All language subtitles for The Repair Shop - S02E08 - Episode 8

Welcome to The Repair Shop,

where cherished family heirlooms
are brought back to life.

This is the workshop of dreams.

Home to furniture restorer,
Jay Blades.

Nowadays, everybody spends a fortune
on stuff

that once it's broken,
they just bin it.

But everybody has something that
means too much to be thrown away,

and that's where we come in.

Working alongside Jay

will be some of the country's
leading craftspeople.

Every piece has its own story.

It's amazing to think some of my
work becomes a part of that story.

I've always played with things,
I've always repaired things,

and I just love it.

There is a real pleasure
in bringing people's pieces

back to life again.

Each with their own unique
set of skills...

The right tool for the right job.

..they will resurrect,

revive and rejuvenate

treasured possessions

and irreplaceable pieces
of family history.

Wow! She's fantastic!

Bringing both the objects...

Oh! This is what I remember.

..and the memories that they hold...

Wow! ..back to life.

Oh, my God!

In the Repair Shop today, Steve is
stumped by a precious wartime clock.

I'm just too nervous that it's going
to actually end in tears.

And Dom comes unstuck
with some heavy metal.

I've come so far, we're so close now
to getting it completely apart.

I can't leave it.
I've got to try and get it off.

But first in the Repair Shop,

actress Anne Marriott has brought
a fragile reminder of her
late husband.

Hello. Hello.
All right? I'll take that for you.

Thank you very much. OK.

Glass. Matt?

The man for this job is resident
stained-glass craftsman
Matt Nickels.

Hi, there, I'm Matt. Matt, hello.

Let's have a look at this, then.

What are we opening here?

These are pieces of glass

that my husband rescued from an old
music hall theatre, the Old Bedford,

when it was being sort of finally
demolished.

These pieces, I guess,
must have come perhaps from

in-between the auditorium and, say,
the bar at the back.

Right, yeah. To indicate to people
where their seats were.

Oh, that goes in there.
Yeah, the orchestra.

I think this... This one's boxes.
The posh seats, I guess.

The posh seats? OK.

The Bedford Theatre opened in
Camden, North London, in 1899,

and was a much-loved variety venue
until it closed 60 years later.

It lay derelict before it was
finally demolished.

Your husband rescued them? He did.

I have a vision in my mind of him
sort of stumbling over
fallen masonry,

discovering these dusty objects,

fishing them out and realising
the treasures they are.

Must have fallen in love with them,
really.

Sadly, after his death,

they spent years wrapped in
newspaper and up in an attic.

What do you reckon,
can you do something with these?

I can, I can indeed.

It's nice when you look at this one
that there's no broken glass.

This one is obviously part of
a bigger window,

so you can see all of the lead
has been cut at the joints there.

So from a kind of restoration
point of view,

I think this one is going to be
the easiest one.

So if you leave them with us,

Matt is definitely going to work
his magic

and restore them back to
their former glory.

That will be absolutely wonderful.

Thanks a bunch. Thank you.

All right? Yeah. Thanks very much.

Bye now. Take care now.

To have them looking the way
they are supposed to look,

well, it would have been wonderful
if that could have happened while
Sean was alive

because if we would go to
the theatre together,

then we'd be admiring the same sorts
of things

in these sorts of buildings,
actually.

Now, that's a nice story, isn't it?
That's a really nice story.

It's kind of taken from the theatre.

Yeah. Her husband was in
the theatre.

Yeah. She's in the theatre.

Yeah. And now the theatre is going
to be in her house.

It's fantastic. So you're going to
bring them right back up to date...

Yeah. Spruce them up.
Yeah, absolutely.

And make them look good, yeah?
Yeah, I am indeed, yeah. OK.

What I need to do is take them
over to your bench.

Yeah, all right. Come on, then.

Family heirlooms are special for
many reasons,

and some of them have
extraordinary stories to tell.

Tom Ridgeway and his brother Tony

have brought along a particularly
treasured possession

that is steeped in history.

Hi, I'm Steve.
Tom. Hi, Tom. Tony. Tony.

They are hoping that horologist
Steve can lend his expertise.

Here we are.
Right, what have we got?

A propeller clock. Yes.

I think there's a little bit of
woodwork that needs doing on this,
as well.

Will? Have a look at this.

That's really cool.

