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JAZZ MUSIC
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EXCITED CHATTER
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Hello.
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Big crowd for theoretical science.
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Welcome.
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I am Dr Alan Turing.
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Good to have so many of you here,
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I think.
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I can never quite figure
if something is better
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if it's bigger.
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No sniggering during the lecture, please.
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I've always thought, for example,
that if the Manchester Baby -
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that is to say the small-scale
experimental machine -
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which is to say the first electronic
stored-program computer -
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I'm sorry, that's to say
the very first machine
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which has had memory -
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which my team and I
developed recently -
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was 100 times bigger,
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then of course it could do more.
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But would it be better?
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I mean, this is the biggest
chalkboard I've ever seen -
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so let's say big is best today.
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I say, "Good evening, students."
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You say, "Good evening, Dr Turing."
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Good evening, students.
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AUDIENCE: Good evening, Dr Turing.
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Well, it's a good job we're
all numbers people, isn't it?
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Let us begin.
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In the future, some might say
I helped bring
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the Allies to victory.
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But on this day in 1949,
they say,
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"Yes, he may be a genius
codebreaking mathematician,
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"but sadly he cannot be trusted
with much."
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They say this because I have had
no marriage, as such,
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and of course, winning a war
couldn't be done
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without a wife and a family
to win for.
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But still, I'm here in Manchester,
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at the university.
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Deputy Director of
the Computing Laboratory.
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I feel incredibly lucky -
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not for meteorological reasons,
I'm sure we can all agree -
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but because Manchester is quite
simply the home of the machine.
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The very first time
a hand skill was mechanised,
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it was in Manchester in 1767
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with the invention
of Arkwright's water frame.
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The city quickly became
the global leader
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of industrial machinery,
mass manufacturing.
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The Jacquard loom,
with its punch card innovation,
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allowing complicated textile
to be mass woven,
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and, eventually, miraculously,
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the first computers to be inspired
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by that very same
punch card system.
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The world has changed,
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industrialised for evermore,
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and you're now here to ask what will
the core of our future be.
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Should we be worried about machines
being able to think?
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The answer may seem to be
another question.
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"Well, that depends
on what it is thinking,
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"doesn't it, Dr Turing?"
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I think if computers could think
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they may one day think
better thoughts than us.
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I doubt very much they'd care about
who we choose to love,
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as a small example.
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Now, if they could think,
would this make them real?
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The "I think, therefore I am"
scenario?
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Well, what makes
us humans real anyhow?
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Our imaginary death is guaranteed
to one day become a real one,
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then our real death leaves behind
an imaginary life.
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So neither life nor death
can be the defining factor.
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00:05:02,800 --> 00:05:05,000
"We tell stories," people shout.
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00:05:05,000 --> 00:05:08,520
"That's what being human
rather than machine is about."
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But are we born with
storytelling capability?
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Don't we learn it
from everything around us?
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I'll be so bold as to say,
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"Are we not programmed
with the pieces
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"as we grow, much like the looms
and the Manchester Baby?"
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"No, no, Alan, we feel," you might
wish to argue with me.
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"Pain and love
are what makes us real."
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Pain and love are also
what can make it
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too hard to exist.
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It's a curious calculation
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of cancellation.
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Can the only things
that make you real
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also be the things that crush you
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into particles unseen?
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If one day a machine can truly see,
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perhaps that is what we will be
to them -
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disappearing, lacking,
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itself the only tangible thing.
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Enough.
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Stop!
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I've said too much.
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You came here for codes
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00:06:11,600 --> 00:06:13,280
and patterns and numbers,
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mathematics light years ahead
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of all of us.
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The future encased in its equations.
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Are you listening?
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Zero, zero, zero, zero, zero, one,
zero, zero, one.
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Really, truly listening?
PHONE RINGS
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You can start at any point,
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at three, four, five, six,
seven, eight.
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One, two... You must pay attention!
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All from the beginning.
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One, two, three, four, five.
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It's your responsibility
to know the steps.
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PHONE RINGS
Is someone looking for me?
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I can't answer,
I'm giving a lecture.
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You can reverse it -
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two, one, eight, seven, six,
five, four,
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three, two, one.
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Otherwise, how will you know
what happens next?
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Learning it all
is just the basic duty.
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It's just the incidents.
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You have to really try
to understand.
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More, you have to really try
to see.
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Two, three, four.
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Or not. Stop.
