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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:14,280 --> 00:00:16,216 [ KNOCK ON DOOR ] 2 00:00:19,152 --> 00:00:20,353 [ SIGHS ] 3 00:00:25,025 --> 00:00:26,492 HI, JILL. 4 00:00:26,527 --> 00:00:27,861 [ SIGHS ] I�M SORRY, DIANE. 5 00:00:27,894 --> 00:00:29,730 COME ON IN. 6 00:00:31,532 --> 00:00:33,867 I, UH... 7 00:00:33,900 --> 00:00:36,469 I DON�T KNOW WHAT TO DO ABOUT DON. 8 00:00:36,503 --> 00:00:38,404 IT�S OKAY, JILL. SIT DOWN, WE�LL FIGURE IT OUT. 9 00:00:38,438 --> 00:00:40,006 WANT SOME WATER? 10 00:00:40,040 --> 00:00:41,441 YOU GOING TO THROW IT ON ME? 11 00:00:48,915 --> 00:00:50,684 DID YOU, UM, 12 00:00:50,717 --> 00:00:53,486 DID YOU SEE ANYTHING ON THE NEWS ABOUT DON�S COLLAR? 13 00:00:53,520 --> 00:00:55,021 Diane: NO. 14 00:00:55,055 --> 00:00:57,023 YEAH, I DIDN�T SEE ANYTHING. 15 00:00:57,057 --> 00:00:58,559 THAT MUST BE A RELIEF. 16 00:00:58,592 --> 00:01:01,261 YEAH, I WAS AFRAID I WAS GOING TO SEE IT ON THE NEWS. 17 00:01:02,663 --> 00:01:04,698 HERE YOU GO. THANKS. 18 00:01:04,731 --> 00:01:05,899 MM?HMM. 19 00:01:08,034 --> 00:01:10,003 I, UH, I FEEL LIKE 20 00:01:10,036 --> 00:01:12,539 I�M ON ONE OF THOSE WHEELS IN A CAGE, 21 00:01:12,573 --> 00:01:15,141 WHICH WOULD MAKE ME THE RAT IN THIS STORY, 22 00:01:15,175 --> 00:01:18,011 WHICH I�M TRYING NOT TO THINK I AM. 23 00:01:18,044 --> 00:01:20,013 WHY WOULD YOU BE THE RAT? 24 00:01:20,046 --> 00:01:23,950 BECAUSE I MADE HIM THE BOYS� FATHER. 25 00:01:23,984 --> 00:01:26,186 I LOVED HIM. 26 00:01:26,219 --> 00:01:28,054 HE WAS ALWAYS IN TROUBLE, 27 00:01:28,088 --> 00:01:30,957 AND ?? 28 00:01:30,991 --> 00:01:33,694 AND I LOVED THAT ABOUT HIM, TOO. 29 00:01:33,727 --> 00:01:36,162 I DON�T KNOW WHAT TO TELL THE BOYS. 30 00:01:36,196 --> 00:01:38,164 MAYBE THAT MEANS DON�T SAY ANYTHING. 31 00:01:38,198 --> 00:01:41,334 I DON�T WANT TO TELL THEM ANYTHING. 32 00:01:41,367 --> 00:01:43,369 WE�LL SEE HOW THINGS SHAKE OUT 33 00:01:43,403 --> 00:01:46,139 WITH THIS MOVE THE BOSS IS TRYING. 34 00:01:46,172 --> 00:01:49,209 YEAH, YOU KNOW, MAYBE IF DON GETS A DEAL 35 00:01:49,242 --> 00:01:51,211 AND THEY DON�T MAKE HIM TESTIFY, 36 00:01:51,244 --> 00:01:53,880 OR IF THEY USE HIS INFORMATION 37 00:01:53,914 --> 00:01:56,750 AND THEY DON�T MAKE HIM TESTIFY AND HE DOESN�T HAVE TO DO TIME ?? 38 00:01:56,783 --> 00:01:58,919 JILL. 39 00:02:04,090 --> 00:02:06,827 YOU KNOW, WHAT KIND OF SENSE DOES IT MAKE, DIANE, 40 00:02:06,860 --> 00:02:08,461 WHEN SOMEONE LIKE DON 41 00:02:08,494 --> 00:02:11,031 HAS GOT PEOPLE GOING CRAZY OVER HIM, 42 00:02:11,064 --> 00:02:13,900 AND ?? AND SOMEONE LIKE BOBBY IS DEAD? 43 00:02:17,170 --> 00:02:18,872 WE�LL JUST GET THROUGH IT, JILL. 44 00:02:18,905 --> 00:02:21,307 WE�LL JUST GET THROUGH IT. 45 00:02:21,341 --> 00:02:24,377 WE GOT TO GET TO WORK. 46 00:02:24,410 --> 00:02:26,212 THIS IS WORK. 47 00:02:26,246 --> 00:02:27,413 HA HA. 48 00:02:27,447 --> 00:02:28,549 YEAH. 49 00:04:00,841 --> 00:04:02,676 D.O.A.�s RICARDO MONTEL. 50 00:04:02,709 --> 00:04:05,211 HE WAS WATCHING TV WITH HIS WIFE AND KID. 51 00:04:05,245 --> 00:04:08,014 SHOOTER ?? DARK MALE ?? JUST WALKS INTO NUMBER 1 ?? 52 00:04:08,048 --> 00:04:10,350 COUPLE SHOTGUN BLASTS TO THE CHEST. 53 00:04:10,383 --> 00:04:13,286 LOOKS LIKE NOTHING WAS TAKEN. WIFE�S IN NUMBER 6. 54 00:04:13,319 --> 00:04:15,321 YEAH, WE�LL GO TALK TO HER. Man: NAME�S ROSIE. 55 00:04:15,355 --> 00:04:17,457 SHE�S CRYING UPSTAIRS. YOU�RE GONNA HAVE TO GET HER OUT OF THE BATHROOM. 56 00:04:17,490 --> 00:04:19,059 WE GOT IT. 57 00:04:19,092 --> 00:04:21,628 D.O.A.�s BROTHER THREW SHOTS AT HIM WITH THIS. 58 00:04:21,662 --> 00:04:24,364 JOAQUIN ENRIQUEZ. 59 00:04:24,397 --> 00:04:26,533 JOAQUIN? I LIVE NEXT DOOR. 60 00:04:26,567 --> 00:04:28,502 HOW DO YOU SPELL THAT? JUST PUT "JOE" DOWN. 61 00:04:28,535 --> 00:04:30,136 YOU THREW SHOTS AT THE GUY? DAMN RIGHT I DID. 62 00:04:30,170 --> 00:04:33,173 I HEARD THE NOISE, MY SISTER?IN?LAW SCREAMING. 63 00:04:33,206 --> 00:04:35,375 I GRABBED MY .38, I COME OUTSIDE, 64 00:04:35,408 --> 00:04:37,911 I SEE THIS PRICK RUNNING, I THROW SOME SHOTS. 65 00:04:37,944 --> 00:04:39,980 YOU HIT HIM? COULD BE. 66 00:04:40,013 --> 00:04:41,815 HE TRIPPED, LOST HIS RIFLE. 67 00:04:41,848 --> 00:04:43,083 SHOTGUN ?? WE GOT THAT. 68 00:04:43,116 --> 00:04:45,318 YOU WERE JUST WAITING FOR A LULL 69 00:04:45,351 --> 00:04:47,721 TO CONVEY THAT YOU�VE GOT THE MURDER WEAPON. 70 00:04:47,754 --> 00:04:49,856 SO WHAT DID THIS GUY LOOK LIKE? 71 00:04:49,890 --> 00:04:51,558 I JUST SAW THE BACK. 72 00:04:51,592 --> 00:04:53,627 YOU GOT A PERMIT FOR THAT .38? 73 00:04:53,660 --> 00:04:55,962 YEAH. I WORK IN PLUMBING SUPPLY. 74 00:04:55,996 --> 00:04:58,498 CASH BUSINESS ?? OUR OFFICE AIN�T EXACTLY PARK AVENUE. 75 00:04:58,532 --> 00:05:00,534 WHO MIGHT WANT YOUR BROTHER DEAD? 76 00:05:00,567 --> 00:05:02,168 COULD HAVE BEEN ROBBERY. 77 00:05:02,202 --> 00:05:04,137 BROAD DAYLIGHT, NOTHING MISSING ?? LOOKS PERSONAL. 78 00:05:04,170 --> 00:05:07,808 WHAT KIND OF BUSINESS WAS RICO IN? 79 00:05:07,841 --> 00:05:10,544 SAME AS ME ?? IT�S HIS BUSINESS I WORK FOR. 80 00:05:10,577 --> 00:05:12,979 ALSO, UH, RICO SOMETIMES ?? 81 00:05:13,013 --> 00:05:15,081 HE LOANED MONEY. 82 00:05:15,115 --> 00:05:18,051 SOMEONE MIGHT HAVE WANTED TO CANCEL A LOAN. 83 00:05:18,084 --> 00:05:19,786 GOT ANY IDEA WHO THAT COULD BE? 84 00:05:19,820 --> 00:05:21,387 I STAYED OUT OF HIS WAY. 85 00:05:21,421 --> 00:05:23,657 ALL RIGHT, THANKS FOR YOUR HELP, MR. ENRIQUEZ. WE�LL BE IN TOUCH. 86 00:05:23,690 --> 00:05:26,159 I�M GOING TO GET MY GUN BACK, RIGHT? 87 00:05:26,192 --> 00:05:29,029 YEAH, YEAH. THAT IS, IF WE DON�T LOSE IT. 88 00:05:37,738 --> 00:05:40,874 SO I�M WAITING FOR YOU TO ASK ME 89 00:05:40,907 --> 00:05:43,176 HOW IT WENT WITH THAT LORETTA BECKWITH 90 00:05:43,209 --> 00:05:44,645 OF E. M. S. LAST NIGHT. 91 00:05:44,678 --> 00:05:46,513 YEAH, HOW�D IT GO? 92 00:05:46,547 --> 00:05:49,049 I HAD SOME MOMENT OF REALIZATION. 93 00:05:49,082 --> 00:05:51,184 A COUPLE IN THE BUFFET LINE 94 00:05:51,217 --> 00:05:52,553 AT THAT LANCOTTA�S RESTAURANT ?? 95 00:05:52,586 --> 00:05:56,557 GIRL�S MAYBE A FAST 22, GUY WITH HER�S MID?40s, 96 00:05:56,590 --> 00:05:58,559 AND I�M THINKING TO MYSELF, 97 00:05:58,592 --> 00:06:01,562 "WHAT IS IN THAT MAN�S MIND? 98 00:06:01,595 --> 00:06:04,497 DON�T HE REALIZE THE DOPEY CONTRAST?" 99 00:06:04,531 --> 00:06:07,501 I THEN LOOK AT THIS E. M. S. GIRL BESIDE ME 100 00:06:07,534 --> 00:06:12,205 AND I REALIZE, AS FAR AS AGE DISCREPANCY, 101 00:06:12,238 --> 00:06:14,808 HER AND I ARE NO DIFFERENT FROM THAT COUPLE. 102 00:06:14,841 --> 00:06:17,243 IN FACT, WE�RE A MIRROR IMAGE. 103 00:06:17,277 --> 00:06:21,247 BROUGHT ME UP SHORT, I�LL TELL YOU THAT MUCH. 104 00:06:21,281 --> 00:06:23,917 HEY, GREG, I PASSED THE SERGEANT�S TEST. 105 00:06:26,486 --> 00:06:27,954 YEAH. JAMES. 106 00:06:27,988 --> 00:06:29,556 I�M NUMBER 67. 