The propeller means a lot to us
as a family,

because it was the propeller
from my father's aeroplane,

which he crash-landed after being
shot down in the First World War.

That's incredible. That's amazing!

Yeah. He was in the Leicestershire
Regiment to start with

and when the Flying Corps started,

he volunteered immediately
for the Flying Corps.

Not a lot of people would have
survived

crash-landing an aircraft
in those days.

No. I mean, he was quite
badly injured, apparently.

And did he talk much of
the days of flying?

Never. Never.

Now, tell me about the clock.
What's wrong with it?

It doesn't work.

Well, we're going to make it into
a working clock again.

And we'll fix the base so that it's
tight and will work well again.

Yeah, that'll be great, yeah. OK?

Brilliant. Thank you very much.
Thank you very much.

Thank you very much.

A great bit of history behind that.

I know. It's a pretty cool clock,
isn't it? It is.

I mean, you think if Tony's
father had been killed...

Yeah. ..then all of the generations
wouldn't be here.

It's such an important piece
to them.

To know what that's been through,
it's quite nice if we manage
to salvage that.

Absolutely fantastic.

Steve's first job is to remove the
outdated electrical mechanism

from the clock and replace it
with a quartz one.

Battery-powered,
a piece of crystal quartz

produces a regular electric pulse
that keeps the time.

I'm just going to pop the movement
out now.

I just need to snip the wire off.
That's the easy bit.

And this should just push out.

It's a bit tight.

It's completely bunged up and,
er...I think that's quite dangerous.

It's mains electric. It's been
soldered badly here and here,

so that could be shock danger
or a fire danger,

so it's a good job we're
taking it out

and putting a quartz movement in it.

I'm actually thinking now
that the dial is plastic.

Now that I've taken that part out,

I can give the case to Will.

Stained-glass restorer Matt is in
the midst of repairing

two treasured windows rescued from
a demolished Victorian theatre.

So we've got the drawing here.

I'm just taking the outside lead off
and just teasing this out.

There we go.

When you're taking apart the window,
putting it onto here,

it's very important to make sure
that they go on immediately.

You don't want to mix anything
up at all.

You could have what seems to be
two symmetrical triangles,

one on each side,

but when it comes to actually making
the window,

chances are they might be
slightly off,

the angles might be
slightly different.

The difficulty will come in building
a replica of the original window.

What are you up to now?
Hi there, Steve.

It looks like you're wrecking a
piece of glass. It does, doesn't it?

Well, these are the original pieces
that came in.

One of them was fully intact.

Yeah. Whereas the other one,
you can see here

that there was just the
central section and none of
the outer part to it.

So these, I actually salvaged
about five or six years ago,

so this is all original
Victorian glass.

Yeah. And it's going to be the best
match I can get

for the tints for this piece.

Do you have loads and loads of bits
of old glass like this?

I've probably got too much, maybe,

but, you know, at some point,
yeah, you might use them.

So all of that's missing?
All of that is missing, yeah.

Oh, gosh. So I've set myself
quite a big job.

Many of the items that pass through
the doors of the Repair Shop

are reminders not just of family
history, but of working life.

Right, OK, cool.

If you follow me in. I will do.

Right.

Dom, I've got one for you, mate.

Maggie Collis has brought in a
highly unusual piece of equipment

that's been in her family
for over 100 years.

And there it is.

All right. So I've gathered
it's heavy and it's metal.

Yes, and it's very rusty.

It sounds perfect for me, this.

So, please tell me, what is this?

It's a shoe stretcher.
A shoe stretcher?

If you've got a pair of shoes
you really like

and your feet are just not
quite right for the shoes,

you can stretch the shoes and then
you can wear them. Oh, right!

The shoe goes on there and that
turns and that alters this
and these...

these alter...
Push these in and out.

It's a clever thing. It is a clever
thing. It's very clever.

It was my father's and his father's
before him.

They had a shoe-repairing shop.

So, where was this shop, then?

It was in a place called Southall
in Middlesex.

OK. And why do you want to get
this restored, then?

Why do you want it done up now?

It's such a reminder
of my childhood.

Because I used to work in the shop
from the age of about six

and I used to do all the change
and the money and what for people.

Yeah. And it's the only thing
I've got left, really,

of my father's whole lifestyle.

Well, don't worry, we'll...

You'll look after it.
We'll look after it, exactly.

So, Dom, what do you reckon?

