All language subtitles for Catchfire

Margaret, you're my best friend.
You decide. I'll trust you.

Anne, this opening is major. It'll
establish you as an important artist.

Yeah, sure.

Anne, come on. Help me.
I hate when you ignore me.

Just choose. You've got to pick the
picture you like for the announcement.

There's that space again.

Why don't you check the pause
statement between the segments?

Okay, I'll go through it again.

Do you know what, Anne?
You've got to pick one now.

Okay, that one. I don't know.
I kind of like this one better.

It shows that girlish
vulnerability of yours.

I can't be doing this now. I've got a
million things to do. You've got to pick.

Anne. Pick, please.

But you picked
the announcement.

Where are you goin'?

You're driving me crazy.
I need some input here.

Hey, call me. This is going
to the printer's tomorrow.

You want a ride?
You want a ride?

It's okay. You get in with us.
We have beer! Okay?

Mama, come on!
Hey!

I'm gonna tell you what your
fuckin' problem is, okay?

Hey, fuck you, Carelli! You
motherfucker! That's how you talk to me?

You turn your back on me?
"Fuck, Carelli"?

Don't turn your
fuckin' back, I said!

Fuck you!
You hear me?

Oh, fuck! Anthony!

Yeah, yeah, you call Anthony. Oh, yeah.

Nobody's gonna help you now.
Don't do nothin' stupid, Anthony.

You're gonna fuckin' pay!

Good-bye, Anthony.
Yeah, Greek, waste him!

I tell you that would happen?

Greek! See that?
Get her!

What the fuck is that?
Get her!

What the fuck?
Get her!

Let's go.

What the fuck?
Come on!

That must be her car!
Come on!

Pauling, Justice Department.

You justice boys move fast
in your private planes.

I'm Walker.

Where's my witness?

Get this. She doesn't
even know who this is.

Jesus Christ.

Leo Carelli.

Don't let her leave without telling me.

Bob? Bob?

It's me again. Pick up.
Everybody's still over at the oil refinery,

Pickin' up blood samples.

Do you have any idea
what this is?

From the description it could
be ours. It could be Rianetti.

It doesn't matter anyway.
This is pure gold.

Anne? Hi, Babe.

We need
a safe place for her.

You okay?
Let's get out of here.

Hey, Freda. Come on.
I'll bet you're hungry, baby.

Come on, kitty.
I'll feed ya.

There you go, Freda.

There you go, kitty.

Look, why don't
you get some sleep?

I'll bring you some
dinner later on, okay?

Anne?

Anne?

You want me to pop this
in the microwave?

Why don't you give me
a couple of minutes?

I don't really feel
like pizza right now.

Okay.

What time is it?

It's past 11:00. You've
been asleep for a long time.

Bob, do me a favor.
When you finish with that,

would you take it downstairs to the
kitchen and throw it out in the trash?

I only wanted a bite.

I ate earlier.

We'll go skiing this weekend.

That'll take your mind off it.

You're late.

I'm sick about my car.
I had a dead battery.

I don't even want to go into it.
I had to call triple "A."

Anyway, the cops show?
Nope.

You're sure? You're absolutely
sure they didn't show?

A monkey in silks is
still a monkey. You deaf?

I said no cops.
Would I fuckin' lie to you?

You don't have to curse
all the time. I understand.

She's up there.

Where? Where up there?

Right there. Top window.
Come on.

You ready?
Come on.

Come here, Freda.

Come on, Freda.

Shh! I thought that
was a rat or somethin'.

I almost had
a heart attack.

The wrong house?

Huh? Oh, shit. The cops are out there.

I'm afraid, miss Benton,
You don't have a choice.

Your only option is a federal
protection witness program.

For how long? That's
up to Carelli's lawyers.

If they're smart, and they are smart,
they could hold us up for months.

How many months?

Oh, uh, six, eight,
plus appeals.

When it's over, we'll get you into the
F.B.I. program for witnesses against the mob.

They'll relocate you.
Start a whole new life.

With a new name
and everything.

I don't want a new name.

Look. You'll have the best.

The best of what?

This is bullshit.

Call her a hostile witness.
Get an order for protective custody.

I hate to do that.
It's a lot of trouble.