107 00:06:29,590 --> 00:06:32,258 I HEARD THE JOB�S GOING TO TAKE THE FIRST 100. 108 00:06:35,061 --> 00:06:36,830 CONGRATULATIONS, BUDDY. 109 00:06:36,863 --> 00:06:39,032 I CAN�T FIGURE I�M ANYTHING BUT NUTS ?? 110 00:06:39,065 --> 00:06:41,167 WHEN I FIND OUT I�M IN LINE FOR A PROMOTION, 111 00:06:41,201 --> 00:06:43,169 IT THROWS ME FOR A LOOP. 112 00:06:43,203 --> 00:06:45,205 WELL, JAMES, 113 00:06:45,238 --> 00:06:49,175 MOVING UP TO SERGEANT�S A LIFE?CHANGING CAREER MOVE. 114 00:06:49,209 --> 00:06:52,045 YEAH, MORE SALARY, 115 00:06:52,078 --> 00:06:54,047 BETTER PENSION, AND STEADIER HOURS ?? 116 00:06:54,080 --> 00:06:57,217 WHO WOULDN�T HAVE MISGIVINGS? 117 00:06:57,250 --> 00:06:59,620 WELL, HOW ABOUT A TOTALLY NEW WORK ENVIRONMENT 118 00:06:59,653 --> 00:07:01,622 AND LOSS OF PRIOR FRIENDSHIPS 119 00:07:01,655 --> 00:07:05,458 ON THE OTHER SIDE OF THE LEDGER, JAMES? 120 00:07:05,491 --> 00:07:08,061 IMAGINE SPENDING A WHOLE SHIFT BEHIND A DESK. 121 00:07:08,094 --> 00:07:10,531 THAT�S WHAT A LOT OF THEM GUYS DO. 122 00:07:10,564 --> 00:07:12,899 NOT TO MENTION LOSS OF PRIOR FRIENDSHIPS. 123 00:07:15,569 --> 00:07:19,139 ANYWAYS, FOOD FOR THOUGHT, I GUESS, YOU KNOW? 124 00:07:19,172 --> 00:07:20,741 OH, YEAH, YOU ABSOLUTELY 125 00:07:20,774 --> 00:07:23,376 GOT TO GIVE IT SERIOUS CONSIDERATION. 126 00:07:23,409 --> 00:07:25,145 WELL, ONE THING I GUARANTEE YOU ?? 127 00:07:25,178 --> 00:07:26,713 WHATEVER I DECIDE, 128 00:07:26,747 --> 00:07:29,349 THE FRIENDSHIP BETWEEN YOU AND ME CONTINUES. 129 00:07:29,382 --> 00:07:31,351 NO, THAT ?? THAT GOES WITHOUT SAYING. 130 00:07:31,384 --> 00:07:33,620 I MEAN, YOU�RE MY FRIEND 131 00:07:33,654 --> 00:07:35,789 AND GODFATHER TO MY CHILD. 132 00:07:35,822 --> 00:07:38,391 ABSOLUTELY GOES WITHOUT SAYING, JAMES. 133 00:08:01,281 --> 00:08:03,216 GOT A MAN D.O.A. IN HIS APARTMENT, 134 00:08:03,249 --> 00:08:05,451 MALE HISPANIC, SHOOTER FLED ON FOOT. 135 00:08:05,485 --> 00:08:08,388 SHOOTER WALKS IN, GIVES HIM TWO IN THE CHEST. 136 00:08:08,421 --> 00:08:10,123 WIFE GOT SOME KIND OF LOOK AT THE GUY, 137 00:08:10,156 --> 00:08:12,458 BUT SHE WAS TOO UPSET TO TALK. LOCKED HERSELF IN THE BATHROOM. 138 00:08:12,492 --> 00:08:14,227 WE GOT HER COMING IN SOON TO LOOK AT PICTURES. 139 00:08:14,260 --> 00:08:15,862 Danny: WE GOT A SHOTGUN. 140 00:08:15,896 --> 00:08:18,164 CRIME SCENE�S PROCESSING THAT FOR PRINTS. 141 00:08:18,198 --> 00:08:20,333 PLUS WE GOT THE D. O. A.�s BROTHER, LIVES NEXT DOOR, 142 00:08:20,366 --> 00:08:22,569 WHO THREW SHOTS AT THE GUY. 143 00:08:22,603 --> 00:08:24,070 THAT�S WHEN THE SHOOTER DROPPED THE SHOTGUN. 144 00:08:24,104 --> 00:08:26,239 HE GET A LOOK? 145 00:08:26,272 --> 00:08:30,076 NO, JOAQUIN SAYS HE ONLY SAW HIM FROM BEHIND WHILE HE WAS TAKING TARGET PRACTICE. 146 00:08:30,110 --> 00:08:32,245 WE�RE ALSO WORKING ON DUMPING THE PHONE RECORDS. 147 00:08:32,278 --> 00:08:34,748 GOOD. KEEP ME POSTED. 148 00:08:34,781 --> 00:08:37,217 ARE THERE CASES YOU DON�T WANT TO KEEP POSTED ON? 149 00:08:37,250 --> 00:08:38,852 WHAT�S THE POINT OF SAYING THAT? 150 00:08:38,885 --> 00:08:41,187 OKAY. GET OUT OF MY OFFICE. 151 00:08:41,221 --> 00:08:44,190 Man: LATENT PRINTS. I�D LIKE TO SPEAK TO A DETECTIVE. 152 00:08:46,693 --> 00:08:49,295 THIS GENTLEMAN WANTS TO SEE A DETECTIVE. 153 00:08:49,329 --> 00:08:52,065 HE GESTURES AS IF HE�S ACKNOWLEDGING A CROWD, 154 00:08:52,098 --> 00:08:56,036 AND I THINK HE�S SAYING HE�S UNCROWNED ROYALTY. 155 00:08:57,604 --> 00:09:00,073 YEAH, DETECTIVE SIPOWICZ, DETECTIVE SORENSON. 156 00:09:00,106 --> 00:09:02,175 HOW�S IT GOING? 157 00:09:02,208 --> 00:09:03,577 GENTLEMEN, 158 00:09:03,610 --> 00:09:07,480 DO I APPEAR TO HAVE A FUNGO BAT IN MY HANDS? 159 00:09:07,514 --> 00:09:09,482 DO YOU THINK YOU HAVE ONE? 160 00:09:09,516 --> 00:09:11,818 PRESTON ROSS ?? LATENT PRINTS. 161 00:09:11,852 --> 00:09:13,353 ON OUR JOB. 162 00:09:13,386 --> 00:09:15,989 LATENT PRINTS ?? PRESTON ROSS. 163 00:09:16,022 --> 00:09:17,991 OUR COMPUTER KICKED OUT A HIT 164 00:09:18,024 --> 00:09:21,194 ON THOSE PRINTS WE LIFTED OFF THAT SHOTGUN 165 00:09:21,227 --> 00:09:23,564 FROM YOUR CRIME SCENE, AND I WAS SO PLEASED, 166 00:09:23,597 --> 00:09:26,299 I CAME TO DELIVER THE MESSAGE PERSONALLY. 167 00:09:26,332 --> 00:09:28,201 WHO�S OUR MAN, PRESTON? 168 00:09:28,234 --> 00:09:30,003 I�VE GOT SOME CHARTS RIGHT HERE. 169 00:09:30,036 --> 00:09:32,305 DO WE HAVE SOMEWHERE WE COULD POST THEM? 170 00:09:32,338 --> 00:09:33,574 AHEM. 171 00:09:46,820 --> 00:09:50,490 DACTYLOSCOPY, GENTLEMEN ?? 172 00:09:50,524 --> 00:09:54,294 THE STUDY OF THE PAPILLARY RIDGES. 173 00:09:54,327 --> 00:09:55,896 Andy: COME ON, ROSS, 174 00:09:55,929 --> 00:09:58,532 YOU SAID THE COMPUTER KICKED BACK A MATCH. 175 00:09:58,565 --> 00:10:02,035 WELL, AS YOU CAN SEE ON THESE LIFTS 176 00:10:02,068 --> 00:10:04,170 FROM YOUR SHOTGUN, 177 00:10:04,204 --> 00:10:06,807 TWO, PERHAPS THREE DIFFERENT PEOPLE 178 00:10:06,840 --> 00:10:08,408 HANDLED THE SUBSTRATE. 179 00:10:08,441 --> 00:10:12,245 BUT ON THE LEFT HERE, THAT�S YOUR MAN. 180 00:10:12,278 --> 00:10:15,015 ONE OF THE PERSONS WHO TOUCHED THIS WEAPON 181 00:10:15,048 --> 00:10:16,650 HAD GREASY HANDS. 182 00:10:16,683 --> 00:10:19,653 NOW, BECAUSE HIS HANDS WERE GREASY, 183 00:10:19,686 --> 00:10:22,288 HIS PRINT ON THE WEAPON IS PATENT, 184 00:10:22,322 --> 00:10:24,658 AND BECAUSE THE PATENT PRINT 185 00:10:24,691 --> 00:10:27,393 IS SUPERIMPOSED ON THE LATENT PRINTS, 186 00:10:27,427 --> 00:10:30,564 WE KNOW THAT THE MAN WHO LEFT IT 187 00:10:30,597 --> 00:10:32,966 WAS THE FINAL HANDLER OF THE GUN, 188 00:10:32,999 --> 00:10:36,503 AND HENCE, THE LIKELY PERPETRATOR. 189 00:10:39,105 --> 00:10:41,341 TERRELL BIGGS, GENTLEMEN. 190 00:10:41,374 --> 00:10:47,180 I, UH, TOOK THE LIBERTY OF RUNNING HIM THROUGH BCI. 191 00:10:47,213 --> 00:10:52,118 IT�S MOSTLY PENNY?ANTE STUFF. 192 00:10:52,152 --> 00:10:54,855 TERRELL TOOK SOME STEP UP WITH THIS WHACK, HUH? 193 00:10:54,888 --> 00:10:56,422 THIS IS GOOD. 194 00:10:58,024 --> 00:11:01,862 DON�T THANK ME. THANK THE TECHNOLOGY. 195 00:11:01,895 --> 00:11:03,997 OH, YOU THANK THE TECHNOLOGY FOR US. 196 00:11:04,030 --> 00:11:06,633 YEAH, IT PROBABLY UNDERSTANDS YOU BETTER. 197 00:11:06,667 --> 00:11:12,005 I?I�LL JUST TAKE A MOMENT, IF YOU DON�T MIND. 198 00:11:12,038 --> 00:11:14,007 SUCCESSFUL CASEWORK IN THE FIELD 199 00:11:14,040 --> 00:11:16,009 IS A LITTLE NEW FOR ME. 200 00:11:16,042 --> 00:11:18,344 SURE. HAVE A DOUGHNUT. 201 00:11:22,415 --> 00:11:24,417 "HAVE A DOUGHNUT." 202 00:11:38,031 --> 00:11:41,535 THIS IS THE WIDOW. 203 00:11:41,568 --> 00:11:45,972 HI, I�M DETECTIVE RUSSELL, MRS. ENRIQUEZ. 204 00:11:46,006 --> 00:11:48,909 WE APPRECIATE YOUR COMING IN. 205 00:11:48,942 --> 00:11:51,077 YEAH, I RECOGNIZE YOUR VOICE. 206 00:11:51,111 --> 00:11:53,213 I�M SORRY I WOULDN�T TALK TO YOU BEFORE. 207 00:11:53,246 --> 00:11:54,515 WE UNDERSTAND. 208 00:11:54,548 --> 00:11:56,482 LOCKED HERSELF IN THE BATHROOM. 