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♪ One, two, one, two, three ♪
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♪ Where Brooklyn at?
Where Brooklyn at? ♪
3
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♪ Where Brooklyn at?
Where Brooklyn at? ♪
4
00:00:36,536 --> 00:00:39,956
♪ Maybe other streets are wider ♪
5
00:00:40,623 --> 00:00:44,085
♪ Than these narrow streets I know ♪
6
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♪ Still you'll find here ♪
7
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♪ Ties that bind here ♪
8
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♪ Where the heart is ♪
9
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♪ Maybe other lights are brighter ♪
10
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♪ Than these streetlights row by row ♪
11
00:01:01,853 --> 00:01:08,276
♪ All I know is, this is home it's,
where the heart is ♪
12
00:01:09,152 --> 00:01:13,948
♪ Maybe other grass is greener ♪
13
00:01:14,741 --> 00:01:17,952
♪ And what if it is? ♪
14
00:01:18,661 --> 00:01:22,373
♪ I belong here, right or wrong here's ♪
15
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♪ Where the heart is ♪
16
00:01:50,652 --> 00:01:55,115
♪ Maybe other grass is greener ♪
17
00:01:56,199 --> 00:01:59,244
♪ And what if it is? ♪
18
00:01:59,994 --> 00:02:03,581
♪ We'll get by here, laugh and cry here ♪
19
00:02:03,832 --> 00:02:05,583
♪ Where the heart is ♪
20
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♪ We'll thrive here, it's alive here's ♪
21
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♪ Where the heart is ♪
22
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Good evening, everybody!
23
00:02:36,531 --> 00:02:37,782
Good evening!
24
00:02:37,991 --> 00:02:40,869
Good evening, everybody.
My name is Nola Darling.
25
00:02:41,035 --> 00:02:43,163
I wanna thank you all
for being here tonight
26
00:02:43,246 --> 00:02:47,083
to celebrate the opening
of my very first solo show:
27
00:02:47,375 --> 00:02:48,877
I Am Your Mirror.
28
00:02:53,882 --> 00:02:56,092
Hundo P,
I didn't know if tonight was gonna happen.
29
00:02:56,176 --> 00:02:59,429
It was a vision I had, but I didn't know
how I was gonna pull it off.
30
00:02:59,512 --> 00:03:03,725
But with everything that I've been
working through and, more importantly,
31
00:03:04,142 --> 00:03:06,853
- everything the world is going through...
- Right.
32
00:03:07,103 --> 00:03:08,938
...I knew I had to at least try.
33
00:03:09,022 --> 00:03:12,066
And the work has
just been pouring out of me,
34
00:03:12,150 --> 00:03:14,569
so who cares if the rent
is too damn high?
35
00:03:15,862 --> 00:03:17,862
I don't give a fuck
if the rent's too high.
36
00:03:17,906 --> 00:03:20,491
The art is here, you are here,
37
00:03:20,575 --> 00:03:24,370
and I wanna thank you for inspiring me
and encouraging me
38
00:03:24,454 --> 00:03:26,956
in ways that I cannot count and quantify.
39
00:03:27,665 --> 00:03:29,768
- I hope you see yourselves reflected.
- Yeah.
40
00:03:29,792 --> 00:03:33,504
I wanna give a special shout-out
to my homie from around the way
41
00:03:33,588 --> 00:03:36,299
who helped me put this
all the way together...
42
00:03:36,674 --> 00:03:38,885
my rock who don't stop...
43
00:03:39,719 --> 00:03:40,720
Divine!
44
00:03:46,893 --> 00:03:48,311
Thank you, my queen.
45
00:03:48,394 --> 00:03:49,729
You hooked me up.
46
00:03:50,104 --> 00:03:53,107
Ahora, bienvenidos todos a Nuestra Sala.
47
00:03:53,274 --> 00:03:56,444
Everybody, welcome to our living room!
48
00:03:56,527 --> 00:03:58,154
Yes.
49
00:04:01,115 --> 00:04:03,493
So please make yourselves at home.
50
00:04:03,576 --> 00:04:08,039
Absorb, marinate,
please tell me what you're experiencing,
51
00:04:08,623 --> 00:04:09,623
and...
52
00:04:11,209 --> 00:04:13,711
that's all I got! Enjoy the free vino!
53
00:04:16,631 --> 00:04:17,674
That was good.
54
00:04:23,638 --> 00:04:25,438
It's just a matter of time,
I know.
55
00:04:25,974 --> 00:04:28,059
Manifesting. Manifesting. Manifesting.
56
00:04:28,142 --> 00:04:29,227
Let's go see the blue one.
57
00:04:29,310 --> 00:04:31,271
Oh. Shemekka, we'll catch you later.
58
00:04:31,354 --> 00:04:33,815
All right, I'll see you around here.
We're not leaving yet.
59
00:04:36,609 --> 00:04:37,889
Come on, tell me what you think.
60
00:04:37,944 --> 00:04:39,821
It's all so stunning, ladybug.
61
00:04:39,904 --> 00:04:42,824
- It's like some medieval Christian art.
- Mm-hmm.
62
00:04:42,907 --> 00:04:46,286
It looks like you're the parent
raising us.
63
00:04:46,369 --> 00:04:47,745
To me, it's like...
64
00:04:48,204 --> 00:04:50,331
you're real and I'm invented.
65
00:04:50,415 --> 00:04:53,626
So you did all this
with that commercial blood money.
66
00:04:54,961 --> 00:04:56,504
Nola, let me tell you something.
67
00:04:57,338 --> 00:04:58,840
You ain't no worm.
68
00:05:00,550 --> 00:05:01,467
You are a tree.
69
00:05:01,551 --> 00:05:02,552
Thank you, Daddy.
70
00:05:04,429 --> 00:05:05,763
Okay, I'm gonna go...
71
00:05:06,556 --> 00:05:07,932
do the thing.
72
00:05:08,266 --> 00:05:09,100
I love y'all.
73
00:05:09,183 --> 00:05:10,101
- Love you too.
- Mm-hmm.
74
00:05:10,184 --> 00:05:13,479
Tie a ribbon to our stories,
count our graves,
75
00:05:13,646 --> 00:05:15,690
and etch our names in history.