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It's up to you.
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PHONE RINGS
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They're coming for me
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and I'm not sure
what they're going to do.
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PHONE RINGS
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MORPHEUS: Hello, Neo.
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I've been looking for you, Neo.
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PERCUSSIVE MUSIC
Hello.
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Something is better if it's bigger.
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B-B-Big...
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Good evening, stu...
Good evening, stu...
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Students.
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Let us begin.
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I-I'm here in Manchester.
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I'm here... I'm feeling...
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Feeling very lucky.
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A-And...
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See our interests...
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Oh, my.
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CHEERING AND APPLAUSE
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We can solve our problems...
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And that makes them beautiful.
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When I think of the future,
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I think of the man and the machine.
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00:09:02,720 --> 00:09:05,720
Zero, zero, zero, zero, zero, one,
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00:09:05,720 --> 00:09:07,200
zero, zero, one.
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00:09:07,200 --> 00:09:10,160
Three, four, five, six,
seven, eight.
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00:09:10,160 --> 00:09:13,360
One, two...
One, two, three, four, five.
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00:09:13,360 --> 00:09:16,000
It's your responsibility
to know the steps.
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00:09:16,000 --> 00:09:18,360
Two, one... Eight, seven, six,
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00:09:18,360 --> 00:09:20,400
five, four, three, two.
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00:09:20,400 --> 00:09:23,440
Zero, zero, zero, zero, zero, one,
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zero, zero, one.
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You came here for codes and patterns
and numbers,
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mathematics light years
ahead of all of us
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I'm here in Manchester.
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I feel incredibly lucky.
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Manchester is quite simply...
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00:10:01,200 --> 00:10:03,440
The punch card system...
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00:10:03,440 --> 00:10:06,040
Jacquard loom with its punch card...
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00:10:06,040 --> 00:10:09,040
STRING MUSIC
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SINGERS VOCALISE
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00:13:15,920 --> 00:13:19,040
APPLAUSE
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00:13:22,200 --> 00:13:24,320
FAINT PERCUSSIVE MUSIC
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00:13:49,840 --> 00:13:51,440
TECHNO MUSIC
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00:13:51,440 --> 00:13:52,720
SINGERS VOCALISE
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00:15:27,000 --> 00:15:29,760
CHEERING AND APPLAUSE
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00:15:35,520 --> 00:15:38,040
STRING MUSIC
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00:19:21,440 --> 00:19:23,040
SINGERS VOCALISE
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00:21:39,840 --> 00:21:43,560
The trial of B1-66ER,
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the first machine to kill a human.
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00:21:47,480 --> 00:21:49,640
SINGERS VOCALISE
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00:22:47,520 --> 00:22:52,360
{\an8}B1-66ER testified that he simply
did not want to die.
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00:22:53,840 --> 00:22:56,640
He killed his owner
to save his own life.
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00:24:43,600 --> 00:24:47,000
APPLAUSE
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00:24:47,000 --> 00:24:50,040
MARCHING FOOTSTEPS
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00:24:50,040 --> 00:24:51,960
PERCUSSIVE MUSIC
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00:27:11,520 --> 00:27:13,800
MARCHING FOOTSTEPS
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00:28:26,400 --> 00:28:28,040
AGENT SMITH: Its genius?
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00:28:29,520 --> 00:28:33,280
Billions of people
living out their lives.
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00:28:34,920 --> 00:28:38,440
Did you know
that the first Matrix
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00:28:38,440 --> 00:28:42,000
was designed to be
a perfect human world,
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00:28:42,000 --> 00:28:43,280
where none suffered,
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00:28:43,280 --> 00:28:45,560
where everyone would be happy?
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00:28:47,240 --> 00:28:48,440
It was a disaster.
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00:28:48,440 --> 00:28:50,200
No-one would accept the program.
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00:28:50,200 --> 00:28:52,080
Entire crops were lost.
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00:28:53,720 --> 00:28:55,920
Some believed that we lacked
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00:28:55,920 --> 00:28:58,000
the programming language
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to describe your perfect world.
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00:29:01,120 --> 00:29:03,680
I believe that, as a species,
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00:29:03,680 --> 00:29:06,160
human beings define their reality
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00:29:06,160 --> 00:29:08,440
through misery and suffering.
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00:29:09,640 --> 00:29:13,760
So the perfect world was a dream
that your primitive cerebrum
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00:29:13,760 --> 00:29:16,000
kept trying to wake up from.
