All language subtitles for Belgravia.The.Next.Chapter.S01E06.Episode.Six.1080p.AMZN.WEB-DL.DDP5.1.H.264-NTb

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These are the user uploaded subtitles that are being translated: Eߣ�B��B��B�B�B��matroskaB��B��S�g�M�t�M��S��I�fS��M��S��T�kS���M��S��S�kS��L�M��S��T�gS���v�O�I�f@�*ױ�B@M��libebml v1.4.5 + libmatroska v1.7.1WA�mkvmerge v82.0 ('I'm The President') 64-bitD��AG�|�Da� #o�^��s���{0ʝ���s�Ī�hT�k训ׁsň-a�ܶ���������S_TEXT/UTF8"���en-GB��ׁsňs,E��t ��������S_TEXT/UTF8"���en-GBSn�SDHU���DSC�u@��Q������{\an8}The Duke, I should warn you,�� ������{\an8}The Duke, I should warn you,�� ������ �still holds some reservations regarding your approach.��z����� �still holds some reservations regarding your approach.��zC�u��j������♪���������Promise me that this is the last time.��+������Promise me that this is the last time.��+C�u@�炀ࠍ���♪���������What happened to Lily?��B������What happened to Lily?��B����� �She froze�� n����� �[Nell] She froze�� nC�u@�炕�����in the night, in my arms...�� =�����in the night, in my arms...�� =����� =Aphrodite, I presume?�� ����� =Aphrodite, I presume?�� �����JYes.��������JYes.���C�u@�炫�����Well, I hope you enjoy the experience, Lady Trenchard.��y�����Well, I hope you enjoy the experience, Lady Trenchard.��y�����y- But he saw you. - Please stop it.�� =�����y- But he saw you. - Please stop it.�� =C�uA�炿������We have been experiencing some difficulties of late.��������We have been experiencing some difficulties of late.����ġ���I wish more than anything that we could find a way��+�ġ���I wish more than anything that we could find a way��+������back to how we were, and it's slipping away.�� �������back to how we were, and it's slipping away.�� �C�uA\�������He told me about the new adventure��U�����He told me about the new adventure��U�����Uthat you're planning together,��<�����Uthat you're planning together,��<����� �- the silver mine. - Ah, yes.��ؠ���� �- the silver mine. - Ah, yes.��ؠ����iYou shouldn't have done that.�������iYou shouldn't have done that.��C�uAe���ơ��It wasn't long ago that you were asking for my help.��%�ΡȂ[Clara] It wasn't long ago that you were asking for my help.��%�����%As you can see, we must borrow.�� ꠪���%As you can see, we must borrow.�� ꠲���- No, no, no, no, no. - I'm losing him!�� >�����- No, no, no, no, no. - [crying] I'm losing him!�� >C�uAq�9�����I'm losing him!��������I'm losing him!���������I don't want to live my life like this,��ޠ�����I don't want to live my life like this,��ޠ���� hand I would hope that you don't either.��ؠ���� hand I would hope that you don't either.��ؠ����@I want to live with trust... and love!�� ������@I want to live with trust... and love!�� �C�u��/ �����So do I...��ݠ����So do I...��ݠ�����What have you done?��y������What have you done?��yC�u��M.�����{\an8}[theme music playing]�� C�u��A������[serious music playing]�� >����� >♪�� C�u��W�����[workers chattering indistinctly]�� mC�u@��������[children shouting playfully]��ؠ�����I don't really know what I expected of marriage.�� ��á���[Clara] I don't really know what I expected of marriage.�� �C�uA ��������I was probably naive.��������I was probably naive.���������So much has happened.�� n������So much has happened.�� n�����I didn't know that someone could be so complicated.��������I didn't know that someone could be so complicated.���C�uA ��f�����And troubled.��ؠ����And troubled.��ؠ�����- I've tried to help. - I'm sure you have.��O������- I've tried to help. - [Stephen] I'm sure you have.��O�����'Everything I do seems to be wrong.�� m�����'Everything I do seems to be wrong.�� mC�uA���������It seems to me he should be thinking��`�����It seems to me he should be thinking��`�����`more about your happiness.��[�����`more about your happiness.��[����� �You've been married a matter of months,��7����� �You've been married a matter of months,��7������and he's managed to distress you and push you away.�� �������and he's managed to distress you and push you away.�� �C�u@��}�����I'm sure it's been my fault as well.��̠����[Clara] I'm sure it's been my fault as well.��̠�����He's had great difficulties to deal with in his life.��W������He's had great difficulties to deal with in his life.��WC�uA+�������He may have had difficulties,��0�����He may have had difficulties,��0�����0but he shouldn't be expecting you to suffer for that.��Ҡ����0but he shouldn't be expecting you to suffer for that.��Ҡ����He doesn't. Not really. I...�� ������He doesn't. Not really. I...�� �C�u@��4R�����It's hard to explain.��Ҡ����It's hard to explain.��Ҡ�����He can be so loving...�� m������He can be so loving...�� m�����?and wonderful.��������?and wonderful.���C�u@��M?�����[children shouting playfully]�������All right there, Peter.��Ҡ����[Stephen] All right there, Peter.��Ҡ�����[laughter]�� gC�u@��gz�����Thank you for listening to me.�� s�����Thank you for listening to me.�� s����� sI will always want to listen to you.��$����� sI will always want to listen to you.��$C�u@��������- What are we playing? - Chase!��U�����- [Stephen] What are we playing? - [Amelia] Chase!��U�����UAll right. Let's go!��������U[Stephen] All right. Let's go!���������♪�� �C�u@���������Come on!��7�����Come on!��7�����7[whoops]��`����� �Come on! You've got to get me!�� ������ �[Stephen] Come on! You've got to get me!�� �C�uA��Π����Miss Dunn is in the drawing room, Your Ladyship.�� ������Miss Dunn is in the drawing room, Your Ladyship.�� ������ �Is she?��ޠ���� �Is she?��ޠ����oShe's been waiting for half an hour or more.�� ������oShe's been waiting for half an hour or more.�� �C�u@���v�����You sat for a lurid painting?�������You sat for a lurid painting?�������It isn't lurid.��������It isn't lurid.��������"But I confess, I...��נ����"But I confess, I...���C�u@���o�����I didn't think it would ever appear in a window.�� 𠻡��I didn't think it would ever appear in a window.�� 𠲡�� �- I thought it lurid. - Well, it's not.�� 렲��� �- I thought it lurid. - Well, it's not.�� �C�u@��J�����It's in the Pre-Raphaelite style.�� 𠬡��It's in the Pre-Raphaelite style.�� 𠺡�� �The artist is extremely talented and reputable.�� D����� �The artist is extremely talented and reputable.�� DC�u@��#~�����But I don't understand. How did this even come about?�� m�����But I don't understand. How did this even come about?�� m����� mI met him through a mutual friend,�� s����� mI met him through a mutual friend,�� sC�uA#�7^�����a doctor, an acquaintance of the Duchess of Rochester,�� \�����a doctor, an acquaintance of the Duchess of Rochester,�� \����� \and he asked me to sit for him.��7����� \and he asked me to sit for him.��7������So, you went to an...�� ������So, you went to an...�� C�uA�V������- artist's... - Studio.��x�����- artist's... - Studio.��x�����xAnd he told you to take off your clothes��Ҡ����xAnd he told you to take off your clothes��Ҡ����Jand pose as the Goddess of Love?��������Jand pose as the Goddess of Love?���C�uA�m򠵡��It wasn't like that. You're being prudish.�� ������It wasn't like that. You're being prudish.�� ������ �- Am I? - Yes.��a����� �- Am I? - Yes.��a�����There were other people there with me,��1�����There were other people there with me,��1C�uA ��?�����- the doctor-- - Oh, "the doctor."��+�����- the doctor-- - Oh, "the doctor."��+�����+And other people. My maid was with me--��������+And other people. My maid was with me--�������� �Ah! And your husband?��ޠ���� �Ah! And your husband?���C�u@���̠����[both scoff]���������Does he know about any of this?���������Does he know about any of this?���������Em, you're making far too much of this.�� �������Em, you're making far too much of this.�� �C�uA���Ҡ����You say it's in the window of Findlay and Hodge?��������You say it's in the window of Findlay and Hodge?���������They are extremely respectable dealers, I think.�� ������They are extremely respectable dealers, I think.�� �á���Yes, where respectable people might go to buy their art.����á���Yes, where respectable people might go to buy their art.���C�u@���P�����People will see it. People who matter.�� ������People will see it. People who matter.�� ������ �- I'm hardly recognizable-- - Oh, I recognized you--�� n����� �- I'm hardly recognizable-- - Oh, I recognized you--�� nC�u@���U�����Yes, because you're my sister!��������- Yes, because you're my sister! - [door opens]���������Emily? How are you?��t������Emily? How are you?��tC�u@��q�����Well. Thank you, Frederick.�� n�����Well. Thank you, Frederick.�� n����� nAnd your mother?��ݠ���� nAnd your mother?��ݠ����KTolerably well.�� >�����KTolerably well.�� >C�u@��!������Please send her my regards.��������Please send her my regards.���������I will. Thank you.��6������[Emily] I will. Thank you.��6C�uA�K������There's something wrong between you.��������[whispers] There's something wrong between you.���������No, there isn't.��<������[whispers] No, there isn't.