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[THEME MUSIC PLAYING]
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NARRATOR: You unlock this
door with the key of imagination.
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Beyond it is another dimension…
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A dimension of sound,
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A dimension of sight,
a dimension of mind.
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You're moving into a land of
both shadow and substance,
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of things and ideas.
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You've just crossed over
into the Twilight Zone.
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[DOORBELL CHIMES]
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I'm Jordan Herrick.
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I have an appointment with Miss Morris.
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Come in, please.
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Thank you.
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This way, please.
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Thank you.
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I'll tell Miss Morris you're here.
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1940.
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1940.
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[WATER SPLASHES]
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I thought I told you
to stay in your room.
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I'm not going to stand by
and watch it happen this time.
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You will because I say you will.
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NARRATOR: Jordan Herrick,
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syndicated columnist whose work appears
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in more than a hundred newspapers.
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By nature a cynic, a disbeliever
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caught for the moment by a lovely vision.
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He knows the vision
he's seen is no dream.
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She is Pamela Morris,
renowned movie star,
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whose name is a household word
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and whose face is known to millions.
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What Mr. Herrick does not know
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is that he has also just looked
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into the face of the Twilight Zone.
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Mr. Herrick?
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Miss Morris… hello.
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I've kept you waiting.
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Oh, no, it really doesn't matter.
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It does matter, and I am sorry.
40
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Oh, but I do so love the pool.
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Am I forgiven?
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Of course, I…
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I should be asking your
forgiveness for this intrusion.
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Please relax.
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Thank you.
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I think you're very nice.
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Miss Morris, just how old are you?
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[LAUGHTER]
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I must say, Mr. Herrick,
you are a very direct man.
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You're not offended?
51
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Why should I be?
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I have my directors; you have editors,
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all very demanding people.
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Besides, a woman in my position
can't afford to have secrets.
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I'm certainly relieved to hear that.
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I was afraid you'd be offended.
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You have nothing to be afraid of here.
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[CHUCKLING]
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There, that's better.
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Now, why don't you tell me
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how old you think I am?
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Oh, now, that's hardly fair.
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Oh, do, come on, now.
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Well?
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You're very beautiful.
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That wasn't the question.
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You don't look any older now
than you did in that painting.
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I was only a child when
I posed for Bersonne.
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I was so frightened of him.
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The world was so bright and new to me,
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and he was so wild and creative.
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I've never met anyone like him.
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His genius enabled him to project
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the "flowering of a fragile blossom,"
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as he put it.
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Would you like some coffee?
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Yes, coffee, thank you.
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Would you like something in it?
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Cognac? Whiskey?
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No, thanks, I'll take it black.
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I thought newspaper people
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were heavy drinkers.
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[CHUCKLING] That's a myth.
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My mother, Mrs. Draper.
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Jordan Herrick.
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How do you do?
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He's a newspaper man, Mother.
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How do you do?
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Sit down and have some tea.
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With my mother it is tea
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this precise time every afternoon.
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With me, it's coffee.
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Mrs. Draper, you must feel
very proud to have a daughter
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as famous as Pamela Morris.
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Mother never did wholly
approve of my career.
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Believe me, Mr. Herrick,
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I had little choice in the matter.
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She thinks I'm too headstrong.
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"Dedicated" is the word.
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You still are, Pamela.
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Was she always as
beautiful as she is now?
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Always.
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A mother's loyalty.
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MRS. DRAPER: As a
matter of fact, Mr. Herrick,
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it is the truth.
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HERRICK: Perhaps from the
mother, I'll learn the real age
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of the daughter.
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Isn't age relative?
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Besides, didn't I promise to
reveal all to you, Mr. Herrick?
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Mr. Herrick!
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Mother, would you mind seeing
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if Charlotte has things
under control in the kitchen?
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Pleased to have met you, Mrs. Draper.
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Goodbye, Mr. Herrick.
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Forgive her, but… she's getting old.
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I was hoping she'd give
me some ideas for my article.
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No, her mind wanders.
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Her memory becomes
increasingly distorted.
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Shall we finish our
coffee on the terrace?
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I'm sure there's a breeze out there.
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[BIRDS CHIRPING]
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Isn't it lovely out here?
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I often sit here by the hour,
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watching the clouds and the birds.
125
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At night, I watch the stars.
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Yes, it is lovely.
