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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,750 --> 00:00:02,834 PREVIOUSLY ON "HEARTLAND". 2 00:00:02,834 --> 00:00:05,708 PETER AND I HAVE BEEN DOING SOME TALKING AND... 3 00:00:05,708 --> 00:00:08,792 PETER: WE TALKED TO CLINT ABOUT BECOMING YOUR FOSTER PARENTS. 4 00:00:08,792 --> 00:00:10,375 OLIVIA: YOU'RE ACTUALLY NOT HALF BAD. 5 00:00:10,375 --> 00:00:12,083 IT WOULD HAVE BEEN FUN JUMPING AGAINST YOU ON THE CIRCUIT. 6 00:00:12,083 --> 00:00:13,375 WHAT DO YOU MEAN "WOULD HAVE BEEN"? 7 00:00:13,375 --> 00:00:15,125 EVERYBODY KNOWS THAT FOSTER KIDS DON'T HANG AROUND FOR LONG. 8 00:00:15,125 --> 00:00:17,084 I'M NOT GOING ANYWHERE! 9 00:00:17,084 --> 00:00:18,125 LOU: AND NOW THAT YOU ARE FINALLY ENGAGED 10 00:00:18,125 --> 00:00:20,583 YOU'RE ELOPING?! 11 00:00:20,583 --> 00:00:23,166 NO! NO, FLIPPING WAY! I DESERVE A WEDDING! 12 00:00:23,166 --> 00:00:24,917 TY: WE'RE NOT ELOPING. LOU: YOU'RE NOT? 13 00:00:24,917 --> 00:00:26,708 I WAS INVITED TO LEAD A HORSE CLINIC IN VEGAS 14 00:00:26,708 --> 00:00:28,959 AND TY AND I THOUGHT WE COULD MAKE A ROAD TRIP OUT OF IT. 15 00:00:28,959 --> 00:00:30,792 LOU: HEY, WHERE'S GRANDPA? 16 00:00:30,792 --> 00:00:32,000 (TRUCK RUMBLES, FIREWORKS BURST) 17 00:00:34,417 --> 00:00:36,125 TIM: I NEED- I NEED SOME HELP. I NEED AN AMBULANCE! 18 00:00:36,125 --> 00:00:37,875 HEARTLAND RANCH. 19 00:00:37,875 --> 00:00:38,792 (FIREWORKS BURST) 20 00:00:41,542 --> 00:00:43,000 (JET ENGINE ROARS) 21 00:00:46,750 --> 00:00:49,209 (THUNDER BOOMS, HORSE WHINNIES SHRILLY) 22 00:00:53,875 --> 00:00:55,042 (HORSE WHINNIES SHRILLY, HOOVES BANG) 23 00:00:57,583 --> 00:00:59,750 (HORSE WHINNIES SHRILLY, THUNDER BOOMS) 24 00:01:02,042 --> 00:01:03,042 (HORSE SNORTS AND SCREAMS IN PANIC) 25 00:01:10,667 --> 00:01:13,084 AMY: POOR PAINT. 26 00:01:13,084 --> 00:01:14,708 HE WON'T EVEN HANG OUT WITH THE OTHER HORSES ANYMORE. 27 00:01:14,708 --> 00:01:15,583 IT'S NOT GOOD FOR HIM. 28 00:01:17,500 --> 00:01:18,417 TY: HE'LL BE FINE. 29 00:01:20,333 --> 00:01:22,000 HOW ARE YOU DOING? 30 00:01:22,000 --> 00:01:23,000 AMY: I'M OKAY. 31 00:01:24,834 --> 00:01:29,209 DAD'S DRIVING EVERYONE CRAZY. IT'S HIS WAY OR THE HIGHWAY. 32 00:01:29,209 --> 00:01:31,000 IT'S JUST NOT THE SAME. 33 00:01:32,959 --> 00:01:34,458 LOU: I WANT TO KNOW WHEN YOU MADE THAT DECISION 34 00:01:34,458 --> 00:01:36,208 AND WHY YOU DIDN'T TELL ME! 35 00:01:36,208 --> 00:01:39,500 TIM: LOU, I CAN'T KEEP YOU IN THE LOOP ON EVERYTHING. 36 00:01:39,500 --> 00:01:41,625 IT'S EASIER IF I JUST DO IT MYSELF, 37 00:01:41,625 --> 00:01:43,750 GET IT DONE. 38 00:01:43,750 --> 00:01:45,083 LOU: (EXASPERATED SIGH) YEAH, IT'S EASIER ALL RIGHT 39 00:01:45,083 --> 00:01:46,750 BECAUSE YOU KNEW I WOULDN'T AGREE WITH YOU! 40 00:01:46,750 --> 00:01:48,542 HEY, KID, 41 00:01:48,542 --> 00:01:50,625 I THOUGHT I ASKED YOU TO CLEAN UP THE TACK AREA. 42 00:01:50,625 --> 00:01:52,500 SO GET ON IT, IT'S NOT GONNA CLEAN UP ITSELF. 43 00:01:52,500 --> 00:01:53,875 (KATIE STARTS CRYING) 44 00:01:53,875 --> 00:01:55,000 LOU: HONEY, COULD YOU LOOK IN ON HER FIRST? 45 00:01:55,000 --> 00:01:56,125 YOU CAN DO THE TACK AFTER, OKAY? 46 00:01:56,125 --> 00:01:57,333 TIM: LOU. 47 00:01:57,333 --> 00:01:58,625 (KATIE CRIES) 48 00:01:58,625 --> 00:01:59,708 I'M WORRIED ABOUT HER. 49 00:01:59,708 --> 00:02:01,291 I'M NOT, SHE'S FINE. 50 00:02:01,291 --> 00:02:03,083 SHE JUST NEEDS DIRECTION. 51 00:02:03,083 --> 00:02:05,084 DAD, LISTEN, 52 00:02:05,084 --> 00:02:06,375 I KNOW THINGS ARE DIFFERENT AROUND HERE 53 00:02:06,375 --> 00:02:08,333 AND SOMEONE NEEDS TO TAKE CONTROL, 54 00:02:08,333 --> 00:02:10,375 BUT I HAVE TO SAY, YOU KNOW, 55 00:02:10,375 --> 00:02:12,083 GRANDPA WOULD WANT ME TO. 56 00:02:12,083 --> 00:02:13,500 YOU GOT A LOT ON YOUR PLATE. 57 00:02:13,500 --> 00:02:15,500 NO, I DON'T. I'M FINE. 58 00:02:15,500 --> 00:02:16,458 (COFFEE MACHINE GURGLES LOUDLY) 59 00:02:16,458 --> 00:02:18,458 I'M MUCH BETTER THAN I WAS. 60 00:02:21,750 --> 00:02:23,375 -(Sighs) -DAD... 61 00:02:23,375 --> 00:02:25,667 SWEETHEART, I'LL TAKE CARE OF THE DAY-TO-DAY WORKINGS 62 00:02:25,667 --> 00:02:27,750 OF THE RANCH, 63 00:02:27,750 --> 00:02:29,708 BECAUSE THIS WAS THROWN ON MY SHOULDERS. 64 00:02:29,708 --> 00:02:31,083 GOD KNOWS I DIDN'T ASK FOR IT. 65 00:02:34,542 --> 00:02:36,042 LOU: OKAY, SO TELL ME THIS: 66 00:02:36,042 --> 00:02:37,166 WHERE DO YOU THINK YOU'RE GONNA PUT THEM? 67 00:02:37,166 --> 00:02:38,542 TIM: RIGHT THERE, 68 00:02:38,542 --> 00:02:40,667 AS SOON I GET RID OF THOSE OLD WRECKS. 69 00:02:40,667 --> 00:02:44,000 GRANDPA'S TRUCKS?! NO, DAD, NO WAY! 70 00:02:44,000 --> 00:02:45,583 I NEED ROOM FOR THE NEW PEN, LOU, 71 00:02:45,583 --> 00:02:47,042 A LOT MORE THAN I NEED THOSE OLD EYESORES. 72 00:02:47,042 --> 00:02:48,583 THEY SHOULD'VE BEEN TOWED AWAY A LONG TIME AGO. 73 00:02:48,583 --> 00:02:50,125 THEY'RE NOT GOING ANYWHERE. 74 00:02:50,125 --> 00:02:52,708 YOU GOTTA GET RID OF THE OLD TO MAKE ROOM FOR THE NEW. 75 00:02:52,708 --> 00:02:54,041 THAT'S THE ONLY WAY TO DEAL. 76 00:02:54,041 --> 00:02:55,375 NO, DAD, THAT'S THE ONLY WAY YOU DEAL! 77 00:02:59,583 --> 00:03:00,792 (CELL PHONE RINGS) 78 00:03:03,375 --> 00:03:04,375 TY: HEY, SCOTT. 79 00:03:07,417 --> 00:03:08,417 THE AIRPORT? 80 00:03:10,041 --> 00:03:12,250 AMY TOO? 81 00:03:12,250 --> 00:03:13,542 OKAY, WE'LL BE RIGHT THERE. 82 00:03:13,542 --> 00:03:15,167 OKAY, BYE. (BEEPS OFF CELL) 83 00:03:15,167 --> 00:03:17,000 LET'S GO. 84 00:03:17,000 --> 00:03:19,708 (AIRPLANES WHIR) 85 00:03:19,708 --> 00:03:21,917 (HORSE SNORTS NERVOUSLY, HOOVES CLATTER) 86 00:03:21,917 --> 00:03:24,000 ADRIAN: TAKE IT EASY, TAKE IT EASY! HEY! HEY! 87 00:03:24,000 --> 00:03:25,250 (HORSE WHINNIES SHRILLY) 88 00:03:26,917 --> 00:03:28,834 COME ON. WHOA! EASY. 89 00:03:28,834 --> 00:03:30,250 TY: SCOTT? 90 00:03:30,250 --> 00:03:31,208 SCOTT: GLAD TO SEE YOU GUYS. 91 00:03:31,208 --> 00:03:32,500 (HORSE WHINNIES SHRILLY) 92 00:03:32,500 --> 00:03:34,458 THIS ONE'S A HANDFUL. 93 00:03:34,458 --> 00:03:36,917 AMY: IT'S OKAY. WHOA, WHOA, BOY. 94 00:03:36,917 --> 00:03:38,000 TY: IS HE INJURED? (HORSE WHINNIES SHRILLY) 95 00:03:38,000 --> 00:03:38,917 SCOTT: I DON'T THINK SO. 96 00:03:38,917 --> 00:03:40,083 AMY: EASY... 97 00:03:40,083 --> 00:03:41,458 SCOTT: BUT WE NEED TO GET HIM TO THE CLINIC. 98 00:03:41,458 --> 00:03:42,333 AMY: GOOD BOY. 99 00:03:45,792 --> 00:03:46,917 WHAT'S HIS NAME? 100 00:03:46,917 --> 00:03:48,542 HIS NAME'S EMIR. 101 00:03:48,542 --> 00:03:51,209 HI, EMIR. 102 00:03:51,209 --> 00:03:53,583 NO ONE'S GONNA HURT YOU. YOU'RE OKAY. 103 00:03:54,333 --> 00:03:57,417 WOW. NICE WORK. 104 00:03:59,333 --> 00:04:02,542 THAT'S A GOOD BOY. GOOD BOY. 105 00:04:02,542 --> 00:04:03,834 ADRIAN GILSON. 106 00:04:03,834 --> 00:04:05,959 THANKS FOR COMING ON SUCH SHORT NOTICE. 107 00:04:05,959 --> 00:04:07,125 THE TEAM VET WAS SUPPOSED TO BE HERE, 108 00:04:07,125 --> 00:04:08,667 BUT HIS FLIGHT WAS DELAYED. 109 00:04:08,667 --> 00:04:10,167 NO WORRIES. GLAD WE CAN HELP. 110 00:04:10,167 --> 00:04:11,125 IT'S A BEAUTIFUL HORSE YOU HAVE. 111 00:04:11,125 --> 00:04:12,583 (CHUCKLES) 112 00:04:12,583 --> 00:04:14,917 IT'S NOT MY HORSE. I'M JUST THE GROOM. 113 00:04:14,917 --> 00:04:17,083 THAT'S HIS OWNER OVER THERE. 114 00:04:17,083 --> 00:04:18,333 (EMIR SNORTS) 115 00:04:21,167 --> 00:04:22,667 AMY: HE DOESN'T SEEM TOO CONCERNED, DOES HE? 116 00:04:22,667 --> 00:04:23,542 (CELL PHONE RINGS) 117 00:04:23,542 --> 00:04:25,667 ADRIAN: EXCUSE ME. 118 00:04:25,667 --> 00:04:27,917 YES? 119 00:04:27,917 --> 00:04:29,792 AH, YES. WELL, I JUST THOUGHT THAT UH... 120 00:04:29,792 --> 00:04:31,250 ABSOLUTELY, I UNDERSTAND. 121 00:04:31,250 --> 00:04:33,375 I DO. 122 00:04:33,375 --> 00:04:36,625 OKAY, GOOD. RIGHT. NO, FINE. 123 00:04:36,625 --> 00:04:38,209 THE OWNER DOESN'T WANT EMIR TAKEN TO YOUR CLINIC. 124 00:04:38,209 --> 00:04:39,125 HE WANTS HIM TAKEN RIGHT TO HILLHURST. 125 00:04:39,125 --> 00:04:40,250 CAN YOU TRAILER HIM? 126 00:04:40,250 --> 00:04:41,959 AMY: NO, THAT'S RIDICULOUS! 127 00:04:41,959 --> 00:04:43,458 HE NEEDS TO GO TO SCOTT'S CLINIC. 