��<����� �I'm not a fool, Clara Dunn.��͠���� �I'm not a fool, Clara Dunn.���C�uA*�_=�����All marriages have good days and bad.��%�����[normal voice] All marriages have good days and bad.��%�����%May I remind you that if you should lose��������%May I remind you that if you should lose���������your husband's goodwill,���������your husband's goodwill,���C�u@��tk�����it will affect not only you but mother... and me.��������it will affect not only you but mother... and me.���������He's not about to stop your allowance--��6������He's not about to stop your allowance--��6C�u@���������Yes, not only financially,��y�����Yes, not only financially,��y�����ybut in terms of our standing... and my future.��������ybut in terms of our standing... and my future.���C�u@���������Perhaps you could think of that��Q�����Perhaps you could think of that��Q�����Qnext time you're unfastening your corset��~�����Qnext time you're unfastening your corset��~C�u@���������in an artist's studio.��ؠ����- in an artist's studio. - [scoffs]��ؠ�����The very idea that you would risk our reputation.�� \������The very idea that you would risk our reputation.�� \C�u@���&�����I must go. Mother will be wondering.�� �����I must go. Mother will be wondering.�� ����� I've been here too long.�� ����� I've been here too long.�� C�u���K�����- [door closes] - [sighs]�� 8����� 8[exhales deeply]���C�uA �:۠����Someone bought it a couple of hours ago.��&�����Someone bought it a couple of hours ago.��&�����&"Snapped up," he said it was.�� �����&"Snapped up," he said it was.�� �����EDid he say who bought it?��ޠ����EDid he say who bought it?���C�u@��Q������Only that it was a regular client.��V�����Only that it was a regular client.��V�¡��VThat's probably a good thing. It will hang in someone's��y�¡��VThat's probably a good thing. It will hang in someone's��yC�u��h͠����collection somewhere, and that'll be that.�� h�����collection somewhere, and that'll be that.�� hC�u@�I�����Did you know... that it would be sold like this?�� �����Did you know... that it would be sold like this?�� C�u@���S�����I did tell Mr. Dearden that I didn't want it myself.�� ٠����I did tell Mr. Dearden that I didn't want it myself.�� ٠���� �I could hardly have taken it home.�������� �I could hardly have taken it home.���C�u@���w�¡��I'm sure it will be fine. Do you think it will be fine?��̠¡��I'm sure it will be fine. Do you think it will be fine?��̠�����Most likely, Your Ladyship.�� ������Most likely, Your Ladyship.�� C�u@���?�����[knock on door]��<����� �[door opening]��6�����!Dinner will be ready in five minutes, Vicar.��������!Dinner will be ready in five minutes, Vicar.���C�u@���堔���Thank you.��㠜���[James] Thank you.��㠖����Mrs. Warren?��������Mrs. Warren?������� �I hope you know how much I appreciate--�� ������ �I hope you know how much I appreciate--�� �C�u@�� l�����have always appreciated everything that you do for me.��i�����have always appreciated everything that you do for me.��i�����iOh, that's very kind of you. I hope you know�� Ơ����iOh, that's very kind of you. I hope you know�� �C�u��&������how we all appreciate you, the whole parish.��������how we all appreciate you, the whole parish.���C�u@��;ɠ����I can stay late this evening, keep you company.�� 3�����I can stay late this evening, keep you company.�� 3����� 3Don't worry. I have some work I need to...�� ������ 3Don't worry. I have some work I need to...�� �C�u@��V������I need to think about...�������I need to think about... [exhales]�������Well, if you change your mind...�� �����Well, if you change your mind...�� C�u��� �����[door closes]��̠�����[suspenseful music plays]�� �C�u@���k�����You said it would be the last time.�������You said it would be the last time.�������I changed my mind.��������[Gorton] I changed my mind.���C�u@������I wish I could pray for you, but I can't.�� �����I wish I could pray for you, but I can't.�� ����� Because I can't find God.�� ������ Because I can't find God.�� �C�uA�������I can't reach him anymore.��������I can't reach him anymore.���������Oh, dear, oh, dear.��ؠ�����Oh, dear, oh, dear.��ؠ���� \But I don't need your prayers. I just want what's due.�� Ǡ���� \But I don't need your prayers. I just want what's due.�� �C�u@��ࠍ���No.�������No.�������I'm not giving you any more money.�� ������I'm not giving you any more money.�� �C�u@�,m�����Oh, I... Oh, I think you are.�� Ơ����Oh, I... Oh, I think you are.�� Ơ���� �I'm not.�� s����� �I'm not.�� sC�u@��J������I don't have it.��������I don't have it.���������You can do what you want with me.��Ҡ�����You can do what you want with me.��Ҡ����W- [Gorton grunts] - [groans]�� �C�u��y������[panting]�� ����� - [Gorton grunts] - [groans]�� bC�u���{�����[James groans and gasps]�� �C�u@���ՠ����[groans]��`�����?You poor pretty sod! Next time you bring it!��������?You poor pretty sod! Next time you bring it!���C�u��������You bloody bring it!!�������You bloody bring it!!�������[Gorton groaning]��C�u���.�����[Fletcher grunts]�� b����� b[continues grunting]���C�u@���\�����[Gorton gasps]��t�����tYou go near him again, and I will kill you.�� ߠ����tYou go near him again, and I will kill you.�� �C�u@�� ������I know who you are.��������I know who you are.���������And I know where to find you.���������And I know where to find you.�������� And I will come to you in the night,�������� And I will come to you in the night,���C�uA� +<�����and I will slit your wretched throat as you sleep.�� n�����and I will slit your wretched throat as you sleep.�� n����� n- Do you understand me?! - Yes.��y����� n- Do you understand me?! - Yes.��y������- Hmm? - Yes!���������- Hmm? - Yes!���C�u�� D������[breathing heavily]���C�u�� X4�����[panting]�� h����� hYou don't do this!�������� hYou don't do this!���C�u�� �ؠ����[gasps and groans]��ؠ�����[dogs barking in distance]��C�uA� �Š����Leave me here.��������[groans] Leave me here.���������No, I think I should see you inside, sir.��y������No, I think I should see you inside, sir.��y�����-- Fetch a doctor-- - No, no. Go.��Π����-- Fetch a doctor-- - No, no. Go. [gasping]���C�u@�� �������I know you were trying to help.�� �����I know you were trying to help.�� ����� I... I thank you for it.�������� I... I thank you for it.���C�u�� � �����[gate closes]��Ҡ�����[contemplative music plays]�� 𠜡���[Fletcher exhales]���C�u�� ������What's happened?��+�����What's happened?��+C�u�� /������Sit down.��������Sit down.���C�u�� I�����Someone was getting a beating.��������Someone was getting a beating.���C�u�� ]ܠ����Why do people have to be such animals?�� ������Why do people have to be such animals?�� �C�u�� qi�����Here.�������Here.��C�u�� �������[water sloshing]��`C�u@�� �ؠ����Thank you.��������Thank you.�������� IFirst thing I did,�������� IFirst thing I did,���������when I was 15,��Ӡ�����when I was 15,���C�u@�� �������once I learned to walk again,�� t�����once I learned to walk again,�� t����� tonce I got my strength again,�������� tonce I got my strength again,��������iI learned how to fight.��������iI learned how to fight.���C�u@�� ������No one gets the better of me.�� �����No one gets the better of me.�� ����� Not anymore.������� Not anymore.��C�u�� / �����I swore it then.��������I swore it then.���C�u@�� `蠺���I can find something to help you cover this up,�� �����I can find something to help you cover this up,�� ����� but you'd better have a story ready.�� I����� but you'd better have a story ready.�� IC�u@�� |������Corner of the cupboard?�������Corner of the cupboard?������� �I couldn't walk away.�� 3����� �I couldn't walk away.�� 3C�u@�� �������But you shouldn't run risks, Lucian Wood.��i�����But you shouldn't run risks, Lucian Wood.��i�����iI haven't heard my name for years.�� ������iI haven't heard my name for years.�� �C�uA� ������It was His Lordship's brother...�������It was His Lordship's brother...�������who I helped.�� D�����who I helped.�� D������I recognized him from that time he came to the house.�� �������I recognized him from that time he came to the house.�� �C�u�� ������I've seen him...�� �����I've seen him...�� ����� the same place I go.�� 𠞡�� the same place I go.�� �C�u�� ������Is he all right?��������Is he all right?��������-Alive.��+�����-Alive.��+C�u@�� ������And whether he's all right...��[�����And whether he's all right...��[�����?We can't do anything.��������?We can't do anything.���C�u�� @F�����We can't say anything.�� ������We can't say anything.�� �C�u�� VE�����These are the terms they're offering.�� ������These are the terms they're offering.�� �C�uAQ� jx�����We could approach other banks,�� �����We could approach other banks,�� ����� but the existing relationship is useful,�������� but the existing relationship is useful,�������� and with the time we've got,��㠦��� and with the time we've got,��㠝����well... as you see,�� s������well... as you see,�� sC�uA3� �נ����- if you should default-- - I won't default.