All language subtitles for The.White.Lotus.S01E05 AMZN

Surprise!

Oh, my god, look at her face!

Seriously, Belinda, you should
have your own wellness center.

I'm someone
who could make that happen.

I got asked out.

He's with a group
from Black Lives Matter.

Yeah, that's
the Bureau of Land Management.

Now, that makes sense.

(HORN ECHOES)

You work for the same assholes
that stole from you.

I gotta make a living.

I cheated on your mother once.

Are those
the 75,000-dollar bracelets?

(SCOFFS)

SHANE PATTON: You put us
on a boat with a crazy lady

who's having some kind
of fucking memorial service.

She might've mentioned that,
but I--

I want to speak to your boss.

I wanna get you naked.

Let's party tonight.

Armond?

♪ (THEME MUSIC PLAYING) ♪

♪ (THEME MUSIC CONCLUDES) ♪

♪ (SUSPENSEFUL MUSIC PLAYING) ♪

-KAI: Hey.
-Hey.

-KAI: What's up?
-Sorry. I couldn't get away.

KAI: Come on.
I got a surprise for you.

So, uh, I found us
an empty room and, uh...

I stole a master out of one
of the housekeeper's carts.

-Really?
-Yeah.

(LOCK BEEPS)

(DILLON PANTING)

(MUTTERING) God. Shit.

Are we gonna get in trouble?

(SIGHS) I thought
I'd locked the door. Fuck.

All right.
Well, see ya on Wednesday?

You mean tomorrow?
You're on second shift.

You said I could pick
my own shifts.

-You said a bunch of shit.
-I forget what I said.

Well, I didn't. You owe me.

Uh, apron.

-You'll need that.
-Bye.

(SIGHS)

(DOOR CLOSES)

(EXHALES)

(GREG SNARLS)

♪ (MUSIC CONCLUDES) ♪

Is that the face you make
when you catch a fish?

(LAUGHS) When I catch
a good one.

(COUGHS)

Do you leave this weekend
like you said?

(COUGHS)

Oh, shit.
(COUGHS) It's the cigars.

-You okay?
-(COUGHS) Yeah.

(COUGHING)
Let's hang out later, okay?

Like when, do you think?

Uh... I'm not sure. I'll--
(CLEARS THROAT) I'll try you.

I-- I gotta get some water.
(COUGHS)

(DOOR OPENS, CLOSES)

(EXHALES)

I can't believe
you're leaving soon.

I just-- I want you to stay.

I know.

But it's not up to me.
It's my friend's family.

Your friend... she's a jerk.

What?

What about her?

-KAI: Well...
-Tell me.

After the show,
she came up to me,

and she was kind of, like,
batting her eyes

and sticking out her tits.
(CHUCKLES)

Seriously?

Was she hitting on you?

Well, kind of, yeah.

But I wasn't gonna
do anything, you know?

(SIGHS)

What's the big deal? I thought--

I thought you said
you didn't tell her about us.

She knows.

-You told her?
-No, but she knows.

That's why she's hitting on you.

That's her twisted
fucking thing.

Paula, don't stress.
Come here. Look at me.

I only want you.

♪ (SOFT MUSIC PLAYING) ♪

I made you this.

It's beautiful.

-You like it?
-Yeah.

-Thank you.
-Yeah. Try it on.

I, uh, I think you should
really stay. I mean...

I know my place isn't big,
but you'll fit.

I mean, we'd have so much fun,
you know?

I-- I'm not staying.

I have college and a whole life
to get back to, and...

honestly, Kai, I-- I doubt
we'll ever see each other again.

I-- I-- I'm just being straight
with you.

Yeah.

Okay.

But I...

I really like you.

I really do, and...

I feel for you, and...

your situation and your family,

and-- and everything
you told me, and...

maybe I could help you.

Help me?

How?

I could give you something.

I-- well, I can't really
give it to you, but...

I can help you take it.

♪ (MUSIC CONCLUDES) ♪

CANOEIST 1: Now lift it
out there. Hold it right.

(INDISTINCT CHATTER)

Oh, we're running.

CANOEIST 2:
Oh, brother Quinn? What's good?

Hey, you-- you guys
headed out already?

Fuck yeah, bro.
We're training every day.

Fuck. Whoa! That's cool.

-It l-- it looks fun.
-Oh, yeah.

We got a space for one more guy.

Desi's still all fucking drunk.
Wanna come? Get in.

Come on, you fucker.
What you waiting for? Get in.

I mean, I won't be any good,
you know?

I'd just slow you all down.

We could use the dead weight.
Make us stronger.

Come on, bro. Get in.

-CANOEIST 3: Come in, bro.
-CANOEIST 4: Come on, bro.

QUINN MOSSBACHER:
Oh, get in back? Oh.

-Here?
-Yeah.

CANOEIST 4:
Man, you a slow haole.

CANOEIST 5:
Fuck it. Go around.

-Thanks, dude.
-CANOEIST 3: Here we go.

