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1
00:00:50,050 --> 00:00:51,384
MORNING.
2
00:00:51,417 --> 00:00:53,720
HI.
3
00:00:53,754 --> 00:00:56,957
THIS SOME KIND
OF FREAKY?DEAK?
4
00:00:56,990 --> 00:01:00,460
I CAN WORK WITH YOU.
5
00:01:00,493 --> 00:01:02,829
HOW�D YOU SLEEP?
6
00:01:02,863 --> 00:01:04,497
GOOD.
7
00:01:04,531 --> 00:01:06,332
[ ALARM BUZZES ]
8
00:01:06,366 --> 00:01:07,968
THAT�S MY FIBBER�S BUZZER.
9
00:01:08,001 --> 00:01:12,405
I HEARD YOU UP
FIVE OR SIX TIMES.
10
00:01:12,438 --> 00:01:15,075
YOU MIND MY SCOPING
AN UNFAMILIAR APARTMENT OUT?
11
00:01:15,108 --> 00:01:18,011
JUST REALIZE
I COUNT MY UTENSILS.
12
00:01:21,715 --> 00:01:24,651
MY SISTERS DREW THOSE PICTURES
WHEN THEY WERE LITTLE GIRLS.
13
00:01:24,685 --> 00:01:27,521
YEAH, I SAW THE ONE
"TO MY BROTHER DANNY."
14
00:01:27,554 --> 00:01:29,189
YEAH.
15
00:01:29,222 --> 00:01:31,291
"C?CAT"? THAT�S FROM
MY SISTER LAURIE.
16
00:01:31,324 --> 00:01:32,392
HMM.
17
00:01:32,425 --> 00:01:34,394
SERIOUS, I HAD A TABBY
NAMED "C?CAT"
18
00:01:34,427 --> 00:01:36,496
AFTER HOW SHE SPELLED IT
IN THAT PICTURE. [ CHUCKLES ]
19
00:01:39,833 --> 00:01:43,303
OUR DAD PASSED
WHEN I WAS 6.
20
00:01:43,336 --> 00:01:45,972
OUR MOM COULDN�T
KEEP US,
21
00:01:46,006 --> 00:01:49,976
SO SHE SENT US TO LIVE
OVER HERE WITH HER SISTER.
22
00:01:50,010 --> 00:01:51,377
OH.
23
00:01:55,015 --> 00:01:57,884
I WAS BORN IN NORWAY.
YOU BELIEVE THAT?
24
00:01:57,918 --> 00:02:00,120
OUTSIDE OF OSLO.
25
00:02:00,153 --> 00:02:02,556
OVER HERE,
WE GREW UP IN ALBANY.
26
00:02:05,325 --> 00:02:07,227
SO AM I YOUR FIRST
NORWEGIAN SCREW?
27
00:02:08,762 --> 00:02:10,230
NOT EVEN CLOSE.
28
00:02:14,501 --> 00:02:16,069
IT�S GOOD
THAT YOU KEPT
29
00:02:16,102 --> 00:02:17,804
THE PICTURES
FROM YOUR SISTERS.
30
00:02:17,838 --> 00:02:20,807
THEY WERE PRESENTS
THEY GAVE TO ME.
31
00:02:20,841 --> 00:02:23,443
YOU GIVE MY PLACE
A GOOD TOSS?
32
00:02:24,911 --> 00:02:26,680
YOU NEVER KNOW, PAL.
33
00:02:26,713 --> 00:02:28,815
I KNOW WHERE
YOUR COFFEE IS.
34
00:02:28,849 --> 00:02:30,784
DO YOU WANT ME
TO MAKE YOU SOME?
35
00:02:30,817 --> 00:02:33,486
YOU WANT TO USE
MY COFFEE MAKER?
36
00:02:35,088 --> 00:02:37,057
YOU ARE SO STRANGE.
37
00:02:37,090 --> 00:02:40,060
I�M THE NOT ONE
I AWOKE TO FIND UPSIDE DOWN
38
00:02:40,093 --> 00:02:42,829
LIKE AN EERIE
CREATURE OF THE NIGHT.
39
00:04:37,744 --> 00:04:39,412
HOW�S IT GOING, KATIE?
40
00:04:39,445 --> 00:04:40,881
HI, ANDY.
41
00:04:40,914 --> 00:04:42,883
DID YOU DROP OFF THEO
AT NURSERY SCHOOL?
42
00:04:42,916 --> 00:04:44,851
YEAH, I DROPPED HIM
AT SCHOOL.
43
00:04:44,885 --> 00:04:46,820
HOW WAS YOUR MEETING?
44
00:04:46,853 --> 00:04:48,855
I DIDN�T GO
TO MY MEETING.
45
00:04:48,889 --> 00:04:51,625
I WAS COUNSELING
WITH A POOR YOUNG MAN.
46
00:04:51,658 --> 00:04:53,827
I NEED TO ASK YOU
SOME ADVICE.
47
00:04:53,860 --> 00:04:55,061
SURE, ANDY.
48
00:04:55,095 --> 00:04:58,665
THEO�S GETTING WILLFUL,
49
00:04:58,699 --> 00:05:00,466
ALMOST DISOBEDIENT, LIKE.
50
00:05:00,501 --> 00:05:02,503
IN WHAT WAY?
51
00:05:02,536 --> 00:05:03,870
DISOBEDIENCE ??
52
00:05:03,904 --> 00:05:07,808
HE ASKS FOR DIFFERENT
TYPE FOODS AND SO FORTH.
53
00:05:07,841 --> 00:05:10,410
SO, DIFFERENT FROM WHAT
YOU�RE USED TO PREPARING?
54
00:05:10,443 --> 00:05:12,412
LOOK, I MEAN,
I NEVER CONFUSED MYSELF
55
00:05:12,445 --> 00:05:14,347
WITH A MASTER CHEF.
56
00:05:14,380 --> 00:05:16,016
AND THEN HE�S WILLFUL
57
00:05:16,049 --> 00:05:17,984
WITH OUR AFTER?SCHOOL
RECREATION.
58
00:05:18,018 --> 00:05:20,320
DON�T LIKE OUR RIDES
NO MORE
59
00:05:20,353 --> 00:05:22,723
THAT I ENJOYED WALKING
AROUND WITH HIM ON.
60
00:05:22,756 --> 00:05:24,190
THAT POOR
YOUNG CRACKHEAD
61
00:05:24,224 --> 00:05:26,192
I MET WITH
THIS MORNING, ANDY ??
62
00:05:26,226 --> 00:05:28,795
IF YOU COULD SEE
THE PLACE HE WAS LIVING IN...
63
00:05:28,829 --> 00:05:30,864
WHAT�S THAT GOT TO DO
WITH THE CONCERN
64
00:05:30,897 --> 00:05:32,866
I JUST ASKED YOU
ABOUT THEO, KATIE?
65
00:05:32,899 --> 00:05:34,868
NOT TO MENTION,
WHAT ARE YOU DOING
66
00:05:34,901 --> 00:05:36,336
GOING TO A PLACE
67
00:05:36,369 --> 00:05:37,971
WHERE A CRACKHEAD�S
LIVING AT?
68
00:05:38,004 --> 00:05:40,674
IT WAS FILTHY ?? PORNOGRAPHY
ON HIS COMPUTER SCREEN ??
69
00:05:40,707 --> 00:05:42,643
OH, MY GOD.
HAVE YOU LOST YOUR MIND?
70
00:05:42,676 --> 00:05:45,245
HE�S LOST EVERYTHING.
HE LOST HIS GIRLFRIEND,
71
00:05:45,278 --> 00:05:48,915
HE LOST HIS JOB,
AND SHE TOOK HIS CAT?? WHICH SHE SHOULD�VE DONE
72
00:05:48,949 --> 00:05:51,084
BECAUSE HE WASN�T
FEEDING IT ANYWAY.
73
00:05:51,117 --> 00:05:53,053
WELL, THIS IS
JUST GREAT, KATIE.
74
00:05:53,086 --> 00:05:55,856
THANK YOU VERY MUCH
FOR THE GOOD SPECIFIC ADVICE,
75
00:05:55,889 --> 00:05:58,525
NOT TO MENTION THE PEEK
INTO REALIZING
76
00:05:58,559 --> 00:06:00,627
THE CRAZY WAY
YOU ARE LIVING YOUR LIFE.
77
00:06:00,661 --> 00:06:02,462
DO YOU HAVE TO GO
ON A CASE?
78
00:06:02,495 --> 00:06:04,464
THAT SEEMS TO BE
THE DRIFT OF THINGS, YES.
79
00:06:04,497 --> 00:06:06,733
DO YOU HAVE
AN IMMEDIATE EMERGENCY,
80
00:06:06,767 --> 00:06:08,702
OR CAN I TALK TO ANDY
ONE MORE SECOND?
81
00:06:08,735 --> 00:06:10,804
SURE, NO PROBLEM.
82
00:06:10,837 --> 00:06:12,806
WHAT, YOU WANT
TO TELL ME
83
00:06:12,839 --> 00:06:14,808
THE PORNO TITLES
THIS GUY�S WATCHING?
84
00:06:14,841 --> 00:06:17,644
THAT D. O. A.�S NOT GOING
TO GET ANY MORE DEAD.
85
00:06:17,678 --> 00:06:19,646
WHEN YOU ASKED ME
ABOUT THEO ??
86
00:06:19,680 --> 00:06:22,315
WHY I WAS TELLING YOU
ABOUT JOHN, ANDY ??
87
00:06:22,348 --> 00:06:25,318
JOHN ?? YOUR GOOD FRIEND
THE CRACKHEAD PORN FAN?
88
00:06:25,351 --> 00:06:28,789
IN HIS ROOM THIS MORNING,
WHEN HE DIDN�T WANT ANY HELP,
89
00:06:28,822 --> 00:06:31,124
I GOT SO UPSET WITH JOHN,
90
00:06:31,157 --> 00:06:34,460
AND THE MORE UPSET I GOT,
THE MORE I WAS THINKING
91
00:06:34,494 --> 00:06:36,462
ABOUT HIS
CHARACTER DEFECTS,
92
00:06:36,496 --> 00:06:39,465
BUT THEN, GOD GAVE ME
TO UNDERSTAND
93
00:06:39,499 --> 00:06:41,467
THAT PAST A CERTAIN POINT,
94
00:06:41,502 --> 00:06:43,469
I COULDN�T
MAKE MYSELF FEEL BETTER
95
00:06:43,504 --> 00:06:46,472
BY SETTING MY OWN SCHEDULE
FOR HOW HE WAS SUPPOSED
96
00:06:46,507 --> 00:06:48,642
TO LIVE HIS LIFE.
97
00:06:48,675 --> 00:06:50,844
I COULD ONLY
PRAY FOR HIS WELFARE,
98
00:06:50,877 --> 00:06:54,314
THAT SOME STEPS
JOHN HAD TO TAKE ALONE,
99
00:06:54,347 --> 00:06:57,483
AND THAT CAME
AS A BLESSING TO ME,
100
00:06:57,518 --> 00:06:59,553
ACCEPTING THAT.
101
00:07:02,322 --> 00:07:03,990
IF THAT HELPS WITH THEO...
102
00:07:04,024 --> 00:07:05,892
AHEM.
103
00:07:07,661 --> 00:07:09,563
I DON�T KNOW.
104
00:07:09,596 --> 00:07:13,033
ANYWAYS, I GOT TO GO.
105
00:07:13,066 --> 00:07:16,136
I DO, TOO. I�M GOING
TO A LATER MEETING.
106
00:07:16,169 --> 00:07:18,505
TAKE CARE, ANDY.
107
00:07:18,539 --> 00:07:20,507
YEAH.
108
00:07:22,876 --> 00:07:26,547
I GOT TO BUY
ONE OF THEM REARING BOOKS.
109
00:07:43,897 --> 00:07:46,132
ROOM CLERK FOUND THE BODY,
CALLED IT IN.
110
00:07:46,166 --> 00:07:47,901
WE WERE SECURING THE SCENE
111
00:07:47,934 --> 00:07:50,036
WHEN THE SMOKE DETECTOR
WENT OFF.