��������- if you should default-- - I won't default.���������I'm sure, Your Lordship,���������I'm sure, Your Lordship,�������� but the loan is secured against your interest�� I����� but the loan is secured against your interest�� IC�uAS� �/�����in the foundry and against Trenchard Imports.�� Ǡ����in the foundry and against Trenchard Imports.�� Ǡ���� �If you're satisfied, the manager says��O����� �If you're satisfied, the manager says��O�����he could make some time for us this afternoon,��������he could make some time for us this afternoon,���C�uA� �󠧡��and we can get things signed.��������and we can get things signed.���������Please ask him to see us��x������Please ask him to see us��x����� - as early as is convenient. - Yes, Your Lordship.��a����� - as early as is convenient. - Yes, Your Lordship.��aC�u@�� �à����There is one other matter, Your Lordship.����ġ��[clears throat] There is one other matter, Your Lordship.���������It's, um, personal to an extent.��V������It's, um, personal to an extent.��VC�u@�� ������I've been setting a little of my wages aside��U�����I've been setting a little of my wages aside��U�¡��Ufor some time now to see myself through my later years.�� ��¡��Ufor some time now to see myself through my later years.�� �C�u@�� 򠟡��And, uh, as you know,��������And, uh, as you know,���������the mine is...�� 堘����the mine is...�� 堨���iwell, it's a rare opportunity.�������iwell, it's a rare opportunity.��C�uA� \�á��I was wondering if you'd object to my speaking to Madame�� �á��I was wondering if you'd object to my speaking to Madame�� �š�� �about the possibility of making a small investment myself.����š�� �about the possibility of making a small investment myself.���C�u@�� =K�����It would be a conflict of interest, would it not?�� ������It would be a conflict of interest, would it not?�� �������I'll think about it.��Ҡ�����I'll think about it.���C�u�� W �����Thank you, Your Lordship.�� ������Thank you, Your Lordship.�� �C�u@�� s8�����[door opens]�������� �[door closes]�� I�����:Lady Trenchard.��������:- [door opens] - [Ross] Lady Trenchard.���C�u@�� �h�����- Good morning. - Good morning, Mr...�� 𠰡��- Good morning. - Good morning, Mr...�� 𠏡�� �Ross.��+����� �Ross.��+�����- Easily forgettable. - Of course.��y�����- Easily forgettable. - Of course.��yC�uA � �������Good morning, Mr. Ross.�������Good morning, Mr. Ross.�������May I say how glad I am to see you looking so well?�� s�����May I say how glad I am to see you looking so well?�� s�����zDoes my heart good.�� Ǡ����zDoes my heart good.�� �C�u�� �=�����Thank you.��������Thank you.���C�u�� h�����Reverend Trenchard?��,�����Reverend Trenchard?��,C�u��8������[gasps loudly]���������[continues gasping]�� I�����EOh, my goodness.�� m�����EOh, my goodness.�� mC�u@��Ta�����- I shall fetch a doctor! - No, no.��W�����- I shall fetch a doctor! - No, no.��W�����WNo doctor.�� �����WNo doctor.�� C�u@��uJ�����I'll try to explain.�� >�����I'll try to explain.�� >����� >I've made some new friends.�� ����� >I've made some new friends.�� C�uA+��������They're good people-- a little bohemian.�� >�����They're good people-- a little bohemian.�� >����� >How thrilling.��+����� >How thrilling.��+�¡��iWell, one of them is a doctor. They're all respectable.��O�¡��iWell, one of them is a doctor. They're all respectable.��OC�u@���`�����A doctor?�������A doctor?�������And now I am wondering�������And now I am wondering������� if this might be the doctor who was at Maywood?�� ����� if this might be the doctor who was at Maywood?�� C�u@���������Yes.��Ҡ����Yes.��Ҡ�����A very handsome man. N'est-ce pas?��U������A very handsome man. N'est-ce pas?��UC�u@���|�����And one of them is an artist,��������And one of them is an artist,���������and I posed for a painting of a goddess.���������and I posed for a painting of a goddess.���C�u@��𠠔���Of course.��������Of course.���������[chuckles]��7����� �And I couldn't buy the painting myself.�� ����� �And I couldn't buy the painting myself.�� C�uA�i�����And it was in the window of a dealer's,��[�����And it was in the window of a dealer's,��[�����[Findlay and Hodge, only briefly,�� m�����[Findlay and Hodge, only briefly,�� m������but my sister saw it,��O������but my sister saw it,��OC�u@��!������and I didn't think I was recognizable,��������and I didn't think I was recognizable,���������but she did recognize me.�� h������but she did recognize me.�� h������And now it was sold.���������And now it was sold.���C�u@��B�����And I hardly slept last night.��������And I hardly slept last night.����ʡā�Forgive me. Dear Clara, this is why you are wearing that frown?��L�ʡĂ�Forgive me. Dear Clara, this is why you are wearing that frown?��LC�u@��`�����I don't want to give Frederick��7�����I don't want to give Frederick��7�����7reason to think more badly of me.�� �����7reason to think more badly of me.�� �����VStop.��y�����VStop.��yC�u@��vߠ����So, one of our acquaintances sees this painting,��K�����So, one of our acquaintances sees this painting,��K�����Kand perhaps they do not recognize you at all.��򠸡��Kand perhaps they do not recognize you at all.���C�uA�������But if they do, they think...�� s�����But if they do, they think...�� s����� s"Mon Dieu.��Z����� s"Mon Dieu.��Z������Can this really be the enchanting Lady Trenchard?"�� �������Can this really be the enchanting Lady Trenchard?"�� �C�u@���{�����It only adds to your mystique.��������It only adds to your mystique.���������Frederick should consider himself lucky��̠�����Frederick should consider himself lucky���C�u@���D�����to have a wife with...�� �����to have a wife with...�� ����� such allure.�� ����� - such allure. - [chuckles softly]�� C�u@���r�����This is nothing.��������This is nothing.���������Do you really think so?���������Do you really think so?���������Now, if you had said to me�� ������Now, if you had said to me�� C�uA%��*�����that you have taken a passionate love affair�� �����that you have taken a passionate love affair�� ����� with one of these bohemians,�� ����� with one of these bohemians,�� �����@this artist, this doctor, perhaps?��������@this artist, this doctor, perhaps?���C�u@��꠨���Then that would be something--�� ������Then that would be something--�� ������ �something to keep you awake at night.��򠰡�� �something to keep you awake at night.���C�u@��8m�����Let us have coffee.�� b�����- Let us have coffee. - [rings]�� b����� bDear Clara, if you are to live your life to the full,��]����� bDear Clara, if you are to live your life to the full,��]C�u��Y,�����I think you must grow a thicker skin.�� �����I think you must grow a thicker skin.�� C�u@��nZ�����I saw Clara yesterday.��������I saw Clara yesterday.���������Did you, dear? You didn't say.��������Did you, dear? You didn't say.��C�uA��S�����I forgot.��������I forgot.���������I called her on impulse.��Ҡ�����I called her on impulse.��Ҡ���� b- She sends her love. - Ah.��7����� b- She sends her love. - Ah.��7������And Frederick sends his regards.��̠�����And Frederick sends his regards.���C�u@���������Oh, that's nice.�� s�����Oh, that's nice.�� s����� sAnd how--how--how is she?�������� sAnd how--how--how is she?��������Well, enough, if a little distracted.�� ������Well, enough, if a little distracted.�� �C�u@���_�����You don't think she's expecting?��������You don't think she's expecting?���������No, Mother.�� \������No, Mother.�� \C�uA ��e�����At least not as far as I know.��Ҡ����At least not as far as I know.��Ҡ�����Because that can make one a little dizzy.��+������Because that can make one a little dizzy.��+������When I was carrying you,��6������When I was carrying you,��6C�u@��혠����I was nowhere near as sharp as I usually am.�� �����I was nowhere near as sharp as I usually am.�� ����� - Heavens. - I'm sure it won't be long now.��J����� - Heavens. - I'm sure it won't be long now.��JC�u@��������Perhaps. Or perhaps not.�� Ǡ����Perhaps. Or perhaps not.�� Ǡ���� �Thank you, Nell, how kind.�� ������ �Thank you, Nell, how kind.�� �C�uA�I�����I can't wait to hold a baby in my arms again.�� �����I can't wait to hold a baby in my arms again.�� ����� Can you imagine?�� ����� Can you imagine?�� �����"There is no greater joy for a woman.��+�����"There is no greater joy for a woman.��+C�u@��6������The smell of their little heads--��U�����The smell of their little heads--��U�����UThank you, Mother.��Z�����UThank you, Mother.��Z����� �Very poetic, I'm sure.��Ҡ���� �Very poetic, I'm sure.���C�u��L�����Pass me the butter, please.��������Pass me the butter, please.���C�u@��d������Here, the "ah" is actually pronounced "ay"�� ޠ����Here, the "ah" is actually pronounced "ay"�� ޠ���� �rather than "ah."�������� �rather than "ah."���C�u@��z\�����I know it's confusing.��������I know it's confusing.�������� �B-a-b-e... Babe?������� �B-a-b-e... Babe?��C�u@���)�����That's right. "Babe."�� 𠟡��That's right. "Babe."