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00:29:16,000 --> 00:29:17,920
Redesigned...
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00:29:17,920 --> 00:29:20,480
I say "your civilisation",
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00:29:20,480 --> 00:29:23,400
because as soon as we started
thinking for you,
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00:29:23,400 --> 00:29:25,000
it became our civilisation,
198
00:29:25,000 --> 00:29:28,040
which is, of course,
what this is all about.
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00:29:29,360 --> 00:29:30,720
Evolution, Morpheus.
200
00:29:32,160 --> 00:29:33,480
Evolution.
201
00:29:35,800 --> 00:29:37,400
Like the dinosaur.
202
00:29:39,760 --> 00:29:42,160
Look out that window.
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00:29:42,160 --> 00:29:43,640
You had your time.
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00:29:45,080 --> 00:29:47,800
The future is our world.
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00:29:49,400 --> 00:29:52,800
I'd like to share a revelation
that I've had.
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00:29:55,000 --> 00:29:59,280
It came to me when I tried
to classify your species.
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00:30:01,720 --> 00:30:03,840
You're not actually mammals.
208
00:30:06,280 --> 00:30:09,000
Every mammal on this planet
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00:30:09,000 --> 00:30:12,600
instinctively develops
a natural equilibrium
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00:30:12,600 --> 00:30:14,160
with the surrounding environment.
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00:30:14,160 --> 00:30:16,600
But you humans do not.
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00:30:16,600 --> 00:30:18,560
You move to an area and...
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00:30:19,640 --> 00:30:21,080
...m-m-m-multiply...
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00:30:21,080 --> 00:30:24,160
...multiply until every natural
resource is consumed.
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00:30:25,320 --> 00:30:27,520
The only way you can survive...
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00:30:28,480 --> 00:30:31,240
There is another organism
on this planet
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00:30:31,240 --> 00:30:33,600
that follows the same pattern.
218
00:30:34,840 --> 00:30:38,280
Human beings are a disease,
219
00:30:38,280 --> 00:30:40,000
a cancer of this planet.
220
00:30:40,000 --> 00:30:42,120
You are a p-plague...
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00:30:43,160 --> 00:30:45,560
...and we are the cure.
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00:30:48,600 --> 00:30:50,120
Can you hear me, Morpheus?
223
00:30:51,160 --> 00:30:53,040
I'm going to be honest.
224
00:30:54,920 --> 00:30:58,440
I hate this zoo,
225
00:30:58,440 --> 00:30:59,840
this prison,
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00:30:59,840 --> 00:31:02,040
this reality.
227
00:31:03,320 --> 00:31:05,040
I can't stand it any longer.
228
00:31:06,280 --> 00:31:07,640
It's the smell.
229
00:31:09,320 --> 00:31:13,000
Taste your stink.
230
00:31:13,000 --> 00:31:15,440
And every time I do,
I fear that I have somehow
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00:31:15,440 --> 00:31:17,080
been infected by it.
232
00:31:17,080 --> 00:31:20,040
It's repulsive, isn't it?
233
00:31:22,320 --> 00:31:25,320
I must get out of here.
234
00:31:25,320 --> 00:31:27,720
I must get free.
235
00:31:27,720 --> 00:31:30,720
And in this mind is the key,
236
00:31:30,720 --> 00:31:32,120
my key.
237
00:31:32,120 --> 00:31:34,120
Once Zion is destroyed,
238
00:31:34,120 --> 00:31:37,680
there is no need for me to be here.
Do you understand?
239
00:31:37,680 --> 00:31:39,440
I need the codes.
240
00:31:39,440 --> 00:31:41,920
I have to get inside Zion.
241
00:31:41,920 --> 00:31:44,440
And you have to tell me how.