209 00:11:56,517 --> 00:11:57,884 WOULDN�T TALK TO THEM. 210 00:11:57,918 --> 00:11:59,786 MY PARTNER JILL KIRKENDALL. 211 00:11:59,820 --> 00:12:01,021 HI. 212 00:12:01,054 --> 00:12:02,689 SORRY FOR YOUR LOSS. 213 00:12:02,723 --> 00:12:05,992 OH, MY GOD. I RECOGNIZE YOUR VOICE, TOO. 214 00:12:06,026 --> 00:12:08,328 HER HUSBAND MURDERED IN THEIR OWN APARTMENT. 215 00:12:08,361 --> 00:12:10,363 THE VICTIM WAS ALSO YOUR BROTHER, CORRECT? 216 00:12:10,396 --> 00:12:12,799 RICO WAS MY BROTHER, ALSO. YEAH. 217 00:12:12,833 --> 00:12:14,901 I TRIED TO SHOOT THAT SON OF A BITCH WHO MURDERED HIM, 218 00:12:14,935 --> 00:12:17,237 BUT I MISSED THAT SON OF A BITCH. 219 00:12:17,270 --> 00:12:19,540 ROSIE, COME SIT HERE. 220 00:12:19,573 --> 00:12:21,174 COME HERE. 221 00:12:21,207 --> 00:12:24,077 SO WHAT DO YOU WANT TO ASK ROSIE? 222 00:12:24,110 --> 00:12:26,212 Diane: CAN YOU TELL US WHAT YOU SAW? 223 00:12:26,246 --> 00:12:30,350 OH, LET ME SEE IF I CAN COLLECT MYSELF. 224 00:12:30,383 --> 00:12:33,353 UH, GRAB UP SOME PHOTOS FROM THE CABINET. 225 00:12:33,386 --> 00:12:35,355 BALLPARK FOR OUR BOY TERRELL? 226 00:12:35,388 --> 00:12:38,124 YEAH, PHOTOS IN HIS AREA. IT�S A DEEP POOL. 227 00:12:38,158 --> 00:12:40,360 I WAS IN THE KITCHEN 228 00:12:40,393 --> 00:12:42,963 MIXING RICO�S MAALOX AND CEREAL. 229 00:12:42,996 --> 00:12:46,833 I RAN TO THE LIVING ROOM WHEN I HEARD THE SHOTS. 230 00:12:46,867 --> 00:12:50,136 RICO WAS JUST LAYING ON THE COUCH, BLOOD EVERYWHERE. 231 00:12:50,170 --> 00:12:52,839 THE KILLER WAS TRYING TO GO THROUGH HIS POCKETS, 232 00:12:52,873 --> 00:12:55,408 BUT WHEN HE SAW ME, HE RAN. 233 00:12:55,441 --> 00:12:57,043 CAN YOU DESCRIBE HIM? 234 00:12:57,077 --> 00:13:00,013 BEST I SAW, HE WAS A BLACK GUY, 235 00:13:00,046 --> 00:13:05,185 BIG, MAYBE 30, BUT I DIDN�T SEE HIM THAT GOOD. 236 00:13:05,218 --> 00:13:07,854 OH, MY GOD. 237 00:13:07,888 --> 00:13:10,557 EVERYONE LIKED RICO, MORE OR LESS. 238 00:13:10,591 --> 00:13:12,559 SUPPOSE YOU COULD LOOK AT SOME PHOTOS 239 00:13:12,593 --> 00:13:13,994 FOR THE POSSIBLE PERPETRATOR? 240 00:13:14,027 --> 00:13:15,696 FOR THE GUY WHO SHOT RICO? 241 00:13:15,729 --> 00:13:16,963 THIS IS DETECTIVE SIPOWICZ. 242 00:13:16,997 --> 00:13:18,732 I DON�T RECOGNIZE YOUR VOICE. 243 00:13:18,765 --> 00:13:20,967 HE TALKED TO ME OUTSIDE THE BUILDING. 244 00:13:21,001 --> 00:13:24,137 YES, HOW ARE YOU? COULD YOU LOOK AT THESE? 245 00:13:24,170 --> 00:13:26,807 OKAY... 246 00:13:26,840 --> 00:13:30,410 BUT I DON�T WAIVE MY RIGHTS NOT TO TESTIFY. 247 00:13:30,443 --> 00:13:34,047 MY UNDERSTANDING IS YOU ONLY SAW THE SHOOTER FROM THE BACK. 248 00:13:34,080 --> 00:13:35,682 YEAH, THE BACK EXCLUSIVELY. 249 00:13:35,716 --> 00:13:38,184 OKAY, WELL, WHY DON�T WE GET SOME COFFEE? 250 00:13:38,218 --> 00:13:40,186 NO, I WANT TO SUPPORT MY SISTER?IN?LAW. 251 00:13:40,220 --> 00:13:43,123 OKAY. WELL, THEN LET�S GO SIT DOWN OVER HERE, OKAY? 252 00:13:43,156 --> 00:13:44,190 OVER THERE? 253 00:13:44,224 --> 00:13:46,192 YEAH, SURE, OVER THERE�S FINE. 254 00:13:48,428 --> 00:13:50,897 TELL US IF YOU RECOGNIZE ANYBODY. 255 00:13:50,931 --> 00:13:54,134 Diane: TAKE A LOOK, ROSIE. 256 00:13:54,167 --> 00:13:56,737 WHAT THE HELL IS HE DOING HERE? 257 00:13:56,770 --> 00:13:59,372 THIS GUY DIDN�T HAVE NOTHING TO DO WITH IT. 258 00:13:59,405 --> 00:14:01,407 WHO IS THAT MAN? 259 00:14:01,441 --> 00:14:05,011 THIS GUY IS SOME DRUNKEN BUM, HANGS AROUND MY NEIGHBORHOOD 260 00:14:05,045 --> 00:14:08,014 PICKING THROUGH GARBAGE, SLEEPING IN THE ALLEY. 261 00:14:08,048 --> 00:14:10,717 HE WALKS WITH A BIG LIMP. 262 00:14:10,751 --> 00:14:14,287 THE GUY WHO SHOT MY HUSBAND TOOK OFF LIKE A JACKRABBIT. 263 00:14:14,320 --> 00:14:17,558 WHAT DO YOU PEOPLE DO WITH THE TAXPAYERS� MONEY? 264 00:14:17,591 --> 00:14:19,793 UH, WHY DON�T YOU LOOK THROUGH THE REST OF THESE? 265 00:14:19,826 --> 00:14:22,696 Probably picked up the shotgun when the perp dropped it, this Tyrrell. 266 00:14:22,729 --> 00:14:24,698 That�s why his is the last print. 267 00:14:24,731 --> 00:14:26,332 Gets rid of it when he sees all the cops. 268 00:14:26,366 --> 00:14:28,334 So much for ground balls. 269 00:14:28,368 --> 00:14:31,237 I DON�T RECOGNIZE ANY OF THESE GUYS. 270 00:14:31,271 --> 00:14:34,007 SO THAT�S IT FOR HER? 271 00:14:34,040 --> 00:14:36,510 THAT�S IT FOR NOW. WE APPRECIATE YOU COMING IN. 272 00:14:36,543 --> 00:14:39,846 BEFORE RICO GOT SHOT, THE LAST 20 MINUTES, 273 00:14:39,880 --> 00:14:43,183 OUR PHONE RANG THREE DIFFERENT TIMES. 274 00:14:43,216 --> 00:14:45,786 THE LAST TIME, I MADE RICO ANSWER IT 275 00:14:45,819 --> 00:14:48,789 SO HE COULD GIVE THE BUSINESS TO WHOEVER WAS HANGING UP. 276 00:14:48,822 --> 00:14:51,558 LAST WORDS I HAD TO HEAR HIM SAY ?? 277 00:14:51,592 --> 00:14:55,061 "KISS MY ASS. DIE, YOU DIRTY CREEP." 278 00:14:55,095 --> 00:14:57,998 HE WASN�T LIKE THAT THAT OFTEN. 279 00:14:58,031 --> 00:15:01,401 WE�RE ALREADY GETTING ON YOUR PHONE RECORDS AND WE�LL CHECK THOSE CALLS OUT. 280 00:15:01,434 --> 00:15:02,703 THANKS FOR COMING IN. 281 00:15:02,736 --> 00:15:05,238 I�M GOING TO TAKE HER HOME NOW. 282 00:15:09,075 --> 00:15:11,745 TAKE THE WHOLE DAY FROM WORK. 283 00:15:11,778 --> 00:15:13,514 WHEW. 284 00:15:13,547 --> 00:15:15,649 HE�S A CANDIDATE FOR THE HOMICIDE. 285 00:15:15,682 --> 00:15:17,017 OH, YEAH. 286 00:15:17,050 --> 00:15:19,653 YOU GOT THE HEART TO TELL HIM 287 00:15:19,686 --> 00:15:22,422 HIS FUNGO�S A FOUL? 288 00:15:23,857 --> 00:15:26,492 WOULD YOU MIND LETTING ME KNOW 289 00:15:26,527 --> 00:15:28,862 WHEN WE COLLAR UP ON THIS BIGGS? 290 00:15:28,895 --> 00:15:31,297 YEAH, WE THINK WE MAY EVEN HAVE 291 00:15:31,331 --> 00:15:33,499 A PLACE TO LOOK FOR THE GUY. 292 00:15:33,534 --> 00:15:35,335 THAT FAST. 293 00:15:35,368 --> 00:15:38,338 YEAH. THEY KNOW ONE OF BIGGS� RECENT PLACES. 294 00:15:38,371 --> 00:15:41,041 Preston: WOW. OH, YEAH. 295 00:15:41,074 --> 00:15:42,843 PRESTON ROSS. 296 00:15:42,876 --> 00:15:43,910 DETECTIVES KIRKENDALL AND RUSSELL. 297 00:15:43,944 --> 00:15:44,911 HI. 298 00:15:44,945 --> 00:15:45,912 HOW�S IT GOING? 299 00:15:45,946 --> 00:15:47,247 LATENT PRINTS. 300 00:15:47,280 --> 00:15:48,949 GLAD TO BE ON THE TEAM. 301 00:16:08,935 --> 00:16:12,906 SO, UM, DIANE, SHOULD I ASK 302 00:16:12,939 --> 00:16:15,976 HOW THE NEGOTIATIONS ARE GOING FOR DON�S DEAL? 303 00:16:16,009 --> 00:16:18,178 YOU KNOW, ASK THE BOSS HOW THAT�S GOING, 304 00:16:18,211 --> 00:16:20,013 DO YOU THINK? 305 00:16:20,046 --> 00:16:22,215 WHAT DO YOU THINK, JILL? 306 00:16:22,248 --> 00:16:25,519 WHEN HE TOLD ME HE WAS GOING TO WORK SOMETHING OUT, 307 00:16:25,552 --> 00:16:28,722 THE BOSS SAID IF I DIDN�T GET DON OUT OF MY HEAD, 308 00:16:28,755 --> 00:16:32,025 NOTHING HE DID WOULD MAKE ANY DIFFERENCE BECAUSE I�D JUST SCREW EVERYTHING UP, 309 00:16:32,058 --> 00:16:35,161 SO I WASN�T SURE IF THIS WAS LETTING DON INTO MY HEAD 310 00:16:35,195 --> 00:16:37,163 OR JUST SEEKING INFORMATION. 311 00:16:37,197 --> 00:16:39,199 THAT�S WHY I ASKED YOUR ADVICE. 