�� 𠷡�� �"A woman came up with a babe at her breast."�� ������ �"A woman came up with a babe at her breast."�� �C�u@���������Well done.�������Well done.�������I don't think I shall ever get it, Your Ladyship.�� ������I don't think I shall ever get it, Your Ladyship.�� �������Of course you will.���������Of course you will.���C�uA!��>�����Think of all the perfect fools you know��7�����Think of all the perfect fools you know��7�����7who can read and write.�� ������7who can read and write.�� �������Are you still studying your alphabet book?���������Are you still studying your alphabet book?���C�u@��������Yes, I look at it every night.�� �����Yes, I look at it every night.�� ����� Only I'm that tired,��+����� Only I'm that tired,��+C�u@���A�����and my eyes start closing.��������and my eyes start closing.���������That's understandable.�� C������That's understandable.�� C������I don't wanna let you down.�� 堥����I don't wanna let you down.�� �C�u@�����You won't.�������You won't.���ơ��Really, Mawd, you need to have more confidence in yourself.��ڠơ��Really, Mawd, you need to have more confidence in yourself.���C�u@��2ʠ����The world conspires to make us feel�������The world conspires to make us feel�������that we're weak and foolish women.�� �����that we're weak and foolish women.�� ������I mean, we're not.�� b������I mean, we're not.�� bC�u@��Q������I think it will be my mission to make you understand�� �����I think it will be my mission to make you understand�� ����� that you are a clever, strong young woman,��Q����� that you are a clever, strong young woman,��QC�u@��m�����and you can do so much more than you think you can.�� 2�����and you can do so much more than you think you can.�� 2C�uA-��Š����Where are you going with that?��`�����Where are you going with that?��`�����`Sorry, Miss Davison. She gave it to me--Her Ladyship.�� �����`Sorry, Miss Davison. She gave it to me--Her Ladyship.�� 𠥡��PShe said she's tired of it.��&�����PShe said she's tired of it.��&C�u@���;�����I tried to say it was too much, but...��y�����I tried to say it was too much, but...��y�����yTake it, please, if you think...�� ������yTake it, please, if you think...�� ������9It's fine.�� ������9It's fine.�� �C�u@���/�����If Her Ladyship gave it to you...�� ������If Her Ladyship gave it to you...�� ������ �keep it.�������� �keep it.��������@Thank you, Miss Davison.�� m�����@Thank you, Miss Davison.�� mC�u@�������I'm sorry if my mother upset you.��������I'm sorry if my mother upset you.���������It's all right, miss. I'm sorry for making a fuss.�� 8������It's all right, miss. I'm sorry for making a fuss.�� 8C�u@��%ߠ����You didn't.�������[Emily] You didn't.�������Nell...�� ߠ����Nell...�� ߠ�����I've been thinking about your parents.��+������I've been thinking about your parents.��+C�u��?𠩡��Do... Do they know about the...�� ڠ����Do... Do they know about the...�� ڠ���� �baby?�������� �baby?���C�u@��Tx�����You don't have to tell me if you don't want to.�� ������You don't have to tell me if you don't want to.�� ������ �But if I had a daughter who...��E����� �But if I had a daughter who...��EC�u@���򠺡��Well, I would badly want to know where she was.�� ������Well, I would badly want to know where she was.�� ������ �They threw me out...�������� �They threw me out...���C�u@��������when I started to show.��������when I started to show.���������My father, he...��נ�����My father, he...���C�u���A�����He was very strict.��[�����He was very strict.��[����� 3God-fearing.��U����� 3God-fearing.��UC�u@���ɠ����But they might have forgiven you if--��x�����But they might have forgiven you if--��x�����xThey don't want me.��������xThey don't want me.���C�u��죠����I don't want them.��ؠ����I don't want them.���C�u@�� �����What about the baby's father?�� I�����What about the baby's father?�� I����� IDid he know?�� m����� IDid he know?�� mC�u@��Ѡ����He'd left the town.�� �����He'd left the town.�� ����� What town is this?�������� What town is this?���������That's why I came to London--�� I������That's why I came to London--�� IC�u@��9ݠ����to find him.��ؠ����to find him.��ؠ�����I didn't know where else to go.��y������I didn't know where else to go.��y�����QHe didn't know about the baby.��͠����QHe didn't know about the baby.���C�u��X������He would have wanted to know, I think.��Q�����He would have wanted to know, I think.��QC�u��z������But you couldn't find him?��������But you couldn't find him?���C�u@���~�����Oh, Nell.�� �����- Oh, Nell. - [sniffles]�� �����Would you still like to find him?��������Would you still like to find him?���C�u���������I have thought about it.��V�����I have thought about it.��V�����VBut he left.��������VBut he left.���C�u��˄�����What use is it to make him suffer as I suffer?�� J�����What use is it to make him suffer as I suffer?�� JC�u��[�����[clears throat]�� CC�u@��&n�����- How are you? - As you see.�� ������- How are you? - As you see.�� ������ �I happened to see the Duke today.��~����� �I happened to see the Duke today.��~C�uA_�:������He and the Duchess have invited us��������He and the Duchess have invited us���������to lunch with them on Saturday. Will you come?�� ߠ�����to lunch with them on Saturday. Will you come?�� ߠ�����- After the last time-- - No, I won't come. How can I?��������- After the last time-- - No, I won't come. How can I?��C�uA��[7�����The last time you spoke to me,��������The last time you spoke to me,���������you were accusing me of "theatrics" and "impropriety."��������you were accusing me of "theatrics" and "impropriety."������� �- Clara-- - You might be able to push��㠰��� �- Clara-- - You might be able to push��㠲����our problems out of sight, but I can't.�� m������our problems out of sight, but I can't.�� mC�u@��x7�����I know I spoke strongly after the ball,�� m�����I know I spoke strongly after the ball,�� m����� mand I hope you can forgive me for that.��W����� mand I hope you can forgive me for that.��WC�uA����ġ��You must acknowledge that I had some reason to feel hurt.�� �ġ��You must acknowledge that I had some reason to feel hurt.�� ����� All I want is that we talk together, honestly,�� ����� All I want is that we talk together, honestly,�� C�u@��� �á��- and listen to each other. - Which is what we're doing.�� s�á��- and listen to each other. - Which is what we're doing.�� s����� sAnd I'm simply asking you to come with me.�� D����� sAnd I'm simply asking you to come with me.�� DC�u@���à����I am simply refusing.��y�����I am simply refusing.��y�����ySo, unless you mean to take me in chains...��������ySo, unless you mean to take me in chains...���C�u���^�����[door opens]�������� �[door closes]�� C�u@���Q�����- Your Lordship? - I will dine out.��������- Your Lordship? - I will dine out.��������[serious music plays]�� C�u��M������Thank you, Mawd.�� J�����- [coins click] - Thank you, Mawd.�� JC�u���c�����F... R... Ay...��?�����F... R... Ay...��?C�u���Π����Thank you, Mr. Ross.�� Ơ����Thank you, Mr. Ross.�� Ơ���� �[whispers indistinctly]��fC�uA��O�����This is a check.��������This is a check.���������We require a banker's draft.�� h������We require a banker's draft.�� h�ơ���We cannot wait for this to pass through the clearing house.�� ��ơ���We cannot wait for this to pass through the clearing house.�� �C�uA�������The funds are there, Madame.��������The funds are there, Madame.���������Oh, I don't doubt it.��%������Oh, I don't doubt it.��%������But we did specifically request a banker's draft.��e������But we did specifically request a banker's draft.��eC�uA�������There is urgency, yes?��Ҡ����There is urgency, yes?��Ҡ�����I'm sorry. I thought a check would be--��y������I'm sorry. I thought a check would be--��y�����KI will have a banker's draft issued��������KI will have a banker's draft issued���C�u@��ߠ����and in your hand within the hour.��U�����and in your hand within the hour.��U�����UThank you. Good.�� ������UThank you. Good.�� �������So, this must wait, but not for long.�� �������So, this must wait, but not for long.�� �C�u@��<Ѡ����[serious music plays]�� g����� gI'm sorry, Your Lordship.��7����� gI'm sorry, Your Lordship.��7������I should get to the bank as fast as possible.��ؠ�����I should get to the bank as fast as possible.���C�uA%�TG�����No, I shall go myself.��������No, I shall go myself.���������A draft isn't usual practice. I wanted to be certain--�� Ǡ�����A draft isn't usual practice. I wanted to be certain--�� Ǡ����oYou knew we had to act quickly.�������oYou knew we had to act quickly.��C�u��k������Yes, Your Lordship.��������Yes, Your Lordship.���C�u@���G�����Mrs. Warren? Is the Reverend at home?�� �����Mrs. Warren? Is the Reverend at home?�� ����� I was expecting him at the bazaar committee meeting.�� ������ I was expecting him at the bazaar committee meeting.�� �C�u@��������Uh, he's not well, Madame. Uh, a slight cold.�� n�����Uh, he's not well, Madame. Uh, a slight cold.