All language subtitles for The.Six.Million.Dollar.Man.S04E23.The.Ghostly.Teletype.1080p.BluRay.FLAC2.0.H.264-BTN (1)_track5_[eng]

[dramatic music]

[music continues]

[machine whirring]

[music continues]

- Hiya.
- Hello, Oscar.

- It's been a long day.
- You can say that again.

- You about through?
- Yeah, for now.

In a day or so,
I may begin to understand

what Brenner's doin'.

[Steve sighs]

Thank you.

Oh, hand me Brenner's worksheets
and formula breakdown there.

Okay.

Steve?

What in the world is this?

- Miller?
- Yes, sir?

Anybody else was in here
with Colonel Austin today?

- No, sir, not until you came in.
- Thank you.

[dramatic music]

I'm going to have to explain
to the secretary

that somebody
walked into this guarded room,

removed a top secret document,

replaced it with a blank
piece of paper,

walked out...

and you didn't notice anything.

[Man 1] It looks
good at NASA One.

- [Man 2] Roger.
- [Man 1] BCS Arm switch is on.

[Steve] Okay, Victor.

[Man 2] Landing Rocket
Arm switch is on.

Here comes the throttle.
Circuit breakers in.

- [Steve] We have separation.
- [Man 2] Roger.

[Man 1] Inboards and outboards are on.

I'm coming forward
with the side-stick.

- [Man 2] All looks good.
- [Man 1] Uh, Roger.

[Steve] I've got a blowout,
damper three!

- [Man 2] Get your pitch to zero.
- [Steve] Pitch is out.

I can't hold altitude.

[Man 1] Correction,
Alpha Hold is off.

Turn selectors... Emergency!

[Steve] Flight Com,
I can't hold it.

She's breaking up.
She's brea...

[crashing]

[Rudy] Steve Austin, astronaut.

A man barely alive.

[Oscar] Gentlemen,
we can rebuild him.

We have the technology.

We have the capability to make
the world's first bionic man.

Steve Austin will be that man.

Better than he was before.

Better, stronger, faster.

[whirring]

[theme music]

[dramatic music]

[music continues]

Well?

You've been temporarily suspended.

What about the lab report
on that blank piece of paper?

Relax, pal, it'll take a little while

before we get the lab tests back.

Meanwhile, we're just sitting around?

Nobody's sitting around.

Look, I wanna leave for Santa Monica.
I wanna talk to Dr. Brenner.

Dr. Brenner is on his way
to Washington.

He should arrive within the hour.

You mean the Board of Inquiry
actually thinks

I stole that piece of paper?

You were searched, Steve,

and nobody found
the paper on you.

Nobody can accuse
you of anything.

Which means they think I did it,

but they just can't
figure out how.

[dramatic music]

Is this your card,
the five of spades?

Nope.
You owe me a beer.

No.
You owe me a beer.

For what?
You didn't do anything.

Just take out your wallet
and pay the bartender.

And while you've got your wallet out,
you might find your card.

My card, my card's the queen of hearts.

This is the five of spades again.

Again?

Now, how about that beer?

[chuckles] Okay.

That's the end of the show, folks.

You working for drinks these days?

Hey, Steve! How are you?

Sit down.
How'd you find me here?

I checked the theater
across the street.

They said you spent most of your time
between shows here.

Well, I haven't bought
a drink in five years.

This bar's sort of my road company.

- I try all my new bits here.
- Well, what's the latest?

Well, nothing as big as your trick.

I'll never walk on the moon.

Yeah, I wish I'd have
stayed there.

Yeah, I heard about your problem.

Newspapers play it up pretty big.

Astronaut under
suspicion of espionage?

What can I do for you?

Well, you can tell me
how somebody can steal a file

right out from under my nose
without coming into the room.

Probably a hundred
different ways.

Oscar's got a psychic working on it.

He figures, if I didn't do it,
there's got to be

some unnatural forces at work.

[chuckles] Unnatural forces?

I make an elephant disappear
right on stage.

Nobody thinks that's unnatural.

Pick a card.

Anything?

The paper wasn't substituted.

You see,
this is the original file,

and we were able to raise
the latent image on it.

Oh, that's great, Bill.
Just great.

