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These are the user uploaded subtitles that are being translated: 1 00:00:14,282 --> 00:00:17,485 CAPTIONING MADE POSSIBLE BY NEW LINE HOME VIDEO 2 00:00:19,153 --> 00:00:21,355 [SIREN IN THE DISTANCE] 3 00:00:27,495 --> 00:00:28,762 HI. 4 00:00:28,762 --> 00:00:30,564 I'M MAX. 5 00:00:30,564 --> 00:00:33,167 I'M 35, AND, UH, I HAVE 2 CHILDREN 6 00:00:33,167 --> 00:00:35,569 AND A VERY BEAUTIFUL WIFE. 7 00:00:35,569 --> 00:00:38,172 I WORK IN THE COMMERCIAL INDUSTRY. 8 00:00:38,172 --> 00:00:39,307 WELL, ADVERTISING INDUSTRY. 9 00:00:39,307 --> 00:00:41,175 I'M A COMMERCIAL DIRECTOR. 10 00:00:41,175 --> 00:00:43,177 FAIRLY SUCCESSFUL. 11 00:00:43,177 --> 00:00:44,578 WHAT AM I SAYING? 12 00:00:44,578 --> 00:00:46,180 I'M REALLY SUCCESSFUL. 13 00:00:46,180 --> 00:00:48,782 MY COMMERCIALS WIN AWARDS IN EUROPE. 14 00:00:48,782 --> 00:00:50,784 ENOUGH ABOUT ME. 15 00:00:50,784 --> 00:00:51,952 BEFORE THAT, 16 00:00:51,952 --> 00:00:54,188 I USED TO WORK WITH MY FRIEND CHARLIE. 17 00:00:54,188 --> 00:00:56,657 WELL, I'M IN NEW YORK FOR BUSINESS, 18 00:00:56,657 --> 00:00:57,925 JUST OVERNIGHT. 19 00:00:57,925 --> 00:01:00,128 SO, UH, I'M GONNA GO MEET HIM. 20 00:01:01,529 --> 00:01:03,197 CHARLIE IS GAY. 21 00:01:03,197 --> 00:01:05,199 I'M NOT GAY. 22 00:01:05,199 --> 00:01:06,600 CHARLIE IS GAY. 23 00:01:06,600 --> 00:01:08,802 BUT--AND HE RECENTLY FOUND OUT 24 00:01:08,802 --> 00:01:10,804 THAT HE'S HIV POSITIVE. 25 00:01:10,804 --> 00:01:12,206 MAN, I TELL YOU, 26 00:01:12,206 --> 00:01:14,208 WE HAVEN'T SEEN EACH OTHER IN 5 YEARS. 27 00:01:14,208 --> 00:01:16,210 I MEAN, I LIVE IN LOS ANGELES, 28 00:01:16,210 --> 00:01:17,811 HE LIVES HERE IN NEW YORK. 29 00:01:17,811 --> 00:01:19,213 BUT LET ME TELL YOU, 30 00:01:19,213 --> 00:01:21,215 WHEN WE WERE IN NEW YORK TOGETHER-- 31 00:01:21,215 --> 00:01:22,816 WHOO! WE HANGED. 32 00:01:22,816 --> 00:01:24,218 I MEAN, WE HAD--THAT-- 33 00:01:24,218 --> 00:01:25,619 WELL, THAT WAS THE TIME 34 00:01:25,619 --> 00:01:27,821 WHEN I WAS CONSIDERED THE MOST PROMISING DIRECTOR 35 00:01:27,821 --> 00:01:29,823 IN THE LOWER EAST SIDE. 36 00:01:29,823 --> 00:01:31,625 OHH. 37 00:01:31,625 --> 00:01:34,628 ANYWAY, I STILL CONSIDER HIM MY BEST FRIEND. 38 00:01:34,628 --> 00:01:37,831 5 YEARS AGO WE HAD A BIG FIGHT AND... 39 00:01:38,832 --> 00:01:41,235 OVER A WORK THING AND... 40 00:01:41,235 --> 00:01:44,438 WE HAVEN'T SPOKEN SINCE, YOU KNOW? 41 00:01:45,839 --> 00:01:46,840 STUPID. 42 00:01:46,840 --> 00:01:48,642 IT'S JUST SO STUPID. 43 00:01:48,642 --> 00:01:51,245 BUT YOU KNOW HOW PRIDE CAN BE. 44 00:01:51,245 --> 00:01:54,848 HE DIDN'T EVEN CALL ME TO TELL ME THAT HE WAS SICK. 45 00:01:54,848 --> 00:01:56,850 HIS LOVER CALLS ME. 46 00:01:58,252 --> 00:02:00,254 ANYWAY... 47 00:02:00,254 --> 00:02:02,856 SO, I'M-- I'M A LITTLE NERVOUS. 48 00:02:02,856 --> 00:02:05,326 WE'LL SEE HOW IT GOES. 49 00:02:09,230 --> 00:02:12,466 [VIOLIN PLAYS PLAINTIVELY, WOMAN SINGS] 50 00:02:21,809 --> 00:02:25,613 [DANCERS BREATHING] 51 00:02:34,154 --> 00:02:35,889 Charlie: OK, LET'S TRY IT AGAIN. 52 00:02:35,889 --> 00:02:37,291 NOW. NOW, SLOW UP. 53 00:02:37,291 --> 00:02:39,627 AND THEN NOW PUT--YEAH. 54 00:02:39,627 --> 00:02:42,730 NO, I WANT ALL 3 PROJECTORS. 55 00:02:43,897 --> 00:02:45,299 DANIEL, TAKE SOME BREAKS. 56 00:02:45,299 --> 00:02:47,235 YOU DON'T HAVE TO CRUSH ALL YOUR PHRASES 57 00:02:47,235 --> 00:02:48,836 TOGETHER LIKE THAT. 58 00:02:48,836 --> 00:02:49,837 [PLAYS SLOWER] 59 00:02:49,837 --> 00:02:50,838 GOOD. 60 00:02:52,105 --> 00:02:55,343 KEVIN, CAN YOU BRING UP PRESET 4? 61 00:02:56,377 --> 00:02:58,312 TIM, GO TO 3. 62 00:03:01,749 --> 00:03:04,117 OK, NOW TRY THE LIGHTNING EFFECT. 63 00:03:04,117 --> 00:03:06,320 [ELECTRICITY CRACKLING] 64 00:03:13,761 --> 00:03:16,597 CRYSTAL, SLOW RIGHT DOWN. SLOW IT DOWN. 65 00:03:18,499 --> 00:03:21,769 OK, NOW ACCELERATE OUT OF THAT MOVE. 66 00:03:21,769 --> 00:03:23,737 OK, GOOD. 67 00:03:27,741 --> 00:03:28,809 GOOD. 68 00:03:35,883 --> 00:03:37,217 OK. 69 00:03:38,151 --> 00:03:39,887 GOOD. OK, NOW TURN. 70 00:03:40,888 --> 00:03:41,889 TURN. 71 00:03:41,889 --> 00:03:45,493 [ORCHESTRA CRESCENDOS] 72 00:04:04,044 --> 00:04:06,314 HEY, MAX. HOW'S IT GOING? 73 00:04:06,314 --> 00:04:07,915 HEY, GOOD, GOOD. GOOD, KEVIN. 74 00:04:07,915 --> 00:04:09,317 HOW'S L.A.? 75 00:04:09,317 --> 00:04:10,918 IT'S ALL RIGHT. 76 00:04:10,918 --> 00:04:11,819 YEAH? 77 00:04:11,819 --> 00:04:13,321 MARRIED A MODEL, DRIVING A PORSCHE. 78 00:04:13,321 --> 00:04:14,855 NO, I DON'T DRIVE A PORSCHE. 79 00:04:17,458 --> 00:04:19,527 YOU HANGING AROUND, MAX? 80 00:04:54,762 --> 00:04:57,965 KEVIN IS AN ALARMIST, BY THE WAY. OK? 81 00:04:57,965 --> 00:04:59,299 EVERYTHING'S FINE. 82 00:04:59,299 --> 00:05:00,901 NOTHING'S HAPPENED YET. 83 00:05:00,901 --> 00:05:02,302 NOTHING MAY HAPPEN. 84 00:05:02,302 --> 00:05:04,372 AND... 85 00:05:04,372 --> 00:05:05,773 NOBODY KNOWS ANYTHING, 86 00:05:05,773 --> 00:05:08,976 SO IF YOU DON'T MIND NOT TELLING ANYBODY ELSE 87 00:05:08,976 --> 00:05:10,844 BECAUSE, YOU KNOW... 88 00:05:10,844 --> 00:05:11,979 LOOK, CHARLIE, 89 00:05:11,979 --> 00:05:14,214 IF YOU NEED ANYTHING... 90 00:05:14,214 --> 00:05:15,983 LIKE WHAT? 91 00:05:17,985 --> 00:05:20,388 WELL, LIKE, YOU KNOW, 92 00:05:20,388 --> 00:05:22,990 I KNOW THAT THERE ARE GONNA BE MEDICAL BILLS 93 00:05:22,990 --> 00:05:24,492 AND...AND STUFF. 94 00:05:24,492 --> 00:05:26,093 MEDICAL BILLS. OK. 95 00:05:26,093 --> 00:05:28,496 SO WHAT? WHAT DO I NEED? 96 00:05:28,496 --> 00:05:30,398 IF YOU NEED SOME HELP. 97 00:05:30,398 --> 00:05:32,500 SOME--SOME... 98 00:05:32,500 --> 00:05:33,501 SOME MONEY. 99 00:05:33,501 --> 00:05:34,902 NO, I HAVE GOOD INSURANCE. 100 00:05:34,902 --> 00:05:37,605 I DON'T NEED YOUR FUCKIN' GUILT MONEY, OK? 101 00:05:42,075 --> 00:05:43,411 BOY, YOU MAKE IT HARD. 102 00:05:43,411 --> 00:05:44,678 WHOA-HO. YOU MAKE IT HARD. 103 00:05:44,678 --> 00:05:46,614 WHERE'S YOUR SENSE OF HUMOR, MAN? 104 00:05:46,614 --> 00:05:48,215 THIS IS NEW YORK. 105 00:05:48,215 --> 00:05:49,883 WE--WE GOT IT HERE. 106 00:05:49,883 --> 00:05:52,386 IT'S ALL WE HAVE. 107 00:05:54,988 --> 00:05:57,024 STILL IN THE CLOSET? 108 00:05:59,292 --> 00:06:00,360 HAVE YOU? 109 00:06:00,360 --> 00:06:02,162 ARE YOU OUT OR IN? 110 00:06:02,162 --> 00:06:03,564 WHAT--OUT OF WHAT? 111 00:06:03,564 --> 00:06:05,232 ARE YOU HIDING, OR ARE YOU... 112 00:06:05,232 --> 00:06:06,299 WHAT IS THIS? 113 00:06:06,299 --> 00:06:08,101 WHEN WILL YOU GET TO THE POINT? 114 00:06:08,101 --> 00:06:09,703 WHY DID YOU HANG AROUND ME FOR ALL THESE YEARS? 115 00:06:09,703 --> 00:06:11,505 YOU'RE GETTING CLOSE TO THE SOURCE. 116 00:06:11,505 --> 00:06:12,773 NEVER EVER. 117 00:06:12,773 --> 00:06:14,207 * EVER NEVER NEVER * 118 00:06:14,207 --> 00:06:15,208 THAT'S RIGHT. 119 00:06:15,208 --> 00:06:16,209 THAT'S RIGHT. 120 00:06:16,209 --> 00:06:17,310 * OOH WHOO WHOO WHOA * 121 00:06:17,310 --> 00:06:18,712 I AM CAUGHT INTO THE NAPPY DUGOUT, 122 00:06:18,712 --> 00:06:20,313 AND I AM STAYING THERE. 123 00:06:20,313 --> 00:06:21,515 THAT'S RIGHT. 124 00:06:21,515 --> 00:06:23,116 YOU DON'T HAVE TO BE SO DEFENSIVE. 125 00:06:23,116 --> 00:06:25,085 LIKE HOMOPHOBIC IS WHAT WE WOULD CALL THAT NOW. 126 00:06:25,085 --> 00:06:26,487 I'M NOT BEING DEFENSIVE. 127 00:06:26,487 --> 00:06:28,456 HOW'S YOUR BEARD? I MEAN, YOUR WIFE. 128 00:06:28,456 --> 00:06:30,057 HOW IS YOUR BEARD-WIFE? WIFE-BEARD? 129 00:06:31,925 --> 00:06:33,126 I HAVE PICTURES. 130 00:06:33,126 --> 00:06:35,929 YEAH. COME ON, COME ON. LET'S SEE THE PICTURES. 131 00:06:35,929 --> 00:06:37,798 YOU HAVE A FAMILY. 132 00:06:37,798 --> 00:06:38,966 YEAH. 133 00:06:40,200 --> 00:06:42,102 THIS IS MIMI. 134 00:06:43,804 --> 00:06:45,873 AND, UH, MY DAUGHTER SAFFRON. 135 00:06:45,873 --> 00:06:47,340 WOW. 136 00:06:47,340 --> 00:06:48,776 OH, SHE'S BEAUTIFUL. 137 00:06:48,776 --> 00:06:49,877 YEAH. 138 00:06:49,877 --> 00:06:51,945 AND THIS... 139 00:06:51,945 --> 00:06:53,947 THIS IS... 140 00:06:53,947 --> 00:06:55,916 CHARLIE. 141 00:06:57,485 --> 00:06:58,852 CHARLIE? 142 00:06:59,887 --> 00:07:01,922 CHARLIE. 143 00:07:09,162 --> 00:07:11,431 WOW. THANKS. 144 00:07:17,571 --> 00:07:19,973 I MAY NEED THE MONEY. 145 00:07:21,374 --> 00:07:23,977 I PROBABLY WILL. I'LL LET YOU KNOW. 146 00:07:23,977 --> 00:07:25,979 YOU DO THAT. 147 00:07:25,979 --> 00:07:27,581 YOU GOT IT. 148 00:07:34,988 --> 00:07:36,389 Man: 1, 2, 3, 4. 149 00:07:36,389 --> 00:07:37,725 [JAZZ MUSIC PLAYING] 150 00:07:37,725 --> 00:07:39,192 THIS COMMERCIAL'S GONNA END UP 151 00:07:39,192 --> 00:07:40,628 COSTING US A MILLION DOLLARS. 152 00:07:40,628 --> 00:07:42,696 I MEAN, WHAT WITH ALL THOSE HELICOPTER SHOTS. 153 00:07:42,696 --> 00:07:44,164 CUT THE HELICOPTERS. NO MORE HELICOPTERS. 154 00:07:44,164 --> 00:07:47,100 AND THIS CLAUDIA SCHIFFER. WHAT IS HER PRICE? 155 00:07:47,100 --> 00:07:48,802 Margaux: WE'RE NOT GONNA USE CLAUDIA SCHIFFER. 156 00:07:48,802 --> 00:07:50,037 SHE'S TOO WHITE, TOO ARYAN. 157 00:07:50,037 --> 00:07:52,005 NO, NO, NO, NO. SHE'S NOT ARYAN. 158 00:07:52,005 --> 00:07:53,406 SHE'S FROM GERMANY. 159 00:07:53,406 --> 00:07:54,642 SHUT UP. 160 00:07:54,642 --> 00:07:57,477 ALL RIGHT. HELLO. WE HAVE AN OPEN CALL. 161 00:07:57,477 --> 00:07:58,579 JUST BRING ME EVERYBODY. NEW FACES. 162 00:07:58,579 --> 00:08:00,347 DO YOU LIKE ANY OF THESE WOMEN? 163 00:08:00,347 --> 00:08:01,481 Max: NO, NO. 164 00:08:01,481 --> 00:08:03,183 NOW YOU WANNA BRING IN A BUNCH MORE? 165 00:08:03,183 --> 00:08:04,351 N-O. 166 00:08:04,351 --> 00:08:06,419 IT'D BE REALLY HELPFUL IF-- THAT'S A LOVELY FACE. 167 00:08:06,419 --> 00:08:07,888 George: CINDY CRAWFORD. 168 00:08:07,888 --> 00:08:08,889 NICE FACE. 169 00:08:08,889 --> 00:08:11,124 NO, NO, NO. SHE WORKS WITH HERB ENOUGH. 170 00:08:11,124 --> 00:08:12,960 Mickey: CAN WE GO OUT? 171 00:08:12,960 --> 00:08:15,462 AND ALSO, YOU KNOW, ALSO, MAX, 172 00:08:15,462 --> 00:08:16,864 TALK TO ME ABOUT COLLECTIONS. 173 00:08:16,864 --> 00:08:18,999 YOU MENTIONED THE FALL COLLECTIONS. 174 00:08:18,999 --> 00:08:20,433 GIVE ME. MAX, THE CIGARETTE. 175 00:08:20,433 --> 00:08:21,434 UH, WHAT? 176 00:08:21,434 --> 00:08:22,970 THE CIGARETTE. GIVE. 177 00:08:22,970 --> 00:08:24,004 GIVE. 178 00:08:24,004 --> 00:08:25,706 BAD, BAD. 179 00:08:25,706 --> 00:08:28,041 YOU GUYS WANT A SMOKE? 180 00:08:28,041 --> 00:08:29,209 [CHUCKLES] 181 00:08:29,209 --> 00:08:32,045 MICKEY, WHAT TIME IS, UH, CHECKOUT IN THE MORNING? 182 00:08:32,045 --> 00:08:33,246 UH, 12:00. 183 00:08:33,246 --> 00:08:35,448 BUT WE'VE GOT TO BE AT THE AIRPORT AT 2:00, 184 00:08:35,448 --> 00:08:38,285 AND THERE'S THAT UN-CONVENTION THING-- 185 00:08:38,285 --> 00:08:39,620 Man: AT THE UNITED NATIONS. 186 00:08:39,620 --> 00:08:42,189 Max: I'M GOING TO BED. 187 00:08:43,456 --> 00:08:44,858 OH, MAX, LOOK. LOOK. 188 00:08:44,858 --> 00:08:46,794 THERE'S CHRISTIAN SLATER. 189 00:08:49,062 --> 00:08:50,731 I LIKE NEW YORK. 190 00:08:50,731 --> 00:08:52,332 DO YOU LIKE NEW YORK? 191 00:08:52,332 --> 00:08:53,333 GOOD NIGHT. 192 00:08:53,333 --> 00:08:54,334 TAKE CARE. 193 00:08:54,334 --> 00:08:55,535 MM-WAH. 194 00:08:56,336 --> 00:08:58,538 UM, I'LL COME IN THEN. 195 00:08:59,472 --> 00:09:00,473 WHY? 196 00:09:00,473 --> 00:09:03,076 TO RELAX WITH YOU AND... 197 00:09:03,076 --> 00:09:04,077 [CHUCKLES] 198 00:09:04,077 --> 00:09:05,078 NO? 199 00:09:05,078 --> 00:09:06,079 [LAUGHING] 200 00:09:06,079 --> 00:09:07,080 GOOD NIGHT. 201 00:09:07,080 --> 00:09:08,181 GOOD NIGHT. 202 00:09:09,750 --> 00:09:11,351 GOOD MORNING, NEW YORK. 203 00:09:11,351 --> 00:09:13,353 THIS IS YOUR TRAFFIC REPORT. 204 00:09:13,353 --> 00:09:14,554 HERE'S THE STORY. 205 00:09:14,554 --> 00:09:16,256 STAY OUT OF YOUR CARS. DON'T DRIVE THEM. 206 00:09:16,256 --> 00:09:17,658 THE EAST SIDE IS A MESS. 207 00:09:17,658 --> 00:09:18,759 WELCOME 208 00:09:18,759 --> 00:09:20,828 TO THE UNITED NATIONS CELEBRATION. 209 00:09:21,662 --> 00:09:23,063 THANK YOU VERY MUCH, MR. SANDPIPER. 210 00:09:23,063 --> 00:09:24,665 I HOPE YOU'LL JOIN US AGAIN SOON. 211 00:09:24,665 --> 00:09:25,966 SORRY ABOUT THE PLUMBING. NEXT! 212 00:09:25,966 --> 00:09:27,668 YOU'RE QUITE BUSY. WHAT'S GOING ON? 213 00:09:27,668 --> 00:09:29,136 THE U.N. CELEBRATION, SIR. 214 00:09:29,136 --> 00:09:31,104 50 YEARS OF THE U.N., AND WHAT DO YOU GET? 215 00:09:31,104 --> 00:09:31,939 ABSOLUTE CHAOS. 216 00:09:31,939 --> 00:09:33,974 YOU GOING TO THE AIRPORT, SIR? 217 00:09:33,974 --> 00:09:34,975 YES, I AM. 218 00:09:34,975 --> 00:09:36,810 LEAVE 1 HOUR EARLY. THE TRAFFIC IS BAD. 219 00:09:36,810 --> 00:09:38,511 IN THAT CASE, I THINK YOU BETTER RING MY FRIENDS. 220 00:09:38,511 --> 00:09:40,180 905, 906, 907. 221 00:09:40,180 --> 00:09:42,082 THE VAN WYCK IS EXTRA HEAVY THIS MORNING. 222 00:09:42,082 --> 00:09:43,684 ANOTHER OVERTURNED TRACTOR TRAILER, 223 00:09:43,684 --> 00:09:45,085 THIS ONE CARRYING ALL KINDS OF DRY GOODS. 224 00:09:45,085 --> 00:09:46,754 THEY'VE SPILLED OUT ONTO THE ROADWAY. 225 00:09:47,688 --> 00:09:49,890 [SPEAKING ITALIAN] 226 00:10:13,446 --> 00:10:15,649 [SPEAKING FRENCH] 227 00:10:19,720 --> 00:10:21,321 ...NOT MUCH BETTER. 228 00:10:21,321 --> 00:10:22,389 WESTBOUND L.I.E. 229 00:10:22,389 --> 00:10:24,124 IS BACKED UP FROM VAN DAM TO QUEENS MIDTOWN. 230 00:10:24,124 --> 00:10:26,126 2 TOLL BOOTHS ARE KNOCKED OUT DUE TO CONSTRUCTION. 231 00:10:26,126 --> 00:10:29,329 TAKE LOCAL APPROACHES TO THE 59th STREET BRIDGE. 