Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:05,033 --> 00:00:08,234
WHAT DO YOU THINK
JANSON'S DOING RIGHT NOW?
2
00:00:08,234 --> 00:00:09,534
JANSON WHO?
3
00:00:09,534 --> 00:00:10,901
OUR DERMATOLOGIST.
4
00:00:12,067 --> 00:00:13,400
WHAT'S HE DOING?
5
00:00:13,400 --> 00:00:15,567
YEAH. WHAT'S HE
DOING RIGHT NOW?
6
00:00:15,567 --> 00:00:17,601
RIGHT NOW, WHAT,
10:30 AT NIGHT?
7
00:00:17,601 --> 00:00:19,200
YEAH.
8
00:00:19,200 --> 00:00:21,534
PROBABLY SLEEPING.
WATCHING TV.
9
00:00:21,534 --> 00:00:23,601
COME ON.
YOU CAN DO BETTER THAN THAT.
10
00:00:23,601 --> 00:00:24,968
O.K.
11
00:00:24,968 --> 00:00:26,467
JANSON...
12
00:00:29,234 --> 00:00:31,868
JANSON IS
ROAMING THE STREETS
13
00:00:31,868 --> 00:00:35,634
WITH SOME CREAM
AND A LASER,
14
00:00:35,634 --> 00:00:38,200
AND HE'S REMOVING
THINGS FROM PEOPLE,
15
00:00:38,200 --> 00:00:40,100
BUT WITHOUT
THEIR PERMISSION,
16
00:00:40,100 --> 00:00:41,767
ALMOST AGAINST
THEIR WILL,
17
00:00:41,767 --> 00:00:43,467
AND THEN HE RUNS,
HE RUNS AWAY.
18
00:00:43,467 --> 00:00:45,400
HE HAS A MASK
SO YOU CAN'T RECOGNIZE HIM,
19
00:00:45,400 --> 00:00:47,100
AND THE POLICE
CHASE HIM,
20
00:00:47,100 --> 00:00:48,734
BUT HE'S FAST,
HE'S FAST LIKE THE WIND,
21
00:00:48,734 --> 00:00:49,934
SO HE ELUDES THEM.
22
00:00:49,934 --> 00:00:51,834
YOU'RE VERY GOOD
TO ME.
23
00:01:04,200 --> 00:01:06,868
* TELL ME WHY *
24
00:01:06,868 --> 00:01:08,734
* I LOVE YOU LIKE I DO *
25
00:01:08,734 --> 00:01:10,767
* TELL ME WHO *
26
00:01:10,767 --> 00:01:12,834
* CAN STOP MY HEART
AS MUCH AS YOU *
27
00:01:12,834 --> 00:01:14,501
* LET'S TAKE
EACH OTHER'S HAND *
28
00:01:14,501 --> 00:01:15,901
* AS WE JUMP INTO *
29
00:01:15,901 --> 00:01:18,534
* THE FINAL FRONTIER *
30
00:01:18,534 --> 00:01:21,133
* I'M MAD ABOUT YOU,
BABY *
31
00:01:31,200 --> 00:01:33,367
CAN I JUST SAY
THAT RIGHT NOW
32
00:01:33,367 --> 00:01:35,434
I HAVE EVERYTHING
I NEED IN LIFE?
33
00:01:35,434 --> 00:01:38,400
I GOT MY SPECIAL K,
A PRETTY GIRL WHO LIKES ME,
34
00:01:38,400 --> 00:01:40,000
SPORTS SECTION
OF THE TIMES.
35
00:01:40,000 --> 00:01:41,801
WANT TO TRY
THE HONEY NUT BRAN?
36
00:01:41,801 --> 00:01:44,901
NOPE. CEREALS
WITH A "K"-- CAN'T BEAT 'EM.
37
00:01:44,901 --> 00:01:46,234
WANT THE FRONT
SECTION?
38
00:01:46,234 --> 00:01:49,467
MMM. SPORTS SECTION.
HAPPY, HAPPY.
39
00:01:49,467 --> 00:01:52,734
9,000 OTHER
FASCINATING ITEMS IN THE PAPER.
40
00:01:52,734 --> 00:01:54,901
YEAH, BUT
YOU KNOW WHAT? EHH.
41
00:01:54,901 --> 00:01:58,000
"DEEP FREEZE GRIPS
SOUTHERN STATES."
42
00:01:58,000 --> 00:02:00,601
SO. IT'S THE SOUTH.
IT'LL PASS.
43
00:02:01,667 --> 00:02:03,267
"HILLARY CLINTON
EMBATTLED."
44
00:02:03,267 --> 00:02:04,367
SHE'S EMBATTLED.
45
00:02:04,367 --> 00:02:05,901
THEY SHOULD JUST...
46
00:02:05,901 --> 00:02:07,934
LEAVE HER ALONE,
THE NICE LADY.
47
00:02:07,934 --> 00:02:09,601
"MALAYSIA
SIGNS TRADE PACT."
48
00:02:09,601 --> 00:02:10,601
BABE.
49
00:02:10,601 --> 00:02:11,934
ALL RIGHT,
ALL RIGHT.
50
00:02:11,934 --> 00:02:13,334
[TELEPHONE
RINGS]
51
00:02:13,334 --> 00:02:15,734
LOOK AT THIS.
"NICKEL INCREASE IN SUBWAY TOKEN EXPECTED."
52
00:02:15,734 --> 00:02:17,434
I WORKED ON THIS
WITH BROCKWELL.
53
00:02:17,434 --> 00:02:18,868
HEY, IT'S ME.
54
00:02:18,868 --> 00:02:20,734
HOW YOU DOING?
55
00:02:20,734 --> 00:02:22,634
I'M GOOD, I'M GOOD.
YOU?
56
00:02:22,634 --> 00:02:23,701
YEAH, GOOD.
I'M FINE.
57
00:02:23,701 --> 00:02:24,734
YEAH, IT'S GOOD
EXCEPT...
58
00:02:24,734 --> 00:02:26,067
WHAT?
59
00:02:26,067 --> 00:02:27,234
NAH. NOT--NAW.
NOTHING.
60
00:02:27,234 --> 00:02:28,567
WHAT?
61
00:02:28,567 --> 00:02:30,367
NO. NO, IT'S NOTHING.
62
00:02:30,367 --> 00:02:33,033
I DON'T EVEN KNOW
WHY I BRING IT UP!
63
00:02:33,033 --> 00:02:34,434
NO, IT'S STUPID!
64
00:02:34,434 --> 00:02:35,367
IT'S FRAN.
65
00:02:35,367 --> 00:02:36,300
FRAN? WHAT?
66
00:02:36,300 --> 00:02:38,000
AND IRA.
67
00:02:38,000 --> 00:02:40,000
FRAN AND IRA?
68
00:02:40,000 --> 00:02:42,200
WHEN'S HE GOING TO
STOP WITH THAT?
69
00:02:42,200 --> 00:02:44,601
MARK, IT IS OVER
WITH THOSE GUYS.
70
00:02:44,601 --> 00:02:46,601
YEAH,
SO YOU KEEP SAYING.
71
00:02:46,601 --> 00:02:49,033
SO THEY KEEP
SAYING, RIGHT?
72
00:02:49,033 --> 00:02:51,534
BUT YESTERDAY
I'M OVER AT FRAN'S, RIGHT?
73
00:02:51,534 --> 00:02:54,234
AND WHO STOPS BY
OUT OF THE BLUE, OUT OF NOWHERE?
74
00:02:54,234 --> 00:02:55,434
IRA?
75
00:02:55,434 --> 00:02:56,501
IRA.
76
00:02:56,501 --> 00:02:58,100
WELL,
THEY'RE FRIENDS.
77
00:02:58,100 --> 00:03:00,334
YEAH, SEE,
I DON'T BUY THAT.
78
00:03:00,334 --> 00:03:03,667
WHO STOPS OVER
IN THE MIDDLE OF THE AFTERNOON?
79
00:03:03,667 --> 00:03:06,334
IT'S UPSETTING ME!
AND I'LL TELL YOU SOMETHING.
80
00:03:06,334 --> 00:03:07,968
WHAT?