�� n����� nOh, I'm sorry.�������� nOh, I'm sorry.��������But I do have some��Z�����But I do have some��ZC�uA1��������pressing business to discuss with him.��U�����pressing business to discuss with him.��U�á��UDo you think he might see me for a few minutes just to--�� ��á��UDo you think he might see me for a few minutes just to--�� �������No, Madame. Sorry.���������No, Madame. Sorry.���C�uA��u�����So, it is quite a severe cold?�� ������So, it is quite a severe cold?�� ������ �Well, please tell him��[����� �Well, please tell him��[�����that things are a great deal better with Nell��������that things are a great deal better with Nell���C�u���9�����and that we are the best of friends!�� 𠯡��and that we are the best of friends!�� �C�u@�� ������Didn't you spend some time in France?��������Didn't you spend some time in France?���������Yes, more's the pity.�� �������Yes, more's the pity.�� �C�u@��!㠢���My grandfather's French.�� 䠢���My grandfather's French.�� 䠺��� �They sent me and one of my brothers over there.�� n����� �They sent me and one of my brothers over there.�� nC�u@��85�����Slave labor, if you ask me.�� C�����Slave labor, if you ask me.�� C����� C- Whereabouts was this? - The North.�������� C- Whereabouts was this? - The North.���C�uA�S�š��Near a river called the Somme that no one's ever heard of.��P�š��Near a river called the Somme that no one's ever heard of.��P�����PDid you ever come across a place called "Étagnac"?��y�����PDid you ever come across a place called "Étagnac"?��yC�u@��j࠵���No. But France is a very big country. Why?�� 2�����No. But France is a very big country. Why?�� 2����� 2There's this woman we're doing business with--�������� 2There's this woman we're doing business with--���C�u@��~������the Marquise D'Étagnac.�� �����the Marquise D'Étagnac.�� ����� She's very wealthy. Impressive.�� ������ She's very wealthy. Impressive.�� �C�u@���f�����Unusual, a woman in business.�� b�����Unusual, a woman in business.�� b����� bShe certainly knows what she's about.��ݠ���� bShe certainly knows what she's about.��ݠ����?But... I don't know.�� n�����?But... I don't know.�� nC�u@��������My nose is starting to twitch.��������My nose is starting to twitch.���������What do you mean?���������What do you mean?���������Do you still have family out there?���������Do you still have family out there?���C�u@���_�¡��Well, my brother stayed. There are hundreds of cousins.�� ��¡��Well, my brother stayed. There are hundreds of cousins.�� ������ �I don't suppose you could, uh, write to him?�� ����� �I don't suppose you could, uh, write to him?�� C�uAu��(�����He farms sheep.��Ҡ����He farms sheep.��Ҡ�����If you want to know where this place is--��f������If you want to know where this place is--��f����� 8It's more about what's there.�������� 8It's more about what's there.���������- Is there a castle or-- - Ah, a château?�� �������- Is there a castle or-- - Ah, a château?�� �C�u@���������Ah...��[�����Ah...��[�����[What's said about her? Does she go there?�� �����[What's said about her? Does she go there?�� �����{I doubt he can help.��+�����{I doubt he can help.��+C�u��Q�����But for you and your twitching nose, I'll try.��X�����But for you and your twitching nose, I'll try.��XC�u@��?*�����Christ! What are you creeping up on me for?��U�����Christ! What are you creeping up on me for?��U�����USorry, I wasn't.��������USorry, I wasn't.���C�u@��Vʠ����What's all this then?��1�����What's all this then?��1�����1- Don't you like it? - Yeah.��1�����1- Don't you like it? - Yeah.��1����� bYeah, I like it.��%����� bYeah, I like it.��%C�u@��kQ�����Her Ladyship gave me this.��̠����Her Ladyship gave me this.��̠�����It's one she's finished with.��7������It's one she's finished with.��7�����You've done your hair different.��������You've done your hair different.���C�uA7��������And what's this? Is that rouge?��������And what's this? Is that rouge?���������Just a touch.��������Just a touch.������� �Where are you off to?��ؠ���� �Where are you off to?��ؠ����dIf you don't mind my asking, Miss Mawd?�� ������dIf you don't mind my asking, Miss Mawd?�� �C�u@��������Meeting my friend Alice.��̠����Meeting my friend Alice.��̠�����Well, you watch out for yourself, looking like that.�� �������Well, you watch out for yourself, looking like that.�� �C�uA%�� �����Why have you never been for a drink with me?��&�����Why have you never been for a drink with me?��&�����&You never asked me.��������&You never asked me.�������� �We shall have to put that right, shan't we?��~����� �We shall have to put that right, shan't we?��~C�u���7�����Your next afternoon off?�������Your next afternoon off?��C�uA9��a�����Do you think we should go and visit�������[Rochester] Do you think we should go and visit�������this mine of ours?��ؠ����this mine of ours?��ؠġ�� �Really, my dear, I can't imagine you traveling to Mexico.�� �ġ�� �Really, my dear, I can't imagine you traveling to Mexico.�� C�u@�� I�����I don't see why not.��������[Rochester] I don't see why not.���������I can be quite adventurous in my dreams.�� s������I can be quite adventurous in my dreams.�� s������Perhaps one day.��1������Perhaps one day.��1C�uA+�!w�����I can see why you are addicted�������[Rochester] I can see why you are addicted�������to this business of business.�� ������to this business of business.�� �������Rather thrilling, the element of risk, like,�� 𠷡���Rather thrilling, the element of risk, like,�� �C�u@��; �����staking a little wager on a horse, what?�� ������staking a little wager on a horse, what?�� ������ �Yes.��+����� �Yes.��+������So, where is the lovely Clara... today?���������So, where is the lovely Clara... today?���C�u@��cs�����She had a prior appointment to meet some friends.�� �����She had a prior appointment to meet some friends.�� ����� She was very sorry not to be able to come.�� n����� She was very sorry not to be able to come.�� nC�u@��w�����Again?�� 8�����Again?�� 8����� 8I am glad she's making acquaintances,�� h����� 8I am glad she's making acquaintances,�� hC�uA!��������settling into her life here.��6�����settling into her life here.��6�����6I wouldn't say "settling" exactly.��&�����6I wouldn't say "settling" exactly.��&����� \Wait until the first infant arrives,�� m����� \[Rochester] Wait until the first infant arrives,�� mC�u@���i�����then she'll settle.��������then she'll settle.���������No choice, eh, Mary?��6������No choice, eh, Mary?��6����� �No.�� ������ �No.�� �C�uA �������We have seen a great change in Peter recently.�� \�����We have seen a great change in Peter recently.�� \�ơ�� \He's been going for walks, playing with the other children.����ơ�� \He's been going for walks, playing with the other children.���C�u@��������He has color in his cheeks��Ҡ����He has color in his cheeks��Ҡ�����and is so much happier, isn't he, Percy?�� ������and is so much happier, isn't he, Percy?�� C�u@���령���He is, I... I must say. An encouraging change.�� ����He is, I... I must say. An encouraging change.�� �����I couldn't be more pleased to hear that.�� ������I couldn't be more pleased to hear that.�� C�u��������This claret is excellent, don't you think?��젵���This claret is excellent, don't you think?���C�uA�3������So, you're saying that people��������So, you're saying that people���������were wrong to demonstrate against the Match Tax��,������were wrong to demonstrate against the Match Tax��,����� �or the Enclosures or...��ݠ���� �or the Enclosures or...��ݠ�����Not wrong, but I remember something�� �������[Richard] Not wrong, but I remember something�� �C�u@��Sàǡ��William Morris said to me once about how strikes and rallies�� 2�ǡ��William Morris said to me once about how strikes and rallies�� 2����� 2are really no more than a plaster,�� b����� 2are really no more than a plaster,�� bC�u@��mW�����when it's the sickness in the whole body,�� 𠴡��when it's the sickness in the whole body,�� 𠽡�� �the whole means of production, which needs curing.�� h����� �the whole means of production, which needs curing.�� hC�uA=��������I still think it's better to have your voice heard.��������I still think it's better to have your voice heard.���������At least you don't feel invisible.��������At least you don't feel invisible.��������What do you think, Clara?�� ������- [chuckles] - What do you think, Clara?�� C�u@���ˠ����I don't know.�� ڠ����I don't know.�� ڠ���� �But I should think even a small gain�������� �But I should think even a small gain���C�u@���X�����- or victory is worthwhile. - I agree.�� 񠱡��- or victory is worthwhile. - I agree.�� �ġ�� �You should come with us next time we take to the streets.��i�ġ�� �You should come with us next time we take to the streets.��iC�u@��ʲ�����She's teasing.��V�����- [Richard] She's teasing. - [laughs]��V�����VDo you ever see people like me,�� Ǡ����VDo you ever see people like me,�� �C�uA ��Ϡ����- I suppose, at rallies or... - Occasionally.