Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:01,110 --> 00:00:04,230
[EBO TAYLOR'S MY LOVE AND MUSIC PLAYING]
2
00:00:04,240 --> 00:00:08,140
♪
3
00:00:08,160 --> 00:00:13,160
- Synced & corrected by MementMori -
-- www.addic7ed.com --
4
00:00:18,090 --> 00:00:21,540
[INDISCERNIBLE CHATTER]
5
00:00:21,550 --> 00:00:23,710
ROB: Saturdays at the store
are actually pretty great.
6
00:00:23,720 --> 00:00:25,350
It's busy, the vibe is strong.
7
00:00:25,800 --> 00:00:27,589
We get a pretty reasonable cross-section
8
00:00:27,590 --> 00:00:29,170
of the city's phonograph-owning public,
9
00:00:29,180 --> 00:00:31,470
but I can always spot the real addicts,
10
00:00:31,480 --> 00:00:34,010
the ones who just can't leave
without buying a record,
11
00:00:34,020 --> 00:00:35,400
like this guy over here.
12
00:00:35,980 --> 00:00:38,530
He's been making a list of
possible purchases in his head.
13
00:00:38,860 --> 00:00:41,020
"If I don't find something
in the next five minutes,
14
00:00:41,030 --> 00:00:43,570
this random blues compilation
will have to do"
15
00:00:45,070 --> 00:00:46,270
Good choice.
16
00:00:46,280 --> 00:00:47,330
Yeah. I guess.
17
00:00:48,080 --> 00:00:50,370
Fetish properties are not unlike porn.
18
00:00:50,870 --> 00:00:52,450
I'd feel bad taking their money,
19
00:00:52,460 --> 00:00:55,040
if I wasn't, well, kinda one of them.
20
00:00:56,330 --> 00:00:57,580
There you go, man.
21
00:00:57,590 --> 00:00:59,950
You're fuckin' killing me.
Like, like, no disrespect,
22
00:00:59,960 --> 00:01:01,910
but where have you
been your entire life.
23
00:01:01,920 --> 00:01:04,210
How do you not own Stop Making Sense?
24
00:01:04,220 --> 00:01:06,290
That's crazy. That's
like not owning Blonde
25
00:01:06,300 --> 00:01:08,460
or fucking Blonde on Blonde,
you know what I'm sayin'?
26
00:01:08,470 --> 00:01:09,590
Uh...
27
00:01:09,600 --> 00:01:11,590
Damn, man, let me get you right.
28
00:01:11,600 --> 00:01:13,760
You got some Fleetwood
Mac. One of those.
29
00:01:13,770 --> 00:01:15,300
Let's see what else. Let's see...
30
00:01:15,310 --> 00:01:17,550
Ohhh, shit!
31
00:01:17,560 --> 00:01:20,010
Paul's Boutique,
motherfucker. All right.
32
00:01:20,020 --> 00:01:21,680
Now, I have taken you on this journey,
33
00:01:21,690 --> 00:01:23,770
and I think you done some fine-ass work.
34
00:01:23,780 --> 00:01:25,700
No, no, no, thank me later.
35
00:01:28,850 --> 00:01:30,309
I will now sell five copies
36
00:01:30,310 --> 00:01:32,490
of Love, Loss, And Auto-Tune
by Swamp Dogg.
37
00:01:32,500 --> 00:01:33,520
[WHISPERS] Do it.
38
00:01:37,950 --> 00:01:40,090
- [SWAMP DOGG'S LONELY PLAYING]
- ♪ I'm so lonely ♪
39
00:01:41,720 --> 00:01:44,340
♪ I'm so lonely ♪
40
00:01:45,330 --> 00:01:47,210
- Who is this?
- Swamp Dogg.
41
00:01:47,220 --> 00:01:48,220
It's good.
42
00:01:49,100 --> 00:01:50,460
I know.
43
00:01:50,470 --> 00:01:54,300
♪
44
00:01:54,310 --> 00:01:55,520
♪ What is the problem? ♪
45
00:01:56,350 --> 00:01:58,300
♪ You know I don't have no other women ♪
46
00:01:58,310 --> 00:01:59,560
♪ Don't want no other women ♪
47
00:02:00,020 --> 00:02:01,220
Five bucks.
48
00:02:01,230 --> 00:02:02,230
[DOORBELL TINKLES]
49
00:02:04,240 --> 00:02:05,320
ROB: Hey, how you doing?
50
00:02:05,950 --> 00:02:06,950
Great choice.
51
00:02:07,860 --> 00:02:09,560
♪ Outta town too I guess ♪
52
00:02:09,570 --> 00:02:11,950
♪ 'Cause I be at work,
I don't know what's going on ♪
53
00:02:12,830 --> 00:02:14,368
♪ But I still love you and I want you ♪
54
00:02:14,370 --> 00:02:16,080
[EXHALES FORCEFULLY] Have it.
55
00:02:17,080 --> 00:02:18,080
Have it.
56
00:02:18,080 --> 00:02:19,080
Oh, man.
57
00:02:19,670 --> 00:02:20,740
Just have all these.
58
00:02:20,750 --> 00:02:22,190
- ROB: Have a good one.
- It's crazy.
59
00:02:23,920 --> 00:02:25,120
- Hi.
- Hey!
60
00:02:25,130 --> 00:02:26,340
- ROB: Hello.
- What's up?
61
00:02:26,840 --> 00:02:28,540
It's, uh, quite the crowd you got here.
62
00:02:28,550 --> 00:02:29,830
Ah, these are all paid actors.
63
00:02:30,390 --> 00:02:33,640
Really? That seems like a terrible
business model, but okay.
64
00:02:36,310 --> 00:02:38,440
♪ I'm so lonely ♪
65
00:02:38,770 --> 00:02:39,770
Excuse me?
66
00:02:39,771 --> 00:02:41,020
I'm looking for a Cherise.
67
00:02:45,320 --> 00:02:47,070
♪ I get lonely ♪
68
00:02:48,860 --> 00:02:50,990
♪ For you baby ♪
69
00:02:53,580 --> 00:02:55,410
♪ But you just seem to be like ♪
70
00:02:56,330 --> 00:02:58,160
♪ You gotta have every man ♪
71
00:02:58,710 --> 00:02:59,710
♪ In town ♪
72
00:03:00,420 --> 00:03:01,420
What'd you do last night?
73
00:03:01,421 --> 00:03:03,088
I did that thing where, like,
you order enough Chinese
74
00:03:03,090 --> 00:03:04,540
that they send four chopsticks.
75
00:03:04,550 --> 00:03:07,170
But you're like, it's just me.
You're making me feel worse.
76
00:03:07,800 --> 00:03:10,063
Umm... and I'm re-watching The Sopranos.
77
00:03:10,064 --> 00:03:12,119
- So, yeah.
- Ugh, you know I haven't...
78
00:03:12,120 --> 00:03:13,140
I haven't seen it yet.
79
00:03:13,600 --> 00:03:15,468
What do you mean yet? It's
been out for, like, 25 years.
80
00:03:15,470 --> 00:03:17,760
I was... No, I missed it.
I just didn't do it.
81
00:03:17,770 --> 00:03:19,220
Sure. Did you grow up in a bunker?
82
00:03:19,230 --> 00:03:20,680
- Yes. Yeah.
- Oh.
83
00:03:20,690 --> 00:03:21,850
My family was in a cult.
84
00:03:21,860 --> 00:03:23,100
Very cool.
85
00:03:23,110 --> 00:03:24,429
Unfortunately, I'm not
really into Kool-Aid.
86
00:03:24,430 --> 00:03:25,439
- Like, not my drink.
- Right.
87
00:03:25,440 --> 00:03:26,449
Sure. That makes sense.
88
00:03:26,450 --> 00:03:28,028
Yeah, I'm gonna watch it though.
I'm gonna get on it.
89
00:03:28,030 --> 00:03:29,648
- I mean, I'm a little taken aback.
- [ROB CHUCKLES]
90
00:03:29,650 --> 00:03:30,650
For starters.
91
00:03:31,160 --> 00:03:33,360
Mostly, I'm just, like,
genuinely excited for you though
92
00:03:33,660 --> 00:03:35,230
to start on this journey, because
93
00:03:35,240 --> 00:03:37,369
it's so good that I wish I could go back
94
00:03:37,370 --> 00:03:38,469
and see it for the first time.