81
00:03:07,968 --> 00:03:13,000
I'M STARTING
TO UNDERSTAND CRIMES OF PASSION.
82
00:03:13,000 --> 00:03:14,200
[BEEP]
83
00:03:14,200 --> 00:03:15,601
YOU KNOW WHAT?
HOLD THAT VERY IMPORTANT THOUGHT.
84
00:03:15,601 --> 00:03:16,868
THE THING
IS BEEPING.
85
00:03:16,868 --> 00:03:18,701
LOOK. "NICKEL INCREASE
WOULD FUND STREET RENAMING."
86
00:03:18,701 --> 00:03:19,868
HELLO?
87
00:03:19,868 --> 00:03:20,901
HEY.
88
00:03:20,901 --> 00:03:23,167
HEY, SPLINKY.
HOW IS IT TO BE YOU?
89
00:03:23,167 --> 00:03:24,934
IRIS. SHE'S
KILLING ME.
90
00:03:24,934 --> 00:03:27,200
HOLD ON ONE SEC.
IRIS. SHE'S KILLING HIM.
91
00:03:27,200 --> 00:03:28,801
HEY.
92
00:03:28,801 --> 00:03:30,901
HEY. NOW SHE WON'T
TALK TO ME.
93
00:03:30,901 --> 00:03:32,968
WHAT DID YOU DO?
94
00:03:32,968 --> 00:03:35,133
I DON'T KNOW.
SHE WON'T TALK TO ME!
95
00:03:35,133 --> 00:03:37,734
WHAT DO YOU
WANT ME TO DO?
96
00:03:37,734 --> 00:03:40,067
THIS IS BROCKWELL'S
BIG PLAN, TO RENAME THE STREETS?
97
00:03:40,067 --> 00:03:40,934
I'LL CALL MARK BACK.
98
00:03:40,934 --> 00:03:42,767
HANG ON ONE SECOND.
99
00:03:42,767 --> 00:03:45,300
MARK. THIS IS
HOW OVER IT IS.
100
00:03:45,300 --> 00:03:47,868
IRA IS ON THE OTHER
PHONE COMPLAINING.
101
00:03:47,868 --> 00:03:49,234
HE'S BEING TORTURED
BY ANOTHER WOMAN.
102
00:03:49,234 --> 00:03:50,601
REALLY?
103
00:03:50,601 --> 00:03:52,634
I SWEAR TO YOU.
RIGHT NOW.
104
00:03:52,634 --> 00:03:54,667
ON THE OTHER LINE.
TORTURED.
105
00:03:54,667 --> 00:03:56,467
IF I COULD ONLY
BELIEVE THAT.
106
00:03:56,467 --> 00:03:57,667
WHY WOULDN'T YOU?
107
00:03:57,667 --> 00:03:59,033
IT'S NOT THAT
I DON'T.
108
00:03:59,033 --> 00:04:00,934
HE'S UP TO SOMETHING.
109
00:04:00,934 --> 00:04:03,334
MARK, THE MAN IS--
O.K. O.K. CALL ME BACK.
110
00:04:03,334 --> 00:04:05,634
CALL ME BACK.
111
00:04:05,634 --> 00:04:07,767
IT'S LIKE TALKING
TO A NEUROTIC AUCTIONEER.
112
00:04:07,767 --> 00:04:10,634
IRA?
113
00:04:10,634 --> 00:04:13,167
YEAH. I ASK HER
LIKE A HUNDRED TIMES WHAT'S WRONG?
114
00:04:13,167 --> 00:04:14,234
EVERY TIME,
THE SAME ANSWER.
115
00:04:14,234 --> 00:04:15,767
WHAT?
116
00:04:15,767 --> 00:04:17,100
NOTHING. NOTHING!
YOU UNDERSTAND?
117
00:04:17,100 --> 00:04:19,234
SHE WILL NOT
TALK TO ME.
118
00:04:19,234 --> 00:04:21,200
"MAJOR STREETS
TO BE GIVEN NAMES
119
00:04:21,200 --> 00:04:22,467
LIKE AVENUE
OF THE AMERICAS."
120
00:04:22,467 --> 00:04:24,667
YOU EVER BEEN THERE?
121
00:04:24,667 --> 00:04:27,133
THEY SHOULD JUST
CALL IT "RUN FOR YOUR LIFE BOULEVARD."
122
00:04:27,133 --> 00:04:28,767
SHE'LL JUST MAKE
FACES.
123
00:04:28,767 --> 00:04:30,234
IT'S LIKE DATING
HARPO MARX.
124
00:04:30,234 --> 00:04:31,767
[BEEP]
125
00:04:31,767 --> 00:04:33,234
I'M SORRY.
HANG ON ONE SECOND.
126
00:04:33,234 --> 00:04:34,334
HELLO?
127
00:04:34,334 --> 00:04:35,367
HEY.
HEY.
128
00:04:35,367 --> 00:04:37,334
MINE OR YOURS?
129
00:04:37,334 --> 00:04:38,501
* IT'S SPECIAL K
TIME **
130
00:04:38,501 --> 00:04:41,167
WHAT'S GOING ON?
131
00:04:41,167 --> 00:04:43,634
MARK'S UPSET
ABOUT IRA AGAIN BECAUSE IRA CAME OVER--
132
00:04:43,634 --> 00:04:45,667
WHEN MARK
WAS THERE. I HEARD.
133
00:04:45,667 --> 00:04:47,501
IRA WAS RETURNING
A CROCKPOT!
134
00:04:47,501 --> 00:04:49,667
ARE YOU SURE
IT'S OVER BETWEEN YOU AND IRA?
135
00:04:49,667 --> 00:04:50,968
YES!
136
00:04:50,968 --> 00:04:52,868
ALL RIGHT.
HOLD ON.
137
00:04:52,868 --> 00:04:54,968
IRA, ARE YOU SURE
IT'S OVER BETWEEN YOU AND FRAN?
138
00:04:54,968 --> 00:04:56,868
ABSOLUTELY.
139
00:04:56,868 --> 00:04:58,367
ALL RIGHT.
SHE SAYS HELLO, BY THE WAY.
140
00:04:58,367 --> 00:04:59,801
OH. HELLO BACK.
141
00:04:59,801 --> 00:05:02,234
WE'LL HAVE DINNER,
THE SIX OF US,
142
00:05:02,234 --> 00:05:04,667
YOU, MARK, ME, PAUL,
IRA, AND IRIS.
143
00:05:04,667 --> 00:05:06,200
MARK WILL SEE
IT'S OVER,
144
00:05:06,200 --> 00:05:08,400
AND WE'LL MAKE NICE
TO IRIS,
145
00:05:08,400 --> 00:05:09,801
AND SHE'LL START
TALKING TO IRA AGAIN.
146
00:05:09,801 --> 00:05:11,300
GREAT IDEA.
147
00:05:11,300 --> 00:05:13,534
WE'LL HAVE DINNER,
THE SIX OF US.
148
00:05:13,534 --> 00:05:15,934
YOU AND IRIS, ME AND PAUL,
MARK AND FRAN.
149
00:05:15,934 --> 00:05:17,701
MARK WILL SEE
THAT IT'S OVER,
150
00:05:17,701 --> 00:05:18,934
WE'LL MAKE NICE
TO IRIS,
151
00:05:18,934 --> 00:05:20,834
AND SHE'LL START
TALKING TO IRA AGAIN.
152
00:05:20,834 --> 00:05:22,167
IT'S A GREAT IDEA.
153
00:05:22,167 --> 00:05:23,934
HONEY, WE'RE GOING TO
HAVE DINNER,
154
00:05:23,934 --> 00:05:27,167
THE SIX OF US--YOU, ME,
MARK, FRAN, IRA, AND IRIS.
155
00:05:28,400 --> 00:05:30,634
THAT'S NOT
A GOOD IDEA.
156
00:05:30,634 --> 00:05:32,567
IT'LL HELP
KNIT THEM TOGETHER.
157
00:05:32,567 --> 00:05:34,567
I DON'T WANT
TO KNIT.
158
00:05:34,567 --> 00:05:36,601
HE THINKS IT'S
A GREAT IDEA.
