All language subtitles for Final.Payback.2001.720p.WEBRip.x264.AAC-[YTS.MX]

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(dramatic music)

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- [Man] To serve and
protect, words to live by,

that is, until you
find yourself on

the wrong side of the law.

I was pushed over the fence.

Then things went
from bad to worse.

I suppose it didn't
help that I found myself

with the wrong woman
at the wrong time.

(dramatic music)

(screams)

(dramatic music)

(screams)

(dramatic music)

(alarm beeps)

- Someone turn that
damn thing off, please.

(alarm beeps)

Oh.

(alarm beeps)

Jeez.

What happened last night?

(alarm beeps)

Looks like we had a
good time, at least.

(alarm beeps)

Hey, Sharon.

(alarm beeps)

Sharon, you up?

(alarm beeps)

I am, now.

(alarm beeps)

Hey, Sharon.

(alarm beeps)

(suspenseful music)

(alarm beeps)

Sharon?

(alarm beeps)

Sharon?

(suspenseful music)

Sharon?

(suspenseful music)

(dramatic music)

(sirens blare)

(dramatic music)

(engine revs)
(dramatic music)

(tires squeal)

(sirens blare)
(dramatic music)

(tires squeal)

(explosion)

(car crashes)

(engine revs)

- Hey, Joey, what's up?

- Hey, you got my key?

- Yeah, sure thing, man.

Here it is.

- Thanks.

- Hey, you don't
look so good, man.

(blades whirring)

- I'm here live at the home
of police chief George Moreno

where a horrible crime has
rocked this quiet community.

A woman was found beaten
and stabbed to death

by an intruder.

There are no leads at
this time or suspects,

police chief is just
pulling up right now.

Police Chief Moreno, do you
have any information at all?

- No comment.

- Is there any
truth to the rumor

that the deceased is
actually your wife?

- No comment.

- Do you have nothing
to share with us?

You must know something.

(birds chirping)

- Sir, you shouldn't
be here right now.

- It's Sharon.

- Yes, sir.

- Oh God, no.

Why?

Why?

What have they found?

- Well, a butcher knife
appears to be the murder weapon

and the first officer
arrived on the scene

saw a suspect, but
he got away, sir.

- My wife's murderer got away?

- We have an accurate
description, sir.

(dramatic music)

- I'll be damned.

It's Randall.

(water running)
(dramatic music)

- Sharon's dead.

I still can't believe it.

It's like one hell
of a nightmare.

I must be on the cop's
most wanted list.

(dramatic music)

What the hell
happened last night?

(dramatic music)

I know I didn't do it.

I couldn't have.

But the blood...

The knife...

(dramatic music)

(door creaks)

(dramatic music)

Whoa, what the hell you doing

sneaking up on me like that?

- Sneaking up on you?

I thought you'd still be
out doing the chief's wife.

Still think you're
out of your mind, man,

there's a lot of women out
there you should be doing.

- Shut up, Steve, all
right, just shut up.

- Okay.

What's up with you, man?

Hey, man, you're
starting to scare me.

What's going on?

- I'm gonna need
your help, Steve.

I'm in real deep shit.

I'm in real deep
shit, shit, shit.

Sharon's dead.

- What?

What are you talking about, man?

- I found her lying on
the ground in the shower,

then I--

- Slow down.

Just tell me what's
going on, calm down.

- We're having a great time.

We're partying and we
both got a little wasted,

and then I woke
up in the morning

and I went upstairs
and she was dead.

- Did you see anything,
did you hear anything?

- Nothing, nothing.

Then the cops
showed up and I ran.

- Cops, who called the cops?

- I don't know who
called the cops.

I didn't stick around
to find out, Steve.

- So you ran, what
are you, crazy?

You ran?

- Yes, I ran, I ran.

I panicked.

- Okay, look, man.

If you didn't do anything,

go turn yourself in.

- That's easy for you to say.

You're not the one
who found himself

with the police
chief's dead wife,

and whatever I do,
they're gonna nail me.

They're gonna nail me.

- What are you talking about?

That old riff with
you and James?

Man, that was four years ago.

Don't sweat that.

- Steve, that doesn't mean shit.

- Okay, look, man, well,
you can't stay here.

I'll see you through this, man.

Okay, like you did for me.

- I didn't do anything.

- The hell you didn't, man.

Got me off the streets,
you cleaned me up.

I'll never forget that.

- Well, what did you expect?

- Why don't you get yourself
a hotel somewhere else.

Take the money.

I'll keep an eye on this place.

We'll see what happens
and just call me, okay?

Whoa, whoa, man, hey.

Come on, man.

There's enough
heat going on here.

We don't need that.

Here, put your jacket on.

Into a hotel, call me, okay?

- All right.
- Go, go, go, go.

(engine revs)

(horns honk)

- Gina.

Look, listen, Gina.

- Look, buster, I'll give you
five seconds to clear out.

- Look, Mary, I have to--

- You don't have to nothing.

Just get your butt out of here.

- She's right, Joey.

We have nothing to talk about.

It's over.

- For like two years, now, what?

You need an escort.

I can get Juan and
the boys to help you.

- Gina, I just gotta talk to you

and I can't talk to you here.

Gina, don't do this.

- What is it that you
don't understand here?

You can't be this stupid.

She's finally getting over
your sorry little ass.

She's engaged, remember?

And I like him.

Leave her alone.

- It's okay, Mary,
I can handle this.

- Honey, you'll never learn.

What the hell you
wanna talk to him for?

- I'll just be a minute.

Handle my station, okay?

- Oh, yeah, sure, right, right.

What the hell do I know?

Nothing.

- Joey.

Should have called.

- I know I should have called.

(lighter sparks)

- The things are gonna kill you.