95
00:03:38,470 --> 00:03:39,750
- Cool.
- Yeah.
96
00:03:40,420 --> 00:03:42,460
- I'll watch it.
- And when you get to the end,
97
00:03:43,000 --> 00:03:44,788
uh, give me a call,
we'll go get some Italian,
98
00:03:44,790 --> 00:03:46,450
and we'll just talk it all out.
99
00:03:46,460 --> 00:03:48,830
- All right. Deal.
- All right. Deal.
100
00:03:48,840 --> 00:03:51,040
[WILLIAM ONYEABOR'S FANTASTIC
MAN PLAYING ON HEADPHONES]
101
00:03:51,050 --> 00:03:53,890
♪
102
00:03:59,480 --> 00:04:00,680
Wow!
103
00:04:00,690 --> 00:04:02,970
Man, you literally read my mind.
104
00:04:02,980 --> 00:04:05,140
I've always wished that
Sly were more like Fela,
105
00:04:05,150 --> 00:04:06,430
but still like Sly, you know?
106
00:04:06,440 --> 00:04:08,190
I do. That's Onyeabor.
107
00:04:08,900 --> 00:04:09,990
Game-changer.
108
00:04:10,530 --> 00:04:12,280
Hey, excuse me.
109
00:04:12,610 --> 00:04:13,610
Hey.
110
00:04:13,620 --> 00:04:15,950
Looks like you just
rocked that guy's world.
111
00:04:17,330 --> 00:04:19,040
No, I just showed him a record.
112
00:04:20,080 --> 00:04:22,460
Any idea what I might like?
113
00:04:22,920 --> 00:04:24,660
I don't... I mean,
114
00:04:24,670 --> 00:04:27,950
everybody's tastes are
so... different. I...
115
00:04:27,960 --> 00:04:29,800
You know, some people like some stuff.
116
00:04:30,260 --> 00:04:33,000
Other people like other stuff,
so, you know, it's tough.
117
00:04:33,010 --> 00:04:34,690
People really still
listen to tapes, huh?
118
00:04:34,930 --> 00:04:36,220
Mm-hmm. Yeah, I do.
119
00:04:36,720 --> 00:04:38,930
I like them. They're weird but warm.
120
00:04:40,640 --> 00:04:42,190
Weird but warm. Yeah.
121
00:04:42,560 --> 00:04:43,650
I, I feel that.
122
00:04:44,270 --> 00:04:46,020
Well, if you think of
anything I might like,
123
00:04:46,770 --> 00:04:47,770
come by the coffee shop?
124
00:04:48,270 --> 00:04:50,730
- When, when are you there?
- I'm there most days of the week.
125
00:04:50,740 --> 00:04:52,690
Okay. Yeah, I'll... Sure.
126
00:04:52,700 --> 00:04:53,780
Yeah.
127
00:04:59,540 --> 00:05:01,078
So what? You just came
by to give me shit
128
00:05:01,080 --> 00:05:02,820
for not having seen
The Sopranos or what?
129
00:05:02,830 --> 00:05:03,830
Yeah.
130
00:05:04,870 --> 00:05:05,950
Mission accomplished.
131
00:05:05,960 --> 00:05:08,210
No, I just came to say hi.
132
00:05:09,590 --> 00:05:10,590
Is that allowed?
133
00:05:12,050 --> 00:05:13,050
I'll allow it.
134
00:05:13,630 --> 00:05:14,630
Good.
135
00:05:17,390 --> 00:05:18,390
Hi.
136
00:05:18,520 --> 00:05:19,680
Hi.
137
00:05:22,070 --> 00:05:23,099
Hi.
138
00:05:23,100 --> 00:05:24,380
- Hi.
- I, I gotta...
139
00:05:24,390 --> 00:05:25,850
Yes. No, you gotta work.
140
00:05:27,190 --> 00:05:28,190
Yep.
141
00:05:28,191 --> 00:05:29,220
Enjoy.
142
00:05:29,570 --> 00:05:30,860
- Here you go.
- Thank you.
143
00:05:32,530 --> 00:05:33,820
[CHERISE SIGHS]
144
00:05:34,400 --> 00:05:35,850
- Hey, yo, Rob.
- ROB: Hmm?
145
00:05:35,860 --> 00:05:37,560
Who the fuck was that
dude in the khakis?
146
00:05:37,570 --> 00:05:38,860
What dude in khakis?
147
00:05:38,870 --> 00:05:40,828
"What dude in kha..."
The dude that you was eye-fucking
148
00:05:40,830 --> 00:05:42,280
for the last 10 minutes, that dude.
149
00:05:42,290 --> 00:05:43,570
I wasn't eye-fucking anyone.
150
00:05:43,580 --> 00:05:44,580
You were eye-fucking him.
151
00:05:44,581 --> 00:05:46,820
He wasn't ev... First of all,
he wasn't wearing khakis.
152
00:05:46,830 --> 00:05:47,998
He's my friend Clyde. All right.
153
00:05:48,000 --> 00:05:50,830
Clyde. Okay. I knew
that sounded familiar.
154
00:05:50,840 --> 00:05:52,080
Clyde-that-owns-a-car Clyde.
155
00:05:52,090 --> 00:05:54,330
- Prius Clyde.
- Yes. Exactly.
156
00:05:54,340 --> 00:05:56,779
The Clyde that drove you
uptown to go check out
157
00:05:56,780 --> 00:05:58,548
some overpriced record
collection, that Clyde?
158
00:05:58,550 --> 00:06:00,550
- Yes.
- Cla-Cla-Clyde-Clyde-Clyde-Clyde!
159
00:06:00,560 --> 00:06:02,090
Yes, that Clyde. Yes.
160
00:06:02,100 --> 00:06:03,920
He is a patron of the store now.
161
00:06:03,930 --> 00:06:06,630
Guys, employees, for the love of God,
162
00:06:06,640 --> 00:06:08,730
I beg of you, go back to work.
163
00:06:09,110 --> 00:06:11,140
What the fuck? Jesus, Rob.
164
00:06:11,150 --> 00:06:14,640
So you talk to a white dude in khakis
for all of five fuckin' seconds
165
00:06:14,650 --> 00:06:16,640
and now you all business all the time.
166
00:06:16,650 --> 00:06:19,310
It's okay. I see you, and I got you.
167
00:06:19,320 --> 00:06:22,400
Everyone, let's get back
to business, all right!
168
00:06:22,410 --> 00:06:26,960
♪ I don't know what you expect
staring into the TV set ♪
169
00:06:27,370 --> 00:06:29,570
♪ Fighting fire with fire ♪
170
00:06:29,580 --> 00:06:31,250
♪ Burning down the house ♪
171
00:06:33,840 --> 00:06:36,040
Sundays are a little bit more lax.
172
00:06:36,050 --> 00:06:37,670
I guess everybody's at brunch.
173
00:06:37,680 --> 00:06:39,290
Or yoga or laundry
174
00:06:39,300 --> 00:06:41,840
or whatever other adult
activities make them feel
175
00:06:41,850 --> 00:06:43,890
less shitty about their
stupid life choices.
176
00:06:46,270 --> 00:06:49,010
Oh, no, no, no, no, no!
177
00:06:49,020 --> 00:06:52,220
Bro, there's 46. Can you
please write down 46.
178
00:06:52,230 --> 00:06:53,390
It's not. It's not 46.
179
00:06:53,400 --> 00:06:56,770
Ramones' Singles Box
counts as ten, not one.
180
00:06:56,780 --> 00:06:59,810
Rob, could you please remind Mr.
Florida Recount over here
181
00:06:59,820 --> 00:07:02,780
that box sets count as multiple records?
182
00:07:03,450 --> 00:07:05,190
- Rob.
- Hmm? Hmm? What?
183
00:07:05,200 --> 00:07:07,288
Come on, Yo. What the fuck?
Like, we havin' a conversation.
184
00:07:07,290 --> 00:07:08,868
What are you doing on your
phone? Who you texting?
185
00:07:08,870 --> 00:07:10,920
- No one.
- "No one" is "someone." Who is it?
186
00:07:12,170 --> 00:07:13,790
Okay, who is it, Rob?
187
00:07:13,800 --> 00:07:15,500
Is it fucking Khaki Clyde?
188
00:07:15,510 --> 00:07:17,168
Y'all about to throw a little
fuckin' sweater party?
189
00:07:17,170 --> 00:07:19,970
- That's what y'all doing?