159
00:05:36,601 --> 00:05:37,834
WHO?
WHO?
160
00:05:37,834 --> 00:05:38,968
IRA. HE SAYS HELLO.
161
00:05:38,968 --> 00:05:40,133
TELL HIM HELLO.
162
00:05:40,133 --> 00:05:41,334
I ALREADY DID.
YOU'LL TELL MARK?
163
00:05:41,334 --> 00:05:42,667
YEAH. THEN I'LL
SPEAK TO YOU.
164
00:05:42,667 --> 00:05:44,100
HONEY.
165
00:05:44,100 --> 00:05:45,467
SO YOU'LL SPEAK
TO IRIS?
166
00:05:45,467 --> 00:05:47,067
I'LL SPEAK TO IRIS.
167
00:05:47,067 --> 00:05:48,601
SHE WON'T
SPEAK TO ME,
168
00:05:48,601 --> 00:05:50,200
THEN I'LL SPEAK
TO YOU.
169
00:05:50,200 --> 00:05:53,067
HONEY, CAN I
SPEAK TO YOU?
170
00:05:53,067 --> 00:05:55,400
LOOK, CAN YOU EXPLAIN
ONE THING TO ME?
171
00:05:55,400 --> 00:05:56,501
HONEY?
172
00:05:56,501 --> 00:05:57,501
HONEY!
173
00:05:57,501 --> 00:05:58,834
WHAT?
174
00:05:58,834 --> 00:06:01,033
PICK UP!
175
00:06:01,033 --> 00:06:02,033
WHO IS IT?
176
00:06:02,033 --> 00:06:03,000
ME!
177
00:06:05,701 --> 00:06:07,033
WHAT?
178
00:06:07,033 --> 00:06:08,734
WHY ARE WE
DOING THIS?
179
00:06:08,734 --> 00:06:10,100
BECAUSE
THEY'RE OUR FRIENDS.
180
00:06:10,100 --> 00:06:12,667
YEAH, BUT IT
WILL BE FOR US
181
00:06:12,667 --> 00:06:14,200
AN EVENING
OF GUARANTEED PAIN.
182
00:06:14,200 --> 00:06:15,534
BUT WE'RE THEIR
GLUE PEOPLE.
183
00:06:15,534 --> 00:06:17,167
WE HOLD THEM
TOGETHER,
184
00:06:17,167 --> 00:06:18,934
OUR LITTLE CIRCLE
OF FRIENDS.
185
00:06:18,934 --> 00:06:20,601
THAT'S OUR JOB.
186
00:06:20,601 --> 00:06:22,234
HOW'D WE GET
THAT JOB?
187
00:06:22,234 --> 00:06:23,834
BECAUSE WE'RE
THE LEAST CRAZY.
188
00:06:23,834 --> 00:06:26,834
YEAH,
BUT BY A LITTLE. BY SO LITTLE.
189
00:06:26,834 --> 00:06:29,501
THEY LOOK UP TO US,
I THINK, SOCIALLY.
190
00:06:29,501 --> 00:06:31,200
THEY LOOK UP
TO US?
191
00:06:31,200 --> 00:06:32,901
DON'T YOU THINK
A LITTLE?
192
00:06:32,901 --> 00:06:34,534
I DON'T KNOW.
I'LL THINK ABOUT IT.
193
00:06:34,534 --> 00:06:36,400
I'LL CALL YOU BACK
FROM THE LIVING ROOM.
194
00:06:39,834 --> 00:06:41,000
AND SO,
195
00:06:41,000 --> 00:06:44,367
THE SWANS OF THE CENTRAL PARK
BOAT POND
196
00:06:44,367 --> 00:06:45,968
STAGGER TOWARD EXTINCTION
197
00:06:45,968 --> 00:06:49,901
WHILE NEW YORK TURNS
AND UNFEELING EAR.
198
00:06:49,901 --> 00:06:50,834
THAT'S SO SAD.
199
00:06:52,200 --> 00:06:55,767
IT'S HEARTBREAKING,
FOR CRYING OUT LOUD!
200
00:06:55,767 --> 00:06:58,033
NOTHING'S SADDER
THAN MAN'S CRUELTY TO ANIMALS.
201
00:06:58,033 --> 00:06:58,934
[TELEPHONE RINGS]
202
00:06:58,934 --> 00:06:59,901
SO SAD.
203
00:06:59,901 --> 00:07:01,934
HELLO.
204
00:07:01,934 --> 00:07:03,801
[JAMIE]
PUT YOUR TV ON.
205
00:07:03,801 --> 00:07:05,334
2, 4, 7, 11,
OR NEW YORK 1.
206
00:07:05,334 --> 00:07:07,067
WHY?
207
00:07:07,067 --> 00:07:09,634
WHAT IS
THE BIG DEAL? PUT YOUR TV ON!
208
00:07:09,634 --> 00:07:11,868
FIRST OF ALL,
LET ME SAY THANK YOU...
209
00:07:11,868 --> 00:07:13,934
HI!
210
00:07:13,934 --> 00:07:16,000
LOOK AT YOU!
YOU'RE ON TV.
211
00:07:16,000 --> 00:07:17,968
I'M ON TV!
212
00:07:17,968 --> 00:07:20,167
LOOK AT YOU.
LOOK AT HER.
213
00:07:20,167 --> 00:07:21,300
SHE LOOKS DAMN
GOOD!
214
00:07:23,000 --> 00:07:25,167
SO WAIT A SECOND.
YOU'RE ON TV,
215
00:07:25,167 --> 00:07:26,767
AND YOU'RE
TALKING TO ME.
216
00:07:26,767 --> 00:07:27,868
I KNOW.
217
00:07:27,868 --> 00:07:30,467
WOW! SO--SO
SIGNAL ME OR SOMETHING.
218
00:07:30,467 --> 00:07:33,000
DO SOMETHING THAT
ONLY I COULD KNOW.
219
00:07:33,000 --> 00:07:34,067
O.K. O.K. WATCH.
220
00:07:34,067 --> 00:07:35,267
YOU READY? WATCH.
221
00:07:35,267 --> 00:07:37,467
I...
222
00:07:37,467 --> 00:07:40,067
LOVE...
223
00:07:40,067 --> 00:07:42,100
GREEK DANCING!
224
00:07:42,100 --> 00:07:44,334
YOU.
YOU LOVE ME.
225
00:07:44,334 --> 00:07:45,534
I DO, I DO.
226
00:07:45,534 --> 00:07:46,868
SHE LOVES ME.
227
00:07:46,868 --> 00:07:48,367
SHE'S A FINE
YOUNG WOMAN.
228
00:07:48,367 --> 00:07:50,400
DO SOMETHING ELSE.
229
00:07:50,400 --> 00:07:54,701
O.K.
ALL RIGHT, WATCH. WATCH VERY CLOSELY.
230
00:07:54,701 --> 00:07:58,534
THIS IS THE FIRST
HUMAN BREAST EVER ON LIVE TELEVISION.
231
00:07:58,534 --> 00:08:00,167
GET OUT OF HERE!
232
00:08:00,167 --> 00:08:01,133
READY?
233
00:08:01,133 --> 00:08:02,400
YEAH.
234
00:08:02,400 --> 00:08:04,100
DA--EE!
235
00:08:04,100 --> 00:08:06,567
HEY, THIS IS FUN.
236
00:08:06,567 --> 00:08:09,100
IT'S A WHOLE LOT
OF FUN!
237
00:08:09,100 --> 00:08:10,601
WHAT ARE YOU
LOOKING AT?
238
00:08:12,434 --> 00:08:13,868
SO WHAT ARE YOU
DOING THERE?
239
00:08:13,868 --> 00:08:15,334
JUST BEEN MAKING CALLS
ABOUT THE DINNER.
240
00:08:15,334 --> 00:08:17,801
OH, THIS DINNER...
241
00:08:17,801 --> 00:08:20,434
FRAN'S NERVOUS
THAT MARK WILL BE UNCOMFORTABLE,
242
00:08:20,434 --> 00:08:22,300
BUT I MOLLIFIED HER.
WHAT?
243
00:08:22,300 --> 00:08:23,234
CALMED HER DOWN.