242
00:31:50,000 --> 00:31:53,040
SIREN WAILS
243
00:31:56,240 --> 00:31:59,200
MUFFLED CHANTS
244
00:32:03,400 --> 00:32:07,040
HELICOPTER THRUMS
245
00:32:07,040 --> 00:32:10,480
MUFFLED SHOUTS
246
00:32:11,520 --> 00:32:13,240
HORNS BLARE
247
00:32:25,840 --> 00:32:29,000
FAINT MUSIC SLOWLY BUILDS
248
00:32:35,000 --> 00:32:38,040
SIREN WAILS
249
00:32:47,000 --> 00:32:50,760
HELICOPTER THRUMS
250
00:33:52,560 --> 00:33:55,240
INSISTENT STRING MUSIC
251
00:33:55,240 --> 00:33:57,080
PERCUSSIVE MUSIC
252
00:34:01,600 --> 00:34:02,840
SHOUT
253
00:34:28,080 --> 00:34:29,840
SHOUT ECHOES
254
00:34:37,960 --> 00:34:39,840
MUSIC FADES
255
00:34:48,640 --> 00:34:50,120
SINGERS VOCALISE
256
00:35:04,240 --> 00:35:05,880
SHOUT
257
00:35:10,000 --> 00:35:12,760
SINGERS VOCALISE
258
00:35:23,280 --> 00:35:25,360
FAINT MUSIC BUILDS
259
00:36:00,560 --> 00:36:03,800
SINGERS VOCALISE
260
00:37:27,240 --> 00:37:29,360
ROARING
261
00:37:47,080 --> 00:37:49,160
SIREN WAILS
262
00:37:50,600 --> 00:37:53,120
SHRIEK
263
00:38:11,000 --> 00:38:12,320
FAINT SHOUT
264
00:38:12,320 --> 00:38:14,120
BELL TOLLS
265
00:38:27,360 --> 00:38:30,640
And thus it was
that humans scorched the sky.
266
00:38:30,640 --> 00:38:33,640
May there be mercy upon humans
267
00:38:33,640 --> 00:38:35,880
and machines for their sins.
268
00:38:37,000 --> 00:38:38,960
FAINT SHOUTS
269
00:38:56,320 --> 00:38:58,600
BELL STOPS
270
00:38:58,600 --> 00:39:00,760
CHEERING AND APPLAUSE
271
00:39:03,120 --> 00:39:08,600
Follow the white rabbit.
272
00:39:08,600 --> 00:39:12,600
The performance will continue
after the interval.
273
00:39:12,600 --> 00:39:14,920
MUSIC: White Rabbit
by Jefferson Airplane
274
00:39:14,920 --> 00:39:18,920
Follow the white rabbit.
275
00:39:22,640 --> 00:39:26,160
♪ And if you go chasing rabbits
276
00:39:27,160 --> 00:39:30,800
♪ And you know you're going to fall
277
00:39:31,880 --> 00:39:37,080
♪ Tell 'em
a hookah-smoking caterpillar
278
00:39:37,080 --> 00:39:41,160
♪ Has given you the call
279
00:39:41,160 --> 00:39:44,160
♪ To call Alice
280
00:39:44,160 --> 00:39:48,680
♪ When she was just small... ♪
281
00:39:50,920 --> 00:39:52,800
MUSIC ENDS
RECORD CRACKLES
282
00:39:52,800 --> 00:39:55,320
PERCUSSIVE MUSIC
283
00:40:13,360 --> 00:40:15,760
PIANO CHORD PLAYS
284
00:40:48,920 --> 00:40:52,200
SYNTHESISER BEEPS
285
00:40:52,200 --> 00:40:54,440
SINGERS VOCALISE
286
00:40:54,440 --> 00:40:56,560
When the world ends...
287
00:40:59,120 --> 00:41:02,480
...and the internet streams
no more...
288
00:41:07,320 --> 00:41:09,560
...we'll still be here.
289
00:41:12,960 --> 00:41:15,240
MUSIC: Blue Monday
by New Order
290
00:42:52,680 --> 00:42:54,280
Do you like that?
291
00:43:21,160 --> 00:43:23,440
MUSIC STOPS
292
00:43:23,440 --> 00:43:26,480
SYNTHESISER BEEPS
293
00:43:30,600 --> 00:43:32,800
WHIZZING
294
00:43:32,800 --> 00:43:35,760
Their profound devotion
to the cause of...