- It's, uh, it's Liam actually.
190
00:07:21,890 --> 00:07:24,430
Wait a motherfucking minute.
191
00:07:24,800 --> 00:07:27,470
Rewind. What, what you got?
What is happening?
192
00:07:27,480 --> 00:07:29,220
Nothing. We text sometimes.
193
00:07:29,230 --> 00:07:30,648
He's back from tour. He wants to hang.
194
00:07:30,650 --> 00:07:31,939
Yeah, he's actually kinda
blowing up right now.
195
00:07:31,940 --> 00:07:33,954
- Yeah?
- He invited me to his show tomorrow night.
196
00:07:33,955 --> 00:07:35,820
You mean his sold-out
show at Brooklyn Steel?
197
00:07:36,280 --> 00:07:37,390
- Mm-hmm.
- Yo, for real.
198
00:07:37,400 --> 00:07:38,890
Shit, I just get so hyped
199
00:07:38,900 --> 00:07:41,230
when my people are just,
they just making shit happen,
200
00:07:41,240 --> 00:07:42,488
and they're doing shit for themselves.
201
00:07:42,490 --> 00:07:43,700
Let me tell y'all right now,
202
00:07:44,450 --> 00:07:46,200
when my shit pops off,
203
00:07:47,290 --> 00:07:50,030
oooh, it's gonna be lit!
204
00:07:50,040 --> 00:07:51,418
You know you have to actually make music
205
00:07:51,420 --> 00:07:53,660
to sell out a music venue, right?
206
00:07:53,670 --> 00:07:55,628
And you know the dude that
you like is, like, 12, right?
207
00:07:55,630 --> 00:07:56,950
Can you just do some work please.
208
00:07:56,960 --> 00:07:58,880
Sure thing, Mr. Polanski.
209
00:08:00,590 --> 00:08:01,798
ROB: That's great. That's very helpful.
210
00:08:01,800 --> 00:08:04,000
- I know you would like that.
- Yeah, I know, I love it.
211
00:08:04,010 --> 00:08:05,508
You wanna come with me tomorrow night?
212
00:08:05,510 --> 00:08:07,060
I got backstage passes.
213
00:08:07,970 --> 00:08:08,970
Sure.
214
00:08:08,980 --> 00:08:10,560
Before you even ask,
215
00:08:12,020 --> 00:08:14,010
I would be honored
216
00:08:14,020 --> 00:08:15,770
to be your plus two.
217
00:08:16,150 --> 00:08:17,820
ROB: What is that face?
218
00:08:18,230 --> 00:08:19,890
All right. Yeah, let
me see what I can do.
219
00:08:19,900 --> 00:08:21,560
I'm fucking honored!
220
00:08:21,570 --> 00:08:24,270
[SING-SONGY] Whoo! We going to the show!
221
00:08:24,280 --> 00:08:26,230
We're gonna hang backstage!
222
00:08:26,240 --> 00:08:28,280
We're gonna drink with the band!
223
00:08:28,290 --> 00:08:30,240
We're gonna watch from the side!
224
00:08:30,250 --> 00:08:32,918
Lewis and I actually got to see TV
On The Radio once from side stage
225
00:08:32,920 --> 00:08:35,450
'cause his roommate's girl...
226
00:08:35,460 --> 00:08:36,748
someone was sleeping
with one of the guys
227
00:08:36,750 --> 00:08:37,893
in the sound system. Whatever.
228
00:08:37,894 --> 00:08:39,200
- So what?
- And it's actually
229
00:08:39,210 --> 00:08:40,830
the worst place to hear a show.
230
00:08:40,840 --> 00:08:43,170
[SING-SONGY] That is
bullshit and you know it.
231
00:08:43,180 --> 00:08:44,300
- [HUMMING]
- ROB: All right.
232
00:08:45,220 --> 00:08:46,220
You're in.
233
00:08:46,800 --> 00:08:49,550
Oh! Oh, my God, Rob. Thank you so much.
234
00:08:49,560 --> 00:08:51,470
Yo, but I have to ask you
a question. Serious.
235
00:08:51,480 --> 00:08:52,480
[CLEARS THROAT]
236
00:08:52,810 --> 00:08:55,010
If I accompany you to the playground,
237
00:08:55,020 --> 00:08:56,690
does that make me an accomplice?
238
00:08:57,400 --> 00:08:58,520
Cherise, the door!
239
00:08:58,530 --> 00:09:00,240
Oh, fuck, no!
240
00:09:01,610 --> 00:09:03,690
Motherfuckin' bitches!
241
00:09:03,700 --> 00:09:05,230
[THE REPLACEMENTS RATTLESNAKE PLAYING]
242
00:09:05,240 --> 00:09:07,160
♪ Say I'm a rattlesnake ♪
243
00:09:07,740 --> 00:09:09,570
♪ Cruisin' on my belly all night long ♪
244
00:09:09,580 --> 00:09:10,860
♪ You gotta hold on ♪
245
00:09:10,870 --> 00:09:11,950
My bad. My bad. My bad.
246
00:09:11,960 --> 00:09:13,660
♪ You gotta hold on ♪
247
00:09:13,670 --> 00:09:15,420
♪ You got a rattlesnake ♪
248
00:09:15,670 --> 00:09:17,670
♪ I'm a rattlesnake ♪
249
00:09:19,050 --> 00:09:20,760
♪ I'm a rattle, rattle, rattle ♪
250
00:09:21,170 --> 00:09:22,840
♪ I'm a rattle, rattle, rattle ♪
251
00:09:23,260 --> 00:09:25,220
♪ I'm a rattle, rattle, rattle ♪
252
00:09:26,850 --> 00:09:28,630
♪ Cruisin' on my belly all night long ♪
253
00:09:28,640 --> 00:09:30,520
♪ You gotta hold on ♪
254
00:09:30,850 --> 00:09:33,010
♪ You gotta hold on ♪
255
00:09:33,020 --> 00:09:34,640
♪ You got a rattlesnake ♪
256
00:09:35,190 --> 00:09:36,810
♪ Yeah, I'm a rattlesnake ♪
257
00:09:37,310 --> 00:09:39,860
[BREATHING HEAVILY, WHEEZING]
258
00:09:44,200 --> 00:09:45,200
Fuck!
259
00:09:48,370 --> 00:09:50,020
They can really run.
260
00:09:50,030 --> 00:09:51,870
They're gone. They're fast.
261
00:09:54,960 --> 00:09:56,700
No fuckin' way.
262
00:09:56,710 --> 00:09:58,170
CHERISE: What is it? What's wrong?
263
00:09:59,750 --> 00:10:01,040
[BREATHING HEAVILY]
264
00:10:01,050 --> 00:10:02,410
- Look at this?
- Shit.
265
00:10:02,420 --> 00:10:03,420
This is them.
266
00:10:05,380 --> 00:10:07,840
These dumb motherfuckin' bitches.
267
00:10:09,640 --> 00:10:12,100
Yo, if you... if you
trying to steal some shit,
268
00:10:12,640 --> 00:10:13,890
you don't fuckin' put
269
00:10:14,310 --> 00:10:15,760
your address
270
00:10:15,770 --> 00:10:18,230
and a fuckin' photo of yourself
271
00:10:20,480 --> 00:10:22,980
at the motherfuckin' scene of the crime.
272
00:10:25,070 --> 00:10:27,160
- Oh, shit.
- I gotta, I gotta quit smoking.
273
00:10:28,570 --> 00:10:32,290
[WHEEZING AND COUGHING]
274
00:10:42,210 --> 00:10:45,210
[STIFF LITTLE FINGERS'
ALTERNATIVE ULSTER PLAYING]
275
00:10:45,220 --> 00:10:48,220
♪
276
00:10:50,430 --> 00:10:52,300
♪ There's nothin' for us in Belfast ♪
277
00:10:52,310 --> 00:10:54,340
♪ The Pound's old and that's a pity ♪
278
00:10:54,350 --> 00:10:56,380
♪ Okay so there's the
Trident in Bangor ♪
279
00:10:56,390 --> 00:10:58,270
♪ And then you walk back to the city ♪
280
00:10:59,400 --> 00:11:00,400
[DOORBELL TINKLES]
281
00:11:00,900 --> 00:11:01,900
Hey, what's up?
