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1
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♪ One, two, one two, three ♪
2
00:00:20,645 --> 00:00:24,899
♪ Where Brooklyn at?
Where Brooklyn at? ♪
3
00:01:23,291 --> 00:01:27,587
♪ Oh-we-oh, oh ♪
4
00:01:27,962 --> 00:01:32,258
♪ Oh-we-oh, oh ♪
5
00:01:40,600 --> 00:01:41,601
Yeah!
6
00:01:44,562 --> 00:01:46,731
Y'all ready to party some more?
Make some noise!
7
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I said Brooklyn, make some noise!
8
00:01:49,943 --> 00:01:54,906
♪ It's been seven hours and fifteen days ♪
9
00:01:56,699 --> 00:02:00,703
♪ Since you took your love away ♪
10
00:02:03,456 --> 00:02:04,499
Yes!
11
00:02:05,291 --> 00:02:07,168
Yes, goddess. Yes.
12
00:02:07,502 --> 00:02:09,337
Yes, fuck it up then.
13
00:02:09,712 --> 00:02:12,090
Yes, we got it, sis.
Thank you so much.
14
00:02:12,632 --> 00:02:13,632
Nola.
15
00:02:13,716 --> 00:02:15,218
- Hey!
- Hi.
16
00:02:15,301 --> 00:02:16,594
Hey! Oh, my goodness,
17
00:02:16,678 --> 00:02:20,431
- I didn't know you were coming.
- Of course, I gotta come see my star.
18
00:02:20,682 --> 00:02:22,225
Oh, my goodness.
19
00:02:22,809 --> 00:02:24,578
I love this.
You are doing your thing.
20
00:02:24,602 --> 00:02:26,354
Thank you. This is the perfect setup.
21
00:02:26,437 --> 00:02:27,873
- I really appreciate it.
- Yes, it is.
22
00:02:27,897 --> 00:02:29,107
No, thank you so much.
23
00:02:29,440 --> 00:02:31,818
Ah. This is great. All of this is great.
24
00:02:31,901 --> 00:02:33,621
All right,
I'm gonna go get me a nutcracker,
25
00:02:33,653 --> 00:02:35,172
- I'm gonna circle back later on.
- Yes!
26
00:02:35,196 --> 00:02:36,196
- All right?
- Live it.
27
00:02:36,239 --> 00:02:37,615
- Bye.
- Okay, who's next?
28
00:02:38,825 --> 00:02:39,825
Oh, my goodness.
29
00:02:39,993 --> 00:02:41,327
You're stunning. We got it.
30
00:02:41,536 --> 00:02:42,996
What a dude, though!
31
00:02:43,621 --> 00:02:44,621
Yeah.
32
00:02:44,664 --> 00:02:46,624
I might have to borrow that jacket,
though.
33
00:02:46,749 --> 00:02:48,334
Stunners.
34
00:02:48,418 --> 00:02:50,295
Giving you body.
35
00:02:50,378 --> 00:02:53,381
♪ Nothing compares ♪
36
00:02:54,424 --> 00:02:59,804
♪ Nothing compares to you ♪
37
00:03:05,977 --> 00:03:08,980
♪ Nothing compares ♪
38
00:03:10,023 --> 00:03:15,403
♪ Nothing compares to you ♪
39
00:03:21,618 --> 00:03:25,455
Brooklyn, make some noise
for the one and only DJ Spinna!
40
00:03:30,126 --> 00:03:31,544
Nola!
41
00:03:31,961 --> 00:03:33,004
Hey!
42
00:03:34,005 --> 00:03:36,257
- Yes.
- Hi.
43
00:03:36,341 --> 00:03:37,258
One thing.
44
00:03:37,342 --> 00:03:39,177
Olumide Owoye.
45
00:03:39,385 --> 00:03:43,139
I mean, the hottest artist
in the world right now
46
00:03:43,223 --> 00:03:46,184
- and y'all is pumping. Please, tell.
- Clo!
47
00:03:46,267 --> 00:03:48,853
Why is your drunk ass
trying to put me on blast
48
00:03:48,937 --> 00:03:50,605
out in this BK street?
49
00:03:50,688 --> 00:03:52,065
Nola, what's good?
50
00:03:52,357 --> 00:03:55,693
So when we gonna get a sneak peek?
A glimpse of your African dude.
51
00:03:55,777 --> 00:03:57,320
And on a scale of one to ten,
52
00:03:57,737 --> 00:03:59,155
what that bone game like?
53
00:03:59,864 --> 00:04:00,698
Oh, my God.
54
00:04:00,782 --> 00:04:04,077
Bone game be like 33,
hundred, thousand, million.
55
00:04:04,661 --> 00:04:07,163
So dude is certified bona-fied?
56
00:04:07,247 --> 00:04:08,581
Make a bitch wanna bone home.
57
00:04:08,665 --> 00:04:10,917
Oh, my God, that Milly cock
on Nola's block.
58
00:04:11,292 --> 00:04:13,795
Oh, my God,
drunk Clo's my fucking favorite.
59
00:04:14,545 --> 00:04:16,381
But does, like, does Olu have a brother?
60
00:04:16,464 --> 00:04:18,716
'Cause, I mean, my passport is stamped.
61
00:04:18,841 --> 00:04:19,841
Shh!
62
00:04:20,051 --> 00:04:20,885
No.
63
00:04:20,969 --> 00:04:22,595
If Olu does have a brother,
64
00:04:22,679 --> 00:04:24,973
- he's for me. Thank you.
- Okay.
65
00:04:25,056 --> 00:04:27,600
But where is he? I thought you said
he was coming through today.