112
00:07:50,070 --> 00:07:51,371
CIGARETTE IN THE BED,
I GUESS.
113
00:07:51,404 --> 00:07:52,639
THE D. O. A.?
114
00:07:52,673 --> 00:07:54,575
THE FIREMEN
DO THEIR NUMBER,
115
00:07:54,608 --> 00:07:55,976
WHICH IS WHY IT�S WET.
116
00:07:56,009 --> 00:07:57,578
AND THE CRIME SCENE�S
TRAMPLED.
117
00:07:57,611 --> 00:07:59,045
MARTELLI,
WHERE�S THE BODY?
118
00:07:59,079 --> 00:08:00,480
IT�S IN THE BATHROOM.
119
00:08:00,514 --> 00:08:01,748
THANK YOU.
120
00:08:05,819 --> 00:08:07,621
LOOK AT THIS POOR GUY.
121
00:08:07,654 --> 00:08:09,556
STAB WOUNDS, MUTILATION.
122
00:08:09,590 --> 00:08:11,157
I�LL SAY.
HIS DICK�S GONE.
123
00:08:11,191 --> 00:08:12,626
WHO IS HE?
124
00:08:12,659 --> 00:08:16,196
DARRYL CONNERS, 34.
VIRGINIA DRIVER�S LICENSE.
125
00:08:16,229 --> 00:08:18,198
CLERK SAYS
HE�D STAY HERE REGULAR,
126
00:08:18,231 --> 00:08:19,866
BRING IN MALE PROSTITUTES.
127
00:08:19,900 --> 00:08:21,668
WELL, LET�S TALK TO HIM.
128
00:08:21,702 --> 00:08:23,570
RIGHT.
129
00:08:28,542 --> 00:08:29,710
EXCUSE ME.
130
00:08:29,743 --> 00:08:31,712
THIS HERE�S THE HOTEL CLERK
LARRY HANSON.
131
00:08:31,745 --> 00:08:33,847
HOW YOU DOING, LARRY?
132
00:08:33,880 --> 00:08:35,816
I�M KIND OF BOWLED OVER.
133
00:08:35,849 --> 00:08:38,184
YEAH, IT MUST
HAVE BEEN A SHOCK.
134
00:08:38,218 --> 00:08:40,286
YOU KNOW, WHEN I
FIRST FOUND DARRYL,
135
00:08:40,320 --> 00:08:42,823
HE WAS WEARING
HIS ROLEX AND A GOLD RING,
136
00:08:42,856 --> 00:08:45,792
AND WHEN I WENT TO IDENTIFY
MR. CONNERS WITH THE OFFICER,
137
00:08:45,826 --> 00:08:48,194
HE WASN�T WEARING
ANY JEWELRY.
138
00:08:48,228 --> 00:08:52,132
I HAVE AN IMAGE IN MY MIND
OF THAT BEAUTIFUL WATCH
139
00:08:52,165 --> 00:08:54,134
AGAINST THE PORCELAIN
OF THE BATHTUB.
140
00:08:54,167 --> 00:08:56,002
WHAT CAN YOU
TELL US ABOUT HIM?
141
00:08:56,036 --> 00:08:58,138
HE�D STAY HERE
ONCE A MONTH OR SO.
142
00:08:58,171 --> 00:08:59,873
COMES UP FROM RICHMOND.
143
00:08:59,906 --> 00:09:02,142
COMES ALONE?
144
00:09:02,175 --> 00:09:04,711
YES, BUT HE�D GO
FIND COMPANY PRETTY QUICKLY.
145
00:09:04,745 --> 00:09:06,513
BOYS.
146
00:09:06,547 --> 00:09:08,649
HE WAS VERY CANDID WITH ME.
147
00:09:08,682 --> 00:09:10,717
SHOWED ME HIS MONEY CLIP
OF $100 BILLS.
148
00:09:10,751 --> 00:09:13,219
"THESE WILL ALL BE
IN STRANGE MEN�S POCKETS
149
00:09:13,253 --> 00:09:16,022
BY THE END OF THE NIGHT,"
HE�D SAY.
150
00:09:16,056 --> 00:09:18,024
HOW MANY GUYS WOULD HE
BRING UP IN A NIGHT?
151
00:09:18,058 --> 00:09:20,126
SAY FOUR.
152
00:09:20,160 --> 00:09:22,563
ALL RIGHT,
WE�LL LOOK INTO THAT.
153
00:09:28,702 --> 00:09:30,236
HOLD ON A SECOND.
154
00:09:30,270 --> 00:09:31,237
ME?
155
00:09:31,271 --> 00:09:32,706
WHAT�S YOUR NAME?
156
00:09:32,739 --> 00:09:34,708
JEFF CHASE.
I�M CHECKING OUT TODAY.
157
00:09:34,741 --> 00:09:36,242
YOU STAY HERE
LAST NIGHT?
158
00:09:36,276 --> 00:09:39,145
YES, BUT I DIDN�T
SEE ANYTHING.
159
00:09:39,179 --> 00:09:41,147
OKAY, YOU GOT
TO WAIT UP.
160
00:09:41,181 --> 00:09:42,649
I DIDN�T SEE ANYTHING.
161
00:09:42,683 --> 00:09:44,651
JUST A GUY ??
MAYBE 27 WITH TATTOOS ??
162
00:09:44,685 --> 00:09:47,453
STORMED INTO THE HALL,
BUT THAT�S ALL I KNOW. THAT�S ALL, HUH?
163
00:09:47,487 --> 00:09:50,356
ONE�S A 10.
ONE�S AN 8 1/2.
164
00:09:50,390 --> 00:09:51,424
BOTH LEFTS.
165
00:09:54,027 --> 00:09:55,696
I�M BOOKED TO LEAVE
IN TWO HOURS.
166
00:09:55,729 --> 00:09:58,364
I WOULDN�T BE HERE TO TESTIFY.
I DON�T LIVE IN NEW YORK.
167
00:09:58,398 --> 00:09:59,966
YOU�RE AN EYEWITNESS
TO A MURDER.
168
00:10:00,000 --> 00:10:01,467
YOU GOT TO STICK AROUND.
169
00:10:01,502 --> 00:10:03,904
I GOT A TICKET TO CHICAGO.
I HAVE A GIG.
170
00:10:03,937 --> 00:10:06,673
NOW YOU GOT A GIG
IN THE BIG APPLE.
171
00:10:10,944 --> 00:10:12,178
WHOA.
172
00:10:14,347 --> 00:10:15,949
I FOUND THE PENIS, GUYS.
173
00:10:31,932 --> 00:10:33,967
I AM SONIA LOPEZ.
THIS IS MY SON JASON
174
00:10:34,000 --> 00:10:36,236
WHO I AM REPORTING
FOR STEALING.
175
00:10:36,269 --> 00:10:38,204
I�M NOT STEALING.
176
00:10:38,238 --> 00:10:40,741
YOU SEE THIS JACKET?
THAT�S EXPENSIVE.
177
00:10:40,774 --> 00:10:42,308
I�M DETECTIVE RUSSELL,
MRS. LOPEZ.
178
00:10:42,342 --> 00:10:44,210
YOU CAN FILE YOUR REPORT
WITH ME.
179
00:10:44,244 --> 00:10:47,213
SOMETHING HAS TURNED THIS BOY
FROM HOW HE WAS RAISED.
180
00:10:47,247 --> 00:10:49,482
WHY DON�T YOU AND I TALK
IN THE COFFEE ROOM?
181
00:10:49,516 --> 00:10:51,718
THIS IS DETECTIVE MARTINEZ
AND KIRKENDALL.
182
00:10:51,752 --> 00:10:53,453
JASON LOPEZ.
HI, JASON.
183
00:10:53,486 --> 00:10:55,288
JAMES MARTINEZ, JASON.
184
00:10:55,321 --> 00:10:58,291
HIS MOTHER�S CONCERNED
BECAUSE HE CAME HOME WITH AN EXPENSIVE JACKET.
185
00:10:58,324 --> 00:11:00,961
AND ROLLERBLADES.
I DIDN�T STEAL ANY OF IT.
186
00:11:00,994 --> 00:11:02,663
COME ON IN HERE, SONIA.
187
00:11:02,696 --> 00:11:05,398
LET�S GRAB A SEAT AND LET
ME AND DETECTIVE KIRKENDALL
188
00:11:05,431 --> 00:11:06,967
HEAR YOUR SIDE OF THIS.
189
00:11:07,000 --> 00:11:08,969
I DON�T STEAL, ALL RIGHT?
I�M NOT A THIEF.
190
00:11:09,002 --> 00:11:10,871
YOU KNOW, SOMETIMES
MOTHERS GET WRONG IDEAS
191
00:11:10,904 --> 00:11:12,839
OFF BEING WORRIED
ABOUT THEIR KIDS.
192
00:11:12,873 --> 00:11:14,908
YEAH, MY MOTHER�S IDEA
IS WRONG, ALL RIGHT?
193
00:11:14,941 --> 00:11:17,210
LET HER PUT ME OUT.
I DON�T CARE.
194
00:11:17,243 --> 00:11:18,645
WELL, THAT�S
NO GOOD, JASON.
195
00:11:18,679 --> 00:11:19,980
Jill: SO, JASON,
196
00:11:20,013 --> 00:11:21,982
WHERE DID YOU GET MONEY
FOR THE THINGS
197
00:11:22,015 --> 00:11:24,050
YOUR MOM�S WORRIED
YOU MIGHT HAVE STOLEN?
198
00:11:24,084 --> 00:11:27,187
YOU KNOW, I GOT A JOB
DOING COMPUTER GRAPHICS.
199
00:11:27,220 --> 00:11:29,856
YOUR MOM DOESN�T KNOW
ABOUT THAT JOB?
200
00:11:29,890 --> 00:11:32,793
SHE DOESN�T
UNDERSTAND COMPUTERS.
201
00:11:32,826 --> 00:11:35,796
WELL, WE NEED YOU TO WRITE DOWN
YOUR BOSS�S NAME
202
00:11:35,829 --> 00:11:39,165
SO WE CAN VERIFY
WHAT YOU�RE SAYING IS TRUE.
203
00:11:40,901 --> 00:11:42,803
HE NEVER USED TO BE BAD,
204
00:11:42,836 --> 00:11:46,573
BUT THIS TEACHER
STARTED INFLUENCING HIM.
205
00:11:46,607 --> 00:11:47,641
WHAT TEACHER?
206
00:11:47,674 --> 00:11:49,209
HE NEVER USED TO STEAL.
207
00:11:49,242 --> 00:11:52,212
HAS TO BE HER INFLUENCE.
HE WANTS TO IMPRESS HER.
208
00:11:52,245 --> 00:11:54,214
SHE�S THE NEW THING
IN HIS LIFE.
209
00:11:54,247 --> 00:11:55,749
COULD THE JACKET
AND ROLLERBLADES
210
00:11:55,782 --> 00:11:57,417
HAVE BEEN GIFTS TO JASON?
211
00:11:57,450 --> 00:12:00,220
NO, NO, HE�S STEALING.
IT CAN�T BE ANYTHING ELSE.
212
00:12:00,253 --> 00:12:02,556
HE�S GOT TO GO
TO FOSTER HOME
213
00:12:02,589 --> 00:12:04,457
AND A NEW SCHOOL.
214
00:12:04,490 --> 00:12:06,527
SAY WE VERIFY
WHAT YOU�RE TELLING US.
215
00:12:06,560 --> 00:12:09,563
WON�T THAT MEAN YOU NEED WORK
ON COMMUNICATING WITH YOUR MOM?
216
00:12:09,596 --> 00:12:11,364
YEAH, I GUESS SO.
217
00:12:11,397 --> 00:12:14,801
HOW ABOUT YOUR DAD?
YOU GOT YOUR DAD TO TALK TO?
218
00:12:14,835 --> 00:12:16,436
UH, NO, NO DAD.
219
00:12:18,404 --> 00:12:21,074
SO JASON SAYS
HE EARNED THE MONEY
220
00:12:21,107 --> 00:12:22,643
HIS MOTHER�S WORRIED ABOUT.