- I know, but today's not
a good day to quit smoking.

- How much do you need?

This is all I got.

I'm barely making ends meet.

- Gina, it's not
about that, all right?

I'm in trouble.

I'm in trouble.

- So what else is new?

What is it this time,
a jealous husband?

Your loan shark, a bookie?

- I'm in serious trouble.

(engine revs)

Cops are after me.

- Oh, Joey, what
did you go and do?

- I can't tell
you, it was just...

- Just what, Joey,

things aren't going so
hot for Joey right now?

So you might as well go
back to good old Gina?

I've known you for
what, six, seven years?

We had a good thing, Joey,

but it just wasn't meant to be.

- Gina, you're...

You're the only one I've
ever really cared about.

- Don't start that again, Joey.

You might have cared for me

but you are married to your job,

and when you left the force,
you went from bad to worse.

You became a different person.

- Look, being a police officer

is the only thing I knew
how to do, that was it.

- I know, Joey.

But I needed more than
a part time boyfriend.

I needed a real commitment.

(dramatic music)

- I know.

Look, I'mma go, okay?

- Joey, just need a
little time, okay?

Things are different
for me, now.

- Look, all I need
is a place to crash

just for a couple nights,
just a couple nights.

- Last time you said that,

we ended up shacking
up for six months.

- It's different this time.

It's really different.

- Gotta get back to work.

Joey, only for a few days.

- In an update to today's
earlier broadcast,

police now have a suspect
in the brutal slaying

in Orange County.

The suspect is ex-police
officer Joseph Randall.

Joseph Randall is five feet 11,

Caucasian and weighs
approximately 170 pounds.

Randall was fired from
the force four years ago

in what was described as a
crack down on corruption.

For Channel 60
news, I'm Ellen K.

- Going on?

- Honey, you stay
away from that pig.

He's the main
suspect in a murder.

I ever see his face
come around here again,

I'm calling the cops myself.

- Randall.

- 313.

(dramatic music)

- Freeze, put your
hands up, now.

Put your hands up now.

Hey, get up.

Hands right where I can see 'em.

(dramatic music)

- Man, what do you guys want,
I haven't done anything.

- He's not here.

- Where's Joey Randall?

- I haven't seen
him in days, man.

- Really, listen.

We're gonna find
out sooner or later,

so why don't you make this
real easy on yourself,

tell us what you know

and then we won't take you in.

I don't know
anything, my friend.

- Really?
- No.

- In that case, get out.

You are under arrest for aiding

and abetting a murder suspect.

- Ow, that's tight, man.

- You have the right
to remain silent.

- You know I've heard--

- Anything you say can and
will be used in a court of law.

- I've heard that before.

- God, why did she have
to die so violently?

- What was Randall doing
at your house, anyway?

- Isn't that obvious?

- It was her own fault.

- Don't talk about
her like that.

- I'm sorry, George, I
wish things were different,

but we definitely
know it was Randall.

- I want him dead.

- George, we cannot
have cops killing cops.

- Randall is no damn cop.

- There's too much heat on
the department, now, George.

Why don't you take
some time off?

I'll take care of it.

- Did you check the
surveillance cameras?

- Surveillance cameras?

- I have surveillance
cameras operating

at my house 24 hours a day.

I wanted to know what
my wife was doing

while I was gone.

- That's very visionary
of you, George.

- Wasn't it?

- I'll check with the
crime scene people.

- Hey, Joe, Joey, come here.

- What?

- Hey, man, what'd you
get yourself into, man?

The cops were here
looking for you.

- How long ago did they leave?

- I don't know, about
three hours ago.

Hey, they arrested your partner.

- What?

- Yeah, man, they
told me if I see you

to give them a call.

I mean, you're my bro, man.

I wouldn't snitch
on you or anything,

but things have been a
little tight around here.

- How 'bout 10 bucks?

- These were big cops, man.

They were tough.

- All right, how 'bout 20
good reasons not to call 'em?

- You were never here.

- Never here.

(dramatic music)

(punches landing)
(dramatic music)

- You're not here.

Where is it?

- I don't know what
you're talking about.

- Really?

(punches landing)
(dramatic music)

Stop messing around.

We know you have it.

Tell us where you hid it?

- What the hell?

I don't know what you want.

(punches landing)
(dramatic music)

- Maybe if we start
carving off some fingers

you'll know where it's at.

Take him over there.

(punches landing)
(dramatic music)

(sirens blare)

- Hope you have some
good news for me.

- He got away from
us again, sir.

You ever try and
take someone down

that knows that
they're the target?

- Do you think I got
this far with excuses?

- No, sir, but this
Randall guy, he's a pro.

- All right, I'll go outside.

- Captain, I don't think
that's a very good idea.

- You are not paid to think

unless you know how to
operate my new phone?

- No, sir, I don't,

but I know that I
can handle Randall.

- I will take care
of this myself.

(phone beeps)

This thing is broken.

- Think you could have gotten
it just a little closer.

Captain, hey, Captain James.

You got a minute?

- For you, sir, of course.

- New phone?

(phone rings)
- Yeah.

- Old phone.

Sorry, gotta take this.

Hello?

Why can't we do
it as we planned?

I don't care.

What time?

Okay, I'll be--

Yes, I'll be there.

I will be there.

Thank you.

- Bad news?

- No, just some fund raising
dog and pony show, you know.

Shake a few hands,
kiss a few babies.

I hate these things.

- You wanted to be mayor.

- I know, I know, I
just wish I could get

to the business of
running the city

and not have to deal with
all this political hog wash.

Listen, how's George doing?

- He's a survivor,
sir, he'll do find.

- Good.

I don't want this
to sound too crass,

but you think he's gonna be up

to making the rally?

- He'll be there, sir.