128 00:04:43,458 --> 00:04:44,875 HIS INJURIES MIGHT NOT BE APPARENT, BUT... 129 00:04:44,875 --> 00:04:45,875 JUST TELL HIM THAT! 130 00:04:48,000 --> 00:04:51,625 HIS ROYAL HIGHNESS, THE PRINCE, ISN'T TOLD ANYTHING. 131 00:04:51,625 --> 00:04:52,625 A PRINCE? 132 00:04:58,667 --> 00:05:03,708 ♪♪ 133 00:05:14,333 --> 00:05:16,625 ♪ And at the break of day ♪ 134 00:05:16,625 --> 00:05:21,291 ♪ You sank into your dream ♪ 135 00:05:21,291 --> 00:05:22,708 ♪ You dreamer ♪ 136 00:05:22,708 --> 00:05:25,375 ♪ Oh, oh, oh... ♪ 137 00:05:25,375 --> 00:05:27,542 ♪ You dreamer ♪ 138 00:05:29,583 --> 00:05:33,583 ♪ You dreamer ♪ 139 00:05:43,084 --> 00:05:44,458 (TRUCK AND TRAILER RUMBLE) 140 00:05:46,291 --> 00:05:47,291 AMY: GOOD BOY. 141 00:05:48,959 --> 00:05:51,125 HE REALLY IS INCREDIBLE. 142 00:05:51,125 --> 00:05:52,458 SCOTT: WHAT BRINGS YOU TO HUDSON? 143 00:05:52,458 --> 00:05:54,000 ADRIAN: THE TEAM'S TRYING TO MAKE THE NEXT OLYMPICS, 144 00:05:54,000 --> 00:05:56,125 SO WE NEED NORTH AMERICAN EXPOSURE. 145 00:05:56,125 --> 00:05:58,042 THE WORLD CUP QUALIFIERS, NEXT WEEK, WILL HELP, 146 00:05:58,042 --> 00:05:59,458 IF WE DO WELL. 147 00:05:59,458 --> 00:06:02,000 HOPEFULLY. WE COULD USE A BREAK. 148 00:06:02,000 --> 00:06:04,875 WHO ARE THESE PEOPLE? 149 00:06:04,875 --> 00:06:06,084 SCOTT: (CLEARS HIS THROAT) I'M SCOTT CARDINAL- 150 00:06:06,084 --> 00:06:08,834 ADRIAN: UH, SCOTT'S A VET HERE IN HUDSON, 151 00:06:08,834 --> 00:06:10,166 AND THIS IS HIS ASSISTANT, TY BORDEN, 152 00:06:10,166 --> 00:06:11,458 AND AMY FLEMING, 153 00:06:11,458 --> 00:06:13,250 AND IF I MAY PLEASE INTRODUCE 154 00:06:13,250 --> 00:06:15,959 HIS ROYAL HIGHNESS PRINCE AHMED AL SAEED. 155 00:06:15,959 --> 00:06:18,125 I DON'T WANT STRANGERS ANYWHERE NEAR MY HORSE. 156 00:06:18,125 --> 00:06:19,458 SEE THAT THEY LEAVE. 157 00:06:21,250 --> 00:06:22,458 TY: YOU'RE WELCOME. 158 00:06:25,042 --> 00:06:26,291 LOU: A PRINCE? 159 00:06:26,291 --> 00:06:28,959 LIKE ACTUAL ROYALTY, IN HUDSON? 160 00:06:28,959 --> 00:06:30,834 HE'S PART OF HIS NATIONAL EQUESTRIAN TEAM. 161 00:06:30,834 --> 00:06:32,708 THEY'VE TAKEN OVER MOST OF THE HILLHURST OPERATION. 162 00:06:32,708 --> 00:06:34,042 AMY: YEAH, BUT YOU WOULDN'T BELIEVE THIS GUY. 163 00:06:34,042 --> 00:06:36,792 PRINCE OR NOT, HE BARELY LOOKED AT HIS HORSE, 164 00:06:36,792 --> 00:06:38,250 AND HE WOULDN'T LET SCOTT TAKE HIM TO HIS CLINIC 165 00:06:38,250 --> 00:06:39,959 TO SEE IF HE WAS SERIOUSLY HURT OR NOT. 166 00:06:39,959 --> 00:06:41,542 TIM: OH, COME ON. 167 00:06:41,542 --> 00:06:43,583 SOUNDS LIKE THIS HORSE IS A HUGELY SUCCESSFUL JUMPER. 168 00:06:43,583 --> 00:06:45,291 HE'S PROBABLY WORTH 169 00:06:45,291 --> 00:06:47,667 HUNDREDS OF THOUSANDS OF DOLLARS. 170 00:06:47,667 --> 00:06:49,834 TY: I GET WHY THE GUY WANTS HIS OWN VETS TO LOOK AT HIM. 171 00:06:49,834 --> 00:06:51,834 AMY: YEAH, BUT HE COULD CARE LESS ABOUT THAT HORSE. 172 00:06:51,834 --> 00:06:53,167 LOU: WELL, HE'S A PRINCE. 173 00:06:53,167 --> 00:06:54,834 HE PROBABLY HAS A DOZEN MORE EMIRS 174 00:06:54,834 --> 00:06:56,500 JUST WAITING IN THE WINGS. 175 00:06:56,500 --> 00:06:58,959 I THINK IF SCOTT PLAYS HIS CARDS RIGHT, 176 00:06:58,959 --> 00:07:00,708 GET ON THE GOOD SIDE OF THIS GUY, HUH? 177 00:07:00,708 --> 00:07:02,000 (CLUCKS HIS TONGUE) 178 00:07:02,000 --> 00:07:04,333 UM, I'M NOT HUNGRY. CAN I BE EXCUSED? 179 00:07:04,333 --> 00:07:05,333 YEAH, HONEY, SURE. 180 00:07:10,084 --> 00:07:12,708 TIM: SPEAKING OF PLAYING YOUR CARDS RIGHT, 181 00:07:12,708 --> 00:07:15,792 I NOTICED YOU DIDN'T HAVE MANY CLIENTS ON YOUR BOARD. 182 00:07:15,792 --> 00:07:17,667 AMY: DAD. 183 00:07:17,667 --> 00:07:19,333 TIM: NO, I'M JUST SAYING 184 00:07:19,333 --> 00:07:21,209 YOU'VE GOT UMPTEEN RESCUE HORSES OUT THERE, 185 00:07:21,209 --> 00:07:22,667 THEY'RE EATING US OUT OF HOUSE AND HOME, 186 00:07:22,667 --> 00:07:23,667 NO INCOME COMING IN? 187 00:07:23,667 --> 00:07:25,000 DAD. 188 00:07:25,000 --> 00:07:26,708 AMY, LISTEN. 189 00:07:26,708 --> 00:07:28,333 YOU KNOW, I'VE BEEN VERY PATIENT 190 00:07:28,333 --> 00:07:30,750 WITH WHAT YOU'RE GOING THROUGH, 191 00:07:30,750 --> 00:07:33,500 BUT AN INCOME STOPS, IT'S GOT CONSEQUENCES. 192 00:07:33,500 --> 00:07:34,792 SO I PUT AN AD UP IN MAGGIE'S. 193 00:07:34,792 --> 00:07:35,959 AMY: FOR WHAT? 194 00:07:35,959 --> 00:07:37,000 TIM: TO SELL THOSE RESCUE HORSES. 195 00:07:37,000 --> 00:07:38,250 AMY: DAD, THAT'S MY DECISION! 196 00:07:38,250 --> 00:07:40,333 NO, HONEY, WHEN IT STARTS COSTING US MONEY, 197 00:07:40,333 --> 00:07:41,250 IT'S MY DECISION. 198 00:07:41,250 --> 00:07:42,333 (CELL PHONE CHIMES) 199 00:07:45,250 --> 00:07:47,000 IT'S ADRIAN. 200 00:07:47,000 --> 00:07:49,625 THE GROOM? YEAH. 201 00:07:49,625 --> 00:07:52,000 HE WANTS ME TO COME MEET HIM AT HILLHURST TOMORROW. 202 00:07:52,000 --> 00:07:54,458 TIM: THERE'S AN OPPORTUNITY - A PRINCE AS A CLIENT. 203 00:07:54,458 --> 00:07:55,458 JUST SAYIN'. 204 00:07:58,458 --> 00:08:00,042 (KNOCKING ON DOOR) 205 00:08:00,042 --> 00:08:01,042 LOU: (WHISPERS) HEY. 206 00:08:02,084 --> 00:08:03,084 YOU OKAY? 207 00:08:07,000 --> 00:08:10,000 I CAN SIT WITH YOU FOR A WHILE IF YOU WANT ME TO. 208 00:08:10,000 --> 00:08:13,708 I KNOW YOU'RE STILL GETTING USED TO SLEEPING IN HERE. 209 00:08:13,708 --> 00:08:16,125 IT'S JUST NOT THE SAME. 210 00:08:16,125 --> 00:08:19,792 WELL, IT'LL TAKE A WHILE TO FEEL LIKE THIS IS YOUR ROOM. 211 00:08:19,792 --> 00:08:21,959 IT'S NOT THE ROOM, IT'S EVERYTHING. 212 00:08:24,542 --> 00:08:25,458 YEAH. 213 00:08:27,084 --> 00:08:29,542 WHEN'S PETER COMING HOME? 214 00:08:29,542 --> 00:08:33,250 A COUPLE OF DAYS, I HOPE. WHY? 215 00:08:33,250 --> 00:08:34,250 JUST CURIOUS. 216 00:08:35,792 --> 00:08:36,667 OKAY. GOOD NIGHT. 217 00:08:38,125 --> 00:08:39,708 (SOFT KISS) 218 00:08:39,708 --> 00:08:41,458 YOU SURE YOU'RE OKAY? 219 00:08:41,458 --> 00:08:42,708 YEAH. GOOD NIGHT. 220 00:08:45,084 --> 00:08:46,875 UM, LISTEN, 221 00:08:48,542 --> 00:08:51,417 I KNOW YOU DON'T THINK SO NOW, 222 00:08:51,417 --> 00:08:53,500 BUT EVERYTHING'S GONNA BE FINE, OKAY? 223 00:09:02,209 --> 00:09:03,209 (PAPER RUSTLES) 224 00:09:07,000 --> 00:09:08,000 (SIGHS) 225 00:09:11,209 --> 00:09:13,041 (HORSE SNORTS) 226 00:09:13,041 --> 00:09:14,417 GEORGIE: THEY'RE AMAZING! 227 00:09:14,417 --> 00:09:15,875 I'VE NEVER SEEN HORSES LIKE THOSE. 228 00:09:15,875 --> 00:09:18,000 AMY: YEAH, THEY ARE PRETTY SPECIAL. 229 00:09:18,000 --> 00:09:20,042 ADRIAN: AMY, HI! AMY: HEY. 230 00:09:20,042 --> 00:09:21,834 ADRIAN: THANKS FOR COMIN'. 231 00:09:21,834 --> 00:09:23,500 SO I PROBABLY SHOULDN'T HAVE CALLED, 232 00:09:23,500 --> 00:09:27,042 BUT, UH, WELL, I DID SEE THIS ON THE COMMUNITY BOARD. 233 00:09:27,042 --> 00:09:29,417 I LOOKED AT YOUR SITE. YOU HAVE QUITE THE REPUTATION. 234 00:09:29,417 --> 00:09:30,917 THANK YOU. 235 00:09:30,917 --> 00:09:32,000 ADRIAN: SO HERE'S THE THING, 236 00:09:32,000 --> 00:09:34,792 I'M NOT REALLY MAKING ANY PROGRESS WITH EMIR. 237 00:09:34,792 --> 00:09:37,959 IN FACT, I THINK HE'S GETTIN' WORSE. 238 00:09:37,959 --> 00:09:39,750 WOULD YOU TAKE A LOOK AT HIM, 239 00:09:39,750 --> 00:09:41,500 PERHAPS CALM HIM DOWN LIKE YOU DID YESTERDAY? 240 00:09:41,500 --> 00:09:43,708 WELL... 241 00:09:43,708 --> 00:09:45,625 DOES YOUR BOSS KNOW THAT YOU ASKED ME TO WORK WITH HIM? 242 00:09:45,625 --> 00:09:46,917 I MEAN, HE SEEMED PRETTY PARTICULAR 243 00:09:46,917 --> 00:09:48,083 ABOUT WHO'S AROUND HIS HORSE. 244 00:09:48,083 --> 00:09:49,333 OH, HE'S AT A LUNCH MEETING, 245 00:09:49,333 --> 00:09:50,583 WON'T BE BACK FOR A COUPLE HOURS. 246 00:09:53,750 --> 00:09:54,917 OKAY, I GUESS. 247 00:09:54,917 --> 00:09:55,917 GREAT. THANKS. 248 00:09:58,084 --> 00:10:00,209 OH, UH, I DON'T THINK IT'S GONNA BE SAFE FOR HER. 249 00:10:00,209 --> 00:10:01,167 AMY: DO YOU MIND? 250 00:10:01,167 --> 00:10:02,166 GEORGIE: YEAH, I CAN STAY HERE. 251 00:10:02,166 --> 00:10:03,083 AMY: OKAY. ADRIAN: GOOD. 252 00:10:05,500 --> 00:10:07,834 (EMIR SNORTS AND WHINNIES, BANGING AGAINST THE STALL) 253 00:10:09,125 --> 00:10:11,125 (WHINNIES ANGRILY) 254 00:10:11,125 --> 00:10:12,625 ADRIAN: SO THE PRINCE HAS THREATENED TO SELL HIM 255 00:10:12,625 --> 00:10:14,125 IF THERE'S NO IMPROVEMENT. 