♪ (UPLIFTING MUSIC PLAYING) ♪

♪ (MUSIC CONCLUDES) ♪

Why did you tell the kids
how much you spent
on my bracelets?

I just told Quinn.

I don't know, I just think
it makes us...

sound kind of materialistic.

I mean, without the context,
you know,

of why you bought them.

Well, I gave him the context.

What?

I did. I gave him the context.

We were having a conversation
about sex and relationships

and men and women, and I just
wanted to be real with him.

But we agreed to not do that.

Well... (SIGHS)
...look, I wanna have

an honest relationship
with my son.

Okay.

But, Mark...

I am very curious to hear
what you said exactly.

I said that I had an affair,
and that I regretted it,

and that it-- it was
the worst period of my life.

That's exactly what I said.

Do you see how that's selfish,
Mark?

Well, I think he took it
pretty well.

Selfish in regards to me.

To me.

Because I have a relationship
with him too.

And now I'm gonna have
to talk to Quinn and explain

how I feel about it all,

and why I never told him
about it,

and then I'm gonna have
to have a similar conversation
with Olivia.

And I don't wanna have
to talk about it with them.

I don't wanna have
to talk about it at all.

I'm on vacation.

I'm trying to unwind
from the stress that is my life.

Well, I think it can wait.

I mean, it's not like he had
a lot of follow-up questions,

and I don't think he wants
to talk about it either.

No, yeah, yeah. N...

Nobody wants to talk
about your affair, Mark...

which is why we agreed
to not talk about it.

'Cause I'm still
in a lot of pain.

(SNIFFLES) And it still
hurts me a lot.

And I want it to be over.

(SOBS) And I want it
to be behind us.

And you bring it up
again? Here?

Why?

I'm sorry.

Mom, do you have any aspirin?
Paula has a migraine.

I have some Advil in my, um,
makeup bag.

OLIVIA MOSSBACHER: Wha--
She's allergic to Ibuprofen.

-Of course she is.
-(OLIVIA RUMMAGING)

Don't you have anything else?

Um...

What's wrong?

I have some Aleve
in my purse in-- in the bar.

♪ (SOMBER MUSIC PLAYING) ♪

(INDISTINCT CHATTER)

-Hope you enjoy your breakfast.
-Thank you.

-This is for you, sir.
-Hey, thanks.

KITTY PATTON:
Shane, doesn't this remind you

of the heritage house
where we stayed in Manila?

-SHANE PATTON: Uh...
-KITTY: The open feeling?

-SHANE: Yeah.
-♪ (MUSIC CONCLUDES) ♪

-Aloha, Pattons.
-Hi.

-How are we this morning?
-Yeah. We're good.

-How are you?
-I'm very well, thank you.

I have some
very good news for you.

I think you'll be pleased
to hear.

Uh, the Volkmers have just
checked out

of the Pineapple Suite.

-Oh!
-ARMOND: And I have made it

the top priority
of our housekeeping team.

So we should be able
to get you in there

-by midday today.
-Great.

Now, this is the one
with the plunge pool,

and the outdoor patio?

-Precisely.
-Oh, good.

I'm just double-checking
'cause there's been
so much confusion with the room.

I know.

I basically flew here just
because I did the booking,

and I felt like I had failed
my only son and his new bride.

Mom.

Can I get a latte, please?
No foam.

-No foam latte, great.
Thank you.
-WAITRESS: Absolutely.

No, it was 100 percent
our mistake.

I planned the wedding.
I planned the honeymoon.

But I've been everywhere
in Hawaii.

And of course,
I have very strong opinions.

I usually stay
at the Mauna Kea,

which is where I'm going
after this very quickly

with a great girlfriend
from forever ago,

Miss Porter's School for Girls,

-Cathy Clements.
-SHANE: Yes.

But... I've lost my point.

I lost my train of thought.
What was I saying?

Mom, what-- (LAUGHS)
Mom, what is your point?

My point is I read somewhere
in Conde Nast

that said this was
the most romantic hotel

in Hawaii, and I thought, "Well,
that's where they need to go."

Because my baby
deserves the best.

Thanks, Mom.

Well, if you'd like
to put your luggage together,

I'll have the bellman
move them over

when the room is ready.

You know,
the number you gave me

for the general manager on, uh,
this card.

no longer in service.

-Really?
-Yeah.

-Oh, that's odd.
-Is it?

And I came by
your office last night just

to let you know the number
wasn't working but, uh,

you were occupied.

-Well, very sorry about that.
-Yeah.

And you were really,
really busy.

And so late at night.

-♪ (SOFT MUSIC PLAYING) ♪
-Well, enjoy your breakfast.

-Your latte.
-Thank you.

You're welcome.

I don't think
it's the most romantic hotel

in Hawaii, do you?

It's perfectly fine,
but are you finding it

very romantic?

-It's okay.
-It's nice.

Loco moco.

So, who's the guy?