Yeah, but it's better
than her being dead.

Where's your bathroom?

I'll buy that wig and your coat
from you for $30.

There's a guy out there I don't
want to deal with right now.

Understand what I'm saying? Yeah, I've been
there, but it's gonna cost you 50 bucks.

Look, all I've got is 47.

I'm gonna need $5
For the bus, okay?

Forty dollars.
I'll give you $40 for that.

Okay, so you owe me ten.

Here.

I don't know. I mean, I don't know
whether I should forget about it.

How ya doin'?

I want a squad car outside her house.

I want you to check the
bus station, yes, sir.

The train station and the airport.

I'm sorry, miss Benton, but I can't give
you that much money without prior notice.

See, it's almost 3:30.
If you come back tomorrow-

How much can you
give me right now?

I guess we could
manage 15,000.

That'll be fine.

I'm Margaret Mason.

They're good, aren't they?

This is my gallery.

Are you interested in prices?

They start at 20,000, the
small pieces. The larger-

I want that one.

Okay.

Can I take care of that
for you, Milo? Yeah. Here.

Be careful with it.
I got it. Okay.

I'm sorry, Milo.

Do you think
you can find the girl?

Probably.

Margaret? Yeah, it's me, Anne.

Look, you have to go to my house
and get Freda, okay?

I can't talk to you now. I'll try and
get a hold of you later, all right?

Bye.

"Killing is unavoidable,

but is nothing to be proud of."

Milo, try one of these.
Havanas. They're the best.

I don't, uh, smoke.

Greek.

Thanks, boss.

Would you bring me
up to date?

The problem is,
she got away from the cops.

If they hadn't let her slip,
she'd be, uh-

How shall I put it?

Dead. That's how she'd be. She'd
be dead. Stupid cops, you know.

I understand there was
another opportunity.

- We got her boyfriend.
That kills me.

Mr. Avoca talk to you about
my extending my franchise?

Yeah, how much
did this thing cost?

When are you gonna smarten up?
That's an investment.

When the broad dies, the
price goes through the roof.

Get out.
Never learn.

Anything.
Anything you want.

All I want is information.

How cold is the trail?

Thirty hours.
Thirty fuckin' hours.

I think we should stop
and get some food.

I hate Carelli, man.
I hate him.

Aren't you hungry? Have you
ever been to In-N-Out Burger?

There's something
we haven't thought of yet.

Can't think on
an empty stomach.

How do we find her?

Hey, Milo,
what do you think, huh?

You got a view.
You got the bay.

You got an upstairs.

You find me that rag,
take care of her for me,

I'd get ya a fuckin' boat.

What do you think?

Can you work here all right,
Mr. Milo?

Yeah, I, uh-

by noon tomorrow,
I need, uh,

a list of names, addresses of her
friends, phone numbers, relatives.

I need, uh- I need
a phone company insider...

to find out, uh,

if any of them received
any long-distance phone calls.

And, uh,
I need three computers,

uh, cross-referencing
birth certificate duplicates,

uh, social security
applications, uh,

new, last two days.

Uh-

if I could think of anything else,
I'll ask for it when I need it.

Simple. My man John Luponi can get
you anything you need, huh, John?

He's my lawyer.

Who's the heat in this?

It's a prosecutor from the Justice
Department. His name is Pauling.

Pauling's in love
With mr. Carelli.

Well, that's good.

Passion's a hard thing
to conceal.

"Passion's a hard thing
to conceal."

Yeah.

My client is beginnin'
to get nervous, mr. Milo.

Yeah, I don't blame him. Mr. Avoca
would like to see this cleaned up too.

I'll get her.

Might take me a while.
I'll get her.

We're gonna be all night
with this lipstick thing.

We really need
a strong, clean tag line.

Something like "the ultimate driving
machine" only... for lipstick.

How about you?
You got any ideas or what?

I might have an idea.

You got to get out of my department. You've
been here two months. The trail is cold.

Anne Benton is probably dead.

Oh, yeah? Then how come Carelli
is still lookin' for her?

I've got it narrowed down to three cities
- Houston, Seattle or Washington, D.C.

If I know that,
the mob knows it too.

"Art has visual aspects,

"is concerned with references
exterior to the concept,

"as well as the concept.