221
00:12:22,676 --> 00:12:25,478
HE WROTE DOWN WHERE HE WORKS
SO WE CAN CHECK.
222
00:12:25,512 --> 00:12:27,480
I ASK IF YOU�RE
WORKING AFTER SCHOOL,
223
00:12:27,514 --> 00:12:30,150
AND YOU DON�T SAY ANYTHING.
224
00:12:30,183 --> 00:12:32,152
ANYWAYS, LET US CHECK
THIS INFORMATION OUT.
225
00:12:32,185 --> 00:12:34,154
THEN WE�LL SEE HOW
YOU WANT TO PROCEED.
226
00:12:34,187 --> 00:12:36,122
I DON�T THINK HE�S GOT ANY JOB.
I THINK IT�S HER INFLUENCE.
227
00:12:36,156 --> 00:12:38,391
WE�LL LOOK INTO THINGS,
MRS. LOPEZ,
228
00:12:38,424 --> 00:12:40,393
AND THEN WE�LL BE
IN TOUCH WITH YOU.
229
00:12:40,426 --> 00:12:43,296
NOW I GOT TO TAKE HIM TO SCHOOL
TO HER INFLUENCE,
230
00:12:43,329 --> 00:12:45,999
MY BOY THAT I TRIED
TO RAISE RIGHT.
231
00:12:46,032 --> 00:12:47,333
WE�LL BE IN TOUCH.
232
00:12:51,437 --> 00:12:53,974
[ SIGHS ]
233
00:12:54,007 --> 00:12:56,142
SHE THINKS HE�S INVOLVED
WITH HIS TEACHER.
234
00:12:56,176 --> 00:12:57,477
INVOLVED HOW?
235
00:12:57,511 --> 00:12:59,813
SHE THINKS
THE TEACHER GAVE HIM
236
00:12:59,846 --> 00:13:01,748
THE ROLLERBLADES
AND JACKET.
237
00:13:01,782 --> 00:13:03,750
Jill: THE COMPUTER STORE�S
NOT OPEN YET.
238
00:13:03,784 --> 00:13:07,120
BUT I MEAN, INVOLVED
WITH HIS TEACHER HOW?
239
00:13:07,153 --> 00:13:11,024
MAYBE WE TAKE A RIDE
OVER TO THE COMPUTER STORE.
240
00:13:11,057 --> 00:13:13,459
WHAT ARE YOU
DOING IN NEW YORK?
241
00:13:13,493 --> 00:13:15,729
THERE WAS AN OPEN MIKE
I PLAYED AT.
242
00:13:15,762 --> 00:13:17,531
WHAT TIME
DID YOU GET BACK?
243
00:13:17,564 --> 00:13:19,666
AROUND 3:00 A. M.
244
00:13:19,700 --> 00:13:21,502
YOU HEARD FIGHTING
IN DARRYL�S ROOM?
245
00:13:21,535 --> 00:13:23,036
YEAH.
246
00:13:23,069 --> 00:13:25,338
I WAS HAVING TROUBLE
WITH THE, UH,
247
00:13:25,371 --> 00:13:28,842
THE...
248
00:13:28,875 --> 00:13:31,344
UH, THE ELECTRIC KEY THING.
249
00:13:31,377 --> 00:13:33,313
I WAS TRYING
TO FIGURE THAT OUT
250
00:13:33,346 --> 00:13:37,017
WHEN THIS GUY STORMS OUT,
GOES TO THE ELEVATOR ??
251
00:13:37,050 --> 00:13:38,384
THE 27?YEAR?OLD?
252
00:13:38,418 --> 00:13:40,353
I SENSED TROUBLE.
253
00:13:40,386 --> 00:13:41,855
GET TO THE TATTOOS.
254
00:13:41,888 --> 00:13:44,858
THE THING IS
I DON�T VIBE WITH NEW YORK.
255
00:13:44,891 --> 00:13:46,860
HEY, DID YOU HEAR ME?
256
00:13:46,893 --> 00:13:48,862
I CAN�T GET
MIXED UP IN SOMETHING
257
00:13:48,895 --> 00:13:51,998
THAT BRINGS ME BACK HERE
FOR A TRIAL OR WHATNOT.
258
00:13:52,032 --> 00:13:52,999
TATTOOS.
259
00:13:56,503 --> 00:13:59,205
A BLUE DAGGER
ON HIS HAND.
260
00:13:59,239 --> 00:14:00,541
WHAT ELSE?
261
00:14:00,574 --> 00:14:03,577
AND THE NAME TOMMY
ON THE BACK OF THE NECK.
262
00:14:03,610 --> 00:14:07,247
SEE, THAT�S
EXTREMELY HELPFUL TO US.
263
00:14:07,280 --> 00:14:09,315
YEAH, IT�S GOOD FOR YOU,
SUCKS FOR ME.
264
00:14:09,349 --> 00:14:13,053
LOOK, I HELPED YOU OUT.
CAN YOU HELP ME BACK?
265
00:14:13,086 --> 00:14:14,220
WHAT?
266
00:14:14,254 --> 00:14:16,289
I�M MAXED OUT
ON MY CREDIT CARDS,
267
00:14:16,322 --> 00:14:17,724
NO CASH.
268
00:14:17,758 --> 00:14:21,628
IN FACT, I STILL
KIND OF OWE THE HOTEL.
269
00:14:21,662 --> 00:14:23,296
WE�LL DO WHAT WE CAN.
270
00:14:23,329 --> 00:14:26,867
THIS BLOWS.
271
00:14:48,555 --> 00:14:50,290
DETECTIVES RUSSELL
AND KIRKENDALL.
272
00:14:50,323 --> 00:14:51,692
YOU�RE THE OWNER?
273
00:14:51,725 --> 00:14:52,693
THAT�S RIGHT.
274
00:14:52,726 --> 00:14:54,127
MARTIN EVERS?
YEAH.
275
00:14:54,160 --> 00:14:57,030
DOES A JASON LOPEZ
WORK FOR YOU, MARTIN?
276
00:14:58,164 --> 00:15:00,166
TAKE THESE ON IN, DONNY.
277
00:15:02,503 --> 00:15:07,173
YEAH, JASON LOPEZ IS
IN MY APPRENTICE PROGRAM.
278
00:15:07,207 --> 00:15:09,142
YEAH?
WHAT�S THAT ABOUT?
279
00:15:09,175 --> 00:15:11,144
WELL, THE PROGRAM
IS ESSENTIALLY TRAINING KIDS,
280
00:15:11,177 --> 00:15:13,313
EXPOSING THESE KIDS
TO THE WORK ENVIRONMENT.
281
00:15:13,346 --> 00:15:15,582
THEY DO GRAPHICS,
PROCESSING.
282
00:15:15,616 --> 00:15:17,651
HOW MANY OTHER KIDS
IN THE PROGRAM?
283
00:15:17,684 --> 00:15:18,652
HOW MANY?
284
00:15:18,685 --> 00:15:19,853
UH?HUH.
285
00:15:19,886 --> 00:15:21,822
AT PRESENT, JASON�S
THE FIRST, ACTUALLY.
286
00:15:21,855 --> 00:15:23,957
AH, HE�S
THE ONLY APPRENTICE.
287
00:15:23,990 --> 00:15:27,127
PRESENTLY.
ACTUALLY, THAT�S RIGHT.
288
00:15:27,160 --> 00:15:29,295
MARTIN, IS JASON�S TEACHER
JENNY PETERS
289
00:15:29,329 --> 00:15:31,397
INVOLVED IN THIS SOMEWAY?
290
00:15:34,067 --> 00:15:37,037
I HAD HIM HERE ONE TIME
AND SHOWED HIM AROUND.
291
00:15:37,070 --> 00:15:39,305
FAVOR TO JENNY,
EXACTLY LIKE YOU SAID.
292
00:15:39,339 --> 00:15:41,908
SHE JUST SAID
SAY HE WORKS HERE.
293
00:15:41,942 --> 00:15:43,376
LOOK, SHE�S A GOOD PERSON.
294
00:15:43,409 --> 00:15:45,378
SHE�S ONE OF THESE SAINT
CRUSADERS FOR LATINO KIDS.
295
00:15:45,411 --> 00:15:47,313
SHE TREATS THEM
REALLY SPECIAL.
296
00:15:47,347 --> 00:15:49,315
OH, YOU THINK
SHE�S A CRUSADER
297
00:15:49,349 --> 00:15:51,084
FOR LATINO GIRLS, TOO?
298
00:15:51,117 --> 00:15:52,819
WHAT ARE YOU IMPUTING?
299
00:15:52,853 --> 00:15:54,154
NOTHING, MARTIN.
300
00:15:54,187 --> 00:15:56,356
STICK AROUND WHERE WE
CAN FIND YOU.
301
00:15:56,389 --> 00:15:58,759
YEAH.
THANKS FOR YOUR HELP.
302
00:16:07,333 --> 00:16:11,371
SO NONE OF YOU EMS�s
WAS THERE PRIOR TO THE COPS?
303
00:16:11,404 --> 00:16:14,474
THANK YOU VERY MUCH.
304
00:16:14,508 --> 00:16:15,842
DETECTIVE SIPOWICZ?
305
00:16:15,876 --> 00:16:19,145
THAT�S ME, ANDY SIPOWICZ.
306
00:16:19,179 --> 00:16:20,246
DENNY PHILLIPS.
307
00:16:20,280 --> 00:16:22,248
YOU CALLED ME
AT THE FIREHOUSE.
308
00:16:22,282 --> 00:16:24,250
YOU WERE
AT THE SCENE
309
00:16:24,284 --> 00:16:26,319
AT THE ELLSINOR HOTEL
THIS MORNING?
310
00:16:26,352 --> 00:16:28,154
CIGARETTE IN BED
SET IT OFF.
311
00:16:28,188 --> 00:16:29,623
YEAH, YOU�RE ALSO AWARE
312
00:16:29,656 --> 00:16:31,625
THAT THERE WAS A HOMICIDE
IN THAT ROOM?
313
00:16:31,658 --> 00:16:33,694
THAT�S WHAT ALL THEM COPS
WERE DOING THERE.
314
00:16:33,727 --> 00:16:36,296
EVIDENTLY THERE WAS A D.O.A.
IN THE BATHROOM.
315
00:16:36,329 --> 00:16:38,464
EVIDENTLY, YEAH.
316
00:16:38,498 --> 00:16:40,033
THERE�S BEEN AN ALLEGATION
317
00:16:40,066 --> 00:16:43,036
COPS MIGHT HAVE TOOK
SOME JEWELRY FROM THE D. O. A.
318
00:16:43,069 --> 00:16:44,470
WHOO, WHOO, WHOO.
319
00:16:44,505 --> 00:16:47,508
WHAT IS THAT, "WHOO, WHOO"?
ARE YOU A TRAIN WHISTLE?
320
00:16:47,541 --> 00:16:49,475
I DON�T KNOW
ABOUT THAT.
321
00:16:49,510 --> 00:16:51,645
YOU DIDN�T HAPPEN
TO SEE ANY JEWELRY?
322
00:16:51,678 --> 00:16:53,580
NO. LIKE I SAY,
I DIDN�T EVEN KNOW
323
00:16:53,614 --> 00:16:55,649
THE GUY WAS THERE
TILL WE WERE GONE.
324
00:16:55,682 --> 00:16:58,985
NOTHING YOU CAN REMEMBER
THAT WOULD SHED ANY LIGHT?
325
00:16:59,019 --> 00:17:01,387
WE WERE DONE. WE LEFT.
CIGARETTE IN THE BED
326
00:17:01,421 --> 00:17:03,123
DIDN�T HAVE NOTHING TO DO
WITH THE GUY�S DEATH.
327
00:17:03,156 --> 00:17:05,125
BACK TO THE FIREHOUSE, HUH?
328
00:17:05,158 --> 00:17:07,027
WE WERE IN AND OUT ??
FIVE MINUTES.