- Good, good, 'cause I
got a lot riding on this

and I'm counting on it.

The polls are showing that
I'm just a little behind.

- If you don't mind me saying,

you should never
believe the polls.

- That what I like about
you, Captain James.

You are the eternal optimist.

- Well, sir, we
need you in office

as much as you need us
protecting the streets.

- Well, now there's
a campaign slogan

if I ever heard one.

Hey, where's my latte?

Just make sure everything
runs smooth as...

- Oil.

- Baby oil.

(men chattering)
(punches landing)

- Still look like you're
in shape, Chapman.

- What are you doing here?

- I was doing some digging

and I found that you still
owed the state some time.

- I did my time.

- That's your problem.

All I needed then
was some information.

- I'm no snitch.

- You still belong to me

and I figure you
owe me 30 years.

Hey, you're
forgetting I'm a cop.

(punches)

- Then act like one.

- Let's talk.

- Nothing to talk about.

I told you, I'm retired.

- You retire when I
tell you to retire.

- Think you better leave.

(dramatic music)

- It would be a real shame

if you were to go
back to the joint.

I mean, who would take care
of little Angelica, huh?

(dramatic music)

Be smart.

Do the job.

(dramatic music)

Do the job.

(dramatic music)

It'll be good and
better for her health.

(slaps)

(dramatic music)

- [Randall] All along I made
some really bad choices,

knowing that sooner or later
they would catch up with me.

(dramatic music)

It would have been so
easy to keep my mouth shut

the other way.

It all happened so
fast, just like a blur.

One minute, I'm
arresting a perp,

the next I...

(dramatic music)

- How's it going, buddy?

- You again.

Look, I didn't do anything, man.

- Yeah, yeah.

- What gives you the
right to jack me up, huh?

- My gun, my badge,

and the sweet love of
Jesus right here, pal.

- You're mine, pig.

- This is punk who
blasted Jimenez last week.

- I didn't shoot anybody.

What, are you pigs
trying to frame me, huh?

I know my right.

Get the cops off me.

- Are you sure
about this, captain?

- His face is plastered
all over the tube.

- I was Jimenez's best
man at his wedding.

- [Smith] Jesus.

- He didn't deserve
to die like that.

He didn't deserve
to die like that.

- I gotta get back
to the mayor's house.

Why don't you let Smith
take it from here?

You go 1098.

- I got him.
- You earned it.

- Thanks, Captain.

- You ain't so tough,
now, are you punk?

- [Officer] What
the hell's he doing?

- Okay, it's okay,
it's okay, come on.

- You piece of trash.

Come on.

- Captain, we got
him dead to rights.

- Yeah, look, Jimenez was
one of our own, right?

- Yeah.

- He had a wife and two kids.

Don't worry.

I'll put you in
for commendation.

- Commendation for what?

- Collaring a cold
blooded killer.

- Yeah, but captain--

- Come on, come on, you know
what would have happened

if we would have taken
this punk down town.

He would have got some
public defender to say

that we violated
his civil rights,

and then some jury
of bleeding hearts

would have freed him
on some technicality.

What about Jimenez's rights?

Didn't he have a right to live?

- Of course he did.

But that doesn't
give us the right

to go break laws we're
supposed to uphold.

- I spent 15 years
on the streets

and I can't tell
you how many times

I arrested punks only
to find them freed

with a slap on the wrist.

- Captain--

- It didn't matter,
pedophiles, murderers.

(grunts)

One day I get home and...

My wife had been raped.

And the rapist,

the rapist was someone
that I had just busted.

(dramatic music)

He too almost beat the system.

(dramatic music)

That's how it goes, isn't it.

(gun fires)

- Christ.

Jesus Christ.

- All right.

He was armed and Smith was
just defending himself.

- No, Captain, no.

He was handcuffed
and he was unarmed.

He was unarmed.

I gotta report this.

I'm sorry, I gotta report this.

- Let's go around.

(dramatic music)

(engine revs)

(dramatic music)

- But your captain
told me how you

heroically apprehended
that killer.

I understand that this is a
totally justified shooting.

- I didn't shoot him.

He was unarmed.

I had him handcuffed when
James and his thug came in.

It was Smith that
killed him, sir.

(dramatic music)

- Are you asking me to believe

that a police captain and a
highly decorate lieutenant

are covering up a crime?

That's a very
serious accusation.

- I realize that.

- Why don't you rethink
what you remembered.

We don't want to
destroy the careers

of two good men unnecessarily.

- They killed him in cold blood.

- Listen, Randall,
do you really care

if there's one less undesirable
on the streets of the city?

You have a long career here.

That's what's important.

Don't rock the boat.

(dramatic music)

I'm sorry you feel this way.

- So am I.

(horn honks)

(dramatic music)

(cars driving)

(siren blares)

- Back so soon?

- Yeah, I'm back, all right.

(punches)

- Damn, fuck you hit me for?

- You know why, asshole.

Don't be pulling that shit.

- Oh.

Yeah, yeah, yeah?

- Go ahead.

Shoot me.

The second that
bullet hits my brain

I'm gonna jerk back and
cut off your nuts, whoops.

- Come on, come on, now.

You know how it is.

I'm having some problems
with my accounting.

It's been hard lately
to handle my business.

- The next time
you shortchange me,

I'm gonna take what
balls you have left

and shove 'em down
your neck, okay?

Now pay me.

- Hey, you sure you don't
want some merchandise

on credit, on credit?

- Come on, just
give me the money.

No, I don't want that shit.

Give me my money.

Come on.

Get a fucking lighter, too.

- No.

- Give me that.

(cars driving)

- Cody, Cody, Cody
come back here.

Cody, I warned you.

Nobody works my streets
without my permission.

