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These are the user uploaded subtitles that are being translated: 1 00:00:03,567 --> 00:00:05,600 - THERE'S SOMETHING Y'ALL NEED TO KNOW ABOUT CHARLESTON... 2 00:00:05,600 --> 00:00:07,433 OH, MY GOD. - WHAT IS GOING ON? 3 00:00:07,433 --> 00:00:09,600 - WE HAVE SO MANY SKELETONS IN OUR CLOSETS. 4 00:00:09,600 --> 00:00:11,266 - SHE'S TWO WEEKS LATE ON HER PERIOD. 5 00:00:11,266 --> 00:00:12,633 - HOW DO YOU AFFORD THIS PLACE? 6 00:00:12,633 --> 00:00:15,266 - SLEEPING WITH THREE PEOPLE AT THIS TABLE ISN'T CLASS. 7 00:00:15,266 --> 00:00:16,367 - EVERYONE HAS DIRT: 8 00:00:16,367 --> 00:00:19,500 WHITNEY, THOMAS, SHEP, JENNA, CRAIG. 9 00:00:19,500 --> 00:00:20,734 EVEN LITTLE OLD ME. 10 00:00:20,734 --> 00:00:23,200 THIS CITY IS FULL OF SECRETS. 11 00:00:23,200 --> 00:00:25,300 - SECRETS. - ANY SECRETS? 12 00:00:25,300 --> 00:00:26,367 - YOU HAVE ALCOHOL ISSUES. 13 00:00:26,367 --> 00:00:27,700 - IF I HAVE A VIBRATOR... 14 00:00:27,700 --> 00:00:28,767 - OH, I'VE BEEN ARRESTED. 15 00:00:28,767 --> 00:00:30,333 - WHOO-HOO-HOO! 16 00:00:30,333 --> 00:00:32,567 - SERIOUSLY WAS EMBARRASSING, UM, 17 00:00:32,567 --> 00:00:34,700 THE FACT I DID SLEEP WITH KATHRYN. 18 00:00:34,700 --> 00:00:38,567 I MEAN, I THOUGHT THAT WAS NOT GONNA BE SHOWN. 19 00:00:38,567 --> 00:00:40,767 DID I HOOK UP WITH KATHRYN IN A MOMENT OF WEAKNESS? 20 00:00:40,767 --> 00:00:42,467 YES. 21 00:00:42,467 --> 00:00:45,300 - UNFORTUNATELY, NOBODY EVER HOOKED UP WITH CAMERAN 22 00:00:45,300 --> 00:00:46,400 OR JENNA... 23 00:00:46,400 --> 00:00:47,700 HI, I'M SHEP. - HI. JENNA. 24 00:00:49,467 --> 00:00:51,133 - DESPITE THE-- - [whispers] THANK GOD. 25 00:00:51,133 --> 00:00:54,000 - [laughs] THE REPEATED ATTEMPT. 26 00:00:54,000 --> 00:00:56,533 BUT, GOSH, ALMOST EVERY OTHER GIRL ON CAMERA 27 00:00:56,533 --> 00:00:58,000 GOT HOOKED UP WITH. 28 00:00:58,000 --> 00:00:59,133 - THEY'RE HAVING SEX WITH EACH OTHER? 29 00:00:59,133 --> 00:01:00,567 - I'M GONNA START PLANNING THE WEDDING. 30 00:01:00,567 --> 00:01:03,500 - OH, GOD, WHITNEY. 31 00:01:03,500 --> 00:01:04,767 - WE HAD A MOMENT THERE, DIDN'T WE? 32 00:01:04,767 --> 00:01:06,433 - NO! 33 00:01:06,433 --> 00:01:08,734 I DON'T EVER FEEL ENERGY SEXUALLY WITH YOU, EVER. 34 00:01:08,734 --> 00:01:10,767 - DO YOU KNOW HOW HARD IT IS-- - LET HIM BE! 35 00:01:10,767 --> 00:01:12,400 - DO YOU KNOW HOW HARD IT IS-- 36 00:01:12,400 --> 00:01:14,367 IF I COULD GO BACK, I WOULD CHANGE A FEW THINGS. 37 00:01:14,367 --> 00:01:16,367 - YOU WERE SUCH A DICK ON THAT [bleep] BOAT THAT DAY, 38 00:01:16,367 --> 00:01:17,433 YOU [bleep]HOLE. 39 00:01:17,433 --> 00:01:19,033 - HE'S GONNA WRITE AN ARTICLE. 40 00:01:19,033 --> 00:01:20,333 - LOOK, YOU CAN WRITE WHATEVER YOU WANT ABOUT ME. 41 00:01:20,333 --> 00:01:21,667 BUT IF HE BRINGS YOU IN THE PICTURE, 42 00:01:21,667 --> 00:01:23,233 PART OF ME WANTS TO GO OVER AND KICK HIS ASS. 43 00:01:23,233 --> 00:01:24,734 - WHERE'S MY PINK PISTOL? 44 00:01:24,734 --> 00:01:27,066 - WHAT ARE THE CHANCES THAT THE LITTLE BABY 45 00:01:27,066 --> 00:01:29,300 IS ACTUALLY A LITTLE SHEP? 46 00:01:29,300 --> 00:01:31,467 - I WAS MORE THAN A LITTLE WORRIED. 47 00:01:31,467 --> 00:01:33,467 - WHAT DO YOU THINK ABOUT GODPARENTS? 48 00:01:33,467 --> 00:01:37,066 - SHEP, CRAIG, WHITNEY, NEGATIVE. 49 00:01:37,066 --> 00:01:38,300 ABSOLUTELY NOT. 50 00:01:38,300 --> 00:01:40,233 - WE'LL MAKE A FUN UNCLE 51 00:01:40,233 --> 00:01:41,734 WHEN SHE'S ALLOWED TO HANG OUT WITH US. 52 00:01:41,734 --> 00:01:44,100 - AND WE FINALLY GET TO MEET THE ONE SECRET 53 00:01:44,100 --> 00:01:46,333 EVERYONE TALKED ABOUT ALL SEASON. 54 00:01:46,333 --> 00:01:48,633 - SAY, "MY DADDY'S A NATURAL." 55 00:01:48,633 --> 00:01:51,567 - AND WHAT'S GREAT TOO IS, WHEN KENSINGTON'S IN HER TEENS, 56 00:01:51,567 --> 00:01:53,700 TOM'S GONNA START DATING HER FRIENDS. 57 00:01:53,700 --> 00:01:56,100 - [laughs] 58 00:01:56,100 --> 00:01:57,233 [upbeat music] 59 00:01:57,233 --> 00:01:58,333 - ♪ MM-HMM ♪ 60 00:01:58,333 --> 00:02:00,367 ♪ HE'S GOT MONEY ♪ 61 00:02:00,367 --> 00:02:02,200 ♪ HE'S IN MAGAZINES ♪ 62 00:02:02,200 --> 00:02:03,700 ♪ HE'S GOT MORE HONEYS ♪ 63 00:02:03,700 --> 00:02:06,367 ♪ THAN ANY HONEYBEE ♪ 64 00:02:06,367 --> 00:02:08,233 ♪ BA BA-DOO ♪ 65 00:02:08,233 --> 00:02:10,100 ♪ BA BA DEE-EE-EE ♪ 66 00:02:10,100 --> 00:02:11,500 ♪ IT'S EASY ♪ 67 00:02:11,500 --> 00:02:12,667 ♪ AS THE BIRDS AND THE BEES ♪ 68 00:02:12,667 --> 00:02:14,133 ♪ AND THE ONE-TWO-THREES ♪ 69 00:02:14,133 --> 00:02:15,133 ♪ BA BA-DOO ♪ 70 00:02:16,266 --> 00:02:19,033 - EVEN THOUGH I DID NOT GROW UP WITH A, UM... 71 00:02:19,033 --> 00:02:20,467 - SILVER SPOON. 72 00:02:20,467 --> 00:02:24,233 - SILVER SPOON IN MY MOUTH, AS MR. SUDLER-SMITH HAS, 73 00:02:24,233 --> 00:02:28,734 MY MOTHER DEFINITELY SET ME UP TO HANG WITH THE UPPER ECHELON, 74 00:02:28,734 --> 00:02:30,433 BECAUSE SHE WAS AN ETIQUETTE COACH. 75 00:02:30,433 --> 00:02:34,100 SO WHEN I NEED TO TURN ON MY HOITY-TOITY-NESS, I CAN. 76 00:02:34,100 --> 00:02:35,333 - MONEY DOES NOT BUY HAPPINESS. 77 00:02:35,333 --> 00:02:37,066 ALTHOUGH IT HELPS SOMETIMES. 78 00:02:37,066 --> 00:02:39,734 - THAT IS CRASS AND UNCOUTH, AS MY MOTHER WOULD SAY. 79 00:02:39,734 --> 00:02:41,233 - WHO CARES. 80 00:02:41,233 --> 00:02:44,233 [upbeat jazzy music] 81 00:02:44,233 --> 00:02:48,033 ♪ ♪ 82 00:02:48,033 --> 00:02:49,533 - HEY, MOM. - HEY, SWEETIE. 83 00:02:49,533 --> 00:02:51,133 - YOU DON'T HAVE TO KNOCK ON THE DOOR. 84 00:02:51,133 --> 00:02:54,100 - I DIDN'T KNOW IF YOU WERE UPSTAIRS OR DOWNSTAIRS. 85 00:02:54,100 --> 00:02:56,500 I WANT YOU TO TELL ME ABOUT YOUR TEST. 86 00:02:56,500 --> 00:02:58,700 - I'M DEFINITELY NOT ONE THESE SOUTHERN WOMEN 87 00:02:58,700 --> 00:03:01,266 THAT REVOLVE THEIR LIFE AROUND GETTING MARRIED, 88 00:03:01,266 --> 00:03:03,467 HAVING A WHITE PICKET FENCE, AND HAVING CHILDREN. 89 00:03:03,467 --> 00:03:05,166 I PASSED IT. 90 00:03:05,166 --> 00:03:06,233 - CAMERAN! 91 00:03:06,233 --> 00:03:08,367 CONGRATULATIONS FOR PASSING THE TEST. 92 00:03:08,367 --> 00:03:10,000 - THANKS, MOM. 93 00:03:10,000 --> 00:03:11,400 - I'M VERY HAPPY FOR YOU. 94 00:03:11,400 --> 00:03:14,066 - I'M NOT-- I'M NOT STUPID AFTER ALL. 95 00:03:14,066 --> 00:03:16,033 I JUST ACED MY REAL ESTATE EXAM, 96 00:03:16,033 --> 00:03:19,300 SO NOW IT'S TIME TO ACTUALLY PUT THE PEDAL TO THE METAL 97 00:03:19,300 --> 00:03:22,433 AND GET A JOB AND START MAKING SOME MONEY. 98 00:03:22,433 --> 00:03:23,567 HERE YOU GO. - OH, THANK YOU. 99 00:03:23,567 --> 00:03:25,166 - CHEERS. - CHEERS. 100 00:03:25,166 --> 00:03:26,600 ALL RIGHT, TELL ME WHAT'S GOING ON. 101 00:03:26,600 --> 00:03:30,200 - DID I TELL YOU THAT I WENT TO NEW YORK 102 00:03:30,200 --> 00:03:32,100 FOR LUNCH THE OTHER DAY? 103 00:03:32,100 --> 00:03:33,100 - YEAH, RIGHT. 104 00:03:33,100 --> 00:03:34,467 - WELL, I DID. 105 00:03:34,467 --> 00:03:36,333 I DON'T KNOW IF YOU'VE EVER MET MY FRIEND JENNA. 106 00:03:36,333 --> 00:03:38,100 I'VE KNOWN HER FOR YEARS, BUT SHE CALLED ME, 107 00:03:38,100 --> 00:03:41,567 AND SHE'S LIKE, "DO YOU WANT TO GO HAVE LUNCH IN NEW YORK?" 108 00:03:41,567 --> 00:03:43,200 - NOW, WAIT A MINUTE. BACK UP A MINUTE. 109 00:03:43,200 --> 00:03:44,633 DOES SHE LIVE IN NEW YORK? 110 00:03:44,633 --> 00:03:46,467 - NO, SHE LIVES HERE, 111 00:03:46,467 --> 00:03:51,433 BUT HER BOYFRIEND HAS A PRIVATE PLANE. 112 00:03:51,433 --> 00:03:54,433 [upbeat jazzy music] 113 00:03:54,433 --> 00:03:56,066 ♪ ♪ 114 00:03:56,066 --> 00:03:58,000 - COME ON, MAMA. 115 00:03:58,000 --> 00:03:59,133 - I LOVE THIS PLANE. 116 00:04:01,333 --> 00:04:03,300 - GROWING UP, WE DIDN'T HAVE A LOT OF MONEY, 117 00:04:03,300 --> 00:04:05,767 SO NEVER IN A MILLION YEARS DID I THINK 118 00:04:05,767 --> 00:04:09,100 THAT I WOULD TRAVEL THE WORLD IN A PRIVATE PLANE. 119 00:04:09,100 --> 00:04:10,100 - NEED SOMETHING TO DRINK? 120 00:04:10,100 --> 00:04:11,467 - SPARKLING WATER. 121 00:04:11,467 --> 00:04:13,467 - SOME BOYFRIENDS LOAN YOU THE KEYS TO THEIR CAR. 122 00:04:13,467 --> 00:04:15,767 MY BOYFRIEND LOANS ME HIS JET. 123 00:04:17,700 --> 00:04:19,367 - CAMERAN. - HEY, MAMA, I'M CAMERAN. 124 00:04:19,367 --> 00:04:21,200 - HI. - NICE TO MEET YOU. 125 00:04:21,200 --> 00:04:24,000 - HI, MAMA. - HI, WHITNEY. 126 00:04:24,000 --> 00:04:25,166 - HOWDY. - OH, HEY. 127 00:04:25,166 --> 00:04:26,367 - HOW'S EVERYBODY DOING? 128 00:04:26,367 --> 00:04:28,667 AM I DRESSED APPROPRIATELY? - YEAH. 129 00:04:28,667 --> 00:04:30,133 - JUST GOING FOR LUNCH, YOU KNOW? 130 00:04:30,133 --> 00:04:31,300 - DO WE KNOW WHERE WE'RE GOING? 131 00:04:31,300 --> 00:04:33,467 - YEAH, WE'RE GONNA GO TO DA SILVANO. 132 00:04:33,467 --> 00:04:34,767 - WHERE'S THAT? 133 00:04:34,767 --> 00:04:36,467 - IT'S, LIKE, NOHO. 134 00:04:36,467 --> 00:04:39,066 - NORMALLY I GO TO LUNCH IN THE WENDY'S DRIVE-THROUGH. 135 00:04:39,066 --> 00:04:40,734 I GET A FIVE-PIECE CRISPY CHICKEN NUGGET, 136 00:04:40,734 --> 00:04:42,133 VALUE FRY, AND A VALUE COKE, 137 00:04:42,133 --> 00:04:44,066 AND THE TOTAL IS NORMALLY $3.19. 138 00:04:44,066 --> 00:04:47,433 HOPPING ON A PRIVATE JET AND FLYING A THOUSAND MILES 139 00:04:47,433 --> 00:04:50,467 IS COMPLETELY OUT OF MY REALM OF UNDERSTANDING. 140 00:04:50,467 --> 00:04:53,066 - GIVE ME THE QUICK AND EASY ITINERARY 141 00:04:53,066 --> 00:04:54,233 OF WHERE WE'RE LANDING. 142 00:04:54,233 --> 00:04:55,233 WHERE ARE WE GOING? 143 00:04:55,233 --> 00:04:56,433 - SO YOU HAVE NO IDEA? YOU JUST-- 144 00:04:56,433 --> 00:04:58,533 - NO, I'M A BLIND FOOL RIGHT NOW. 145 00:04:58,533 --> 00:05:00,133 - I THINK WE LAND IN TETERBORO, 146 00:05:00,133 --> 00:05:03,000 AND THEN WE'LL GO TO BOND STREET AND-- 147 00:05:03,000 --> 00:05:04,133 - SO WE CAN MEET LOU? 148 00:05:04,133 --> 00:05:05,133 - YEAH. - GREAT. 149 00:05:05,133 --> 00:05:06,266 - YEAH. - WHO'S THAT? 150 00:05:06,266 --> 00:05:08,133 - LOU IS, UH, MY BOYFRIEND. 151 00:05:08,133 --> 00:05:09,600 - OH. OH, BOY. 152 00:05:09,600 --> 00:05:10,633 - YEAH, THIS IS LOU'S PLANE. 153 00:05:10,633 --> 00:05:12,066 - JENNA'S SUCH A FREE SPIRIT. 154 00:05:12,066 --> 00:05:13,500 I NEVER WOULD'VE THOUGHT 155 00:05:13,500 --> 00:05:15,567 THAT SHE WOULD'VE HAD A BOYFRIEND ANYWHERE. 156 00:05:15,567 --> 00:05:19,433 BUT APPARENTLY SHE DOES, AND HE HAS A SICK G5. 157 00:05:19,433 --> 00:05:21,166 [engines whirring] 158 00:05:25,767 --> 00:05:27,367 - ARE YOU A NERVOUS FLYER? 