You know, the one
you've been sneaking out
every night to have sex with.

I think you know who he is.

(EXHALES)

♪ (MUSIC CONCLUDES) ♪

Where have you been?

I was on this, um... canoe.

Uh, these local guys, they...
they were training.

They're-- they're gonna paddle
from the Big Island to Kauai.

Honey, we were worried.

They were really cool, so--

MARK MOSSBACHER: Yeah, well,
you should have let us know.

-I don't have a phone.
-Right.

Hey, you getting excited, bud?

About what?

Today we get outta the pool.
We could actually scuba dive.

Oh, right.

And I asked,
and they said it was okay

if the whole family
came out on the dive boat.

What are we gonna do
while you scuba?

Enjoy being on the water.

It's a fun excursion
with the whole family.

Yeah, Mom, you seem thrilled.

Paula, are you feeling better?

Your migraine?

Yeah. Much better. Thanks.

Is that why you couldn't stay
for dinner last night?

Paula was disturbed
by the entertainment.

The hula dancing?

Oh, y-- you're allergic to fire?

It bothers her
to watch Hawaiians

have to dance for a bunch
of white people.

Oh.

I think it's just a way for them
to honor their culture.

And they seemed to be
having a really good time.

Look, obviously,
imperialism was bad.

Shouldn't kill people,
steal their land,

and then make them dance.

Everybody knows that.

But it's humanity.

Welcome to history.
Welcome to America.

-(LAUGHS)
-♪ (SUSPENSEFUL MUSIC PLAYING) ♪

I mean, what are we gonna do,
huh? Really.

Nobody cedes their privilege.
That's absurd.

And it goes against
human nature.

We're all just trying
to win the game of life.

How are we-- how are we
gonna make it right? Hmm?

Should we give away
all our money?

Would you like that, Liv? Hmm?

Yeah, that's what I thought.
Mm-hmm.

M-- maybe we should just
feel shitty about ourselves

all the time

for crimes of the past?

Wear a hair shirt
and not go on vacation?

♪ (MUSIC INTENSIFIES) ♪

♪ (MUSIC CONCLUDES) ♪

The date.

Was it not good?

Uh... No, it was good, you know?

He worked for the, uh,
Bureau of Land Management.

-Oh.
-Not Black Lives Matter.

Shoot. (CHUCKLES)

TANYA MACQUOID: He stayed over.

-Yeah?
-Yeah. And then he left.

Yeah. And he-- yeah, he seem--
he seemed like a nice guy.

So what's the problem?

I just know I'm gonna get hurt.

I-- (SIGHS)

I think you might be
getting ahead of yourself
a little, you know?

-Maybe he likes you.
-Yeah. He likes the first layer.

Maybe. I don't know.
You know, he--

But what about the second layer
and the third layer?

And then every step
along the way, you know,

I have to worry about,
you know, is he gonna like

the next layer, you know?

And then I get all afraid,
like, you know,

how much do I wanna show him?
You know, is he gonna
be repulsed?

Or is he gonna be alarmed?

And at the core of the onion,
Belinda...

is just a straight-up
alcoholic lunatic.

That-- that's not true.

No, it is. It is.
And I just wanna show my hand.

I don't wanna play poker
anymore. I just wanna skip

all the layers, and just
go straight to the crazy,

and just like, you know,
let the chips fall

where they may. And, you know,
just show him,

just show him
the core of the onion.

I think you...

you just have to trust
your instincts, you know?

This is exactly
the kind of deep work

I think we can get into
at the center.

I mean, I think
there's just so many women

that feel the same as you.

You know, I talk about
some of that in the, um,

in the proposal. And there's...

probably too many ideas.
(CHUCKLES)

But, um, dream big, right?

We, of course, can always, um,
pull back.

And there's no rush in, um,
reading it, um, right now.

You-- We can talk
about it at dinner.

Okay, well...

Well, I will look at it.

I, um, actually have
to get back to the spa,

so, um, I'll see you tonight?

♪ (AMBIENT MUSIC PLAYING) ♪

Okay. Get some rest.

-ARMOND: Here we are.
-KITTY: Hmm. Wow.

This is a lot of pineapple.

Not subtle with the theme.

RACHEL PATTON:
You can't really see the ocean.

You can, actually,
if you just go out on the patio

-and peer over the volcano.
-♪ (MUSIC CONCLUDES) ♪

-Well, Mr. Patton.
-Hmm.

Hope you'll be happy here. Um...

And because of all the...
difficulties we've had,

I'd like to offer you
the room free of charge.

Sounds good.

You know, I want us to be...

copacetic. (CHUCKLES)

Yeah. I bet.

♪ (SUSPENSEFUL MUSIC PLAYING) ♪

KITTY: Odd. I'm not a fan
of this AstroTurf.

SHANE: How great is this,
huh? Finally.

KITTY: Didn't see the plunge.

It's not as big as I though
it would be.

-SHANE: Is there a bigger one?
-KITTY: Hmm.