76
00:05:15,898 --> 00:05:19,110
Never forget we account for our lives...
77
00:05:19,736 --> 00:05:22,280
...the liberation we promised ourselves
for centuries...
78
00:05:22,363 --> 00:05:23,823
The new Nola is so political.
79
00:05:23,906 --> 00:05:26,784
Just gotta jump...
right into the crit, right?
80
00:05:26,909 --> 00:05:29,162
No "congratulations," no "hey"?
81
00:05:29,620 --> 00:05:30,620
That's a given.
82
00:05:31,122 --> 00:05:32,999
I'm feeling this, all of this.
83
00:05:33,541 --> 00:05:34,541
Thank you.
84
00:05:34,625 --> 00:05:36,627
But you didn't see the politics before?
85
00:05:36,919 --> 00:05:39,547
Ain't you a black woman artist too?
It's always there.
86
00:05:39,630 --> 00:05:42,633
Sure, but you're making statements now.
87
00:05:42,884 --> 00:05:45,970
You did that with your street art,
but here it's new.
88
00:05:46,471 --> 00:05:48,431
You captured Puerto Rico beautifully
89
00:05:48,514 --> 00:05:51,392
and you have so many different types
of people here, this is...
90
00:05:51,726 --> 00:05:52,977
I had the best time.
91
00:05:53,394 --> 00:05:54,394
- Gosh.
- Yeah.
92
00:05:54,479 --> 00:05:55,646
Ah. I love it.
93
00:05:55,772 --> 00:05:56,773
What up, sis?
94
00:05:57,190 --> 00:05:58,066
What up?
95
00:05:58,149 --> 00:06:01,027
- Okay, all right. Nice to see you.
- How are you? Nice to see you too.
96
00:06:01,486 --> 00:06:04,673
I gotta go, but don't go anywhere after
the show 'cause I gotta talk to you, okay?
97
00:06:04,697 --> 00:06:05,897
- All right.
- Great job, babe.
98
00:06:05,948 --> 00:06:07,188
Beautiful work. Beautiful work.
99
00:06:08,409 --> 00:06:11,496
Why do y'all always gotta talk?
What y'all got to talk about now?
100
00:06:11,579 --> 00:06:13,579
Don't know.
She say she wanna talk about some shit.
101
00:06:14,999 --> 00:06:17,627
I cannot believe you flew back in
for this. Thank you.
102
00:06:17,710 --> 00:06:20,254
Yeah, man. You know I had to see
what you left Puerto Rico for.
103
00:06:20,338 --> 00:06:22,924
- Yeah.
- And here you go, repping for La Isla.
104
00:06:23,007 --> 00:06:24,007
Trying.
105
00:06:24,092 --> 00:06:25,092
How you been?
106
00:06:25,426 --> 00:06:28,846
I don't know about you, yo,
but, for real, I feel kinda blessed.
107
00:06:29,722 --> 00:06:30,932
You know, I look at you,
108
00:06:31,349 --> 00:06:34,143
you know, I think we both doing
what we came here to do.
109
00:06:34,227 --> 00:06:37,021
I'm in the studio now
and you got this show...
110
00:06:37,438 --> 00:06:40,191
The ancestors, they're really helping us
manifest our dreams.
111
00:06:40,274 --> 00:06:41,401
This is a dream.
112
00:06:44,946 --> 00:06:45,946
All right.
113
00:06:46,197 --> 00:06:47,407
Let's get this for the Gram.
114
00:06:47,490 --> 00:06:48,324
- Hold up.
- What?
115
00:06:48,408 --> 00:06:49,648
You gotta get the pic in the...
116
00:06:49,700 --> 00:06:51,380
- Okay. All right.
- ...back.
117
00:06:54,580 --> 00:06:56,707
That's lit. Let me see that.
118
00:06:57,375 --> 00:06:59,669
You gonna tag me on the Gram?
You know I can amplify.
119
00:06:59,752 --> 00:07:00,795
Of course.
120
00:07:01,087 --> 00:07:02,588
Just keeping it wavy.
121
00:07:04,674 --> 00:07:06,342
Yeah, you know I been thinking about you.
122
00:07:06,676 --> 00:07:10,012
All right? I've been thinking about
that night in Santurce when we was,
123
00:07:10,096 --> 00:07:12,348
you know, looking up
into the heaven's stars.
124
00:07:12,432 --> 00:07:14,892
Straight stargazing. That was special.
125
00:07:15,643 --> 00:07:17,228
- Yeah.
- Especial.
126
00:07:17,979 --> 00:07:19,897
- Hey, what's up?
- Oh, hi.
127
00:07:21,566 --> 00:07:22,566
Oh.
128
00:07:23,860 --> 00:07:24,860
This is...
129
00:07:25,486 --> 00:07:26,696
Remind me your name again?
130
00:07:26,904 --> 00:07:28,072
You know what my name is.
131
00:07:28,156 --> 00:07:30,199
Yeah, but just tell me
with the quick quickness.
132
00:07:30,283 --> 00:07:31,951
You know, I like it when you say it.
133
00:07:32,201 --> 00:07:33,703
Yennifer Clemente.
134
00:07:33,786 --> 00:07:35,955
Yeah, right, I was just joking.
135
00:07:36,038 --> 00:07:38,708
- Yennifer Clemente, like Roberto.
- Nice.
136
00:07:39,333 --> 00:07:41,878
Yennifer, Nola, Nola, Yennifer.
137
00:07:42,170 --> 00:07:43,463
Nice to meet you, Yennifer.
138
00:07:43,713 --> 00:07:45,548
- Hm... So this is your show?
- Mm-hmm.
139
00:07:45,631 --> 00:07:47,671
How much you get paid
for doing something like this?
140
00:07:47,717 --> 00:07:51,304
Oh, no, I don't...
I have to pay for it myself.
141
00:07:51,387 --> 00:07:53,556
It's definitely a labor of love, trust.
142
00:07:55,391 --> 00:07:57,310
Well, I hope y'all enjoy.
143
00:07:57,560 --> 00:08:01,147
- Bye.
- Good luck actually looking at the art.
144
00:08:02,190 --> 00:08:03,733
Why you coming for me, though?