282
00:11:01,901 --> 00:11:03,068
♪ They don't even know you know ♪
283
00:11:03,070 --> 00:11:05,890
♪ They just want money
we can take it or leave it ♪
284
00:11:05,900 --> 00:11:08,150
♪ What we need ♪
285
00:11:08,570 --> 00:11:10,240
♪ Is an alternative Ulster ♪
286
00:11:10,990 --> 00:11:12,910
♪ Grab it and change it, it's yours ♪
287
00:11:13,830 --> 00:11:16,110
This is a terrible idea.
They're gonna fuckin' shank us.
288
00:11:16,830 --> 00:11:18,150
Shank you? Who says that?
289
00:11:18,160 --> 00:11:19,410
Nah. You got this.
290
00:11:19,420 --> 00:11:20,820
All right. Now repeat after me:
291
00:11:20,830 --> 00:11:22,160
I'm a motherfuckin' G,
292
00:11:22,170 --> 00:11:23,660
and I can do this shit.
293
00:11:23,670 --> 00:11:24,990
I'm not saying that shit.
294
00:11:25,000 --> 00:11:27,250
Listen. The shit works.
Just say it. You're so mean.
295
00:11:27,260 --> 00:11:29,080
I'm a motherfuckin' G,
296
00:11:29,090 --> 00:11:30,888
- and I can do this shit.
- All right, shut up, let's just do it.
297
00:11:30,890 --> 00:11:31,890
[BARKS]
298
00:11:32,220 --> 00:11:33,598
- [MUSIC PLAYING ON SPEAKERS]
- Listen.
299
00:11:33,600 --> 00:11:34,720
Yep, hear it.
300
00:11:38,430 --> 00:11:39,950
All right, genius, what's your plan?
301
00:11:42,270 --> 00:11:43,300
[YELPS]
302
00:11:43,310 --> 00:11:44,398
CHERISE: Yeah, that's right.
303
00:11:44,400 --> 00:11:46,640
We found your motherfuckin' bitch asses.
304
00:11:46,650 --> 00:11:48,070
Aw, shit!
305
00:11:49,070 --> 00:11:50,770
Look, apologies, genuinely.
306
00:11:50,780 --> 00:11:52,738
We're just borrowing them.
We were gonna bring them back.
307
00:11:52,740 --> 00:11:54,190
Borrowing them?
308
00:11:54,200 --> 00:11:55,610
We're not a fuckin' Blockbuster.
309
00:11:55,620 --> 00:11:57,190
What's a "Blockbuster"?
310
00:11:57,200 --> 00:11:58,610
- Never mind, Peachy.
- I'm Shane.
311
00:11:58,620 --> 00:12:01,740
Whatever. Why are you guys "borrowing"
records from my shop, huh?
312
00:12:01,750 --> 00:12:03,748
We make our own samples.
We can't afford to buy them.
313
00:12:03,750 --> 00:12:05,960
- Then sample shit online.
- Vinyl sounds better.
314
00:12:08,300 --> 00:12:10,120
Joni Mitchell, King Crimson.
315
00:12:10,130 --> 00:12:12,470
- Mm, mm, mm.
- Alice Coltrane...
316
00:12:14,760 --> 00:12:15,960
You have good taste.
317
00:12:15,970 --> 00:12:17,020
Yeah, we know.
318
00:12:19,140 --> 00:12:21,020
- All right. You got one day.
- What?
319
00:12:21,770 --> 00:12:23,398
Finish whatever you're doing
and bring 'em back, okay?
320
00:12:23,400 --> 00:12:25,438
- Bro, have you lost your mother...
- Cherise, shut up a second.
321
00:12:25,440 --> 00:12:28,850
I want them back in pristine
condition by noon tomorrow.
322
00:12:28,860 --> 00:12:31,850
- Oh, my...
- Shut up! Or I call the cops.
323
00:12:31,860 --> 00:12:33,160
Deal?
324
00:12:33,950 --> 00:12:34,950
Deal.
325
00:12:35,450 --> 00:12:37,650
- What the fuck?
- Can...
326
00:12:37,660 --> 00:12:39,160
- I'm sorry about her.
- Fuck it!
327
00:12:39,750 --> 00:12:40,750
All right.
328
00:12:41,040 --> 00:12:42,860
Yo, what happened to you? Did you panic?
329
00:12:42,870 --> 00:12:45,200
Like, who was that?
That's why we had a script.
330
00:12:45,210 --> 00:12:47,990
Jesus! Well, now I know
you're not a boss.
331
00:12:48,000 --> 00:12:49,000
The fuck.
332
00:12:49,010 --> 00:12:50,468
You know, Cherise,
every once in a while,
333
00:12:50,470 --> 00:12:51,920
it would be useful for you to admit
334
00:12:51,930 --> 00:12:53,298
you have no idea what
you're talking about.
335
00:12:53,300 --> 00:12:55,630
Who are you talking to? I have no idea?
336
00:12:55,640 --> 00:12:57,428
Am I the one that just went
and gave free records
337
00:12:57,430 --> 00:12:59,350
to fuckin' Fisher-Price
Cool & Dre back there?
338
00:12:59,680 --> 00:13:02,188
You know, just go back to the shop
and help Simon close up, okay.
339
00:13:02,190 --> 00:13:03,940
Sweetie, where are you going?
340
00:13:04,690 --> 00:13:07,180
Liam invited me to the studio. [LAUGHS]
341
00:13:07,190 --> 00:13:09,648
I mean, he's a cute toddler and all,
but you don't have to leave me.
342
00:13:09,650 --> 00:13:10,850
Come on!
343
00:13:10,860 --> 00:13:12,280
Stop. I'm scared.
344
00:13:14,820 --> 00:13:18,700
[JIMI HENDRIX'S HAVE YOU EVER BEEN
(TO ELECTRIC LADYLAND) PLAYING]
345
00:13:19,160 --> 00:13:21,650
ROB: All my life I've
wanted to date a musician.
346
00:13:21,660 --> 00:13:24,420
Not just someone in a band,
but, you know, a real musician.
347
00:13:24,920 --> 00:13:26,460
He'd write songs at home,
348
00:13:26,840 --> 00:13:29,090
maybe include one of our
private jokes in the lyrics.
349
00:13:29,590 --> 00:13:31,050
Thank me in the liner notes.
350
00:13:32,720 --> 00:13:34,540
Top Five Iconic Recording Studios:
351
00:13:34,550 --> 00:13:35,880
Abbey Road, obviously.
352
00:13:35,890 --> 00:13:39,300
Sunset Sound: Exile On Main
St. Pet Sounds. Zep IV.
353
00:13:39,310 --> 00:13:43,800
Hitsville, U. S. A.: Motown. Stevie.
The Jacksons. Ms. Diana Ross.
354
00:13:43,810 --> 00:13:46,940
Sun Studio: The literal
birthplace of rock & roll.
355
00:13:48,270 --> 00:13:50,560
Number five: Electric Lady.
356
00:13:50,570 --> 00:13:52,860
Jimi Hendrix built this place.
Died three weeks later.
357
00:13:54,030 --> 00:13:55,730
I've walked past a million times
358
00:13:55,740 --> 00:13:59,330
but... never been inside.
359
00:14:01,580 --> 00:14:02,580
[DOORBELL RINGS]
360
00:14:03,710 --> 00:14:05,580
[BUZZER SOUNDS]
361
00:14:09,090 --> 00:14:10,750
Be cool, Rob. Be cool.
362
00:14:12,670 --> 00:14:14,580
♪ Look up ahead ♪
363
00:14:14,590 --> 00:14:16,180
♪ I see the loveland ♪
364
00:14:16,590 --> 00:14:19,130
♪ Soon you'll understand ♪
365
00:14:19,140 --> 00:14:21,890
♪ Yeah, yeah, yeah ♪
366
00:14:26,310 --> 00:14:27,390
- Rob?
- Yeah.
367
00:14:27,400 --> 00:14:28,480
- Follow me.
- Okay.
368
00:14:31,020 --> 00:14:32,659
ROB: It's really coming down out there.
369
00:14:32,660 --> 00:14:33,830
Yeah.
370
00:14:33,840 --> 00:14:35,850
Oh, it was, uh, it was Rob, right?
371
00:14:35,860 --> 00:14:36,860
Yeah.
372
00:14:37,490 --> 00:14:39,610
I'm Brad. I work with Liam.
373
00:14:39,620 --> 00:14:40,860
Nice to meet you.