"good conceptual art is
concerned with just the concept.

"The known
- an unknown, an unknown, a known and unknown is known and unknown.

That which is not known, an unknown, is known and unknown and not known

What the fuck am I doin'?
Conceptual art.

That's a bunch of shit.

I'm lookin' for a broad here.

Yeah, I�m looking for chicks.

Hey, you're lookin' good,
Liza, huh?

Ah, shit.

"Protect me from what I want.
Protect me... from what I want"?

That's one of hers.

"Protect me from what I want.
Protect me-" oh, I got ya.

You know, Margaret, it's
kind of like being a baby...

And being born into the world.

If you're alive that day,
That's a success.

Well, that's all
I have to say for now.

Don't worry about me.
Everything's going to be fine.

Anne Benton?

Anne Benton?

That's her!

Attention, golfers.
Don't forget.

This is "twofer" day - two hot dogs and
two soft drinks for the price of one.

Take your men around that way.

Golfers, regarding
the putting contest,

in 15 minutes
at hole number nine-

two of you
get across that bridge.

Every hole in one will win
two free passes. Over there.

See you there.
Negative.

Oh. Oh.
Well, my goodness.

Your attention, please.
We have a little lost girl-

Well, goddamn!
Son of a bitch!

I can't believe this! You guys are
Supposed to be the best in the world,

and you can't even find a-

Hi, Margaret.
I've had to move again.

I traveled the last two days.
I'm tired.

An old art teacher of mine
has a place for me to stay.

I can't tell you where I am,
but I�ll keep in touch.

There's the back door key under
the mat. You'll leave it there too.

I don't know what I did
with the front door key.

This place belongs to a loony
art collector from el Paso.

He never comes up here. He just
ships this stuff up from time to time.

I'm supposed to
house-sit all this.

Water the plants.
Pick up the mail.

I'll be back in a few weeks. I just
got to get out of this city for a while.

There's a very nice bedroom right up those
stairs. You'll be real comfortable here.

I haven't seen Anne Benton
in a long time.

Our forms aren't
exactly simpatico.

Who did you say
you were workin' for?

I work for Bank of America. I need 100
pieces for lobbies up and down the state here.

I really need to talk to Anne.

For banks Anne's stuff ain't any good.
It's too distracting, too literal.

Gets in the way
of business as usual.

You need something
less threatening, more abstract.

My friend, Laddie Dill-
he works in concrete.

Yeah, I used to work
in concrete too. Shoes.

Art. Ha.

Fuckin' artists.

Pinella, if I see you again,
you're dead.

Pay this!

Where the fuck do you think
we are, 42nd Street?

You see other people out here dressed
like we are, huh? No, not really.

Well, then get in the fuckin' car. Okay.

Get in the fuckin' car.
Just take it easy.

Milo. Have a nice day, Milo.

Get in the fuckin' car.

Hey, Margaret.
It's me, I guess.

I haven't been able to get
away from my work these days.

Busy, busy girl, but I�ve
been thinking about my friends.

Thinking about you.

What ya lookin' at?

It's a picture book. See, it's the
same place as there, the church.

Oh, God! It is.
Who is that?

Georgia O'Keeffe.
Oh, I know her.

She's the one who paints those flowers
that look like genitalia, right?

That's it. You got it. They're
pretty though. I like 'em.

This is something else. Must be
scared, ridin' around in this thing, no?

Why?
Right. Exploding, huh?

I kind of like it, actually,
you know. We make great time.

Never get stopped. Everybody
gets out of our way.

We'll be in Canada in two days. Really?

Yeah.
That's far away.

Well
- maybe you could do me a favor?

I got this envelope. Maybe you could
mail this when you get to Canada?

Come on, honey cakes. Let's
hit it. It's for my ex-husband.

I don't want him to know
where I am. You know how it is.

Yeah, I know. Just mail it? Yeah.

I gotta go.

Thanks a lot. Take care. Bye.

All right. You too.

What the hell is that? I told that chick
I'd mail it for her when we got to Canada.

So we're going to mail this when we
Get to Canada? With american stamps?

If you used your brain, like you
used your ass, you'd be a genius.

Fuck off, Sparky.