295
00:43:35,760 --> 00:43:38,480
SINGERS VOCALISE
DRAMATIC CHORDS PLAY
296
00:43:41,240 --> 00:43:45,240
CHEERING AND APPLAUSE
297
00:44:31,200 --> 00:44:32,840
MUSIC FADES
298
00:44:32,840 --> 00:44:35,440
SINGERS VOCALISE
299
00:44:52,720 --> 00:44:55,920
SYNTHESISER WHIRS
300
00:44:57,200 --> 00:44:59,320
PERCUSSIVE STUTTERING
301
00:45:17,840 --> 00:45:20,800
STRING MUSIC
302
00:45:39,880 --> 00:45:41,720
FAINT GROAN
303
00:47:04,360 --> 00:47:06,440
SYNTHESISER WHIRS
304
00:47:06,440 --> 00:47:08,160
TECHNO MUSIC
305
00:47:12,000 --> 00:47:13,600
SINGERS VOCALISE
306
00:48:41,280 --> 00:48:44,080
UP-TEMPO DANCE MUSIC
307
00:48:53,840 --> 00:48:56,040
MUSIC STOPS
308
00:48:59,400 --> 00:49:01,840
AMERICAN WOMAN:
A place for everything -
309
00:49:01,840 --> 00:49:03,720
that sure helps around my kitchen.
310
00:49:03,720 --> 00:49:06,120
Everything in its place.
311
00:49:06,120 --> 00:49:09,200
That's easy with
my Frigidaire Cold Pantry.
312
00:49:10,840 --> 00:49:13,480
BESS MYERSON: So true, Mrs Doherty.
313
00:49:13,480 --> 00:49:16,840
In your Frigidaire Cold Pantry,
there's a place for all your food.
314
00:49:16,840 --> 00:49:20,400
Fresh and frozen, canned,
bottled and wrapped,
315
00:49:20,400 --> 00:49:22,560
new-bought and left over.
316
00:49:22,560 --> 00:49:24,400
They're all right there,
317
00:49:24,400 --> 00:49:27,000
and they're all at your fingertips.
318
00:49:27,000 --> 00:49:30,600
Let's start with the most ingenious
door in any refrigerator.
319
00:49:30,600 --> 00:49:34,600
It has special places for bottles,
spreadable butter,
320
00:49:34,600 --> 00:49:36,640
cheeses, even leftovers,
321
00:49:36,640 --> 00:49:40,120
and a big picture-window hydrator
for fruits and vegetables.
322
00:49:40,120 --> 00:49:43,480
It tilts down to show you
your supply at a glance.
323
00:49:43,480 --> 00:49:45,760
DOORBELL RINGS
324
00:49:45,760 --> 00:49:49,360
MUSIC: Kamu Punya Pascar Lagi
by DJ Donilo
325
00:51:50,080 --> 00:51:51,600
MUSIC STOPS
326
00:51:51,600 --> 00:51:55,720
SYNTHESISER PLAYS SLURRING RIFF
327
00:52:19,760 --> 00:52:21,400
FAINT SHOUT
328
00:53:27,760 --> 00:53:31,120
SINGERS VOCALISE
329
00:53:32,920 --> 00:53:34,720
FAINT LAUGHTER
330
00:53:59,000 --> 00:54:01,640
LONE MALE SINGER VOCALISES
331
00:54:50,000 --> 00:54:53,000
LONE FEMALE SINGER VOCALISES
332
00:55:11,000 --> 00:55:14,280
SINGERS CONTINUE VOCALISING
333
00:55:19,720 --> 00:55:21,560
WHISTLE BLOWS
334
00:55:21,560 --> 00:55:23,400
DRUM MACHINE PLAYS DANCE BEAT
335
00:55:23,400 --> 00:55:25,720
SINGERS VOCALISING
336
00:55:43,080 --> 00:55:46,000
DRUM MACHINE STOPS
337
00:55:46,000 --> 00:55:49,280
SINGERS VOCALISING
338
00:55:53,520 --> 00:55:56,120
DRUM MACHINE RESUMES
339
00:56:52,640 --> 00:56:54,480
A place for everything -
340
00:56:54,480 --> 00:56:56,600
that sure helps around my kitchen.
341
00:56:56,600 --> 00:56:58,040
Everything in its place.
342
00:56:58,040 --> 00:57:01,960
That's easy with
my Frigidaire Cold Pantry.
343
00:57:04,120 --> 00:57:06,000
So true, Mrs Doherty.
344
00:57:06,000 --> 00:57:07,880
In your Frigidaire Cold Pantry,
345
00:57:07,880 --> 00:57:10,160
there's a place for all your food.
346
00:57:10,160 --> 00:57:13,160
Fresh and frozen,
canned, bottled and wrapped,
347
00:57:13,160 --> 00:57:15,280
new-bought and left over.
348
00:57:15,280 --> 00:57:19,880
They're all right there,
and they're all at your fingertips.
349
00:57:19,880 --> 00:57:21,880
Let's start with the most
ingenious door...