Huh?

- Ow.

I'm sorry, man, I forgot.

I forgot, man.
- Yeah, yeah.

- I forgot, but look,
you know I didn't mean

to cross you, man, I didn't, no.

I'm sorry, man.

- Let's clean you up a bit, man,

I want you to look
good for your girls.

Get out of here.

- Okay, thanks.

Thanks.

- Hey.

I want you to crawl there.

- Say what?

- On your knees.

- Okay, all right, thanks.

(footsteps echo)

- Okay, hands behind your
neck, you know the drill.

Come on.

(siren blares)

- Come on, come on, quit, James.

You know I get paid good
money for that shit.

- That's what I like
about you, Tommy.

No bull shit.

- Yeah, life's too short.

- I need you to do another
special favor for me.

- No, no way, I'm not, no.

I can't.

- Hey.

Since when did you get so pious?

- Only...

They found my kid last week.

I've been spending
some time with him.

He's so good looking.

- Yeah.

- You know, when I
went in, I didn't

know if I'd ever get
to see him again,

and I'm trying to put all
that behind me now, you know,

I'm trying to change.

- Honey, people like
you and me never change.

- Fuck you.

(dramatic music)

- I need you to
do me this favor.

If you do, I'll make sure
you see your kid permanently.

No strings.

(dramatic music)

- No, I told you, I can't.

- Well, then I'll
have to arrest you.

- For what?

- For starters,
possession of cocaine.

Possession of a gun
that's been used

in a series of crimes.

For this and for that.

- Come on, James, you
can't do this to me.

If I go back there,
they'll kill me.

They'll kill me, James.

(dramatic music)

- Do we have a deal?

(dramatic music)

(suspenseful music)

- Good show, Revus.

(suspenseful music)

Okay, you're just
gonna ignore me, I see.

I see some things
never change, okay?

You don't want to deal, what?

What's going on?

It's too hot for you?

- Get out.

- Okay, I feel like we're
making some progress here.

At least you're
actually talking to me.

- I don't need this right now.

- I don't care what you need.

That son of a bitch
came back after me.

- So you're in, too.

- What do you think?

He was the last person I
ever wanted to see again,

and you're the second to last.

- Well, obviously, we
don't have a choice.

- Obviously.

- But I'm gonna tell you this.

Just one time.

Do not mess this up.

Or you'll be the
first person I cap.

- Don't threaten me.

- Hey, hey, I don't
give a shit what you do.

Whether you use your needle,

whether you free base,

or you pack your pretty
little nose with that powder.

Just don't screw
this up, you got it?

- Ooh, big man Revus, huh?

You like threatening me, huh?

You're a big man,
threatening me, huh?

Where were you balls when
James threatened you, huh?

Where was your bad ass then.

You ain't so bad,
Revus, you ain't shit.

(ominous music)

(keys clatter)

- Why didn't you tell me?

- I didn't want to get
you involved, Gina.

- Well, it's too late for that.

It's all over the news.

- I didn't do it.

- Then who did?

- I don't know.

But whoever it was
showed up at my place

the other night and he
was looking for something

and tried to kill me.

- This is crazy, Joey.

This time you're in
way over your head.

What are you gonna do now?

- Try to find a way to
get back in the house,

see if I can find
something, anything.

- How do you know
there's anything there?

- I got a good feeling.

- Oh.

Forgot about that famous
intuition of yours.

You can't do it alone.

You need help.

- Gina, I don't
need anybody's help.

- There's always a
problem with you, Joey.

The more I tried to
get close to you,

the more you pushed me away.

- I suppose he's different.

What's his name?

- Jeremy.

Jeremy Benson.

(dramatic music)

- So how long you
been seeing him?

- About a year.

He's a really sweet guy.

We're gonna get married in June.

- Married.

(dramatic music)

I'm happy for you.

- Joey.

Even though it's
over between us,

I still wanna help you.

- Gina, I...

(dramatic music)

I've never stopped loving you.

- No, Joey, please.

It still hurts.

- I never meant to hurt you.

- It never would have lasted.

(dramatic music)

- I know.

I know.

(dramatic music)

- Joey.

Do you remember Uncle Sal?

- Who?

- Sally boy.

He might be able to help us.

- Yeah, but Gina, he hates me.

- No, he doesn't hate you.

He's just a little sore
at you, that's all.

You know him, he's harmless.

- [Man] Hey, come on,
Sal, take it easy.

It's not just me we're
dealing with here.

There are other people
I have to answer to.

- Listen, I'll break their legs

and stuff them into a meat
grinder, you got that?

- [Man] Yeah, but--

- Where was I?

Let me tell you something.

You tell those bastards I'm
not giving them another penny

and they're gonna
have to reconsider.

Now you understand that?

Or I'll close their shop down.

- Mr. Duponzo, this
is not the 40s,

and you are not Capone.

We just don't do business
that way anymore.

- Is that right?

Mel, pull over.

- What are you doing?

- Let me tell you something,

if this was the Capone
era and I was Capone,

I'd be redecorating
the inside of this limo

with your brains, you got that?

- Mr. Duponzo, you
misunderstood, you see,

I didn't mean to imply
that you weren't Capone,

like Capone.

- Listen to me, you go back
and you tell your people

either they're gonna turn
around and be more reasonable

or I'm gonna close
their shop down,

now get the freak out of my car.

(engine revs)

(phone rings)

(speaking foreign language)

- Uncle Sal, it's Gina.

(speaking foreign language)

- My love, how are you?

- I'm fine, just fine.

I'm calling because
I have a problem.

- Who do you want me
to kill this time?

Only kidding, love.

- It's Joey.

- Oh, man, you're hanging around

with that broken
down police again?

- It's not like that, Uncle Sal.

