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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:04,100 --> 00:00:05,033 - PREVIOUSLY ON SOUTHERN CHARM... 2 00:00:05,033 --> 00:00:05,734 - SO ARE YOU TOUGH? 3 00:00:07,300 --> 00:00:09,200 YOU JUST LOOK A LITTLE FRAGILE TO ME. 4 00:00:09,200 --> 00:00:12,100 - DESPITE SOME NERVES, I LANDED MY FIRST REAL ESTATE GIG. 5 00:00:12,100 --> 00:00:14,200 YES! A JOB. 6 00:00:14,200 --> 00:00:16,600 MEANWHILE, WHITNEY STRUGGLED WITH A BUSINESS DECISION 7 00:00:16,600 --> 00:00:18,266 THAT COULD AFFECT A FRIENDSHIP. 8 00:00:18,266 --> 00:00:19,266 - I'M NOT SAYING GET RID OF SHEP. 9 00:00:19,266 --> 00:00:23,166 I'M JUST SAYING UTILIZE BRYAN. 10 00:00:23,166 --> 00:00:25,233 WHAT'S THE DOWNSIDE? 11 00:00:25,233 --> 00:00:27,066 - AND REMEMBER WHEN CRAIG'S KINDERGARTEN CRUSH ON KATHRYN 12 00:00:27,066 --> 00:00:28,400 WAS D.O.A.? 13 00:00:28,400 --> 00:00:30,400 - SHEP, LIKE, STARTED CREEPING ON IT. 14 00:00:30,400 --> 00:00:32,133 AND THEN SHE STARTED HOOKING UP WITH HIM. 15 00:00:32,133 --> 00:00:33,567 WHY DON'T YOU JUST GLOCK HIM IN THE FACE? 16 00:00:33,567 --> 00:00:35,166 BAM! 17 00:00:35,166 --> 00:00:36,500 WELL, RUMOR HAS IT, SHEP'S NOT THE ONLY ONE 18 00:00:36,500 --> 00:00:38,400 WHO BROKE BRO CODE 101. 19 00:00:38,400 --> 00:00:41,433 - WHITNEY, HE INVITED ME OVER TO HIS PLACE, WHEREVER. 20 00:00:41,433 --> 00:00:43,667 - DID YOU KISS HIM? - FOR A MOMENT. 21 00:00:43,667 --> 00:00:45,667 - THAT SON OF A BITCH. 22 00:00:45,667 --> 00:00:47,667 - AND WHEN THOMAS INVITED WHITNEY TO HIS DINNER PARTY... 23 00:00:47,667 --> 00:00:49,533 - IF YOU CAN GET MORE THAN FOUR PEOPLE THERE, 24 00:00:49,533 --> 00:00:51,600 THEN I WILL SHOW UP. 25 00:00:51,600 --> 00:00:55,467 - LEAVE THE [bleep] TABLE BEFORE I BITCH SLAP YOU RIGHT NOW. 26 00:00:55,467 --> 00:00:57,700 - TWO SOUTHERN GENTLEMEN FORGOT THEIR MANNERS. 27 00:00:57,700 --> 00:00:59,500 - I DIDN'T MAKE A [bleep] MOVE ON YOUR [bleep] LADY, 28 00:00:59,500 --> 00:01:01,133 SO [bleep] YOU. 29 00:01:01,133 --> 00:01:02,567 - YOU'RE A LOT SMALLER FRAME THAN ME. 30 00:01:02,567 --> 00:01:05,500 I'LL PUT YOU IN THE ASPHALT RIGHT NOW. 31 00:01:05,500 --> 00:01:07,433 - COME ON. 32 00:01:07,433 --> 00:01:08,633 REALLY? 33 00:01:08,633 --> 00:01:09,767 [upbeat pop music] 34 00:01:09,767 --> 00:01:11,066 - ♪♪ MM-HMM ♪♪ 35 00:01:11,066 --> 00:01:13,100 ♪♪ HE'S GOT MONEY ♪♪ 36 00:01:13,100 --> 00:01:14,567 ♪♪ HE'S IN MAGAZINES ♪♪ 37 00:01:14,567 --> 00:01:16,367 ♪♪ HE'S GOT MORE HONEYS ♪♪ 38 00:01:16,367 --> 00:01:18,467 ♪♪ THAN ANY HONEYBEE ♪♪ 39 00:01:18,467 --> 00:01:21,033 ♪♪ BA, BA-DOO ♪♪ 40 00:01:21,033 --> 00:01:22,533 ♪♪ BA-BA, DEE-EE-EE ♪♪ 41 00:01:22,533 --> 00:01:24,567 ♪♪ IT'S EASY ♪♪ 42 00:01:24,567 --> 00:01:26,633 ♪♪ AS THE BIRDS AND THE BEES AND THE ONE TWO THREES ♪♪ 43 00:01:26,633 --> 00:01:28,433 ♪♪ BA, BA-DOO ♪♪ 44 00:01:50,500 --> 00:01:52,400 [alarm ringing] 45 00:01:58,000 --> 00:02:00,467 - I DEFINITELY THINK I'M MORE PASSIONATE 46 00:02:00,467 --> 00:02:02,100 ABOUT BECOMING A SUCCESSFUL LAWYER RIGHT NOW 47 00:02:02,100 --> 00:02:04,000 THAN ANYTHING ELSE. 48 00:02:04,000 --> 00:02:05,700 AND FOR THAT TO HAPPEN, LIKE, I HAVE TO BE IN THE OFFICE 49 00:02:05,700 --> 00:02:08,700 AT 8:00 READY TO ROLL. 50 00:02:08,700 --> 00:02:10,367 - AFTER CAROLINA DAY, 51 00:02:10,367 --> 00:02:12,400 I WAS PROBABLY IN BED BY 11:30, 12:00, 52 00:02:12,400 --> 00:02:14,433 BUT WITH SO MANY OF MY FRIENDS, 53 00:02:14,433 --> 00:02:17,467 THE PARTY LASTS WELL INTO THE NEXT DAY. 54 00:02:17,467 --> 00:02:19,633 I GUESS WHEN YOU DON'T HAVE TO, LIKE, WAKE UP AND BE AT A JOB, 55 00:02:19,633 --> 00:02:21,467 YOU CAN DO THAT. 56 00:02:21,467 --> 00:02:23,600 - YEAH, IT'S COOL TO HAVE ALL THIS MONEY AND NOT HAVE TO WORK 57 00:02:23,600 --> 00:02:25,667 LIKE WHITNEY AND SHEP AND THOMAS, 58 00:02:25,667 --> 00:02:27,433 BUT I FEEL LIKE I'VE BEEN BLESSED WITH TOO MANY TALENTS 59 00:02:27,433 --> 00:02:30,066 JUST TO COMPLETELY WASTE. 60 00:02:38,000 --> 00:02:39,500 - HEY, EVEY. - HEY, CAMERAN. 61 00:02:39,500 --> 00:02:41,133 both: HOW YOU DOING? 62 00:02:41,133 --> 00:02:42,100 - GOOD TO SEE YOU. - YOU LOOK CUTE. 63 00:02:42,100 --> 00:02:43,233 - YOU LOOK GREAT. 64 00:02:43,233 --> 00:02:44,600 - THICK, AS USUAL? 65 00:02:44,600 --> 00:02:46,400 - PUT A LITTLE MUSCLE ON THIS GIRL. 66 00:02:46,400 --> 00:02:48,233 COME ON, LET ME TELL YOU ABOUT THIS TOWN. 67 00:02:48,233 --> 00:02:50,033 YOU'RE GONNA NEED TO KNOW WHAT IT'S ABOUT, 68 00:02:50,033 --> 00:02:52,400 BECAUSE PEOPLE WANT TO OWN A PIECE OF HISTORY. 69 00:02:52,400 --> 00:02:54,400 IN THE--BACK IN THE 1700s, 70 00:02:54,400 --> 00:02:55,767 THIS WAS THE WATERFRONT. 71 00:02:55,767 --> 00:02:57,467 - OH, WOW. I NEVER KNEW THAT. 72 00:02:57,467 --> 00:02:59,200 - THESE WOULD'VE BEEN THE WATERFRONT HOMES. 73 00:02:59,200 --> 00:03:01,533 WE'RE SOUTH OF BROAD IN A BEAUTIFUL NEIGHBORHOOD 74 00:03:01,533 --> 00:03:03,166 OFF OF CHURCH STREET. 75 00:03:03,166 --> 00:03:05,166 - NOT INTENDED TO BE USED FOR HIGH HEELS. 76 00:03:05,166 --> 00:03:08,700 - AND CHURCH STREET IS VERY, VERY, VERY PRIME REAL ESTATE. 77 00:03:08,700 --> 00:03:11,000 TO OWN A HOME HERE, YOU HAVE TO HAVE MONEY. 78 00:03:11,000 --> 00:03:13,467 I LOVE THIS WHOLE STREET. I LOVE EVERYTHING ABOUT IT. 79 00:03:13,467 --> 00:03:15,166 I THINK I COULD LIVE HERE. 80 00:03:15,166 --> 00:03:16,734 I KNOW I, AT THIS POINT IN MY LIFE, 81 00:03:16,734 --> 00:03:19,266 COULD NOT AFFORD TO LIVE IN THIS PART OF TOWN. 82 00:03:19,266 --> 00:03:20,734 [sighs] MAYBE ONE DAY. 83 00:03:20,734 --> 00:03:22,567 - SO TELL ME, WHAT HAVE YOU BEEN DOING? 84 00:03:22,567 --> 00:03:25,500 - WE WENT TO CAROLINA DAY. - AND HOW'D THAT GO? 85 00:03:25,500 --> 00:03:27,734 - WELL, IT WAS, LIKE, TO THE NINES, 86 00:03:27,734 --> 00:03:30,467 AND ALL THE GUYS WERE IN, LIKE, WHITE DINNER JACKETS. 87 00:03:30,467 --> 00:03:32,033 - THAT'S COOL. SO WHO WAS THERE? 88 00:03:32,033 --> 00:03:33,667 ANYTHING CRAZY HAPPEN? 89 00:03:33,667 --> 00:03:35,667 - WELL, THOMAS WAS THERE WITH HIS NEW SQUEEZE. 90 00:03:35,667 --> 00:03:38,333 - THOMAS RAVENEL? OH, MY LORD. 91 00:03:38,333 --> 00:03:40,300 LET ME TELL YOU, I MEAN, I SORT OF RAN INTO HIM 92 00:03:40,300 --> 00:03:43,633 ABOUT--MAYBE 15 YEARS AGO. 93 00:03:43,633 --> 00:03:45,600 THOMAS IS A RASCAL. 94 00:03:45,600 --> 00:03:48,333 - THOMAS HAS OBVIOUSLY MADE HIS WAY THROUGH GENERATIONS 95 00:03:48,333 --> 00:03:50,033 OF LOVELY WOMEN IN CHARLESTON. 96 00:03:50,033 --> 00:03:51,533 EEE. - I AIN'T SAYING. 97 00:03:51,533 --> 00:03:53,000 - OH, MY LORD. 98 00:03:53,000 --> 00:03:55,300 THE WOMEN KEEP GETTING OLDER, 99 00:03:55,300 --> 00:03:56,734 BUT THOMAS KEEPS DATING YOUNGER. 100 00:03:56,734 --> 00:03:58,333 DOESN'T HE LIVE AROUND HERE SOMEWHERE? 