232 00:10:30,330 --> 00:10:32,199 [SPEAKING ITALIAN] 233 00:10:39,139 --> 00:10:41,942 NO, NO. HE MEANS THIS RIGHT HERE. 234 00:10:41,942 --> 00:10:42,743 YEAH? 235 00:10:42,743 --> 00:10:44,244 [MUTTERS] 236 00:11:15,375 --> 00:11:17,778 YOU HAVE A BLACK HEART. 237 00:11:17,778 --> 00:11:20,380 ON YOU. I THINK MAYBE YOUR PEN. 238 00:11:20,380 --> 00:11:21,982 YOUR SHIRT. 239 00:11:23,383 --> 00:11:24,785 OH, SHIT. 240 00:11:24,785 --> 00:11:25,786 [GIGGLES] 241 00:11:25,786 --> 00:11:27,921 OH, GOODNESS. HOLD ON. 242 00:11:31,391 --> 00:11:32,659 THANKS. YEAH. 243 00:11:32,659 --> 00:11:33,861 STUPID PEN. 244 00:11:33,861 --> 00:11:36,830 THANK YOU. THANK YOU VERY MUCH. 245 00:11:37,664 --> 00:11:40,067 MAYBE YOU SHOULD CHANGE FOR LUNCH. 246 00:11:40,067 --> 00:11:42,669 YEAH, WELL, I ALREADY CHECKED OUT OF THE HOTEL, 247 00:11:42,669 --> 00:11:44,337 SO I'VE BLOWN THAT ONE. 248 00:11:46,139 --> 00:11:47,407 HMM. UH... 249 00:11:47,407 --> 00:11:49,276 THAT'S CLOSED. 250 00:11:53,613 --> 00:11:55,282 [CONVERSATIONS IN MANY LANGUAGES] 251 00:11:55,282 --> 00:11:56,416 MAX. 252 00:11:56,416 --> 00:11:58,018 KAREN. 253 00:11:58,819 --> 00:12:00,420 NICE TO MEET YOU. 254 00:12:00,420 --> 00:12:01,454 [DING] 255 00:12:01,454 --> 00:12:04,024 MAKE YOURSELF COMFORTABLE IN THE BATHROOM. 256 00:12:04,024 --> 00:12:05,425 OK. 257 00:12:05,425 --> 00:12:07,027 [TELEPHONE RINGS] 258 00:12:09,029 --> 00:12:10,430 [RING] 259 00:12:11,832 --> 00:12:13,433 OH, SHIT. 260 00:12:13,433 --> 00:12:14,835 [RING] 261 00:12:14,835 --> 00:12:16,436 SORRY FOR THE MESS. 262 00:12:16,436 --> 00:12:18,438 OH. WHAT MESS? 263 00:12:18,438 --> 00:12:19,439 [RING] 264 00:12:19,439 --> 00:12:20,707 WELL, UM... 265 00:12:20,707 --> 00:12:21,708 HELLO? HELLO? 266 00:12:21,708 --> 00:12:23,043 [RING] 267 00:12:23,043 --> 00:12:24,044 HELLO? 268 00:12:24,044 --> 00:12:25,045 HELLO? 269 00:12:25,045 --> 00:12:26,046 [RING] 270 00:12:26,046 --> 00:12:27,047 HELLO? 271 00:12:27,047 --> 00:12:27,915 HI. 272 00:12:27,915 --> 00:12:29,850 NO, I JUST GOT IN. 273 00:12:29,850 --> 00:12:31,852 NO, IT WENT WELL. 274 00:12:31,852 --> 00:12:34,054 ARE WE STILL ON FOR TONIGHT? 275 00:12:34,054 --> 00:12:34,888 NO. 276 00:12:34,888 --> 00:12:36,323 NO, I DIDN'T. 277 00:12:36,323 --> 00:12:38,458 THERE'S SUCH THING AS A WAKE-UP CALL! 278 00:12:38,458 --> 00:12:39,259 WHERE'S MAX? 279 00:12:39,259 --> 00:12:40,861 SHUT UP. WHAT ARE YOU DOING? 280 00:12:40,861 --> 00:12:41,862 COME ON. 281 00:12:41,862 --> 00:12:43,463 OH, JESUS! 282 00:12:43,463 --> 00:12:44,464 SHIT! 283 00:12:44,464 --> 00:12:45,632 WHAT IS THIS? 284 00:12:45,632 --> 00:12:47,034 YOU KNOW THESE GUYS. 285 00:12:47,034 --> 00:12:49,937 THEY SAY SOMETHING, THEN THEY...WHATEVER. 286 00:12:49,937 --> 00:12:51,004 [CLEARS THROAT] 287 00:12:51,004 --> 00:12:52,472 LISTEN, I'LL CALL YOU BACK, OK? 288 00:12:55,608 --> 00:12:57,878 THANK YOU. THAT WAS VERY KIND. 289 00:12:57,878 --> 00:12:59,279 I APPRECIATE IT. 290 00:12:59,279 --> 00:13:00,881 UH, IS EVERYTHING ALL RIGHT? 291 00:13:00,881 --> 00:13:02,482 NOT BAD NEWS, I HOPE. 292 00:13:02,482 --> 00:13:03,884 THAT WAS MY GIRLFRIEND. 293 00:13:03,884 --> 00:13:05,752 WE WERE GONNA GO TO A CONCERT TONIGHT. 294 00:13:05,752 --> 00:13:07,287 NOW SHE CAN'T MAKE IT. 295 00:13:07,287 --> 00:13:08,889 OH, I'M SORRY TO HEAR THAT. 296 00:13:08,889 --> 00:13:10,490 WHAT WAS THE CONCERT? 297 00:13:10,490 --> 00:13:11,892 OH, HEAVY STUFF. 298 00:13:11,892 --> 00:13:13,493 STRING QUARTETS. 299 00:13:13,493 --> 00:13:14,494 [CHUCKLES] 300 00:13:14,494 --> 00:13:16,496 THE JULLIARD QUARTET. 301 00:13:16,496 --> 00:13:19,632 WOW. I'M PSYCHIC. 302 00:13:19,632 --> 00:13:21,501 NO, ACTUALLY, I READ THE REVIEW 303 00:13:21,501 --> 00:13:22,903 IN THE TIMES TODAY, 304 00:13:22,903 --> 00:13:25,505 AND I ALSO SAW THE TICKETS ON THE SINK THERE. 305 00:13:25,505 --> 00:13:27,040 OH. YOU LIKE THE JULLIARD? 306 00:13:27,040 --> 00:13:29,309 I ACTUALLY TRIED TO BUY SOME TICKETS, 307 00:13:29,309 --> 00:13:31,511 BUT THEY WERE ALREADY SOLD OUT. 308 00:13:31,511 --> 00:13:32,913 I'M JEALOUS. 309 00:13:32,913 --> 00:13:35,382 YOU'LL STILL GO, THOUGH, RIGHT? 310 00:13:35,382 --> 00:13:36,917 YES. I AM STILL GOING. 311 00:13:36,917 --> 00:13:38,085 GOOD. GOOD. 312 00:13:38,085 --> 00:13:39,920 I'M SURE I CAN SELL THE OTHER TICKET. 313 00:13:39,920 --> 00:13:41,521 WITHOUT A DOUBT. 314 00:13:41,521 --> 00:13:42,923 ABSOLUTELY. 315 00:13:42,923 --> 00:13:44,657 WELL, YOUR LEAVING TOWN, RIGHT? 316 00:13:44,657 --> 00:13:46,059 ON MY WAY RIGHT NOW. 317 00:13:46,059 --> 00:13:48,929 WELL, THANK YOU VERY MUCH. 318 00:13:48,929 --> 00:13:50,931 AND IT WAS NICE MEETING YOU, TOO. 319 00:13:50,931 --> 00:13:51,932 YOU, TOO. 320 00:13:51,932 --> 00:13:53,533 ALL RIGHT. BYE-BYE. 321 00:13:53,533 --> 00:13:54,534 BYE. 322 00:13:54,534 --> 00:13:55,535 BYE. 323 00:14:17,157 --> 00:14:18,558 OHH... 324 00:14:19,459 --> 00:14:20,393 MR. CARLISLE... 325 00:14:20,393 --> 00:14:22,595 HI. DID MY FRIENDS ALREADY CHECK OUT? 326 00:14:22,595 --> 00:14:24,331 I'M SORRY. I THOUGHT YOU'D ALREADY LEFT, SIR. 327 00:14:24,331 --> 00:14:26,266 THEY WERE JUST HERE. I TOLD THEM YOU'D GONE. 328 00:14:26,266 --> 00:14:27,067 WHERE? 329 00:14:27,067 --> 00:14:28,301 THEY'VE JUST GONE OUT. 330 00:14:28,301 --> 00:14:29,937 I TOLD THEM YOU WERE GOING TO THE AIRPORT. 331 00:14:29,937 --> 00:14:30,938 ABOUT A MINUTE AGO. 332 00:14:30,938 --> 00:14:31,939 THANKS. 333 00:14:31,939 --> 00:14:32,940 BYE-BYE, SIR. 334 00:14:32,940 --> 00:14:34,474 [HORNS HONKING] 335 00:14:34,474 --> 00:14:36,343 THERE'S A LINE. HEY, GET IN LINE. 336 00:14:36,343 --> 00:14:37,810 MY FRIEND, IS IT POSSIBLE? 337 00:14:37,810 --> 00:14:39,212 COULD YOU MAYBE GIVE ME THIS? 338 00:14:39,212 --> 00:14:40,447 NO. NO, ES PARA MI. 339 00:14:40,447 --> 00:14:42,415 [SPEAKING SPANISH] 340 00:14:48,421 --> 00:14:49,556 ESTAS UN CUBANO? 341 00:14:49,556 --> 00:14:50,657 SÃ. 342 00:14:50,657 --> 00:14:52,125 iYO SOY UN DOMINICANOi iEY, COMPANANO! 343 00:14:52,125 --> 00:14:53,126 COMRADE, MUCHAS GRACIAS. 344 00:14:53,126 --> 00:14:54,327 NO, TAXI POR MI. 345 00:14:54,327 --> 00:14:55,362 IT'S OK. 346 00:14:55,362 --> 00:14:57,664 GRACIAS. GRACIAS. MUCHAS GRACIAS. 347 00:14:57,664 --> 00:14:59,432 VIVA LA REVOLUCIÃ³N. 348 00:14:59,432 --> 00:15:00,700 iVIVA A LA CUBA! 349 00:15:00,700 --> 00:15:01,734 VIVA. 350 00:15:01,734 --> 00:15:03,937 [MARCHING BAND MUSIC] 351 00:15:07,107 --> 00:15:10,043 HEY. HEY, HEY, HEY, HEY. WHOA, WHOA. 352 00:15:13,813 --> 00:15:15,215 IT'S ALL BLOCKED UP 353 00:15:15,215 --> 00:15:16,849 FOR ABOUT 2 BLOCKS AROUND AT LEAST. 354 00:15:16,849 --> 00:15:18,251 Cabby: AH, JEEZ. 355 00:15:18,251 --> 00:15:19,852 Police officer: I KNOW, BUT WE'RE ALL BLOCKED. 356 00:15:19,852 --> 00:15:21,788 SORRY. THERE'S NOTHING I CAN DO ABOUT IT. 357 00:15:21,788 --> 00:15:23,056 SO? 358 00:15:23,056 --> 00:15:24,657 HE SAYS THERE'S NOTHING HE CAN DO ABOUT IT. 359 00:15:24,657 --> 00:15:26,859 WE'RE BLOCKED UP FOR ABOUT 25, 30 MINUTES. 360 00:15:26,859 --> 00:15:28,861 I DON'T KNOW WHAT TO DO ABOUT IT. 361 00:15:28,861 --> 00:15:30,463 25 OR 30 MINUTES? 362 00:15:30,463 --> 00:15:31,798 GOD. JESUS. 363 00:15:31,798 --> 00:15:33,800 I HAVE TO BE AT THE AIRPORT. 364 00:15:33,800 --> 00:15:35,268 UH-UH. THERE'S NO WAY 365 00:15:35,268 --> 00:15:36,869 I'M GONNA GET YOU THERE ON TIME. 366 00:15:36,869 --> 00:15:38,271 WHAT IF WE TAKE THE WILLIAMSBURG? 367 00:15:38,271 --> 00:15:39,872 WE COULD TAKE THE WILLIAMSBURG 368 00:15:39,872 --> 00:15:41,274 IF WE COULD GET TO THE WILLIAMSBURG, 369 00:15:41,274 --> 00:15:42,875 BUT WE CAN'T GET TO THE WILLIAMSBURG 370 00:15:42,875 --> 00:15:44,277 'CAUSE WE GOT A PARADE GOING. 371 00:15:44,277 --> 00:15:45,878 WE'RE NOT GONNA GO TO THE WILLIAMSBURG. 372 00:15:45,878 --> 00:15:47,280 IF WE GET TO THE MIDTOWN TUNNEL-- 373 00:15:47,280 --> 00:15:48,881 THE TUNNEL'S ONLY A FEW SECONDS AWAY-- 374 00:15:48,881 --> 00:15:49,983 THEN AFTER THAT, WE'LL BE CLEAR. 375 00:15:49,983 --> 00:15:51,884 BUT I DON'T KNOW WHEN THAT WILL BE. 376 00:15:51,884 --> 00:15:53,486 LISTEN... 377 00:15:53,486 --> 00:15:54,487 SORRY I CAN'T HELP. 378 00:15:54,487 --> 00:15:55,888 THAT'S OK. 379 00:15:55,888 --> 00:15:57,690 NO, I DON'T THINK SO. 380 00:15:57,690 --> 00:16:00,493 MAYBE I'LL JUST TRY TO FIND ANOTHER STREET 381 00:16:00,493 --> 00:16:01,561 OR SOMETHING. 382 00:16:01,561 --> 00:16:03,596 ALL RIGHT. THANKS. THANKS A LOT ANYWAY. 383 00:16:03,596 --> 00:16:05,498 [DIXIELAND JAZZ PLAYING] 384 00:16:16,909 --> 00:16:19,112 [BAGPIPE MUSIC PLAYING] 385 00:16:29,956 --> 00:16:32,159 [ORCHESTRAL MUSIC SWELLS IN BACKGROUND] 386 00:16:57,984 --> 00:17:00,153 [PROTESTERS CHANTING] 387 00:17:32,419 --> 00:17:34,587 [PLAYING CHAMBER MUSIC] 388 00:20:06,673 --> 00:20:09,342 [JAZZ MUSIC BEGINS PLAYING] 389 00:20:20,753 --> 00:20:22,889 Woman: * I KNOW WHY I WAITED * 390 00:20:22,889 --> 00:20:23,890 WOW. 391 00:20:23,890 --> 00:20:25,292 HMMPH. 392 00:20:25,292 --> 00:20:26,826 I LOVE THIS SONG. 393 00:20:26,826 --> 00:20:28,295 * KNOW WHY I'VE BEEN BLUE * 394 00:20:28,295 --> 00:20:29,562 YOU PICKED THIS? 395 00:20:29,562 --> 00:20:32,198 YOU OBVIOUSLY HAD ME FIGURED OUT AS A PURIST. 396 00:20:32,198 --> 00:20:34,166 * I'VE BEEN WAITING EACH DAY * 397 00:20:34,166 --> 00:20:35,835 WELL, MAYBE. 398 00:20:35,835 --> 00:20:37,470 * FOR SOMEONE EXACTLY LIKE YOU * 399 00:20:37,470 --> 00:20:40,039 * WHY SHOULD I SPEND * 400 00:20:40,039 --> 00:20:41,240 UH, 2 MORE. 401 00:20:41,240 --> 00:20:42,875 * SOME MONEY * 402 00:20:42,875 --> 00:20:46,413 * ON A SHOW OR 2 * 403 00:20:46,413 --> 00:20:50,082 * WHEN NOBODY SINGS THOSE LOVE SONGS * 404 00:20:50,082 --> 00:20:51,951 CAN I SMOKE? 405 00:20:51,951 --> 00:20:52,952 YEAH. 406 00:20:52,952 --> 00:20:54,354 * EXACTLY LIKE YOU * 407 00:20:54,354 --> 00:20:57,757 * YOU MADE ME FEEL SO GRAND * 408 00:20:57,757 --> 00:20:59,158 HERE YOU GO. 409 00:20:59,158 --> 00:21:00,927 SO WHAT, 410 00:21:00,927 --> 00:21:02,762 YOU GUYS FROM L.A.? 411 00:21:02,762 --> 00:21:05,164 * YOU MAKE ME UNDERSTAND * 412 00:21:05,164 --> 00:21:07,166 NO. 413 00:21:07,166 --> 00:21:08,535 * THESE FOOLISH LITTLE DREAMS * 414 00:21:08,535 --> 00:21:09,636 * I'M DREAMIN' * 415 00:21:09,636 --> 00:21:11,738 * AND SCHEMES I'M SCHEMIN' * 416 00:21:11,738 --> 00:21:14,674 I THOUGHT YOU SAID YOU WERE FROM L.A.? 417 00:21:14,674 --> 00:21:16,743 WELL, I WASN'T GONNA TELL HIM. 418 00:21:16,743 --> 00:21:17,744 I MEAN... 419 00:21:17,744 --> 00:21:18,745 [GIGGLES] 420 00:21:18,745 --> 00:21:21,514 DOES IT SHOW? 421 00:21:21,514 --> 00:21:23,516 * SHE KNEW JUST AROUND THE CORNER * 422 00:21:23,516 --> 00:21:25,752 MAY I HAVE ONE OF THOSE? 423 00:21:25,752 --> 00:21:28,020 * WAS SOMEBODY LIKE YOU * 424 00:21:29,822 --> 00:21:30,957 SURE. 425 00:21:45,638 --> 00:21:48,441 SO DID YOU CHECK INTO ANOTHER HOTEL? 426 00:21:52,111 --> 00:21:54,013 NO. 427 00:21:54,013 --> 00:21:55,982 [SINGER SCATTING] 428 00:21:58,851 --> 00:22:00,420 * YOU... * 429 00:22:11,731 --> 00:22:13,466 [CLATTER] 430 00:22:16,268 --> 00:22:17,804 ALL RIGHT. 431 00:22:17,804 --> 00:22:20,807 SO WHAT IS WITH THIS ACCENT? 432 00:22:20,807 --> 00:22:23,410 I MEAN, UH, WHAT IS IT? IS IT FRENCH OR... 433 00:22:23,410 --> 00:22:24,811 YOU CAN HEAR MY ACCENT? 434 00:22:24,811 --> 00:22:27,279 YEAH. WHAT IS IT? DUTCH? HOLLAND? 435 00:22:27,279 --> 00:22:29,081 YEAH, YOU GUESSED RIGHT. GERMAN. 436 00:22:29,081 --> 00:22:30,883 GERMAN. OH. 437 00:22:30,883 --> 00:22:32,385 RIGHT. RIGHT. 438 00:22:32,385 --> 00:22:34,621 I CAME TO SCHOOL OVER HERE. 439 00:22:34,621 --> 00:22:35,422 OH. 440 00:22:35,422 --> 00:22:36,823 AND I NEVER WENT BACK. 441 00:22:36,823 --> 00:22:38,958 OH. YOU MAINTAINED THE ACCENT. 442 00:22:38,958 --> 00:22:39,759 EXCUSE ME. 443 00:22:39,759 --> 00:22:41,293 DO YOU HAVE A LIGHT, PLEASE? 444 00:22:41,293 --> 00:22:42,495 SURE. 445 00:22:43,830 --> 00:22:46,365 GIVE ME YOUR FUCKIN' MONEY. GIVE ME YOUR WALLET. 446 00:22:46,365 --> 00:22:48,367 WHOA. OK, OK, OK. 447 00:22:48,367 --> 00:22:50,002 GIVE ME THE FUCKIN' WALLET, MAN! 448 00:22:50,002 --> 00:22:52,038 DON'T HURT HIM. 449 00:22:52,038 --> 00:22:53,172 GIVE IT UP. 450 00:22:53,172 --> 00:22:54,441 MONEY'S IN MY POCKET. 451 00:22:54,441 --> 00:22:56,809 JUST DO WHAT HE SAYS. IT'S GONNA BE OK. 452 00:22:56,809 --> 00:22:58,310 COME ON ALREADY, ALL RIGHT? 453 00:22:58,310 --> 00:22:59,912 I HAVE MONEY. 454 00:22:59,912 --> 00:23:01,313 BE COOL, OK? 455 00:23:01,313 --> 00:23:02,314 GET THE FUCKIN' BEADS. 456 00:23:02,314 --> 00:23:03,315 GIMME THE BEADS. 457 00:23:03,315 --> 00:23:05,485 ALL RIGHT. THAT'S IT. 458 00:23:05,485 --> 00:23:07,487 PLEASE DON'T HURT HIM. OW! 459 00:23:07,487 --> 00:23:08,588 HEY, HEY! DON'T DO THAT! 460 00:23:08,588 --> 00:23:10,623 HEY, CHARLIE. NICE TITS. 461 00:23:10,623 --> 00:23:12,759 HEY, MAYBE I SHOULD FUCK YOUR WIFE THERE. 462 00:23:12,759 --> 00:23:14,260 YOU WATCH ME FUCK HER, HUH? 463 00:23:14,260 --> 00:23:15,728 MAX! 464 00:23:15,728 --> 00:23:18,364 PLEASE DON'T HURT US. OW! 465 00:23:18,364 --> 00:23:19,966 KISS ME! KISS ME! GET OFF! 466 00:23:21,868 --> 00:23:24,270 NOW GET YOUR HANDS OFF HER! 467 00:23:24,270 --> 00:23:26,473 I'LL CUT YOU! GET OUT OF HERE! 468 00:23:26,473 --> 00:23:27,874 PLEASE. I'M SORRY. I'M SORRY. 469 00:23:27,874 --> 00:23:30,543 YOU HEARD ME. I'LL CUT YOU! RUN! 470 00:23:32,311 --> 00:23:35,214 ARE YOU ALL RIGHT? 471 00:23:35,214 --> 00:23:36,683 I--NO. 472 00:23:38,485 --> 00:23:40,086 YOU ALL RIGHT? 