244
00:08:23,234 --> 00:08:25,567
SO SAY THAT!
245
00:08:25,567 --> 00:08:30,334
I HAVE DECIDED
TO SEEK THE OFFICE OF MAYOR OF NEW YORK CITY.
246
00:08:30,334 --> 00:08:32,000
I'D LIKE
TO INTRODUCE TEAM BROCKWELL--
247
00:08:32,000 --> 00:08:33,634
SPECIAL ASSISTANT
DOUG BERKUS,
248
00:08:33,634 --> 00:08:35,734
AND MY CAMPAIGN
CHAIRPEOPLE, MS. JAMIE BUCHMAN
249
00:08:35,734 --> 00:08:37,801
AND MISS
FRAN DEVENOW.
250
00:08:37,801 --> 00:08:40,067
THE DINNER'S
GOING TO BE FUN. WE HAVE TO--WHAT?
251
00:08:40,067 --> 00:08:41,400
I HAVE TO GO.
252
00:08:51,234 --> 00:08:54,667
"FIRST AVENUE
TO BE RENAMED AVENUE OF THE IMMIGRANTS."
253
00:08:54,667 --> 00:08:57,200
WOULD YOU EVER
DRIVE DOWN A STREET
254
00:08:57,200 --> 00:08:58,701
CALLED
AVENUE OF THE IMMIGRANTS?
255
00:08:58,701 --> 00:09:00,934
OF COURSE NOT.
YOU HAVE NO CAR.
256
00:09:00,934 --> 00:09:02,334
I AM A CAMPAIGN
MANAGER
257
00:09:02,334 --> 00:09:04,534
FOR A CANDIDATE
FOR THE OFFICE
258
00:09:04,534 --> 00:09:06,701
FOR THE MAYOR
OF THE CITY OF NEW YORK!
259
00:09:06,701 --> 00:09:08,567
AND VERY TELEGENIC.
MAY I SAY THAT?
260
00:09:08,567 --> 00:09:10,267
WANT TO HEAR MY--
261
00:09:10,267 --> 00:09:11,501
MY IDEA
FOR THE CAMPAIGN?
262
00:09:11,501 --> 00:09:13,567
YES. SHOOT.
263
00:09:13,567 --> 00:09:16,767
PAUL BUCHMAN DIRECTS
LANCE BROCKWELL'S COMMERCIALS!
264
00:09:16,767 --> 00:09:18,501
OH! NO, NO, NO.
265
00:09:18,501 --> 00:09:19,734
YOU'D BE PERFECT!
266
00:09:19,734 --> 00:09:21,601
OH, NO, NO!
267
00:09:21,601 --> 00:09:25,133
YOU'RE A GENIUS.
YOU'D WORK HARDER THAN SOME HIRED GUN.
268
00:09:25,133 --> 00:09:27,000
WAIT.
JUST HEAR ME OUT.
269
00:09:27,000 --> 00:09:28,334
O.K.
270
00:09:29,801 --> 00:09:31,334
PLEASE!
271
00:09:33,167 --> 00:09:34,601
SWEETIE,
IT'S POLITICS.
272
00:09:34,601 --> 00:09:35,934
I'M NOT--
I'M, LIKE--
273
00:09:35,934 --> 00:09:38,300
I'M AGAINST--
I'M, LIKE, ANTI-- I'M NON--
274
00:09:38,300 --> 00:09:39,634
YOU'RE APOLITICAL.
275
00:09:39,634 --> 00:09:41,667
APOLITICAL. YEAH.
276
00:09:41,667 --> 00:09:44,033
I'M SWITZERLAND.
I DON'T GET INVOLVED.
277
00:09:44,033 --> 00:09:46,200
SWITZERLAND
WOULD GET INVOLVED UNDER CERTAIN CIRCUMSTANCES.
278
00:09:46,200 --> 00:09:47,501
LIKE WHAT?
279
00:09:47,501 --> 00:09:49,567
LIKE IF ITS WIFE
ASKED IT TO.
280
00:09:49,567 --> 00:09:51,734
YOU KNOW WHAT?
281
00:09:51,734 --> 00:09:53,467
I'M NOT THAT CRAZY
ABOUT BROCKWELL.
282
00:09:53,467 --> 00:09:55,767
REALLY?
283
00:09:55,767 --> 00:09:59,400
YEAH. NO, TO ME
HE'S A LITTLE OFFICIOUS.
284
00:09:59,400 --> 00:10:00,701
OFFICIOUS?
285
00:10:00,701 --> 00:10:04,000
YES. THAT'S A WORD
I'M PROUD TO KNOW.
286
00:10:04,000 --> 00:10:06,634
WELL, HE'S NOT
OFFICIOUS.
287
00:10:06,634 --> 00:10:09,067
AT WORST,
HE'S INDEFATIGABLE.
288
00:10:09,067 --> 00:10:10,267
IS THIS LIKE
A CONTEST WITH YOU?
289
00:10:10,267 --> 00:10:11,734
AND THAT'S AT WORST.
290
00:10:11,734 --> 00:10:13,701
PLUS THAT WHOLE
RENAMING THE STREET THING...
291
00:10:13,701 --> 00:10:15,334
IT'S A SYMBOLIC
GESTURE.
292
00:10:15,334 --> 00:10:16,601
IT'LL MAKE PEOPLE
FEEL GOOD.
293
00:10:16,601 --> 00:10:18,467
IT RAISES THEIR
SUBWAY PRICES.
294
00:10:18,467 --> 00:10:20,033
IT'LL MAKE THEM
FEEL BROKE.
295
00:10:20,033 --> 00:10:22,033
IT'S NOT JUST
STREET RENAMING.
296
00:10:22,033 --> 00:10:24,200
THEY'RE BUILDING
THAT SCHOOL IN STATEN ISLAND,
297
00:10:24,200 --> 00:10:26,400
GETTING RID OF
THOSE AWFUL PLATES ON 8th AVENUE.
298
00:10:26,400 --> 00:10:28,601
8th AVENUE. YOU MEAN
SOPHIE TUCKER DRIVE?
299
00:10:28,601 --> 00:10:30,334
IT'S A NICKEL!
300
00:10:30,334 --> 00:10:35,234
IT'S THE PRINCIPLE.
PLUS IT SAID IN THE ARTICLE--
301
00:10:35,234 --> 00:10:37,801
I'M READING
ALL THE SECTIONS NOW--
302
00:10:37,801 --> 00:10:40,801
IT SAYS BROCKWELL
IN 1993 WAS THE COMMISSIONER OF PARKS.
303
00:10:40,801 --> 00:10:44,601
1993 IS THE YEAR
THE CITY TURNED ITS BACK ON THE SWANS,
304
00:10:44,601 --> 00:10:47,667
LITTLE DYING SWANS
IN CENTRAL PARK BOAT POND.
305
00:10:47,667 --> 00:10:50,434
SO ARE YOU SAYING
YOU'RE GOING TO VOTE FOR GIULIANI?
306
00:10:50,434 --> 00:10:51,701
YES.
307
00:10:51,701 --> 00:10:53,801
WELL...HA.
308
00:10:53,801 --> 00:10:56,000
OBVIOUSLY IT'S
YOUR VOTE TO DO WITH AS YOU PLEASE.
309
00:10:56,000 --> 00:10:57,901
OH, THANK YOU.
310
00:10:57,901 --> 00:10:59,767
BUT THAT WOULD BE
A CRUSHING MISTAKE.
311
00:10:59,767 --> 00:11:01,767
I DON'T BELIEVE
IT WOULD.
312
00:11:01,767 --> 00:11:04,934
I KNOW THAT IT WOULD
BE A CRUSHING MISTAKE.
313
00:11:04,934 --> 00:11:07,334
BROCKWELL IS SMARTER
THAN GIULIANI. HE HAS VISION.
314
00:11:07,334 --> 00:11:09,501
VISION OF WHAT,
STREETS WITH NEW NAMES?
315
00:11:09,501 --> 00:11:11,400
THE NAZIS DID THAT.
316
00:11:11,400 --> 00:11:13,067
OH, DON'T START
WITH THE NAZIS.