145
00:08:04,525 --> 00:08:06,402
Yo, Yennifer, you know, look, hey...
146
00:08:07,195 --> 00:08:10,448
Like, you know, we don't have to be like
arm in arm and shit.
147
00:08:10,531 --> 00:08:12,867
People gonna be thinking
we like married or what not.
148
00:08:12,950 --> 00:08:15,953
We just met on the D train yesterday
and shit, you know? I'm just...
149
00:08:16,037 --> 00:08:17,037
We just vibing.
150
00:08:20,333 --> 00:08:23,294
Yeah, just good vibes, baby, good vibes.
Good vibes.
151
00:08:24,212 --> 00:08:25,922
Mommy got her sippy cup.
152
00:08:26,005 --> 00:08:28,466
Yo, I gotta make my night out count.
153
00:08:28,549 --> 00:08:29,549
Mm-hmm.
154
00:08:29,592 --> 00:08:31,636
I see you're here with Win. What's up?
155
00:08:32,011 --> 00:08:33,679
Yeah, Smutty is persistent.
156
00:08:34,138 --> 00:08:37,183
You know. We're just,
I don't know, figuring it out.
157
00:08:37,600 --> 00:08:39,310
Well, you're open now,
that's what matters.
158
00:08:39,393 --> 00:08:40,770
Yeah.
159
00:08:41,312 --> 00:08:44,815
And why do you have a picture of her
up there
160
00:08:44,899 --> 00:08:47,219
after she already stomped your heart out?
161
00:08:48,277 --> 00:08:50,404
Ruthless. Fucking ruthless.
162
00:08:50,696 --> 00:08:53,241
Mekka, Mekka, where you been?
I been looking for you.
163
00:08:53,741 --> 00:08:55,826
Excuse me, Nola. Excuse me, Nola.
164
00:08:56,077 --> 00:08:59,330
Baby, they got pictures of the trip
over there, Puerto Rico.
165
00:08:59,789 --> 00:09:01,207
Let's go... You tipsy?
166
00:09:01,290 --> 00:09:03,751
- No.
- I like it like that, baby.
167
00:09:03,834 --> 00:09:06,379
- No! Help!
- Come on, baby. I like it like that.
168
00:09:06,462 --> 00:09:07,630
Take care of her, okay?
169
00:09:12,343 --> 00:09:13,343
Work this out.
170
00:09:14,303 --> 00:09:16,305
- I'll be at the Puerto Rico pictures.
- Oh.
171
00:09:17,640 --> 00:09:18,808
- Hi.
- Hi.
172
00:09:19,433 --> 00:09:20,433
Hi.
173
00:09:21,686 --> 00:09:25,314
Nola, this show feels like
a real shift for you. An organic one.
174
00:09:26,232 --> 00:09:29,110
How do you feel about yourself up here
as the Yemayá?
175
00:09:29,860 --> 00:09:31,821
The goddess of the ocean.
176
00:09:32,613 --> 00:09:35,199
Creative force
who will never leave or abandon you.
177
00:09:36,784 --> 00:09:37,868
That's me, all right.
178
00:09:40,121 --> 00:09:42,665
Always patient,
never trying to control the situation.
179
00:09:42,873 --> 00:09:47,044
And you know me. Love being under
somebody's control, it's my favorite.
180
00:09:47,128 --> 00:09:49,380
Sorry, better with plants.
181
00:09:49,547 --> 00:09:51,173
You're my Yasa goddess.
182
00:09:51,549 --> 00:09:52,758
Opal is human.
183
00:09:53,342 --> 00:09:54,427
Fuck, Nola is too.
184
00:09:54,510 --> 00:09:56,637
I think too many humans on this planet.
185
00:09:56,721 --> 00:09:57,763
That's what I say.
186
00:09:57,847 --> 00:09:59,682
- Let me get a photo of you.
- What?
187
00:10:02,643 --> 00:10:03,643
It's beautiful.
188
00:10:03,978 --> 00:10:05,855
Perfect.
189
00:10:06,439 --> 00:10:07,481
- Congrats.
- Thank you.
190
00:10:08,190 --> 00:10:09,442
- See you soon. Bye.
- Okay.
191
00:10:09,525 --> 00:10:10,651
Nola!
192
00:10:10,735 --> 00:10:16,574
I am so proud of you!
193
00:10:18,659 --> 00:10:22,663
Elizabeth Catlett would be so happy
you got that grant.
194
00:10:22,747 --> 00:10:25,207
- And I know you happy too.
- Oh, I'm so happy!
195
00:10:25,291 --> 00:10:26,971
You know what, don't worry about the rent.
196
00:10:27,001 --> 00:10:28,586
- What?
- Don't worry about the rent.
197
00:10:28,878 --> 00:10:31,714
I'm so happy for you!
198
00:10:32,256 --> 00:10:33,674
- Thank you, Miss Ella.
- Nola.
199
00:10:33,758 --> 00:10:34,800
- I love you.
- Oh.
200
00:10:37,553 --> 00:10:40,097
The elusive Don Swan.
201
00:10:40,181 --> 00:10:42,183
Yeah, that's me.
202
00:10:42,391 --> 00:10:45,686
- Didn't I tell you she was fantastic?
- Oh, she's amazing. Amazing, yeah.
203
00:10:45,770 --> 00:10:48,610
I'm sorry I missed the block party,
but I think I made up for it, right?
204
00:10:48,648 --> 00:10:49,648
- By being here?
- Yeah.
205
00:10:49,690 --> 00:10:51,901
I'd say so. Priorities.
That wasn't my shit.
206
00:10:53,819 --> 00:10:55,321
- I did like that too though.
- Yeah.
207
00:10:56,405 --> 00:10:58,908
Well, I'm happy to be here,
I'll tell you that.
208
00:10:58,991 --> 00:11:00,910
- I'm so proud of you.
- Thank you.
209
00:11:01,410 --> 00:11:02,787
- Come here.
- Thanks for coming.
210
00:11:03,537 --> 00:11:04,537
Mm...
211
00:11:04,747 --> 00:11:05,623
I got you.
212
00:11:05,706 --> 00:11:07,833
Oh, you two are too beautiful,
this is too much.