473 00:23:40,086 --> 00:23:41,087 OK. OK. 474 00:23:41,087 --> 00:23:42,489 COME ON. 475 00:23:42,489 --> 00:23:43,490 IT'S OVER. 476 00:23:43,490 --> 00:23:45,692 LET'S GET THIS. 477 00:23:47,494 --> 00:23:48,828 HERE. 478 00:23:50,096 --> 00:23:51,698 GODDAMN NEW YORK. 479 00:23:55,902 --> 00:23:58,971 GOT A ROBBERY SUSPECT. MALE, HISPANIC. 480 00:24:01,107 --> 00:24:02,108 WHAT? 481 00:24:02,108 --> 00:24:03,643 YOU WANNA REPORT IT? 482 00:24:03,643 --> 00:24:05,444 [BREATHING HEAVILY] 483 00:24:05,444 --> 00:24:08,881 IF YOU WANNA REPORT IT, THEY'RE RIGHT HERE. 484 00:24:09,882 --> 00:24:11,117 NO. COME ON. 485 00:24:18,658 --> 00:24:20,226 Max: WILL YOU BE ALL RIGHT? 486 00:24:21,227 --> 00:24:22,529 YEAH. 487 00:24:22,529 --> 00:24:24,931 IN A WHILE, YOU KNOW, I'LL FEEL BETTER. 488 00:24:24,931 --> 00:24:28,134 MY HEART'S BEATING REAL FAST STILL. 489 00:24:29,401 --> 00:24:32,138 DO YOU--DO YOU WANNA GO TO BED? 490 00:24:32,138 --> 00:24:34,140 I MEAN, YOU... 491 00:24:34,140 --> 00:24:35,542 I KNOW WHAT YOU MEAN. 492 00:24:35,542 --> 00:24:37,744 YOU KNOW WHAT I MEAN. 493 00:24:38,878 --> 00:24:40,947 NO, NOT YET. 494 00:24:40,947 --> 00:24:44,551 WOULD YOU LIKE ME TO SIT WITH YOU A LITTLE WHILE? 495 00:25:02,001 --> 00:25:03,002 THANK YOU. 496 00:25:03,002 --> 00:25:04,170 YOU'RE WELCOME. 497 00:25:04,170 --> 00:25:05,171 [COUGHS] 498 00:25:05,171 --> 00:25:06,773 OH. BLESS YOU. 499 00:25:22,188 --> 00:25:24,190 DO YOU WANT ONE? 500 00:25:24,190 --> 00:25:25,524 MM-HMM. 501 00:25:29,195 --> 00:25:30,797 [LIGHTER CLICKING] 502 00:25:32,331 --> 00:25:33,800 THANKS. 503 00:25:48,480 --> 00:25:50,216 HERE'S TO LIFE. 504 00:25:52,318 --> 00:25:53,686 TO LIFE. 505 00:26:01,628 --> 00:26:05,031 WHEN DO YOU HAVE TO BE AT J.F.K.? 506 00:26:05,031 --> 00:26:06,799 8:00. 507 00:26:10,837 --> 00:26:12,238 OK. 508 00:26:12,238 --> 00:26:13,640 YOU CAN, UH... 509 00:26:13,640 --> 00:26:14,741 YOU CAN TAKE THE OTHER BED. 510 00:26:14,741 --> 00:26:16,342 OH, NO, THAT'S OK. 511 00:26:16,342 --> 00:26:17,376 WHY? 512 00:26:17,376 --> 00:26:19,612 NO, REALLY. NO, I'M GONNA GO. 513 00:26:19,612 --> 00:26:21,213 WHERE YOU GONNA GO? 514 00:26:23,315 --> 00:26:24,917 TO J.F.K. 515 00:26:42,134 --> 00:26:44,937 LISTEN, YOU JUST SAVED MY LIFE. 516 00:26:45,772 --> 00:26:47,373 AND WE'RE BOTH ADULTS. 517 00:26:47,373 --> 00:26:48,775 WE'RE BOTH MARRIED. 518 00:26:48,775 --> 00:26:50,943 IT'S THE LEAST I CAN DO. 519 00:26:57,750 --> 00:27:00,219 LISTEN, I'D LIKE YOU TO STAY. 520 00:27:16,635 --> 00:27:18,705 I SET THE ALARM. 521 00:27:19,906 --> 00:27:21,974 SEE YOU IN THE MORNING. 522 00:27:46,332 --> 00:27:48,801 [CRYING] 523 00:28:01,280 --> 00:28:03,415 [SOBBING] 524 00:28:03,415 --> 00:28:05,017 IT'S OK. 525 00:28:07,820 --> 00:28:10,422 JUST DON'T LET IT SHOCK YOU. 526 00:31:56,315 --> 00:31:59,251 [BLONDIE'S HEART OF GLASS BEGINS PLAYING] 527 00:32:04,790 --> 00:32:06,658 * ONCE I HAD A LOVE * 528 00:32:06,658 --> 00:32:08,194 * AND IT WAS A GAS * 529 00:32:08,194 --> 00:32:10,662 * SOON IT TURNED OUT * 530 00:32:10,662 --> 00:32:12,331 * HAD A HEART OF GLASS * 531 00:32:13,199 --> 00:32:14,800 * SEEMED LIKE THE REAL THING * 532 00:32:14,800 --> 00:32:17,536 * ONLY TO FIND * 533 00:32:17,536 --> 00:32:18,937 * MUCH MISTRUST * 534 00:32:18,937 --> 00:32:20,672 * LOVE'S GONE BEHIND * 535 00:32:20,672 --> 00:32:22,674 [HONKING] 536 00:32:27,813 --> 00:32:29,815 * ONCE I HAD A LOVE * 537 00:32:29,815 --> 00:32:30,816 MAXIMILLIAN! 538 00:32:30,816 --> 00:32:32,818 OH, I'M SORRY I'M LATE. 539 00:32:32,818 --> 00:32:33,819 MMM! 540 00:32:33,819 --> 00:32:35,087 OH, THAT'S OK. 541 00:32:35,087 --> 00:32:36,688 TRAFFIC WAS TERRIBLE. MMM. MMM. 542 00:32:36,688 --> 00:32:37,689 MMM. 543 00:32:37,689 --> 00:32:38,957 WHERE THE KIDS? 544 00:32:38,957 --> 00:32:40,092 THEY'RE AT HOME. 545 00:32:40,092 --> 00:32:41,693 I WANTED TO COME ALL BY MYSELF. 546 00:32:41,693 --> 00:32:42,694 YEAH. 547 00:32:42,694 --> 00:32:44,096 WELL, SHALL I DRIVE? 548 00:32:44,096 --> 00:32:45,097 YEAH, SURE. 549 00:32:45,097 --> 00:32:46,232 OH, YEAH. RIGHT. 550 00:32:46,232 --> 00:32:48,634 BAD BOY. STAYING AN EXTRA NIGHT. 551 00:32:48,634 --> 00:32:51,103 * IN BETWEEN "WHAT I FIND IS PLEASING" * 552 00:32:51,103 --> 00:32:53,105 * AND "I'M FEELING FINE" * 553 00:32:53,105 --> 00:32:54,506 * LOVE IS SO CONFUSING * 554 00:32:54,506 --> 00:32:57,109 * THERE'S NO PEACE OF MIND... * 555 00:32:57,109 --> 00:32:59,111 SO HOW WERE THINGS AT GRAMS'? 556 00:32:59,111 --> 00:33:00,579 EVERYTHING WAS FINE, YEAH? 557 00:33:00,579 --> 00:33:01,980 OH, YEAH, YEAH. 558 00:33:01,980 --> 00:33:03,115 NO, EVERYTHING'S REALLY GOOD. 559 00:33:03,115 --> 00:33:04,483 RIGHT. GOOD. 560 00:33:05,284 --> 00:33:07,553 WHAT IS THAT SMELL? 561 00:33:07,553 --> 00:33:08,954 DO YOU SMELL IT? 562 00:33:08,954 --> 00:33:12,224 IT'S LIKE THERE'S SHARP AND SOUR... 563 00:33:12,224 --> 00:33:14,860 IT WASN'T IN THE CAR BEFORE. 564 00:33:14,860 --> 00:33:16,262 [SNIFFING] WHAT IS THAT? 565 00:33:16,262 --> 00:33:18,430 [SNIFFING] I DON'T KNOW. 566 00:33:19,431 --> 00:33:21,133 OH! OH, OH. 567 00:33:21,133 --> 00:33:22,934 OH, THAT'S THAT COLOGNE I GOT FROM THE PLANE. 568 00:33:22,934 --> 00:33:24,270 OH. 569 00:33:24,270 --> 00:33:26,138 OH, YEAH. YOU KNOW THAT CHEAP SHOWER SUBSTITUTE. 570 00:33:26,138 --> 00:33:28,140 IT ALWAYS LOUD. 571 00:33:28,140 --> 00:33:29,941 OHH, POOR MAX. 572 00:33:29,941 --> 00:33:31,343 MUST'VE BEEN REALLY BAD 573 00:33:31,343 --> 00:33:33,145 NOT HAVING A BED TO SLEEP IN, HUH? 574 00:33:33,145 --> 00:33:34,546 NAW, IT WAS OK. 575 00:33:34,546 --> 00:33:36,748 I'LL SLEEP BETTER TONIGHT, THOUGH. 576 00:33:36,748 --> 00:33:38,250 THAT'S FOR SURE. 577 00:33:38,250 --> 00:33:40,686 WELL, I WOULDN'T COUNT ON IT, TIGER! 578 00:33:40,686 --> 00:33:42,754 OOH. OOH! HEY! 579 00:33:42,754 --> 00:33:45,124 MIMI, DON'T DO THAT! 580 00:33:45,124 --> 00:33:47,159 NOW, YOU KNOW, I MEAN, WE COULD'VE BEEN KILLED. 581 00:33:47,159 --> 00:33:49,161 WARN ME THE NEXT TIME YOU DO THAT! 582 00:33:49,161 --> 00:33:51,163 OH, HON. CHILL OUT, HONEY. 583 00:33:51,163 --> 00:33:52,764 JUST A LITTLE TWEAK. 584 00:33:52,764 --> 00:33:55,367 I JUST MISS MR. PUFFINSTUFF. 585 00:34:00,639 --> 00:34:01,640 YOO-HOO! 586 00:34:01,640 --> 00:34:02,641 HELLO? 587 00:34:02,641 --> 00:34:04,009 [HIGH VOICE] HELLO? 588 00:34:04,009 --> 00:34:06,212 IS ANYBODY HOME? HEY! 589 00:34:07,079 --> 00:34:08,147 YUCK! DON'T KISS ME. 590 00:34:08,147 --> 00:34:09,148 I'VE GOT A RIGHT TO KISS YOU. 591 00:34:09,148 --> 00:34:10,282 I BROUGHT YOU IN THIS WORLD. 592 00:34:10,282 --> 00:34:11,850 COME HERE, YOU. I'LL KISS YOU, TOO. 593 00:34:11,850 --> 00:34:13,051 GOOD TO SEE YOU. 594 00:34:15,587 --> 00:34:17,356 MMM. AH. WHOO. 595 00:34:17,356 --> 00:34:18,824 Mimi: DO YOU LIKE IT? 596 00:34:18,824 --> 00:34:19,925 YEAH, IT'S GOOD. 597 00:34:19,925 --> 00:34:21,527 [CHILDREN GIGGLE] AH. 598 00:34:21,527 --> 00:34:23,129 TOO SPICY FOR YOU, DADDY? 599 00:34:24,062 --> 00:34:25,297 NO. IT'S FINE. 600 00:34:25,297 --> 00:34:26,398 Mimi: IT'S FROM THAT NEW PLACE IN THE MALL. 601 00:34:26,398 --> 00:34:27,666 JANEY TOLD ME ABOUT IT, 602 00:34:27,666 --> 00:34:29,368 SO I THOUGHT I THOUGHT TONIGHT WAS SPECIAL... 603 00:34:29,368 --> 00:34:31,103 AH. TONIGHT IS SPECIAL, HUH? 604 00:34:31,103 --> 00:34:32,204 MM-HMM. 605 00:34:32,204 --> 00:34:34,573 SEE? MOMMY'S VERY THOUGHTFUL, HUH? 606 00:34:34,573 --> 00:34:36,408 WHAT'S THOUGHTFUL? 607 00:34:37,376 --> 00:34:39,178 FULL OF THOUGHT, DUMBO. 608 00:34:39,178 --> 00:34:42,514 HEY. NO, NO, NO. NO VIOLENCE AGAINST WOMEN. 609 00:34:42,514 --> 00:34:44,550 REMEMBER? YOU HAVE TO SLEEP AT NIGHT. 610 00:34:44,550 --> 00:34:45,584 TRUST ME. 611 00:34:45,584 --> 00:34:47,586 [CHILDREN LAUGH] 612 00:34:49,388 --> 00:34:50,422 HEY. 613 00:34:50,422 --> 00:34:52,191 YOU KNOW, YOU'RE GOING TO THINK I'M STUPID, 614 00:34:52,191 --> 00:34:55,261 BUT LAST NIGHT, AFTER I GOT YOUR MESSAGE, 615 00:34:55,261 --> 00:34:57,095 I JUST COULDN'T STOP THINKING ABOUT NEW YORK 616 00:34:57,095 --> 00:34:58,530 AND HOW VIOLENT IT IS. 617 00:34:58,530 --> 00:35:00,566 AND I HAD THIS IMAGE OF YOU BEING MUGGED. 618 00:35:00,566 --> 00:35:01,967 [LAUGHS] HEY. 619 00:35:01,967 --> 00:35:03,869 AW, COME ON. 620 00:35:03,869 --> 00:35:05,137 HOW SILLY. 621 00:35:05,137 --> 00:35:07,005 SEE? AND HERE I AM, SAFE AND SOUND. 622 00:35:07,005 --> 00:35:08,874 YEAH. 623 00:35:08,874 --> 00:35:10,476 COME ON. 624 00:35:10,476 --> 00:35:11,277 NO. 625 00:35:11,277 --> 00:35:13,078 OSCAR. COME ON. 626 00:35:13,078 --> 00:35:15,214 OSCAR, GET OUT OF THERE. 627 00:35:15,214 --> 00:35:17,216 WHAT? WHAT IS IT? WHAT DO YOU SMELL ON DADDY, HUH? 628 00:35:17,216 --> 00:35:19,551 WHAT DO YOU SMELL ON DADDY, HUH? 629 00:35:19,551 --> 00:35:21,320 OSCAR. 630 00:35:21,320 --> 00:35:22,354 GO TO YOUR BOWL. 631 00:35:22,354 --> 00:35:23,955 WHAT IS IT, BOY, HUH? 632 00:35:23,955 --> 00:35:25,524 WONDER WHAT HE SMELLS ON YOU? 633 00:35:25,524 --> 00:35:27,092 CUT IT OUT. 634 00:35:27,092 --> 00:35:28,093 OSCAR'S GETTING KIND OF FUNKY. 635 00:35:28,093 --> 00:35:29,328 [LAUGHTER] 636 00:35:29,328 --> 00:35:31,297 MAYBE HE DOESN'T LIKE THE COLOGNE, EITHER. 637 00:35:31,297 --> 00:35:34,032 WELL, THE DOG HAS TASTE, MAX. RIGHT? 638 00:35:34,032 --> 00:35:36,435 Charlie: LIKE, WHATEVER, RIGHT? 639 00:35:36,435 --> 00:35:39,037 LOOK, MAYBE I--I SHOULD JUST GO UPSTAIRS 640 00:35:39,037 --> 00:35:40,506 AND JUST TAKE A SHOWER, HUH? 641 00:35:40,506 --> 00:35:41,340 NO. 642 00:35:41,340 --> 00:35:42,708 NO. I KNOW HOW TO TAKE A HINT. 643 00:35:42,708 --> 00:35:43,775 NO, IT'S OK. 644 00:35:43,775 --> 00:35:45,711 JUST BECAUSE YOU SMELL DOESN'T MEAN ANYTHING. 645 00:35:45,711 --> 00:35:46,845 IT'S A EVERYDAY THING. 646 00:35:46,845 --> 00:35:48,680 HA HA HA HA. 647 00:35:48,680 --> 00:35:51,383 JOKE'S ON DAD. HA HA HA. 648 00:36:02,594 --> 00:36:06,465 TV: BIG, BIG NEWS AT THE U.N.'s 50th BIRTHDAY. 649 00:36:06,465 --> 00:36:09,201 MOTORCADES CAME, MOTORCADES WENT, 650 00:36:09,201 --> 00:36:10,736 MOTORCADES BACKED UP-- 651 00:36:10,736 --> 00:36:11,737 [CAR HONKS HORN] 652 00:36:11,737 --> 00:36:13,739 LEAVING NEW YORKERS WONDERING EXACTLY 653 00:36:13,739 --> 00:36:16,074 WHO WAS SITTING BEHIND THE TINTED WINDOWS. 654 00:36:16,074 --> 00:36:17,909 [TV NEWSCASTER TALKING] 655 00:36:20,679 --> 00:36:22,681 [SIGHS] 656 00:36:45,136 --> 00:36:46,905 OSCAR, OUT. 657 00:36:52,678 --> 00:36:54,846 WHAT DO YOU THINK IS BUGGING OSCAR? 658 00:36:54,846 --> 00:36:56,548 HELL IF I KNOW. 659 00:36:56,548 --> 00:36:57,549 HMM? 660 00:36:58,550 --> 00:37:02,354 MAYBE HE'S TRYING TO TELL ME SOMETHING. 661 00:37:04,523 --> 00:37:08,327 MAYBE HE SMELLS ANOTHER BITCH ON YOU. 662 00:37:08,327 --> 00:37:10,329 IS THAT POSSIBLE? 663 00:37:17,303 --> 00:37:18,604 MIMI... 664 00:37:20,339 --> 00:37:21,673 I HAVE SOMETHING TO TELL YOU. 665 00:37:30,015 --> 00:37:31,317 YOU'RE GOING TO HATE ME. 666 00:37:31,317 --> 00:37:33,752 I KNOW WHAT YOU'RE GOING TO TELL ME. 667 00:37:37,289 --> 00:37:39,491 WAS IT JUST ONCE? 668 00:37:42,127 --> 00:37:44,296 WAS IT MORE THAN ONCE? 669 00:37:47,265 --> 00:37:49,868 YOU'VE BEEN SMOKING, HAVEN'T YOU? 670 00:37:51,870 --> 00:37:54,406 OSCAR'S NOT STUPID, MAX. 671 00:37:54,406 --> 00:37:56,775 HE CAN SMELL IT ON YOU. 672 00:37:56,775 --> 00:37:58,377 SO CAN I. 673 00:38:02,381 --> 00:38:03,682 WELL, THE SMOKE POLICE 674 00:38:03,682 --> 00:38:05,451 ARE GOING TO HAVE TO WATCH YOU NIGHT AND DAY, 675 00:38:05,451 --> 00:38:07,252 HUH, MR. SINNER? 676 00:38:07,252 --> 00:38:08,487 HMM? 677 00:38:12,090 --> 00:38:13,925 LET'S GO TO BED. 678 00:38:13,925 --> 00:38:15,193 OHH! 679 00:38:15,193 --> 00:38:16,795 ALMOST. ALMOST. 680 00:38:16,795 --> 00:38:19,230 CIRCLES, HONEY, CIRCLES. CIRCLES. 681 00:38:19,230 --> 00:38:21,500 OH, THAT FEELS GOOD. YEAH. 682 00:38:21,500 --> 00:38:23,335 SLOWER. COME ON, SLOWER. 683 00:38:23,335 --> 00:38:25,036 OH, YEAH. GENTLE. 684 00:38:25,036 --> 00:38:26,037 YEAH, THAT'S IT. 685 00:38:26,037 --> 00:38:27,172 OK, HARDER. 686 00:38:27,172 --> 00:38:28,840 YEAH. OH, YEAH, I'M GETTING THERE. 687 00:38:28,840 --> 00:38:29,908 OHH! 688 00:38:29,908 --> 00:38:30,909 I'M GETTING THERE. 689 00:38:30,909 --> 00:38:32,378 OH, YES. OH, YES. 690 00:38:32,378 --> 00:38:35,581 COME ON, BABY. I'M ALMOST GOING TO COME. 691 00:38:35,581 --> 00:38:38,116 I'M ALMOST GOING TO COME. OH, YES! 692 00:38:38,116 --> 00:38:39,250 OH, HONEY! 693 00:38:39,250 --> 00:38:41,653 NO, NO, NO. HOLD STILL, HOLD STILL. 694 00:38:41,653 --> 00:38:44,255 YEAH, HOLD STILL. HOLD STILL. OHH. 695 00:38:44,255 --> 00:38:45,824 HOLD STILL. 696 00:38:45,824 --> 00:38:47,859 OHH! OH, YES. 697 00:38:47,859 --> 00:38:49,260 OH, YES. 698 00:38:49,260 --> 00:38:50,696 OH, MY GOD, YES. 699 00:38:50,696 --> 00:38:53,064 OHH! I'M COMING. OH, YES. 700 00:38:53,064 --> 00:38:55,066 OHH. SQUEEZE MY BREASTS. 701 00:38:55,066 --> 00:38:56,067 SQUEEZE THEM. 702 00:38:56,067 --> 00:38:57,135 SQUEEZE THEM. 703 00:38:57,135 --> 00:38:58,136 OHH! 704 00:38:58,136 --> 00:38:59,471 OH, YES! 705 00:38:59,471 --> 00:39:01,640 [LOUD MOANING] 706 00:39:02,808 --> 00:39:03,909 HONEY, HONEY. 707 00:39:03,909 --> 00:39:05,944 YOU'RE GOING TO WAKE THE KIDS. COME ON. 708 00:39:05,944 --> 00:39:08,113 OH, FUCK THE KIDS, MAX! 709 00:39:08,113 --> 00:39:10,348 I'M COMING. I'M COMING! 710 00:39:10,348 --> 00:39:12,350 OHH! OH, YEAH! 711 00:39:12,350 --> 00:39:13,351 OHH! 712 00:39:13,351 --> 00:39:15,854 [MUFFLED MOANS] 713 00:39:19,357 --> 00:39:21,960 WAS IT GOOD FOR YOU? 714 00:39:21,960 --> 00:39:23,962 FANTASTIC. 