At least you know Colonel Austin
didn't permit the file

to leave the security room.

But who would want
to erase the ink?

What good would it do them,
anyway?

Watch the coin, Steve.

You see, most magic
is based on misdirection.

[sighs] Yeah, but I was alone
in the room.

Did the guard bring you
into the room originally?

Yes.

And wasn't Oscar in the room
with you also?

- Of course.
- Well, there you are.

There's two other people
that were in the room

you were supposed to be alone in.

Hey, is anybody in here
named Austin?

That's funny. I didn't even
know myself I was comin' here.

- Hello.
- Steve, we got the lab reports.

- How'd you know where I was?
- Never mind about that.

You've been having me followed.
I really am in trouble.

I'm calling to tell
you that the paper

with Brenner's formula on it
never left the room.

Somehow the ink was removed.

Oscar, I gotta talk to Dr. Brenner.

- Where can I find him?
- I'm sorry, Steve.

After what's happened,
that information is classified.

Thanks. Call me again when you
get some more good news.

[dial tone]

Well, I was wrong.
The file wasn't stolen from the room.

The ink was stolen
from the paper.

Hm, and now everyone is convinced

the spirit world is at work?

Well, what else are they
gonna think?

Either that, or I did it.

Steve, you see that five?

Watch the center pip?

You see, that's how someone
made that ink disappear.

It was a trick.

Everything's a trick.

Now, what can I do for you?

I've got to get Oscar to tell me

where I can find
a man named Brenner.

[dramatic music]

- Uh, excuse me, Mr. Goldman?
- Hm?

I'm looking
for Colonel Steve Austin.

I'm an old friend of his.

Oh, well, if you leave
your name and phone number

with my secretary,
I'll have Colonel Austin call you.

Terribly warm in here, isn't it,
Mr. Goldman?

I hadn't noticed.

[music continues]

Oh, excuse me. You again.

My office is in that direction.

Yeah, I realize that, sir.

But, uh, you know,
we spoke of the heat?

Yes?

And suddenly I got very thirsty.

Suggestion is a powerful force.

Don't you agree, Mr. Goldman?

[indistinct chatter]

- Did you find out anything?
- Yeah.

- He didn't catch on?
- You kidding?

You know I do the best
pickpocket act in show business.

Of course, I had to do it to him twice.

Second time, I returned the pad.

Dr. Brenner is at the OSI
Helmville facility.

- Thanks.
- Yeah.

[dramatic music]

[beeping]

[music continues]

[electric crackling]

That's nonsense and you know it.

Dr. Brenner.

I don't like machines telling me
something can't be done.

Dr. Brenner?

Now, who are you?

And how did you get in here?

- I'm Steve Austin.
- Oh, yes.

Yes, I wrote about you.

[knocking on door]

Uh, pardon me.

Sorry to bother you, Dr. Brenner.

We just wanted to make sure
that you were all right.

[Brenner] Why wouldn't I be?

[Man 3] Well,
we feel that someone might've

slipped past our security tonight.

Have you seen or heard anyone?

[dramatic music]

I appreciate your concern,

but I gave strict orders
not to be disturbed.

And that applies
both to guards and intruders.

[chuckles]

It'll take'em a while
to figure that out.

- Thanks for not telling him.
- Well, I owe you that much.

I somehow feel my work is more or less

the cause of your troubles.

Just what is your work,
Dr. Brenner?

Simple biochemistry.

I'm working on a process
to slow down the aging of cells.

Well, have you been successful?

Very close.

In about 50 years,
we'll be able to extend

the life cycle
of the human animal

to between 120 and 150 years.

I thought you said you were close.

[chuckles]

Colonel Austin,
you're a man of action.

You're used to results now.

What I don't understand is,

why all the security
around a process

that won't be effective
for half a century?

My lab in Santa Monica
was broken into twice,

and my early notes were stolen.

Other strange things
have happened,

so the OSI recalled me to Washington
for a debriefing.

Have you brought your
worksheets with you?

They're back in Santa Monica.

But they're in my private code.

They'd be useless to anyone else.

Dr. Brenner,
you understand what trouble I'm in.

I'd like your permission to check out
your lab carefully.

Certainly, Colonel Austin.