159 00:05:27,367 --> 00:05:29,066 - I GUESS SO, YEAH. - DO YOU WANT AN ATIVAN? 160 00:05:29,066 --> 00:05:30,467 - WHAT'S THAT? - ATIVAN. 161 00:05:30,467 --> 00:05:32,000 - ANXIETY MEDICINE. 162 00:05:32,000 --> 00:05:33,266 - I'M--I'M OKAY. 163 00:05:33,266 --> 00:05:35,000 - I NEVER IN MY LIFE WOULD'VE THOUGHT 164 00:05:35,000 --> 00:05:37,133 I WOULD'VE BEEN ON A PRIVATE PLANE, 165 00:05:37,133 --> 00:05:40,533 BUT SHEP IS ACTING LIKE HE'S NEVER BEEN ON A PLANE, PERIOD. 166 00:05:40,533 --> 00:05:42,033 - WELL, CHEERS, YOU GUYS. 167 00:05:42,033 --> 00:05:43,033 I'M GLAD YOU WERE ALL ABLE TO MAKE IT. 168 00:05:43,033 --> 00:05:44,400 - THANK YOU FOR INVITING US. 169 00:05:44,400 --> 00:05:46,033 - EVEN THOUGH I KNOW THAT YOU HAD OTHER THINGS TO DO. 170 00:05:46,033 --> 00:05:47,100 - THANK YOU. 171 00:05:47,100 --> 00:05:48,567 - WE'RE GONNA HAVE A LOVELY LUNCH. 172 00:05:48,567 --> 00:05:50,467 - IF WE DIDN'T HAVE SO MANY PEOPLE, 173 00:05:50,467 --> 00:05:53,567 WE COULD'VE TAKEN THE HELICOPTER INTO THE CITY. 174 00:05:53,567 --> 00:05:57,066 THAT'S THE WAY TO GO, SO YOU DON'T HAVE TO DRIVE. 175 00:05:57,066 --> 00:05:59,266 - THAT'S CALLED LIVING HIGH ON THE HOG. 176 00:05:59,266 --> 00:06:03,300 AS I EAT RASPBERRIES OUT OF YOGURT ON A PRIVATE JET. 177 00:06:06,767 --> 00:06:08,400 - WHEELS DOWN. 178 00:06:08,400 --> 00:06:11,300 - WHOO-HOO, LET'S GO. 179 00:06:11,300 --> 00:06:13,066 - YOU'RE IN THE SILVER CAR. ARE YOU GONNA RIDE WITH US? 180 00:06:13,066 --> 00:06:14,066 - I WANT TO BE IN THE G WAGON. 181 00:06:14,066 --> 00:06:15,467 - ALL THE GIRLS IN THE G WAGON. 182 00:06:15,467 --> 00:06:16,667 - IS THIS LOU'S? 183 00:06:16,667 --> 00:06:18,033 - YEAH, THIS IS HIS NEW CAR. 184 00:06:18,033 --> 00:06:20,233 HE ONLY GOT THIS BECAUSE I WANTED IT. 185 00:06:20,233 --> 00:06:22,433 PEOPLE PROBABLY ASSUME I'M A GOLD DIGGER, 186 00:06:22,433 --> 00:06:24,000 BUT THAT'S NOT THE TRUTH AT ALL. 187 00:06:24,000 --> 00:06:25,600 I MEAN, I COULD'VE MARRIED LOU A LONG TIME AGO 188 00:06:25,600 --> 00:06:28,033 IF IT WAS JUST ABOUT MONEY FOR ME. 189 00:06:28,033 --> 00:06:29,500 - SO WE'RE GOING TO THIS GUY'S APARTMENT? 190 00:06:29,500 --> 00:06:30,567 - MM-HMM. 191 00:06:30,567 --> 00:06:32,100 - I BET IT'S NICE. 192 00:06:32,100 --> 00:06:34,767 GOD DAMN. THAT HAD TO BE EXPENSIVE. 193 00:06:34,767 --> 00:06:37,400 I WONDER WHAT JET FUEL IS PER GALLON THESE DAYS. 194 00:06:37,400 --> 00:06:41,533 MORE THAN REGULAR UNLEADED I'M SURE, RIGHT? 195 00:06:41,533 --> 00:06:42,734 - OH, YEAH. 196 00:06:42,734 --> 00:06:44,066 - YAY! 197 00:06:44,066 --> 00:06:45,200 - THANK YOU. 198 00:06:45,200 --> 00:06:48,233 - LET'S DO THIS. 199 00:06:48,233 --> 00:06:49,567 - IT FEELS SO GOOD UP HERE. 200 00:06:49,567 --> 00:06:51,200 - OH, HOW BEAUTIFUL. 201 00:06:51,200 --> 00:06:53,200 OH, MY GOD. 202 00:06:53,200 --> 00:06:54,333 THIS DOES NOT SUCK. 203 00:06:54,333 --> 00:06:55,400 - NO. 204 00:06:55,400 --> 00:06:57,066 THIS IS THE BRASS RING. 205 00:06:57,066 --> 00:06:59,100 - YOU CAN LAY OUT HERE? - YOU CAN LAY OUT HERE. 206 00:06:59,100 --> 00:07:00,467 - HOT TUB. 207 00:07:00,467 --> 00:07:01,600 - WHAT A VIEW. 208 00:07:01,600 --> 00:07:02,700 THIS IS GORGEOUS. 209 00:07:02,700 --> 00:07:04,066 - WELCOME. 210 00:07:04,066 --> 00:07:07,133 - I REALLY HAD NO IDEA WHAT TO EXPECT OF LOU. 211 00:07:07,133 --> 00:07:08,734 I KNEW HE WAS OLDER THAN JENNA. 212 00:07:08,734 --> 00:07:10,433 I DIDN'T KNOW HOW MUCH OLDER HE WAS. 213 00:07:10,433 --> 00:07:12,433 - HEY, HOW ARE YOU? - HI. 214 00:07:12,433 --> 00:07:13,600 HOW ARE YOU? 215 00:07:13,600 --> 00:07:15,700 - HE COULD BE 70. HE COULD BE 50. 216 00:07:15,700 --> 00:07:17,066 I DON'T KNOW. 217 00:07:17,066 --> 00:07:18,500 - I'M SHEP. - HI, SHEP, I'M LOU. 218 00:07:18,500 --> 00:07:19,633 NICE TO MEET YOU. - IT'S NICE TO MEET YOU. 219 00:07:19,633 --> 00:07:21,233 - HI, I'M CAMERAN. - CAMERAN, PLEASURE. 220 00:07:21,233 --> 00:07:23,200 - WHEN I FIRST SEE LOU, IT REMINDS ME IMMEDIATELY 221 00:07:23,200 --> 00:07:24,500 OF THE BOND VILLAIN. 222 00:07:24,500 --> 00:07:26,633 - IT WAS A GOOD FLIGHT. MOM GOT A LITTLE AIRSICK. 223 00:07:26,633 --> 00:07:29,467 - HE'S GOT THE JET, THE PENTHOUSE, AND THEN THE GIRL. 224 00:07:29,467 --> 00:07:31,200 IT ALL FITS INTO PLACE. 225 00:07:31,200 --> 00:07:32,233 - HOW ABOUT A GLASS OF WINE? 226 00:07:32,233 --> 00:07:33,367 LET'S CELEBRATE YOU ALL BEING HERE. 227 00:07:33,367 --> 00:07:35,000 HERE YOU ARE. - THANK YOU. 228 00:07:35,000 --> 00:07:36,467 - YOU'RE VERY WELCOME. 229 00:07:36,467 --> 00:07:39,000 AND LAST BUT NOT LEAST, ME. 230 00:07:39,000 --> 00:07:40,100 CHEERS TO ALL. - CHEERS. 231 00:07:40,100 --> 00:07:41,667 - THANK YOU FOR YOUR HOSPITALITY. 232 00:07:41,667 --> 00:07:42,667 - LOU. 233 00:07:42,667 --> 00:07:44,066 - AND TO YOU, MAN. 234 00:07:44,066 --> 00:07:45,700 - CHEERS TO LOU. - TO LOU. 235 00:07:45,700 --> 00:07:49,233 UH, LOU, WHERE ARE WE-- WHERE IS IT WE'RE GOING? 236 00:07:49,233 --> 00:07:50,767 - WE'RE GONNA GO TO DA SILVANO TODAY. 237 00:07:50,767 --> 00:07:52,233 - WHAT KIND OF CUISINE IS IT? 238 00:07:52,233 --> 00:07:53,667 - OH, IT'S GOT TO BE ITALIAN. - ITALIAN. 239 00:07:53,667 --> 00:07:55,166 - ITALIAN. - OKAY. 240 00:07:55,166 --> 00:07:58,400 - DESPITE SHEP'S PEDIGREE AND HIS FAMILY NAME, 241 00:07:58,400 --> 00:08:00,133 SHEP'S A GOOD OLD COUNTRY BOY. 242 00:08:00,133 --> 00:08:01,467 I THINK HE'S A LITTLE OVERWHELMED 243 00:08:01,467 --> 00:08:03,000 BY THIS WHOLE EXPERIENCE. 244 00:08:03,000 --> 00:08:04,266 - FOLLOW US. - SHOULD I FOLLOW YOU GUYS? 245 00:08:04,266 --> 00:08:05,266 - LET'S DO IT. I'M STARVED. 246 00:08:05,266 --> 00:08:09,033 [upbeat music] 247 00:08:09,033 --> 00:08:10,266 - BUONGIORNO. 248 00:08:12,700 --> 00:08:14,333 - HOW LONG HAVE Y'ALL BEEN TOGETHER? 249 00:08:14,333 --> 00:08:15,400 - SEVEN YEARS. 250 00:08:15,400 --> 00:08:17,266 - NO, PROBABLY SIX. 251 00:08:17,266 --> 00:08:18,500 WE MET IN THE BAHAMAS. 252 00:08:18,500 --> 00:08:20,600 - WHERE IN THE BAHAMAS? - CAFE MARTINIQUE. 253 00:08:20,600 --> 00:08:23,400 - IT'S CAFE MARTINIQUE. IT'S A SATURDAY NIGHT. 254 00:08:23,400 --> 00:08:27,033 AND ALL THE GUYS AT MY TABLE ARE JUST STARING AT JENNA. 255 00:08:27,033 --> 00:08:29,000 SHE LOOKED SO BEAUTIFUL AND SO ELEGANT. 256 00:08:29,000 --> 00:08:32,133 THE ONLY THING I COULD THINK TO BE APPROPRIATE FOR HER 257 00:08:32,133 --> 00:08:34,100 WOULD BE A BOTTLE OF ROSE CHAMPAGNE. 258 00:08:34,100 --> 00:08:36,400 SO I WALKED BY HER TABLE, AND I SAY HELLO. 259 00:08:36,400 --> 00:08:38,000 "HOPE YOU ENJOYED THE CHAMPAGNE. 260 00:08:38,000 --> 00:08:39,467 HAVE A NICE TIME." AND I WENT ON MY WAY. 261 00:08:39,467 --> 00:08:42,133 SHE GOES, "WELL, WAIT A MINUTE. 262 00:08:42,133 --> 00:08:43,367 IS THAT IT?" 263 00:08:43,367 --> 00:08:45,467 AND I SAID, "WELL, I MEAN, KIND OF." 264 00:08:45,467 --> 00:08:47,033 SHE GOES, "WELL, MY NAME IS JENNA. 265 00:08:47,033 --> 00:08:48,734 "I LIVE IN CHARLESTON, SOUTH CAROLINA. 266 00:08:48,734 --> 00:08:50,033 I'M A STUDENT." 267 00:08:50,033 --> 00:08:52,000 I SAID, "WHERE ARE YOU A STUDENT?" 268 00:08:52,000 --> 00:08:53,333 "COLLEGE OF CHARLESTON. 269 00:08:53,333 --> 00:08:54,433 YOU EVER HEAR OF IT?" 270 00:08:54,433 --> 00:08:56,433 I SAID, "YES, I HAVE." 271 00:08:56,433 --> 00:08:59,300 I DIDN'T TELL HER THAT MY DAUGHTER WAS A STUDENT 272 00:08:59,300 --> 00:09:01,700 AT THE COLLEGE OF CHARLESTON ALONG WITH HER. 273 00:09:01,700 --> 00:09:02,700 - YOU'RE KIDDING! 274 00:09:02,700 --> 00:09:04,433 - NO, I'M NOT KIDDING. 275 00:09:04,433 --> 00:09:06,700 - LOU'S A REALLY GREAT GUY, AND THIS LUNCH IS AMAZING, 276 00:09:06,700 --> 00:09:08,600 HOWEVER, THE FACT THAT HIS DAUGHTER AND JENNA 277 00:09:08,600 --> 00:09:11,734 ARE IN THE SAME SCHOOL IS A BIT DISTURBING. 278 00:09:11,734 --> 00:09:14,233 - SO THAT WAS IT. THE REST IS HISTORY. 279 00:09:14,233 --> 00:09:15,433 - AND THAT WAS SIX YEARS AGO. 280 00:09:15,433 --> 00:09:16,333 - THAT WAS SIX YEARS AGO, AND-- 281 00:09:16,333 --> 00:09:17,333 - GREAT STORY. 282 00:09:17,333 --> 00:09:18,467 - YEAH, IT'S A NICE STORY. 283 00:09:18,467 --> 00:09:20,300 - I THINK WE SHOULD ALL CELEBRATE THAT STORY. 284 00:09:20,300 --> 00:09:21,700 CHEERS. - CHEERS. 285 00:09:21,700 --> 00:09:23,367 - TO THE BAHAMAS. - TO THE BAHAMAS 286 00:09:23,367 --> 00:09:24,533 - CHEERS. 287 00:09:24,533 --> 00:09:27,533 - SO JENNA'S 29, LOU'S 55, 288 00:09:27,533 --> 00:09:29,734 AND THEY'VE BEEN TOGETHER FOR SIX YEARS. 289 00:09:29,734 --> 00:09:32,767 SO SHE WAS 23, AND HE WAS 49. 290 00:09:32,767 --> 00:09:36,367 IT SOUNDS A LOT LIKE SOMEONE ELSE WE KNOW. 291 00:09:36,367 --> 00:09:37,367 WHAT THE HELL IS THAT? 292 00:09:37,367 --> 00:09:38,667 IT'S LIKE AN ICE CREAM SANDWICH. 293 00:09:38,667 --> 00:09:40,600 THIS MIGHT BE THE BEST THING THAT I'VE EVER SEEN. 294 00:09:40,600 --> 00:09:42,367 OH, MY GOD, SO GOOD. 295 00:09:42,367 --> 00:09:43,633 HOW'D YOU KNOW ABOUT THIS? 296 00:09:43,633 --> 00:09:45,266 - GOT TO COME HERE ENOUGH. - YEAH, YEAH. 297 00:09:45,266 --> 00:09:46,533 - GOT TO START COMING TO NEW YORK. 298 00:09:46,533 --> 00:09:49,233 YOU CAN'T SPEND YOUR WHOLE LIFE IN CHARLESTON. 299 00:09:49,233 --> 00:09:50,233 - COMING UP... 300 00:09:50,233 --> 00:09:52,066 - I JUST HAD A PHONE CALL. 301 00:09:52,066 --> 00:09:54,700 ACCORDING TO NED BROWN, THE BOAT WAS LIKE 302 00:09:54,700 --> 00:09:57,000 A FLOATING ANIMAL HOUSE. 303 00:09:57,000 --> 00:09:58,367 - PART OF ME WANTS TO GO OVER AND KICK HIS ASS. 304 00:10:05,266 --> 00:10:08,533 - WHITNEY, WHY DID YOU RENT JFK'S PRESIDENTIAL YACHT? 305 00:10:08,533 --> 00:10:10,166 - IT WAS A GREAT, BEAUTIFUL BOAT, 306 00:10:10,166 --> 00:10:13,467 AND IT WAS JFK'S BOAT THAT HE HAD SAILED AROUND DENNIS PORT 307 00:10:13,467 --> 00:10:15,100 AND MARTHA'S VINEYARD AND SO FORTH. 308 00:10:15,100 --> 00:10:16,367 IT WAS MANUFACTURED FOR ROOSEVELT. 309 00:10:16,367 --> 00:10:18,633 - SHEP SAID THAT HE THOUGHT THE BOAT 310 00:10:18,633 --> 00:10:20,100 WOULD BE A LITTLE BIT MORE POSH. 311 00:10:20,100 --> 00:10:23,200 HE SAID IT WAS OLD AND, LIKE, ANTIQUE-Y. 312 00:10:23,200 --> 00:10:25,500 - WELL, IT IS ANTIQUE-Y, AND HE'S A MORON. 313 00:10:25,500 --> 00:10:27,567 - [chuckles] 314 00:10:27,567 --> 00:10:30,367 - IT'S NOT SOME HATTERAS, LIKE, FISHING BOAT. 315 00:10:30,367 --> 00:10:32,133 I MEAN, JESUS CHRIST. 316 00:10:35,066 --> 00:10:36,233 GOOD AFTERNOON. 