37:51,104 --> 00:37:54,007
NOW HE�S LEAVING MARRIED
AND WITH A KID OF HIS OWN.
722
00:37:54,040 --> 00:37:56,409
JAMES LEO MARTINEZ
723
00:37:56,442 --> 00:37:58,945
HAS BEEN A PLEASURE
TO WORK WITH ??
724
00:37:58,979 --> 00:38:00,947
A FIRST?RATE DETECTIVE
725
00:38:00,981 --> 00:38:03,416
AND A GREAT DAILY COMPANION ??
726
00:38:03,449 --> 00:38:05,986
NOT JUST TAKING MY BACK,
727
00:38:06,019 --> 00:38:08,021
WHICH THERE HAVE
BEEN THOSE DAYS,
728
00:38:08,054 --> 00:38:11,024
AND THANK GOD JAMES
WAS WITH ME.
729
00:38:11,057 --> 00:38:14,961
HE�S BEEN A GREAT PARTNER.
730
00:38:14,995 --> 00:38:17,631
EVERYTHING LIFE BROUGHT,
WHATEVER CAME DOWN THE PIKE,
731
00:38:17,664 --> 00:38:19,966
THAT�S WHAT
THE TWO OF US SHARED.
732
00:38:20,000 --> 00:38:22,302
ALL OF US HERE KNOW
733
00:38:22,335 --> 00:38:26,773
OUR TIME ON THIS JOB
GOES SO QUICK.
734
00:38:26,807 --> 00:38:31,144
WE DON�T GET
MANY LONG?TERM PARTNERS.
735
00:38:33,346 --> 00:38:36,917
I�M GRATEFUL I CAUGHT
SUCH A LUCKY HAND.
736
00:38:39,219 --> 00:38:42,689
SERGEANT JAMES MARTINEZ.
737
00:38:49,429 --> 00:38:52,966
GO GET �EM, PAL.
738
00:38:52,999 --> 00:38:57,370
ONE THING ?? MY WIFE MADE ME
PROMISE I WOULDN�T SING.
739
00:38:57,403 --> 00:38:59,372
GOOD FOR GINA.
740
00:38:59,405 --> 00:39:02,743
I ALSO WAIVE THE HONOREE�S
CUSTOMARY 10% CUT
741
00:39:02,776 --> 00:39:06,880
OF THE POST?RACKET
CRAP GAME!
742
00:39:06,913 --> 00:39:09,482
[ WHISTLES ]
743
00:39:09,516 --> 00:39:13,186
SERIOUSLY, I�M GRATEFUL
YOU ALL CAME TONIGHT,
744
00:39:13,219 --> 00:39:17,257
AND I ENJOYED WORKING
WITH EVERY ONE OF YOUS,
745
00:39:17,290 --> 00:39:20,160
AND I�M ALSO GRATEFUL
NOT TO BE LEAVING THIS JOB,
746
00:39:20,193 --> 00:39:25,832
SO I CAN LOOK FORWARD TO US
KEEPING ON WORKING TOGETHER,
747
00:39:25,866 --> 00:39:27,834
EVEN THOUGH
IN MY NEW CAPACITY,
748
00:39:27,868 --> 00:39:29,870
I CAN�T
BE COMPROMISING MYSELF
749
00:39:29,903 --> 00:39:32,038
CUTTING ANYONE
ANY SPECIAL BREAKS ??
750
00:39:32,072 --> 00:39:36,042
WHICH I HOPE YOU ALL KNOW
IS A BUNCH OF MALARKEY.
751
00:39:36,076 --> 00:39:38,044
ONE THING IS,
752
00:39:38,078 --> 00:39:40,547
IF WE DON�T RUN
INTO EACH OTHER WORKING,
753
00:39:40,581 --> 00:39:43,216
I HOPE WE ALL
STILL CAN STAY IN TOUCH,
754
00:39:43,249 --> 00:39:46,553
�CAUSE, UH, I REMEMBER,
EVEN IN HIGH SCHOOL,
755
00:39:46,587 --> 00:39:48,555
MY CLOSEST BUDDIES,
756
00:39:48,589 --> 00:39:51,024
WE DIDN�T STAY IN TOUCH
THAT MUCH,
757
00:39:51,057 --> 00:39:53,393
SO I HOPE THAT
AIN�T THE CASE HERE.
758
00:39:53,426 --> 00:39:57,397
I JUST WANT TO THANK EVERYBODY
AGAIN FOR COMING OUT,
759
00:39:57,430 --> 00:39:59,566
AND, UH,
760
00:39:59,600 --> 00:40:03,169
THANK GOD FOR WHOEVER
INVENTED THIS JOB.
761
00:40:09,175 --> 00:40:12,245
WAY TO GO, SARGE.
762
00:40:29,763 --> 00:40:31,497
LOOK AT THIS, RUDY.
763
00:40:31,532 --> 00:40:34,000
LOOK WHAT I GAVE UP
FOR THIS MESS.
764
00:40:34,034 --> 00:40:35,936
DIANE, DIANE,
I�M SORRY, HONEY.
765
00:40:35,969 --> 00:40:37,638
HONEY? ARE YOU DRUNK?
766
00:40:37,671 --> 00:40:39,405
I WISH I WAS DRUNK.