213
00:11:07,917 --> 00:11:09,001
Child, stop.
214
00:11:09,085 --> 00:11:10,878
- You changed her whole life.
- Child, stop.
215
00:11:10,961 --> 00:11:12,380
She like a whole new woman.
216
00:11:12,463 --> 00:11:14,423
Oh, what you talking about?
217
00:11:16,133 --> 00:11:17,426
Listen up! Listen up!
218
00:11:17,927 --> 00:11:21,764
Let it be known that the folks
on this line right here
219
00:11:21,847 --> 00:11:26,143
are selected especially by Nola
to get the first peek
220
00:11:26,227 --> 00:11:28,062
at what's behind the maroon curtain.
221
00:11:28,479 --> 00:11:29,522
Miss Ella?
222
00:12:13,816 --> 00:12:16,110
I feel you have to see the piece in person
223
00:12:16,193 --> 00:12:19,572
to understand the textures
and the energy that go into the materials
224
00:12:19,655 --> 00:12:20,990
and dimensions of the work.
225
00:12:21,240 --> 00:12:22,616
You can't get that online.
226
00:12:22,700 --> 00:12:26,370
What's interesting to me is how Nola
is expressing her naked anger.
227
00:12:26,620 --> 00:12:29,999
That strange fruit piece.
228
00:12:31,917 --> 00:12:32,917
Hm...
229
00:12:34,378 --> 00:12:37,465
It's beautiful and ugly,
all at the same time.
230
00:12:38,758 --> 00:12:41,594
You know, some days, I wanna hug Nola.
231
00:12:43,220 --> 00:12:45,848
I wanna shake her some days.
232
00:12:47,391 --> 00:12:49,643
And some days I wanna be just like her.
233
00:12:50,060 --> 00:12:52,396
Hey, Preeta, you made it.
234
00:12:52,938 --> 00:12:54,940
Dutch, how are you doing?
235
00:12:56,233 --> 00:12:58,402
Dutch, you invited her? Hi.
236
00:12:58,486 --> 00:12:59,486
Nice to meet you.
237
00:12:59,528 --> 00:13:02,740
Oh... Actually, we've met before
in Martha's Vineyard.
238
00:13:03,824 --> 00:13:06,702
- Nation Time, my portfolio showing?
- Did we?
239
00:13:07,244 --> 00:13:09,413
- Yeah. Yes.
- I don't recall.
240
00:13:10,206 --> 00:13:12,792
Well, okay. Well, I'm glad
you could make it to this. Awesome.
241
00:13:12,875 --> 00:13:16,253
I squeezed it in.
Four more openings tonight. Take care.
242
00:13:16,420 --> 00:13:18,631
Well, there's a lot that's embedded here.
243
00:13:18,881 --> 00:13:20,758
I would love the chance
to sit down with you
244
00:13:20,841 --> 00:13:22,281
and talk about what you see tonight.
245
00:13:23,219 --> 00:13:25,054
I look forward to sitting down with you.
246
00:13:26,096 --> 00:13:28,516
Dutch, I need to get you in my office.
247
00:13:28,599 --> 00:13:30,976
Please, put me on your schedule next week?
248
00:13:34,522 --> 00:13:35,815
She gives good advice.
249
00:13:36,524 --> 00:13:39,902
Well, Clorinda can't do what
Preeta can do for you, Nola.
250
00:13:40,444 --> 00:13:44,615
You're ready for a worldwide audience.
I mean, stay in Brooklyn, that suits you,
251
00:13:44,698 --> 00:13:48,452
but you are Art Basel,
you are Venice Biennale,
252
00:13:48,536 --> 00:13:52,581
you are Guggenheim Bilbao,
even Manhattan museums.
253
00:13:53,123 --> 00:13:55,459
You can cross the East River. Trust.
254
00:13:55,835 --> 00:13:58,045
I'm serious. Watch.
255
00:13:58,838 --> 00:14:01,549
She sends really amazing chocolates
if she likes you.
256
00:14:03,050 --> 00:14:04,093
Déjà vu.
257
00:14:04,176 --> 00:14:07,888
I didn't know you still be throwing
your dry ass french toast ass at Nola.
258
00:14:08,430 --> 00:14:10,432
She ain't got no maple syrup for you, man.
259
00:14:10,891 --> 00:14:13,018
She got that organic maple syrup too.
260
00:14:13,143 --> 00:14:14,311
The half-nigga know.
261
00:14:14,395 --> 00:14:17,565
Apparently, you two got younger
since the Thanksgiving dinner.
262
00:14:18,941 --> 00:14:21,068
The only regression I deal with
is on my taxes.
263
00:14:21,151 --> 00:14:25,698
Let it be known that you nor...
Sir Throwback here
264
00:14:25,906 --> 00:14:28,409
were even contenders with me on the scene.
265
00:14:28,868 --> 00:14:32,746
I took Nola to Puerto Rico.
She got mad love for me.
266
00:14:33,539 --> 00:14:35,833
All the ladies got mad love for me.
267
00:14:35,916 --> 00:14:36,792
Bong bong.
268
00:14:36,876 --> 00:14:39,169
Y'all are just talking
but you only say nothing.
269
00:14:42,506 --> 00:14:44,091
They outta wine, let's go.
270
00:14:45,175 --> 00:14:46,594
Mad love.
271
00:14:47,428 --> 00:14:48,428
Noted.
272
00:14:48,512 --> 00:14:49,763
Hm. Damn, you fine.
273
00:14:51,807 --> 00:14:53,475
- Thank you.
- Greer, baby.
274
00:14:54,685 --> 00:14:58,606
However, my beauty seems to be contagious.
275
00:15:00,733 --> 00:15:02,109
Sorry, honey, they're a pair.
276
00:15:02,943 --> 00:15:05,154
Greer and Reed. Greed.
277
00:15:05,946 --> 00:15:06,989
Yo, you stupid.
278
00:15:07,615 --> 00:15:09,033
- Hi.
- Hi.
279
00:15:09,408 --> 00:15:12,870
Yo, I been following you...
450k, I'm one of them.
280
00:15:13,287 --> 00:15:15,080
Yo, but when you gonna put Greer on?
281
00:15:15,164 --> 00:15:17,958
Yo, I never see you post no pictures
of the BF on the Gram.