329
00:17:07,060 --> 00:17:08,995
NO LIVES TO SAVE.
WE LEFT. YEAH.
330
00:17:10,063 --> 00:17:12,699
IF YOU GUYS
GOT PERSONNEL PROBLEMS,
331
00:17:12,733 --> 00:17:15,335
I�D JUST AS SOON
STAY CLEAR OF THAT.
332
00:17:15,368 --> 00:17:18,505
OKAY, THANKS
FOR COMING BY.
333
00:17:18,539 --> 00:17:19,806
SURE THING.
334
00:17:19,840 --> 00:17:22,142
YEAH.
335
00:17:22,175 --> 00:17:24,077
OOH, OOH, OOH,
ANDY, ANDY.
336
00:17:24,110 --> 00:17:25,579
OOH, OOH, WHAT, WHAT?
337
00:17:25,612 --> 00:17:29,015
THE D. O. A.
AND HIS JOHNSON ??
338
00:17:29,049 --> 00:17:32,185
SEPARATE FUNERALS?
339
00:17:32,218 --> 00:17:34,420
OHH.
340
00:17:44,330 --> 00:17:47,300
DETECTIVE RUSSELL
OR KIRKENDALL?
341
00:17:47,333 --> 00:17:49,570
HI, I�M DETECTIVE RUSSELL.
342
00:17:49,603 --> 00:17:50,971
JENNY PETERS.
343
00:17:51,004 --> 00:17:53,473
I�M JASON LOPEZ�S
ENGLISH TEACHER.
344
00:17:53,507 --> 00:17:54,808
OH, UH,
345
00:17:54,841 --> 00:17:57,477
WE HADN�T GOTTEN AROUND
TO CONTACTING YOU YET.
346
00:17:57,511 --> 00:18:00,514
I�D LIKE TO SET THE RECORD
STRAIGHT ABOUT JASON.
347
00:18:00,547 --> 00:18:02,382
UH, JILL, JAMES.
348
00:18:03,717 --> 00:18:06,186
Diane: THIS IS DETECTIVE
MARTINEZ, DETECTIVE KIRKENDALL.
349
00:18:06,219 --> 00:18:07,921
HOW YOU DOING?
350
00:18:07,954 --> 00:18:10,991
MS. PETERS IS HERE
ABOUT JASON LOPEZ.
351
00:18:11,024 --> 00:18:13,527
WHO CAME TO SCHOOL
THIS MORNING IN TEARS
352
00:18:13,560 --> 00:18:16,129
BECAUSE HIS MOTHER WANTS YOU
TO CHARGE HIM AS A THIEF.
353
00:18:16,162 --> 00:18:18,799
WHAT CAN YOU TELL US
ABOUT JASON?
354
00:18:18,832 --> 00:18:22,803
HE�S 15 YEARS OLD.
355
00:18:22,836 --> 00:18:25,238
HE�S VERY MATURE EMOTIONALLY.
356
00:18:25,271 --> 00:18:27,708
HE�S THOUGHTFUL AND JOYFUL,
357
00:18:27,741 --> 00:18:31,812
AND HE WRITES POETRY
THAT WOULD MAKE YOU CRY.
358
00:18:31,845 --> 00:18:33,479
HE�S BRIGHT?
359
00:18:33,514 --> 00:18:35,582
HE CAN HAVE ANYTHING
IN THE WORLD,
360
00:18:35,616 --> 00:18:38,184
AND HIS MOTHER
WANTS TO SQUANDER THAT.
361
00:18:38,218 --> 00:18:39,986
SHE SAYS
JASON�S BEEN STEALING.
362
00:18:40,020 --> 00:18:41,021
NO.
363
00:18:41,054 --> 00:18:42,789
HE TURNED UP
WITH NEW CLOTHES
364
00:18:42,823 --> 00:18:44,791
AND COULDN�T SAY
WHERE HE GOT THE MONEY.
365
00:18:44,825 --> 00:18:47,794
JASON MAKES MONEY WORKING.
I GOT HIM THAT JOB,
366
00:18:47,828 --> 00:18:50,864
SO I CAN VOUCH
THAT HE�S DEFINITELY WORKING.
367
00:18:50,897 --> 00:18:53,700
SONIA IS UNEASY ABOUT YOUR
INFLUENCE OVER JASON.
368
00:18:53,734 --> 00:18:56,202
WELL,
LET SONIA FILE A COMPLAINT.
369
00:18:56,236 --> 00:18:57,704
I MEAN,
370
00:18:57,738 --> 00:18:59,706
WHAT IS THE PROBLEM HERE?
371
00:18:59,740 --> 00:19:02,175
DO YOU HAVE SOMETHING AGAINST
WHITE PEOPLE HELPING LATINOS?
372
00:19:02,208 --> 00:19:03,644
NO.
373
00:19:03,677 --> 00:19:06,012
NO, I�M NOT AWARE
THAT WE HAD THAT POLICY.
374
00:19:06,046 --> 00:19:08,515
I�M NOT SAYING
SONIA�S NOT A GOOD PERSON.
375
00:19:08,549 --> 00:19:11,317
SHE�S VERY SWEET.
376
00:19:11,351 --> 00:19:13,987
SHE DOESN�T
HAVE SOPHISTICATION.
377
00:19:14,020 --> 00:19:16,990
WE DO TRY
TO KEEP OUR WOMEN SIMPLE.
378
00:19:17,023 --> 00:19:19,292
I CAN TEACH JASON THINGS
THAT SHE CAN�T.
379
00:19:19,325 --> 00:19:22,696
THAT�S WHY SHE RESENTS ME.
380
00:19:22,729 --> 00:19:25,131
I GUESS SHE FEELS YOU�RE
OVERSTEPPING, MS. PETERS.
381
00:19:25,165 --> 00:19:27,801
I�VE BEEN OVERSTEPPING
FOR 15 YEARS.
382
00:19:27,834 --> 00:19:30,203
I TAKE THESE KIDS
TO THE MUSEUM, TO CONCERTS.
383
00:19:30,236 --> 00:19:32,305
THEY COME TO MY HOME.
384
00:19:32,338 --> 00:19:34,875
HAVE YOU HAD JASON
IN YOUR HOME?
385
00:19:34,908 --> 00:19:37,310
YES.
I WANT TO HELP HIM.
386
00:19:37,343 --> 00:19:39,312
HE LIKES YOU
HELPING HIM?
387
00:19:39,345 --> 00:19:41,548
HE DEPENDS ON IT.
388
00:19:41,582 --> 00:19:44,685
ALL RIGHT, MS. PETERS,
THANKS FOR COMING IN.
389
00:19:44,718 --> 00:19:47,153
I�LL DO WHATEVER IT TAKES.
390
00:19:47,187 --> 00:19:48,955
I HAVE FINALLY FOUND A BOY
391
00:19:48,989 --> 00:19:51,024
WHO IS COMPLETELY WORTHY
OF MY EFFORTS,
392
00:19:51,057 --> 00:19:53,359
AND I�M NOT LETTING HIM FALL
BY THE WAYSIDE.
393
00:19:53,393 --> 00:19:54,828
THAT�S VERY BIG
OF YOU.
394
00:19:58,164 --> 00:19:59,566
Andy: SIPOWICZ.
395
00:20:09,409 --> 00:20:11,377
YOU GOT THE WITNESS
A HOTEL?
396
00:20:11,411 --> 00:20:13,013
YEAH, WE TOLD JEFF,
BEING IT WAS
397
00:20:13,046 --> 00:20:15,749
ON THE JOB�S NICKEL,
HE�D HAVE TO DOWNGRADE TO TRAVELODGE LEVEL.
398
00:20:15,782 --> 00:20:18,819
YEAH, WE RAN THE TATTOO
HE DESCRIBED ON A PERPETRATOR
399
00:20:18,852 --> 00:20:20,521
THROUGH THE CATCH UNIT.
400
00:20:20,554 --> 00:20:21,922
MATCHES A TOMMY BOLOMO ??
401
00:20:21,955 --> 00:20:23,557
A COUPLE COLLARS
FOR GAY PROSTITUTION.
402
00:20:23,590 --> 00:20:26,226
YOU GOT AN ADDRESS
FOR THIS MALE PROSTITUTE?
403
00:20:26,259 --> 00:20:27,628
JUST HIS MOTHER�S.
404
00:20:27,661 --> 00:20:29,563
YOU TALKED
TO THE FIRE LIEUTENANT?
405
00:20:29,596 --> 00:20:32,232
WHO HAD NOTHING.
THAT WAS RICHMOND P. D.
406
00:20:32,265 --> 00:20:34,701
DARRYL HAD A BIG REPUTATION
DOWN THERE CRUISING BOYS.
407
00:20:34,735 --> 00:20:36,570
YEAH, STOP THE PRESSES.
408
00:20:36,603 --> 00:20:38,872
RICHMOND P. D.
WILL NOTIFY THE FAMILY.
409
00:20:38,905 --> 00:20:40,841
WE GOT THIS TOMMY�S
MUG SHOT.
410
00:20:40,874 --> 00:20:43,810
I SUPPOSE YOU WANT US
TO HIT THE FAIRY BARS.
411
00:20:43,844 --> 00:20:47,147
YOU WANT ME TO HIT
THE FAIRY BARS WITH THEM?
412
00:20:47,180 --> 00:20:50,016
YEAH, HIT THE BARS
WITH THEM.
413
00:21:16,743 --> 00:21:18,712
FELLAS.
414
00:21:18,745 --> 00:21:19,980
HOW YOU DOING?
415
00:21:20,013 --> 00:21:22,215
WE�RE LOOKING
FOR A MALE, WHITE, LATE 20s.
416
00:21:22,248 --> 00:21:24,885
AREN�T WE ALL?
417
00:21:24,918 --> 00:21:27,087
TOMMY BOLOMO ??
YOU RECOGNIZE HIM?
418
00:21:27,120 --> 00:21:29,322
LET�S SEE.
419
00:21:29,355 --> 00:21:30,524
FOR GOD�S SAKE.
420
00:21:30,557 --> 00:21:33,326
YEAH, HE COMES HERE,
YEAH.
421
00:21:33,359 --> 00:21:35,295
GO PUT AN APRON ON
RIGHT NOW.
422
00:21:35,328 --> 00:21:36,296
WHY?
423
00:21:36,329 --> 00:21:38,398
WHY? BECAUSE YOUR BUTTOCKS
IS EXPOSED.
424
00:21:38,431 --> 00:21:41,134
I WIPE MY HANDS
ON A TOWEL EXCLUSIVELY.
425
00:21:41,167 --> 00:21:44,404
OH, ARE YOU A BIG WIT
BESIDES GOING THROUGH LIFE
426
00:21:44,437 --> 00:21:45,706
WITH YOUR CRACK OUT
IN PUBLIC?
427
00:21:45,739 --> 00:21:47,340
YOU SEEN HIM TODAY?
428
00:21:47,373 --> 00:21:49,375
I WAS HERE FIVE MINUTES BEFORE
YOU STROLLED INTO MY LIFE.
429
00:21:49,409 --> 00:21:51,311
I HAVEN�T CHECKED OUT
THE CLIENTELLE YET.
430
00:21:51,344 --> 00:21:52,813
HOW MANY BACK ROOMS
ARE THERE IN THIS PLACE?
431
00:21:52,846 --> 00:21:55,148
WHERE�S YOUR DUNGEONS?
432
00:21:55,181 --> 00:21:56,583
NO DUNGEONS.
433
00:21:56,617 --> 00:21:58,051
WHERE�S YOUR BATHROOM?
434
00:21:58,084 --> 00:21:59,986
RIGHT THROUGH
THE CHAIN?LINK FENCE.
435
00:22:00,020 --> 00:22:01,822
SORRY.
436
00:22:01,855 --> 00:22:03,123
ANDY, ANDY, ANDY.
437
00:22:03,156 --> 00:22:04,224
WHAT?
438
00:22:04,257 --> 00:22:05,859
WHAT AM I DOING?
439
00:22:05,892 --> 00:22:07,794
YOU�RE GUARDING
THE FRONT DOOR.