312 00:16:42,002 --> 00:16:44,270 DON�T ASK THE BOSS. 313 00:16:48,208 --> 00:16:49,976 HEY, HOW�S IT GOING? 314 00:16:50,010 --> 00:16:51,177 HEY, GREG. 315 00:16:51,211 --> 00:16:52,478 UH... 316 00:16:52,513 --> 00:16:54,881 PHONE DUMP INFO 317 00:16:54,915 --> 00:16:57,283 FROM THE D. O. A.�s APARTMENT COMING IN? 318 00:16:57,317 --> 00:16:59,620 THE THREE CALLS THEY GOT JUST BEFORE THE HOMICIDE 319 00:16:59,653 --> 00:17:02,122 WERE ALL FROM THE SAME CELL PHONE. AH. 320 00:17:02,155 --> 00:17:03,824 THE D. O. A.�s WIFE DIDN�T PUT HIM ON 321 00:17:03,857 --> 00:17:05,458 TILL THE LAST CALL. 322 00:17:05,491 --> 00:17:07,227 IF THE SHOOTER WAS TRYING TO CONFIRM 323 00:17:07,260 --> 00:17:09,696 THE D. O. A. WAS HOME, THAT WOULD EXPLAIN THREE. 324 00:17:09,730 --> 00:17:11,364 WE�RE WAITING TO GET 325 00:17:11,397 --> 00:17:13,233 THE CELL PHONE SUBSCRIBER�S PEDIGREE FROM TARU. 326 00:17:13,266 --> 00:17:16,503 ISN�T IT SOMETHING HOW FAX?DEPENDENT WE�VE BECOME? 327 00:17:16,537 --> 00:17:19,172 WHAT ARE YOU WAITING FOR, GREG? 328 00:17:19,205 --> 00:17:22,375 I GUESS TECHNICALLY I�M VIOLATING REGS. 329 00:17:22,408 --> 00:17:24,477 A BUDDY OF MINE AT THE BUREAU 330 00:17:24,511 --> 00:17:26,880 IS CHECKING A CREDIT APP SNAFU ?? 331 00:17:26,913 --> 00:17:29,149 FAXING ME MY TRW REPORT. 332 00:17:29,182 --> 00:17:30,517 AH. 333 00:17:30,551 --> 00:17:32,686 YEAH, THAT�S A DOCUMENT 334 00:17:32,719 --> 00:17:35,321 I�D AS SOON NOT HAVE LYING AROUND THE FAX TRAY. 335 00:17:35,355 --> 00:17:36,990 NOT UNDER HERE. 336 00:17:37,023 --> 00:17:38,892 I�VE BEEN CHECKING IT PRETTY REGULAR. 337 00:17:38,925 --> 00:17:41,461 [ FAX MACHINE RINGS ] 338 00:17:41,494 --> 00:17:44,130 SO HOW�S THIS FOR A PIECE OF NEWS ?? 339 00:17:44,164 --> 00:17:47,000 JAMES MARTINEZ PASSED THE SERGEANT�S TEST. 340 00:17:47,033 --> 00:17:49,636 HUH. I DIDN�T KNOW HE HAD TAKEN IT. 341 00:17:49,670 --> 00:17:52,205 HEY, WHEN HE�S OF A MIND, 342 00:17:52,238 --> 00:17:54,841 MY PARTNER PLAYS IT PLENTY CLOSE TO THE VEST. 343 00:17:54,875 --> 00:17:57,578 KEPT ME IN THE DARK AS WELL. 344 00:17:57,611 --> 00:18:00,547 [ FAX MACHINE BEEPS ] 345 00:18:00,581 --> 00:18:02,148 WHO�S THAT FOR? 346 00:18:02,182 --> 00:18:03,717 HMM. 347 00:18:03,750 --> 00:18:06,319 CELL PHONE�S REGISTERED TO A LARRY WATSON. 348 00:18:06,352 --> 00:18:07,721 AH. 349 00:18:07,754 --> 00:18:10,223 SO NOW WE GET TO RUN LARRY THROUGH BCI. 350 00:18:10,256 --> 00:18:12,659 YEAH, INFORMATION SUPERHIGHWAY, HUH? 351 00:18:12,693 --> 00:18:14,160 PROCEED AT YOUR OWN PERIL. 352 00:18:16,229 --> 00:18:19,465 ANYWAYS, THAT�S ?? THAT�S GREAT FOR JAMES. 353 00:18:19,499 --> 00:18:20,867 YEAH, WELL, YOU KNOW, 354 00:18:20,901 --> 00:18:23,236 HE�S STILL PROCESSING THE INS AND OUTS, 355 00:18:23,269 --> 00:18:25,205 AS AM I, COMPLETELY CANDID, 356 00:18:25,238 --> 00:18:28,909 BUT ON BALANCE, I?I THINK IT�S GREAT. 357 00:18:35,516 --> 00:18:37,818 JUST GREAT. 358 00:18:37,851 --> 00:18:40,220 IT�S BAD, IT�S BAD, IT�S BAD, IT�S BAD. 359 00:18:40,253 --> 00:18:41,855 LET IT BE BAD 360 00:18:41,888 --> 00:18:45,191 SPEAKING DIRECTLY DOWN AT THE FLOOR, TERRELL. CAN WE WORK THAT OUT? 361 00:18:45,225 --> 00:18:47,193 THE WHOLE SITUATION IS BAD. 362 00:18:47,227 --> 00:18:49,195 ARE YOU CHEWING THAT GUM? 363 00:18:49,229 --> 00:18:50,831 I ATE THE GUM. 364 00:18:50,864 --> 00:18:52,633 GIVE HIM MORE GUM, WOULD YOU? 365 00:18:52,666 --> 00:18:54,535 I KNOW MY BREATH SMELLS. 366 00:18:54,568 --> 00:18:57,538 FEELS LIKE I SLEPT WITH DOG CRAP IN MY MOUTH. 367 00:18:57,571 --> 00:18:59,640 SIT THIS GUY IN THE POKEY. 368 00:18:59,673 --> 00:19:01,675 MAKE TERRELL CHEW THIS. 369 00:19:01,708 --> 00:19:04,310 YOU CAN�T MAKE ME DO NOTHING. 370 00:19:04,344 --> 00:19:08,181 I�M HERE ON MY OWN COOPERATION. 371 00:19:08,214 --> 00:19:11,217 WE GOT THE PHONE DUMP FROM THE D. O. A.�s APARTMENT. 372 00:19:11,251 --> 00:19:13,887 THE THREE HANG?UPS THE WIDOW WAS TALKING ABOUT 373 00:19:13,920 --> 00:19:15,722 CAME FROM THE SAME CELL PHONE. 374 00:19:15,756 --> 00:19:18,391 THE CELLULAR IS REGISTERED TO A LARRY WATSON. 375 00:19:18,424 --> 00:19:20,060 BCI IS FAXING WATSON�S PHOTO AND RAP SHEET. 376 00:19:20,093 --> 00:19:22,563 JOIN US TALKING TO TERRELL? 377 00:19:22,596 --> 00:19:24,531 WE�LL STAY ALERT FOR THE FAX. 378 00:19:24,565 --> 00:19:26,700 WHY I TEND TO SWALLOW THEM 379 00:19:26,733 --> 00:19:28,969 IS THE SUGAR ROTS YOUR TEETH, 380 00:19:29,002 --> 00:19:31,337 AND I GOT A HORROR OF DYING TOOTHLESS. 381 00:19:31,371 --> 00:19:32,338 YEAH, GOOD. 382 00:19:32,372 --> 00:19:33,740 THANKS, JOSH. 383 00:19:33,774 --> 00:19:35,308 Josh: YEAH, GOOD. 384 00:19:35,341 --> 00:19:37,711 Sipowicz: WHAT ARE YOU TAKING AN ATTITUDE FOR? 385 00:19:37,744 --> 00:19:39,345 WE�RE THE ONES STAYING. 386 00:19:39,379 --> 00:19:42,315 YOU REALIZE YOU�RE HERE ON A HOMICIDE, RIGHT, TYRELL? 387 00:19:42,348 --> 00:19:44,350 WHOA! 388 00:19:44,384 --> 00:19:47,487 WHAT YOU TALKING HOMICIDE? COME ON, FEWER H�s, HUH? 389 00:19:47,521 --> 00:19:50,356 YOUR PRINTS ARE ON THE MURDER WEAPON. IT�S AN OPEN?AND?SHUT CASE. 390 00:19:50,390 --> 00:19:53,026 YOU BETTER TELL US ABOUT THAT SHOTGUN, TERRELL, 391 00:19:53,059 --> 00:19:55,128 �CAUSE I DON�T SEE NO JOHNNIE COCHRAN 392 00:19:55,161 --> 00:19:57,731 GETTING YOU OFF FOR THEM FINGERPRINTS. 393 00:19:57,764 --> 00:20:00,834 LISTEN TO ME ?? 394 00:20:00,867 --> 00:20:03,369 AND STAND BACK, �CAUSE I�M COMING WITH IT ALL. 395 00:20:04,938 --> 00:20:06,406 GARBAGE DAY. 396 00:20:06,439 --> 00:20:09,209 I�M OUT THE FRONT OF THE BUILDING I SLEEP BEHIND 397 00:20:09,242 --> 00:20:11,812 CIRCULATING FOR USEFUL DISPOSABLES, 398 00:20:11,845 --> 00:20:14,214 AND UP JUMPS A FIREFIGHT. 399 00:20:14,247 --> 00:20:16,850 POPPETY, POW, POW, POW, POW! 400 00:20:16,883 --> 00:20:18,552 FROM INSIDE THE BUILDING. 401 00:20:18,585 --> 00:20:21,822 COUPLE SECONDS LATER, 402 00:20:21,855 --> 00:20:25,726 HERE COMES A BROTHER DOWN THE OUTSIDE STEPS. 403 00:20:25,759 --> 00:20:29,329 POPPETY COMES FROM A WINDOW ON THE FIRST FLOOR. 404 00:20:29,362 --> 00:20:32,533 BIG OLD FAT OL� THING LEANING OUT. 405 00:20:32,566 --> 00:20:37,504 BROTHER DROPS THE SHOTGUN AND KEEPS ON TRUCKING. 406 00:20:37,538 --> 00:20:40,707 I TOUCHED THAT SHOTGUN, 407 00:20:40,741 --> 00:20:43,309 AND THEN I LEFT IT BE, 408 00:20:43,343 --> 00:20:47,080 AND THAT�S ALL I HAD TO DO WITH NO MURDER. 409 00:20:50,483 --> 00:20:52,686 ONE OF THOSE A RECENT ARRIVAL FROM BCI? 410 00:20:52,719 --> 00:20:54,054 UH?HUH, YEAH. 411 00:20:54,087 --> 00:20:57,057 DO YOU RECOGNIZE THE BROTHER, TERRELL? 412 00:20:57,090 --> 00:20:59,459 I GOT EYES TO GET BACK TO MY ALLEY. 413 00:20:59,492 --> 00:21:01,027 THINK WE WANT YOU ON A WITNESS STAND? 414 00:21:14,274 --> 00:21:16,543 THAT THE RECENT ARRIVAL? 415 00:21:16,577 --> 00:21:17,844 THAT�S THE ONE. 416 00:21:23,449 --> 00:21:24,384 WHEW. 417 00:21:38,498 --> 00:21:41,502 UM... 418 00:21:41,535 --> 00:21:43,336 HEY, JOHN. 419 00:21:43,369 --> 00:21:45,806 I NOTICED YOUR NAME AT THE TOP OF THIS. 420 00:21:45,839 --> 00:21:48,041 YOU WILL NOT BELIEVE THIS, JOHN, 421 00:21:48,074 --> 00:21:50,511 BUT I�VE SEEN THIS DOCUMENT. 