282
00:15:18,042 --> 00:15:19,627
Aw, shucks!
283
00:15:20,711 --> 00:15:22,421
What is this? All skate?
284
00:15:23,130 --> 00:15:26,050
I'm legit deeply moved,
I appreciate all the support.
285
00:15:26,133 --> 00:15:28,302
Well, clearly this is the place to be.
286
00:15:28,385 --> 00:15:30,846
- I love your piece behind the curtain.
- Thank you.
287
00:15:30,930 --> 00:15:32,473
It's twisted on so many levels
288
00:15:32,556 --> 00:15:35,726
and it's weird for me to say
that I like it like that, but I do.
289
00:15:35,809 --> 00:15:38,312
Well, I really appreciate that,
especially coming from you.
290
00:15:38,395 --> 00:15:39,605
I want to see it.
291
00:15:40,230 --> 00:15:41,231
You wanna see...
292
00:15:41,315 --> 00:15:43,233
- Yennifer, where you going?
- Mars!
293
00:15:43,317 --> 00:15:44,878
- Come on!
- Good to see y'all.
294
00:15:44,902 --> 00:15:46,171
You ain't right.
295
00:15:51,325 --> 00:15:52,325
Hey.
296
00:15:52,910 --> 00:15:54,453
What a triumphant night.
297
00:15:54,703 --> 00:15:56,705
Are there any pieces of me in here?
298
00:15:58,999 --> 00:16:01,043
Oh, it's all about you, Jamie. Right?
299
00:16:01,710 --> 00:16:02,753
Isn't it always?
300
00:16:03,379 --> 00:16:05,255
I like what's behind your curtain.
301
00:16:05,339 --> 00:16:06,423
Of course you do.
302
00:16:07,716 --> 00:16:08,716
Enjoy.
303
00:16:10,761 --> 00:16:11,762
Damn!
304
00:16:12,513 --> 00:16:13,597
Thanks, Divine.
305
00:16:30,489 --> 00:16:34,410
You feel that heat, that chocolate heat?
That's Nola Darling.
306
00:16:34,618 --> 00:16:38,914
Flaming fondue.
And I lit the match, I fired her up.
307
00:16:38,998 --> 00:16:44,044
I anointed, initiated, inspired,
instigated her transmogrification
308
00:16:44,128 --> 00:16:49,133
into one unapologetically African, Nubian,
black sister queen.
309
00:16:49,550 --> 00:16:53,262
Jakub is always here to inspire you.
310
00:16:53,470 --> 00:16:57,474
I am not down with Nola's art piece. I...
311
00:16:57,766 --> 00:17:02,396
Even though I admire
my dearest friend Nola and her daring,
312
00:17:02,479 --> 00:17:07,151
I just can't get behind the salacious,
exploitative,
313
00:17:07,234 --> 00:17:09,361
reinscribing of trauma here.
314
00:17:09,737 --> 00:17:11,113
That's what she's doing.
315
00:17:11,822 --> 00:17:16,160
African Americans have already enough pain
to deal with in real life,
316
00:17:16,243 --> 00:17:18,537
so why is she repeating it?
317
00:17:20,039 --> 00:17:21,540
If you're going to be an ally,
318
00:17:21,832 --> 00:17:22,958
be an informed one.
319
00:17:34,762 --> 00:17:35,762
Yo, my man.
320
00:17:37,389 --> 00:17:38,389
What you doing?
321
00:17:38,682 --> 00:17:40,142
Just standing here chilling.
322
00:17:40,726 --> 00:17:43,812
Hey... is there a problem?
323
00:17:44,271 --> 00:17:45,314
Nah, not on my end.
324
00:17:45,397 --> 00:17:47,691
Okay, then keep it moving,
you're blocking the line.
325
00:17:47,941 --> 00:17:48,941
Um...
326
00:17:49,276 --> 00:17:50,110
Can I help you?
327
00:17:50,194 --> 00:17:52,279
You could take this piece down,
and if you won't,
328
00:17:52,362 --> 00:17:54,962
I'm just gonna stand right here
and make sure people can't see it.
329
00:17:55,032 --> 00:17:57,493
Wow, artist to artist,
can you not block my work?
330
00:17:57,576 --> 00:18:00,329
Yo, artist to artist,
this art is fully irresponsible, Nola.
331
00:18:00,412 --> 00:18:02,456
Yo, my man,
why you disrespecting my queen, man?
332
00:18:02,539 --> 00:18:04,666
- I'm asking you nicely.
- Yo, my Dominican brother...
333
00:18:04,750 --> 00:18:06,585
Dominica has nothing to do with anything...
334
00:18:06,668 --> 00:18:09,129
Yo, this is my show, dude.
I need you to move.
335
00:18:09,213 --> 00:18:12,067
Come on, I'm asking you nicely, man.
What you pulling out your phone for?
336
00:18:12,091 --> 00:18:15,511
Oh, this is what we're doing? You think
you're the only one with a platform? Okay.
337
00:18:15,594 --> 00:18:17,363
- All right, let's go.
- What's that gonna do?
338
00:18:17,387 --> 00:18:20,599
Re.Mark.Able here thinks that
just because he doesn't like my art,
339
00:18:20,682 --> 00:18:23,435
he can police it.
That's censorship, y'all.
340
00:18:23,519 --> 00:18:24,686
I exist.
341
00:18:24,770 --> 00:18:28,273
He's afraid he doesn't,
so he out here on some patriarchal shit.
342
00:18:28,357 --> 00:18:30,275
And I'm not here for the bullshit.
343
00:18:30,359 --> 00:18:32,159
She's totally loco
and she don't even know it.
344
00:18:32,194 --> 00:18:33,434
He's the one who needs to stop.
345
00:18:33,487 --> 00:18:35,572
If this so-called "woke" black woman
346
00:18:35,656 --> 00:18:38,659
don't take this triggering,
retraumatizing piece off the wall,
347
00:18:38,784 --> 00:18:39,785
please shut it down.
348
00:18:39,868 --> 00:18:42,579
We do not need this, black people.
We've seen enough.
349
00:18:42,663 --> 00:18:43,705
This is bringing us down.