715 00:39:23,962 --> 00:39:24,963 MMM. 716 00:39:26,498 --> 00:39:28,099 HOW ABOUT YOU? 717 00:39:29,334 --> 00:39:30,936 THE BEST. 718 00:39:33,038 --> 00:39:34,440 HONEY? 719 00:39:34,440 --> 00:39:36,107 [LAUGHS] 720 00:39:36,107 --> 00:39:37,709 I'M SORRY. 721 00:39:40,912 --> 00:39:41,747 ARE YOU OK? 722 00:39:41,747 --> 00:39:43,749 YEAH. I'M ALL RIGHT. 723 00:39:43,749 --> 00:39:44,783 OH. 724 00:39:44,783 --> 00:39:46,818 [LAUGHS] 725 00:39:46,818 --> 00:39:48,353 OW. 726 00:39:48,353 --> 00:39:49,955 I'M SORRY. 727 00:39:52,123 --> 00:39:53,725 I LIKE TO ROUGH YOU UP. 728 00:39:53,725 --> 00:39:54,960 OH. 729 00:39:54,960 --> 00:39:56,962 [CHUCKLES] 730 00:39:58,997 --> 00:40:00,766 HEY, I BOUGHT A VIDEO. 731 00:40:00,766 --> 00:40:03,569 YEAH? WHAT KIND OF VIDEO? 732 00:40:04,936 --> 00:40:06,304 GUIDE TO LOVEMAKING. 733 00:40:06,304 --> 00:40:08,674 AH. 734 00:40:08,674 --> 00:40:09,908 YEAH, YOU KNOW, I JUST THOUGHT 735 00:40:09,908 --> 00:40:12,911 MAYBE WE COULD TRY SOMETHING NEW. 736 00:40:12,911 --> 00:40:14,012 YEAH? 737 00:40:14,012 --> 00:40:15,213 [YAWNS] OK. 738 00:40:15,213 --> 00:40:16,214 YEAH? 739 00:40:16,214 --> 00:40:17,248 OK. 740 00:40:17,248 --> 00:40:19,417 YOU WANT TO WATCH SOME TONIGHT? 741 00:40:19,417 --> 00:40:21,252 OH. OW, OW, OW. 742 00:40:21,252 --> 00:40:22,320 OH. 743 00:40:22,320 --> 00:40:24,089 JESUS. WHAT'D YOU DO LAST NIGHT? 744 00:40:24,089 --> 00:40:25,824 IS THAT A BRUISE? 745 00:40:25,824 --> 00:40:27,526 IT'S INK. 746 00:40:28,794 --> 00:40:29,928 INK? 747 00:40:29,928 --> 00:40:31,697 INK. 748 00:40:31,697 --> 00:40:33,765 IT'S FROM MY PEN, SEE? 749 00:40:33,765 --> 00:40:35,033 INK... 750 00:40:35,033 --> 00:40:37,903 BLED FROM MY PEN. 751 00:40:37,903 --> 00:40:38,904 OH. 752 00:40:41,206 --> 00:40:42,207 IT'S... 753 00:40:43,241 --> 00:40:44,242 OK. 754 00:40:44,242 --> 00:40:46,311 YOU'VE GOT A BLACK HEART. 755 00:40:46,311 --> 00:40:47,312 [LAUGHS] 756 00:40:47,312 --> 00:40:49,515 [LAUGHS] 757 00:40:51,917 --> 00:40:52,951 MMM... 758 00:40:52,951 --> 00:40:54,953 [KISSES] 759 00:40:57,923 --> 00:40:59,991 GOOD NIGHT. 760 00:40:59,991 --> 00:41:01,593 GOOD NIGHT. 761 00:41:15,406 --> 00:41:18,109 Max: SMOKING WILL KILL YOU. 762 00:41:19,410 --> 00:41:21,680 SMOKING WILL KILL YOU. 763 00:41:23,381 --> 00:41:26,084 SMOKING WILL KILL YOU. 764 00:41:26,084 --> 00:41:27,953 DMZ PRODUCTIONS, HOW CAN I HELP YOU? 765 00:41:27,953 --> 00:41:30,789 THANK YOU FOR HOLDING. HOW CAN I HELP YOU? 766 00:41:30,789 --> 00:41:32,390 [PEOPLE CHATTERING] 767 00:41:32,390 --> 00:41:34,259 HEY, MAX, HOW'S IT GOING? 768 00:41:34,259 --> 00:41:35,493 MICHELLE. 769 00:41:36,427 --> 00:41:38,029 NICE TO MEET YOU. 770 00:41:38,029 --> 00:41:38,830 Max: AND YOU ARE? 771 00:41:38,830 --> 00:41:40,999 NATALIE. PLEASURE, PLEASURE. 772 00:41:40,999 --> 00:41:42,934 I REALLY WISH I COULD, BUT I CAN'T RIGHT NOW. 773 00:41:42,934 --> 00:41:45,170 SO, HOW WAS YOUR TRIP TO NEW YORK? 774 00:41:45,170 --> 00:41:47,639 YOU'RE SUCH A BAD BOY. 775 00:41:47,639 --> 00:41:49,274 I'LL TELL YOU WHAT. 776 00:41:49,274 --> 00:41:50,776 THE PICKLE ASSOCIATION 777 00:41:50,776 --> 00:41:53,411 DOESN'T JUST LIMIT ITSELF TO PICKLE WORKERS. 778 00:41:53,411 --> 00:41:55,847 NO, SIR. PICKLES ARE SEASONAL, 779 00:41:55,847 --> 00:41:58,717 SO WE'RE TALKING ABOUT AN ASSOCIATION 780 00:41:58,717 --> 00:41:59,851 THAT REPRESENTS THE RIGHTS 781 00:41:59,851 --> 00:42:02,754 OF THE PICKLE AND SAUERKRAUT WORKERS 782 00:42:02,754 --> 00:42:05,924 OF THE ENTIRE WEST COAST OF AMERICA. 783 00:42:05,924 --> 00:42:07,258 WHAT DO YOU SAY WE START OFF 784 00:42:07,258 --> 00:42:08,694 ON THE RIGHT TRACK HERE? 785 00:42:08,694 --> 00:42:11,062 Melinda: NATHAN HAS COME UP WITH AN AWARENESS CAMPAIGN 786 00:42:11,062 --> 00:42:12,931 THAT I THINK IS PRETTY INTERESTING. 787 00:42:12,931 --> 00:42:14,199 YOU KNOW THAT WEATHER GUY 788 00:42:14,199 --> 00:42:16,267 THAT WEARS A DIFFERENT COSTUME EVERY SHOW? 789 00:42:16,267 --> 00:42:18,236 WE SEND HIM A PICKLE SUIT. 790 00:42:18,236 --> 00:42:19,104 THEN WE SEND HIM 791 00:42:19,104 --> 00:42:21,306 A SAUERKRAUT AND A HOT DOG SUIT. 792 00:42:21,306 --> 00:42:23,775 2 SUITS, 2 SHOWS. 793 00:42:23,775 --> 00:42:27,412 WE COULD TRY A HOT DOG ASSOCIATION CAMPAIGN. 794 00:42:27,412 --> 00:42:29,781 TO WED THE SAUERKRAUT TO THE DOG. 795 00:42:29,781 --> 00:42:32,984 WE FIND THE FOREMOST HOT DOG MAKER IN THE COUNTRY. 796 00:42:32,984 --> 00:42:34,219 GUS. GUS BANK. 797 00:42:34,219 --> 00:42:35,987 George: WE GET GUS BANK TO TALK ABOUT 798 00:42:35,987 --> 00:42:37,956 HOW GOOD AND HOW TRADITIONAL IT IS 799 00:42:37,956 --> 00:42:40,358 TO HAVE SAUERKRAUT WITH THE HOT DOG. 800 00:42:40,358 --> 00:42:42,360 WE PIGGYBACK ON THE DOG. 801 00:42:42,360 --> 00:42:43,662 "EVERYONE LOVES A DOG." 802 00:42:43,662 --> 00:42:46,297 THIS IS A VERY BAD TIME FOR SAUERKRAUT. 803 00:42:46,297 --> 00:42:49,534 I'M THE FIRST TO ADMIT IT'S NOT EXACTLY DESIGNER FOOD. 804 00:42:49,534 --> 00:42:50,535 WHAT WE WANT TO TRY TO DO 805 00:42:50,535 --> 00:42:52,170 IS TARGET THE UNDER-21s-- 806 00:42:52,170 --> 00:42:53,739 THE ROCK AND ROLL-- THE YOUNGER FOLK. 807 00:42:53,739 --> 00:42:56,708 MAX IS ACTUALLY GOING TO BE DIRECTING THE SPOTS. 808 00:42:56,708 --> 00:42:57,776 YOU SAW HIS SHOW REEL, 809 00:42:57,776 --> 00:43:00,045 AND YOU LIKED IT VERY MUCH. 810 00:43:00,045 --> 00:43:02,781 MAX, YOU WANT TO TOSS A FEW LOGS 811 00:43:02,781 --> 00:43:04,983 ON THE CAMPFIRE HERE? 812 00:43:05,951 --> 00:43:08,820 THE NATIONAL PICKLE AWARDS. 813 00:43:08,820 --> 00:43:11,690 AND WHO WOULD GET THESE AWARDS? 814 00:43:11,690 --> 00:43:14,125 OH, ANYONE FAMOUS WHO'S IN A FIX. 815 00:43:16,294 --> 00:43:18,764 THE BRITISH ROYAL FAMILY. 816 00:43:21,667 --> 00:43:23,601 JOHN WAYNE BOBBITT. 817 00:43:26,537 --> 00:43:29,140 I THINK YOU'D PROBABLY LIKE TO ELUCIDATE 818 00:43:29,140 --> 00:43:31,542 ON THAT A LITTLE BIT THERE, MAX. 819 00:43:31,542 --> 00:43:34,612 HE WAS CAUGHT BETWEEN... 820 00:43:34,612 --> 00:43:37,615 HIS BUN AND HIS SAUERKRAUT. 821 00:43:41,653 --> 00:43:43,855 IT WAS NO BIG DILL. 822 00:43:47,793 --> 00:43:49,327 SPEAKING FRANKLY, 823 00:43:49,327 --> 00:43:50,495 I'D RATHER BE CAUGHT DEAD 824 00:43:50,495 --> 00:43:51,663 THAN PUT THAT SHIT ON MY REEL. 825 00:43:51,663 --> 00:43:53,464 IT'S NOT ALWAYS ABOUT ART, MAX. 826 00:43:53,464 --> 00:43:54,700 JUST--JUST WAIT A MINUTE. 827 00:43:54,700 --> 00:43:56,501 JUST THINK ABOUT THE COMPANY, OK? 828 00:43:56,501 --> 00:43:58,569 WHAT ABOUT THE PROFILE? 829 00:43:58,569 --> 00:43:59,971 DID WE PUT THIS HIP LITTLE SHOW TOGETHER 830 00:43:59,971 --> 00:44:02,307 SO I COULD PUT THE GREEN PEEN ON SCREEN? 831 00:44:02,307 --> 00:44:03,341 I DON'T THINK SO. 832 00:44:03,341 --> 00:44:04,910 AND IF IT'S JUST ABOUT THE FUCKING NUMBERS, 833 00:44:04,910 --> 00:44:06,845 THEN FINE, YOU GO AHEAD. YOU DO THAT. 834 00:44:06,845 --> 00:44:08,046 I'M OUT OF HERE. 835 00:44:09,948 --> 00:44:12,083 YOU KNOW, WHAT YOU SHOULD BE DOING 836 00:44:12,083 --> 00:44:13,819 IS YOU SHOULD BE TRYING TO KEEP ACCOUNTS 837 00:44:13,819 --> 00:44:15,553 LIKE THE ARMANI ACCOUNT. 838 00:44:15,553 --> 00:44:17,723 NOW, SEE, THAT'S IMPRESSIVE. 839 00:44:21,827 --> 00:44:23,661 FUCKING PICKLES. 840 00:44:24,796 --> 00:44:27,465 THESE ARE THE 2 LADIES FROM ARMANI. 841 00:44:27,465 --> 00:44:28,834 MAX CARLISLE. 842 00:44:28,834 --> 00:44:30,601 I HEAR YOU GENIUS. 843 00:44:30,601 --> 00:44:32,470 HA HA. THAT'S A GOOD ONE. 844 00:44:32,470 --> 00:44:34,072 THERE WERE SUPPOSED TO BE 50. 845 00:44:34,072 --> 00:44:36,474 WELL, THERE WERE, BUT I COULDN'T 25 OF THEM 846 00:44:36,474 --> 00:44:37,608 TO SHAVE THEIR HEADS. 847 00:44:37,608 --> 00:44:38,810 GEORGE, HANG ON A SECOND. 848 00:44:38,810 --> 00:44:41,612 GIVE ME ONE SECOND. GIVE ME ONE SECOND. 849 00:44:41,612 --> 00:44:42,613 GO PICK SOME MORE LEAVES. 850 00:44:42,613 --> 00:44:43,815 EXCUSE ME. 851 00:44:43,815 --> 00:44:45,450 THESE ARMANI LADIES ARE BORN-AGAIN HARD 852 00:44:45,450 --> 00:44:46,617 ABOUT THE NIPPLE THING. 853 00:44:46,617 --> 00:44:47,618 MY NIPPLES. 854 00:44:47,618 --> 00:44:48,686 YOU HAVE WONDERFUL NIPPLES. 855 00:44:48,686 --> 00:44:49,755 THESE ARE MY NIPPLES, ALL RIGHT? 856 00:44:49,755 --> 00:44:52,357 YOU'RE GOING TO BE MARVELOUS, OK? 857 00:44:52,357 --> 00:44:53,358 I'LL TALK TO YOU SOON. 858 00:44:53,358 --> 00:44:55,660 I DON'T WANT TO TALK TO OTHER PEOPLE, OK? 859 00:44:55,660 --> 00:44:56,828 George: MAX, YOU CAN'T LEAVE. 860 00:44:56,828 --> 00:44:58,029 YES. I'M NOT GOING TO LEAVE. 861 00:44:58,029 --> 00:44:59,097 STAY IN YOUR LIGHT. STAY IN YOUR LIGHT. 862 00:44:59,097 --> 00:45:00,498 THIS IS IT. 863 00:45:00,498 --> 00:45:01,767 YOU'RE WONDERFUL, REALLY. 864 00:45:01,767 --> 00:45:03,301 DON'T PATRONIZE ME. 865 00:45:03,301 --> 00:45:05,170 I'M A FISH-EATING VEGETARIAN, ALL RIGHT? 866 00:45:05,170 --> 00:45:07,072 I'VE SAID IT 5 TIMES TODAY-- 867 00:45:07,072 --> 00:45:08,706 FISH-EATING VEGETARIAN. 868 00:45:08,706 --> 00:45:10,208 IT'S NOT THE DRESS THAT MAKES THE WOMAN. 869 00:45:10,208 --> 00:45:11,542 IT'S THE WOMAN THAT MAKES THE DRESS. 870 00:45:11,542 --> 00:45:12,543 DON'T YOU KNOW THAT ALREADY? 871 00:45:12,543 --> 00:45:13,644 WHAT'S WRONG? [CRYING] 872 00:45:13,644 --> 00:45:14,913 ARE YOU ON YOUR PERIOD? 873 00:45:14,913 --> 00:45:16,381 I'LL COME BACK TOMORROW. I'LL DO IT TOMORROW. 874 00:45:16,381 --> 00:45:17,382 I WANT TO GO HOME. 875 00:45:17,382 --> 00:45:19,317 NOW, NOW. YOU CAN'T COME BACK TOMORROW. 876 00:45:19,317 --> 00:45:21,987 LISTEN. WHAT THEY'RE REALLY CONCERNED ABOUT 877 00:45:21,987 --> 00:45:24,155 IS HOW MANY OF THEIR $4,000 DRESSES 878 00:45:24,155 --> 00:45:28,193 ARE WE GOING TO DRAG THROUGH POTTER'S FIELD? 879 00:45:37,068 --> 00:45:40,071 Max: THE NEXT YEAR WAS A TOUGH ONE. 880 00:45:40,071 --> 00:45:42,273 EVERYTHING IN MY LIFE SEEMED TO BE CHANGING 881 00:45:42,273 --> 00:45:43,741 AT THE SAME TIME. 882 00:45:43,741 --> 00:45:47,012 THERE WAS NOTHING I COULD DO EXCEPT WATCH. 883 00:45:50,015 --> 00:45:52,150 IT WAS AS IF I DIDN'T EXIST. 884 00:45:53,018 --> 00:45:55,453 I COULD SEE MYSELF, 885 00:45:55,453 --> 00:45:57,956 AND I COULD HEAR MYSELF, 886 00:45:57,956 --> 00:46:02,527 BUT I WAS DETACHED FROM THE WHOLE PROCESS. 887 00:46:04,429 --> 00:46:05,663 I LOVE MY WIFE, 888 00:46:05,663 --> 00:46:08,166 I ADORE MY KIDS, 889 00:46:08,166 --> 00:46:09,968 BUT... 890 00:46:09,968 --> 00:46:12,170 I WASN'T ME ANYMORE-- 891 00:46:13,304 --> 00:46:14,906 JUST WASN'T ME. 892 00:46:16,007 --> 00:46:18,776 WHAT DID I MISS? WHAT DID I MISS, HUH? 893 00:46:18,776 --> 00:46:20,011 I WAS SAYING THAT QUITE FRANKLY 894 00:46:20,011 --> 00:46:22,948 I DON'T UNDERSTAND THE GAY THING, YOU KNOW? 895 00:46:22,948 --> 00:46:25,016 I KNOW WE'RE ALL SUPPOSED TO BE SO LIBERAL 896 00:46:25,016 --> 00:46:27,185 OUT HERE IN CALIFORNIA AND ALL, 897 00:46:27,185 --> 00:46:28,553 BUT, UH... 898 00:46:28,553 --> 00:46:30,021 YOU KNOW, MEN ARE NOT NATURAL 899 00:46:30,021 --> 00:46:31,890 GRINDING AWAY ON EACH OTHER. 900 00:46:31,890 --> 00:46:33,491 BUT WOMEN, ON THE OTHER HAND, I THINK, 901 00:46:33,491 --> 00:46:34,759 ARE NATURAL. 902 00:46:34,759 --> 00:46:36,928 [LAUGHTER AND CHATTER] 903 00:46:38,830 --> 00:46:40,765 HEY, DON, LET ME ASK YOU A QUESTION. 904 00:46:40,765 --> 00:46:41,867 YES, SIR. 905 00:46:41,867 --> 00:46:44,135 HAVE YOU EVER KISSED A MAN BEFORE? 906 00:46:45,170 --> 00:46:47,638 NO, SIR, MAX, I HAVE NOT KISSED A MAN 907 00:46:47,638 --> 00:46:48,907 IN MY ENTIRE LIFE. 908 00:46:48,907 --> 00:46:50,241 George: LOOK AT THAT SMILE. 909 00:46:50,241 --> 00:46:52,510 [LAUGHTER] 910 00:46:52,510 --> 00:46:53,378 DENIAL. DENIAL. 911 00:46:53,378 --> 00:46:55,546 BUT YOU DO LIKE ANAL SEX THOUGH. 912 00:46:55,546 --> 00:46:56,915 Crowd: OH. 913 00:46:56,915 --> 00:46:58,416 WELL, MAX, 914 00:46:58,416 --> 00:46:59,918 GIVEN THAT WE BOTH WORK 915 00:46:59,918 --> 00:47:02,653 IN THE ADVERTISING INDUSTRY, 916 00:47:02,653 --> 00:47:04,923 I'VE SEEN YOU KISS ASSES, AND... 917 00:47:04,923 --> 00:47:06,791 [LAUGHTER] 918 00:47:06,791 --> 00:47:08,994 YOU'VE SEEN ME KISS ASSES. 919 00:47:08,994 --> 00:47:10,195 SO THAT'S A YES? 920 00:47:10,195 --> 00:47:13,498 I GUESS WE HAVE EQUANIMITY IN THAT AREA. 921 00:47:13,498 --> 00:47:15,901 Woman: OH. SEE? SEE? 922 00:47:15,901 --> 00:47:17,768 THE STEAMY QUESTION IS, 923 00:47:17,768 --> 00:47:20,906 HAVE YOU EVER KISSED A MAN? 924 00:47:22,207 --> 00:47:23,408 YEAH. 925 00:47:23,408 --> 00:47:24,910 Crowd: OOH. 926 00:47:24,910 --> 00:47:26,477 [WOMAN LAUGHS] 927 00:47:26,477 --> 00:47:27,678 Woman: GET OUT OF HERE. 928 00:47:27,678 --> 00:47:28,947 Woman: RECENTLY? 929 00:47:28,947 --> 00:47:31,049 NOW, DOES THAT MAKE ME ANY LESS OF A MAN NOW? 930 00:47:31,049 --> 00:47:33,218 NOT IN MY BOOK. 931 00:47:33,218 --> 00:47:34,953 I GUESS THAT'S A QUESTION 932 00:47:34,953 --> 00:47:38,023 THAT WE SHOULD POSE TO MIMI, ACTUALLY. 933 00:47:39,090 --> 00:47:42,360 GEE, WHERE IS THAT COFFEE? 934 00:47:42,360 --> 00:47:44,362 [LAUGHTER] 935 00:47:46,564 --> 00:47:48,133 PRETTY GODDAMN SPECTACULAR 936 00:47:48,133 --> 00:47:50,969 TO BE ON SAFARI LAST YEAR 937 00:47:50,969 --> 00:47:52,503 WITH MARIE IN THE CONGO. 