422 00:21:50,544 --> 00:21:53,179 I MUST HAVE LEFT IT UPSTAIRS IN THE FAX TRAY 423 00:21:53,213 --> 00:21:55,348 AFTER BEING DOUBLY VIGILANT, CHECKING HAD IT COME IN. 424 00:21:55,381 --> 00:21:58,184 YOU MUST HAVE OTHER THINGS ON YOUR MIND. 425 00:21:58,218 --> 00:22:03,323 JAMES MARTINEZ PASSED THE SERGEANT EXAM, JOHN. 426 00:22:03,356 --> 00:22:04,691 REALLY? 427 00:22:04,725 --> 00:22:06,527 YES, HE DID. 428 00:22:06,560 --> 00:22:09,295 TOOK THE TEST, UNBEKNOWNST TO ME, 429 00:22:09,329 --> 00:22:11,364 AND WROTE SOME GOOD SCORE. 430 00:22:11,397 --> 00:22:13,867 67th ON THE LIST. 431 00:22:13,900 --> 00:22:17,070 AM I HAPPY FOR JAMES, JOHN? 432 00:22:17,103 --> 00:22:18,705 OF COURSE I AM, 433 00:22:18,739 --> 00:22:21,074 BUT WHAT I BET HE�S FEELING ALSO 434 00:22:21,107 --> 00:22:23,009 IS ONE SIMPLE FACT ?? 435 00:22:23,043 --> 00:22:26,312 A BOSS NEVER HAS A PARTNER. 436 00:22:26,346 --> 00:22:28,715 HE DON�T HAVE A PARTNER, JOHN, 437 00:22:28,749 --> 00:22:31,351 AND A PARTNER IN A GOOD WORKING PARTNERSHIP 438 00:22:31,384 --> 00:22:34,888 IS HANDS DOWN THE ABSOLUTE BEST PART OF THIS JOB. 439 00:22:37,023 --> 00:22:38,424 YOU�D MISS HIM. 440 00:22:41,027 --> 00:22:44,464 AND THAT WOULD BE TRUE ALSO. 441 00:22:44,497 --> 00:22:47,467 I?I WAS THINKING OF THIS FROM JAMES� PERSPECTIVE, 442 00:22:47,500 --> 00:22:50,236 BUT, UH, YEAH, IF HE ?? 443 00:22:50,270 --> 00:22:53,139 IF HE WERE TO TAKE THAT PROMOTION, 444 00:22:53,173 --> 00:22:54,875 I�D MISS JAMES PLENTY. 445 00:22:58,512 --> 00:23:01,882 ANYWAYS, THANKS FOR TAKING MY BACK. 446 00:23:01,915 --> 00:23:04,150 OF COURSE. 447 00:23:04,184 --> 00:23:06,186 UH, IT�S A FIGURE OF SPEECH. 448 00:23:12,859 --> 00:23:15,061 HA HA. 449 00:23:17,163 --> 00:23:20,133 JEEZ, IT STINKS IN HERE, FELLAS, DON�T IT? 450 00:23:20,166 --> 00:23:22,302 YEAH, IT STINKS LIKE A BUM WAS IN HERE 451 00:23:22,335 --> 00:23:24,204 WHO WITNESSED A SHOOTING INCIDENT. 452 00:23:24,237 --> 00:23:25,471 WHAT? 453 00:23:25,506 --> 00:23:28,274 SOME BUM WITNESSED A SHOOTING. SIT DOWN. 454 00:23:31,344 --> 00:23:33,847 Danny: WE GOT A GUY SHOT THIS MORNING, LARRY. 455 00:23:33,880 --> 00:23:36,416 WE GOT THREE PHONE CALLS, ALL WITHIN A HALF AN HOUR 456 00:23:36,449 --> 00:23:38,719 OF THAT SHOOTING, ALL TRACED TO YOUR CELL PHONE. 457 00:23:42,055 --> 00:23:45,191 MAYBE SOMEONE USED MY PHONE. 458 00:23:45,225 --> 00:23:47,561 THIS PHONE? THE ONE WE PICKED YOU UP WITH? 459 00:23:47,594 --> 00:23:49,462 WHO�D YOU LOAN IT TO? 460 00:23:49,495 --> 00:23:51,698 OH, COME ON, MAN. 461 00:23:51,732 --> 00:23:55,168 YOU KNOW THEY CAN CLONE THEM PHONES, MAN, PLEASE. 462 00:23:55,201 --> 00:23:57,638 YEAH, THERE�S A CRIMINAL ELEMENT OUT THERE 463 00:23:57,671 --> 00:23:59,339 EXPLOITS EVERY TECHNOLOGICAL NICHE. 464 00:24:02,709 --> 00:24:05,045 YEAH, YEAH, YOU KNOW, NOW THAT YOU�RE SAYING, 465 00:24:05,078 --> 00:24:07,213 I TRIED REACHING A FRIEND OF MINE, 466 00:24:07,247 --> 00:24:09,916 BUT I KEPT GETTING A WRONG NUMBER. 467 00:24:09,950 --> 00:24:11,552 YOU�RE PICKED OUT, LARRY. 468 00:24:11,585 --> 00:24:13,954 YOU�RE SEEN RUNNING OUT THE APARTMENT BUILDING. 469 00:24:13,987 --> 00:24:16,189 YOU�RE SEEN TOSSING THE MURDER WEAPON. 470 00:24:16,222 --> 00:24:20,493 THE WORLD�S GREATEST EXPERT LIFTED YOUR LATENT PRINTS OFF THE SHOTGUN. 471 00:24:20,527 --> 00:24:22,128 WE�RE GOING TO BRING THE WIDOW IN HERE 472 00:24:22,162 --> 00:24:24,197 AND THE GUY WHO THREW THOSE SHOTS TRYING TO STOP YOU, 473 00:24:24,230 --> 00:24:25,832 AND AFTER THEY PICK YOU OUT, 474 00:24:25,866 --> 00:24:27,333 YOU KNOW WHAT KIND OF WIGGLE ROOM YOU�RE GOING TO HAVE? 475 00:24:32,539 --> 00:24:34,575 WHAT KIND OF WIGGLE ROOM? 476 00:24:34,608 --> 00:24:37,343 THE WIGGLE ROOM OF SCRUNCHING AROUND, GETTING COMFORTABLE IN THE GIFT BOX YOU�RE IN 477 00:24:37,377 --> 00:24:39,479 WHEN WE HAND YOU TO THE D. A. 478 00:24:39,513 --> 00:24:41,481 HOPE YOUR PERSONAL FRIENDSHIP 479 00:24:41,515 --> 00:24:43,584 WITH GOVERNOR PATAKI GETS YOU A PARDON. 480 00:24:46,052 --> 00:24:48,855 SO YOU�RE SAYING I GOT NO WIGGLE ROOM AT ALL. THAT RIGHT? 481 00:24:48,889 --> 00:24:51,057 YOU GOT SOMETHING FOR US? 482 00:24:51,091 --> 00:24:55,195 THE GUY WHO HIRED ME COUNTS FOR SOMETHING. 483 00:24:55,228 --> 00:24:57,197 THE GUY WHO HIRED YOU IS BIG. 484 00:24:57,230 --> 00:25:00,634 HE�S A BIG FAT SLOB THAT TRIED SHOOTING ME AFTERWARDS. 485 00:25:00,667 --> 00:25:04,270 I�M WIGGLING PRETTY GOOD NOW, AREN�T I, HMM? 486 00:25:12,613 --> 00:25:14,214 I�LL TELL YOU, 487 00:25:14,247 --> 00:25:17,217 I�M SO FULL OF PUBLIC OUTRAGE HOW I�M BEING HANDLED. 488 00:25:17,250 --> 00:25:19,553 WE APPRECIATE YOUR COOPERATION. 489 00:25:19,586 --> 00:25:21,154 Man: DETECTIVE RUSSELL? YEAH? 490 00:25:21,187 --> 00:25:23,890 DETECTIVE DENBY. YOU GOT A MINUTE FOR ME? 491 00:25:23,924 --> 00:25:25,291 WHAT�S IT ABOUT? 492 00:25:25,325 --> 00:25:27,694 IS THIS YOUNG LADY ON THE JOB? 493 00:25:27,728 --> 00:25:30,196 COME ON, ROSIE. 494 00:25:30,230 --> 00:25:32,733 Rosie: IF YOU WIND UP SHOWING ME ANOTHER STREET BUM 495 00:25:32,766 --> 00:25:34,701 OR CAN COLLECTOR TO IDENTIFY 496 00:25:34,735 --> 00:25:36,870 FOR MY HUSBAND�S POSSIBLE MURDER SUSPECT, 497 00:25:36,903 --> 00:25:39,172 I�M GOING STRAIGHT TO THE NATIONAL ENQUIRER. 498 00:25:39,205 --> 00:25:40,507 OKAY, THAT�S A DEAL. 499 00:25:43,276 --> 00:25:46,012 WHAT? 500 00:25:46,046 --> 00:25:47,180 CAN WE TALK OUTSIDE? 501 00:25:47,213 --> 00:25:49,583 NOT TILL I KNOW WHAT THIS IS ABOUT. 502 00:25:49,616 --> 00:25:51,852 I�M WITH THE NARCOTICS TASK FORCE. 503 00:25:51,885 --> 00:25:53,854 I�M INVESTIGATING THE INFORMATION 504 00:25:53,887 --> 00:25:55,455 DETECTIVE KIRKENDALL�S EX?HUSBAND�S PROVIDING 505 00:25:55,488 --> 00:25:57,390 TO SECURE HIS PLEA AGREEMENT. 506 00:26:07,067 --> 00:26:09,670 NONE OF THIS IS OUT OF SCHOOL. 507 00:26:09,703 --> 00:26:12,506 YEAH, I LIKE BEING OUTSIDE WHEN IT�S A LITTLE NIPPY. 508 00:26:12,539 --> 00:26:14,140 NO, I�M SAYING 509 00:26:14,174 --> 00:26:16,209 IF YOU WANT TO TELL YOUR PARTNER WE TALKED, 510 00:26:16,242 --> 00:26:18,512 THAT�S PERFECTLY OKAY. 511 00:26:18,545 --> 00:26:21,582 SEE, THAT WAS MY PARTNER I JUST WALKED IN WITH, SO SHE�S GONNA KNOW THAT WE TALKED. 512 00:26:21,615 --> 00:26:24,317 YEAH, I KNOW. I KNOW THAT WAS YOUR PARTNER. 513 00:26:24,350 --> 00:26:25,686 HER EX?HUSBAND BEATS JAIL 514 00:26:25,719 --> 00:26:27,988 ONLY FOR A FULL AND TOTAL FLIP, 515 00:26:28,021 --> 00:26:30,356 WHICH HE IS NOWHERE CLOSE TO DOING YET, 516 00:26:30,390 --> 00:26:32,626 AND I�M PRESUMING, FOR HER KIDS, 517 00:26:32,659 --> 00:26:34,561 EVEN IF SHE THINKS HE�S A HARD?ON, 518 00:26:34,595 --> 00:26:36,730 SHE DON�T WANT THIS GUY DOING 20. 519 00:26:36,763 --> 00:26:38,665 SO ARE WE GETTING CLOSE 520 00:26:38,699 --> 00:26:41,067 TO WHY I�M OUT HERE FREEZING? 