350
00:18:43,789 --> 00:18:46,166
Nola Darling is retraumatizing stuff
351
00:18:46,250 --> 00:18:49,545
that we don't need to see
as a black community. Shut it down.
352
00:18:49,753 --> 00:18:52,840
Well, that feels like a good place to stop
for today.
353
00:18:52,923 --> 00:18:54,967
Thank you, everyone, for tuning in.
354
00:18:55,259 --> 00:18:58,887
Until next week, with love and light, Clo.
355
00:19:00,264 --> 00:19:02,141
I'm so proud of you.
356
00:19:02,307 --> 00:19:03,684
We need more critics in the space
357
00:19:03,767 --> 00:19:05,767
who actually look like the work
they're critiquing.
358
00:19:05,811 --> 00:19:07,354
- Literally.
- Mm-hmm.
359
00:19:07,479 --> 00:19:08,522
Yeah, girl.
360
00:19:08,605 --> 00:19:10,357
It was wild.
361
00:19:10,607 --> 00:19:13,986
Like, I fully anticipated
the black blowback,
362
00:19:14,069 --> 00:19:16,629
but when this motherfucker
stood in front of my piece in protest,
363
00:19:16,655 --> 00:19:18,175
I was like, "Get the fuck outta here."
364
00:19:18,282 --> 00:19:20,002
People were really
feeling the show, though.
365
00:19:20,075 --> 00:19:21,952
- Mm-hmm.
- That piece in particular,
366
00:19:22,327 --> 00:19:24,371
was his theatrics unexpected?
367
00:19:25,706 --> 00:19:26,707
Yes and no.
368
00:19:26,999 --> 00:19:29,251
I mean, ultimately,
I'm glad he did what he did.
369
00:19:29,543 --> 00:19:33,297
Homie got a lot of followers, so it just
exposed more people to my work.
370
00:19:33,380 --> 00:19:35,215
His little stunt backfired.
371
00:19:35,424 --> 00:19:38,051
And you didn't take it
as a valid critique? Maybe?
372
00:19:38,177 --> 00:19:42,389
Absolutely not. We all follow him
on social media, you know?
373
00:19:42,472 --> 00:19:45,517
You know he's just one of these
Insta-activists.
374
00:19:46,685 --> 00:19:49,646
His critique didn't come from some like
deep personal experience,
375
00:19:49,730 --> 00:19:54,526
it was just a generic regurgitation of
what he thought other people would think.
376
00:19:54,860 --> 00:19:58,405
Yeah, I mean, you are stepping into
a long-standing debate, though,
377
00:19:58,488 --> 00:20:03,327
of whether to show black suffering.
378
00:20:03,410 --> 00:20:05,120
Know who had something
to say about it?
379
00:20:05,204 --> 00:20:06,580
- Who?
- Rachel.
380
00:20:08,165 --> 00:20:10,125
- Yeah, girl, that face.
- Wait...
381
00:20:10,959 --> 00:20:11,793
Why?
382
00:20:11,877 --> 00:20:15,214
I'm sorry, but no,
like respectfully, but why?
383
00:20:15,380 --> 00:20:18,425
Umm... Was she offended by the violence?
384
00:20:19,468 --> 00:20:22,012
This is America.
385
00:20:22,512 --> 00:20:26,183
By the violence, by the fact that
I'm a woman acknowledging it.
386
00:20:26,850 --> 00:20:31,355
If you're a black queer woman, you're just
walking around with a target on your back.
387
00:20:31,521 --> 00:20:33,482
The piece did feel personal.
388
00:20:33,732 --> 00:20:36,318
It was.
It's how I see myself living in America.
389
00:20:38,237 --> 00:20:42,241
- When... Well, with black suffering,
- Mm-hmm.
390
00:20:42,783 --> 00:20:48,622
I can't help but think how white folks
don't deserve to see it
391
00:20:49,331 --> 00:20:52,876
and how black folks
just don't wanna see it again.
392
00:20:53,710 --> 00:20:54,710
So...
393
00:20:55,712 --> 00:20:57,130
Nola, who was it for?
394
00:20:59,007 --> 00:21:02,052
For anyone who sees themselves in my work,
you know,
395
00:21:03,220 --> 00:21:05,138
recognizes their stories.
396
00:21:06,306 --> 00:21:08,600
For everyone who's working to...
397
00:21:09,226 --> 00:21:14,356
acknowledge racism, sexism, homophobia,
and the balance of it,
398
00:21:14,439 --> 00:21:17,109
with breaking free of it, you know?
399
00:21:17,359 --> 00:21:22,823
Acknowledging who and where we are
with what we envisioned we could be.
400
00:21:24,866 --> 00:21:26,986
We should have recorded that shit.
401
00:21:28,578 --> 00:21:32,958
Can you handle this?
I mean, can you handle this?
402
00:21:33,041 --> 00:21:34,584
Black woman pulling no punches.
403
00:21:34,668 --> 00:21:36,878
This is sort of reminding me
of Kara Walker
404
00:21:36,962 --> 00:21:38,213
when she first hit the scene.
405
00:21:38,338 --> 00:21:43,385
Nola's work is way different, but they are
kinfolk when it comes to brutal honesty.
406
00:21:58,817 --> 00:22:01,320
...and let them, you know,
fall where they may.
407
00:22:01,403 --> 00:22:04,031
I, like, tore into this wall...
408
00:22:05,115 --> 00:22:07,743
Oh, would you ladies excuse me
for a moment, please?
409
00:22:07,909 --> 00:22:09,911
- No problem.
- I snatch this from you.
410
00:22:10,078 --> 00:22:12,622
- Thank you.
- So this is what all the fuss is about.
411
00:22:12,706 --> 00:22:14,958
What are you doing here?
I thought you were in London.
412
00:22:15,500 --> 00:22:17,586
I thought I'd pop in,
give you some foofoo.
413
00:22:17,669 --> 00:22:19,588
You got jokes.
414
00:22:20,672 --> 00:22:22,466
This is insane what you're doing here.
415
00:22:23,091 --> 00:22:25,344
It's... incredible juxtaposition.
416
00:22:26,386 --> 00:22:27,386
Thank you.