256 00:10:14,125 --> 00:10:15,917 I'VE TRIED EVERYTHING I KNOW. 257 00:10:15,917 --> 00:10:17,542 I'VE NEVER SEEN HIM LIKE THIS. 258 00:10:17,542 --> 00:10:19,375 (LOUD BANG, WHINNIES ANGRILY) 259 00:10:19,375 --> 00:10:20,625 AMY: I THINK MAYBE HE'S EQUATING THIS STALL 260 00:10:20,625 --> 00:10:22,917 TO THE ONE ON THE PLANE. 261 00:10:22,917 --> 00:10:26,750 YOU KNOW, HE'S EXPECTING TO BE HURT OR SOMETHING. 262 00:10:26,750 --> 00:10:28,500 DO YOU MIND IF I WALK HIM AROUND 263 00:10:28,500 --> 00:10:30,083 AND TRY AND CALM HIM DOWN? 264 00:10:30,083 --> 00:10:31,917 WELL, I'VE TRIED THAT, BUT SURE, HAVE A GO. 265 00:10:37,125 --> 00:10:39,959 OLIVIA: WHAT ARE YOU DOING HERE? 266 00:10:39,959 --> 00:10:41,542 I'M HERE WITH AMY. SHE'S HELPING A HORSE. 267 00:10:41,542 --> 00:10:42,959 REALLY. 268 00:10:42,959 --> 00:10:44,583 HE ACTUALLY BELONGS TO A PRINCE. 269 00:10:44,583 --> 00:10:45,750 WHAT ARE YOU DOING HERE? 270 00:10:45,750 --> 00:10:48,125 I'M JUST SHOPPING FOR A NEW HORSE. 271 00:10:48,125 --> 00:10:51,042 MY FATHER KNOWS ONE OF THE OWNERS. 272 00:10:51,042 --> 00:10:53,000 SO THIS DANCE AT SCHOOL, YOU GOING? 273 00:10:56,000 --> 00:10:58,000 OH, WAIT, IT'S A FATHER/DAUGHTER DANCE, 274 00:10:58,000 --> 00:10:59,792 ISN'T IT? 275 00:10:59,792 --> 00:11:01,500 I GUESS THAT COULD BE A PROBLEM, 276 00:11:01,500 --> 00:11:03,208 SEEING AS YOU DON'T HAVE A FATHER. 277 00:11:03,208 --> 00:11:05,959 I DO SO HAVE A FATHER. HIS NAME IS PETER. 278 00:11:05,959 --> 00:11:08,250 AH, YOU CALL HIM BY HIS FIRST NAME, 279 00:11:08,250 --> 00:11:11,042 LIKE THAT'S A REAL FATHER, FOR SURE. 280 00:11:11,042 --> 00:11:12,125 GEORGIE: HE IS SO REAL! 281 00:11:14,125 --> 00:11:16,792 AMY: WHAT'S SHE TALKING ABOUT, GEORGIE? 282 00:11:16,792 --> 00:11:19,041 REAL FATHER? WHAT DOES SHE MEAN? 283 00:11:19,041 --> 00:11:21,000 COME ON, YOU CAN TELL ME. 284 00:11:21,000 --> 00:11:23,667 THERE'S A DANCE AT SCHOOL. 285 00:11:23,667 --> 00:11:26,041 SO WHAT'S THE PROBLEM? 286 00:11:26,041 --> 00:11:27,750 IT'S A FATHER/DAUGHTER DANCE. 287 00:11:27,750 --> 00:11:29,125 (SPORTS CAR REVS) 288 00:11:31,458 --> 00:11:32,458 ADRIAN: (SIGHS) 289 00:11:35,166 --> 00:11:37,125 IS THAT THE PRINCE? 290 00:11:37,125 --> 00:11:40,167 YEAH. 291 00:11:40,167 --> 00:11:42,042 AHMED: WHAT IS SHE DOING HERE AGAIN? (HORSE WHINNIES SHARPLY) 292 00:11:42,042 --> 00:11:42,959 ADRIAN: I CALLED HER. 293 00:11:42,959 --> 00:11:44,125 YOU CALLED HER? 294 00:11:44,125 --> 00:11:45,792 AMY: ADRIAN WAS WORRIED ABOUT EMIR. 295 00:11:45,792 --> 00:11:47,125 HE'S STILL TRAUMATIZED BY THE FLIGHT. 296 00:11:47,125 --> 00:11:49,125 I THOUGHT MAYBE I COULD HELP. 297 00:11:49,125 --> 00:11:51,750 I HAVE A RETINUE OF PEOPLE TO DO THAT - EXPERTS. 298 00:11:51,750 --> 00:11:52,792 IT'S NOT ALWAYS EASY TO KNOW 299 00:11:52,792 --> 00:11:54,583 WHY AN ANIMAL DOES WHAT IT DOES. 300 00:11:54,583 --> 00:11:57,209 (SNORTS) OH, SO NOW WE KNOW MORE THAN THE PROFESSIONALS, 301 00:11:57,209 --> 00:11:58,792 IS THAT RIGHT? 302 00:11:58,792 --> 00:12:01,125 I KNOW WHAT I'M DOING. 303 00:12:01,125 --> 00:12:02,083 YES, OF COURSE YOU DO. 304 00:12:04,167 --> 00:12:06,042 MY VET HAS LOOKED AT THE ANIMAL. 305 00:12:06,042 --> 00:12:07,750 IT'S CLEAR THAT IT'S DAMAGED GOODS. 306 00:12:07,750 --> 00:12:08,959 I HAVE THREE OTHER HORSES 307 00:12:08,959 --> 00:12:09,834 BEING SHIPPED IN FROM BELGIUM. 308 00:12:09,834 --> 00:12:11,167 I'LL CHOOSE FROM THEM. 309 00:12:11,167 --> 00:12:13,166 NOW PLEASE LEAVE OR I'LL CALL SECURITY! 310 00:12:13,166 --> 00:12:14,166 AMY: (SIGHS) 311 00:12:16,333 --> 00:12:19,000 HE'S A TOUGH GUY. 312 00:12:19,000 --> 00:12:21,000 HOW LONG HAS HE BEEN RIDING EMIR? 313 00:12:21,000 --> 00:12:23,041 A LITTLE OVER A YEAR. 314 00:12:23,041 --> 00:12:24,667 AMY: HE MUST FEEL SOMETHING FOR THE HORSE. 315 00:12:26,125 --> 00:12:27,250 THAT WOULD TAKE AN EMOTION. 316 00:12:27,250 --> 00:12:28,875 AS FAR AS I CAN SEE, HE HAS NONE. 317 00:12:31,417 --> 00:12:33,959 GEORGIE: HE'S HORRIBLE. PRINCE NOT-SO-CHARMING. 318 00:12:33,959 --> 00:12:35,667 AMY: I JUST DON'T UNDERSTAND WHY HE WOULD BRING IN 319 00:12:35,667 --> 00:12:37,708 THREE OTHER RIDICULOUSLY EXPENSIVE HORSES. 320 00:12:37,708 --> 00:12:38,875 LOU: BECAUSE IT'S A MINDSET. 321 00:12:38,875 --> 00:12:40,167 YOU KNOW, HE CAN AFFORD TO BE CHOOSY 322 00:12:40,167 --> 00:12:41,208 AND A LOT'S AT STAKE IN THAT WORLD. 323 00:12:41,208 --> 00:12:43,125 YOU KNOW, AMY, IF ANYONE CAN GET THROUGH TO THIS GUY 324 00:12:43,125 --> 00:12:44,083 YOU CAN. 325 00:12:44,083 --> 00:12:45,000 AMY: ARE YOU KIDDING ME? 326 00:12:45,000 --> 00:12:46,125 GEORGIE: NO WAY! 327 00:12:46,125 --> 00:12:47,208 HE'S A SEXIST PIG. 328 00:12:47,208 --> 00:12:49,084 GEORGIE, WHERE DID YOU EVER-? 329 00:12:49,084 --> 00:12:50,209 AMY: WELL, SHE'S ACTUALLY RIGHT. 330 00:12:50,209 --> 00:12:51,166 THAT'S WHY HE'S TREATING ME LIKE THIS, 331 00:12:51,166 --> 00:12:53,000 'CAUSE I'M A GIRL! 332 00:12:53,000 --> 00:12:55,083 YOU KNOW, YOU SAW IT, RIGHT, TY? 333 00:12:55,083 --> 00:12:56,917 LOU: OH, HEY, IT'S PETER. 334 00:12:56,917 --> 00:12:58,000 HE'S GONNA GET HOME FOR A FEW DAYS. 335 00:13:02,250 --> 00:13:04,250 AMY: IS HE COMING HOME FOR THAT FATHER/DAUGHTER DANCE THING? 336 00:13:04,250 --> 00:13:06,209 GEORGIE WAS TELLING ME ABOUT IT. 337 00:13:06,209 --> 00:13:08,250 UM, THAT'S THE FIRST I'VE HEARD ABOUT IT. 338 00:13:09,250 --> 00:13:10,250 (SIGHS) 339 00:13:13,209 --> 00:13:14,417 YOU FORGOT YOUR SANDWICH. 340 00:13:18,250 --> 00:13:20,166 HEY. (KATIE GIGGLES) 341 00:13:20,166 --> 00:13:22,750 SO WHAT'S THIS I HEAR ABOUT A FATHER/DAUGHTER DANCE? 342 00:13:22,750 --> 00:13:24,333 GEORGIE: OH. 343 00:13:24,333 --> 00:13:26,375 LOU: I HAD TO HEAR ABOUT IT FROM AMY. 344 00:13:26,375 --> 00:13:28,333 GEORGIE: IT'S NOTHING. I'M NOT GOING. 345 00:13:28,333 --> 00:13:30,125 WHY? 346 00:13:30,125 --> 00:13:31,083 GEORGIE: I'M JUST NOT GOING, THAT'S ALL. 347 00:13:34,625 --> 00:13:36,500 YOU KNOW YOU CAN TALK TO ME ABOUT IT, IF YOU WANT. 348 00:13:36,500 --> 00:13:37,708 GEORGIE: WELL, I DON'T WANT TO. 349 00:13:40,250 --> 00:13:41,250 OKAY. 350 00:13:43,625 --> 00:13:45,167 AND YOU'RE GONNA BE HOME IN PLENTY OF TIME 351 00:13:45,167 --> 00:13:47,042 FOR THIS, RIGHT? 352 00:13:47,042 --> 00:13:48,417 OKAY, BECAUSE I'M PRETTY CERTAIN 353 00:13:48,417 --> 00:13:49,917 SHE'S ONLY PRETENDING SHE DOESN'T WANT TO GO. 354 00:13:51,917 --> 00:13:52,917 I'M WORRIED, PETER. 355 00:13:52,917 --> 00:13:55,875 I MEAN, SHE'S HAD A LOT TO DEAL WITH LATELY. 356 00:13:57,209 --> 00:13:58,209 WE ALL HAVE. 357 00:14:00,000 --> 00:14:02,875 YEAH. I LOVE YOU, TOO. OKAY, BYE. 358 00:14:04,375 --> 00:14:05,291 (PHONE BEEPS OFF) 359 00:14:08,083 --> 00:14:10,500 (WIND CHIMES TINKLE) 360 00:14:12,875 --> 00:14:14,458 (OMINOUS MUSIC) 361 00:14:14,458 --> 00:14:15,458 (DOOR CLICKS OPEN) 362 00:14:18,542 --> 00:14:21,708 (HEAVY FOOTSTEPS) 363 00:14:26,417 --> 00:14:27,458 (DOOR CREAKS OPEN) 364 00:14:29,041 --> 00:14:30,000 TIM: (SHOUTS) AGH! GET OFF ME! 365 00:14:30,000 --> 00:14:31,000 (OVERLAPPING ANGRY MALE VOICES) 366 00:14:31,000 --> 00:14:32,000 WHAT ARE YOU DOIN'?! BACK OFF! 367 00:14:35,042 --> 00:14:36,625 LOU: DAD, WHAT IS GOING ON?! 368 00:14:38,084 --> 00:14:40,166 IT'S OKAY. 369 00:14:40,166 --> 00:14:42,084 LOU: WHAT? GRANDPA?! 370 00:14:42,084 --> 00:14:43,125 AMY: YOU'RE BACK! 371 00:14:43,125 --> 00:14:44,166 YOU SCARED THE HELL OUT OF ME. 372 00:14:44,166 --> 00:14:45,083 JACK: I SCARED YOU?! 373 00:14:45,083 --> 00:14:46,583 HOW ABOUT THE OTHER WAY AROUND? 374 00:14:46,583 --> 00:14:48,209 WHAT ARE YOU...? 375 00:14:48,209 --> 00:14:50,083 GEORGIE: JACK! JACK: HEY! 376 00:14:50,083 --> 00:14:51,834 (CHUCKLES) 377 00:14:51,834 --> 00:14:53,167 HOW ARE YOU? 378 00:14:53,167 --> 00:14:54,167 GEORGIE: GOOD. HOW ARE YOU? 379 00:14:54,167 --> 00:14:55,000 JACK: GOOD. 380 00:14:55,000 --> 00:14:56,708 NOW HERE I AM, 381 00:14:56,708 --> 00:14:58,167 I'M TRYING TO BE AS QUIET AS I CAN, 382 00:14:58,167 --> 00:15:00,042 AND THE LAST THING I EXPECTED 383 00:15:00,042 --> 00:15:01,583 WAS TO CRAWL INTO BED WITH YOU! 384 00:15:01,583 --> 00:15:02,959 WHAT ARE YOU DOIN' IN MY ROOM? 385 00:15:02,959 --> 00:15:04,209 TIM: I WAS SLEEPING. 