♪ (MUSIC CONCLUDES) ♪

I don't wanna take this
on the boat.

I don't wanna lose it.
My grandmother gave it to me.

Okay. Then don't.

Can I put it in the safe?

Is it valuable?

It is to me.

Okay, yeah. Sorry.

Mark, your truth changes
from minute to minute.

You're up, you're down.
One minute, you're dying.

The next minute, y--
it's a wonderful life.

Okay. Well, maybe I should be
more like you then.

But even if I could be
some self-protective

corporate robot
out in the world,

I still couldn't pull it off
at home.

Do you ever edit
yourself at all?

Even when you're apologizing,
you're so insulting.

Sorry.

The clasp is kind of old.

Yeah.

Thanks.

It's not healthy
to be so honest all the time.

-What's the code to the safe?
-Can you knock, please?

Why? It's not like you guys
ever do.

Paula wants to put
her grandmother's locket

in the safe. What's the code?

-NICOLE MOSSBACHER:
Ten twenty-six.
-OLIVIA: Ten twenty-six?

Aw. That's my birthday, Mom.

♪ ("KE 'ALA KA'U I HONI"
BY LINDA DELA CRUZ PLAYING) ♪

(INDISTINCT CHATTER)

I just haven't dealt
with that at all.

Because I'm on vacation. Yeah.
Vacation. That's right, buddy.

♪ (MUSIC CONCLUDES) ♪

Oh...

Uh, Bob, let--

-let me call you back. Okay.
-(GROANS)

(SIGHS) I'm so sorry
that I was eavesdropping.

(CHUCKLES) Well, I-- I, um,

Um... (EXHALES)

(CHUCKLES) I'm gonna--
I'm gonna go do a few laps.

Oh, okay.

Well, I'm gonna just go in
and lay down on my bed...

and just wait for you
to text me.

Uh, well, I was gonna text you.

I-- I'm just gonna go
swimming first.

We'll hang out later, for sure.

I'll see you in a few hours.

Okay?

(SIGHS)

-♪ (TENSE MUSIC PLAYING) ♪
-(ELEVATOR BEEPS)

All right. I think I'm gonna
take a swim in the ocean.

-KITTY: Oh.
-Oh, I'll come with you.

No, no. It's all right.

I'm gonna go pretty far out.
Wanna get some exercise.

-Really?
-Yeah.

-But I...
-SHANE: I'll be back.

-Bye, Mom.
-See you later, honey.

Have a nice swim.

♪ (MUSIC CONCLUDES) ♪

You're a good sport
to let your mother-in-law

crash your honeymoon.

No, it's fine.

Well, if it makes you feel
any better, I'm leaving
tomorrow morning first thing.

It's honestly
not a problem, really.

It's ni-- it's nice.

Well, I know you got
enough of me

in the whole lead-up
to the wedding.

But it was a big success.

Everyone said
what a beautiful bride you were.

-Everyone was talking about it.
-Thank you.

You were so, so pretty.
It is undeniable.

Thanks.

Yeah.

♪ ("KE 'ALA KA'U I HONI"
BY LINDA DELA CRUZ PLAYING) ♪

(BREATHES HEAVILY)

♪ (MUSIC CONCLUDES) ♪

Oh, my God.

Shane's always been a catch.

He's had so many girls
just throw themselves at him

over the years,
but he chose you.

And he seems happy.
You make him very happy.

He makes me happy.

-That's good.
-It is.

He says, though, you haven't
been very happy on the trip.

-He said that?
-He did. He just said

you're having a little bit
of an identity crisis.

It's not a big deal.
And of course, it makes sense.

You know, when I married Don,
I had my own money,

my family money,
and that gave me a,

you know, a little more power
in the relationship.

No marriage is
perfectly symmetrical, you know?

One person might
have more money,

or is better looking,
the other could have

the bigger career,
or maybe one has more friends

or cachet.
Do you know what I'm saying?

Not really.

I'm just saying
you shouldn't feel insecure.

A lot of great girls came
and went, but you won.

And there's a reason you're here
and all those other girls

are out of the picture,
you know?

So I just think
you should feel great.

Yeah, but what is the reason?

Like, why am I here?
What do you mean?

Well, you're very magnetic,
and you're so beautiful.

You're making me sound
like a trophy wife.

Well, what's so wrong with that?

A trophy shines.
It's a source of pride.

A trophy's made of gold.
You know, it's not the worst.

Yeah, but that's not
what I wanna be.

The most important thing is,
Rachel, you make him happy.

That's your secret power.
So just keep making him happy.

I know you will.

Ladies, can I get you
anything from the bar?

Yes. Can I have
an Arnold Palmer, please?

And an extra side glass of ice,
lots of ice, and two lemons.

HUTCH: Absolutely.

-Rachel, do you want
something to drink?
-Mm-mm.

-Thank you.
-Thank you.

HUTCH: Yeah.
I'll be right back with that.