66
00:04:27,684 --> 00:04:29,602
I'm sure he's on his way.
Let me hit him up.
67
00:04:29,686 --> 00:04:32,230
- Check it, girl.
- What y'all getting into?
68
00:04:32,313 --> 00:04:34,315
I'm gonna go dance a little bit more.
69
00:04:34,482 --> 00:04:36,168
- I gotta actually go.
- I gotta find my kid.
70
00:04:36,192 --> 00:04:37,360
I'll see you! Bye!
71
00:04:37,443 --> 00:04:39,070
- Oh, yeah, you should do that.
- Bye.
72
00:04:53,418 --> 00:04:57,255
Yo! Purple nutcrackers,
come through! Purple nutcrackers!
73
00:04:57,338 --> 00:04:58,965
This shit's got potion in 'em!
74
00:04:59,048 --> 00:05:01,217
Come get your nutcracker!
Only five bucks!
75
00:05:01,301 --> 00:05:03,386
Ten dollars, only ten dollars.
76
00:05:03,469 --> 00:05:07,682
Don't put 12 dollars in there.
Five dollars, right here! Five dollars!
77
00:05:08,141 --> 00:05:09,809
Looks good on everything...
78
00:05:15,148 --> 00:05:16,607
- Glug, baby.
- Yeah!
79
00:05:16,691 --> 00:05:19,503
Don't spend 12 dollars over there.
Come get these nutcrackers...
80
00:05:19,527 --> 00:05:20,653
We gettin' lit!
81
00:05:20,903 --> 00:05:22,905
We gettin' lit out this bitch!
82
00:05:24,157 --> 00:05:25,157
Dance!
83
00:05:26,701 --> 00:05:27,701
All right!
84
00:05:31,998 --> 00:05:33,499
Who knows the words to this?
85
00:05:34,834 --> 00:05:35,834
Yeah!
86
00:05:37,211 --> 00:05:38,796
Come on, Mars, hurry up.
87
00:05:40,757 --> 00:05:42,383
Beer! Get it here, guys!
88
00:05:48,639 --> 00:05:50,016
Cheers!
89
00:05:51,726 --> 00:05:52,852
Glug that shit!
90
00:05:52,935 --> 00:05:54,562
Yeah!
91
00:06:15,792 --> 00:06:19,087
Do not let gentrification
keep our children
92
00:06:19,170 --> 00:06:21,714
from having a fair education!
93
00:06:21,798 --> 00:06:25,551
...Ms. Raqueletta Moss are trying to save
our Harriet Tubman Middle School
94
00:06:25,635 --> 00:06:26,636
from budget cuts!
95
00:06:26,719 --> 00:06:29,305
This is for the children of Bed-Stuy!
96
00:06:29,389 --> 00:06:33,768
Well, I guess they care more about
twerking than our children's education!
97
00:06:36,687 --> 00:06:37,605
Okay!
98
00:06:37,688 --> 00:06:41,150
After you've finished twerking,
can you please come sign the petition?
99
00:06:41,234 --> 00:06:44,654
Hey, Olu. What's up? Nola D.
100
00:06:44,737 --> 00:06:45,737
Um...
101
00:06:45,905 --> 00:06:48,449
Just checking in with you.
I'm here at the earWave booth.
102
00:06:48,533 --> 00:06:50,993
It's big and purple and crazy.
103
00:06:51,244 --> 00:06:52,245
Super busy.
104
00:06:52,328 --> 00:06:54,372
But yeah, you know,
when you get here, just...
105
00:06:54,997 --> 00:06:57,250
yeah, come on through. All right, bye.
106
00:07:06,342 --> 00:07:08,428
Well, I was just...
107
00:07:08,511 --> 00:07:10,972
...stopping by... to...
108
00:07:12,432 --> 00:07:13,641
Well, I was wondering...
109
00:07:16,269 --> 00:07:17,311
Um...
110
00:07:18,604 --> 00:07:19,480
Shit.
111
00:07:19,605 --> 00:07:20,605
I'm sorry.
112
00:07:21,149 --> 00:07:23,192
- What's the line?
- "I was just passing through."
113
00:07:23,943 --> 00:07:25,423
To see if you were fairing all right.
114
00:07:25,486 --> 00:07:28,030
Yes. I'm sorry. I'm messing up your lines
115
00:07:28,114 --> 00:07:30,158
and the siren threw me off. Sorry.
116
00:07:30,533 --> 00:07:31,659
Always happens here.
117
00:07:31,742 --> 00:07:33,119
It's okay, really.
118
00:07:33,202 --> 00:07:35,079
- Thank you.
- That's what rehearsals are for.
119
00:07:35,163 --> 00:07:36,706
- Sorry.
- And I have to say this.
120
00:07:37,707 --> 00:07:41,252
I never ever in my wildest dreams
ever thoughtthat George C. Wolfe
121
00:07:41,335 --> 00:07:43,254
would direct a play I wrote.
122
00:07:43,337 --> 00:07:46,591
I never dreamed
I'd be directing this play either.
123
00:07:49,218 --> 00:07:54,390
What the fuck did I do to deserve this
fake-ass colored museum bullshit?
124
00:07:56,601 --> 00:07:57,685
It's getting better though.
125
00:07:58,144 --> 00:08:01,606
We all looking for that knowledge,
wisdom, and understanding in God.
126
00:08:01,689 --> 00:08:03,065
But like Job said,
127
00:08:03,649 --> 00:08:06,152
"the fear of the Lord
is the beginning of wisdom."