101 00:03:58,333 --> 00:04:00,467 - YEAH, ACTUALLY, WE'RE GONNA GO PREVIEW 102 00:04:00,467 --> 00:04:03,233 AN INTERESTING HOUSE-- VERY HISTORIC STREET-- 103 00:04:03,233 --> 00:04:05,100 AND I THINK HE LIVES RIGHT NEXT DOOR. 104 00:04:06,333 --> 00:04:07,533 BEEN ON THE MARKET AWHILE. 105 00:04:07,533 --> 00:04:08,633 REALLY QUITE LOVELY. 106 00:04:08,633 --> 00:04:10,100 - WHAT'S IT ON THE MARKET FOR? 107 00:04:10,100 --> 00:04:11,333 - IT'S IN THE NEW TWOS. 108 00:04:11,333 --> 00:04:12,333 [doorbell rings] 109 00:04:12,333 --> 00:04:14,433 HI. - HI, HELLO. 110 00:04:14,433 --> 00:04:17,166 - I'M CAMERAN. - HI, NICE TO MEET YOU. 111 00:04:17,166 --> 00:04:19,734 - SHE'S MY SHADOW, IN TRAINING, LEARNING THE BIZ. 112 00:04:19,734 --> 00:04:21,734 - AWESOME. WELL, WELCOME TO MY HOME. 113 00:04:21,734 --> 00:04:23,133 - WOW, THIS IS LOVELY. 114 00:04:24,767 --> 00:04:26,467 - CHANDELIER IS GORGEOUS. 115 00:04:26,467 --> 00:04:29,467 - THIS IS HOW IT USED TO LOOK IN THE 18TH CENTURY. 116 00:04:29,467 --> 00:04:32,166 - ORIGINAL GRANDEUR. - IT'S REALLY COOL. 117 00:04:32,166 --> 00:04:35,633 - THIS IS ACTUALLY AN ORIGINAL FIREPLACE MANTEL. 118 00:04:35,633 --> 00:04:39,033 YOU CAN TELL BY THE CURVATURE IN THE CARVING HERE. 119 00:04:39,033 --> 00:04:41,633 - SO THIS WOULD'VE BEEN BY SKILLED--PROBABLY SLAVES. 120 00:04:41,633 --> 00:04:43,467 - YES. YEAH. 121 00:04:43,467 --> 00:04:45,367 - AMAZING. 122 00:04:45,367 --> 00:04:48,333 - IT'S DEFINITELY HARDER TO SELL HOUSES IN CHARLESTON 123 00:04:48,333 --> 00:04:49,734 BECAUSE YOU'RE DEALING WITH 124 00:04:49,734 --> 00:04:52,467 TONS AND TONS OF FACTS YOU NEED TO KNOW, 125 00:04:52,467 --> 00:04:55,734 DIFFERENT BUILDING MATERIALS, HOW OLD A BRICK IS, 126 00:04:55,734 --> 00:04:59,166 SO I'M REALLY JUST TRYING TO TAKE IT ALL IN. 127 00:04:59,166 --> 00:05:00,633 - SO THIS IS OUR KITCHEN. 128 00:05:00,633 --> 00:05:03,767 THIS WAS ACTUALLY ADDED ON IN 1820. 129 00:05:03,767 --> 00:05:05,700 - OH, HOW COOL. - YEAH. 130 00:05:05,700 --> 00:05:07,667 - THE KITCHEN HOUSE WOULD'VE BEEN NEXT DOOR, SEPARATE, 131 00:05:07,667 --> 00:05:09,333 SO THAT THE HOUSE WOULDN'T BURN DOWN. 132 00:05:09,333 --> 00:05:10,734 - EXACTLY. - WOW. 133 00:05:10,734 --> 00:05:13,633 - AND THEY ALSO USED THE WOOD IN THE WALLS 134 00:05:13,633 --> 00:05:15,433 FOR THE EARTHQUAKES. 135 00:05:15,433 --> 00:05:17,433 SO THIS ALLOWED THE WALLS TO EXPAND AND CONTRACT. 136 00:05:17,433 --> 00:05:18,700 - OBVIOUSLY IT MADE IT THROUGH THE QUAKE. 137 00:05:18,700 --> 00:05:20,600 - YEAH. [laughs] 138 00:05:20,600 --> 00:05:23,467 - I WOULD SAY THAT EVE IS BOTH INTIMIDATING AND INSPIRING, 139 00:05:23,467 --> 00:05:26,033 BECAUSE SHE KNOWS A LOT ABOUT REAL ESTATE; 140 00:05:26,033 --> 00:05:27,600 SHE'S VERY WELL-VERSED; 141 00:05:27,600 --> 00:05:31,033 AND I DEFINITELY DO NOT HAVE AS EXTENSIVE KNOWLEDGE 142 00:05:31,033 --> 00:05:32,400 THAT SHE DOES. 143 00:05:32,400 --> 00:05:34,667 - THIS IS ALL ORIGINAL WOOD FLOORS. 144 00:05:34,667 --> 00:05:36,633 - HOW CAN YOU TELL THAT IT'S ORIGINAL? 145 00:05:36,633 --> 00:05:38,500 - BECAUSE THEY'RE WIDER PLANKS. - BECAUSE THEY'RE WIDER? 146 00:05:38,500 --> 00:05:41,400 - THIS ACTUALLY OPENS UP TO, LIKE, A SECRET... 147 00:05:41,400 --> 00:05:43,266 - OH, WOW! - HIDING SPOT. 148 00:05:43,266 --> 00:05:45,133 - IS IT JUST A ROOM, NOT A TUNNEL? 149 00:05:45,133 --> 00:05:46,667 - NO, IT'S JUST A LITTLE ROOM. 150 00:05:46,667 --> 00:05:49,433 MAYBE THEY BUILT THAT FOR--YOU KNOW, WHEN THE RED COATS CAME. 151 00:05:49,433 --> 00:05:51,033 - SUPER COOL. - THAT'S AMAZING. 152 00:05:51,033 --> 00:05:53,367 - I'M JUST BASICALLY SMILING AND NODDING 153 00:05:53,367 --> 00:05:55,066 AND PRETENDING LIKE I KNOW WHAT'S GOING ON 154 00:05:55,066 --> 00:05:56,767 EVEN THOUGH I REALLY DON'T. 155 00:05:56,767 --> 00:05:59,367 THANK YOU SO MUCH FOR LETTING US SEE YOUR HOME. 156 00:05:59,367 --> 00:06:01,567 - WE'LL THINK OF CLIENTS THAT ARE COMING INTO TOWN 157 00:06:01,567 --> 00:06:04,400 WHO MAY JUST BE TICKLED PINK TO SEE THIS HOUSE. 158 00:06:04,400 --> 00:06:06,400 - AFTER THIS HOUSE TOUR WITH EVE, 159 00:06:06,400 --> 00:06:09,166 I HAVE LEARNED THAT I HAVE A LOT MORE TO LEARN 160 00:06:09,166 --> 00:06:10,633 ABOUT THIS AREA OF TOWN. 161 00:06:10,633 --> 00:06:14,066 BYE, RAMSEY. IT WAS NICE TO MEET YOU. 162 00:06:14,066 --> 00:06:17,500 LET'S SEE IF OL' T-RAV IS HOME. 163 00:06:17,500 --> 00:06:19,266 - I JUST WANT TO SEE... 164 00:06:19,266 --> 00:06:21,233 THERE'S A DRINK IN HIS WINDOW SILL! 165 00:06:21,233 --> 00:06:23,433 HE COULDN'T EVEN MAKE IT INTO THE HOUSE. 166 00:06:23,433 --> 00:06:25,700 WHAT IS IT? 167 00:06:25,700 --> 00:06:28,100 - IT'S FRESH. - SITTING IN HIS WINDOW SILL? 168 00:06:28,100 --> 00:06:29,333 THAT'S NOT A GOOD SIGN. 169 00:06:29,333 --> 00:06:31,266 HE'S NOT ANSWERING. 170 00:06:31,266 --> 00:06:34,367 - ALL RIGHT. OH, WELL. - OH, WELL. 171 00:06:42,100 --> 00:06:43,533 [dog barks] 172 00:06:43,533 --> 00:06:44,767 - COME ON, SMOOCH. WE'RE GOING BACK IN. 173 00:06:44,767 --> 00:06:47,266 COME ON. 174 00:06:47,266 --> 00:06:49,734 GOOD GIRL. BIG POOP. 175 00:06:49,734 --> 00:06:51,333 HOWDY. - HEY, DARLING. 176 00:06:51,333 --> 00:06:53,467 - HOW'S IT GOING? 177 00:06:53,467 --> 00:06:55,600 - IT'S LIKE WALL TO WALL DOGS IN HERE. 178 00:06:55,600 --> 00:06:57,667 - I KNOW. 179 00:06:57,667 --> 00:06:59,433 WHAT'S GOING ON? 180 00:06:59,433 --> 00:07:01,533 - WELL, I WANT TO HEAR ABOUT EVERYTHING LAST NIGHT, 181 00:07:01,533 --> 00:07:04,433 BUT--MICHAEL? 182 00:07:04,433 --> 00:07:07,333 - MADAM? - IT'S TIME FOR MY MEDICINE. 183 00:07:07,333 --> 00:07:09,567 PLEASE. - [laughs] 184 00:07:09,567 --> 00:07:11,400 - SO START FROM THE BEGINNING. 185 00:07:11,400 --> 00:07:13,000 - I WAS PLEASANTLY SURPRISED. 186 00:07:13,000 --> 00:07:14,467 I THOUGHT J.D. DID A GOOD JOB. 187 00:07:14,467 --> 00:07:17,166 - OOH, THANK YOU. THANK YOU, THANK YOU. 188 00:07:17,166 --> 00:07:19,500 I DIDN'T ASK YOU IF YOU WANTED A COCKTAIL. 189 00:07:19,500 --> 00:07:21,033 - I'M FINE, THANK YOU. 190 00:07:21,033 --> 00:07:22,767 FEELING IT A BIT THIS MORNING. 191 00:07:22,767 --> 00:07:28,133 EVERYONE GOT A BIT OVER-SERVED THE RED WINE, CHAMPAGNE. 192 00:07:28,133 --> 00:07:30,000 - SOUNDS GOOD. SOUNDS... 193 00:07:30,000 --> 00:07:31,533 - PERHAPS THOMAS RAVENEL WAS A BIT FUELED. 194 00:07:31,533 --> 00:07:33,533 HE WAS TALKING ABOUT HAVING A DINNER PARTY. 195 00:07:33,533 --> 00:07:35,433 I SAID, "WELL, WHO'S GONNA COME, JUST THE-- 196 00:07:35,433 --> 00:07:38,000 YOU KNOW, YOUR FOUR PEOPLE THAT YOU KNOW?" 197 00:07:38,000 --> 00:07:39,633 - I'VE GONNA HAVE SOME ADVICE FOR THESE GUYS. 198 00:07:39,633 --> 00:07:41,533 - IF YOU CAN GET MORE THAN FOUR PEOPLE THERE, 199 00:07:41,533 --> 00:07:43,400 THEN I WILL SHOW UP. 200 00:07:43,400 --> 00:07:45,066 - LEAVE THE [bleep] TABLE, DUDE, 201 00:07:45,066 --> 00:07:48,467 BEFORE I BITCH SLAP YOU RIGHT NOW. 202 00:07:48,467 --> 00:07:49,700 - [laughs] 203 00:07:49,700 --> 00:07:51,633 WHAT DOES THAT MEAN, "BITCH SLAP"? 