317
00:11:13,067 --> 00:11:14,634
YOU ALWAYS
PLAY THE NAZI CARD.
318
00:11:14,634 --> 00:11:18,033
AND SOMETHING ELSE--
THE NAZIS WERE OFFICIOUS.
319
00:11:18,033 --> 00:11:20,601
THAT IS THE CHEAPEST
WAY TO WIN AN ARGUMENT,
320
00:11:20,601 --> 00:11:22,400
JUST CALL IN THE NAZIS.
321
00:11:22,400 --> 00:11:24,701
ONLY WHEN
IT'S APPROPRIATE.
322
00:11:24,701 --> 00:11:27,667
YOU THINK I COULDN'T
WIN AN ARGUMENT THAT WAY?
323
00:11:27,667 --> 00:11:30,534
WE'RE VOTING FOR
DIFFERENT MAYORS. IS THAT A BIG DEAL?
324
00:11:30,534 --> 00:11:33,167
YES! DON'T YOU AGREE
THAT OUR PERSONAL POLITICS
325
00:11:33,167 --> 00:11:35,400
ARE REFLECTIONS OF
OUR MORAL COLOR
326
00:11:35,400 --> 00:11:37,367
AND THAT MORAL
AND INTELLECTUAL COMPATIBILITY
327
00:11:37,367 --> 00:11:38,734
ARE ELEMENTALLY
IMPORTANT?
328
00:11:41,634 --> 00:11:43,801
I DON'T KNOW
WHAT YOU JUST SAID.
329
00:11:43,801 --> 00:11:46,100
A CRUSHING MISTAKE.
330
00:11:46,100 --> 00:11:48,834
DO YOU THINK SO?
331
00:11:48,834 --> 00:11:51,834
AND YOU SHOULD BE
SUPPORTING YOUR SPOUSE. I SUPPORT YOU.
332
00:11:51,834 --> 00:11:53,801
THAT'S DIFFERENT.
YOU'RE GOING TO BE ANTI-SWAN?
333
00:11:53,801 --> 00:11:55,267
FINE. YOU KNOW WHAT?
334
00:11:55,267 --> 00:11:56,634
VOTE FOR WHOEVER
YOU WANT.
335
00:11:56,634 --> 00:11:58,033
THANK YOU.
336
00:11:58,033 --> 00:11:59,200
IT'S A CRUSHING
MISTAKE.
337
00:11:59,200 --> 00:12:00,300
THERE IT IS.
338
00:12:16,067 --> 00:12:18,067
A NICKEL.
THAT'S ALL HE'S SAYING.
339
00:12:18,067 --> 00:12:19,601
ONE PUNY LITTLE NICKEL.
340
00:12:19,601 --> 00:12:22,300
AND BESIDES,
BROCKWELL IS MORE EDUCATED THAN GIULIANI.
341
00:12:22,300 --> 00:12:24,300
HE HAS MORE CLASS
THAN GIULIANI.
342
00:12:24,300 --> 00:12:26,701
HE'S GOING TO MAKE
NEW YORK NEW YORK AGAIN--
343
00:12:26,701 --> 00:12:29,400
FUN CITY,
THE BIG APPLE,
344
00:12:29,400 --> 00:12:30,667
GOTHAM.
345
00:12:32,033 --> 00:12:35,767
I'VE NEVER BEEN MORE
FRIGHTENED IN MY LIFE.
346
00:12:35,767 --> 00:12:38,734
JUST MEET WITH
BERKUS.
347
00:12:38,734 --> 00:12:40,767
LET HIM TELL YOU
ABOUT BROCKWELL.
348
00:12:40,767 --> 00:12:43,000
HOW LONG HAVE YOU
BEEN WAITING THERE?
349
00:12:43,000 --> 00:12:45,100
IF, AFTER THAT,
YOU STILL DON'T BELIEVE IN HIM,
350
00:12:45,100 --> 00:12:47,667
AND YOU STILL DON'T
WANT TO DO THE SPOTS,
351
00:12:47,667 --> 00:12:49,100
THEN I PROMISE
THE ISSUE IS CLOSED.
352
00:12:49,100 --> 00:12:50,467
O.K.
353
00:12:50,467 --> 00:12:52,100
YOU'LL MEET WITH
BERKUS?
354
00:12:52,100 --> 00:12:53,434
YEAH. JUST STOP
YELLING.
355
00:12:53,434 --> 00:12:55,000
YOU WON'T BE SORRY.
356
00:12:55,000 --> 00:12:57,400
WHAT IF I AM?
STOP YELLING AT ME.
357
00:12:57,400 --> 00:12:58,467
BUT YOU WON'T BE.
358
00:13:02,033 --> 00:13:04,868
LOOK, I APPRECIATE IT,
AND I LOVE MY WIFE,
359
00:13:04,868 --> 00:13:08,167
BUT I GOT TO TELL YOU,
I'M NOT INTERESTED.
360
00:13:08,167 --> 00:13:10,133
I UNDERSTAND.
I UNDERSTAND COMPLETELY.
361
00:13:10,133 --> 00:13:12,200
NO. YOU'RE JUST
SAYING THAT
362
00:13:12,200 --> 00:13:14,200
SO YOU CAN TALK ME
INTO DIRECTING THIS BROCKWELL COMMERCIAL.
363
00:13:14,200 --> 00:13:16,434
NO, I RESPECT
YOUR OPINION, PAUL.
364
00:13:16,434 --> 00:13:18,667
HEY, THAT STREET
RENAMING THING--
365
00:13:18,667 --> 00:13:20,567
NOT BROCKWELL'S
FINEST HOUR.
366
00:13:20,567 --> 00:13:23,200
COME ON.
EMERSON BOOZER AVENUE.
367
00:13:23,200 --> 00:13:27,267
OH HO. AND HE DID TURN
HIS BACK ON THE SWANS AT THE BOAT POND.
368
00:13:27,267 --> 00:13:29,701
AND THAT IS SO SAD.
369
00:13:29,701 --> 00:13:33,100
SO SAD.
AND BELIEVE ME, HE FEELS TERRIBLE ABOUT IT.
370
00:13:33,100 --> 00:13:34,601
ALL RIGHT.
I BELIEVE YOU.
371
00:13:34,601 --> 00:13:36,234
HERE YOU GO.
372
00:13:36,234 --> 00:13:37,901
TO BE HONEST,
373
00:13:37,901 --> 00:13:40,334
HE CAN BE
A LITTLE OFFICIOUS.
374
00:13:40,334 --> 00:13:42,267
WELL, UH...
375
00:13:42,267 --> 00:13:44,033
NO, HE CAN BE.
WELL---
376
00:13:44,033 --> 00:13:45,434
PAUL, BETWEEN US,
HE'S OFFICIOUS.
377
00:13:45,434 --> 00:13:47,934
ALL RIGHT.
BETWEEN YOU AND ME.
378
00:13:47,934 --> 00:13:50,734
I AM A BIG FAN
OF JAMIE'S, AND IF JAMIE TELLS ME
379
00:13:50,734 --> 00:13:52,734
YOU'RE THE MAN
TO DIRECT THIS COMMERCIAL,
380
00:13:52,734 --> 00:13:55,367
THEN YOU TELL ME
WHAT TO DO TO MAKE IT HAPPEN.
381
00:13:55,367 --> 00:13:57,734
I DON'T KNOW
WHAT TO TELL YOU--
382
00:13:57,734 --> 00:14:00,734
YOU KNOW, OUR VISIONS
OF NEW YORK CITY
383
00:14:00,734 --> 00:14:02,334
REALLY AREN'T
ALL THAT FAR APART.
384
00:14:02,334 --> 00:14:03,701
THEY'RE NOT.
385
00:14:03,701 --> 00:14:05,267
HEAR ME OUT ON THIS,
O.K.?
386
00:14:05,267 --> 00:14:07,100
O.K.
387
00:14:07,100 --> 00:14:09,901
WE SEE A SHINING
NEW YORK CITY.
388
00:14:09,901 --> 00:14:12,400
WELL, WHO DOESN'T?
389
00:14:12,400 --> 00:14:15,400
A NEW YORK IN WHICH
OPTIMISM HAS REPLACED BLEAKNESS.
