Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:05,400 --> 00:00:09,500
AMY:
PREVIOUSLY ON "HEARTLAND":
2
00:00:09,533 --> 00:00:11,400
WELL, AT LEAST WE SAVED
ONE OF THEM.
3
00:00:11,433 --> 00:00:15,067
(WOLF PUP WHINES)
4
00:00:15,100 --> 00:00:17,567
TY:
HEY! WHERE DO YOU GET OFF
TELLING HER THAT YOU LOVE HER?
5
00:00:17,600 --> 00:00:20,333
OF COURSE I LOVE HER.
ALL YOU DO IS HOLD HER BACK.
6
00:00:20,367 --> 00:00:22,333
TY: UNGH!
AHMED: (GROANS)
7
00:00:22,367 --> 00:00:24,000
I THINK WE NEED A BREAK.
8
00:00:24,033 --> 00:00:27,100
NO, TY, I MEAN...
I LOVE YOU SO MUCH!
9
00:00:48,500 --> 00:00:50,200
**
10
00:01:12,067 --> 00:01:15,233
(PHONE RINGS)
11
00:01:15,267 --> 00:01:17,467
(PHONE BEEPS ON)
TY: HEY, CALEB.
12
00:01:17,500 --> 00:01:18,900
YEAH, I'M HERE... WHY?
13
00:01:18,933 --> 00:01:20,267
CALEB:
WELL, I DIDN'T WANNA
JUST BARGE IN,
14
00:01:20,300 --> 00:01:22,833
IN CASE YOU WEREN'T ALONE.
(PHONE BEEPS OFF)
15
00:01:22,867 --> 00:01:24,200
WHY WOULDN'T I BE?
16
00:01:24,233 --> 00:01:27,667
IT'S JUST AS EASY TO MAKE UP
AS IT IS TO BREAK UP.
17
00:01:27,700 --> 00:01:30,167
IT'S NOT A BREAK UP,
OKAY?
18
00:01:30,200 --> 00:01:33,833
IT'S A BREAK.
WE'RE... TAKING A BREAK.
19
00:01:33,867 --> 00:01:35,600
WELL, WHATEVER YOU CHOOSE
TO CALL IT,
20
00:01:35,633 --> 00:01:37,233
I RESPECT YOUR DECISION.
21
00:01:37,267 --> 00:01:39,967
JUST, UH,
HERE TO CHECK UP ON YA.
22
00:01:40,067 --> 00:01:41,733
SEE HOW OTHER THINGS ARE GOING.
23
00:01:41,767 --> 00:01:43,100
WELL, I APPRECIATE IT,
24
00:01:43,133 --> 00:01:45,100
BUT I ACTUALLY HAVE
TO GET GOING BECAUSE...
25
00:01:45,133 --> 00:01:46,667
I'M GONNA BE LATE FOR WORK.
26
00:01:46,700 --> 00:01:48,633
WELL, IT'S GOOD YOU GOT
SO MUCH WORK.
27
00:01:48,667 --> 00:01:52,133
IT HELPS KEEP YOUR MIND
OFF THE DECISION.
28
00:01:52,167 --> 00:01:54,567
(SIGHS)
IT'S ALL GOOD, CALEB.
29
00:01:54,600 --> 00:01:57,700
STAY,
FINISH YOUR COFFEE.
30
00:01:57,733 --> 00:02:00,200
(HORSE SNORTS, TACK JINGLES)
GEORGIE: TY!
31
00:02:00,233 --> 00:02:01,967
HEY! WHAT'RE YOU DOING HERE?
32
00:02:02,067 --> 00:02:04,267
WELL, I WAS ON A TRAIL RIDE
AND I THOUGHT I'D STOP BY.
33
00:02:04,300 --> 00:02:07,067
BAD TIMING. I'M JUST ON MY WAY
TO THE RESERVE FOR AN EARLY
SHIFT.
34
00:02:07,100 --> 00:02:10,067
OH, I CAN'T STOP THINKING
ABOUT THAT POOR MAMA WOLF.
35
00:02:10,067 --> 00:02:11,533
I MEAN, HOW'S THE BABY DOING?
36
00:02:11,567 --> 00:02:13,600
NOT GOOD.
HE NEEDS A LOT OF CARE.
37
00:02:13,633 --> 00:02:16,833
WELL, MAYBE I COULD COME
WITH YOU AND HELP OUT SOMETIME.
38
00:02:16,867 --> 00:02:19,933
YEAH, SURE.
NOT TODAY, BUT ANOTHER TIME.
39
00:02:19,967 --> 00:02:21,833
GEORGIE:
TY...
40
00:02:21,867 --> 00:02:25,200
I MEAN... EVEN THOUGH YOU
AND AMY ARE...
41
00:02:27,933 --> 00:02:29,233
WE'RE STILL GOOD, RIGHT?
42
00:02:29,267 --> 00:02:31,900
YEAH.
WHY WOULDN'T WE BE?
43
00:02:31,933 --> 00:02:33,133
NOTHING'S CHANGED.
44
00:02:35,867 --> 00:02:37,167
(QUIETLY)
EVERYTHING'S CHANGED.
45
00:02:37,200 --> 00:02:39,200
(BIRDS CHIRP)
46
00:02:40,700 --> 00:02:42,733
(SPRAY BOTTLE SPRITZES)
47
00:02:45,567 --> 00:02:47,600
JADE:
JEEZ, WHAT'D THE WINDOW
EVER DO TO YOU?
48
00:02:47,633 --> 00:02:50,067
JADE? WHAT ARE YOU
DOING HERE?
49
00:02:50,067 --> 00:02:52,100
WELL, JACK SAID
I SHOULD COME TALK TO YOU.
50
00:02:52,133 --> 00:02:53,533
OH, YEAH, RIGHT.
HE...
51
00:02:53,567 --> 00:02:55,500
HE MENTIONED YOU MIGHT BE
LOOKING FOR A JOB.
52
00:02:55,533 --> 00:02:56,667
YEAH,
I JUST GOT MY LICENSE
53
00:02:56,700 --> 00:02:58,267
AND I'LL NEVER BE ABLE
TO AFFORD MY OWN CAR
54
00:02:58,300 --> 00:03:00,567
WITH MY PATHETIC ALLOWANCE.
55
00:03:00,600 --> 00:03:04,600
SO DO YOU HAVE ANY EXPERIENCE
IN THE HOSPITALITY INDUSTRY?
56
00:03:04,633 --> 00:03:05,767
WHY WOULD I?
57
00:03:05,800 --> 00:03:07,633
BECAUSE YOU'RE ASKING ME
FOR A JOB.
58
00:03:07,667 --> 00:03:09,267
WELL, DO YOU NEED MY HELP
OR NOT?
59
00:03:09,300 --> 00:03:11,600
OKAY.
60
00:03:11,633 --> 00:03:13,733
LET'S SEE HOW YOU DO
WASHING WINDOWS.
61
00:03:13,767 --> 00:03:16,133
WAIT. YOU WANT ME TO START
LIKE NOW?
62
00:03:16,167 --> 00:03:18,267
MM-HMM.
63
00:03:18,300 --> 00:03:20,300
ALL FOUR.
64
00:03:22,600 --> 00:03:24,067
KATIE:
HERE.
65
00:03:24,100 --> 00:03:26,633
JACK:
IS THAT FOR ME?
THANK YOU, SWEETHEART.
66
00:03:26,667 --> 00:03:28,600
KATIE:
YOU'RE WELCOME, GG.
67
00:03:30,533 --> 00:03:33,633
WELL, YOU KNOW, I WOULD LIKE
TO SEND THIS TO LISA
68
00:03:33,667 --> 00:03:36,700
'CAUSE SHE'S IN FRANCE RIGHT
NOW AND FEELING REAL HOMESICK,
69
00:03:36,733 --> 00:03:38,833
AND I BET THIS
WOULD CHEER HER UP.
70
00:03:38,867 --> 00:03:40,500
(CELL PHONE RINGS)
71
00:03:40,533 --> 00:03:41,900
JACK:
WHERE'D YOU GET OFF TO
THIS MORNING?
72
00:03:41,933 --> 00:03:43,433
GEORGIE:
UH, NOWHERE.
THIS IS AMY'S PHONE, RIGHT?
73
00:03:43,467 --> 00:03:45,867
WELL, IT DOESN'T MATTER 'CAUSE
IT'S NOT YOURS TO ANSWER.
74
00:03:45,900 --> 00:03:47,267
(PHONE CONTINUES RINGING)
WHAT IF IT'S FROM TY?
75
00:03:47,300 --> 00:03:48,667
WELL, HE'LL CALL BACK.
76
00:03:48,700 --> 00:03:50,233
BUT WHAT IF IT GOES
TO VOICEMAIL
77
00:03:50,267 --> 00:03:52,233
AND THEN HE THINKS
SHE'S IGNORING HIM ON PURPOSE?
78
00:03:52,267 --> 00:03:54,733
JACK:
WHAT IF AMY LEFT HER PHONE HERE
ON PURPOSE?
79
00:03:54,767 --> 00:03:56,500
(DOOR CREAKS OPEN
AND SHUT)
80
00:03:56,533 --> 00:03:59,600
AMY:
(SIGHS) THANK YOU.
(PHONE BEEPS)
81
00:04:00,867 --> 00:04:02,333
HELLO?
82
00:04:02,367 --> 00:04:05,600
IS IT TY?
83
00:04:05,633 --> 00:04:07,700
AMY:
SANDRA, HOLD ON.
84
00:04:07,733 --> 00:04:10,833
WAIT. WHAT'S WRONG?
WHAT IS IT?
85
00:04:10,867 --> 00:04:12,567
SANDRA:
THAT'S FLIRTY AND DISCO.
86
00:04:12,600 --> 00:04:14,267
I MADE THIS VIDEO
FOR MY WEBSITE.
87
00:04:14,300 --> 00:04:17,233
AMY:
WOW! THEY ARE AMAZING TOGETHER.
88
00:04:17,267 --> 00:04:19,133
SO HOW LONG HAVE YOU BEEN
DOING LIBERTY WORK?
89
00:04:19,167 --> 00:04:22,733
FOR A WHILE NOW.
WE EVEN BOOKED THE HALFTIME
SHOW AT THE LONGVIEW RODEO.
90
00:04:22,767 --> 00:04:26,567
BUT NOW THAT DISCO'S INJURED,
I MIGHT HAVE TO CANCEL.
91
00:04:26,600 --> 00:04:28,067
WHAT DID THE VET SAY?
92
00:04:28,067 --> 00:04:30,267
TORN SUSPENSORY LIGAMENT.
93
00:04:30,300 --> 00:04:33,200
AT LEAST SIX MONTHS OFF WORK.
MAYBE LONGER.
94
00:04:33,233 --> 00:04:34,700
THAT'S ROUGH.
95
00:04:34,733 --> 00:04:37,067
YOU KNOW HOW LONG IT TAKES
TO TRAIN A LIBERTY HORSE.
96
00:04:37,067 --> 00:04:38,600
I'VE PROBABLY SPENT MORE TIME
WITH DISCO
97
00:04:38,633 --> 00:04:39,867
THAN I HAVE WITH MY HUSBAND.
98
00:04:39,900 --> 00:04:42,267
(LAUGHS)
SO? WHAT CAN I DO?
99
00:04:44,933 --> 00:04:47,733
THE IMPOSSIBLE.
THAT'S WHY I'M HERE.
100
00:04:49,867 --> 00:04:52,067
**
101
00:05:05,067 --> 00:05:07,533
* And at the break of day
102
00:05:07,567 --> 00:05:12,133
* You sank into your dream
103
00:05:12,167 --> 00:05:13,667
* You dreamer
104
00:05:13,700 --> 00:05:16,233
* Oh, oh, oh...
105
00:05:16,267 --> 00:05:19,267
* You dreamer
106
00:05:20,600 --> 00:05:25,067
* You dreamer
107
00:05:29,933 --> 00:05:32,067
YOU KNOW, HE REALLY IS
A GOOD LOOKING HORSE.
108
00:05:32,067 --> 00:05:35,267
SANDRA:
HUSTLE? YEAH, I PICKED HIM UP
AT AN AUCTION LAST WINTER.
109
00:05:35,300 --> 00:05:37,900
HE'S REALLY SMART.
110
00:05:37,933 --> 00:05:39,333
AMY:
HAVE YOU STARTED WORKING
WITH HIM?
111
00:05:39,367 --> 00:05:42,133
WE'VE TRIED, BUT HE DIDN'T
RESPOND TO ME TOO WELL.
112
00:05:42,167 --> 00:05:45,700
AND LONGVIEW'S IN THREE WEEKS,
SO... GOOD LUCK.
113
00:05:45,733 --> 00:05:48,733
WELL, NO PROMISES,
BUT I'LL DO MY BEST.
114
00:05:48,767 --> 00:05:51,167
THAT'S ALL I'M ASKING.