317 00:10:36,233 --> 00:10:37,100 - OH, HI. - HEY, HANDSOME. 318 00:10:37,100 --> 00:10:38,200 - YOU'RE LATE. 319 00:10:38,200 --> 00:10:39,633 COME ON IN. I'M JUST GETTING READY. 320 00:10:39,633 --> 00:10:41,633 LET ME SEE THE SHOES. 321 00:10:41,633 --> 00:10:43,500 OKAY, YOU CAN'T [bleep] WEAR THOSE ON THE BOAT. 322 00:10:43,500 --> 00:10:44,500 I MEAN, IT'S, LIKE, A TEAK DECK. 323 00:10:44,500 --> 00:10:46,066 IT'S GONNA PUNCTURE THE WOOD. 324 00:10:46,066 --> 00:10:47,533 - I'LL TAKE 'EM OFF. I'LL TAKE 'EM OFF. 325 00:10:47,533 --> 00:10:49,367 - IN HONOR OF MEMORIAL DAY, 326 00:10:49,367 --> 00:10:50,600 I'M CHARTERING THE HONEY FITZ, 327 00:10:50,600 --> 00:10:52,533 JFK'S PRESIDENTIAL YACHT. 328 00:10:52,533 --> 00:10:54,066 IF YOU WANT TO JUST WAIT IN THE MORNING ROOM. 329 00:10:54,066 --> 00:10:55,367 GIVE ME ABOUT TEN MINUTES. 330 00:10:55,367 --> 00:10:57,667 I ENVISIONED SOME FRIENDS SITTING AROUND CHARLESTON HARBOR 331 00:10:57,667 --> 00:10:58,667 HAVING A COUPLE DRINKS. 332 00:10:58,667 --> 00:11:00,400 A NICE, QUIET, ELEGANT DAY. 333 00:11:00,400 --> 00:11:03,400 ROBERT, HAVE YOU SEEN MY SHOES? 334 00:11:03,400 --> 00:11:05,200 - WOW! - IT'S GORGEOUS. 335 00:11:05,200 --> 00:11:06,500 - LOOK AT THE LINES ON THAT THING. 336 00:11:06,500 --> 00:11:07,633 - LET'S PILE ON THIS BOAT. 337 00:11:07,633 --> 00:11:09,266 I HOPE THERE'S ROOM FOR US ALL. 338 00:11:09,266 --> 00:11:12,400 - CAN YOU BELIEVE THESE GUYS COMPLETELY RESTORED THIS THING? 339 00:11:12,400 --> 00:11:14,200 - HOW ARE YOU? THIS IS BEAUTIFUL. 340 00:11:14,200 --> 00:11:16,367 WHITNEY HAS RENTED THE HONEY FITZ. 341 00:11:16,367 --> 00:11:19,467 THERE'LL BE WOMEN, BOOZE, AND GOOD TIMES. 342 00:11:19,467 --> 00:11:22,300 JFK WOULD BE PROUD. 343 00:11:22,300 --> 00:11:24,533 - YOU'RE RIGHT. HEELS WERE A BAD CHOICE. 344 00:11:24,533 --> 00:11:26,300 - HEY, MAN. HOW ARE YOU? 345 00:11:26,300 --> 00:11:27,600 HEY, HON. HOW ARE YOU DOING? 346 00:11:27,600 --> 00:11:28,633 - GOOD TO SEE YOU. 347 00:11:28,633 --> 00:11:30,033 - MWAH. 348 00:11:30,033 --> 00:11:33,600 - [humming] 349 00:11:33,600 --> 00:11:35,567 - HEY, HOW YOU DOING? GOOD TO SEE YOU. 350 00:11:35,567 --> 00:11:36,767 - YOU KNOW JARED, RIGHT? 351 00:11:36,767 --> 00:11:37,767 - UH, YEAH, WE MET ONCE. 352 00:11:37,767 --> 00:11:38,767 - YEAH, YEAH, WHITNEY. 353 00:11:38,767 --> 00:11:40,033 YEAH, YEAH, HOW YOU DOING? 354 00:11:40,033 --> 00:11:41,300 I HATE WHEN PEOPLE SHOW UP. 355 00:11:41,300 --> 00:11:43,033 THERE'S ALWAYS PEOPLE THAT YOU DON'T KNOW. 356 00:11:43,033 --> 00:11:44,667 THAT DRIVES ME UP THE [bleep] WALL. 357 00:11:44,667 --> 00:11:47,166 - J.D.'S STASH. 358 00:11:47,166 --> 00:11:49,400 WE KNOW ABOUT IT. 359 00:11:49,400 --> 00:11:50,567 HERE'S TO THINKING. 360 00:11:50,567 --> 00:11:52,367 - NEDDY. - WHITNEY. 361 00:11:52,367 --> 00:11:53,567 - HOW ARE YOU? - HOW YOU DOING? 362 00:11:53,567 --> 00:11:55,033 - HOW ARE YOU? 363 00:11:55,033 --> 00:11:57,300 - SO YOU CAN SEE FIRSTHAND ALL THE ACTION. 364 00:11:57,300 --> 00:11:59,667 - YEAH, JUST TAKING IT IN. 365 00:11:59,667 --> 00:12:01,633 - J.D., LET'S HAVE A DRINK. 366 00:12:01,633 --> 00:12:02,700 WHERE'S THE BAR? 367 00:12:02,700 --> 00:12:04,266 - LET'S ASK. 368 00:12:04,266 --> 00:12:07,033 IS THERE--IS THERE A CAPTAIN OR SOMEONE NEARBY LIKE THAT? 369 00:12:07,033 --> 00:12:08,500 HOW ARE WE DOING? HOW ARE WE DOING? 370 00:12:08,500 --> 00:12:11,233 I'M JUST TRYING TO FIGURE OUT WHAT'S GOING ON 371 00:12:11,233 --> 00:12:12,767 WITH THE COCKTAILS AND THE FOOD. 372 00:12:12,767 --> 00:12:15,633 WHITNEY WAS UNDER THE IMPRESSION THAT THERE WAS A FULL BAR. 373 00:12:16,734 --> 00:12:18,367 - OKAY. 374 00:12:18,367 --> 00:12:21,567 THE HONEY FITZ IS AN IMPRESSIVE YACHT FIT FOR A PRESIDENT, 375 00:12:21,567 --> 00:12:24,500 BUT I DON'T THINK EVEN JFK WOULD BE CAUGHT ON THIS BOAT 376 00:12:24,500 --> 00:12:25,734 WITHOUT ENOUGH TO DRINK. 377 00:12:25,734 --> 00:12:27,300 IS HE AROUND? 378 00:12:27,300 --> 00:12:28,367 HAVE A CHAT WITH HIM. 379 00:12:28,367 --> 00:12:29,633 - OKAY. 380 00:12:29,633 --> 00:12:31,734 - I JUST WENT AND ASKED THE CAPTAIN, "WHERE'S THE BAR?" 381 00:12:31,734 --> 00:12:35,200 AND THE CAPTAIN SAYS, "ALL WE DO IS PROVIDE THE BOAT." 382 00:12:35,200 --> 00:12:36,533 - UH-HUH. 383 00:12:36,533 --> 00:12:38,567 - HE'S GOT A COUPLE BOTTLES OF WINE ONBOARD, 384 00:12:38,567 --> 00:12:40,200 BUT WITH THE SIZE OF THIS CROWD, 385 00:12:40,200 --> 00:12:41,700 THAT'LL BE GONE IN ABOUT FOUR MINUTES. 386 00:12:41,700 --> 00:12:43,567 - YEAH. - I BROUGHT A COUPLE BOTTLES. 387 00:12:43,567 --> 00:12:45,567 I GAVE EVERYBODY WHAT I COULD. 388 00:12:45,567 --> 00:12:47,333 YOU DO NOT HAVE BOOZE CRUISES WITHOUT... 389 00:12:47,333 --> 00:12:49,266 - BOOZE. YEAH. 390 00:12:49,266 --> 00:12:50,600 - ROBERT... - WHAT? 391 00:12:50,600 --> 00:12:51,767 - I JUST WANTED A SMALL, INTIMATE AFFAIR. 392 00:12:51,767 --> 00:12:54,233 THIS TURNED INTO, LIKE, YOU KNOW, 393 00:12:54,233 --> 00:12:56,633 WILD TIME, [bleep] LAKE HAVASU. 394 00:12:56,633 --> 00:12:58,633 I INVITED A COUPLE PEOPLE, AND THEN THE NEXT THING I KNOW, 395 00:12:58,633 --> 00:13:00,367 I'M LOOKING AT A BUNCH OF PEOPLE I DIDN'T KNOW. 396 00:13:00,367 --> 00:13:01,633 I'M NOT REALLY SURE WHAT HAPPENED. 397 00:13:01,633 --> 00:13:03,266 - I DON'T KNOW HALF OF THESE PEOPLE. DO YOU? 398 00:13:03,266 --> 00:13:05,266 - WELL, I'D LIKE TO HAVE, BUT I DON'T KNOW-- 399 00:13:05,266 --> 00:13:06,700 J.D. INVITED A WHOLE TON OF PEOPLE. 400 00:13:06,700 --> 00:13:08,400 - YEAH, I FEEL LIKE WHAT WE COULD DO 401 00:13:08,400 --> 00:13:11,667 IS QUICKLY HELP HIM PULL SOMETHING TOGETHER. 402 00:13:11,667 --> 00:13:13,433 YOU CALL BRYAN. I'M GONNA CALL NEIL. 403 00:13:13,433 --> 00:13:15,567 I CAN'T BELIEVE WE'RE ON JFK'S BOAT, 404 00:13:15,567 --> 00:13:17,166 AND THIS IS NOT ALL SET UP. 405 00:13:17,166 --> 00:13:19,433 HEY, GOT A BIT OF AN EMERGENCY. 406 00:13:19,433 --> 00:13:24,000 CAN WE SPARE ANY LIQUOR, BEER, WINE, OR MIXERS? 407 00:13:24,000 --> 00:13:25,400 YEAH, WE'VE GOT ABOUT 40 OF US. 408 00:13:25,400 --> 00:13:27,533 WE'RE ON A BOOZE CRUISE, AND THERE'S NO BOOZE. 409 00:13:27,533 --> 00:13:29,734 - NEED BE, I'LL GO GET IT. - NO, NO. 410 00:13:29,734 --> 00:13:32,734 - SOMETHING THIS IMPORTANT, MAYBE I HAVE TO DO IT MYSELF. 411 00:13:32,734 --> 00:13:35,033 - YEAH, THAT'S WHAT MY MOTHER ALWAYS SAID. 412 00:13:35,033 --> 00:13:36,367 - I'VE GOT TO GO GET THE LIQUOR. 413 00:13:36,367 --> 00:13:38,133 - WELL, I'LL GET IT. YOU JUST STAY HERE. 414 00:13:38,133 --> 00:13:39,600 - ALL RIGHT, CAN YOU GO GET IT THEN? 415 00:13:39,600 --> 00:13:41,567 JUST GRAB, YOU KNOW, LIKE, THREE OR FOUR BOTTLES. 416 00:13:41,567 --> 00:13:42,667 - THEO, CAN YOU COME WITH ME? 417 00:13:42,667 --> 00:13:44,133 - YEAH, I'LL DO THAT. - OKAY. 418 00:13:44,133 --> 00:13:45,433 ALL RIGHT, THEY'RE GOING TO GET IT. 419 00:13:45,433 --> 00:13:48,433 - I CALLED OVER TO SERMET'S, GET A BOTTLE OF-- 420 00:13:48,433 --> 00:13:50,033 A BOX OF BOOZE BROUGHT OVER. 421 00:13:50,033 --> 00:13:51,333 - OH, NICE. COOL. 422 00:13:51,333 --> 00:13:52,667 - WE WENT INTO A LITTLE PANIC MODE, 423 00:13:52,667 --> 00:13:54,400 AND THERE'S NOTHING FOR ANYBODY TO DRINK. 424 00:13:54,400 --> 00:13:55,600 - NO, WE HAVE ALL THE STUFF. WE-- 425 00:13:55,600 --> 00:13:57,133 - YEAH, THERE'S SOME CHAMPAGNE, 426 00:13:57,133 --> 00:13:58,300 THERE'S A COUPLE BOTTLES OF WINE, 427 00:13:58,300 --> 00:13:59,433 BUT THERE'S ONLY ENOUGH FOR ABOUT 428 00:13:59,433 --> 00:14:00,700 EVERYBODY TO HAVE ONE DRINK. 429 00:14:00,700 --> 00:14:02,133 - WELL, HOW LONG DO YOU THINK HE'LL BE? 430 00:14:02,133 --> 00:14:03,500 WE HAVE TO BE BACK HERE AT 8:00, SO-- 431 00:14:03,500 --> 00:14:05,133 - YEAH, I'D SAY WE'RE LOOKING AT 15 MINUTES. 432 00:14:09,633 --> 00:14:11,233 - THAT'S FINE. 433 00:14:11,233 --> 00:14:12,767 - I AGREE. WE GOT TO GO. 434 00:14:12,767 --> 00:14:15,633 LET'S JUST PULL OFF. WE'RE GONNA HAVE TO LEAVE THEM. 435 00:14:15,633 --> 00:14:17,300 - WE CAN'T WAIT FIVE MINUTES? 436 00:14:17,300 --> 00:14:18,700 - NO. WE CAN'T WAIT ANY LONGER. 437 00:14:18,700 --> 00:14:20,133 THIS IS RIDICULOUS. 438 00:14:20,133 --> 00:14:21,533 - YOU CAN DECIDE WHEN THE BOAT LEAVES. 439 00:14:21,533 --> 00:14:23,166 THERE'S NO MARITIME LAW THAT SAYS 440 00:14:23,166 --> 00:14:24,567 WE CAN'T WAIT FOR OUR FRIENDS. 441 00:14:24,567 --> 00:14:26,066 [horn honks] 442 00:14:26,066 --> 00:14:27,333 - FOLKS, THIS IS THE CAPTAIN SPEAKING. 443 00:14:27,333 --> 00:14:28,700 WE'RE ABOUT TO DEPART. 444 00:14:28,700 --> 00:14:31,600 GET READY FOR A BEAUTIFUL DAY OUT HERE IN CHARLESTON HARBOR. 445 00:14:31,600 --> 00:14:33,166 - I'M SORRY, BUT WE CAN'T-- 446 00:14:33,166 --> 00:14:34,600 THEY SHOULDN'T HAVE LEFT IN THE FIRST PLACE. 447 00:14:34,600 --> 00:14:36,133 I DON'T KNOW WHY. 448 00:14:36,133 --> 00:14:37,567 - WELL, THEY WERE JUST TRYING TO-- 449 00:14:37,567 --> 00:14:39,000 - NO, NO, THEY'RE TRYING TO HELP. 450 00:14:39,000 --> 00:14:40,533 I APPRECIATE IT, BUT, YOU KNOW, WE GOT TO-- 451 00:14:40,533 --> 00:14:42,100 WE GOT TO PUSH OFF. 452 00:14:42,100 --> 00:14:45,066 - WHY WOULD WE LEAVE WITHOUT THE BAR? 453 00:14:45,066 --> 00:14:47,333 WHEN EVERYBODY FINDS OUT THERE'S NOT A BAR, 454 00:14:47,333 --> 00:14:50,300 I THINK WHITNEY, HE'S GONNA HAVE A MUTINY ON HIS HANDS. 455 00:14:50,300 --> 00:14:52,633 - WHITNEY, HOW COULD YOU LEAVE THESE PEOPLE? 456 00:14:52,633 --> 00:14:54,100 - WHAT'S THAT? 457 00:14:54,100 --> 00:14:55,133 - THESE PEOPLE WENT OUT, YOU KNOW, 458 00:14:55,133 --> 00:14:57,467 AT OUR REQUEST TO BRING BACK LIQUOR. 459 00:14:57,467 --> 00:14:58,734 - I HATED TO LEAVE THEM. 460 00:14:58,734 --> 00:15:01,133 I DIDN'T MEAN TO DO IT, BUT WE HAD TO PUSH OFF, SO... 461 00:15:01,133 --> 00:15:02,266 - I FEEL BAD. 462 00:15:02,266 --> 00:15:03,433 - ONE SECOND, GUYS. EXCUSE ME. 463 00:15:03,433 --> 00:15:05,100 - OKAY. 464 00:15:05,100 --> 00:15:07,600 - THE CLICHE SAYING IS THAT YOU NEVER SEE ANYONE 465 00:15:07,600 --> 00:15:09,567 NOT SMILING ON A JET SKI. 466 00:15:09,567 --> 00:15:11,333 AND THE FACT THAT WHITNEY HAS FOUND A WAY 467 00:15:11,333 --> 00:15:14,467 TO NOT HAVE FUN ON THIS AWESOME BOAT-- 468 00:15:14,467 --> 00:15:16,266 I MEAN, IT'S TYPICAL WHITNEY. 469 00:15:16,266 --> 00:15:18,200 - ALL RIGHT, I NEED TO TAKE SOME PICTURES. 470 00:15:18,200 --> 00:15:19,300 - I GOT MY CAMERA. 471 00:15:19,300 --> 00:15:20,600 I NEED YOU AND T. RAV. 472 00:15:20,600 --> 00:15:23,033 ONE, TWO, THREE. 