Hi, Margaret.
It's me, I guess.

This time I actually
believe I�m safe.

No one knows where I am, and
eventually all this will be forgotten,

And I�ll be forgotten too.

I don't know
if I can be with people.

I don't know...
if I�m fit for it anymore.

I'm cut off.
I'm losing my connection.

I do have this fantasy.
There's a-

There's a man in the dark.

I can see his face.

He's got a scarf around my neck,
and I know I�m gonna die.

Nothing else
makes any difference.

Leo, tell the boys. No
red wine on my white sofas.

Are you kidding me? I'm worried
about going to fuckin' jail!

You're worried about
those stupid, fuckin' couches?

Don't take your shit
out on me, Leo!

Then get the fuck outta here. Go
get your hair done or somethin'.

Get off my fuckin' ass.

Boss, I was thinking-
Boss?

Now, I�m-
this fuckin' joint is bugged.

I tell ya a million times,
you gotta make me a boss!

How'd you like to be
the fuckin' boss?

Boss of what?
Make me a fuckin' kingpin.

More bad news. Nobody's
seen Milo since yesterday.

- So where is he?
- He's in New Mexico.

See, it's on
the postmark there. "N.M."

I don't understand what's goin'
on with this guy, I�m tellin' ya.

He's not a fuckin' team player. I
can't put my fuckin' finger on it.

Let me go after her, boss-
I'm sorry. I forgot.

I won't fuck up.
I'm a team player.

What the fuck are you laughin' at?
At least the kid asked to go.

Let him go.

You're a team player, huh?
That's right.

You're a good fuckin' kid.
You're gonna go.

I'm gonna go.

Your wife mind if we have a cigar?

Hey, cowboy.

What you doin' here?
Huh?

What are you doing here?

That wasn't very smart, you taking
off without a word to any of us.

You could have called me, Milo.

You could have called me.
Turn around. Get in there.

Now, look-
how did you get here?

Tell me that you didn't fly to Albuquerque
and rent a car. Tell me you didn't do that!

What did you expect me
to do, walk?

Huh? Now the police know we're here.

And that means they know
Anne Benton's here.

Ya dumb asshole.
I'm not dumb.

I've been watching you,
spying on her.

You're supposed to kill her.

And you're just watching.

What are you,
some kind of pervert?

Oh, Pinella.

Damn. We haven't had a serious murder
like this in seven or eight years.

You're going to have another one if you
don't move fast. You know this woman?

You know what
I'm here to do.

I know everything
there is to know about you.

You know nothin' about me.

All you need to know about me
is that I�m givin' ya a choice.

Either I finish ya now,
or I let ya live.

And if I let ya live,

your life is mine.

And you belong to me.

And if you go against me
in any way,

I'll finish you.

The choice is yours.

Make it.

I wanna live.

Do you understand?

Where? Who killed him?

Who killed him?
And where's Milo?

Where is Mi-

They killed the fuckin' kid.
They killed that kid. Shh!

Who's Milo?

I don't know.
We lost him.

Who the fuck is Milo?

Mornin'.

Nah. The lady will
have half a grapefruit,

Dry whole wheat toast, glass of
orange juice and a cup of mint tea.

We don't have any mint tea.

Black tea with honey then.

That's your fallback position.

Hey, hey, hey! I would like
a couple of hamburger patties,

Medium rare, green salad
and a cup of black coffee.

All righty.
Thanks.

You love mexican food.

You've had six old mustangs
in the past eight years.

You got scars on your knees from a
go-cart accident when you was a kid.

Uh, you send tapes
instead of letters.

Your favorite movie-
The last tango in Paris, huh?

You're allergic to
a certain kind of cosmetics,

especially men's cologne.

No, no, no, no, no.
Be good.

Thank you.

Ah.

Yum.

Can I ask you a question?

Sure.

Is this a kidnapping or what?

Well, you could call it that.

What do you call it?

I don't know.

Why didn't you just kill me
the way you killed Bob?

Oh, I didn't kill Bob.
I came on after that.

But you would've killed him,
wouldn't you?

Nah.

I would've killed you.

Why don't, uh,

You get comfortable,
and, uh,

put your nightgown on?

Jerk!

Hey, Anne, would you like a coke
from the machine or somethin'?