He's in trouble.

I wanna help.

- All right, sweet heart,

meet in the car about an hour.

- Thank you, Uncle Sal.

I love you.

(speaking foreign language)

- My love, goodbye.

- Hi, baby, how you doing?

Look at you.

You're so pretty.

You know what, Daddy
has to go do something.

- Yeah.

- And I'll be back real
soon, okay, I promise.

Daddy always keeps
his promises, right?

- Right.

- Okay.

(dramatic music)

Go play with Daniel
and Jasmine, okay?

(dramatic music)

- No.

No, Miguel, you promised.

- Baby, please.

(dramatic music)

Dora, please, don't make this
harder than it already is.

This won't take long.

- The last time you said that,

I didn't see you
for seven years.

You don't know what
it's like for me

every night you're not here,

wondering if you'll
ever come back.

- Baby, it's not like before.

It's not like when
I used to go out

with my homeboys,
it's not like that.

- Just tell me why.

Why, Miguel?

(dramatic music)

- James.

(dramatic music)

(upbeat music)

- Hey.

(upbeat music)

What can I get you?

- I'll have a beer.

- Yeah, how 'bout you?

- I'll have the same as her.

- Coming right up.

- I don't feel
comfortable in this place.

I feel like a sitting duck.

- Uncle Sal said for us to wait.

We can trust him.

- Look, it's not Uncle
Sal I'm worried about,

it's everyone else, okay?

It's not a good place.

(upbeat music)

- Hey, stay put till
I give the word.

- Screw you, Revus, who
died and made you king?

- Cheers.

- You don't hit on me, anyway.

Oh, I know, you don't
like the ladies, huh?

- You're no lady, just sit
down and shut your mouth.

- What are we waiting for?

Let's just go do this, man,

let's get out of here
and get it over with.

(upbeat music)

- Give me that shit.

- Oh, okay, like
I don't have more.

- Hey, we don't make a
move till we find out

if he has it, you understand.

- Yeah, yeah, I got it.

I just think he needs to be
a little motivated, you know,

like I should go over there
and give him a little nudge.

- Just shut your mouth, I said.

- There you go again.

I don't like it when
men boss me around.

The last guy that did that,

ended up shy one testicle, okay?

(upbeat music)

(dramatic music)

(screaming)

(guns firing)
(dramatic music)

(dramatic music)

- Jeez, I can't believe
what these fuckers

did to this place.

Would you please
help those people,

get 'em out of here.

Look, Gina, baby,
what did I tell you?

Broken down police is
nothing but trouble.

I've been trying
to tell you that

for the longest time, darling.

- This is not my fault--

- Man, am I talking to you?

Why don't you shut up.

Look, sweetie, he's
like the plague, man.

Isn't bad enough
that he turned around

and he was banging the
police chief's wife,

but my crew brings me back
the word on the street

that he whacked her also.

Well, did you whack her?

Answer me.

- No, all right, no,
I didn't whack her.

- Listen to me,

there are more powerful
people out there

that are looking to set you up.

Word on the street is,

not only did you kill her,

but you took something
more valuable than she was,

and they're gonna get it back.

- Who are they?

- You know, you're a bigger
jerk than I thought you were.

Two hired guns, they come
out there to kill you, man,

whatever you got, whatever
they think you got,

they're gonna get it back.

- Uncle Sal, can you help us?

- Gina, my love,

you've been in our family,
you know what I am,

this was the old days,
I'd take them out myself,

but honey, there's
a truce out there.

I have no choice but
to honor that truce.

My biggest concern is you,

getting in the way
of a stray bullet

that's meant for this jerk off.

That would destroy me.

That would destroy
me if that happens.

Listen to me, man, let
me tell you something.

I am holding you
responsible for her.

You understand what
I'm telling you?

- Yes and no.

- Get out of here
before the police come.

(dramatic music)

(speaking foreign language)

My love, take care of yourself.

(punches)

- You learned your lesson, boy?

Punk?

You will learn.

- You want to tell us
what your friend Randall

took from Mrs. Moreno
after he did her in?

Come on, he's your friend,

he must have told you something.

- Go to hell.

(punches)

- He's not gonna talk.

- You know, these are
my new gardening gloves,

I use 'em to weed out
undesirable growths

near my sun flowers.

- I don't know anything.

- Oh.

Wrong answer.

Think about it.

Think about it.

- You know, one thing
about scum like this,

you can always depend
on their weaknesses.

Hey, you remember this.

Huh?

Have his mouth, please.

- Sure.

- There we go.

Yeah.

Come on, tell me,
you're the expert.

Is it pure, huh?

Now that look.

- Yeah, it's always this.

- No, no, no.

Ooh, this might be the
reason, his head please.

- My pleasure.

- What is this, huh?

Can you remember
something right now?

(grunting)

Look at him.

You're perking up already.

- Yeah.

- Asshole.

(grunting)

You son of a bitch.

You got nothing on me, man,

by the time I get out of here,

I'll just report--

- Hey, hey, hey.

You gotta remember one thing.

I'm never gonna let
you out of here.

But if you tell me
what I wanna know,

that door stays open
and I just might forget

all about you.

(grunting)

I guess we're gonna have to
send him back to crack street.

- Please don't do this to me.

I've been clean
for two years, man.

Please.

- Do we have a deal?

Do we have a deal?

(phone rings)

- Hello?
- Steve.

- Steve.

Hey, man, I heard
you got arrested.

Are you all right?

- [Steve] Yeah, I'm all right.

Man, you were right about James.

He's got it bad for you, man.

You gotta watch your back.

- Listen, man, I'm
gonna need some help.

- [Steve] What, bro?

Be right over.

- All right.

(dramatic music)

- Hey, bro, hey, Gina.