521 00:26:41,101 --> 00:26:43,670 I�M NOT LOOKING TO HURT HER. 522 00:26:43,704 --> 00:26:45,305 IF SHE�S GOT SOMETHING, 523 00:26:45,338 --> 00:26:48,308 SHE CAN HELP US WITH PUTTING PRESSURE ON THIS GUY. 524 00:26:48,341 --> 00:26:51,311 EVEN IF THAT INFORMATION PUTS HER IN AN AWKWARD LIGHT, 525 00:26:51,344 --> 00:26:53,680 SHE SHOULDN�T BE AFRAID TO GIVE IT UP. 526 00:26:53,714 --> 00:26:56,082 SHE HAD NOTHING TO DO 527 00:26:56,116 --> 00:26:59,485 WITH WHAT HER EX?HUSBAND WAS INTO. 528 00:26:59,520 --> 00:27:02,188 IF SHE NEEDED TO GIVE IT UP THROUGH SOMEONE ELSE, 529 00:27:02,222 --> 00:27:03,624 THAT�D BE OKAY, TOO. 530 00:27:03,657 --> 00:27:05,826 DID YOU HEAR WHAT I SAID? 531 00:27:05,859 --> 00:27:08,394 JILL HAD NOTHING TO DO WITH THIS. 532 00:27:08,428 --> 00:27:10,296 HER EX?HUSBAND INDICATES OTHERWISE. 533 00:27:10,330 --> 00:27:11,297 WHAT? 534 00:27:11,331 --> 00:27:12,899 HE INDICATES SHE HAD 535 00:27:12,933 --> 00:27:15,168 SOME KIND OF PERIPHERAL CONNECTION, 536 00:27:15,201 --> 00:27:18,171 AND HE�S NOT GOING TO SAY NOTHING MORE ABOUT HER TO PROTECT HER. 537 00:27:18,204 --> 00:27:20,173 I WANT HER TO KNOW 538 00:27:20,206 --> 00:27:22,809 I COULD CARE LESS ABOUT HER PERIPHERAL CONNECTION. 539 00:27:22,843 --> 00:27:25,846 I KNOW WHAT WOMEN DO TO PROTECT THEIR FAMILIES. 540 00:27:25,879 --> 00:27:29,049 MY SOLE INTEREST IS WHAT SHE CAN TELL ME ABOUT HIM 541 00:27:29,082 --> 00:27:32,385 THAT I CAN USE TO GET HER ASSHOLE EX UP IN THE AIR. 542 00:27:36,022 --> 00:27:38,424 YOU SHOULD GO IN AND GET WARM. 543 00:27:50,036 --> 00:27:52,806 ALL THE TEA IN CHINA, I WILL NOT APPEAR IN COURT. 544 00:27:52,839 --> 00:27:54,407 WE UNDERSTAND THAT, ROSIE. 545 00:27:54,440 --> 00:27:57,744 THIS I. D., IF I MAKE IT, IS FOR I. D. PURPOSES ONLY. 546 00:27:57,778 --> 00:28:00,080 LET�S NOT GET AHEAD OF OURSELVES, ROSIE. 547 00:28:00,113 --> 00:28:03,049 THAT�S RIGHT, ASSUMING I EVEN SEE THE PERSON IN THERE. 548 00:28:03,083 --> 00:28:04,585 WE READY? 549 00:28:04,618 --> 00:28:05,986 OH, MY GOD. 550 00:28:06,019 --> 00:28:08,989 IF YOU RECOGNIZE ANY OF THE MEN IN THAT ROOM, 551 00:28:09,022 --> 00:28:10,624 TELL US WHICH NUMBER 552 00:28:10,657 --> 00:28:12,392 AND WHERE YOU RECOGNIZE HIM FROM. 553 00:28:17,430 --> 00:28:18,932 LIFT THE FRICKIN� SHADE. 554 00:28:23,604 --> 00:28:26,573 OH, YOU DIRTY BASTARD! 555 00:28:26,607 --> 00:28:28,975 SOUNDS LIKE SHE MAY HAVE PICKED THE GUY OUT. 556 00:28:29,009 --> 00:28:30,911 YEAH, THAT COULD BE A POSITIVE I. D. 557 00:28:30,944 --> 00:28:32,913 ONLY SHOT THAT GUY�S GOT, 558 00:28:32,946 --> 00:28:35,916 GIVE A STATEMENT UP WHILE IT STILL MEANS SOMETHING. 559 00:28:35,949 --> 00:28:37,918 MEANS SOMETHING AS FAR AS WHAT? 560 00:28:37,951 --> 00:28:39,720 FACILITATING THE PROCESS. 561 00:28:39,753 --> 00:28:41,722 FULL DISCLOSURE ?? ONCE YOU�RE I. D.�d 562 00:28:41,755 --> 00:28:44,157 IN A HOMICIDE, THAT�S ALL YOU GOT LEFT. 563 00:28:44,190 --> 00:28:47,327 FULL DISCLOSURE SHOWS COOPERATION AND REMORSE. 564 00:28:47,360 --> 00:28:49,896 ASSUMING HE�S GOT SOMETHING TO DISCLOSE. 565 00:28:49,930 --> 00:28:52,899 SOME ASPECT OF THE CASE WE HAVE YET TO FILL IN. 566 00:28:52,933 --> 00:28:56,469 LAST THING THAT GUY IN THERE HAS GOT GOING FOR HIM. 567 00:28:56,503 --> 00:28:58,672 THE SON OF A BITCH THAT SHOT RICO 568 00:28:58,705 --> 00:29:00,541 IS IN THAT ROOM, JOAQUIN. 569 00:29:00,574 --> 00:29:02,342 Diane: OKAY, ROSIE, OKAY. 570 00:29:02,375 --> 00:29:04,845 POSITIVE I. D. GO IN AND CLOSE THE DEAL. 571 00:29:04,878 --> 00:29:06,980 SEE IF THIS GUY�S GOT ANYONE ELSE TO GIVE YOU. 572 00:29:07,013 --> 00:29:08,749 Rosie: TAKE ME HOME. 573 00:29:08,782 --> 00:29:11,051 I DON�T WANT THAT SON OF A BITCH GLIMPSING ME. 574 00:29:11,084 --> 00:29:12,953 H?HOLD ON A SECOND. 575 00:29:12,986 --> 00:29:16,623 Rosie: YOU SAY IN MY GRIEF I CAN LEAN ON YOU. 576 00:29:16,657 --> 00:29:18,792 I�M ASKING YOU FOR A SIMPLE RIDE HOME! 577 00:29:18,825 --> 00:29:20,961 I MAY HAVE SOME FACILITATING INFORMATION. 578 00:29:20,994 --> 00:29:22,228 OF WHAT TYPE? 579 00:29:22,262 --> 00:29:24,798 FACILITATING INFORMATION 580 00:29:24,831 --> 00:29:27,634 WHILE AN ASPECT OF THE CASE IS STILL OPEN, 581 00:29:27,668 --> 00:29:31,071 SHOWING COOPERATION... 582 00:29:31,104 --> 00:29:34,474 AND REMORSE. 583 00:29:34,508 --> 00:29:36,476 YOU KNOW SOMETHING ABOUT WHAT HAPPENED 584 00:29:36,510 --> 00:29:37,744 TO YOUR BROTHER, JOAQUIN, 585 00:29:37,778 --> 00:29:40,581 THAT RUINED MY LIFE�S EXPECTATIONS? 586 00:29:40,614 --> 00:29:41,982 WE CAN GIVE YOU A RIDE HOME, ROSIE. 587 00:29:42,015 --> 00:29:44,685 YEAH, TAKE HER HOME. TAKE CARE OF HER. 588 00:29:46,086 --> 00:29:48,989 DID YOU RUIN MY LIFE�S EXPECTATIONS, JOAQUIN, 589 00:29:49,022 --> 00:29:51,792 �CAUSE YOU HAD A HARD?ON FOR YOUR BROTHER�S WIFE? 590 00:29:51,825 --> 00:29:53,894 SHE NEEDS TO GO HOME NOW. 591 00:29:53,927 --> 00:29:56,563 IS THAT WHAT THIS FAT STINKING SLOB IS TALKING ABOUT? 592 00:29:56,597 --> 00:29:58,799 OKAY, ROSIE, OKAY. 593 00:29:58,832 --> 00:30:01,501 [ ROSIE SPEAKING SPANISH ] 594 00:30:03,436 --> 00:30:07,440 MY BROTHER WAS A PRICK. 595 00:30:09,943 --> 00:30:13,146 IF SHE COULD LOVE HIM, 596 00:30:13,179 --> 00:30:16,149 I THOUGHT I COULD MAKE HER LOVE ME, TOO. 597 00:30:16,182 --> 00:30:18,885 COME ON. WE�LL GO IN THE COFFEE ROOM AND TALK. 598 00:30:18,919 --> 00:30:21,888 BELIEVE ME, JAIL�S SOMETIMES PREFERABLE 599 00:30:21,922 --> 00:30:24,224 TO WHAT YOU WOULD HAVE WOUND UP WITH. 600 00:30:45,245 --> 00:30:46,913 [ INDISTINCT CHATTERING ] 601 00:30:51,652 --> 00:30:53,620 I�LL BET ROSIE WAS WORKING 602 00:30:53,654 --> 00:30:55,622 ON A PERSONALS AD RIDING HOME ?? 603 00:30:55,656 --> 00:30:58,525 "RECENT WIDOW SEEKS MEAL TICKET." 604 00:30:58,559 --> 00:31:01,695 WAS IT ABOUT ME ?? HARRY DENBY? 605 00:31:01,728 --> 00:31:04,297 YEAH, IT WAS ABOUT YOU. 606 00:31:04,330 --> 00:31:07,734 AND YOU HAVEN�T TOLD ME WHY? 607 00:31:07,768 --> 00:31:09,903 AND I HAVEN�T TOLD YOU 608 00:31:09,936 --> 00:31:11,905 BECAUSE I DIDN�T KNOW WHAT I SHOULD DO. 609 00:31:11,938 --> 00:31:13,974 HE WANTS ME TO GIVE YOU A MESSAGE. 610 00:31:14,007 --> 00:31:16,142 I DON�T KNOW IF HE CAN BE TRUSTED. 611 00:31:16,176 --> 00:31:18,545 HE�S A TASK FORCE GUY THAT�S WORKING WITH DON, 612 00:31:18,579 --> 00:31:20,180 CHECKING OUT HIS STORY. 613 00:31:20,213 --> 00:31:23,684 AND WHAT�S THE MESSAGE HE WANTS YOU TO GIVE ME? 614 00:31:28,989 --> 00:31:32,325 JILL, LOOKING BACK, COULD YOU EVER MAYBE 615 00:31:32,358 --> 00:31:34,494 HAVE DONE SOMETHING FOR DON, 616 00:31:34,528 --> 00:31:36,963 COMPLETELY WITHOUT KNOWING? 617 00:31:36,997 --> 00:31:39,165 SURE, I COULD HAVE. 618 00:31:39,199 --> 00:31:41,167 I COULD HAVE DROPPED OFF BOXES OF PASTRIES 619 00:31:41,201 --> 00:31:43,136 HIS MOTHER MADE FOR PRIVATE PARTIES, 620 00:31:43,169 --> 00:31:45,839 HELP BEAT A TAIL. 621 00:31:48,441 --> 00:31:49,843 I DID. 622 00:31:51,512 --> 00:31:52,746 OH. 623 00:31:57,350 --> 00:32:00,053 WHATEVER YOU GAVE, 624 00:32:00,086 --> 00:32:02,055 EVEN IF ANY OF IT IMPLICATED YOU, 625 00:32:02,088 --> 00:32:04,691 THIS TASK FORCE GUY SAYS HE�D WRITE IT UP 626 00:32:04,725 --> 00:32:06,326 "INVESTIGATED AND UNFOUNDED." 