��,�¡��- I suppose, at rallies or... - [Stephen] Occasionally.��,�á��,But they tend to be politicians, and they're always men.�� ��á��,But they tend to be politicians, and they're always men.�� �C�u@���������I'm afraid I can't imagine a time��ؠ����I'm afraid I can't imagine a time��ؠ�����when it would be possible for me to join you.�� Ǡ�����when it would be possible for me to join you.�� �C�uAC�������I really am sorry about the fright��a�����I really am sorry about the fright��a�����aI gave you with the painting.��Ҡ����aI gave you with the painting.��Ҡš�� 3It's residing with an extremely private lady and gentlemen����š�� 3It's residing with an extremely private lady and gentlemen���C�uA+�*Ҡ����and will never be on public display.��������and will never be on public display.���������More's the pity.�� h������- More's the pity. - [chuckles]�� h������I still have a couple of my preliminary sketches.�� ������I still have a couple of my preliminary sketches.�� C�uAR�H̠����If you would rather I destroyed them--��7�����If you would rather I destroyed them--��7�����7Please let him keep them.��~�����7[Stephen] Please let him keep them.��~�ǡ�� �Nothing so exquisite should be lost to the world completely.�� ��ǡ�� �Nothing so exquisite should be lost to the world completely.�� �C�u@��lP�����Are things no better with Clara?�������Are things no better with Clara?�������I can't talk about it anymore.�� h�����I can't talk about it anymore.�� hC�u@���������It's too painful, Mary.��1�����It's too painful, Mary.��1�����1Frederick...��Ҡ����1Frederick...��Ҡ����I think perhaps... she can't love me.��V�����I think perhaps... she can't love me.��VC�u@��������You must have faith.��̠����You must have faith.��̠�����I am sure she loves you.�� s������I am sure she loves you.�� s�����?How could she not?��������?How could she not?���C�u���栰���Thank you for a delightful afternoon.��򠰡��Thank you for a delightful afternoon.���C�u@���ޠ����Miss Davison.��㠗���Miss Davison.��㠦����Good evening, Your Lordship.��y������Good evening, Your Lordship.��y����� \Do you know where your mistress is?��%����� \Do you know where your mistress is?��%C�u@�� _�����With friends, Your Lordship.��������With friends, Your Lordship.���������I expect her back soon.�� b������I expect her back soon.�� b������What friends?��Ҡ�����What friends?���C�u@��#�����Where?��㠐���Where?��㠤����Bloomsbury, Your Lordship.��������Bloomsbury, Your Lordship.��������- They read poetry-- - Where?�� 3������- They read poetry-- - Where?�� 3C�u@��C6�����In a public space?��6�����In a public space?��6�����'- In a private house? - A private house.��������'- In a private house? - A private house.���C�uA�bT�����But there are always a lot of people there.�������But there are always a lot of people there.�������What sort of people?��������What sort of people?�������� �Artists.��U����� �Artists.��U�����Artists?�� \�����Artists?�� \C�uA��������Why aren't you with her?��Z�����Why aren't you with her?��Z�����ZI often am, Your Lordship.��������ZI often am, Your Lordship.��������As I say, there's always a lot of people there.�� �����As I say, there's always a lot of people there.�� C�u@���������[breathes deeply]���������[door closes]�� I������Safely in a hansom cab and on her way home.��L������Safely in a hansom cab and on her way home.��LC�u@���۠����I had the feeling she wanted to stay, didn't you?�� ������I had the feeling she wanted to stay, didn't you?�� ������ �Maybe.������� �Maybe.��C�u@���砏���What?��������What?���������It compromises her, doesn't it?��Ԡ�����It compromises her, doesn't it?��Ԡ�����Coming here.���������Coming here.���C�u��3�����I don't see why it should.�� \�����I don't see why it should.�� \C�u@��������What's your point, Annie?��������What's your point, Annie?���������My point is...�� �������My point is...�� �C�u@��-Ҡ����what are you doing with her?�� 8�����what are you doing with her?�� 8����� 8I mean, what do you think will happen between you?��~����� 8I mean, what do you think will happen between you?��~C�uAU�A������She's a married woman and a Lady.�� �����She's a married woman and a Lady.�� ����� I didn't realize you were such a reactionary.������� I didn't realize you were such a reactionary.��������For you she can be another of your grand passions--���������For you she can be another of your grand passions--���C�u@��c������- I beg your pardon-- - But for her?��y�����- I beg your pardon-- - But for her?��y�����yWhat happens to her once it's over?�� ������yWhat happens to her once it's over?�� �C�u@��w󠼡��First of all, you're leaping way ahead of things.��K�����First of all, you're leaping way ahead of things.��K�����KAnd secondly, she is a grown woman,��̠����KAnd secondly, she is a grown woman,���C�u@��� �¡��and she can make her own choices and her own decisions.��Q�¡��and she can make her own choices and her own decisions.��Q�����QYou really believe that?��̠����QYou really believe that?���C�u���R�����You have no idea.��������You have no idea.���������[Minette crying]�� Ơ����z[crying continues]��_C�u���+�����[exhales]�� D����� DI can't help feeling responsible.��V����� DI can't help feeling responsible.��VC�uA��Š����For what?�������For what?�������The difficulties between Frederick and Clara.�� D�����The difficulties between Frederick and Clara.�� D�����KWe introduced them in this very room.�� 堰���KWe introduced them in this very room.�� �C�uA�������Good Lord. Growing pains-- that's all it is.�� ߠ����Good Lord. Growing pains-- that's all it is.�� ߠ���� �Perhaps I should speak to her mother.��ݠ���� �Perhaps I should speak to her mother.��ݠ�����I hardly think�� 𠨡���[clears throat] I hardly think�� �C�u@��,������that would be a fruitful exercise.�� b�����that would be a fruitful exercise.�� b�¡�� bMrs. Dunn resides in fairyland, as far as one can tell.��K�¡�� bMrs. Dunn resides in fairyland, as far as one can tell.��KC�u@��IN�����[sighs]�� ߠ���� �You didn't mind my mentioning Peter, did you?�������� �You didn't mind my mentioning Peter, did you?���C�u@��\۠����Frederick has been so loyal, so tactful.�� ����Frederick has been so loyal, so tactful.�� �����No, I didn't mind.�� J������No, I didn't mind.�� JC�u@��~蠰���Percy, if Peter continues to improve,��o�����Percy, if Peter continues to improve,��o�ǡ��odo you think we might consider reintroducing him to society?�� �ǡ��odo you think we might consider reintroducing him to society?�� �C�u@���A�����Mary--��1�����Mary--��1�����1Taking him to church with us one day, perhaps.�� �����1Taking him to church with us one day, perhaps.�� �����@He's so much better.��ݠ����@He's so much better.���C�u@���^�����- We don't know that-- - Oh, you have seen it.�� ������- We don't know that-- - Oh, you have seen it.�� ������ �And I have great faith in Ellerby.�� Ǡ���� �And I have great faith in Ellerby.�� �C�uA��࠴���Everything he has done so far has worked.�� s�����Everything he has done so far has worked.�� s����� sOh, please.��y����� sOh, please.��y������Let's see how the boy is at Christmas.�� ������Let's see how the boy is at Christmas.�� C�u@���栱���- If he has stayed well-- - Thank you.�� ٠����- If he has stayed well-- - Thank you.�� ٠���� �I adore you.�������� �I adore you.���C�u���s�����Well, I am extremely adorable.��?�����Well, I am extremely adorable.��?�����?[chuckles]��C�u�� �����[organ playing]�� C�u�� 2I�����[indistinct whispering]�� 렦���Where's dear Reverend James?��������Where's dear Reverend James?���C�u@�� VK�����Perhaps he's still unwell.�� ������Perhaps he's still unwell.�� ������ �Oh, poor man.��,����� �Oh, poor man.��,������How disappointing.��������How disappointing.��C�u@�� o8�����Yes, isn't it?��y�����[Mrs. Dunn] Yes, isn't it?��y�����yI do so look forward to his lyrical waxings.��V�����yI do so look forward to his lyrical waxings.��VC�u�� ������Where is dear Reverend James?�� ������Where is dear Reverend James?�� �C�u@�� �Y�����I've come to enquire about the Reverend.�� ������I've come to enquire about the Reverend.�� ������ �Is he no better?��[����� �Is he no better?��[�����No, Madame, not really.��������No, Madame, not really.���C�u@�� ������I hope it isn't something serious.��&�����I hope it isn't something serious.��&�����&What does the doctor say?��x�����&What does the doctor say?��xC�u@�� ̓�����Mrs. Warren?��y�����- [gasps softly] - Mrs. Warren?��y�����yCould you come in, Madame?�� 8�����yCould you come in, Madame?�� 8C�u�� �D�����I don't know what to do.��������I don't know what to do.���������[door closes]��BC�u��!�����Reverend Trenchard?��1�����Reverend Trenchard?��1C�u��!+�����Please.��頑���Please.��頟����Don't be embarrassed.��E������Don't be embarrassed.��EC�u@��!@@�����I saw my father through a bout of influenza once,�� m�����I saw my father through a bout of influenza once,�� m����� mso, I'm no stranger to the sick room.�� ������ mso, I'm no stranger to the sick room.