938 00:47:52,503 --> 00:47:54,372 WE'RE THERE IN THE MIDDLE OF THE JUNGLE, 939 00:47:54,372 --> 00:47:57,142 AND WE COULD RETURN TO OUR HOTEL ROOM, 940 00:47:57,142 --> 00:47:58,509 FLIP ON THE TELLY, 941 00:47:58,509 --> 00:48:00,778 AND GET CNN AND FIND OUT WHAT WAS HAPPENING 942 00:48:00,778 --> 00:48:03,248 IN THE FIRST AND SECOND WORLDS. HUH? 943 00:48:03,248 --> 00:48:05,750 Mimi: ALL I KNOW IS THAT BEFORE I BOOK OUR VACATIONS 944 00:48:05,750 --> 00:48:07,318 IN PLACES LIKE THAT, 945 00:48:07,318 --> 00:48:10,221 I ALWAYS ASK IF THEY, YOU KNOW, HAVE CNN. 946 00:48:10,221 --> 00:48:13,291 Marie: MOST OF THE PLACES HAVE CNN NOW. 947 00:48:13,291 --> 00:48:15,660 AND ACTUALLY, NOT ONLY DO THEY HAVE CNN, 948 00:48:15,660 --> 00:48:17,162 THEY HAVE MTV. 949 00:48:17,162 --> 00:48:18,596 OH. 950 00:48:18,596 --> 00:48:19,965 OH, I KNOW. 951 00:48:19,965 --> 00:48:21,399 Marie: I THINK IT IS. 952 00:48:21,399 --> 00:48:23,234 THERE ARE CERTAIN SHOWS THAT ARE EDUCATIONAL. 953 00:48:23,234 --> 00:48:24,402 YES. 954 00:48:24,402 --> 00:48:27,105 TELEVISION IS THE WORST FUCKING THING 955 00:48:27,105 --> 00:48:30,008 THAT HAS EVER HAPPENED TO AMERICA. 956 00:48:30,008 --> 00:48:31,742 Woman: WHAT MAKES YOU SAY THAT? 957 00:48:31,742 --> 00:48:33,011 YOU KNOW, YOU SIT THERE, 958 00:48:33,011 --> 00:48:35,180 AND YOU WATCH ALL THESE LITTLE TALK SHOWS-- 959 00:48:35,180 --> 00:48:37,282 TALK SHOW AFTER TALK SHOW. 960 00:48:37,282 --> 00:48:39,050 AND YOU SIT THERE, AND YOU'RE ENTERTAINED 961 00:48:39,050 --> 00:48:42,020 BY ALL THESE FUCKED UP DYSFUNCTIONAL PEOPLE. 962 00:48:42,020 --> 00:48:43,021 AND THEN THEY COME ALONG WITH... 963 00:48:43,021 --> 00:48:44,855 NICE LITTLE TELEVISION NEWS 964 00:48:44,855 --> 00:48:47,125 WITH THESE 30-SECOND SOUND BITES. 965 00:48:47,125 --> 00:48:49,760 THROW IN A COUPLE OF LITTLE HUMAN INTEREST STORIES. 966 00:48:49,760 --> 00:48:50,996 CUTE. NICE AND CUTE, 967 00:48:50,996 --> 00:48:52,897 SO THAT ALL OF US WON'T TAKE A FUCKING .45, 968 00:48:52,897 --> 00:48:54,165 PUT IT IN MY MOUTH, 969 00:48:54,165 --> 00:48:55,800 AND BLOW OUR FUCKING BRAINS OUT. 970 00:48:55,800 --> 00:48:57,335 DON'T BE SO DRAMATIC. 971 00:48:57,335 --> 00:48:58,636 Melissa: ISN'T THAT GOOD, MAX? 972 00:48:58,636 --> 00:49:01,906 YOU WANT TO KNOW WHAT TELEVISION REALLY IS? 973 00:49:01,906 --> 00:49:04,642 Marie: IT'S YOUR PAYCHECK. 974 00:49:04,642 --> 00:49:06,644 TELEVISION... 975 00:49:06,644 --> 00:49:08,513 IS A FRONTAL LOBOTOMY. 976 00:49:08,513 --> 00:49:10,515 THAT'S WHAT IT IS. 977 00:49:11,782 --> 00:49:14,785 LET'S HEAR IT FOR JOSEPH LENIN'S RIGHT-HAND MAN 978 00:49:14,785 --> 00:49:15,953 OVER THERE, 979 00:49:15,953 --> 00:49:18,990 SPOUTING HIS POET-WARRIOR PHILOSOPHIES 980 00:49:18,990 --> 00:49:20,725 ABOUT TELEVISION. 981 00:49:20,725 --> 00:49:22,493 NO, THANK YOU. 982 00:49:23,594 --> 00:49:27,465 DOPE-SMOKING, MAN-KISSING MAX, HUH? 983 00:49:27,465 --> 00:49:30,568 HEY, TAMBOURINE MAN, THE SIXTIES ARE OVER. 984 00:49:30,568 --> 00:49:32,803 [PEOPLE CHATTER] 985 00:49:32,803 --> 00:49:34,005 YOU KNOW WHAT, DON? 986 00:49:37,775 --> 00:49:39,377 FUCK YOU. 987 00:49:44,282 --> 00:49:47,818 Mimi: WELL, ON THAT SIGNAL... 988 00:49:47,818 --> 00:49:49,720 [LAUGHS] 989 00:49:49,720 --> 00:49:51,522 ANYBODY CARE FOR DESSERT? 990 00:49:51,522 --> 00:49:53,558 WE'VE GOT BAILEY'S, HAAGEN-DAZS. 991 00:49:53,558 --> 00:49:54,692 YOUR FAVORITE, DON. 992 00:49:54,692 --> 00:49:56,361 Woman: WE'VE GOT TO GO. 993 00:49:56,361 --> 00:49:58,163 WE HAVE TO GO IN A MOMENT. 994 00:50:05,370 --> 00:50:08,373 THAT FINISHED THE PARTY OFF. 995 00:50:08,373 --> 00:50:13,078 I JUST THOUGHT WE WOULD LIGHTEN THINGS UP A BIT, 996 00:50:13,078 --> 00:50:17,282 HAVE A REAL CONVERSATION FOR A CHANGE, HMM? 997 00:50:20,718 --> 00:50:22,720 I DON'T THINK SO. 998 00:50:23,988 --> 00:50:25,223 EVERYBODY WAS HAVING A REALLY GREAT TIME 999 00:50:25,223 --> 00:50:26,657 UNTIL YOU DECIDED TO MAKE IT SERIOUS. 1000 00:50:26,657 --> 00:50:28,293 IT'S LIKE YOU HAVE TO LET EVERYBODY KNOW 1001 00:50:28,293 --> 00:50:30,561 WHAT A DEEP THINKER YOU ARE AND HOW STUPID WE ALL ARE. 1002 00:50:30,561 --> 00:50:32,029 I DON'T THINK THAT'S IT AT ALL. 1003 00:50:32,029 --> 00:50:34,099 I THINK THAT SOME PEOPLE ARE MORE INTERESTED 1004 00:50:34,099 --> 00:50:35,333 IN OTHER THINGS. 1005 00:50:35,333 --> 00:50:37,102 OH, YEAH, LIKE YOUR ASSISTANT, FOR EXAMPLE. 1006 00:50:37,102 --> 00:50:38,403 MICKEY? WHAT? COME ON. 1007 00:50:38,403 --> 00:50:42,207 OH, SHE HANGS ONTO YOUR EVERY WORD. 1008 00:50:43,308 --> 00:50:45,976 WHAT ARE YOU TALKING ABOUT? 1009 00:50:45,976 --> 00:50:47,612 HMM? 1010 00:50:47,612 --> 00:50:49,747 ARE YOU FUCKING HER? 1011 00:50:49,747 --> 00:50:51,549 WHAT? 1012 00:50:51,549 --> 00:50:53,017 WELL, SOMEBODY HAS TO BE GETTING IT, 1013 00:50:53,017 --> 00:50:56,621 AND IT SURE AS HELL AIN'T ME. 1014 00:50:58,055 --> 00:51:00,125 SHE'D LIKE YOU TO FUCK HER. 1015 00:51:00,125 --> 00:51:02,260 OH. OH, REALLY? 1016 00:51:02,260 --> 00:51:04,562 REALLY. OR WHAT ABOUT MARIE, HMM? 1017 00:51:04,562 --> 00:51:06,697 SHE SEEMED TO FIND YOU FASCINATING SUDDENLY. 1018 00:51:06,697 --> 00:51:09,534 WELL, YEAH, YEAH, I AM FASCINATING. 1019 00:51:10,835 --> 00:51:11,969 SPEAKING OF MARIE, 1020 00:51:11,969 --> 00:51:14,038 MAYBE MARIE DOES FIND ME FASCINATING 1021 00:51:14,038 --> 00:51:15,306 BECAUSE HER HUSBAND WAS SITTING THERE 1022 00:51:15,306 --> 00:51:17,208 LOOKING DOWN YOUR DRESS ALL NIGHT. 1023 00:51:17,208 --> 00:51:18,509 SO NOW IT'S THE DRESS? 1024 00:51:18,509 --> 00:51:20,511 OH, NO, I LIKE THE DRESS. 1025 00:51:20,511 --> 00:51:21,546 GREAT, GREAT. 1026 00:51:21,546 --> 00:51:23,648 NO, IT'S HOW YOU WEAR THE DRESS. 1027 00:51:23,648 --> 00:51:26,584 WELL, I THINK YOU MAY BE IN THE MINORITY THERE, 1028 00:51:26,584 --> 00:51:28,353 BECAUSE, TO BE QUITE HONEST, 1029 00:51:28,353 --> 00:51:30,054 IT'S NICE TO KNOW THAT SOME MEN 1030 00:51:30,054 --> 00:51:31,622 FIND ME ATTRACTIVE. 1031 00:51:31,622 --> 00:51:33,191 MIMI, COME ON NOW. YOU ARE ATTRACTIVE, 1032 00:51:33,191 --> 00:51:35,193 BUT YOU JUST DON'T HAVE TO EXPOSE YOUR BREASTS 1033 00:51:35,193 --> 00:51:36,994 TO BE CONSTANTLY FUCKING ENDORSED. 1034 00:51:36,994 --> 00:51:38,062 THAT'S WHAT I'M SAYING. 1035 00:51:38,062 --> 00:51:39,597 I... 1036 00:51:39,597 --> 00:51:40,765 I WAS NOT... 1037 00:51:40,765 --> 00:51:42,400 DID IT EVEN DAWN ON YOU 1038 00:51:42,400 --> 00:51:44,502 THAT WHEN YOU LEANED OVER THE TABLE 1039 00:51:44,502 --> 00:51:47,004 THAT YOU ARE EXPOSING YOUR FUCKING BREASTS? 1040 00:51:47,004 --> 00:51:48,005 FUCK YOU. 1041 00:51:48,005 --> 00:51:49,407 DID IT DAWN ON YOU? 1042 00:51:49,407 --> 00:51:51,108 OR IS THIS SOMETHING THAT YOU WORK ALL OUT? 1043 00:51:51,108 --> 00:51:53,077 IS THAT IT? 1044 00:51:53,077 --> 00:51:54,078 OH. 1045 00:51:54,078 --> 00:51:55,112 YOU ARE SO... 1046 00:51:55,112 --> 00:51:57,215 MAYBE YOU WORKED THIS ALL OUT. 1047 00:51:57,215 --> 00:52:00,050 YOU ARE JUST SO STONED OUT OF YOUR MIND, 1048 00:52:00,050 --> 00:52:02,086 BECAUSE YOU'RE NOT MAKING ANY SENSE. 1049 00:52:02,086 --> 00:52:03,288 I'LL TRY. 1050 00:52:03,288 --> 00:52:05,089 I DON'T KNOW WHAT YOU'RE TRYING TO SAY. 1051 00:52:05,089 --> 00:52:06,157 LISTEN, LISTEN. 1052 00:52:06,157 --> 00:52:07,992 IS IT POSSIBLE 1053 00:52:07,992 --> 00:52:09,126 WHEN YOU GO AND BUY 1054 00:52:09,126 --> 00:52:11,529 THOSE LITTLE LOW-CUT DRESSES OF YOURS 1055 00:52:11,529 --> 00:52:14,665 THAT YOU GO THERE AND YOU, LIKE... 1056 00:52:14,665 --> 00:52:17,235 DECIDE ON IF A LEAN TO THE LEFT 1057 00:52:17,235 --> 00:52:18,969 OR A SHADE TOO MUCH... NO. 1058 00:52:18,969 --> 00:52:20,104 OF THE LEFT SIDE... 1059 00:52:20,104 --> 00:52:21,306 NO, YOU DON'T BUY DRESSES THAT WAY. 1060 00:52:21,306 --> 00:52:22,907 IF YOU LEAN TO THE RIGHT, 1061 00:52:22,907 --> 00:52:25,543 THEN YOU MIGHT SHOW TOO MUCH OF THE LITTLE PINK AREA. 1062 00:52:28,946 --> 00:52:30,181 WHOO. 1063 00:53:50,194 --> 00:53:52,597 MAY I HELP YOU, SIR? 1064 00:53:52,597 --> 00:53:56,100 YES. I'M LOOKING FOR CHARLIE RIVAS. 1065 00:53:56,100 --> 00:53:58,303 HE'S RIGHT OVER THERE. 1066 00:53:59,337 --> 00:54:00,338 THANK YOU. 1067 00:54:00,338 --> 00:54:01,939 YOU'RE WELCOME. 1068 00:54:16,854 --> 00:54:18,923 HEY, MAN. 1069 00:54:18,923 --> 00:54:20,358 HOW YOU DOING? 1070 00:54:38,208 --> 00:54:39,577 [KNOCK ON DOOR] 1071 00:54:39,577 --> 00:54:40,778 Man: GOOD MORNING, CHARLIE. 1072 00:54:42,847 --> 00:54:44,449 HI, GENTLEMEN. 1073 00:54:45,249 --> 00:54:46,451 HOW DID YOU SLEEP? 1074 00:54:48,586 --> 00:54:49,587 UH-- 1075 00:54:51,121 --> 00:54:52,323 UH-- 1076 00:55:04,735 --> 00:55:05,736 OK. 1077 00:55:10,408 --> 00:55:11,509 I'M GOING TO GIVE CHARLIE HIS BATH. 1078 00:55:11,509 --> 00:55:14,712 YOU MAY PREFER TO WAIT OUTSIDE. 1079 00:55:21,552 --> 00:55:23,821 HMM. STICK AROUND. 1080 00:55:29,660 --> 00:55:31,396 WE GOT A GOOD SLEEP LAST NIGHT. 1081 00:55:35,165 --> 00:55:36,767 Man: MAX? 1082 00:55:37,768 --> 00:55:39,269 MAX. 1083 00:55:39,269 --> 00:55:40,971 IT'S VERNON. 1084 00:55:40,971 --> 00:55:41,972 CHARLIE'S BROTHER. 1085 00:55:43,140 --> 00:55:45,175 VERNON. OH. 1086 00:55:45,175 --> 00:55:46,377 HI. HOW YOU DOING? 1087 00:55:46,377 --> 00:55:47,578 ALL RIGHT. 1088 00:55:47,578 --> 00:55:51,549 OH, SHIT. SORRY. LET'S GET RID OF THESE. 1089 00:55:52,883 --> 00:55:53,884 ANYWAY... 1090 00:55:57,855 --> 00:56:01,358 SO, HOW ARE THINGS GOING HERE? 1091 00:56:01,358 --> 00:56:02,627 WELL... 1092 00:56:02,627 --> 00:56:06,931 THE DOCTOR GIVES HIM A WEEK, MAYBE 2. 1093 00:56:09,366 --> 00:56:10,568 YEAH. 1094 00:56:12,336 --> 00:56:15,873 HEY, I HEAR THINGS ARE GOING GREAT FOR YOU. 1095 00:56:15,873 --> 00:56:18,108 CHARLIE SAID BUSINESS IS GOOD. 1096 00:56:18,108 --> 00:56:20,077 YEAH, YEAH, THINGS ARE FINE. 1097 00:56:20,077 --> 00:56:22,513 THAT'S NICE TO HEAR. THAT'S GOOD TO HEAR. 1098 00:56:22,513 --> 00:56:24,482 BEING IN L.A., ENJOYING IT OUT THERE-- 1099 00:56:24,482 --> 00:56:26,083 WHAT A DREAM THAT MUST BE. 1100 00:56:26,083 --> 00:56:28,018 I'M DOING WELL. 1101 00:56:28,018 --> 00:56:28,919 YEAH, GOOD. 1102 00:56:28,919 --> 00:56:30,488 THAT'S GREAT. YOU MEET ANY STARS? 1103 00:56:30,488 --> 00:56:31,856 DO YOU EVER... 1104 00:56:31,856 --> 00:56:33,691 PROBABLY NOT. WELL, THAT'S ALL RIGHT. 1105 00:56:33,691 --> 00:56:35,793 I WAS TRYING TO THINK OF THE LAST TIME I SAW YOU. 1106 00:56:35,793 --> 00:56:38,663 YOU KNOW, IS THERE A BATHROOM AROUND HERE? 1107 00:56:39,464 --> 00:56:40,931 UH, YEAH, THERE'S ONE-- 1108 00:56:40,931 --> 00:56:43,568 OH, YOU DON'T WANT TO USE THAT ONE. 1109 00:56:43,568 --> 00:56:44,902 I THINK IT'S DOWN ON THE LEFT. 1110 00:56:44,902 --> 00:56:46,471 GREAT. EXCUSE ME. 1111 00:56:46,471 --> 00:56:47,805 IT'S OK. 1112 00:57:03,187 --> 00:57:06,190 MAX, HOW YOU DOING, BUDDY? 1113 00:57:06,190 --> 00:57:10,495 I'M FINE. HOW ARE YOU? 1114 00:57:13,197 --> 00:57:15,332 I'M REALLY TIRED, 1115 00:57:15,332 --> 00:57:18,168 BUT I CAN'T SLEEP. 1116 00:57:20,471 --> 00:57:24,041 HOW LONG CAN YOU STAY? 1117 00:57:30,380 --> 00:57:34,519 I KNOW VERN GAVE YOU THE SKINNY, OK? 1118 00:57:34,519 --> 00:57:37,121 I KNOW IT, SO... 1119 00:57:37,121 --> 00:57:38,155 YEAH. 1120 00:57:38,155 --> 00:57:40,324 BEST THING YOU CAN DO IS JUST, YOU KNOW... 1121 00:57:40,324 --> 00:57:43,093 I'LL BE STRAIGHT WITH YOU, YOU BE STRAIGHT WITH ME. 1122 00:57:43,093 --> 00:57:44,094 ALL RIGHT. 1123 00:57:44,094 --> 00:57:45,395 YOU KNOW WHAT'S GOING ON. 1124 00:57:45,395 --> 00:57:46,831 OK. 1125 00:57:47,998 --> 00:57:50,801 LOOK, I'M JUST HERE TO BE USEFUL, ALL RIGHT? 1126 00:57:50,801 --> 00:57:52,703 ANYTHING YOU WANT, YOU JUST ASK, 1127 00:57:52,703 --> 00:57:54,204 AND I'LL DO IT. 1128 00:57:54,204 --> 00:57:57,074 THE FIRST THING YOU CAN DO IS TO HELP ME MOVE THIS PILLOW, 1129 00:57:57,074 --> 00:57:59,544 TURN IT AROUND. THIS SIDE IS WET. 1130 00:57:59,544 --> 00:58:02,146 AND PULL ME OVER A LITTLE TO THE LEFT. 1131 00:58:02,146 --> 00:58:03,147 OK. 1132 00:58:03,147 --> 00:58:05,683 HERE WE GO. 1133 00:58:05,683 --> 00:58:08,018 SWEATIN' MY SKULL OFF. 1134 00:58:09,219 --> 00:58:10,688 HOW'S THAT? 1135 00:58:10,688 --> 00:58:12,557 MAN, SUCH A DIFFERENCE. 1136 00:58:12,557 --> 00:58:13,724 YOU ALL RIGHT? 1137 00:58:13,724 --> 00:58:15,693 YOU ARE SWEATING. 1138 00:58:17,027 --> 00:58:19,864 AH... 1139 00:58:21,098 --> 00:58:23,768 [WHISPERING] Get me some really good bud. 1140 00:58:23,768 --> 00:58:25,369 [LAUGHING] I SHOULD HAVE KNOWN. 1141 00:58:25,369 --> 00:58:26,771 IT'S DONE. 1142 00:58:26,771 --> 00:58:27,905 OK. 1143 00:58:29,473 --> 00:58:32,276 DID YOU COME ALONE? 1144 00:58:32,276 --> 00:58:34,178 SURE. 1145 00:58:34,178 --> 00:58:36,581 MIMI'S GONNA COME A LITTLE BIT LATER ON. 1146 00:58:36,581 --> 00:58:38,048 MIMI'S COMING? 1147 00:58:38,048 --> 00:58:39,083 YEAH. 1148 00:58:39,083 --> 00:58:43,954 AH. I MUST BE A LOT SICKER THAN I THOUGHT. 1149 00:58:48,959 --> 00:58:51,295 UM... 1150 00:58:51,295 --> 00:58:52,997 THE TRAFFIC SUCKS. 1151 00:58:52,997 --> 00:58:57,267 SO BY THE TIME THAT I WANT TO SEE THE PEOPLE, 1152 00:58:57,267 --> 00:58:58,703 THE PEOPLE I LOVE, 1153 00:58:58,703 --> 00:59:01,005 THEY DON'T GET ME AT MY BEST. 1154 00:59:01,005 --> 00:59:04,141 SLOPPY, YOU KNOW WHAT I'M SAYING? 1155 00:59:04,141 --> 00:59:06,744 I NEED YOU TO MANAGE IT AND JUST... 1156 00:59:06,744 --> 00:59:09,346 YOU CAN DO IT WITHOUT BEING IMPOLITE AND ALL THAT. 1157 00:59:09,346 --> 00:59:10,480 ALL RIGHT. 1158 00:59:10,480 --> 00:59:13,684 WHAT'S THE BEST TIME I SHOULD VISIT? 1159 00:59:13,684 --> 00:59:16,053 THE GRAVEYARD. 1160 00:59:16,053 --> 00:59:20,090 RIGHT BEFORE DAWN. THAT'S WHEN IT'S REALLY SCARY. 1161 00:59:20,090 --> 00:59:22,993 AT 5:30, 5:45. 1162 00:59:24,729 --> 00:59:27,932 I SHIT IN MY PANTS FOR FEAR OF DEATH. 