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Oh, but that isn't what
interests you, is it…
128
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My nocturnal habits,
how I dream out here?
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I could work it into my story…
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The question of age
is the big thing, isn't it?
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I'm 38, Jordan.
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May I call you Jordan?
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Yes, of course, please.
134
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Is 38 terribly old?
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The years have never
been kinder to anyone.
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What a nice thing to say.
137
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I mean it.
138
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What have you got there?
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Some notes… dates, mostly.
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Do they concern me?
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Yes.
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According to this…
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I know, you read a column
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by one of those stupid, jealous women.
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If you are 38, how could you have starred
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in a movie made in 1935?
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[LAUGHING]
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I can't believe it…
149
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Jordan Herrick taken
in by the printed word.
150
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Tell me, do you believe
everything you read?
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The movie was Trails West.
152
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Darling, it couldn't have been me.
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I would've been ten years old.
154
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It's an old mistake
I've run across before.
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According to our files, your
co-star was John Bradley.
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You were in love with him.
157
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I never even met him.
158
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Your files are in error, and
it does happen, you know.
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In 1935,
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you know, I don't think
I'd even seen a movie yet.
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We were poor, we lived in Iowa.
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My father's business was failing.
163
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It wasn't until 1940 that
I set out for Hollywood…
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A starstruck girl in my teens
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following the trail blazed
by so many other hopefuls.
166
00:09:23,992 --> 00:09:25,326
But I was lucky.
167
00:09:25,410 --> 00:09:27,454
You must have been.
168
00:09:27,538 --> 00:09:31,915
You made Queen of the Nile
with Charles Danforth in 1940.
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You were 15.
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Darling, Juliet was 12.
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But 15?
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Now, is that so much harder to believe
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than my being 38 today?
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No one knew I was 15.
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I matured very early.
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[SIGHS]
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I suppose that picture
inspired the decor?
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I call it early Egyptian,
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though I suppose it
is rather silly, but…
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It was my first big break.
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I'm just glad that it wasn't
one of those horror pictures
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or I just might have
the place full of caskets.
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[LAUGHS]
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Do you know… the fact is that I…
185
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I still do feel just about 15.
186
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I really do.
187
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No?
188
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With you sitting there, I feel new
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and breathless and just 21.
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Oh, I want to savor all there is
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in this life, Jordan.
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Is it wrong for me to feel that way?
193
00:10:32,256 --> 00:10:34,174
No, no, it's not wrong.
194
00:10:34,258 --> 00:10:37,676
I'm being foolish, saying
these things to you.
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00:10:37,760 --> 00:10:39,637
And you're not being foolish.
196
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I so seldom get a chance to…
197
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Speak my mind or air my dreams.
198
00:10:46,560 --> 00:10:48,019
And yours…
199
00:10:57,068 --> 00:10:59,402
What must you think of me?
200
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I wanted to do that.
201
00:11:01,655 --> 00:11:06,242
And you wanted me to do it, too.
202
00:11:06,326 --> 00:11:12,122
You're sweet… and very real.
203
00:11:12,206 --> 00:11:13,580
But you must go now.
204
00:11:13,664 --> 00:11:14,998
Why?
205
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Because I say so.
206
00:11:18,668 --> 00:11:21,546
We'll see each other again if you like.
207
00:11:21,630 --> 00:11:23,506
What about tonight? Dinner, hmm?
208
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All right.
209
00:11:24,840 --> 00:11:27,175
Why don't we say… eight o'clock?
210
00:11:27,259 --> 00:11:28,969
Why don't we say eight o'clock?
211
00:11:38,977 --> 00:11:43,939
Mr. Herrick!
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00:11:44,023 --> 00:11:47,483
Hello, Mrs. Draper.
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00:11:47,567 --> 00:11:50,193
-Mr. Herrick…
-Yes?
214
00:11:50,277 --> 00:11:52,821
You are a fine young man.
215
00:11:52,905 --> 00:11:54,239
Thank you, Mrs. Draper.
216
00:11:54,323 --> 00:11:56,323
It is not an idle compliment.
217
00:11:56,407 --> 00:11:58,617
Are you going to see her again?
218
00:11:58,701 --> 00:11:59,785
Yes, tonight.
219
00:11:59,869 --> 00:12:01,119
We're having dinner.
220
00:12:01,203 --> 00:12:02,829
No, you must not do that.