204 00:07:51,633 --> 00:07:54,533 I DON'T UNDERSTAND THE PARLANCE. 205 00:07:54,533 --> 00:07:57,533 - SOMETHING YOU LEARN IN PRISON. I DON'T KNOW. 206 00:07:57,533 --> 00:08:00,266 - DID THE FIGHT HAVE ANYTHING TO DO WITH THAT REDHEAD? 207 00:08:00,266 --> 00:08:01,533 - YEAH. 208 00:08:01,533 --> 00:08:02,500 SHE WAS TRYING TO GET HIM JEALOUS. 209 00:08:02,500 --> 00:08:04,033 - MM. - BUT WHATEVER. 210 00:08:04,033 --> 00:08:05,300 I'M NOT REALLY PAYING MUCH ATTENTION, 211 00:08:05,300 --> 00:08:07,233 SO IT'S BENEATH ME. 212 00:08:07,233 --> 00:08:09,133 - HOW WAS IT LEFT? I MEAN... 213 00:08:09,133 --> 00:08:10,400 - WELL, WE WENT OUTSIDE AND TALKED-- 214 00:08:10,400 --> 00:08:11,567 AND, YOU KNOW, MANO Y MANO. 215 00:08:11,567 --> 00:08:13,400 - WENT OUTSIDE? 216 00:08:13,400 --> 00:08:15,767 I MEAN, IT'S LIKE, YOU'RE GOING OUT TO HAVE A DUEL? 217 00:08:15,767 --> 00:08:18,433 SOUTHERN GENTLEMEN AT THEIR BEST. 218 00:08:18,433 --> 00:08:21,667 - I WOULDN'T GO THAT FAR. - [laughs] 219 00:08:21,667 --> 00:08:23,433 SO WHAT'S NEXT? 220 00:08:23,433 --> 00:08:25,433 - BRYAN JUST GOT TO TOWN. - OH, GOOD. 221 00:08:25,433 --> 00:08:27,100 - SO, YOU KNOW, IT'S TIME TO BRING THE BIG BOYS IN. 222 00:08:27,100 --> 00:08:28,500 I'M NOT GETTING MUCH HELP FROM SHEP. 223 00:08:28,500 --> 00:08:30,533 - SHEP IS JUST DARLING. WHAT CAN I SAY? 224 00:08:30,533 --> 00:08:32,467 HE IS A DARLING GUY. 225 00:08:32,467 --> 00:08:36,567 DO I THINK WHITNEY SHOULD DEPEND ON HIM FOR A BUSINESS VENTURE? 226 00:08:36,567 --> 00:08:40,133 NO. NO. NO. 227 00:08:40,133 --> 00:08:42,567 NOT AT ALL. 228 00:08:42,567 --> 00:08:46,233 I DID HAVE A GREAT IDEA FOR YOU AND THOMAS RAVENEL. 229 00:08:46,233 --> 00:08:47,734 - MM. 230 00:08:47,734 --> 00:08:49,667 - I THINK YOU SHOULD FREEZE YOUR SPERM. 231 00:08:51,133 --> 00:08:52,300 - OH, GOD, MOTHER. 232 00:08:52,300 --> 00:08:54,433 - I KNOW TIMES HAVE CHANGED. 233 00:08:54,433 --> 00:08:56,100 I DON'T EVEN CARE IF YOU GET MARRIED ANYMORE. 234 00:08:56,100 --> 00:09:00,066 I'D BE HAPPY IF YOU JUST PROCREATE. 235 00:09:00,066 --> 00:09:01,066 [laughing] 236 00:09:01,066 --> 00:09:02,467 - GOOD LORD. 237 00:09:02,467 --> 00:09:04,700 THAT'S MY CUE. 238 00:09:04,700 --> 00:09:06,400 - I GUESS I'LL JUST HAVE DOGS. 239 00:09:06,400 --> 00:09:07,734 [dog whimpers] 240 00:09:17,000 --> 00:09:19,333 [knocking at door] 241 00:09:19,333 --> 00:09:21,000 - WILL! - HOW YOU DOING, MAN? 242 00:09:21,000 --> 00:09:22,500 - HOW YOU DOING? - GOOD TO SEE YOU. 243 00:09:22,500 --> 00:09:26,033 - HAVE A SEAT RIGHT THERE. - COOL. 244 00:09:26,033 --> 00:09:27,367 WHAT'S UP? 245 00:09:27,367 --> 00:09:28,633 CALL ME DOWN. 246 00:09:28,633 --> 00:09:29,700 - I'M JUST DRAGGING A LITTLE TODAY. 247 00:09:29,700 --> 00:09:31,100 HAD A BIG EVENT LAST NIGHT. 248 00:09:31,100 --> 00:09:33,333 I WAS OVER-SERVED. - OVER-SERVED? 249 00:09:33,333 --> 00:09:34,333 - YEAH. 250 00:09:34,333 --> 00:09:36,200 I GOT A LOT TO CATCH YOU UP ON. 251 00:09:36,200 --> 00:09:37,467 - IS THAT GOOD OR BAD? 252 00:09:37,467 --> 00:09:39,033 - [laughing] I DON'T KNOW, MAN. 253 00:09:39,033 --> 00:09:40,467 I MEAN, I'M GONNA TELL YOU, 254 00:09:40,467 --> 00:09:42,367 I'VE BEEN KIND OF SEEING KATHRYN. 255 00:09:42,367 --> 00:09:43,700 - CALHOUN, DENNIS, RAVENEL? 256 00:09:43,700 --> 00:09:45,033 I MEAN, GEEZ, YOU COULD TAKE OVER THE WORLD 257 00:09:45,033 --> 00:09:46,500 WITH THOSE THREE NAMES. 258 00:09:46,500 --> 00:09:48,300 - BUT WHITNEY SAYS, "OH, THOMAS, NO WAY. 259 00:09:48,300 --> 00:09:49,333 YOU CAN'T DO THIS." 260 00:09:49,333 --> 00:09:50,633 - SHE'S [bleep] 21. 261 00:09:50,633 --> 00:09:52,467 YOU WANT TO RUN, YOU NEED TO... 262 00:09:52,467 --> 00:09:53,734 [clicks tongue] CUT IT OFF. 263 00:09:53,734 --> 00:09:55,600 - UH-HUH. 264 00:09:55,600 --> 00:09:57,567 DOES IT COME ACROSS AS TAWDRY, DEBAUCHEROUS? 265 00:09:57,567 --> 00:09:58,700 I MEAN, WHO'S THIS GUY? 266 00:09:58,700 --> 00:10:00,266 - LET'S BE HONEST. 267 00:10:00,266 --> 00:10:01,533 YOU GOT OTHER STUFF IN YOUR PAST 268 00:10:01,533 --> 00:10:04,500 THAT'S MUCH, MUCH MORE PROBLEMATIC THAN THIS. 269 00:10:04,500 --> 00:10:06,333 - UH-HUH. 270 00:10:06,333 --> 00:10:08,600 I'M TIRED OF SECOND-GUESSING MY RELATIONSHIP WITH KATHRYN. 271 00:10:08,600 --> 00:10:11,400 IF MY POLITICAL CONSULTANT SUPPORTS IT, 272 00:10:11,400 --> 00:10:12,600 THEN WHO CARES WHAT WHITNEY THINKS? 273 00:10:12,600 --> 00:10:13,734 HELL WITH WHITNEY. 274 00:10:13,734 --> 00:10:16,066 I'VE GROWN TO ADMIRE KATHRYN, 275 00:10:16,066 --> 00:10:18,600 HER BOLDNESS, HER MOXIE. 276 00:10:18,600 --> 00:10:21,700 SHE HAS A TREMENDOUS AMOUNT OF POISE AND CONFIDENCE, SO... 277 00:10:21,700 --> 00:10:23,433 - T-RAV. 278 00:10:23,433 --> 00:10:25,133 YOU SOUND LIKE YOU LIKE THIS GIRL. 279 00:10:25,133 --> 00:10:26,166 - [sighs] 280 00:10:26,166 --> 00:10:28,100 - I'M SHOCKED THAT... 281 00:10:28,100 --> 00:10:29,400 CATCHING SOME FEELINGS. 282 00:10:31,200 --> 00:10:32,400 IT'S NOT YOUR M.O. IN THE PAST. 283 00:10:32,400 --> 00:10:34,233 YOU DON'T CATCH FEELINGS. 284 00:10:34,233 --> 00:10:36,066 - WELL, I'VE CHANGED A LOT. 285 00:10:36,066 --> 00:10:37,767 - LOOK, IT SOUNDS LIKE YOUR COMPASS IS IN THE RIGHT PLACE. 286 00:10:37,767 --> 00:10:39,100 - YEAH. 287 00:10:39,100 --> 00:10:40,567 - WE GOT TO GET SOME POLLING 288 00:10:40,567 --> 00:10:41,734 TO FIGURE OUT WHERE WE ARE POLITICALLY. 289 00:10:41,734 --> 00:10:43,667 - ABSOLUTELY. 290 00:10:43,667 --> 00:10:45,400 - WE'VE GOT A LOT OF PLANES ON THE TARMAC HERE. 291 00:10:45,400 --> 00:10:47,567 WE'LL SEE WHAT WE CAN DO ON IT. 292 00:10:47,567 --> 00:10:49,500 - I'M READY. 293 00:10:49,500 --> 00:10:52,333 WILL SAID THAT IN ORDER TO HAVE A POLITICAL CAREER, 294 00:10:52,333 --> 00:10:54,166 I NEED TO GET MY PERSONAL LIFE IN ORDER. 295 00:10:54,166 --> 00:10:56,333 NOW WITH KATHRYN AT MY SIDE, 296 00:10:56,333 --> 00:10:58,767 THINGS MAY BE FALLING TOGETHER. 297 00:10:58,767 --> 00:11:01,033 - DUDE, I HAD--SERIOUSLY, I HAD NO IDEA 298 00:11:01,033 --> 00:11:02,200 WHAT YOU WERE GONNA TELL ME. 299 00:11:02,200 --> 00:11:04,734 - WHAT DID YOU THINK IT WAS? 300 00:11:04,734 --> 00:11:06,367 - WELL, I TELL YOU, 301 00:11:06,367 --> 00:11:07,500 I WAS SCANNING THE ARREST RECORDS YESTERDAY. 302 00:11:07,500 --> 00:11:09,233 - [laughs] 303 00:11:09,233 --> 00:11:10,667 - WHAT THE HELL? DID HE GET ARRESTED? 