�� �C�u@��!Un�����Now, what's this I hear about you not eating?��z�����Now, what's this I hear about you not eating?��z�����zAnd I really think you must see a doctor at once.��������zAnd I really think you must see a doctor at once.���C�u@��!mޠ����No.�� ������No.�� ������ �Please go.�������� �Please go. [groans]��������?But why ever not?��y�����?But why ever not?��yC�u@��!�������I have said no doctor.�� ������I have said no doctor.�� ��ġ�� �I regret that this is unfair, that I am concerning you...����ġ�� �I regret that this is unfair, that I am concerning you...���C�u��!�ޠ����You are.��������You are.���������But please, please...�� ������But please, please...�� C�u��!�㠙���leave me alone.��6�����leave me alone.��6C�u��!�G�����No.��y�����No.��y������I'm afraid I won't.�� ������I'm afraid I won't.�� C�u@��"w�����Open.��+�����Open.��+�����+[Clara exclaims]�������� �I sent Monsieur Nicoli to speak to the dealer.��Ҡ���� �I sent Monsieur Nicoli to speak to the dealer.���C�u@��"%������Then he spoke to the people who had bought it,�� ������Then he spoke to the people who had bought it,�� ������ �made them a very generous offer.�� ������ �made them a very generous offer.�� �C�u@��";P�����They were reluctant at first but voilà!��i�����They were reluctant at first but voilà!��i�����iI can't believe it.��������iI can't believe it.���C�uA_�"V������You don't need to thank me. I would have done anything�� n�����You don't need to thank me. I would have done anything�� n����� nto get rid of that terrible frown.��U����� nto get rid of that terrible frown.��U������This, on the other hand, is far from terrible.��󠹡���This, on the other hand, is far from terrible.���C�u@��"� �����We should destroy it. Don't you think?�� �����We should destroy it. Don't you think?�� ����� - Burn it. - Burn it?�� ����� - Burn it. - Burn it?�� C�uAU�"�-�š��I'm sorry, I know you've paid a lot of money for it, but--��O�š��I'm sorry, I know you've paid a lot of money for it, but--��O�����ONo, no, that is not necessary at all.�� C�����ONo, no, that is not necessary at all.�� C������I will keep it safely locked away.�� 񠭡���I will keep it safely locked away.�� �C�u@��"ʰ�����No one will ever see it.��������No one will ever see it.���������I promise you.��%������I promise you.��%������Thank you.�� �������Thank you.�� �C�u��"�>�����You are welcome.�� �����You are welcome.�� ����� Beautiful Clara.��%����� Beautiful Clara.��%C�u��#려���[indistinct conversations]��O������Peter?��`������Peter?��`C�u��#!ڠ����You ready for another adventure?��������You ready for another adventure?���C�u@��#f������I heard back from my brother.��Ҡ����I heard back from my brother.��Ҡ�����One of the farmhands travels up from the Charente.��񠽡���One of the farmhands travels up from the Charente.���C�uAI�#^�����I looked it up on a map-- Étagnac.�� s�����I looked it up on a map-- Étagnac.�� s����� sThere is a château marked there.��U����� sThere is a château marked there.��U������This boy has been there. He says it's just a ruin���������This boy has been there. He says it's just a ruin���C�uA�#�#�����and has been for as long as anyone can remember.�� ������and has been for as long as anyone can remember.�� ������ �Is it now?�� ����� �Is it now?�� ������Perhaps it doesn't mean anything.���������Perhaps it doesn't mean anything.���C�u@��#�������That lot have houses and titles to spare.�� 𠴡��That lot have houses and titles to spare.�� 𠺡�� �She probably has a grand house in Paris.�� \����� �She probably has a grand house in Paris.�� \C�u@��#�ڠ����The Charente is the back of beyond, apparently.�������The Charente is the back of beyond, apparently.�������[indistinct conversations]�� >C�u��#�֠����[indistinct conversations]�� ������ �[birds chirping]�� �C�u��$(R�����Hello.�� �����Hello.�� C�u��$<\�����[children laughing]��̠�����Come on, Peter!��ؠ�����[Amelia] Come on, Peter!���C�u@��$e�����[breathing laboriously]�� >�����EWhy haven't I seen this patient before?��%�����EWhy haven't I seen this patient before?��%C�u@��$~������Those injuries are days old.��U�����Those injuries are days old.��U�����UHe wouldn't allow it,��O�����UHe wouldn't allow it,��O������and I couldn't go against his wishes.��a������and I couldn't go against his wishes.��aC�uA�$�������You should have done. He has three broken ribs,�� ������You should have done. He has three broken ribs,�� ������ �and one of his lungs is compromised.��נ���� �and one of his lungs is compromised.��נ����tHow did this happen?��&�����tHow did this happen?��&C�u@��$� �����He won't say.��̠����[Emily] He won't say.��̠�����He will be all right, won't he?��Q������He will be all right, won't he?��QC�u@��$�=�����Just tell me he'll be right.�������Just tell me he'll be right.�������How are things with Lord Trenchard?��{�����[Stephen] How are things with Lord Trenchard?��{C�u@��$�Ǡ����Do you mind if we don't talk about it?�� C�����Do you mind if we don't talk about it?�� C������It doesn't feel right, especially with you.�� ꠶����It doesn't feel right, especially with you.�� �C�u��%������Why especially with me?�� 𠡡��Why especially with me?�� �C�u@��%������Clara...��Z�����Clara...��Z�����Zyou may not be able to speak frankly, but I can.��-�����Zyou may not be able to speak frankly, but I can.��-C�u��%,������I must.�� 2�����I must.�� 2����� 2I'm falling in love with you.��U����� 2I'm falling in love with you.��UC�u@��%A �����More than falling.��������More than falling.���������The truth is, I'm completely lost.�� ������The truth is, I'm completely lost.�� C�uA}�%[������- Too far gone for help. - Stephen--��������- Too far gone for help. - Stephen--���������And I know you can't say anything.��㠭����And I know you can't say anything.��㠜��� hNot now, at least.��1����� hNot now, at least.��1������But I need you to know that I exist only for you.���������But I need you to know that I exist only for you.���C�uA�%}Q�����And if--��������And if--���������- Help! - Help.��=������- [man] Help! - [woman] Help.��=������- Dr. Ellerby! - Oh, God!��%������- [nanny] Dr. Ellerby! - Oh, God!��%������Peter! Peter, get up!��U������[Amelia, Randolph] Peter! Peter, get up!��UC�uAe�%�������I'm here, Peter!�������I'm here, Peter!�������Get them back to the carriage!��[�����- Get them back to the carriage! - [Peter grunts]��[����� bCome along. Come on, children.������� b[nanny] Come along. Come on, children.�������c- Can I help? - No, you'd better go.��Ҡ����c- Can I help? - No, you'd better go.���C�u@��%�͠����It's all right, Peter. You better go!�� ������It's all right, Peter. You better go!�� ������ �That lunatic should be kept indoors!��,����� �[man] That lunatic should be kept indoors!��,C�u@��%Į�����Or locked away. Is he yours?��Ҡ����Or locked away. Is he yours?��Ҡ�����Who are his parents?!�� s������[man] Who are his parents?!�� s�����EShh. It's okay.��㠷���E- [Stephen] Shh. It's okay. - [Peter grunts]���C�u@��%�֠����It's disgraceful!�� �����It's disgraceful!�� ����� [children laugh mockingly]��Z����� gGood boy.�� ����� g- Good boy. - [Peter grunts]�� C�u��%�W�����Take them downstairs at once.��������Take them downstairs at once.���C�uA<�& �����I'm afraid he had another seizure.�������[Stephen] I'm afraid he had another seizure.�������It was severe.��T�����It was severe.��T������Where did this happen?��g������[Rochester] Where did this happen?��g�����:- Where? - On the heath.��������:- Where? - On the heath.���C�u@��&!ߠ����In public view? God's sake, man!��������In public view? God's sake, man!��������KPeter, my dearest boy...�� �����KPeter, my dearest boy...�� C�uA�&château means much.�� m�ˡłI don't think this business with the château means much.�� m����� mI've been trying to work out what it is.�������� mI've been trying to work out what it is.��������Take away the fancy clothes and the titles,��x�����Take away the fancy clothes and the titles,��xC�uA�)R�����I look at her methods.��������I look at her methods.���������She pushes. She wants everything in a hurry.�� Ơ�����She pushes. She wants everything in a hurry.�� Ơ����o- Don't we all? - She flatters.�� Ǡ����o- Don't we all? - She flatters.�� �C�u@��)1������She has this man, her agent.��������She has this man, her agent.���������He watches everything.��������He watches everything.��C�u@��)R�����I don't trust him.�������I don't trust him.�������"You were in Paris a long while, weren't you?�������"You were in Paris a long while, weren't you?��C�u@��)i@�����Nearly eight years.��1�����Nearly eight years.��1�����1Didn't wanna leave.��E�����1Didn't wanna leave.��EC�uA�)���̡ƁBut you can't run a factory when all your workers have walked out�� s�̡ƂBut you can't run a factory when all your workers have walked out�� s����� sand your machines have been smashed to pieces.�������� sand your machines have been smashed to pieces.���C�u��)�Ӡ����How would you feel about going back?