Stupid.

Stupid shit!

I always thought you was pretty.

But I never knew...
how beautiful you were.

There's somethin' I wanna say to you.

There's somethin' goin' on here...

that I really don't understand,

but I like it.

I don't know shit.

But you know what I mean.

I know...

that you know what I mean.

I'm just not good at talkin'.

Oh, God, look at you.

Okay.

You can trust me.

And I wanna be able to trust you.

Because I never loved nobody
before now.

But I love you.

Anne, you want some breakfast?
No.

You gotta eat somethin'.

I'm not hungry.

Well, come on. We'll get
somethin' later on the road.

Anne, you better cheer up.

I don't think you understand
the situation.

All the rules have changed like that.

The sun is blue now,
and the moon is red.

And the sky is green,
and the sea is pink.

We're- we're in
another world here.

I- if you were thinkin'
of escapin',

you're thinkin' of dyin'.

You made a choice.

It was the only choice
that you had.

But you made it.

Not only are you a murderer and a rapist,
but you're a pompous, fucking asshole.

I don't think you realize
what I done for you.

I can't go back.

They're lookin' for me as hard
as they're lookin' for you.

Probably harder.

You understand?
They wanna kill us both!

You gotta face
some hard realities here.

That's the problem with you artists.

- You got no sense of
hard realities. - Milo-

You live in a dream world.

Ivory towers!
Me, I�m from the street.

You wanna learn a sense of reality,

You don't sit in no fuckin' easy chair!

You get out.
You pound the pavement.

You know,

you really oughta listen to
me when I�m talkin' to ya.

Aw, shit!
Goddamn it!

Anne, you got a tissue
or somethin'?

Should've brought
that fuckin' scarf.

I can hear ya!

Anne? Come on.

Anne, it's obvious
where you are.

Come on.

I guess I owed you that one.

Come on.

Come on!

You afraid of me?

Afraid of you.
I'm not afraid of you.

What, afraid of some guy who's so hard up
he's gotta kidnap a girl to have sex with her?

- Ah-
- Don't touch me.

Christ, I ain't even
had a date in 20 years.

I've had sex, but-

I done this all wrong.

Look, I�m-

I'm not so hot at feelings.

You know?

Maybe you could, uh,
you know, uh-

teach me?

You think that, uh,
you could do that, Anne?

You could, uh, teach me.

I can't believe
you brought these.

Did you go through
all of my drawers, huh?

I bet you would
look nice in them.

Is that what this is all about?

You want me to put
this all on for you, huh?

Why not? I thought
it would be fun.

I gave up my career for you.
I gave up my life.

You could do somethin' for me.

You put this shit on.

Fine.

Big man with a gun, huh?

Here! Here!

Hey!

Not in there. Here!
Go on.

Oh, fine.

No problem.
I can do that for you.

You want me to be a-
a hooker, Milo?

A little playboy
centerfold, huh?

Vulgar little tart?
Is that what you want?

Oh, that would be nice.

A- and slow, uh-

let me tell you a little
something about men, Milo.

They have no imagination.

You have no imagination.

I do have imagination.
I can think of lots of things.

In fact, I�m, uh-

I'm thinkin' of
a few of 'em right now.

You like this?

You really like this, don't you?

Mm-hmm. I know.

Why don't I tie you up?
That'd be exciting.

I'd like that.

Maybe, um,

when we know each other better?

Chicken.

It seems that our friend,
Mr. Milo,

has left the family circle.

And I think he's taken this
girl, Anne Benton, with him.

That's impossible.

This guy Milo's a professional.

We don't even have his prints.

Professional hit men don't
run off with their victims.

I thought you were gonna get me jeans.

There.

Come back to bed.

Milo?
What? What?

What's it like?
What's "what" like?

What's it like being a hit man?

It's a job.
I don't think about it much.

What does it feel like doing a hit?

You don't feel like anything.

You're too busy makin' sure
everything goes okay.

Come on.
You don't feel anything?

Let me put it to you this way.

I don't go out right afterwards
and have a big meal or anything.

Listen.

You can't keep thinking I�m gonna
do anything you want, 'cause I�m not.

You know? It's not fair. It's not right.

This is my life, not yours.