♪ (SUSPENSEFUL MUSIC PLAYING) ♪

-PAULA: Hi.
-What's up?

-Now is the time.
-♪ (MUSIC CONCLUDES) ♪

Now?

We're going on a dive boat.
We leave the dock at 3:00.

She's not gonna bring
her jewelry with her

on the boat.

Look, I-- I don't know
about this, Paula.

Just one of those bracelets,

just one, is worth
75,000 dollars.

-(KAI SIGHS)
-Kai, think what you can do
with that.

You know, you could finally hire
a good lawyer

to fight these fuckers.

Oh, shit. (CHUCKLES NERVOUSLY)
Paula, I--

You can help your brothers.

They won't give you shit
for taking this job,

that's for sure,
not after the way

you come through
for them like this.

I just-- I don't-- I don't--
I don't steal from people,

-you know?
-They stole from you.

They stole all of this from you.
You know that.

But it's different. It's--
It's different people.

No, they're the same people.
They're all the same people.

Don't you see
they're all the same people?

All of these people,
at some point,

have stolen
from someone like you.

And they don't need it.
They won't even miss it.

They have all this money,
and they don't even know

what to do with it.

And then there's someone
like you who's struggling.

-I know, but--
-That's not right.

I agree. (STUTTERS) But I just--
Aren't these people,

-like, your friends? Like--
-They're not my friends.

-No, they're not my friends.
-Holy shit, Paula, I don't know.

We leave the hotel Thursday
and there might not be

a better time than now.

You still have that master key,
right?

So it'll get you into our suite?

(EXHALES) Yeah.

PAULA:
The code to the safe is 1026.

It'll be easy.

And you can finally get
the money to fight

and get back everything
that was stolen from you.

Look, you can do what you want,

but at 3:00 p.m.,
the suite will be empty.

Okay. Thanks.

♪ (TENSE MUSIC PLAYING) ♪

(KAI EXHALING)

-RACHEL'S MOTHER: Hello?
-RACHEL: Hi, Mom.

MOTHER: Hey, Rach, how are you?
You guys having fun?

I don't know. I'm just having--

Um, I don't--

MOTHER: What is it?

Um--

I don't know. Um,
I just-- I feel like--

I'm thinking that this isn't--

MOTHER: It's hard
to hear you, sweetie.

I just got to the market.
Can I call you when I get home?

Yeah. Yeah, of course.

♪ (MUSIC CONCLUDES) ♪

Yeah, just call me later. Okay.
I love you, Mom.

MOTHER: Yeah,
I'm gonna call you later.

-I love you.
-Okay, love you.

-Love you.
-MOTHER: I'll try you
from the car.

Bye.

♪ (OMINOUS MUSIC PLAYING) ♪

-All right. Have fun up there.
-Thanks for the ride.

(INDISTINCT CHATTER)

We had to get Paula
some Dramamine.

Uh-hmm, right, okay.

I love how you drive us
on these family outings,

but you spend the entire time
on your phone.

It's a work e-mail, honey.

Oh, I know it's just so pathetic
having a job

-that pays for the vacation.
-(GRUNTS) God.

NICOLE: Okay. Thank you.

Whoops. Watch your toes.

♪ (MUSIC CONCLUDES) ♪

Hey, one last thing.

-What?
-And then let's put it to bed.

I was just realizing
that the reason I-- I told Quinn

is because if I can't give him
a lot of reasons for him

to respect me as a man,
then maybe if I'm just honest

about my failures...

maybe he'll respect me for that.

-Mark.
-I mean...

I just need someone in my life
to respect me, you know?

Are you serious?

-Oh, come on. I didn't--
-"Come on," what?

I mean, it's not like you act
like you do.

Okay, I'm gonna go.

What?

-I'm not in the mood anymore.
-Nic, come on.

I'm fucking over this.
Thank you.

Why am I the fucking
punching bag?

All I do is everything
I possibly can.

And just because I fucking hold
everything fucking together,

everybody gets to fucking poke?

Mom, what's with the Tourette's?

Whatever, Olivia.
I don't need this

from my own fucking family.

I'm tired of being
the fucking punching bag. (SOBS)

Nic, come on, Nic. God damn it.

What just happened?

♪ (TENSE MUSIC PLAYING) ♪

MARK: Nic!

-She's not coming?
-No. (SIGHS)

I got to go deal with this,

and if-- if I don't come back
in a few minutes,

just take them all out
without me, okay?

QUINN: Dad!

-You're not going?
-What the hell?

It's okay. There's nothing
to worry about. (STUTTERS)

Yup.

Could you take me to my room,
please?

Yeah. Yeah, of course.

MARK: Nic!

(DOOR OPENS, CLOSES)

♪ (MUSIC CONCLUDES) ♪

KAI: Hello?

Bellman.