386 00:15:04,209 --> 00:15:05,417 WHY ARE YOU SLEEPING IN MY ROOM? 387 00:15:05,417 --> 00:15:07,208 LOU: HE'S BEEN STAYING HERE A FEW NIGHTS A WEEK, GRANDPA. 388 00:15:07,208 --> 00:15:08,166 TIM: THANK YOU. 389 00:15:08,166 --> 00:15:09,417 WHY ARE YOU STAYING HERE? 390 00:15:09,417 --> 00:15:10,625 JACK: BECAUSE WHILE YOU'VE BEEN SUNNING YOURSELF 391 00:15:10,625 --> 00:15:12,084 DOWN IN ARIZONA, 392 00:15:12,084 --> 00:15:14,083 I'VE BEEN BUSY RUNNING THE OPERATIONS AROUND HERE. 393 00:15:14,083 --> 00:15:17,084 NOW I TOLD YOU THAT LOU AND AMY WOULD HANDLE THINGS. 394 00:15:17,084 --> 00:15:19,167 TIM: YEAH, WELL, THAT DIDN'T HAPPEN, JACK! 395 00:15:19,167 --> 00:15:21,208 OKAY, SO... NO, NEVER MIND. 396 00:15:21,208 --> 00:15:22,417 YOU KNOW, THAT'S THE THANKS I GET. 397 00:15:22,417 --> 00:15:23,417 (GROANS) 398 00:15:23,417 --> 00:15:24,750 TIM: GOOD TO HAVE YOU BACK. GOOD TO- 399 00:15:24,750 --> 00:15:25,750 AMY: DAD. 400 00:15:27,750 --> 00:15:29,042 I WAS GONNA MOVE HIS STUFF OUT, 401 00:15:29,042 --> 00:15:30,417 BUT WE WEREN'T EXPECTING YOU FOR DAYS. 402 00:15:30,417 --> 00:15:31,959 WELL, I SHOULDN'T HAVE GONE TO ARIZONA 403 00:15:31,959 --> 00:15:33,000 IN THE FIRST PLACE. 404 00:15:33,000 --> 00:15:34,000 WELL, IT WASN'T YOUR CHOICE. 405 00:15:34,000 --> 00:15:36,042 YOU KNOW, AFTER YOUR... 406 00:15:38,125 --> 00:15:39,708 HEART ATTACK. 407 00:15:39,708 --> 00:15:42,583 I HAD A HEART ATTACK, LOU, YOU CAN SAY IT. 408 00:15:42,583 --> 00:15:45,000 LOU: YES, WELL, THE TRIP WAS DOCTOR'S ORDERS 409 00:15:45,000 --> 00:15:47,125 AND I'M GLAD YOU WENT. I MEAN, LOOK AT YOU. 410 00:15:47,125 --> 00:15:48,917 YOU'RE ALL HEALTHY AND RESTED AND ZEN. 411 00:15:50,625 --> 00:15:53,167 JACK: ZEN? I'M NOT THAT. 412 00:15:53,167 --> 00:15:56,000 AMY: SO, GRANDPA, HOW WAS ARIZONA? 413 00:15:56,000 --> 00:15:58,125 AH, IT WAS FINE, BUT A MONTH WAS WAY TOO LONG. 414 00:15:58,125 --> 00:16:00,000 NOW WHAT THE HECK IS THIS? 415 00:16:00,000 --> 00:16:02,167 LOU: OH, IT'S NOTHING. 416 00:16:02,167 --> 00:16:03,917 GEORGIE: TIM BOUGHT IT. I TOLD HIM YOU'D HATE IT, 417 00:16:03,917 --> 00:16:04,917 BUT HE WOULDN'T TAKE IT BACK. 418 00:16:07,250 --> 00:16:09,250 WHERE'S MY OLD COFFEE MAKER? 419 00:16:09,250 --> 00:16:11,291 LOU: GRANDPA, HOW ABOUT YOU GO UNPACK 420 00:16:11,291 --> 00:16:13,125 AND I WILL MAKE YOU A CUP OF HERBAL TEA. 421 00:16:13,125 --> 00:16:15,625 I DON'T WANT A CUP OF HERBAL TEA. 422 00:16:15,625 --> 00:16:19,667 I WANT A CUP OF COFFEE MADE ON MY OWN COFFEE MAKER! 423 00:16:19,667 --> 00:16:22,583 (QUIETLY) OKAY, HE IS CLEARLY NOT ZEN. HE IS EASILY UPSET, 424 00:16:22,583 --> 00:16:24,708 AND THAT IS THE LAST THING THAT WE WANT! 425 00:16:24,708 --> 00:16:26,208 WE HAVE TO MAKE HIM THINK THAT EVERYTHING WENT SMOOTHLY 426 00:16:26,208 --> 00:16:27,959 WHILE HE WAS GONE. 427 00:16:27,959 --> 00:16:30,125 LOU, IT DIDN'T. DOS TO LIE? 428 00:16:30,125 --> 00:16:33,083 YES, I WANT YOU TO LIE, FOR GRANDPA'S SAKE, OKAY? 429 00:16:34,000 --> 00:16:36,166 HE HATES CHANGE. YOU KNOW THAT! 430 00:16:36,166 --> 00:16:37,792 YOU KNOW YOU HAVE TO RETHINK THIS, 431 00:16:37,792 --> 00:16:39,959 'CAUSE IT WILL PUT HIM RIGHT BACK TO SQUARE ONE! 432 00:16:39,959 --> 00:16:42,000 TIM: WELL, IF HE HADN'T HAVE COME HOME EARLY, 433 00:16:42,000 --> 00:16:43,708 THEY'D ALREADY BE HERE BY NOW 434 00:16:43,708 --> 00:16:45,291 AND HE WOULDN'T HAVE NOTICED ANY CHANGE AT ALL. 435 00:16:45,291 --> 00:16:47,208 LOU: YES, HE IS HOME EARLY AND HE WILL NOTICE, 436 00:16:47,208 --> 00:16:49,542 SO JUST CALL AND CANCEL, OKAY? 437 00:16:49,542 --> 00:16:50,792 (TRUCK RUMBLES) 438 00:16:56,291 --> 00:16:58,125 TIM: (GRUNTS) 439 00:16:58,125 --> 00:16:59,208 (SHEEP BLEAT LOUDLY) 440 00:17:02,917 --> 00:17:04,125 (SHEEP BLEAT LOUDLY) 441 00:17:11,417 --> 00:17:13,084 JACK: SHEEP?! 442 00:17:13,084 --> 00:17:14,959 WHO GAVE YOU PERMISSION TO BRING IN A HERD OF SHEEP?! 443 00:17:14,959 --> 00:17:16,333 TIM: UH, TECHNICALLY SPEAKING, 444 00:17:16,333 --> 00:17:18,125 IT'S A FLOCK, FLOCK OF SHEEP. 445 00:17:18,125 --> 00:17:20,458 DO I CARE? I'M A CATTLE MAN. 446 00:17:20,458 --> 00:17:22,209 THERE'S NEVER BEEN SHEEP ON THIS RANCH 447 00:17:22,209 --> 00:17:23,834 AND THERE NEVER WILL BE! -OKAY, GRANDPA. 448 00:17:23,834 --> 00:17:26,959 WELL, THERE'S BIG MONEY IN SHEEP, JACK. 449 00:17:26,959 --> 00:17:29,333 I'M TELLING YOU, ORGANIC LAMB, IT'S ALL THE RAGE. 450 00:17:29,333 --> 00:17:31,750 BIGGER THAN BISON. 451 00:17:31,750 --> 00:17:33,917 BESIDES, I DID IT FOR YOU. 452 00:17:33,917 --> 00:17:36,417 FACE IT, YOUR DAYS OF RIDING THE RANGE ARE OVER. 453 00:17:36,417 --> 00:17:38,042 WHAT DOES THAT MEAN, "OVER"? 454 00:17:38,042 --> 00:17:39,417 THAT'S NOT TRUE, GRANDPA. 455 00:17:39,417 --> 00:17:40,417 THAT'S NOT WHAT DAD MEANS. 456 00:17:42,750 --> 00:17:45,084 AND THE BEAUTY OF SHEEP 457 00:17:45,084 --> 00:17:47,084 IS THEY CAN BE CONTROLLED BY A DOG, 458 00:17:47,084 --> 00:17:48,959 AND THEY THREW THE DOG IN WITH THE PACKAGE. 459 00:17:48,959 --> 00:17:50,458 JACK: GET RID OF 'EM. 460 00:17:50,458 --> 00:17:52,167 PUT YOUR FLOCK OF SHEEP 461 00:17:52,167 --> 00:17:54,041 RIGHT BACK ONTO THAT TRAILER. 462 00:17:54,041 --> 00:17:56,375 TIM: NOT GONNA HAPPEN. BOUGHT 'EM WITH MY OWN FUNDS. 463 00:17:56,375 --> 00:17:57,834 THEY'RE STAYIN'. 464 00:17:57,834 --> 00:17:59,291 JACK: OVER MY DEAD BODY! 465 00:17:59,291 --> 00:18:00,291 ALMOST WAS! 466 00:18:02,750 --> 00:18:04,042 WHAT? 467 00:18:04,042 --> 00:18:05,000 TOO SOON? 468 00:18:07,625 --> 00:18:09,708 TY: I THINK WE NEED TO MAKE A TOAST. 469 00:18:09,708 --> 00:18:10,750 AMY: (CHUCKLES) 470 00:18:10,750 --> 00:18:13,041 TY: TO JACK! WELCOME HOME. 471 00:18:13,041 --> 00:18:14,000 AMY: GRANDPA, WELCOME HOME. (GLASSES CLINK) 472 00:18:14,000 --> 00:18:15,250 LOU: IT'S GOOD TO HAVE YOU BACK. 473 00:18:15,250 --> 00:18:17,375 MMM... 474 00:18:17,375 --> 00:18:19,458 AND JUST SO YOU KNOW, DESPITE TODAY'S LITTLE HICCUP, 475 00:18:19,458 --> 00:18:21,291 EVERYTHING HAS BEEN RUNNING LIKE CLOCKWORK 476 00:18:21,291 --> 00:18:23,000 SINCE YOU'VE BEEN AWAY. RIGHT, GUYS? 477 00:18:23,000 --> 00:18:24,625 TIM: IT HAS. LOU: YEAH. 478 00:18:24,625 --> 00:18:25,959 JACK: WELL, I HAVE TO ADMIT 479 00:18:25,959 --> 00:18:30,167 I WAS A LITTLE WORRIED ABOUT HOW THINGS WOULD GO WITHOUT ME. 480 00:18:30,167 --> 00:18:31,458 I'M GLAD IT ALL WORKED OUT. 481 00:18:31,458 --> 00:18:32,708 LOU: MMM-HMM. 482 00:18:32,708 --> 00:18:34,333 JACK: BUT I'M HOME NOW, 483 00:18:34,333 --> 00:18:36,750 SO LET'S JUST GET BACK TO NORMAL. 484 00:18:36,750 --> 00:18:38,209 GREAT. CAN'T WAIT TO GET BACK TO NORMAL. 485 00:18:38,209 --> 00:18:39,333 THIS PLACE WAS A- 486 00:18:39,333 --> 00:18:40,542 TIM: YOU KNOW, WE MADE A LOT OF PROGRESS, 487 00:18:40,542 --> 00:18:43,500 I THINK, WHILE YOU WERE GONE. 488 00:18:43,500 --> 00:18:46,333 SOMETIMES SEEING THINGS THROUGH FRESH EYES 489 00:18:46,333 --> 00:18:48,375 IS THE TICKET, HUH? 490 00:18:48,375 --> 00:18:49,458 AND AS FOR THE FUTURE, JACK, 491 00:18:49,458 --> 00:18:50,834 YOU DON'T HAVE A THING TO WORRY ABOUT. 492 00:18:50,834 --> 00:18:52,042 I'M NOT GOIN' ANYWHERE. 493 00:18:52,042 --> 00:18:53,750 I'M NOT SELLING BIG RIVER. 494 00:18:53,750 --> 00:18:55,583 BUT EVEN WITH YOU BACK, 495 00:18:55,583 --> 00:18:57,209 I'LL CONTINUE TO RUN THE DAY-TO-DAY. 496 00:18:57,209 --> 00:18:58,209 DID EVERYONE HAVE ENOUGH TO EAT? 497 00:18:58,209 --> 00:18:59,625 ANYONE WANT DESSERT? 498 00:18:59,625 --> 00:19:01,042 LOU: YEAH? TY: YEAH. 499 00:19:01,042 --> 00:19:02,125 WE GOT THIS, GRANDPA, 500 00:19:02,125 --> 00:19:03,542 YOU DON'T MOVE A MUSCLE, OKAY? 501 00:19:03,542 --> 00:19:05,000 WHERE ARE YOU GOING? 502 00:19:05,000 --> 00:19:07,625 OH, I JUST NEED A LITTLE AIR. 503 00:19:07,625 --> 00:19:09,583 LOU: OKAY, WELL, PUT ON YOUR JACKET. DON'T CATCH A CHILL. 504 00:19:17,042 --> 00:19:20,291 SO HOW YOU BEEN? YOU'RE LOOKIN' GOOD. 505 00:19:21,208 --> 00:19:22,208 AMY: HEY, GRANDPA? 506 00:19:24,959 --> 00:19:27,375 (CHUCKLES) LOU... SHE WORRIES. 