I have the keys here somewhere.
[chuckles]

Uh, you keep hearing about

absent-minded professors, hm?
[chuckles]

Well, I grant you the freedom
of my laboratory.

And from what I've seen,
you obviously

don't worry too much about keys.

[smirks]

Okay, now, watch very carefully. Okay?

Take the napkin,
tear it up to shreds.

Like this, all right?

Roll'em all up in a ball. Okay.

Now, you blow.

Very good.
Now watch. Watch.

[laughing]

Well, don't ever tell anybody I did that.

Did you get a chance to talk
to Dr. Brenner?

Leavin' for California to check
out his lab.

- I thought maybe--
- No, no.

I'm not gonna go with you.

If you find anything
that needs any explanation

feel free to call me.

- Thanks.
- Uh, Steve.

Remember, everything has
a perfectly natural explanation.

Right?

[dramatic music]

[tires screeching]

[dog barking]

[music continues]

[thud]

[Jack] Hey, you, up there.

What do you think you're doin'?

- I lost my keys.
- This your house?

- Of course.
- What's your name?

Brenner. Dr. Arnold Brenner.

I--I live here.

You got identification?

- Naturally.
- Throw it down.

I don't know if I can.
If I let go with one hand--

I said throw it down.

- Oh, I'm sorry.
- Oh, you're sure gonna be.

I--it's okay. I'll get it.

Hold it!
Just hold it right there.

[whirring]

- Where's Brenner?
- I told you. I am Dr. Brenner.

I'm gonna ask you again,
Colonel Austin.

Where's Brenner?

Maybe you better come down.

I don't know if I can.
I--I'm starting to get a little dizzy.

Do your best.
If you fall, I'll catch you.

Hey, mister!
Will you get my ball for me?

Mama!

Come down, Colonel Austin,

or I'll bring you down
like a partridge.

Come on!

[thud]

[creaking]

[Boy] There he is, mommy.
He kicked my ball.

Lady, it was him!
He did it! He did it!

[tires screeching]

[dramatic music]

[brakes squeals]

[music continues]

[wind whooshing]

[knocking on door]

[Madam Mark a] Who wants to see
Madam Mark a?

Someone in trouble.

Madam Mark a never sends
away a person in trouble.

Enter.

[siren wailing]

- Madam Mark a?
- What is it you want?

To contact a loved one?

To know the future?
Advice on a job?

Well, I'm not sure why I came,
uh...

if I weren't so desperate.

You don't have to tell me.

Won't you please sit down?

I think I made a mistake.
Uh, sorry to have bothered you.

I didn't say I couldn't be of any help.

I see you are an intelligent man,

and I apologize
for the gaudy show.

Thanks for not wasting my time.

My problems are real.
They're not emotional.

They can't be solved by, uh, electrical
or psychological tricks.

Forgive me for the halo trick.

It's unfortunate,
but the real thing is rarely impressive.

And I occasionally resort
to phony trappings

to impress those
who find things like,

[chuckles] auras necessary,

Colonel Austin.

Okay, so you know my name.

But I'm not completely unknown.

My picture has been
in the papers.

You're in trouble
with your government.

Some papers entrusted
to you disappeared.

Well, that's been in the papers, too,
Madam Mark a.

I think you're gonna have to do
a little better than that.

I'm not auditioning for you,
Colonel Austin.

I do not do card tricks.

Now, do you want my help
or don't you?

Thanks, anyway.

[dramatic music]

[music continues]

[music continues]

[metal creaking]

[music continues]

[dramatic music]

That's about what happened to you,
isn't it, Colonel Austin?

You are thinking...

"Now, how did she know
where I was?"

- How did you know?
- I could be a mind reader.

Or I could've followed you.

I see they've stolen
Dr. Brenner's notes.

They?

- Did I say they?
- Yes.

- Why didn't you say he or she?
- I don't know.

I get a feeling of two, somehow.

But not really two.

More like one.

Or maybe three?

On the other hand,
could be four.

I'm sorry, Colonel Austin.

I really am trying to help you.

But something is very muddy here.

I get a feeling of children.

But it isn't children.

Well, you can't miss, can you?

It's either one or more than one.

It's either children or adults.

I know it seems vague,

but somehow,
what I'm telling you

does have a definite meaning.