128
00:08:06,611 --> 00:08:10,156
To depart from evil,
and as to understanding God,
129
00:08:10,239 --> 00:08:13,326
you know we learned that shit at
St. Thomas Aquinas over there
130
00:08:13,409 --> 00:08:14,994
on Newport and Christopher.
131
00:08:15,786 --> 00:08:16,913
Remember that shit?
132
00:08:16,996 --> 00:08:20,708
We had the funny white shirts
with the clip-on ties and shit.
133
00:08:21,000 --> 00:08:24,253
We was so innocent, Jamie.
134
00:08:24,378 --> 00:08:27,298
Crazy, but let me ask you a question, cuz.
135
00:08:27,590 --> 00:08:30,092
- What's that?
- Have we departed from the evil?
136
00:08:30,676 --> 00:08:33,387
Do we really have understanding, Jamie?
137
00:08:35,723 --> 00:08:39,310
One always has exaggerated ideas
about what one doesn't know.
138
00:08:39,852 --> 00:08:42,522
You see, cuz,
that's where you get me fucked up at.
139
00:08:42,605 --> 00:08:44,857
I know you went to Dalton and all that,
140
00:08:45,233 --> 00:08:47,735
but I read Camus' Strangers too.
141
00:08:47,902 --> 00:08:50,863
I ain't skip all my classes
in Brooklyn Tech and shit.
142
00:08:50,947 --> 00:08:52,657
You think I'm stupido.
143
00:08:52,740 --> 00:08:54,534
I'm not stupido, Jamie.
144
00:08:55,117 --> 00:08:56,244
Check this out.
145
00:08:57,078 --> 00:09:02,166
We're the same bottle,
we just got a different twist cap.
146
00:09:02,250 --> 00:09:04,335
'Sup, my nigga? Talk to me.
147
00:09:04,418 --> 00:09:06,813
I went back to the house
when Cheryl and Virgil wasn't there,
148
00:09:06,837 --> 00:09:08,422
you know, something told me to go,
149
00:09:09,131 --> 00:09:11,551
something told me to go stalk her ass,
you know?
150
00:09:12,552 --> 00:09:13,761
This feeling...
151
00:09:14,095 --> 00:09:15,137
That's the shit.
152
00:09:15,888 --> 00:09:17,223
The street Spidey sense.
153
00:09:18,015 --> 00:09:20,695
When you get a tickle in your ear,
your dick get hard for no reason,
154
00:09:20,726 --> 00:09:23,229
you know some shit about to go down
before it go down.
155
00:09:23,312 --> 00:09:25,593
That's the shit keep me winning
around the world and shit.
156
00:09:25,648 --> 00:09:27,984
Nigga, would you please
calm your whining ass down?
157
00:09:28,401 --> 00:09:29,610
As I was saying,
158
00:09:31,237 --> 00:09:32,530
went back to the brownstone
159
00:09:33,322 --> 00:09:34,322
that I paid for,
160
00:09:36,075 --> 00:09:39,412
I went through some of Cheryl's stuff
and I found a necklace.
161
00:09:39,495 --> 00:09:42,123
I'm talking about red box
Cartier necklace.
162
00:09:42,206 --> 00:09:43,416
Necklace I didn't buy her.
163
00:09:43,499 --> 00:09:45,459
That's 'cause you're delusional, Jamie.
164
00:09:45,918 --> 00:09:47,962
You was always weak for them cheeks.
165
00:09:48,045 --> 00:09:51,966
You wanna act like you don't know
Cheryl got the fattest ass in Brooklyn?
166
00:09:53,009 --> 00:09:54,010
She got that
167
00:09:54,093 --> 00:09:56,429
dum du-du-du-dum
168
00:09:56,512 --> 00:09:57,680
That big shit.
169
00:09:57,888 --> 00:09:59,849
But let me tell you something, cuz.
170
00:10:00,182 --> 00:10:02,310
That bitch always thought she was
better than you.
171
00:10:02,393 --> 00:10:03,393
Whoa. Whoa. Whoa.
172
00:10:03,561 --> 00:10:07,523
Yo, I love you, you're my man and shit,
but don't you ever call my wife a bitch.
173
00:10:08,274 --> 00:10:12,069
That's the mother of my son, even after
the ink dries on them divorce papers.
174
00:10:12,153 --> 00:10:13,904
You're way out of pocket right now.
175
00:10:14,113 --> 00:10:15,823
Hundred percent right, Jamie.
176
00:10:15,906 --> 00:10:17,366
Hundred percent, I'm sorry.
177
00:10:18,534 --> 00:10:19,702
What do you want me to do?
178
00:10:20,161 --> 00:10:22,413
I'm just feeling
my feels right now.
179
00:10:23,914 --> 00:10:27,585
You know, the crazy thing is, man, I know
that punk ass bitch she rolling with.
180
00:10:28,044 --> 00:10:30,671
Corn flakes. I'm talking about
Post cereal box corny.
181
00:10:35,551 --> 00:10:39,180
I wanna introduce the Wall Street boy
to the street corner hounds.
182
00:10:40,514 --> 00:10:42,808
I couldn't wait for you to say
this shit, Jamie.
183
00:10:42,892 --> 00:10:44,644
I was waiting for you to say it.
184
00:10:45,770 --> 00:10:49,065
Let's introduce this motherfucker
to the motherfucking Brownsville hounds.
185
00:10:49,440 --> 00:10:50,941
Yeah, send in the hounds.
186
00:10:51,067 --> 00:10:52,652
But tell them to bark, no bite.