440
00:22:07,828 --> 00:22:08,895
AS WHAT?
441
00:22:08,929 --> 00:22:11,031
AS GREG MEDAVOY.
442
00:22:24,444 --> 00:22:27,681
HEY, TOMMY?
443
00:22:27,714 --> 00:22:29,149
TOMMY?
444
00:22:29,182 --> 00:22:31,151
WHAT ARE YOU KNOCKING HERE FOR?
445
00:22:31,184 --> 00:22:32,653
MY NAME�S STEVE.
446
00:22:32,686 --> 00:22:34,054
STEVE WHAT?
447
00:22:34,087 --> 00:22:36,790
STEVE WYNN.
448
00:22:36,823 --> 00:22:38,124
I�M A CASINO OWNER.
449
00:22:38,158 --> 00:22:40,460
THIS PLACE IS LOADED
WITH COMEDIANS.
450
00:22:40,493 --> 00:22:41,962
I HAVE TO PISS,
451
00:22:41,995 --> 00:22:45,131
BUT HOW THE HELL CAN YOU
URINATE IN THIS ENVIRONMENT?
452
00:22:45,165 --> 00:22:47,000
ANDY.
453
00:22:50,604 --> 00:22:52,305
HEY, STEVE, HOW FAR
454
00:22:52,338 --> 00:22:54,307
YOU COMING ALONG
IN THAT PROCESS?
455
00:22:54,340 --> 00:22:56,309
YOU DOWN
TO THE PAPERWORK YET?
456
00:22:56,342 --> 00:22:57,644
SCREW YOU.
457
00:22:57,678 --> 00:22:58,979
POLICE.
OPEN THE STALL
458
00:22:59,012 --> 00:23:01,347
AND PULL UP YOUR PANTS.
459
00:23:01,381 --> 00:23:03,483
MY NAME�S NOT STEVE??
HEY, HEY.
460
00:23:03,517 --> 00:23:06,419
AND YOU DON�T
OWN CASINOS?
461
00:23:06,452 --> 00:23:08,354
MY NAME�S TOMMY.
462
00:23:08,388 --> 00:23:09,990
CHECK THE NECK.
463
00:23:10,023 --> 00:23:13,560
YEAH, WE KNOW ABOUT THE NECK.
WE KNOW ABOUT THE SCIMITAR.
464
00:23:13,594 --> 00:23:16,229
HOW ABOUT YOU COMING ALONG
FOR A RIDE, ANYWAYS?
465
00:23:16,262 --> 00:23:18,464
WE�LL GIVE YOU
SOME COUNSELING
466
00:23:18,498 --> 00:23:21,401
ON ADDING ROUGHAGE
TO YOUR DIET.
467
00:23:21,434 --> 00:23:25,205
ON WHAT BASIS
AM I BEING IN CUSTODY, HUH?
468
00:23:25,238 --> 00:23:27,173
WE�LL EXPLAIN THAT
AT YOUR NEXT STOPPING PLACE.
469
00:23:27,207 --> 00:23:28,842
INTERESTING FOOTWEAR THERE,
TOMMY.
470
00:23:28,875 --> 00:23:30,977
HEY, LEAVE MY FOOTWEAR OUT
OF THIS.
471
00:23:31,011 --> 00:23:33,580
WHAT, WERE YOU BORN
WITH TWO RIGHT FEET?
472
00:23:33,614 --> 00:23:34,981
GET THESE THINGS OFF ME!
473
00:23:35,015 --> 00:23:38,484
IS THIS OUR GUY?
474
00:23:38,519 --> 00:23:41,354
CAN I
TAKE THIS OFF NOW?
475
00:24:02,609 --> 00:24:04,578
SOMETHING STINKS
BETWEEN THIS TEACHER
476
00:24:04,611 --> 00:24:05,979
AND JASON LOPEZ.
477
00:24:06,012 --> 00:24:08,048
SHE�S GOT THIS DIMWIT
AT THE GRAPHICS COMPANY
478
00:24:08,081 --> 00:24:10,851
LYING FOR HIM, PLUS SHE ADMITS
TO HAVING HIM AT HER HOME.
479
00:24:10,884 --> 00:24:13,720
JUST PART OF HER EFFORT
TO SAVE DOWNTRODDEN LATINOS.
480
00:24:13,754 --> 00:24:16,022
YOU THINK
SHE�S SCREWING AROUND WITH HIM?
481
00:24:16,056 --> 00:24:17,858
WE DON�T KNOW,
BUT THAT�S OUR GUESS.
482
00:24:17,891 --> 00:24:19,826
THAT WOULD BE
A FELONY, RIGHT?
483
00:24:19,860 --> 00:24:21,662
SHE�S OVER 21.
HE�S UNDER 16.
484
00:24:21,695 --> 00:24:23,129
THAT WOULD BE RAPE THREE.
485
00:24:23,163 --> 00:24:24,665
THAT�S AN "E" FELONY.
486
00:24:24,698 --> 00:24:27,500
YOU BRINGING THE BOY
BACK IN? I THINK WE SHOULD.
487
00:24:31,505 --> 00:24:35,576
THE DEAL I WOULD GO FOR
IF I WERE YOU, TOMMY ??
488
00:24:35,609 --> 00:24:38,311
YOU OFFER A FULL
STATEMENT IN EXCHANGE
489
00:24:38,344 --> 00:24:40,981
FOR US NOT TELLING
THE WHOLE WORLD
490
00:24:41,014 --> 00:24:44,050
THAT FOR AT LEAST 12 HOURS
AFTER YOU DID THIS HOMICIDE,
491
00:24:44,084 --> 00:24:46,820
YOU RAN AROUND WITH TWO
RIGHT SNEAKERS ON YOUR FEET.
492
00:24:46,853 --> 00:24:49,355
IS THIS SUPPOSED
TO BE AMUSING?
493
00:24:49,389 --> 00:24:51,191
JUST TELL US WHAT HAPPENED
494
00:24:51,224 --> 00:24:53,026
AT THE ELLSINOR HOTEL
LAST NIGHT, TOMMY,
495
00:24:53,059 --> 00:24:54,895
BETWEEN YOU AND DARRYL
CONNERS OF RICHMOND.
496
00:24:54,928 --> 00:24:57,564
I DON�T KNOW THE GUY.
497
00:24:57,598 --> 00:25:00,033
YOUR TRICK LAST NIGHT
WITH THE FAT ASS.
498
00:25:00,066 --> 00:25:02,302
DO I GIVE YOUR MEMORY
A JOG, TOMMY,
499
00:25:02,335 --> 00:25:05,138
REMINDING YOU
YOU STABBED THE GUY 47 TIMES
500
00:25:05,171 --> 00:25:07,407
AND YOU CUT
HIS JOHNSON OFF?
501
00:25:07,440 --> 00:25:09,409
NOT GUILTY.
502
00:25:09,442 --> 00:25:11,578
TOMMY, YOU WERE SEEN
LEAVING THE CRIME SCENE.
503
00:25:11,612 --> 00:25:14,247
THE WITNESS DESCRIBED
TO A "T"
504
00:25:14,280 --> 00:25:16,750
THAT IDIOT SCIMITAR
YOU GOT ON YOUR WRIST THERE,
505
00:25:16,783 --> 00:25:19,052
AND WE FOUND YOU
IN A GAY TOILET
506
00:25:19,085 --> 00:25:21,688
WITH ONE OF THE D. O. A.�S
SNEAKERS ON YOUR FEET.
507
00:25:21,722 --> 00:25:24,124
ALL CIRCUMSTANTIAL.
508
00:25:24,157 --> 00:25:26,359
WHAT MUTUAL AGREEMENT
CAN WE START WITH HERE, TOMMY?
509
00:25:26,392 --> 00:25:28,228
IS IT FAIR ENOUGH
TO SAY
510
00:25:28,261 --> 00:25:30,296
THAT YOU PLAY
FOR THE OTHER SQUAD?
511
00:25:30,330 --> 00:25:32,298
MEANING?
512
00:25:32,332 --> 00:25:35,636
MEANING, TOMMY, WHEN GIVEN
THE WHOLE SMORGASBORD
513
00:25:35,669 --> 00:25:37,638
OF PLACES OF CONCEALMENT
IN THIS CITY,
514
00:25:37,671 --> 00:25:39,640
YOU TEND TO HIDE
AMONG FRUITS.
515
00:25:39,673 --> 00:25:42,475
SO FROM WHERE YOU�RE SITTING,
THAT MAKES ME QUEER?
516
00:25:42,509 --> 00:25:44,711
AND COMBINED WITH US
FINDING YOU RUNNING AROUND
517
00:25:44,745 --> 00:25:47,648
WITH TWO RIGHT SNEAKERS,
IT MAKES YOU A QUEER MORON.
518
00:25:47,681 --> 00:25:49,482
SO IF YOU FOUND ME
519
00:25:49,516 --> 00:25:51,484
IN AN AUTOMOBILE
ASSEMBLY PLANT,
520
00:25:51,518 --> 00:25:53,687
YOU�D ACCUSE ME
OF BEING A CAR?
521
00:25:56,089 --> 00:25:58,625
HELP US OUT
WITH THAT, TOMMY.
522
00:25:58,659 --> 00:26:01,628
I EARN MY LIVING
IN A GAY VENUE.
523
00:26:01,662 --> 00:26:03,396
THAT�S ALL I DO THERE.
524
00:26:03,429 --> 00:26:04,831
A GAY VENUE
525
00:26:04,865 --> 00:26:06,633
IS YOUR OCCUPATIONAL
VENUE EXCLUSIVELY.
526
00:26:06,667 --> 00:26:10,136
PERIOD, END OF STORY,
AS FAR AS GAY.
527
00:26:10,170 --> 00:26:12,372
HOMOSEXUAL BEHAVIOR
YOU MIGHT ENGAGE IN
528
00:26:12,405 --> 00:26:14,741
THAT�S STRICTLY
COMMERCIALLY MOTIVATED.
529
00:26:14,775 --> 00:26:16,977
AND I PITCH EXCLUSIVELY.
OH, HERE WE GO.
530
00:26:17,010 --> 00:26:18,545
SO YOUR WHOLE CAREER,
531
00:26:18,579 --> 00:26:20,714
COMING UP OR HERE
IN THE MAJORS,
532
00:26:20,747 --> 00:26:22,716
YOU NEVER ONCE
RECEIVED A FAST BALL
533
00:26:22,749 --> 00:26:24,150
IN THE CATCHER�S MITT.
534
00:26:24,184 --> 00:26:25,485
CORRECT. EXCLUSIVELY.
535
00:26:25,519 --> 00:26:27,187
UNFORTUNATELY
FOR THAT STORY, TOMMY,
536
00:26:27,220 --> 00:26:29,055
WE SAW LAST NIGHT�S DATE.
537
00:26:29,089 --> 00:26:31,625
I PITCHED TO THAT GUY
EXCLUSIVELY.
538
00:26:31,658 --> 00:26:34,027
NO, TOMMY, YOU COULD NOT
SUCCESSFULLY PITCH
539
00:26:34,060 --> 00:26:36,797
TO THAT FAT?ASS CATCHER
UNLESS YOU GOT THE TENDENCY.
540
00:26:36,830 --> 00:26:38,031
WRONG.
541
00:26:38,064 --> 00:26:39,966
TOMMY, HE�S GOT A POINT.
542
00:26:40,000 --> 00:26:42,503
THE GUY�S 5�9".
HE HAD TO GO 240 MINIMUM.
543
00:26:42,536 --> 00:26:45,005
YOU WANT TO BRING IN
ANY PRIVATE ENTHUSIASM?
544
00:26:45,038 --> 00:26:47,508
I MEAN, FOR YOU
TO GRAB THIS GUY�S POPO,
545
00:26:47,541 --> 00:26:49,576
YOU PROBABLY HAD TO
PROP HIS BELLY ROLL
546
00:26:49,610 --> 00:26:51,044
UP THERE
ON THE NIGHTSTAND.
547
00:26:51,077 --> 00:26:52,579
I DIDN�T GRAB POPO.