115
00:05:51,200 --> 00:05:53,867
POOR FLIRTY.
HIS HEART IS BROKEN.
116
00:05:53,900 --> 00:05:56,133
IT'S AS BAD
AS THE WORST BREAK-UP.
117
00:05:56,167 --> 00:05:58,167
DISCO AND FLIRTY DIDN'T
JUST PERFORM TOGETHER,
118
00:05:58,200 --> 00:06:00,967
THEY WERE INSEPARABLE.
119
00:06:01,067 --> 00:06:05,700
POOR BOY. IT'S ROUGH,
BUT LIFE GOES ON.
120
00:06:07,067 --> 00:06:08,900
(WOLF PUP WHINES)
121
00:06:08,933 --> 00:06:10,733
HOW'S THE PUP?
122
00:06:10,767 --> 00:06:12,267
ACTUALLY, HE'S NOT DOING
TOO GOOD.
123
00:06:12,300 --> 00:06:14,900
YEAH, ORPHAN PUPS
RARELY DO.
124
00:06:14,933 --> 00:06:16,767
HE'D FEED 24/7 IF HE COULD.
125
00:06:16,800 --> 00:06:18,800
YEAH. TOTAL TIME SUCK.
126
00:06:20,067 --> 00:06:22,700
YOU KNOW WHAT THIS GUY NEEDS
IS A SURROGATE.
127
00:06:22,733 --> 00:06:25,233
OR SOMEBODY TO LOOK AFTER HIM,
BUT IT'S A FULL-TIME JOB.
128
00:06:25,267 --> 00:06:28,133
WELL, ANY CHANCE YOU CAN PULL
SOME EXTRA HOURS THIS WEEK?
129
00:06:28,167 --> 00:06:30,167
ANY CHANCE THERE'S A DOLLAR
AMOUNT ATTACHED TO THAT OFFER?
130
00:06:30,200 --> 00:06:33,600
(LAUGHS) JUST THINK OF
THE EXTRA EXPERIENCE AS MONEY
IN THE BANK.
131
00:06:33,633 --> 00:06:38,067
(PAIL RATTLES,
PUP WHINES)
132
00:06:40,933 --> 00:06:42,333
GEORGIE: JADE?
JADE: HEY, KID.
133
00:06:42,367 --> 00:06:43,700
GEORGIE:
WHAT'RE YOU DOING HERE?
134
00:06:43,733 --> 00:06:45,133
I'M WORKING FOR LOU,
AT THE DUDE RANCH.
135
00:06:45,167 --> 00:06:47,633
I'M TRYING TO MAKE SOME MONEY
SO I CAN GET MY OWN CAR.
136
00:06:47,667 --> 00:06:49,067
APPARENTLY IF YOU DON'T
HAVE WHEELS AROUND HERE,
137
00:06:49,067 --> 00:06:50,900
YOU HAVE NO SOCIAL LIFE.
138
00:06:50,933 --> 00:06:52,667
YOU HAVE NO IDEA
HOW TOUGH IT IS
139
00:06:52,700 --> 00:06:56,233
BEING THE NEW KID AT SCHOOL.
140
00:06:56,267 --> 00:06:58,900
OH, WAIT.
YOU PROBABLY DO.
141
00:06:58,933 --> 00:07:01,767
(SIGHS) BUT IN HIGH SCHOOL
IT'S WAY WORSE
142
00:07:01,800 --> 00:07:03,900
'CAUSE EVERYBODY HAS THEIR OWN
LITTLE CLIQUES ALREADY.
143
00:07:03,933 --> 00:07:07,167
WELL, MAYBE YOU JUST NEED TO
TRY HARDER TO MAKE NEW FRIENDS?
144
00:07:07,200 --> 00:07:09,267
LIKE WHAT, THROW MY OWN PARTY?
YEAH, RIGHT.
145
00:07:09,300 --> 00:07:10,833
MY MOM WOULD BE ALL LIKE,
"HEY,
146
00:07:10,867 --> 00:07:12,867
IT'S SO GREAT TO MEET
SOME OF JADE'S NEW FRIENDS,
147
00:07:12,900 --> 00:07:14,933
WHO'S UP FOR SOME POP
AND CHIPS?"
148
00:07:14,967 --> 00:07:16,800
I'D LOOK LIKE A TOTAL LOSER.
149
00:07:16,833 --> 00:07:20,167
AT LEAST PEOPLE WOULD KNOW
WHO YOU ARE.
150
00:07:20,200 --> 00:07:21,867
(RECEDING FOOTSTEPS)
151
00:07:21,900 --> 00:07:24,867
AMY:
GOOD BOY. HERE...
152
00:07:24,900 --> 00:07:27,767
GOOD BOY.
153
00:07:27,800 --> 00:07:29,233
GEORGIE:
HE'S DOING PRETTY GOOD.
154
00:07:29,267 --> 00:07:32,067
AMY:
HE SEEMS FINE ON HIS OWN.
WHOA...
155
00:07:32,100 --> 00:07:34,500
LET'S SEE HOW HE DOES
WITH HIS NEW PARTNER.
156
00:07:34,533 --> 00:07:36,767
GEORGIE:
ALL RIGHT.
157
00:07:36,800 --> 00:07:38,767
AMY:
OKAY, HUSTLE.
158
00:07:38,800 --> 00:07:41,067
NOW, YOU TWO CAN LEARN
TO BE BUDDIES, ALL RIGHT?
159
00:07:41,100 --> 00:07:43,533
(AMY CLUCKS HER TONGUE)
160
00:07:43,567 --> 00:07:46,067
(FLIRTY SNORTS SOFTLY
AND GRUNTS)
161
00:07:47,533 --> 00:07:49,700
GEORGIE:
UH... OR NOT.
162
00:07:49,733 --> 00:07:53,100
AMY:
WELL, I KNEW IT WOULD
TAKE SOME TIME.
163
00:07:53,133 --> 00:07:54,867
GEORGIE:
BUT I THOUGHT YOU SAID
YOU DIDN'T HAVE TIME.
164
00:07:54,900 --> 00:07:57,800
AMY:
I DON'T.
165
00:07:57,833 --> 00:08:00,267
LET'S TRY IT AGAIN.
166
00:08:02,233 --> 00:08:05,933
(AMY CLUCKS HER TONGUE)
GOOD BOY.
167
00:08:07,600 --> 00:08:10,800
COME ON, FLIRTY!
NO...
168
00:08:10,833 --> 00:08:12,900
YOU'RE SUPPOSED TO WORK
TOGETHER.
169
00:08:12,933 --> 00:08:15,767
GEORGIE:
YOU EXPECTING SOMEONE?
170
00:08:15,800 --> 00:08:18,600
AMY:
THAT LOOKS LIKE
JESSE STANTON'S TRUCK.
171
00:08:18,633 --> 00:08:20,767
UST WHAT I NEED RIGHT NOW.
YOU WANNA TAKE HIM?
172
00:08:20,800 --> 00:08:22,933
GEORGIE: HERE, YEAH.
AMY: THANKS.
173
00:08:22,967 --> 00:08:24,100
(TRUCK RUMBLES)
174
00:08:24,133 --> 00:08:26,133
(HUSTLE GRUNTS)
175
00:08:29,933 --> 00:08:31,100
HEY THERE.
176
00:08:31,133 --> 00:08:33,067
I WAS IN THE AREA
SO I THOUGHT I'D STOP BY
177
00:08:33,100 --> 00:08:35,100
AND SAY HI TO MY FAVORITE
HORSE WHISPERER.
178
00:08:35,133 --> 00:08:37,533
MY ANSWER'S STILL NO,
JESSE.
179
00:08:37,567 --> 00:08:38,467
WHAT DO YOU MEAN?
180
00:08:38,467 --> 00:08:40,167
I'M NOT GONNA WORK
AT BRIAR RIDGE.
181
00:08:40,200 --> 00:08:42,633
OH, YEAH. YOU, UH,
YOU MADE THAT QUITE CLEAR.
182
00:08:42,667 --> 00:08:45,933
SO I FOUND MYSELF ANOTHER
TRAINER AND SHE IS AMAZING.
183
00:08:45,967 --> 00:08:48,233
SO YOU CAME ALL THE WAY
OUT HERE TO TELL ME THAT?
184
00:08:48,267 --> 00:08:49,967
WELL, I THOUGHT I OWED YOU
FAIR WARNING.
185
00:08:50,067 --> 00:08:51,633
YOU'RE NOT THE ONLY GAME
IN TOWN ANY MORE.
186
00:08:51,667 --> 00:08:54,533
YOU KNOW, WORKING WITH HORSES
IS NOT A COMPETITION, JESSE.
187
00:08:54,567 --> 00:08:57,800
(LAUGHS) EVERYTHING IN LIFE'S
A COMPETITION.
188
00:08:57,833 --> 00:08:59,467
BUT I PREFER TO KEEP IT
FRIENDLY,
189
00:08:59,500 --> 00:09:02,200
SO... BEST OF LUCK TO YOU.
190
00:09:02,233 --> 00:09:03,133
JACK:
SO WHO IS THIS OTHER
HORSE TRAINER?
191
00:09:03,200 --> 00:09:04,600
JACK:
SO WHO IS THIS OTHER
HORSE TRAINER?
192
00:09:04,633 --> 00:09:07,467
AMY:
I DON'T KNOW, AND I DON'T
REALLY CARE, TO BE HONEST.
193
00:09:07,500 --> 00:09:09,300
LOU:
YOU SURE SOUND LIKE YOU DO.
194
00:09:09,333 --> 00:09:10,667
ARE YOU SURE YOU'RE NOT
HAVING SECOND THOUGHTS
195
00:09:10,700 --> 00:09:12,500
ABOUT TURNING DOWN
JESSE'S OFFER?
196
00:09:12,533 --> 00:09:15,900
AMY:
I JUST DON'T LIKE HOW SMUG
HE WAS ABOUT THE WHOLE THING.
197
00:09:15,933 --> 00:09:18,467
(SIGHS)
198
00:09:18,500 --> 00:09:20,833
LOU:
HEY! TY.
199
00:09:20,867 --> 00:09:23,833
TY:
HEY.
200
00:09:23,867 --> 00:09:26,500
TY: HEY.
AMY: HEY.
201
00:09:28,167 --> 00:09:31,433
TY:
IS, UH, IS GEORGIE
AROUND HERE OR...?
202
00:09:31,467 --> 00:09:35,900
AMY:
UH... (CHUCKLES SOFTLY)
YEAH, SHE IS.
203
00:09:35,933 --> 00:09:38,300
GEORGIE?
204
00:09:38,333 --> 00:09:39,833
(APPROACHING FOOTSTEPS)
205
00:09:39,867 --> 00:09:42,233
GEORGIE:
TY!
206
00:09:42,267 --> 00:09:45,400
TY:
HEY.
207
00:09:45,433 --> 00:09:46,567
YOU SAID YOU WANTED TO HELP,
RIGHT?
208
00:09:46,600 --> 00:09:49,600
GEORGIE: UH-HUH.
TY: 'KAY.
209
00:09:49,633 --> 00:09:52,500
GEORGIE: (GASPS)
LOU: OH, TY, ARE YOU KIDDING?
210
00:09:54,267 --> 00:09:56,867
GEORGIE:
OH, BUT HE'S ADORABLE.
211
00:09:58,267 --> 00:10:00,400
HELLO!
212
00:10:00,433 --> 00:10:03,700
OH MY GOODNESS,
AREN'T YOU SO CUTE?!
213
00:10:03,733 --> 00:10:05,667
LOU: BUT A TON OF WORK.
214
00:10:05,700 --> 00:10:10,200
TY:
LOU'S RIGHT; HE NEEDS A LOT OF
CARE TO BUILD UP HIS STRENGTH.
215
00:10:10,233 --> 00:10:13,167
WE JUST... WE DON'T HAVE
THE MANPOWER RIGHT NOW.
216
00:10:13,200 --> 00:10:14,500
LOU:
I DON'T KNOW, TY.
217
00:10:14,533 --> 00:10:17,167
I MEAN...
HE'S A BIG RESPONSIBILITY.
218
00:10:17,200 --> 00:10:19,833
GEORGIE:
COME ON, LOU.
LOOK AT HIM.
219
00:10:19,867 --> 00:10:22,400
YOU CAN'T SAY NO
TO THAT FACE.
220
00:10:22,433 --> 00:10:23,733
LOU:
YOU'RE RIGHT, I CAN'T.
221
00:10:23,767 --> 00:10:26,233
(LAUGHS)
WHAT'S THE DRILL, TY?
222
00:10:26,267 --> 00:10:27,900
TY:
KEEP HIM WARM. FEED HIM AS MUCH
AND AS OFTEN AS HE'LL TAKE.
223
00:10:27,933 --> 00:10:29,800
GEORGIE:
OKAY. I CAN DO THAT.