374
00:14:40,870 --> 00:14:42,490
- Welcome to the Lady.
- Thanks.
375
00:14:44,040 --> 00:14:46,620
Uh... yeah, just, just
put that there. Yeah.
376
00:14:47,460 --> 00:14:49,320
- Can I get you a beer?
- Uh, yeah, sure.
377
00:14:49,330 --> 00:14:50,590
- Okay.
- Thanks.
378
00:14:51,090 --> 00:14:53,130
He is in the booth right now.
379
00:14:55,010 --> 00:14:58,880
♪ Yeah, yeah, yeah ♪
380
00:14:58,890 --> 00:15:00,340
Take a seat. I'll get you that beer.
381
00:15:00,350 --> 00:15:01,350
Oh, thanks.
382
00:15:01,351 --> 00:15:04,520
♪ Beautiful lady ♪
383
00:15:05,520 --> 00:15:07,760
♪ Ooh ♪
384
00:15:07,770 --> 00:15:13,060
♪ You got me in your heavy gravity ♪
385
00:15:13,070 --> 00:15:17,280
♪ I've been spinning round and round ♪
386
00:15:17,610 --> 00:15:19,570
How'd that, how'd that one sound, then?
387
00:15:20,950 --> 00:15:22,480
It's getting, it's getting somewhere.
388
00:15:22,490 --> 00:15:24,410
Umm... but, uh, you got a visitor.
389
00:15:30,170 --> 00:15:31,490
Hey, I'm Jack. How's it going?
390
00:15:31,500 --> 00:15:32,500
Hi, I'm Rob.
391
00:15:33,130 --> 00:15:34,630
- Big fan.
- Thanks, man.
392
00:15:36,380 --> 00:15:38,170
- Hey, you.
- Hey!
393
00:15:38,630 --> 00:15:41,150
- What's up? How are you?
- How you doin'? It's good to see you.
394
00:15:41,660 --> 00:15:43,249
- Sounds good.
- Really?
395
00:15:43,250 --> 00:15:44,259
- Yeah.
- JACK: You're getting it.
396
00:15:44,260 --> 00:15:45,928
LIAM: Um, can we,
can we play it back, Jack?
397
00:15:45,930 --> 00:15:48,130
Yeah. I'm gonna check on
our falafel. You guys listen.
398
00:15:48,430 --> 00:15:49,850
- Nice to meet you.
- You too...
399
00:15:51,020 --> 00:15:52,600
Jack Antonoff.
400
00:15:52,610 --> 00:15:53,650
That's cool.
401
00:15:54,110 --> 00:15:56,070
Yeah. [LAUGHTER]
402
00:15:58,320 --> 00:16:00,940
♪ Yeah ♪
403
00:16:00,950 --> 00:16:04,770
♪ Yeah, yeah, yeah, yeah ♪
404
00:16:04,780 --> 00:16:08,250
♪ Beautiful lady ♪
405
00:16:08,660 --> 00:16:12,410
♪ Ooh, you got me in your ♪
406
00:16:12,420 --> 00:16:14,450
- [SONG STOPS]
- All right, what do you think?
407
00:16:14,460 --> 00:16:15,460
It's good.
408
00:16:16,670 --> 00:16:17,790
It's good?
409
00:16:17,800 --> 00:16:19,410
It's... okay, but?
410
00:16:19,420 --> 00:16:21,090
- It's good.
- Yeah, but what?
411
00:16:21,800 --> 00:16:22,840
Umm...
412
00:16:24,260 --> 00:16:25,260
I don't know.
413
00:16:26,470 --> 00:16:27,970
- The beat's really fun.
- Mm-hmm.
414
00:16:28,770 --> 00:16:32,440
Um, maybe your vocals
sound a little, um,
415
00:16:33,860 --> 00:16:34,860
earnest, or something?
416
00:16:35,610 --> 00:16:37,270
Ohh!
417
00:16:37,280 --> 00:16:39,180
She thinks I'm earnest. Wow!
418
00:16:39,190 --> 00:16:40,440
Yeah.
419
00:16:40,450 --> 00:16:41,980
No, it's not bad. It's just...
420
00:16:41,990 --> 00:16:44,120
Well, okay, then. What, what to do?
421
00:16:44,740 --> 00:16:45,740
Rob?
422
00:16:46,990 --> 00:16:48,660
I don't know, man. Um...
423
00:16:49,790 --> 00:16:51,330
What would Prince do, you know?
424
00:16:51,960 --> 00:16:53,710
Have fun with it. Get weird with it.
425
00:16:55,750 --> 00:16:57,210
Let's get weird with it then.
426
00:17:04,800 --> 00:17:06,470
- [DOOR OPENS]
- JACK: Food's back.
427
00:17:06,800 --> 00:17:08,000
You wanna do another one?
428
00:17:08,010 --> 00:17:09,670
- Yeah.
- Okay. Let's go.
429
00:17:09,680 --> 00:17:10,888
LIAM: Right. We're gonna
get weird with it.
430
00:17:10,890 --> 00:17:12,230
- [DOOR OPENS]
- Weird with it.
431
00:17:12,810 --> 00:17:14,170
- JACK: 'Kay.
- [ROB CLEARS THROAT]
432
00:17:17,980 --> 00:17:19,110
JACK: Ready to go again?
433
00:17:19,440 --> 00:17:22,150
[MUSIC STARTS]
434
00:17:23,070 --> 00:17:27,830
[HIGH-PITCHED] ♪ Yeah,
yeah, yeah, yeah, yeah ♪
435
00:17:28,240 --> 00:17:31,330
♪ Beautiful lady ♪
436
00:17:32,160 --> 00:17:34,450
♪ Ooh ♪
437
00:17:34,460 --> 00:17:39,420
♪ You got me in your heavy gravity ♪
438
00:17:39,670 --> 00:17:44,260
♪ I've been spinning round and round ♪
439
00:17:46,760 --> 00:17:48,720
♪ Till it hits the ground ♪
440
00:17:51,060 --> 00:17:53,680
♪ I'm gonna... ♪
441
00:17:53,690 --> 00:17:58,810
♪ Ooh, ooh, ooh, ooh, ooh ♪
442
00:17:58,820 --> 00:18:02,100
♪ Caught in... ♪
443
00:18:02,110 --> 00:18:04,150
- JACK: Here you go.
- Hmm. Huh?
444
00:18:04,167 --> 00:18:05,418
You like falafel?
445
00:18:05,740 --> 00:18:06,900
- Oh.
- You know Mamoun's?
446
00:18:06,910 --> 00:18:08,780
- No.
- It's a place around here. It's like,
447
00:18:09,660 --> 00:18:11,690
not my opinion, it's
actually the best falafel.
448
00:18:11,700 --> 00:18:13,660
- Oh, my God.
- Right?
449
00:18:14,410 --> 00:18:15,820
- Bomb.
- This is the real one,
450
00:18:15,830 --> 00:18:17,668
and they, like, franchise
in New Jersey or something
451
00:18:17,670 --> 00:18:19,378
but, like, if you're in this
area, the one right here
452
00:18:19,380 --> 00:18:20,940
is like the one you actually gotta get.
453
00:18:21,670 --> 00:18:23,550
He's actually, like,
totally getting into it.
454
00:18:23,880 --> 00:18:25,210
That's totally the shit.
455
00:18:25,220 --> 00:18:26,370
Like, you're right there.
456
00:18:26,380 --> 00:18:28,040
Do another one knowing that you got it.
457
00:18:28,050 --> 00:18:29,298
So just, like, see what happens.
458
00:18:29,300 --> 00:18:31,670
But you have it, and, uh, just have fun.
459
00:18:31,680 --> 00:18:33,140
[MUSIC RESUMES]
460
00:18:34,730 --> 00:18:37,980
[BOTH MOANING]
461
00:18:46,110 --> 00:18:47,110
Wait.
462
00:18:57,170 --> 00:18:58,410
You wanna get weird with it?
463
00:18:58,420 --> 00:18:59,460
[ROB LAUGHS]
464
00:19:11,300 --> 00:19:12,510
[WHISPERING] Did she do it?
465
00:19:13,810 --> 00:19:17,220
Did she go to bed with an
actual real-life rock star
466
00:19:17,230 --> 00:19:18,770
ten years her junior?
467
00:19:22,520 --> 00:19:23,690
Yes, kids.
468
00:19:24,320 --> 00:19:25,490
Yes, she did.