627 00:32:06,359 --> 00:32:08,361 AS LONG AS WHAT YOU DID WAS UNINTENTIONAL, 628 00:32:08,394 --> 00:32:09,730 HE�D SAY IT NEVER HAPPENED. 629 00:32:09,763 --> 00:32:12,065 AND WE BELIEVE THE TASK FORCE GUY? 630 00:32:12,098 --> 00:32:14,901 HE WANTS DON TO REALIZE HE�S GOT NO LEVERAGE. 631 00:32:14,935 --> 00:32:17,037 AND WE BELIEVE HIM? 632 00:32:17,070 --> 00:32:18,739 I DON�T KNOW IF I BELIEVE HIM. 633 00:32:20,707 --> 00:32:24,878 IF HE�D REALLY WRITE IT "INVESTIGATED AND UNFOUNDED," 634 00:32:24,911 --> 00:32:26,246 WHATEVER DON STARTS SPRAYING, 635 00:32:26,279 --> 00:32:27,648 I�D BE PROTECTED. 636 00:32:27,681 --> 00:32:28,715 YEAH. 637 00:32:28,749 --> 00:32:30,717 IF I CAN TRUST THE GUY. 638 00:32:30,751 --> 00:32:31,685 YEAH. 639 00:32:33,419 --> 00:32:35,121 DO I GIVE IT TO HIM? 640 00:32:35,155 --> 00:32:37,123 NOT YET. 641 00:32:37,157 --> 00:32:38,825 LET ME GET INTO HIM A LITTLE. 642 00:32:55,375 --> 00:32:56,543 HEY, BOSS. 643 00:32:56,577 --> 00:32:58,579 HEY. 644 00:32:58,612 --> 00:33:00,647 I WANTED TO LET YOU KNOW 645 00:33:00,681 --> 00:33:03,249 I PASSED THE SERGEANT�S EXAM. 646 00:33:03,283 --> 00:33:05,719 CONGRATULATIONS, JAMES. YEAH. 647 00:33:05,752 --> 00:33:07,988 I WROTE A 67th ON THE LIST. 648 00:33:08,021 --> 00:33:10,390 I SURPRISED MYSELF A LITTLE, I GUESS. 649 00:33:10,423 --> 00:33:12,859 ANY WORD HOW MANY THEY�RE TAKING? 650 00:33:12,893 --> 00:33:14,294 100. 651 00:33:14,327 --> 00:33:17,330 WELL, THAT�S GREAT, JAMES. 652 00:33:17,363 --> 00:33:21,134 YEAH, SO, UH, I WANTED TO LET YOU KNOW. 653 00:33:21,167 --> 00:33:23,737 I KNOW A LOT OF GUYS TAKE THE TEST 654 00:33:23,770 --> 00:33:26,139 BUT DON�T NECESSARILY GO AHEAD AND LEAVE THE BUREAU. 655 00:33:26,172 --> 00:33:28,675 THEY JUST WANT TO SEE WHAT THEIR OPTIONS ARE. 656 00:33:28,709 --> 00:33:31,477 THAT�S WHAT I WAS TELLING MYSELF, 657 00:33:31,512 --> 00:33:33,580 BUT THE THING OF IT IS, 658 00:33:33,614 --> 00:33:36,082 MY WIFE WANTS ME OFF THE STREET, 659 00:33:36,116 --> 00:33:40,521 SO I GOT TO TAKE IT, YOU KNOW? 660 00:33:40,554 --> 00:33:43,156 THERE�S A LOT OF UPSIDE TO IT, JAMES. 661 00:33:43,189 --> 00:33:46,560 OH, THERE�S A HELL OF A LOT OF UPSIDE, DEFINITELY. 662 00:33:46,593 --> 00:33:48,562 NO, A BIG PART OF ME 663 00:33:48,595 --> 00:33:50,330 IS REALLY LOOKING FORWARD TO IT. 664 00:33:50,363 --> 00:33:53,867 CONGRATULATIONS. 665 00:33:53,900 --> 00:33:55,836 THANKS VERY MUCH. 666 00:34:06,947 --> 00:34:09,182 I TOLD HER WHAT YOU SAID. 667 00:34:09,215 --> 00:34:11,918 RIGHT NOW SHE�S LEAVING IT UP TO ME. 668 00:34:13,419 --> 00:34:15,388 WELL, IT WOULDN�T HURT ME 669 00:34:15,421 --> 00:34:18,058 GETTING TO KNOW YOU A LITTLE BETTER. 670 00:34:18,091 --> 00:34:20,994 DO YOU HAVE SOME TIME NOW? 671 00:34:21,027 --> 00:34:23,664 SURE. THAT�S GOOD. 672 00:34:23,697 --> 00:34:26,166 OKAY, SEE YOU IN A LITTLE WHILE. 673 00:34:30,103 --> 00:34:32,205 WHOA. HI. 674 00:34:32,238 --> 00:34:33,974 HEY. 675 00:34:34,007 --> 00:34:37,343 I WAS LOOKING TO SAVE A TRIP TO THE PHOTO BUREAU ON A SKELL. 676 00:34:37,377 --> 00:34:39,345 SURE. YOU WANT TO CHECK OUR FILES? 677 00:34:39,379 --> 00:34:40,914 YEAH, PLEASE. 678 00:34:40,947 --> 00:34:42,716 SURE, ABSOLUTELY. RIGHT OVER HERE. 679 00:34:42,749 --> 00:34:44,484 COME DOWN FROM ANTI?CRIME? 680 00:34:44,518 --> 00:34:45,752 Mary: YES, I AM. 681 00:34:50,691 --> 00:34:52,458 THEY�RE SPLIT AT THE M�s. 682 00:34:52,492 --> 00:34:54,294 WHAT DID HE SAY? 683 00:34:54,327 --> 00:34:56,897 I�M GOING TO MEET HIM AT SMITTY�S. 684 00:34:56,930 --> 00:34:59,533 I MEAN, DID THIS TASK FORCE GUY SAY ANYTHING? 685 00:34:59,566 --> 00:35:01,167 "MEET YOU THERE." 686 00:35:01,201 --> 00:35:04,571 DID YOU SEE DANNY JUMP OUT OF HIS SKIN A MINUTE AGO? 687 00:35:04,605 --> 00:35:07,040 YEAH, WHEN THIS GIRL CAME DOWN FROM ANTI?CRIME. MM?HMM. 688 00:35:07,073 --> 00:35:08,709 SHE�S CUTE. 689 00:35:08,742 --> 00:35:11,144 TOOK TWO PAPER CLIPS TO SHOW HER THE PHOTO FILES. 690 00:35:11,177 --> 00:35:12,078 UH?OH. 691 00:35:14,180 --> 00:35:16,850 IT LOOKS LIKE I�M NOT GETTING OFF TILL AROUND 7:00. 692 00:35:16,883 --> 00:35:18,451 THAT�S GOOD, ANYWAYS. 693 00:35:18,484 --> 00:35:20,053 ANDY AND ME, 694 00:35:20,086 --> 00:35:21,755 WE�RE TAKING THIS GUY�S STATEMENT. 695 00:35:24,090 --> 00:35:26,893 Danny: SO, DO YOU THINK ANYONE NOTICED ANYTHING? 696 00:35:26,927 --> 00:35:29,863 I THINK IT�S A GOOD THING YOU GOT OUT OF UNDERCOVER WORK. 697 00:35:29,896 --> 00:35:32,966 MARY FRANCO, JILL KIRKENDALL, DIANE RUSSELL. Mary: HI. 698 00:35:32,999 --> 00:35:34,535 Diane: HOW�S IT GOING, MARY? 699 00:35:34,568 --> 00:35:37,303 MARY�S IN ANTI?CRIME, COME LOOKING FOR A PHOTO. 700 00:35:37,337 --> 00:35:39,305 SAVE A TRIP TO ONE P. P. 701 00:35:39,339 --> 00:35:40,641 YEAH, EXACTLY. 702 00:35:40,674 --> 00:35:42,008 ANYWAYS, GOOD LUCK WITH THAT ?? 703 00:35:42,042 --> 00:35:43,877 PUTTING THAT PHOTO TO GOOD USE. 704 00:35:43,910 --> 00:35:45,245 OKAY, THANKS. 705 00:35:45,278 --> 00:35:47,413 GOOD MEETIN� YOU, MARY. SAME HERE. 706 00:35:47,447 --> 00:35:48,549 Jill: BYE. 707 00:35:57,758 --> 00:35:59,059 GOOD NIGHT, DIANE. 708 00:35:59,092 --> 00:36:00,827 NIGHT. 709 00:36:00,861 --> 00:36:02,362 NIGHT. 710 00:36:02,395 --> 00:36:04,865 YEAH, GOOD NIGHT. 711 00:36:04,898 --> 00:36:07,400 SHE�S CUTE, DANNY. 712 00:36:07,433 --> 00:36:09,302 WHO? 713 00:36:09,335 --> 00:36:11,337 OH, YOU MEAN MARY FROM ANTI?CRIME? 714 00:36:11,371 --> 00:36:12,338 YEAH. 715 00:36:12,372 --> 00:36:13,874 YEAH, SHE IS CUTE. 716 00:36:16,109 --> 00:36:18,745 WHAT DO YOU GOT, A DATE OF SOME SORT? 717 00:36:18,779 --> 00:36:21,247 YEAH, SORT OF. 718 00:36:23,517 --> 00:36:25,552 GOOD NIGHT. 719 00:36:25,586 --> 00:36:26,553 YEAH. 720 00:36:26,587 --> 00:36:28,188 LET ME GO BACK IN 721 00:36:28,221 --> 00:36:29,923 AND HELP ANDY WITH THIS STATEMENT. 722 00:36:45,105 --> 00:36:48,408 I WAS ON A FOOT POST IN THE BRONX, 723 00:36:48,441 --> 00:36:50,043 TWO YEARS A COP. 724 00:36:50,076 --> 00:36:53,046 A COUPLE OF GENIUSES IN SKI MASKS 725 00:36:53,079 --> 00:36:55,048 COME OUT THE FRONT DOOR OF A BANK. 726 00:36:55,081 --> 00:36:57,217 I GOT LUCKY IN THE SHOOTOUT. 727 00:36:57,250 --> 00:36:59,185 JOB GIVES ME MY GOLD SHIELD, 728 00:36:59,219 --> 00:37:01,622 MAKE SOME LUCKY COLLARS IN NARCOTICS ?? 729 00:37:01,655 --> 00:37:03,056 YOU�RE A LUCKY BOY. 730 00:37:03,089 --> 00:37:04,825 THEY UPPED ME TO THIS TASK FORCE. 731 00:37:04,858 --> 00:37:06,459 I WORK REGULAR HOURS, 732 00:37:06,492 --> 00:37:08,294 EXCEPT WHEN I�M BABYSITTING JERKS 733 00:37:08,328 --> 00:37:09,896 LIKE YOUR FRIEND DON. 734 00:37:09,930 --> 00:37:12,498 A NEW CAR EVERY YEAR, WHICH I DRIVE HOME. 735 00:37:12,533 --> 00:37:15,135 WHO�S GOT IT BETTER THAN ME? [ CHUCKLES ] 736 00:37:15,168 --> 00:37:16,670 THANKS. 