224
00:10:29,833 --> 00:10:34,800
I KNOW YOU CAN, GEORGIE,
BUT HERE'S THE HARD PART.
HE'S A WOLF, ALL RIGHT?
225
00:10:34,833 --> 00:10:38,300
AND I KNOW THAT HUMAN CONTACT
MIGHT SEEM LIKE A GOOD IDEA
IN THE SHORT TERM.
226
00:10:38,333 --> 00:10:40,500
YOU CAN'T LET HIM
IMPRINT ON YOU, ALL RIGHT?
227
00:10:40,533 --> 00:10:42,700
THE GOAL IS TO RETURN HIM
TO THE WILD.
228
00:10:42,733 --> 00:10:45,200
ALL RIGHT. I GET IT.
229
00:10:45,233 --> 00:10:47,600
FEED HIM, KEEP HIM WARM,
230
00:10:47,633 --> 00:10:49,467
(BABYING VOICE)
AND DON'T GET TOO INVOLVED.
231
00:10:49,500 --> 00:10:51,667
I'M SERIOUS, OKAY?
232
00:10:51,700 --> 00:10:53,200
YOU HAVE ANY PROBLEMS,
YOU GIVE ME A CALL.
233
00:10:53,233 --> 00:10:54,567
GEORGIE:
OKAY. WILL DO.
234
00:10:54,600 --> 00:10:57,467
ONE LAST THING.
HE SLEEPS IN HIS CAGE.
235
00:10:57,500 --> 00:10:59,167
GEORGIE:
(WHINES) OH...
236
00:11:06,367 --> 00:11:09,400
(TRUCK ENGINE RUMBLES)
237
00:11:54,267 --> 00:11:57,300
(INSECTS BUZZING)
238
00:11:57,333 --> 00:12:01,100
(LIGHT KNOCK)
LOU: WAKE UP, SLEEPYHEAD!
239
00:12:01,133 --> 00:12:04,533
IT'S A PUPPY!
240
00:12:04,567 --> 00:12:06,300
LOU:
PERFECT.
241
00:12:06,333 --> 00:12:08,333
NO, KATIE, NOT A PUPPY.
242
00:12:08,367 --> 00:12:10,200
GEORGIE:
HE WAS IN HIS CRATE
MOST OF THE NIGHT,
243
00:12:10,233 --> 00:12:12,100
BUT THEN HE STARTED TO CRY.
244
00:12:12,133 --> 00:12:14,667
LOU:
AND WHAT ABOUT WHAT TY SAID
ABOUT IMPRINTING
245
00:12:14,700 --> 00:12:16,900
AND REINTEGRATION
BACK INTO THE WILD?
246
00:12:16,933 --> 00:12:19,200
HE ALSO SAID
TO KEEP HIM WARM
247
00:12:19,233 --> 00:12:21,167
AND FEED HIM ALL THE TIME.
248
00:12:21,200 --> 00:12:22,800
HE'S SO CUTE!
249
00:12:22,833 --> 00:12:25,733
HE DOESN'T EVEN HAVE A REAL
MOM. I'M ALL HE'S GOT.
250
00:12:25,767 --> 00:12:27,367
WHAT ABOUT NOT GETTING
TOO ATTACHED?
251
00:12:27,400 --> 00:12:29,767
I'M NOT! BUT, LOU,
HE'S JUST A PUPPY.
252
00:12:29,800 --> 00:12:31,233
A WOLF PUPPY.
253
00:12:31,267 --> 00:12:32,567
GEORGIE: NO, NO, NO, NO...
LOU: AND FROM NOW ON,
254
00:12:32,600 --> 00:12:36,467
THIS LITTLE GUY IS GOING
TO BE AN OUTDOOR WOLF.
255
00:12:36,500 --> 00:12:38,367
GEORGIE:
(SIGHS)
256
00:12:38,400 --> 00:12:41,133
LOU:
DON'T LOOK AT ME LIKE THAT.
257
00:12:41,167 --> 00:12:44,067
(WOLF PUP WHINES)
YOU EITHER.
258
00:12:46,233 --> 00:12:46,967
BOB:
POACHERS.
259
00:12:46,967 --> 00:12:47,867
BOB:
POACHERS.
260
00:12:48,167 --> 00:12:50,333
THIS IS INCREDIBLE. IT LOOKS
LIKE A HEALTHY FEMALE, TOO.
261
00:12:50,367 --> 00:12:52,267
WHAT A WASTE.
262
00:12:52,300 --> 00:12:53,833
(FLIES BUZZ LOUDLY)
263
00:12:53,867 --> 00:12:56,367
TY:
(SIGHS) SO WHAT DO WE DO?
264
00:12:56,400 --> 00:12:58,667
BOB:
THAT'S THE UNBELIEVABLE PART.
THERE'S NOTHING WE CAN DO.
265
00:12:58,700 --> 00:13:00,833
POACHING IS A SAD REALITY, MAN.
266
00:13:00,867 --> 00:13:02,933
WELL, IT MAY BE A REALITY,
BUT WE GOTTA DO SOMETHING.
267
00:13:02,967 --> 00:13:04,867
BOB:
WE COULD CALL THE POLICE.
268
00:13:04,900 --> 00:13:06,533
LIKE HOW MANY TIMES
HAVE I TRIED THAT BEFORE?
BUT WHAT ARE THEY GONNA DO?
269
00:13:06,567 --> 00:13:11,167
INVESTIGATE. LOOK,
THERE'S NO NOCK ON THE
ARROW. A CROSSBOW KILLED HER.
270
00:13:11,200 --> 00:13:13,200
CHECK THIS OUT,
THERE'S A CUT IN HER ABDOMEN.
271
00:13:13,233 --> 00:13:15,800
IT LOOKS LIKE
A SURGICAL INCISION.
272
00:13:15,833 --> 00:13:16,833
BOB:
WELL, THERE'S YOUR STORY
RIGHT THERE.
273
00:13:16,867 --> 00:13:18,833
THEY REMOVED HER GALL BLADDER.
274
00:13:18,867 --> 00:13:20,067
WHAT FOR?
275
00:13:20,067 --> 00:13:21,933
BEAR BILE IS WORTH
ITS WEIGHT IN GOLD.
276
00:13:21,967 --> 00:13:23,933
THEY USE IT IN TRADITIONAL
CHINESE MEDICINE.
277
00:13:23,967 --> 00:13:25,300
WAIT. HOW IS THAT LEGAL?
278
00:13:25,333 --> 00:13:27,833
(LAUGHS) WELL, IT ISN'T.
BUT IT MAKES BIG MONEY
279
00:13:27,867 --> 00:13:29,833
THROUGH INTERNATIONAL
SMUGGLING.
280
00:13:29,867 --> 00:13:31,833
(GRUNTS)
281
00:13:31,867 --> 00:13:34,100
TO THEM, LIFE'S CHEAP, TY.
282
00:13:34,133 --> 00:13:37,167
COME ON, LET'S MOVE.
WE GOTTA BURY HER.
283
00:13:37,200 --> 00:13:40,067
(FLIES BUZZ,
BIRDS CHIRP)
284
00:13:40,067 --> 00:13:42,100
AMY:
THAT'S IT,
HERE WE GO.
285
00:13:42,133 --> 00:13:45,967
(FLIRTY AND HUSTLE GRUNT,
AMY CLUCKS HER TONGUE)
286
00:13:47,233 --> 00:13:50,100
OKAY, I'M GONNA TRY
SOMETHING SIMPLE.
287
00:13:50,133 --> 00:13:52,700
I WANT THEM TO CHANGE DIRECTION
IN THE CIRCLE.
288
00:13:53,900 --> 00:13:56,800
KEEP MOVING...
THAT'S RIGHT. GOOD!
289
00:13:59,167 --> 00:14:00,667
(BLOWS OUT HER BREATH)
290
00:14:00,700 --> 00:14:02,733
SETTLE...
SETTLE. IT'S OKAY.
291
00:14:02,767 --> 00:14:04,967
HEY, HEY.
YOU'RE ALL RIGHT.
292
00:14:05,067 --> 00:14:06,733
HUSTLE! EASY.
293
00:14:06,767 --> 00:14:08,233
WHOA...
COME ON, BOY.
294
00:14:08,267 --> 00:14:11,067
JACK:
WELL, HELLO, SANDRA!
HOW'S IT GOING?
295
00:14:11,100 --> 00:14:13,100
SANDRA:
NOT GREAT.
HUSTLE WAS GAME,
296
00:14:13,133 --> 00:14:15,200
BUT NOW EVEN HE'S
NOT COOPERATING.
297
00:14:15,233 --> 00:14:18,067
JACK:
YEAH, AMY TELLS ME YOU'RE
DEALING WITH AN INJURED HORSE.
298
00:14:18,067 --> 00:14:20,833
SANDRA:
YEAH. HE'LL BE OUT OF
COMMISSION FOR MONTHS.
299
00:14:20,867 --> 00:14:22,800
SORRY TO HEAR IT.
300
00:14:22,833 --> 00:14:25,900
LOOKS LIKE THAT GUY MIGHT BE
MISSING HIS SIGNIFICANT OTHER.
301
00:14:25,933 --> 00:14:28,200
I CAN RELATE.
LISA'S OUT OF TOWN AGAIN.
302
00:14:28,233 --> 00:14:31,067
SANDRA:
OH YEAH, I HEARD YOU GOT
MARRIED! CONGRATULATIONS!
303
00:14:31,067 --> 00:14:32,667
WHY, THANK YOU VERY MUCH.
304
00:14:32,700 --> 00:14:36,300
GRANDPA, I'M TRYING WORK THESE
HORSES AND YOU ARE NOT HELPING.
305
00:14:38,767 --> 00:14:40,067
I'M SORRY,
I DIDN'T MEAN THAT.
306
00:14:40,100 --> 00:14:41,600
NO, THAT'S ALL RIGHT.
307
00:14:41,633 --> 00:14:45,300
I'LL LEAVE YOU TWO
TO GET AT IT.
308
00:14:48,067 --> 00:14:50,267
YOU KNOW WHAT, SANDRA?
I...
309
00:14:50,300 --> 00:14:52,133
I THINK, CLEARLY,
I NEED A BREAK.
310
00:14:52,167 --> 00:14:54,567
LET'S JUST LET THESE GUYS
HAVE A MOMENT.
311
00:14:54,600 --> 00:14:56,367
FOR SURE.
WHATEVER YOU THINK IS BEST.
312
00:14:56,400 --> 00:15:01,200
AMY:
ACTUALLY, WHAT I THINK IS BEST
IS JUST TO CALL IT A DAY.
313
00:15:01,233 --> 00:15:03,233
DON'T WE WANNA END
ON A POSITIVE NOTE?
314
00:15:03,267 --> 00:15:06,167
YEAH, BUT I ALSO
DON'T WANNA PUSH IT.
315
00:15:06,200 --> 00:15:09,867
LOOK. AMY, EITHER THEY'RE GONNA
GEL AS A PAIR OR THEY WON'T.
316
00:15:09,900 --> 00:15:12,067
I'D RATHER KNOW SOONER
THAN LATER.
317
00:15:12,100 --> 00:15:14,067
THEY MAY NOT BE WORKING
PERFECTLY TOGETHER,
318
00:15:14,100 --> 00:15:16,367
BUT THEY'RE GETTING ALONG
A LOT BETTER THAN YESTERDAY.
319
00:15:16,400 --> 00:15:19,367
REALLY?
WHAT'S THIS BITE ON HIS BACK?
320
00:15:19,400 --> 00:15:21,733
AMY:
(SIGHS) YEAH,
FLIRTY NIPPED AT HUSTLE,
321
00:15:21,767 --> 00:15:24,333
BUT I'M TRYING, I REALLY AM.
322
00:15:24,367 --> 00:15:26,767
(TRUCK ENGINE RUMBLES)
323
00:15:29,100 --> 00:15:32,067
I'M SORRY, GRANDPA.
NOT ONE OF MY BETTER DAYS.
324
00:15:32,067 --> 00:15:33,133
THERE'S ALWAYS TOMORROW.
325
00:15:33,167 --> 00:15:35,267
OH, SOMETHING TO LOOK
FORWARD TO.
326
00:15:35,300 --> 00:15:38,633
THAT'S WHY YOU MIGHT WANNA TELL
SANDRA WHAT'S GOING ON WITH YOU.
327
00:15:38,667 --> 00:15:39,700
WHAT'S GOING ON
WITH ME?
328
00:15:39,733 --> 00:15:41,067
MM-HMM.
329
00:15:41,100 --> 00:15:42,867
DO YOU MEAN WITH TY?
330
00:15:42,900 --> 00:15:45,267
GRANDPA,
SANDRA IS A CLIENT, OKAY?
331
00:15:45,300 --> 00:15:47,167
I'M NOT GONNA SHARE
MY PERSONAL ISSUES WITH A CL-
332
00:15:47,200 --> 00:15:50,167
SHE'S ALSO YOUR FRIEND.