548
00:26:52,613 --> 00:26:55,048
HE WANTED A SPANKING,
WANTED TO LICK MY FEET,
549
00:26:55,081 --> 00:26:57,250
AND HE WANTED
A BANG IN THE ASS.
550
00:26:57,283 --> 00:26:58,719
I DID NOT GRAB POPO.
551
00:26:58,752 --> 00:27:00,721
HE SAYS HE DIDN�T
DO THAT, ANDY.
552
00:27:00,754 --> 00:27:02,255
LET THAT GO.
553
00:27:02,288 --> 00:27:04,558
HEY, I�LL LET GRABBING
THE GUY�S POPO GO
554
00:27:04,591 --> 00:27:06,627
ONCE TOMMY HERE
EXPLAINS TO ME
555
00:27:06,660 --> 00:27:08,795
HOW HE GOES
FROM SPANKING A GUY,
556
00:27:08,829 --> 00:27:10,697
LETTING HIM LICK HIS FEET,
557
00:27:10,731 --> 00:27:13,299
GIVING HIM A COMMERCIAL POP
IN THE SEAT,
558
00:27:13,333 --> 00:27:14,835
TO STABBING HIM
REPEATEDLY
559
00:27:14,868 --> 00:27:16,469
AND CUTTING
HIS POPO OFF,
560
00:27:16,503 --> 00:27:17,971
BECAUSE TO ME ??
561
00:27:18,004 --> 00:27:20,741
CALL ME CRAZY,
BUT THAT SUGGESTS MORE
562
00:27:20,774 --> 00:27:22,876
THAN A GUY CARRYING
HIS LUNCH BUCKET,
563
00:27:22,909 --> 00:27:25,045
JUST SHOWING UP
AT HIS GAY VENUE,
564
00:27:25,078 --> 00:27:27,080
MERELY PUTTING IN
A DAY�S WORK.
565
00:27:27,113 --> 00:27:30,483
I THINK THAT�S BACK
OVER THE NET TO YOU, TOMMY.
566
00:27:30,517 --> 00:27:34,721
I WILL SCREW YOU,
I WILL SPANK YOU,
567
00:27:34,755 --> 00:27:36,823
AND YOU CAN LICK MY FEET,
568
00:27:36,857 --> 00:27:39,793
BUT DO NOT TRY KISSING ME.
569
00:27:39,826 --> 00:27:41,394
WHO IS THAT
ADDRESSED TO?
570
00:27:41,427 --> 00:27:43,463
IT WAS ADDRESSED
TO THE RICHMOND BLIMP.
571
00:27:43,496 --> 00:27:45,966
YOU WERE THAT STRAIGHTFORWARD
WITH THIS DARRYL CONNERS?
572
00:27:45,999 --> 00:27:49,903
I AM TELLING YOU
THE EXACT LANGUAGE THAT I USED.
573
00:27:49,936 --> 00:27:52,906
I MEAN, WHAT PART OF THAT
IS SO TOUGH TO UNDERSTAND?
574
00:27:52,939 --> 00:27:54,307
DID YOU GO INTO
575
00:27:54,340 --> 00:27:55,842
THE CONSEQUENCES
WITH HIM, TOMMY?
576
00:27:55,876 --> 00:27:57,811
"I WILL DO �X�
AND �Y� TO YOU,
577
00:27:57,844 --> 00:27:59,546
YOU CAN DO �Z�
TO ME ??"
578
00:27:59,580 --> 00:28:02,415
WHAT�S "Z" TO ME?
YOU DON�T DO "Z" TO ME.
579
00:28:02,448 --> 00:28:04,551
WELL, THAT�S LIKE
HIM LICKING YOUR FEET.
580
00:28:04,585 --> 00:28:06,987
OH, OKAY. "Z" TO ME...
581
00:28:07,020 --> 00:28:09,189
"BUT I�M ON RECORD,
DON�T YOU TRY �Q,�"
582
00:28:09,222 --> 00:28:11,157
WHICH IS KISSY?FACE...
583
00:28:11,191 --> 00:28:14,127
"OR I�LL STAB YOU 47 TIMES,
CUT YOUR DICK OFF,
584
00:28:14,160 --> 00:28:16,229
AND LEAVE IT
IN YOUR UNDERWEAR."
585
00:28:16,262 --> 00:28:19,800
LOOK, I GOT THE 150 BUCKS
THAT HE PAID ME,
586
00:28:19,833 --> 00:28:22,636
THAT I EARNED.
587
00:28:22,669 --> 00:28:26,039
I STOPPED AT THE SINK
TO CLEAN UP A LITTLE,
588
00:28:26,072 --> 00:28:28,041
AND FROM OUT OF NOWHERE,
589
00:28:28,074 --> 00:28:31,512
THIS PIG COMES UP
ALONGSIDE ME, GRABS MY FACE,
590
00:28:31,545 --> 00:28:35,682
AND STICKS HIS DIRTY,
FAT, WET TONGUE IN MY MOUTH.
591
00:28:35,716 --> 00:28:37,483
WHOA, WHOA.
592
00:28:37,518 --> 00:28:39,520
I MEAN,
WHAT WOULD YOU HAVE DONE?
593
00:28:39,553 --> 00:28:41,988
SAY NO MORE.
594
00:28:42,022 --> 00:28:43,957
YEAH.
595
00:28:50,597 --> 00:28:52,032
UH, HI.
596
00:28:52,065 --> 00:28:53,133
HI.
597
00:28:53,166 --> 00:28:57,504
I WAS, UH,
TOLD TO COME IN.
598
00:28:58,572 --> 00:29:00,073
WHAT�S GOING ON, JASON?
599
00:29:00,106 --> 00:29:02,242
LET ME GET
THE OTHER DETECTIVES.
600
00:29:02,275 --> 00:29:04,310
CAN WE HAVE
A MAN?TO?MAN TALK?
601
00:29:04,344 --> 00:29:07,213
SURE. WHY DON�T WE
TALK BACK THERE?
602
00:29:15,355 --> 00:29:17,090
ARE YOU GOING
TO ARREST ME?
603
00:29:17,123 --> 00:29:19,459
I GOT TO FIND OUT
WHAT�S GOING ON,
604
00:29:19,492 --> 00:29:21,795
BUT I DON�T SEE YOU
GETTING LOCKED UP.
605
00:29:21,828 --> 00:29:24,731
I DID SOMETHING BAD.
606
00:29:24,765 --> 00:29:26,166
HONEST TO GOD,
607
00:29:26,199 --> 00:29:28,702
I THINK THIS IS GOING
TO BE ALL RIGHT,
608
00:29:28,735 --> 00:29:31,037
AND YOU�RE GOING
TO FEEL BETTER,
609
00:29:31,071 --> 00:29:34,040
WHATEVER IT IS,
GETTING IT OFF YOUR CHEST.
610
00:29:34,074 --> 00:29:36,309
I�M, UM,
611
00:29:36,342 --> 00:29:39,212
I�M HAVING RELATIONS
WITH MISS PETERS.
612
00:29:39,245 --> 00:29:42,583
WE SEDUCED EACH OTHER
MUTUALLY,
613
00:29:42,616 --> 00:29:44,585
AND IF WE HAVE TO,
614
00:29:44,618 --> 00:29:47,821
WE�RE GOING TO GO
TO NEW MEXICO,
615
00:29:47,854 --> 00:29:49,823
BUT I DON�T WANT TO GO,
616
00:29:49,856 --> 00:29:54,561
AND I DIDN�T EVER WANT
TO HAVE RELATIONS.
617
00:29:55,996 --> 00:29:59,399
I DON�T FEEL I�M AS SPECIAL
AS SHE SAYS I AM.
618
00:29:59,432 --> 00:30:01,134
YOU KNOW WHAT, JASON?
619
00:30:01,167 --> 00:30:03,203
WHY DON�T WE GO UPSTAIRS?
620
00:30:03,236 --> 00:30:05,138
WE GOT A TOTALLY
UNOFFICIAL ROOM UP THERE
621
00:30:05,171 --> 00:30:07,240
WHERE WE COULD TALK
ABOUT THIS A LITTLE MORE,
622
00:30:07,273 --> 00:30:10,210
BUT I PROMISE YOU
ON THIS SPOT,
623
00:30:10,243 --> 00:30:12,012
IN FRONT OF THIS WITNESS,
624
00:30:12,045 --> 00:30:13,914
YOU�RE NOT
GETTING LOCKED UP,
625
00:30:13,947 --> 00:30:16,850
AND THIS IS GOING
TO BE ALL RIGHT, OKAY?
626
00:30:24,357 --> 00:30:26,292
HI, JASON.
627
00:30:26,326 --> 00:30:27,460
HI.
628
00:30:27,493 --> 00:30:29,830
WE NEED TO GET MISS PETERS
BACK IN HERE.
629
00:30:29,863 --> 00:30:31,798
JASON CONFIRMED
WHAT WE WERE TALKING ABOUT.
630
00:30:31,832 --> 00:30:33,800
CAN�T I JUST
WRITE HER A LETTER?
631
00:30:33,834 --> 00:30:35,802
YOU�RE NOT GOING
TO HAVE TO TALK TO HER, JASON.
632
00:30:35,836 --> 00:30:38,004
WE�LL TAKE CARE
OF THE CONVERSATION.
633
00:30:51,618 --> 00:30:54,254
I THOUGHT I WAS TOUGH,
GETTING DOUBLE PIERCES.
634
00:30:54,287 --> 00:30:56,657
HOW DOES PUTTING
A METAL STUD IN YOUR TONGUE
635
00:30:56,690 --> 00:30:58,458
MAKE YOU FEEL COOL?
636
00:31:01,027 --> 00:31:02,663
THERE�S OUR GIRL.
637
00:31:08,434 --> 00:31:10,637
HEY, JENNY.
638
00:31:10,671 --> 00:31:12,839
WHERE�S JASON?
HE WASN�T IN CLASS.
639
00:31:12,873 --> 00:31:14,641
HE�S AT
OUR STATION HOUSE.
640
00:31:14,675 --> 00:31:16,309
WHAT ARE YOU TRYING TO DO?
641
00:31:16,342 --> 00:31:17,511
COME WITH US, JENNY.
642
00:31:17,544 --> 00:31:18,879
I DON�T THINK SO.
643
00:31:18,912 --> 00:31:21,147
YOU WANT TO COOPERATE
OR MAKE A SCENE?
644
00:31:21,181 --> 00:31:23,684
�CAUSE WE�LL EMBARRASS YOU
IN FRONT OF THESE KIDS.
645
00:31:25,018 --> 00:31:26,252
WANT TO KEEP IT UP?
646
00:31:26,286 --> 00:31:27,821
THIS IS WRONG.
647
00:31:27,854 --> 00:31:29,189
GO TO THAT CAR NOW.
648
00:31:29,222 --> 00:31:30,423
THIS IS WRONG!
649
00:31:30,456 --> 00:31:33,226
THIS IS WHAT
THE POLICE ARE LIKE.
650
00:31:33,259 --> 00:31:34,460
THIS IS OPPRESSION.
651
00:31:34,494 --> 00:31:36,362
SHUT UP.
652
00:31:36,396 --> 00:31:38,632
YOU ARE SUCH STUPID WOMEN.
653
00:31:38,665 --> 00:31:40,133
GET IN THE CAR.
654
00:31:40,166 --> 00:31:42,235
CAREFUL WITH
YOUR SCREWED?UP HEAD.
655
00:32:02,523 --> 00:32:05,692
HEY, SIPOWICZ.
656
00:32:05,726 --> 00:32:06,993
HOW�S IT GOING, GIBSON?
657
00:32:07,027 --> 00:32:09,195
YOU LOOK GOOD, FIT.
658
00:32:09,229 --> 00:32:11,197
COME ON BACK HERE.
659
00:32:11,231 --> 00:32:15,335
SURE.
660
00:32:15,368 --> 00:32:16,737
WHAT�S IT ABOUT, ANDY?
661
00:32:16,770 --> 00:32:19,072
I JUST GOT THESE PICTURES IN,
AND WE GOT A BIG PROBLEM.