(EXHALES HEAVILY)

♪ (SUSPENSEFUL MUSIC PLAYING) ♪

(INDISTINCT CHATTER)

-(DOOR OPENS, CLOSES)
-♪ (MUSIC CONCLUDES) ♪

(NICOLE CRYING)

(CRYING CONTINUES)

(BREATHES HEAVILY)

(GROANS)

(GRUMBLES)

(NICOLE BREATHING HEAVILY)

(EXHALES, CLEARS THROAT)

(SCREAMS, SOBS)

(SCREAMS)

♪ (DRAMATIC MUSIC PLAYING) ♪

(SCREAMS)
What the fuck? What the fuck?

Get your fucking hands off me!
Get your fucking hands off me!

(SCREAMING)

Listen, listen, listen.
I'm not gonna hurt you.

Just stay on the floor, okay?

Okay, okay. I am, I am, I am.

Don't do anything.
Don't do anything.

-KAI: Just count to 1000.
-NICOLE: What?

And just don't fucking move
until you're done counting.

Don't hurt me. Don't hurt me.
Don't hurt me. Don't hurt me.

Don't fucking move.
Please, please.

-(KAI GRUNTS)
-Oh, my God, Mark!

Oh, my God. Mark.

(BOTH GRUNT)

Don't hurt him. Don't you--
(SCREAMS)

-(KAI GROANS)
-Are you...

What do we do?
What do we do?

-MARK: Call the police.
-Okay.

-(GRUNTS)
-♪ (MUSIC CONCLUDES) ♪

♪ (SOFT CHORAL MUSIC PLAYING) ♪

HOUSEKEEPER: Hey, Kai,
how are you?

Hey, auntie. All-- all good.

♪ (MUSIC CONCLUDES) ♪

(PHONE RINGS)

Front Desk.

What?

Yes, okay.
Christie, the police are here.

Go out, and bring them up
to the Tradewinds!

I'm gonna head up there now.
Fuck me! Reggie!

(CHUCKLES)

♪ (MYSTICAL MUSIC PLAYING) ♪

-Hey?
-OLIVIA: What's going on?

MARK: It's okay. Don't worry.
Everything is, um,

everything is gonna be okay.

-OLIVIA: What happened to you?
-We're fine.

Okay.

Go see your mom.

♪ (MUSIC CONCLUDES) ♪

♪ (EERIE MUSIC PLAYING) ♪

(TORCHBEARERS SHOUTING
IN HAWAIIAN)

♪ (MUSIC CONCLUDES) ♪

So, you really didn't hear
from him, huh?

Yeah. I'd rather not talk
about it.

Sorry. (CHUCKLES)

So, did you, um, get a chance
to look at the proposal?

I've been distracted.

That is totally understandable.
Um...

Did you send it on
to your business manager?

I'm going to.

Really sorry.
I'm just super curious,

you know, and eager to hear
what you guys think.

But we can talk about it
another time.

Yeah. He tells everybody
he's going to the office

every day, but really,
he's just sitting in his car

-gambling online.
-What?

Carol told me
he was doing great.

She said he got
some big promotion...

-SHANE: No.
-...recently. No?

-SHANE: Mom.
-KITTY: Hmm.

SHANE: He's about half a million
dollars in debt.

-KITTY: Hmm.
-SHANE: His wife left him.

She took the kid.

She's living with her folks.
He's dating a stripper.

Last I heard, he's staying
in an Airbnb near the airport.

So, yeah.

-Things are going real great.
-(LAUGHS)

KITTY: Shane, you're too much.
(CHUCKLES)

You know, what would be
really exciting for me

would be to make it
a holistic experience.

Spiritual therapies
and body treatments.

And I would love, love,
love, love, love

to make it so women
from all economic backgrounds

could benefit, you know?
Not just rich women.

Not that there's anything
wrong with...

-Excuse me.
-...um, rich women.

I just-- You know what I mean.

Oh, my God.

Greg is at the Kahuna Bar.
And he says he's waiting for me.

-Oh, wow. I really--
-Oh... (CHUCKLES)

I hate to do this to you.
No, and I-- I really do.

I really wanna hear more.

It's just, I-- I don't know
how long he's gonna be in town.

-Yeah.
-TANYA: Just...

That isn't--
It's not gonna stay.

Okay.

Um... Why don't you just charge
all this stuff to my room?

You can-- you can even have more
if you want.

I'll let you know what happens.
Okay?

Yeah. Please do.

Good luck.

(ARMOND EXHALES)

Here we are.

I have spoken
with our general manager

and our corporate office,
and your entire stay

-has been comped.
-Thank you.

Well, it's the least we can do.

-Can I get a tequila?
-Same.

Of course.

Unfortunately, your valuables
are not covered by the hotel.

-Yeah. Don Julio 1942.
-Same.

Tequila?

-Yeah.
-Same.

Yes, right away.

(SIGHS)

There was always something
a little off with the Cutlers.

-Yeah.
-They were always trying

a little too hard, you know?

It's a family we knew
from the Bay Club.

The kid's our age.
His life's a total disaster.