737 00:37:16,703 --> 00:37:18,004 THANK YOU, MY CHILD. 738 00:37:22,042 --> 00:37:23,710 NOW I�M SAFELY IN THE LEAD, 739 00:37:23,744 --> 00:37:25,478 YOU�RE STILL NOT GOING TO DRINK WITH ME? 740 00:37:25,512 --> 00:37:27,313 NO. NO. 741 00:37:27,347 --> 00:37:29,315 IS THIS TACTICAL? 742 00:37:29,349 --> 00:37:31,317 YOU ABSTAIN, FIND OUT WHAT DENBY KNOWS 743 00:37:31,351 --> 00:37:33,286 AS HE YIELDS TO WHAT IS, ADMITTEDLY, 744 00:37:33,319 --> 00:37:35,155 A SMALL PROBLEM WITH ALCOHOL, 745 00:37:35,188 --> 00:37:36,890 OR AM I IN THE PRESENCE OF CONVICTION? 746 00:37:36,923 --> 00:37:38,324 YOU�RE IN THE PRESENCE 747 00:37:38,358 --> 00:37:40,326 OF SOMEONE WHO DOESN�T WANT A DRINK. 748 00:37:40,360 --> 00:37:43,997 NO, I SENSE WE�RE DRILLING IN BEDROCK HERE. 749 00:37:44,030 --> 00:37:45,732 IS IT THE OLD STORY? 750 00:37:45,766 --> 00:37:48,068 ONE�S TOO MANY, 50 AREN�T ENOUGH? 751 00:37:48,101 --> 00:37:50,170 THAT�S GOT A RING TO IT. 752 00:37:50,203 --> 00:37:53,206 AND HAVE YOU NOW SEEN THE LIGHT? 753 00:37:53,239 --> 00:37:56,176 THIS SEEMS LIKE A GOOD PLACE 754 00:37:56,209 --> 00:37:59,212 TO TAKE A TURN IN THE CONVERSATION. 755 00:38:02,783 --> 00:38:05,218 GETS MEAN BEHIND HIS COCKTAILS, THIS DENBY. 756 00:38:08,589 --> 00:38:09,790 I APOLOGIZE. 757 00:38:09,823 --> 00:38:11,324 IT�S OKAY. 758 00:38:12,926 --> 00:38:15,629 SO, DO YOU COME BEARING A MESSAGE 759 00:38:15,662 --> 00:38:16,997 FROM DETECTIVE KIRKENDALL? 760 00:38:17,030 --> 00:38:18,632 "I COME IN PEACE" 761 00:38:18,665 --> 00:38:21,702 IS AS FAR AS I�M READY TO GO AT THE MOMENT. 762 00:38:21,735 --> 00:38:23,236 YOU COME IN PEACE? HMM. 763 00:38:23,269 --> 00:38:25,872 LOOK WHAT BELIEVING THAT FROM A STRANGER 764 00:38:25,906 --> 00:38:27,741 GOT THE INDIANS. 765 00:38:27,774 --> 00:38:30,711 IF YOU�RE PREPARED TO HAVE A DRINK WITH ME, 766 00:38:30,744 --> 00:38:32,679 I COULD SHED SOME VALUABLE LIGHT 767 00:38:32,713 --> 00:38:34,147 ON YOUR PARTNER�S SITUATION. 768 00:38:34,180 --> 00:38:36,149 HOW ABOUT DOING THAT ANYWAY 769 00:38:36,182 --> 00:38:37,884 JUST �CAUSE YOU�RE A GOOD GUY? 770 00:38:37,918 --> 00:38:39,853 TOO INTANGIBLE. 771 00:38:39,886 --> 00:38:41,955 WE NEED WHAT THE DEVIL WOULD CALL 772 00:38:41,988 --> 00:38:43,323 AN EXCHANGE OF CONSIDERATION. 773 00:38:43,356 --> 00:38:44,791 I�M NOT DRINKING WITH YOU. 774 00:38:44,825 --> 00:38:47,493 WILL YOU GIVE ME A SMALL PECK ON THE CHEEK? 775 00:38:48,829 --> 00:38:50,296 YEAH, YEAH, 776 00:38:50,330 --> 00:38:52,999 I�LL GIVE YOU A SMALL PECK ON THE CHEEK. 777 00:38:53,033 --> 00:38:55,969 WELL, THIS KISS WOULD HAVE TO BE A PRIORI. 778 00:38:56,002 --> 00:38:58,238 YOU KNOW WHAT THAT MEANS? 779 00:38:58,271 --> 00:39:00,674 ARE YOU A VICTIM OF A JESUIT EDUCATION, TOO? 780 00:39:00,707 --> 00:39:02,075 COME ON, DENBY. 781 00:39:02,108 --> 00:39:05,311 A PRIORI MEANS YOU GO FIRST. 782 00:39:05,345 --> 00:39:08,248 YOU PECK, I SHED LIGHT. 783 00:39:17,924 --> 00:39:20,794 NOW, DON�T YOU FEEL LIKE AN ASSHOLE? 784 00:39:20,827 --> 00:39:23,797 NO. ACTUALLY, I FEEL RATHER GOOD ABOUT THE WORLD. 785 00:39:23,830 --> 00:39:25,498 I FEEL RATHER SET UP. 786 00:39:25,532 --> 00:39:27,801 YOUR TURN. 787 00:39:27,834 --> 00:39:29,703 GOD DID THIS, RIGHT? 788 00:39:29,736 --> 00:39:32,038 WHEN THERE WAS DARKNESS ON THE WATERS? 789 00:39:35,509 --> 00:39:39,546 I WOULD SAY THIS, DETECTIVE. 790 00:39:39,580 --> 00:39:41,548 AS IT APPLIES TO A FEDERAL PROSECUTOR, 791 00:39:41,582 --> 00:39:43,850 ARE YOU FAMILIAR WITH THE LEGAL TERM "WUSS"? 792 00:39:43,884 --> 00:39:46,820 TALKING ABOUT THE PROSECUTOR THAT WOULD BE GOING TO BAT 793 00:39:46,853 --> 00:39:49,155 AGAINST MY PARTNER�S EX?HUSBAND? 794 00:39:49,189 --> 00:39:51,124 I�M TALKING ABOUT A PROSECUTOR 795 00:39:51,157 --> 00:39:53,293 WHO�S SUPPOSED TO BE GOING TO BAT 796 00:39:53,326 --> 00:39:55,662 AGAINST SIX DOMINICAN AND TWO PERUVIAN BAD GUYS ?? 797 00:39:55,696 --> 00:39:57,163 AGAINST WHO, 798 00:39:57,197 --> 00:39:59,232 WITHOUT YOUR PARTNER�S EX?HUSBAND�S TESTIMONY, 799 00:39:59,265 --> 00:40:02,135 WE HAVE GOT EVIDENCE UP THE ASS. 800 00:40:02,168 --> 00:40:05,205 SO GIVING A DEAL TO DON 801 00:40:05,238 --> 00:40:07,674 IS WHAT MAKES THE PROSECUTOR A WUSS? 802 00:40:07,708 --> 00:40:10,977 REAL KISS, YOU GET THE REST. 803 00:40:11,011 --> 00:40:14,981 AND I FIND MYSELF OUT OF SCOTCH. 804 00:40:15,015 --> 00:40:16,717 COULD HE GET ANOTHER DRINK? 805 00:40:16,750 --> 00:40:18,051 AND HER, TOO. 806 00:40:18,084 --> 00:40:19,452 SCREW YOU, DENBY. 807 00:40:19,485 --> 00:40:20,887 SCREW ME? 808 00:40:20,921 --> 00:40:23,724 NAH, I�M A REALIST. MY PRICE ISN�T THAT HIGH. 809 00:40:23,757 --> 00:40:25,025 I�M NOT DRINKING. 810 00:40:25,058 --> 00:40:27,327 I NEED A WET ONE, THEN. 811 00:40:27,360 --> 00:40:28,729 YOU WERE A DECENT GUY THIS MORNING. 812 00:40:28,762 --> 00:40:30,330 IT�S NOT MORNING ANYMORE 813 00:40:30,363 --> 00:40:32,065 ON THIS PART OF THE GLOBE. 814 00:40:32,098 --> 00:40:33,700 IT�S GOOD. 815 00:40:33,734 --> 00:40:35,501 THE REST OF THE STORY�S GOOD. 816 00:40:39,606 --> 00:40:40,707 ALL RIGHT. 817 00:40:44,678 --> 00:40:45,946 YOU FIRST THIS TIME. 818 00:40:50,551 --> 00:40:53,987 I CAN�T RATIONALIZE THAT, DIANE. 819 00:40:54,020 --> 00:40:56,557 THE WHOLE SORRY HISTORY OF THE RED MAN�S TRUST 820 00:40:56,590 --> 00:40:58,559 IS STARING ME IN THE FACE. 821 00:40:58,592 --> 00:41:01,962 YOU MUST HATE YOURSELF IN THE MORNINGS. 822 00:41:01,995 --> 00:41:04,698 ONLY SOMETIMES. 823 00:41:04,731 --> 00:41:07,400 OFTEN, I DON�T REMEMBER ANYTHING AT ALL. 824 00:41:07,433 --> 00:41:10,370 I MEAN, HOW MUCH DO YOU CARE ABOUT YOUR PARTNER? 825 00:41:10,403 --> 00:41:12,172 YOU PRICK. 826 00:41:12,205 --> 00:41:13,406 NOW, NOW. 827 00:41:30,490 --> 00:41:33,594 I BELIEVE THIS IS CALLED HITTING THE DAILY DOUBLE. 828 00:41:38,699 --> 00:41:40,333 AHH. 829 00:41:42,235 --> 00:41:43,537 YOU BETTER TELL ME. 830 00:41:45,706 --> 00:41:48,474 THE PROSECUTOR�S NEW BOSS IS AN ANTI?WUSS. 831 00:41:48,509 --> 00:41:50,143 I DON�T WANT TO HEAR ANY CLEVER CRAP. 832 00:41:50,176 --> 00:41:51,745 YOU TELL ME WHAT�S GOING ON. 833 00:41:51,778 --> 00:41:53,479 THE PROSECUTOR�S NEW BOSS 834 00:41:53,514 --> 00:41:55,516 IS GOING TO MAKE THE PROSECUTOR 835 00:41:55,549 --> 00:41:57,518 GO TO BAT AGAINST THESE DEALERS, 836 00:41:57,551 --> 00:41:59,119 WITH OR WITHOUT 837 00:41:59,152 --> 00:42:01,121 YOUR PARTNER�S EX?HUSBAND ON THE TEAM. 838 00:42:01,154 --> 00:42:03,557 TELL ME WHAT I SHOULD TELL HER. 839 00:42:07,327 --> 00:42:09,530 YOU SHOULD TELL YOUR PARTNER "SIT TIGHT." 840 00:42:09,563 --> 00:42:11,932 TELL HER NOT TO GIVE ME ANYTHING. 841 00:42:21,207 --> 00:42:23,243 CAN I HAVE THAT IF YOU DON�T WANT IT? 842 00:42:28,915 --> 00:42:30,383 GOOD NIGHT. 843 00:42:45,431 --> 00:42:48,168 Captioned by VISUAL DATA Your Closed Captioning Resource 844 00:42:48,201 --> 00:42:50,103 845 00:42:50,153 --> 00:42:54,703 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 61364

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