390
00:14:15,400 --> 00:14:17,634
THAT WOULD BE NICE.
391
00:14:17,634 --> 00:14:20,601
IN WHICH WE FACE
TOMORROW WITH A SPRING IN OUR STEP,
392
00:14:20,601 --> 00:14:22,834
KNOWING THAT WE LIVE
IN THE WORLD'S GREATEST TOWN.
393
00:14:22,834 --> 00:14:24,601
AND DON'T WE.
394
00:14:24,601 --> 00:14:27,300
AND WE WANT PEOPLE
TO RECAPTURE THAT MAGICAL WAY
395
00:14:27,300 --> 00:14:30,334
THAT WE ALL USED TO
FEEL ABOUT NEW YORK.
396
00:14:30,334 --> 00:14:32,534
REMEMBER AS A KID,
THE HAYDEN PLANETARIUM?
397
00:14:32,534 --> 00:14:33,934
FOURTH GRADE.
MY FIELD TRIP.
398
00:14:33,934 --> 00:14:35,901
O.K. OR THE MET.
399
00:14:35,901 --> 00:14:38,868
I DON'T GO,
BUT I MEAN TO.
400
00:14:38,868 --> 00:14:41,601
AND THINKING,
"GOD, I CAN'T BELIEVE I GET TO LIVE HERE!"
401
00:14:41,601 --> 00:14:43,934
WELL, I GREW UP
IN QUEENS, BUT ALSO NICE.
402
00:14:43,934 --> 00:14:46,567
AND WE WANT NEW YORKERS
TO WAKE UP TO A NEW DAY
403
00:14:46,567 --> 00:14:48,868
AND SEE THE STATUE
OF LIBERTY
404
00:14:48,868 --> 00:14:50,701
OR THE EMPIRE
STATE BUILDING
405
00:14:50,701 --> 00:14:52,868
OR THE MAJESTY
OF THE SHEEP'S MEADOW
406
00:14:52,868 --> 00:14:55,367
AND SAY, "DAMN IT"--
407
00:14:55,367 --> 00:14:57,801
IT'S MORNING
IN CENTRAL PARK AGAIN.
408
00:14:57,801 --> 00:15:00,501
OH, MY GOD.
DID YOU JUST THINK OF THAT?
409
00:15:00,501 --> 00:15:01,868
I JUST DID,
RIGHT THERE.
410
00:15:05,267 --> 00:15:07,234
THERE'S A NEW DAY
DAWNING IN NEW YORK
411
00:15:07,234 --> 00:15:10,400
AND A NEW SPIRIT
WITH IT.
412
00:15:10,400 --> 00:15:13,200
IT'S A SPIRIT THAT KNOWS
THAT SOON,
413
00:15:13,200 --> 00:15:18,033
AS SURE AS THE SUN WILL RISE
OVER AVENUE OF THE IMMIGRANTS,
414
00:15:18,033 --> 00:15:22,200
NEW YORK WILL ONCE AGAIN
BE THE CITY OF DREAMS.
415
00:15:29,701 --> 00:15:31,767
PAID FOR BY...
416
00:15:31,767 --> 00:15:33,200
OH, MY GOD.
417
00:15:33,200 --> 00:15:35,067
OH, MY GOD.
418
00:15:35,067 --> 00:15:36,300
WOW!
419
00:15:36,300 --> 00:15:37,834
WHAT DID I DO?
420
00:15:37,834 --> 00:15:39,100
YOU'RE A GENIUS!
421
00:15:39,100 --> 00:15:40,400
I'M A MANIPULATOR
OF MINDS.
422
00:15:40,400 --> 00:15:42,167
I'M A PROPAGANDIST!
423
00:15:42,167 --> 00:15:43,567
I'M--I'M
LENI REIFENSHTAL!
424
00:15:43,567 --> 00:15:45,601
NO, NO.
I DON'T THINK SO.
425
00:15:45,601 --> 00:15:48,000
I AM.
I'M LENI REIFENSHTAL.
426
00:15:48,000 --> 00:15:50,868
NO, YOU'RE NOT.
AT LEAST BE PROUD OF YOUR WORK.
427
00:15:50,868 --> 00:15:53,334
I'M GOING TO
THROW UP. PLEASE DON'T.
428
00:15:53,334 --> 00:15:55,033
I'M GOING
STRAIGHT TO HELL FOR THIS.
429
00:15:55,033 --> 00:15:57,367
WELL, EAT SOMETHING
FIRST.
430
00:15:57,367 --> 00:15:59,501
WE'LL DO
A FULL MEDIA BLITZ.
431
00:15:59,501 --> 00:16:00,968
NO. NO BLITZ.
NO BLITZ.
432
00:16:00,968 --> 00:16:02,300
PRINT ADS.
RADIO LIFTS.
433
00:16:02,300 --> 00:16:03,734
WE GOT TO TALK.
434
00:16:03,734 --> 00:16:05,567
WE WILL.
BE A GLUE PERSON.
435
00:16:05,567 --> 00:16:07,167
HI. IS IRA HERE YET?
436
00:16:07,167 --> 00:16:08,834
NOT YET.
437
00:16:08,834 --> 00:16:11,868
GOOD. BECAUSE I NEED TO
SOAK UP THE PLACE,
438
00:16:11,868 --> 00:16:14,667
YOU KNOW, GET COMFORTABLE
TO MY SURROUNDINGS.
439
00:16:14,667 --> 00:16:16,100
O.K. I'M FINE.
O.K. SIT DOWN.
440
00:16:16,100 --> 00:16:17,634
HEY!
441
00:16:17,634 --> 00:16:18,968
HEY!
442
00:16:18,968 --> 00:16:20,167
HEY, HEY,
HEY, HEY.
443
00:16:20,167 --> 00:16:21,100
YOU KNOW YOUR
EX-HUSBAND.
444
00:16:21,100 --> 00:16:22,501
HI.
445
00:16:22,501 --> 00:16:23,701
HOW YOU DOING?
446
00:16:23,701 --> 00:16:24,868
IS MARK NERVOUS?
447
00:16:24,868 --> 00:16:26,467
HE'S CALMING DOWN,
AND SO SHOULD YOU.
448
00:16:26,467 --> 00:16:27,734
OH, COOL AS
A CUCUMBER.
449
00:16:27,734 --> 00:16:28,801
HEY, WHAT'S UP?
450
00:16:28,801 --> 00:16:31,067
HEY.HEY.
HI.
451
00:16:31,067 --> 00:16:32,834
YOU KNOW MARK
AND FRAN.
452
00:16:32,834 --> 00:16:35,801
SO YOU'RE MARK,
WHICH WOULD MAKE YOU FRAN.
453
00:16:35,801 --> 00:16:37,234
HA HA. SHE TALKS.
454
00:16:37,234 --> 00:16:39,968
SURE, TO YOU.
455
00:16:39,968 --> 00:16:42,534
LISTEN, I KNOW
THAT YOU AND IRA--
456
00:16:42,534 --> 00:16:44,100
I'M NOT TALKING
TO HIM.
457
00:16:44,100 --> 00:16:47,033
DON'T ASK ME
TO TALK TO HIM.
458
00:16:47,033 --> 00:16:48,767
I WASN'T GOING TO
SAY THAT, BUT--O.K. THAT'S FINE.
459
00:16:51,601 --> 00:16:52,767
SO...
460
00:17:06,033 --> 00:17:07,234
SO HOW IS EVERYBODY?
461
00:17:07,234 --> 00:17:08,200
GOOD. GOOD.
462
00:17:08,200 --> 00:17:09,234
VERY GOOD.
463
00:17:09,234 --> 00:17:11,100
YEAH, GOOD.
464
00:17:11,100 --> 00:17:13,033
I'M GOOD.
465
00:17:13,033 --> 00:17:14,767
HOW ARE YOU GUYS?
466
00:17:14,767 --> 00:17:15,868
WE'RE GOOD.
467
00:17:15,868 --> 00:17:17,133
GOOD. WE'RE GOOD.
468
00:17:22,434 --> 00:17:24,734
HEY, MAYBE WE'LL
GET SOME DRINKS.