- Jesus, what happened to you?

- It's nothing, man.

- What do you mean, nothing?

You look like shit.

- Let it go, man.

So where we going?

- We're going back
to the Moreno house.

- What we going back there, for?

- I don't know, I just got
this feeling about that place.

- You're intuition, again.

- Let's go.

(dramatic music)

(dog barks)
(dramatic music)

Wait right here, all right?

(dramatic music)

What are you doing,
wait right here.

- No way.

- Look, I've already gotten
in enough trouble as it is,

all right, I don't want
anything to happen to you.

- I'm coming with you, Joey.

That's all there is to it.

(dog barks)
(dramatic music)

- [Steve] Gina, Gina,
take the flashlight, here.

(dramatic music)

(phone rings)

- [James] Yeah?

- I just dropped them
off at Moreno's house.

- [James] Both of them?

- Yeah.

- [James] Get your
ass out of there.

- You're not gonna
hurt 'em, right?

Right?

- [James] Get out of there now.

(dramatic music)
(dog barks)

(engine revs)

(dramatic music)
(owl hoots)

(dramatic music)

- You have your own key?

- Yeah, it's a long story.

(dramatic music)

(keys jingle)

(dramatic music)

(woman laughing)

- You know what?

He doesn't know
anything about us.

Would it be okay if like,

we didn't talk about
George anymore?

You always know how to shut
me up, don't you, Joey?

(woman laughing)

Come on.

Come on.

Come on, Joey.

Come on.

Don't be coy, right?

(woman laughing)

Come on.

Come on.

(dramatic music)

- What's wrong?

(dramatic music)

- Nothing, I just...

(dramatic music)

Everything's coming
back to me, that's all.

- I don't wanna rush you

but do you have any idea
when he's coming back?

Or where this thing you're
looking for might be?

I'm getting a little nervous.

- It could be anywhere.

It could be anything.

Just look for something
unusual or odd.

(dramatic music)

(insects chirping)

(dramatic music)

- Do you know the
mirror only reflects

the way others see us?

The way we're
expected to behave,

forced to behave.

Hardly ever the way
that we really are.

Do you believe that
mirrors have secrets?

- Why would they have secrets?

I don't know.

- You don't know?

- No, I don't.

- Well, they do.
- They do?

- They really, really do.

(woman laughing)

- [Joey] So what kind
of secrets do they have?

- She who communicates
her secret to a man

makes herself feel the slave.

(woman laughing)
(dramatic music)

Now that mirror,

look.

The mirror holds the
key to my freedom.

(dramatic music)

(woman laughing)

- The mirror.

(dramatic music)

- What does it have
to do with anything?

(dramatic music)

- The mirror holds the
key to her freedom.

(dramatic music)

This must be what
everyone wants?

- How do you know?

(dramatic music)

- I don't, I don't.

- It's about time.

(dramatic music)

- The tape, Randall.

- Look, even if I
give you this tape,

you're still gonna kill us.

- You don't have any choice.

(dramatic music)

(insects chirping)
(dramatic music)

- Damn.

(insects chirping)
(dramatic music)

- Gina, do you have
a video camera?

(dramatic music)

Gina, I'm sorry I'm
brought you into this.

- Everything was going
so good for me, Joey.

I was engaged to be married,
everything was perfect.

- It's gonna be okay.

- No, it's not gonna be okay.

I shouldn't even be doing this.

- Look, Gina, everything's
gonna be fine.

- I love you, Joey.

I don't wanna lose you.

- Everything's
gonna be all right.

We're never gonna be
apart, I promise you.

- Don't make any
promises you can't keep.

- Okay.

(door opens)

- Thank God you guys are okay.

- Where the hell were you?

We were looking for you.

- I know, I was...
- It's okay.

Hey, where were you?

- I didn't wanna get the
neighbors suspicious,

so I went around the
block a couple times,

and the next time I came back,

you guys were gone
so I just, I split.

- You all right?
- Yeah.

- Okay.

- Hey, hey, hey, look at this.

- What happened?
- Get out.

I was here, I decorated it.

I found this house.

Why is it--

- That's a video from
the security camera.

- Write all the things
that you can expect to get.

Come on, I wanna see what
you were expecting to get

out of this marriage.

Now that you're divorcing me.

- [Sharon] You're gonna
give me what I want, George.

- Oh, really?
- Yeah.

- Or what?

Or what?

- Or a little birdy's
gonna go to the DA

and he's gonna tell 'em
how you know about James

and his little
band of rogue cops.

- What are you talking about?

- [Sharon] And how you
gave them carte blanche.

- [George] I don't
understand what the hell

you're talking about.

- And how all those
in policy killings

are really cold blooded murders?

- Now, look.
- No.

- You're usually stupid.
- Don't yell at me.

- But you're extra stupid.

- [Sharon] Don't call
me stupid anymore.

- Here you go again.
- And don't play stupid.

Don't play that you don't even
know what I'm talking about

because you know
damn well that James

is killing those suspects.

- Go take some morphine.

- He's killing 'em.

- Dammit, this is gotta stop.

I don't know how
far Sharon will go.

- [James] We've got to Smith
and my guys in the department.

- I know that but I can't
keep justifying all these

police shootings.

- George, George,
it's my methods

that have kept you in office.

Just take it easy.

Calm down and we'll
work something out.

- What if the mayor finds out.

I'm telling you, I can't
stand this any longer.

Sharon has gotten out of hand.

(phone rings)

If Sharon exposes you,
we're all finished.

(phone rings)

- You know Moreno's
almost ready to crack.

- This divorce is killing him.

Suddenly his wife has
become a thorn in my side.

- So when do you want
me to take care of her?

- Very soon.

(dramatic music)

But very clean.