No, this is not your life.

This is not my life, either.

This is our life.

Anne, under the table.

Out the front door.
What about the back door?

Out the front, Anne.
They're coverin' the back.

Hey!

Mmm!

That was no hit.

You wanna bite?
Sure.

Mmm.
Mmm. Mmm.

Mexican food.

There's a lot of cars passing us.

Maybe you oughta pull
over and let me drive. Why?

You done good.
I'm proud of you.

This yours?

Yeah. I guess it is.

Mmm. Love it.

Ahh!

Gonna go unload the car.

Look around here.

Milo!

W- w-what?

There's this
- there's a baby goat or lamb or something.

It's stuck in a crevice in the
mountain. Help me pull it out.

It's gonna starve. It's
all my fault. Where, where?

Come on.

That there is
The Rocky Mountains.

No.

That's the back of the Jemez.

The what?
The Jemez wilderness.

On the other side of that is Los Alamos.

Can you see everything?

Look.
There's Chicago.

Hmm.

Tell me somethin' secret about yourself.

Mmm. Like
- you know, like somethin' you never...

told nobody before.

I thought you knew
everything about me.

Aw, come on.

Okay.

I'll tell you a secret
I've never told anybody before.

Yeah? Yeah. It's really embarrassing.

Yeah? Embarrassin'? It's disgusting.

Disgustin'? All right. Mmm.

You know what food I get
these terrible cravings for?

This- this is
so embarrassing.

It's all right.
Yeah?

Well, I�ll be sitting, eating dinner...

at, like, the West Beach
Cafe in Venice. Yeah.

I'll have my-
I'll have my arugula salad...

And my half order of cappellini
and bay scallops...

And my glass of white wine. And then?

And then suddenly...

I have to have
a hostess snowball.

A what?

I especially like
the pink ones.

Oh, Anne.

Good night.

Good night, Anne.

Ooh.

Oh.

Mmm.

Thank you.

Not yet.

You were right.
They are disgustin'.

I been thinkin'.

You know the safest place for us? Where?

- New Zealand.
- Milo!

No, I�m serious.
New Zealand, that's the place.

There's hardly any people.
There's lots of sheep.

You'll love it.
We could take a cargo boat.

It's kinda like a sea cruise, only better.

Fewer assholes.

Oh, as if your mafia friends are just
gonna let us take a little cruise, huh?

Hey, I can fix it.

Milo, let's get real here for a second.

I can do other things besides
killin' people, you know.

I, uh-
I own...

a large chain of laundromats.

I, uh-

I could do electrical work,
carpentry-

That's fine for you,
but what about me?

I mean,
I need people.

I need museums, galleries.

I need a cultural environment-

Ooh, "a cultural environment."

Yeah.

Who's the pompous asshole now?

What a load of crap!

Crap?
Wait a minute.

That's- that's my work.

I mean, that's my life.
I'm an artist.

You think you're an artist.

Let me tell you about art, baby.

You're gonna tell me about art? What you
know about art would fit in a thimble.

Art is Charlie Parker.

Art is "Hieronymus" Bach,
or whatever his name is.

Now, you call yourself an artist,

but your art don't exist without
a wall socket to plug it into!

Oh, God, what a moron!

You're a moron and a
philistine, you know that?

Yeah?
Yeah.

Well, I got an idea for you!

Why don't you just go back to
the land of fuckin' wall sockets?

Maybe I will.
Fine.

Fine!

Well, fine.
H- here's the fuckin' keys.

Go on!
I'm goin'.

And take these fuckin'
snowballs with ya!

Hah!

Milo, listen.

How'd they find us? Who
else knows about this place?

It was a gift from my employer. Oh.

Okay, I admit it.
I fucked up.

You happy now?

Where does this road
lead to? It's a dead end.

All right, stop.

Ah, thank God. You know how
to fly one of these things?

What? No!

It's lucky I do, huh?

Hey, yeah.
Lucky I do.

Get in there.

You're all right, Milo.

Yeah, I hope you're right.

Wait here a minute.

Okay?

Here, ya vicious son of a bitches!

This whole area here...

Used to be a city-
Anasazi Pueblo.

Thousands of families lived here.

It was like fuckin' L.A.