507 00:19:27,375 --> 00:19:30,042 JACK: (CHUCKLING) YEAH. 508 00:19:30,042 --> 00:19:32,125 YOU KNOW, I MISSED YOU SO MUCH. 509 00:19:32,125 --> 00:19:33,291 I'M SO GLAD YOU'RE BACK. 510 00:19:37,959 --> 00:19:40,917 SO HOW'S WORK GOIN', AMY? YOU KEEPIN' BUSY? 511 00:19:40,917 --> 00:19:42,083 -IT'S OKAY. -YEAH? 512 00:19:42,083 --> 00:19:43,750 IT'S A LITTLE SLOW. 513 00:19:43,750 --> 00:19:45,125 YEAH, WELL, BY THE LOOKS OF THAT BOARD 514 00:19:45,125 --> 00:19:49,209 IT'S BEEN MORE THAN SLOW 515 00:19:49,209 --> 00:19:51,209 AND I FEEL KINDA RESPONSIBLE FOR THAT. 516 00:19:51,209 --> 00:19:53,375 I KNOW MY HEALTH SITUATION 517 00:19:53,375 --> 00:19:56,125 TOOK EVERYBODY OUT OF THEIR NORMAL ROUTINE. 518 00:19:56,125 --> 00:19:57,959 A WEEK IN THE HOSPITAL, 519 00:19:57,959 --> 00:20:00,167 TWO MONTHS OF BEING WAITED ON AT HOME... 520 00:20:00,167 --> 00:20:01,959 YEAH, THAT'S A LONG TIME. 521 00:20:01,959 --> 00:20:05,417 GRANDPA, NOBODY MINDED WAITING ON YOU. 522 00:20:05,417 --> 00:20:07,917 YOU'VE LOOKED AFTER US ALL OUR LIVES. 523 00:20:07,917 --> 00:20:10,000 WELL, THAT'S FINE. 524 00:20:10,000 --> 00:20:11,500 I WAS HOPING YOU'D HAVE GOTTEN BACK INTO IT 525 00:20:11,500 --> 00:20:13,500 WHILE I WAS IN ARIZONA. 526 00:20:13,500 --> 00:20:16,417 DID YOU HAPPEN TO TALK TO THOSE FOLKS IN VEGAS 527 00:20:16,417 --> 00:20:18,917 ABOUT RESCHEDULING THAT CLINIC YOU MISSED? 528 00:20:18,917 --> 00:20:20,792 NO. I NEEDED TO BE HERE. 529 00:20:24,209 --> 00:20:27,875 DON'T WORRY ABOUT ME, OKAY? EVERYTHING'LL BE FINE. 530 00:20:27,875 --> 00:20:28,875 I'M JUST GLAD YOU'RE BETTER. 531 00:20:30,375 --> 00:20:31,834 I LOVE YOU. 532 00:20:43,583 --> 00:20:44,917 (HORSE SNORTS ON VIDEO) 533 00:20:48,209 --> 00:20:50,000 GEORGIE: I DID A SEARCH ON YOU! 534 00:20:50,000 --> 00:20:52,041 NO WONDER THAT GUY WANTED YOU TO WORK WITH EMIR. 535 00:20:52,041 --> 00:20:55,500 YOU USED TO BE THE "MIRACLE GIRL." 536 00:20:55,500 --> 00:20:56,667 I'VE NEVER HEARD ANYONE CALL YOU THAT! 537 00:20:56,667 --> 00:20:58,000 (HORSE SNORTS ON VIDEO) 538 00:21:00,083 --> 00:21:02,209 AMY: I USED TO BE THE "MIRACLE GIRL"? 539 00:21:02,209 --> 00:21:04,875 THAT PRETTY MUCH SUMS IT UP, DOESN'T IT? 540 00:21:04,875 --> 00:21:06,750 "MIRACLE GIRL." EH? REMEMBER THAT? 541 00:21:06,750 --> 00:21:09,125 -TY, COME ON, I'M BEING SERIOUS! -OKAY, OKAY! 542 00:21:09,125 --> 00:21:11,792 ALL I'M SAYING IS DON'T BEAT YOURSELF UP, OKAY? 543 00:21:11,792 --> 00:21:13,167 YOU'RE NOT INTO IT RIGHT NOW. 544 00:21:13,167 --> 00:21:14,917 YOU CAN'T FORCE IT. 545 00:21:14,917 --> 00:21:15,959 I JUST... I FEEL LIKE A... 546 00:21:17,667 --> 00:21:19,917 TY: WHAT? 547 00:21:19,917 --> 00:21:22,209 SO WHAT IF THIS AHMED GUY'S A PRINCE?! 548 00:21:22,209 --> 00:21:24,083 THE BOTTOM LINE IS HIS HORSE NEEDS HELP, 549 00:21:24,083 --> 00:21:26,375 AND I LET HIM TOTALLY INTIMIDATE ME! 550 00:21:26,375 --> 00:21:27,667 I SHOULD'VE JUST STOOD MY GROUND AND- 551 00:21:27,667 --> 00:21:30,000 HEY, COME HERE. 552 00:21:30,000 --> 00:21:32,000 I JUST- COME HERE. LISTEN. 553 00:21:32,000 --> 00:21:34,959 YOU STILL CAN. 554 00:21:34,959 --> 00:21:36,375 IT'S LIKE YOU SAID, HE'S JUST A PRINCE. 555 00:21:42,084 --> 00:21:44,291 ADRIAN: THAT'S IT... BRING HIM AROUND. GOOD. 556 00:21:48,250 --> 00:21:51,209 (RAILINGS CLATTER LOUDLY) 557 00:21:51,209 --> 00:21:53,291 JAMIE: WHOA! EASY, EASY! COME ON! 558 00:21:53,291 --> 00:21:55,125 COME ON! GO! (WHIP SLAPS) 559 00:21:55,125 --> 00:21:57,083 AMY: STOP IT! STOP! 560 00:21:57,083 --> 00:21:59,083 JAMIE: COME ON. AMY: THAT WON'T WORK! 561 00:21:59,083 --> 00:22:01,792 ADRIAN: BACK OFF, JAMIE. BACK OFF. 562 00:22:01,792 --> 00:22:04,041 AMY: IT'S OKAY. I KNOW, I KNOW. GOOD BOY. 563 00:22:06,000 --> 00:22:07,708 AHMED: DO YOU ALL WANT TO GET FIRED?! IS THAT IT?! 564 00:22:07,708 --> 00:22:09,209 (EMIR WHINNIES, AHMED GASPS) 565 00:22:09,209 --> 00:22:10,291 (EMIR WHINNIES SHRILLY) 566 00:22:10,291 --> 00:22:12,084 ADRIAN: SIR! CAPTAIN, SIR! 567 00:22:12,084 --> 00:22:14,750 (HORSE WHINNIES SHRILLY) OH, OH, CAREFUL! 568 00:22:14,750 --> 00:22:16,125 (HORSE WHINNIES SHRILLY, HOOF KICKS VIOLENTLY) 569 00:22:16,125 --> 00:22:18,125 AGH! AGH! 570 00:22:18,125 --> 00:22:20,125 PACK THAT ANIMAL UP AND GET HIM OUT OF MY SIGHT! 571 00:22:22,209 --> 00:22:23,750 (HORSE WHINNIES) 572 00:22:23,750 --> 00:22:24,959 AMY: YOU OKAY? ADRIAN: (GRIMACES IN PAIN) 573 00:22:27,291 --> 00:22:28,625 (SHEEP BLEAT LOUDLY) 574 00:22:31,792 --> 00:22:34,792 LOU: YOU SEE, GRANDPA, THEY'RE NOT SO BAD, RIGHT? 575 00:22:34,792 --> 00:22:37,125 NOT SO BAD IF THEY'RE OFF MY PROPERTY. 576 00:22:37,125 --> 00:22:38,125 THERE'S NO PLACE FOR 'EM HERE. 577 00:22:38,125 --> 00:22:39,208 OKAY, HEAR ME OUT. 578 00:22:39,208 --> 00:22:41,000 I GOT A PERFECT PLACE FOR A PEN. 579 00:22:41,000 --> 00:22:42,959 LOU: NO, DAD, WE CAN TALK ABOUT THAT LATER. 580 00:22:42,959 --> 00:22:45,750 WE DON'T NEED A NEW PEN IF THERE'S NOTHIN' TO GO IN IT. 581 00:22:45,750 --> 00:22:47,041 YOU GET 'EM OUTTA HERE PRONTO! 582 00:22:49,959 --> 00:22:51,291 LOU: OKAY, TWO THINGS- 583 00:22:51,291 --> 00:22:53,458 ONE, MAKE THESE SHEEP DISAPPEAR, 584 00:22:53,458 --> 00:22:56,875 AND TWO, YOU ARE NOT GETTING RID OF GRANDPA'S TRUCKS! 585 00:22:56,875 --> 00:22:58,792 TIM: I ALREADY MADE THE DEAL WITH STUMPY TO TOW THEM AWAY. 586 00:22:58,792 --> 00:23:01,166 TH. WHY SHOULD I? 587 00:23:01,166 --> 00:23:02,250 BECAUSE GRANDPA WILL LOSE IT 588 00:23:02,250 --> 00:23:04,083 AND I WILL LOSE IT! 589 00:23:04,083 --> 00:23:05,667 PLEASE, DAD, CANCEL. 590 00:23:07,250 --> 00:23:08,250 OKAY. I MEAN IT. 591 00:23:08,250 --> 00:23:09,250 TIM: OKAY! 592 00:23:13,583 --> 00:23:16,583 SCOTT: SO THANKS FOR THE CALL AND DON'T WORRY ABOUT A THING. 593 00:23:16,583 --> 00:23:19,959 I KNOW THE GUYS AT THE AIRPORT, THE PAPERWORK WILL GO SMOOTHLY. 594 00:23:19,959 --> 00:23:21,166 ADRIAN: THANKS, I APPRECIATE IT. 595 00:23:21,166 --> 00:23:22,458 TAKE CARE OF YOURSELF, ALL RIGHT? 596 00:23:22,458 --> 00:23:24,000 AH, IT'S NOT THE FIRST TIME I'VE BEEN KICKED BY A HORSE, 597 00:23:24,000 --> 00:23:25,000 OR THE LAST. 598 00:23:28,000 --> 00:23:29,875 SCOTT: HEY, GOOD TO SEE YOU AGAIN. 599 00:23:29,875 --> 00:23:31,834 JUST SO YOU KNOW, YOUR HORSES FROM BELGIUM? 600 00:23:31,834 --> 00:23:33,333 TY AND I WILL BE AT THE AIRPORT PERSONALLY 601 00:23:33,333 --> 00:23:36,167 TO MAKE SURE THAT THE DE-PLANING GOES WELL, 602 00:23:36,167 --> 00:23:38,041 AND WE'RE HONOURED THAT YOU WOULD HAVE US INVOLVED. 603 00:23:38,041 --> 00:23:39,834 YOU WERE NEVER INVOLVED. 604 00:23:39,834 --> 00:23:41,333 I HAVE MY OWN PEOPLE TO OVERSEE IT. 605 00:23:41,333 --> 00:23:42,834 I HARDLY NEED A SMALL-TOWN COW DOCTOR. 606 00:23:42,834 --> 00:23:45,000 WHOA, WHOA. 607 00:23:45,000 --> 00:23:46,375 WE WERE ACTUALLY ASKED TO HELP OUT. 608 00:23:46,375 --> 00:23:47,417 AHMED: REALLY. 609 00:23:47,417 --> 00:23:48,417 SCOTT: YEAH. 610 00:23:51,417 --> 00:23:55,000 AHMED: YOUR ARM, IT'S BROKEN. 611 00:23:55,000 --> 00:23:57,000 SO YOU NOT ONLY WENT BEHIND MY BACK WITH THIS ARRANGEMENT, 612 00:23:57,000 --> 00:23:58,875 YOU ARE NOW COMPLETELY INCAPABLE OF MANAGING THE HORSES 613 00:23:58,875 --> 00:24:00,959 IN THAT CONDITION. 614 00:24:00,959 --> 00:24:04,000 HOW ARE YOU OF ANY USE TO ME? YOU'RE FIRED. 615 00:24:04,000 --> 00:24:06,042 I SHOULD HAVE DONE IT A LONG TIME AGO. 616 00:24:06,042 --> 00:24:07,041 AND WHAT IS WITH YOU PEOPLE 617 00:24:07,041 --> 00:24:08,125 THAT YOU'RE CONSTANTLY POKING YOUR NOSES 618 00:24:08,125 --> 00:24:09,417 WHERE THEY DON'T BELONG? 619 00:24:09,417 --> 00:24:11,291 YOU ARE NOT WELCOME HERE! 620 00:24:11,291 --> 00:24:12,959 AND THAT ANNOYING COUNTRY BUMPKIN COWGIRL 621 00:24:12,959 --> 00:24:13,875 WHO KEEPS SHOWING UP, 622 00:24:13,875 --> 00:24:15,166 I DON'T WANT TO SEE HER BACK HERE EITHER! 623 00:24:20,083 --> 00:24:21,834 TY: HEY, HOLD ON A SECOND! 624 00:24:21,834 --> 00:24:23,000 YOU GOT A PROBLEM, MAN?! 625 00:24:23,000 --> 00:24:25,125 ARE YOU AFRAID TO TALK TO AMY? 626 00:24:25,125 --> 00:24:27,583 YOU HAVE NO IDEA WHAT SHE IS CAPABLE OF! 627 00:24:27,583 --> 00:24:28,834 YOU COULD HAVE YOUR WORLD CLASS HORSE BACK 628 00:24:28,834 --> 00:24:29,959 AND YOU'RE THROWING IT AWAY. 629 00:24:29,959 --> 00:24:31,583 WORLD CLASS? 