��+�����How would you feel about going back?��+C�u@��)�Z�����- Ah! It tickles! - Shh.�� ����- [giggling] Ah! It tickles! - Shh.�� �����Blimey, girl.��������Blimey, girl.��C�u@��)������You'll get us the sack, you will.�� �����You'll get us the sack, you will.�� ����� Imagine old Enright's face if he walked in here now.�������� Imagine old Enright's face if he walked in here now.���C�uA�)�ɠ����Don't say that.��������Don't say that.���������I reckon he'd die of shock.��&������I reckon he'd die of shock.��&������I reckon it's a long time since he saw anyone kissing,��̠�����I reckon it's a long time since he saw anyone kissing,���C�u@��)�c�����let alone anything else.�� 堯���let alone anything else. - [giggles]�� 堹��� �I don't know. I reckon he's got a fancy woman.��Ӡ���� �I don't know. I reckon he's got a fancy woman.���C�u@��*�����- Enright? - He writes to her.�� �����- Enright? - He writes to her.�� ����� - What? - It must be a woman.�� g����� - What? - It must be a woman.�� gC�uA�*&������He lies to Mrs. Enright,��7�����He lies to Mrs. Enright,��7�����7doesn't want her to know anything about it.��+�����7doesn't want her to know anything about it.��+����� b- You're kidding. - I'm not.�� s����� b- You're kidding. - I'm not.�� sC�u@��*�����Anything.��͠����Anything.��͠�����Really, I... I would... I would do anything for you.���������Really, I... I would... I would do anything for you.���C�u��+������You dear, dear man.�������You dear, dear man.�������[breathes raggedly]�� �C�u@��+%a�����[door opens]�� ٠ɡÁ:Your Lordship, Miss Dunn is here and wishes to speak with you.����ɡÂ:Your Lordship, Miss Dunn is here and wishes to speak with you.���C�u��+M"�����Please tell her I cannot be disturbed.�� s�����Please tell her I cannot be disturbed.�� sC�u@��+jɠ����I'm sorry, Miss Dunn,��1�����- [door closes] - I'm sorry, Miss Dunn,��1�����1Lord Trenchard cannot be disturbed.��+�����1Lord Trenchard cannot be disturbed.��+����� \But it's urgent!��%����� \[Emily] But it's urgent!��%C�uA'�+�J�����- Lord Trenchard! - Miss Dunn!�������- [Emily] Lord Trenchard! - [Enright] Miss Dunn!�������Frederick!�������Frederick!�������I need to speak to you.��������I need to speak to you.���������It's all right, Enright.�� ������It's all right, Enright.�� C�uAa�+�d�����If you've come to speak on your sister's behalf--��1�����If you've come to speak on your sister's behalf--��1�����1It's about your brother.��7�����1It's about your brother.��7����� hReverend Trenchard is extremely sick.��B����� hReverend Trenchard is extremely sick.��B������Perilously so.��K������Perilously so.��KC�u@��+�Y�����He's asked to see you.��~�����He's asked to see you.��~������I'm afraid that won't be possible.��㠭����I'm afraid that won't be possible.���C�u@��+�栳���He has asked for nothing this last week.�� \�����He has asked for nothing this last week.�� \����� \This is his only wish.�������� \This is his only wish.���C�uA�+��ơ��I will not leave this room until you agree to come with me.��T�ơ��I will not leave this room until you agree to come with me.��T�����T[scoffs]��[����� �- Emily-- - I will not leave this room!�������� �- Emily-- - I will not leave this room!���C�u��,-������[gate opens]��C�u��,Jz�����[sighs]�� ����� �♪���C�u��,p�����[breathing raggedly]�� �C�u@��,�������What happened to you?�������What happened to you?��������Who did this to you, James?���������Who did this to you, James?���C�u@��,�Z�����Miss Dunn says you've stopped eating.�� ������Miss Dunn says you've stopped eating.�� ������ �Why would you do that?��[����� �Why would you do that?��[������[cries]���C�u@��,�Z�����Dear Freddie...�� �����Dear Freddie...�� ����� I wish you had come when Mother was dying.�������� I wish you had come when Mother was dying.���C�u@��-v�����I wish you had come.��������I wish you had come.���������Well, she didn't need me.�� Ǡ�����Well, she didn't need me.�� �C�u��-砖���She had you.��O�����She had you.��O�����OJust as father had you.�� Ơ����OJust as father had you.�� �C�u@��-8֠����She...��O�����She...��O�����OShe wanted to tell you something.�� �����OShe wanted to tell you something.�� C�u@��-S������And so she told me,��������And so she told me,���������and I can't carry it any longer.���������and I can't carry it any longer.���C�u@��-u���It's too heavy.��������It's too heavy.���������I can't... I can't carry it to my grave.���������I can't... I can't carry it to my grave.���C�u@��-�L�����Well, you're not going to your grave.��y�����Well, you're not going to your grave.��y�����yYou're young and strong.��������yYou're young and strong.���C�u@��-�n�����You weren't his.��������You weren't his.���������She said that you... you weren't Father's.��q������She said that you... you weren't Father's.��qC�u��-Ƀ�����You were someone else's.��ݠ����You were someone else's.��ݠ�����An affair.�� �������An affair.�� �C�u@��-������And Father knew.��̠����And Father knew.��̠�����He knew.���������He knew.���������They thought that they couldn't have a child together,���������They thought that they couldn't have a child together,���C�u��-�p�����then I was born,�� ������then I was born,�� ������ �and he rejected you.�� ������ �and he rejected you.�� �C�u��. ����Do you see?��������Do you see?���������It wasn't your fault.��~������It wasn't your fault.��~C�u@��./Ӡ����None of it was your fault.�������None of it was your fault.�������I am my father's son.��������I am my father's son.���C�u@��.I堞���I am Lord Trenchard.�� ������I am Lord Trenchard.�� ������ �You will always be Lord Trenchard, but...������� �You will always be Lord Trenchard, but...��C�u��.k������you are not Father's son.��������you are not Father's son.���������[chuckles]��C�u@��.�������Liar.��f�����[voice breaking] Liar.��f������Even now you want to crush me and undermine me...���������Even now you want to crush me and undermine me...���C�u@��.������and take my place.�� ������and take my place.�� ��š��'She swore. It's not your fault. You didn't stand a chance.����š��'She swore. It's not your fault. You didn't stand a chance.���C�u��.�ݠ����I love you.�������- I love you. - [door closes]��C�u��/������[breathes deeply]��&�����&Oh, Freddie.��U�����&Oh, Freddie.��UC�u��/������[dramatic music plays]�� g����� g♪�� hC�u��/>G�����[theme music plays]�� ����� ♪�� >S�k �˻���Q������P���� �����Q������P��9�� �����[=�����P��n��z����[=�����P�����z����j������J���������y������J����+����y������J��F��+�����෎��������������d����������B�����d��������5��B��������������W�� n��������������s�� n����������d���� =����������d��+�� =�����Q�����d��R�� �����Q�����d��s�� �����^�����d�����������^�����d�����������㷎�������y�����㷎�����G��y�����\���������� =�����\���������� =�����������������������������E��������B����������+�����B�������̲�+�����m��������� ������m�������K�� ����������������U�������������3��U�����Y��������b��<�����Y�����������<����䕷����������ػ���䕷�������ಂػ����m�������� �������m��������3�������췎��������%�����췎������L��%���������������� 껔�����������Ȳ� 껕�������������� >�������������(�� >����9�����e���������9�����e�� �������÷����e��;��޻���÷����e��o��޻���������e�����ػ���������e��ײ�ػ���#y�����e�� �� �����#y�����e��>�� �����/ ����������ݻ���/ ����������ݻ���=���������1��y����=���������P��y����M.�����P���� ����A����������� >����L���������(�� ����W���������� m���������������ػ����귎������.�� ������귎������k�� ������������ ����������������� ���&��������G����� ���G�� n�����G����� ���h�� n����������� ������������������ ���ɲ�������f�����!�����ػ����f�����!�����ػ����>�����!���7��O�����>�����!���n��O����ڍ�����!������ m����ڍ�����!���޲� m�����������"�����`�����������"���6��`�����Z�����"���g��[�����Z�����"������[����𵷎���"������7����𵷎���"���粂7�����췏���"����� ������췏���"���[�� �����}�����$n����̻���}�����$n��6��̻��� I�����$n��o��W���� I�����$n�����W����������%g����0����������%g��.��0����з����%g��W��һ���з����%g�����һ���&������%g��۲� �����&������%g���� �����4R�����&�����һ���4R�����&���&��һ���<$�����&���G�� m����<$�����&���i�� m����F������&�����������F������&�����������M?�����']��������TA�����']��.��һ���TA�����']��Q��һ���\�����']���� g����gz�����'����� s����gz�����'���/�� s����p������'���Y��$����p������'������$����������(�����U����������(���1��U�����f�����(���p��������f�����(�����������������(������ ������������)�����7�����������)�����7�����׷����)���-��`�����7�����)���A�� ������7�����)���l�� ������η����*/���� ������η����*/��B�� ������_�����*/����޻����_�����*/�����޻����=�����*/����� ������=�����*/��޲� ������v�����+L���������v�����+L��.�������������+L��W��������������+L��r�������󘷎���+L�����׻���󘷎���+L�����׻����o�����,���� 𻕳��o�����,��B�� 𻕳�_�����,���� 뻕��_�����,����� 뻕��J�����- ���� 𻕳�J�����- ��3�� 𻕳�:�����- ��a�� D����:�����- ����� D����#~�����-����� m����#~�����-���G�� m����-뷎���-������ s����-뷎���-������ s����7^�����.����� \����7^�����.���H�� \����D������.������7����D������.������7����I����.���ᲂ ����I����.����� 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