469
00:17:24,734 --> 00:17:27,100
HOW ABOUT
A LITTLE BRUSCHETTA FOR THE TABLE?
470
00:17:27,100 --> 00:17:28,367
ABSOLUTELY.
YEAH.
471
00:17:31,801 --> 00:17:32,767
ISN'T IT BRUSKETTA?
472
00:17:32,767 --> 00:17:34,200
BRUSHETTA.
473
00:17:34,200 --> 00:17:36,234
I THOUGHT IT WAS
BRUSH-CHETTA.
474
00:17:36,234 --> 00:17:37,901
THE BREAD
WITH THE TOPPING...
475
00:17:37,901 --> 00:17:39,501
YEAH.
476
00:17:39,501 --> 00:17:40,534
THAT'S--
THAT'S WHAT I MEAN.
477
00:17:43,367 --> 00:17:45,200
OH, PAULIE,
CONGRATULATIONS
478
00:17:45,200 --> 00:17:47,567
ON THE BROCKWELL
FOR MAYOR COMMERCIAL.
479
00:17:47,567 --> 00:17:49,000
DID YOU SEE IT?
480
00:17:49,000 --> 00:17:51,434
IT'S ON ALL THE TIME.
IT'S IMPRESSIVE.
481
00:17:51,434 --> 00:17:52,934
ISN'T IT?
482
00:17:52,934 --> 00:17:54,367
SURE IS.
483
00:17:54,367 --> 00:17:56,467
I'M OF TWO MINDS
ABOUT IT--
484
00:17:56,467 --> 00:17:58,100
THAT BROCKWELL
COMMERCIAL'S YOURS, PAUL?
485
00:17:58,100 --> 00:17:59,934
ISN'T IT GREAT?
486
00:17:59,934 --> 00:18:01,567
IT'S BRILLIANT.
487
00:18:01,567 --> 00:18:03,000
IT'S MOVING
AND STIRRING.
488
00:18:03,000 --> 00:18:05,100
IT'S...AND
BRILLIANT.
489
00:18:05,100 --> 00:18:07,100
WELL, I--I GOT TO
TELL YOU.
490
00:18:07,100 --> 00:18:08,968
IN MY HEART,
I'M SORRY--
491
00:18:08,968 --> 00:18:10,067
YOU DIRECTED
THE BROCKWELL COMMERCIAL?
492
00:18:10,067 --> 00:18:12,300
I DID.
493
00:18:12,300 --> 00:18:15,367
FIRST TIME
SINCE THE CAMPAIGN OF EDMOND MUSKIE
494
00:18:15,367 --> 00:18:17,334
THAT MY MIND
WAS ACTUALLY CHANGED BY ONE OF THOSE.
495
00:18:17,334 --> 00:18:18,901
REALLY?
496
00:18:18,901 --> 00:18:20,167
YOU WERE GOING TO
VOTE FOR GIULIANI?
497
00:18:20,167 --> 00:18:22,501
YEAH, BUT THAT
WOULD HAVE BEEN A CRUSHING MISTAKE.
498
00:18:24,868 --> 00:18:27,501
I WAS COMPLETELY
ON THE FENCE UNTIL I SAW IT,
499
00:18:27,501 --> 00:18:28,901
AND NOW I AM
A BROCKWELL GUY.
500
00:18:28,901 --> 00:18:31,701
OH, OH...
BEFORE YOU CHOOSE,
501
00:18:31,701 --> 00:18:34,400
STUDY BOTH CANDIDATES,
LOOK AT THE PLATFORMS--
502
00:18:34,400 --> 00:18:36,067
EXCUSE ME.
DID YOU SAY YOU DIRECTED
503
00:18:36,067 --> 00:18:38,267
THE LANCE BROCKWELL
FOR MAJOR COMMERCIAL?
504
00:18:38,267 --> 00:18:41,334
BECAUSE
MY WHOLE FAMILY--
505
00:18:41,334 --> 00:18:43,667
CAN YOU
GET US THE BREAD WITH THE TOPPING?
506
00:18:43,667 --> 00:18:44,767
BRUSKEETA?
507
00:18:44,767 --> 00:18:46,501
WHATEVER IT IS.
508
00:18:46,501 --> 00:18:47,968
FAMILY OF 12.
ALL VOTERS.
509
00:18:47,968 --> 00:18:50,100
GOOD TO HEAR.
THANK YOU.
510
00:18:50,100 --> 00:18:52,868
YOU REALLY CAN'T BE
SWAYED BY A PIECE OF ADVERTISING--
511
00:18:52,868 --> 00:18:55,067
YOU DON'T GIVE YOURSELF
ENOUGH CREDIT.
512
00:18:55,067 --> 00:18:57,767
HOW ABOUT THE PART
WHERE BROCKWELL FEEDS THE SWANS?
513
00:18:57,767 --> 00:18:58,801
SO UPLIFTING!
514
00:18:58,801 --> 00:19:00,033
SO UPLIFTING.
515
00:19:00,033 --> 00:19:01,767
AND THEN WHEN
THEY SAY,
516
00:19:01,767 --> 00:19:04,200
"AS SURE AS
THE SUN WILL RISE
517
00:19:04,200 --> 00:19:05,567
OVER THE AVENUE
OF THE IMMIGRANTS."
518
00:19:05,567 --> 00:19:07,767
OH!
519
00:19:07,767 --> 00:19:09,934
IT'S NOT LIKE
I SOLD THEM PUDDING OR A COAT.
520
00:19:09,934 --> 00:19:11,200
IT'S A MORAL THING--
521
00:19:11,200 --> 00:19:14,367
MUCH MORE IMPORTANT
THAN A COAT,
522
00:19:14,367 --> 00:19:16,667
BECAUSE HAD YOU BEEN
THERE IN '88,
523
00:19:16,667 --> 00:19:18,634
PRESIDENT DUKAKIS,
MY HAND TO GOD.
524
00:19:18,634 --> 00:19:20,567
DO YOU REMEMBER '88,
FRAN?
525
00:19:20,567 --> 00:19:23,167
HOW COULD I FORGET
'88?
526
00:19:23,167 --> 00:19:25,067
HEY, IRA, IRIS...
527
00:19:25,067 --> 00:19:26,434
IRA, IRIS.
THAT SOUNDS TERRIFIC.
528
00:19:26,434 --> 00:19:28,667
IRIS, IRA,
IRIS, IRA!
529
00:19:28,667 --> 00:19:31,934
HEY, I DISOWN--
I HEREBY DISOWN THAT BROCKWELL COMMERCIAL.
530
00:19:31,934 --> 00:19:34,200
THAT DOESN'T REFLECT
MY OPINION.
531
00:19:34,200 --> 00:19:35,567
I WAS COERCED
AND CHARMED.
532
00:19:35,567 --> 00:19:37,000
THERE WAS
MARITAL PRESSURE.
533
00:19:37,000 --> 00:19:39,133
MARITAL PRESSURE?
YES.
534
00:19:39,133 --> 00:19:40,601
FROM WHO?
535
00:19:40,601 --> 00:19:43,200
WAIT, WAIT, GUYS, GUYS,
AND FRAN,
536
00:19:43,200 --> 00:19:46,000
LET ME APOLOGIZE.
I'M SORRY I GOT NUTS ABOUT IRA YESTERDAY.
537
00:19:46,000 --> 00:19:48,934
AND IRA, YOU I GOT
TO APOLOGIZE TO,
538
00:19:48,934 --> 00:19:50,701
BECAUSE A MAN
FEARS THE WORST.
539
00:19:50,701 --> 00:19:52,167
HEY, NO APOLOGY
NECESSARY.
540
00:19:52,167 --> 00:19:54,133
IRA TALKS ABOUT YOU
ALL THE TIME.
541
00:19:54,133 --> 00:19:56,367
YES.
HE DOES? YOU DO?
542
00:19:56,367 --> 00:19:58,901
IF YOU WERE TALKING
TO ME, YOU'D KNOW.
543
00:19:58,901 --> 00:20:01,400
GIULIANI
DOESN'T WASTE TIME WITH CAMPAIGN FLUFF.