767
00:40:39,439 --> 00:40:41,407
WHY�D YOU PAGE ME?
768
00:40:41,441 --> 00:40:44,778
THIS HAS GOT TO BE
YOUR PARTNER�S EX.
769
00:40:44,811 --> 00:40:46,780
DIANE RUSSELL FROM THE 15th,
RUDY RUSSO.
770
00:40:46,813 --> 00:40:48,414
HOW ARE YOU DOING?
771
00:40:48,448 --> 00:40:50,083
BETTER THAN THIS GUY.
772
00:40:50,116 --> 00:40:54,087
ARE YOU AT LEAST GOING TO
GET ME OFF THE HOT SEAT
773
00:40:54,120 --> 00:40:56,690
FOR STANDING HER UP?
Russo: DENBY DISCOVERED OUR MYSTERY MAN,
774
00:40:56,723 --> 00:40:58,592
HANDS AND FEET CUT OFF,
775
00:40:58,625 --> 00:41:01,094
HEAD CUT OFF SO WE
CAN�T CHECK DENTAL RECORDS.
776
00:41:01,127 --> 00:41:03,697
BEST THIS GUY
GIVES ME FOR A LEAD
777
00:41:03,730 --> 00:41:05,365
IS TWO UNIDENTIFIED
MALE HISPANICS
778
00:41:05,398 --> 00:41:07,367
BEATING FEET
DOWN THE STREET OUT THERE.
779
00:41:07,400 --> 00:41:08,869
EXCUSE ME FOR MY
FIRST CURIOSITY BEING,
780
00:41:08,902 --> 00:41:11,638
WHAT MISCHIEF MIGHT
THE UNIDENTIFIED MALE HISPANICS
781
00:41:11,672 --> 00:41:13,373
BE UP TO IN THE ALLEY?
782
00:41:13,406 --> 00:41:14,374
Diane: THANKS.
783
00:41:14,407 --> 00:41:15,942
YOU�RE A GOOD INFLUENCE.
784
00:41:15,976 --> 00:41:17,911
LATEST I�VE
SEEN DENBY UPRIGHT.
785
00:41:19,312 --> 00:41:20,881
WHAT AM I DOING HERE,
DENBY?
786
00:41:20,914 --> 00:41:23,383
I GIVE UP
ON YOUR PARTNER�S PLACE,
787
00:41:23,416 --> 00:41:24,885
LIKE, TWO HOURS AGO,
788
00:41:24,918 --> 00:41:27,220
START SITTING ON ONE
OF THE DOMINICANS
789
00:41:27,253 --> 00:41:29,623
HER EX?HUSBAND MULED FOR
LIKE TWO BLOCKS FROM HERE.
790
00:41:29,656 --> 00:41:33,193
ONE OF HIS CREW�S OUTSIDE
WASHING DOWN THE INSIDE OF A VAN.
791
00:41:33,226 --> 00:41:36,797
I START CHECKING
SOME DUMPSTERS, I FIND THAT.
792
00:41:36,830 --> 00:41:38,632
YOU DIDN�T TELL RUSSO
793
00:41:38,665 --> 00:41:40,500
ABOUT SITTING
ON THE DOMINICANS� PLACE?
794
00:41:40,534 --> 00:41:42,503
THESE DOMINICANS
ARE GOING AWAY ANYHOW.
795
00:41:42,536 --> 00:41:44,805
IF THAT BODY
IS YOUR PARTNER�S EX,
796
00:41:44,838 --> 00:41:47,674
MY LIFE�S A LOT SIMPLER
IF HE�S NEVER IDENTIFIED.
797
00:41:47,708 --> 00:41:50,043
THE ONLY THING ??
798
00:41:50,076 --> 00:41:53,013
IS THIS HIS RING,
DO YOU KNOW?
799
00:41:53,046 --> 00:41:54,848
YOU FOUND THAT
ON THE BODY?
800
00:41:54,881 --> 00:41:57,383
SOME KIND OF INTERLOCKED
HEARTS ON THE INSIDE.
801
00:41:57,417 --> 00:41:58,819
DO YOU KNOW IF IT�S HIS?
802
00:41:58,852 --> 00:42:00,654
�CAUSE HE DIDN�T HAVE A RING
WHEN I WAS GUARDING HIM.
803
00:42:00,687 --> 00:42:02,656
I WANT THAT.
804
00:42:02,689 --> 00:42:05,425
YOU WANT TO GIVE IT
TO YOUR PARTNER? YEAH.
805
00:42:05,458 --> 00:42:07,928
YOU UNDERSTAND ABOUT
MY LIFE BEING SIMPLER?
806
00:42:07,961 --> 00:42:09,863
GIVE ME THE RING, DENBY.
807
00:42:11,565 --> 00:42:12,833
SO IT IS HIS RING.
808
00:42:12,866 --> 00:42:13,800
YEAH...
809
00:42:15,035 --> 00:42:16,002
[ SIGHS ]
810
00:42:16,036 --> 00:42:17,303
IT�S HIS.
811
00:42:39,560 --> 00:42:42,529
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812
00:42:42,563 --> 00:42:44,497
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00:42:44,547 --> 00:42:49,097
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