KITTY: You know,
I knew they had money,

but I could never figure out
what the father did, Gavin.

SHANE: Hmm.

Then one day,
I'm at the bookstore

and I see a book
written by Gavin Cutler.

-What?
-Turns out he's a writer

of crime fiction.
Isn't that insane?

SHANE: (LAUGHING)
You gotta be kidding me.

KITTY: Everybody's got to make
their money somehow.

(INDISTINCT CHATTER)

(INDISTINCT CHATTER)

Hi.

Hey, lady.

Oh. Let's get you a drink.

-What do you feel like?
-Oh, um, I like Chardonnay.

GREG: Chardonnay, please.

Well. Oh, perfect.

I thought
you were gonna text me earlier.

Oh, yeah. Well, I--
I got caught up, uh, you know,

-watching the Nuggets.
-Oh.

GREG: You look great.

Oh. I do?

Uh-huh. It was fun last night.

(INDISTINCT CHATTER)

And we can have fun again.

♪ (SOFT MUSIC PLAYING) ♪

So, how was, uh, scuba diving?

Uh... I don't know.
Uh... I didn't do it.

I wanna wait for you.

You do?

The guy said
we could go out tomorrow.

Wow.

It hurts to smile. (CHUCKLES)

How bad does it look?

It looks cool, Dad.

You look like a badass.

-(CHUCKLES) Yeah?
-Yeah, Dad. You saved Mom.

(CHUCKLES) You're a total stud.

(SCOFFS)
I don't know about that.

♪ (MUSIC CONCLUDES) ♪

-KITTY: Goodbye.
-SHANE: Yeah.

Oh, I'm leaving super early,
so you won't see me,

but I love you guys.

I'm so happy I got to see you.

You're such a gorgeous couple,

you have so much going for you,
so be happy, okay?

Just be happy.

-I love you.
-I love you, darling.

(GRUNTS) Thanks for coming.

Be happy, Rachel.

Okay?

♪ (OMINOUS MUSIC PLAYING) ♪

I love you, guys.

And I'll tell Cathy
you say hi!

And enjoy Tahiti!
I'm so jealous!

Yeah. Travel safe.

-SHANE: Love you, Mom.
-That was such a nice dinner.

(MOANS)

(STUTTERS, GRUNTS) Greg, Greg.

(BOTH BREATHE DEEPLY)

♪ (MUSIC CONCLUDES) ♪

What?

Greg, come on.

You need to go.

What? (CHUCKLES) Why?

Well, you know, eventually,
you're just gonna leave.

So I think we should just cut
to the chase.

Okay? Let's just go.

-(CHUCKLES) Huh?
-Okay. We need to go now.

-(CHUCKLES) What?
-Yeah, I mean it.

I'm a very needy person,

and I am deeply,
deeply insecure.

-This is--
-Hmm.

Both my parents
mentally abused me and--

and-- and my mother still
tortures me, and she's dead.

And I still have her ashes.
I carry them around.

So now you see,
that's the core of the onion.

It's already-- (CRIES)

This is it.

This is the core of the onion,
and I don't want to--

I want you to get out of here
and save yourself

because I'm just like a--
I'm like a dead end, you know?

This is a trap door.
And I think you should get out.

And I want you
to take these things.

-Whoa.
-I want you take 'em.

I want you to get out
of here now! (CRIES)

The f-- I'm not gonna take
your dead mother's ashes.

TANYA: I want you to get them
out of here.

What the fuck am I supposed
to do with them?

I don't know. Put them
in the trunk of your car.

Just get them out of here.

You can put them in a trashcan.

-You're fucking crazy.
-It's who I am.

And I-- There's nothing
I can do about it.

(CRYING) Please get out.
Please. Get out.

Greg, I told you
to get the fuck out.

No.

I still wanna fuck you.

(GASPS)

(SOBS) Really?

Yeah.

(GASPING)

♪ ("PUA ONAONA"
BY THE ROSE ENSEMBLE PLAYING) ♪

Come here, crazy.

-Come on.
-Okay.

♪ (VOCALIST SINGING
IN HAWAIIAN) ♪

You're not really cuckoo.

♪ (CHOIR SINGING IN HAWAIIAN) ♪

(MOANS)

(SIGHS)

-Crazy day.
-Hmm.

♪ (MUSIC CONCLUDES) ♪

(INDISTINCT CHATTER)

Sometimes, just watching them
eat every night

makes me wanna gouge
my eyes out.

The Lotus-eaters.

"Hateful is the dark-blue sky,

vaulted o'er the dark-blue sea.

Death is the end of life.

Ah, why should life
all labor be?"

Yeah. (SCOFFS)

♪ (OMINOUS MUSIC PLAYING) ♪

(SIGHS)

I think I've made
a terrible mistake.

What's that?

Sorry about your locket.

The one your grandmother
gave you.

So weird you put it in there
and then...

like an hour later, it's stolen.

Bad luck, I guess. Right?