1163 00:59:29,366 --> 00:59:31,836 BE HERE THEN. IT WOULD BE NICE. 1164 00:59:35,572 --> 00:59:37,341 I'LL BE HERE. 1165 00:59:42,780 --> 00:59:45,683 Max: I REALIZED THAT HE WAS GOING TO DIE. 1166 00:59:45,683 --> 00:59:47,752 COURSE, I HAD KNOWN THAT ALL ALONG, 1167 00:59:47,752 --> 00:59:49,754 BUT UP UNTIL THAT MOMENT, 1168 00:59:49,754 --> 00:59:53,223 IT WAS AN ABSTRACT IDEA. 1169 00:59:53,223 --> 00:59:54,925 NOW IT WAS REALITY. 1170 00:59:54,925 --> 00:59:57,394 WHAT I MEANT WAS THAT CHARLIE WAS GONNA LEAVE SOON, 1171 00:59:57,394 --> 00:59:59,997 AND HE WOULDN'T BE COMING BACK. 1172 00:59:59,997 --> 01:00:02,933 DEATH IS SO FUCKING STRANGE. 1173 01:00:02,933 --> 01:00:06,937 EVERYTHING IN ME THAT WAS HOLLOW AND FALSE 1174 01:00:06,937 --> 01:00:10,407 SEEMED SO CLEAR SUDDENLY. 1175 01:00:10,407 --> 01:00:13,878 [OVERLAPPING DIALOGUE] 1176 01:00:21,418 --> 01:00:23,287 LOOK AT YOU. 1177 01:00:23,287 --> 01:00:24,454 YOU'RE BEAUTIFUL. 1178 01:00:24,454 --> 01:00:26,290 OK, START THE PARTY. 1179 01:00:26,290 --> 01:00:27,725 I HAVE ARRIVED. 1180 01:00:27,725 --> 01:00:29,193 HEY, NOW. 1181 01:00:30,695 --> 01:00:32,963 IT'S ON THE FIFTH, NOT THE THIRD. 1182 01:00:32,963 --> 01:00:34,832 THE DAY AFTER TOMORROW. 1183 01:00:34,832 --> 01:00:36,233 NO, IT'S ON THE THIRD. 1184 01:00:36,233 --> 01:00:37,434 IT'S ON THE FIFTH. 1185 01:00:37,434 --> 01:00:38,435 YOU LIED. 1186 01:00:38,435 --> 01:00:40,170 ALL RIGHT, IT'S THE THIRD. 1187 01:00:41,505 --> 01:00:43,373 [KNOCK ON DOOR] 1188 01:00:47,077 --> 01:00:48,145 OH. 1189 01:00:48,145 --> 01:00:49,179 Man: HEY, VERN. 1190 01:00:49,179 --> 01:00:51,048 Men: HEY, VERN. 1191 01:00:57,021 --> 01:00:58,488 OH, MAX, HOW YOU DOING? 1192 01:00:58,488 --> 01:00:59,589 HEY, VERN. HOW YOU DOING? 1193 01:00:59,589 --> 01:01:00,825 GOOD TO SEE YOU. 1194 01:01:00,825 --> 01:01:03,961 HEY, LISTEN, I'D LIKE YOU TO MEET MY WIFE. 1195 01:01:07,798 --> 01:01:09,333 THERE YOU GO. 1196 01:01:14,404 --> 01:01:17,407 HI. HOW ARE YOU? 1197 01:01:17,407 --> 01:01:18,743 HI. 1198 01:01:35,492 --> 01:01:36,626 Charlie: EXHAUSTED. 1199 01:01:36,626 --> 01:01:38,829 THANKS FOR COMING ALL THE TIME. 1200 01:01:41,999 --> 01:01:43,734 WHEN'S YOUR WIFE COMING IN? 1201 01:01:43,734 --> 01:01:45,435 IS YOUR WIFE COMING IN? 1202 01:01:45,435 --> 01:01:46,436 YEAH. 1203 01:01:46,436 --> 01:01:47,437 IS SHE? 1204 01:01:47,437 --> 01:01:48,438 YEAH. 1205 01:01:48,438 --> 01:01:49,706 WHEN'S SHE GET IN? TOMORROW. 1206 01:01:49,706 --> 01:01:50,875 TOMORROW? 1207 01:01:50,875 --> 01:01:52,209 WE SHOULD GET TOGETHER AND HAVE DINNER. 1208 01:01:52,209 --> 01:01:53,878 THERE'S A GREAT LITTLE PLACE DOWNTOWN. 1209 01:01:53,878 --> 01:01:55,445 YOU LIKE SUSHI? 1210 01:01:55,445 --> 01:01:57,014 BUT...YEAH. 1211 01:01:57,014 --> 01:01:59,216 THAT'S GOOD. LET'S DO IT. 1212 01:02:05,389 --> 01:02:08,959 Man: DON'T GO THERE, HE SAYS. DON'T GO THERE. 1213 01:02:26,410 --> 01:02:27,711 Charlie: I'M SCARED 1214 01:02:27,711 --> 01:02:30,214 BECAUSE THAT LIST WITH ALL THE PEOPLE... 1215 01:02:30,214 --> 01:02:33,417 BUT I SLEPT GREAT, AND I GOT TO CALL ALL THESE PEOPLE? 1216 01:02:35,619 --> 01:02:37,187 I GOT TO CALL-- 1217 01:02:37,187 --> 01:02:40,224 AND I'M ANGRY 'CAUSE OF THESE SORES IN MY MOUTH, 1218 01:02:40,224 --> 01:02:43,393 AND MY KEVIN DOESN'T EVEN WANT TO KISS ME ANYMORE. 1219 01:02:43,393 --> 01:02:45,595 I'M JUST GONNA LISTEN TO YOUR HEART. 1220 01:02:45,595 --> 01:02:46,797 OK. 1221 01:02:51,435 --> 01:02:52,502 YEAH? 1222 01:02:52,502 --> 01:02:53,537 IT SOUNDS GOOD. 1223 01:02:53,537 --> 01:02:54,538 STILL THERE? 1224 01:02:54,538 --> 01:02:55,539 STILL THERE. 1225 01:02:55,539 --> 01:02:56,540 GOOD, GOOD, GOOD. 1226 01:02:56,540 --> 01:02:58,142 LET'S TRY THE LUNGS. 1227 01:03:01,178 --> 01:03:04,648 I NEED YOU TO BREATHE FOR ME A LITTLE BIT. 1228 01:03:04,648 --> 01:03:05,649 OK. 1229 01:03:05,649 --> 01:03:06,851 TAKE ONE. 1230 01:03:08,485 --> 01:03:09,987 ONE MORE. 1231 01:03:12,456 --> 01:03:13,590 ONE MORE. 1232 01:03:13,590 --> 01:03:17,527 I THINK, UM, I'M GONNA GO AHEAD AND GO NOW, OK? 1233 01:03:17,527 --> 01:03:18,829 I WOULD. 1234 01:03:18,829 --> 01:03:20,931 IS THERE ANYTHING THAT YOU WANT FROM THE STORE? 1235 01:03:20,931 --> 01:03:22,799 READY FOR ONE MORE BREATH, CHARLIE? 1236 01:03:22,799 --> 01:03:25,535 [DEEP BREATH] 1237 01:03:27,071 --> 01:03:29,073 YOU NEED SOME GOOD FOOD? 1238 01:03:29,073 --> 01:03:31,241 SOME GOOD FOOD OR--I DON'T KNOW-- 1239 01:03:31,241 --> 01:03:33,277 OR CARNEGIE DELI. GOOD, GOOD, GOOD. 1240 01:03:33,277 --> 01:03:36,680 NO. HOW ABOUT SOME OF THAT PAPAYA JUICE 1241 01:03:36,680 --> 01:03:37,982 YOU HAD THE OTHER DAY? 1242 01:03:37,982 --> 01:03:40,217 PAPAYA JUICE. YEAH. SHE SAID THE ENZYME THING. 1243 01:03:40,217 --> 01:03:42,752 IT'S GOOD FOR YOUR MOUTH. 1244 01:03:42,752 --> 01:03:43,820 OK. 1245 01:03:43,820 --> 01:03:44,821 ALL RIGHT? 1246 01:03:44,821 --> 01:03:45,956 UH-HUH. 1247 01:03:45,956 --> 01:03:47,691 OK, I'M GONNA PUT THE BLUE SHIRT ON. 1248 01:03:47,691 --> 01:03:48,692 UH-HUH. 1249 01:03:48,692 --> 01:03:49,759 MM-HMM. 1250 01:03:49,759 --> 01:03:50,760 HEY, MAX. 1251 01:03:50,760 --> 01:03:51,761 YEAH? 1252 01:03:51,761 --> 01:03:53,497 UM... 1253 01:03:53,497 --> 01:03:54,764 YOU'RE KICKING ASS, 1254 01:03:54,764 --> 01:03:58,335 DOING A GREAT JOB FOR ME, 1255 01:03:58,335 --> 01:04:01,038 BUT I'M WORRIED ABOUT YOU, BECAUSE... 1256 01:04:01,038 --> 01:04:02,639 YOU'RE WORRIED ABOUT ME? 1257 01:04:02,639 --> 01:04:04,608 YEAH. YOU DON'T LOOK HAPPY. 1258 01:04:04,608 --> 01:04:06,176 YOU DESERVE TO BE HAPPY. 1259 01:04:06,176 --> 01:04:09,146 YOU SPEND ALL YOUR TIME HERE, AND YOU LOOK... 1260 01:04:09,146 --> 01:04:12,216 I WANT TO CHECK HIS BACK FOR SORES. 1261 01:04:12,216 --> 01:04:14,351 CHRIS SAID THAT YOU'RE ANXIOUS AND DEPRESSED, 1262 01:04:14,351 --> 01:04:15,619 AND I SAID, YUP. 1263 01:04:15,619 --> 01:04:17,187 ISN'T THAT WHAT YOU SAID? 1264 01:04:17,187 --> 01:04:18,855 Chris: ANXIOUS AND DEPRESSED. 1265 01:04:18,855 --> 01:04:20,490 YOU WORRY ABOUT YOU, OK? I'LL WORRY ABOUT ME. 1266 01:04:20,490 --> 01:04:24,028 OK, BUT LISTEN, MAN, ALL RIGHT? LOOK AT ME. 1267 01:04:24,028 --> 01:04:25,795 LIFE IS SHORT. OK? 1268 01:04:25,795 --> 01:04:26,863 YEAH. 1269 01:04:26,863 --> 01:04:28,798 THE TREE HUGGERS ARE RIGHT, MAN. 1270 01:04:28,798 --> 01:04:31,601 THIS IS NOT A REHEARSAL. THIS IS IT. 1271 01:04:33,870 --> 01:04:35,872 GOOD-BYE. I'LL SEE YOU SOON. 1272 01:04:35,872 --> 01:04:37,141 OK. 1273 01:04:38,042 --> 01:04:39,509 HOW'S THE BREATHING GOING? 1274 01:04:39,509 --> 01:04:40,544 IT'S GOOD. 1275 01:04:40,544 --> 01:04:43,513 HE'S GONNA GET ME SOME GRASS. IS THAT OK? 1276 01:04:43,513 --> 01:04:44,448 NO, IT'S NOT OK. 1277 01:04:44,448 --> 01:04:46,616 WHY? I HAVE NO IMMUNITIES NOW ANYWAY. 1278 01:04:46,616 --> 01:04:47,817 WHAT'S THAT GONNA DO? 1279 01:04:47,817 --> 01:04:50,620 IT'S GONNA BE HARDER FOR YOU TO BREATHE. 1280 01:05:38,235 --> 01:05:40,570 [GUITAR PLAYING, PEOPLE SINGING] 1281 01:05:44,241 --> 01:05:46,876 * CHARLIE, HAPPY BIRTHDAY * 1282 01:05:46,876 --> 01:05:50,014 * YOU'RE SO COOL * 1283 01:05:51,681 --> 01:05:53,683 [MAN SINGING] 1284 01:06:04,628 --> 01:06:07,431 CHARLIE. 1285 01:06:07,431 --> 01:06:08,732 REMEMBER ME? 1286 01:06:11,801 --> 01:06:13,737 IT'S GOOD TO SEE YA. 1287 01:06:13,737 --> 01:06:16,373 HEY. HAPPY BIRTHDAY. 1288 01:06:16,373 --> 01:06:18,508 Mimi: I DIDN'T EVEN KNOW IT WAS YOUR BIRTHDAY. 1289 01:06:18,508 --> 01:06:19,776 MAX DIDN'T TELL ME. 1290 01:06:19,776 --> 01:06:23,080 WE HAVE 2, 2 BEAUTIFUL KIDS. 1291 01:06:23,080 --> 01:06:24,714 YEAH, WE COULDN'T BRING THEM. 1292 01:06:24,714 --> 01:06:26,483 GREAT. IS THIS OK? 1293 01:06:26,483 --> 01:06:29,553 Mimi: IT'S REALLY GOOD TO SEE YOU, CHARLIE. YEAH. 1294 01:06:35,225 --> 01:06:36,826 I WANTED TO, UM... 1295 01:06:36,826 --> 01:06:38,728 US TO CELEBRATE. 1296 01:06:38,728 --> 01:06:40,297 IT'S YOUR BIRTHDAY, RIGHT? 1297 01:06:40,297 --> 01:06:43,133 WHO IS THAT TALKING WITH, UM, CHARLIE? 1298 01:06:43,133 --> 01:06:44,468 THAT'S VERNON, HIS BROTHER. 1299 01:06:44,468 --> 01:06:45,902 OH, THAT'S VERNON. 1300 01:06:45,902 --> 01:06:47,237 I GOT TO GO. 1301 01:06:47,237 --> 01:06:49,739 I'M NOT GONNA BE ABLE TO COME IN FOR A FEW DAYS. 1302 01:06:49,739 --> 01:06:50,940 MAX IS GONNA BE HERE. 1303 01:06:50,940 --> 01:06:54,144 I'LL BE BACK WHEN I CAN. TAKE CARE. 1304 01:06:58,282 --> 01:07:02,152 HI, VERNON. YES, UH, THIS IS, UH, MY WIFE MIMI. 1305 01:07:02,152 --> 01:07:03,920 HELLO, VERNON. IT'S A PLEASURE. 1306 01:07:03,920 --> 01:07:05,622 VERY NICE TO MEET YOU. 1307 01:07:05,622 --> 01:07:07,691 VERY NICE TO MEET YOU. 1308 01:07:07,691 --> 01:07:09,693 THIS IS, UH... 1309 01:07:09,693 --> 01:07:10,494 KAREN. 1310 01:07:10,494 --> 01:07:12,028 OH, NICE TO MEET YOU, KAREN. 1311 01:07:12,028 --> 01:07:13,497 AND, UH, YOU ARE... 1312 01:07:13,497 --> 01:07:14,298 MY WIFE. 1313 01:07:14,298 --> 01:07:15,832 OK, THAT'S WHAT I FIGURED. 1314 01:07:15,832 --> 01:07:17,401 IT'S GREAT YOU CAN BE HERE. 1315 01:07:17,401 --> 01:07:18,202 YEAH. 1316 01:07:18,202 --> 01:07:20,604 OH, SURE, SURE. 1317 01:07:20,604 --> 01:07:21,905 Man: OH, MY GOD! 1318 01:07:21,905 --> 01:07:24,541 Second man: WAY TO GO, DOC. 1319 01:07:24,541 --> 01:07:27,277 LISTEN, UH, ANYBODY HUNGRY? 1320 01:07:27,277 --> 01:07:28,745 THAT'S OK. NO, NO. 1321 01:07:28,745 --> 01:07:30,314 YES, ACTUALLY. 1322 01:07:30,314 --> 01:07:32,082 THE PLACE WE TALKED ABOUT-- 1323 01:07:32,082 --> 01:07:33,283 REMEMBER THAT SUSHI? 1324 01:07:33,283 --> 01:07:34,384 OH, I LOVE SUSHI. 1325 01:07:34,384 --> 01:07:35,585 OH, IT'S FANTASTIC, THIS PLACE. 1326 01:07:35,585 --> 01:07:36,786 I'M NOT HUNGRY. 1327 01:07:38,988 --> 01:07:40,457 MAYBE IT WAS LIKE A WOMAN'S INSTINCT 1328 01:07:40,457 --> 01:07:42,959 OR A MATERNAL INSTINCT, PROTECTING OUR KIDS. 1329 01:07:42,959 --> 01:07:44,228 REMEMBER, HONEY? 1330 01:07:44,228 --> 01:07:46,296 I WAS JUST, LIKE, I HAVE TO SELL THIS HOUSE. 1331 01:07:46,296 --> 01:07:47,597 DIDN'T I TELL YOU, RIGHT? 1332 01:07:47,597 --> 01:07:49,199 I SAID I HAVE TO SELL THIS HOUSE. 1333 01:07:49,199 --> 01:07:50,567 I JUST HAVE A SIXTH SENSE. 1334 01:07:50,567 --> 01:07:52,836 AND WE SOLD THE HOUSE RIGHT BEFORE THE EARTHQUAKE. 1335 01:07:52,836 --> 01:07:54,070 YOU HAD AN INTUITION. 1336 01:07:54,070 --> 01:07:55,205 EXACTLY. RIGHT, MAX? 1337 01:07:55,205 --> 01:07:56,740 THAT'S A LOT OF WHAT REAL ESTATE IS. 1338 01:07:56,740 --> 01:08:00,076 SO WE SOLD THE HOUSE, AT A REALLY GOOD PRICE, TOO. 1339 01:08:00,076 --> 01:08:01,911 AND THEN THE EARTHQUAKE HIT, 1340 01:08:01,911 --> 01:08:03,680 THE BIG NORTHRIDGE EARTHQUAKE. 1341 01:08:03,680 --> 01:08:05,215 IT TOTALED THE HOUSE. 1342 01:08:05,215 --> 01:08:07,217 I FELT REALLY BAD FOR THE COUPLE WHO BOUGHT IT. 1343 01:08:07,217 --> 01:08:08,952 IT GOT TOTALED DURING THE EARTHQUAKE?YES. 1344 01:08:08,952 --> 01:08:10,154 AFTER YOU SOLD IT? 1345 01:08:10,154 --> 01:08:11,421 AFTER WE SOLD IT. 1346 01:08:11,421 --> 01:08:12,622 OOH. OH. THAT IS BEAUTIFUL. 1347 01:08:12,622 --> 01:08:14,691 DON'T YOU JUST LOVE JAPANESE FOOD? 1348 01:08:14,691 --> 01:08:16,426 THEY'RE SO PRETTY, HUH? 1349 01:08:16,426 --> 01:08:18,495 ANYWAYS, THE PRICES OF REAL ESTATE WENT DOWN, 1350 01:08:18,495 --> 01:08:21,064 WAY DOWN, AND WE GOT OUR NEW HOME, 1351 01:08:21,064 --> 01:08:22,132 THIS BEAUTIFUL HOUSE, 1352 01:08:22,132 --> 01:08:23,333 FOR, LIKE, WHAT, HALF THE PRICE? 1353 01:08:23,333 --> 01:08:24,968 IT'S JUST GORGEOUS. 1354 01:08:24,968 --> 01:08:26,536 THAT'S VERY SMART. THAT'S VERY SMART. 1355 01:08:26,536 --> 01:08:27,937 I THINK THE HOUSING PRICES OUT THERE 1356 01:08:27,937 --> 01:08:30,207 ARE AT THEIR LOWEST RATE SINCE BEFORE THE GOLD RUSH. 1357 01:08:30,207 --> 01:08:32,041 RIGHT, RIGHT. AND THEN WITH THE MUD SLIDES, 1358 01:08:32,041 --> 01:08:33,510 EVERYBODY WAS AFRAID TO MOVE. 1359 01:08:33,510 --> 01:08:38,448 YOU KNOW THE MUD SLIDES WERE STARTED INTENTIONALLY? 1360 01:08:39,816 --> 01:08:40,984 [VERNON CHUCKLES] 1361 01:08:40,984 --> 01:08:42,051 WHAT? 1362 01:08:42,051 --> 01:08:43,987 [MIMI LAUGHING] 1363 01:08:43,987 --> 01:08:45,989 THEY PUT ALL THE FIRE HOSES UP THERE. 1364 01:08:45,989 --> 01:08:47,291 Mimi: OK, RIGHT, HONEY. 1365 01:08:47,291 --> 01:08:49,559 SO--HA HA HA. 1366 01:08:49,559 --> 01:08:50,994 SO DRAMATIC. 1367 01:08:50,994 --> 01:08:53,297 SUCH A GOOFBALL. SO... 1368 01:08:53,297 --> 01:08:54,731 Vernon: WE WERE TEMPTED. 1369 01:08:54,731 --> 01:08:57,501 WE WERE REALLY TEMPTED TO MOVE OUT THERE, BUT, UM... 1370 01:08:57,501 --> 01:08:58,702 WELL, I WAS TEMPTED. 1371 01:08:58,702 --> 01:09:01,405 IT WAS A LITTLE MORE DIFFICULT FOR KAREN 1372 01:09:01,405 --> 01:09:03,407 BECAUSE OF HER WORK. 1373 01:09:03,407 --> 01:09:06,643 SO, UM, WHAT DO YOU DO, KAREN? 1374 01:09:08,345 --> 01:09:10,514 I'M A ROCKET SCIENTIST. 1375 01:09:15,151 --> 01:09:16,386 Vernon: UH... 1376 01:09:17,487 --> 01:09:21,024 SHE--SHE WORKS FOR THE FAIRCHILD GROUP. 1377 01:09:21,024 --> 01:09:25,729 IT'S A COMPANY THAT DESIGN ROCKETS 1378 01:09:25,729 --> 01:09:27,231 FOR, UH... 1379 01:09:27,231 --> 01:09:28,798 OH, SATELLITE COMMUNICATION SYSTEMS... 1380 01:09:28,798 --> 01:09:30,166 AND TELEPHONE SYSTEMS. 1381 01:09:30,166 --> 01:09:33,503 OH, WOW. REALLY? HMM. 1382 01:09:33,503 --> 01:09:34,638 Vernon: BUT THEY CLOSED DOWN 1383 01:09:34,638 --> 01:09:36,072 THEIR WEST COAST DIVISION LAST YEAR, 1384 01:09:36,072 --> 01:09:38,308 SO IT DIDN'T MAKE ANY SENSE FOR US TO MOVE OUT, SO... 1385 01:09:38,308 --> 01:09:39,343 WE'RE STILL HERE. 1386 01:09:39,343 --> 01:09:41,778 SO YOU STILL LIVE IN NEW YORK? 1387 01:09:41,778 --> 01:09:42,779 MM-HMM. 1388 01:09:42,779 --> 01:09:43,580 WHAT PART? 1389 01:09:43,580 --> 01:09:45,048 Vernon: UPSTATE. UPSTATE. 