Thank you.
I realize you're doing your best.

Wait.
You've been here before.

Earlier today.

Did you follow me before?

Or have you been talking
to the lady next door?

No.
Please, what happened?

I was chased away
by a man with a gun.

[chuckles]
But that's not quite true.

You chased him away.

Do you know who he was?

I thought maybe
you could tell me that.

Perhaps I can help you with that.

Come with me.

[Mark a] Was it parked here?

[Steve] Judging from the skid marks,
I'd say yes.

[Mark a] I get nothing about a car.

No color. No model.

I--I get a word.

[sighs]

No.

A name.

Pearl.

[sighs]

It means nothing to me, either.

I'm sorry.

It's okay.

Riddles.

You bring me
all the way across the country

to solve the stupid riddles
of a phony stage mentalist?

Uh, well, something's going on.

Even if Marka's a phony,
she knows too much

just to be guessing.

Maybe she's even in on it somehow.

All right, old chum, since I'm here,

we might as well
go through the motions.

All right. She said two,
but not really two.

- Yeah.
- One.

She said she had
the feeling of children,

but not really children.

And the big goon with the gun?
He supposed to be Pearl?

Well, what does it mean to you?

It's all rubbish, Steve.

All right.
What if it weren't rubbish?

I mean,
how would you interpret it?

What would it mean to you?

- I used to do an act like that.
- I know.

Now, that two persons
who are really one...

- I'd say that'd be twins.
- Well, that's something.

Steve, this is a game we're playing.

Don't try to make
so much out of it.

The children who are really adults?

- And what about Pearl?
- Pearl's a girl's name.

It's also a kind of a gem.

Or, with a different spelling,
it's a term used in knitting.

It's also the word used
for the sound of rippling water.

Let's get back to the twins.

Working on the basis
that Madam Mark a is not

talking through her turban,

I've got a friend at the university

that's a leading expert on twins.

I'll drop in on her.

Meanwhile, why don't you
go back to the theater

and see if you can get
Madam Mark a to come up

with anything more on Pearl.

All right. Take my car.

It's across the street.

Theater's just
down the road there.

I'll meet you back here
at 4 o'clock.

Yeah.

[intense music]

[beeping]

[music continues]

[dramatic music]

- Morning, Mrs...
- Wagner.

- May I help you?
- Well, I don't know.

Uh, you see, I was given
this address, 2400,

but, uh, something seems wrong. I...

Could you tell me
who lives here?

Why, I do, young man.

- Do you live here alone?
- Oh, mercy, no.

I have my two little children.

Well, my grandchildren, actually.

The man who drove up in that car,
uh, he looked familiar.

- Does he live here, too?
- Oh, mercy, no.

He works for the children.

You mean the children hired him?

- That's right.
- To do what?

Goodness knows. [chuckles]

The little dears are always
up to something.

Well, this must
be the right house, um...

Do you mind if I have
a little talk with the children?

Why, I think that would be fine.

Little Davey and Margaret
don't get many visitors.

They don't seem to play
with the children in this block anymore.

- Thank you.
- Mm-hm.

[knocking on door]

[dramatic music]

[knocking continues]

[shovel clanks]

[intense music]

Oh, my.

What happened
to the poor young man?

Oh, it's all right, Mrs. Wagner.
I think a touch of heat.

I'll just take him inside.
He'll be all right, huh?

[mellow music]

Tell me, Dr. Berns, do you really go

for all this mumbo-jumbo?

Or is it just that
your research grant

is too high to turn down?

- Call it.
- Star.

Star it is.

You see, even you may have
clairvoyant powers.

Lucky guess.

Like to try more?

Square.

Circle.

Square.

Wavy line.

Cross.

Another star.

Shall I go on?

That's unbelievable.

You still insist
there's nothing to ESP.

Seven lucky guesses.

Do you know what the odds are

against you getting
seven in a row like that?

Dr. Berns, when you turned
around a moment ago

and let me get my hands
on the deck

the odds dropped considerably.

- Oh!
- Wait a minute.

A dispassionate scientist
does not hurl a puck of cards

in the face of her subject.

[chuckles]

I don't care what you say.
You are a mind reader.