♪ (OMINOUS MUSIC CONTINUES) ♪

♪ (MUSIC CONCLUDES) ♪

AIRLINE CUSTOMER:
Did you have a good vacation?

SHANE PATTON:
It was my honeymoon.

CUSTOMER: Where's your wife?

♪ (SOFT GUITAR MUSIC PLAYS) ♪

RACHEL: I don't want to be
a plus-one my whole life.

MARK MOSSBACHER: This
is why people go on vacation.

My hero.

You were on fire last night.

(COUGHS)

QUINN MOSSBACHER:
I'm not going home.

OLIVIA MOSSBACHER:
What are you doing?

Texting.

Texting who?

♪ (ISLAND MUSIC PLAYS) ♪

TANYA MCQUOID:
I'm realizing I'm getting back
into this pattern again.

It's not healthy.

SHANE: We are starting
down a very dark road.

Why are you ruining everything?

(CLATTERING)

DILLON: Is this like
a kamikaze situation?

Are you gonna
take me down with you?

ARMOND: I'm getting fired.
I don't care.

Fuck this place!

(WAVES CRASHING)

♪ (SOFT, BROODING PIANO
MUSIC PLAYS) ♪

MIKE WHITE:
At the beginning of the series,

Paula's a little bit
of a cipher.

We don't really know much
about her,

and I wanted to shift the focus
to where suddenly the sidekick

is now looming large
in the plot of the show.

Paula was disturbed
by the entertainment.

The hula dancing?

Oh, you're-- you're allergic
to fire?

Paula feels like Olivia
is a product of privilege

that has taken away
from people like Kai,

and she feels like,
"I can bring him justice."

-What's up?
-Now's the time.

Now?

KEKOA KEKUMANO: Kai's genuine,
and he wants to do good,

but he's kinda stuck
in a predicament.

"Do I end up stealing
or do I let people

take advantage of my people
and my land?"

You know, you could finally hire
a good lawyer

to fight these fuckers.

WHITE:
She tries to make the argument
that thieving is just,

and there is something
about the fact

that he feels so powerless.

Her arguments kind of land
with him.

(DOOR UNLOCKS)

(SCREAMS)

CONNIE BRITTON:
For Mark and Nicole,

when this violence
enters their lives,

it's an opportunity for Mark,
and he rises to it,

he protects her.
He becomes her superhero.

(GRUNTING)

I love it because it's so messy
and sloppy

and really pivots their lives
in a great way.

What do we do?
(SOBBING) What do we do?

MARK MOSSBACHER:
Call the police!

-Okay!
-(GROANS)

That's what was needed
to pull them out

of a very painful time for them.

I'm a very needy person,

and I am deeply, deeply
insecure.

JENNIFER COOLIDGE:
Tanya's not 20.
When you hit a certain age,

you eventually have
to face yourself.

(SOBBING) I want you to get
out of here and save yourself

'cause I'm just like a--
I'm like a dead end.

you know?
(STUTTERS) Just a trap door.

And I think you should get out.

JON GRIES: Greg actually
manifests real empathy.

No.

-Come here, crazy.
-Okay.

And I think
that he is attracted to her,

he is attracted to the crazy.

He likes that.

COOLIDGE:
She gets a guy handed to her
that's sort of overly simple

and still has a hard time
making it all work.

Enjoy your breakfast.

(INDISTINCT CHATTER)

Armond, in the beginning,
is doing his best

to hold together this kind of
image of professionalism

and this kind of-- projecting
an image of himself

or who he wants to be.

And I think as the show goes on,
he loses a grip on that.

LUKAS GAGE: Dillon,
once he sleeps with Armond,

he realizes
that he no longer has to be

beneath Armond
on the totem pole.

You said I could pick
my own shifts.

You said a bunch of shit.

I forget what I said.

Well, I didn't. You owe me.

He has something to hold
against him. He has blackmail.

A lot of great girls
came and went, but you won,

and there's a reason you're here

and all those other girls
are out of the picture.

Yeah, but what is the reason?
Like why am I here?

Well, you're very magnetic,

and you're so beautiful.

Yeah, you're making me sound
like a trophy wife.

Oh, what's so wrong with that?

ALEXANDRA DADDARIO:
Essentially, her mother-in-law's
telling her

this is what you're good at.

You're not good
at being a journalist.

You're fine at it,

but what you're really good at
is making my son happy.

Kitty is very close to her son,
Shane.

She knows what a catch he is.

She just thinks that Rachel
is very lucky that she got him.

Be happy, Rachel. Okay?

Kitty is well-intentioned,
but she ends up accelerating

the conflict
between Rachel and Shane.

I think I've made
a terrible mistake.

WHITE: I think that, sometimes,
you're vacationing,

and you want this idea
of just being away

from all of the problems
of society.

And then, you realize
that the vacation

is also a part
of those problems,

and some of them
are societal problems

and some of them
are personal problems,

and so
there really is no escape.