469
00:19:26,780 --> 00:19:28,650
I'm not gonna go into
the whole, you know,
470
00:19:28,660 --> 00:19:29,900
who-did-what-to-who-stuff
471
00:19:29,910 --> 00:19:31,990
because... I'm a lady.
472
00:19:32,910 --> 00:19:35,500
You know that song Behind
Closed Doors by Charlie Rich?
473
00:19:37,460 --> 00:19:38,540
I love that song.
474
00:19:40,250 --> 00:19:41,960
I can say we had a good time.
475
00:19:42,250 --> 00:19:43,920
I can say that.
476
00:19:44,250 --> 00:19:46,130
And I didn't totally embarrass myself.
477
00:19:46,550 --> 00:19:47,840
Hey, you leaving?
478
00:19:50,090 --> 00:19:53,090
Hey. Uh, yeah, you know,
I was gonna get out of your...
479
00:19:53,100 --> 00:19:55,220
get out of your hair and gotta go to,
480
00:19:55,810 --> 00:19:57,890
uh... work.
481
00:19:59,480 --> 00:20:01,310
So... These are yours. Sorry.
482
00:20:02,730 --> 00:20:04,320
You, uh, you got time for a coffee?
483
00:20:06,030 --> 00:20:07,740
Yeah. Yeah. Okay. Sure.
484
00:20:08,950 --> 00:20:09,950
Okay.
485
00:20:10,910 --> 00:20:11,910
Coffee.
486
00:20:14,310 --> 00:20:15,689
So, you excited for your show tonight?
487
00:20:15,690 --> 00:20:16,699
Hmm.
488
00:20:16,700 --> 00:20:19,860
Yeah, I am. I mean, I am
quite bummed, you know,
489
00:20:19,870 --> 00:20:21,310
that I have to leave straight after.
490
00:20:21,920 --> 00:20:24,870
Be nice to stick about and
celebrate with my friends
491
00:20:24,880 --> 00:20:26,210
and, you know,
492
00:20:27,210 --> 00:20:28,260
hang out with you.
493
00:20:28,720 --> 00:20:29,720
Very sweet.
494
00:20:31,300 --> 00:20:32,580
Very good coffee.
495
00:20:32,590 --> 00:20:33,590
Thank you.
496
00:20:34,850 --> 00:20:36,710
- Where's your tour?
- South America.
497
00:20:36,720 --> 00:20:41,340
So we're doing Colombia,
Argentina, and Brazil.
498
00:20:41,350 --> 00:20:43,050
Yeah. So, I mean, yeah, it'll be sick.
499
00:20:43,060 --> 00:20:45,320
Oh, and we're doing Mexico City as well.
500
00:20:45,900 --> 00:20:48,070
Mexico. Big fan.
501
00:20:48,690 --> 00:20:50,410
I'm just kidding. I've
never been to Mexico.
502
00:20:50,900 --> 00:20:52,150
You should come to Mexico City!
503
00:20:52,160 --> 00:20:53,560
[SCOFFS] Yeah, okay.
504
00:20:53,570 --> 00:20:56,190
You should. You totally should.
I mean, why not?
505
00:20:56,200 --> 00:20:58,038
You know the whole thing
about being a rock star is
506
00:20:58,040 --> 00:20:59,828
you get to sleep with girls and
not call them back, right?
507
00:20:59,830 --> 00:21:01,740
You don't have to invite
me to Mexico, dude.
508
00:21:01,750 --> 00:21:03,500
Wow, I didn't know you
were a misogynist.
509
00:21:05,630 --> 00:21:07,500
But really though, I mean,
510
00:21:08,130 --> 00:21:09,130
you should come.
511
00:21:13,840 --> 00:21:14,840
Can I think about it?
512
00:21:15,430 --> 00:21:16,760
Uh... yeah.
513
00:21:18,140 --> 00:21:19,220
You can think about it.
514
00:21:21,180 --> 00:21:22,190
Cool.
515
00:21:22,600 --> 00:21:25,020
So what time, what time
do you start work, again?
516
00:21:25,520 --> 00:21:26,690
You really are 19.
517
00:21:32,740 --> 00:21:33,740
Teenagers.
518
00:21:34,160 --> 00:21:36,620
♪ I'm a boss ass bitch, bitch, bitch ♪
519
00:21:36,630 --> 00:21:39,619
♪ Bitch, bitch, bitch, bitch ♪
♪ I'm a boss ass bitch ♪
520
00:21:39,620 --> 00:21:41,910
♪ I don't give a fuck about
your ratchet ass lames ♪
521
00:21:42,120 --> 00:21:45,410
A typical Monday morning consists
of bacon, egg and cheese,
522
00:21:45,420 --> 00:21:47,490
self-pity, and shitty bodega coffee.
523
00:21:47,500 --> 00:21:50,460
That was not a typical Monday morning.
524
00:21:53,970 --> 00:21:55,050
That's more like it.
525
00:21:55,800 --> 00:21:56,890
Damn it.
526
00:21:57,430 --> 00:21:59,960
Shit. The city's covered in shit.
527
00:21:59,970 --> 00:22:02,760
♪ They'll take and take and take away ♪
528
00:22:02,770 --> 00:22:05,720
♪ Till there's nothing
left but an angry face ♪
529
00:22:05,730 --> 00:22:07,520
- ♪ So hey ♪
- [DOORBELL TINKLES]
530
00:22:08,110 --> 00:22:09,980
♪ Did you breathe out today? ♪
531
00:22:11,940 --> 00:22:13,890
♪ Hey ♪
532
00:22:13,900 --> 00:22:15,020
Well, who is this?
533
00:22:15,030 --> 00:22:17,230
- SIMON: It's Peachy and Shane.
- ROB: Peachy and Shane.
534
00:22:17,280 --> 00:22:19,410
What? No fuckin' way.
535
00:22:20,120 --> 00:22:21,290
It's, um,
536
00:22:21,950 --> 00:22:23,360
it's fucking good.
537
00:22:23,370 --> 00:22:24,830
- It's actually real good.
- Mm-hmm.
538
00:22:28,040 --> 00:22:29,128
- No, don't do...
- [MUSIC STOPS]
539
00:22:29,130 --> 00:22:30,458
- Oh, come on.
- What are you doing?
540
00:22:30,460 --> 00:22:31,919
You know you never gonna
get your records back,
541
00:22:31,920 --> 00:22:33,009
right? I hope you know that.
542
00:22:33,010 --> 00:22:34,840
[HARD ROCK MUSIC PLAYING]
543
00:22:37,970 --> 00:22:39,460
ROB: Hey, look who it is.
544
00:22:39,470 --> 00:22:40,970
Right on time.
545
00:22:41,560 --> 00:22:43,100
PEACHY: Yes, love this track.
546
00:22:43,560 --> 00:22:44,720
ROB: You get what you needed?
547
00:22:44,890 --> 00:22:46,510
We did. It sounds sick.
548
00:22:46,520 --> 00:22:47,810
Much gratitude.
549
00:22:47,820 --> 00:22:48,919
Sure.
550
00:22:48,920 --> 00:22:50,518
Hey, we listened to your
stuff. It's really good.
551
00:22:50,520 --> 00:22:51,530
- Thanks.
- Right on.
552
00:22:52,530 --> 00:22:54,639
ROB: Yo, if you guys want
to borrow any more records,
553
00:22:54,640 --> 00:22:56,560
just come in and ask properly.
554
00:22:56,570 --> 00:22:58,740
And if you do press something,
we'd love to sell it.
555
00:22:59,200 --> 00:23:01,270
- PEACHY: Sick.
- SHANE: That's really cool of you.
556
00:23:01,280 --> 00:23:02,370
Bye. See you later.
557
00:23:02,990 --> 00:23:05,900
[INDISCERNIBLE CONVERSATION]
558
00:23:05,910 --> 00:23:07,830
Yo, what the hell was that?
559
00:23:08,540 --> 00:23:10,168
You just told them that you
were gonna sell their records?
560
00:23:10,170 --> 00:23:11,660
Yeah, so what? They're good.
561
00:23:11,670 --> 00:23:13,910
I'm sorry, I just find it
kind of odd, you know,
562
00:23:13,920 --> 00:23:15,760
that you would prefer
to rep some fuckin'
563
00:23:16,090 --> 00:23:18,880
trust fund punks over someone
564
00:23:18,890 --> 00:23:20,630
who you know in your
bitter, jealous heart
565
00:23:20,640 --> 00:23:22,130
is a musical visionary.