187
00:10:53,194 --> 00:10:56,197
All right? Just tell them to bark at him
real loud, scare him off, but...
188
00:10:56,697 --> 00:10:57,697
no bite.
189
00:10:59,158 --> 00:11:01,678
Win, we clear on this? You understand
what I'm asking you to do?
190
00:11:02,787 --> 00:11:03,829
Hundred percent.
191
00:11:10,336 --> 00:11:12,713
You hear that shit, Jamie?
192
00:11:13,255 --> 00:11:16,926
The hounds is coming.
The hounds is coming.
193
00:11:20,429 --> 00:11:22,973
I'm looking at metal
as a natural material.
194
00:11:23,057 --> 00:11:26,185
I'm taking something that is typically
an industrial material
195
00:11:26,310 --> 00:11:27,978
and changing the perspective around it
196
00:11:28,437 --> 00:11:32,358
by placing these paint skins
that have the implications of the body.
197
00:11:32,858 --> 00:11:36,362
So when you look at the core of its atoms
and what it's made of,
198
00:11:36,445 --> 00:11:37,965
it's not that different from a flower.
199
00:11:38,114 --> 00:11:42,076
It immediately brings your attention and
your thoughts to something from nature
200
00:11:42,284 --> 00:11:43,786
or something organic.
201
00:11:43,869 --> 00:11:45,871
I was thinkingabout doing something
more minimal
202
00:11:45,955 --> 00:11:47,475
and playing with these straight lines,
203
00:11:47,540 --> 00:11:49,291
which is something
that I don't normally do.
204
00:11:50,126 --> 00:11:52,628
And then having a conversation
between the material
205
00:11:53,129 --> 00:11:55,381
and the skins in the marble.
206
00:11:55,506 --> 00:11:59,427
So there's a different dialogue happening
here when there's so much empty space
207
00:11:59,510 --> 00:12:00,510
within the piece.
208
00:12:01,721 --> 00:12:03,472
What do you know about empty space?
209
00:12:12,231 --> 00:12:14,608
What are those?
210
00:12:16,152 --> 00:12:17,027
Nola?
211
00:12:17,153 --> 00:12:18,320
Sois gentil.
212
00:12:18,404 --> 00:12:19,989
- I'm done.
- Be nice.
213
00:12:20,072 --> 00:12:23,159
You know, Nola,
Greer said I was gonna start a house quake
214
00:12:23,242 --> 00:12:24,827
if I rocked these purple house pants.
215
00:12:25,035 --> 00:12:26,495
Stylish and apropos.
216
00:12:27,037 --> 00:12:29,373
I can't even hate. Y'all got the look.
217
00:12:29,999 --> 00:12:30,999
Yeah.
218
00:12:31,667 --> 00:12:33,210
Watch out there now.
219
00:12:34,211 --> 00:12:35,671
So what's up? Y'all wanna do this?
220
00:12:35,755 --> 00:12:37,339
- Yeah. Let's get it.
- Yeah?
221
00:12:37,798 --> 00:12:39,133
Hm... A little camera.
222
00:12:40,843 --> 00:12:42,136
Your face.
223
00:12:42,720 --> 00:12:43,720
Thank you.
224
00:12:44,597 --> 00:12:45,931
All right, yes.
225
00:12:46,015 --> 00:12:48,225
Greer in his natural habitat.
226
00:12:54,356 --> 00:12:59,153
So, Reed, I'm really fascinated by your
sculpture and your use of found images.
227
00:12:59,236 --> 00:13:01,363
What would you say
is your creative manifesto?
228
00:13:01,447 --> 00:13:05,743
Art is art, baby.
You employ acrylics and oils and brushes.
229
00:13:06,035 --> 00:13:07,703
I use a blowtorch and fire.
230
00:13:07,787 --> 00:13:10,247
I wanna melt the world into a shape
that I can understand,
231
00:13:10,331 --> 00:13:12,792
and sometimes, we, as artists,
232
00:13:12,875 --> 00:13:15,419
we have to smash the picture
to understand the picture.
233
00:13:16,629 --> 00:13:18,088
The beautiful ones
234
00:13:18,589 --> 00:13:20,508
always smash the picture.
235
00:13:21,008 --> 00:13:22,968
Always, every time.
236
00:13:23,928 --> 00:13:26,222
A true Prince stan, like moi.
237
00:13:26,972 --> 00:13:28,891
Greer, you might have bagged a keeper.
238
00:13:28,974 --> 00:13:29,975
Don't fuck it up.
239
00:13:30,059 --> 00:13:32,520
I don't intend to.
240
00:13:33,354 --> 00:13:34,522
Not with this face.
241
00:13:36,690 --> 00:13:37,690
Okay.
242
00:14:07,137 --> 00:14:08,264
Love, not hate.
243
00:14:14,520 --> 00:14:16,021
The fuck was that?
244
00:14:17,356 --> 00:14:18,983
What is this, Greer waves?
245
00:14:19,066 --> 00:14:21,318
EarWave, stage one.
246
00:14:21,402 --> 00:14:22,528
What happened with my man?
247
00:14:22,611 --> 00:14:25,091
When he found out he couldn't get you,
he went and got a model?
248
00:14:25,155 --> 00:14:27,616
- Sculptor.
- That don't hurt a little bit?
249
00:14:28,158 --> 00:14:29,326
No, I'm good.
250
00:14:29,410 --> 00:14:30,953
I mean, that makes one of us.
251
00:14:31,453 --> 00:14:32,788
I'm fucking with you.
252
00:14:32,872 --> 00:14:34,672
I'm half fucking with you.
Yo, come on, hurry.