221
00:12:02,913 --> 00:12:05,206
You must never see her again.
222
00:12:05,290 --> 00:12:06,957
Why not?
223
00:12:07,041 --> 00:12:09,084
She's older than you think.
224
00:12:09,168 --> 00:12:12,378
Yes, she told me how old she was.
225
00:12:12,462 --> 00:12:14,630
Yes, I know.
226
00:12:14,714 --> 00:12:15,882
Thirty-eight.
227
00:12:15,966 --> 00:12:18,008
Well, isn't that true?
228
00:12:18,092 --> 00:12:20,135
Mr. Herrick, you wouldn't believe me
229
00:12:20,219 --> 00:12:24,513
if I told you how old I think she is.
230
00:12:24,597 --> 00:12:27,140
You think? Don't you know?
231
00:12:27,224 --> 00:12:30,727
No… not really.
232
00:12:30,811 --> 00:12:34,062
But you're her mother.
233
00:12:34,146 --> 00:12:35,522
No.
234
00:12:35,606 --> 00:12:39,150
I'm not her mother.
235
00:12:39,234 --> 00:12:40,443
I am her daughter!
236
00:13:14,804 --> 00:13:19,265
I don't know when I've
had such a wonderful time.
237
00:13:19,349 --> 00:13:21,643
You've been so quiet all evening.
238
00:13:21,727 --> 00:13:23,228
What is it?
239
00:13:23,312 --> 00:13:26,647
Oh, it's… something your mother said.
240
00:13:26,731 --> 00:13:29,399
Now, I don't believe it, but it just…
241
00:13:29,483 --> 00:13:30,900
It just sticks in my mind.
242
00:13:30,984 --> 00:13:33,986
Well, tell me.
243
00:13:34,070 --> 00:13:38,531
She said that you are her mother.
244
00:13:38,615 --> 00:13:40,032
Her mother?
245
00:13:40,116 --> 00:13:41,659
Her mother.
246
00:13:41,743 --> 00:13:44,995
Jordan, darling, you must believe me.
247
00:13:45,079 --> 00:13:46,955
My mother is disturbed.
248
00:13:47,039 --> 00:13:49,249
I'm sure it's because
she feels responsible
249
00:13:49,333 --> 00:13:51,166
for my father's death.
250
00:13:51,250 --> 00:13:54,211
They were returning home
from a party ten years ago.
251
00:13:54,295 --> 00:13:56,796
She was driving the car,
and it went off the road,
252
00:13:56,880 --> 00:13:58,214
and my father was killed.
253
00:13:58,298 --> 00:14:00,424
I'm sorry.
254
00:14:00,508 --> 00:14:03,593
Ever since then, she's
been furtive, suspicious,
255
00:14:03,677 --> 00:14:05,595
imagining all kinds of terrible things.
256
00:14:05,679 --> 00:14:09,014
I've tried to help
her… really, I have…
257
00:14:09,098 --> 00:14:11,141
But the doctors say it's hopeless.
258
00:14:11,225 --> 00:14:13,142
She should be put
away, but I haven't had…
259
00:14:13,226 --> 00:14:14,727
I never should've brought it up.
260
00:14:14,811 --> 00:14:17,312
Now, let's forget about it.
261
00:14:17,396 --> 00:14:18,939
All right.
262
00:14:19,023 --> 00:14:21,983
We'll talk about something else.
263
00:14:22,067 --> 00:14:25,528
After all, we've been
talking about me, and…
264
00:14:25,612 --> 00:14:28,780
Now you know about my mother.
265
00:14:28,864 --> 00:14:31,116
What about your life?
266
00:14:31,200 --> 00:14:35,369
[DEEP SIGH] Very dull… up until now.
267
00:14:35,453 --> 00:14:37,662
All right, then tell
me where you're from.
268
00:14:37,746 --> 00:14:41,666
Chicago. I still live there.
269
00:14:41,750 --> 00:14:45,252
I've played Chicago. The Wells Theater.
270
00:14:45,336 --> 00:14:46,378
Have you really?
271
00:14:46,462 --> 00:14:47,671
[SIGH]
272
00:14:56,136 --> 00:14:58,430
I've loved every moment of it.
273
00:14:58,514 --> 00:15:02,182
I really have.
274
00:15:02,266 --> 00:15:03,642
Shall I see you tomorrow?
275
00:15:03,726 --> 00:15:06,060
Tomorrow.
276
00:15:06,144 --> 00:15:07,645
[PHONE RINGS]
277
00:15:07,729 --> 00:15:09,229
Krueger.
278
00:15:09,313 --> 00:15:11,064
Jordan Herrick in Hollywood?
279
00:15:11,148 --> 00:15:12,774
Yeah, put him on.
280
00:15:12,858 --> 00:15:15,985
Hi, Jordy, glad you called.
281
00:15:16,069 --> 00:15:18,529
Got another job for you
282
00:15:18,613 --> 00:15:21,990
that is, if you're through playing
around with that little femme fatale.
283
00:15:22,074 --> 00:15:23,658
Not yet. Not for a while, Krueg.
284
00:15:23,742 --> 00:15:25,701
I want you to do something.
285
00:15:25,785 --> 00:15:29,163
Get out the file on a picture
called Queen of the Nile.
286
00:15:29,247 --> 00:15:30,538
Which one?
287
00:15:30,622 --> 00:15:31,956
What do you mean, which one?
288
00:15:32,040 --> 00:15:33,791
You're a little young for this.
289
00:15:33,875 --> 00:15:35,292
They made two of them.
290
00:15:35,376 --> 00:15:36,960
The first one, a silent, I think.
291
00:15:37,044 --> 00:15:39,671
Around 1920, maybe a little later.
292
00:15:39,755 --> 00:15:41,672
All right, get them both. I'll hang on.
293
00:15:41,756 --> 00:15:42,841
Right.
294
00:15:57,227 --> 00:15:59,354
Hey, you there?
295
00:15:59,438 --> 00:16:02,314
Yeah. What was the name of
the girl who starred in the original?
296
00:16:02,398 --> 00:16:03,815
Constance Taylor.
297
00:16:03,899 --> 00:16:05,776
Anyway, she starred in most of it.
298
00:16:05,860 --> 00:16:09,487
There was an accident
during the last day of shooting.
299
00:16:09,571 --> 00:16:12,614
Cave-in in a tomb in Egypt.
300
00:16:12,698 --> 00:16:13,907
They never found her.
301
00:16:13,991 --> 00:16:15,658
Never found her?
302
00:16:15,742 --> 00:16:17,868
No, it was the end of a
very promising career.
303
00:16:17,952 --> 00:16:20,704
As a matter of fact, I
met Constance Taylor
304
00:16:20,788 --> 00:16:22,330
when I was about your age.
305
00:16:22,414 --> 00:16:24,082
She was an extraordinary woman.
306
00:16:24,166 --> 00:16:25,958
How do you mean, "extraordinary"?
307
00:16:26,042 --> 00:16:27,335
Well, she was ageless.
308
00:16:27,419 --> 00:16:28,877
She'd been a reigning beauty
309
00:16:28,961 --> 00:16:30,712
in the days of the Floradora Girls.
310
00:16:30,796 --> 00:16:33,464
That was a little before your time.
311
00:16:33,548 --> 00:16:35,800
She was a real femme fatale.
312
00:16:35,884 --> 00:16:38,093
She'd been married half a dozen times
313
00:16:38,177 --> 00:16:39,844
before the accident in Egypt.
314
00:16:39,928 --> 00:16:42,430
Sounds like
Pamela Morris, the same history.
315
00:16:42,514 --> 00:16:44,723
Very much the same, as a matter of fact.
316
00:16:44,807 --> 00:16:46,767
You got a picture of this Taylor girl?
317
00:16:46,851 --> 00:16:48,477
Yeah.
318
00:16:48,561 --> 00:16:50,261
Compare it to a picture of Morris.
319
00:17:03,698 --> 00:17:05,073
Yeah, Jordy?
320
00:17:05,157 --> 00:17:06,449
Well?
321
00:17:06,533 --> 00:17:08,159
They look alike,
322
00:17:08,243 --> 00:17:09,827
but then, they played the same parts.
323
00:17:09,911 --> 00:17:12,871
Same makeup, same type costume.
324
00:17:12,955 --> 00:17:15,123
Krueger, the old Wells Theater…
325
00:17:15,207 --> 00:17:16,874
What year did they tear that down?
326
00:17:16,958 --> 00:17:21,128
Oh, sometime back
in the '20s. Why, Jordy?
327
00:17:21,212 --> 00:17:23,255
Oh, never mind. Not until I'm real sure.
328
00:17:23,339 --> 00:17:25,297
In the meantime, get me a list
329
00:17:25,381 --> 00:17:27,133
of all the men ever involved with Morris.
330
00:17:27,217 --> 00:17:28,592
Get me every press release,
331
00:17:28,676 --> 00:17:29,718
clipping you have on her.
332
00:17:29,802 --> 00:17:30,885
Sounds interesting.
333
00:17:30,969 --> 00:17:33,013
May sound fantastic.
334
00:17:47,358 --> 00:17:48,650
Well?
335
00:17:48,734 --> 00:17:52,111
It's all true, Mr. Herrick.
336
00:17:52,195 --> 00:17:54,155
It's all true.
337
00:17:54,239 --> 00:17:56,823
But don't show it to her.
338
00:17:56,907 --> 00:17:59,409
Leave here at once.
339
00:17:59,493 --> 00:18:00,994
Is this Pamela?
340
00:18:01,078 --> 00:18:02,995
Yes, yes.
341
00:18:03,079 --> 00:18:04,538
Please, Mr. Herrick,
342
00:18:04,622 --> 00:18:08,291
you don't know how it is.
343
00:18:08,375 --> 00:18:11,043
She had many different names.
344
00:18:11,127 --> 00:18:13,712
But she herself hasn't
changed in 40 years.
345
00:18:13,796 --> 00:18:16,381
40 years?
346
00:18:16,465 --> 00:18:19,091
At least 70 years…
347
00:18:19,175 --> 00:18:23,011
The total sum of my life.
348
00:18:23,095 --> 00:18:25,972
Can you imagine what it was like
349
00:18:26,056 --> 00:18:30,017
to see her always so fresh and beautiful
350
00:18:30,101 --> 00:18:32,394
while my mirrored image
351
00:18:32,478 --> 00:18:36,189
grew seared and yellowed with age?
352
00:18:36,273 --> 00:18:38,815
How old is she, really?
353
00:18:38,899 --> 00:18:40,942
She's ageless.
354
00:18:41,026 --> 00:18:42,777
Perhaps she's eternal.
355
00:18:42,861 --> 00:18:44,695
What is the secret?
356
00:18:44,779 --> 00:18:48,908
What woman would not
sell her soul… to know?
357
00:18:51,952 --> 00:18:54,286
It has something to do…
358
00:18:54,370 --> 00:18:58,248
With this beetle… with Egypt.
359
00:18:58,332 --> 00:19:01,292
The scarabaei beetle.
360
00:19:01,376 --> 00:19:04,420
Egyptian symbol of everlasting life.
361
00:19:04,504 --> 00:19:06,129
Tell me, if you hate her so much…
362
00:19:06,213 --> 00:19:08,048
Why do I stay?
363
00:19:08,132 --> 00:19:09,382
What else could I do?
364
00:19:09,466 --> 00:19:12,801
After Pamela and my husb…
365
00:19:12,885 --> 00:19:14,178
Go on, tell me the rest.
366
00:19:14,262 --> 00:19:15,720
[SOFTLY] No, I cannot.
367
00:19:15,804 --> 00:19:17,096
You must go now!
368
00:19:17,180 --> 00:19:18,515
What about those other men?
369
00:19:18,599 --> 00:19:20,391
John Bradley, Charles Danforth?
370
00:19:20,475 --> 00:19:22,392
Don't ask about them!
371
00:19:22,476 --> 00:19:25,312
-Listen to me…
-PAMELA: Mr. Herrick!
372
00:19:25,396 --> 00:19:28,147
How nice of you to drop in.
373
00:19:28,231 --> 00:19:31,858
Has my mother been entertaining you?
374
00:19:31,942 --> 00:19:35,278
What, uh, wild tales
have you been spinning?
375
00:19:35,362 --> 00:19:37,947
Oh, I don't think
they're wild tales at all.
376
00:19:38,031 --> 00:19:41,200
For example, the Wells Theater,
377
00:19:41,284 --> 00:19:42,825
where you played…
378
00:19:42,909 --> 00:19:44,703
Was torn down in the '20s.
379
00:19:47,830 --> 00:19:49,498
You may leave us, Mother.
380
00:19:49,582 --> 00:19:51,999
Charlotte will prepare
your tea in your room.
381
00:19:52,083 --> 00:19:53,668
Pamela, please!
382
00:19:53,752 --> 00:19:56,171
I wish to speak to Mr. Herrick alone.
383
00:20:10,140 --> 00:20:13,725
Your coffee.
384
00:20:13,809 --> 00:20:18,145
Now… you were saying…
385
00:20:18,229 --> 00:20:20,481
Don't you think it's time we had
386
00:20:20,565 --> 00:20:23,358
an, uh, honest talk?
387
00:20:23,442 --> 00:20:26,653
What is it you want?
388
00:20:26,737 --> 00:20:27,737
Money?
389
00:20:27,821 --> 00:20:29,405
No.
390
00:20:29,489 --> 00:20:32,449
Just the truth.
391
00:20:32,533 --> 00:20:34,868
And you shall have it.
392
00:21:03,850 --> 00:21:04,851
What?
393
00:21:11,690 --> 00:21:12,940
What is that?
394
00:21:13,024 --> 00:21:15,900
The rare Egyptian scarab.
395
00:21:15,984 --> 00:21:19,279
The secret of eternity.
396
00:21:19,363 --> 00:21:22,156
Where did you… get it?
397
00:21:22,240 --> 00:21:26,159
From the pharaohs who
understood its power.
398
00:21:26,243 --> 00:21:29,162
Pharaohs? Hmm?
399
00:21:29,246 --> 00:21:31,663
I told you, Mr. Herrick,
400
00:21:31,747 --> 00:21:34,124
I was once Queen of the Nile.
401
00:21:34,208 --> 00:21:41,208
You, uh… [GROANING]
402
00:23:36,307 --> 00:23:38,349
I thought I told you never to come in
403
00:23:38,433 --> 00:23:40,685
until I called you, Viola…
404
00:23:40,769 --> 00:23:43,812
If you want to live another day.
405
00:23:43,896 --> 00:23:45,522
Get rid of it, quickly.
406
00:23:45,606 --> 00:23:46,941
[DOORBELL CHIMES]
407
00:23:53,695 --> 00:23:55,572
You must be Mr. Jackson.
408
00:23:55,656 --> 00:23:57,866
Yes, I called the other day.
409
00:23:57,950 --> 00:24:00,617
And I told you to come
out when you could.
410
00:24:00,701 --> 00:24:02,411
Did you think I'd forget?
411
00:24:02,495 --> 00:24:05,288
We'll have coffee in the living room.
412
00:24:05,372 --> 00:24:07,665
NARRATOR: Everybody knows Pamela Morris,
413
00:24:07,749 --> 00:24:10,375
the beautiful and
eternally young movie star.
414
00:24:10,459 --> 00:24:13,420
Or does she have another
name even more famous,
415
00:24:13,504 --> 00:24:16,380
an Egyptian name from centuries past?
416
00:24:16,464 --> 00:24:18,507
It's best not to be too curious,
417
00:24:18,591 --> 00:24:21,217
lest you wind up like Jordan Herrick…
418
00:24:21,301 --> 00:24:23,261
A pile of dust and old clothing
419
00:24:23,345 --> 00:24:26,054
discarded in the endless eternity
420
00:24:26,138 --> 00:24:27,306
of the Twilight Zone.
421
00:24:29,933 --> 00:24:31,934
PRESENTER: And now, Mr. Serling.
422
00:24:32,018 --> 00:24:34,604
Next time out, we do a little
biting of the hand that feeds
423
00:24:34,688 --> 00:24:36,146
and we tell you a delightful yarn
424
00:24:36,230 --> 00:24:38,023
that has to do with television.
425
00:24:38,107 --> 00:24:40,191
Not normal television, but a wacky tale
426
00:24:40,275 --> 00:24:42,067
about a TV set that predicts the future.
427
00:24:42,151 --> 00:24:43,694
It's written by Martin Goldsmith
428
00:24:43,778 --> 00:24:45,737
and stars three eminently talented people
429
00:24:45,821 --> 00:24:47,739
who make their first visit to the Zone:
430
00:24:47,823 --> 00:24:50,574
Joan Blondell,
William Demarest and Sterling Holloway.
431
00:24:50,658 --> 00:24:53,536
On The Twilight Zone next
time, "What's in the Box."
29704
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