662
00:32:19,105 --> 00:32:20,974
OVER THIS
GAY HOMICIDE?
663
00:32:21,007 --> 00:32:22,809
YEAH. YOU TOOK
THESE PHOTOS?
664
00:32:22,843 --> 00:32:24,210
RIGHT.
665
00:32:24,244 --> 00:32:26,913
LOOK AT THESE PICTURES.
YOU NOTICE ANY DIFFERENCES?
666
00:32:26,947 --> 00:32:28,314
WHAT�S THE PROBLEM, ANDY?
667
00:32:28,348 --> 00:32:31,317
HERE, THE GUY�S GOT
A GOLD RING AND A WATCH.
668
00:32:31,351 --> 00:32:33,353
THESE OTHER THREE,
HE�S GOT NO JEWELRY.
669
00:32:33,386 --> 00:32:35,355
THAT�S CRAZY. I MEAN,
HOW COULD THAT BE?
670
00:32:35,388 --> 00:32:38,358
YOU WERE THERE
WHEN THAT STUFF DISAPPEARED, EDDIE.
671
00:32:42,563 --> 00:32:44,130
ANDY, WE WERE HEADING BACK
672
00:32:44,164 --> 00:32:46,132
FROM HOMICIDE
IN THE FIFTH PRECINCT,
673
00:32:46,166 --> 00:32:48,134
HEARD THE JOB
AT THE HOTEL, COME OVER.
674
00:32:48,168 --> 00:32:50,336
WE GET THERE
RIGHT AFTER UNIFORM.
675
00:32:50,370 --> 00:32:51,672
THIS GUY�S IN THE TUB.
676
00:32:51,705 --> 00:32:53,974
I FIGURE, "LET ME
GET MY PICTURES."
677
00:32:54,007 --> 00:32:56,209
I GET ONE PICTURE,
THE NEXT THING YOU KNOW,
678
00:32:56,242 --> 00:32:57,678
THE FIRE DEPARTMENT�S THERE.
679
00:32:57,711 --> 00:33:00,013
"CLEAR THE ROOM,
LET US DO OUR JOB."
680
00:33:00,046 --> 00:33:02,182
YOU KNOW HOW THEY MAKE
HIGH DRAMA ABOUT IT.
681
00:33:02,215 --> 00:33:03,817
THE SMOKE ALARM
NOTIFIED THEM.
682
00:33:03,850 --> 00:33:05,485
WE GET KICKED OUT
INTO THE HALL.
683
00:33:05,519 --> 00:33:06,987
THE FIREMEN
DOUSE THE PLACE.
684
00:33:07,020 --> 00:33:08,655
IN FIVE MINUTES, THEY LEAVE.
685
00:33:08,689 --> 00:33:11,424
WE GO BACK IN, I FINISH
TAKING MY PICTURES.
686
00:33:11,457 --> 00:33:13,126
I NEVER NOTICED
ANY DIFFERENCE.
687
00:33:13,159 --> 00:33:15,495
YOU WERE THERE RIGHT BEFORE
THE FIREMEN COME.
688
00:33:15,529 --> 00:33:17,397
AND I�M BACK
THE SECOND THEY�RE GONE.
689
00:33:17,430 --> 00:33:20,000
IF THAT JEWELRY�S MISSING,
THEM FIREMEN HAVE IT.
690
00:33:21,334 --> 00:33:23,403
THOSE ARROGANT HUMPS.
691
00:33:27,240 --> 00:33:29,409
HANK.
YEAH?
692
00:33:29,442 --> 00:33:31,311
POKEY ROOM CLEAR?
693
00:33:31,344 --> 00:33:32,345
YEAH.
694
00:33:32,378 --> 00:33:33,814
YOU WANT
SOMETHING TO DRINK?
695
00:33:33,847 --> 00:33:36,717
PLEASE DON�T ACT
LIKE MY FRIEND. FAIR ENOUGH.
696
00:33:36,750 --> 00:33:38,752
DON�T BE LOOKIN�
TO RUN THIS FOR THE BOSS.
697
00:33:38,785 --> 00:33:40,420
HE�S DOWN AT THE BOROUGH.
698
00:33:40,453 --> 00:33:41,655
HOW�S JASON DOIN�?
699
00:33:41,688 --> 00:33:43,089
HE�S UPSTAIRS
IN THE CRIB.
700
00:33:43,123 --> 00:33:45,025
HE�S PRETTY WITHDRAWN,
THAT KID,
701
00:33:45,058 --> 00:33:48,194
AS A RESULT
OF HIS CONTACT WITH HER.
702
00:33:48,228 --> 00:33:51,064
SO, ARE WE GOING TO GO AT
THIS MISERABLE BITCH?
703
00:33:51,097 --> 00:33:54,034
MAYBE LET US
FINISH WITH HER, JAMES.
704
00:33:54,067 --> 00:33:56,136
WHY? ON WHAT BASIS?
705
00:33:56,169 --> 00:33:59,405
SHE HAS SO MUCH ATTITUDE
TOWARDS YOU, YOU KNOW?
706
00:33:59,439 --> 00:34:01,474
OH, YOU THINK SO?
707
00:34:01,508 --> 00:34:03,744
YOU FEEL SHE SHOWS
A LITTLE ARROGANT,
708
00:34:03,777 --> 00:34:05,679
PATRONIZING ATTITUDE
TOWARD MY DIRECTION?
709
00:34:05,712 --> 00:34:07,413
WHY LET HER
DISTRACT HERSELF WITH YOU?
710
00:34:07,447 --> 00:34:09,182
YEAH, YEAH, WHY LET HER
DISTRACT HERSELF
711
00:34:09,215 --> 00:34:10,817
FROM MAKING
HER STATEMENT,
712
00:34:10,851 --> 00:34:12,753
THIS BIASED,
ARROGANT BITCH?
713
00:34:12,786 --> 00:34:13,854
RIGHT?
714
00:34:13,887 --> 00:34:16,923
YOU WANT TO WATCH
FROM THE OBSERVATION ROOM?
715
00:34:16,957 --> 00:34:19,660
YEAH, YEAH, I�LL WATCH
FROM THE CHEAP SEATS.
716
00:34:19,693 --> 00:34:21,494
I�LL WATCH
FROM THE LATINO SECTION.
717
00:34:22,863 --> 00:34:23,930
THANKS.
718
00:34:27,267 --> 00:34:30,136
YOU DRAGGED ME IN HERE
LIKE A CRIMINAL.
719
00:34:30,170 --> 00:34:32,238
WHY DON�T YOU LET US
SET THE TABLE HERE, JENNY?
720
00:34:32,272 --> 00:34:33,674
EXPLAIN YOUR SITUATION.
721
00:34:33,707 --> 00:34:35,576
DO YOU KNOW
THE DAMAGE YOU�VE DONE
722
00:34:35,609 --> 00:34:37,644
TO THOSE CHILDREN,
THEIR IDEA OF A TEACHER?
723
00:34:37,678 --> 00:34:40,581
YOU THINK SEDUCING A KID
WHO�S BEEN TAUGHT TO TRUST YOU
724
00:34:40,614 --> 00:34:43,383
MIGHT THROW JASON�S IDEA
OF TEACHERS OUT OF WHACK?
725
00:34:43,416 --> 00:34:44,818
I�M NOT GOING
726
00:34:44,851 --> 00:34:47,153
TO TALK TO YOU
ABOUT MY PERSONAL LIFE.
727
00:34:47,187 --> 00:34:49,255
WHEN YOU HAVE
SEXUAL RELATIONS
728
00:34:49,289 --> 00:34:51,191
WITH A 15?YEAR?OLD, JENNY,
729
00:34:51,224 --> 00:34:53,627
YOUR PERSONAL LIFE
STOPS BEING PERSONAL.
730
00:34:53,660 --> 00:34:56,129
THEN YOU�RE A COLLAR
FOR STATUTORY RAPE.
731
00:34:56,162 --> 00:34:59,132
JASON LOPEZ IS NO
ORDINARY 15?YEAR?OLD.
732
00:34:59,165 --> 00:35:01,968
NOT IN MY SOUL
AND NOT IN HIS
733
00:35:02,002 --> 00:35:03,970
IS ANYTHING
THAT WE HAVE DONE,
734
00:35:04,004 --> 00:35:06,573
INCLUDING WHAT YOU CALL
SEXUAL RELATIONS,
735
00:35:06,607 --> 00:35:07,808
A CRIME.
736
00:35:07,841 --> 00:35:10,811
YOU MIGHT WANT TO CHECK
JASON�S THINKING ON THAT.
737
00:35:10,844 --> 00:35:12,746
OH, I�M SURE
THAT WHEN SONIA
738
00:35:12,779 --> 00:35:14,748
AND THE REST OF YOU
ARE THROUGH,
739
00:35:14,781 --> 00:35:16,983
JASON�S THINKING WILL BE
TORTURED AND CONFUSED.
740
00:35:17,017 --> 00:35:18,885
YOU�LL HAVE HIM THINKING
THAT I�M A PREDATOR
741
00:35:18,919 --> 00:35:20,987
AND HE�S THE VICTIM
OF SOME EVIL,
742
00:35:21,021 --> 00:35:22,889
BUT IN PART
OF JASON�S SOUL,
743
00:35:22,923 --> 00:35:25,425
WHICH YOU WILL NEVER
BE ABLE TO REACH,
744
00:35:25,458 --> 00:35:28,194
JASON WILL REMEMBER.
745
00:35:28,228 --> 00:35:30,997
JASON WILL FEEL THE TRUTH.
746
00:35:31,031 --> 00:35:33,466
WHICH, DEEP IN YOUR SOUL,
IS WHAT?
747
00:35:33,499 --> 00:35:35,869
I COULD NEVER
EXPLAIN THAT TO YOU,
748
00:35:35,902 --> 00:35:37,470
BUT JASON WILL REMEMBER.
749
00:35:37,504 --> 00:35:39,472
OH, WE�RE ALL GOING
TO REMEMBER YOU, JENNY.
750
00:35:39,506 --> 00:35:42,976
DO YOU THINK HIS MOTHER
IS GOING TO SUPPORT JASON IN HIS ACADEMICS?
751
00:35:43,009 --> 00:35:45,411
LET HIM GO TO COLLEGE,
WHERE SONIA�S TERRIFIED
752
00:35:45,445 --> 00:35:47,981
HE�S GOING TO TAKE UP
WITH STRONG, SMART WOMEN?
753
00:35:48,014 --> 00:35:49,983
THAT�S YOUR
POINT OF VIEW, JENNY.
754
00:35:50,016 --> 00:35:52,986
I THINK YOU OUGHT TO PUT
THOSE OPINIONS ON PAPER.
755
00:35:53,019 --> 00:35:54,555
THIS IS HIS FUTURE.
756
00:35:54,588 --> 00:35:56,489
SHE WILL TAKE HIM
OUT OF SCHOOL.
757
00:35:56,523 --> 00:35:58,491
SHE WILL BROWBEAT HIM
AND FRIGHTEN HIM
758
00:35:58,525 --> 00:36:01,461
UNTIL SHE STAMPS OUT
ANY IDEA HE EVER HAD
759
00:36:01,494 --> 00:36:04,798
OF BEING ANYTHING OTHER
THAN A LABORER OR A BUSBOY.
760
00:36:04,831 --> 00:36:07,000
MAYBE ONE DAY
YOU WILL SEE HIM ??
761
00:36:07,033 --> 00:36:09,369
HALF DEAF,
BREAKING UP CONCRETE
762
00:36:09,402 --> 00:36:11,137
WITH A PNEUMATIC DRILL,
763
00:36:11,171 --> 00:36:12,806
SQUINTING BECAUSE
HE CAN HARDLY SEE
764
00:36:12,839 --> 00:36:14,875
BECAUSE THE SWEAT
IS BURNING HIS EYES.
765
00:36:14,908 --> 00:36:16,376
BUT WHEN YOU LOOK AT JASON,
766
00:36:16,409 --> 00:36:19,479
YOU STILL WON�T BE ABLE
TO SEE WHAT�S IN HIS SOUL.