253
00:14:34,748 --> 00:14:36,788
Let's just take a picture, you and me,
for the Gram.
254
00:14:36,834 --> 00:14:39,378
- Get that backdrop.
- Gotta get back to my fucking nutcrackers.
255
00:14:41,964 --> 00:14:42,964
Bong.
256
00:14:44,008 --> 00:14:45,301
- That shit's fresh.
- Yeah.
257
00:14:45,384 --> 00:14:47,887
- Hold up, let me get one.
- Hold on.
258
00:14:51,932 --> 00:14:54,059
- Thank you.
- All right. Can I get a hug?
259
00:14:56,020 --> 00:14:58,772
♪ Sexy muthafucka ♪
260
00:15:03,944 --> 00:15:06,447
Hey! What up?
261
00:15:07,740 --> 00:15:10,534
You know where I'm at,
you know where I'll be.
262
00:15:11,243 --> 00:15:14,038
Just wondering when you're coming
through the Purple People party.
263
00:15:14,288 --> 00:15:15,414
Um...
264
00:15:15,748 --> 00:15:17,124
Yeah, that's it.
265
00:15:25,090 --> 00:15:25,925
Fresh haircut.
266
00:15:26,008 --> 00:15:26,926
Oh, fuck it up.
267
00:15:27,009 --> 00:15:28,844
Uh. Yup.
268
00:15:28,928 --> 00:15:31,847
Uh-oh.
Why you trying to be added to the roster?
269
00:15:31,931 --> 00:15:32,848
Come...
270
00:15:32,932 --> 00:15:33,849
through...
271
00:15:33,933 --> 00:15:34,808
boo.
272
00:15:34,892 --> 00:15:35,892
All that!
273
00:15:36,268 --> 00:15:37,686
With the lens to match.
274
00:15:37,853 --> 00:15:39,855
Hey, what up, king?
275
00:15:39,939 --> 00:15:41,774
Yes, flex!
276
00:15:42,232 --> 00:15:43,400
Uh. Fuck.
277
00:15:45,069 --> 00:15:46,069
Free!
278
00:15:46,570 --> 00:15:47,613
Yeah, boo.
279
00:15:48,030 --> 00:15:49,281
Hey!
280
00:15:49,949 --> 00:15:51,158
Fro's out.
281
00:15:51,492 --> 00:15:52,492
Fuck!
282
00:15:53,410 --> 00:15:54,411
Hey, sis.
283
00:15:54,495 --> 00:15:55,871
Miss Master Boss!
284
00:15:55,955 --> 00:15:57,039
Your flyness! Yes!
285
00:15:57,581 --> 00:15:58,874
Divineness!
286
00:16:14,682 --> 00:16:16,725
I think... Um...
287
00:16:18,727 --> 00:16:19,727
less words.
288
00:16:21,021 --> 00:16:22,021
Or...
289
00:16:22,731 --> 00:16:25,484
maybe even like... like no words.
290
00:16:25,567 --> 00:16:26,819
But George, should we then...
291
00:16:26,902 --> 00:16:28,028
Less words.
292
00:16:28,320 --> 00:16:29,822
Less words?
293
00:16:29,905 --> 00:16:31,907
Yeah, I think...
294
00:16:32,825 --> 00:16:36,203
the less we hear these words,
the better the scene will be.
295
00:16:37,579 --> 00:16:41,792
You know,
silence can be very, very powerful.
296
00:16:41,875 --> 00:16:42,793
But then...
297
00:16:42,876 --> 00:16:43,876
Silence.
298
00:16:44,336 --> 00:16:45,336
It's fine.
299
00:16:46,005 --> 00:16:47,965
But better, a lot better.
300
00:16:54,430 --> 00:16:55,889
George C. Wolfe.
301
00:16:55,973 --> 00:16:58,475
Yo, Brooklyn,
let's support the youth.
302
00:16:58,559 --> 00:17:01,186
Skylar and Virgil!
303
00:17:22,958 --> 00:17:24,126
Go, baby!
304
00:17:30,758 --> 00:17:33,677
♪ You're gettin' dirty at the club again ♪
305
00:17:34,511 --> 00:17:37,306
♪ I'm usually round your waist
Like a chain but then ♪
306
00:17:38,098 --> 00:17:42,144
♪ I got that call so I jumped in my car
I love you baby ♪
307
00:17:43,645 --> 00:17:45,814
♪ But not like I love my guitar ♪
308
00:17:48,233 --> 00:17:49,318
♪ Uh-uh ♪
309
00:17:50,903 --> 00:17:53,030
♪ Not like I love my guitar ♪
310
00:17:54,615 --> 00:17:56,408
♪ Oh, listen ♪
311
00:17:57,493 --> 00:17:58,786
♪ Turn it up ♪
312
00:18:37,241 --> 00:18:40,035
♪ I tried to warn you
That it's hard to be a star ♪
313
00:18:40,911 --> 00:18:44,081
♪ Especially when your driving
Other people's car ♪
314
00:18:44,331 --> 00:18:47,543
♪ I woulda gave you mine, girl
But you took it too far ♪
315
00:18:47,626 --> 00:18:49,711
♪ I love you baby, but ♪
316
00:18:50,087 --> 00:18:52,381
♪ Just not like I love my guitar ♪
317
00:18:55,342 --> 00:18:57,594
♪ I love you, baby, love you, baby ♪
318
00:18:57,678 --> 00:18:59,429
♪ Not like I love my guitar ♪
319
00:18:59,513 --> 00:19:02,474
♪ I love you baby and I wish you well ♪
320
00:19:03,100 --> 00:19:06,103
♪ I'll write a letter
When I learn how to spell ♪
321
00:19:06,895 --> 00:19:09,982
♪ Until that day, you can go to the... ♪
322
00:19:10,440 --> 00:19:13,610
♪ I love you baby
You know the rest ♪
323
00:20:13,587 --> 00:20:15,130
Rock 'n' roll!