417
00:22:27,429 --> 00:22:29,306
And you've been getting
some sweet press, yeah?
418
00:22:29,389 --> 00:22:30,807
I have.
419
00:22:31,516 --> 00:22:33,810
You don't mind that
I've been given a little shine?
420
00:22:35,270 --> 00:22:38,106
A lot of it's been for this piece
behind the maroon curtain.
421
00:22:38,190 --> 00:22:39,524
I can't wait for you to see it.
422
00:22:40,734 --> 00:22:42,611
I'm going to a collector's
in East Hampton.
423
00:22:43,236 --> 00:22:45,030
I want you to come with me
for the weekend.
424
00:22:45,906 --> 00:22:47,115
As your arm candy?
425
00:22:47,449 --> 00:22:49,159
You like the way we look together.
426
00:22:49,368 --> 00:22:52,329
Perhaps, but I'm nobody's trophy.
427
00:22:53,789 --> 00:22:54,789
Never that.
428
00:22:55,707 --> 00:22:57,292
We don't have to leave the bedroom.
429
00:22:58,293 --> 00:22:59,294
That's true.
430
00:23:02,798 --> 00:23:07,803
♪ When your eyes met mine
It was eternity ♪
431
00:23:09,054 --> 00:23:13,558
♪ By now we know
The wave is on its way... ♪
432
00:23:13,683 --> 00:23:16,061
But, if we need sustenance,
433
00:23:16,978 --> 00:23:18,271
we could do some work.
434
00:23:19,731 --> 00:23:21,608
And there would be
a lot of work for you to do.
435
00:23:21,691 --> 00:23:23,985
Nola, mi amor,
436
00:23:24,069 --> 00:23:28,365
special delivery.
437
00:23:28,448 --> 00:23:29,448
Mm...
438
00:23:29,574 --> 00:23:30,574
Thank you.
439
00:23:32,536 --> 00:23:33,620
Peace God.
440
00:23:34,871 --> 00:23:35,789
My name is Divine.
441
00:23:35,872 --> 00:23:37,833
Come on, he knows.
442
00:23:38,125 --> 00:23:39,125
Olu.
443
00:23:39,543 --> 00:23:41,420
Oh, I know. I know.
444
00:23:41,711 --> 00:23:43,422
I appreciate your art, brother.
445
00:23:43,713 --> 00:23:45,590
Thank you.
446
00:23:46,508 --> 00:23:47,801
- This way?
- Yes.
447
00:23:48,802 --> 00:23:49,802
Enjoy.
448
00:23:50,429 --> 00:23:51,429
I will.
449
00:23:53,473 --> 00:23:55,684
- Okay.
- Stop.
450
00:23:55,767 --> 00:23:57,936
No, listen, I'm sorry.
451
00:23:58,019 --> 00:24:00,230
Okay, I didn't mean to rain down
on your party.
452
00:24:00,730 --> 00:24:03,358
Never that. I'm sure we'll be seeing
a lot more of him.
453
00:24:05,485 --> 00:24:06,485
Oh.
454
00:24:07,654 --> 00:24:09,406
It's chocolates from Preeta.
455
00:24:09,906 --> 00:24:12,742
And a major musician
wants to buy one of my pieces.
456
00:24:12,993 --> 00:24:15,620
Whoa, whoa, whoa, wait a minute.
Say that again?
457
00:24:16,329 --> 00:24:18,081
- Chocolates.
- I got that part.
458
00:24:18,165 --> 00:24:19,875
- Preeta.
- I got that part too.
459
00:24:20,208 --> 00:24:22,085
Major musician wants
to buy one of my pieces.
460
00:24:22,169 --> 00:24:24,337
One, two, three.
461
00:24:24,421 --> 00:24:25,881
- Bam!
- Ah!
462
00:24:28,508 --> 00:24:29,676
Say word.
463
00:24:29,759 --> 00:24:33,305
- Yes, it's happening.
- Congratulat... Of course it's happening.
464
00:24:33,722 --> 00:24:36,224
- The blessings are pouring down upon us.
- Ah.
465
00:24:36,850 --> 00:24:40,770
Yes. We've just gotta continue to create
and spread love.
466
00:24:40,854 --> 00:24:42,314
Yeah.
467
00:24:43,231 --> 00:24:44,566
Bloody hell!
468
00:24:46,359 --> 00:24:47,569
Tried to warn a brother.
469
00:24:50,655 --> 00:24:54,910
Nola Darling's piece is part of a long
tradition of transgression in black art.
470
00:24:54,993 --> 00:24:59,664
She's using herself as a mirror to reflect
back to America, its atrocities,
471
00:24:59,748 --> 00:25:03,585
not just against black people
but against black women in particular.
472
00:25:03,668 --> 00:25:05,295
Oh, it's good to see you.
473
00:25:05,587 --> 00:25:08,715
Things have been crazy.
All these people and their opinions.
474
00:25:08,840 --> 00:25:11,301
Ah. Shit, son, you riding high, huh?
475
00:25:11,635 --> 00:25:13,303
But you don't seem happy for me.
476
00:25:14,721 --> 00:25:17,516
You can't just do things
without consequences, Nola.
477
00:25:18,266 --> 00:25:19,392
What are you talking about?
478
00:25:19,559 --> 00:25:21,853
You don't get a free pass
just 'cause you're making art.
479
00:25:22,020 --> 00:25:23,647
You still have a responsibility.
480
00:25:24,606 --> 00:25:26,775
Okay, I'm sorry, I'm confused,
I'm trying to catch up.
481
00:25:26,858 --> 00:25:29,486
Are you saying the piece
behind the curtain is wrong?
482
00:25:29,694 --> 00:25:31,780
I think that your delivery is wrong.
483
00:25:32,322 --> 00:25:33,322
Why?
484
00:25:33,698 --> 00:25:36,034
Because of some shit people said
on black Twitter?
485
00:25:36,409 --> 00:25:39,180
I'm just saying, you didn't have
anything to say when you first saw it.
486
00:25:39,204 --> 00:25:41,248
Don't reduce my opinions to Twitter
487
00:25:41,414 --> 00:25:43,458
and don't talk to me like
I'm just some hood chick.
488
00:25:43,542 --> 00:25:45,418
- I didn't say that.