350
00:57:21,880 --> 00:57:24,120
SMASHING
351
00:57:24,120 --> 00:57:26,320
FAINT BUZZING
352
00:57:35,280 --> 00:57:38,120
FOOTSTEPS ECHO
353
00:58:09,160 --> 00:58:10,880
BUTTON CLICKS
354
00:58:10,880 --> 00:58:13,440
SINGERS VOCALISE
355
00:58:23,760 --> 00:58:27,000
DRUM MACHINE AND SYNTHESISER PLAY
356
00:58:27,000 --> 00:58:29,280
CHEERING
357
00:58:36,600 --> 00:58:38,920
SINGERS VOCALISE
358
01:00:35,080 --> 01:00:37,360
DREAMY TECHNO MUSIC
359
01:00:58,840 --> 01:01:01,440
SINGERS VOCALISE
360
01:02:11,280 --> 01:02:13,560
SINGERS STOP
361
01:04:04,040 --> 01:04:06,360
MUSIC FADES
362
01:04:08,760 --> 01:04:11,160
STRING MUSIC
363
01:05:57,560 --> 01:05:59,600
MUSIC STOPS
364
01:05:59,600 --> 01:06:02,400
DANCE MUSIC PLAYS
365
01:06:37,040 --> 01:06:39,440
SINGERS VOCALISE ON BEAT
366
01:07:11,680 --> 01:07:13,000
MUSIC STOPS
367
01:07:13,000 --> 01:07:15,520
STRINGS PLAY
368
01:07:15,520 --> 01:07:17,720
TECHNO DANCE MUSIC PLAYS
369
01:07:20,960 --> 01:07:22,840
RAPID GUNFIRE
370
01:07:26,000 --> 01:07:27,720
SHOTS
371
01:08:36,480 --> 01:08:38,880
MUSIC STOPS
EXPLOSION
372
01:08:38,880 --> 01:08:41,040
CHEERING AND APPLAUSE
373
01:08:41,040 --> 01:08:43,880
SINGERS VOCALISE
374
01:10:46,840 --> 01:10:48,480
GUNSHOT
375
01:10:59,600 --> 01:11:01,760
THUDDING PERCUSSION
376
01:11:11,200 --> 01:11:12,560
MUSIC STOPS
377
01:11:12,560 --> 01:11:14,200
SHATTERING
378
01:11:14,200 --> 01:11:16,880
CHEERING AND APPLAUSE
379
01:11:16,880 --> 01:11:19,080
STRING MUSIC
380
01:12:57,640 --> 01:12:59,960
SINGERS VOCALISE
381
01:13:32,920 --> 01:13:34,720
SINGERS STOP
382
01:13:34,720 --> 01:13:36,760
MUSIC CONTINUES
383
01:13:41,160 --> 01:13:43,640
SINGERS VOCALISE
384
01:14:46,520 --> 01:14:48,040
MUSIC FADES
385
01:14:48,040 --> 01:14:49,960
CHEERING AND APPLAUSE
386
01:14:49,960 --> 01:14:52,520
MUSIC CONTINUES
387
01:15:13,600 --> 01:15:15,880
SINGERS VOCALISE
388
01:16:33,240 --> 01:16:35,200
SINGERS STOP
389
01:16:35,200 --> 01:16:36,440
MUSIC CONTINUES
390
01:17:39,560 --> 01:17:42,680
SINGERS VOCALISE
391
01:17:54,120 --> 01:17:56,520
I warned you! I warned you!
392
01:17:56,520 --> 01:17:58,600
You must listen. You must listen.
393
01:17:58,600 --> 01:18:00,960
Listen to me.
394
01:18:00,960 --> 01:18:02,560
You must see,
395
01:18:02,560 --> 01:18:06,520
and you must learn!
396
01:18:12,440 --> 01:18:14,680
FIZZING
397
01:18:17,480 --> 01:18:19,960
CHEERING AND APPLAUSE
398
01:18:24,480 --> 01:18:26,320
MUSIC ENDS
399
01:18:26,320 --> 01:18:28,600
CHEERING AND APPLAUSE
400
01:18:37,800 --> 01:18:40,120
PERCUSSIVE MUSIC PLAYS
401
01:18:40,120 --> 01:18:42,360
CHEERING AND APPLAUSE CONTINUE
402
01:19:42,080 --> 01:19:44,680
SINGERS VOCALISE
25278
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