333
00:15:50,200 --> 00:15:52,167
WELL, YOU DON'T HAVE
TO GO INTO DETAIL,
334
00:15:52,200 --> 00:15:53,933
BUT THAT GRAY HORSE
OUT THERE,
335
00:15:53,967 --> 00:15:56,600
THAT'S NOT THE ONLY ONE
WHO'S GOT A PARTNER
336
00:15:56,633 --> 00:15:59,133
THAT'S SUDDENLY
GONE MISSING.
337
00:16:01,333 --> 00:16:02,200
BOB:
YEAH, BEAR BILE'S USED TO TREAT
ALL KINDS OF CONDITIONS:
338
00:16:02,633 --> 00:16:04,767
BOB:
YEAH, BEAR BILE'S USED TO TREAT
ALL KINDS OF CONDITIONS:
339
00:16:04,800 --> 00:16:07,433
FEVER, DIABETES,
HEART DISEASE.
340
00:16:08,800 --> 00:16:10,433
A SINGLE GALL BLADDER
CAN FETCH ANYWHERE
341
00:16:10,467 --> 00:16:13,267
FROM $3,000 TO $10,000.
342
00:16:13,300 --> 00:16:15,233
TY:
$10,000 FOR
A GALLBLADDER.
343
00:16:15,267 --> 00:16:17,767
BOB:
YEAH. WE ARE DEFINITELY
IN THE WRONG BUSINESS.
344
00:16:17,800 --> 00:16:21,833
(FOOD POURS FROM PAIL)
345
00:16:21,867 --> 00:16:24,367
(CELL PHONE RINGS)
346
00:16:26,100 --> 00:16:28,300
TY:
HELLO.
347
00:16:28,333 --> 00:16:30,067
HEY, GEORGIE.
348
00:16:30,100 --> 00:16:34,133
WELL, SLOW DOWN A SECOND.
WHAT? WHAT'S WRONG WITH HIM?
349
00:16:36,933 --> 00:16:40,367
OKAY. I'LL BE RIGHT THERE.
OKAY.
350
00:16:42,567 --> 00:16:44,200
THAT WAS, UH, GEORGIE.
351
00:16:44,233 --> 00:16:45,933
SHE'S THE GIRL WHO'S LOOKING
AFTER THE WOLF PUP.
352
00:16:45,967 --> 00:16:47,133
SHE'S HAVING A LITTLE PROBLEM
WITH HIM.
353
00:16:47,167 --> 00:16:48,433
I SHOULD JUST PROBABLY
GO CHECK UP ON HER.
354
00:16:48,467 --> 00:16:50,633
YEAH, YOU CAN TAKE OFF.
I CAN HANDLE THIS MYSELF.
355
00:16:50,667 --> 00:16:52,600
TY: YOU'RE SURE?
BOB: OH YEAH. ABSOLUTELY.
356
00:16:52,633 --> 00:16:53,767
TY:
THANKS, MAN.
357
00:16:53,800 --> 00:16:55,367
ALL RIGHT,
I'LL BE BACK IN A BIT.
358
00:16:55,400 --> 00:16:57,300
BOB:
YEP.
359
00:16:57,333 --> 00:16:58,733
SANDRA:
I GOT YOUR MESSAGE.
WHAT'S UP?
360
00:16:58,767 --> 00:17:00,433
AMY:
(SIGHS) JUST AFTER
THIS MORNING,
361
00:17:00,467 --> 00:17:02,700
I... FIGURED
WE NEEDED TO TALK.
362
00:17:02,733 --> 00:17:04,500
SANDRA:
OKAY...
363
00:17:04,533 --> 00:17:05,733
AMY:
IT'S JUST...
364
00:17:05,767 --> 00:17:07,600
LOOK, I'M GOING THROUGH
SOME PERSONAL ISSUES.
365
00:17:07,633 --> 00:17:09,067
IT'S NO BIG DEAL,
366
00:17:09,067 --> 00:17:11,433
BUT I FEEL LIKE THE HORSES
MAY HAVE PICKED UP ON MY MOOD
367
00:17:11,467 --> 00:17:14,733
AND THAT'S WHY THE WORK'S
NOT GOING AS WELL AS I'D HOPED.
368
00:17:14,767 --> 00:17:16,533
SANDRA:
OKAY. NOTHING SERIOUS,
I HOPE.
369
00:17:16,567 --> 00:17:18,600
AMY:
NO. I'LL PULL THROUGH,
I'M SURE.
370
00:17:18,633 --> 00:17:21,100
IT'S JUST I MIGHT NEED
A LITTLE MORE TIME THAN I HAVE
371
00:17:21,133 --> 00:17:22,600
AND I KNOW YOU NEED THEM
RIGHT AWAY.
372
00:17:22,633 --> 00:17:25,700
BUT I HEAR THERE'S THIS NEW
TRAINER AT BRIAR RIDGE.
373
00:17:25,733 --> 00:17:27,500
OH, I KNOW ALL ABOUT HER.
374
00:17:27,533 --> 00:17:28,833
YOU DO?
375
00:17:28,867 --> 00:17:30,633
JESSE STANTON'S BEEN CALLING
THE PAST COUPLE OF DAYS.
376
00:17:30,667 --> 00:17:32,633
I KEEP TELLING HIM
I'M STICKING WITH YOU.
377
00:17:32,667 --> 00:17:35,633
I DO APPRECIATE IT,
BUT UNDER THE CIRCUMSTANCES,
378
00:17:35,667 --> 00:17:37,500
MAYBE YOU SHOULD
GIVE HER A TRY.
379
00:17:37,533 --> 00:17:38,867
YOU SURE?
380
00:17:38,900 --> 00:17:41,233
YEAH, I'LL HAUL YOUR
HORSES OVER THERE
381
00:17:41,267 --> 00:17:42,700
AND THAT'LL GIVE ME A CHANCE
TO TALK WITH HER
382
00:17:42,733 --> 00:17:44,800
AND LET HER KNOW
HOW IT'S GOING.
383
00:17:44,833 --> 00:17:47,367
ALL RIGHT,
IF YOU THINK THAT'S BEST.
384
00:17:47,400 --> 00:17:49,800
AMY:
THANKS.
385
00:17:50,933 --> 00:17:53,500
JESSE:
SO THESE ARE MY NEW CLIENTS.
386
00:17:53,533 --> 00:17:54,967
AMY:
MEET FLIRTY AND HUSTLE.
387
00:17:55,067 --> 00:17:57,200
I JUST THOUGHT I'D COME BY
AND TALK TO YOUR NEW TRAINER
388
00:17:57,233 --> 00:17:58,400
AND FILL THEM IN
ON MY PROGRESS.
389
00:17:58,433 --> 00:17:59,600
JESSE:
OH, SHE IS AMAZING.
390
00:17:59,633 --> 00:18:02,400
SHE'LL TAKE ONE LOOK
AND FIGURE THEM OUT.
391
00:18:02,433 --> 00:18:06,067
WOW! YOU WERE ABLE
TO GET SOMEONE THAT GOOD
TO WORK FOR YOU?
392
00:18:06,067 --> 00:18:08,300
WELL, I UH...
I COULDN'T CONVINCE YOU.
393
00:18:08,333 --> 00:18:12,400
SO... YOU'RE SAYING
I WAS YOUR SECOND CHOICE?
394
00:18:12,433 --> 00:18:15,267
(LAUGHS) WE, UH...
WE GO WAY BACK,
395
00:18:15,300 --> 00:18:17,467
SO I HAD TO GIVE HER
FIRST CRACK, AS A COURTESY.
396
00:18:17,500 --> 00:18:19,667
ALLOW ME TO INTRODUCE
TATE EVANS. TATE, THIS IS AMY-
397
00:18:19,700 --> 00:18:22,333
TATE:
I KNOW WHO AMY FLEMING IS.
SHE'S THE "MIRACLE GIRL."
398
00:18:22,367 --> 00:18:24,067
(LAUGHS) JESSE HERE
WAS EXPLAINING
399
00:18:24,067 --> 00:18:25,500
THAT YOU HAVE QUITE
THE BACKGROUND IN LIBERTY WORK.
400
00:18:25,533 --> 00:18:27,500
YEAH, I WAS A TRAINER
AT A TRAVELING HORSE SHOW -
401
00:18:27,533 --> 00:18:28,900
"CHEVAL FANTASTIQUE."
402
00:18:28,933 --> 00:18:30,433
YEAH, I KNOW THEM.
THEY'RE INCREDIBLE.
403
00:18:30,467 --> 00:18:32,167
THEY DO AMAZING WORK
WITH HORSES!
404
00:18:32,200 --> 00:18:34,300
I JUST GOT BACK
FROM OUR EUROPEAN TOUR.
405
00:18:34,333 --> 00:18:36,133
OH. AMY JUST GOT BACK
FROM EUROPE AS WELL,
406
00:18:36,167 --> 00:18:37,400
ON THE SHOW-JUMPING
CIRCUIT.
407
00:18:37,433 --> 00:18:39,433
YEAH, SO ANYWAY,
I THOUGHT I WOULD COME BY
408
00:18:39,467 --> 00:18:41,833
AND SHOW YOU THE PROGRESS
ON THESE TWO.
409
00:18:41,867 --> 00:18:44,667
TATE:
NO NEED FOR THAT.
SANDRA'S COMING BY SOON.
410
00:18:44,700 --> 00:18:47,533
I'D PREFER TO DEAL DIRECTLY
WITH OUR CLIENT.
411
00:18:47,567 --> 00:18:49,900
(HORSE WHINNIES
IN THE DISTANCE)
412
00:18:51,500 --> 00:18:53,467
TY:
SO... WHEN DID HE STOP DRINKING
HIS FORMULA?
413
00:18:53,500 --> 00:18:55,600
GEORGIE:
ABOUT AN HOUR AGO.
414
00:18:55,633 --> 00:18:58,133
TY:
WELL, MAYBE HE'S JUST
NOT HUNGRY.
415
00:18:58,167 --> 00:19:01,100
GEORGIE:
WELL, YOU SAID TO CALL
IF THERE WAS ANYTHING WRONG.
416
00:19:01,133 --> 00:19:04,933
YEAH. BUT MAYBE HE JUST NEEDS
SOME MORE TIME TO SETTLE IN.
YOU GOTTA WAIT AND SEE.
417
00:19:04,967 --> 00:19:07,933
GEORGIE:
WELL, IT'S JUST...
I KNOW HIM, TY, OKAY?
418
00:19:07,967 --> 00:19:10,600
EVER SINCE LOU BANNED HIM
FROM THE HOUSE,
419
00:19:10,633 --> 00:19:13,633
POOR FANG HAS BEEN CRYING
NONSTOP.
420
00:19:13,667 --> 00:19:14,867
FANG?
421
00:19:14,900 --> 00:19:17,067
THAT'S HIS NAME.
422
00:19:17,067 --> 00:19:19,433
TY:
(SIGHS HEAVILY)
423
00:19:19,467 --> 00:19:22,133
WELL, HE'S NOT DEHYDRATED.
424
00:19:23,633 --> 00:19:25,633
MAYBE HE'S READY
FOR SOME SOLID FOOD.
425
00:19:25,667 --> 00:19:27,767
WELL, WHAT DO THEY EAT?
426
00:19:27,800 --> 00:19:29,800
TY:
IN THE WILD, HIS MOM WOULD
DIGEST THEIR FOOD
427
00:19:29,833 --> 00:19:31,533
AND THEN REGURGITATE IT UP
INTO HER MOUTH, AND THEN
THE PUPS WOULD LICK IT UP.
428
00:19:31,567 --> 00:19:33,300
GROSS!
429
00:19:33,333 --> 00:19:34,700
WELL, THAT'S NATURE
FOR YOU.
430
00:19:37,133 --> 00:19:39,933
YOU KNOW, MAYBE YOU COULD
LIQUEFY SOME RAW MEAT
IN A BLENDER
431
00:19:39,967 --> 00:19:41,367
AND TRY FEEDING IT TO HIM.
432
00:19:41,400 --> 00:19:42,500
(TRUCK IDLES
AND SHUTS OFF)
433
00:19:42,533 --> 00:19:43,733
WELL, NOT WITH
MY MOUTH, RIGHT?
434
00:19:43,767 --> 00:19:45,800
YOU CAN USE A SPOON.
435
00:19:47,633 --> 00:19:52,600
YOU KNOW, LOU IS MAKING MEATLOAF
FOR SUPPER, IF YOU WANT TO STAY.
436
00:19:52,633 --> 00:19:55,533
TY:
THAT SOUNDS GOOD,
BUT I'M GONNA HAVE TO PASS.
437
00:19:58,133 --> 00:20:01,533
HEY!
HOW'S THE WOLF PUP?
438
00:20:01,567 --> 00:20:04,767
SO FAR, SO GOOD.