1390 01:09:45,048 --> 01:09:46,283 OH. 1391 01:09:46,283 --> 01:09:48,385 WE GOT A BEAUTIFUL HOME OUTSIDE OF ALBANY. 1392 01:09:48,385 --> 01:09:51,855 OH, ALBANY. YEAH, YEAH. I'VE HEARD OF ALBANY. 1393 01:09:51,855 --> 01:09:54,758 DON'T WE HAVE A FRIEND IN ALBANY, MAX? 1394 01:09:54,758 --> 01:09:56,226 NO. 1395 01:09:57,461 --> 01:09:59,863 IN FACT, WE GOT TO BE GETTING BACK TOMORROW, 1396 01:09:59,863 --> 01:10:01,465 SO, I THOUGHT, UH... 1397 01:10:01,465 --> 01:10:03,400 MAX, IF IT'S ALL RIGHT WITH YOU, 1398 01:10:03,400 --> 01:10:06,169 I'M GONNA LEAVE YOU A COUPLE OF NUMBERS. 1399 01:10:06,169 --> 01:10:08,272 AND THE CELL PHONE'S ON HERE. 1400 01:10:08,272 --> 01:10:10,474 I'M GONNA GIVE YOU THE HOME IN CASE, UH... 1401 01:10:10,474 --> 01:10:12,642 ANYTHING SHOULD HAPPEN WITH CHARLIE. 1402 01:10:12,642 --> 01:10:14,911 THIS MUST BE REALLY, REALLY DIFFICULT FOR YOU. 1403 01:10:14,911 --> 01:10:16,246 Vernon: WHAT? 1404 01:10:16,246 --> 01:10:19,316 YOU MEAN WATCH MY BROTHER DIE, NOT BEING ABLE TO DO ANYTHING? 1405 01:10:19,316 --> 01:10:21,050 YEAH. IT'S, UH... 1406 01:10:21,050 --> 01:10:22,151 IT'S SO SAD. 1407 01:10:22,151 --> 01:10:25,489 YEP. IT IS. IT SURE IS, 1408 01:10:25,489 --> 01:10:29,526 BUT...IT'S SOMETHING TO BE EXPECTED. 1409 01:10:31,428 --> 01:10:34,498 YOU KNOW, WITH THE LIFESTYLE THESE GUYS LEAD, IT'S... 1410 01:10:34,498 --> 01:10:37,901 I MEAN, YOU DON'T WATCH SOMEONE OUT PLAYING 1411 01:10:37,901 --> 01:10:38,968 IN THE MIDDLE OF A MINEFIELD 1412 01:10:38,968 --> 01:10:41,170 AND NOT EXPECT TO HEAR AN EXPLOSION, RIGHT? 1413 01:10:41,170 --> 01:10:45,074 IT JUST DIDN'T HAVE TO HAPPEN TO HIM. 1414 01:10:45,074 --> 01:10:47,577 IT'S JUST SO STUPID. 1415 01:10:48,378 --> 01:10:50,246 MAX, I'M GLAD YOU'RE HERE. 1416 01:10:50,246 --> 01:10:53,283 I KNOW IT MEANS A LOT TO CHARLIE. 1417 01:10:53,283 --> 01:10:56,486 WELL, IT MEANS A LOT TO ME, TOO, VERN. 1418 01:11:01,391 --> 01:11:04,160 SO, WHAT DO YOU SAY? 1419 01:11:04,160 --> 01:11:06,830 HOW ABOUT A TOAST TO CHARLIE? 1420 01:11:08,832 --> 01:11:09,666 TO CHARLIE. 1421 01:11:09,666 --> 01:11:11,134 Mimi: YES, TO CHARLIE. 1422 01:11:11,134 --> 01:11:12,135 Karen: TO CHARLIE. 1423 01:11:12,135 --> 01:11:14,338 Mimi: MM-HMM. 1424 01:11:20,844 --> 01:11:22,412 I'M FINE. 1425 01:11:23,647 --> 01:11:26,115 Mimi: WE SHOULD START DIGGING INTO THIS 1426 01:11:26,115 --> 01:11:28,284 BEFORE... IT GETS WHAT? WARM? 1427 01:11:28,284 --> 01:11:30,687 HA HA HA HA. 1428 01:11:30,687 --> 01:11:31,655 YOU GET IT? 1429 01:11:31,655 --> 01:11:33,857 OH, ANYWAY, WHAT DO YOU WANT? 1430 01:11:33,857 --> 01:11:35,325 YOU WANT THE TUNA? 1431 01:11:35,325 --> 01:11:37,093 Vernon: HEY, CHEER ME UP. 1432 01:11:37,093 --> 01:11:38,294 SURPRISE ME. 1433 01:11:41,331 --> 01:11:42,866 HEY, HERE WE GO. HO. 1434 01:11:42,866 --> 01:11:44,368 TAXI! HEY! 1435 01:11:44,368 --> 01:11:46,035 OH, WE'RE SORRY. HA HA HA. 1436 01:11:46,035 --> 01:11:48,004 THAT'S GOOD TIMING. 1437 01:11:48,004 --> 01:11:49,205 PERFECT. 1438 01:11:49,205 --> 01:11:50,907 ALL RIGHT, HEY, THIS IS FOR YOU. 1439 01:11:50,907 --> 01:11:52,776 NO, NO, NO. YOU TAKE IT. YOU GO AHEAD. 1440 01:11:52,776 --> 01:11:53,677 IT'S ALL RIGHT. 1441 01:11:53,677 --> 01:11:55,078 NO, NO, NO, YOU GO AHEAD. 1442 01:11:55,078 --> 01:11:56,480 NO, IT'S ALL RIGHT. 1443 01:11:56,480 --> 01:11:58,247 LOOK, THERE'S ANOTHER ONE. WE'LL CATCH THE NEXT ONE. 1444 01:11:58,247 --> 01:11:59,248 PLEASE. 1445 01:11:59,248 --> 01:12:00,850 IT WAS A GOOD TIME. 1446 01:12:00,850 --> 01:12:02,051 GOOD TO SEE YOU. 1447 01:12:02,051 --> 01:12:03,653 GOOD TO SEE YOU, TOO, VERN. 1448 01:12:03,653 --> 01:12:05,455 OH, IT WAS A REAL PLEASURE, VERNON. 1449 01:12:05,455 --> 01:12:07,424 WE'LL HAVE TO DO IT AGAIN. 1450 01:12:07,424 --> 01:12:08,525 I HOPE SO. 1451 01:12:08,525 --> 01:12:10,527 OH, KAREN. NICE TO MEET YOU. 1452 01:12:10,527 --> 01:12:12,295 Mimi: GOOD NIGHT. 1453 01:12:12,295 --> 01:12:13,763 LET ME GET THIS. 1454 01:12:17,934 --> 01:12:19,969 GOOD NIGHT. 1455 01:12:22,205 --> 01:12:24,908 [ENGINE STARTS] 1456 01:12:34,918 --> 01:12:35,919 HEY. 1457 01:12:35,919 --> 01:12:37,120 HEY. 1458 01:12:37,120 --> 01:12:40,223 GOD, I WISH I HAD A CIGARETTE. 1459 01:12:40,223 --> 01:12:42,526 [CHARLIE YELLS] 1460 01:12:49,332 --> 01:12:51,535 [STRAINED BREATHING] 1461 01:12:59,308 --> 01:13:01,511 [WHEEZING] 1462 01:13:08,885 --> 01:13:10,153 GIVE HIM A SHOT. 1463 01:13:19,963 --> 01:13:22,466 IT'S OK. IT'S OK. 1464 01:13:24,000 --> 01:13:25,168 IT'S OK. 1465 01:13:31,040 --> 01:13:32,108 [KISSES] 1466 01:14:23,793 --> 01:14:25,495 OK. 1467 01:14:25,495 --> 01:14:28,231 BECAUSE I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 1468 01:14:28,231 --> 01:14:30,433 SO LISTEN AND LEARN. 1469 01:14:30,433 --> 01:14:35,071 WHY DON'T YOU SPEAK SENTENCES INSTEAD OF GENERALIZATIONS? 1470 01:14:35,071 --> 01:14:36,172 YOU KNOW WHAT? 1471 01:14:36,172 --> 01:14:37,440 NO, YOU KNOW WHAT? 1472 01:14:37,440 --> 01:14:39,175 WHAT ARE YOU TALKING ABOUT? 1473 01:14:39,175 --> 01:14:40,644 SEE? THAT'S--THAT'S WHERE... 1474 01:15:09,973 --> 01:15:11,040 MORNING. 1475 01:15:11,040 --> 01:15:12,108 HEY, MAX. 1476 01:15:12,108 --> 01:15:13,677 HEY. IT'S NOT MUCH, 1477 01:15:13,677 --> 01:15:15,679 BUT I BROUGHT YOU A LITTLE SOMETHING. 1478 01:15:15,679 --> 01:15:17,413 A TOKEN OF MY APPRECIATION 1479 01:15:17,413 --> 01:15:19,215 FOR WHAT YOU'RE DOING FOR CHARLIE. 1480 01:15:19,215 --> 01:15:21,217 THANK YOU. THANK YOU. 1481 01:15:21,217 --> 01:15:22,451 SHE'S TIRED. 1482 01:15:22,451 --> 01:15:24,754 I MEAN, THANK YOU. 1483 01:15:24,754 --> 01:15:26,189 HE'S HANGING IN. 1484 01:15:26,189 --> 01:15:27,724 GREAT. I'M GOING. 1485 01:15:27,724 --> 01:15:30,326 OK. SEE YOU A BIT LATER. 1486 01:15:30,326 --> 01:15:31,728 THANKS, MATE. 1487 01:16:29,518 --> 01:16:30,920 HI. 1488 01:16:34,290 --> 01:16:36,359 WHEN'D YOU GET BACK? 1489 01:16:36,359 --> 01:16:38,094 LAST NIGHT. 1490 01:16:49,706 --> 01:16:51,708 I LIKED YOUR WIFE. 1491 01:16:55,879 --> 01:16:58,815 SHE LIKED YOU, TOO. 1492 01:16:59,683 --> 01:17:01,084 REALLY? 1493 01:17:09,358 --> 01:17:11,094 SO HOW IS HE DOING? 1494 01:17:13,730 --> 01:17:15,298 NOT SO GOOD. 1495 01:17:19,202 --> 01:17:21,337 BUT HE TALKED A LOT. 1496 01:17:22,772 --> 01:17:26,743 HE TOLD ME YOU CAME TO VISIT HIM LAST YEAR, AND... 1497 01:17:26,743 --> 01:17:29,212 I REALIZED IT WAS THAT SAME TIME. 1498 01:17:31,380 --> 01:17:32,716 YEAH. 1499 01:17:35,218 --> 01:17:37,286 SAME TIME. 1500 01:17:39,756 --> 01:17:43,092 IS THIS REALLY DIFFICULT FOR YOU? 1501 01:17:43,092 --> 01:17:44,728 NO, IT'S OK. 1502 01:17:46,930 --> 01:17:49,098 AS FAR AS I'M CONCERNED... 1503 01:17:50,767 --> 01:17:53,169 NOTHING HAPPENED. 1504 01:17:54,637 --> 01:17:57,974 UH-HUH. EXACTLY. 1505 01:17:59,208 --> 01:18:00,977 NOTHING HAPPENED. 1506 01:18:02,345 --> 01:18:04,280 YEAH, WELL... 1507 01:18:04,280 --> 01:18:05,749 I'M GOING. 1508 01:18:25,168 --> 01:18:26,970 GOSH. 1509 01:18:37,446 --> 01:18:40,049 OH, MAX. 1510 01:18:40,049 --> 01:18:41,450 MAX. 1511 01:18:53,429 --> 01:18:54,998 UH-HUH. 1512 01:19:03,439 --> 01:19:04,607 [CLEARS THROAT] 1513 01:19:04,607 --> 01:19:05,674 GOOD MORNING, CHARLIE. 1514 01:19:05,674 --> 01:19:07,010 HEY, MAN. 1515 01:19:10,780 --> 01:19:12,348 NEW SHIFT IS HERE. 1516 01:19:16,920 --> 01:19:18,321 HOW YOU FEELING? 1517 01:19:18,321 --> 01:19:19,455 GOOD. 1518 01:19:19,455 --> 01:19:21,190 DID YOU GET SOME SLEEP? 1519 01:19:21,190 --> 01:19:22,458 MM-HMM. 1520 01:19:23,759 --> 01:19:27,864 LISTEN, KEVIN IS COMING AT 5:00, OK? 1521 01:19:27,864 --> 01:19:30,333 AND THEN I'LL BE HERE THIS AFTERNOON. 1522 01:19:48,617 --> 01:19:50,353 UM... 1523 01:19:50,353 --> 01:19:51,454 [CLEARS THROAT] 1524 01:19:54,023 --> 01:19:57,360 [CLEARS THROAT HARDER] 1525 01:20:04,767 --> 01:20:07,103 HEY, MAN. 1526 01:20:07,904 --> 01:20:10,073 SORRY TO, UH... WAKE YOU. 1527 01:20:10,073 --> 01:20:12,976 ARE YOU DOING ALL RIGHT? 1528 01:20:25,654 --> 01:20:27,790 WHY ARE YOU KISSING... 1529 01:20:27,790 --> 01:20:30,193 MY SISTER-IN-LAW? 1530 01:20:39,135 --> 01:20:40,937 OK. 1531 01:20:40,937 --> 01:20:45,274 REMEMBER WHEN I CAME TO NEW YORK... 1532 01:20:45,274 --> 01:20:46,910 TO VISIT YOU? 1533 01:20:50,546 --> 01:20:52,348 I MISSED MY FLIGHT. 1534 01:21:00,957 --> 01:21:03,492 SO WHAT SHOULD I DO? 1535 01:21:03,492 --> 01:21:05,861 LIFE IS AN ORANGE, MAX. 1536 01:21:07,596 --> 01:21:08,864 WHAT DOES THAT MEAN? 1537 01:21:08,864 --> 01:21:10,900 DON'T YOU REMEMBER THAT JOKE? 1538 01:21:12,568 --> 01:21:14,237 THE YOUNG JEWISH BOY 1539 01:21:14,237 --> 01:21:17,473 SITTING AT THE FOOT OF HIS WISE FATHER. 1540 01:21:19,542 --> 01:21:21,644 AND HIS FATHER SAYS, 1541 01:21:21,644 --> 01:21:24,513 "ALWAYS REMEMBER, SON, 1542 01:21:24,513 --> 01:21:26,983 LIFE IS AN ORANGE." 1543 01:21:26,983 --> 01:21:30,153 AND HE PONDERS 1544 01:21:30,153 --> 01:21:32,888 AND THINKS ON THE MEANING OF THIS PHRASE 1545 01:21:32,888 --> 01:21:34,457 HIS WHOLE LIFE. 1546 01:21:34,457 --> 01:21:36,459 [PANTING] 1547 01:21:37,927 --> 01:21:41,364 ABOUT 60 YEARS LATER, HIS FATHER'S DYING, 1548 01:21:41,364 --> 01:21:45,468 AND HE GOES TO SEE HIM FOR THE LAST TIME. 1549 01:21:47,903 --> 01:21:52,508 AND HIS FATHER'S SLIPPING AWAY. 1550 01:21:52,508 --> 01:21:55,144 AND HE SAYS, "WHAT DID THAT MEAN, POP?" 1551 01:21:55,144 --> 01:21:57,846 AND HE SAYS, "WHAT DID WHAT MEAN, SON?" 1552 01:21:57,846 --> 01:21:59,148 AND THEN HE SAYS, 1553 01:21:59,148 --> 01:22:03,019 "YOU KNOW, THAT LIFE IS AN ORANGE." 1554 01:22:03,019 --> 01:22:05,621 AND THEN WITH HIS DYING BREATH, 1555 01:22:05,621 --> 01:22:07,656 HIS FATHER SAYS, 1556 01:22:07,656 --> 01:22:10,326 "I HAVEN'T A FUCKING CLUE." 1557 01:22:14,530 --> 01:22:15,598 RIGHT. 1558 01:22:18,201 --> 01:22:21,637 YOU GOTTA WORK OUT YOUR SHIT, MAX. 1559 01:22:27,776 --> 01:22:30,179 THAT BAD STUFF BETWEEN YOU AND ME, 1560 01:22:30,179 --> 01:22:32,948 THAT WAS A STUPID WASTE OF TIME. 1561 01:22:34,783 --> 01:22:36,052 NO, I WAS STUPID. 1562 01:22:36,052 --> 01:22:37,786 I KNOW, I KNOW. YOU... 1563 01:22:37,786 --> 01:22:41,057 IT WAS ME. I WAS ENVIOUS. 1564 01:22:41,057 --> 01:22:44,727 ENVY IS A GOD-AWFUL THING. 1565 01:22:44,727 --> 01:22:47,230 I WAS JUST VERY... 1566 01:22:47,230 --> 01:22:50,199 I WAS PISSED 'CAUSE YOU LEFT, 1567 01:22:50,199 --> 01:22:53,969 AND YOU DIDN'T TAKE ME WITH YOU. 1568 01:22:53,969 --> 01:22:56,739 BUT I COULDN'T, CHARLIE. I DIDN'T KNOW HOW. 1569 01:22:57,806 --> 01:22:59,342 I KNOW. 1570 01:22:59,342 --> 01:23:02,145 I JUST WANT THINGS TO BE CLEAN BETWEEN US. 1571 01:23:10,086 --> 01:23:11,687 I'M SORRY. 1572 01:23:14,857 --> 01:23:16,692 THAT'S OK, BABE. 1573 01:23:18,427 --> 01:23:20,363 IT'S OK. 1574 01:23:25,101 --> 01:23:28,104 I KNOW THIS IS A LOT HARDER FOR MY FRIENDS 1575 01:23:28,104 --> 01:23:30,306 THAN IT IS FOR ME. 1576 01:23:35,511 --> 01:23:38,314 THERE'S SOMETHING I GOTTA ASK YOU. 1577 01:23:40,716 --> 01:23:42,451 DO YOU WANT A PRIEST? 1578 01:23:43,852 --> 01:23:45,854 YOU LISTEN TO ME, OK? 1579 01:23:45,854 --> 01:23:47,723 LISTEN TO ME RIGHT NOW. 1580 01:23:47,723 --> 01:23:49,525 I'VE SEEN TOO MANY PEOPLE 1581 01:23:49,525 --> 01:23:52,128 LOSE THEIR COURAGE AT THE LAST MINUTE. 1582 01:23:52,128 --> 01:23:54,063 I'M NOT SORRY. 1583 01:23:56,132 --> 01:23:58,567 I'M FRIGHTENED. YEAH. 1584 01:23:58,567 --> 01:24:00,336 FRIGHTENED. 1585 01:24:01,337 --> 01:24:02,605 BUT... 1586 01:24:02,605 --> 01:24:06,142 I'M ALSO FASCINATED... 1587 01:24:06,142 --> 01:24:08,477 BY WHAT'S NEXT, SO... 1588 01:24:11,414 --> 01:24:14,717 THANKS, BUT, NO, THANKS. 1589 01:24:18,754 --> 01:24:20,323 ALL RIGHT. 1590 01:24:21,124 --> 01:24:22,325 ALL RIGHT. 1591 01:24:34,170 --> 01:24:36,539 CHARLIE, YOUR DAD WAS HERE. 1592 01:24:57,593 --> 01:25:00,129 I GUESS THAT, UH, I'LL BEST... 1593 01:25:00,129 --> 01:25:03,499 BEST REMEMBER HIM AS MY KID BROTHER 1594 01:25:03,499 --> 01:25:05,301 ON THE BEACH 1595 01:25:05,301 --> 01:25:08,504 WITH DREAMS OF HITTING THE BIG TIME 1596 01:25:08,504 --> 01:25:09,738 ON BROADWAY. 1597 01:25:11,174 --> 01:25:13,108 AND, UH... 1598 01:25:14,310 --> 01:25:16,312 [CHUCKLES] I REMEMBER... 1599 01:25:16,312 --> 01:25:19,315 ONE TIME I WAS COMING HOME FROM SCHOOL AND, UH, 1600 01:25:19,315 --> 01:25:21,317 I GOT HOME AND THERE HE WAS 1601 01:25:21,317 --> 01:25:23,919 COMING OUT OF OUR MOTHER'S BEDROOM 1602 01:25:23,919 --> 01:25:26,189 DRESSED IN ONE OF HER OUTFITS. 1603 01:25:26,189 --> 01:25:28,324 [LAUGHING] 1604 01:25:28,324 --> 01:25:29,925 HE HAD LIPSTICK ON. 1605 01:25:29,925 --> 01:25:31,927 MY BROTHER, HE WAS, UH, 1606 01:25:31,927 --> 01:25:33,829 DEFINITELY AHEAD OF HIS TIME. 1607 01:25:35,464 --> 01:25:37,466 ANYWAY, IT WAS HIS LAST WISH 1608 01:25:37,466 --> 01:25:40,336 THAT WE HAVE A CELEBRATION OF HIS LIFE, 1609 01:25:40,336 --> 01:25:42,938 AND THAT'S WHAT WE'RE GONNA DO. 1610 01:25:42,938 --> 01:25:44,072 UH... 1611 01:25:44,072 --> 01:25:46,074 AFTER THE SERVICE, 1612 01:25:46,074 --> 01:25:47,943 WE'RE GONNA HAVE A PARTY, 1613 01:25:47,943 --> 01:25:50,946 AND, UH, IT'S WHAT HE WANTED. 1614 01:25:50,946 --> 01:25:52,948 HE PAID FOR EVERYTHING. 1615 01:25:52,948 --> 01:25:55,251 SO THAT'S WHAT WE'RE GONNA DO. 1616 01:26:16,972 --> 01:26:18,374 I DON'T KNOW. 1617 01:26:18,374 --> 01:26:19,975 WHO COULD USE A DRINK? 