Those cliffs over there?
Used to be the waterfront.

The navajos say they had
the largest navy in the world.

This was all under water.

Then one day, The Rocky
Mountains rose and the ocean left.

- But that was over 200 million years ago.
- Uh-huh.

Oh, shit!

Milo, honey, about that fight we had-
I want to work this out just in case-

You know.
Forget it.

Anne!

Okay!

I thought you didn't smoke.

I don't.

What's the plan, Milo?
What do we do now?

I don't think there's
anything that we can do.

What do you mean?

I think we've played this out
as far as we're gonna be allowed.

"Allowed"?

You don't know these people like I do.

Shit. I was the one that was
livin' in the dream world.

Come back to the party, Milo.

You're a hit man, for Christ's sake.

What's that supposed to mean?
It means you hit people. Hit them.

Oh, sure. Just hit a couple mafia dons...

And their Beverly Hills lawyers.

Sure, yeah. Why not?
Yeah. Exactly. Why not?

Leo!

Grace, if you don't get
the fuck out of here,

there's gonna be more
than red wine spilled...

on those white fuckin' couches.

Fuckin' dead.
I'm dead.

Shit! Fuck.

You think the old man knows
about the helicopter yet?

Presumably.

I imagine that'll be Avoca now.

Greek, get that. If it's
for me, I ain't here.

Hello. Who?

Have you, uh
- have you thought about taking a vacation, Leo?

You and Grace?

I got friends in South Africa.

It's him. It's him.
It's Milo.

Gimme that phone.

Hello.
Milo, it's you?

Yeah, where are you?
Where's the girl?

I killed her.

I wanna do a deal.

Uh, hello, mr. Milo.
This is John Luponi.

Are you sure you've killed this girl?

We had the impression
you were fairly close.

I may have lost it for a minute,
but not now.

I killed her as an act of good faith...

And I expect some consideration
in return.

- What do you want?
- I wanna talk.

Get him here.
Get him here.

We wanna talk too, mr. Milo.
Why don't you come over here?

We were just sittin' down for lunch.

A nice, friendly lunch.

Ha, ha! No way. I'll meet you
in the high desert - Lancaster.

No, that's out of the question, Milo.

Uh, why don't we meet at my office?

Whatcha think I am, stupid?

Think of some other place.
Someplace nice, open.

What about San Pedro?
Where you popped Rianetti?

The refinery.
That's good.

Do you know where San Pedro is,
where the refineries are?

No, I don't.
No, I don't want-

Hey, that's our last offer, asshole!

Take it or get fucked!

It's easy to find, Milo,

and it would be convenient for all of us.

All right. Bring, uh
- You come, Luponi, and bring Greek.

Ask him when.

Oh, yes.
What time, Milo?

Five hours from now.

That's a long time, Milo.

I gotta get there first.

We got a confession of two murders.

Four hours to get into place.

Let's go.

I want this fuck.
I want this fuck.

I wanna make him see red rats.

We got him.
Yeah.

It's Carelli's car.

Oh, yeah.

Seen any heat?
We're clean.

All right.

Try not to sweat so much, Leo.
You could short out your wires.

Where the fuck are they, huh?

Look at all these pink ribbons, boss.

Follow those, Greek.

Be careful, Greek.
Put it down.

Good boy.

Liquid hydrogen.
One spark's all it takes.

Whole place could go up.

So, you go up too!

So what? Huh?

How ya been, Milo?
You're lookin' good.

Hey, I feel good, Greek.

Feelin' good.

Go in there and finish it.

Let's go.

Come on. Let's move it.
Come on!

He was gonna shoot you, Milo!

Not Luponi.
Luponi wasn't dangerous.

These are the dangerous ones!

Come on. Move it! Move it!

Come on, boss.
Milo's all right.

What's the matter with this
trigger-happy little bitch?

- You know what? I'm gonna shoot you too!
- Fuck this!

Shoot him! Shoot him.
He's getting away.

Anne, shut the fuck up!

- Go on.
- Thanks, Milo.

What, are you gonna leave me,
you fuck heads?

Ta-da.

Hey, boss, how come
they're not followin' us?

Move in, men, move in.

Out of the car!
Put your hands on your head.

Move! Move!