630 00:24:31,583 --> 00:24:33,209 EMIR IS FAR FROM BEING WORLD CLASS. 631 00:24:33,209 --> 00:24:34,917 NEVER WAS AND NEVER WILL BE! 632 00:24:34,917 --> 00:24:36,333 IN FACT, THAT HORSE HAS LET ME 633 00:24:36,333 --> 00:24:38,834 AND MY TEAM DOWN CONSISTENTLY. 634 00:24:45,458 --> 00:24:47,417 SORRY, ADRIAN. 635 00:24:47,417 --> 00:24:49,375 LET US KNOW IF THERE'S ANYTHING WE CAN DO TO HELP. 636 00:24:49,375 --> 00:24:51,875 TAKE EMIR BACK TO HEARTLAND. 637 00:24:51,875 --> 00:24:54,209 I WANT AMY TO WORK WITH HIM. 638 00:24:54,209 --> 00:24:57,042 WHAT ABOUT THE...? 639 00:24:57,042 --> 00:24:59,291 I'LL TAKE RESPONSIBILITY. 640 00:24:59,291 --> 00:25:03,041 I'LL TAKE FULL RESPONSIBILITY. 641 00:25:03,041 --> 00:25:05,041 GEORGIE: HEY, KATIE, DO YOU WANT SOME? YOU WANT SOME PASTA? 642 00:25:05,041 --> 00:25:06,041 JACK: (CHUCKLES) 643 00:25:08,083 --> 00:25:11,042 NOW THIS... THIS IS WHAT I MISSED THE MOST! 644 00:25:11,042 --> 00:25:13,000 HELLO. 645 00:25:13,000 --> 00:25:14,834 GEORGIE: YOU WERE MISSING SOMETHING ELSE TOO? 646 00:25:14,834 --> 00:25:16,042 JACK: LOOK AT THAT! YOU FOUND IT! 647 00:25:19,000 --> 00:25:20,000 LOU: HEY, SO I JUST TALKED TO PETER 648 00:25:20,000 --> 00:25:22,167 AND HE'S HEADED HOME, 649 00:25:22,167 --> 00:25:24,041 AND HE HAS NO PLANS THIS WEEKEND. 650 00:25:24,041 --> 00:25:27,000 SO IF YOU WANTED TO ASK HIM THAT QUESTION - 651 00:25:27,000 --> 00:25:30,042 YOU KNOW, THAT THING THAT WE TALKED ABOUT? 652 00:25:33,250 --> 00:25:35,542 WHAT'S GOIN' ON THERE? 653 00:25:35,542 --> 00:25:37,375 LOU: UH, IT'S NOTHING. IT'LL ALL WORK ITSELF OUT. 654 00:25:37,375 --> 00:25:39,166 HERE YOU GO. 655 00:25:39,166 --> 00:25:40,625 YOU KNOW, YOU FINISH YOUR LUNCH WITH GRANDPA, OKAY? 656 00:25:40,625 --> 00:25:42,500 NOTHING TO WORRY ABOUT. 657 00:25:42,500 --> 00:25:46,250 JACK: LOU, I DON'T MIND WORRYING ABOUT SOMETHIN'. 658 00:25:46,250 --> 00:25:49,083 IT'S NOT GONNA KILL ME, IS IT? 659 00:25:49,083 --> 00:25:51,542 SEE NOW, THERE'S A NOODLE FOR YOU. 660 00:25:51,542 --> 00:25:53,125 AH, TOO LATE, NOODLE FOR ME. 661 00:25:55,167 --> 00:25:57,625 AMY: HEY! WHAT'S HE DOIN' HERE? 662 00:25:57,625 --> 00:25:59,167 HOW DID YOU CONVINCE HIS HIGHNESS 663 00:25:59,167 --> 00:26:00,041 TO LET ME WORK WITH HIM. 664 00:26:00,041 --> 00:26:01,041 TY: WE DIDN'T. 665 00:26:02,125 --> 00:26:03,291 (TRUCK RUMBLES) 666 00:26:05,625 --> 00:26:07,166 (DRAMATIC MUSIC) 667 00:26:13,333 --> 00:26:15,166 AMY: (RELIEVED SIGH) 668 00:26:15,166 --> 00:26:16,125 HEY, PETER! 669 00:26:19,084 --> 00:26:20,375 LOU AND PETER: HEY. 670 00:26:20,375 --> 00:26:22,000 LOU: I'M SO GLAD YOU'RE HOME! 671 00:26:22,000 --> 00:26:23,291 (EMIR SNORTS) 672 00:26:23,291 --> 00:26:24,291 AMY: WOW. 673 00:26:28,084 --> 00:26:29,333 IT'S JUST BEAUTIFUL HOW HE MOVES. 674 00:26:29,333 --> 00:26:31,000 HE'S AMAZING TO WATCH. 675 00:26:31,000 --> 00:26:32,041 ADRIAN: HE IS A CHAMPION. 676 00:26:32,041 --> 00:26:33,125 I TRAINED EMIR FROM THE BEGINNING. 677 00:26:33,125 --> 00:26:36,375 HE WON COMPETITION AFTER COMPETITION. 678 00:26:36,375 --> 00:26:39,333 TY: WELL, AHMED SAID HE WASN'T PERFORMING TOO WELL. 679 00:26:39,333 --> 00:26:40,542 ADRIAN: EMIR WAS A STAR 680 00:26:40,542 --> 00:26:43,041 WHEN HE BELONGED TO AHMED'S FATHER. 681 00:26:43,041 --> 00:26:44,708 SO HE WASN'T ALWAYS HIS HORSE? 682 00:26:44,708 --> 00:26:47,083 ADRIAN: NO, NOT AT ALL. 683 00:26:47,083 --> 00:26:49,125 ABOUT A YEAR AGO, JUST BEFORE HIS DEATH, 684 00:26:49,125 --> 00:26:52,333 THE KING GAVE EMIR TO HIS SON AS A GIFT. 685 00:26:52,333 --> 00:26:54,041 JUST LIKE THAT HIS WINNING STREAK WAS OVER. 686 00:26:54,041 --> 00:26:55,167 (SPORTS CAR REVS) 687 00:27:01,167 --> 00:27:02,458 I WILL HAVE YOU ARRESTED FOR HORSE THEFT - 688 00:27:02,458 --> 00:27:04,083 ALL OF YOU! 689 00:27:04,083 --> 00:27:06,625 HAVE YOU COMPLETELY LOST YOUR MIND, ADRIAN?! 690 00:27:06,625 --> 00:27:08,417 ADRIAN: I WAS DOIN' WHAT YOUR FATHER WOULD'VE WANTED ME TO DO. 691 00:27:13,125 --> 00:27:15,083 ADRIAN: UH, NO! AHMED: GIVE HER TO ME! 692 00:27:15,083 --> 00:27:16,542 TY: HEY. AMY: HEY! HEY! 693 00:27:16,542 --> 00:27:17,750 (HORSE WHINNIES ANXIOUSLY) 694 00:27:17,750 --> 00:27:19,208 AMY: IT'S OKAY, IT'S OKAY! 695 00:27:19,208 --> 00:27:20,333 WHOA. EASY. IT'S OKAY. 696 00:27:23,375 --> 00:27:25,041 WHY ARE YOU SO AFRAID OF HIM? 697 00:27:26,792 --> 00:27:27,792 AHMED: I'M NOT AFRAID OF ANYTHING. 698 00:27:27,792 --> 00:27:29,291 IF YOU THINK I AM AFRAID OF AN ANIMAL, 699 00:27:29,291 --> 00:27:31,041 YOU'RE WRONG! 700 00:27:31,041 --> 00:27:33,458 AMY: OKAY, THEN WORK WITH HIM. 701 00:27:33,458 --> 00:27:35,792 WHY? I DON'T HAVE TO PROVE ANYTHING TO YOU. 702 00:27:35,792 --> 00:27:37,542 AMY: NO, YOU DON'T, 703 00:27:37,542 --> 00:27:39,583 BUT WHY DON'T YOU PROVE IT TO YOURSELF? 704 00:27:45,667 --> 00:27:47,000 AHMED: COME ON! COME ON! 705 00:27:52,375 --> 00:27:53,250 (EMIR SNORTS) 706 00:27:55,375 --> 00:27:56,375 I'VE HAD ENOUGH! 707 00:27:58,708 --> 00:28:01,583 I WON'T DO A STABLE HAND'S JOB! 708 00:28:01,583 --> 00:28:04,125 AMY: LISTEN, YOU CAN'T GIVE UP! 709 00:28:04,125 --> 00:28:07,042 THERE'S A REASON EMIR ACTS THAT WAY WITH YOU. 710 00:28:07,042 --> 00:28:08,291 AHMED: REALLY? AND YOU HAVE THE ANSWER, DO YOU? 711 00:28:08,291 --> 00:28:09,542 AMY: YEAH. 712 00:28:09,542 --> 00:28:11,333 OH! THEN, PLEASE, ENLIGHTEN ME. 713 00:28:11,333 --> 00:28:13,125 THE REASON HE ACTS THIS WAY WITH YOU 714 00:28:13,125 --> 00:28:15,166 IS BECAUSE THE ONLY ATTACHMENT HE HAS IS NEGATIVE! 715 00:28:15,166 --> 00:28:17,667 A NEGATIVE ATTACHMENT. I LOVE IT. 716 00:28:17,667 --> 00:28:19,500 HE ASSOCIATES YOU WITH THAT HORRIBLE FLIGHT. 717 00:28:19,500 --> 00:28:21,041 IT TERRIFIED HIM! 718 00:28:21,041 --> 00:28:22,291 AND YOU'RE JUST A SILLY COUNTRY GIRL 719 00:28:22,291 --> 00:28:23,667 SPOUTING NEW AGE GARBAGE! 720 00:28:23,667 --> 00:28:25,250 I AM A PROFESSIONAL. 721 00:28:25,250 --> 00:28:27,000 WHY DO YOU THINK ADRIAN CALLED ME IN THE FIRST PLACE? 722 00:28:27,000 --> 00:28:29,208 BECAUSE ADRIAN IS A FOOL. 723 00:28:29,208 --> 00:28:31,583 AND YOU ARE A SPOILED, CONDESCENDING, SEXIST IDIOT! 724 00:28:31,583 --> 00:28:33,209 HOW DARE YOU?! 725 00:28:33,209 --> 00:28:34,583 YOU DON'T KNOW ANYTHING ABOUT ME! 726 00:28:34,583 --> 00:28:36,250 I KNOW YOU HAVE NO PERSONAL CONNECTION WITH THAT HORSE! 727 00:28:36,250 --> 00:28:37,792 PERSONAL CONNECTION? 728 00:28:37,792 --> 00:28:38,875 BRUSHING HIM, GROOMING HIM, 729 00:28:38,875 --> 00:28:40,209 BEING WITH HIM?! 730 00:28:40,209 --> 00:28:41,250 I HAVE STAFF TO DO THAT. 731 00:28:41,250 --> 00:28:44,333 AND SO DID YOUR FATHER, 732 00:28:44,333 --> 00:28:48,000 BUT I CAN BET HE DID IT HIMSELF ANYWAY. 733 00:28:48,000 --> 00:28:50,417 EMIR WAS HIS HORSE. 734 00:28:50,417 --> 00:28:52,209 THEY WON CHAMPIONSHIPS TOGETHER, 735 00:28:52,209 --> 00:28:54,708 SO THEY MUST HAVE HAD A STRONG BOND. 736 00:28:54,708 --> 00:28:57,041 HE MISSES HIM. 737 00:28:57,041 --> 00:28:59,750 HE DOESN'T HAVE THAT CONNECTION WITH ANYONE ANYMORE, 738 00:28:59,750 --> 00:29:00,834 CERTAINLY NOT WITH YOU. 739 00:29:08,917 --> 00:29:12,792 I'M SORRY, I... I SHOULDN'T HAVE SAID THAT. 740 00:29:12,792 --> 00:29:14,917 I'M PROBABLY TOTALLY WRONG. 741 00:29:14,917 --> 00:29:16,250 AHMED: YOU'RE NOT WRONG. 742 00:29:19,750 --> 00:29:22,417 HOW DO YOU THINK IT FEELS, LOSING AGAIN AND AGAIN 743 00:29:22,417 --> 00:29:25,417 ON A HORSE THAT MY FATHER MADE A CHAMPION OF? 744 00:29:29,667 --> 00:29:32,959 MY FATHER WAS THE FOUNDER OF THE EQUESTRIAN TEAM. 745 00:29:32,959 --> 00:29:35,542 EVERYONE LOVED HIM, 746 00:29:35,542 --> 00:29:37,041 AND I'M LETTING HIS MEMORY DOWN 747 00:29:37,041 --> 00:29:39,667 IN FRONT OF MY TEAMMATES. 748 00:29:39,667 --> 00:29:43,250 THEY KNOW IT'S NOT THE HORSE. 749 00:29:43,250 --> 00:29:46,625 WELL, THEN YOU NEED EMIR TO TRUST YOU, 750 00:29:46,625 --> 00:29:48,917 LIKE HE TRUSTED YOUR FATHER. 751 00:29:48,917 --> 00:29:50,458 I AM NOT MY FATHER. 752 00:29:54,000 --> 00:29:56,208 I CAN'T COME CLOSE TO BEING MY FATHER. 