473 00:15:23,033 --> 00:15:24,433 - THAT'S NED. HE WRITES FOR NEW YORK SOCIAL DIARY. 474 00:15:24,433 --> 00:15:25,433 - ALL RIGHT, THIS TIME, HOLD IT. 475 00:15:25,433 --> 00:15:26,633 DO IT AGAIN. 476 00:15:26,633 --> 00:15:28,333 J.D., HOLD IN YOUR GUT THIS TIME. 477 00:15:28,333 --> 00:15:29,567 - ALL RIGHT, TELL ME WHEN YOU'RE READY. 478 00:15:29,567 --> 00:15:32,066 - DO YOU KNOW HOW HARD IT IS-- - LET HIM BE! 479 00:15:32,066 --> 00:15:34,734 - DO YOU KNOW HOW HARD IT IS, FOR CHRIST-- 480 00:15:34,734 --> 00:15:36,633 - ALL RIGHT, YOU LOOK LIKE JFK. 481 00:15:36,633 --> 00:15:37,734 YOU KNOW WHAT? 482 00:15:37,734 --> 00:15:40,633 I THINK THAT WE CAN SALVAGE THIS. 483 00:15:40,633 --> 00:15:42,567 I'M GONNA TAKE CARE OF THIS RIGHT NOW. 484 00:15:42,567 --> 00:15:45,233 ALL RIGHT, WE LEFT TWO PEOPLE, 485 00:15:45,233 --> 00:15:49,700 AND IS THERE ANY WAY THAT WE CAN JUST KIND OF SCOOP BY 486 00:15:49,700 --> 00:15:50,767 AND PICK THEM UP SOMEWHERE 487 00:15:50,767 --> 00:15:52,033 AND HAVE THEM JUMP ON BOARD? 488 00:15:57,767 --> 00:15:59,767 - DON'T LISTEN TO THESE MORONS. WE'RE NOT PULLING THE BOAT OVER. 489 00:15:59,767 --> 00:16:01,300 BUT THANK YOU, THOUGH. 490 00:16:01,300 --> 00:16:02,367 - CONTINUE ON YOUR ROUTE, CAPTAIN. 491 00:16:02,367 --> 00:16:04,233 CONTINUE ON YOUR ROUTE. 492 00:16:04,233 --> 00:16:06,133 - WHITNEY TRIES TO BE COOL, BUT DEEP DOWN, 493 00:16:06,133 --> 00:16:09,233 HE'S THE MOST NEGATIVE, RIGID, CONSERVATIVE DUDE 494 00:16:09,233 --> 00:16:11,100 THAT EVER WALKED THE EARTH. 495 00:16:11,100 --> 00:16:12,200 - IT'S GONNA BE OKAY, GUYS. 496 00:16:12,200 --> 00:16:13,367 - LOOK, I FOUND CHAMPAGNE. 497 00:16:13,367 --> 00:16:15,567 YEAH, WE GOT TO TOAST TO MEMORIAL DAY. 498 00:16:15,567 --> 00:16:17,266 - ALL RIGHT, LET'S POP ONE UP. 499 00:16:17,266 --> 00:16:19,100 - CRAIG, DON'T DO THAT. [cork pops] 500 00:16:19,100 --> 00:16:20,166 [cheering] 501 00:16:20,166 --> 00:16:21,433 - WHERE ARE THE CHAMPAGNE GLASSES? 502 00:16:21,433 --> 00:16:22,700 - WE DON'T HAVE ANY. - THAT'S WHAT I SAID. 503 00:16:22,700 --> 00:16:23,700 - MICKEY MOUSE MOVE. 504 00:16:23,700 --> 00:16:25,400 WHO WANTS SOME? 505 00:16:25,400 --> 00:16:27,533 SMALL LITTLE TOAST. 506 00:16:27,533 --> 00:16:29,266 - IS THAT ME? IS THAT ME, REALLY, FOR REAL? 507 00:16:29,266 --> 00:16:30,367 ARE WE HAVING A TOAST? 508 00:16:30,367 --> 00:16:32,266 [imitating JFK] IT'S HARD-- 509 00:16:32,266 --> 00:16:34,433 IT'S HARD TO THINK OF ALL OF US HERE TOGETHER 510 00:16:34,433 --> 00:16:36,100 OUT ON THIS BOAT. 511 00:16:36,100 --> 00:16:39,333 TO WHITNEY, YOUR HOST, WHO'S EMBRACED US ALL. 512 00:16:39,333 --> 00:16:41,133 - CHEERS TO WHITNEY. - THANK YOU, WHITNEY. 513 00:16:41,133 --> 00:16:42,533 - THIS IS PRETTY SWEET. 514 00:16:42,533 --> 00:16:45,166 - HOPE YOU ALL ARE ENJOYING YOUR BOOZE CRUISE. 515 00:16:45,166 --> 00:16:47,500 - [imitating JFK] THERE'S NO WAY LEE HARVEY OSWALD 516 00:16:47,500 --> 00:16:49,133 FIRED ALL THREE SHOTS. 517 00:16:49,133 --> 00:16:51,166 [laughter] 518 00:16:51,166 --> 00:16:53,000 - I'M JUST GONNA-- GONNA GET SOME CHAMPAGNE. 519 00:16:53,000 --> 00:16:54,700 - YEAH, GIVE HIM SOME! 520 00:16:54,700 --> 00:16:56,033 - THERE HE GOES. 521 00:16:56,033 --> 00:16:57,567 - NO, NO, I'M JUST GETTING SOME CHAMPAGNE. 522 00:16:57,567 --> 00:16:59,000 - RAH, RAH, RAH, RAH, RAH. 523 00:16:59,000 --> 00:17:00,767 WHITNEY SAYS, "RAH, RAH, RAH, RAH, RAH." 524 00:17:00,767 --> 00:17:03,700 HE'S SO UPSET, HE CAN'T EVEN TALK. 525 00:17:03,700 --> 00:17:04,700 - ARE YOU OKAY? 526 00:17:04,700 --> 00:17:07,700 YOU SEEM A LITTLE AGITATED. 527 00:17:07,700 --> 00:17:11,233 - I JUST WANTED A SMALL-- A SMALL, NICE, ELEGANT AFFAIR. 528 00:17:11,233 --> 00:17:13,300 ALL THESE PEOPLE SHOWED UP THAT I DIDN'T REALLY KNOW. 529 00:17:13,300 --> 00:17:15,300 JUST WANTED IT TO BE SOMETHING THAT'S "COMMESHURATE"-- 530 00:17:15,300 --> 00:17:16,567 - COMMENSURATE? 531 00:17:16,567 --> 00:17:20,133 - "COMMESHURATE" WITH THE PROVENANCE OF THIS BOAT. 532 00:17:20,133 --> 00:17:21,200 - COMMENSURATE. 533 00:17:21,200 --> 00:17:22,300 - "COMMESHURATE." 534 00:17:22,300 --> 00:17:23,633 - COMMENSURATE. THAT'S NOT A WORD. 535 00:17:23,633 --> 00:17:25,433 - YES, IT IS. - WHAT DOES THAT MEAN? 536 00:17:25,433 --> 00:17:26,533 - [laughs] 537 00:17:26,533 --> 00:17:27,767 - COME ON, ROBERT, LET'S GO DOWN. 538 00:17:27,767 --> 00:17:30,100 - WE'RE GONNA GO GET A DARK AND STORMY. 539 00:17:30,100 --> 00:17:32,600 - THIS IS [bleep]. 540 00:17:32,600 --> 00:17:33,700 - WHAT'D YOU THINK OF HONEY FITZ? 541 00:17:33,700 --> 00:17:34,700 WAS THAT TOO FUN OR WHAT? 542 00:17:34,700 --> 00:17:36,266 - [bleep]. 543 00:17:36,266 --> 00:17:38,166 I CAN'T BELIEVE WHAT A DICK YOU ACTED LIKE ON THAT BOAT. 544 00:17:38,166 --> 00:17:39,300 - OH, IT WAS RIDICULOUS, WASN'T IT? 545 00:17:39,300 --> 00:17:40,533 - GOD, YOU WERE SUCH AN [bleep]HOLE. 546 00:17:40,533 --> 00:17:42,633 - DICK, DICK, DICK, DICK, DICK. - [bleep]. 547 00:17:42,633 --> 00:17:45,667 [energetic horn music] 548 00:17:45,667 --> 00:17:51,734 ♪ ♪ 549 00:17:51,734 --> 00:17:53,467 - HI, HONEY. - YOU SUMMONED? 550 00:17:53,467 --> 00:17:55,433 - YES, I DID. 551 00:17:55,433 --> 00:18:00,066 I JUST HAD A PHONE CALL ABOUT THE YACHT TRIP THAT YOU HAD. 552 00:18:00,066 --> 00:18:01,600 ACCORDING TO NED BROWN, 553 00:18:01,600 --> 00:18:05,367 THE BOAT WAS LIKE A FLOATING ANIMAL HOUSE. 554 00:18:05,367 --> 00:18:07,600 - DO YOU KNOW HOW HARD IT IS-- - LET HIM BE! 555 00:18:07,600 --> 00:18:10,333 - DO YOU KNOW HOW HARD IT IS, FOR CHRIST-- 556 00:18:10,333 --> 00:18:11,400 - DO IT AGAIN. 557 00:18:11,400 --> 00:18:12,767 J.D., HOLD IN YOUR GUT THIS TIME. 558 00:18:12,767 --> 00:18:15,734 - I RECEIVED A PHONE CALL FROM NED BROWN, 559 00:18:15,734 --> 00:18:19,667 WHO IS THE CORRESPONDENCE FOR NEW YORK SOCIAL DIARY. 560 00:18:19,667 --> 00:18:23,266 IT REALLY MADE ME MAD THAT HE WOULD CALL ME UP AND COMPLAIN. 561 00:18:23,266 --> 00:18:25,000 - WHAT DID HE SAY, EXACTLY? 562 00:18:25,000 --> 00:18:26,767 - WELL, WHAT HE SAID WAS, HE'S GONNA WRITE AN ARTICLE. 563 00:18:26,767 --> 00:18:28,333 - OH, LORD. 564 00:18:28,333 --> 00:18:30,633 - HE MADE IT SOUND LIKE IT WAS A DRUNKEN ORGY. 565 00:18:30,633 --> 00:18:33,133 - MAYBE ONE OR TWO PEOPLE WERE DRUNK, AT MOST. 566 00:18:33,133 --> 00:18:35,233 - HOW WAS YOUR BEHAVIOR ON THE BOAT? 567 00:18:35,233 --> 00:18:37,734 - I WAS FAIRLY ANGRY, JUST 'CAUSE IT GOT-- 568 00:18:37,734 --> 00:18:39,266 SOMEONE GOT A LITTLE TOO DRUNK 569 00:18:39,266 --> 00:18:41,467 AND WAS KIND OF HOGGING THE SPOTLIGHT 570 00:18:41,467 --> 00:18:44,266 AND DOING BAD, YOU KNOW, IMPERSONATIONS 571 00:18:44,266 --> 00:18:46,700 AND BEING A BIT OBNOXIOUS, AND THAT PISSED ME OFF. 572 00:18:46,700 --> 00:18:48,633 I WANTED KIND OF A MORE OF AN ELEGANT DAY. 573 00:18:48,633 --> 00:18:51,000 - I THINK WHITNEY'S IDEA OF ELEGANCE 574 00:18:51,000 --> 00:18:53,533 WAS SOMETHING SMALL, CONTAINED. 575 00:18:53,533 --> 00:18:55,500 BUT I THINK IT GOT OUT OF CONTROL. 576 00:18:55,500 --> 00:19:00,700 ALL ALONG, WHITNEY HAS BEEN VERY CONCERNED ABOUT MY IMAGE, 577 00:19:00,700 --> 00:19:02,233 MY REPUTATION, 578 00:19:02,233 --> 00:19:03,600 MY SOCIAL STANDING. 579 00:19:03,600 --> 00:19:05,734 - THE FACT THAT NED WOULD TAKE ISSUE WITH THAT 580 00:19:05,734 --> 00:19:07,533 OR EQUATE THAT WITH SOMETHING 581 00:19:07,533 --> 00:19:10,266 THAT'S LIKE A DRUNKEN, ROMAN ORGY ON A BOAT 582 00:19:10,266 --> 00:19:13,100 IS PATENTLY ABSURD AND FACTUALLY WRONG. 583 00:19:13,100 --> 00:19:16,533 - I REMEMBER ONE FOURTH OF JULY, CAME DOWNSTAIRS, 584 00:19:16,533 --> 00:19:19,667 THERE WERE THREE GIRLS PASSED OUT IN THE LIVING ROOM, 585 00:19:19,667 --> 00:19:22,600 AND THERE WAS A THONG UNDER THE COFFEE TABLE. 586 00:19:22,600 --> 00:19:24,700 SO YOU'RE NOT CANONIZED SAINT 587 00:19:24,700 --> 00:19:28,200 WHEN IT COMES TO HAVING PARTIES OR HAVING A FEW DRINKS. 588 00:19:28,200 --> 00:19:29,600 - WHAT PISSED ME OFF IS THE FACT-- 589 00:19:29,600 --> 00:19:31,467 LOOK, YOU CAN WRITE WHATEVER YOU WANT ABOUT ME. 590 00:19:31,467 --> 00:19:32,567 I DON'T GIVE A [bleep]. 591 00:19:32,567 --> 00:19:34,200 BUT IF HE BRINGS YOU IN THE PICTURE, 592 00:19:34,200 --> 00:19:35,533 'CAUSE IT BESMIRCHES YOUR NAME-- 593 00:19:35,533 --> 00:19:36,667 - IT'S FINE. 594 00:19:36,667 --> 00:19:38,300 YOU KNOW, I CAN HANDLE IT. 595 00:19:38,300 --> 00:19:41,300 - THAT SHOWS LACK OF ANY KIND OF MORAL CODE OR MANNERS, 596 00:19:41,300 --> 00:19:42,667 SOUTHERN OR OTHERWISE. 597 00:19:42,667 --> 00:19:44,133 PART OF ME WANTS TO GO OVER AND KICK HIS ASS. 598 00:19:44,133 --> 00:19:46,266 - THAT'S NOT THE GENTLEMANLY WAY TO DO IT. 599 00:19:46,266 --> 00:19:51,233 I THINK THAT WE JUST LOCK HIM OUT. 600 00:19:51,233 --> 00:19:52,500 HE'S NOT TO BE TRUSTED. 601 00:19:52,500 --> 00:19:54,567 HE'S KIND OF A SLEAZY GUY ANYWAY. 602 00:19:54,567 --> 00:19:57,166 I MEAN, NOBODY IN NEW YORK KNOWS WHO HE IS. 603 00:19:57,166 --> 00:20:00,633 SO I SAY, SHH, THAT'S IT. 604 00:20:00,633 --> 00:20:02,633 - YOU KNOW, FROM A BLOG, I MEAN, 605 00:20:02,633 --> 00:20:06,567 I CAN ONLY ASSUME THAT HIS DAYS AS A "SOCIETY BLOGGER" 606 00:20:06,567 --> 00:20:08,300 ARE PROBABLY NUMBERED. 607 00:20:08,300 --> 00:20:09,633 - BUT WE HAVE MORE IMPORTANT THINGS 608 00:20:09,633 --> 00:20:10,767 TO WORRY ABOUT THAN NED BROWN. 609 00:20:10,767 --> 00:20:12,300 - ABSOLUTELY. 610 00:20:12,300 --> 00:20:13,567 ALL RIGHT, YOU KNOW BEST. 611 00:20:13,567 --> 00:20:15,233 - MOTHER KNOWS BEST. 612 00:20:15,233 --> 00:20:16,567 - I'M SORRY, MOM. - THAT'S OKAY. 613 00:20:16,567 --> 00:20:18,400 I COULD ALWAYS JUST KILL HIM. 614 00:20:18,400 --> 00:20:21,166 WHERE'S MY PINK PISTOL? 615 00:20:21,166 --> 00:20:22,233 - COMING UP... 616 00:20:22,233 --> 00:20:24,200 - ARE THERE SPIRITS IN MY HOUSE? 617 00:20:24,200 --> 00:20:26,233 - IT SAYS, "BODIES ARE"-- 618 00:20:26,233 --> 00:20:28,300 IT SAYS, "UNDER THE HOUSE." 619 00:20:34,767 --> 00:20:36,467 - YOU KNOW, I THINK IT'S REALLY SWEET 620 00:20:36,467 --> 00:20:38,633 THAT PAT HAS ALL THESE CATS AND DOGS IN HER HOUSE THAT SHE, 621 00:20:38,633 --> 00:20:40,433 LIKE, REALLY LOVES AND TAKES CARE OF. 622 00:20:40,433 --> 00:20:42,233 - WELL, THEY'RE ALL CRIPPLED. 623 00:20:42,233 --> 00:20:44,233 [laughs] 624 00:20:44,233 --> 00:20:45,600 - SHE HAS A SOFT SPOT. 625 00:20:45,600 --> 00:20:48,667 - SHE--IT'S INCREDIBLY HUMANE OF HER TO HAVE THAT. 626 00:20:48,667 --> 00:20:50,400 - VERY. 627 00:20:50,400 --> 00:20:53,433 - WHITNEY'S SORT OF ANOTHER ANIMAL IN THE COLLECTION. 628 00:20:53,433 --> 00:20:54,734 - HE IS. 629 00:20:54,734 --> 00:20:57,066 - BUT HE TAKES CARE OF HER, I THINK, A LITTLE BIT. 630 00:21:01,066 --> 00:21:03,133 - HEY, DR. BERGER. - HEY, ROBERT, HOW ARE YOU? 631 00:21:03,133 --> 00:21:04,233 - HOW YOU DOING? 632 00:21:04,233 --> 00:21:05,467 - HEY, DR. BERGER. 633 00:21:05,467 --> 00:21:07,166 - HOW'S THE PRINCESS OVER HERE? 634 00:21:07,166 --> 00:21:09,467 - WELL, I THINK SHE'S DOING PRETTY GOOD. 635 00:21:09,467 --> 00:21:12,700 I THINK ANIMALS MAKE YOU LIVE LONGER, 636 00:21:12,700 --> 00:21:15,066 REDUCE YOUR BLOOD PRESSURE. 637 00:21:15,066 --> 00:21:16,734 THEY'RE JUST FUN TO HAVE AROUND. 638 00:21:16,734 --> 00:21:18,233 SHOULD WE GO UPSTAIRS AND-- 639 00:21:18,233 --> 00:21:19,400 - YEAH, LET'S GO TAKE A LOOK AT ROCKY. 640 00:21:19,400 --> 00:21:20,734 - NO, NO, THIS IS A CHANEL. 641 00:21:20,734 --> 00:21:22,233 DON'T DO THAT. 642 00:21:22,233 --> 00:21:23,567 - GROWING UP, THERE WAS ALWAYS ANIMALS. 643 00:21:23,567 --> 00:21:27,166 CATS, DOGS, MINIATURE HORSES, PIGS, FERRETS. 644 00:21:27,166 --> 00:21:30,100 KIND OF A MENAGERIE OF ALL KINDS OF CREATURES. 645 00:21:30,100 --> 00:21:31,166 - LET'S TAKE A QUICK LOOK AT HIM. 646 00:21:31,166 --> 00:21:32,433 - OKAY. POOR THING. 647 00:21:32,433 --> 00:21:34,633 - THAT DOESN'T FEEL LIKE IT'S GROWING AT ALL. 648 00:21:34,633 --> 00:21:36,333 IT ACTUALLY FEELS A LITTLE SMALLER. 649 00:21:36,333 --> 00:21:38,200 - ROCKY IS 17. 650 00:21:38,200 --> 00:21:41,734 I GOT HIM AS A KITTY WITH MY LATE HUSBAND. 651 00:21:41,734 --> 00:21:44,033 HE LIVES IN MY BEDROOM. 652 00:21:44,033 --> 00:21:45,500 HE SLEEPS WITH ME EVERY NIGHT. 653 00:21:45,500 --> 00:21:48,000 YOU KNOW, IT IS SO NICE OF YOU 654 00:21:48,000 --> 00:21:50,266 TO COME OVER HERE EVERY SINGLE DAY. 655 00:21:50,266 --> 00:21:51,633 - IT'S MY PLEASURE. 656 00:21:51,633 --> 00:21:54,066 - ROCKY HAS KIDNEY FAILURE. 657 00:21:54,066 --> 00:21:57,333 IF YOU TAKE ON THE RESPONSIBILITY OF A PET, 658 00:21:57,333 --> 00:21:59,500 I THINK THAT YOU HAVE TO DO WHATEVER YOU CAN 659 00:21:59,500 --> 00:22:03,533 TO MAKE THEM HEALTHY AND HAPPY AND SAFE. 660 00:22:03,533 --> 00:22:05,500 BYE, ROCKY. 661 00:22:05,500 --> 00:22:08,000 - OH, MY GOSH, THIS LOOKS SO GOOD. 662 00:22:08,000 --> 00:22:10,333 - BUFFALO, HONEY MUSTARD, THAI, AND COCKTAIL SAUCE. 663 00:22:10,333 --> 00:22:12,266 - YUM! 664 00:22:12,266 --> 00:22:14,066 THANK YOU SO MUCH. 665 00:22:14,066 --> 00:22:15,066 [cell phone tone plays] 666 00:22:15,066 --> 00:22:16,333 IT'S WHITNEY. 667 00:22:16,333 --> 00:22:18,033 HEY, BUDDY. 668 00:22:18,033 --> 00:22:19,200 I'M GOOD. 669 00:22:19,200 --> 00:22:22,266 SHEP AND I ARE HAVING SOME FIVE-STAR DINING 670 00:22:22,266 --> 00:22:23,400 AT THE SHRIMP SHACK. 671 00:22:26,500 --> 00:22:28,433 - THE CAT THAT WAS ON DIALYSIS? 672 00:22:36,033 --> 00:22:37,567 - YES, I WILL BE THERE. 673 00:22:37,567 --> 00:22:39,200 WE'LL SEE YOU SOON. BYE. 674 00:22:41,000 --> 00:22:43,767 - [laughing] SO THE CAT DIED. 675 00:22:43,767 --> 00:22:47,333 - THAT CAT RECEIVES BETTER CARE THAN A LOT OF HUMANS. 676 00:22:47,333 --> 00:22:48,367 - [laughs] 677 00:22:51,266 --> 00:22:54,433 [melancholy music] 678 00:22:54,433 --> 00:22:56,166 - I'M JUST WORRIED THIS DOG'S GONNA DIE. 679 00:22:56,166 --> 00:22:58,000 WE'RE GONNA HAVE TWO DEAD ANIMALS IN ONE DAY. 680 00:22:58,000 --> 00:22:59,066 - HOW OLD IS HE? 681 00:22:59,066 --> 00:23:01,133 - 13. AND HE WAS A RESCUE DOG. 682 00:23:01,133 --> 00:23:02,200 - HOW'S YOUR MOM DOING? 683 00:23:02,200 --> 00:23:03,200 IS SHE OKAY? 684 00:23:03,200 --> 00:23:04,567 - SHE'S PRETTY UPSET. 685 00:23:04,567 --> 00:23:07,467 JUST TAKEN TO BED WITH A MARTINI, A XANAX, 686 00:23:07,467 --> 00:23:09,233 AND TURNER CLASSICS. 687 00:23:09,233 --> 00:23:10,233 - MM. 688 00:23:10,233 --> 00:23:11,333 - YEAH, IT WAS REALLY SAD. 689 00:23:11,333 --> 00:23:13,500 - I'M SORRY. 690 00:23:13,500 --> 00:23:15,734 - ROCKY'S DEATH IS A DEVASTATING BLOW TO MY MOM, 691 00:23:15,734 --> 00:23:16,734 AND I HATE TO SEE HER IN PAIN. 692 00:23:16,734 --> 00:23:19,066 [doorbell chimes] 693 00:23:19,066 --> 00:23:20,333 OH, WHAT'S THIS? 694 00:23:20,333 --> 00:23:22,066 - FLOWER DELIVERY FOR PATRICIA. 695 00:23:22,066 --> 00:23:23,266 - OH, THANK YOU SO MUCH. 696 00:23:23,266 --> 00:23:24,533 LOOK, SOMEONE SENT MOM FLOWERS. 697 00:23:24,533 --> 00:23:26,367 - SHOULD I BRING THEM UP TO HER? OR YOU ARE? 698 00:23:26,367 --> 00:23:27,734 - ALL RIGHT. 699 00:23:27,734 --> 00:23:30,767 I DEFINITELY HAVE A SOFT SPOT FOR SEEING MOM IN SUCH ANGUISH. 700 00:23:30,767 --> 00:23:32,333 I THINK ANY SON WOULD. 701 00:23:32,333 --> 00:23:35,333 [melancholy music] 702 00:23:35,333 --> 00:23:43,233 ♪ ♪ 703 00:23:43,233 --> 00:23:44,533 HI. 704 00:23:44,533 --> 00:23:47,200 DR. BERGER WAS IN SURGERY, SO HE COULDN'T COME. 705 00:23:47,200 --> 00:23:49,266 BUT I HAVE ROCKY'S ASHES. 706 00:23:49,266 --> 00:23:52,100 I GOT A NICE CERTIFICATE. 707 00:23:52,100 --> 00:23:53,767 "IN MEMORY OF A DEPARTED COMPANION. 708 00:23:53,767 --> 00:23:56,266 "ON THIS DATE, ROCKY, 709 00:23:56,266 --> 00:23:58,467 "FRIEND AND COMPANION OF THE ALTSOBLE FAMILY, 710 00:23:58,467 --> 00:24:02,133 "WAS CREMATED AT THE PET REST CEMETERY AND CREMATORIUM. 711 00:24:02,133 --> 00:24:04,100 "PLEASE BE ASSURED THAT YOUR PET WAS HANDLED 712 00:24:04,100 --> 00:24:06,233 WITH THE UTMOST RESPECT AND DIGNITY." 713 00:24:06,233 --> 00:24:08,767 - THAT'S NICE. 714 00:24:08,767 --> 00:24:10,500 - HE'S IN A BETTER PLACE. 715 00:24:14,266 --> 00:24:17,667 - ROCKY WAS A WONDERFUL CAT. 716 00:24:17,667 --> 00:24:20,400 WHEN MY LATE HUSBAND WAS SICK, 717 00:24:20,400 --> 00:24:25,667 HE STAYED WITH HIM THE ENTIRE TIME THAT HE WAS ILL. 718 00:24:25,667 --> 00:24:28,633 I'LL MISS HIM TERRIBLY. 719 00:24:28,633 --> 00:24:30,233 SEE HOW CUTE HE WAS AS A KITTY? 720 00:24:30,233 --> 00:24:32,166 - MM-HMM. 721 00:24:32,166 --> 00:24:33,300 - I NEED A DRINK. 722 00:24:33,300 --> 00:24:34,300 - ALL RIGHT. 723 00:24:35,300 --> 00:24:36,400 - HI, WHITNEY. 724 00:24:36,400 --> 00:24:37,633 - HI. 725 00:24:37,633 --> 00:24:38,633 - WHAT DO YOU THINK? 726 00:24:38,633 --> 00:24:40,367 I THINK THAT LOOKS GOOD THERE. 727 00:24:40,367 --> 00:24:41,567 YOU HOLD THE OTHER SIDE, WHITNEY. 728 00:24:41,567 --> 00:24:43,033 I'D LOVE TO. 729 00:24:43,033 --> 00:24:44,433 - BE A DECORATOR INSTEAD OF BEING DECORATIVE. 730 00:24:44,433 --> 00:24:47,000 - MARIO BUATTA IS CALLED THE PRINCE OF CHINTZ. 731 00:24:47,000 --> 00:24:49,533 PROBABLY ONE OF THE GREATEST INTERIOR DECORATORS 732 00:24:49,533 --> 00:24:51,200 IN THE HISTORY OF DECORATING. 733 00:24:51,200 --> 00:24:52,767 HE'S DECORATED THE WHITE HOUSE. 734 00:24:52,767 --> 00:24:54,533 HE'S DECORATED THE KISSINGER'S HOUSE. 735 00:24:54,533 --> 00:24:56,567 HE REALLY IS A GENIUS IN DECORATING. 736 00:24:56,567 --> 00:24:58,000 - I LIKE IT. IT'S PERFECT. 737 00:24:58,000 --> 00:24:59,400 - YEAH, IT'S PERFECT. IT LOOKS GREAT. 738 00:24:59,400 --> 00:25:01,000 YOU COULD HAVE A BRACKET, IF YOU WANT, 739 00:25:01,000 --> 00:25:02,367 WITH ROCKY'S ASHES IN IT. 740 00:25:02,367 --> 00:25:04,367 I MEAN, THAT'S KIND OF SOUTHERN. 741 00:25:04,367 --> 00:25:06,133 - OKAY, I LIKE THAT. - TENNESSEE-- 742 00:25:06,133 --> 00:25:08,133 - PUT ROCKY'S ASHES, LIKE, ON A-- 743 00:25:08,133 --> 00:25:11,500 - DO YOU WANT TO HOLD UP A LITTLE--A LITTLE JAR NOW? 744 00:25:11,500 --> 00:25:13,033 THAT'S TOO BIG. THAT'S TOO BIG. 745 00:25:13,033 --> 00:25:14,200 NO, A LITTLE ONE. 746 00:25:14,200 --> 00:25:15,633 ONE OF THE LITTLE ONES UP THERE. LOOK. 747 00:25:15,633 --> 00:25:17,266 TAKE ONE OF THE ONES ON THE FIRST SHELF. 748 00:25:17,266 --> 00:25:18,567 SEE THE ONE IN THE MIDDLE? 749 00:25:18,567 --> 00:25:20,667 THAT'S CUTE. YEAH, YEAH. 750 00:25:20,667 --> 00:25:22,567 HE'LL BE SLEEPING OVER YOUR HEAD NOW. 751 00:25:22,567 --> 00:25:23,567 OKAY, THAT'S ENOUGH. 752 00:25:23,567 --> 00:25:25,033 WE DID IT. 753 00:25:25,033 --> 00:25:27,000 THAT'S DECIDED. - OKAY, WE'RE GONNA DO THAT? 754 00:25:27,000 --> 00:25:29,033 WE'RE GONNA PUT THE CAT'S ASHES ABOVE THE HEADBOARD? 755 00:25:29,033 --> 00:25:31,533 I THINK ROCKY'S ASHES OVER THE BED IS A BIT MACABRE, 756 00:25:31,533 --> 00:25:33,200 BUT I THINK FROM A STYLISTIC STANDPOINT, 757 00:25:33,200 --> 00:25:34,400 IT LOOKS GOOD. 758 00:25:34,400 --> 00:25:35,667 ALL RIGHT, WELL, THAT'S SETTLED. 759 00:25:35,667 --> 00:25:38,400 - POOR ROCKY. 760 00:25:38,400 --> 00:25:40,500 - WHY DID JENNA HAVE A SEANCE IN THE FIRST PLACE? 761 00:25:40,500 --> 00:25:42,166 - 'CAUSE SHE THINKS HER HOUSE IS HAUNTED, 762 00:25:42,166 --> 00:25:43,700 AND SHE'S AFRAID TO STAY BY HERSELF. 763 00:25:43,700 --> 00:25:46,033 - BUT WHAT, SHE THINKS THE SPIRITS ARE GONNA HURT HER? 764 00:25:46,033 --> 00:25:47,266 - THERE CAN BE BAD SPIRITS. 765 00:25:47,266 --> 00:25:49,767 - SO WE NEED TO CONJURE THEM UP AND THEN TALK TO THEM 766 00:25:49,767 --> 00:25:51,367 AND BE LIKE, "WHICH ONE OF YOU..." 767 00:25:51,367 --> 00:25:53,266 - I WENT THROUGH A PHASE IN HIGH SCHOOL 768 00:25:53,266 --> 00:25:56,500 WHERE I WANTED TO BE A WITCH. 769 00:25:56,500 --> 00:25:58,033 - DOESN'T SHOCK ME AT ALL. 770 00:25:58,033 --> 00:25:59,066 - I STILL HAVE MY BOOKS. 771 00:25:59,066 --> 00:26:00,300 - DID YOU WEAR BLACK CLOTHES? 772 00:26:00,300 --> 00:26:02,000 - I DID, AND I DYED MY HAIR PURPLE. 773 00:26:02,000 --> 00:26:03,433 - NAH-UH. - SWEAR. 774 00:26:03,433 --> 00:26:06,467 [upbeat jazzy music] 775 00:26:06,467 --> 00:26:09,367 ♪ ♪ 776 00:26:09,367 --> 00:26:11,000 - HA, YOU DIDN'T EVEN HAVE TO KNOCK. 777 00:26:11,000 --> 00:26:13,100 - HELLO! - DON'T MIND MY HOUSE SLIPPERS. 778 00:26:13,100 --> 00:26:14,667 JUST GRAB SOME PILLOWS, AND LET'S GO. 779 00:26:14,667 --> 00:26:17,066 WHEN I FIRST WALKED INTO MY HOUSE, I REALLY LOVED IT, 780 00:26:17,066 --> 00:26:20,734 BUT I JUST GOT, LIKE, A CREEPY, COLD VIBE FROM MY HOUSE. 781 00:26:20,734 --> 00:26:22,233 - WHAT'S UP THERE? 782 00:26:22,233 --> 00:26:24,166 - UM, THAT'S THE SCARY ROOMS. 783 00:26:24,166 --> 00:26:26,433 REALLY FEEL LIKE IT'S HAUNTED HERE. 784 00:26:26,433 --> 00:26:27,767 - IT'S HAUNTED? 785 00:26:27,767 --> 00:26:29,200 - CRAIG. - WHAT? 786 00:26:29,200 --> 00:26:30,734 - CRAIG IS ALL DRESSED UP. 787 00:26:30,734 --> 00:26:32,767 - WHAT DID YOU GUYS SUCK ME IN TO? 788 00:26:32,767 --> 00:26:34,200 THIS ISN'T REALLY HAPPENING, IS IT? 789 00:26:34,200 --> 00:26:35,200 - YES. - YEAH. 790 00:26:35,200 --> 00:26:36,567 - SHE'S GONNA SIT RIGHT THERE. 791 00:26:36,567 --> 00:26:38,233 - I THOUGHT YOU GUYS WERE JUST MESSING WITH ME. 792 00:26:38,233 --> 00:26:40,400 - NO, SHE IS A REAL GULLAH VOODOO PRIESTESS. 793 00:26:40,400 --> 00:26:42,266 - THAT'S HER JOB? - YES. 794 00:26:42,266 --> 00:26:43,367 - YOU'RE JUST SCARED OF GHOSTS. 795 00:26:43,367 --> 00:26:45,066 - WELL, DO YOU HAVE NICE GHOSTS OR MEAN GHOSTS? 796 00:26:45,066 --> 00:26:46,367 - I HAVE NICE GHOSTS. 797 00:26:46,367 --> 00:26:48,100 THEY TURN THE LIGHTS OFF HERE, AND THEY, LIKE-- 798 00:26:48,100 --> 00:26:49,133 - I TOLD YOU. - THEY DO. 799 00:26:49,133 --> 00:26:50,633 - SEE, STUFF HAPPENS IN CHARLESTON 800 00:26:50,633 --> 00:26:51,734 ALL THE TIME, AND IT'S WEIRD. 801 00:26:51,734 --> 00:26:53,066 - HELLO? 802 00:26:53,066 --> 00:26:54,367 - HI. WELCOME TO MY HOUSE. 803 00:26:54,367 --> 00:26:55,633 - THANK YOU. 804 00:26:55,633 --> 00:26:56,633 THANK YOU. 805 00:26:56,633 --> 00:26:58,233 - I'M EXCITED. - SO AM I. 806 00:26:58,233 --> 00:26:59,767 - HELLO. - HI. 807 00:26:59,767 --> 00:27:01,567 - HEY. - HI, EVERYONE. 808 00:27:01,567 --> 00:27:02,567 I'M CALISTA. 809 00:27:02,567 --> 00:27:04,166 I'M REVEREND PRIESTESS CALISTA, 810 00:27:04,166 --> 00:27:06,233 AND I WILL BE YOUR READER FOR THIS EVENING. 811 00:27:06,233 --> 00:27:08,467 I AM A PSYCHIC AND A SPIRIT MEDIUM. 812 00:27:08,467 --> 00:27:10,300 - THERE'S SOME THINGS THAT HAVE HAPPENED TO ME 813 00:27:10,300 --> 00:27:12,467 SINCE LIVING IN CHARLESTON THAT I CAN'T EXPLAIN, 814 00:27:12,467 --> 00:27:14,767 AND THE MOST REASONABLE EXPLANATION-- 815 00:27:14,767 --> 00:27:16,166 AS CRAZY AS THAT SOUNDS-- 816 00:27:16,166 --> 00:27:18,000 IS THAT THEY WERE GHOSTS. 817 00:27:18,000 --> 00:27:19,233 - WHAT'S GOING ON? 818 00:27:19,233 --> 00:27:21,533 - I HEAR, LIKE, CREAKY NOISES ALL THE TIME, 819 00:27:21,533 --> 00:27:23,633 AND LIGHTS ARE TURNING OFF AND ON. 820 00:27:23,633 --> 00:27:27,333 MY FAN TURNS ON, AND ONLY ONE SIDE OF THE FAN WILL GO, 821 00:27:27,333 --> 00:27:29,000 AND THE OTHER SIDE WILL GO THE OTHER WAY. 822 00:27:29,000 --> 00:27:30,233 - OKAY, YEAH. 823 00:27:30,233 --> 00:27:32,333 SO WE'RE GONNA START WITH THE BOARD, OKAY? 824 00:27:32,333 --> 00:27:33,433 - WE'RE SUPPOSED TO ASK IT A QUESTION? 825 00:27:33,433 --> 00:27:35,133 - YES. 826 00:27:35,133 --> 00:27:36,467 - AND IF YOU'RE NOT SURE ABOUT WHAT YOU WANT TO KNOW, 827 00:27:36,467 --> 00:27:38,700 YOU CAN JUST SAY, "WHAT IS THE MESSAGE TO ME?" 828 00:27:38,700 --> 00:27:40,433 YOU WANT TO GO FIRST? - I'M GONNA GO FIRST? 829 00:27:40,433 --> 00:27:41,667 - LADIES FIRST. 830 00:27:41,667 --> 00:27:45,500 - OKAY, ARE THERE SPIRITS IN MY HOUSE? 831 00:27:45,500 --> 00:27:48,467 - IT SAYS, "YES, THEY ARE"-- 832 00:27:48,467 --> 00:27:51,700 IT SAYS, "FROM SLAVERY TIMES." 833 00:27:51,700 --> 00:27:54,066 IT SAYS, "BODIES ARE"-- 834 00:27:54,066 --> 00:27:55,767 IT SAYS, "UNDER THE HOUSE." 835 00:27:55,767 --> 00:27:58,600 IT SAYS, "BUT"--AND THEY'RE SPEAKING TO YOU DIRECTLY-- 836 00:27:58,600 --> 00:28:03,000 "WE ARE NOT HERE TO HURT YOU," PERIOD. 837 00:28:03,000 --> 00:28:04,600 THERE WERE SLAVE QUARTERS UNDER THIS HOUSE, 838 00:28:04,600 --> 00:28:07,133 OR IN THIS BASEMENT, OR SOMETHING UNDERNEATH THIS HOUSE, 839 00:28:07,133 --> 00:28:08,300 OKAY? 840 00:28:08,300 --> 00:28:10,533 AND THAT ENERGY IS STILL HERE IN THIS HOUSE. 841 00:28:10,533 --> 00:28:13,033 - I AM NOT SURPRISED THAT THE PRIESTESS SAID 842 00:28:13,033 --> 00:28:14,700 THERE ARE SPIRITS OF SLAVES IN THIS HOUSE. 843 00:28:14,700 --> 00:28:17,033 THIS IS CHARLESTON, WHICH, UNFORTUNATELY, 844 00:28:17,033 --> 00:28:19,000 WAS AT THE CENTER OF THE SLAVE TRADE. 845 00:28:19,000 --> 00:28:21,433 HORRIBLE ATROCITIES WERE COMMITTED AGAINST THESE PEOPLE. 846 00:28:21,433 --> 00:28:23,300 - IF THEY DO ANYTHING TO HER, 847 00:28:23,300 --> 00:28:24,600 THEY'RE GONNA HAVE TO ANSWER TO ME. 848 00:28:24,600 --> 00:28:26,033 - OKAY. 849 00:28:26,033 --> 00:28:27,400 NEXT QUESTION. 850 00:28:27,400 --> 00:28:31,133 - I DON'T BELIEVE IN ANYTHING THAT HAS TO DO WITH GHOSTS 851 00:28:31,133 --> 00:28:33,133 OR ALIENS. 852 00:28:33,133 --> 00:28:36,700 I WANT TO BELIEVE IN BIG FOOT, BUT THAT'S ABOUT WHERE IT ENDS. 853 00:28:36,700 --> 00:28:38,533 - DO YOU WANT TO KNOW WHAT'S THE MESSAGE TO YOU? 854 00:28:38,533 --> 00:28:40,000 - I WOULD LIKE TO KNOW THE MESSAGE. 855 00:28:40,000 --> 00:28:45,767 - IT SAYS, "YOU ARE FEELING INCOMPLETE 856 00:28:45,767 --> 00:28:49,266 "BECAUSE OF ROMANTIC SITUATION, 857 00:28:49,266 --> 00:28:52,700 AND YOU DESERVE"-- 858 00:28:52,700 --> 00:28:56,633 IT SAYS, "BETTER THAN YOU ACCEPT." 859 00:28:56,633 --> 00:28:58,367 DOES THIS MAKE SENSE? 860 00:28:58,367 --> 00:28:59,633 - IT'S A LONG-DISTANCE RELATIONSHIP. 861 00:28:59,633 --> 00:29:01,200 - OKAY, THEY'RE SAYING YOU'RE ACCEPTING 862 00:29:01,200 --> 00:29:02,367 LESS THAN WHAT YOU DESERVE. 863 00:29:02,367 --> 00:29:05,233 - WHEN YOU SAY "THEY," WHO ARE WE SPEAKING OF? 864 00:29:05,233 --> 00:29:07,066 - THESE ARE THE SPIRITS THAT WALK WITH ME 865 00:29:07,066 --> 00:29:08,333 AND SPEAK THROUGH ME. 866 00:29:08,333 --> 00:29:09,633 - I WANT--I HAVE A QUESTION - MM-HMM. 867 00:29:09,633 --> 00:29:11,100 - WILL I HAVE CHILDREN? 868 00:29:11,100 --> 00:29:13,500 - IT SAYS, "YES, BUT NOT NOW." 869 00:29:13,500 --> 00:29:15,500 IT SAYS YOU NEED TO WAIT FIVE YEARS. 870 00:29:15,500 --> 00:29:17,700 - I'VE NEVER USED A OUIJA BOARD BEFORE. 871 00:29:17,700 --> 00:29:20,600 I DON'T KNOW IF THIS IS REAL OR IF THIS IS A SCAM. 872 00:29:20,600 --> 00:29:23,233 I'M NOT TOTALLY BUYING EVERYTHING SHE'S SAYING. 873 00:29:23,233 --> 00:29:24,333 - DO SHEP NEXT. 874 00:29:24,333 --> 00:29:26,667 - "THE GENTLEMAN WITH"-- 875 00:29:26,667 --> 00:29:30,300 IT SAYS, "ALCOHOL ISSUES." 876 00:29:30,300 --> 00:29:32,000 YOU HAVE ALCOHOL ISSUES? 877 00:29:32,000 --> 00:29:33,233 - NEVER HAVE. 878 00:29:33,233 --> 00:29:36,233 - OKAY, WELL, THEY'RE POINTING AT YOU. 879 00:29:36,233 --> 00:29:39,233 - THEY'RE SAYING YOU DRINK TOO MUCH ALCOHOL. 880 00:29:39,233 --> 00:29:41,000 - WASN'T I SUPPOSED TO ASK IT A QUESTION? 881 00:29:41,000 --> 00:29:43,000 - WELL, ACTUALLY, IT'S SPEAKING TO YOU DIRECTLY. 882 00:29:43,000 --> 00:29:44,700 - I DON'T THINK YOU NEED THE SPIRITS TO GUIDE YOU 883 00:29:44,700 --> 00:29:46,266 THAT SHEP LIKES TO DRINK. 884 00:29:46,266 --> 00:29:49,467 I THINK YOU COULD PRETTY MUCH LOOK AT HIM AND FIGURE IT OUT. 885 00:29:49,467 --> 00:29:50,633 - I WANT TO HEAR ABOUT GIRLS. 886 00:29:50,633 --> 00:29:54,500 - IT SAYS, "STRONG AND SEXUAL DESIRE, 887 00:29:54,500 --> 00:29:59,300 "BUT"--IT SAYS, "VERY IRRESPONSIBLE WITH EMOTIONS." 888 00:29:59,300 --> 00:30:00,467 PERIOD. 889 00:30:00,467 --> 00:30:02,400 - NO, THAT-- THAT'S SOMEWHAT TRUE, 890 00:30:02,400 --> 00:30:05,100 BUT I REALLY AM CAREFUL NOT TO HURT PEOPLE'S FEELINGS. 891 00:30:05,100 --> 00:30:07,767 - I'M JUST SAYING, SOMETIMES WHEN YOU INTERACT WITH PEOPLE 892 00:30:07,767 --> 00:30:09,633 ON A ROMANTIC LEVEL, 893 00:30:09,633 --> 00:30:13,000 YOU MAY NOT BE AS SENSITIVE TO THEIR FEELINGS. 894 00:30:13,000 --> 00:30:15,233 - NO-- YEAH, YES, MAYBE SO. 895 00:30:15,233 --> 00:30:19,000 - SORRY, SHEP, EVEN THE SPIRITS IN HEAVEN HAVE YOUR NUMBER. 896 00:30:19,000 --> 00:30:20,133 - IT'S CRAIG'S TURN. 897 00:30:20,133 --> 00:30:22,433 - IT SAYS, "YOU ARE SUCCESSFUL. 898 00:30:22,433 --> 00:30:28,300 YOU ARE STRIKING A FAIR BALANCE BETWEEN ALL THINGS." 899 00:30:28,300 --> 00:30:29,700 DOES THAT MAKE SENSE? - MM-HMM. 900 00:30:29,700 --> 00:30:32,000 - SHE'S BEEN PRETTY NICE SO FAR TO YOU. 901 00:30:32,000 --> 00:30:33,266 TALK SOME [bleep]. 902 00:30:33,266 --> 00:30:34,633 SHE SEEMED TO THINK CRAIG WAS, LIKE, 903 00:30:34,633 --> 00:30:35,767 SOME KNIGHT IN SHINING ARMOR, 904 00:30:35,767 --> 00:30:37,433 AND HE'S TOTALLY NOT. 905 00:30:37,433 --> 00:30:41,100 SO YOU GOT TO TAKE IT WITH A HUMUNGOUS BOULDER OF SALT. 906 00:30:41,100 --> 00:30:43,200 I SWEAR--I SWEAR I'M NICE. 907 00:30:43,200 --> 00:30:45,133 - ACTUALLY, THEY'RE SAYING, "HA, HA, HA, HA." 908 00:30:45,133 --> 00:30:46,734 [laughter] 909 00:30:46,734 --> 00:30:48,300 - COMING UP... 910 00:30:48,300 --> 00:30:51,166 - YEAH, I THINK LARISSA MIGHT BE THE ONE TO CATCH YOU, FINALLY, 911 00:30:51,166 --> 00:30:52,667 BEFORE I KICK THE BUCKET. 912 00:30:52,667 --> 00:30:54,567 I'M GONNA START PLANNING THE WEDDING. 913 00:31:00,200 --> 00:31:01,600 - Y'ALL ARE, LIKE, THE HORNIEST BUNCH OF PEOPLE 914 00:31:01,600 --> 00:31:03,100 I'VE EVER BEEN AROUND. 915 00:31:03,100 --> 00:31:04,667 - GIRLS ARE WORSE THAN GUYS. CASE IN POINT: JENNA. 916 00:31:04,667 --> 00:31:05,767 I MEAN, SHE'S THE HORNY ONE. 917 00:31:05,767 --> 00:31:07,166 - YEAH, WHAT DO YOU THINK GIVES? 918 00:31:07,166 --> 00:31:10,433 I MEAN, THAT IS AN OPEN GIRL. 919 00:31:10,433 --> 00:31:11,667 - DO YOU WANT TO GET A COCKTAIL? 920 00:31:11,667 --> 00:31:13,166 LET'S GET ONE. WE'RE DISHING HERE. 921 00:31:13,166 --> 00:31:14,433 - YEAH. 922 00:31:14,433 --> 00:31:16,467 - OKAY, LET'S GET TWO GLASSES OF PINOT NOIR. 923 00:31:16,467 --> 00:31:18,333 - EXCUSE ME. - THANK YOU. 924 00:31:18,333 --> 00:31:21,433 - YOU KNOW, IF I DON'T GET A HANGOUT IN TWO, THREE DAYS, 925 00:31:21,433 --> 00:31:23,767 JUST, LIKE, PERSONALLY, 926 00:31:23,767 --> 00:31:27,567 I NEED SEXUAL HEALING. 927 00:31:27,567 --> 00:31:29,300 - YOU NEED--SO, WHAT, YOU DO IT YOURSELF? 928 00:31:29,300 --> 00:31:30,767 - I MEAN, OF COURSE. 929 00:31:30,767 --> 00:31:33,066 [both laugh] 930 00:31:33,066 --> 00:31:35,500 WHAT'S THE LONGEST YOU'VE GONE WITHOUT? 931 00:31:35,500 --> 00:31:37,066 - I DON'T REMEMBER. 932 00:31:37,066 --> 00:31:38,500 IF I HAVE A VIBRATOR-- 933 00:31:38,500 --> 00:31:40,367 - NO, NO, NO, I'M TALKING ABOUT SEX WITH ANOTHER PERSON. 934 00:31:40,367 --> 00:31:42,000 WHAT'S THE LONGEST YOU'VE GONE WITHOUT? 935 00:31:42,000 --> 00:31:43,667 - I DON'T KNOW. 936 00:31:43,667 --> 00:31:44,767 I'VE NEVER THOUGHT OF THAT. 937 00:31:44,767 --> 00:31:46,166 NOT THAT LONG. 938 00:31:46,166 --> 00:31:49,533 - MY LONGEST HAS BEEN A MONTH AND A HALF. 939 00:31:49,533 --> 00:31:51,734 - WITHOUT YOU DOING IT YOURSELF AS WELL? 940 00:31:51,734 --> 00:31:52,734 - NO. HELL NO. 941 00:31:52,734 --> 00:31:54,000 - OH. - A DAY? 942 00:31:54,000 --> 00:31:56,066 - OH. [laughs] - TWO DAYS. 943 00:32:03,500 --> 00:32:06,166 - I THINK CHARLESTON SUITS SHEP AND I REALLY WELL, 944 00:32:06,166 --> 00:32:07,734 BECAUSE I THINK ONE OF OUR FAVORITE HOBBIES 945 00:32:07,734 --> 00:32:10,367 IS GOING OUT AND DRINKING, 946 00:32:10,367 --> 00:32:12,467 MEETING HOT GIRLS. 947 00:32:12,467 --> 00:32:14,500 - COEDS, AND YEAH. 948 00:32:14,500 --> 00:32:17,200 LIKE, I BROUGHT UP POLITICS TO THIS GIRL THE OTHER NIGHT, 949 00:32:17,200 --> 00:32:19,500 AND SHE WAS LIKE, "I HAD NO IDEA YOU KNEW ALL THIS STUFF." 950 00:32:19,500 --> 00:32:21,100 'CAUSE, I MEAN, I DON'T KNOW A LOT, 951 00:32:21,100 --> 00:32:22,633 BUT I KNOW ENOUGH TO GET BY. 952 00:32:22,633 --> 00:32:24,100 AND SHE LIKED THAT. 953 00:32:24,100 --> 00:32:26,767 I WAS LIKE, "SWEET. I NEED TO WATCH THE NEWS MORE." 954 00:32:26,767 --> 00:32:28,767 - WHAT, THE GIRL TWO NIGHTS AGO? 955 00:32:28,767 --> 00:32:30,367 - THREE NIGHTS AGO. 956 00:32:30,367 --> 00:32:31,667 - SHE WAS HOT. 957 00:32:31,667 --> 00:32:33,166 - YEAH. 958 00:32:33,166 --> 00:32:36,166 [upbeat jazzy music] 959 00:32:36,166 --> 00:32:42,200 ♪ ♪ 960 00:32:42,200 --> 00:32:43,200 - YOU CAME HERE LAST YEAR? 961 00:32:43,200 --> 00:32:44,400 - YEAH, IT WAS PACKED LAST YEAR. 962 00:32:44,400 --> 00:32:46,200 - WAS IT JUST, LIKE, A HUNDRED BEERS THAT YOU DRANK? 963 00:32:46,200 --> 00:32:47,400 - A HUNDRED BEERS, TONS OF GIRLS. 964 00:32:47,400 --> 00:32:50,200 FOOD'S GOOD, BEER'S GOOD, WOMEN ARE GOOD. 965 00:32:50,200 --> 00:32:52,533 - DO YOU SEE HOW MANY GIRLS ARE HERE? 966 00:32:52,533 --> 00:32:53,734 - YEAH, THERE'S TONS. 967 00:32:53,734 --> 00:32:55,467 - I WANT TO GO TALK TO ALL THESE CHICKS. 968 00:32:55,467 --> 00:32:57,033 - LEAD THE WAY, SHEP. LEAD THE WAY. 969 00:32:57,033 --> 00:32:59,100 - ALL RIGHT, LET'S DO IT. - LEAD US TO THE PROMISE LAND. 970 00:32:59,100 --> 00:33:01,000 - WHAT'S HAPPENING? HI, WHAT'S YOUR NAME? 971 00:33:01,000 --> 00:33:02,700 - JOSELINE. - JOSELINE? 972 00:33:02,700 --> 00:33:04,500 I'LL EMAIL YOU. - ABSOLUTELY. 973 00:33:04,500 --> 00:33:05,767 - SHEP DOESN'T GIVE A [...], 974 00:33:05,767 --> 00:33:07,600 SO HE'LL TALK TO AS MANY GIRLS AS HE CAN. 975 00:33:07,600 --> 00:33:09,367 - GUTEN TAG. HEY, I'M SHEP. 976 00:33:09,367 --> 00:33:11,567 - AND IF THAT MEANS TAPPING THEM ON THE SHOULDER AND BEING LIKE, 977 00:33:11,567 --> 00:33:13,400 "HEY, I'M SHEP," THEN THAT'S WHAT HE'S GONNA DO. 978 00:33:13,400 --> 00:33:14,567 - WHAT IS THIS? 979 00:33:14,567 --> 00:33:16,033 - THESE ARE AUTHENTIC GERMAN-- 980 00:33:16,033 --> 00:33:17,533 - YEAH, THESE ARE DIRNDLS. 981 00:33:17,533 --> 00:33:19,567 - IS THIS HOW YOU DRESS, LIKE, ON SUNDAY AFTERNOONS? 982 00:33:19,567 --> 00:33:21,600 - YES, I DRESS THIS WAY EVERY SATURDAY. 983 00:33:21,600 --> 00:33:23,533 - WE'RE ALL TOGETHER. THE GUYS-- 984 00:33:23,533 --> 00:33:26,133 - WHAT ARE THEY-- WHY ARE THEY DRESSED UP? 985 00:33:26,133 --> 00:33:28,433 - OH, WELL, THEY'RE HERE FOR BEER FEST, I GUESS. 986 00:33:28,433 --> 00:33:29,500 I DON'T KNOW THE GIRLS. 987 00:33:29,500 --> 00:33:31,033 THEY GUYS ARE MY FRIENDS. 988 00:33:31,033 --> 00:33:32,633 - I DON'T UNDERSTAND CRAIG'S STRATEGY. 989 00:33:32,633 --> 00:33:34,266 EVERYTHING'S A SUBTLE HINT, 990 00:33:34,266 --> 00:33:36,500 AND HE ENDS UP SHOOTING HIMSELF IN THE FOOT ALL THE TIME. 991 00:33:36,500 --> 00:33:39,066 MAYBE CRAIG SHOULD STOP WORRYING ABOUT THE BRO CODE SO MUCH 992 00:33:39,066 --> 00:33:41,367 AND START WORRYING ABOUT TRYING TO MAKE GIRLS LIKE HIM MORE. 993 00:33:41,367 --> 00:33:42,533 [laughs] 994 00:33:42,533 --> 00:33:44,266 - WELL, CHEERS. IT WAS NICE MEETING YOU. 995 00:33:46,200 --> 00:33:49,066 - OH! I DON'T KNOW WHO THIS IS, DUDE. 996 00:33:49,066 --> 00:33:50,467 LOOK AT THIS TEXT. 997 00:33:50,467 --> 00:33:52,467 - "IT WAS REALLY NICE MEETING YOU LAST NIGHT AT REPUBLIC. 998 00:33:52,467 --> 00:33:54,367 "HAVEN'T BEEN ABLE TO STOP THINKING ABOUT YOU ALL DAY. 999 00:33:54,367 --> 00:33:55,700 NAUGHTY THOUGHTS." 1000 00:33:55,700 --> 00:33:57,333 - DUDE, THAT'S NOT-- YOU'RE GETTING CATFISHED. 1001 00:33:57,333 --> 00:33:58,600 - THAT HAS TO BE A JOKE. 1002 00:33:58,600 --> 00:34:00,033 - WHY WOULD A GUY TEXT THAT TO ME? 1003 00:34:00,033 --> 00:34:01,166 - YOU NEVER KNOW. 1004 00:34:01,166 --> 00:34:03,200 - I'LL CALL IT. - YOU CALL THE NUMBER. 1005 00:34:03,200 --> 00:34:05,500 THEY'RE LOOKING FOR SHEPPY, BABY. 1006 00:34:05,500 --> 00:34:07,066 - [laughing] 1007 00:34:07,066 --> 00:34:08,567 - OH, NO, WHO IS IT? WHO WAS IT? 1008 00:34:08,567 --> 00:34:10,300 - LISTEN. 1009 00:34:10,300 --> 00:34:11,300 - IT'S A DUDE. 1010 00:34:11,300 --> 00:34:13,300 - YES! AH, YES! 1011 00:34:13,300 --> 00:34:15,033 - HA-HA! - YES! 1012 00:34:15,033 --> 00:34:17,600 - YOU'RE GETTING CATFISHED BY A DUDE. 1013 00:34:17,600 --> 00:34:19,066 - IT'S NOT MY FAULT. 1014 00:34:19,066 --> 00:34:20,400 - I KNOW. I MEAN, IT'S A COMPLIMENT. 1015 00:34:20,400 --> 00:34:21,567 - YOU GOT THE GOLD LOCKS. 1016 00:34:21,567 --> 00:34:23,033 THE GOLD LOCKS, THEY LOVE IT. 1017 00:34:23,033 --> 00:34:26,467 - OH, MY GOD, DUDE. 1018 00:34:26,467 --> 00:34:28,400 - HOW IS IT THAT WHITNEY IS GIVING THOMAS 1019 00:34:28,400 --> 00:34:29,767 SO MUCH GRIEF ABOUT KATHRYN, 1020 00:34:29,767 --> 00:34:32,433 AND HE'S DATING SOMEBODY ABOUT THE SAME AGE? 1021 00:34:32,433 --> 00:34:34,500 - IT'S VERY HYPOCRITICAL. 1022 00:34:34,500 --> 00:34:35,600 I AGREE. 1023 00:34:35,600 --> 00:34:37,400 YOU KNOW WHAT'S FUNNY, IS THE FACT 1024 00:34:37,400 --> 00:34:40,467 THAT PATRICIA IS ACTUALLY TECHNICALLY CLOSER IN AGE 1025 00:34:40,467 --> 00:34:42,767 TO THOMAS THAN KATHRYN. 1026 00:34:42,767 --> 00:34:45,767 [upbeat jazzy music] 1027 00:34:45,767 --> 00:34:49,133 ♪ ♪ 1028 00:34:49,133 --> 00:34:50,500 [dog barks] - OH, HEY, BOY. 1029 00:34:50,500 --> 00:34:51,533 [grunts] 1030 00:34:51,533 --> 00:34:52,667 - BEAUTIFUL, HOW ARE YOU? 1031 00:34:52,667 --> 00:34:54,333 - HI. MWAH. 1032 00:34:54,333 --> 00:34:56,200 - LARISSA IS A GIRL I'VE BEEN SEEING OFF AND ON 1033 00:34:56,200 --> 00:34:57,333 FOR THE PAST TWO MONTHS. 1034 00:34:57,333 --> 00:35:00,000 SHE'S AN ACTRESS, MODEL. VERY TALENTED. 1035 00:35:00,000 --> 00:35:02,367 PROBLEM IS, SHE LIVES MOSTLY IN AUSTRIA, 1036 00:35:02,367 --> 00:35:03,700 AND SHE'S A LITTLE YOUNG. 1037 00:35:03,700 --> 00:35:04,734 - HI. 1038 00:35:04,734 --> 00:35:06,400 - MY MOTHER, PATRICIA. - HEY, DARLING. 1039 00:35:06,400 --> 00:35:08,066 I'M SO GLAD TO SEE YOU AGAIN. 1040 00:35:08,066 --> 00:35:09,667 - I AM TOO. I AM TOO. 1041 00:35:09,667 --> 00:35:11,000 - DO YOU WANT TO CHANGE? 1042 00:35:11,000 --> 00:35:13,333 BECAUSE THAT'S A BEAUTIFUL WHITE DRESS, 1043 00:35:13,333 --> 00:35:15,500 AND YOU DON'T WANT TO GET STUFF ALL OVER YOU. 1044 00:35:15,500 --> 00:35:18,233 WHITNEY SEEMS TO HAVE A PROPENSITY 1045 00:35:18,233 --> 00:35:23,600 FOR LIKING MODEL/ACTRESS/WAITRESS. 1046 00:35:23,600 --> 00:35:26,166 - HEY. 1047 00:35:26,166 --> 00:35:27,400 THAT'S A CUTE OUTFIT. 1048 00:35:27,400 --> 00:35:29,033 HAVE A SEAT, PLEASE. 1049 00:35:29,033 --> 00:35:34,233 - HE HAD A LOVELY WOMAN WHO HAD A PhD WHO I LIKED ENORMOUSLY, 1050 00:35:34,233 --> 00:35:37,100 BUT, UNFORTUNATELY, SHE GAINED WEIGHT, 1051 00:35:37,100 --> 00:35:39,200 AND YOU KNOW HOW WHITNEY IS. 1052 00:35:39,200 --> 00:35:42,233 IF HE SEES A CARB, HE RUNS FOR THE HILLS. 1053 00:35:42,233 --> 00:35:44,033 - THIS IS TRADITIONAL BLUE CRABS 1054 00:35:44,033 --> 00:35:45,433 FROM THE EASTERN SHORE OF MARYLAND, 1055 00:35:45,433 --> 00:35:47,633 AND, MOM, YOU CAN KIND OF SHOW HER HOW TO EAT THESE THINGS. 1056 00:35:47,633 --> 00:35:49,000 - I'LL GIVE YOU A BIG ONE TO START. 1057 00:35:49,000 --> 00:35:50,400 - OKAY. 1058 00:35:50,400 --> 00:35:53,066 - ALL RIGHT, SEE THIS LITTLE TRAP DOOR ON THE BOTTOM? 1059 00:35:53,066 --> 00:35:54,066 - YES. 1060 00:35:54,066 --> 00:35:55,100 - PULL THAT OFF. 1061 00:35:55,100 --> 00:35:56,533 [cracking] 1062 00:35:56,533 --> 00:35:59,400 THEN YOU WANT TO GET THIS OUTER SHELL OFF. 1063 00:35:59,400 --> 00:36:03,300 YOU GET RID OF THE LEGS. 1064 00:36:03,300 --> 00:36:05,667 I DON'T KNOW IF I'M AT FAULT. 1065 00:36:05,667 --> 00:36:07,166 I HOPE NOT. 1066 00:36:07,166 --> 00:36:10,300 I'VE ALWAYS ENCOURAGED WHITNEY TO SETTLE DOWN. 1067 00:36:10,300 --> 00:36:13,467 BUT I THINK WOMEN TODAY MAKE A BIG MISTAKE. 1068 00:36:13,467 --> 00:36:18,066 I MEAN, THEY ARE SO...EASY. 1069 00:36:18,066 --> 00:36:19,333 [cracking] 1070 00:36:19,333 --> 00:36:20,533 OH, LOOK, SHE GOT THE WHOLE THING. 1071 00:36:20,533 --> 00:36:22,166 - WELL, I HAVE GOOD HANDS. [laughs] 1072 00:36:22,166 --> 00:36:26,266 - THIS IS NOT EXACTLY HAUTE CUISINE THAT WE'RE EATING. 1073 00:36:26,266 --> 00:36:30,200 THIS IS PRETTY DOWN-HOME-- WE CALL IT "REDNECK." 1074 00:36:30,200 --> 00:36:31,700 - OKAY. - THAT WAS THE TEST. 1075 00:36:31,700 --> 00:36:34,433 IF YOU CAN DIG INTO CRABS, THAT'S IT. 1076 00:36:34,433 --> 00:36:37,433 I THINK LARISSA MIGHT BE THE ONE TO CATCH YOU, FINALLY, 1077 00:36:37,433 --> 00:36:40,300 BEFORE I KICK THE BUCKET. 1078 00:36:40,300 --> 00:36:42,433 I'M GONNA START PLANNING THE WEDDING. 1079 00:36:42,433 --> 00:36:44,433 - I NEED ANOTHER DRINK. 1080 00:36:44,433 --> 00:36:46,300 - BECAUSE I LIKE HER. 1081 00:36:46,300 --> 00:36:48,133 THAT'S WHAT I'M BASING IT ON. 1082 00:36:48,133 --> 00:36:50,133 NOT ANYTHING ELSE. 1083 00:36:50,133 --> 00:36:52,033 IT'S TOTALLY SELFISH. 1084 00:36:52,033 --> 00:36:53,200 SHE HAS A LOVELY ACCENT. 1085 00:36:53,200 --> 00:36:55,300 SHE SPEAKS ENGLISH BEAUTIFULLY. 1086 00:36:55,300 --> 00:36:59,233 AND, WHITNEY--WELL, I WON'T GO INTO THE OTHER MODELS 1087 00:36:59,233 --> 00:37:00,467 THAT DIDN'T SPEAK ENGLISH 1088 00:37:00,467 --> 00:37:02,567 AND HAVE THE BRAIN OF A DOORKNOB. 1089 00:37:02,567 --> 00:37:04,033 - I DON'T KNOW WHAT IT IS WITH HER. 1090 00:37:04,033 --> 00:37:05,166 ADVANCED AGE. 1091 00:37:05,166 --> 00:37:07,066 I THINK SHE WANTS FOR ME TO CARRY ON... 1092 00:37:07,066 --> 00:37:08,166 - MM-HMM. 1093 00:37:08,166 --> 00:37:09,633 - FAMILY LINE. - MM-HMM. 1094 00:37:09,633 --> 00:37:11,600 - IT'S BEEN 3,000 YEARS. 1095 00:37:11,600 --> 00:37:15,266 I DON'T WANT IT TO STOP. 1096 00:37:15,266 --> 00:37:16,567 - WHY WOULD IT STOP? 1097 00:37:16,567 --> 00:37:18,133 - 'CAUSE YOU'RE THE ONLY MALE HEIR. 1098 00:37:18,133 --> 00:37:21,266 AT THIS POINT, I WOULD LIKE WHITNEY TO MARRY ANYBODY, 1099 00:37:21,266 --> 00:37:24,433 AND EVEN THOUGH LARISSA IS A YOUNGER WOMAN, 1100 00:37:24,433 --> 00:37:27,066 AT LEAST SHE HAS MANY, MANY ACCOMPLISHMENTS. 1101 00:37:27,066 --> 00:37:32,600 OTHER YOUNG WOMEN OF THE SAME AGE MAYBE HAVE ONE TALENT. 1102 00:37:32,600 --> 00:37:36,000 AND I DON'T THINK IT NEEDS EXPLANATION. 1103 00:37:36,000 --> 00:37:38,200 - I'M SO GLAD YOU COULD COME DOWN, THOUGH, 1104 00:37:38,200 --> 00:37:40,700 AT THE TIME OF YOUR BUSY SCHEDULE. 1105 00:37:40,700 --> 00:37:42,200 - DON'T MIND ME. 1106 00:37:42,200 --> 00:37:44,467 I'LL JUST EAT ONE MORE CRAB. 1107 00:37:44,467 --> 00:37:46,100 - DO YOU THINK THE AGE DIFFERENCE 1108 00:37:46,100 --> 00:37:49,767 BETWEEN T. RAV AND KATHRYN IS A BIG DEAL? 1109 00:37:49,767 --> 00:37:51,200 - [clicking tongue] 1110 00:37:51,200 --> 00:37:52,533 NORMALLY, I'D SAY YES. 1111 00:37:52,533 --> 00:37:54,300 30 YEARS--IS IT 30 YEARS? 1112 00:37:54,300 --> 00:37:55,500 - MM-HMM. 1113 00:37:55,500 --> 00:37:58,767 - BUT I THINK THOMAS IS SO, LIKE, 1114 00:37:58,767 --> 00:38:00,033 YOUNGISH... 1115 00:38:00,033 --> 00:38:01,133 - MM-HMM. 1116 00:38:01,133 --> 00:38:03,100 - THAT IT'S NOT THAT BIG OF A DEAL. 1117 00:38:03,100 --> 00:38:04,600 WHAT DO YOU THINK? 1118 00:38:04,600 --> 00:38:06,734 - HE DOESN'T LOOK--I DON'T THINK THOMAS LOOKS HIS AGE. 1119 00:38:06,734 --> 00:38:08,100 HE DOESN'T ACT HIS AGE. 1120 00:38:08,100 --> 00:38:09,100 - THAT'S TRUE. 1121 00:38:09,100 --> 00:38:11,100 - SO... - YEAH. 1122 00:38:11,100 --> 00:38:12,233 I DON'T KNOW. 1123 00:38:12,233 --> 00:38:13,667 WHATEVER MAKES YOU HAPPY, DO IT. - YEAH. 1124 00:38:13,667 --> 00:38:15,100 - HONESTLY-- 1125 00:38:15,100 --> 00:38:17,133 - "TO THINE OWN SELF BE TRUE." 1126 00:38:17,133 --> 00:38:20,133 [upbeat music] 1127 00:38:20,133 --> 00:38:24,200 ♪ ♪ 1128 00:38:24,200 --> 00:38:25,767 - AH-HA. HERE WE ARE. 1129 00:38:25,767 --> 00:38:28,033 DO YOU NEED SHOES? OR JUST A DRESS? 1130 00:38:28,033 --> 00:38:29,033 - I DON'T KNOW. 1131 00:38:29,033 --> 00:38:32,533 IT DEPENDS ON THE DRESS. 1132 00:38:32,533 --> 00:38:33,600 - HELLO. - HI. 1133 00:38:33,600 --> 00:38:35,000 - HOW ARE YOU BOTH? - HOW ARE YOU? 1134 00:38:35,000 --> 00:38:36,300 - GOOD. HOW ARE YOU? - OOH, GORGEOUS DRESS. 1135 00:38:36,300 --> 00:38:37,300 - THANK YOU. - ALL RIGHT. 1136 00:38:37,300 --> 00:38:38,700 I'M JUST GONNA FOLLOW YOU. 1137 00:38:38,700 --> 00:38:41,100 I THINK SOME OF THE BENEFITS OF DATING A YOUNGER WOMAN IS, 1138 00:38:41,100 --> 00:38:43,300 THEY JUST HAVE A FRESH AND INNOCENT OUTLOOK ON LIFE. 1139 00:38:43,300 --> 00:38:44,567 THAT'S INSPIRING TO ME. 1140 00:38:44,567 --> 00:38:45,667 AND THEY'RE FERTILE. 1141 00:38:45,667 --> 00:38:47,667 DAMN. 1142 00:38:47,667 --> 00:38:49,300 - YOU LIKE THE WHITE? 1143 00:38:49,300 --> 00:38:51,467 - IS THIS THE LOOK YOU WERE PICTURING? 1144 00:38:51,467 --> 00:38:54,233 - IT LOOKS LIKE A BODY SUIT ALMOST. 1145 00:38:54,233 --> 00:38:56,700 I LIKE TO LEAVE SOMETHING TO THE IMAGINATION. 1146 00:38:56,700 --> 00:38:59,667 I CAN SEE THE HAIR ON HER ASS, YOU KNOW WHAT I MEAN? 1147 00:38:59,667 --> 00:39:01,433 - LET'S SHOW MR. TOMMY. 1148 00:39:01,433 --> 00:39:03,066 - WHAT DO YOU THINK ABOUT THIS ONE? 1149 00:39:03,066 --> 00:39:05,400 - I DON'T KNOW THAT IT SHOWS ENOUGH SKIN, THOUGH. 1150 00:39:05,400 --> 00:39:07,500 I MEAN, IF THIS WERE BACKLESS 1151 00:39:07,500 --> 00:39:10,066 OR DID A LITTLE MORE DROOPING HERE-- 1152 00:39:10,066 --> 00:39:11,500 - YOU WANT TO SEE A LITTLE MORE SKIN. 1153 00:39:11,500 --> 00:39:12,667 - YEAH. 1154 00:39:12,667 --> 00:39:13,700 - ON TO THE NEXT ONE. 1155 00:39:13,700 --> 00:39:15,500 - GETTING CLOSER. 1156 00:39:15,500 --> 00:39:18,200 - AH. ALL RIGHT. 1157 00:39:18,200 --> 00:39:21,066 - HOW CUTE IS THIS? 1158 00:39:21,066 --> 00:39:23,567 - THE DRESS IS TOO SKIN COLOR. 1159 00:39:23,567 --> 00:39:25,600 WE'RE NOT GETTING ENOUGH CONTRAST HERE. 1160 00:39:25,600 --> 00:39:27,033 - I'M A REDHEAD. 1161 00:39:27,033 --> 00:39:29,333 - WHAT DO YOU GOT, SOME SPRAY-ON TAN STUFF GOING ON HERE? 1162 00:39:29,333 --> 00:39:31,166 - YES, THANK YOU. 1163 00:39:31,166 --> 00:39:33,367 - WELL, YOU CAN'T--YOU'RE NOT GONNA GET ONE OVER ON ME. 1164 00:39:33,367 --> 00:39:34,633 I KNOW. 1165 00:39:34,633 --> 00:39:37,000 KATHRYN IS DIFFERENT FROM OTHER GIRLS IN CHARLESTON 1166 00:39:37,000 --> 00:39:40,033 BECAUSE SHE'S SO BOLD AND COURAGEOUS. 1167 00:39:40,033 --> 00:39:42,166 SOME PEOPLE MAY CONDEMN HER OR JUDGE HER, 1168 00:39:42,166 --> 00:39:43,433 BUT NOT ME. 1169 00:39:43,433 --> 00:39:45,767 - THIS IS THE ONE I LIKE. 1170 00:39:45,767 --> 00:39:47,000 - LOOK AT THAT. 1171 00:39:49,734 --> 00:39:51,567 - AND LET ME SEE IT WITH HER HAIR UP. 1172 00:39:51,567 --> 00:39:53,467 JUST TIE IT UP IN A KNOT REAL QUICK. 1173 00:39:53,467 --> 00:39:56,667 WE'RE GONNA BE TOM CRUISE AND NICOLE KIDMAN HERE. 1174 00:39:56,667 --> 00:39:58,066 AND PUT-- LET'S PUT THE HEEL-- 1175 00:39:58,066 --> 00:39:59,233 I WANT THE FULL EFFECT. 1176 00:39:59,233 --> 00:40:00,633 - OKAY, DIVA. 1177 00:40:00,633 --> 00:40:02,433 - THIS LOOKS LIKE SOMETHING OUT OF OLD HOLLYWOOD. 1178 00:40:02,433 --> 00:40:03,433 THIS IS CLASSIC. 1179 00:40:03,433 --> 00:40:05,200 - THIS IS VERY PRETTY. 1180 00:40:05,200 --> 00:40:06,467 I DO LIKE IT A LOT. 1181 00:40:06,467 --> 00:40:08,133 - NOW, IF I'M TWIRLING YOU AROUND, 1182 00:40:08,133 --> 00:40:10,700 ARE YOU--ARE YOU GONNA HAVE THE FLEXIBILITY HERE? 1183 00:40:10,700 --> 00:40:11,734 - [chuckles] 1184 00:40:11,734 --> 00:40:14,033 - I'M A DANCING MAN. 1185 00:40:14,033 --> 00:40:15,400 I THINK THIS IS GONNA WORK. 1186 00:40:15,400 --> 00:40:17,066 HERE, LET ME--I'M GONNA DO A LITTLE DIP HERE. 1187 00:40:17,066 --> 00:40:18,233 READY? 1188 00:40:18,233 --> 00:40:19,233 - OH, MY GOD. 1189 00:40:19,233 --> 00:40:20,233 - KEEP GOING. KEEP GOING. 1190 00:40:20,233 --> 00:40:21,233 KEEP GOING. 1191 00:40:21,233 --> 00:40:22,333 - NO! - KEEP GOING. 1192 00:40:22,333 --> 00:40:24,000 - GET ME UP. 1193 00:40:24,000 --> 00:40:25,600 YOU'RE RIDICULOUS. 1194 00:40:25,600 --> 00:40:27,200 - I LIKE THAT. 1195 00:40:27,200 --> 00:40:30,233 AT THE END OF THE DAY, KATHRYN SEEMS AS THE TYPE OF PERSON 1196 00:40:30,233 --> 00:40:32,100 THAT I COULD SPEND A LOT OF TIME WITH, 1197 00:40:32,100 --> 00:40:34,266 AND SHE MAY BE MY DREAM GIRL. 1198 00:40:34,266 --> 00:40:35,600 - WE'RE GONNA LOOK GOOD. 1199 00:40:35,600 --> 00:40:36,600 - YOU THINK SO? 1200 00:40:36,600 --> 00:40:39,300 - OH, YEAH. 1201 00:40:39,300 --> 00:40:40,734 - COMING UP... 1202 00:40:40,734 --> 00:40:42,433 - WHAT DO YOU THINK ABOUT GODPARENTS? 1203 00:40:42,433 --> 00:40:46,066 - SHEP, CRAIG, WHITNEY, NEGATIVE. 1204 00:40:46,066 --> 00:40:47,100 ABSOLUTELY NOT. 1205 00:40:53,000 --> 00:40:54,667 - WHAT DO YOU THINK THE BABY'S GONNA LOOK LIKE? 1206 00:40:54,667 --> 00:40:56,233 - I THINK-- 1207 00:40:56,233 --> 00:40:57,734 - CLOSER TO KATHRYN, THOMAS. WHAT DO YOU THINK? 1208 00:40:57,734 --> 00:40:58,734 - OR ME. 1209 00:40:58,734 --> 00:41:01,633 - OH, YEAH. [both laugh] 1210 00:41:01,633 --> 00:41:05,734 - THE FUNNIEST PART IS, IT'S NOT A BOY, 1211 00:41:05,734 --> 00:41:07,033 LIKE THE DAD SAID, 1212 00:41:07,033 --> 00:41:09,567 SO I GUESS IT DOESN'T GET 10 Gs. 1213 00:41:09,567 --> 00:41:11,133 - I GUESS NOT. 1214 00:41:11,133 --> 00:41:13,367 I WAS THINKING IT AS KIND OF LIKE THE CURSE OF THOMAS RAVENEL 1215 00:41:13,367 --> 00:41:15,600 WITH HIS PAST KARMA. 1216 00:41:15,600 --> 00:41:18,767 AND THAT, YOU KNOW, IF TOM WAS TO HAVE A GIRL, 1217 00:41:18,767 --> 00:41:20,133 WHO'S GONNA GROW UP TO BE, LIKE, 1218 00:41:20,133 --> 00:41:22,266 PROBABLY REALLY PRETTY, REALLY SPOILED-- 1219 00:41:22,266 --> 00:41:25,033 - HE'S GONNA BE, LIKE, 70 IN 20 YEARS. 1220 00:41:25,033 --> 00:41:26,033 - LIKE, TOMORROW. 1221 00:41:26,033 --> 00:41:28,600 [both laugh] 1222 00:41:32,633 --> 00:41:35,400 - YOU READY TO COME OUT AND MEET YOUR MOMMY AND DADDY? 1223 00:41:35,400 --> 00:41:37,233 [kisses] 1224 00:41:37,233 --> 00:41:39,734 SHE'S LIKE, "ALL RIGHT, I'M READY TO GET OUT OF HERE." 1225 00:41:39,734 --> 00:41:41,734 - OH, JUST SO CUTE. 1226 00:41:41,734 --> 00:41:44,166 - WHAT DO YOU THINK ABOUT GODPARENTS? 1227 00:41:44,166 --> 00:41:45,667 - OH, MY GOSH, WHAT IF WE CHOSE WHITNEY? 1228 00:41:45,667 --> 00:41:47,200 HOW FUNNY WOULD THAT BE? 1229 00:41:47,200 --> 00:41:50,133 - I THINK IT'D BE GOOD IF IT WERE THE SAME COUPLE. 1230 00:41:50,133 --> 00:41:52,000 LIKE, IF WE CHOSE J.D.-- 1231 00:41:52,000 --> 00:41:53,533 - BUT NOBODY ELSE. 1232 00:41:53,533 --> 00:41:57,367 LIKE, SHEP, CRAIG, WHITNEY, NEGATIVE. 1233 00:41:57,367 --> 00:41:58,367 ABSOLUTELY NOT. 1234 00:41:58,367 --> 00:41:59,767 - THEY'RE TOO YOUNG. 1235 00:41:59,767 --> 00:42:02,133 YEAH, IT'S GOT TO BE SOMEONE WHO'S NOT SINGLE, 1236 00:42:02,133 --> 00:42:05,133 STILL OUT THERE CAROUSING THE BARS, 1237 00:42:05,133 --> 00:42:06,667 AND... 1238 00:42:06,667 --> 00:42:08,200 NOT TO JUDGE THAT. 1239 00:42:08,200 --> 00:42:10,667 I DID THAT FOR A WHILE MYSELF. 1240 00:42:10,667 --> 00:42:12,166 - YEAH, ASK HER WHAT SHE WANTS. 1241 00:42:12,166 --> 00:42:14,000 WHO DO YOU WANT TO BE YOUR GODPARENT? 1242 00:42:14,000 --> 00:42:16,367 - I DON'T KNOW WHO TO PICK. 1243 00:42:16,367 --> 00:42:18,033 I WISH I HADN'T HAVE WAITED SO LONG. 1244 00:42:18,033 --> 00:42:20,166 BUT SHE'S HERE NOW. 1245 00:42:22,467 --> 00:42:25,467 LET'S GET SOME FOOTAGE OF THE BABY. 1246 00:42:25,467 --> 00:42:27,367 - THIS IS MY LAST WEEK. 1247 00:42:27,367 --> 00:42:30,100 - AND MONDAY, WE'RE GONNA HAVE A BABY GIRL 1248 00:42:30,100 --> 00:42:31,600 BETWEEN 2:00 AND 5:00. 1249 00:42:31,600 --> 00:42:33,066 MWAH. 1250 00:42:33,066 --> 00:42:35,300 LOVE YOU. - LOVE YOU. 1251 00:42:39,000 --> 00:42:42,233 [baby crying] 1252 00:42:42,233 --> 00:42:45,467 - THERE YOU GO, BABY. 1253 00:42:45,467 --> 00:42:48,133 YOU LIKE THAT? 1254 00:42:48,133 --> 00:42:50,700 SAY, "MY DADDY'S A NATURAL." 1255 00:42:50,700 --> 00:42:51,734 SHE LOVES HER DADDY. 1256 00:42:51,734 --> 00:42:53,266 LOOK AT THAT. 1257 00:42:53,266 --> 00:42:54,533 - WE'RE A FAMILY. 1258 00:42:54,533 --> 00:42:58,033 - I FEEL LIKE SHE SAVED US BOTH. 1259 00:42:58,033 --> 00:42:59,433 SAY, "I LOVE MY DADDY." 1260 00:42:59,433 --> 00:43:02,333 - [whispers] I LOVE MY BABY GIRL. 1261 00:43:02,333 --> 00:43:05,767 YES, I DO. 1262 00:43:05,767 --> 00:43:07,433 FOR MORE SOUTHERN CHARM, GO TO: 1263 00:43:08,667 --> 00:43:11,600 [bell dings] 90627