324
00:20:16,089 --> 00:20:17,591
Yeah, baby!
325
00:20:18,050 --> 00:20:20,802
- Yeah! Prince!
- Jimi Hendrix!
326
00:20:20,886 --> 00:20:22,971
- Yeah!
- Virgil!
327
00:20:23,055 --> 00:20:25,015
What's he doing?
Jamie, this is all your fault!
328
00:20:25,933 --> 00:20:27,893
Skylar, what are you thinking?
329
00:20:27,976 --> 00:20:29,686
- What is wrong with you?
- Mom, stop!
330
00:20:29,770 --> 00:20:30,896
Get off the stage!
331
00:20:33,065 --> 00:20:38,445
Boomshakalaka!
Boomshakalaka! Boomshakalaka!
332
00:20:47,246 --> 00:20:48,246
Let's go.
333
00:20:52,709 --> 00:20:53,710
Hey, yo, Andrew!
334
00:20:54,211 --> 00:20:55,420
Andrew Golding, right?
335
00:20:55,587 --> 00:20:58,507
Yo, you're that dope dude
with the show on cable, right?
336
00:20:58,715 --> 00:21:00,592
- Yeah.
- The Paper Chase.
337
00:21:00,676 --> 00:21:01,510
Know what I love?
338
00:21:01,593 --> 00:21:05,222
How you talk about how the streets
is no different from Wall Street.
339
00:21:05,305 --> 00:21:06,390
- Yeah.
- That's brilliant.
340
00:21:06,473 --> 00:21:09,059
You play a lot of '90s hip hop
to introduce your segments!
341
00:21:09,142 --> 00:21:12,229
- I love when you use Camp Lo's "Luchini"!
- What?
342
00:21:12,729 --> 00:21:13,814
A.K.A. "This Is It"?
343
00:21:13,897 --> 00:21:15,482
- ♪ What?
- This is it, what? ♪
344
00:21:15,565 --> 00:21:17,859
♪ Luchini pourin' from the sky
Let's get rich, what? ♪
345
00:21:17,943 --> 00:21:20,445
♪ The cheeky vines, the sugar dimes
Can't quit, what? ♪
346
00:21:20,529 --> 00:21:23,156
♪ Now pop the cork and steam the vega
And get lit, what? ♪
347
00:21:23,240 --> 00:21:24,074
♪ What? ♪
348
00:21:24,157 --> 00:21:27,202
- Yo, bro, you are the man.
- No doubt, my dudes.
349
00:21:27,286 --> 00:21:29,705
- You are the man.
- No doubt, y'all are fans of my joint.
350
00:21:29,788 --> 00:21:31,873
- Andrew Golding.
- Yeah, that's crazy!
351
00:21:32,040 --> 00:21:33,542
- It's crazy!
- All right.
352
00:21:33,625 --> 00:21:36,795
♪ Introducing phantom of the dark
Walk through my heaven ♪
353
00:21:36,878 --> 00:21:39,840
♪ With levitation from reefers
Drenching divas in E7 ♪
354
00:21:39,923 --> 00:21:43,343
♪ Showboating with Rugers
Flash vines, Belafonte vigor ♪
355
00:21:43,427 --> 00:21:46,179
♪ Let's skate for what this worth
As we confiscate your figures ♪
356
00:21:46,722 --> 00:21:49,474
♪ Casanova Brown
Levitating jiggy in dashikis ♪
357
00:21:49,558 --> 00:21:52,561
♪ In la hotta Car 54
Chasing diamond runners ♪
358
00:21:52,644 --> 00:21:54,896
♪ Headin' ice bound
Where every chilla dime... ♪
359
00:21:54,980 --> 00:21:57,858
- Wait, my man...
- Stop. Excuse me.
360
00:21:57,941 --> 00:21:59,443
My man!
361
00:21:59,526 --> 00:22:01,278
- Selfie.
- Can we take a selfie with you?
362
00:22:01,361 --> 00:22:02,612
- Selfie?
- Yeah, selfie.
363
00:22:02,696 --> 00:22:06,241
- That's what's up, right? Come on, man.
- No problem. Anything for my people.
364
00:22:06,325 --> 00:22:08,285
- Yeah, man.
- Be careful with the suit.
365
00:22:08,368 --> 00:22:10,370
How about I take this?
Give this to me right here.
366
00:22:10,454 --> 00:22:11,973
- All right, let's do this.
- Take that.
367
00:22:11,997 --> 00:22:13,999
- This'll be the boss photo. Okay.
- Yeah.
368
00:22:15,292 --> 00:22:17,836
- Yeah, one more.
- That was dope.
369
00:22:17,919 --> 00:22:20,839
- Yeah, right here.
- You're like teenage girls up in here.
370
00:22:20,922 --> 00:22:23,276
All right, good to meet y'all.
Thanks for watching the show.
371
00:22:23,300 --> 00:22:24,968
- Check it out, all right?
- Yeah, man.
372
00:22:26,636 --> 00:22:27,637
That thing on?
373
00:22:28,472 --> 00:22:29,598
It is now.
374
00:22:30,265 --> 00:22:32,476
Why don't you ask your mother
what she did today?