[dramatic music]

Who are you, Colonel Austin?

[sighs]

You have my driver's license.

That's not what we meant.

Why were you at Dr. Brenner's?
And why did you come here?

Where is Dr. Brenner?

I don't know.

Why do you want him?

We have his notes,
but they're in code.

We need Dr. Brenner
to translate them,

and we need you
to bring him to us.

- I'm afraid I can't do that.
- We mean him no harm.

In fact, we want to help him
with his work.

Well, you're going about it
in an awfully funny way.

You'd better rest a bit.

Grandma was stronger
than we thought.

We'll talk more later.

[mellow music]

Yes, I have done
a lot of work with twins.

I'm very flattered you remember.

Well, I've read about similar
brainwaves in twins,

but as far as mental
telepathy is concerned,

I'm still not sold.

We've done some amazing work

with telepathy with twins.

In fact, one case in particular,
I remember.

What about them?

Well, their record, it was so perfect.

Uh, we knew it could only
be the work of trickery.

You mean no misses?

It was almost as if they were one mind,
one person.

Well, did I finally say something
that made sense to you?

Yes.

Something that an oracle
said to me recently

about two persons,
but really one person.

Tell me more about these twins.

Well, they were very mature for their age.

They were ten,

but they seemed much more
like 15 or 16.

- How long ago was this?
- About two years ago.

They'd be 12 now.

Oh, I seem to have
hit another nerve.

Yes.

Something else
the oracle said...

about children,
but not really children.

Would you still have
their address on file?

Oh, I'm sure we do.

They had no parents, as I recall.

They lived with their grandmother.

[dramatic music]

We apologize for the restraint,
Colonel Austin,

but you didn't seem
that cooperative.

You are not being harmed.

We're merely opening a telepathic channel
to your mind.

I thought you two
were natural telepaths.

Only between each other.

Oh, you noticed
how we communicated

with Jack here and grandmother.

No, we had to lay
down communication cables,

as it were,
just as we're now doing with you.

You must bring Dr. Brenner to us.

It's a matter of life and death.

If you have all his notes,
why do you need him?

As we said before,
the notes are in code.

The formulas you took
from the OSI vaults.

The early half of his work.

We must have his latest experiments.

But he's 50 years from positive results.

But we can accelerate that.

Working from the start
that he's already made,

in perhaps two or three years,
we'll be able

to totally arrest
cell deterioration.

What make you think you can
do it that much faster?

We're freaks, Colonel Austin.

Many twins have brains

that are perfectly in tune
with each other.

The brain waves are identical.

Information flows freely.

When we were born
our togetherness

went a bit beyond that.

We literally have one brain
between the two of us.

[Margaret] Each of our brains, by itself

is the equivalent of the normal
superior brain.

Together we share a single brain
having twice the capacities,

twice the abilities of the finest brain
on this earth.

[chuckles]

Why didn't you just offer
your help to Dr. Brenner?

Because in this country, the prejudice

against experiments
involving human beings

is almost insurmountable.

Brenner uses animals
in his experiments.

That is why it will take
50 years to produce results.

- And you use humans.
- Not here.

But there are countries
where we'll be permitted

to experiment
with human beings.

Five thousand,
ten thousand subjects.

The number's almost limitless.

And in two or three years,
the work will be complete.

What about the 10,000 victims
of your experiments?

I'm afraid that's sentimental nonsense,
Colonel Austin.

That's the kind of thinking
that's held up

scientific progress
for hundreds of years.

You should be thinking
of the hundreds of millions

of people we will be saving

from a short stingy life.

Why is this so desperately
important to you?

I mean, you're both so young.

Yes, but do you have any idea
how young, colonel?

Twenty-eight.
Thirty at the most?

We are 12 years old, Colonel Austin.

I don't believe it.

Our minds are able to function

at a geometrically faster rate

than that of the average person.
In payment for this--

We are aging at a rate
that is geometrically

faster than normal.

In ten years,
we'll be the equivalent of 65,

and in 15, we'll both be dead.

I think his mind
is open to us now.

We'll run some tests.

[dramatic music]

Star.

Circle.

Cross.

Square.

Star.

Cross.

Wavy line.

Cross.

Circle.

Seventeen hits out of twenty-five.
Fantastic.