304 00:11:10,667 --> 00:11:12,500 THIS--THIS WAS NOT ON THE LIST. 305 00:11:12,500 --> 00:11:15,066 - [laughs] 306 00:11:15,066 --> 00:11:16,367 - COMING UP... 307 00:11:16,367 --> 00:11:18,333 - I KNOW YOU TO BE INTOLERANT-- 308 00:11:18,333 --> 00:11:19,734 YOU KNOW, VERY CLOSED-MINDED, 309 00:11:19,734 --> 00:11:21,667 NARROW-MINDED, 310 00:11:21,667 --> 00:11:23,033 VERY JUDGMENTAL. 311 00:11:39,100 --> 00:11:40,133 - CAMERAN! 312 00:11:40,133 --> 00:11:41,600 - HEY, LADY. 313 00:11:41,600 --> 00:11:43,200 - HI, BABE. - YOU LOOK CUTE. 314 00:11:43,200 --> 00:11:44,400 GOD, HOW DO YOU WALK IN THOSE DAMN THINGS? 315 00:11:44,400 --> 00:11:46,400 - TAKES PRACTICE. 316 00:11:46,400 --> 00:11:48,266 UGH, THANK GOD IT'S NOT, LIKE, SO HOT. 317 00:11:48,266 --> 00:11:49,600 - ARE YOU KIDDING? I'M DYING. 318 00:11:49,600 --> 00:11:51,166 - MAYBE WE SHOULD JUST ORDER, LIKE, DESSERT. 319 00:11:51,166 --> 00:11:52,400 - YEAH, I'M GETTING DESSERT, 320 00:11:52,400 --> 00:11:54,266 'CAUSE I JUST TOOK THREE GAS-X. 321 00:11:54,266 --> 00:11:56,433 - [laughs] - TACO BELL. 322 00:11:56,433 --> 00:11:57,767 - [laughs] 323 00:11:57,767 --> 00:11:59,400 - I'M NOT GONNA LIE. 324 00:11:59,400 --> 00:12:01,300 I TAKE GAS-X PRIOR TO EATING, 325 00:12:01,300 --> 00:12:02,600 BECAUSE I JUST-- I EAT SO HORRIBLE. 326 00:12:02,600 --> 00:12:04,300 I MEAN, I HAVE TO. I HAVE TO. 327 00:12:04,300 --> 00:12:05,633 - HI. - HELLO. 328 00:12:05,633 --> 00:12:07,400 - HOW Y'ALL DOING? - GOOD, GOOD. 329 00:12:07,400 --> 00:12:10,500 SOUTHERN BELLES DON'T PASS GAS. 330 00:12:10,500 --> 00:12:12,533 I WANT THAT HOT FUDGE BROWNIE WITH VANILLA ICE CREAM. 331 00:12:12,533 --> 00:12:13,700 DONE. 332 00:12:13,700 --> 00:12:15,533 - I'LL DO THE CHOCOLATE PUDDING. 333 00:12:15,533 --> 00:12:18,000 - AM I SO GROSS IF I GET A GLASS OF WINE WITH THAT TOO? 334 00:12:18,000 --> 00:12:19,333 - NOT AT ALL. - TWO, PLEASE. 335 00:12:19,333 --> 00:12:21,533 - TWO? ABSOLUTELY. 336 00:12:21,533 --> 00:12:23,467 - EVE AND I WENT TO LOOK AT A HOUSE DOWNTOWN TODAY. 337 00:12:23,467 --> 00:12:26,600 AND THE ADJOINING HOUSE TO THE HOUSE THAT WE LOOKED AT 338 00:12:26,600 --> 00:12:28,133 WAS THOMAS--THOMAS. 339 00:12:28,133 --> 00:12:29,700 - DID YOU SEE THOMAS? - NO. 340 00:12:29,700 --> 00:12:32,600 BUT IT WAS FUNNY BECAUSE ON HIS WINDOW SILL OUTSIDE 341 00:12:32,600 --> 00:12:35,133 WAS A HALF-DRANK ALCOHOLIC BEVERAGE 342 00:12:35,133 --> 00:12:36,667 IN THIS, LIKE, BEAUTIFUL LUG CRYSTAL GLASS 343 00:12:36,667 --> 00:12:38,567 JUST SITTING THERE. 344 00:12:38,567 --> 00:12:41,533 YOU WOULD THINK THAT AFTER ALL THAT DRAMA AT CAROLINA DAY 345 00:12:41,533 --> 00:12:43,667 THOMAS WOULD'VE BEEN SMART AND GONE HOME, 346 00:12:43,667 --> 00:12:46,333 GOTTEN INTO BED, AND HAD A GLASS OF WATER, 347 00:12:46,333 --> 00:12:48,500 BUT EVIDENTLY, THAT WAS NOT THE CASE. 348 00:12:48,500 --> 00:12:50,033 THANK YOU SO MUCH. - THANK YOU. 349 00:12:50,033 --> 00:12:52,133 CHEERS. 350 00:12:52,133 --> 00:12:53,734 MMM, THAT'S GOOD. 351 00:12:53,734 --> 00:12:56,200 - WHAT EXACTLY HAPPENED BETWEEN THOMAS AND WHITNEY LAST NIGHT? 352 00:12:56,200 --> 00:12:58,000 WHAT'S THE BEEF? - I DON'T KNOW. 353 00:12:58,000 --> 00:13:00,433 - DO YOU THINK MAYBE, LIKE-- MAYBE IT'S KATHRYN? 354 00:13:00,433 --> 00:13:02,166 - YEAH. 355 00:13:02,166 --> 00:13:04,100 - OH, MY GOD, WHAT IS GOING ON? 356 00:13:04,100 --> 00:13:06,533 - SOMETHING WAS DEFINITELY GOING ON AT CAROLINA DAY. 357 00:13:06,533 --> 00:13:09,066 WHITNEY WAS PRIVATELY TALKING TO KATHRYN. 358 00:13:09,066 --> 00:13:10,767 THOMAS WAS TALKING TO KATHRYN. 359 00:13:10,767 --> 00:13:12,433 I DON'T KNOW WHAT IT IS, BUT KATHRYN JUST ALWAYS SEEMS 360 00:13:12,433 --> 00:13:15,533 TO GET HERSELF INTO STICKY SITUATIONS. 361 00:13:15,533 --> 00:13:18,533 - I THINK, THOUGH, WHEN MEN GET REALLY DRUNK IN GENERAL, 362 00:13:18,533 --> 00:13:20,000 IT'S LIKE TESTOSTERONE. 363 00:13:20,000 --> 00:13:21,367 - START PICKING AT EACH OTHER. 364 00:13:21,367 --> 00:13:23,000 - THEY START PICKING AT EACH OTHER, YEAH. 365 00:13:23,000 --> 00:13:24,533 - YOU'RE A LOT SMALLER FRAME THAN ME. 366 00:13:24,533 --> 00:13:26,767 I'LL PUT YOU ON THE ASPHALT RIGHT NOW. 367 00:13:26,767 --> 00:13:28,367 - PLEASE DO, AND I'LL JUST CALL THE POLICE, 368 00:13:28,367 --> 00:13:30,266 AND I'LL CHARGE YOU WITH ASSAULT. 369 00:13:30,266 --> 00:13:33,133 - I THINK WHEN YOU DON'T HAVE A LOT OF RESPONSIBILITY, 370 00:13:33,133 --> 00:13:36,233 IT CREATES MAYBE JUST A LACKADAISICAL ATTITUDE. 371 00:13:36,233 --> 00:13:41,400 - THEY NEVER GROW UP, LIKE, SHEP OR THOMAS OR WHITNEY. 372 00:13:41,400 --> 00:13:43,533 - I MEAN, THOMAS IS DATING A 21-YEAR-OLD NOW. 373 00:13:43,533 --> 00:13:45,500 YOU KNOW? BECAUSE HE CAN. 374 00:13:45,500 --> 00:13:47,367 HELL. 375 00:13:47,367 --> 00:13:48,700 - SHE TOLD ME THAT SHE'S KNOWN HIM SINCE SHE WAS A BABY. 376 00:13:48,700 --> 00:13:50,633 - [laughs] 377 00:13:50,633 --> 00:13:53,066 - [laughing] SO SHE KNOWS HIM REALLY WELL. 378 00:13:53,066 --> 00:13:55,033 - OHH, THOMAS. 379 00:13:55,033 --> 00:13:56,767 WILL HE EVER BE WITH A WOMAN HIS OWN AGE? 380 00:13:56,767 --> 00:13:59,367 HELL NO, BUT A 21-YEAR-OLD? 381 00:13:59,367 --> 00:14:03,133 I JUST THINK THEY'RE SUCH A DIFFERENT LEVEL OF MATURITY 382 00:14:03,133 --> 00:14:04,233 BETWEEN THE TWO-- 383 00:14:04,233 --> 00:14:06,233 WELL... 384 00:14:06,233 --> 00:14:08,367 [laughing] MAYBE NOT. 385 00:14:08,367 --> 00:14:10,500 THEY'VE BEEN HANGING OUT A LOT. 386 00:14:10,500 --> 00:14:13,734 IT SEEMS LIKE THEY'RE REALLY CRAZY ABOUT EACH OTHER. 387 00:14:13,734 --> 00:14:15,266 QUE SERA, SERA. 388 00:14:25,500 --> 00:14:27,467 - IT'S SO HOT TODAY. 389 00:14:27,467 --> 00:14:29,133 - UGH. BRUTAL. 390 00:14:29,133 --> 00:14:30,700 - HELLO, HOW ARE YOU TODAY? - HELLO. 391 00:14:30,700 --> 00:14:32,166 - FABULOUS, HOW ARE YOU? - GOOD, HOW ARE YOU? 392 00:14:32,166 --> 00:14:33,500 - I AM DOING FANTASTIC, THANK YOU. 393 00:14:33,500 --> 00:14:35,500 - GOD, I WANT TO GET THE CHAMPAGNE COCKTAIL. 394 00:14:35,500 --> 00:14:37,166 - AND HOW ABOUT FOR YOU? 395 00:14:37,166 --> 00:14:39,367 - I WANT THE SERRANO MARGARITA. 396 00:14:39,367 --> 00:14:40,633 - ALL RIGHT, I WILL GET THOSE FOR YOU. 397 00:14:40,633 --> 00:14:42,233 - THANK YOU SO MUCH. - GREAT. 398 00:14:42,233 --> 00:14:43,767 WHOO, THAT SHOULD BE REFRESHING. 399 00:14:43,767 --> 00:14:47,033 SO WHAT'S GOING ON WITH ALL THAT WHITNEY STUFF? 400 00:14:47,033 --> 00:14:49,000 I MEAN, JESUS CHRIST. 401 00:14:49,000 --> 00:14:51,300 LIKE, LAST NIGHT, I WAS GETTING READY TO SLAP HIM. 402 00:14:51,300 --> 00:14:52,533 I MEAN, LITERALLY. 403 00:14:52,533 --> 00:14:53,700 - I DON'T REALLY CARE. 404 00:14:53,700 --> 00:14:55,333 WHITNEY'S NOT THAT IMPORTANT TO ME. 405 00:14:58,066 --> 00:14:59,066 - I'M NOT. 406 00:15:01,400 --> 00:15:03,000 - I MADE IT CLEAR, DID I NOT? 407 00:15:04,500 --> 00:15:06,133 - I WILL. 408 00:15:06,133 --> 00:15:07,367 - I INVITED HIM TO THIS PARTY, 409 00:15:07,367 --> 00:15:08,700 AND HE'S VERY CONDESCENDING. 