375
00:22:34,061 --> 00:22:36,063
- Stokes.
- Stokes nothing.
376
00:22:37,314 --> 00:22:38,314
Tell her.
377
00:22:40,692 --> 00:22:42,778
My daughter, dear, my dear daughter.
378
00:22:43,445 --> 00:22:45,113
All I did was rehearse my play.
379
00:22:45,572 --> 00:22:47,532
Nothing more and nothing less.
380
00:22:47,616 --> 00:22:49,076
So, Daddy, what's your problem?
381
00:22:49,159 --> 00:22:53,205
Your father's problem is that there's
a simulated sex scene in the play.
382
00:22:53,288 --> 00:22:56,958
Daddy, we should be thrilled Mommy
has an acting gig and 100% supportive.
383
00:22:57,042 --> 00:23:00,670
Thank you. Should be, could be, won't be.
384
00:23:00,754 --> 00:23:03,840
In the movies,
the director closes the damn set.
385
00:23:04,007 --> 00:23:06,676
This is gonna be
in front of a live audience.
386
00:23:06,760 --> 00:23:10,305
People will be looking at your mother.
387
00:23:11,807 --> 00:23:12,808
My wife.
388
00:23:12,891 --> 00:23:14,643
I'm good. I don't have a problem with it.
389
00:23:14,726 --> 00:23:16,019
You ain't married to her.
390
00:23:16,436 --> 00:23:18,647
Okay. Well, then this is very simple.
391
00:23:18,897 --> 00:23:19,731
Don't come.
392
00:23:19,815 --> 00:23:21,108
I'm not.
393
00:23:21,191 --> 00:23:22,192
I hope you got all that.
394
00:23:22,275 --> 00:23:23,318
I got it, all right.
395
00:23:38,625 --> 00:23:39,625
Cheers.
396
00:23:40,210 --> 00:23:41,210
Cheers.
397
00:23:45,841 --> 00:23:47,759
So, let me get this situated.
398
00:23:48,218 --> 00:23:52,848
In addition to being a fine-ass
fine artist,
399
00:23:52,931 --> 00:23:55,058
you're also a brilliant gourmet chef?
400
00:23:55,142 --> 00:23:56,977
I prefer cuisinier.
401
00:23:57,060 --> 00:24:00,063
Oh, you prefer cuisinier. And why is that?
402
00:24:00,313 --> 00:24:02,732
'Cause a motherfucker knows his shit,
you dig?
403
00:24:02,816 --> 00:24:04,109
I ain't mad at that.
404
00:24:04,192 --> 00:24:07,904
I'm not mad at Chewy-toy Ijeda-tofu.
405
00:24:07,988 --> 00:24:10,907
I'm not mad at John Puerto Rican Bodega.
406
00:24:10,991 --> 00:24:13,493
- Please stop fucking up their names.
- All I'm saying...
407
00:24:14,619 --> 00:24:16,288
You know I'm just being slightly shady.
408
00:24:16,371 --> 00:24:18,957
Point is, I agree with my brother,
Samuel L.
409
00:24:19,040 --> 00:24:21,376
You London blokes need to fall back
410
00:24:21,460 --> 00:24:23,962
and fall away
from taking all of our roles.
411
00:24:24,045 --> 00:24:27,841
Like, we have dope, talented, trained,
qualified black actors
412
00:24:27,924 --> 00:24:29,634
right here in the States.
413
00:24:29,718 --> 00:24:32,971
And at the end of the day,
black Brits just come cheaper.
414
00:24:34,139 --> 00:24:35,640
I agree somewhat.
415
00:24:35,724 --> 00:24:37,392
- Somewhat?
- Yeah, somewhat.
416
00:24:37,476 --> 00:24:40,812
But black British actors are better suited
than black American actors
417
00:24:40,896 --> 00:24:43,648
for stateside roles because...
418
00:24:44,274 --> 00:24:47,736
they don't carry the burden of fucked up
black American history,
419
00:24:47,819 --> 00:24:50,113
of lynching, slavery, Jim Crow, all that.
420
00:24:50,197 --> 00:24:52,574
Black Brits are free
of the psychological burden
421
00:24:52,657 --> 00:24:55,494
and therefore they can really delve into
422
00:24:56,036 --> 00:24:57,287
black American shit.
423
00:24:58,747 --> 00:24:59,748
Hm...
424
00:25:01,500 --> 00:25:02,792
How can someone
425
00:25:03,543 --> 00:25:04,920
so gorgeous
426
00:25:05,504 --> 00:25:07,130
and so talented
427
00:25:07,839 --> 00:25:10,133
be so fucking ignorant?
428
00:25:10,509 --> 00:25:11,843
I beg your pardon?
429
00:25:12,344 --> 00:25:14,429
You're not unburdened, Olu.
430
00:25:14,513 --> 00:25:17,766
British ships were the dominant force
in the Atlantic slave trade.
431
00:25:17,849 --> 00:25:22,687
Almost two million kidnapped Africans
who died during the Middle Passage.
432
00:25:22,771 --> 00:25:26,900
So, you and your manz
and your fellow black British blokes
433
00:25:26,983 --> 00:25:28,818
didn't come out of the shit unscathed.
434
00:25:28,902 --> 00:25:31,988
You just have Stockholm syndrome
and fell in love with your captors.
435
00:25:32,072 --> 00:25:34,866
Get all the way the fuck out of here
with that nonsense.
436
00:25:36,701 --> 00:25:39,496
See, that's what I love about you, Nola,
437
00:25:39,913 --> 00:25:42,791
your fearlessness in the era of fear.