439
00:20:04,800 --> 00:20:06,800
AMY:
HOW'S WORK?
440
00:20:08,233 --> 00:20:12,667
TY:
IT'S INTERESTING. YOU?
441
00:20:12,700 --> 00:20:15,933
IT'S-IT'S GOOD.
YEAH, IT'S GREAT.
442
00:20:18,867 --> 00:20:21,367
WELL, I'LL SEE YA.
443
00:20:23,733 --> 00:20:26,367
(DOOR BANGS SHUT,
ENGINE STARTS UP)
444
00:20:29,733 --> 00:20:32,367
AMY:
WHAT? IT'S NOT LIKE
HE CAME TO SEE ME.
445
00:20:44,800 --> 00:20:47,467
JADE?!
446
00:20:48,633 --> 00:20:51,967
(SIGHS)
JADE?!
447
00:20:55,533 --> 00:20:57,500
JADE!
448
00:20:57,533 --> 00:21:00,400
JADE. JADE!
449
00:21:00,433 --> 00:21:02,800
JADE:
DUDE! YOU DIDN'T HAVE
TO YELL IN MY EAR.
450
00:21:02,833 --> 00:21:05,233
LOU:
APPARENTLY I DID.
WHAT DO YOU THINK YOU'RE DOING?
451
00:21:05,267 --> 00:21:07,067
JADE:
I WAS JUST RESTING MY EYES.
452
00:21:07,100 --> 00:21:08,667
I MOWED THE LAWN
LIKE YOU SAID.
453
00:21:08,700 --> 00:21:11,967
LOU:
YOU MOWED HALF THE LAWN.
BADLY.
454
00:21:12,067 --> 00:21:14,233
NOW GET BACK OUT THERE
AND FINISH IT.
455
00:21:14,267 --> 00:21:15,633
CHILL OUT, LOU.
456
00:21:15,667 --> 00:21:17,133
JEEZ, I THOUGHT YOU'D
BE A COOL BOSS.
457
00:21:17,167 --> 00:21:18,833
AND I THOUGHT YOU WANTED A JOB.
458
00:21:18,867 --> 00:21:21,367
NOBODY WANTS A JOB.
I NEED A JOB.
459
00:21:21,400 --> 00:21:24,267
OKAY, WELL THEN YOU BETTER
START TAKING THIS SERIOUSLY.
460
00:21:24,300 --> 00:21:27,167
JADE: YES, MA'AM.
LOU: (ANNOYED SIGH)
461
00:21:27,200 --> 00:21:29,700
BOB:
WHAT'D YOU FIND HERE,
SHERLOCK?
462
00:21:29,733 --> 00:21:33,867
TY:
TRAIL OF BLOOD.
IT ENDS RIGHT HERE.
463
00:21:33,900 --> 00:21:37,967
SEE?
THERE'S MORE RIGHT THERE.
464
00:21:38,067 --> 00:21:41,633
SO SHE MUST'VE RUN OFF
TO WHERE WE FOUND HER...
465
00:21:41,667 --> 00:21:44,400
'CAUSE THERE'S MORE THERE...
466
00:21:44,433 --> 00:21:48,667
SO THE BEAR MUST HAVE BEEN
SHOT... RIGHT AROUND HERE.
467
00:21:50,533 --> 00:21:53,867
THAT CAMERA,
THAT A PART OF YOUR SECURITY?
468
00:21:53,900 --> 00:21:55,367
NOPE.
NEVER SEEN IT BEFORE.
469
00:21:55,400 --> 00:21:58,833
WELL, SOMEONE PUT IT THERE
FOR A REASON.
470
00:21:58,867 --> 00:22:02,300
ALONG WITH THAT.
471
00:22:02,333 --> 00:22:04,433
LOOK, TY, COME ON. LEAVE IT,
ALL RIGHT? LET'S GO.
472
00:22:04,467 --> 00:22:06,167
TY:
YOU SAID YOURSELF THE
POACHING'S BEEN GOING ON
473
00:22:06,200 --> 00:22:07,600
FOR A WHILE.
BOB: (WARILY) YEAH.
474
00:22:07,633 --> 00:22:10,767
TY:
WELL... THAT'S HOW
THEY GET THEM HERE,
475
00:22:10,800 --> 00:22:12,933
AND THAT'S HOW THEY KNOW
WHEN THEY'RE COMING.
476
00:22:12,967 --> 00:22:14,800
I'M GONNA TAKE A LOOK
AT THEIR PICTURES.
477
00:22:14,833 --> 00:22:17,067
KNOCK YOURSELF OUT,
BUT I'M TELLING YOU, MAN,
478
00:22:17,100 --> 00:22:19,100
THESE POACHERS AREN'T
JUST A BUNCH OF YAHOOS
479
00:22:19,133 --> 00:22:21,067
SHOOTING DEER OUT OF SEASON.
480
00:22:21,067 --> 00:22:23,800
YEAH, I GET IT, MAN, BUT DON'T
YOU WANT TO STOP THIS?
481
00:22:23,833 --> 00:22:26,300
YEAH, I DO, BUT WHAT I REALLY
WANT IS TO GO HOME AFTER WORK
482
00:22:26,333 --> 00:22:29,400
IN ONE PIECE, OKAY?
AND SO SHOULD YOU.
483
00:22:40,133 --> 00:22:43,300
(CAMERA RATTLES
AND SCRAPES)
484
00:22:44,233 --> 00:22:45,300
AMY:
HOLD ON. SANDRA.
485
00:22:45,333 --> 00:22:47,833
LOOK, I WASN'T GETTING
ANYWHERE EITHER.
486
00:22:47,867 --> 00:22:50,267
WELL, I COULDN'T CONNECT.
487
00:22:50,300 --> 00:22:53,467
NO, I'M SORRY,
I CAN'T HELP YOU.
488
00:22:53,500 --> 00:22:55,333
BYE.
(PHONE BEEPS OFF)
489
00:22:56,667 --> 00:22:58,800
SANDRA'S NOT HAPPY
WITH JESSE'S NEW TRAINER
490
00:22:58,833 --> 00:23:01,333
AND SHE WANTS ME TO GIVE IT
ANOTHER TRY.
491
00:23:01,367 --> 00:23:02,600
LOU:
SO WHY DON'T YOU?
492
00:23:02,633 --> 00:23:06,300
AMY:
BECAUSE I ALREADY FAILED ONCE.
493
00:23:06,333 --> 00:23:07,300
LOU:
AMY.
494
00:23:07,333 --> 00:23:09,400
AMY:
THANK YOU.
495
00:23:10,833 --> 00:23:13,433
I CAN'T STAND SEEING HER
LIKE THIS.
496
00:23:13,467 --> 00:23:16,400
SINCE WHEN HAS SHE EVER
GIVEN UP ON A HORSE?
497
00:23:17,667 --> 00:23:19,700
THANK YOU.
498
00:23:19,733 --> 00:23:21,400
IT IS ALL ABOUT HER AND TY,
499
00:23:21,433 --> 00:23:23,200
AND WE HAVE TO DO
SOMETHING ABOUT IT.
500
00:23:23,233 --> 00:23:24,800
JACK: WE DO?
LOU: YES!
501
00:23:24,833 --> 00:23:27,300
GRANDPA, THIS IS IMPORTANT.
I MEAN...
502
00:23:27,333 --> 00:23:28,967
I THOUGHT ABOUT TALKING
TO TY MYSELF,
503
00:23:29,067 --> 00:23:30,267
BUT WHAT WOULD I SAY?
I...
504
00:23:30,300 --> 00:23:31,800
JACK:
WELL, WHAT CAN ANYBODY SAY
505
00:23:31,833 --> 00:23:34,600
ABOUT ANOTHER PERSON'S
RELATIONSHIP?
506
00:23:34,633 --> 00:23:37,967
NOT JUST ANYBODY. YOU.
YOU, GRANDPA.
507
00:23:38,067 --> 00:23:39,733
YOU HAVE THAT THING WITH TY.
508
00:23:39,767 --> 00:23:42,900
YOU HAVE THAT BONDING
RELATIONSHIP.
509
00:23:42,933 --> 00:23:45,200
YOU COULD TALK TO HIM
AND MAKE HIM UNDERSTAND
510
00:23:45,233 --> 00:23:48,400
THAT WHATEVER HAPPENED
WITH AHMED...
511
00:23:48,433 --> 00:23:50,300
HE'S OVERREACTING.
512
00:23:50,333 --> 00:23:53,733
THEY'LL SORT THINGS OUT
ONE WAY OR ANOTHER.
513
00:23:53,767 --> 00:23:55,767
BUT WHAT IF IT'S
THE WRONG WAY?
514
00:24:02,200 --> 00:24:03,433
(LOU'S CELL PHONE RINGS)
515
00:24:03,467 --> 00:24:06,433
LOU:
OH, JADE, CAN YOU ANSWER THAT
PLEASE?
516
00:24:07,633 --> 00:24:10,633
(PHONE CONTINUES RINGING)
517
00:24:13,667 --> 00:24:15,267
JADE:
HELLO.
518
00:24:15,300 --> 00:24:17,400
YEAH, THIS IS THE HEARTLAND
EQUESTRIAN CONNECTION.
519
00:24:17,433 --> 00:24:19,800
THIS IS JADE.
520
00:24:19,833 --> 00:24:21,400
CANCELLATION?
521
00:24:21,433 --> 00:24:23,667
YOU DO KNOW IT'S KIND OF LATE
FOR THAT, HUH?
522
00:24:23,700 --> 00:24:25,933
I MEAN, THERE'S NO WAY YOU'RE
GETTING YOUR DEPOSIT BACK.
523
00:24:25,967 --> 00:24:27,700
LOU:
(WHISPERS) JADE!
524
00:24:27,733 --> 00:24:29,333
JADE:
WELL, MAYBE YOU SHOULD'VE READ
THE RESERVATION AGREEMENT.
525
00:24:29,367 --> 00:24:31,400
JA- (PHONE BEEPS OFF)
YOU HUNG UP?
526
00:24:31,433 --> 00:24:33,900
LISTEN, YOU CANNOT TALK
TO CUSTOMERS LIKE THAT, OKAY?
527
00:24:33,933 --> 00:24:36,400
WE RELY ON REPEAT BUSINESS
AND WORD OF MOUTH.
528
00:24:36,433 --> 00:24:39,900
WELL, YOU ALSO RELY ON
PEOPLE PAYING YOU, DON'T YOU?
529
00:24:39,933 --> 00:24:41,667
I MEAN...
530
00:24:41,700 --> 00:24:45,333
NOW YOU JUST HAVE THREE CABINS
SITTING THERE EMPTY.
531
00:24:45,367 --> 00:24:46,667
BUT AT LEAST I GET TO CALL IT
A DAY, RIGHT?
532
00:24:46,700 --> 00:24:47,933
LOU:
YEAH, NICE TRY.
533
00:24:47,967 --> 00:24:49,900
WITH NO GUESTS,
THAT MAKES IT THE PERFECT DAY
534
00:24:49,933 --> 00:24:51,600
FOR A FLOOR TO CEILING
CLEANING.
535
00:24:51,633 --> 00:24:54,533
JADE:
(ANNOYED SIGH)
536
00:24:54,567 --> 00:24:58,067
(TRUCK RUMBLES UP OUTSIDE,
KEYBOARD KEY CLACKS)
537
00:24:59,433 --> 00:25:00,533
(TRUCK DOOR BANGS SHUT,
KNOCKING)
538
00:25:00,533 --> 00:25:01,333
(TRUCK DOOR BANGS SHUT,
KNOCKING)
539
00:25:03,600 --> 00:25:05,067
TY:
HELLO.
540
00:25:05,067 --> 00:25:07,067
HEY, JACK.
WHAT'S GOING ON?
541
00:25:07,067 --> 00:25:09,067
JACK:
(CHUCKLES) WELL,
I WAS JUST PASSING BY
542
00:25:09,067 --> 00:25:12,100
AND I FIGURED THAT
YOU GOTTA KNOW HOW TO BREW
543
00:25:12,133 --> 00:25:14,533
A HALF-DECENT
CUP OF COFFEE BY NOW.
544
00:25:14,567 --> 00:25:18,167
TY:
(LAUGHS) COME ON IN.
I'LL GRAB YOU A CUP.
545
00:25:18,200 --> 00:25:20,633
TAKE A SEAT.
546
00:25:20,667 --> 00:25:23,967
JACK:
WELL, WHAT DO YOU GOT
GOING HERE?
547
00:25:24,067 --> 00:25:26,633
TY:
JUST SOME IMAGES OFF
A SURVEILLANCE CAMERA.
548
00:25:26,667 --> 00:25:29,300
THE RESOLUTION
SUCKS THOUGH.
549
00:25:31,267 --> 00:25:34,300
SO... WHY ARE YOU REALLY HERE?