410 00:15:08,700 --> 00:15:10,133 - BUT WHO NEEDS HIM THERE? 411 00:15:10,133 --> 00:15:11,700 COME ON. 412 00:15:11,700 --> 00:15:13,333 - BECAUSE I CARE ABOUT HIM. I WANT HIM IN THERE. 413 00:15:13,333 --> 00:15:15,166 - HE'S A GOOD GUY, BUT, LIKE, REALLY? 414 00:15:15,166 --> 00:15:17,233 - HE NEEDS TO HEAR WHAT I'M GONNA TELL HIM. 415 00:15:18,700 --> 00:15:20,400 AND, YOU KNOW, ANOTHER THING. 416 00:15:20,400 --> 00:15:22,500 FOR HIM TO COME UP WITH ALL THIS B.S. 417 00:15:22,500 --> 00:15:24,700 ABOUT, YOU KNOW, OUR AGE DIFFERENCES 418 00:15:24,700 --> 00:15:26,433 OR THIS IS SCANDALOUS... 419 00:15:26,433 --> 00:15:28,333 - AGE IS SO IRRELEVANT TO ME, THOUGH, 420 00:15:28,333 --> 00:15:31,066 AND THE FACT THAT IT'S SO IMPORTANT TO THE PEOPLE IS-- 421 00:15:31,066 --> 00:15:32,467 BAFFLES ME, HONESTLY. 422 00:15:32,467 --> 00:15:34,367 YOU SHOULD DO WHAT MAKES YOU HAPPY TODAY. 423 00:15:34,367 --> 00:15:35,734 YOU DESERVE TO BE HAPPY. 424 00:15:35,734 --> 00:15:37,734 - I MEAN, YOU'RE AN OLDER SOUL THAN I AM. 425 00:15:37,734 --> 00:15:40,667 YOU HAVE MORE WISDOM THAN I WOULD EVER HOPE TO HAVE. 426 00:15:40,667 --> 00:15:42,266 - WELL, THANK YOU. 427 00:15:42,266 --> 00:15:45,166 - SEE, I NEED THAT IN MY LIFE. 428 00:15:45,166 --> 00:15:47,533 THAT'S WHY I THINK I COULD'VE BEEN A LOT BETTER BUSINESSMAN 429 00:15:47,533 --> 00:15:50,400 IF I'D HAD A GOOD WIFE BEHIND ME. 430 00:15:50,400 --> 00:15:52,600 - WELL, IT'S NEVER TOO LATE. 431 00:15:52,600 --> 00:15:54,266 - I KNOW. 432 00:15:54,266 --> 00:15:58,533 BELIEVE ME, I'M WORKING ON IT. 433 00:15:58,533 --> 00:16:02,000 KATHRYN ACCEPTS MY PAST, MY FOIBLES, MY WEAKNESSES. 434 00:16:02,000 --> 00:16:06,100 AND I'M STARTING TO FEEL LIKE THIS COULD WORK. 435 00:16:06,100 --> 00:16:09,567 LET ME JUST FILL YOU IN ON WHAT'S GOING ON WEDNESDAY NIGHT. 436 00:16:09,567 --> 00:16:11,467 - PLEASE. 437 00:16:11,467 --> 00:16:12,533 - YOU KNOW, I'M STARTING TO NOTICE SOME THINGS 438 00:16:12,533 --> 00:16:14,233 IN MY FRIENDS. 439 00:16:14,233 --> 00:16:16,467 YOU KNOW, THEY'RE DOING SOME STUPID THINGS. 440 00:16:16,467 --> 00:16:18,166 THEIR DECISIONS-- - THEY'RE MUCH YOUNGER. 441 00:16:18,166 --> 00:16:19,567 YOU KNOW, THEY'RE STILL LEARNING. 442 00:16:19,567 --> 00:16:20,667 AND THE FACT THAT YOU'VE BEEN THROUGH 443 00:16:20,667 --> 00:16:22,667 WHAT YOU'VE BEEN THROUGH, 444 00:16:22,667 --> 00:16:24,066 I FEEL LIKE YOU CAN OFFER SOME REALLY GOOD INSIGHT. 445 00:16:24,066 --> 00:16:25,333 - YEAH. THEY DON'T HAVE YOUR WISDOM. 446 00:16:25,333 --> 00:16:28,467 - YEAH. 447 00:16:28,467 --> 00:16:30,467 - SO HAVE YOU SEEN THIS PARTY LIST HERE? 448 00:16:30,467 --> 00:16:32,533 THE GUEST LIST? 449 00:16:32,533 --> 00:16:35,433 I GOT SHEP, DANNI, MYSELF, YOU, J.D. 450 00:16:35,433 --> 00:16:38,033 - CAMERAN? - OKAY, DEFINITELY. 451 00:16:38,033 --> 00:16:40,533 - YOU SHOULD CALL CAMERAN AND YOU SHOULD CALL JENNA. 452 00:16:40,533 --> 00:16:42,467 - OKAY. 453 00:16:42,467 --> 00:16:44,533 - AH! THANK YOU. 454 00:16:44,533 --> 00:16:45,734 - THANK YOU. 455 00:16:47,700 --> 00:16:50,200 [phone ringing] 456 00:16:50,200 --> 00:16:51,266 - HELLO? 457 00:16:52,633 --> 00:16:54,400 - T! T-RAV. 458 00:16:54,400 --> 00:16:57,633 - HOW YOU DOING? 459 00:16:57,633 --> 00:16:59,367 - SPEAK OF THE DEVIL. 460 00:17:00,767 --> 00:17:02,166 - HEY, KATHRYN. 461 00:17:03,667 --> 00:17:05,433 - GOOD. HOW ARE YOU? 462 00:17:05,433 --> 00:17:07,500 [mouths words] 463 00:17:07,500 --> 00:17:08,467 - HI--HI, KATHRYN. 464 00:17:08,467 --> 00:17:09,367 IT'S JENNA. 465 00:17:11,433 --> 00:17:13,467 - HI. 466 00:17:13,467 --> 00:17:15,633 - LISTEN, I WANT TO INVITE YOU TO DINNER WEDNESDAY NIGHT. 467 00:17:15,633 --> 00:17:17,400 - OKAY. 468 00:17:17,400 --> 00:17:18,333 - AND I JUST WANT TO FOREWARN YOU... 469 00:17:24,400 --> 00:17:26,000 - HE'S GONNA GIVE US ADVICE? 470 00:17:26,000 --> 00:17:27,667 - WAIT, YOU'RE GONNA GIVE US ADVICE ON LIFE? 471 00:17:27,667 --> 00:17:29,500 - YES. 472 00:17:29,500 --> 00:17:31,133 YES, I AM. 473 00:17:31,133 --> 00:17:34,567 - THOMAS, I THINK THAT IS GREAT. 474 00:17:34,567 --> 00:17:37,000 IT'S LIKE YOU'RE--YOU CAN BE OUR MOTIVATIONAL SPEAKER. 475 00:17:37,000 --> 00:17:38,667 - YEAH. 476 00:17:38,667 --> 00:17:40,400 - WHATEVER PLANS I HAVE, I'M DROPPING. 477 00:17:40,400 --> 00:17:41,734 I WILL BE AT THIS DINNER, 478 00:17:41,734 --> 00:17:43,700 AND I WILL BE LISTENING WITH MY EARS WIDE OPEN, 479 00:17:43,700 --> 00:17:50,000 BECAUSE IF ANYTHING, THIS WILL BE HIGHLY ENTERTAINING. 480 00:17:50,000 --> 00:17:52,033 - ALL RIGHT, OKAY, WE'LL SEE YOU THERE, THOMAS. 481 00:17:55,333 --> 00:17:57,166 - IT WILL BE A GOOD TIME. 482 00:17:57,166 --> 00:17:59,000 AND THE FACT THAT YOU'RE GONNA BE DOING THIS, 483 00:17:59,000 --> 00:17:59,767 THEY'RE GONNA HAVE A LOT OF RESPECT FOR YOU. 484 00:17:59,767 --> 00:18:01,266 - MM-HMM. 485 00:18:01,266 --> 00:18:02,533 - THEY'RE GONNA REALLY APPRECIATE IT. 486 00:18:02,533 --> 00:18:04,100 - YEAH. 487 00:18:04,100 --> 00:18:05,233 - [quietly] OH, MY GOD. 488 00:18:05,233 --> 00:18:06,700 THIS IS GONNA BE PURE COMEDY. 489 00:18:06,700 --> 00:18:08,133 THEY SHOULD, LIKE, SELL TICKETS FOR THIS. 490 00:18:08,133 --> 00:18:09,400 - YEAH. - SERIOUSLY, IT WOULD SELL OUT. 491 00:18:09,400 --> 00:18:11,000 - IT'S GONNA BE HILARIOUS. 492 00:18:11,000 --> 00:18:13,400 - THOMAS RAVENEL WILL BE GIVING LIFE ADVICE 493 00:18:13,400 --> 00:18:16,433 AT HIS HOME WEDNESDAY EVENING. 494 00:18:16,433 --> 00:18:17,734 MAYBE HE'LL BE GIVING OUT CONDOMS 495 00:18:17,734 --> 00:18:20,467 AS PARTY FAVORS AT THE DOOR. 496 00:18:20,467 --> 00:18:23,533 [both laugh] 497 00:18:23,533 --> 00:18:25,000 - COMING UP... 498 00:18:25,000 --> 00:18:26,433 - I'M NOT GOING TO HAVE A CONVERSATION 499 00:18:26,433 --> 00:18:28,200 WITH PEOPLE WHO HAVE ZERO CLASS. 500 00:18:28,200 --> 00:18:29,734 - SLEEPING WITH THREE PEOPLE AT THIS TABLE 501 00:18:29,734 --> 00:18:31,400 IN THE COURSE OF THREE WEEKS ISN'T CLASS. 502 00:18:44,533 --> 00:18:47,133 [phone line ringing] 503 00:18:47,133 --> 00:18:49,700 - HELLO? - SHEPARD. 504 00:18:49,700 --> 00:18:53,734 ARE YOU AWAKE? IT'S 1:00 IN THE AFTERNOON. 505 00:18:53,734 --> 00:18:55,600 - I JUST HAVE A LITTLE LARYNGITIS. 506 00:18:55,600 --> 00:18:57,700 - SURE--SURE YOU DO. 507 00:18:57,700 --> 00:19:00,300 HEY, I'M IN THE NEIGHBORHOOD, AND I GOT SOME NEW WHEELS. 508 00:19:00,300 --> 00:19:02,066 - YOU WANT TO COME TAKE A JOY RIDE? 509 00:19:02,066 --> 00:19:04,133 - YEAH, I'M TAKING YOU TO THE SHRIMP SHACK. 510 00:19:04,133 --> 00:19:06,734 - DON'T TELL ME WHAT YOU GOT. I WANT TO BE SURPRISED. 