753 00:29:56,208 --> 00:29:58,959 AND I'M NOT ASKING YOU TO, 754 00:29:58,959 --> 00:30:02,458 BUT YOU CAN STILL REACH EMIR. 755 00:30:02,458 --> 00:30:04,083 I CAN'T IMAGINE COMPETING AT SUCH A HIGH LEVEL 756 00:30:04,083 --> 00:30:05,083 WITHOUT A PARTNERSHIP. 757 00:30:07,500 --> 00:30:11,333 YOU NEED TO MAKE A PERSONAL CONNECTION WITH HIM 758 00:30:11,333 --> 00:30:12,542 AND I WANT TO HELP YOU. 759 00:30:14,208 --> 00:30:15,708 WILL YOU LET ME? 760 00:30:26,875 --> 00:30:28,000 PETER: (SIGHS LOUDLY) 761 00:30:29,583 --> 00:30:31,333 GOOD TO BE HOME. 762 00:30:31,333 --> 00:30:33,125 GLAD YOU ARE. 763 00:30:33,125 --> 00:30:35,959 WELL, THANK YOU. GOOD. 764 00:30:35,959 --> 00:30:37,208 HEY, THERE'S THIS RUMOUGOING AROUND 765 00:30:37,208 --> 00:30:40,333 ABOUT SOME DANCE OR SOMETHING. 766 00:30:40,333 --> 00:30:42,333 DO YOU KNOW ANYTHING ABOUT THAT? 767 00:30:44,125 --> 00:30:45,625 I'M GUESSING FROM THAT REACTION 768 00:30:45,625 --> 00:30:46,625 THAT YOU DON'T WANT TO GO. 769 00:30:46,625 --> 00:30:47,625 IS THAT RIGHT? 770 00:30:49,041 --> 00:30:50,041 (CHUCKLES) OBVIOUSLY. 771 00:30:54,333 --> 00:30:55,333 HOW COME? 772 00:30:57,291 --> 00:30:58,917 I DON'T KNOW. 773 00:30:58,917 --> 00:31:02,875 -IT MIGHT BE FUN. -IT MIGHT NOT BE TOO. 774 00:31:02,875 --> 00:31:04,959 WELL, THAT'S TRUE, IT MIGHT NOT BE. 775 00:31:04,959 --> 00:31:06,708 (CHUCKLES) 776 00:31:06,708 --> 00:31:09,208 COME ON, GEORGIE, WHY NOT? 777 00:31:09,208 --> 00:31:11,125 (SIGHS HEAVILY) 778 00:31:11,125 --> 00:31:12,667 WELL, IT'S JUST... 779 00:31:15,375 --> 00:31:16,959 I'VE NEVER BEEN TO A DANCE BEFORE 780 00:31:16,959 --> 00:31:18,792 AND I DON'T WANT TO MAKE A FOOL OUT OF MYSELF 781 00:31:18,792 --> 00:31:21,000 IN FRONT OF EVERYBODY, 782 00:31:21,000 --> 00:31:23,000 ESPECIALLY OLIVIA. 783 00:31:23,000 --> 00:31:27,125 OKAY, BUT... 784 00:31:27,125 --> 00:31:28,708 I MEAN, IF YOU DON'T GO 785 00:31:28,708 --> 00:31:31,291 ISN'T THAT KIND OF LIKE LETTING OLIVIA WIN? 786 00:31:31,291 --> 00:31:33,959 SHE PROBABLY DOESN'T WANT YOU TO COME ANYWAY, RIGHT? 787 00:31:33,959 --> 00:31:35,834 I'M SURE SHE WOULD JUST LOVE TO BE THERE 788 00:31:35,834 --> 00:31:37,834 ALL BY HERSELF HOLDING COURT ALL HER OWN. 789 00:31:40,208 --> 00:31:42,583 (CHUCKLES) 790 00:31:42,583 --> 00:31:43,500 WELL, THINK ABOUT IT, 791 00:31:43,500 --> 00:31:45,084 BECAUSE IF YOU DO NEED SOMEONE TO GO WITH 792 00:31:45,084 --> 00:31:46,500 I HAVE A BRAND NEW SUIT 793 00:31:46,500 --> 00:31:49,083 THAT'S JUST DYING TO BE SHOWN OFF, OKAY? 794 00:31:53,708 --> 00:31:54,917 (HOOVES THUNDER) 795 00:31:57,708 --> 00:31:59,166 (EMIR SNORTS ANGRILY) 796 00:32:01,625 --> 00:32:02,917 THIS IS RIDICULOUS! 797 00:32:04,750 --> 00:32:06,750 JUST KEEP TRYING. 798 00:32:06,750 --> 00:32:08,667 AHMED: LOOK AT HIM, HE HATES ME! 799 00:32:08,667 --> 00:32:10,875 O-OKAY... 800 00:32:10,875 --> 00:32:12,458 WHY DON'T YOU TAKE THE LUNGE LINE OFF HIM? 801 00:32:18,458 --> 00:32:20,458 SEND HIM AROUND AGAIN. 802 00:32:21,875 --> 00:32:23,042 (EMIR WHINNIES LOUDLY) 803 00:32:23,042 --> 00:32:24,625 IT'S NO USE! 804 00:32:24,625 --> 00:32:26,458 AMY: JUST TALK TO HIM, BE STEADY. 805 00:32:26,458 --> 00:32:30,041 HE NEEDS TO SEE YOU AS HIS SAFE PLACE. 806 00:32:31,667 --> 00:32:33,042 OKAY, NOW KEEP HIM MOVING. 807 00:32:34,667 --> 00:32:35,792 (EMIR WHINNIES SHRILLY) 808 00:32:35,792 --> 00:32:37,583 I'M SORRY! 809 00:32:40,500 --> 00:32:41,500 I'M SORRY I'M NOT MY FATHER. 810 00:32:44,708 --> 00:32:45,959 TRY CHANGING DIRECTION. 811 00:32:47,166 --> 00:32:48,166 AHMED: HEYAH! 812 00:32:50,125 --> 00:32:51,792 AMY: OKAY, NOW STEADY, TURN IN. 813 00:32:53,625 --> 00:32:54,625 AHMED: (PANTS) 814 00:32:57,500 --> 00:32:58,792 THAT'S GOOD. CHANGE DIRECTION AGAIN. 815 00:33:02,458 --> 00:33:04,625 THAT'S GOOD. NOW TALK TO HIM QUIETLY. 816 00:33:04,625 --> 00:33:05,583 GOOD BOY. 817 00:33:07,875 --> 00:33:09,458 AMY: OKAY, NOW STOP AND TURN AWAY FROM HIM. 818 00:33:14,000 --> 00:33:15,208 NOW WALK AWAY. 819 00:33:18,000 --> 00:33:19,208 (EMIR SNORTS) 820 00:33:20,542 --> 00:33:21,583 (SIGHS) 821 00:33:27,834 --> 00:33:28,917 (EMIR HUFFS QUIETLY) 822 00:33:38,875 --> 00:33:39,875 (GASPS) 823 00:33:44,458 --> 00:33:45,834 I MISS HIM TOO, YOU KNOW. 824 00:33:56,000 --> 00:33:57,250 (CRYING) 825 00:34:06,583 --> 00:34:09,042 JACK: BOY, THAT TACK LOOKS PRETTY NICE AND CLEAN. 826 00:34:09,042 --> 00:34:09,917 GEORGIE: I DID THAT. 827 00:34:09,917 --> 00:34:12,084 JACK: DID YOU NOW? WELL, GOOD WORK. 828 00:34:15,667 --> 00:34:18,167 GEORGIE: WHAT ARE YOU DOING? YOU CAN'T RIDE! YOU MIGHT... 829 00:34:18,167 --> 00:34:19,084 JACK: I MIGHT WHAT? 830 00:34:21,167 --> 00:34:22,917 I'M NOT A DELICATE FLOWER, GEORGIE. 831 00:34:22,917 --> 00:34:25,625 SITTIN' IN A SADDLE IS NOT A PROBLEM. 832 00:34:25,625 --> 00:34:27,333 DON'T GET ALL WORRIED ON ME NOW. 833 00:34:27,333 --> 00:34:28,834 BUT I AM WORRIED! 834 00:34:28,834 --> 00:34:30,083 EVERYONE IS 835 00:34:30,083 --> 00:34:32,583 AND THEY'RE ALL ACTING LIKE BIG FAKES! 836 00:34:32,583 --> 00:34:34,125 LIKE IT WAS ALL FINE WHEN YOU WERE GONE, 837 00:34:34,125 --> 00:34:36,667 BUT IT WASN'T! 838 00:34:36,667 --> 00:34:38,042 IT WAS WEIRD AND HORRIBLE 839 00:34:38,042 --> 00:34:41,084 BECAUSE TIM WAS HERE AND YOU WEREN'T, 840 00:34:41,084 --> 00:34:45,750 AND I WAS SCARED, JACK. I'M STILL SCARED. 841 00:34:45,750 --> 00:34:47,417 AH, DON'T BE SCARED. 842 00:34:47,417 --> 00:34:49,458 I'M NOT GOIN' ANYWHERE SOON. 843 00:34:50,625 --> 00:34:51,834 SORRY. 844 00:34:54,167 --> 00:34:57,083 I'M PROBABLY GONNA GET YOU SICK AGAIN. 845 00:34:57,083 --> 00:34:59,625 LOU SAYS I SHOULDN'T STRESS YOU OUT. 846 00:34:59,625 --> 00:35:01,917 OH, YOU'RE NOT STRESSIN' ME OUT. 847 00:35:01,917 --> 00:35:05,542 I'D RATHER EVERYONE BE STRAIGHT WITH ME ANYWAY. 848 00:35:05,542 --> 00:35:08,875 YOU KNOW, IT WASN'T ALL THAT BAD. 849 00:35:08,875 --> 00:35:11,041 IN FACT, THE WHOLE EXPERIENCE 850 00:35:11,041 --> 00:35:14,625 OPENED MY EYES TO A COUPLE OF THINGS. 851 00:35:14,625 --> 00:35:16,041 YOU NEVER WANT TO PASS UP AN OPPORTUNITY 852 00:35:16,041 --> 00:35:18,042 TO BE CLOSE TO YOUR FAMILY, 853 00:35:18,042 --> 00:35:20,500 AND NEVER GIVE UP WITHOUT A FIGHT. 854 00:35:27,667 --> 00:35:29,875 SO I'M GLAD TO HEAR 855 00:35:29,875 --> 00:35:31,417 YOU'RE BACK WORKIN' AGAIN WITH THAT PRINCE. 856 00:35:31,417 --> 00:35:32,500 AMY: YEAH, I GUESS. (CHUCKLES) 857 00:35:32,500 --> 00:35:33,917 JACK: OH, THAT'S GOOD, AMY. 858 00:35:33,917 --> 00:35:35,583 TIM: YEAH, I TOLD HER THAT. 859 00:35:35,583 --> 00:35:37,834 YUP, IT'S A GREAT OPPORTUNITY. 860 00:35:37,834 --> 00:35:39,625 OKAY, I HAVE AN ANNOUNCEMENT TO MAKE. 861 00:35:42,125 --> 00:35:45,625 I'VE MADE A DECISION ABOUT THE DANCE. 862 00:35:45,625 --> 00:35:47,708 I'D LIKE TO GO IF YOU WOULD GO WITH ME. 863 00:35:50,708 --> 00:35:52,625 WELL, THANK YOU VERY MUCH. I WOULD LOVE TO. 864 00:35:52,625 --> 00:35:54,209 HONEY, THAT'S GREAT! 865 00:35:54,209 --> 00:35:55,917 WHAT MADE YOU CHANGE YOUR MIND? 866 00:35:55,917 --> 00:35:57,000 -JUST LEAVE IT ALONE,HONEY.-OKAY. 867 00:35:59,583 --> 00:36:00,917 JACK: SO, COFFEE ANYONE? 868 00:36:00,917 --> 00:36:01,917 TIM: YEAH. 869 00:36:05,084 --> 00:36:06,125 LOU: OKAY, WANT SOME? 870 00:36:06,125 --> 00:36:07,125 TIM: SURE. 871 00:36:15,667 --> 00:36:16,667 (EXHALES FORCEFULLY) 872 00:36:21,208 --> 00:36:22,959 GEORGIE: WELL, PETER, YOU GET TO USE YOUR NEW SUIT. 873 00:36:22,959 --> 00:36:24,209 TIM? 874 00:36:24,209 --> 00:36:26,125 TIM: YEAH? 875 00:36:26,125 --> 00:36:28,583 JACK: CAN I HAVE A WORD WITH YOU? 876 00:36:28,583 --> 00:36:29,708 TIM: UH... 877 00:36:34,792 --> 00:36:36,084 HOW DARE YOU TAKE OVER THIS RANCH 878 00:36:36,084 --> 00:36:37,917 WH! OH, COME ON! 879 00:36:37,917 --> 00:36:39,041 HOW DARE YOU BUY A HERD OF SHEEP?! 880 00:36:39,041 --> 00:36:40,834 FLOCK. NO- 881 00:36:40,834 --> 00:36:42,792 SHUT UP, I'M TALKIN' HERE! 882 00:36:42,792 --> 00:36:44,084 I KNOW EVERYBODY ELSE, 883 00:36:44,084 --> 00:36:45,167 THEY SAYING IT ALL WENT SMOOTH, 884 00:36:45,167 --> 00:36:47,083 BUT APPARENTLY, YOU RODE ROUGHSHOD 885 00:36:47,083 --> 00:36:49,083 OVER THIS FAMILY THE ENTIRE TIME! 886 00:36:49,083 --> 00:36:50,792 WHERE DO YOU GET OFF WITH THAT?! 887 00:36:50,792 --> 00:36:52,041 AND TO TOP EVERYTHING, 888 00:36:52,041 --> 00:36:53,667 YOU THREW OUT MY COFFEE MAKER! 