1618 01:26:19,975 --> 01:26:21,377 YOU WANT A DRINK? 1619 01:26:21,377 --> 01:26:22,978 MAX, WOULD YOU LIKE A DRINK? 1620 01:26:22,978 --> 01:26:24,380 YOU KNOW, ACTUALLY, 1621 01:26:24,380 --> 01:26:26,382 I THINK I'M GONNA TAKE A LITTLE WALK. 1622 01:26:26,382 --> 01:26:27,983 I'LL BE IN SHORTLY. 1623 01:26:27,983 --> 01:26:28,984 OK. 1624 01:26:28,984 --> 01:26:31,186 [CHURCH BELLS RINGING] 1625 01:26:42,398 --> 01:26:44,733 [ROCK AND ROLL MUSIC PLAYING] 1626 01:29:37,740 --> 01:29:38,541 KAREN. 1627 01:29:38,541 --> 01:29:40,776 JUST LIE DOWN. 1628 01:29:40,776 --> 01:29:41,910 OHH. 1629 01:29:44,079 --> 01:29:46,148 BE ALL RIGHT, KAREN. 1630 01:29:48,183 --> 01:29:49,918 Woman: IT'S JUST IN THE AIR. 1631 01:29:49,918 --> 01:29:51,286 I JUST FEEL IT. 1632 01:29:51,286 --> 01:29:53,889 I'M CERTAIN TONIGHT IS THE NIGHT. 1633 01:29:53,889 --> 01:29:54,890 UNDERSTAND THAT? 1634 01:29:54,890 --> 01:29:56,291 Man: OH, BOY. 1635 01:29:56,291 --> 01:29:58,360 Woman: IT'S JUST-- IT'S IN THE AIR. 1636 01:29:58,360 --> 01:30:01,363 I JUST THINK WE SHOULD ALL GET PREGNANT 1637 01:30:01,363 --> 01:30:02,931 AND ALL GET HIGH. 1638 01:30:02,931 --> 01:30:04,600 ARE YOU OK? 1639 01:30:04,600 --> 01:30:06,268 HAVE ALL THESE LITTLE CHARLIES. 1640 01:30:06,268 --> 01:30:08,537 WHAT'S WRONG WITH KAREN? 1641 01:30:08,537 --> 01:30:11,206 I THINK SHE HAD TOO MUCH TO DRINK. 1642 01:30:11,206 --> 01:30:12,608 SHE FELL DANCING. 1643 01:30:12,608 --> 01:30:14,009 WE'RE BOTH WEARING CONGO BOOTS. 1644 01:30:14,009 --> 01:30:16,211 YOU BETTER TAKE THESE FUCKING THINGS OFF. 1645 01:30:16,211 --> 01:30:18,013 VERY STRANGE. 1646 01:30:18,013 --> 01:30:20,415 WE SHOULD HAVE LITTLE CHARLIES. I'M SERIOUS. 1647 01:30:20,415 --> 01:30:22,417 [CRICKETS CHIRPING] 1648 01:30:31,226 --> 01:30:33,829 YOU WANT SOME OF THIS, MAX? 1649 01:30:44,840 --> 01:30:46,441 [CHUCKLES] 1650 01:30:47,375 --> 01:30:49,845 STILL DON'T LOOK HAPPY, MAX. 1651 01:30:50,646 --> 01:30:52,447 DO SOMETHING. 1652 01:31:00,255 --> 01:31:02,457 [SLOW SONG PLAYING] 1653 01:31:33,155 --> 01:31:34,156 UH, HEY. 1654 01:31:34,156 --> 01:31:35,558 HEY, HEY, HEY. 1655 01:31:35,558 --> 01:31:37,159 CAN I CUT IN? 1656 01:31:37,159 --> 01:31:38,894 YOU WANT TO CUT IN? 1657 01:31:38,894 --> 01:31:39,695 OH, YEAH. 1658 01:31:39,695 --> 01:31:41,296 NO, NO. DANCE WITH THIS. 1659 01:31:41,296 --> 01:31:42,497 THERE YOU GO. 1660 01:31:47,302 --> 01:31:49,304 [GIGGLING] HEY, HEY, HEY. 1661 01:31:49,304 --> 01:31:50,706 WHAT ARE YOU DOING? 1662 01:31:50,706 --> 01:31:52,307 I KINDA THOUGHT WE WERE DANCING. 1663 01:31:52,307 --> 01:31:53,709 WHAT ARE YOU DOING? 1664 01:31:53,709 --> 01:31:55,310 I'M DANCING WITH YOU. 1665 01:31:55,310 --> 01:31:57,512 YOU GONNA DANCE WITH ME? 1666 01:32:07,990 --> 01:32:10,325 WAIT. WHERE YOU GOING? DANCE WITH ME. 1667 01:32:10,325 --> 01:32:12,327 WHOA, WHOA. HOLD IT. WHOA, WHOA. 1668 01:32:12,327 --> 01:32:14,529 COME ON. DANCE WITH ME. 1669 01:32:29,945 --> 01:32:30,746 Max: PLEASE. 1670 01:32:30,746 --> 01:32:32,347 WE SHOULD STAY INSIDE. 1671 01:32:32,347 --> 01:32:33,548 COME ON. 1672 01:32:42,357 --> 01:32:43,759 ARE YOU CRAZY? 1673 01:32:43,759 --> 01:32:45,360 I'M NOT CRAZY. 1674 01:32:45,360 --> 01:32:46,561 [WHISPERS] 1675 01:33:24,399 --> 01:33:26,601 [WHISPERING] It's just a fuck. 1676 01:33:31,139 --> 01:33:32,407 OH! MY SHOES! 1677 01:33:32,407 --> 01:33:34,009 [BREATHING HEAVILY] 1678 01:33:46,221 --> 01:33:48,223 [WHISPERING] I think there's someone there. 1679 01:33:48,223 --> 01:33:51,193 I think there's someone in the house. 1680 01:33:53,428 --> 01:33:55,831 OOH. 1681 01:34:28,463 --> 01:34:30,665 [SEAGULLS CAWING] 1682 01:34:37,472 --> 01:34:40,108 THIS INTERNET THING, UM, 1683 01:34:40,108 --> 01:34:42,610 IT'S JUST ALL A NEW CONCEPT TO ME. 1684 01:34:42,610 --> 01:34:45,147 I WAS TO ME FOR A LONG TIME, TOO, 1685 01:34:45,147 --> 01:34:46,882 BUT ONCE YOU START, YOU CAN'T STOP. 1686 01:34:46,882 --> 01:34:48,483 I MEAN, ANYTHING YOU WANT TO KNOW... 1687 01:34:48,483 --> 01:34:49,885 IT JUST BAFFLES ME. 1688 01:34:49,885 --> 01:34:51,887 IT'S GREAT. AND YOU GET ADDICTED TO IT. 1689 01:34:51,887 --> 01:34:53,355 I MEAN, HOW DOES IT-- YOU KNOW? 1690 01:34:53,355 --> 01:34:54,857 YEAH, I'VE BEEN OUT OF TOUCH FOR A LITTLE BIT, 1691 01:34:54,857 --> 01:34:56,759 BUT THAT'S ABOUT WHERE IT'S AT. 1692 01:34:56,759 --> 01:34:57,860 NICE ACREAGE? 1693 01:34:57,860 --> 01:34:58,994 YEAH, YOU CAN GET SOME GOOD STUFF. 1694 01:34:58,994 --> 01:35:00,028 CAN YOU GROW MARIJUANA? 1695 01:35:00,028 --> 01:35:02,765 YOU CAN GROW ANYTHING YOU WANT. 1696 01:35:02,765 --> 01:35:04,699 IT JUST MAKES ME WONDER ABOUT PEOPLE'S MINDS. 1697 01:35:04,699 --> 01:35:06,902 WHAT THEY CAN COME UP WITH. 1698 01:35:06,902 --> 01:35:09,304 FOR ME, LITTLE OL' ME, I CAN'T CONCEIVE OF IT. 1699 01:35:09,304 --> 01:35:12,841 THE KIDS USE IT INSTEAD OF THE ENCYCLOPEDIA. 1700 01:35:12,841 --> 01:35:14,642 I WENT UP TO SEE CHARLIE LAST WEEK. 1701 01:35:14,642 --> 01:35:16,779 AT THE GRAVE. 1702 01:35:16,779 --> 01:35:17,780 YEAH. 1703 01:35:17,780 --> 01:35:19,114 PUT SOME FLOWERS DOWN. 1704 01:35:19,114 --> 01:35:20,849 I STOPPED BY THE HOUSE. YOU WOULDN'T BELIEVE IT. 1705 01:35:20,849 --> 01:35:22,851 WHAT THEY'VE DONE TO IT? 1706 01:35:22,851 --> 01:35:24,252 OH, IT'S COMPLETELY DIFFERENT. 1707 01:35:24,252 --> 01:35:25,854 THEY GOT THE GARDENS ALL DONE OVER. 1708 01:35:25,854 --> 01:35:27,856 REMEMBER HOW THEY WERE KIND OF NICE, OVERGROWN? 1709 01:35:27,856 --> 01:35:29,357 EVERYTHING-- EVERYTHING'S DIFFERENT. 1710 01:35:29,357 --> 01:35:31,059 YOU DON'T EVEN RECOGNIZE IT ANYMORE. 1711 01:35:31,059 --> 01:35:33,862 IT SO STRANGE, YOU WALK BACK TO A PLACE THAT WAS YOUR OWN, 1712 01:35:33,862 --> 01:35:35,597 AND IT'S KINDA NOT YOUR OWN. 1713 01:35:35,597 --> 01:35:37,132 BUT THE ONLY THING THAT I HEAR 1714 01:35:37,132 --> 01:35:38,600 ABOUT THE INTERNET THING, 1715 01:35:38,600 --> 01:35:39,868 IS, UM, WHAT...CYBERSEX? 1716 01:35:39,868 --> 01:35:41,336 PORCH IS GONE. 1717 01:35:41,336 --> 01:35:42,437 THE PORCH IS GONE. 1718 01:35:42,437 --> 01:35:45,340 TOOK THE PORCH OFF. IT WAS SUCH A NICE PORCH. 1719 01:35:45,340 --> 01:35:46,741 THEY REBUILT IT, 1720 01:35:46,741 --> 01:35:48,476 WALLED IT IN WITH GLASS. 1721 01:35:48,476 --> 01:35:49,677 GARDEN'S COMPLETELY CHANGED. 1722 01:35:49,677 --> 01:35:50,678 THE POOL'S GONE. 1723 01:35:50,678 --> 01:35:52,480 EVERYTHING'S ALL MANICURED, 1724 01:35:52,480 --> 01:35:54,182 PRECISE. 1725 01:35:54,182 --> 01:35:56,051 MMM. SHEESH. 1726 01:35:57,519 --> 01:35:59,087 AHEM. 1727 01:35:59,087 --> 01:36:00,688 STUFFED. 1728 01:36:00,688 --> 01:36:02,490 YEAH. IT'S GOOD. 1729 01:36:02,490 --> 01:36:03,892 MMM. 1730 01:36:03,892 --> 01:36:05,828 HEY. CHECK, PLEASE. 1731 01:36:09,898 --> 01:36:12,100 HERE WE GO. 1732 01:36:14,903 --> 01:36:16,171 LET ME GET THAT. 1733 01:36:16,171 --> 01:36:17,605 NO, NO. WE'LL SPLIT IT. 1734 01:36:17,605 --> 01:36:18,807 Max: OK. 1735 01:36:20,242 --> 01:36:21,243 THANK YOU. 1736 01:36:22,310 --> 01:36:24,446 WHAT DO YOU SAY WE GO DOWN TO SOHO 1737 01:36:24,446 --> 01:36:26,648 AND GET A DRINK, HUH? 1738 01:36:26,648 --> 01:36:27,850 UH, CAN'T. 1739 01:36:27,850 --> 01:36:29,918 GOTTA PICK THE KIDS UP IN ABOUT AN HOUR. 1740 01:36:29,918 --> 01:36:31,987 OH, THAT'S RIGHT. WHERE ARE THEY? 1741 01:36:31,987 --> 01:36:33,588 AT THE MOVIES. 1742 01:36:33,588 --> 01:36:34,589 YEAH. 1743 01:36:34,589 --> 01:36:35,991 WHAT'D THEY SEE? 1744 01:36:35,991 --> 01:36:38,460 SOMETHING COMPLETELY UNSUITABLE FOR THEM. 1745 01:36:38,460 --> 01:36:40,528 BUT MAX INSISTED. 1746 01:36:41,529 --> 01:36:43,365 COME ON. COME ON. 1747 01:36:43,365 --> 01:36:46,068 YOU KNOW, WE GOTTA STOP TREATING THEM LIKE CHILDREN. 1748 01:36:46,068 --> 01:36:47,702 THEY GROW UP TOO FAST AS IT IS, HONEY. 1749 01:36:47,702 --> 01:36:50,072 THEY HEAR EVERYTHING IN SCHOOL ANYWAY. 1750 01:36:50,072 --> 01:36:52,540 YEAH, IT'S WEIRD. 1751 01:36:52,540 --> 01:36:54,576 Max: WHAT CAN YOU DO? 1752 01:36:54,576 --> 01:36:56,344 I HAD THIS... 1753 01:36:56,344 --> 01:36:59,547 I HAD THIS WEIRD DREAM THE OTHER NIGHT. 1754 01:36:59,547 --> 01:37:01,683 I WAS, UH, 1755 01:37:01,683 --> 01:37:03,685 I WAS IN THIS HOTEL, 1756 01:37:03,685 --> 01:37:05,087 AND, UH, BY MYSELF. 1757 01:37:05,087 --> 01:37:06,955 I DIDN'T KNOW WHERE I WAS OR ANYTHING, 1758 01:37:06,955 --> 01:37:09,557 BUT I WAS SITTING THERE AND THE PHONE RANG. 1759 01:37:09,557 --> 01:37:11,559 SO I PICKED IT UP, 1760 01:37:11,559 --> 01:37:12,961 AND IT WAS CHARLIE. 1761 01:37:12,961 --> 01:37:15,563 AND HE SAYS, UH, "HEY, MAN, HOW YOU DOING?" 1762 01:37:15,563 --> 01:37:16,965 I SAID OK. 1763 01:37:16,965 --> 01:37:18,967 HE SAID, "DON'T WORRY. EVERYTHING'S ALL RIGHT. 1764 01:37:18,967 --> 01:37:20,903 EVERYTHING'S COOL." 1765 01:37:21,970 --> 01:37:24,172 LIFE'S AN ORANGE. 1766 01:37:24,172 --> 01:37:25,573 IT IS. 1767 01:37:25,573 --> 01:37:27,175 LIFE IS SHORT. 1768 01:37:27,175 --> 01:37:28,576 YEAH. 1769 01:37:29,978 --> 01:37:31,379 I THOUGHT IT WAS COOL. 1770 01:37:31,379 --> 01:37:33,916 YOU KNOW, IT JUST MADE ME FEEL GOOD. 1771 01:37:35,918 --> 01:37:37,986 UH, MAX, YOU WANNA TAKE THIS ONE? 1772 01:37:37,986 --> 01:37:39,387 NO, NO. YOU GO AHEAD. 1773 01:37:39,387 --> 01:37:40,989 WHY DON'T YOU GO AHEAD? NO, IT'S ALL RIGHT. 1774 01:37:40,989 --> 01:37:42,390 YOU GO AHEAD. IT'S OK. 1775 01:37:42,390 --> 01:37:44,592 NO, YOU'RE IN A HURRY. YOU GO AHEAD. 1776 01:37:44,592 --> 01:37:45,994 IT'S FINE. GO AHEAD. 1777 01:37:45,994 --> 01:37:47,529 WE'RE GONNA JUST WALK AROUND 1778 01:37:47,529 --> 01:37:48,997 AND ENJOY THE FRESH AIR. 1779 01:37:48,997 --> 01:37:50,999 Vernon: IF YOU CAN CALL THIS FRESH AIR. 1780 01:37:50,999 --> 01:37:52,200 [CHUCKLES] 1781 01:37:53,468 --> 01:37:54,937 IT'S BETTER THAN L.A. 1782 01:37:54,937 --> 01:37:57,639 YEAH, WELL, ANYTHING'S BETTER THAN L.A. 1783 01:37:59,607 --> 01:38:01,209 OK. 1784 01:38:01,209 --> 01:38:02,310 SEE YOU. 1785 01:38:02,310 --> 01:38:03,311 TAKE CARE. 1786 01:38:03,311 --> 01:38:04,479 ALL RIGHT. 1787 01:38:15,357 --> 01:38:17,359 Vernon: OK. 1788 01:38:17,359 --> 01:38:18,626 ALL RIGHT. 1789 01:38:18,626 --> 01:38:20,128 EXCUSE ME. 1790 01:38:20,128 --> 01:38:21,396 SO YOU'LL BRING THE KIDS 1791 01:38:21,396 --> 01:38:23,465 STRAIGHT TO THE AIRPORT TOMORROW, RIGHT? 1792 01:38:23,465 --> 01:38:24,332 YES. 1793 01:38:24,332 --> 01:38:26,201 ALL RIGHT. THE FLIGHT'S AT 1:00. 1794 01:38:26,201 --> 01:38:28,370 IT'S GOOD TO SEE YOU, MAX. 1795 01:38:28,370 --> 01:38:30,538 IT'S GOOD TO SEE YOU, TOO. 1796 01:38:30,538 --> 01:38:32,540 MAX. MAX! 1797 01:38:32,540 --> 01:38:33,942 CAN YOU MAKE SURE 1798 01:38:33,942 --> 01:38:36,678 THAT THE KIDS ARE PROPERLY PACKED THIS TIME? 1799 01:38:36,678 --> 01:38:39,314 LAST TIME YOU LEFT HALF THEIR STUFF AT YOUR PLACE. 1800 01:38:39,314 --> 01:38:41,049 Max: I'LL DO IT. GOOD-BYE. 1801 01:38:41,049 --> 01:38:43,551 [JAZZ MUSIC BEGINS PLAYING IN BACKGROUND] 1802 01:38:52,760 --> 01:38:54,229 AHH. 1803 01:39:05,907 --> 01:39:08,643 Nina Simone: * I KNOW WHY I WAITED * 1804 01:39:10,645 --> 01:39:13,515 * KNOW WHY I BEEN BLUE * 1805 01:39:14,316 --> 01:39:15,917 * I BEEN WAITIN' * 1806 01:39:15,917 --> 01:39:17,585 * EACH DAY * 1807 01:39:17,585 --> 01:39:21,656 * FOR SOMEONE EXACTLY LIKE YOU * 1808 01:39:23,125 --> 01:39:26,928 * WHY SHOULD I SPEND SOME MONEY * 1809 01:39:26,928 --> 01:39:30,132 * ON A SHOW OR 2 * 1810 01:39:31,566 --> 01:39:35,137 * WHEN NOBODY SINGS THOSE LOVE SONGS * 1811 01:39:35,937 --> 01:39:38,606 * EXACTLY LIKE YOU? * 1812 01:39:38,606 --> 01:39:42,077 * YOU MAKE ME FEEL SO GRAND * 1813 01:39:42,077 --> 01:39:45,680 * I WANNA GIVE THIS WORLD TO YOU * 1814 01:39:47,249 --> 01:39:49,951 * YOU MAKE ME UNDERSTAND * 1815 01:39:49,951 --> 01:39:52,954 * THESE FOOLISH LITTLE DREAMS * 1816 01:39:52,954 --> 01:39:54,089 * I'M DREAMIN' * 1817 01:39:54,089 --> 01:39:56,358 * AND SCHEMES I'M SCHEMIN' * 1818 01:39:56,358 --> 01:40:00,162 * NOW I KNOW WHY MY MAMA * 1819 01:40:01,096 --> 01:40:04,366 * SHE TAUGHT ME TO BE TRUE * 1820 01:40:04,366 --> 01:40:08,403 * SHE KNEW JUST AROUND THE CORNER * 1821 01:40:09,237 --> 01:40:12,307 * WAS SOMEBODY LIKE YOU * 1822 01:40:31,993 --> 01:40:34,196 [SCATTING] 1823 01:40:43,471 --> 01:40:45,006 * YOU * 1824 01:40:45,006 --> 01:40:46,608 * MAKE ME FEEL * 1825 01:40:46,608 --> 01:40:48,410 * SO GRAND * 1826 01:40:48,410 --> 01:40:52,013 * I WANNA GIVE THIS WORLD TO YOU * 1827 01:40:52,013 --> 01:40:56,017 * BABY, YOU MAKE ME UNDERSTAND * 1828 01:40:56,017 --> 01:40:58,886 * THESE FOOLISH LITTLE DREAMS * 1829 01:40:58,886 --> 01:41:00,422 * I'M DREAMIN' * 1830 01:41:00,422 --> 01:41:02,424 * SCHEMES I'M SCHEMIN' * 1831 01:41:02,424 --> 01:41:06,027 * NOW I KNOW WHY MY MAMA * 1832 01:41:06,027 --> 01:41:09,831 * SHE TAUGHT ME TO BE TRUE * 1833 01:41:09,831 --> 01:41:14,836 * SHE KNEW JUST AROUND THE CORNER * 1834 01:41:14,836 --> 01:41:19,040 * YES, SHE KNEW JUST AROUND THE CORNER * 1835 01:41:19,040 --> 01:41:21,643 * THERE WAS SOMEBODY * 1836 01:41:21,643 --> 01:41:22,977 * EXACTLY * 1837 01:41:22,977 --> 01:41:30,318 * LIKE YOU * 1838 01:41:30,318 --> 01:41:32,454 [JAZZ MUSIC STOPS] 1839 01:41:32,454 --> 01:41:34,456 [ORCHESTRAL MUSIC BEGINS] 1840 01:41:34,456 --> 01:41:37,259 CAPTIONING MADE POSSIBLE BY NEW LINE HOME VIDEO 1841 01:41:37,259 --> 01:41:40,262 CAPTIONING PERFORMED BY THE NATIONAL CAPTIONING INSTITUTE, INC. 1842 01:41:40,262 --> 01:41:43,598 PUBLIC PERFORMANCE OF CAPTIONS PROHIBITED WITHOUT PERMISSION OF NATIONAL CAPTIONING INSTITUTE 118440