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♪
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♪
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NARRATOR:
The airship Hindenburg.
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{\an1}In 1937, the fastest way
to cross the Atlantic.
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{\an1}There was no other aircraft
at the time
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{\an1}that could do this type
of distance.
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{\an1}For the few who could afford
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an airship trip,
the image is one of prestige.
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NARRATOR:
Prestige also for the country
that built it.
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{\an1}The German government used
Hindenburg
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{\an1}as a propaganda symbol.
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NARRATOR:
A revolutionary vision
of connecting the world
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{\an1}with a fleet of airships.
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RICK ZITAROSA:
They were looking to have
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{\an1}40 to 50 airships
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{\an1}linking the cities of the globe
by 1945.
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NARRATOR:
Then, disaster.
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36 lives lost
in a horrifying instant,
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{\an1}an entire industry
essentially destroyed,
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{\an1}the precise cause never
conclusively proven.
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{\an1}Now, after more than 80 years,
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new evidence.
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Whoa, yeah.
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No, I've never seen
this material.
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NARRATOR:
And a new investigation.
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{\an1}That's the upwind pattern that
it was flying
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{\an1}as it's coming overhead
the hangar,
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{\an1}before it did its initial turn.
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{\an1}And you believe that the film
was shot
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{\an1}with this exact camera?
Yes, I do.
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NARRATOR:
Can we still find answers?
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{\an1}KONSTANTINOS GIAPIS:
Initially, I thought it was
going to be relatively simple.
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(loud sparking)
Whoa!
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{\an1}But very quickly, I realized
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{\an1}that there were a lot of
unanswered questions.
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{\an1}What is going on right now?
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JASON HARRIS:
If one thing had been different
on that day,
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{\an1}we wouldn't have had the same
outcome.
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NARRATOR:
"Hindenburg: The New Evidence,"
right now, on "NOVA."
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♪
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{\an8}♪
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NARRATOR:
In a nondescript building
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{\an1}in a Washington, D.C., suburb,
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{\an1}an investigation begins.
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{\an1}The focus is a cold case
over 80 years old
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{\an1}that was never definitively
solved.
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{\an1}An aviation accident.
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{\an1}The legendary crash of the
airship Hindenburg.
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{\an1}HERBERT MORRISON (archival):
It's burst into flames...
and it's crashing.
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{\an1}It's crashing, terrible.
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{\an1}Oh, my, get out of the way,
please, it's burning,
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{\an1}bursting into flames, and,
and it's falling
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{\an1}on the mooring mast...
oh, the humanity!
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♪
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NARRATOR:
Hindenburg.
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{\an8}Like Titanic,
synonymous with disaster.
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{\an7}The images seen countless times
by millions.
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{\an7}Despite two investigations
of the accident,
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{\an7}the precise cause...
The exact chain of events...
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{\an1}remains a mystery.
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But now,
after more than 80 years,
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{\an1}there is new evidence.
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This film.
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{\an1}Never seen by investigators
in 1937,
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{\an1}it has remained essentially
unknown.
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{\an1}Now, decades after the tragedy,
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{\an1}can this film shed new light
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{\an1}on one of the most notorious
aviation accidents in history?
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{\an1}Might it hold a clue to the
cause of the disaster?
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{\an1}This right here where we're
standing right now
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{\an1}is the actual crash site,
so you can sort of see
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{\an5}where we are
in relation to it.
Got it.
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NARRATOR:
These men hope so.
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{\an1}The discovery of this
long-lost film
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{\an1}has prompted them to begin a new
investigation of Hindenburg.
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♪
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{\an1}Lieutenant Colonel
Jason O. Harris,
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{\an1}an Air Force Academy graduate,
flew multiple combat tours
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{\an1}and has training in
accident investigation.
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{\an1}Today, he's a commercial airline
pilot.
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{\an7}When we look at aircraft
accidents,
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{\an7}whether it's an airship or an
airplane or even a helicopter,
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{\an1}you want to establish
a chain of events.
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{\an1}When we evaluate it,
we get to see
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{\an1}exactly where things begin
to break down.
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{\an1}And they were going to fly
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{\an1}basically toward the hangar
in this direction...
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NARRATOR:
Harris's colleague in this
investigation
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{\an1}is aviation historian
Dan Grossman.
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{\an1}A bestselling author
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{\an1}and world-renowned authority
on airships,
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{\an1}Grossman has extensive knowledge
of Hindenburg
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{\an1}and the 1937 investigations.
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{\an7}No one's ever taken a fresh look
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{\an7}at the expert conclusions,
either based on testing
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{\an7}or based on the experience of
these experts,
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{\an7}and it's time to do that.
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{\an8}NARRATOR:
So, inspired by a newly found
reel of film,
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{\an7}Dan Grossman and Jason Harris
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{\an7}are re-examining the case
of the Hindenburg.
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{\an7}They'll work with specialists
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{\an7}who have expert knowledge
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{\an7}about vintage motion picture
film,
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{\an7}travel to Germany
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{\an7}to examine evidence
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{\an7}where the airship was built,
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{\an7}and observe specially designed
engineering tests
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{\an7}to see if anything new
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{\an7}can be learned about Hindenburg.
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{\an8}♪
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{\an1}It's May 3, 1937,
when the airship takes off
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{\an1}with 36 passengers
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{\an1}and 61 crew members.
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GROSSMAN:
The ship left Germany on May 3,
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{\an1}intending to arrive at Lakehurst
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{\an1}early in the morning,
about 6:00 a.m., on May 6.
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NARRATOR:
Lakehurst, New Jersey,
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{\an1}is a U.S. Naval Air Station
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{\an1}and hub with connections
to New York.
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At Lakehurst,
Hindenburg will be serviced
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{\an1}for the return to Europe.
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GROSSMAN:
They were hoping to have a day
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{\an1}to turn the ship around, refuel,
replenish.
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{\an1}And they were planning on
leaving that evening
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{\an1}with a full load of passengers
back to Germany.
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NARRATOR:
Settling in for a comfortable
and scenic
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{\an1}two-and-a-half-day trip,
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{\an1}the 97 people onboard are
probably feeling quite safe.
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{\an1}In over 25 years of service,
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{\an1}no Zeppelin passenger airship
has ever
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{\an1}had a fatal accident.
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{\an1}And yet right over their heads
lurks potential danger.
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{\an1}What lifts Hindenburg into
the air is hydrogen gas.
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{\an1}Seven million cubic feet of it
are stored in 16 gas cells,
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{\an1}giant bags that fill the ship
from end to end.
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{\an1}Hydrogen is the lightest element
on the periodic table.
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{\an1}Because it's lighter than air,
it's buoyant.
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{\an1}It will go up if surrounded
by air.
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{\an8}NARRATOR:
But mixed with air,
it's also extremely flammable,
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{\an7}a bomb waiting to explode.
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{\an8}GROSSMAN:
Everyone knew that hydrogen
burned, and it burned furiously.
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{\an1}But the Germans had the feeling,
this overconfidence,
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{\an1}that after 37 years of working
with hydrogen,
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{\an1}"We got this, we know how to
deal with hydrogen safely."
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{\an8}♪
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NARRATOR:
It's 1909
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{\an1}when the German Zeppelin company
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{\an1}starts the world's first
passenger airline.
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{\an1}Two decades later,
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{\an1}just after Charles Lindbergh
crosses the Atlantic,
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{\an1}their airship Graf Zeppelin
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{\an1}makes an international
publicity flight.
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ZITAROSA:
In 1929,
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{\an7}the Hindenburg's predecessor,
the Graf Zeppelin,
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{\an1}flew from Germany here
to Lakehurst
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{\an1}with paying passengers,
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{\an1}and then did a circumnavigation
of the globe.
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{\an1}Their idea, their vision, was
that they were going to have
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{\an7}a fleet of these ships
crossing weekly in the same way
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{\an7}that there was a fleet of ocean
liners that crossed weekly.
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NARRATOR:
Over the next several years,
the Graf Zeppelin
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{\an1}carries thousands of passengers
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{\an1}without a single mishap,
and proves the concept.
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The next step:
expand to the U.S.
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{\an1}They had already established
service
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{\an1}with the Graf Zeppelin
to South America.
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{\an1}It was a tremendous
public relations
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{\an1}and investment opportunity
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{\an1}for German airship interests.
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NARRATOR:
All they need now is more
and bigger ships.
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{\an1}The Hindenburg will be the first
of the new model.
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♪
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{\an1}It's over three times longer
than a 747,
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{\an1}constructed around a lightweight
aluminum frame.
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{\an1}Hindenburg basically was
a metal framework
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that was kind of
an engineering miracle
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{\an1}in that it had to be very big,
it had to be very strong,
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{\an1}and it had to be very, very
light.
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NARRATOR:
Outside the frame,
a painted fabric skin.
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GROSSMAN:
The fabric covering was there
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{\an1}to give it an aerodynamic shape
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{\an1}and to protect the gas cells
that were inside the covering.
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NARRATOR:
Two diesel engines on each side
propel the ship
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through the air.
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{\an1}A rudder steers it left and
right; elevators up and down.
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{\an1}The crew controls the ship
from a small car
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{\an1}mounted to the underside.
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{\an1}Above the control car,
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{\an1}inside the skin and beneath the
gas cells, are two decks.
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{\an1}The lower holds a few passenger
cabins, kitchen,
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{\an1}and crew's quarters.
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The upper,
25 double-berth cabins,
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{\an1}a lounge, writing room,
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{\an1}dining room, and promenades.
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{\an1}It was definitely a, a rich
person's luxury way of travel,
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{\an1}sailing above the great sights
of ocean and Earth
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{\an1}with glasses of wine
in their hand,
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{\an1}eating gourmet meals,
looking down.
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NARRATOR:
And it's fast.
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GROSSMAN:
You could cross the Atlantic
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{\an1}in two-and-a-half days
on Hindenburg.
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{\an1}It took you five to six days
on an ocean liner.
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ZITAROSA:
The Hindenburg was
the Concorde of its day.
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{\an1}It was a premium-priced service
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{\an1}particularly popular
with American businessmen
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{\an1}who were always in a hurry.
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NARRATOR:
Starting in 1936,
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the Hindenburg
makes propaganda flights
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{\an1}for Germany's Nazi government
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{\an1}at Nuremberg rallies
and the Berlin Olympics.
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That year,
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the ship crosses
the Atlantic 34 times.
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{\an1}Hindenburg has carried
over a thousand passengers
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{\an1}without a single mishap.
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The 1936 service
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{\an1}was a testing period to see
if this thing
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{\an1}could be made to work.
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{\an1}And it worked very successfully.
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NARRATOR:
For the 1937 season,
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00:10:30,371 --> 00:10:32,738
{\an1}there is one overriding
priority.
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ZITAROSA:
The key in the mind
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00:10:34,071 --> 00:10:37,738
{\an1}of the Germans was to now
tighten up the schedule
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{\an1}and make for more
prompt arrivals and departures.
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NARRATOR:
But on the very first flight,
the schedule slips.
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00:10:45,605 --> 00:10:48,138
{\an1}The first problem is bad weather
all the way across,
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00:10:48,171 --> 00:10:50,438
{\an1}which delays them.
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GROSSMAN:
And so the ship was about
12 hours
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00:10:52,371 --> 00:10:53,671
behind schedule.
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00:10:53,705 --> 00:10:56,471
ZITAROSA:
They arrive over Manhattan
230
00:10:56,505 --> 00:10:58,538
that afternoon
231
00:10:58,571 --> 00:11:01,338
{\an7}and they head directly to
Lakehurst.
232
00:11:01,371 --> 00:11:03,205
{\an1}Lakehurst cannot receive them,
233
00:11:03,238 --> 00:11:06,338
{\an1}and the weather conditions
are unsettled.
234
00:11:06,371 --> 00:11:07,471
{\an1}There were thunderstorms.
235
00:11:07,505 --> 00:11:08,571
(thunder claps)
236
00:11:08,605 --> 00:11:10,205
HARRIS:
You're trying to get
this airship
237
00:11:10,238 --> 00:11:11,271
on the ground,
238
00:11:11,305 --> 00:11:12,805
{\an1}you're now under a lot more
stress
239
00:11:12,838 --> 00:11:14,471
{\an1}than you ordinarily would be.
240
00:11:14,505 --> 00:11:19,738
NARRATOR:
Hindenburg circles over
New Jersey in a holding pattern,
241
00:11:19,771 --> 00:11:22,371
{\an1}waiting for Charles Rosendahl,
commander at Lakehurst,
242
00:11:22,405 --> 00:11:23,905
{\an1}to approve landing.
243
00:11:23,938 --> 00:11:25,571
{\an1}As 7:00 is approaching,
244
00:11:25,605 --> 00:11:29,771
{\an1}Commander Rosendahl signals
that conditions now suitable
245
00:11:29,805 --> 00:11:32,871
for landing,
recommend landing now.
246
00:11:32,905 --> 00:11:35,471
NARRATOR:
The ship begins
its final approach.
247
00:11:35,505 --> 00:11:38,405
ZITAROSA:
The Hindenburg makes a wide
circle of the field
248
00:11:38,438 --> 00:11:40,238
{\an1}and approaches from the north.
249
00:11:40,271 --> 00:11:42,747
{\an1}MORRISON (archival):
Well, here it comes, ladies
and gentlemen, we're out now,
250
00:11:42,771 --> 00:11:44,238
{\an1}outside of the hangar...
251
00:11:44,271 --> 00:11:47,305
NARRATOR:
Reporter Herbert Morrison
is recording a description
252
00:11:47,338 --> 00:11:51,038
{\an1}of Hindenburg's arrival
for later broadcast on radio.
253
00:11:51,071 --> 00:11:53,271
MORRISON:
Thousands of people have come
out to witness
254
00:11:53,305 --> 00:11:55,738
{\an1}the landing of this great
airship.
255
00:11:55,771 --> 00:11:58,638
{\an1}The barometer is dropping,
the wind is shifting.
256
00:11:58,671 --> 00:11:59,938
(wind blowing)
257
00:11:59,971 --> 00:12:02,538
GROSSMAN:
It made a turn to realign
so its nose
258
00:12:02,571 --> 00:12:03,671
{\an1}was pointing into the wind.
259
00:12:03,705 --> 00:12:07,671
{\an1}They dropped two lines,
called trail lines.
260
00:12:07,705 --> 00:12:09,771
NARRATOR:
The lines let the ground crew
261
00:12:09,805 --> 00:12:13,071
{\an1}pull the ship into position
and secure it.
262
00:12:13,105 --> 00:12:14,871
{\an1}In subsequent investigations,
263
00:12:14,905 --> 00:12:18,038
{\an1}these ropes will come under
intense scrutiny.
264
00:12:18,071 --> 00:12:22,271
{\an1}Roughly four minutes after
dropping these landing lines,
265
00:12:22,305 --> 00:12:23,405
fire erupted.
266
00:12:23,438 --> 00:12:29,471
{\an1}(flames billowing,
panicked voices)
267
00:12:29,505 --> 00:12:32,971
♪
268
00:12:40,638 --> 00:12:43,771
(screams)
269
00:12:45,105 --> 00:12:50,838
♪
270
00:12:50,871 --> 00:12:52,671
{\an8}NARRATOR:
In less than a minute,
271
00:12:52,705 --> 00:12:56,071
{\an7}there's nothing left
but smoking wreckage.
272
00:12:56,105 --> 00:13:02,138
{\an7}Of the 97 passengers
and crew, 35 are dead,
273
00:13:02,171 --> 00:13:05,471
{\an1}plus one ground crewman.
274
00:13:05,505 --> 00:13:10,605
{\an7}(speaking German):
275
00:13:25,038 --> 00:13:28,405
{\an8}NARRATOR:
What happened?
276
00:13:28,438 --> 00:13:31,438
{\an7}Even before any investigation
starts,
277
00:13:31,471 --> 00:13:35,071
{\an7}Hindenburg's commander,
Max Pruss,
278
00:13:35,105 --> 00:13:37,771
{\an7}says what many are thinking.
279
00:13:37,805 --> 00:13:40,771
{\an7}My grandfather was in charge
as a captain
280
00:13:40,805 --> 00:13:42,338
{\an7}on the Hindenburg flight,
281
00:13:42,371 --> 00:13:44,438
{\an1}and he made no secret
282
00:13:44,471 --> 00:13:46,771
of his opinion
that it was sabotage.
283
00:13:46,805 --> 00:13:49,705
{\an1}That someone must have placed
a bomb somewhere.
284
00:13:49,738 --> 00:13:53,638
NARRATOR:
Pruss's boss, Ernst Lehmann,
agrees.
285
00:13:53,671 --> 00:13:56,071
{\an1}It had to be sabotage.
286
00:13:56,105 --> 00:13:58,638
{\an1}If you're one of the German
officers who made the decisions
287
00:13:58,671 --> 00:14:00,471
{\an1}that lead to that public
destruction
288
00:14:00,505 --> 00:14:02,838
{\an1}of this symbol of Nazi power,
289
00:14:02,871 --> 00:14:05,071
{\an1}you're going to be very careful
about what you say.
290
00:14:05,105 --> 00:14:07,605
{\an7}Lehmann had been mortally
injured.
291
00:14:07,638 --> 00:14:09,271
{\an7}He died within 24 hours.
292
00:14:09,305 --> 00:14:12,538
{\an1}He reportedly said on his
deathbed that he thought
293
00:14:12,571 --> 00:14:14,005
{\an1}it must have been sabotage,
294
00:14:14,038 --> 00:14:16,138
{\an1}that it could not have been
something else.
295
00:14:16,171 --> 00:14:20,471
{\an1}There were a lot of people,
even in 1937, who didn't like
296
00:14:20,505 --> 00:14:22,171
{\an1}the Hitler government.
297
00:14:22,205 --> 00:14:24,171
{\an1}It was perfectly natural
for people to ask,
298
00:14:24,205 --> 00:14:26,338
{\an1}"Did somebody bomb
this airship?"
299
00:14:26,371 --> 00:14:28,205
♪
300
00:14:28,238 --> 00:14:33,605
NARRATOR:
Two investigations begin,
one German, one American.
301
00:14:33,638 --> 00:14:36,471
{\an1}But no one finds any evidence
of foul play.
302
00:14:36,505 --> 00:14:38,938
{\an1}The reality is that all evidence
suggests
303
00:14:38,971 --> 00:14:40,114
{\an1}it could not have been sabotage.
304
00:14:40,138 --> 00:14:44,105
NARRATOR:
If not sabotage, then what?
305
00:14:44,138 --> 00:14:45,714
GROSSMAN:
They looked at a lot of things.
306
00:14:45,738 --> 00:14:47,438
{\an1}Diesel engine exhaust,
307
00:14:47,471 --> 00:14:49,971
{\an1}or a propeller breaking
and entering the airframe,
308
00:14:50,005 --> 00:14:53,038
{\an1}or someone from the ground
shooting at the airship,
309
00:14:53,071 --> 00:14:54,971
{\an1}but both agreed that it was
leaking hydrogen
310
00:14:55,005 --> 00:14:57,505
{\an1}ignited by some electrostatic
discharge.
311
00:14:57,538 --> 00:14:59,071
{\an1}(thunder rumbling)
312
00:14:59,105 --> 00:15:03,105
NARRATOR:
Electrostatic discharge...
a sudden flow of electricity
313
00:15:03,138 --> 00:15:06,838
{\an1}between two electrically charged
objects.
314
00:15:06,871 --> 00:15:09,205
{\an1}In other words, a spark.
315
00:15:09,238 --> 00:15:12,138
It can be tiny...
Like the spark you feel
316
00:15:12,171 --> 00:15:13,405
{\an1}when you walk across a carpet
317
00:15:13,438 --> 00:15:16,071
{\an1}and touch something.
(static)
318
00:15:16,105 --> 00:15:20,571
{\an1}Or enormous, like lightning.
(thunder rumbling)
319
00:15:20,605 --> 00:15:22,871
{\an1}Although investigators
eventually
320
00:15:22,905 --> 00:15:27,738
{\an1}conclude that leaking hydrogen
was ignited by a spark,
321
00:15:27,771 --> 00:15:30,005
{\an1}they never precisely demonstrate
322
00:15:30,038 --> 00:15:32,305
{\an1}the cause of the spark.
323
00:15:32,338 --> 00:15:34,505
{\an1}But the source of the hydrogen
is obvious:
324
00:15:34,538 --> 00:15:39,271
{\an1}a leak, somewhere in one of the
gas cells.
325
00:15:39,305 --> 00:15:43,471
{\an1}A surviving crewman reported
that he saw an orange glow
326
00:15:43,505 --> 00:15:46,438
{\an1}in gas cell four, near the tail.
327
00:15:46,471 --> 00:15:51,471
{\an1}Observers on the ground also saw
the first flames near the tail.
328
00:15:51,505 --> 00:15:55,171
{\an1}With so much of the physical
evidence destroyed,
329
00:15:55,205 --> 00:15:59,005
{\an1}investigators have to rely
on these eyewitness accounts.
330
00:15:59,038 --> 00:16:03,271
{\an1}But there is one other type
of evidence.
331
00:16:03,305 --> 00:16:07,005
{\an1}About a dozen press
and newsreel photographers
332
00:16:07,038 --> 00:16:09,305
{\an1}were covering the landing.
333
00:16:09,338 --> 00:16:12,214
{\an1}MORRISON (archival):
The landing crew of the airbase
here is superbly trained
334
00:16:12,238 --> 00:16:15,038
{\an1}to handle these massive ships
of the sky.
335
00:16:15,071 --> 00:16:18,038
{\an1}Safety comes first,
as it always should.
336
00:16:18,071 --> 00:16:20,905
NARRATOR:
But for investigators,
337
00:16:20,938 --> 00:16:23,471
{\an1}every image of the accident
caught on film
338
00:16:23,505 --> 00:16:28,705
{\an1}has the same limitation: they're
all shot from the same angle.
339
00:16:28,738 --> 00:16:30,138
{\an7}All of the newsreel
photographers
340
00:16:30,171 --> 00:16:32,105
{\an7}were gathered in a small area
341
00:16:32,138 --> 00:16:35,705
{\an7}close to the mooring mast where
the ship was expected to land.
342
00:16:35,738 --> 00:16:40,171
NARRATOR:
Not only are the films shot
from the same place and angle,
343
00:16:40,205 --> 00:16:43,738
{\an1}they all start at essentially
the same time:
344
00:16:43,771 --> 00:16:46,438
{\an1}after the fire is well underway.
345
00:16:46,471 --> 00:16:49,971
{\an1}There's no film capturing
the moment of ignition.
346
00:16:50,005 --> 00:16:53,438
{\an1}So for over 80 years,
the origin of the spark
347
00:16:53,471 --> 00:16:57,405
{\an1}that doomed Hindenburg
has remained elusive,
348
00:16:57,438 --> 00:16:58,571
{\an1}what exactly caused it
349
00:16:58,605 --> 00:17:00,671
{\an1}and where in the ship
it occurred
350
00:17:00,705 --> 00:17:03,338
lost to history.
351
00:17:03,371 --> 00:17:08,205
{\an1}But now, a new piece of the
Hindenburg puzzle has surfaced.
352
00:17:08,238 --> 00:17:12,338
{\an1}Ironically, it was available
from the beginning,
353
00:17:12,371 --> 00:17:15,771
{\an1}but no one had been interested
at the time.
354
00:17:15,805 --> 00:17:18,371
GROSSMAN:
I was here at Lakehurst for
355
00:17:18,405 --> 00:17:21,471
{\an1}the 75th anniversary,
and we had a memorial service,
356
00:17:21,505 --> 00:17:24,171
{\an1}and a guy comes up to me
and says,
357
00:17:24,205 --> 00:17:27,271
{\an1}"I've got some film on the
Hindenburg disaster.
358
00:17:27,305 --> 00:17:29,138
{\an1}"You probably don't really care,
359
00:17:29,171 --> 00:17:32,171
{\an1}"but this was taken by my uncle,
and if you want to see it,
360
00:17:32,205 --> 00:17:33,471
{\an1}I'll show it to you."
361
00:17:33,505 --> 00:17:35,638
So this is right
where we met in...
362
00:17:35,671 --> 00:17:37,047
{\an1}This is right where we met.
In 2012.
363
00:17:37,071 --> 00:17:39,505
{\an4}Yeah.
Where you showed me this film
on your laptop.
364
00:17:39,538 --> 00:17:40,881
{\an1}Yeah.
And if you remember,
I was so excited,
365
00:17:40,905 --> 00:17:42,805
I took my cellphone
and I took some photos...
366
00:17:42,838 --> 00:17:44,714
{\an1}I asked your permission...
And I took photos of the film
367
00:17:44,738 --> 00:17:45,971
on your laptop.
Yup, yup.
368
00:17:46,005 --> 00:17:48,271
{\an5}Because it was, like,
this is special!
Yeah.
369
00:17:48,305 --> 00:17:53,871
{\an7}My dad had bought this nifty
Kodak camera,
370
00:17:53,905 --> 00:17:56,171
{\an7}a wind-up movie camera,
eight-millimeter.
371
00:17:56,205 --> 00:18:00,205
{\an7}And he couldn't come
because he worked.
372
00:18:00,238 --> 00:18:03,338
{\an7}So he asked my uncle and my mom
373
00:18:03,371 --> 00:18:06,105
{\an7}if they would take some shots
and see the Hindenburg land.
374
00:18:06,138 --> 00:18:08,538
{\an1}And as soon as I started looking
at it, I realize
375
00:18:08,571 --> 00:18:12,505
{\an1}it looked really different, and
it looked really interesting.
376
00:18:12,538 --> 00:18:14,671
NARRATOR:
And yet, Harold Schenck's film...
377
00:18:14,705 --> 00:18:16,871
{\an1}which starts earlier and is shot
378
00:18:16,905 --> 00:18:19,871
{\an7}from a different angle than all
the other photographers...
379
00:18:19,905 --> 00:18:22,838
{\an7}is never seen by investigators.
380
00:18:22,871 --> 00:18:26,438
{\an8}SCHENCK:
It was, at the time,
publicly put out that he had it.
381
00:18:26,471 --> 00:18:27,771
{\an7}Nobody ever asked for it.
382
00:18:27,805 --> 00:18:30,938
{\an1}There was plenty of footage
taken by the newsreels.
383
00:18:30,971 --> 00:18:33,571
{\an1}And nobody really cared,
I guess, about angles.
384
00:18:33,605 --> 00:18:37,938
{\an8}NARRATOR:
But perhaps this new angle
will make a difference.
385
00:18:37,971 --> 00:18:43,138
{\an7}After 80-plus years, might this
footage show something new?
386
00:18:43,171 --> 00:18:46,438
{\an1}And what could a closer
inspection of the film reveal?
387
00:18:46,471 --> 00:18:49,505
{\an1}To learn more about
the film's history,
388
00:18:49,538 --> 00:18:51,738
{\an1}Dan Grossman brings it to
Colorlab,
389
00:18:51,771 --> 00:18:55,238
{\an1}a world-class facility
that restores historic film
390
00:18:55,271 --> 00:18:58,205
{\an1}for the Library of Congress,
National Archives,
391
00:18:58,238 --> 00:18:59,738
and others.
392
00:18:59,771 --> 00:19:01,014
{\an1}PAT DOYEN:
I'm excited that you have
something
393
00:19:01,038 --> 00:19:02,205
{\an1}for me to look at, right?
394
00:19:02,238 --> 00:19:03,705
{\an1}I am excited for you
to look at it.
395
00:19:03,738 --> 00:19:06,371
{\an1}So, here is the film we've been
talking about.
396
00:19:06,405 --> 00:19:08,471
{\an1}Wow.
And I also brought you
397
00:19:08,505 --> 00:19:11,005
{\an4}the camera that
it was filmed on.
Oh, wow!
398
00:19:11,038 --> 00:19:15,905
NARRATOR:
Film archivist Pat Doyen is an
expert in preserving
399
00:19:15,938 --> 00:19:17,405
{\an1}and restoring rare vintage film.
400
00:19:17,438 --> 00:19:19,038
{\an1}DOYEN:
Good provenance here.
401
00:19:19,071 --> 00:19:22,205
{\an7}And you believe that the film
was shot with this
402
00:19:22,238 --> 00:19:23,805
exact camera?
Yes, I do!
403
00:19:23,838 --> 00:19:25,871
{\an1}I can see that this is
the kind of box
404
00:19:25,905 --> 00:19:27,381
that this film
would have been packaged in.
405
00:19:27,405 --> 00:19:29,271
{\an1}I can see that you had it
406
00:19:29,305 --> 00:19:32,538
{\an1}processed by Kodak,
uh, there's an address,
407
00:19:32,571 --> 00:19:34,371
{\an1}there's a stamp from the time.
408
00:19:34,405 --> 00:19:36,705
{\an1}So this is all really good
information.
409
00:19:36,738 --> 00:19:38,071
(reel creaking)
410
00:19:38,105 --> 00:19:40,871
{\an1}And when we look at it
over the light table,
411
00:19:40,905 --> 00:19:42,671
{\an1}there's a few things
we can tell.
412
00:19:42,705 --> 00:19:44,238
{\an1}Now, there's a number here,
36814.
413
00:19:44,271 --> 00:19:47,805
{\an5}Oh, okay.
That was written on the box,
and you can see
414
00:19:47,838 --> 00:19:50,238
{\an1}it's also on this leader.
And who wrote that?
415
00:19:50,271 --> 00:19:51,881
{\an4}Would Kodak
have written that?
That... yes.
416
00:19:51,905 --> 00:19:54,005
{\an4}That would have been
for processing.
Okay.
417
00:19:54,038 --> 00:19:58,438
{\an1}So, right now, I'm going to look
for what they call a date code.
418
00:19:58,471 --> 00:20:02,338
{\an1}So Kodak put, um,
some symbols on the film
419
00:20:02,371 --> 00:20:05,138
to tell us when
it was manufactured.
420
00:20:07,571 --> 00:20:11,938
{\an1}So I'm looking at the date code,
and I see a triangle square.
421
00:20:11,971 --> 00:20:13,914
{\an1}So how do you know what a
triangle and a square means?
422
00:20:13,938 --> 00:20:16,738
{\an1}So there's a reference
to check that out.
423
00:20:16,771 --> 00:20:18,005
{\an1}And we can see...
424
00:20:18,038 --> 00:20:19,105
This film
425
00:20:19,138 --> 00:20:20,971
{\an1}was manufactured
426
00:20:21,005 --> 00:20:23,738
{\an1}between July to December 1936.
427
00:20:23,771 --> 00:20:25,005
{\an1}Ah.
428
00:20:25,038 --> 00:20:26,238
NARRATOR:
1936,
429
00:20:26,271 --> 00:20:28,138
{\an1}the year before the accident.
430
00:20:28,171 --> 00:20:31,871
{\an5}When someone would buy
a film for 1937.
Great.
431
00:20:33,605 --> 00:20:35,405
{\an1}We can see the aperture plate,
432
00:20:35,438 --> 00:20:37,971
{\an1}the little cutout on
the left side.
433
00:20:38,005 --> 00:20:42,638
NARRATOR:
The camera's aperture plate
defines the frame of the picture
434
00:20:42,671 --> 00:20:46,038
{\an1}where the image extends
in between the sprocket holes.
435
00:20:46,071 --> 00:20:48,738
{\an1}DOYEN:
This one here,
which matches our film,
436
00:20:48,771 --> 00:20:53,038
{\an1}has the square in between
the two perforations.
437
00:20:53,071 --> 00:20:54,105
{\an1}Is that, is it exactly
438
00:20:54,138 --> 00:20:55,481
{\an5}what we're seeing
right here?
Mm-hmm.
439
00:20:55,505 --> 00:20:56,847
Oh, yeah, of course,
it looks just like your book.
440
00:20:56,871 --> 00:20:57,805
{\an1}It tells us that
441
00:20:57,838 --> 00:21:00,305
{\an1}it was shot with this
model of camera,
442
00:21:00,338 --> 00:21:03,105
{\an1}the Cine Kodak 8, model 20.
443
00:21:03,138 --> 00:21:08,138
NARRATOR:
A year before the disaster,
in an eerily prophetic ad
444
00:21:08,171 --> 00:21:09,905
{\an1}featuring the Hindenburg,
445
00:21:09,938 --> 00:21:12,338
{\an1}Kodak suggested using
their cameras
446
00:21:12,371 --> 00:21:15,838
to film
"moments that make history."
447
00:21:15,871 --> 00:21:18,105
{\an1}It also tells me that it was
camera-original.
448
00:21:18,138 --> 00:21:20,038
NARRATOR:
Camera-original.
449
00:21:20,071 --> 00:21:23,505
{\an1}This film was exposed in
a camera... it's not a copy.
450
00:21:23,538 --> 00:21:24,671
{\an1}If it was a print,
451
00:21:24,705 --> 00:21:27,105
{\an1}you wouldn't see the circles
or the squares,
452
00:21:27,138 --> 00:21:29,238
{\an1}because the printer blocks
that off.
453
00:21:29,271 --> 00:21:32,038
{\an4}GROSSMAN: So what's your verdict
on the film?
So...
454
00:21:32,071 --> 00:21:33,905
It's a little shrunken
455
00:21:33,938 --> 00:21:36,138
{\an1}and it's got some aging here,
456
00:21:36,171 --> 00:21:37,705
{\an1}it's got a little silver
mirroring,
457
00:21:37,738 --> 00:21:39,838
{\an1}which tells me that
it's an old film.
458
00:21:39,871 --> 00:21:42,071
{\an1}This doesn't happen right away,
overnight.
459
00:21:42,105 --> 00:21:44,338
{\an1}It takes years and years,
460
00:21:44,371 --> 00:21:47,605
{\an1}sometimes decades, so all
of this taken together,
461
00:21:47,638 --> 00:21:50,238
I can't say with
a hundred percent certainty,
462
00:21:50,271 --> 00:21:51,971
{\an1}but everything points
to this film
463
00:21:52,005 --> 00:21:55,238
{\an5}being an authentic
film.
Wow.
464
00:21:55,271 --> 00:21:56,647
{\an1}DOYEN:
That it was shot
at that time.
465
00:21:56,671 --> 00:21:58,471
{\an1}This is a good day.
466
00:21:58,505 --> 00:22:04,238
♪
467
00:22:05,671 --> 00:22:08,405
NARRATOR:
After digitally scanning
the film,
468
00:22:08,438 --> 00:22:11,271
{\an1}Dan and Pat take a look
on a large screen.
469
00:22:11,305 --> 00:22:16,038
{\an1}This is the first time this
footage has been widely seen.
470
00:22:16,071 --> 00:22:21,005
{\an1}(film reel whirring)
471
00:22:21,038 --> 00:22:22,271
{\an1}Wow!
472
00:22:23,671 --> 00:22:27,538
{\an1}Look at how much detail
we get from this scan.
473
00:22:27,571 --> 00:22:30,038
NARRATOR:
The roll of film will last
only two minutes.
474
00:22:30,071 --> 00:22:34,271
{\an1}To conserve it, Harold Schenck
shoots brief moments:
475
00:22:34,305 --> 00:22:36,938
{\an1}the ground crew assembling,
476
00:22:36,971 --> 00:22:41,405
{\an1}the giant ship passing
over the hangar.
477
00:22:41,438 --> 00:22:45,171
{\an1}The landing lines are the last
thing Harold Schenck records
478
00:22:45,205 --> 00:22:47,871
{\an1}before disaster strikes.
479
00:22:47,905 --> 00:22:53,605
{\an1}And as it exploded, he had the
camera at his side,
480
00:22:53,638 --> 00:22:58,038
{\an1}and it was a wind-up camera, so
he, he had the presence of mind
481
00:22:58,071 --> 00:23:02,171
{\an1}to switch the switch on
and pick it up at that moment.
482
00:23:02,205 --> 00:23:08,971
♪
483
00:23:21,638 --> 00:23:23,038
Thanks to that aperture plate,
484
00:23:23,071 --> 00:23:25,605
{\an1}you actually see the nose
and the tail at the same time.
485
00:23:25,638 --> 00:23:27,671
{\an1}Is that unusual?
Yes, it is.
486
00:23:27,705 --> 00:23:31,305
{\an8}NARRATOR:
The spring runs down.
487
00:23:31,338 --> 00:23:36,205
{\an7}After rewinding, he rolls again,
getting the aftermath.
488
00:23:36,238 --> 00:23:38,938
{\an8}GROSSMAN:
You can see details of the
girder structure.
489
00:23:38,971 --> 00:23:42,838
{\an7}Where the gas cells were would
be a lot of information for us
490
00:23:42,871 --> 00:23:45,105
{\an1}about how this flame progressed.
491
00:23:45,138 --> 00:23:48,871
{\an1}This is really great, thank you
for doing this for us.
492
00:23:50,771 --> 00:23:53,671
{\an8}NARRATOR:
Confident of the film's
provenance,
493
00:23:53,705 --> 00:23:56,171
{\an7}Dan now shares the new digital
transfer
494
00:23:56,205 --> 00:23:57,338
with Jason.
495
00:23:57,371 --> 00:23:58,747
GROSSMAN:
You can see
the mooring mast.
496
00:23:58,771 --> 00:23:59,938
{\an1}There's the ship,
497
00:23:59,971 --> 00:24:01,547
{\an1}it's flying over the building
we're in right now,
498
00:24:01,571 --> 00:24:02,738
{\an1}that's hangar one.
499
00:24:02,771 --> 00:24:04,805
{\an1}That's the upwind pattern
that it was flying
500
00:24:04,838 --> 00:24:06,471
{\an7}as it's coming overhead the
hangar
501
00:24:06,505 --> 00:24:07,614
{\an7}before it did its initial turn.
502
00:24:07,638 --> 00:24:10,071
NARRATOR:
The sequence of events during
503
00:24:10,105 --> 00:24:14,271
{\an1}Hindenburg's landing approach
has clues about what went wrong.
504
00:24:14,305 --> 00:24:16,771
{\an1}Surviving crew members indicated
505
00:24:16,805 --> 00:24:19,905
{\an1}that they were having trouble
trimming the ship...
506
00:24:19,938 --> 00:24:21,271
{\an1}keeping it level.
507
00:24:21,305 --> 00:24:23,105
{\an1}The tail was heavy.
508
00:24:23,138 --> 00:24:26,138
{\an1}When an aircraft is out of trim,
it's not in balance.
509
00:24:26,171 --> 00:24:29,071
{\an1}And when you look at how massive
this aircraft was,
510
00:24:29,105 --> 00:24:31,705
{\an1}and then try to control it,
and it's out of trim,
511
00:24:31,738 --> 00:24:36,238
{\an1}it is not going to do what
you're asking.
512
00:24:36,271 --> 00:24:38,538
NARRATOR:
To correct the problem,
513
00:24:38,571 --> 00:24:42,338
{\an1}they valve off gas from the bow,
making it heavier.
514
00:24:42,371 --> 00:24:45,471
{\an7}Depending on how heavy you
wanted to make the ship,
515
00:24:45,505 --> 00:24:49,938
{\an7}you held the gas valve open
for 15 seconds, 30 seconds.
516
00:24:49,971 --> 00:24:53,305
NARRATOR:
They release gas multiple times.
517
00:24:53,338 --> 00:24:55,871
{\an1}They're still tail-heavy.
518
00:24:55,905 --> 00:24:59,971
{\an1}Then they drop weight,
water ballast, from the tail
519
00:25:00,005 --> 00:25:02,138
{\an1}to make it lighter.
520
00:25:02,171 --> 00:25:05,105
ZITAROSA:
They've already dropped about
1,300 pounds of water ballast.
521
00:25:05,138 --> 00:25:08,571
{\an1}Now they've moved six men
into the nose.
522
00:25:08,605 --> 00:25:10,371
{\an1}That's another 1,200 pounds.
523
00:25:10,405 --> 00:25:11,905
{\an1}The ship is still tail-heavy.
524
00:25:11,938 --> 00:25:15,338
NARRATOR:
Why might Hindenburg
be tail-heavy?
525
00:25:15,371 --> 00:25:17,771
{\an1}It seems most likely
that it was tail-heavy
526
00:25:17,805 --> 00:25:20,171
{\an1}because there was
a pre-existing hydrogen leak.
527
00:25:20,205 --> 00:25:22,005
♪
528
00:25:22,038 --> 00:25:26,171
NARRATOR:
They now have a choice: proceed
with the landing or stop
529
00:25:26,205 --> 00:25:28,171
{\an1}and diagnose the problem.
530
00:25:28,205 --> 00:25:29,781
ZITAROSA:
It would have been
relatively simple
531
00:25:29,805 --> 00:25:33,771
{\an1}to send a few riggers back
to look into the condition
532
00:25:33,805 --> 00:25:38,538
{\an1}of whether the rear gas cells
were all intact.
533
00:25:38,571 --> 00:25:39,771
{\an1}If they needed to wait longer,
534
00:25:39,805 --> 00:25:41,681
{\an1}they could have just hung out
and waited longer.
535
00:25:41,705 --> 00:25:43,605
{\an1}It's not an issue of running
out of fuel.
536
00:25:43,638 --> 00:25:45,747
{\an1}It could stay up there for
an indeterminate amount of time
537
00:25:45,771 --> 00:25:47,838
{\an1}because it's an airship.
538
00:25:47,871 --> 00:25:51,971
NARRATOR:
But who will make the decision?
539
00:25:52,005 --> 00:25:54,305
{\an1}The official commander of the
flight was Max Pruss,
540
00:25:54,338 --> 00:25:56,171
but the director
of flight operations,
541
00:25:56,205 --> 00:25:59,238
{\an1}or the chief pilot, Ernst
Lehmann, was also onboard.
542
00:25:59,271 --> 00:26:04,005
{\an1}So Pruss was operating
under the eye of his boss.
543
00:26:04,038 --> 00:26:08,138
{\an1}Lehmann was very, very conscious
of the fact
544
00:26:08,171 --> 00:26:10,238
{\an1}that they were 12 hours behind
schedule,
545
00:26:10,271 --> 00:26:13,105
{\an1}and they had a full load
of passengers
546
00:26:13,138 --> 00:26:15,471
{\an1}that had to get onboard
and get back to Europe,
547
00:26:15,505 --> 00:26:18,171
{\an1}and this was now his ball game.
548
00:26:18,205 --> 00:26:21,405
{\an1}How do you tell your boss,
"Hey, boss, we're late,
549
00:26:21,438 --> 00:26:24,105
{\an1}and I actually want
to make us more late"?
550
00:26:24,138 --> 00:26:27,938
{\an1}"I know we're supposed to land,
but I don't think it's safe."
551
00:26:27,971 --> 00:26:29,171
GROSSMAN:
There's no
552
00:26:29,205 --> 00:26:31,238
{\an1}cockpit voice recorder
from Hindenburg.
553
00:26:31,271 --> 00:26:33,305
{\an1}We don't know what they said
to each other.
554
00:26:33,338 --> 00:26:36,338
NARRATOR:
All we know is what they did.
555
00:26:36,371 --> 00:26:39,638
{\an1}There's the line going down,
you see it hit the ground.
556
00:26:39,671 --> 00:26:41,771
{\an1}And the ship started to burn,
557
00:26:41,805 --> 00:26:44,405
{\an1}and look how quickly
this crashes, right?
558
00:26:44,438 --> 00:26:45,947
{\an1}In the time we have
just talked about this
559
00:26:45,971 --> 00:26:47,171
{\an1}for the past few seconds,
560
00:26:47,205 --> 00:26:49,971
{\an1}that is all the time these
people had to escape.
561
00:26:50,005 --> 00:26:51,071
{\an1}Wow.
562
00:26:51,105 --> 00:26:53,405
That's totally different
563
00:26:53,438 --> 00:26:54,547
{\an1}than anything I've ever seen
564
00:26:54,571 --> 00:26:55,881
{\an4}from all the
other footage I've seen.
Right.
565
00:26:55,905 --> 00:26:58,171
{\an1}Because the person
with the eight-millimeter camera
566
00:26:58,205 --> 00:26:59,405
{\an1}was in a different location.
567
00:26:59,438 --> 00:27:01,771
{\an8}HARRIS:
So, so from what you've...
568
00:27:01,805 --> 00:27:04,305
{\an8}NARRATOR:
Where exactly was
Harold Schenck?
569
00:27:04,338 --> 00:27:05,881
GROSSMAN:
Most of the press photographers
570
00:27:05,905 --> 00:27:08,905
and all of the newsreel
film photographers
571
00:27:08,938 --> 00:27:11,338
{\an1}were over in that direction
where the mooring mast was.
572
00:27:11,371 --> 00:27:14,571
♪
573
00:27:14,605 --> 00:27:16,438
GROSSMAN:
It looks from
Schenck's photographs
574
00:27:16,471 --> 00:27:20,405
{\an1}that he was located around
hangar one.
575
00:27:20,438 --> 00:27:22,847
HARRIS:
So he basically is seeing the
aircraft go from right to left
576
00:27:22,871 --> 00:27:25,738
{\an4}as it continues to go down
to this landing site.
Exactly.
577
00:27:25,771 --> 00:27:28,305
And so, because he was
all the way over there,
578
00:27:28,338 --> 00:27:31,105
{\an1}he got a beautiful broadside
view of Hindenburg.
579
00:27:31,138 --> 00:27:33,905
{\an7}As opposed to the newsreel
photographers,
580
00:27:33,938 --> 00:27:35,838
{\an7}who were looking at the bow
of the aircraft
581
00:27:35,871 --> 00:27:37,371
{\an7}as it was flying toward them.
582
00:27:37,405 --> 00:27:38,771
{\an8}HARRIS:
Right.
583
00:27:38,805 --> 00:27:42,171
{\an8}♪
584
00:27:42,205 --> 00:27:45,538
NARRATOR:
But for all it reveals,
Harold Schenck's film
585
00:27:45,571 --> 00:27:48,805
does not show
what ignited the hydrogen,
586
00:27:48,838 --> 00:27:52,605
{\an1}the spark that doomed
Hindenburg.
587
00:27:54,405 --> 00:27:57,338
{\an8}GIAPIS:
How did the spark actually
find its way
588
00:27:57,371 --> 00:28:01,138
{\an8}to the location
in this enormous airship,
589
00:28:01,171 --> 00:28:02,414
where actually hydrogen
was coming out,
590
00:28:02,438 --> 00:28:03,705
mixing with air?
591
00:28:03,738 --> 00:28:05,938
NARRATOR:
To try and learn more
about that spark,
592
00:28:05,971 --> 00:28:10,505
{\an1}Jason and Dan have turned to
Konstantinos Giapis,
593
00:28:10,538 --> 00:28:13,938
{\an1}professor of chemical
engineering at Caltech.
594
00:28:13,971 --> 00:28:18,805
GIAPIS:
You see almost a mushroom cloud
right here.
595
00:28:18,838 --> 00:28:20,838
{\an1}And this is hydrogen being
released
596
00:28:20,871 --> 00:28:22,705
massively from
the central airbags.
597
00:28:22,738 --> 00:28:26,105
{\an7}That hydrogen wants to rise up
598
00:28:26,138 --> 00:28:27,314
{\an7}because it's a very light gas,
599
00:28:27,338 --> 00:28:30,238
and as it rises,
it takes a lot of heat with it.
600
00:28:30,271 --> 00:28:31,605
{\an1}When you look at this,
601
00:28:31,638 --> 00:28:33,005
{\an1}it's almost uncanny to think
602
00:28:33,038 --> 00:28:35,805
{\an1}that anyone actually was able
to walk away from this.
603
00:28:37,571 --> 00:28:39,071
Well, you know,
if you happen to be
604
00:28:39,105 --> 00:28:41,371
{\an1}underneath the fire, you,
605
00:28:41,405 --> 00:28:44,038
you don't suffer
as terrible consequences,
606
00:28:44,071 --> 00:28:45,247
and I believe this is the reason
607
00:28:45,271 --> 00:28:46,414
{\an1}why so many people survived,
actually.
608
00:28:46,438 --> 00:28:48,871
NARRATOR:
But the key question remains.
609
00:28:48,905 --> 00:28:51,505
I see a few things,
610
00:28:51,538 --> 00:28:53,205
but I don't see
the origin of the fire,
611
00:28:53,238 --> 00:28:54,705
I don't see how
the fire started.
612
00:28:54,738 --> 00:28:57,705
NARRATOR:
So Professor Giapis will design
613
00:28:57,738 --> 00:28:59,071
{\an1}experiments to learn more
614
00:28:59,105 --> 00:29:01,771
{\an1}about how the fire started.
615
00:29:01,805 --> 00:29:04,071
GIAPIS:
The experiments
should include
616
00:29:04,105 --> 00:29:06,771
addressing
the origin of the spark,
617
00:29:06,805 --> 00:29:09,838
addressing the importance of
618
00:29:09,871 --> 00:29:12,371
the rope falling
and becoming conductive,
619
00:29:12,405 --> 00:29:15,671
{\an1}and addressing the issue of,
how did a spark happen
620
00:29:15,705 --> 00:29:18,405
close to where
the hydrogen was leaking?
621
00:29:18,438 --> 00:29:20,371
{\an1}(jet engine roaring)
622
00:29:23,138 --> 00:29:26,238
NARRATOR:
To get more information
to help Professor Giapis
623
00:29:26,271 --> 00:29:28,371
{\an1}design historically relevant
experiments,
624
00:29:28,405 --> 00:29:30,005
{\an1}Jason and Dan travel to
625
00:29:30,038 --> 00:29:31,938
{\an7}Friedrichshafen, Germany,
626
00:29:31,971 --> 00:29:34,905
{\an7}home of the Zeppelin company
and Zeppelin Museum.
627
00:29:34,938 --> 00:29:41,771
{\an1}Hindenburg made its first
test flights over this lake.
628
00:29:41,805 --> 00:29:44,338
{\an1}The Zeppelin
and the industry that it set off
629
00:29:44,371 --> 00:29:45,947
{\an1}was a really important part
of the town's history.
630
00:29:45,971 --> 00:29:48,971
{\an1}HARRIS:
This is amazing.
631
00:29:49,005 --> 00:29:50,071
{\an1}Just walking in
632
00:29:50,105 --> 00:29:51,314
and seeing
that airship hanging...
633
00:29:51,338 --> 00:29:53,171
{\an1}Isn't it incredible?
Yeah.
634
00:29:53,205 --> 00:29:55,238
NARRATOR:
Dan has been coming here
for years;
635
00:29:55,271 --> 00:29:57,471
{\an1}this is Jason's first visit.
636
00:29:57,505 --> 00:29:59,205
HARRIS:
I didn't know very much about
637
00:29:59,238 --> 00:30:00,338
{\an1}lighter-than-air aircraft.
638
00:30:00,371 --> 00:30:01,438
{\an1}I've read a few things,
639
00:30:01,471 --> 00:30:03,705
{\an1}but my background is
all fixed-wing aircraft.
640
00:30:03,738 --> 00:30:06,271
{\an1}And so I was looking to
641
00:30:06,305 --> 00:30:07,747
fully understand
how the airships worked,
642
00:30:07,771 --> 00:30:09,605
{\an1}and even some of the
different concepts
643
00:30:09,638 --> 00:30:11,971
in terms of how
the airship was constructed.
644
00:30:12,871 --> 00:30:17,338
{\an7}WAIBEL (in German):
645
00:30:28,171 --> 00:30:29,514
GROSSMAN:
And you know,
this World War I exhibit
646
00:30:29,538 --> 00:30:31,271
{\an1}really gives you an
understanding
647
00:30:31,305 --> 00:30:34,538
{\an1}of just how experienced
the Germans were with Zeppelins.
648
00:30:34,571 --> 00:30:37,405
{\an1}And it actually explains
a lot about their confidence
649
00:30:37,438 --> 00:30:40,738
{\an1}and overconfidence
operating Hindenburg,
650
00:30:40,771 --> 00:30:42,971
{\an1}because they had flown these
hydrogen-filled Zeppelins
651
00:30:43,005 --> 00:30:44,805
{\an1}for 37 years.
652
00:30:44,838 --> 00:30:47,371
{\an1}They'd flown over 100 of them.
653
00:30:47,405 --> 00:30:52,438
NARRATOR:
Nevertheless, Hindenburg is not
the first Zeppelin to burn.
654
00:30:52,471 --> 00:30:55,271
{\an7}There were a lot of hydrogen
airships that burned,
655
00:30:55,305 --> 00:30:59,405
{\an7}even outside of combat, as a
result of operating accidents.
656
00:30:59,438 --> 00:31:02,038
NARRATOR:
In fact, the Zeppelin company
657
00:31:02,071 --> 00:31:06,305
{\an1}was hoping to abandon hydrogen,
because of the danger.
658
00:31:06,338 --> 00:31:08,405
{\an8}ZITAROSA:
The Hindenburg had
originally been designed
659
00:31:08,438 --> 00:31:12,838
{\an7}with the intention
of using helium gas.
660
00:31:12,871 --> 00:31:16,871
{\an1}However, helium was a strictly
American resource in those days.
661
00:31:16,905 --> 00:31:18,771
{\an1}Most of the world's
helium supply existed
662
00:31:18,805 --> 00:31:24,205
{\an1}within a 250-mile radius of
Amarillo, Texas.
663
00:31:24,238 --> 00:31:29,505
NARRATOR:
In 1927, Congress passes
the Helium Control Act,
664
00:31:29,538 --> 00:31:33,838
{\an1}which forbids selling
helium to any foreign nation.
665
00:31:33,871 --> 00:31:36,371
{\an1}If Hindenburg's designers
want to use helium,
666
00:31:36,405 --> 00:31:38,671
they'll need
Congressional approval.
667
00:31:38,705 --> 00:31:43,471
{\an8}(in German):
668
00:31:54,238 --> 00:31:56,738
NARRATOR:
Of all the resources
in this museum,
669
00:31:56,771 --> 00:31:59,138
Dan and Jason
are most interested
670
00:31:59,171 --> 00:32:01,938
{\an1}in the historical archive.
671
00:32:01,971 --> 00:32:03,705
But first,
they show Harold Schenck's film
672
00:32:03,738 --> 00:32:08,105
{\an7}to Zeppelin Archive director
Barbara Waibel
673
00:32:08,138 --> 00:32:11,105
{\an7}and Zeppelin department
head Jürgen Bleibler.
674
00:32:11,138 --> 00:32:13,971
Whoa, yeah, I've
never seen this material.
675
00:32:14,005 --> 00:32:16,938
{\an1}You can see it so clearly,
676
00:32:16,971 --> 00:32:19,505
{\an1}how, how the way of the fire is.
677
00:32:19,538 --> 00:32:21,071
{\an5}BLEIBLER:
This moment...
WAIBEL: Mm-hmm.
678
00:32:21,105 --> 00:32:24,238
BLEIBLER:
Escaping for, of the passengers
is unbelievable.
679
00:32:24,271 --> 00:32:25,338
GROSSMAN:
Yeah, isn't it?
680
00:32:25,371 --> 00:32:26,438
{\an1}They had so little time.
681
00:32:26,471 --> 00:32:27,938
WAIBEL:
Mm-hmm.
682
00:32:27,971 --> 00:32:29,614
{\an1}I've never seen it
from this point of view.
683
00:32:29,638 --> 00:32:32,738
So it's really
new material for me, yeah.
684
00:32:33,971 --> 00:32:36,471
{\an8}NARRATOR:
The fire started roughly
four minutes after
685
00:32:36,505 --> 00:32:39,171
{\an7}the landing ropes
hit the ground.
686
00:32:39,205 --> 00:32:42,571
{\an1}So Professor Giapis is
interested in that rope.
687
00:32:42,605 --> 00:32:44,505
{\an1}Could it conduct electricity,
688
00:32:44,538 --> 00:32:46,371
{\an1}which might contribute
to a spark?
689
00:32:46,405 --> 00:32:48,371
{\an1}One of the things
we'd like to do
690
00:32:48,405 --> 00:32:52,271
{\an1}is test the electrical
conductivity of the trail rope,
691
00:32:52,305 --> 00:32:54,538
{\an5}the landing rope,
the Landestau.
Mm-hmm.
692
00:32:54,571 --> 00:32:55,947
We'd like to get
a sample of that rope
693
00:32:55,971 --> 00:32:57,171
{\an1}and see what it looks like.
694
00:32:57,205 --> 00:32:59,771
{\an7}WAIBEL (in German):
695
00:33:01,071 --> 00:33:02,171
{\an7}Excellent.
696
00:33:02,205 --> 00:33:04,705
{\an7}HARRIS:
And is this one of the
actual ropes?
697
00:33:04,738 --> 00:33:09,271
{\an8}(in German):
698
00:33:12,405 --> 00:33:13,471
{\an7}Ah.
699
00:33:13,505 --> 00:33:15,438
{\an8}GROSSMAN:
So let's go ahead and see
700
00:33:15,471 --> 00:33:16,438
{\an7}how, how big the rope is,
701
00:33:16,471 --> 00:33:17,938
{\an1}what, what its circumference is,
702
00:33:17,971 --> 00:33:19,805
{\an1}so that we can either
acquire or recreate
703
00:33:19,838 --> 00:33:21,805
{\an1}something that matches.
704
00:33:21,838 --> 00:33:23,971
14 centimeters.
Mm-hmm.
705
00:33:24,005 --> 00:33:25,005
{\an1}Mm-hmm.
Excellent.
706
00:33:25,038 --> 00:33:26,214
And this is...
(speaking German)
707
00:33:26,238 --> 00:33:27,171
14 centimeters,
708
00:33:27,205 --> 00:33:28,805
{\an1}and it's manila hemp rope,
right?
709
00:33:28,838 --> 00:33:30,571
Yeah.
Yup.
710
00:33:32,705 --> 00:33:33,905
{\an8}NARRATOR:
Back at Caltech,
711
00:33:33,938 --> 00:33:36,138
{\an8}Professor Giapis
has immersed himself
712
00:33:36,171 --> 00:33:38,905
in Hindenburg, focusing on how
713
00:33:38,938 --> 00:33:41,238
{\an1}the leaking hydrogen
may have been ignited.
714
00:33:41,271 --> 00:33:44,738
GIAPIS:
I read the reports of
various committees.
715
00:33:44,771 --> 00:33:47,571
They both agreed
that there was a hydrogen leak.
716
00:33:47,605 --> 00:33:49,871
{\an1}But there were certain things
that didn't make sense.
717
00:33:49,905 --> 00:33:52,405
{\an1}How did the spark happen,
where it happened,
718
00:33:52,438 --> 00:33:57,671
{\an1}and the time sequence,
the timeline of how it happened.
719
00:33:57,705 --> 00:34:01,338
NARRATOR:
The German committee believed
the landing ropes
720
00:34:01,371 --> 00:34:03,438
{\an1}allowed a spark to happen,
721
00:34:03,471 --> 00:34:06,205
because they
gave electricity a path
722
00:34:06,238 --> 00:34:07,871
{\an1}from the ship to the ground.
723
00:34:07,905 --> 00:34:13,371
{\an1}In a house, electricity flows
from one side of an outlet
724
00:34:13,405 --> 00:34:15,171
through whatever
is plugged into it,
725
00:34:15,205 --> 00:34:17,505
and back to
the other side of the outlet.
726
00:34:17,538 --> 00:34:20,938
{\an1}But it only flows
when it has a path.
727
00:34:20,971 --> 00:34:24,838
{\an1}Take away the path,
the flow stops.
728
00:34:24,871 --> 00:34:27,538
{\an1}Why this matters to
the Hindenburg
729
00:34:27,571 --> 00:34:30,371
{\an1}is because the airship
is carrying electricity
730
00:34:30,405 --> 00:34:32,138
on its skin.
731
00:34:32,171 --> 00:34:34,138
{\an7}Any craft moving through the air
732
00:34:34,171 --> 00:34:36,138
{\an7}will accumulate a charge.
733
00:34:36,171 --> 00:34:39,371
NARRATOR:
As long as Hindenburg's
electrical charge
734
00:34:39,405 --> 00:34:41,538
{\an1}has no path, it can't flow.
735
00:34:45,038 --> 00:34:46,271
{\an1}To find out if landing rope
736
00:34:46,305 --> 00:34:50,038
{\an1}could create an electrical path
to the ground,
737
00:34:50,071 --> 00:34:53,705
{\an1}Professor Giapis will test
a sample to see if it conducts.
738
00:34:55,071 --> 00:34:57,605
{\an1}Jason is back at Caltech
to observe.
739
00:34:57,638 --> 00:35:00,638
{\an1}So, what you were looking for
was, how did
740
00:35:00,671 --> 00:35:02,838
{\an1}the spark in
that particular place
741
00:35:02,871 --> 00:35:06,038
{\an7}connect with the hydrogen
in that explicit moment in time?
742
00:35:06,071 --> 00:35:07,671
{\an8}Yes.
743
00:35:07,705 --> 00:35:10,605
{\an7}The committees talked
about the skin charging up.
744
00:35:10,638 --> 00:35:12,671
{\an7}And the question is,
what happens to that charge?
745
00:35:12,705 --> 00:35:15,338
I can try to find out
where the charge goes
746
00:35:15,371 --> 00:35:18,405
{\an1}and whether, in doing so,
it can create a spark.
747
00:35:18,438 --> 00:35:20,971
NARRATOR:
Hindenburg approaches,
748
00:35:21,005 --> 00:35:24,838
{\an1}carrying a powerful
electrical charge on its skin.
749
00:35:24,871 --> 00:35:27,605
{\an1}But the charge has
no path to go anywhere.
750
00:35:27,638 --> 00:35:30,671
{\an1}Port and starboard trail lines
hit the ground.
751
00:35:30,705 --> 00:35:34,205
{\an8}NARRATOR:
But nothing happens.
752
00:35:34,238 --> 00:35:36,205
{\an7}From the moment the ropes
touch the ground,
753
00:35:36,238 --> 00:35:39,905
{\an7}it takes about four minutes
for the fire to start.
754
00:35:39,938 --> 00:35:43,105
{\an1}If the ropes created a path
for electricity to flow,
755
00:35:43,138 --> 00:35:45,371
{\an1}then why the delay?
756
00:35:45,405 --> 00:35:47,571
{\an1}What was important about
the rope and the four minutes?
757
00:35:47,605 --> 00:35:51,805
{\an1}So, the idea from both
investigative committees
758
00:35:51,838 --> 00:35:55,005
{\an1}was that the rope
was not conductive
759
00:35:55,038 --> 00:35:56,405
{\an1}to begin with.
760
00:35:56,438 --> 00:35:58,438
{\an1}It took four minutes or so
for it to get wet
761
00:35:58,471 --> 00:35:59,638
{\an1}to create the spark.
762
00:35:59,671 --> 00:36:02,271
NARRATOR:
During the final landing
approach,
763
00:36:02,305 --> 00:36:03,838
{\an1}a light rain is falling.
764
00:36:03,871 --> 00:36:07,738
{\an1}The theory is that
as the rope got wet,
765
00:36:07,771 --> 00:36:09,671
{\an1}it became more conductive.
766
00:36:09,705 --> 00:36:10,905
{\an1}So I want to probe that.
767
00:36:10,938 --> 00:36:12,871
{\an1}I want to find out if the rope
768
00:36:12,905 --> 00:36:14,671
{\an1}was initially conductive at all,
769
00:36:14,705 --> 00:36:19,905
{\an1}and how quickly did it become
conductive when it became wet?
770
00:36:19,938 --> 00:36:22,938
{\an1}Where'd you acquire this rope
from and how is it similar
771
00:36:22,971 --> 00:36:24,838
to what they had
80-plus years ago?
772
00:36:24,871 --> 00:36:27,371
{\an1}So, we had to search, uh,
quite a bit, actually,
773
00:36:27,405 --> 00:36:28,705
{\an1}to find this rope.
774
00:36:28,738 --> 00:36:30,638
{\an1}However, we found one
775
00:36:30,671 --> 00:36:32,638
that is made of
the same material,
776
00:36:32,671 --> 00:36:34,205
{\an1}which is manila hemp.
777
00:36:34,238 --> 00:36:37,471
And this one is
an eight-braid rope,
778
00:36:37,505 --> 00:36:39,571
{\an1}whereas the original one was
a 12-braid rope.
779
00:36:39,605 --> 00:36:43,271
{\an1}But it's approximately
the same diameter.
780
00:36:43,305 --> 00:36:45,238
{\an1}And it has
a lot of surface area,
781
00:36:45,271 --> 00:36:46,838
{\an1}which is important
for our experiment.
782
00:36:46,871 --> 00:36:48,605
{\an1}My first experiment was,
783
00:36:48,638 --> 00:36:51,371
try to see if
any current flows through it
784
00:36:51,405 --> 00:36:53,871
{\an1}when you apply a voltage
across the,
785
00:36:53,905 --> 00:36:55,538
{\an1}the two ends of the rope.
786
00:36:55,571 --> 00:36:57,571
{\an1}I will increase the voltage
787
00:36:57,605 --> 00:36:59,205
{\an1}that I apply at the top.
788
00:36:59,238 --> 00:37:00,738
NARRATOR:
Professor Giapis
789
00:37:00,771 --> 00:37:03,371
applies almost 3,000 volts
790
00:37:03,405 --> 00:37:04,538
{\an1}to the top end of the rope.
791
00:37:05,638 --> 00:37:08,405
{\an1}GIAPIS:
What you see here is
792
00:37:08,438 --> 00:37:09,981
{\an1}something that I think
is pretty remarkable.
793
00:37:10,005 --> 00:37:13,505
{\an1}We see a current
flowing through the rope
794
00:37:13,538 --> 00:37:14,971
{\an1}when we apply...
795
00:37:15,005 --> 00:37:16,971
{\an1}It's almost three kilovolts.
796
00:37:17,005 --> 00:37:20,371
GIAPIS:
To my immense surprise,
797
00:37:20,405 --> 00:37:23,138
dry rope had some conductivity.
798
00:37:23,171 --> 00:37:24,447
Now,
when I talk about conductivity,
799
00:37:24,471 --> 00:37:26,471
{\an1}what we're talking about
is the ability
800
00:37:26,505 --> 00:37:27,838
{\an1}to ground the airframe.
801
00:37:27,871 --> 00:37:31,771
NARRATOR:
So even dry rope provides
an electrical path
802
00:37:31,805 --> 00:37:34,805
{\an1}from the ship to the ground,
which, theoretically,
803
00:37:34,838 --> 00:37:36,671
{\an1}could trigger a spark.
804
00:37:36,705 --> 00:37:39,238
{\an1}But the test isn't over.
805
00:37:39,271 --> 00:37:40,871
{\an1}Now we want to find out
806
00:37:40,905 --> 00:37:43,305
what happens
when I make this wet.
807
00:37:43,338 --> 00:37:46,071
{\an1}So we have the same voltage
we have dialed before,
808
00:37:46,105 --> 00:37:47,305
{\an1}about three kilovolts,
809
00:37:47,338 --> 00:37:49,571
{\an1}and I will make this wet.
810
00:37:49,605 --> 00:37:52,471
{\an1}So I'm using deionized water
811
00:37:52,505 --> 00:37:55,471
{\an1}to try to simulate the
absorption of water by the rope.
812
00:37:55,505 --> 00:37:57,038
{\an1}Pay attention to this.
813
00:37:57,071 --> 00:37:58,938
So it's increasing with
814
00:37:58,971 --> 00:38:01,205
every bit of wetness.
815
00:38:01,238 --> 00:38:03,871
With every bit of water,
you add to it, it's increasing.
816
00:38:03,905 --> 00:38:06,038
And so you figure, for
four minutes,
817
00:38:06,071 --> 00:38:07,314
it was constantly having
this done
818
00:38:07,338 --> 00:38:09,738
with four minutes
of rain and moisture.
819
00:38:09,771 --> 00:38:10,738
{\an1}So it becomes
820
00:38:10,771 --> 00:38:12,771
{\an1}very conductive.
821
00:38:12,805 --> 00:38:14,538
NARRATOR:
Over ten times more current
822
00:38:14,571 --> 00:38:17,771
{\an1}flows when the rope
is even slightly wet.
823
00:38:17,805 --> 00:38:18,971
{\an1}Now that it's wet,
824
00:38:19,005 --> 00:38:20,971
{\an1}let's look at what happens
825
00:38:21,005 --> 00:38:22,705
as we come down.
826
00:38:22,738 --> 00:38:23,847
{\an1}You see that the voltage now,
827
00:38:23,871 --> 00:38:25,805
{\an1}two inches below,
is about the same.
828
00:38:25,838 --> 00:38:27,371
As I come down,
829
00:38:27,405 --> 00:38:29,505
{\an1}that higher voltage
is communicated.
830
00:38:29,538 --> 00:38:32,205
{\an1}This thing is fully conductive.
831
00:38:32,238 --> 00:38:34,271
NARRATOR:
So wet or dry,
832
00:38:34,305 --> 00:38:35,747
the landing rope
does conduct electricity.
833
00:38:35,771 --> 00:38:39,005
{\an1}But how would that
cause a spark?
834
00:38:39,038 --> 00:38:41,571
{\an1}The Zeppelin is flying.
835
00:38:41,605 --> 00:38:43,738
{\an1}She's got an electrical charge
that she has picked up.
836
00:38:43,771 --> 00:38:46,071
NARRATOR:
But the charge on
837
00:38:46,105 --> 00:38:49,638
{\an1}Hindenburg's skin
can't go anywhere... yet.
838
00:38:49,671 --> 00:38:52,005
ZITAROSA:
The airship is isolated
from the ground.
839
00:38:52,038 --> 00:38:53,805
{\an1}The mooring ropes are dropped.
840
00:38:53,838 --> 00:38:56,105
{\an1}They become conductors.
841
00:38:56,138 --> 00:38:59,271
NARRATOR:
But there's a problem.
842
00:38:59,305 --> 00:39:01,371
GIAPIS:
My very first experiment
showed that the rope
843
00:39:01,405 --> 00:39:03,038
{\an1}had some conductivity,
844
00:39:03,071 --> 00:39:04,805
{\an1}and for the kinds of voltages
845
00:39:04,838 --> 00:39:06,205
{\an1}that I think were possible
846
00:39:06,238 --> 00:39:07,571
on the airship,
847
00:39:07,605 --> 00:39:09,605
{\an1}that conductivity meant that...
848
00:39:09,638 --> 00:39:11,071
(snaps)
849
00:39:11,105 --> 00:39:12,471
The explosion
should have happened
850
00:39:12,505 --> 00:39:14,171
{\an1}the moment the rope
hit the ground.
851
00:39:14,205 --> 00:39:17,138
NARRATOR:
So once the ropes
hit the ground,
852
00:39:17,171 --> 00:39:22,138
{\an1}what explains the four-minute
delay before the explosion?
853
00:39:23,571 --> 00:39:28,205
{\an1}Dan and Jason found a clue
in Germany.
854
00:39:28,238 --> 00:39:29,405
{\an1}In the Zeppelin Museum,
855
00:39:29,438 --> 00:39:31,305
{\an1}they got details of
Hindenburg's skin
856
00:39:31,338 --> 00:39:34,571
{\an1}and the paint that covered it,
called "dope."
857
00:39:34,605 --> 00:39:35,671
{\an1}Let's talk about the dope,
858
00:39:35,705 --> 00:39:37,438
the Cellon that went
onto the fabric.
859
00:39:37,471 --> 00:39:39,705
NARRATOR:
The Cellon dope paint
860
00:39:39,738 --> 00:39:42,938
{\an1}is what gave Hindenburg
its metallic sheen.
861
00:39:42,971 --> 00:39:46,838
{\an7}WAIBEL (in German):
862
00:39:58,905 --> 00:40:01,005
NARRATOR:
But it's the electrical
properties
863
00:40:01,038 --> 00:40:03,238
{\an1}of Hindenburg's skin
864
00:40:03,271 --> 00:40:05,171
{\an1}that concern Professor Giapis.
865
00:40:05,205 --> 00:40:07,238
GROSSMAN:
Barbara, one of the things
we care about
866
00:40:07,271 --> 00:40:09,671
{\an1}is whether there was
an electrical connection
867
00:40:09,705 --> 00:40:12,438
{\an1}between the, the fabric
and the metal.
868
00:40:12,471 --> 00:40:15,438
{\an7}WAIBEL (in German):
869
00:40:17,805 --> 00:40:18,771
{\an7}Right.
870
00:40:18,805 --> 00:40:21,138
{\an7}WAIBEL (in German):
871
00:40:24,871 --> 00:40:26,605
{\an7}Right.
872
00:40:26,638 --> 00:40:33,038
{\an7}WAIBEL (in German):
873
00:40:36,905 --> 00:40:42,271
{\an8}NARRATOR:
The wooden pegs, and the space
between skin and metal frame,
874
00:40:42,305 --> 00:40:44,971
{\an7}would theoretically prevent
a charge on the skin
875
00:40:45,005 --> 00:40:46,205
{\an7}from reaching the frame.
876
00:40:46,238 --> 00:40:50,038
{\an7}It's crucial information
for Professor Giapis.
877
00:40:50,071 --> 00:40:52,138
{\an7}It seems to be that
878
00:40:52,171 --> 00:40:54,838
{\an8}this wooden dowel
was actually put there
879
00:40:54,871 --> 00:40:58,638
{\an7}to separate the skin as a
protection/safety mechanism
880
00:40:58,671 --> 00:41:00,205
{\an7}in the building of the airship.
881
00:41:00,238 --> 00:41:04,238
{\an8}NARRATOR:
This design means there's
no electrical connection
882
00:41:04,271 --> 00:41:06,771
{\an7}between skin and frame.
883
00:41:06,805 --> 00:41:09,538
{\an7}As the ship comes in to land,
884
00:41:09,571 --> 00:41:12,371
the skin
is electrically charged.
885
00:41:12,405 --> 00:41:13,705
{\an1}When the ropes drop,
886
00:41:13,738 --> 00:41:16,205
{\an1}the frame is electrically
connected to the ground.
887
00:41:16,238 --> 00:41:21,671
{\an1}So there's now a powerful charge
right next to a grounded frame,
888
00:41:21,705 --> 00:41:24,438
{\an1}with a small air gap in between.
889
00:41:24,471 --> 00:41:27,471
{\an1}It's like a person
who crossed a carpet
890
00:41:27,505 --> 00:41:30,105
{\an1}almost but not quite
touching the light switch.
891
00:41:31,805 --> 00:41:33,471
{\an1}A spark waiting to happen.
892
00:41:33,505 --> 00:41:36,038
{\an1}GIAPIS:
So there is electrical
communication
893
00:41:36,071 --> 00:41:38,805
{\an1}between the frame
and the ground.
894
00:41:38,838 --> 00:41:40,738
{\an1}So now we need to find out
what was happening
895
00:41:40,771 --> 00:41:42,571
{\an1}between the skin
and the airframe.
896
00:41:42,605 --> 00:41:46,171
NARRATOR:
Professor Giapis wants to
better understand how
897
00:41:46,205 --> 00:41:48,371
a charge that's
built up on the skin
898
00:41:48,405 --> 00:41:50,905
{\an1}could discharge in a spark
899
00:41:50,938 --> 00:41:52,505
{\an1}that jumps to the frame,
900
00:41:52,538 --> 00:41:55,371
{\an1}and why it took roughly
four minutes to happen.
901
00:41:55,405 --> 00:41:56,847
GIAPIS:
The second test that I
developed,
902
00:41:56,871 --> 00:42:00,638
{\an1}tried to understand this
charging-discharging issue.
903
00:42:00,671 --> 00:42:03,738
{\an7}So I developed a scaffold
904
00:42:03,771 --> 00:42:07,371
{\an7}similar to the frame
of the original airship.
905
00:42:07,405 --> 00:42:11,138
{\an8}NARRATOR:
He'll use a reproduction of
a section of Hindenburg's skin
906
00:42:11,171 --> 00:42:13,338
{\an1}covered with dope,
stretched over
907
00:42:13,371 --> 00:42:15,838
but not touching
an aluminum frame.
908
00:42:15,871 --> 00:42:18,771
HARRIS:
So, what are we replicating here
in this experiment?
909
00:42:18,805 --> 00:42:20,905
{\an1}I'm trying to simulate
910
00:42:20,938 --> 00:42:24,171
{\an1}what was happening
in the top of the airship.
911
00:42:26,071 --> 00:42:27,438
As this was
912
00:42:27,471 --> 00:42:30,638
{\an1}standing about 100 meters
away from Earth,
913
00:42:30,671 --> 00:42:33,205
{\an1}the top of it, at least,
collecting rain
914
00:42:33,238 --> 00:42:36,905
{\an1}and collecting also charge
from the ambient environment.
915
00:42:36,938 --> 00:42:40,038
{\an1}I need to figure out
a way to bring uniform charge
916
00:42:40,071 --> 00:42:43,805
{\an1}to these two panels
that we're seeing here.
917
00:42:43,838 --> 00:42:45,971
{\an1}And I have done this by
creating these electrodes,
918
00:42:46,005 --> 00:42:48,105
and I will charge those
919
00:42:48,138 --> 00:42:50,005
{\an1}so that I can apply a voltage
920
00:42:50,038 --> 00:42:53,738
{\an1}that I think was existing
at that time on,
921
00:42:53,771 --> 00:42:54,905
on the airship.
922
00:42:54,938 --> 00:42:56,805
The airship is grounded.
923
00:42:56,838 --> 00:42:58,238
{\an1}It has the ability to, to
conduct,
924
00:42:58,271 --> 00:43:01,105
but the surface
is actually just dry.
925
00:43:01,138 --> 00:43:02,238
So, you're simulating
926
00:43:02,271 --> 00:43:04,405
what it looks like,
or what happens
927
00:43:04,438 --> 00:43:06,238
{\an5}when the surface itself
is just dry.
Correct.
928
00:43:06,271 --> 00:43:09,471
NARRATOR:
The electrodes apply a charge,
929
00:43:09,505 --> 00:43:12,671
{\an1}like that which would have built
up on the skin of Hindenburg.
930
00:43:12,705 --> 00:43:15,338
{\an1}I charged up the electrodes,
931
00:43:15,371 --> 00:43:18,038
connected
the frame to the ground,
932
00:43:18,071 --> 00:43:20,505
{\an1}and I would observe no spark.
933
00:43:20,538 --> 00:43:21,571
My dope was very
934
00:43:21,605 --> 00:43:23,638
"dielectric,"
as we say in the jargon.
935
00:43:23,671 --> 00:43:26,738
The charge
was not going anywhere.
936
00:43:26,771 --> 00:43:30,438
NARRATOR:
With the skin dry, the charge
does not jump to the frame.
937
00:43:30,471 --> 00:43:33,605
{\an1}But these laboratory conditions
do not fully replicate
938
00:43:33,638 --> 00:43:35,538
{\an1}the situation at Lakehurst.
939
00:43:35,571 --> 00:43:36,938
{\an1}Now I want to find out
940
00:43:36,971 --> 00:43:39,738
{\an1}what happens if we actually,
you know, do this in the rain.
941
00:43:39,771 --> 00:43:40,805
{\an1}There was rain falling.
942
00:43:40,838 --> 00:43:42,871
{\an1}(thunder rumbling)
943
00:43:42,905 --> 00:43:45,571
The ship had also
just crossed the ocean,
944
00:43:45,605 --> 00:43:48,105
{\an1}and there were salt particles
on its surface.
945
00:43:48,138 --> 00:43:50,505
{\an1}Now, rain and salt
make a conductive mixture.
946
00:43:50,538 --> 00:43:52,571
{\an8}All right.
947
00:43:52,605 --> 00:43:54,071
{\an8}So, let's see.
948
00:43:54,105 --> 00:43:56,171
{\an8}(spritzing)
949
00:43:56,205 --> 00:43:57,738
{\an7}Let's wait a little bit.
950
00:43:57,771 --> 00:43:59,905
{\an8}(sparking loudly)
Whoa!
951
00:43:59,938 --> 00:44:00,905
{\an8}(sparks)
952
00:44:00,938 --> 00:44:02,805
{\an1}What is going on right now?
953
00:44:02,838 --> 00:44:04,371
(sparks)
Oh, wow, that was...
954
00:44:04,405 --> 00:44:06,238
{\an1}That's it.
Yes, that was significant!
955
00:44:06,271 --> 00:44:07,314
{\an1}That's the spark that matters.
956
00:44:07,338 --> 00:44:11,071
GIAPIS:
Charging the top surfaces,
957
00:44:11,105 --> 00:44:13,605
{\an1}adding the rain to the mix,
958
00:44:13,638 --> 00:44:16,705
you've got
the spark across the skin.
959
00:44:16,738 --> 00:44:18,738
NARRATOR:
But why?
960
00:44:18,771 --> 00:44:21,205
What changes
when the skin is wet?
961
00:44:21,238 --> 00:44:24,138
{\an7}Rain makes the top of the skin
conductive and allows
962
00:44:24,171 --> 00:44:25,214
{\an7}eventually for charges to move.
963
00:44:25,238 --> 00:44:28,338
NARRATOR:
Making the skin more conductive
964
00:44:28,371 --> 00:44:31,871
{\an1}lets the charge move across it
more easily,
965
00:44:31,905 --> 00:44:35,205
until it reaches
a spot over a frame member,
966
00:44:35,238 --> 00:44:37,138
where it can
jump across the gap.
967
00:44:37,171 --> 00:44:42,205
{\an1}But there's still the question
of the four-minute delay.
968
00:44:42,238 --> 00:44:43,805
{\an1}Why didn't the spark happen
969
00:44:43,838 --> 00:44:46,238
the instant
the ropes hit the ground?
970
00:44:46,271 --> 00:44:47,871
{\an1}So, then it occurred to me
971
00:44:47,905 --> 00:44:50,571
that the moment
the airframe grounds,
972
00:44:50,605 --> 00:44:52,138
{\an1}you form a capacitor
973
00:44:52,171 --> 00:44:54,605
{\an1}capable of storing more charge
974
00:44:54,638 --> 00:44:58,938
{\an1}than what initially existed
on the surface of the airship.
975
00:44:58,971 --> 00:45:01,638
{\an1}And that means that
it will take time to charge up.
976
00:45:01,671 --> 00:45:04,638
A capacitor
is a very simple device
977
00:45:04,671 --> 00:45:06,138
{\an1}that allows you to store energy.
978
00:45:06,171 --> 00:45:10,205
NARRATOR:
A capacitor typically contains
two conductive plates
979
00:45:10,238 --> 00:45:14,305
separated by
a non-conducting insulator.
980
00:45:14,338 --> 00:45:17,805
{\an1}Charge builds up on the plates,
positive and negative,
981
00:45:17,838 --> 00:45:20,738
{\an1}until it's strong enough
to jump across the gap.
982
00:45:20,771 --> 00:45:24,805
{\an1}On the Hindenburg, the skin
represents the top surface
983
00:45:24,838 --> 00:45:28,038
{\an1}and the grounded frame
represents
984
00:45:28,071 --> 00:45:30,105
{\an1}the bottom surface of
the capacitor.
985
00:45:30,138 --> 00:45:34,405
NARRATOR:
Positive charge from
the air collects on the skin.
986
00:45:34,438 --> 00:45:37,438
{\an1}Negative charge from the ground
collects through the ropes
987
00:45:37,471 --> 00:45:38,971
onto the frame.
988
00:45:39,005 --> 00:45:41,005
{\an1}With every passing second,
989
00:45:41,038 --> 00:45:43,571
{\an1}the electric field
between skin and frame
990
00:45:43,605 --> 00:45:44,971
increases,
991
00:45:45,005 --> 00:45:48,371
{\an1}until finally it's strong enough
to jump across the gap,
992
00:45:48,405 --> 00:45:50,471
making a spark.
993
00:45:50,505 --> 00:45:55,571
{\an1}To see how long it would take to
fully charge Hindenburg's skin,
994
00:45:55,605 --> 00:45:57,271
{\an1}Professor Giapis calculates
995
00:45:57,305 --> 00:45:59,171
how much charge
the ship can hold
996
00:45:59,205 --> 00:46:01,505
{\an1}based on its surface area
997
00:46:01,538 --> 00:46:04,938
{\an1}and compares that with the rate
of atmospheric electricity
998
00:46:04,971 --> 00:46:07,538
flowing in
the stormy conditions that day.
999
00:46:07,571 --> 00:46:09,505
{\an1}So then I wrote down the numbers
1000
00:46:09,538 --> 00:46:12,371
{\an1}of how long it would take
for it to charge,
1001
00:46:12,405 --> 00:46:13,971
{\an1}and I ended up with
1002
00:46:14,005 --> 00:46:17,871
four minutes.
1003
00:46:17,905 --> 00:46:19,905
{\an1}And then it all clicked,
1004
00:46:19,938 --> 00:46:21,871
because nobody
has been able to explain
1005
00:46:21,905 --> 00:46:24,671
the four minutes
it took for it to explode.
1006
00:46:24,705 --> 00:46:27,538
NARRATOR:
Rope hits the ground,
1007
00:46:27,571 --> 00:46:29,014
{\an1}turning Hindenburg into
a giant capacitor.
1008
00:46:29,038 --> 00:46:32,038
{\an1}Charge is building up.
1009
00:46:32,071 --> 00:46:35,505
{\an1}It will take about four minutes
to fully charge the ship.
1010
00:46:35,538 --> 00:46:38,105
{\an1}Rain is accumulating
on the skin,
1011
00:46:38,138 --> 00:46:40,571
{\an1}making it easier for
the charge to move
1012
00:46:40,605 --> 00:46:42,705
to locations of
underlying frame members.
1013
00:46:42,738 --> 00:46:44,838
♪
1014
00:46:44,871 --> 00:46:48,171
{\an1}For his final test,
Professor Giapis
1015
00:46:48,205 --> 00:46:50,871
{\an1}repeats the experiment,
adding the rope.
1016
00:46:50,905 --> 00:46:53,805
GIAPIS:
The rope to the ground
1017
00:46:53,838 --> 00:46:56,171
{\an1}as if it's just thrown down.
1018
00:46:56,205 --> 00:46:58,105
{\an1}And then we're going to
make the rope wet
1019
00:46:58,138 --> 00:46:59,538
{\an1}in the correct sequence.
1020
00:46:59,571 --> 00:47:01,338
So we're going to
try to find out
1021
00:47:01,371 --> 00:47:05,171
what happens when
all of this is together.
1022
00:47:05,205 --> 00:47:07,438
{\an1}I have zero volts down here.
1023
00:47:07,471 --> 00:47:09,071
HARRIS:
Yeah.
1024
00:47:09,105 --> 00:47:10,971
{\an1}I have one volt up here.
1025
00:47:11,005 --> 00:47:13,505
{\an7}What is that telling us
at this point in time?
1026
00:47:13,538 --> 00:47:15,638
{\an7}It's telling us that
it's a perfect conductor.
1027
00:47:15,671 --> 00:47:19,371
{\an1}The frame is connected to
the ground very efficiently.
1028
00:47:19,405 --> 00:47:21,571
{\an1}So that allows for
a maximum charge
1029
00:47:21,605 --> 00:47:23,038
{\an1}to accumulate up there.
1030
00:47:23,071 --> 00:47:28,271
{\an1}So, I will go now
and try to recreate the spark.
1031
00:47:30,238 --> 00:47:31,805
{\an1}Ready?
1032
00:47:31,838 --> 00:47:34,438
{\an8}(spritzing)
1033
00:47:34,471 --> 00:47:37,038
{\an8}(spark buzzing)
HARRIS:
Oh! Whoa!
1034
00:47:38,771 --> 00:47:40,738
{\an1}GIAPIS:
That was it!
1035
00:47:40,771 --> 00:47:42,938
{\an1}Tell us, what did we just
experience right there?
1036
00:47:42,971 --> 00:47:46,371
{\an1}There is a capacitor forming
between the skin and the frame.
1037
00:47:46,405 --> 00:47:49,038
{\an1}The capacitor is fully charged.
1038
00:47:49,071 --> 00:47:50,205
{\an1}But the charge cannot move
1039
00:47:50,238 --> 00:47:52,371
{\an1}through the rope to the ground.
1040
00:47:52,405 --> 00:47:53,438
{\an1}Despite the fact that
1041
00:47:53,471 --> 00:47:55,571
{\an1}the rope is wet, fully wet.
1042
00:47:55,605 --> 00:47:56,671
{\an1}However, when I
1043
00:47:56,705 --> 00:47:58,505
{\an1}drop a little bit of rain
on top,
1044
00:47:58,538 --> 00:47:59,605
magic happens.
1045
00:47:59,638 --> 00:48:02,938
NARRATOR:
Professor Giapis has shown that
1046
00:48:02,971 --> 00:48:05,671
{\an1}rain did contribute
to the disaster.
1047
00:48:05,705 --> 00:48:07,271
{\an1}Wetting the skin made it
easier...
1048
00:48:07,305 --> 00:48:08,571
{\an5}Whoa!
NARRATOR:
for the charge
1049
00:48:08,605 --> 00:48:11,805
{\an1}to flow to where frame members
were located.
1050
00:48:11,838 --> 00:48:13,438
{\an1}That's the spark.
1051
00:48:13,471 --> 00:48:15,705
{\an1}That's how you get the spark
to occur under the skin.
1052
00:48:15,738 --> 00:48:20,371
{\an1}So, it happens underneath,
only after
1053
00:48:20,405 --> 00:48:21,481
{\an1}all of these series of events
1054
00:48:21,505 --> 00:48:22,471
have taken place.
Yes.
1055
00:48:22,505 --> 00:48:25,705
{\an1}The rope hits the ground.
Yes.
1056
00:48:25,738 --> 00:48:27,205
{\an1}The rope then gets wet.
1057
00:48:27,238 --> 00:48:30,138
{\an1}There's a charge on the top of
the surface of the airship,
1058
00:48:30,171 --> 00:48:32,538
{\an1}and there's rain on top of
the airship.
1059
00:48:32,571 --> 00:48:34,738
{\an5}Correct.
So, all of those things
have to happen,
1060
00:48:34,771 --> 00:48:37,405
{\an5}and we pretty much
just walked through...
Yes.
1061
00:48:37,438 --> 00:48:38,881
That one without
the other means nothing.
1062
00:48:38,905 --> 00:48:40,371
{\an1}Yes.
1063
00:48:40,405 --> 00:48:42,105
But once you put
the rain in there,
1064
00:48:42,138 --> 00:48:44,105
{\an1}that's where we get
the magic of the spark.
1065
00:48:44,138 --> 00:48:47,105
{\an1}The magic ingredient, yes.
Wow.
1066
00:48:47,138 --> 00:48:49,805
NARRATOR:
But another mystery remains.
1067
00:48:49,838 --> 00:48:53,671
Why did the spark
happen where it did?
1068
00:48:53,705 --> 00:48:55,371
{\an1}What were the chances
1069
00:48:55,405 --> 00:48:57,405
{\an1}in this enormous ship
1070
00:48:57,438 --> 00:48:59,705
that the spark, the tiny spark,
1071
00:48:59,738 --> 00:49:02,271
{\an1}happened right there
where the hydrogen was leaking
1072
00:49:02,305 --> 00:49:06,338
{\an1}or in the vicinity of
where it was mixing with air?
1073
00:49:06,371 --> 00:49:08,214
{\an1}How was it possible to get
the spark right there, where,
1074
00:49:08,238 --> 00:49:09,538
you know, things were happening?
1075
00:49:09,571 --> 00:49:12,005
NARRATOR:
Professor Giapis believes
1076
00:49:12,038 --> 00:49:14,638
{\an1}Hindenburg's frame,
horizontal girders,
1077
00:49:14,671 --> 00:49:16,238
{\an1}and vertical rings
1078
00:49:16,271 --> 00:49:20,138
in effect formed
individual panels.
1079
00:49:20,171 --> 00:49:25,271
{\an1}I realized that each panel,
each crossing of these girders,
1080
00:49:25,305 --> 00:49:27,371
{\an1}is a separate capacitor.
1081
00:49:27,405 --> 00:49:31,238
NARRATOR:
There didn't have to be one
spark in just the right place.
1082
00:49:31,271 --> 00:49:32,205
Why?
1083
00:49:32,238 --> 00:49:33,447
{\an1}Because there were
multiple sparks!
1084
00:49:33,471 --> 00:49:35,505
One of them was
bound to happen near it,
1085
00:49:35,538 --> 00:49:37,105
because it was
happening everywhere!
1086
00:49:37,138 --> 00:49:41,438
♪
1087
00:49:41,471 --> 00:49:42,471
NARRATOR:
Ironically,
1088
00:49:42,505 --> 00:49:44,671
the design
keeping skin and frame
1089
00:49:44,705 --> 00:49:46,671
{\an1}electrically separate,
1090
00:49:46,705 --> 00:49:48,705
possibly intended
as a safety feature,
1091
00:49:48,738 --> 00:49:51,671
actually
made this spark possible.
1092
00:49:51,705 --> 00:49:53,281
{\an1}MORRISON (archival, crying):
"I, I can't talk,
1093
00:49:53,305 --> 00:49:55,105
{\an1}"ladies and gentlemen.
1094
00:49:55,138 --> 00:49:58,638
{\an1}"Honest, it's just laying there,
a mass of smoking wreckage.
1095
00:49:58,671 --> 00:50:00,605
{\an1}"I'm going to have to
stop for a minute
1096
00:50:00,638 --> 00:50:01,971
{\an1}"because I've lost my voice;
1097
00:50:02,005 --> 00:50:05,305
{\an1}this is the worst thing
I've ever witnessed."
1098
00:50:05,338 --> 00:50:07,171
NARRATOR:
Ultimately, although a spark
1099
00:50:07,205 --> 00:50:09,805
almost certainly
caused the fire,
1100
00:50:09,838 --> 00:50:12,038
{\an1}it was something else
that caused the tragedy.
1101
00:50:12,071 --> 00:50:14,171
ZITAROSA:
The story of the Hindenburg
1102
00:50:14,205 --> 00:50:17,138
{\an1}is a story very familiar,
even today,
1103
00:50:17,171 --> 00:50:18,838
{\an8}of human error
1104
00:50:18,871 --> 00:50:23,105
{\an7}compounded by some very
unfortunate circumstances.
1105
00:50:23,138 --> 00:50:26,805
{\an1}The Hindenburg had been put
by her command
1106
00:50:26,838 --> 00:50:29,738
{\an1}into a great deal of jeopardy.
1107
00:50:29,771 --> 00:50:31,371
NARRATOR:
After the accident,
1108
00:50:31,405 --> 00:50:33,638
{\an1}the Zeppelin company
made some design changes
1109
00:50:33,671 --> 00:50:37,638
{\an1}in the skin-to-frame attachment,
but it didn't matter.
1110
00:50:37,671 --> 00:50:39,805
{\an7}After the Hindenburg disaster,
1111
00:50:39,838 --> 00:50:43,138
{\an7}no rigid airship ever carried
a paying passenger again.
1112
00:50:43,171 --> 00:50:46,738
{\an1}By the time Hindenburg
actually left its hangar,
1113
00:50:46,771 --> 00:50:48,738
{\an1}there were airplanes
that could do things better.
1114
00:50:50,938 --> 00:50:53,005
NARRATOR:
Although Harold Schenck's film
did not show
1115
00:50:53,038 --> 00:50:54,805
{\an1}how the hydrogen ignited,
1116
00:50:54,838 --> 00:50:59,171
it did inspire
a new examination of Hindenburg,
1117
00:50:59,205 --> 00:51:01,105
new experiments,
and new results.
1118
00:51:01,138 --> 00:51:02,771
{\an1}Wait a little bit...
(sparking)
1119
00:51:02,805 --> 00:51:04,538
Whoa!
1120
00:51:04,571 --> 00:51:06,005
{\an1}So the science gave us an answer
1121
00:51:06,038 --> 00:51:08,371
to a previously
unsolved question
1122
00:51:08,405 --> 00:51:09,838
{\an1}that was 80-plus-years-old
1123
00:51:09,871 --> 00:51:11,247
that we thought
we'd never be able to answer.
1124
00:51:11,271 --> 00:51:14,938
GIAPIS:
There is an opportunity here
to use science
1125
00:51:14,971 --> 00:51:17,505
{\an1}to answer an unsolved mystery.
1126
00:51:17,538 --> 00:51:21,538
{\an1}We come up with a new theory,
we break it apart into pieces,
1127
00:51:21,571 --> 00:51:23,771
we go to the lab,
and we try to validate
1128
00:51:23,805 --> 00:51:25,138
{\an1}every one of these pieces.
1129
00:51:25,171 --> 00:51:28,605
NARRATOR:
Yet no matter how many
questions we answer
1130
00:51:28,638 --> 00:51:31,138
{\an1}about the details of
what happened,
1131
00:51:31,171 --> 00:51:33,371
{\an1}it's the image of Hindenburg
1132
00:51:33,405 --> 00:51:36,671
{\an1}that never loses its grip
on our imagination.
1133
00:51:36,705 --> 00:51:40,238
{\an1}Today, we're used to seeing
horrible stuff on television.
1134
00:51:40,271 --> 00:51:45,038
{\an1}People in 1937 were not
used to seeing a disaster
1135
00:51:45,071 --> 00:51:46,338
{\an1}with their own eyes.
1136
00:51:46,371 --> 00:51:48,971
{\an1}And to see this airship
filled with people
1137
00:51:49,005 --> 00:51:52,871
{\an1}burn and be destroyed
in a matter of seconds
1138
00:51:52,905 --> 00:51:55,438
was really
shocking and dramatic.
1139
00:51:55,471 --> 00:51:58,238
{\an1}I think the fact that
this disaster was caught on film
1140
00:51:58,271 --> 00:52:00,471
{\an1}is why we still think of it
today.
1141
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♪
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{\an8}♪
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{\an8}ANNOUNCER:
To order this program on DVD,
visit ShopPBS
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{\an7}or call 1-800-PLAY-PBS.
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{\an7}Episodes of "NOVA" are available
with Passport.
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{\an7}"NOVA" is also available on
Amazon Prime Video.
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{\an8}♪
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