(dramatic music)

- James killed Sharon.

That's why they want
that tape so bad.

- I gotta go, Joey.

(dramatic music)

This is scaring me, brother.

I gotta get out of here.

- All right, okay.

Listen, just watch
your back, okay?

'Cause they can be
trailing all of us.

- Don't worry about it.

- Okay.

- Joey, there's something
about Steve's...

- Don't even go there, okay?

Steve's like a brother to me.

I trust him as much
as I trust you.

- Okay.

So now what are we gonna
do about this mess?

There must be someone
we can talk to, the FBI,

the state police, I don't know.

- Gina, I can't trust anybody,

and the safest place
for you right now

is staying at Boyd's place.

- Oh, no, you expect me to
leave you alone in this mess?

- Look, if we're together,

it puts you in danger.

- I don't care.

(dramatic music)

- You know, you're
very stubborn, Gina.

- I know.
- Yeah.

- It's part of my charm.

- Yeah.

(dramatic music)

(gun fires)

(suspenseful music)

Gina?

Gina?

(suspenseful music)

Gina?

Gina!

(suspenseful music)

Oh.

Don't, please.

(suspenseful music)

- Got you, bitch.

(gun fires)
(suspenseful music)

Why didn't you shoot?

(suspenseful music)

Hello?

(suspenseful music)

- [Joey] Christ, Gina's
gone and it's all my fault.

She didn't deserve to die.

It should be me lying
there and not her.

I've got to do something.

I need some time to think.

Dammit, I need time to
think things through.

(dramatic music)

- Shit.

- What?

He got away again?

What about the tape?

I mean, sooner or later,
Randall's gonna wind up

right on the front steps
of internal affairs.

- Sooner or later, he's
gonna wind up a memory

just like...

- Just like my wife.

- George, we need to
be focusing on Randall.

- Peter, did you kill Sharon?

- No.

- This has gone too far.

This has got to end.

- It'll end when
we find Randall.

- The tape isn't worth all this.

It's all talk.

There's nothing there
that'll implicate you

to the shootings.

There's nothing there
they can prove anything,

unless there's something
I don't know about.

- The only thing on the
tape is your argument

with Sharon and her
wild absurd accusations.

Relax, George.

(dramatic music)

- Hey, Joey.
- Hi.

- [Steve] I'm glad
to see you're okay.

What's going on?

- Why wouldn't I be okay?

(dramatic music)

- I don't know, with everything
that's been going down,

I thought maybe
something might--

- Something, maybe
something, what?

I trust you with my life, Steve,

and now Gina's dead, she's dead.

- What?

You don't understand, Joey.

It's not like that, okay?

- Why did you set me up?

Why?

- I didn't mean to, man.

James gave me his word, man.

He said that all he
wanted was the tape.

- Gina died because
of this tape?

How could you do this?

Look at me.

You and me were like family.

Like family, you
know what that means?

- I had no choice, okay?

He got me fucking hooked again,

and then I had to--

- You had to what?

You had to set me up?

You were like my
brother, my brother.

- Man, I wasn't like
your brother, man.

I was a junkie,
man, you were a cop.

Joey, I--

- You betrayed me,
you betrayed me.

- I didn't betray
you, man, I'm sorry.

It wasn't me.

- Who did the shooting?

- It wasn't me, it
was the dope, man.

- Wrong answer, wrong answer.

Who did the shooting?

- I didn't want it.

- Who killed Gina?

- It was, I think he hired,

I think there was two ex-cons.

He hired two ex cons--

- Name, Steven, names.

- There was one guy
named Revus and then

there was this chick
that he called Tonya,

but that's all I remember, man.

(dramatic music)

Please, man, you
gotta forgive me, man.

I'm all fucked up,
you don't understand.

- Let me just tell
you something.

- [Steve] You got it.

- When I said I thought
you were my brother, I did.

- I am your brother, man.

- But you know what?
- I am.

- My brother just
died, my friend.

- [Steve] No, man.

- My brother just died.
- No.

I didn't...

I didn't know what
I was doing, man.

You gotta forgive me.

(dramatic music)
(crying)

(suspenseful music)

- No, Joey, man.

Look, Joey.

I didn't know what they
were gonna do, man.

I didn't know what they
were gonna do, man.

I didn't know.

I didn't know, please,
man, don't kill me, man.

Please don't, don't
shoot me, man.

Talk to me, don't shoot me.

I didn't know what they
were gonna do, man.

I didn't know what
they were gonna do.

Please don't shoot me,
man, I'm your brother, man.

Please don't shoot me,
please don't shoot me, no.

No!

(gun fires)

(horn honks)

(cars driving)

(suspenseful music)

(man vomits)

(suspenseful music)
(baby crying)

(man vomits)

(suspenseful music)
(baby crying)

- [Man] Shit, Mark.

- You gotta fucking
be kidding me.

(crowd shouting)
(suspenseful music)

(dramatic music)

(punches landing)
(dramatic music)

Come back to visit
me, you little fuck.

Oh, you missed me, huh?

Where the fuck is Gina, huh?

Ow.

Come here, you little fuck.

(dramatic music)

(grunts)

(suspenseful music)

- Well, well, well.

If it isn't my good
friend, Joey Randall.

(suspenseful music)

Come here to kill me?

(suspenseful music)

Come on, come on, get down.

- Why'd you do it, Captain, why?

- What?

- What?

You disgusting son of a bitch.

- Cut it out, Randall.

It'll be good for you.

You know, when she died,

she cried your name over
and over and over again.

But you were too
drunk to hear her.

Oh, I heard about Gina.

(dramatic music)

Jesus Randall, women have a
tendency of dying around you.

(dramatic music)

- I got the tape.

- You could give it to me.

- No, I can't do that.