But not good enough.

Chart shows only eight hits.

You tried lying on nine.

Deliberately missed.

We have a polygraph
wired to the computer.

I'm sorry, Colonel Austin,

but we need perfection.

Another 45 minutes and...

I would say
he will score 25 out of 25.

You're turning me into a zombie.

Not at all, you'll have perfect free will
except for certain

nonverbal instructions from us.

And once you deliver Dr. Brenner to us,

you'll be free
to go on your own way.

The file that disappeared
from the OSI headquarters,

you did it, didn't you?

- Yes.
- How?

By a perfectly natural means.

In its simplest form,
you might say

we transferred it
from there to here.

In much the same way
that a picture

is taken out of the air
and transferred

into your living room as television.

Or sound is picked up
and sent into your home,

reorganized into its original components,
and called radio.

But how can ink be reorganized
and then reconstructed?

You know about the molecular
memory of plastic,

how it will return to its
original shape if freed.

We did somewhat
the same thing with the ink.

We taught it molecular memory.

And it had no choice but
to reform to its original shape.

[intense music]

[music continues]

- Pardon me, Mrs. Wagner?
- Yes?

Why, you must be the doctor.

- One of the children is ill?
- Oh, dear, no.

It's the young man
who came to play with them.

Ah. Yes, of course.

Why, he fell down just like that.

They told me it was sunstroke,

but it doesn't seem
warm enough for that, does it?

Mrs. Wagner, what did
this young man look like?

Well, he was tall, fair,
light brown hair,

and he was wearing
a blue denim jacket.

Excuse me, Mrs. Wagner.
I'd best be getting to see my patient.

Yes.
Go right on in, doctor.

- The door's open.
- Thank you.

Won't do you any good.

Those things cover a wide range.

Hey. Hold it!
I'm Dr. Murdoch.

Mrs. Wagner said
there's an injured man up here.

Hold it!

Hold it just right there.

No one called the doctor.

[dramatic music]

That's a pretty good rope escape.

You'll have to show me that sometime.

This the Wagner twins?

Did you know they were only 12?

- So they say.
- Think we can handle them?

- I would think so.
- Like taking candy from a baby.

I'm afraid, sir,
that you're a bit outnumbered.

Three to one odds are hardly fair.

[music continues]

[crashing]

[music continues]

Block them.

Think of a steel wall.

Steel wall.

[intense music]

Think steel.

[sighs]

[dramatic music]

Congratulations,
Colonel Austin.

I'm not quite sure
how you got away from us,

but that was very good.

Well, I guess we call the police now.

Yes, do that.

But hadn't you first better

consider the charges?

Theft of government documents.

Theft of ink, really.

Do you think a jury will buy that?

- Kidnapping.
- You were trespassing.

Colonel Austin.

As householders,
we had a right to defend ourselves.

Well, assault with intent
to commit great bodily harm.

Do you really want
to send that sweet,

harmless woman to prison?

Well, I'm sure the DA
will think of something, Ms. Wagner.

You were almost a candidate
for an assault charge yourself.

What made you decide
not to clobber me?

I had a strange hallucination
there for a moment.

At least,
I hope it was a hallucination.

[intense music]

- So this is the ghost teletype.
- Yeah.

I told you it would have
a scientific basis.

Every single thing had
a perfectly natural explanation.

- Everything?
- Everything.

What about Madam Mark a?

One person but two.

Little children, big people.

[chuckles] She's a poet, Steve,
not a psychic.

Well, we'll know soon enough.
Oscar went down

to the theater to question her,

see if she had any connection
with Wagner's.

Well, you'll find one of three things.

She's either a liar,
a lucky guesser,

or an accomplice in the crime.

Well, did you talk to her?

She wasn't at the theater, Steve.

- What, did she close?
- She's never played there.

Well, sure, she did, I...

I talked to her
in her dressing room.

I mean, her name
was on the marquee.

I--I even had a poster of her.

Have you got the poster?

No, I--I threw it away.

- Did you talk to the manager?
- I did.

He's been booking musical acts
there for the past 15 years.

He doesn't recall a mentalist
ever playing there,

and he's been with that theater
for 37 years.

[dramatic music]

[theme music]