30-odd years in the shed
has taken its toll, but...

That's a very kind way
of putting it. Yeah.

THEY LAUGH

But it's all there. It just depends
how far you want to go, really,

with the paint, things like that.

Do you want to preserve some of the
history of this old, flaky paint?

If it was painted red,
it would be fantastic,

because it would just be as it was.
As it was. As you remember it.

Just as I remember it for
all those years. I understand.

If you leave it with us, Dom is
going to work his magic on it

and as soon as he's done it and got
it looking red again,
we'll get back to you.

That will be wonderful. That all
right? Thank you. Thank you.

Thanks for coming.
Thank you. Nice to meet you.

Metal-worker Dom is used to dealing
with seized-up machinery,

but this shoemaker's gadget has been
rusting for over 30 years

and could really test his mettle.

This is not strawberry smoothie
in here.

It's actually a mix of automatic
gearbox fluid

and acetone. Mixed 50/50.

It's a bit of an old sort of
farmer's trick from back in the day.

Just working it in with a brush,
a stiff brush,

working it into
all the little areas.

There's lots of small bolts
and bits we need to free up.

I'm going to leave it in overnight,

come back in the morning
and see what the results are.

The Repair Shop team is also
working on a much-loved clock

embedded in an aircraft propeller.

Woodwork expert Will has taken on

the job of reviving
the mahogany case.

In this jar,
I have a secret concoction

that I've made up to clean off
waxy surfaces and dirty surfaces.

Look at that.
Decades of dirt on there.

You can see already
it's a lot clearer.

You can actually see the lettering
a lot better.

Once I've done that,
I can give it a bit of polish

with a natural shellac polish,

which is what you use for
French-polishing furniture.

While Will continues
his clean-up operation,

Steve has a rather grimy dial
on his hands.

He's hoping Kirsten might be able
to help get it sparkling again.

Right, a bit of advice.

It's a one-piece plastic dial. Um...

It's had some pretty dirty oil
in the back there, on the mechanism,

and it's just stained that.

I'd love to just dip it in some
detergent and wash it off,

but I can't because I'm concerned
that I'll take the numerals off.

Yeah. Have you tried anything
on it yet?

No, I haven't. No.

Shall we just have a go with
some acetone first of all,

just to try and remove
some of this grease? OK.

I don't think it's made
any difference at all. Don't you?

No.

Absolutely nothing.

I did wonder about putting
some bleach,

but I don't know what'll happen
to the rest of the plastic.

The trouble is, it's quite difficult
to control it, really, isn't it?

I'm a bit nervous.

Do you know what, I think, actually,
we're going to leave it.

OK. I'm just too nervous that it's
going to actually end in tears.

OK.

With glass harvested from
his own salvaged pieces,

Matt can begin rebuilding
the windows

of the stained-glass theatre panels.

First, he's creating the surround

for the smaller panel
completely from scratch.

At this stage here,
you can see these are just

pieces of glass that don't have
any housing on them yet.

So here, you've got your lead knife
to cut your lead, like this.

Then you're going to use
a horseshoe nail.

And these horseshoe nails
are basically keeping it

in place.

Once all the glass is encased
in new lead,

the entire piece can be secured
with solder.

It's looking really good.

Outside, metal-worker Dom is
tackling a cast-iron device

that's riddled with rust.

The shoe stretcher's had its bath
overnight in the pink solution.

That's penetrated in as much as
it can.

First job I'm going to try and do is
just try and free up this heel part

because it's still...impossible
to turn.

I'm going to warm up the block,
so as it gets hot,

it will expand ever so slightly.
A tiny, tiny amount.

Just expand a little bit to try
and break that rust joint.

OK. That should be enough.

Let's have a look.

This dial here will turn that,
so that should start moving.

I've heated up in there. I'm just
going to give it a little tap.

I don't really want to be hitting it
with a hammer too much.

It's obviously as fragile
as anything.

Sometimes the shock of hitting it
just frees up.

Just starting to move now.

A little bit of oil.

There we go.

Yeah.

That's it.

I'm really pleased. It just shows
that red potion did its job.

It looked like it was almost ready
for the scrap pile, it was so rusty,

but it's well on the way now.

Good place to get the rest
of it freed up, as well.

Meanwhile, Steve's managed to give
the plastic dial

on the propeller clock
a gentle polish.

Now he's got to get it
ticking again.

I'm now just going to pop
the new movement in,

so this is just a simple
quartz movement.

So all I need to do now is to make
these hands fit onto the movement.

The brass centre of this hand, which
is called a collet,

I need to modify that so that
it fits the new movement.

That means I've got to make the hole
slightly bigger

so it just fits onto the movement
friction tight.

It's almost there, not quite.

So I need to just take the tiniest,
tiniest fraction off,

and then it will be ready to go
into the clock case.

But Will and Jay are still deciding
on the best way to iron out

the imperfections in the
100-year-old mahogany propeller.

That's brought that right out.

So, I think you can see here,
there's a chip on the base.

Oh, yeah. Yeah.
So what I intend to do

is fill that out and use
a really thin layer of polish

so I can use some pigments
in that layer of polish to disguise
that fill.

OK. Cool. You're doing good, mate.
Thanks, Jay.

Once the chip is filled,

Will carefully blends in his repair

until the damage
is completely camouflaged.

Matt is putting his all
into restoring

two cherished stained-glass windows.

Now assembled,
he makes sure lead and glass

are bonded together for years
to come.

So this is the part I really enjoy.

I put the cement over the window

and then it sets and creates
a watertight seal

and also makes the window
very rigid and strong.

A big dollop around the edge.

It does feel a bit naughty,
when you put all these on.

You've got this nice kind of crisp,
clean-lined window

and you're just putting all of this

kind of like cake mix on top of it.

I wouldn't eat this cake mix,
though.

And what you're looking to do is
make sure that

it goes underneath the lead.

So a good way to do this -

I was taught by a guy called
Trev the Lead -

and he said, you go up like this,

then you turn the piece 90 degrees

and you do it again.

And then just do it until
you're back at the beginning again.

Just got to wait a little bit
and that's going to set.

Meanwhile, Dom's dismantling the
cast-iron shoe stretcher

so that he can clean
every individual component.

But there's one stubborn bolt
holding up the whole operation.

I've come so far, we are so close
to just getting it completely apart.

I can't...I can't leave it.
I've got to try and get it off.

It seems like it's moving.

There we go.

That's really good.

The pieces are finally ready
for a long overdue deep clean.

You can see some of the old, really
old bits of pitting, just from use,

wear and tear. I think it would be
a shame to get rid of all of that

history and patina there,

so I'm just going to polish
the surface and leave some of that.

Obviously an old piece, so
it's nice to keep some of the...

some of the character in there.

Now Dom must paint all the pieces
just as Maggie remembers them.

The Repair Shop has also been
breathing life back into

another important piece
of family history.

Tom has returned to collect what
he hopes will be a constant ticking

reminder of his late grandfather's
service and bravery.

Hiya, Tom. How are you?
Good to see you.

You, too. Excited to be here.

Yeah, I'm sure you are.
I'll get your clock.

Right.

There we go.
Wow, that looks amazing!

And it's saying about the right time
as well. It is. That was lucky!

So I've taken the old mechanism out.

Yes. I've exchanged it for
a battery quartz mechanism.

OK. So it's a lot safer now.

Yes. The old mechanism was really
quite dangerous.

The dial is actually a plastic dial.
Is it? Oh, right, I didn't realise
that.

So there's not a lot we could do...
Do with it.

Apart from just clean it the way
we have. Yeah.

And Will has polished the case up
beautifully.

Yeah, it looks amazing. My dad
will be very, very pleased.

Thank you very much for bringing it
in. That was a real joy to work on.

Thank you for all your work on it.
It looks amazing. Thank you.

After cleaning and painting all of
the components

of the ancient shoe stretcher,

Dom is now painstakingly
piecing them back together.

Because all these parts have been
stripped and dipped

and blasted and everything else,

all the moving parts are just dry.

So as I assemble it, I'm just going
to just keep greasing up the parts.

Definitely looks different.
I'm a bit anxious to see
her reaction, actually.

The shoe stretcher from Maggie's
parents' shop

had been rusting away in
her garden shed for over 30 years.

She's ready to be united with this
treasured slice of family history.

Hello. Hello. How are we doing?

Fine, thank you. You? I'm very good.
Good to see you again.

OK. Shall we let her see it?
Yeah, come on.

Oh, wow! I can't believe it!

And it's red, as well.
It's red, yeah.

Look at that! It's shiny!

I can't believe it!
How did you manage that?

It was a lot of work.
That's incredible!

And all the lines on here that
you've put on

and all the markings,
absolutely brilliant!

A bit of character. It looks lovely.

Where you've cleaned this all up,
you can see the marks around here.

Yeah. It's amazing. Very well done.
Thank you.

Did it take you hours and hours?

Getting it apart was tricky, yeah.

Yeah, it was a lot of work.

So, when was the last time
you saw this working, then?

Well, I must have been somewhere
about 15, I would think.

Right. And I'm not going to say
how long ago that was.

No problem. But it was a very, very
long time.

A couple of weeks ago, yeah? Yeah.

Now, I have brought with me
a pair of shoes.

So you're going to place it on here,
then you need to get...

Come forwards with that.
That comes forward.

Now you need to pull that back
to make the shoe tight on.

And back. Keep going.
Yeah, keep going. That's it.

So now it's on there firm, now you
want to stretch this,
so you're going to...

Can you see how that's coming open?
Yeah.

But I wouldn't do it more
than that now.

Leave it on for two days
and just gradually,

gradually stretch the leather out.

Looking at this now,
it's just fantastic.

And it brings back so many memories.

I can almost see it sitting there
beside my father as he was working.

Glad you're happy. Yeah, very happy.
Good, good.

I'll be happier
when I can wear the shoes.

When you can wear the shoes!
THEY LAUGH

My friends are going to come
with their shoes...

They'll bring their shoes.
You'll be working again.

I shall have lots of tea parties.
Yeah.

Fantastic! I can't believe
you've made it look like that.

Thank you very much indeed.
Thank you. Absolutely brilliant.

I really had grave doubts that
anybody could get it to work,

never mind get it to work
and look so fantastic.

It's a great memento.

Really, really pleased.

The Victorian theatre windows

that Matt's been restoring
are nearly done.

But he needs Will to help him
get them over the line.

Hi, there, Will. Hey, there, buddy.
All right.

What do you think of these, then?
Ha-ha-ha-ha!

Looking a bit messy, isn't it?

It looks like a flock of pigeons

have been hanging out
on your stained glass.

It does. That looks filthy.

Well, this is pretty much
the final bit. This is the cement.

When I've cleaned it, it's going
to be nice, crisp lines.

So I just need to really concentrate
on these

to make them look really special,

but we said we were going to do
a frame.

A frame? Yeah. For both of them?

Yeah, yeah. OK.

You look like you've got a lot
to do.

I will help you out and get onto
those frames. Thanks.

Anne is back to see
the theatre windows

that are such a powerful reminder
of her late husband.

Hi, there, Anne. Hello, Matt.
All right?

Do you want to come around here
with me? Thank you.

Oh, look!

Right. It's very exciting. It is!

This is wonderful!

Right.

There you go.

That's...fantastic!

And the colours are just wonderful.

I...I can't believe how...

I can't believe how much light
is coming through, actually.

It sparkles. It really, really does.

It's beautiful, Matt. Yeah?

Thank you very much indeed.
That's all right.

And then the other one you brought
in was just the central piece.

Yes. And it was in a bit more of
a sorry state.

It was, it was. I'll show you
what I've done with that one.

OK.

So there you go.

Oh, wow!

That's...that's amazing, Matt!

That's amazing!

Because you only had...you only had
the central bit to work with.

Yep, we did.

So, what happened...?

So you've recreated all of that,
haven't you, around...?

Yep. I actually saved a couple of
Victorian windows

from going into a skip from
a building site probably about
six years ago

and I realised that they've got the
same colour tints as these,

so I was able to basically...
That's wonderful!

..use original glass... Yeah.
..that matches.

How lucky is this?

So, I mean, what do you think it
would have meant to your husband

to have this kind of restored...?

Oh, he'd be...he'd be over the moon.

This is...this is wonderful.

I'm staggered. Really, honestly.

I can't thank you enough.
I can't thank you enough.

They're going to be extremely
special,

my theatrical windows.

It's just fantastic.

I've got two beautiful pieces.

They're full of life again.

They'll bring good old Sean back,
but in a very happy way, actually.

And that's priceless.

I can't quite believe it, honestly.
It's lovely.

Join us next time as more
extraordinary treasures

are rescued and restored
in The Repair Shop.

Oh, my word!