(dramatic music)

- You know, you could easily
have been on the force

and stay there if you
kept your mouth shut.

- Your days are
numbered, Captain.

- You know when I was
a cop in New York,

I used to kick ass
in the 23rd, 34th,

and 61st Street precincts.

But now that I'm in LA,

you're the new trespasser.

That means that I
can pick you up.

I can burn your house.

I can shoot your wife
and I can kill your dog

and the only protection
that you have

is if I can't find you,

and I've already found you.

So you may wanna use that gun.

(punches)

- I'm not the merciful.

(gun fires)

Revus.

(dramatic music)

- Oh, big tough guy
with a gun, huh?

(dramatic music)

You're not gonna get
out of here alive.

- I don't have anything
left to live for.

- Then you'll die here and now.

- At least I'll die like a man

rather than getting
shot in the back.

- Hey, for the record,

I didn't shoot your lady.

(dramatic music)

Come on.

(grunting)
(dramatic music)

You hit like a bitch.

(grunting)
(dramatic music)

Come on.

(grunting)
(dramatic music)

(dramatic music)

Go for it.

- Don't you think I
could have killed you

the first minute I
walked into this place?

- What are you waiting for?

- A proposition, Revus.

- What proposition?

- I know everything they
have over you, everything.

- What's it to you?

- Don't you
understand the minute

you finish doing
their dirty work,

they're either gonna
kill you or lock you up.

- Like I said, what's it to you?

- We were both set up.

Both of us.

Look, I'll let you
get back at James,

otherwise you pull that
trigger, you pull it.

(dramatic music)

- I got no beef with you.

My beef's with James.

- Does that mean you trust me?

- I didn't say I trusted you.

I just don't have a choice.

(dramatic music)

Let's get this shit over with.

(tires squeal)

- Randall.

(dramatic music)
(guns firing)

(suspenseful music)

(guns firing)
(dramatic music)

- Give it up, James.

- You're a real piece
of work, Randall.

(guns firing)
(dramatic music)

In a few minutes,
this whole place

is gonna be swarming with cops.

(guns firing)

- We'll wait.

- Will we?

We could still make a deal.

(guns firing)
(suspenseful music)

- I know about your deals.

- Oh.

This one will be different.

(suspenseful music)

Randall, are you listening?

- Yeah, I'm listening but
I don't hear a damn thing.

- Well, look, I'm coming out.

I'm unarmed and...

I'm gonna walk to
my car and leave.

(suspenseful music)

Do you think anybody cares about
the low lives we eliminate?

Nobody gives a damn
about the sacrifices

we make in the pursuit
of the criminals.

The greater good outweighs
the meaningless individual.

(blows landing)
(dramatic music)

Where's the tape, Randall?

(dramatic music)

Where's the tape?

(dramatic music)

Guess I'm gonna have to
take it from your corpse.

(blows landing)
(dramatic music)

(sirens blare)

(dramatic music)

(applause)

- Thank you, thank you, thank
you all very much for that

warm welcome.

Before I address my
friends and supporters,

there's someone I'd
like to introduce

who I'm sure that you're
all very familiar with.

Someone who has kept a lid on
crime in our city for years.

Someone who will continue
to fight the good fight

for years to come.

I hope.

When I'm re-elected mayor,

he will be standing
right by my side.

Would you please give a warm
welcome to our police chief,

Mr. George Moreno.

(applause)

Where the hell is James?

- He's right here,
now, remember.

Thank you for that vote
of confidence, Mayor.

For years, I have
fought against crime

and corruption in
this fair city,

and the proof is in the pudding,

crime is down by more than 50%.

(applause)

And yet, I had to
rally against those

who would have made this
city a haven for criminals.

I even lost my
dearly beloved wife

to a terrible crime.

(dramatic music)

We are winning the battle
but we must win the war.

(dramatic music)

We must continue to fight
against the criminal element

in this city,

and the only man who can
lead us in doing that

is our mayor, Mayor Richardson.

(applause)

Do you see who's here?

- Yes, George, I see.

Stay calm, it's all fine.

- I'd like to be brief and
conclude by simply saying

we should support our wonderful
mayor, Mayor Richardson,

the only man who can bring
us beyond the millennium.

- No need to worry folks,
everything's under control here.

Just a little interruption
by some random trash.

You wanna get those
people down by the rail,

thank you, detective.

Right, just restrain him near
the van, please, thank you.

- Look at the monitor.

Look at the monitor.

- This divorce is killing him.

Suddenly his wife has
become a thorn in my side.

Suddenly his wife has
become a thorn in my side.

- [Man] So when do you want
me to take care of her?

- [James] Very soon.

- [Man] Oh, Lieutenant, you
want to hit the monitors here.

- But very clean.

Very clean.

- What the hell is this?

- Lieutenant are they cut?

- You son of a bitch.

- [James] It was necessary.

- Whatever, you son of a bitch.

Arrest him.

(cameras clicking)

(dramatic music)

- I can walk by myself.

(dramatic music)

You know there is
a mistake here.

I was guaranteed anonymity.

You know what that is, right?

We could call the mayor's
office or maybe the DA,

but I don't belong here.

(dramatic music)

I don't really belong here, you
know what I'm saying, right?

(man speaking indistinctly)

(dramatic music)

(metal clangs)

I don't belong here.

(man speaking indistinctly)

(metal clangs)

(footsteps echo)

(birds chirping)

(somber music)

- I was really fortunate enough

to have had Gina in my life.

(somber music)

But I guess some things
are never meant to last.

It doesn't seem fair that
she suffered for my sins.

But deep down inside, I know.

I know that someday
we'll be together.

Goodbye, my love.

(somber music)

Goodbye.

(somber music)

(dramatic music)