544
00:20:01,400 --> 00:20:02,968
IT'S NOT FLUFF.
545
00:20:02,968 --> 00:20:04,634
IT IS. IT'S TOTAL
MARSHMALLOW FLUFF.
546
00:20:04,634 --> 00:20:07,234
O.K. MAY I SAY
THAT YOU TWO
547
00:20:07,234 --> 00:20:08,734
MAKE A TERRIFIC-LOOKING
COUPLE.
548
00:20:08,734 --> 00:20:10,300
SO HANDSOME.
549
00:20:10,300 --> 00:20:12,334
HE DOESN'T WANT
TO RENAME THE STREETS.
550
00:20:12,334 --> 00:20:15,167
HE WANTS THE STREETS
SAFE FOR YOUR BABIES.
551
00:20:15,167 --> 00:20:17,234
THEIR BABIES?
YOU'RE RIGHT.
552
00:20:17,234 --> 00:20:19,567
YOU ARE
A MANIPULATOR OF MINDS.
553
00:20:19,567 --> 00:20:23,200
AND YOU ARE BIG
TAXPAYER'S MONEY SPENDER ON NOTHING!
554
00:20:23,200 --> 00:20:26,167
WE SHOULDN'T EVEN
SPEND A NICKEL ON CITY SPIRIT?
555
00:20:26,167 --> 00:20:28,367
A NICKEL.
NICKEL, SAYS SUBWAY GIRL
556
00:20:28,367 --> 00:20:30,934
WHO THINKS WE NEED
MORE SYMBOLS AND RALLIES
557
00:20:30,934 --> 00:20:32,067
LIKE WHO? THE NAZIS.
558
00:20:32,067 --> 00:20:34,200
THERE!
A MATTER OF TIME.
559
00:20:34,200 --> 00:20:37,133
YOU ACTUALLY
WOULD BE UNABLE TO HAVE A CONVERSATION
560
00:20:37,133 --> 00:20:39,033
IF THERE HADN'T
BEEN NAZIS.
561
00:20:39,033 --> 00:20:40,367
ARE YOU GUYS O.K.?
562
00:20:40,367 --> 00:20:41,200
WE'RE DANDY.
WE'RE FINE.
563
00:20:41,200 --> 00:20:42,501
YOU'RE DELUDED!
564
00:20:42,501 --> 00:20:44,968
THE MAN IS A CONVICTED
SWAN KILLER.
565
00:20:44,968 --> 00:20:46,834
HE'S CONVICTED?
566
00:20:46,834 --> 00:20:48,567
NOT CONVICTED,
BUT YOU KNOW IT.
567
00:20:48,567 --> 00:20:50,267
POLITICS
AT THE TABLE IS BAD, BAD, BAD.
568
00:20:50,267 --> 00:20:51,501
HE STARTED IT.
569
00:20:51,501 --> 00:20:52,534
SO YOU BE BIG--
570
00:20:52,534 --> 00:20:54,167
I'M ALWAYS
THE BIG PERSON!
571
00:20:54,167 --> 00:20:55,634
YEAH,
BIG AND WRONG.
572
00:20:55,634 --> 00:20:56,868
I'M NOT WRONG.
573
00:20:56,868 --> 00:20:58,701
WELL,
YOU'RE NOT RIGHT.
574
00:20:58,701 --> 00:21:01,968
IF YOU GUYS
ARE HAVING PROBLEMS, YOU CAN TALK TO US.
575
00:21:01,968 --> 00:21:03,367
WE'RE HERE TO HELP.
576
00:21:03,367 --> 00:21:04,934
YEAH.
SURE.
577
00:21:04,934 --> 00:21:07,000
IT'S O.K. I'M FINE.
578
00:21:07,000 --> 00:21:09,567
IF SHE NEEDS NOTHING
MORE THAN PARADES AND FLAG WAVING--
579
00:21:09,567 --> 00:21:11,234
ALL RIGHT.
ONCE AGAIN--
580
00:21:11,234 --> 00:21:12,501
MARCHING BANDS
AND FASCIST HATS--
581
00:21:12,501 --> 00:21:15,634
WHY NOT BRING UP
THE VIKINGS,
582
00:21:15,634 --> 00:21:18,200
SEE THE MILEAGE
YOU CAN GET OUT OF THEM?
583
00:21:18,200 --> 00:21:19,501
NOW YOU'RE
LASHING OUT BLINDLY.
584
00:21:19,501 --> 00:21:20,634
IT'S NOT ATTRACTIVE.
585
00:21:20,634 --> 00:21:21,634
OOH!
586
00:21:21,634 --> 00:21:22,601
AHH!
587
00:21:24,868 --> 00:21:27,334
WHAT IS THE MATTER
WITH THEM?
588
00:21:27,334 --> 00:21:29,634
IRIS, I'M SORRY
YOU HAD TO SEE THIS.
589
00:21:29,634 --> 00:21:32,167
THEY'RE JUST NUTS
IS WHAT THEY ARE.
590
00:21:32,167 --> 00:21:35,634
FRANKLY, I DON'T KNOW
WHY WE INVITE THEM.
591
00:21:35,634 --> 00:21:38,200
I'LL TELL YOU WHY.
BECAUSE THEY LOOK UP TO US SOCIALLY.
592
00:21:38,200 --> 00:21:40,033
YOU THINK?
593
00:21:40,033 --> 00:21:41,300
OH, YEAH.
WE HOLD THEM TOGETHER.
594
00:21:43,300 --> 00:21:44,701
LIKE GLUE.
595
00:21:54,200 --> 00:21:56,334
O.K. SIMPLE.
TAKE SOPHIE TUCKER DRIVE
596
00:21:56,334 --> 00:21:58,367
OVER TO THE AVENUE
OF THE IMMIGRANTS.
597
00:21:58,367 --> 00:22:01,534
MAKE A LEFT
ON BOULEVARD OF DREAMS.
598
00:22:01,534 --> 00:22:04,367
BOULEVARD OF DREAMS
IS ONE-WAY, SO STAY RIGHT.
599
00:22:04,367 --> 00:22:06,701
YOU'LL COME TO
MARIO PROCACCINO.
600
00:22:06,701 --> 00:22:09,901
YEAH. MARIO PRO--
MAKE A RIGHT ON MARIO PROCACCINO.
601
00:22:09,901 --> 00:22:13,467
IF YOU GO LEFT,
IT'S MARIO BIAGI.
602
00:22:13,467 --> 00:22:15,334
THAT'S RIGHT.
SO MARIO BECOMES MARIO.
603
00:22:15,334 --> 00:22:16,834
STAY RIGHT.
IT'S PROCACCINO.
604
00:22:16,834 --> 00:22:18,734
YOU GO ACROSS
HORACE CLARK AVENUE.
605
00:22:18,734 --> 00:22:20,634
YOU'LL SEE ZERO MOSTEL PLACE
606
00:22:20,634 --> 00:22:24,634
AND ALBERT SHANKER CIRCLE.
607
00:22:24,634 --> 00:22:27,701
IT'S TRICKY AROUND THE CIRCLE.
THIRD BUILDING.
608
00:22:27,701 --> 00:22:29,767
IF YOU HIT BELLA ABZUG,
YOU WENT TOO FAR.
609
00:22:29,817 --> 00:22:34,367
Repair and Synchronization by
Easy Subtitles Synchronizer 1.0.0.0
41363
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Albanian
Amharic
Armenian
Azerbaijani
Basque
Belarusian
Bengali
Bosnian
Bulgarian
Catalan
Cebuano
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
English
Esperanto
Estonian
Finnish
French
Frisian
Galician
Georgian
German
Greek
Gujarati
Haitian Creole
Hawaiian
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Khmer
Korean
Kurdish (Kurmanji)
Kyrgyz
Lao
Latvian
Lithuanian
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mongolian
Myanmar (Burmese)
Nepali
Norwegian
Pashto
Polish
Portuguese
Romanian
Russian
Samoan
Serbian
Sesotho
Shona
Sinhala
Slovak
Slovenian
Somali
Swahili
Swedish
Tajik
Thai
Turkish
Ukrainian
Urdu
Uzbek
Vietnamese