566
00:23:22,140 --> 00:23:23,590
Well, where's the record, Cherise?
567
00:23:23,600 --> 00:23:25,308
I don't know how many
times I have to tell you
568
00:23:25,310 --> 00:23:26,888
I am operating on the
element of surprise!
569
00:23:26,890 --> 00:23:29,260
What are you, Beyoncé?
You're not making shit.
570
00:23:29,270 --> 00:23:31,970
No, I'm not. I'm the
motherfuckin' underdog, Rob!
571
00:23:31,980 --> 00:23:33,860
You should know this. You know what?
572
00:23:35,610 --> 00:23:36,980
I'm taking a sick day!
573
00:23:36,990 --> 00:23:39,108
- Take it! You don't do shit here anyway.
- [DOORBELL TINKLES]
574
00:23:39,110 --> 00:23:41,360
- Fuck you, yo.
- Fuck you, yo.
575
00:23:41,370 --> 00:23:42,410
[DOOR SLAMS]
576
00:23:43,830 --> 00:23:44,910
What the fuck was that?
577
00:23:49,290 --> 00:23:50,490
ROB: Hey.
578
00:23:50,500 --> 00:23:52,740
Yo, I'm ready. I just want to
stop by my place real fast
579
00:23:52,750 --> 00:23:54,840
so I can change. Where
the fuck are my keys?
580
00:23:54,850 --> 00:23:57,130
Actually, do you mind if I, um, skip it?
581
00:23:58,340 --> 00:23:59,380
You're kidding.
582
00:24:01,970 --> 00:24:03,650
You're gonna make me
go to the show alone.
583
00:24:03,720 --> 00:24:04,748
You're not gonna be alone.
There's gonna be, like,
584
00:24:04,750 --> 00:24:05,899
a thousand people there.
585
00:24:05,900 --> 00:24:09,680
Plus Mr. Future of
Music, Liam Shawcross,
586
00:24:09,690 --> 00:24:10,890
- Scottish hot boy...
- Uh-huh.
587
00:24:12,000 --> 00:24:14,286
Cool. Great.
588
00:24:14,290 --> 00:24:15,930
- SIMON: Don't be like that.
- Yeah.
589
00:24:15,940 --> 00:24:17,600
Everybody sucks today.
590
00:24:17,610 --> 00:24:19,610
No, we don't. We're not, uh...
591
00:24:31,460 --> 00:24:34,450
[THE REPLACEMENTS' SKYWAY PLAYING]
592
00:24:34,460 --> 00:24:37,460
♪
593
00:24:42,090 --> 00:24:44,510
♪ You take the skyway ♪
594
00:24:46,140 --> 00:24:50,020
♪ High above the busy little one-way ♪
595
00:24:51,560 --> 00:24:56,430
♪ In my stupid hat and
gloves at night I lie awake ♪
596
00:24:56,440 --> 00:24:58,690
♪ Wonderin' if I'll sleep ♪
597
00:25:00,780 --> 00:25:04,490
♪ Wonderin' if we'll
meet out in the street ♪
598
00:25:05,490 --> 00:25:07,740
♪ But you take the skyway ♪
599
00:25:19,760 --> 00:25:21,340
- 'Sup.
- 'Sup.
600
00:25:26,350 --> 00:25:27,470
You like nice.
601
00:25:28,470 --> 00:25:31,020
- You look cool too.
- I fuckin' know I look good.
602
00:25:31,390 --> 00:25:32,390
Yeah.
603
00:25:34,190 --> 00:25:35,310
- 'Sup.
- 'Sup.
604
00:25:36,230 --> 00:25:37,690
- Names?
- Rob and Cherise.
605
00:25:40,570 --> 00:25:41,650
Boo.
606
00:25:45,280 --> 00:25:47,360
Oh, shit, this is real!
607
00:25:47,370 --> 00:25:48,540
[CACKLES]
608
00:25:51,450 --> 00:25:52,450
ROB: Sorry.
609
00:25:55,080 --> 00:25:56,708
- I, I'mma get one of these beers.
- Okay.
610
00:25:56,710 --> 00:25:58,310
- You want one?
- Uh, yeah, sure. Thanks.
611
00:26:02,760 --> 00:26:04,050
- Hey.
- Just excuse me.
612
00:26:04,550 --> 00:26:05,550
Hey!
613
00:26:05,890 --> 00:26:06,970
- Hey.
- Hi.
614
00:26:07,890 --> 00:26:09,590
Oh, my God. I'm so happy you're here.
615
00:26:09,600 --> 00:26:11,090
I hate these people.
616
00:26:11,100 --> 00:26:12,100
I hate them too.
617
00:26:12,430 --> 00:26:13,430
Just kidding.
618
00:26:13,890 --> 00:26:15,890
- Here. Have a, have a seat here.
- Yeah, sure.
619
00:26:15,900 --> 00:26:16,980
Let me just,
620
00:26:17,770 --> 00:26:19,260
let me just finish gettin' ready.
621
00:26:19,270 --> 00:26:21,400
So this is cool, huh? Livin' the dream.
622
00:26:22,030 --> 00:26:25,030
Yeah, I mean, that's probably
why it doesn't feel real.
623
00:26:25,700 --> 00:26:27,070
But, yeah, this is cool.
624
00:26:28,620 --> 00:26:31,330
So, um... I thought about it.
625
00:26:31,740 --> 00:26:34,330
And Mexico, I'm in.
626
00:26:36,250 --> 00:26:37,250
Ah, shit.
627
00:26:37,790 --> 00:26:38,840
- What?
- Um,
628
00:26:40,750 --> 00:26:44,790
yeah, we're actually, um... we're
not doing Mexico City anymore.
629
00:26:44,800 --> 00:26:47,790
- Oh.
- Yeah, we, uh, we booked Glastonbury.
630
00:26:47,800 --> 00:26:49,090
- What?
- Yeah.
631
00:26:49,100 --> 00:26:50,420
- Glastonbury.
- Yeah.
632
00:26:50,430 --> 00:26:52,840
- Holy shit, dude, that's huge.
- Yeah.
633
00:26:52,850 --> 00:26:54,018
- Congratulations.
- Thank you.
634
00:26:54,020 --> 00:26:58,470
So, yeah, I mean, I could obviously
probably get you a day pass.
635
00:26:58,480 --> 00:27:00,560
- Oh, don't.
- But we're only there for 24 hours.
636
00:27:00,570 --> 00:27:03,020
- Don't worry about it.
- Yo, it was a fucking ordeal
637
00:27:03,030 --> 00:27:04,480
trying to get these goddamn beers,
638
00:27:04,490 --> 00:27:05,890
but I got 'em!
639
00:27:05,900 --> 00:27:08,400
- ROB: Thank you.
- CHERISE: Yo, bro, what's up?
640
00:27:08,410 --> 00:27:10,690
Congrats, yo, so happy for you, dude.
641
00:27:10,700 --> 00:27:12,440
- Thanks.
- How you livin'?
642
00:27:12,450 --> 00:27:13,530
- Yeah.
- You ready, my man?
643
00:27:13,540 --> 00:27:14,790
Yeah, man, let's do it.
644
00:27:15,500 --> 00:27:17,790
- Hey, it's Rob, right?
- Yeah.
645
00:27:18,330 --> 00:27:19,630
Rob. That's Cherise.
646
00:27:20,290 --> 00:27:22,160
Hi. I'm Brad.
647
00:27:22,170 --> 00:27:23,450
- Liam's manager.
- Whoa!
648
00:27:23,460 --> 00:27:25,128
- WOMAN: See you later.
- CHERISE: The fuck?
649
00:27:25,130 --> 00:27:26,800
Um, they wanna wire you up.
650
00:27:27,470 --> 00:27:28,790
Okay, cool. Cool.
651
00:27:28,800 --> 00:27:29,939
Do you, uh, do you wanna come?
652
00:27:29,940 --> 00:27:30,959
- Oh, yeah.
- Okay.
653
00:27:30,960 --> 00:27:32,970
- See you after the show.
- All right, my man.
654
00:27:34,430 --> 00:27:36,850
Okay, so, you said Brad.
655
00:27:37,350 --> 00:27:38,350
Brad.