767
00:36:19,513 --> 00:36:23,650
YOU WON�T BE ABLE TO KNOW
WHAT HE�S REMEMBERING.
768
00:36:23,684 --> 00:36:27,020
HE�S GOING TO BE
REMEMBERING HIS TEACHER.
769
00:36:27,053 --> 00:36:29,322
HE�S GOING TO BE
REMEMBERING ME.
770
00:36:29,355 --> 00:36:31,191
AMEN.
771
00:36:44,004 --> 00:36:45,305
ANDY.
772
00:36:45,338 --> 00:36:47,307
OOH, DENNY.
773
00:36:47,340 --> 00:36:48,875
I UNDERSTAND
THAT YOU GUYS
774
00:36:48,909 --> 00:36:50,844
MADE AN ARREST
IN THAT HOTEL INCIDENT.
775
00:36:50,877 --> 00:36:52,813
MADE AN ARREST
FOR THE HOMICIDE, DENNY,
776
00:36:52,846 --> 00:36:54,815
BUT WE STILL DIDN�T
LOCATE THE WHEREABOUTS
777
00:36:54,848 --> 00:36:56,817
OF THE D. O. A.�S
MISSING PROPERTY.
778
00:36:56,850 --> 00:36:58,652
THAT PART
CONTINUES A MYSTERY.
779
00:36:58,685 --> 00:37:00,654
WHY DON�T YOU COME IN
AND SIT DOWN?
780
00:37:00,687 --> 00:37:03,489
FRANKLY, ANDY, AS FAR
AS THAT PROPERTY GOES,
781
00:37:03,524 --> 00:37:05,559
I�VE GOT NOTHING NEW
TO CONTRIBUTE.
782
00:37:05,592 --> 00:37:07,961
AW, DENNY, COME ON.
TAKE A LOAD OFF.
783
00:37:07,994 --> 00:37:10,263
LOOK AT SOME
D. O. A. PHOTOS FOR ME.
784
00:37:12,566 --> 00:37:14,635
I DON�T LIKE
LOOKING AT CORPSES.
785
00:37:14,668 --> 00:37:16,970
WELL, JUST FOCUS
ON THE CORPSE�S WRIST.
786
00:37:17,003 --> 00:37:17,904
HERE.
787
00:37:19,172 --> 00:37:21,341
LOOK AT THIS PHOTO
HERE, DENNY.
788
00:37:21,374 --> 00:37:23,510
GIVE IT MENTAL LABEL,
GROUP "A."
789
00:37:23,544 --> 00:37:25,979
GROUP "A"?
THAT�S ONE PHOTO.
790
00:37:26,012 --> 00:37:27,247
AND THESE HERE ??
791
00:37:27,280 --> 00:37:28,915
LET�S LABEL THESE
GROUP "B,"
792
00:37:28,949 --> 00:37:30,851
AFTER THE FIREMEN
HAVE GONE.
793
00:37:32,352 --> 00:37:35,488
WHAT ITEMS ARE ON
THE D. O. A.�S WRIST THERE
794
00:37:35,522 --> 00:37:37,490
IN THE GROUP "A" PHOTO, DENNY,
795
00:37:37,524 --> 00:37:40,226
THAT ARE CONSPICUOUSLY ABSENT
ONCE THE FIREMEN HAVE LEFT?
796
00:37:43,930 --> 00:37:46,299
A RING AND TIMEPIECE.
797
00:37:46,332 --> 00:37:49,069
POSSIBLY A ROLEX?
798
00:37:49,102 --> 00:37:51,471
ASSUMING THESE PHOTOS
ARE UNRETOUCHED,
799
00:37:51,505 --> 00:37:54,074
THIS IS NOT
MY BAG OF CRAP.
800
00:37:54,107 --> 00:37:56,309
IF THE MISSING PROPERTY
COMES FOUND, DENNY,
801
00:37:56,342 --> 00:37:58,545
YOU DON�T
HAVE TO HOLD IT.
802
00:38:02,683 --> 00:38:08,088
NO FOLLOW?UP
INTERDEPARTMENTAL BROUHAHA?
803
00:38:08,121 --> 00:38:11,124
YOU GOT A LINE
ON ITS WHEREABOUTS?
804
00:38:12,626 --> 00:38:15,028
I KNOW WHO TO TALK TO,
BELIEVE ME.
805
00:38:16,496 --> 00:38:18,364
SO NEAR TERM,
P. A. A. IRVIN CAN EXPECT
806
00:38:18,398 --> 00:38:21,334
THAT WATCH AND RING
TO SHOW UP ON HIS DESK?
807
00:38:25,739 --> 00:38:29,309
APPROPRIATE TO WIDEN
THE LOOP THAT WAY, ANDY?
808
00:38:29,342 --> 00:38:30,877
ONE OUTSIDE WITNESS ??
809
00:38:30,911 --> 00:38:32,879
THAT MAKES ME FEEL
MORE COMFORTABLE
810
00:38:32,913 --> 00:38:35,148
AS FAR AS AVOIDING
A DOUBLE?CROSS?AROOSKEE
811
00:38:35,181 --> 00:38:37,651
WHERE YOU LAY OFF
THE MISSING?PROPERTY BAG
812
00:38:37,684 --> 00:38:39,152
ON ME THERE, DENNY.
813
00:38:39,185 --> 00:38:40,587
YOU FOLLOW MY DRIFT?
814
00:38:47,193 --> 00:38:49,362
WHEN IN ROME...
815
00:38:49,395 --> 00:38:52,398
OH, I REALIZE YOU�RE
WAY OUT OF YOUR DEPTH.
816
00:38:58,171 --> 00:39:01,407
I JUST HOPE
MY FRIEND HERE KNOWS
817
00:39:01,441 --> 00:39:03,376
WHEN TO TURN HIS HEAD
TO THE WALL.
818
00:39:03,409 --> 00:39:04,845
AND WHEN NOT TO.
819
00:39:31,337 --> 00:39:32,973
SHE�S IN HOLDING?
820
00:39:33,006 --> 00:39:35,976
YEAH, JENNY�S AWAITING
HER COACH RIDE TO THE TOMBS.
821
00:39:36,009 --> 00:39:37,978
I�LL BET JAMES
WOULD VOLUNTEER.
822
00:39:38,011 --> 00:39:40,213
JAMES DRIVES,
HE MAY GET LOST
823
00:39:40,246 --> 00:39:42,749
AND DROP JENNY
OFF THE PIER.
824
00:39:42,783 --> 00:39:44,017
[ SIGHS ]
825
00:39:44,050 --> 00:39:46,319
DID YOU HAPPEN
TO TALK TO DON?
826
00:39:46,352 --> 00:39:49,590
YEAH, I SAID
TO STAY AWAY FROM US.
827
00:39:49,623 --> 00:39:51,324
GOOD FOR YOU.
828
00:39:51,357 --> 00:39:53,359
I SAID NOT TO
COME SEE US ANYMORE.
829
00:39:53,393 --> 00:39:55,461
ESPECIALLY IF HE MAY
TAKE A COLLAR.
830
00:39:55,495 --> 00:39:58,464
LESS YOU HAVE TO DEAL
WITH HIM, THE BETTER. YEAH.
831
00:39:58,498 --> 00:40:00,500
YOU DIDN�T PUT YOURSELF
IN THE MIDDLE,
832
00:40:00,534 --> 00:40:02,168
DID YOU, JILL?
833
00:40:02,202 --> 00:40:03,970
WHAT DO YOU MEAN?
834
00:40:04,004 --> 00:40:06,006
IN TERMS OF GIVING HIM
A HEADS?UP,
835
00:40:06,039 --> 00:40:09,242
WHERE YOU COULD GET
IN TROUBLE YOURSELF.
836
00:40:09,275 --> 00:40:11,244
OH.
837
00:40:13,680 --> 00:40:15,982
GOOD THING YOU�RE NOT
A COLLAR YOURSELF, PAL.
838
00:40:16,016 --> 00:40:18,018
THAT "OH" COULD BE
TAKEN FOR EVASIVE.
839
00:40:18,051 --> 00:40:20,386
SEE YOU TOMORROW.
840
00:40:20,420 --> 00:40:21,955
SEE YOU TOMORROW.
841
00:40:33,333 --> 00:40:36,036
NO, NO, NO.
WE�RE ON THIS NOW.
842
00:40:37,771 --> 00:40:41,241
GO FAST! MORE FASTER.
843
00:40:41,274 --> 00:40:43,209
MORE FASTER.
THIS IS FAST ENOUGH.
844
00:40:43,243 --> 00:40:45,211
I WANT TO GO
ON THE SLIDE.
845
00:40:45,245 --> 00:40:46,880
YOU KNOW, THEO,
846
00:40:46,913 --> 00:40:48,882
LATELY, EVERY TIME
WE COME OVER HERE
847
00:40:48,915 --> 00:40:50,884
FOR YOU TO ENJOY
THIS RIDE HERE,
848
00:40:50,917 --> 00:40:53,887
ALL YOU TALK ABOUT IS WANTING
TO GO ON THE SLIDE.
849
00:40:53,920 --> 00:40:54,888
HOW COME?
850
00:40:54,921 --> 00:40:57,090
�CAUSE IT�S MORE EXCITING.
851
00:40:58,692 --> 00:41:01,127
ALL RIGHT. COME HERE.
852
00:41:04,197 --> 00:41:05,431
[ SIGHS ]
853
00:41:10,771 --> 00:41:13,206
SURE YOU DON�T WANT
TO STAY ON THIS RIDE?
854
00:41:13,239 --> 00:41:14,675
THIS IS FUN.
855
00:41:14,708 --> 00:41:16,810
NO. I WANT TO GO
ON THE SLIDE.
856
00:41:16,843 --> 00:41:18,745
IF WE GO ON THE SLIDE,
857
00:41:18,779 --> 00:41:21,081
I�M GOING TO HAVE TO GO
UP THERE WITH YOU.
858
00:41:21,114 --> 00:41:23,483
I WANT TO DO IT
BY MYSELF.
859
00:41:23,517 --> 00:41:25,752
[ SIGHS ]
860
00:41:25,786 --> 00:41:29,055
OKAY, WELL, HERE.
YOU HOLD ON.
861
00:41:31,457 --> 00:41:33,126
CAN YOU MAKE IT UP?
862
00:41:37,497 --> 00:41:40,567
I DON�T KNOW IF THIS
IS A GOOD IDEA, BUDDY.
863
00:41:40,601 --> 00:41:42,503
I�M GOING
TO HOLD YOUR HAND.
864
00:41:42,536 --> 00:41:45,506
HERE, GIVE ME YOUR HAND.
GIVE ME YOUR HAND, THEO.
865
00:41:45,539 --> 00:41:47,373
GIVE ME YOUR HAND.
COME HERE.
866
00:41:47,407 --> 00:41:49,475
DON�T LET GO
OF MY HAND, NOW.
867
00:41:49,510 --> 00:41:51,377
OKAY, NOW I�M GOING
TO HOLD YOUR HAND
868
00:41:51,411 --> 00:41:53,146
GOING ALL THE WAY DOWN.
869
00:41:53,179 --> 00:41:55,015
I WANT TO DO IT BY MYSELF.
870
00:41:55,048 --> 00:41:57,618
NO, I�M GOING TO BE
STANDING ALONGSIDE OF YOU.
871
00:41:59,352 --> 00:42:00,821
I DID IT!
872
00:42:00,854 --> 00:42:02,656
YES, YOU DID IT.
YOU DID IT.
873
00:42:02,689 --> 00:42:04,891
NOW, WASN�T THAT FUN, NOW?
874
00:42:05,959 --> 00:42:07,861
[ SIGHS ]
875
00:42:07,894 --> 00:42:09,563
WE DID IT.
876
00:42:09,596 --> 00:42:11,164
WE DID IT, PAL.
[ CHUCKLES ]
877
00:42:22,275 --> 00:42:25,245
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878
00:42:25,278 --> 00:42:27,213
879
00:42:27,263 --> 00:42:31,813
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