889 00:36:53,667 --> 00:36:54,959 OH, IS THAT WHAT THIS IS ABOUT? 890 00:36:54,959 --> 00:36:56,166 YOUR COFFEE MAKER?! 891 00:36:56,166 --> 00:36:58,708 DON'T YOU DARE TURN THIS BACK AROUND ONTO ME! 892 00:36:58,708 --> 00:37:02,000 I'M RUNNIN' THE RANCH WHILE YOU'RE DOWN FOR THE COUNT 893 00:37:02,000 --> 00:37:03,834 SUNNIN' YOURSELF IN ARIZONA! 894 00:37:03,834 --> 00:37:05,917 ARIZONA WAS NOT MY IDEA! 895 00:37:05,917 --> 00:37:07,000 AND YOU'RE WORRIED ABOUT 896 00:37:07,000 --> 00:37:09,000 SOME 400-YEAR-OLD COFFEE MAKER?! 897 00:37:09,000 --> 00:37:10,208 OH, THANKS FOR THE APPRECIATION! 898 00:37:10,208 --> 00:37:11,917 IT'S NOT JUST ABOUT A COFFEE MAKER, TIM, 899 00:37:11,917 --> 00:37:14,208 IT'S ABOUT THE WAY YOU TREAT ME! 900 00:37:14,208 --> 00:37:18,083 I AM NOT REDUNDANT. I AM NOT SICK. 901 00:37:18,083 --> 00:37:20,083 DON'T YOU DARE PUT ME OUT TO PASTURE. 902 00:37:20,083 --> 00:37:22,084 YOU DON'T NEED TO "BE HERE" FOR ME, 903 00:37:22,084 --> 00:37:24,000 BECAUSE I'M HERE! 904 00:37:24,000 --> 00:37:26,291 I'M THE REASON YOU ARE HERE! 905 00:37:26,291 --> 00:37:28,167 I'M THE ONE THAT FOUND YA FACE DOWN IN THE SNOW! 906 00:37:28,167 --> 00:37:29,500 JACK: OH, HERE WE GO AGAIN. 907 00:37:29,500 --> 00:37:31,209 TIM: IF IT WASN'T FOR ME- I SAVED YOUR LIFE! 908 00:37:31,209 --> 00:37:33,792 OH, SO YOU CALLED 911. BIG DEAL! 909 00:37:33,792 --> 00:37:35,084 ANYBODY THAT CAME ALONG WOULDA DONE THE SAME- 910 00:37:35,084 --> 00:37:36,083 BUT THEY DIDN'T! THEY DIDN'T! 911 00:37:36,083 --> 00:37:38,000 IT WAS ME! I'M THE ONE. 912 00:37:38,000 --> 00:37:40,083 I SAVED YOUR LIFE! I SAVED YOUR LIFE! 913 00:37:40,083 --> 00:37:42,667 ALL RIGHT, FINE! 914 00:37:42,667 --> 00:37:44,083 BUT YOU, YOU'RE THE ONE WHO ALMOST KILLED ME 915 00:37:44,083 --> 00:37:45,708 IN THE FIRST PLACE! 916 00:37:50,834 --> 00:37:52,708 YOU'RE RIGHT, I GUESS I KINDA DID. 917 00:37:56,792 --> 00:37:57,792 (CHUCKLING) 918 00:38:00,792 --> 00:38:02,084 (CHUCKLING) 919 00:38:03,959 --> 00:38:05,083 GOOD TO HAVE YOU BACK, BUDDY. 920 00:38:21,125 --> 00:38:23,125 (WHISPERS) WE'RE GOING TO DO THIS. 921 00:38:23,125 --> 00:38:24,167 OKAY, BOY. 922 00:38:30,708 --> 00:38:32,209 (DRAMATIC MUSIC) 923 00:38:34,125 --> 00:38:35,125 (HOOVES THUNDER) 924 00:38:37,208 --> 00:38:40,000 (DRAMATIC MUSIC) 925 00:38:54,042 --> 00:38:55,750 (HOOVES THUNDER) 926 00:39:01,750 --> 00:39:04,000 (HOOVES THUD LIGHTLY) 927 00:39:04,000 --> 00:39:05,167 TY AND AMY: (CLAPPING) 928 00:39:07,917 --> 00:39:08,875 TEAMMATES: (CHUCKLE APPRECIATIVELY) 929 00:39:14,208 --> 00:39:16,750 WILL YOU CONSIDER RETURNING TO YOUR JOB? 930 00:39:22,875 --> 00:39:23,875 (CHUCKLES HAPPILY) 931 00:39:27,291 --> 00:39:29,167 (SIGHS) GOOD BOY. 932 00:39:29,167 --> 00:39:30,750 (BIRDS CHIRP) 933 00:39:32,917 --> 00:39:34,208 (TRUCK RUMBLES) 934 00:39:45,750 --> 00:39:46,917 AMY: HEY! 935 00:39:46,917 --> 00:39:48,000 HELLO. 936 00:39:50,042 --> 00:39:52,041 I, UH, I SHOULD HAVE CALLED, BUT- 937 00:39:52,041 --> 00:39:53,125 AMY: NO, THAT'S FINE. 938 00:39:57,166 --> 00:39:59,583 I JUST WANTED TO THANK YOU FOR ALL YOU DID, 939 00:39:59,583 --> 00:40:00,792 AND I WANTED TO LET YOU KNOW, 940 00:40:00,792 --> 00:40:02,125 AT ADRIAN'S URGING, 941 00:40:02,125 --> 00:40:05,125 I WATCHED THE "MIRACLE GIRL" VIDEO. 942 00:40:05,125 --> 00:40:06,375 QUITE ASTONISHING. 943 00:40:06,375 --> 00:40:08,000 THANK YOU. 944 00:40:08,000 --> 00:40:10,291 SO... 945 00:40:10,291 --> 00:40:11,875 I THOUGHT THIS WAS APPROPRIATE. 946 00:40:11,875 --> 00:40:12,792 (TRUNK DOOR HUMS OPEN) 947 00:40:18,708 --> 00:40:19,708 AMY: OH! 948 00:40:21,500 --> 00:40:25,041 (STUNNED LAUGH) IT'S BEAUTIFUL! I, I... 949 00:40:25,041 --> 00:40:26,333 I CAN'T ACCEPT THAT! 950 00:40:26,333 --> 00:40:28,625 AHMED: YES, YOU CAN. 951 00:40:28,625 --> 00:40:30,209 IT'S VERY BAD FORM TO TURN DOWN A GIFT 952 00:40:30,209 --> 00:40:31,333 FROM A PRINCE. 953 00:40:31,333 --> 00:40:33,083 AMY: (LAUGHS) 954 00:40:33,083 --> 00:40:35,166 THANK YOU. 955 00:40:35,166 --> 00:40:38,959 I... DO I CURTSY OR CAN I GIVE YOU A HUG? 956 00:40:38,959 --> 00:40:40,500 I WILL ALLOW THE HUG. 957 00:40:40,500 --> 00:40:41,959 AMY: THANK YOU. THANK YOU SO MUCH! 958 00:40:41,959 --> 00:40:42,959 (LAUGHS) 959 00:40:46,000 --> 00:40:48,084 I HOPE TO SEE YOU AT THE SHOW. 960 00:40:48,084 --> 00:40:50,166 WE'LL BE THERE. 961 00:40:50,166 --> 00:40:51,125 THANK YOU. 962 00:40:54,000 --> 00:40:55,166 (ENGINE TURNS OVER) 963 00:41:06,291 --> 00:41:07,917 TY: WELCOME BACK, MIRACLE GIRL. 964 00:41:07,917 --> 00:41:08,917 AMY: THANKS. 965 00:41:10,083 --> 00:41:11,083 (CHUCKLES) 966 00:41:13,375 --> 00:41:15,084 LOU: WHAT?! NO! DAD, YOU PROMISED ME! 967 00:41:17,250 --> 00:41:20,042 (TRUCK DOOR BANGS SHUT) 968 00:41:20,042 --> 00:41:21,500 OH MY GOD! (PHONE BEEPS OFF) 969 00:41:21,500 --> 00:41:23,209 (SHEEP BLEAT LOUDLY) 970 00:41:23,209 --> 00:41:24,542 (RUNNING FOOTSTEPS) 971 00:41:24,542 --> 00:41:26,250 GRANDPA, YOU ARE BACK! 972 00:41:26,250 --> 00:41:28,041 YOU KNOW, YOU WERE GONE A LONG TIME! 973 00:41:28,041 --> 00:41:31,208 JACK: I'M FINE, LOU, PLEASE STOP WORRYING. 974 00:41:31,208 --> 00:41:33,917 LOU: NO, NO, NO, DON'T WORRY. LET ME TAKE THESE BAGS. 975 00:41:33,917 --> 00:41:36,125 DID YOU GO TO THE BAKERY? NO, YOU DIDN'T. 976 00:41:36,125 --> 00:41:38,167 THEY HAVE THESE NEW APPLE FRITTERS 977 00:41:38,167 --> 00:41:39,250 THAT ARE TO DIE FOR. 978 00:41:39,250 --> 00:41:40,375 I'M GONNA PICK YOU UP SOME, OKAY? 979 00:41:40,375 --> 00:41:41,375 YOU'RE GONNA LOVE THEM. 980 00:41:43,250 --> 00:41:45,084 (DOOR BANGS SHUT) 981 00:41:45,084 --> 00:41:46,209 (SHEEP BLEAT LOUDLY) 982 00:41:47,375 --> 00:41:49,084 (DOOR CREAKS OPEN) 983 00:41:51,583 --> 00:41:53,250 (SHEEP BLEAT LOUDLY) 984 00:41:56,167 --> 00:41:57,167 LOU! 985 00:41:59,208 --> 00:42:01,625 WHERE ARE MY TRUCKS?! 986 00:42:02,167 --> 00:42:05,125 ♪ I love you when you laugh ♪ 987 00:42:05,125 --> 00:42:08,042 ♪ When you dream, when you... ♪ 988 00:42:08,042 --> 00:42:09,917 JENNIFER: YOUR DRESS IS SUPER, GEORGIE. I LOVE IT! 989 00:42:09,917 --> 00:42:11,167 THANK YOU, YOURS TOO. 990 00:42:11,167 --> 00:42:12,333 THANK YOU. 991 00:42:12,333 --> 00:42:16,000 THIS IS MY, UM, FATHER, PETER. 992 00:42:16,000 --> 00:42:17,333 NICE TO MEET YOU. 993 00:42:17,333 --> 00:42:18,583 (EMOTIONAL INHALE) 994 00:42:20,041 --> 00:42:21,041 YOU TOO. HAVE FUN. 995 00:42:23,125 --> 00:42:25,166 ♪ Love you 'cause you're you ♪ 996 00:42:25,166 --> 00:42:27,542 GEORGIE: YOU WERE RIGHT ABOUT OLIVIA. 997 00:42:27,542 --> 00:42:30,125 SHE IS SO MAD I CAME. 998 00:42:30,125 --> 00:42:31,000 (GIGGLES) 999 00:42:34,000 --> 00:42:35,000 WELL... 1000 00:42:37,542 --> 00:42:39,041 WHAT DO YOU SAY? 1001 00:42:39,041 --> 00:42:41,083 MAY I HAVE THIS DANCE, MADEMOISELLE? 1002 00:42:41,083 --> 00:42:43,083 SHALL WE GO FOR IT? 1003 00:42:43,083 --> 00:42:45,583 WELL, I'VE NEVER DANCED BEFORE, 1004 00:42:45,583 --> 00:42:47,583 AND I DON'T KNOW WHAT TO DO. 1005 00:42:47,583 --> 00:42:50,166 SO THERE'S NO WAY I'M GOING UP THERE. 1006 00:42:50,166 --> 00:42:51,375 YOU'RE THE "NO FEAR" KID, THOUGH, RIGHT? 1007 00:42:51,375 --> 00:42:52,375 COME ON. 1008 00:42:55,250 --> 00:42:56,583 (WHISPERS) LISTEN, DON'T WORRY. I GOT THIS COVERED. 1009 00:42:56,583 --> 00:42:57,583 GEORGIE: (SIGHS) 1010 00:42:57,583 --> 00:42:59,000 PETER: COME ON. 1011 00:42:59,000 --> 00:43:02,167 ♪ They don't know you like I do ♪ 1012 00:43:04,166 --> 00:43:09,250 ♪ Just remember that I love you ♪ 1013 00:43:11,250 --> 00:43:14,083 ♪ But don't ever change a single thing you do ♪ 1014 00:43:14,083 --> 00:43:16,583 GEORGIE: OH, THAT WAS ME. OOPS! SORRY. 1015 00:43:16,583 --> 00:43:18,125 ♪ Love you 'cause you're you ♪ 1016 00:43:20,209 --> 00:43:21,000 GEORGIE: (GIGGLES) 1017 00:43:21,000 --> 00:43:22,250 PETER: SEE, THERE WE GO. 1018 00:43:22,250 --> 00:43:24,458 ♪ Always be you ♪ 1019 00:43:24,458 --> 00:43:25,458 GEORGIE: THERE WE GO! 71209

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