550
00:25:34,333 --> 00:25:37,067
JACK:
OH, BECAUSE OF YOU.
551
00:25:37,067 --> 00:25:38,467
BECAUSE YOU'RE NOT
JUST A GUY
552
00:25:38,500 --> 00:25:41,667
WHO WAS GONNA MARRY
MY GRANDDAUGHTER.
553
00:25:41,700 --> 00:25:43,933
BECAUSE YOU'RE FAMILY,
554
00:25:43,967 --> 00:25:47,467
AND IT'S BEEN THAT WAY
FROM DAY ONE.
555
00:25:51,433 --> 00:25:53,667
FOR ME TOO, JACK.
556
00:25:53,700 --> 00:25:56,733
WELL... I DIDN'T WANNA
GET INVOLVED.
557
00:25:57,933 --> 00:26:02,400
BUT YOU AND AMY,
REGARDLESS OF YOUR ISSUES,
558
00:26:02,433 --> 00:26:04,433
I BET YOU STILL LOVE HER
559
00:26:04,467 --> 00:26:07,067
AND SHE'S STILL WEARING
YOUR RING.
560
00:26:07,067 --> 00:26:10,067
TY:
OF COURSE I STILL LOVE HER.
LOVE IS NOT THE PROBLEM.
561
00:26:10,067 --> 00:26:13,200
WELL, IF IT'S GOT ANYTHING
TO DO WITH THAT PRINCE FELLA-
562
00:26:13,233 --> 00:26:16,667
TY:
NO, IT HAS NOTHING TO DO
WITH HIM.
563
00:26:16,700 --> 00:26:17,967
(SIGHS)
564
00:26:18,067 --> 00:26:22,700
IT HAS SOMETHING TO DO
WITH WHAT HE SAID THOUGH.
565
00:26:22,733 --> 00:26:24,967
HE SAID, I'M THE ONE
WHO HOLDS HER BACK,
566
00:26:25,067 --> 00:26:27,633
WHO PREVENTS HER
FROM HAVING A FUTURE.
567
00:26:27,667 --> 00:26:30,267
I DON'T WANNA BE THAT GUY,
JACK.
568
00:26:30,300 --> 00:26:35,233
HE'S RIGHT;
AMY HAS HUGE POTENTIAL, HUGE.
569
00:26:35,267 --> 00:26:38,167
SHE COULD DO ANYTHING,
GO ANYWHERE.
570
00:26:38,200 --> 00:26:41,067
SHE COULD TRAVEL THE WORLD
IF SHE WANTS TO.
571
00:26:41,067 --> 00:26:43,133
THAT'S HER DECISION TO MAKE.
572
00:26:46,233 --> 00:26:47,400
I WOULD RATHER LOSE AMY
573
00:26:47,433 --> 00:26:50,733
THAN BE THE GUY WHO STANDS
IN HER WAY.
574
00:26:50,767 --> 00:26:53,867
SANDRA:
AMY! SORRY, I JUST NEED TO
SPEAK WITH YOU ONE MORE TIME.
575
00:26:53,900 --> 00:26:55,867
AMY: SANDRA...
SANDRA: NO, LISTEN.
576
00:26:55,900 --> 00:26:57,833
I'VE SEEN YOU WORKING
WITH MY HORSES,
577
00:26:57,867 --> 00:26:59,267
I KNOW WHAT YOU CAN DO.
578
00:26:59,300 --> 00:27:01,433
BUT JESSE'S TRAINER, TATE,
579
00:27:01,467 --> 00:27:04,767
NONE OF WHAT SHE'S DOES
MAKES ANY SENSE TO ME.
580
00:27:04,800 --> 00:27:07,867
SHE STARTED BY LUNGING THEM
ON THE LINE SEPARATELY.
581
00:27:07,900 --> 00:27:10,100
THEN SHE HAD THEM STAND
SIDE BY SIDE FOR AGES,
582
00:27:10,133 --> 00:27:13,200
SMACKING THEM WITH THE WHIP
IF THEY DID THE SLIGHTEST
AGGRESSIVE MOVE.
583
00:27:13,233 --> 00:27:14,933
HAVE YOU TRIED
TALKING TO HER?
584
00:27:14,967 --> 00:27:17,800
I DON'T FIND TATE VERY...
APPROACHABLE.
585
00:27:17,833 --> 00:27:19,833
WELL, THEN, MAYBE YOU SHOULD
BE TELLING THIS TO JESSE?
586
00:27:19,867 --> 00:27:21,400
JESSE STANTON IS A BUSINESSMAN
587
00:27:21,433 --> 00:27:24,767
WHOSE COMMODITY
JUST HAPPENS TO BE HORSES.
588
00:27:24,800 --> 00:27:26,267
LOOK, I DON'T KNOW
WHAT'S GOING ON WITH YOU,
589
00:27:26,300 --> 00:27:29,967
BUT QUITTING ISN'T SOMETHING
THAT WOMEN LIKE US DO.
590
00:27:30,067 --> 00:27:32,067
A HORSE GETS INJURED,
WE DO EVERYTHING WE CAN
591
00:27:32,067 --> 00:27:34,067
TO GET IT BACK UP
ON ITS FEET.
592
00:27:34,067 --> 00:27:35,433
WE LOSE SOMEBODY WE LOVE-
593
00:27:35,467 --> 00:27:36,700
OKAY, SANDRA-
594
00:27:36,733 --> 00:27:40,200
NO, YOU KNOW WHAT
I'VE BEEN THROUGH, AMY.
595
00:27:40,233 --> 00:27:42,800
YOU HELPED ME PULL MY LIFE
BACK TOGETHER.
596
00:27:42,833 --> 00:27:46,467
ALL I'M ASKING FOR IS AN HOUR
OR TWO OF YOUR TIME.
597
00:27:48,200 --> 00:27:50,300
TATE:
(WHIP SLAPS) GET!
(CLUCKS HER TONGUE)
598
00:27:50,333 --> 00:27:51,833
WHSSST!
599
00:27:51,867 --> 00:27:52,833
(WHIP SLAPS)
GET!
600
00:27:52,867 --> 00:27:55,333
(HORSES GRUNT,
WHIP SLAPS)
601
00:27:55,367 --> 00:27:57,633
SANDRA:
SEE WHAT SHE'S DOING?
602
00:27:57,667 --> 00:27:59,733
AMY:
YEAH, SHE'S TRYING
TO CONTROL THEM.
603
00:27:59,767 --> 00:28:01,700
SO THE RELATIONSHIP
IS HORSE TO TRAINER,
604
00:28:01,733 --> 00:28:03,867
NOT HORSE TO HORSE.
605
00:28:03,900 --> 00:28:04,933
TATE:
HEY-AH!
606
00:28:04,967 --> 00:28:07,067
(HORSES SNORT NERVOUSLY)
GET!
607
00:28:07,067 --> 00:28:08,400
GOOD TO SEE YOU, SANDRA.
608
00:28:08,433 --> 00:28:10,700
I SEE YOU BROUGHT YOUR FRIEND.
609
00:28:10,733 --> 00:28:13,733
YOU KNOW I WASN'T CONVINCED
ABOUT YOUR NEW TRAINER, JESSE.
610
00:28:13,767 --> 00:28:16,167
I JUST WANTED
A SECOND OPINION.
611
00:28:16,200 --> 00:28:18,100
AMY'S TRIED WORKING
WITH THESE HORSES
612
00:28:18,133 --> 00:28:20,233
AND SHE COULDN'T GET
ANYWHERE WITH THEM.
613
00:28:20,267 --> 00:28:23,767
BUT SURE, LET'S HEAR WHAT
THE MIRACLE GIRL HAS TO SAY.
614
00:28:23,800 --> 00:28:27,400
SANDRA CAN'T DO HER ACT
IF SHE'S TRYING TO CONTROL
TWO HORSES SEPARATELY.
615
00:28:27,433 --> 00:28:29,133
OKAY, THEY HAVE TO LEARN
TO WORK TOGETHER,
616
00:28:29,167 --> 00:28:31,067
TO FOLLOW EACH OTHERS' CUES,
617
00:28:31,100 --> 00:28:33,167
AND TATE IS NOT CREATING
THAT BOND,
618
00:28:33,200 --> 00:28:35,400
WHICH IS WHAT SHE NEEDS
TO ACCOMPLISH.
619
00:28:35,433 --> 00:28:38,800
OKAY, SO... WHAT WOULD YOU DO
DIFFERENTLY THIS TIME?
620
00:28:38,833 --> 00:28:41,400
WELL... I'D TURN THEM OUT
IN A FIELD TOGETHER.
621
00:28:41,433 --> 00:28:43,867
I'D LET THEM BOND
AND GET TO KNOW EACH OTHER,
622
00:28:43,900 --> 00:28:45,800
AND THEN I'D SIT
AND WATCH THEIR CUES
623
00:28:45,833 --> 00:28:48,067
AND USE THAT TO BE
THEIR LEADER,
624
00:28:48,067 --> 00:28:51,133
NOT THEIR TRAINER,
NOT THEIR BOSS.
625
00:28:51,167 --> 00:28:52,200
TATE:
CANTER! MOVE UP!
626
00:28:52,233 --> 00:28:53,700
(WHIP SLAPS,
HORSES WHINNY NERVOUSLY)
627
00:28:53,733 --> 00:28:55,833
(PHONE RINGS)
628
00:29:00,433 --> 00:29:02,767
TY:
HEY, GEORGIE, WHAT'S UP?
629
00:29:04,067 --> 00:29:06,700
HE ATE A WHAT?
630
00:29:06,733 --> 00:29:10,867
THOSE SQUEAKY TOYS
ARE FOR DOGS, GEORGIE.
631
00:29:10,900 --> 00:29:15,233
REMEMBER WHAT I TOLD YOU?
THE WOLF IS NOT A PET.
632
00:29:15,267 --> 00:29:19,933
OKAY. I'LL COME BY LATER.
MY SHIFT'S ALMOST DONE.
633
00:29:19,967 --> 00:29:22,433
OKAY.
(PHONE SNAPS SHUT)
634
00:29:22,467 --> 00:29:23,900
(WINGS BEAT,
EAGLE SQUAWKS)
635
00:29:23,933 --> 00:29:27,967
BOB:
SOUNDS LIKE YOU SHOULD
TAKE OFF NOW, MAN.
636
00:29:28,067 --> 00:29:29,400
YOU KNOW, MAYBE GIVING
THAT PUP TO THAT KID
637
00:29:29,433 --> 00:29:31,967
MIGHT NOT HAVE BEEN
THE BEST IDEA.
638
00:29:32,067 --> 00:29:33,133
WHAT'RE YOU TALKING ABOUT?
639
00:29:33,167 --> 00:29:36,067
YOUR JUDGMENT.
NO, I LIKE YOU, TY.
640
00:29:36,067 --> 00:29:37,800
YOU GOT A GOOD HEART.
641
00:29:37,833 --> 00:29:39,267
IT'S MAYBE TOO GOOD
TO MAKE THE COMPROMISES
642
00:29:39,300 --> 00:29:42,100
YOU GOTTA MAKE IN THIS JOB.
643
00:29:42,133 --> 00:29:44,333
BOB:
THERE'S A WOLF SANCTUARY
NEAR WATERTON.
644
00:29:44,367 --> 00:29:46,367
I'M GONNA MAKE SOME CALLS.
645
00:29:52,467 --> 00:29:55,800
AMY:
JESSE, WHY ARE YOU
FOLLOWING ME?
646
00:29:55,833 --> 00:29:57,500
JESSE:
I REALIZED YOU WERE RIGHT,
SO I LET TATE GO.
647
00:29:57,533 --> 00:29:59,067
AMY: REALLY?
JESSE: YEAH,
648
00:29:59,067 --> 00:30:01,000
AND NOW I HAVE NO ONE
TO WORK WITH SANDRA'S HORSES.
649
00:30:01,033 --> 00:30:02,867
WELL, THEN HIRE SOMEONE ELSE
'CAUSE YOU'RE GONNA HAVE
TO ANYWAY.
650
00:30:02,900 --> 00:30:04,900
HEY, I FIRED TATE
ON YOUR RECOMMENDATION.
651
00:30:04,933 --> 00:30:06,300
OBVIOUSLY, I WANT YOU
TO WORK WITH THEM.
652
00:30:06,333 --> 00:30:07,367
YOU ARE UNBELIEVABLE.
653
00:30:07,400 --> 00:30:09,300
I'M DOING YOU A FAVOR.
654
00:30:09,333 --> 00:30:12,000
SANDRA'S YOUR FRIEND.
YOU ALREADY FAILED HER ONCE.
655
00:30:12,033 --> 00:30:13,400
IF YOU DON'T FINISH
WHAT YOU STARTED
656
00:30:13,433 --> 00:30:14,967
THOSE HORSES ARE GONNA END UP
STANDING IN A FIELD
657
00:30:15,000 --> 00:30:17,533
A LONG WAY FROM THE LONGVIEW
HALFTIME SHOW.