656
00:27:39,100 --> 00:27:41,760
Sorry. Listen, okay. So, I mean,
657
00:27:41,770 --> 00:27:44,060
we won't have much time to hang
658
00:27:44,070 --> 00:27:45,488
'cause we're only there
for, like, 24 hours.
659
00:27:45,490 --> 00:27:46,990
But I will get back to New York!
660
00:27:47,280 --> 00:27:48,280
Soon.
661
00:27:48,740 --> 00:27:49,740
- After the tour.
- Cool.
662
00:27:50,160 --> 00:27:51,240
So that'll be, like,
663
00:27:52,030 --> 00:27:53,030
like, a couple months.
664
00:27:53,620 --> 00:27:55,240
- Cool.
- I'm sorry.
665
00:27:55,250 --> 00:27:56,950
I mean, things are... it's just crazy.
666
00:27:56,960 --> 00:27:59,280
It's totally fine.
I get it. I understand.
667
00:27:59,290 --> 00:28:00,290
- Yeah?
- Yeah.
668
00:28:00,290 --> 00:28:01,290
Okay.
669
00:28:05,130 --> 00:28:06,670
- I've gotta go.
- Yeah. Go.
670
00:28:07,220 --> 00:28:08,460
- Go.
- All right.
671
00:28:08,470 --> 00:28:10,260
- I'll see you after, yeah?
- Mm-hmm.
672
00:28:13,850 --> 00:28:15,010
You know I sing too, right?
673
00:28:16,020 --> 00:28:17,130
I do now.
674
00:28:17,140 --> 00:28:18,720
My shit's like, uh, punk soul,
675
00:28:18,730 --> 00:28:20,090
you know what I'm saying?
676
00:28:20,100 --> 00:28:22,180
But high concept, only the best.
677
00:28:22,190 --> 00:28:24,358
You know what I mean? But it's
actually, ahh, I don't know,
678
00:28:24,360 --> 00:28:25,730
it's, it's a little less punk.
679
00:28:26,190 --> 00:28:27,310
You know what I mean?
680
00:28:27,320 --> 00:28:29,100
Um, it's a little less punk,
681
00:28:29,110 --> 00:28:30,600
but it's still commercial.
682
00:28:30,610 --> 00:28:32,310
It's that new-new shit,
that new-new shit
683
00:28:32,320 --> 00:28:33,480
that nobody got.
684
00:28:33,490 --> 00:28:34,890
I got it. You know what I'm saying?
685
00:28:37,080 --> 00:28:39,329
Fuck, it's hard to describe
it, you know what I mean?
686
00:28:39,330 --> 00:28:40,748
Like, how the fuck do
you describe genres,
687
00:28:40,750 --> 00:28:41,910
I don't know.
688
00:28:41,920 --> 00:28:43,450
But, um, uh, yeah,
689
00:28:43,460 --> 00:28:44,620
so, you should, uh,
690
00:28:44,630 --> 00:28:45,910
you should hear me sing.
691
00:28:45,920 --> 00:28:48,168
That's what we should just do.
Maybe you should just hear me sing
692
00:28:48,170 --> 00:28:50,540
and, and, and you enjoy yourself,
you know what I'm saying?
693
00:28:50,550 --> 00:28:52,678
So let's figure out when you
have some time in your little...
694
00:28:52,680 --> 00:28:54,750
Hey, you know what, I... I gotta go.
695
00:28:54,760 --> 00:28:56,420
- Yeah.
- So, uh...
696
00:28:56,430 --> 00:28:57,800
great chattin' at ya,
697
00:28:57,810 --> 00:28:59,980
and, uh... good luck with everything?
698
00:29:00,730 --> 00:29:01,730
Okay.
699
00:29:02,650 --> 00:29:04,980
[CROWD CHEERING]
700
00:29:06,360 --> 00:29:07,560
ROB: Hey.
701
00:29:07,570 --> 00:29:09,690
Yeah, so we gonna go see
this fuckin' show or what?
702
00:29:13,200 --> 00:29:15,280
Yes! Let's do it.
703
00:29:25,880 --> 00:29:28,250
[HUMMING]
704
00:29:29,800 --> 00:29:31,460
♪ Give me light ♪
705
00:29:31,470 --> 00:29:33,710
♪ Give me light, give me light ♪
706
00:29:33,720 --> 00:29:39,060
♪ Give me love ♪
707
00:29:39,810 --> 00:29:42,390
♪ Give me light ♪
708
00:29:44,520 --> 00:29:48,650
♪ So I can win your heart ♪
709
00:29:50,030 --> 00:29:51,030
♪ Yeah ♪
710
00:29:51,440 --> 00:29:53,480
♪ Give me light, give me light ♪
711
00:29:53,490 --> 00:29:55,320
Yup. Here I am.
712
00:29:56,320 --> 00:29:57,570
Livin' the dream.
713
00:29:57,580 --> 00:30:01,290
[LIAM CONTINUES SINGING]
714
00:30:02,910 --> 00:30:05,210
♪
715
00:30:13,130 --> 00:30:14,130
Yo!
716
00:30:15,340 --> 00:30:16,670
Wanna bail?
717
00:30:16,680 --> 00:30:17,790
Yeah.
718
00:30:17,800 --> 00:30:19,800
The sound blows up here.
719
00:30:19,810 --> 00:30:22,980
- What?
- The sound blows up here!
720
00:30:23,770 --> 00:30:25,400
- Yeah, it does.
- Yeah!
721
00:30:26,150 --> 00:30:28,720
♪ Got a new tattoo, I think it's you ♪
722
00:30:28,730 --> 00:30:30,730
♪ But I'm never gonna see it ♪
723
00:30:31,110 --> 00:30:34,350
♪ In the dark ♪
724
00:30:34,360 --> 00:30:36,910
♪
725
00:30:50,550 --> 00:30:51,800
Mm-hmm. Mm-hmm.
726
00:31:01,390 --> 00:31:03,020
Glastonbury, huh?
727
00:31:04,060 --> 00:31:05,560
- Yup.
- Hmm.
728
00:31:10,820 --> 00:31:13,360
Yo, that manager dude was a
fuckin' clown, by the way.
729
00:31:15,360 --> 00:31:17,070
Yeah. He was a dickhead.
730
00:31:17,910 --> 00:31:18,910
Dickhead.
731
00:31:29,130 --> 00:31:31,000
[CLEARS THROAT] All right.
732
00:31:32,000 --> 00:31:33,960
Top Five Underdogs. Go.
733
00:31:34,590 --> 00:31:35,760
Oh, shit. Okay.
734
00:31:36,380 --> 00:31:37,870
Tina motherfuckin' Turner.
735
00:31:37,880 --> 00:31:39,330
Ooh, you bastard...
736
00:31:39,340 --> 00:31:40,850
Yeah, I knew you want that one.
737
00:31:41,680 --> 00:31:42,890
Damn it. All right.
738
00:31:43,310 --> 00:31:45,050
Daniel-San. Karate Kid.
739
00:31:45,060 --> 00:31:47,050
Ohh, shit, that is a classic.
740
00:31:47,060 --> 00:31:48,300
Well played, well played.
741
00:31:48,310 --> 00:31:49,390
"Wax on, wax off."
742
00:31:49,400 --> 00:31:50,610
Wax on, bitch.
743
00:31:51,020 --> 00:31:55,310
Uhm... oh... Betty... Boop.
744
00:31:55,320 --> 00:31:58,390
- What?
- Betty... Boop.
745
00:31:58,400 --> 00:32:00,650
[INDISCERNIBLE CONVERSATION]
746
00:32:00,660 --> 00:32:02,730
[WORKIN' TOGETHER BY
TINA TURNER & IKE PLAYING]
747
00:32:02,740 --> 00:32:06,500
♪ Unless we put a little
love in our hearts ♪
748
00:32:08,580 --> 00:32:12,210
♪ Working together
we can make a change ♪
749
00:32:14,210 --> 00:32:18,220
♪ Working together
we can help better things ♪
750
00:32:19,800 --> 00:32:24,260
♪ So let us put our hate aside ♪
751
00:32:25,470 --> 00:32:29,190
♪ And let us let love be our guide ♪
752
00:32:29,730 --> 00:32:32,650
♪ Let's now try little
love for a change ♪
753
00:32:34,610 --> 00:32:38,110
♪ Just try little love for a change ♪
54021
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Czech
Danish
Dutch
English
Esperanto
Estonian
Faroese
Finnish
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof