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--captions by vitac--
Www.Vitac.Com
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Captions paid for by
Discovery communications, llc
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>> narrator: today on
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"How it's made"...
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Padlocks...
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Hair clippers...
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Wooden shoes...
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Wooden shoes...
And synthetic leather.
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And synthetic leather.
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As long as there have been
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Thieves, there's been a need for
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Locks.
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Padlocks date back to roman
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Times and were likely first used
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To protect cargo in transit.
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Thousands of years later, the
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Padlock continues to keep
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Burglars at bay.
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The modern padlock's strongest
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Feature is its lock body.
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The process begins with a stack
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Of 24 steel plates that are
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Laminated together, the same
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Technology that's used to make
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Doors for bank vaults.
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A punch press cuts and shapes
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Pieces of steel into caps that
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Will be riveted to the lock
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Bodies.
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The rivets tumble down a feeder.
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While below, an operator places
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A lock body and a cap into a
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Fixture.
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A powerful press then drives the
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Rivets into the assembly,
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Securing the top cap to the lock
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Securing the top cap to the lock
Body.
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Body.
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At another station, cutters
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Contour steel rods so they'll
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Fit into the lock body's holes
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While lubricant keeps things
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While lubricant keeps things
Cool.
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Cool.
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The finished rods are now ready
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To be shaped.
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Workers load them into a form
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Press.
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This machine bends the steel as
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Easily as you could bend a pipe
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Cleaner to make a u-shaped
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Shackle.
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Then the shackles roll into a
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Furnace for tempering, a process
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That makes the steel even
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Stronger.
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After a little more machining,
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The shackle is ready to be
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Installed.
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This shackle will need to move
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Up and down as the lock is
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Opened and closed.
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And that's where these ball
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Bearings come in.
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Two of them are slipped into the
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Lock cavity.
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Lubricant gel aids the process.
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Workers use it to grease the
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Inside of the lock while they
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Push the ball bearings to either
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Side of the cavity.
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A cylinder extension is inserted
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Between the ball bearings, then
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A protective casing and bumper
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Slide over the lock.
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Now it's time for final
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Assembly.
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A machine loads copper-plated
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Shells onto mandrels.
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Plugs, pins and springs funnel
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Into the lock assembly station.
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A device installs pins and
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Springs in a lock shell.
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The shell slides onto a brass
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Plug.
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A key-shaped groove is cut into
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The plug, transforming it into a
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Lock cylinder.
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A carbide cutter notches the
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Matching keys.
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There are tens of thousands of
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Key profiles.
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This sorting station holds just
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A few.
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The keys and lock cylinders are
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All numbered.
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This worker matches them up,
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Making sure there are two keys
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Making sure there are two keys
For each lock.
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For each lock.
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She selects a padlock and pushes
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One of the lock cylinders into
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It.
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Then she tops it off with a
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Retention plate.
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A machine press fits the plate
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To the bottom of the padlock.
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This secures the lock cylinder.
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A spring for the shackle is
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Inserted, and the bottom cap
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Goes on next.
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Then the entire assembly is
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Riveted together.
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Each key is tested to make sure
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It matches.
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A computerized system opens and
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Closes a randomly selected
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Padlock thousands of times to
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Make sure it's up to the job.
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The lock also has to hold up to
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Force.
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Weights are dropped to replicate
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A hammer blow.
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And the padlock withstands the
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Strike.
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This day's work is done.
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It's time for the folks at the
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Factory to "Lock up" for the
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Day.
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Up next, making the cut at a
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Up next, making the cut at a
Hair-clipper factory.
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Hair-clipper factory.
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>> narrator: the electric hair
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Clipper was invented in 1919.
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It was the first clipper with a
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Motor in the actual unit,
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Allowing the barber to cut hair
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Allowing the barber to cut hair
At quite a clip.
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At quite a clip.
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Hairstyles may change, but this
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Device is still on the cutting
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Edge.
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These days, hair-clipper casings
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Are made out of heavy-duty
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Plastic.
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An automated mold melts and
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Shapes the plastic material into
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Shapes the plastic material into
Casing parts.
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Casing parts.
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Meanwhile, a robot picks up
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Brass contacts and places them
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In fixtures.
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A plastic switch is then
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Attached to each contact.
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A blast of air sends the
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Assembled piece to a bin.
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Here, a robot slides a plastic
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Spool onto a mandrel, then
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Anchors copper wire to it.
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The wire is wound around the
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Spool more than 2,000 times to
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Make part of the electric relay
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That will drive the blades.
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Police keep the wire fed at an
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Police keep the wire fed at an
Even tension.
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Even tension.
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Next, robots work on the
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Clipper's lower casing.
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One installs a blade slide for
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Adjusting the blade, and another
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Attaches the lever that controls
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Attaches the lever that controls
That slide.
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That slide.
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An automated screwdriver fastens
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Everything together.
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The clipper assembly is then on
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Its way to have a metal arm
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Installed.
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This piece will move the cutting
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Blade.
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And for that, it will need a
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Couple of springs.
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Next, the switch assembly goes
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In.
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And then the arm is screwed into
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Place.
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Workers install a screw for
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Adjusting the power setting.
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And now they fit the copper wire
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Coil into the lower housing
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Where it will drive that metal
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Where it will drive that metal
Arm.
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Arm.
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A power cord is run from the
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Switch to the coil.
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And now the clipper's inner
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Workings are complete.
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Over at another station, a punch
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Press stamps out clipper blades.
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The blades are toothless to
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Start.
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But after a good washing and
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Heat treatment, they head over
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To another station to get some
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00:09:10,827 --> 00:09:12,793
To another station to get some
Teeth.
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00:09:12,793 --> 00:09:18,275
Teeth.
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00:09:18,275 --> 00:09:20,034
A worker pops a blade into a
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Fixture to hold it steady, then
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A jagged cylindrical cutter
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Carves the teeth.
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Coolant keeps the process from
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Overheating and compromising the
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Overheating and compromising the
Integrity of the steel.
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Integrity of the steel.
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00:09:43,034 --> 00:09:44,827
Each hair clipper has two
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Blades.
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The first one has cutting teeth
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Which moves over the second, a
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Larger, stationary blade that
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00:09:50,068 --> 00:09:51,689
Ensnares the hairs so that they
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00:09:51,689 --> 00:09:55,448
Can be cut.
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00:09:55,448 --> 00:09:57,586
Next, the company's logo is
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00:09:57,586 --> 00:10:03,000
Printed on to the clipper's lid.
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And the lid is attached to the
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Casing that holds the electrical
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00:10:06,206 --> 00:10:12,344
Components.
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00:10:12,344 --> 00:10:14,000
Workers mount the blades on the
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Head of the clipper for that
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Double-edged cutting action.
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00:10:19,413 --> 00:10:21,172
And finally, each clipper is
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Tuned for optimum performance by
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Adjusting that power screw that
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00:10:25,068 --> 00:10:28,655
Was installed earlier.
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00:10:28,655 --> 00:10:30,172
These clippers come in a kit
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00:10:30,172 --> 00:10:31,758
That includes some additional
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00:10:31,758 --> 00:10:33,344
Accessories for those consumers
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00:10:33,344 --> 00:10:34,965
Who want to try their hand at a
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00:10:34,965 --> 00:10:39,965
Little home grooming.
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00:10:39,965 --> 00:10:42,379
Now these electric hair clippers
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00:10:42,379 --> 00:10:45,586
Are ready to get buzzing.
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With those sharp blades, they'll
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Make short work of any "Hairy"
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Make short work of any "Hairy"
Situation.
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00:10:50,965 --> 00:10:59,448
Situation.
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00:10:59,448 --> 00:11:01,620
Coming up, the art of the wooden
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00:11:01,620 --> 00:11:03,965
Coming up, the art of the wooden
Shoe.
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00:11:03,965 --> 00:11:07,275
Shoe.
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00:11:07,275 --> 00:11:08,758
>> narrator: call them the poor
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Man's answer to the rubber boot.
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00:11:10,724 --> 00:11:12,413
Centuries ago, farmers chipped
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00:11:12,413 --> 00:11:14,034
Out holes in wooden blocks to
252
00:11:14,034 --> 00:11:16,137
Keep their feet dry.
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00:11:16,137 --> 00:11:17,827
Over the years, the blocks were
254
00:11:17,827 --> 00:11:19,310
Refined into inexpensive but
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00:11:19,310 --> 00:11:21,000
Durable footwear.
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00:11:21,000 --> 00:11:22,586
Today they're most commonly
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00:11:22,586 --> 00:11:24,344
Associated with the history and
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00:11:24,344 --> 00:11:27,965
Tradition of the netherlands.
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00:11:27,965 --> 00:11:29,965
How they're made remains as
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00:11:29,965 --> 00:11:32,310
Basic as the shoe itself.
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00:11:32,310 --> 00:11:34,103
Most wooden shoes are crafted
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00:11:34,103 --> 00:11:36,000
From poplar, a wood that's easy
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00:11:36,000 --> 00:11:37,862
To carve and generally free of
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00:11:37,862 --> 00:11:39,482
Knots, so the wearer won't
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00:11:39,482 --> 00:11:41,620
Knots, so the wearer won't
Encounter any splinters.
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00:11:41,620 --> 00:11:47,827
Encounter any splinters.
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00:11:47,827 --> 00:11:49,965
A worker feeds pieces of poplar
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00:11:49,965 --> 00:11:52,103
Into a band saw, careful to toss
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00:11:52,103 --> 00:11:54,000
Any pieces with defects.
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00:11:54,000 --> 00:11:55,931
The blade slices the wood into
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Blocks called blanks.
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00:12:02,655 --> 00:12:04,448
The factory uses vinyl patterns
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00:12:04,448 --> 00:12:06,034
Like this one to create the
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00:12:06,034 --> 00:12:07,172
Shape of the shoe.
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00:12:07,172 --> 00:12:09,103
There's a pattern for each size
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00:12:09,103 --> 00:12:11,517
Of every clog style.
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00:12:11,517 --> 00:12:13,413
A worker locks the pattern into
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A duplication machine called the
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00:12:15,172 --> 00:12:16,896
Shaper, then right next to it,
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00:12:16,896 --> 00:12:18,724
Shaper, then right next to it,
Two blanks.
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00:12:18,724 --> 00:12:25,655
Two blanks.
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00:12:25,655 --> 00:12:27,413
As this tracer moves over the
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00:12:27,413 --> 00:12:29,137
Shape of the pattern, the wheel
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00:12:29,137 --> 00:12:30,965
On the left copies its movements
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00:12:30,965 --> 00:12:33,931
Exactly, its blade shaving the
286
00:12:33,931 --> 00:12:35,896
Exactly, its blade shaving the
Wood as it moves up and down.
287
00:12:35,896 --> 00:12:43,793
Wood as it moves up and down.
288
00:12:43,793 --> 00:12:45,551
There's only one pattern loaded,
289
00:12:45,551 --> 00:12:47,103
Yet the machine carves out a
290
00:12:47,103 --> 00:12:48,827
Pair of shoes.
291
00:12:48,827 --> 00:12:50,517
That's because the wheel on the
292
00:12:50,517 --> 00:12:52,137
Far left spins in the opposite
293
00:12:52,137 --> 00:12:53,000
Direction.
294
00:12:53,000 --> 00:12:55,034
So as the blade saws away, it's
295
00:12:55,034 --> 00:12:56,620
Creating two mirror image
296
00:12:56,620 --> 00:12:57,275
Copies.
297
00:12:57,275 --> 00:12:59,310
That allows the machine to carve
298
00:12:59,310 --> 00:13:01,413
Out both a right and a left shoe
299
00:13:01,413 --> 00:13:03,586
Out both a right and a left shoe
Simultaneously.
300
00:13:03,586 --> 00:13:12,896
Simultaneously.
301
00:13:12,896 --> 00:13:15,103
Now for the instep.
302
00:13:15,103 --> 00:13:16,724
A worker positions the blanks on
303
00:13:16,724 --> 00:13:18,241
To what's called a dual-action
304
00:13:18,241 --> 00:13:19,551
Boring machine.
305
00:13:19,551 --> 00:13:21,551
The center rod is called a
306
00:13:21,551 --> 00:13:22,275
Tasker.
307
00:13:22,275 --> 00:13:24,344
Its rolling head follows the
308
00:13:24,344 --> 00:13:26,724
Curves inside the pattern.
309
00:13:26,724 --> 00:13:28,379
Spoon bits on either side of it
310
00:13:28,379 --> 00:13:29,896
Copy the tasker's movements,
311
00:13:29,896 --> 00:13:31,862
Gradually carving out the inside
312
00:13:31,862 --> 00:13:34,896
Of the shoes.
313
00:13:34,896 --> 00:13:36,793
Now workers shift the angle so
314
00:13:36,793 --> 00:13:38,379
The spoon bits can get in
315
00:13:38,379 --> 00:13:40,206
Deeper, boring all the way to
316
00:13:40,206 --> 00:13:42,379
Deeper, boring all the way to
The front of the shoe.
317
00:13:42,379 --> 00:13:51,793
The front of the shoe.
318
00:13:51,793 --> 00:13:53,620
All that carving makes for a lot
319
00:13:53,620 --> 00:13:57,896
Of wood chips.
320
00:13:57,896 --> 00:14:00,241
After a drying period, the toe
321
00:14:00,241 --> 00:14:01,793
Knobs are cut off with a band
322
00:14:01,793 --> 00:14:03,482
Saw, and the clogs are inspected
323
00:14:03,482 --> 00:14:05,448
Saw, and the clogs are inspected
For any flaws.
324
00:14:05,448 --> 00:14:11,793
For any flaws.
325
00:14:11,793 --> 00:14:13,448
A disk sander grinds down the
326
00:14:13,448 --> 00:14:15,241
Knob on the heel and refines the
327
00:14:15,241 --> 00:14:17,000
Shape of the toe.
328
00:14:17,000 --> 00:14:18,896
The shoemaker uses a barrel
329
00:14:18,896 --> 00:14:20,620
Sander to smooth out the opening
330
00:14:20,620 --> 00:14:22,172
Then they switch to a balloon
331
00:14:22,172 --> 00:14:22,827
Sander.
332
00:14:22,827 --> 00:14:24,620
This sander has an air-filled
333
00:14:24,620 --> 00:14:26,344
Sack inside it that flexes to
334
00:14:26,344 --> 00:14:31,103
The shape of the shoe.
335
00:14:31,103 --> 00:14:33,241
Now for the final step.
336
00:14:33,241 --> 00:14:35,000
An artist lays carbon paper on
337
00:14:35,000 --> 00:14:36,931
The shoe and a pattern on top of
338
00:14:36,931 --> 00:14:38,206
That.
339
00:14:38,206 --> 00:14:45,034
Then she traces the pattern.
340
00:14:45,034 --> 00:14:46,724
The carbon sheet transfers the
341
00:14:46,724 --> 00:14:48,655
The carbon sheet transfers the
Design to the wood.
342
00:14:48,655 --> 00:14:57,344
Design to the wood.
343
00:14:57,344 --> 00:14:59,310
Now she goes over the design
344
00:14:59,310 --> 00:15:00,965
With a woodburner.
345
00:15:00,965 --> 00:15:02,620
She changes tips and varies the
346
00:15:02,620 --> 00:15:04,103
Temperature according to the
347
00:15:04,103 --> 00:15:05,586
Size and depth of the lines
348
00:15:05,586 --> 00:15:09,517
She's burning.
349
00:15:09,517 --> 00:15:11,344
This design commemorates
350
00:15:11,344 --> 00:15:13,241
Holland -- holland, michigan,
351
00:15:13,241 --> 00:15:18,448
That is.
352
00:15:18,448 --> 00:15:20,517
The artist now uses water-based
353
00:15:20,517 --> 00:15:22,206
Paints to enhance the scene with
354
00:15:22,206 --> 00:15:24,344
Paints to enhance the scene with
Color.
355
00:15:24,344 --> 00:15:31,965
Color.
356
00:15:31,965 --> 00:15:33,586
She applies three coats of a
357
00:15:33,586 --> 00:15:35,379
Water-based varnish to preserve
358
00:15:35,379 --> 00:15:37,068
The artwork and help keep the
359
00:15:37,068 --> 00:15:38,896
The artwork and help keep the
Shoes clean.
360
00:15:38,896 --> 00:15:46,137
Shoes clean.
361
00:15:46,137 --> 00:15:48,137
While most clog-wearing farmers
362
00:15:48,137 --> 00:15:50,137
Opt for a plainer version, true
363
00:15:50,137 --> 00:15:51,931
Clogaholics appreciate a little
364
00:15:51,931 --> 00:15:54,586
Pizzazz.
365
00:15:54,586 --> 00:15:56,172
But they'll leave crafting the
366
00:15:56,172 --> 00:15:57,724
Clogs to the experts, because
367
00:15:57,724 --> 00:15:59,172
They've got some pretty big
368
00:15:59,172 --> 00:16:07,172
Shoes to fill.
369
00:16:07,172 --> 00:16:09,068
When we return, the know-how
370
00:16:09,068 --> 00:16:11,758
When we return, the know-how
Behind faux cow.
371
00:16:11,758 --> 00:16:15,413
Behind faux cow.
372
00:16:15,413 --> 00:16:17,344
>> narrator: is it leather or is
373
00:16:17,344 --> 00:16:19,620
It pleather?
374
00:16:19,620 --> 00:16:21,379
It's not always easy to spot
375
00:16:21,379 --> 00:16:24,931
The fake.
376
00:16:24,931 --> 00:16:26,862
Synthetic leather, or pleather,
377
00:16:26,862 --> 00:16:28,862
Can look and feel very much like
378
00:16:28,862 --> 00:16:35,103
Real cowhide.
379
00:16:35,103 --> 00:16:36,931
It may not be the genuine
380
00:16:36,931 --> 00:16:39,482
Article, but today, plenty of
381
00:16:39,482 --> 00:16:41,103
Good-looking products are made
382
00:16:41,103 --> 00:16:43,241
Good-looking products are made
From this popular material.
383
00:16:43,241 --> 00:16:48,620
From this popular material.
384
00:16:48,620 --> 00:16:50,517
The recipe for synthetic leather
385
00:16:50,517 --> 00:16:52,241
Begins with a petroleum-based
386
00:16:52,241 --> 00:16:54,413
Plasterizer dumped into a mixing
387
00:16:54,413 --> 00:16:58,586
Tub.
388
00:16:58,586 --> 00:17:00,586
An ultraviolet-light stabilizer
389
00:17:00,586 --> 00:17:02,482
Is added to provide protection
390
00:17:02,482 --> 00:17:05,275
From the sun's rays.
391
00:17:05,275 --> 00:17:06,827
And then a flame-retardant
392
00:17:06,827 --> 00:17:08,103
Solution for a little
393
00:17:08,103 --> 00:17:13,379
Fireproofing.
394
00:17:13,379 --> 00:17:15,172
Powdered vinyl is added until
395
00:17:15,172 --> 00:17:17,068
The mix reaches the consistency
396
00:17:17,068 --> 00:17:19,241
The mix reaches the consistency
Of pancake batter.
397
00:17:19,241 --> 00:17:26,344
Of pancake batter.
398
00:17:26,344 --> 00:17:28,379
Next, different dyes are poured
399
00:17:28,379 --> 00:17:30,310
Into another tub, following a
400
00:17:30,310 --> 00:17:33,172
Formula for a specific shade.
401
00:17:33,172 --> 00:17:34,827
The liquid-vinyl mix is then
402
00:17:34,827 --> 00:17:36,413
Piped into the tub with the
403
00:17:36,413 --> 00:17:38,275
Piped into the tub with the
Coloring agents.
404
00:17:38,275 --> 00:17:48,551
Coloring agents.
405
00:17:48,551 --> 00:17:50,517
Now a big roll of paper with a
406
00:17:50,517 --> 00:17:52,344
Leather-like texture unwinds
407
00:17:52,344 --> 00:17:58,896
Into the coating machine.
408
00:17:58,896 --> 00:18:00,896
As tinted liquid vinyl flows
409
00:18:00,896 --> 00:18:02,931
Into the machine, a mixing arm
410
00:18:02,931 --> 00:18:04,965
Agitates it, and rollers below
411
00:18:04,965 --> 00:18:09,241
Apply it to the paper.
412
00:18:09,241 --> 00:18:11,310
The vinyl-coated paper then
413
00:18:11,310 --> 00:18:12,793
Travels through an oven.
414
00:18:12,793 --> 00:18:14,620
The vinyl hardens, taking on the
415
00:18:14,620 --> 00:18:18,344
Paper's texture.
416
00:18:18,344 --> 00:18:20,310
This first layer is a thin one
417
00:18:20,310 --> 00:18:22,448
To establish the surface grain.
418
00:18:22,448 --> 00:18:24,413
A second batch of vinyl will
419
00:18:24,413 --> 00:18:26,000
Contain a thickening agent.
420
00:18:26,000 --> 00:18:27,586
That's why they call it "The
421
00:18:27,586 --> 00:18:28,310
Foam."
422
00:18:28,310 --> 00:18:30,620
It will give the fabric shape
423
00:18:30,620 --> 00:18:32,620
It will give the fabric shape
And structure.
424
00:18:32,620 --> 00:18:47,689
And structure.
425
00:18:47,689 --> 00:18:49,310
Workers pour this second vinyl
426
00:18:49,310 --> 00:18:50,827
Concoction into the coating
427
00:18:50,827 --> 00:18:52,586
Machine, which rolls it on top
428
00:18:52,586 --> 00:18:56,620
Of the first layer.
429
00:18:56,620 --> 00:18:58,310
The double-layered vinyl then
430
00:18:58,310 --> 00:18:59,931
Travels through another oven.
431
00:18:59,931 --> 00:19:01,241
The heat activates the
432
00:19:01,241 --> 00:19:02,827
Thickening agent causing the
433
00:19:02,827 --> 00:19:05,965
Second layer to expand.