658
00:30:17,567 --> 00:30:20,267
I'M JUST TELLING IT LIKE IT IS.
SUIT YOURSELF.
659
00:30:20,300 --> 00:30:21,433
FINE. FINE!
660
00:30:21,467 --> 00:30:22,933
GOOD. BUT EVEN THOUGH
SHE'S YOUR FRIEND,
661
00:30:22,967 --> 00:30:24,467
SHE'S STILL MY CLIENT,
AMY.
662
00:30:24,500 --> 00:30:26,900
SO YOU'RE WORKING
ON MY TURF.
663
00:30:26,933 --> 00:30:29,467
SEE YOU BRIGHT AND EARLY
AT BRIAR RIDGE.
664
00:30:29,500 --> 00:30:31,533
(SIGHS)
665
00:30:34,000 --> 00:30:36,533
GEORGIE:
GOOD BOY.
666
00:30:36,567 --> 00:30:37,767
OKAY, COME ON.
667
00:30:37,800 --> 00:30:39,600
(TRUCK DOOR BANGS SHUT)
668
00:30:39,633 --> 00:30:41,600
TY:
SO HE ATE A TOY?
669
00:30:41,633 --> 00:30:43,500
WELL, HE WAS PLAYING,
AND...
670
00:30:43,533 --> 00:30:46,633
HE ONLY ATE PART OF IT
AND THEN HE SPAT IT UP.
671
00:30:46,667 --> 00:30:49,100
GEORGIE, HE'S A WOLF,
HE'S NOT SUPPOSED TO BE
PLAYING WITH TOYS.
672
00:30:49,133 --> 00:30:51,267
I KNOW, BUT...
673
00:30:51,300 --> 00:30:55,833
I LOVE HIM AND...
I WANT HIM TO BE HAPPY.
674
00:30:55,867 --> 00:30:59,167
TY:
(SIGHS) LOOK, GEORGIE,
675
00:30:59,200 --> 00:31:01,900
YOU'VE DONE A GREAT JOB
WITH THIS LITTLE GUY SO FAR,
676
00:31:01,933 --> 00:31:03,167
BUT YOU'VE GOTTEN TOO CLOSE
TO HIM,
677
00:31:03,200 --> 00:31:05,767
AND I WARNED YOU ABOUT THAT,
RIGHT?
678
00:31:05,800 --> 00:31:07,100
THAT'S WHY,
WHEN HE HAS TO LEAVE,
679
00:31:07,133 --> 00:31:08,967
IT'S GONNA BE HARDER
ON THE BOTH OF YOU.
680
00:31:09,067 --> 00:31:10,767
WHAT DO YOU MEAN,
WHEN HE HAS TO LEAVE?
681
00:31:13,167 --> 00:31:14,700
JADE:
OKAY, SO IT'S ALL SET
FOR TONIGHT.
682
00:31:14,733 --> 00:31:16,900
I INVITED A BUNCH OF PEOPLE.
683
00:31:16,933 --> 00:31:20,167
SERIOUSLY, BETH, IT'S TOTALLY
EMPTY. NO ONE WILL KNOW.
684
00:31:20,200 --> 00:31:21,833
OKAY, I'LL TEXT YOU
WHEN MY BOSS LEAVES.
685
00:31:21,867 --> 00:31:24,167
AND INVITE EVERYONE YOU KNOW.
686
00:31:24,200 --> 00:31:25,633
OKAY, SO YOU DON'T KNOW
SO MANY PEOPLE.
687
00:31:25,667 --> 00:31:27,867
JUST INVITE PEOPLE
WHO DO KNOW PEOPLE.
688
00:31:27,900 --> 00:31:30,067
AND BY THE WAY, MY MOM THINKS
I'M STAYING AT YOUR HOUSE
TONIGHT,
689
00:31:30,067 --> 00:31:34,200
SO COVER FOR ME, OKAY?
OKAY. YEAH.
690
00:31:34,233 --> 00:31:35,500
JADE?
691
00:31:35,533 --> 00:31:38,833
ARE YOU, UM, MAKING PERSONAL
CALLS DURING BUSINESS HOURS?
692
00:31:38,867 --> 00:31:40,233
ARE YOU SPYING ON ME?
693
00:31:40,267 --> 00:31:42,567
NO, BUT MAYBE
I SHOULD BE, AND...
694
00:31:44,100 --> 00:31:45,500
YOU DROPPED THIS.
695
00:31:45,533 --> 00:31:47,533
SO NEXT TIME JUST USE
A LINEN BAG, OKAY?
696
00:31:47,567 --> 00:31:49,233
OTHERWISE YOU'RE GONNA LEAVE
A TRAIL OF DIRTY LAUNDRY
697
00:31:49,267 --> 00:31:50,833
ALL THE WAY TO THE CAR.
698
00:31:50,867 --> 00:31:53,500
LINEN BAG. GOT IT.
(VEHICLE RUMBLES, MUSIC BLASTS)
699
00:31:53,533 --> 00:31:55,500
LOU:
WHO'S THIS?
700
00:31:55,533 --> 00:31:57,767
(MUSIC BLASTS)
701
00:31:57,800 --> 00:31:59,500
CAN I HELP YOU?
702
00:31:59,533 --> 00:32:00,600
VINCE:
WHAT?
703
00:32:00,633 --> 00:32:02,400
LOU:
TURN DOWN THE MUSIC, PLEASE.
704
00:32:02,433 --> 00:32:05,733
* We know we're getting close,
like we're gonna get busy *
705
00:32:05,767 --> 00:32:07,233
CAN I HELP YOU?
706
00:32:07,267 --> 00:32:11,667
WE'RE LOOKING FOR THE...
UH... HIGHWAY.
707
00:32:11,700 --> 00:32:13,733
THE HIGHWAY?
VINCE: YEAH.
708
00:32:13,767 --> 00:32:17,333
THE HIGHWAY IS BACK
THE WAY YOU CAME.
709
00:32:17,367 --> 00:32:20,167
RIGHT... UH, THANKS.
710
00:32:22,933 --> 00:32:25,067
WHAT WAS THAT ABOUT?
711
00:32:25,067 --> 00:32:26,467
I DON'T KNOW.
712
00:32:31,700 --> 00:32:33,967
(CRYING) HERE YOU GO, BUDDY.
713
00:32:34,067 --> 00:32:36,067
IT'S NOT EXACTLY WHAT YOUR MOM
WOULD DO, BUT...
714
00:32:36,067 --> 00:32:37,767
IT'S CLOSE ENOUGH.
(SNIFFS)
715
00:32:37,800 --> 00:32:40,933
AMY:
HOW'S HE DOING?
716
00:32:40,967 --> 00:32:44,700
GEORGIE:
(SIGHS) OKAY.
HE LIKES THE MEATLOAF.
717
00:32:46,900 --> 00:32:51,100
AMY:
AND HOW ARE YOU DOING?
ARE YOU OKAY?
718
00:32:51,133 --> 00:32:52,767
GEORGIE:
I GUESS.
719
00:32:52,800 --> 00:32:55,700
IT'S JUST...
I CAN'T KEEP THE WOLF.
720
00:32:58,233 --> 00:33:01,900
TY THINKS I'M MAKING TOO MUCH
OF AN IMPRINT WITH HIM,
721
00:33:01,933 --> 00:33:05,300
SO HE'S FOUND A WOLF SANCTUARY
THAT'LL TAKE HIM.
722
00:33:05,333 --> 00:33:09,100
MAYBE THAT'S FOR THE BEST.
I'M SURE HE WAS A LOT OF WORK.
723
00:33:09,133 --> 00:33:11,900
WELL, KINDA, BUT...
724
00:33:11,933 --> 00:33:14,733
ALL THOSE PROBLEMS,
I MADE THEM UP.
725
00:33:14,767 --> 00:33:16,867
WHY?
726
00:33:16,900 --> 00:33:18,933
TO GIVE TY... A REASON.
727
00:33:20,633 --> 00:33:22,667
A REASON TO COME HERE?
728
00:33:22,700 --> 00:33:25,333
YEAH, AND MAYBE YOU GUYS
WOULD...
729
00:33:28,200 --> 00:33:29,733
OH, GEORGIE...
730
00:33:29,767 --> 00:33:32,800
WELL, WHAT HAPPENED,
IT'S ALL MY FAULT.
731
00:33:32,833 --> 00:33:35,233
NO. IT IS NOT YOUR FAULT.
732
00:33:35,267 --> 00:33:36,967
THIS IS MY FAULT,
733
00:33:37,067 --> 00:33:39,967
AND I'M THE ONLY ONE
WHO CAN FIX IT.
734
00:33:40,067 --> 00:33:42,700
(SNIFFS)
735
00:33:46,067 --> 00:33:48,233
JACK:
SO, JADE, IS SHE WORKING OUT
ANY BETTER?
736
00:33:48,267 --> 00:33:49,733
LOU:
ABSOLUTELY, YEAH.
737
00:33:49,767 --> 00:33:51,867
YOU KNOW, OTHER THAN THE FACT
THAT SHE'S CARELESS,
738
00:33:51,900 --> 00:33:53,500
LAZY, UNMOTIVATED
739
00:33:53,533 --> 00:33:56,600
AND FRANKLY, THE WORST EMPLOYEE
I HAVE EVER HAD.
740
00:33:56,633 --> 00:33:58,133
THAT GOOD, HUH?
741
00:33:58,167 --> 00:34:01,200
WELL, ON THE BRIGHT SIDE,
SHE'S LEARNING. SLOWLY.
742
00:34:01,233 --> 00:34:03,333
WELL, SEE?
IT'S NOT ALL BAD.
743
00:34:03,367 --> 00:34:05,833
NO, BUT I HAVE TO KEEP
AN EYE ON HER 24/7.
744
00:34:05,867 --> 00:34:07,833
I MEAN, SHE'S NOT EXACTLY
RELIABLE.
745
00:34:07,867 --> 00:34:09,733
WELL, GIVE HER
A COUPLE MORE DAYS.
746
00:34:09,767 --> 00:34:11,567
YOU NEVER KNOW,
SHE MIGHT SURPRISE YOU.
747
00:34:11,600 --> 00:34:13,067
OR SHE MIGHT BURN DOWN
THE PLACE.
748
00:34:13,100 --> 00:34:16,233
WHY DO YOU ALWAYS ASSUME THE
WORST? YOU CAN TRUST PEOPLE-
749
00:34:16,267 --> 00:34:18,933
LOU:
OH, I DO TRUST PEOPLE.
JUST NOT JADE.
750
00:34:18,967 --> 00:34:23,133
JACK:
WELL, AT LEAST GIVE HER
A CHANCE TO PROVE YOU WRONG.
751
00:34:24,767 --> 00:34:27,967
(MUSIC BLASTS, CARS RUMBLE,
PEOPLE CHATTER)
752
00:34:28,067 --> 00:34:32,067
JADE:
AWESOME! LET'S MAKE THIS FIRE
ENORMOUS!
753
00:34:32,067 --> 00:34:35,867
OH, VINCE IS HERE!
HE ALMOST RUINED IT EARLIER!
754
00:34:35,900 --> 00:34:37,500
VINCE?!
755
00:34:37,533 --> 00:34:39,633
YOU AND YOUR LOSER FRIENDS
ALMOST SCREWED EVERYTHING UP.
756
00:34:39,667 --> 00:34:41,600
VINCE:
WHATEVER. I TOTALLY COVERED.
757
00:34:41,633 --> 00:34:43,233
JADE:
YOU NEARLY BLEW
THE WHOLE THING.
758
00:34:43,267 --> 00:34:46,967
VINCE:
RELAX, ALL RIGHT?
WE BOUGHT A KEG.
759
00:34:47,067 --> 00:34:50,167
JADE:
OKAY, YOU'RE FORGIVEN.
GUYS, THEY'VE BROUGHT A KEG!
760
00:34:50,200 --> 00:34:51,600
(CHEERING)
761
00:34:51,633 --> 00:34:53,233
EVERYBODY GRAB A BEER!
762
00:34:53,267 --> 00:34:57,267
AND SOMEBODY DO SOMETHING WITH
THIS FIRE, MAN. IT'S PUNY!
763
00:34:57,300 --> 00:34:58,667
HI. I'M JADE.
764
00:34:58,700 --> 00:35:00,967
BOYS:
ONE, TWO, THREE!
765
00:35:01,067 --> 00:35:04,100
(KIDS CHEER,
FLAMES CRACKLE)
766
00:35:04,133 --> 00:35:05,833
JADE:
ALL RIGHT, WHO CARES?!
767
00:35:05,867 --> 00:35:09,133
GUYS, UM, BEER!
LIKE LET'S GET THIS STARTED.
768
00:35:09,167 --> 00:35:11,567
(OWL HOOTS,
WIND CHIMES TINKLE)
769
00:35:11,600 --> 00:35:13,600
(PAGE FLIPS)
770
00:35:15,600 --> 00:35:19,767
(APPROACHING FOOTSTEPS,
KNOCK AT THE DOOR)
771
00:35:21,267 --> 00:35:23,267
HELLO?
772
00:35:26,633 --> 00:35:28,767
CALEB, IS THAT YOU?
773
00:35:28,800 --> 00:35:30,167
(CRICKETS CHIRP OUTSIDE)
774
00:35:30,200 --> 00:35:31,667
(DOOR CLICKS OPEN)
WHO IS IT?
775
00:35:31,700 --> 00:35:32,733
POACHER:
(WITH ACCENT)
TY BORDEN?!
776
00:35:32,767 --> 00:35:33,933
TY:
HEY!
777
00:35:33,967 --> 00:35:35,833
(HARD PUNCH)
OH!
778
00:35:35,867 --> 00:35:37,900
(GRUNTS,
HARD THUMP)
779
00:35:37,933 --> 00:35:39,700
POACHER: (WITH ACCENT)
IF YOU KEEP STICKING YOUR NOSE
WHERE IT DON'T BELONG,
780
00:35:39,733 --> 00:35:40,967
YOU'RE A DEAD MAN!
781
00:35:41,067 --> 00:35:44,600
(PUNCHING THUDS)
UNGH! UNGH! UNGH...
782
00:35:47,133 --> 00:35:49,767
(PEOPLE CHATTER,
FLIRTY AND HUSTLE NICKER)
783
00:35:49,800 --> 00:35:53,100
AMY:
ALL RIGHT, GO BE FREE.
(CLUCKS HER TONGUE)
784
00:35:53,133 --> 00:35:56,300
(HOOVES THUNDER)
785
00:35:56,333 --> 00:35:58,800
YOU WANNA JOIN HIM?
786
00:35:58,833 --> 00:36:01,333
ALL RIGHT.
(FLIRTY SNORTS)
787
00:36:05,067 --> 00:36:06,567
(LAUGHS)
788
00:36:13,600 --> 00:36:16,733
(CELL PHONE RINGS)
789
00:36:16,767 --> 00:36:19,600
(TY GRUNTS
AND GROANS IN PAIN)
790
00:36:21,567 --> 00:36:24,167
(PHONE RINGS,
TY EXHALES SHARPLY)
791
00:36:26,167 --> 00:36:28,600
(TY EXHALES SHARPLY,
PHONE RINGS)
792
00:36:31,500 --> 00:36:34,767
(PHONE BEEPS,
TY CLEARS HIS THROAT)
793
00:36:34,800 --> 00:36:37,967
TY:
HEY, GEORGIE.
794
00:36:38,067 --> 00:36:40,067
YEAH, WELL, UM...
795
00:36:40,100 --> 00:36:43,633
HOW ABOUT YOU TAKE THAT LITTLE
GUY OUT TO THE RESERVE TODAY?
796
00:36:43,667 --> 00:36:46,600
YEAH, YOU CAN ASK JACK
FOR A RIDE.
797
00:36:46,633 --> 00:36:49,433
WELL, I'M-I'M JUST NOT REALLY
FEELING UP TO IT.
798
00:36:49,467 --> 00:36:53,567
YEAH, I'D COME OUT TO
HEARTLAND, BUT NOT TODAY.
799
00:36:53,600 --> 00:36:55,933
OKAY, THANKS.
800
00:36:55,967 --> 00:36:57,633
(PHONE BEEPS OFF,
THUMPS ON TABLE)
801
00:36:57,667 --> 00:36:59,533
(SIGHS)
802
00:37:02,533 --> 00:37:05,500
THE CAMERA.
803
00:37:11,833 --> 00:37:14,500
AMY:
WHOA.
804
00:37:31,700 --> 00:37:33,467
(AMY CLUCKS HER TONGUE)
805
00:37:35,933 --> 00:37:37,633
(WHISTLES)
806
00:37:54,600 --> 00:37:57,700
(VEHICLE DOOR CLOSES,
ENGINE STARTS)
807
00:37:59,367 --> 00:38:01,067
(CAR SPEEDS OFF)
808
00:38:01,100 --> 00:38:03,600
GUY: WAIT UP!
(PANTING)
809
00:38:06,067 --> 00:38:07,867
(SUV SHUTS OFF)
810
00:38:13,967 --> 00:38:16,167
LOU:
WHAT THE...?
811
00:38:17,633 --> 00:38:19,767
GIRL: MM. HMM?
LOU: BEAT IT!
812
00:38:20,867 --> 00:38:22,467
(GIRL GROANS)
813
00:38:24,200 --> 00:38:27,900
LOU:
(SHOCKED GASP, SIGHS SADLY)
814
00:38:27,933 --> 00:38:30,933
(DOOR CREAKS OPEN,
STUMBLING THUMPS)
815
00:38:33,267 --> 00:38:34,867
JADE?!
816
00:38:34,900 --> 00:38:38,833
UH, LOU? UM, OKAY...
I KNOW THIS LOOKS BAD-
817
00:38:38,867 --> 00:38:41,067
THIS LOOKS MORE THAN BAD!
818
00:38:42,500 --> 00:38:44,400
OKAY, I'M REALLY SORRY.
819
00:38:44,433 --> 00:38:45,733
IT WAS ONLY SUPPOSED
TO BE A FEW FRIENDS,
820
00:38:45,767 --> 00:38:46,933
BUT THEN IT GOT TWEETED OUT
821
00:38:46,967 --> 00:38:48,500
TO A BUNCH OF PEOPLE
I'VE NEVER EVEN MET!
822
00:38:48,533 --> 00:38:49,967
TWEETED OUT?!
823
00:38:50,067 --> 00:38:52,067
JADE!
(SHAKY, CALMING BREATH)
824
00:38:52,100 --> 00:38:54,933
THIS IS A SERIOUS
BREACH OF TRUST.
825
00:38:56,767 --> 00:38:58,600
I KNOW. I'M FIRED.
826
00:38:58,633 --> 00:39:00,700
NO, NO, NO, NO.
YOU'RE NOT FIRED.
827
00:39:00,733 --> 00:39:05,700
YOU ARE GONNA CLEAN UP THIS
PLACE UNTIL IT LOOKS BRAND NEW!
828
00:39:05,733 --> 00:39:08,700
AND THEN YOU'RE FIRED.
829
00:39:19,567 --> 00:39:22,833
(WHISTLES)
WHOA.
830
00:39:22,867 --> 00:39:24,933
* We've all got our fight
831
00:39:24,967 --> 00:39:27,800
(HUSTLE GRUNTS)
GOOD BOY. HEY.
832
00:39:27,833 --> 00:39:31,167
* Caught in between
the darkness and light *
833
00:39:32,500 --> 00:39:34,100
AMY:
(CLUCKS HER TONGUE)
834
00:39:34,133 --> 00:39:38,200
* We've all got our demons,
we've all got our fears *
835
00:39:41,133 --> 00:39:42,567
AMY:
GOOD BOY.
836
00:39:42,600 --> 00:39:45,500
* They tried to chase me,
but they lead me here *
837
00:39:45,533 --> 00:39:46,567
AMY:
GOOD BOY.
838
00:39:46,600 --> 00:39:49,867
* This feels like ho-o-ome
839
00:39:49,900 --> 00:39:52,533
(LAUGHS AND CLAPS)
840
00:39:52,567 --> 00:39:53,733
(LAUGHS)
841
00:39:53,767 --> 00:39:58,100
* This feels like ho-o-me
(CLAPPING)
842
00:40:00,533 --> 00:40:02,867
COME ON, NOW,
YOU KNEW THIS DAY WAS COMING.
843
00:40:02,900 --> 00:40:04,000
I GUESS.
844
00:40:04,033 --> 00:40:06,067
IT'S BECAUSE YOU DID
SUCH A GOOD JOB
845
00:40:06,100 --> 00:40:08,067
TAKING CARE OF THIS GUY
THAT TY SAYS
846
00:40:08,100 --> 00:40:11,567
HE'S HEALTHY ENOUGH TO GO
TO A WOLF SANCTUARY AT ALL.
847
00:40:11,600 --> 00:40:12,833
I'M GONNA MISS HIM SO MUCH.
848
00:40:12,867 --> 00:40:14,667
WELL, YOU CAN VISIT.
849
00:40:14,700 --> 00:40:17,700
IT'S JUST-IT'S NOT GONNA BE THE
SAME AS SEEING HIM EVERYDAY.
850
00:40:17,733 --> 00:40:21,467
JACK:
YEAH, I DON'T THINK WE'RE
TALKING ABOUT THE WOLF ANYMORE.
851
00:40:21,500 --> 00:40:23,133
THE THING IS, GEORGIE,
852
00:40:23,167 --> 00:40:25,467
I DON'T KNOW WHAT'S GONNA
HAPPEN IN THE FUTURE,
853
00:40:25,500 --> 00:40:26,933
BUT TY, HE'S FAMILY
854
00:40:26,967 --> 00:40:29,800
AND WE WILL ALWAYS
LOOK OUT FOR HIM.
855
00:40:29,833 --> 00:40:32,833
ON THE PHONE, HE SAID HE WASN'T
COMING TO HEARTLAND.
856
00:40:32,867 --> 00:40:34,767
WHAT DO YOU THINK
THAT MEANT?
857
00:40:34,800 --> 00:40:36,400
I DON'T KNOW.
858
00:40:36,433 --> 00:40:38,367
HE'S PROBABLY NEVER
COMING BACK HERE.
859
00:40:38,400 --> 00:40:41,767
WHY WOULD HE, IF HIM AND AMY
AREN'T EVEN TALKING?
860
00:40:41,800 --> 00:40:44,367
(TRUCK DOOR OPENS)
861
00:40:47,867 --> 00:40:50,433
WELL, I THINK
THEY'RE FINALLY READY.
862
00:40:50,467 --> 00:40:52,500
OH, I DON'T HOW YOU DID IT,
BUT YOU DID.
863
00:40:52,533 --> 00:40:53,767
THAT WAS AMAZING!
864
00:40:53,800 --> 00:40:57,000
AMY:
(LAUGHS)
865
00:40:57,033 --> 00:41:01,667
LOOK, I DON'T MEAN TO PRY,
BUT THAT PERSONAL PROBLEM...
866
00:41:01,700 --> 00:41:03,433
IS EVERYTHING OKAY?
867
00:41:03,467 --> 00:41:05,433
NOTHING'S REALLY CHANGED.
868
00:41:05,467 --> 00:41:07,067
IF SOMETHING'S
BOTHERING YOU,
869
00:41:07,100 --> 00:41:10,500
YOU'D NEVER KNOW IT FROM WHAT
YOU JUST DID WITH MY HORSES.
870
00:41:10,533 --> 00:41:13,900
YOU KNOW, I HAVE TO SAY,
IT DID FEEL PRETTY AMAZING.
871
00:41:13,933 --> 00:41:15,667
BOTH:
(LAUGHING)
872
00:41:18,067 --> 00:41:20,400
* This road they were on
wasn't meant... *
873
00:41:20,433 --> 00:41:24,833
JESSE:
AMY, CAN'T SAY I'M SURPRISED,
BUT YOU REALLY CAME THROUGH.
874
00:41:26,600 --> 00:41:29,667
AND I BET WORKING HERE AND
SEEING WHAT A GREAT PLACE
THIS IS,
875
00:41:29,700 --> 00:41:31,067
MADE YOU SEE THINGS
MY WAY, RIGHT?
876
00:41:31,067 --> 00:41:32,900
SO THAT WAS YOUR PLAN
ALL ALONG.
877
00:41:32,933 --> 00:41:36,600
GET ME WORKING ON "YOUR TURF"
SO I COULDN'T POSSIBLY SAY NO?
878
00:41:36,633 --> 00:41:37,900
MAYBE.
879
00:41:37,933 --> 00:41:39,800
WELL, MY ANSWER IS STILL "NO,"
JESSE.
880
00:41:39,833 --> 00:41:42,100
OH, COME ON, AMY. DON'T LEAVE
ME IN THE LURCH HERE.
881
00:41:42,133 --> 00:41:44,633
I FIRED MY ONLY TRAINER
BECAUSE OF YOU.
882
00:41:44,667 --> 00:41:46,100
SEE YOU AROUND.
883
00:41:51,567 --> 00:41:56,333
* I've been searching
for that something *
884
00:41:56,367 --> 00:41:58,733
* Nothing could ever replace
885
00:41:58,767 --> 00:42:02,767
* So I will ro-o-oam
886
00:42:02,800 --> 00:42:06,167
* Until I can say...
887
00:42:06,200 --> 00:42:08,767
* This feels like home
66088
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
English
Esperanto
Estonian
Faroese
Finnish
Frisian
Galician
Georgian
German
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof