All language subtitles for The Souvenir (2019) (1080p BluRay x265 10bit Tigole)-eng

The industry is in crisis,
its survival uncertain...

So, Julie, welcome fo Sunderland.

/t's great that you want fo make
a film in the town.

Maybe you could tell us
a little bit about it please.

Yes, it's about
a 16-year-old boy called Tony,

and he's very insecure and he's shy,

and he''s lived in Sunderland
his whole /ife,

and he has this...

..overwhelming...

affection and love for his mother.

He absolutely adores her,

he almost has an obsession with her,

and has a constant dream
of her aying.

This fear inside him...

he just can't bear
the idea of losing her,

and, of course, in the end, she dies.

J Right now I'm in Knightsbridge

J In a really nice flat

J I'm gonna get me one of these places

Are you?

- & With five of my wives
- You ain't got no cash.

Hey, hey, hey, hey,
there's no need for that, Frankie.

There's no need for that, all right?

- Sorry.
- Hello, sausage.

- Hi.
- Here she is.

Ghost Town (Extended Version)

- Hey.
- Hi.

This is Anthony. He's my lodger.

- Hello.
- Ray.

Hi.

...gets up and walks out the room
with another fella,

in front of all my mates,
everyone sees it.

- What's that about? That's not nice.
- I don't know why you...

Metal

..steady income,
and I've known him for a while.

He's often away in the provinces,

erm, so that's why we felt
this would work out,

because I'm often away,

- and between us we could...
- Just split it.

...share that room and split the cost.

- Yeah.

Well, as long as he's all right with it.

I think he's fine with it,
and he's very keen to meet you.

- I've told him all about you.
- What have you said?

- I've said you're a wild...
- Cos you can be very cheeky!

...exotic, social creature.

- He has this fear of losing her...
- Mm.

..and this overwhelming...

He has this overwhelming attachment

to her always being with him
and always being present.

And I found that really interesting,

because I kind of linked that
with his mother city of Sunderland...

erm, being...

..you know,
dying and decaying and rotting.

And then, at the end of the film,

there would ultimately be
the death of his mother,

and I found that really...

Yeah, really interesting for me,
that metaphor.

- And you've been up there?
- Yes, yes, I have.

I was taking pictures of some
installations by some artists I know,

which I found
really, really interesting.

- Yeah.
- Then you got fascinated in the rot?

Yes, yes. In the streets.

She's got the dosh, so why not?
Exactly.

I think if you can get hold
of a camera like that, fair enough.

I think you're doing all right.

Yeah, she's having a go.
Like the rest of us.

Yeah, she's having a go,
but there's other people having a go

who can't get that camera, so...

- Well, listen, you can't...
- I think you should probably...

- You gotta play to your advantages.
- Yeah, absolutely, fair play.

Mate, if you was in the same
position, you'd do the same thing.

Don't get me wrong,
fair play to her, but you gotta...

When you're in a, you know,
a position of privilege, dare I say,

then you've gotta accept it.

If you was successful
and you had your kids, yeah, all right,

you want 'em to make the most
out of every situation.

Exactly, but I'd want 'em to be
aware of it, be aware of it.

Good girl. Come on. Come on.

- Can I take something?
- Oh, I'm all right.

- Hello!

- Oh, my Lord.
- Rosie! Rosie!

Daddy was going to put this
in the hunt jumble,

and I thought, you know,
you never have enough lights in here,

and I thought this might be quite good.

What do you think?

Where do you think this could go?

- It's a little too tall.
- Put it down...

Well, I don't... What, there?

Or...what do you think about over here?

Yeah, it could go on my desk.

- Are you all right?
- Oh, I've got...

- Are you all right?
- Yeah. Shopping headache.

Ah.

Don't you think they'd be nice?

- Yeah.
- You could hang them up and around.

Hang them on the...
hang them on those, up there.

Would look Christmassy.

What do you think, Dora?

- Just come and...
- Stay.

- Stay.
- But I'd need to get a real job.

- Argh.

- Don't want to do that.
- You don't need to.

- I do. Need to pay rent.
- You kind of do, actually, yeah.

To you. You'd be a terrible landlord.

- I am a terrible landlord.

Cos he's so lovely, Frankie,
but he's...he smokes a lot.

- Does his girlfriend pay rent?
- No. No.

She hasn't even, like, suggested it.

- Doesn't put anything...
- I'm not gonna ask him. No.

No, you have to.

- Cos it's not like she's here...
- You're too nice.

You need to properly sit them down

and be, like, "There's three people
living in this flat. Pay me rent."

Get aggressive, get a baseball bat.

- Morning.
- Morning, Frank.

- All right?
- Did you sleep well?

Yeah, it was all right.

- Nothing for you, sorry.
- No?

Are you expecting anything important?

- No.
- No?

- D'you want a cup of tea?
- Yeah, please. Thank you.

- All right.
- No sugar, please.

All right, mate.

Can you make me a cup of tea?
- So lazy.

We don't know what the inner
machinations of their mind are,

or their heart.

We don't know.

But that's what we want to know
when we go and see a film.

We don't wanna just see
life played out as is.

We wanna see life
as it is experienced,

within this soft machine,
within this...

But the life of Tony and his mother,
they're the lives of real people.

I'm not... I'm not making that up.

Why are they more real than me?

- They're not more real than you.
- Am I more real than you?

No.

I think we're all equal in that.

I think we're all as real
as each other.

There's no competition.

It doesn't matter
that they're not real people.

I mean, I'm not trying
to make a documentary.

- I'm making a feature film.
- Now, are you sure?

Yes, I am.

I'm making a feature film.

You're not trying to document
some received idea of...

...life up there, on the docks...

..the daily grind...

..huddled listening to the wireless?

Well, I am, but I'm creating
something new with it.

Well, good.

So the material is...real.

Those people exist.

But I am designing new ones...

...to fit what I want to make.

Well, good. That sounds great.

I'm a big fan of Powell and Pressburger.

Mm.

I think they...

I think they're very truthful...

...without necessarily being real.

So what do you do?

I work for the Foreign Office.

- Is it very boring?
- Incredibly.

Totally Wired

The many misadventures.

- What'll be the name?
- Yeah, the name.

- The word on the street.
- The word on the street.

- Let me think of something special.

- Wear one of these.
Roger.

- Roger?
- Yeah.

Roger? No, Roger sounds too rugged.

- All right, you got it?
- You're not gonna get it.

That was a terrible shot.
- That was always gonna happen.

Get raided.
You sure you want another one?

- Take one of us. Come here.
- Yeah, I can drive.

Haven't got a licence, though.

Stop.

That ruined it.

- Would you like another one?
- No.

- No? You sure?
- Yeah, I'm sure, thank you.

- Would you like another one?
- I've just had one.

- Bloody hell.

Shipbuilding

J And a bicycle on the boy's birthday

J It's just a rumour
that was spread around town

J' By the women and children

J Soon we'll be shipbuilding

J Well, I ask you

J The boy said,
Dad, they're going to take me to task

J But I'll be back by Christmas

J It's just a rumour
that was spread around town

J; Somebody said
that someone got filled in...

Do you like her?

I love her.

She's just received word from her lover,

and she's carving his initial
into the tree.

She looks sad.

I think she looks determined.

Mm-hm.

And very much in love.

Very much in love.

- Do you like horses?
- Yes. But not to ride.

Ah.

Well, Ray's rather fond of them,

and Janet said we could take her
to my parents for the weekend.

Mm-hm.

- Yeah, I'd love that.
- Good.

Made it. Ray.

- Hi.
- Hi, hello. I'm Barbara.

- Hello, Barbara. I'm Ray.
- Ray.

- Hello, Ray. I'm James.
- Hello, James.

- Hello, darling.
- Hello.

- Julie.
- Julie.

- Hello, Julie. I'm Barbara.
- Lovely to meet you.

- You're welcome. Welcome.
- Hi. I'm Julie.

Lovely to meet you.
If you'd like to follow me...

- Come onin.
- Thank you.

What are you working on
at the moment?

I erm...

Ah, my next project
is a feature film set in Sunderland.

- Oh.
- Great part of the world.

Barbara comes from Newcastle,
so she's got some family up that way.

Might be able to put you up, maybe,
if you were up there.

- Thank you.
- Erm... Oh, great subject matter.

Are you involved... in wanting
to film in the shipyards, or...?

Mm.

- Yeah.
- Wonderful.

They really need somebody
to do a documentary on them,

because they're under threat
at the moment.

I worked in a shipyard when I was a boy,
before I went off to art school.

- Mm.
- Not in that part of the world, but...

Erm...

It's been my subject matter
and inspiration, really,

you know, the beautiful shapes
of the boats and...

Did I hear Frankie say something
about staying with his girlfriend

for a few days?

Yeah, he's always with her.

Beginning of next week or...?

Yeah. I'm not sure.
I'd have to check, but...

I was wondering
if I could stay a few days.

- Why?
- It's to do with my work.

It's rather complicated to explain.
In fact...

I can't really explain it at all.

I completely understand
if there's...an issue with that.

- I can always find somewhere else.
- No, it's OK.

- Are you sure?
- Mm.

That's very kind.

It's all right.

You're very special, Julie.

I don't think I am.

Oh, I know you don't think you are.

- Very normal, really.
- Yeah, normal.

You're not normal at all.
You're a freak.

Thank you.

- How am I a freak?
- Your fragility.

Is that a good thing?

I think you know.

I think I'm quite average.

You're not average.

You're lost.

And you'll always be lost.

- Are you hungry?
- Famished.

- How did you get on?
- Really well, thank you.

- Good old Harrods?
- Yeah.

- A nice bit of fillet steak.

I've had a very nice time here.

Good.

Very relaxing.

- Good.

Checked in on Janet.
Everything's fine there.

Good.

I mean, I dare say they've had...

..the odd person...watching over,

but I don't think
there's been any disturbance.

Mm. I'm glad.

That's partly why I wanted to get Ray
out of there for the weekend.

There were fears
that the Russians might try fo come in

and tow the submarine off the rocks,
and those fears were reinforced

when a second foreign submarine
was detected earlier this morning.

Today the government revealed
that they're considering

a charge of espionage.

The case is seen as very similar
to that of Gary Powers,

the American pilot of a U-2 spy plane
shot down over Russia in 1960.

The Russians tried him as a spy.

Gimmix! Play Loud

/" Another aay, another fad

/S Funk, yes, even for a minute

S They're not bad, Dad...

"You've got to see Venice, " he began.

"You've got to see a city
of slender towers and white domes,

"sleeping in the water
like a mass of water lilies.

"You've got to see dark waterways,
mysterious threads of shadow,

"binding all these flowers
of stone together."

I like this.

- And where was this taken?
- Afghanistan.

"73.

I'm going to wash the lettuce.

I don't feel that I fully understand
the qualities of entertainment,

but I realise the importance
of entertaining people

to get a message across.

I hope to learn to entertain
as well as communicate.

- That's good.
- Yeah.

That's the bit I like, at the end.

What's all that about therapy?

Well, it's my version of therapy, really.

- My self-expression.

Through art, through film,
you know, that's my...

Do you think that makes you special?

Well, it's not, you know,
it's not about me being special.

It's about, you know,
them, you know...

It's just I want them to know that...

I want them to kind of know that
about me, you know?

- Is that... Do you think it's too...

No.

I'm not sure, uh,
sincerity is always enough.

But go on. Let's hear the next bit.

OK. You mean sincer...

You mean you don't think
I should be this honest?

Erm, well, no,
I just think it's, erm, you know...

People use that word...
as if it's an end In itself,

and...I mean, you know,
we can all be sincere,

we can all be...authentic,

but what's it all for?

I mean, it just slightly reads

like you've been sort of
backed into a corner by life,

and it's like,
"Oh, well, I'd better be a film director."

As opposed to,
"l want to be a film director."

Is that what it sounds like?

What happened last night

is every time you rolled over
and then rolled back again...

...you came closer to me
and took up more of the bed.

And you're already, I would say,
further over than I am.

That's not true.

- [t is true.
- No, it's not.

- I haven't got that much...
- You have bed dysmorphia.

And then you accuse me of...

I wasn't trying to cross
any sort of threshold.

I have not got that much room.

You've got a foot on that side.

- That's not a foot.
- And I literally am on a ledge.

- I've got nowhere left to go.

Well, where's the halfway line?

Well, I think it's where your arm is,
but, like, under your arm.

- No, I think it's there.
- No, I think it's, like, there.

No. That doesn't give me enough room.

- There.
- All right, there.

But I can barely lie flat like that.

We're saying there, OK.

I'm gonna do a Claudette Colbert...
Clark Gable wall of Jericho...

- ...with your friends here.

I haven't got much room.

You've got a foot!

You've got a foot.
I have nothing.

I have nothing.
There's nothing here.

I'm going to be in Paris for a while.

OK.

See you soon.

"My dear Julie.

Just a letter of thanks.

You see, /'ve almost forgoften
what happened in December.

! may have been born in 1980,

and that was the year
/ first fell in love.

And I have wondered
If that were possible.

/ have gained so much
to thank you for.

Inexpressible, though,
this thing of delight and trust.

Most importantly, and at the centre,

/s that I am mainly thanking you
for my love for you.

Ergo sum.

A grateful and loving Anthony.

Is She Really Going Out With Him?

J' She's married now,
or engaged or something, so I'm told

J' Is she really going out with him?

J' Is she really gonna
take him home tonight?

J' Is she really going out with him?

J Cos if my eyes don't deceive me

J There's something going wrong
around here

Is this my book?

- Oh, yeah. Sorry.
- You keep it.

All right. Cheers.

- All right.
- Do you want a hand?

Yeah, I'd better get downstairs.
Jack's got the van, ain't he?

- You give my love to Tracy.
- Yeah, I will.

Yeah.

- Love you, Frank.
- Love you too.

- Have fun.
- I will.

- See you on the flip side.

- Ta-ta.
- Bye.

The...

The thing that struck me about
the main character, Tony, in my story,

is that he is being forced to rate,
to be raised,

and to...come to terms
with the...incredible struggles

that his family is going through
at that time,

and all his peers at school as well.

And...

this very cruel, very raw, you know...

Erm...

Sorry, I'm not expressing myself
very well.

Erm...

You know, being forced to come
to terms with something so harsh

for someone that's so young.

- Very vulnerable.
- Right.

And yet you're wanting to make a film

about an experience
that's very different from yours.

I mean, you could argue that
really it would be much better for you

to work from your own experience,
particularly at an early stage.

I mean, what makes you want to leave
your own experience so radically

and enter into this very different world?

I mean, it's suggested
that you almost have

a kind of moral, sort of political aim?

- I mean, can you just...
- Very moral, to me.

- ...talk about that for a moment?
-Yes. Uh...

I feel as though I want to not...
not live my whole life

in this very privileged
part of the world I come from,

part of the country.

And I want to...be really aware
about what's going on around me,

with people, and community,
and politically as well.

Erm... I don't want to be
in that bubble my entire life.

- Where's the wall?
- The wall is...

The wall was. It is no more.

We dismantled it.

There was a whole ceremony.
You missed it.

- I'm sorry I missed that.
- We all felt very snubbed.

- Is this for me?
- Mm-hm.

- Thank you.
- From Paris.

Put it on.

You're a dark horse, Julie.

I love pale skin.

Why? Why?

Cos everyone's
getting a tan nowadays.

- But I burn.
- Good.

We'll keep you out the sun.

I like freckles.

Mm.

Did you hurt yourself?

No, I don't know what that is.

It looks really sore.

It is a bit sore.

- What do you think I should do?

I think you should...

...just leave it...

...and let it go away.

- I'm going out.

I'll be back later.

- See you later.
- What?

See you later.

Can you lend me a couple of quid?

- Yeah, sure.
- Thank you.

How much?

Uh...

Six.

Have you got ten? Give me ten.

Won't need ten, but...

...justin case.

- Bye.
- Bye.

I thought we'd put Anthony
down the end.

- Be more comfortable.

It's not that kind of relationship,
anyway, is it?

He's got his own bathroom, and...

...he'd be...quite comfy there.

Yes. That feels good.

- Rosie.

Mummy...

can I borrow some money, please?

- More money?
- Yes.

- Oh.
- It's just... It's for college, you know.

- It's for cameras and...
- It's not long since the last.

- I know.
- Mm.

And I know I haven't paid that back yet.

How much this time?

£200.

Another one.

- All right.
- It's just... It's just for equipment.

- For film school, you know.
- Ah. Ah.

- Are you keeping a tally?
- Yeah, of course.

All right. All right, well, yeah.

- I will pay you back.
- All right, all right.

- Rosie. Rosie!

Well, we didn't really mix
with King's much, but...

I think all the colleges
kept themselves to themselves.

In my day. They probably didn't
when you were there.

Absolutely, yes.

I studied history of art
and then continued at the Courtauld.

It was a funny time then,
cos it was just after the war,

- Aha.

I suppose it was rather different
in your day.

Mm.

- I don't know.
- I think we're off.

We're ready for lunch.
Come through.

- Jolly good.
- Do come through.

- Julie, darling, can you come and...
- Yes.

...help me?

Starting on the wine, I suppose.

Hopefully. Yep, I think we've got
a nice bottle of something there.

- Through here?
- No, straight on. Straight ahead.

Got to get over the barrier, though.

It's a rather curious tradition
we have in this house.

It's meant to keep the dogs out,
but actually it keeps people out.

I think a lot of them are young men

who were dragged from their beds
at the crack of dawn,

with.. little or no hard evidence

to say that they were...

what we would consider...

...criminals.

I don't think granting these men
political status is...is such a big deal.

We don't know that they're...

necessarily, uh, affiliated

with the exact same organisation

who put bombs under cars

and shoot prison wardens

while they're going about
their everyday lives.

It's terribly complicated.

Complicated?

But we've got to protect society,
haven't we?

But they're just as much
part of society as anybody else,

that's what they would say.

And do you...

Well, I haven't set any bombs recently.
Have you?

No, but you haven't necessarily
felt the need to,

cos you've felt
that you have a political voice.

Mm.

Or... Or am I wrong about that?

I think you're wrong, really,
if you don't mind my saying so.

I think... I'm amazed
to hear you say this, but erm...

It's refreshing to hear this.

I'm quite sure
they're not all guilty as charged.

But I'm...
I'm sure the majority of them are.

Some of them are proven guilty,
some are not.

Erm...

But can we risk having bombs,
pipe bombs,

all sorts of foul things that are going on
all over Northern Ireland?

Can we allow that?

- I'm not an apologist.
- Darling.

If we lock up a few innocents
in the process, well, that's part of it.

- I'm not an apologist...
- No, thank you, darling.

...for violence on either side.

And it is on both.

And what, is that a Foreign Office view,
or is that your view?

Probably not, no. That's my view.

That looks rather like my cap
you're wearing.

- It is your cap!
- I thought it was.

- It looks better on me.
- Keep an eye on it.

- Yeah. I want that back.
- You might lose that.

Dogs are all right.

Rosie! Come!

- Doral
- Doral

Rosie! Come on!

My godfather gave it to me.
Little swallow.

- Yeah.
- It's charming.

Thank you. I never wear it.

But it's time for it to...

...its first flight.

- Yeah, it looks good there.
- Hm?

OK.

It's the ultimate form,
because it's maximum cinema.

It's... It's movement,
music, energy, colour.

Everything that film should be.

And there's never been a good musical
made in Britain, I don't think.

I mean, there's been
some CIiff Richard,

you know, Knees Up Mother Brown,
whatever, but, you know,

for a country that has the Stones,
the Kinks, Small Faces,

for there not to be
a...good musical here is just...

It's almost impressive.

Julie met a load of your old
Raynham lot the other day.

- Mm.
- Mm.

Sounded rather a humourless bunch.

I don't know
if you'd have known any of them.

Do you remember their names?

Mm...

No, I can't, I'm afraid.
I was so nervous.

Well, it's only confidence,

because the whole thing is a con.

Mm.

And they're the biggest con artists
out there who are in film school.

I just used it as a kind of...
supply centre, really.

Are you glad you went at all?

It's the cheapest camera-hire place
in the world.

They don't lock the store cupboard.

You go in there, get the camera...

..and, you know,
I made two features...

..while I was there, for...

I mean, no money.
They don't check the stock, really.

Couple of trims. I mean, it's great.

You have to listen to a lot of people
who think they know about film,

telling you how to make a film.

It's like telling someone
how to breathe or how to think or...

- Yeah.
- It's ridiculous.

And there are no rules. I mean,
you know the Tolstoy definition of art?

Mm.

Well, you just have a feeling,

and by means of external signs
you communicate it to someone else.

- That's it.
- Mm.

So no reason to feel intimidated.

I mean,
unless you don't have feelings,

which doesn't seem to be the case.

I don't see why you would...
be intimidated.

Well, people can feel intimidated.
I don't think that's...

- Yeah, I mean, they can, but...
- Perfectly normal.

Not of people who teach.

This has got rather warm.
I'm gonna switch it round.

"Those who can't."

Can you swap
the warm wine's heat into this?

- Shush!
- Thank you.

Thank you for your advice.
It's really... It's really helpful. Mm.

- You don't seem druggy to me.
- No, I'm not.

- Interesting.
- Mm.

So I'm trying to...work out...

...where you two...tessellate here.

I'm not good with euphemism, so...

Sorry, I don't understand.

OK, so habitual heroin user,
trainee Rotarian...

Which is a good look.
I mean it nicely.

How? What? Why? When?

Sorry, I don't...

- You don't even dabble?
- No.

OK. I mean, I don't.

I feel it's very mainstream behaviour.
I've said to him...

- It's mainstream.
- Oh!

I actually think, you know...

I mean, it was fine in the '40s, but...

- All OK?
- Great.

We are having a charming time.

- Good.
- I say.

If only you could top up these olives,

I think we might be able
to get through the rest of the meal.

This is a scene...

...arehearsal scene.

This is the first rehearsal he had
with this bunch of young musicians

that he was going to create
a new band with.

And there he is.

He's quite old.

You can see that they look
a bit nervous, a bit like you, I think.

Listening to the master
tell them the facts of life.

And also saying
how much it mattered to him...

...playing this music.

So it's very parallel, in my mind,

to what you are beginning
to go through now.

Stop The Cavalry

J Hey, Mr Churchill comes over here

J To say we're doing splendidly

J But it's very cold out here in the snow

J Marching to and from the enemy

J Oh, I say it's tough,
I have had enough

J Can you stop the cavalry?

Their son's getting married...

...and they can't decide
whether they like the girl or not.

Mm.

- And he's a doctor...
- Mm-hm.

...cos he's got good hands.

And she's a schoolteacher.

Does she have secrets?

- Of course she does.
- Of course.

Does he?

No.

Mm.

How would you feel
about going to Venice?

- Venice?
- Mm-hm.

I'd love to go.

- I would love that.
- Good.

- Thank you.
- Thank you.

Have you been before?

Yes. Three times.

- Three times?
- Once in summer.

- Twice in winter.
- Mm-hm.

Why did you go?
Did you go by yourself?

Er, no, I went with uh...

...Desiree.

She went mad with jealousy
and jumped in a canal.

Never saw her again.

At least, that was what
her suicide note implied.

I think she ran off with a gondolier.

No wonder.

So, three girlfriends.

- Yes, all called Desiree.
- Mm-hm.

Strange, that.

What were their names?

Miriam...

...Caroline...

...and Angela.

- Angela.
- Mm.

Angela sang jazz.

They sound unbearable.

I suppose
they were frightfully beautiful,

and lots of fun and rode horses.

- If you don't want to know...
- I do want to know.

- ...then don't ask.
- I do want to know.

Did Miriam play the cello?

No.

- The violin.
- No, she wasn't at all musical.

She wasn't even pretty, actually.

That's not true.

Well, she had other qualities.

Like what?

- Darling, I can't tell you in here.
- Thank you.

Excuse me?

I'm just playing, Julie.

- Stop torturing yourself.
- I'm not tort...

Stop inviting me to torture you.

That's exactly how you make me feel
when you're being like this.

- Thank you.

Souvenir Of Love

J' I'm bringing you home

J For my souvenir

& My souvenir of love

- That is so beautiful.
- & I'm bringing...

(laughs) I'm not trying that.

No, it's way too...
It's too adventurous.

Are you packed?

Course.

Liver? I'm not eating... I'm not...

No, I'm not... I'm not interested.

(groans) No. No, no.
I'm gonna stick with pasta.

Nice, normal pasta.

Mm, of course.

OK, well, erm...

Yeah, I'll see you later.

[... I can't wait.

Hitchcock knew this.
I mean, he would change tack in a...

I mean, Psycho, you know,
the scene in Psycho, the shower scene,

is very much fragments,
very much withholding.

But then elsewhere
he's quite conventional.

So he knows
when to make those adjustments.

Because it is a process, a growth,

a building of our sensibilities
and our perceptions,

and we've got to realise

that sometimes we have to change
our approach as the journey unfolds.

This scene could be related
to that scene in Psycho.

So you don't see the stab wounds.
So you don't see the pain.

Mm. Mm.

You just hear it.
You hear the scream of the woman.

You hear the conflict.
So it could be quite like that.

And, of course, as, I think,
you know, the books tell us,

we never do see anything
in that shower scene.

Although we have what appear to be

all the bits and pieces
that we need for the murder,

nothing ever happens,
all we see is the knife.

- You just see the knife.
- The knife and the showerhead.

And in this case, possibly,
the conflict,

the noise of the argument,
Is the weapon.

- Yes.
- You see the end result...

- Yes.
- ...which could be, in Psycho,

her dead body,

and then, in this case,
the two broken siblings at the end.

They've taken everything.

I'm gonna call the police.

- God.

Fuck!

I shouldn't have fucking done that.

J How Sad Venice Can Be

& How sad Venice can be

& When you're on your own

& How sad Venice can be

J When you're alone

- Thank you.
- You're welcome.

Er...

Thank you.

Please tell me what I've done.

Please, because...

...this is punishing,

seeing you like this
and then not knowing why.

La Forza del Destino

I can't go into all this.
It was an emergency.

- What fucking emergency?
- If I hadn't done that on that day,

I wouldn't be here now. I...

- That's all I can tell you.
- What's that supposed to mean?

You can't say stuff like that
and then not...

I appreciate that there are
some things you can't tell me.

Well, you know,
I appreciate there's things about me

that you find unacceptable.

There's things about you
I find unacceptable.

There's things about this conversation
I find unacceptable.

- You're a thief...
- We're gonna have to meet somewhere.

Anthony, you stole my stuff.
You stole my things.

Do you understand?
Do you understand that?

Do you understand
how that would make me feel?

I didn't think you'd...

You wouldn't think I...
You didn't think I would mind?

- Is that what you're saying?
- No. No.

I knew you'd mind.
That's why I didn't tell you.

I do what I do so that you can
have the life you're having

and sleep safe at night,

and there's not a fucking...
car bomb on King's Road.

- Let's laugh about it. Why not?

I can't...

I can't believe you.

Well, if you can't believe me,

why don't you take some time
to get your head around it?

Because I've got nothing more to tell you,
I've got nothing more to explain,

and I've got nothing more
to offer to this.

I'm sorry. I...

I understand.
I get why you didn't...

There are some things...

...you need to...

you need to not tell me,
and I understand that.

- Thank you.
- SO I'm sorry.

I don't wanna give you a hard time.
I'm sorry. I'm sorry.

At the siege of the Libyan People's
Bureau in the West End of London,

hundreds of armed police
have been on the alert all night,

with marksmen surrounding
the building in St James's Square.

Other police officers
have installed equipment

fo monitor movements
inside the bureau

and contact has been established
with those inside.

The whole area around the square
has been sealed off.

From here they looked like plans
of the layout of the Embassy building.

In this the dreaded first hour
of the siege,

the talks are going on to try to end it

And on the rooftops
of the buildings above me

police marksmen
are trained on the embassy.

But the police say they have no plans
to storm the building.

/ understand one option
open to them, though,

/s fo offer the Libyans
free passage to Heathrow...

- This is for work?
- This is for the work, yes.

Have you read the notice
that I put up yesterday

about the musicians' union,
the agreement we've just reached?

- No, no, I haven't.
- No. You should read it.

It's important. I mean,
it's good for us to reach an agreement.

They're a tricky bunch.

But, you know, here we are,

-£25...
- Mm-hm.

...per musician for a three-hour session.

If you're using an orchestra,

you're gonna run through your budget
very quickly indeed.

- We need to talk about the budget.
- Yes.

We need to think about budgets
at this school.

We're not just loaning equipment out
on the willy-nilly.

- Mm-hm.
-Em...

It's quite irregular, really, to be
talking about a project and equipment

when you haven't thought about
the budget,

but then I don't suppose
you have to think about budget

in Knightsbridge, do you?

How are you getting on?

I'm going out for an hour or two.
Can you lend me a tenner?

Yeah.

- You staying here?
- Mm.

See you later.

J' I'm bringing you home

J For my souvenir

J My souvenir...

- Does all this make sense?
- Mm-hm.

Yeah.

Nothing looks unclear?

Don't think so.

I think get her to do that for real.

I mean, tangle her up if necessary.

OK.

- You don't want it to look stagey...
- Mm-hm.,

..because the whole thing is,

you know, stagey in intention.

- Did you score today?
- No. Don't ask me that.

No.

Cos I feel like
you're on something right now.

Well...

...I'm not.

- Well, I think you are.
- Well, I'm not.

Because you're not yourself.

What?

- Well, I mean...
- Don't...

Don't lie, Anthony.
I know that you're...

I kKnow you have a received version

of who I am supposed to be
at any one time.

- I don't... That's not...
- But nobody has...

You know? I have...

You more than anyone
should understand

that people go through
different emotions

at different times of the day

and feel different things
and behave in different ways.

I know that, but I know you,

and I know this is not...
what you're like sometimes.

I think you're nervous, and I think
you're trying to distract yourself

from your...fear of the task ahead,

and I think you just need to relax

and make sure you're prepared
and stop...

I am prepared. I am.
This is... This is preparing.

Julie, what am I doing with this?

Erm...

Just kind of...

Do a little...?

- You OK?
- Yep, yep.

Erm...

Well, I mean, it's not in shot.
Why is she doing anything with it?

- We're filming the hair.
- Oh, yeah, OK.

Yeah, let's just put it on the table
so you don't have to hold it.

True.

That's OK.

OK, let's bring this round a bit
so it's a bit more profile-y. Sorry?

Can't pull it any further round.

No, no, the other way.
To the left. Lamp left.

I've just put these clips in,
just to hold.

Perfect. Perfect, yep, yep.

Hopefully when we're ready
to go here, I can hopefully...

- Yeah.
- And have a tighter curl.

- Hold on.

This is sort of all right.

No, it's great.

- Sorry.
- For fuck's sake.

Sorry, sorry.

Just be careful.

- It's OK for a few more takes.
- Mm-hm.

Yeah, yeah, we only need another,
I mean, another one or two takes.

Do you think? How many takes
do you think we'll do?

Well, how long is a piece of string?
We shoot till we've got it, right?

OK, yeah.

But we will need to reset
if that's the case.

Yeah, OK, we'll make sure
that it's... it will stay.

- Yeah.
- You know.

Are you all right?

No, I just... I just erm...

I'm just longing to be home.

Mm.

Do you want me to come back?

OK. Well, I'll see you later.

OK, bye-bye.

Places!

"My dear Julie.

The vile beast knows itself
and miserable he is with it

/t is you who has power
over the beast

To cheer, fo encourage,
to reprimand, fo forgive.

He loves you so, and you are
invested with great power.

Use it wisely, and with mercy.

Your words mean much fo him,

and that shall gradually
become clear fo you.

He has never
laid open himself before,

and he could love you for that alone.

Trust in yourself,
and try and see clearly,

and a small passing cloud
will not appear to another's lie.

There wasn't really anything
that I didn't do.

Erm, I ended up in a coma,
I had seizures, I had overdoses.

I'm an only child, and my parents,
what that was like for them,

and yet they never gave up on me,
you know.

In fact, my father blackmailed me.

He said to me one time, he said,

"I'll give you this Physeptone
if you just call this number."

And that was the helpline.

And, of course, I made the call.

And I came to meetings,
went out again, as I said...

...until finally I'd just had it,

I'd just absolutely had it.

My body wouldn't take it any more.

And I've ended up in police stations,

in cells, in mental hospitals,

straitjacketed, screaming, psychosis.

None of it good, you know,
all for that feeling of the drug,

which sometimes, even in recovery,
you know, I get feelings and things,

and I think,
"Oh, Jesus, I just need a hit."

Uh... But not today. Just for today.

2000 Miles

J' Is very far through the snow

J' I think of you...

Poison vy

& Now, cat,
don't touch that gal there, please

J You'll get wasted

J Down to your knees

J Now, I don't like to brag

J 1 don't like to say what I'll do

J But I'm like poison ivy

J I'll break out all over you

J Every day when I shave,
wearin' my house coat

& Two men have to hold me
or I'll cut my throat

J No, I don't like to brag

J 1 don't like to say what I'll do

J But I'm like poison...

Police spent the night
carrying out a painstaking search

of the scene of the explosion,
fearing there could be other devices.

This morming
the area is still sealed off

Ten fo 15 pounds of explosives

had been planted in a car
outside the store.

Dread Lion

OK, I'm just gonna check the frame.

Yeah, of course.

Mate.

Are you all right? Do you want a...
Do you want a jacket?

- I'm OK. Thank you.
- What's going on?

I don't... I don't know.
I think I've got flu.

- Are you hungover?
- No.

You look it.

You look like you've been, like,
out smashing it.

I don't know what...what's going on.
But I'm fine. I'm OK.

No, you're not.
I was watching you through that take.

- You looked like you'd pass out.
- No, I'm OK.

I'm fine. I'm just...
I'm just doing that.

Don't be polite about it.

If you're unwell, just go home.
Do you know what I mean?

I'm fine. I'm OK.

Anthony?

- Hello?
- Hello?

- I'm... I'm sorry, love.
- Who are you?

- You must be Anthony's...
- Sorry, you need to leave.

- Please go.
- I'm sorry. I'm not gonna hurt you.

- Just Anthony's...
- Please leave. No, you need to go.

- You need to leave right now.
- I'm sorry, yeah?

I'm sorry. I'm sorry, I'm sorry.

- I'm sorry.

Forgot my coat.

Hello?

Sorry.

How do I know when I...?

When I get the money,
I'll pay you back.

ButI...

Well, you know, I wouldn't ask
unless I really needed it, you know.

No, I'm not being extravagant.

I'm using... You know,
I need this equipment for school.

It's cameras and film and...

Mm.

I will pay you back.

I mean, definitely you can
catch infections from other people.

When people breathe, they can transmit
particles of an infection,

erm, but sometimes you can also
get infections from other means,

by, for example, erm...
personal contacts.

Anything you wanna tell me
that you haven't told me

about what's happening so far?

Erm...

No, I think... I think I'm...

I think I feel better now I've seen you.

- OK, nice to see you again.
- Thank you. Nice to see you.

OK, I'd better run.
And I hope you get better soon.

- OK. Bye-bye.
- Thank you.

- Hello?

Hi, Barbara. How are you?

I'm fine, thank you.
Are you all right?

No, no, it's fine.
Thank you for phoning. I...

Why... Why was he arrested?

Please go away.

I guess I just haven't found, like, a...
a specific voice.

Do you know what I mean?
I don't know how to...

I don't know how to articulate what I'm...

what I want to create yet, I think.

- Can I ask you a question?
- Mm-hm.

OK, it's a bit of a weird one.

But...this past six months and a bit...

.like, I haven't seen you around
in school very much.

Erm...

Can I ask why?

I was in a really difficult
relationship with somebody...

Mm-hm.

...and I found it difficult
to juggle that and film school,

and it just didn't...

It didn't leave me much time
for myself and my interests,

so...l just didn't really...

- ...have time.

- But...I'm...I'm better now, so...
- Yeah?

A big yeah.

I mean, you've changed
quite a lot since you came,

haven't you, in your intentions?

- Mm.
- And that's OK.

I mean, people are supposed to grow
In this process.

But how is that working out for you?

It's...very, very...

...complicated and difficult sometimes,

butit's...

...you know, it has its ups and downs.

- But it's working?
- Mm. Yeah.

- ltis?
- Mm-hm. Mm.

Good, because, I mean, the big...

I think I said this when you arrived,
at some point -

and I'm sure other people
have said the same kind of thing -

that...the most important thing...

...about learning in this situation...

...i1s that you somehow make a connection
between your experience

and the experience you're trying to film.

- This is not real cashmere.
- Come on, Jules.

- I got it from Harrods.
- It's nice, but it's not cashmere.

- He got it from Harold.
- Harrods!

- Sells them down the market.
- The green shop, yeah?

Where the classy
and people with decorum and class go.

Looks good on you, lad,
but you need to shut up about it.

Listen, bro. Haters are gonna hate.
Do you know what I mean?

- People don't wanna see me win.
- This is nice.

It's fine, it's fine, you know.

I get a bit of dough,
move up in the world

and everyone's dissing my clothes
and my clobber.

You know, that's all right.
That's all right.

James and I wondered
If you've seen Anthony at all?

No, I haven't seen him for a while.

We've been so worried about him.

I'm so sorry.

Oh, I'm sorry to disturb you.
! didn't mean to call this late.

No, no, it's fine.
You have to call me any time.

/t's just that we have no other way
of knowing where he /s.

You're the only person
that we've been calling.

- If you see him would you let us know?
- Yeah, of course.

And you have to call me if...
when you see him, OK?

Of course. Thank you.

Thank you for...
Thank you for calling, Barbara.

I'm so sorry I can't help.

Thank you. Lots of love.

- Night, night.
- Night night.

Does he like the groom?

Yes.

Maybe he introduced them.

Hm.

Talking to them about money.

- About planning ahead.
- Mm.

- Investments.
- Yes.

And frugality.

I always use the wrong fork on purpose...

- ...for salad.
- Both of mine are the same size.

Mm.

Do you still love me?

Yes.

- Yes?
- Yes.

What makes you think I don't?

I'm not very nice to you sometimes.

- I'm a beast to you.
- You're not a beast. I'm the beast.

- No, I'm the beast.
- I'm the beast.

We'll share the beast.

That would be nice, actually.

There was a lot going on before this.

The Libyan hostages.

Still going on now.

Did you have to deal with that at work?

- Yeah.
- I didn't realise.

Days fading into nights,
fading into day.

Day and night creeping together to
a grey nothingness, and no thought.

Only each minute's fear of the next

So tired after six days
without a moment's rest.

And so restless,
through the slow hours of night.

!/ lost any consciousness of will,
and then nothing at all.

A grey nothingness.

! didn't even have a second
to measure pain by,

there being now no time without pain,
thus pain ceased fo exist.

There was nothing at all,
and I was walking in the ways of the dead.

But then the autumn bled,
like my cufflinks,

a searing pain,

and [ could see like second sight...

...and [ am born again.

Janet's to die in the next 12 hours.

Both of us couldn't keep going,
/ suppose.

One of them's got out.

Probably Mr Staffasack.

- Mr who?
- Staffasack.

Keeps escaping from the Brendan Ward.

It's highly patrolled.

Dangerous to themselves
and other people.

They found him the other day
with an axe.

I'm joking.

But then some people started to get
very competitive about it.

A couple of stair races ended quite badly,
so they had to level it off.

She said she had three images:

a large empty pair of big boots,

a hummingbird...
and storm clouds over a seascape.

You can listen to it all if you want.

I'm fine.

Good.

I am as well.

I don't want to keep feeling
I need to erm...

...illlustrate that I'm fine.

You don't have to.

You don't have to put up a front
or anything, ever, with me.

Good, cos I am fine.
I might not look fine, but I am fine.

Are you worried about me now?

No.

No, I'm not, for once.

J Happy birthday to you

J Happy birthday to you

J Happy birthday, dear Julie

J' Happy birthday to you
- It's a dirge.

Thank you very much.

Sounded rather as though
someone had died, more than happy!

- Go on, go on, go on.
- Go on, keep blowing.

- Hurray!
- Hurray. Well done.

Happy birthday.

- We can clink glasses on your birthday.
- 25.

Mm.

- Amazing.
- 25.

- Half way to 50.
- Am I allowed a fork?

Halfway to 50. What a thought.
I'm so sorry.

- That's so enormous.
- No, you keep that for you.

- That's like half the cake.
- Keep that for you.

- That'll be your bit.
- It's ridiculous. That'll be mine.

I want to ask
your advice about something.

Erm...

You're not to tease me about this.
Pretend you don't know anything about it.

- I never tease you.
- No. Erm...

Anyway, I'm thinking of doing
some sort of practical degree course

in...in some fine art, maybe ceramics,

and I wondered if,
with your Courtauld connections,

you might either know a course
that would be an interesting thing

or somebody who might be able
to put me in the right direction.

I don't, but I know people
you could talk to.

- Wonderful.
- There's a chap called Bruce

who's practically made out of clay.

That's exactly
what I'd hoped you'd say.

- I'll connect you two up and...
- Back to my eggs, then.

Well, you're gonna have to do
a catering course, clearly.

I know. Wel'll...

have two members of the family
both at college at the same time.

What are you going to do?

- I may as well go back to university.
- Maybe.

- Just give up farming altogether.
- Get an education.

- What would you study?
- What would I study?

Yes, what would you study?

- Very good question.
- What, now?

Well, I did land management,

so I suppose now I would do
something rather more interesting.

I think I would do...
I'd...I'd...I'd read history.

Mm. Yeah.

But, anyhow, it isn't about me.

It's about these budding students
that we've got.

Well, we're talking, as you say,
about pipe dreams and...

I think that's very exciting.

Please, please, please, darling,
let the poor man go to sleep.

And go to sleep yourself.

Hm?

These dull wits,
they need a little bit of shut eye.

- These dull wits? How dare you.
- Dull wits.

- Go on.
- No.

- Go on.
- No. I need to...

- Listen to Anthony.
- ..finish this.

Thank you very much
for that lovely dinner.

- Good night.
- Sleep tight.

See you in the morning.

Don't be worthy. Be arrogant.
It's much more sexy.

- Do you like arrogance?
- I think it'll get you further.

- Because you are arrogant.
- I know I'm arrogant.

- Do you find yourself sexy?
- Yes, all the time.

It's hard for me
to get through the day without...

I bet.

...taking a couple of moments out
and...

I'm trying to concentrate on this.

- Don't distract me with your arrogance...
- How long do I have to wait?

- ...and sexiness and...
- I'll give her three minutes.

...talking about your...
God knows what.

You know what I'm saying.

You've got some pre-conceived idea

about some Oxbridge version
of a film director and it's all bollocks.

You just need to get out there
and start filming.

It's like Patrick said.

Well...

I know he's a cunt,
but he's got a point.

- I liked him.
- No, you didn't.

I didn't, actually. No, I didn't.

- Erm, I liked his wife.
- Did you?

- Mm. Very much.
- Mm.

Erm...

I feel like I haven't got this enough,
so I need to...

I need to stay up and do this,
but you need to go to sleep.

I'm waiting for two minutes
for your mother to go to sleep

and then I'm gonna go down.

Do you think she suspects
that you creep down to my bed?

No.

- Do you think she does?
- I don't know.

If she does,
that was an amazing performance.

I don't think she has any idea.

I don't know.

I think she's asleep.

I'm gonna take my shoes off,
so I don't wake her.

Here.

- Please come to bed.
- Go to bed.

- Please come to bed.
- No. No, I need to do this.

Are you gonna drink all that brandy?

Well, I'm not gonna just leave it there.

Probably.

Come to bed.

- Then, Isabel, live chaste,

and, brother, die:

More than our brother is our chastity.

I'll tell him yet of Angelo's request,

And fit his mind to death,
for his soul's rest.

Wonderful.

- No, I totally fucked that up.
- No, you didn't.

- No, I did.
- No, you really didn't.

- Do you wanna go from...

Where's easiest?

"That, had he twenty heads
to tender down..."

No, wait.
From there, cos it's a full stop.

"Though he hath fallen by prompture..."

I'm gonna go from...

And you were completely right.

Of course you were.

We're having a break,
but I should get back.

But I just wanted to call to just say

that I shouldn't have worried so much.

OK, I'll see you later.

Bye-bye.

- It does stink.

Yeah. It does, though, it does.

- It's gonna stink even more soon.
- Yeah.

- Mm-hm.
- He's here.

Hey, Pedro.

- Come on.
- Take your time.

- Yeah, take your time.
- There's no rush.

- No rush at all.

Right. Merci.

Oh.

After the fucking Nouvelle Vague
and everything,

we kind of actually now realise

that we can use all the techniques
and the new look of, you know,

pure contemporary type of image.

- It's a style over substance.
- No, I disagree totally with that.

It's so difficult.
It has this very formal kind of structure

and it's very, very, contemporary,
and it opens...

I think it opens doors and it touches
people in a much more deep way

than just choosing, like, you know,
chitchat in a cafe,

like in Godard's film or something.

It's much more...
Somehow it's more sensual.

But it feels like they just transposed
the commercial aesthetic over to cinema,

- and that's not cinema.
- That's like a critic is saying that.

It's so stupid because
it's all about using these tools,

and what the people in commercial
actually created,

and use it in a very powerful art form.

Think about what Rivette did in '74, '75,
compared to what Besson's doing now.

- That says it all.

Thereis... There is... There is...
There is some meaning to be gathered.

I want it to become, like, beautiful,
all this blood and dirt and shit...

Mate, it's gonna be beautiful

if you let me shoot it, like,
that way, I'm telling you.

It's gonna look amazing.

- Yeah, if you think about this...
- A little white one.

- ...that's Diva. You haven't seen that?
- Who's it by?

It's a great film.
It's Jean-Jacques Beineix.

- I don't know him.
- He's an amazing director.

- One of my favourite, I think.
- Is it his new one?

No, it was, like,
four years ago or something.

- I thought you loved French films.
- Yeah, but not this new stuff.

Like, I saw that one, Subway,
by Besson.

J Moonlight Serenade

I love that bit.

I think we should go to bed.

Don't you?

I think so.

Come on.

Come on.

Come on.
Put your pyjamas on at least.

- Where are you off to?

I'm putting a note downstairs
for Anthony.

- What, in the street?
- No, just on the front door.

Well, darling,
I'll come with you, then.

No. I'll be one minute.
I'll be one minute.

- Well, down and straight up.
- 1 will.

Leave the door.

Right, now, bedtime.

Snuggle in.

There we go.

Sausage...and croc...and piggy.

- Shall I close your blinds?
- No, I like them open.

- Really?
- Yeah.

Now, then.

Very sleepy. Good night, my darling.

- I'm really happy you're here.
- Mm, I'm very happy I'm here too.

Thank you.

Well done for today.

So proud of you.

See you in the morning.
Sleep well. Sleep tight.

She's here.

Mm.

Are you all right?

Mm.

Barbara, don't think about it.
Don't think about it.

We'll talk soon.
Thank you so much for ringing.

Bye-bye.

The worst.

Anthony had been found...

in the lavatories
of the Wallace Collection,

where he had taken an overdose.

And, uh...an ambulance was called,

um, and there was an attempt
to resuscitate him there.

And he was then taken to
the Middlesex Hospital in Mortimer Street,

where he died.

And...

Yeah.

When I am dead, my darling,

Sing no sad songs for me;

Plant thou no roses at my head,

Nor shady cypress tree

Be the grass green above me

With showers and dewdrops wet;

And if thou wilt, remember,

And if thou wilt, forget.

Julie

Action.