438
00:25:44,042 --> 00:25:45,042
What do you mean?
439
00:26:27,502 --> 00:26:28,587
Question is...
440
00:26:29,713 --> 00:26:31,339
how bad does Nola want it?
441
00:26:32,716 --> 00:26:34,301
- Oh, I want it, Olu.
- Hmm.
442
00:26:35,635 --> 00:26:36,886
I want you
443
00:26:37,804 --> 00:26:43,018
to look at my photographs
from earWave's Brooklyn Joy campaign.
444
00:26:43,393 --> 00:26:45,020
Come on! Please?
445
00:26:45,103 --> 00:26:48,023
I was so sad you couldn't make it
to the earWave booth today.
446
00:26:48,106 --> 00:26:51,109
Please? It would mean so much to me.
I really want your feedback.
447
00:26:51,776 --> 00:26:54,904
- No can do, my black beautiful queen.
- Argh.
448
00:26:55,447 --> 00:26:59,159
When I'm in the process of working,
I never, and I repeat, never,
449
00:26:59,492 --> 00:27:01,494
look at another artist's work-in-progress.
450
00:27:01,828 --> 00:27:06,041
I like to avoid any unintentional
or unconscious thievery.
451
00:27:06,124 --> 00:27:07,124
Fine.
452
00:27:10,587 --> 00:27:11,838
They fucked me up.
453
00:27:13,506 --> 00:27:14,799
Put me in a headlock.
454
00:27:17,010 --> 00:27:19,304
Motherfuckers threw me
in the back of a trunk.
455
00:27:22,557 --> 00:27:23,600
Broke my arms.
456
00:27:25,727 --> 00:27:27,854
Gotta have this shit on me
for another month.
457
00:27:28,938 --> 00:27:30,899
Show got picked up another two seasons.
458
00:27:36,946 --> 00:27:39,783
Ladies and gentlemen,
brothers and sisters,
459
00:27:41,159 --> 00:27:42,452
welcome to MoCADA,
460
00:27:42,535 --> 00:27:47,332
the Museum of Contemporary
African Diasporan Art.
461
00:27:47,415 --> 00:27:49,542
My name is Theaster Gates.
462
00:27:52,712 --> 00:27:56,424
I'm the founder and artistic director
of Rebuild Foundation
463
00:27:56,508 --> 00:27:58,259
and Black Artists Retreat Chicago.
464
00:27:58,885 --> 00:28:02,430
The brother who I'm about to introduce
really needs no introduction.
465
00:28:03,223 --> 00:28:06,726
This brother has truly answered
the question I ask every artist,
466
00:28:06,810 --> 00:28:11,815
which is: is your art your profession
or is it your way of life?
467
00:28:12,065 --> 00:28:14,651
Ladies and gentlemen, without further ado,
468
00:28:15,235 --> 00:28:16,069
brother Olu.
469
00:28:29,582 --> 00:28:31,167
Thank you, Theaster, thank you.
470
00:28:32,210 --> 00:28:34,838
I am a direct descendant of a group
of nomadic
471
00:28:34,921 --> 00:28:37,149
- Fulani tribesmen in Nigeria...
- Excuse me, Olu!
472
00:28:38,091 --> 00:28:42,470
This interruption is highly unprecedented,
but please, madam, continue.
473
00:28:42,554 --> 00:28:46,099
Are you married, Olu,
or in a relationship?
474
00:28:46,474 --> 00:28:48,727
Does a sister have a chance with you,
475
00:28:48,810 --> 00:28:51,396
Mr. Coming to America?
476
00:28:54,190 --> 00:28:56,025
And are you here to stay?
477
00:28:57,110 --> 00:28:59,654
No, I'm not in a relationship, my...
478
00:29:00,572 --> 00:29:01,614
gorgeous sister.
479
00:29:01,698 --> 00:29:04,826
Relationships are a distraction. And no,
480
00:29:04,909 --> 00:29:08,830
I'm not staying in P.T. Barnum
Agent Orange's America either.
481
00:29:08,913 --> 00:29:10,915
He's turned the United States
into a circus
482
00:29:10,999 --> 00:29:13,668
and I will not be one of his black clowns.
483
00:29:14,544 --> 00:29:16,379
It's bollocks.
484
00:29:17,213 --> 00:29:18,213
Ready?
485
00:29:18,882 --> 00:29:19,882
Please.
486
00:30:07,388 --> 00:30:13,186
♪ Tracy died soon after
A long-fought civil war ♪
487
00:30:16,981 --> 00:30:22,612
♪ Just after I'd wiped away
His last tear ♪
488
00:30:26,282 --> 00:30:32,372
♪ I guess he's better off
Than he was before ♪
489
00:30:35,875 --> 00:30:41,464
♪ A whole lot better off
Than the fools he left here ♪
490
00:30:45,218 --> 00:30:51,933
♪ I used to cry for Tracy
'Cause he was my only friend ♪
491
00:30:54,435 --> 00:31:00,358
♪ Those kind of cars
Don't pass you every day ♪
492
00:31:03,528 --> 00:31:06,990
♪ I used to cry for Tracy ♪
493
00:31:07,073 --> 00:31:10,910
'Cause I wanted to see him again ♪
494
00:31:13,037 --> 00:31:19,377
♪ But sometimes, sometimes
Life ain't always the way ♪
495
00:31:23,339 --> 00:31:26,968
♪ Sometimes I wish
496
00:31:27,051 --> 00:31:30,638
That life was never ending ♪
497
00:31:31,639 --> 00:31:37,604
♪ But all good things
They say, never last ♪
37471
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