511 00:19:06,734 --> 00:19:08,333 SEE YOU SOON. - OKAY, BYE. 512 00:19:08,333 --> 00:19:10,166 NOW THAT I'M GONNA BE SELLING REAL ESTATE, 513 00:19:10,166 --> 00:19:12,300 I CAN'T BE DRIVING AROUND IN AN OLD HOOP-DEE. 514 00:19:12,300 --> 00:19:13,767 I GOT TO GET SOMETHING 515 00:19:13,767 --> 00:19:16,333 THAT MAKES ME LOOK LIKE I HAVE SOME CLASS. 516 00:19:16,333 --> 00:19:17,533 THAT'S IT. 517 00:19:17,533 --> 00:19:19,100 - THIS? - HER NAME'S UNICORN. 518 00:19:19,100 --> 00:19:21,467 - DAMN. - COME ON, LET'S GO. 519 00:19:23,400 --> 00:19:25,367 - YEAH. - YEAH. 520 00:19:32,000 --> 00:19:33,500 WELCOME TO PARADISE. 521 00:19:33,500 --> 00:19:35,066 - WHAT'S GOOD HERE? 522 00:19:35,066 --> 00:19:36,633 - WE COULD GET PEEL 'N EAT. - WHAT'S THAT? 523 00:19:36,633 --> 00:19:38,400 - PEEL 'N EAT SHRIMP. 524 00:19:38,400 --> 00:19:39,467 IT'S--YOU PEEL-- YOU PEEL AND EAT. 525 00:19:39,467 --> 00:19:40,500 - OH, NO, I DON'T WANT TO PEEL. 526 00:19:40,500 --> 00:19:42,033 I DON'T LIKE DOING MANUAL LABOR. 527 00:19:42,033 --> 00:19:43,300 - [chuckles] 528 00:19:43,300 --> 00:19:44,500 OH, SHEP. 529 00:19:44,500 --> 00:19:46,133 I MEAN, GOD LOVE HIM. 530 00:19:46,133 --> 00:19:47,300 - WHAT? 531 00:19:47,300 --> 00:19:48,600 - HOW ARE Y'ALL TODAY? 532 00:19:48,600 --> 00:19:50,133 - HEY, GOOD, HOW ARE YOU? - GOOD. 533 00:19:50,133 --> 00:19:51,767 - LET ME ORDER. - ALL RIGHT. 534 00:19:51,767 --> 00:19:54,266 - WE WANT A BASKET OF FRIED SHRIMP 535 00:19:54,266 --> 00:19:56,633 AND THEN, UM, CAN WE HAVE SOME OF THE PALMETTO CHEESE DIP TOO? 536 00:19:56,633 --> 00:19:58,066 - SURE. - THANK YOU, SIR. 537 00:19:58,066 --> 00:20:00,133 SO THOMAS IS HAVING A PARTY. 538 00:20:00,133 --> 00:20:02,066 HE'S GONNA MAKE A SPEECH OR SOMETHING. 539 00:20:02,066 --> 00:20:05,166 - HE SUPPOSEDLY IS GIVING US, FROM WHAT HE TOLD ME, 540 00:20:05,166 --> 00:20:09,667 LIFE ADVICE FROM LESSONS THAT HE HAS LEARNED. 541 00:20:09,667 --> 00:20:11,667 - SO HE'S GIVING US ADVICE 542 00:20:11,667 --> 00:20:13,667 EVEN THOUGH HE DOESN'T KNOW WHAT IS RIGHT FROM WRONG? 543 00:20:13,667 --> 00:20:17,367 - I MEAN, HONEST TO GOD, I THINK IT'S KIND OF SAD. 544 00:20:17,367 --> 00:20:20,033 - LOOK, HE'S GONNA HAVE US OVER AND GIVE US FOOD AND DRINK, 545 00:20:20,033 --> 00:20:21,500 AND THAT'S ENOUGH FOR ME TO SHOW UP, 546 00:20:21,500 --> 00:20:25,266 'CAUSE I CAN TUNE OUT WHATEVER I WANT PRETTY EASILY. 547 00:20:25,266 --> 00:20:29,233 - DO YOU THINK HE'S GONNA HAVE ADVICE TO GIVE TO KATHRYN? 548 00:20:29,233 --> 00:20:31,567 - HONESTLY, THEY PROBABLY GIVE EACH OTHER TERRIBLE ADVICE 549 00:20:31,567 --> 00:20:32,600 ALL DAY LONG. 550 00:20:32,600 --> 00:20:34,500 [chuckles] 551 00:20:34,500 --> 00:20:36,400 FOR SOME REASON, THOMAS WAS ADAMANT 552 00:20:36,400 --> 00:20:38,166 ABOUT DANNI BEING MY DATE. 553 00:20:38,166 --> 00:20:40,200 - WHY? 554 00:20:40,200 --> 00:20:42,700 - I DON'T KNOW. 555 00:20:42,700 --> 00:20:44,400 I'M GONNA GO WITH HER. 556 00:20:44,400 --> 00:20:46,467 I'LL HANG OUT WITH DANNI ANY OLD TIME. 557 00:20:46,467 --> 00:20:48,367 - YEAH, DANNI'S SWEET. 558 00:20:48,367 --> 00:20:50,533 - YOU KNOW WHAT HAPPENED AT J.D.'S PARTY. 559 00:20:50,533 --> 00:20:52,233 - MM-MM. 560 00:20:52,233 --> 00:20:53,667 WHAT? 561 00:20:53,667 --> 00:20:55,233 - DANNI AND I KISSED EACH OTHER. 562 00:20:55,233 --> 00:20:56,367 - YOU DID? 563 00:20:56,367 --> 00:20:57,567 - IN THE CORNER. 564 00:20:57,567 --> 00:20:59,567 - FULL FRENCH? - YEAH. 565 00:21:01,633 --> 00:21:03,266 - NO. NO, SHEP. 566 00:21:03,266 --> 00:21:04,133 - WHY NOT? 567 00:21:09,200 --> 00:21:13,100 - WHETHER I WANT TO LEAD HER ON AND DO THAT AGAIN 568 00:21:13,100 --> 00:21:16,467 IS A WHOLE NOTHER BALL OF WAX. 569 00:21:16,467 --> 00:21:18,400 - IF YOU HAVE THAT MUCH FUN WITH DANNI, 570 00:21:18,400 --> 00:21:20,734 WHY AREN'T YOU WITH HER? 571 00:21:20,734 --> 00:21:22,200 - IT HAS NOTHING TO DO WITH HER. 572 00:21:22,200 --> 00:21:24,066 IT HAS EVERYTHING TO DO WITH ME. - YEAH. 573 00:21:24,066 --> 00:21:27,200 - WITH DANNI, LIKE, EVERYTHING LOOKS PERFECT ON PAPER AND GOOD, 574 00:21:27,200 --> 00:21:31,033 AND I'M JUST NOT--THERE'S, LIKE, SOMETHING MISSING. 575 00:21:31,033 --> 00:21:32,667 AND I CAN'T PUT MY FINGER ON IT. 576 00:21:32,667 --> 00:21:34,467 - YOU HAVEN'T FOUND THE RIGHT PERSON. 577 00:21:34,467 --> 00:21:37,700 - IT HAS TO BE SOMEONE THAT KNOCKS ME ON MY ASS. 578 00:21:37,700 --> 00:21:38,734 - YOU'LL--YOU'LL KNOW. 579 00:21:38,734 --> 00:21:40,767 - KNOCKS ME ON MY ASS, 580 00:21:40,767 --> 00:21:42,200 AND I HAVEN'T BEEN KNOCKED ON MY ASS IN A LONG TIME. 581 00:21:42,200 --> 00:21:43,567 - YEAH, WELL, THEN, I RESPECT YOU. 582 00:21:43,567 --> 00:21:46,600 IF YOU HAVEN'T BEEN KNOCKED ON YOUR ASS... 583 00:21:46,600 --> 00:21:48,133 KEEP CHASING ASS. 584 00:21:48,133 --> 00:21:51,066 - [laughs] EXACTLY. 585 00:21:57,266 --> 00:21:58,233 [knocking at door] 586 00:21:58,233 --> 00:21:59,233 - WHITNEY! 587 00:21:59,233 --> 00:22:00,700 - YO. - HEY. 588 00:22:00,700 --> 00:22:02,400 - HEY. - LOOKIT HERE. 589 00:22:02,400 --> 00:22:04,033 HOW ARE YOU? 590 00:22:04,033 --> 00:22:05,133 - GOOD, MAN. - GOOD TO SEE YOU. 591 00:22:05,133 --> 00:22:06,467 - HOW WAS THE FLIGHT? - GOOD. 592 00:22:06,467 --> 00:22:08,433 SMOOCH! HMM! 593 00:22:08,433 --> 00:22:10,300 LOOK A BIT THIN, THOUGH. ARE YOU EATING? 594 00:22:10,300 --> 00:22:12,734 - IT'S ALL THAT RUNNING. - [laughs] 595 00:22:12,734 --> 00:22:15,300 - LET'S GO DISCUSS BUSINESS IN THE LIBRARY. 596 00:22:15,300 --> 00:22:17,166 - OH, OKAY. BUSINESS. 597 00:22:17,166 --> 00:22:19,066 LET'S GO. 598 00:22:19,066 --> 00:22:21,033 - BRYAN IS A VERY OLD FRIEND OF MINE FROM LOS ANGELES. 599 00:22:21,033 --> 00:22:23,200 HE FOUNDED PLANET HOLLYWOOD. 600 00:22:23,200 --> 00:22:25,767 HE KNOWS THE RESTAURANT BUSINESS INSIDE AND OUT. 601 00:22:25,767 --> 00:22:27,467 AND I TRUST HIM IMPLICITLY. 602 00:22:27,467 --> 00:22:29,533 - SO FILL ME IN. WHAT'S HAPPENING? 603 00:22:29,533 --> 00:22:31,300 - I HAVE A GREAT IDEA FOR THIS VISION I'M DOING 604 00:22:31,300 --> 00:22:33,166 FOR A RESTAURANT IN THIS TOWN. 605 00:22:33,166 --> 00:22:36,433 AND I WANT TO DO HIGH-END MEXICAN. 606 00:22:36,433 --> 00:22:38,100 - OH. 607 00:22:38,100 --> 00:22:39,667 - WANT BEAUTIFUL. I WANT THREE STORIES. 608 00:22:39,667 --> 00:22:43,000 I WANT VELVET EVERYWHERE, SATIN. 609 00:22:43,000 --> 00:22:44,200 I WANT CHANDELIERS. 610 00:22:44,200 --> 00:22:45,600 I HAVE A GRAND VISION. 611 00:22:45,600 --> 00:22:48,166 - I MEAN, I LIKE IT. I LIKE THE IDEA. 612 00:22:48,166 --> 00:22:50,367 - I'VE BEEN KIND OF WORKING WITH SHEP. 613 00:22:50,367 --> 00:22:52,066 I THINK YOU MET HIM LAST TIME. - YEAH, I KNOW SHEP. 614 00:22:52,066 --> 00:22:54,600 I WOULD BE AFRAID TO DO A HOT DOG STAND WITH SHEP. 615 00:22:54,600 --> 00:22:56,433 - [laughs] 616 00:22:58,000 --> 00:22:59,100 WELL, THE IDEA--LOOK, I THOUGHT IT BE GREAT-- 617 00:22:59,100 --> 00:23:00,100 BE A GOOD FACE FOR THE BUSINESS. 