- But you think that.
489
00:25:45,585 --> 00:25:48,547
We've always had
different perspectives, Mekka.
490
00:25:49,005 --> 00:25:52,175
I mean, you liked that earWave campaign.
I thought that shit was trash.
491
00:25:52,259 --> 00:25:55,971
Yeah, you right. But we were both
on the same trip to Puerto Rico
492
00:25:56,429 --> 00:25:58,306
and this is what you got from it?
493
00:25:58,807 --> 00:26:00,475
No, man.
494
00:26:00,600 --> 00:26:03,103
The Nola that I know is a healer.
495
00:26:03,478 --> 00:26:05,397
You heal with your art.
496
00:26:05,480 --> 00:26:07,023
Shit, you healed me.
497
00:26:07,816 --> 00:26:09,859
Your work empowers
and uplifts black people,
498
00:26:09,943 --> 00:26:13,613
but this shit right here, nah, man,
this shit grinds us down.
499
00:26:13,697 --> 00:26:17,534
Not everything can be empowering
and uplifting, Mekka.
500
00:26:18,451 --> 00:26:20,161
Aren't I allowed to evolve?
501
00:26:21,162 --> 00:26:23,164
Besides, I got a lot from Puerto Rico.
502
00:26:23,290 --> 00:26:24,958
Did you even check out the portraits?
503
00:26:25,125 --> 00:26:28,920
I'm just... But overall,
things ain't all black girl magic, okay?
504
00:26:29,004 --> 00:26:31,840
My heart breaks every day
at the state of the world.
505
00:26:31,923 --> 00:26:35,302
So then why would you take this pain
and sexualize it? What?
506
00:26:35,677 --> 00:26:37,679
Oh, for shock value.
507
00:26:37,762 --> 00:26:39,639
Yeah, you don't see a problem with that?
508
00:26:39,723 --> 00:26:41,763
What you want me to do?
You want me to take it down?
509
00:26:42,100 --> 00:26:46,354
I own black pain just as much as you do
and I choose to express mine.
510
00:26:46,479 --> 00:26:49,774
Man, Nola, let's be honest, no shade,
511
00:26:49,858 --> 00:26:53,528
but you ain't never really experienced
no real pain in your life, man.
512
00:26:53,945 --> 00:26:57,198
But this is a whack way
of speaking up for those who have.
513
00:26:57,991 --> 00:26:59,492
Wow, do you even know me?
514
00:27:01,286 --> 00:27:03,705
Just because I'm not loud about my pain
515
00:27:04,039 --> 00:27:06,249
doesn't mean I haven't been through
some shit, okay?
516
00:27:06,333 --> 00:27:09,044
I'm just not trying to sign up
for the poverty Olympics.
517
00:27:10,545 --> 00:27:12,130
Where's this even coming from?
518
00:27:12,339 --> 00:27:15,342
This holier-than-thou thing,
is it because you took down Lady May?
519
00:27:15,800 --> 00:27:18,887
Oh, so now you're gonna insult me
for fighting to make sure
520
00:27:18,970 --> 00:27:21,765
that nobody else gets killed? Okay.
521
00:27:21,848 --> 00:27:24,934
I'm just saying you're not
the black art Gestapo, Shemekka.
522
00:27:25,435 --> 00:27:29,564
Okay? I'm allowed to take my body
and reclaim it as I choose.
523
00:27:29,648 --> 00:27:33,902
Yes, but when you do it like this
and use it against us...
524
00:27:33,985 --> 00:27:35,278
Fuck are they?
525
00:27:36,112 --> 00:27:38,865
This is my expression, not yours,
not theirs,
526
00:27:38,948 --> 00:27:41,117
and I just need you to be my friend
right now.
527
00:27:41,201 --> 00:27:43,286
Oh, okay,
so today we gonna define "friend"
528
00:27:43,370 --> 00:27:46,373
as somebody who shouldn't tell you
how they really feel?
529
00:27:46,956 --> 00:27:48,833
Come on, man! Nola, that's whack!
530
00:27:48,917 --> 00:27:49,917
That's really whack,
531
00:27:49,959 --> 00:27:52,271
'cause there a lot of people saying
"Ah-ah-ah" to your face
532
00:27:52,295 --> 00:27:54,172
but then "whoo-whoo-whoo"
behind your back.
533
00:27:59,511 --> 00:28:00,595
Whatever the case,
534
00:28:01,304 --> 00:28:03,473
I'm gonna support you in public
like you're right,
535
00:28:03,556 --> 00:28:05,684
but behind closed doors, I'm telling you,
536
00:28:06,935 --> 00:28:07,935
you're wrong.
537
00:28:12,982 --> 00:28:14,109
Individuation.
538
00:28:15,360 --> 00:28:18,071
It's the process required
for self-actualizing.
539
00:28:21,491 --> 00:28:23,868
I haven't spoken to Nola in a while.
540
00:28:25,995 --> 00:28:28,832
I think it's because
she's in the thick of it.
541
00:28:29,749 --> 00:28:31,167
Individuating.
542
00:28:33,169 --> 00:28:37,173
Whether you're talking about
friends or family,
543
00:28:37,674 --> 00:28:39,175
people you admire...
544
00:28:40,051 --> 00:28:41,051
or despise...
545
00:28:42,053 --> 00:28:44,973
you have to individuate your wants
from theirs
546
00:28:45,056 --> 00:28:47,183
in order to honor your true self.
547
00:28:49,144 --> 00:28:50,895
It can be a thrilling...
548
00:28:52,522 --> 00:28:54,023
and painful process.
549
00:28:57,944 --> 00:29:00,989
But who wants to see or be
550
00:29:01,448 --> 00:29:02,657
a black orchid
551
00:29:03,908 --> 00:29:05,618
that never fully opens?
552
00:29:57,212 --> 00:29:59,047
It might hurt.
553
00:30:00,840 --> 00:30:01,925
But you know me.
554
00:30:03,009 --> 00:30:05,261
Gotta be fearless.
555
00:30:06,846 --> 00:30:08,014
Or at least try.
556
00:30:09,474 --> 00:30:10,474
With love,
557
00:30:11,434 --> 00:30:13,561
Nola Darling.
42865
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