434
00:19:05,965 --> 00:19:07,655
Once the expanded vinyl is
435
00:19:07,655 --> 00:19:09,379
Hardened, it gets a fabric
436
00:19:09,379 --> 00:19:13,275
Backing.
437
00:19:13,275 --> 00:19:15,000
A machine then peels away the
438
00:19:15,000 --> 00:19:16,620
Paper to reveal the textured
439
00:19:16,620 --> 00:19:21,931
First layer.
440
00:19:21,931 --> 00:19:23,689
Sometimes a pattern is printed
441
00:19:23,689 --> 00:19:25,448
Onto the vinyl to make it look
442
00:19:25,448 --> 00:19:28,068
Burnished or two-toned.
443
00:19:28,068 --> 00:19:29,862
Then workers mix a solution to
444
00:19:29,862 --> 00:19:31,241
Build up the material's
445
00:19:31,241 --> 00:19:34,586
Durability.
446
00:19:34,586 --> 00:19:36,034
Rollers apply it to the
447
00:19:36,034 --> 00:19:38,000
Synthetic leather, finishing off
448
00:19:38,000 --> 00:19:39,379
This production run.
449
00:19:39,379 --> 00:19:41,241
But this pleather isn't quite
450
00:19:41,241 --> 00:19:42,862
Ready to be shipped out.
451
00:19:42,862 --> 00:19:44,896
Samples from every run undergo a
452
00:19:44,896 --> 00:19:46,724
Battery of tests.
453
00:19:46,724 --> 00:19:48,689
This machine rubs the fabric up
454
00:19:48,689 --> 00:19:50,517
To three million times to see
455
00:19:50,517 --> 00:19:53,896
How it wears.
456
00:19:53,896 --> 00:19:56,206
Then there's a stretch test.
457
00:19:56,206 --> 00:19:58,068
A weight is fastened to a strip
458
00:19:58,068 --> 00:20:00,448
Of synthetic leather.
459
00:20:00,448 --> 00:20:02,275
The weight pulls the swatch to
460
00:20:02,275 --> 00:20:03,862
Double its length, but it
461
00:20:03,862 --> 00:20:05,689
Doesn't tear, which means this
462
00:20:05,689 --> 00:20:11,310
Fabric has a lot of give.
463
00:20:11,310 --> 00:20:17,758
Next, a trial by fire.
464
00:20:17,758 --> 00:20:19,586
To pass this test, the fabric
465
00:20:19,586 --> 00:20:21,310
Must self-extinguish in two
466
00:20:21,310 --> 00:20:25,310
Seconds.
467
00:20:25,310 --> 00:20:26,310
And it does...
468
00:20:26,310 --> 00:20:28,068
Thanks to the flame retardant
469
00:20:28,068 --> 00:20:29,896
Thanks to the flame retardant
That went into production.
470
00:20:29,896 --> 00:20:35,724
That went into production.
471
00:20:35,724 --> 00:20:38,000
Next, a cutting is placed in a
472
00:20:38,000 --> 00:20:39,068
Framework...
473
00:20:39,068 --> 00:20:41,000
And heated in an oven to
474
00:20:41,000 --> 00:20:42,793
And heated in an oven to
Increase its pliability.
475
00:20:42,793 --> 00:20:46,344
Increase its pliability.
476
00:20:46,344 --> 00:20:48,275
A vacuum mold sucks the fabric
477
00:20:48,275 --> 00:20:50,344
To its form, proving this sample
478
00:20:50,344 --> 00:20:52,103
Also has some thermoplastic
479
00:20:52,103 --> 00:20:54,896
Qualities.
480
00:20:54,896 --> 00:20:56,620
You can't do this with real
481
00:20:56,620 --> 00:21:02,275
Leather.
482
00:21:02,275 --> 00:21:04,172
With so many prints, textures
483
00:21:04,172 --> 00:21:06,103
And colors now in production,
484
00:21:06,103 --> 00:21:08,137
This product seems to have
485
00:21:08,137 --> 00:21:12,862
Everything "Covered."
486
00:21:12,862 --> 00:21:14,379
If you have any comments about
487
00:21:14,379 --> 00:21:15,689
The show or if you'd like
488
00:21:15,689 --> 00:21:17,103
To suggest topics for future
489
00:21:17,103 --> 00:21:19,931
To suggest topics for future
Shows, drop us a line at...
490
00:21:19,931 --> 00:21:22,482
Shows, drop us a line at...
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