618 00:23:00,100 --> 00:23:02,166 HE WOULD PUT A BIT OF MONEY IN, 619 00:23:02,166 --> 00:23:05,133 AND THEN HE WOULD BRING IN INVESTORS 620 00:23:05,133 --> 00:23:06,767 FOR THE PLACE. 621 00:23:06,767 --> 00:23:10,200 SO HE FOUND A COUPLE PEOPLE-- - HOLD IT, HOLD IT, HOLD IT. 622 00:23:10,200 --> 00:23:11,433 HE PUTS A LITTLE BIT OF MONEY IN. 623 00:23:11,433 --> 00:23:13,333 WHAT THE HELL'S THAT MEAN? 624 00:23:13,333 --> 00:23:15,166 DOES THAT BUY HIM CARTE BLANCHE AT THE BAR? 625 00:23:15,166 --> 00:23:19,166 DOES THAT BUY HIM A TABLE WITH HIS BROS WHENEVER HE WANTS? 626 00:23:19,166 --> 00:23:20,633 YOU KNOW, HE COULD DRINK YOU OUT OF BUSINESS 627 00:23:20,633 --> 00:23:24,200 IN, YOU KNOW, THREE OR FOUR MONTHS. 628 00:23:24,200 --> 00:23:25,667 WELL, HOW FAR ARE YOU? 629 00:23:25,667 --> 00:23:28,533 - IT'S BEEN A MAELSTROM OF JUST KIND OF NOTHINGNESS. 630 00:23:28,533 --> 00:23:31,700 BASICALLY, NOTHING HAS HAPPENED IN THE PAST TWO WEEKS. 631 00:23:31,700 --> 00:23:35,233 DUDE, WE COULD REALLY USE YOUR HELP IN THIS RESTAURANT. 632 00:23:35,233 --> 00:23:37,700 THE PROBLEM IS, SHEP AND I ARE BOTH IDEA GUYS, 633 00:23:37,700 --> 00:23:41,200 AND WHAT WE NEED IS SOMEONE WHO CAN ACTUALLY EXECUTE, 634 00:23:41,200 --> 00:23:43,200 MAKE IT HAPPEN. 635 00:23:43,200 --> 00:23:45,166 BRYAN IS LIKE THE KICK IN THE PANTS I NEED. 636 00:23:45,166 --> 00:23:47,233 - THIS IS A VERY COMPETITIVE RESTAURANT TOWN. 637 00:23:47,233 --> 00:23:49,133 - SURE. 638 00:23:49,133 --> 00:23:50,500 - THEY REALLY TAKE A LOT OF PRIDE IN THEIR FOOD. 639 00:23:50,500 --> 00:23:52,400 THIS IS NOT A PLACE WHERE YOU CAN COME IN, 640 00:23:52,400 --> 00:23:53,467 DO SOMETHING HALF-ASSED, AND THINK YOU'RE GONNA SUCCEED. 641 00:23:53,467 --> 00:23:55,367 IT'S NOT GONNA HAPPEN. 642 00:23:55,367 --> 00:23:59,000 I'M, PERSONALLY, NOT INTERESTED IN WORKING WITH SOMEONE ELSE. 643 00:24:00,533 --> 00:24:02,133 I'LL WORK WITH YOU. - YEAH. 644 00:24:02,133 --> 00:24:04,600 - IF YOU WANT TO AGREE WITH ME ON THAT, 645 00:24:04,600 --> 00:24:08,133 YOU KNOW, I'LL JUMP IN WITH TWO FEET. 646 00:24:08,133 --> 00:24:10,066 YOU'RE GONNA HAVE TO MAKE A DECISION, 647 00:24:10,066 --> 00:24:13,467 BECAUSE I'M NOT INTERESTED IF THERE ARE OTHER PEOPLE AROUND. 648 00:24:13,467 --> 00:24:16,200 - LOOK, I LIKE SHEP. HE'S A GOOD GUY. 649 00:24:16,200 --> 00:24:17,433 HE HAS A GOOD HEART. 650 00:24:17,433 --> 00:24:19,100 BUT, LOOK, I'M SPINNING MY WHEELS, 651 00:24:19,100 --> 00:24:22,600 AND I DON'T KNOW ABOUT HIS SERIOUSNESS OR DEVOTION. 652 00:24:22,600 --> 00:24:24,233 BUSINESS IS BUSINESS, 653 00:24:24,233 --> 00:24:27,567 AND IF I CAN GO FORWARD WITH THIS THING, 654 00:24:27,567 --> 00:24:30,567 PLACE MY BETS WITH BRYAN. 655 00:24:30,567 --> 00:24:32,600 - WELL, UNFORTUNATELY, YOU KNOW, SOMETIMES IN LIFE, 656 00:24:32,600 --> 00:24:34,500 YOU HAVE TO MAKE TOUGH DECISIONS. 657 00:24:34,500 --> 00:24:37,233 AND, UH, YOU KNOW, SHEP SEEMS LIKE A GREAT GUY, 658 00:24:37,233 --> 00:24:39,100 BUT MAYBE, YOU KNOW, 659 00:24:39,100 --> 00:24:40,200 GREAT GUYS ARE NOT GOOD TO GO INTO BUSINESS WITH SOMETIMES. 660 00:24:40,200 --> 00:24:41,700 - YEAH. YEAH. 661 00:24:41,700 --> 00:24:44,033 - IT'S A PERFECT MARKET FOR A CONCEPT LIKE YOUR IDEA, 662 00:24:44,033 --> 00:24:46,367 AND I THINK THAT I CAN HELP YOU. 663 00:24:46,367 --> 00:24:48,166 LET'S GET TO WORK. 664 00:24:48,166 --> 00:24:50,066 I'LL GET BACK TO YOU IN A COUPLE DAYS, I GUESS. 665 00:24:50,066 --> 00:24:51,500 WE GOT TO PUT A TASTING TOGETHER. 666 00:24:51,500 --> 00:24:53,567 I GOT--WE GOT TO FIND A LOCATION, LAWYER. 667 00:24:53,567 --> 00:24:55,033 - LET'S DO IT. 668 00:24:55,033 --> 00:24:56,133 LET'S DO IT, BRO. 669 00:24:57,667 --> 00:24:59,066 - IT'S GOOD TO SEE YOU. - YEAH. 670 00:24:59,066 --> 00:25:00,166 - YOU DO--YOU DO LOOK THIN. 671 00:25:00,166 --> 00:25:02,066 YOU GOT TO EAT, 672 00:25:02,066 --> 00:25:03,633 'CAUSE I KNOW YOU'RE NOT WORKING OUT, YOU LAZY ASS. 673 00:25:03,633 --> 00:25:05,100 - [laughs] 674 00:25:16,400 --> 00:25:17,600 [canister hissing] 675 00:25:26,500 --> 00:25:28,066 - HEY. - HELLO. 676 00:25:28,066 --> 00:25:29,600 - ALL RIGHT. - HOW DO I LOOK? 677 00:25:29,600 --> 00:25:31,233 - YOU'RE LOOKING FABULOUS. - LOVELY? 678 00:25:31,233 --> 00:25:32,133 - FANTASTIC. 679 00:25:35,533 --> 00:25:37,667 - MM. VERY SEXY. 680 00:25:37,667 --> 00:25:40,433 SHALL WE? - SHALL WE? 681 00:25:46,533 --> 00:25:49,133 - Y'ALL GOT ALL THE MATERIALS YOU NEED? 682 00:25:49,133 --> 00:25:50,667 CUISINERIE MATERIALS? - WE DO. 683 00:25:50,667 --> 00:25:52,100 ALTHOUGH I HAVE TO CONFESS, 684 00:25:52,100 --> 00:25:53,200 AS BEAUTIFUL AS THIS KITCHEN IS... 685 00:25:53,200 --> 00:25:54,166 - UH-HUH. 686 00:25:56,100 --> 00:25:58,433 - I AM A BACHELOR. - [laughs] 687 00:26:01,133 --> 00:26:03,500 - I'M CONFIDENT THAT THE DINNER WILL RUN SMOOTHLY, 688 00:26:03,500 --> 00:26:06,500 BECAUSE I OUTSOURCED IT TO ONE OF J.D.'S COMPANIES 689 00:26:06,500 --> 00:26:09,400 SO THAT I CAN JUST RELAX WITH MY FRIENDS 690 00:26:09,400 --> 00:26:11,066 AND NOT HAVE TO WORRY ABOUT ALL THOSE DETAILS. 691 00:26:13,767 --> 00:26:16,133 - NO. JUST GOOD SERVICE. 692 00:26:16,133 --> 00:26:18,233 - [laughs] 693 00:26:18,233 --> 00:26:21,100 - ALL RIGHT. HERE'S THE SEATING ARRANGEMENT. 694 00:26:21,100 --> 00:26:23,100 - OKAY. - I'M SITTING HERE. 695 00:26:23,100 --> 00:26:25,066 YOU'RE GONNA SIT THERE. - OKAY. 696 00:26:25,066 --> 00:26:28,367 - J.D.'S HERE. WHITNEY'S HERE. 697 00:26:28,367 --> 00:26:29,633 DANNI THERE. 698 00:26:29,633 --> 00:26:31,500 SHEP THERE. 699 00:26:31,500 --> 00:26:34,633 - I FEEL LIKE WHITNEY SHOULD BE AT THE KIDS' TABLE IN THERE. 700 00:26:34,633 --> 00:26:36,166 - THAT MAY BE ARRANGED. 701 00:26:36,166 --> 00:26:38,400 - IT MIGHT BE. 702 00:26:43,433 --> 00:26:44,734 - WHITNEY! 703 00:26:44,734 --> 00:26:46,734 - HEY, BABY. - HI, BABY! 704 00:26:46,734 --> 00:26:49,100 UGH, YOUR STEPS ARE TOO STEEP. 705 00:26:49,100 --> 00:26:51,000 - HEY. 706 00:26:51,000 --> 00:26:53,100 ALL RIGHT, UM, REAL QUICK: THANK YOU FOR POPPING BY... 707 00:26:53,100 --> 00:26:54,266 - YEAH. 708 00:26:54,266 --> 00:26:55,700 - 'CAUSE DINNER IS SO IMPORTANT TO ME. 709 00:26:55,700 --> 00:26:58,033 - YEAH, I KNOW IT IS. 710 00:26:58,033 --> 00:27:00,066 - I WAS WONDERING IF YOU COULD HELP ME ROCK MY OUTFIT. 711 00:27:00,066 --> 00:27:02,166 - OKAY, SO WHAT ARE YOU THINKING? 712 00:27:02,166 --> 00:27:07,333 - I'M GONNA GO AMERICAN JIGGALO CIRCA EARLY '80s ARMANI. 713 00:27:07,333 --> 00:27:09,767 SO THAT AND THEN I'LL DO THE BLACK SHIRT. 714 00:27:09,767 --> 00:27:11,333 I THINK THAT'S GOOD. 715 00:27:11,333 --> 00:27:12,700 - LET ME GET YOUR THOUGHTS ON HOW I LOOK. 716 00:27:12,700 --> 00:27:13,600 - OKAY, PUT IT ON. - THANK YOU. 717 00:27:13,600 --> 00:27:15,667 - PUT IT ON. 718 00:27:15,667 --> 00:27:16,734 CAN I PICK OUT SOMETHING FOR ME TO WEAR OUT OF HERE? 719 00:27:16,734 --> 00:27:18,500 - SURE. 720 00:27:18,500 --> 00:27:20,266 THIS DINNER PARTY SOUNDS LIKE A TERRIBLE IDEA. 721 00:27:20,266 --> 00:27:23,166 - WHITNEY, EVERYTHING YOU OWN IS, LIKE, BURBERRY. 722 00:27:23,166 --> 00:27:25,100 - [laughs] 723 00:27:25,100 --> 00:27:27,233 - BUT OUT OF FRIENDSHIP, I WILL SHOW UP NONETHELESS. 724 00:27:27,233 --> 00:27:30,066 HOPEFULLY HE'S CALMED DOWN. HE'S OFF THE CRAZY. 725 00:27:32,700 --> 00:27:34,567 - [laughs] ♪♪ BOW CHICKA BOW NOW ♪♪ 726 00:27:34,567 --> 00:27:36,166 YOU LOOK GREAT. 727 00:27:36,166 --> 00:27:38,100 VERY DAPPER. 728 00:27:38,100 --> 00:27:39,767 A LOT'S RIDING ON THIS NIGHT FOR YOU. 729 00:27:39,767 --> 00:27:42,133 - AH, I WANT TO LOOK REALLY GOOD TONIGHT. 730 00:27:42,133 --> 00:27:44,033 I'M NOT GONNA LIE. - WELL, DON'T STRESS. 731 00:27:44,033 --> 00:27:46,166 YOU LOOK AMAZING. 732 00:27:50,000 --> 00:27:51,533 - YO, T-RAV! 733 00:27:51,533 --> 00:27:52,533 WHAT DO YOU KNOW, WHAT DO YOU KNOW? 734 00:27:52,533 --> 00:27:54,700 I GOTS A LITTLE VINO. 735 00:27:54,700 --> 00:27:56,767 - HEY, J.D., WE'RE IN THE KITCHEN. 736 00:27:58,300 --> 00:27:59,367 - GOOD TO SEE YOU AGAIN, DEAR. 737 00:28:01,333 --> 00:28:03,033 GOOD TO SEE YOU. - ALL RIGHT, MY MAN. 738 00:28:03,033 --> 00:28:04,600 - YOU'RE LOOKING SHARP, BROTHER. 739 00:28:04,600 --> 00:28:06,033 YOU'RE LOOKING SHARP. - ISN'T HE? 740 00:28:06,033 --> 00:28:07,467 - LOOKIN' A BIT SOUTHERN. 741 00:28:07,467 --> 00:28:09,433 - FEELS LIKE I'M WEARING NOTHING AT ALL. 742 00:28:09,433 --> 00:28:10,700 [laughter] 743 00:28:10,700 --> 00:28:12,500 SO WHAT Y'ALL BEEN UP TO? 744 00:28:12,500 --> 00:28:13,734 - JUST GETTING READY FOR THIS EVENT, YOU KNOW. 745 00:28:13,734 --> 00:28:15,667 I'MA LAY A FEW WORDS ON YOU FOLKS. 746 00:28:15,667 --> 00:28:16,734 - OH, YEAH? - YEAH. 747 00:28:16,734 --> 00:28:18,500 - WHAT'S THAT ALL ABOUT? 748 00:28:18,500 --> 00:28:20,266 - WELL, YOU'LL BE HAPPY TO KNOW, I DON'T TOUCH ON YOU. 749 00:28:20,266 --> 00:28:22,133 - I DON'T NEED THE FULL FEATURE. - I DON'T TOUCH ON YOU. 750 00:28:22,133 --> 00:28:24,266 - I APPRECIATE THAT. - I'MA LEAVE YOU ALONE. 751 00:28:24,266 --> 00:28:26,233 - [laughs] 752 00:28:26,233 --> 00:28:28,266 - JUST, YOU KNOW, I'M GONNA TALK A LITTLE BIT ABOUT, 753 00:28:28,266 --> 00:28:31,033 YOU KNOW, THE LESSONS I'VE LEARNED ON THE WAY UP, 754 00:28:31,033 --> 00:28:33,066 BUT MOSTLY ON THE WAY DOWN. 755 00:28:33,066 --> 00:28:35,100 - I LOVE MY FRIEND THOMAS, 756 00:28:35,100 --> 00:28:36,767 BUT THAT'S AN UNUSUAL THEME FOR A PARTY. 757 00:28:36,767 --> 00:28:38,533 WE'RE GONNA IMPART SOME WISDOM. 758 00:28:38,533 --> 00:28:40,100 - 'CAUSE YOU LEARN A LOT MORE GOING DOWN THAN UP. 759 00:28:40,100 --> 00:28:42,300 - YEAH. - THAT'S PROBABLY RIGHT. 760 00:28:42,300 --> 00:28:45,200 I THINK IT MIGHT BE LOST ON THIS AUDIENCE; WE'LL SEE. 761 00:28:45,200 --> 00:28:47,400 DO THINK YOU MIGHT MAKE IT ALL THE WAY THROUGH THIS DISCUSSION 762 00:28:47,400 --> 00:28:49,266 WITHOUT BEING INTERRUPTED? 763 00:28:49,266 --> 00:28:51,066 - NO, I'M GONNA MAKE SURE EVERYONE IS RESPECTFUL. 764 00:28:51,066 --> 00:28:53,033 - YOU'RE GONNA BE-- YOU'RE ON DUTY? 765 00:28:53,033 --> 00:28:54,633 - I MEAN, THIS IS A NICE DINNER. 766 00:28:54,633 --> 00:28:58,033 I'M NOT GONNA LET ANYONE TREAT IT DIFFERENTLY. 767 00:28:58,033 --> 00:28:59,400 - COMING UP... 768 00:28:59,400 --> 00:29:01,000 - GO AWAY, AND YOU'RE NEVER INVITED AGAIN. 769 00:29:01,000 --> 00:29:02,433 - IT'S NOT YOUR HOUSE. - STOP TALKING! 770 00:29:02,433 --> 00:29:03,533 - DO YOU OWN A HOUSE? 771 00:29:03,533 --> 00:29:06,033 OH, MY GOD, GIRLS ARE INSANE. 772 00:29:06,033 --> 00:29:11,633 - YOU'RE [bleep] INSANE. 773 00:29:14,233 --> 00:29:15,333 - AH. 774 00:29:16,700 --> 00:29:18,467 I LOVE THAT SOUND. 775 00:29:18,467 --> 00:29:20,433 MM. THAT'S GOOD. 776 00:29:22,100 --> 00:29:23,633 - HELLO? 777 00:29:23,633 --> 00:29:26,266 - HOLD ON, AMIGO. - HEY, DANNI. 778 00:29:26,266 --> 00:29:27,667 - HOW'S IT GOING? - HOW ARE YOU? 779 00:29:27,667 --> 00:29:29,300 GOOD TO SEE YOU. Y'ALL DOING ALL RIGHT? 780 00:29:29,300 --> 00:29:30,567 - I WANTED DANNI TO BE HERE, YOU KNOW. 781 00:29:30,567 --> 00:29:32,700 I HAVE NO ILL FEELINGS TOWARDS HER. 782 00:29:32,700 --> 00:29:34,700 HEY, MAN, HOW Y'ALL DOING? GOOD TO SEE YOU. 783 00:29:34,700 --> 00:29:37,667 THANKS FOR COMING. - THANK YOU FOR THE INVITE. 784 00:29:37,667 --> 00:29:39,200 - BUT MAYBE THERE'S A SLIGHT PART OF ME 785 00:29:39,200 --> 00:29:40,567 WANTS HER TO HAVE SOME REGRET, 786 00:29:40,567 --> 00:29:42,300 'CAUSE SHE MADE A BAD DECISION. 787 00:29:43,567 --> 00:29:45,266 - MM! 788 00:29:45,266 --> 00:29:46,266 - YOU SIT NEXT TO YOUR DATE. 789 00:29:46,266 --> 00:29:47,467 I'MA SIT RIGHT HERE. 790 00:29:49,400 --> 00:29:50,633 - YEAH. 791 00:29:50,633 --> 00:29:52,400 - HELLO? - HELLO. 792 00:29:52,400 --> 00:29:53,700 - HEY. 793 00:29:53,700 --> 00:29:55,500 - LOOK WHAT WHITNEY AND I GOT YOU. 794 00:29:55,500 --> 00:29:57,433 - OH, A LITTLE RED WINE. 795 00:29:57,433 --> 00:30:01,200 - THOMAS, I FEAR THE ROMANS EVEN WHEN THEY BRING GIFTS. 796 00:30:01,200 --> 00:30:02,633 - [laughs] - [laughs] 797 00:30:06,266 --> 00:30:07,700 - LISTEN, SOMETHING'S GOING ON. 798 00:30:07,700 --> 00:30:09,367 SOMETHING'S BOILING UNDERNEATH THE SURFACE. 799 00:30:09,367 --> 00:30:10,700 - UNDER WHAT SURFACE? 800 00:30:10,700 --> 00:30:12,300 - HIS SURFACE. 801 00:30:12,300 --> 00:30:14,000 THERE'S GONNA BE A VOLCANO HERE TONIGHT. 802 00:30:14,000 --> 00:30:15,400 - I'M NOT REALLY WORRIED ABOUT IT. 803 00:30:15,400 --> 00:30:16,467 AS LONG AS YOU HAVE A POSITIVE ATTITUDE, 804 00:30:16,467 --> 00:30:18,700 I MEAN, WHAT CAN GO WRONG? 805 00:30:18,700 --> 00:30:21,367 - AT THOMAS', IT FEELS LIKE IT'S DINNER THEATER, 806 00:30:21,367 --> 00:30:24,033 SORT OF A WHODUNIT MURDER MYSTERY. 807 00:30:24,033 --> 00:30:27,133 I DON'T THINK ANYBODY KNOWS QUITE WHAT TO EXPECT. 808 00:30:27,133 --> 00:30:29,133 - HELLO? 809 00:30:29,133 --> 00:30:30,600 - SO... - SO? 810 00:30:30,600 --> 00:30:32,700 - WHAT'S THE LATEST? - TRYING TO KEEP UP, MY FRIEND. 811 00:30:32,700 --> 00:30:34,700 - YEAH? - TRYING TO KEEP UP. 812 00:30:34,700 --> 00:30:36,100 - GOOD TO SEE YOU. - GOOD TO SEE YOU TOO. 813 00:30:36,100 --> 00:30:38,400 YOUR HOUSE IS GORGEOUS. - THANK YOU. 814 00:30:38,400 --> 00:30:40,633 - DO I NECESSARILY WANT TO TAKE ADVICE FROM HIM? 815 00:30:40,633 --> 00:30:42,500 PROBABLY NOT. 816 00:30:42,500 --> 00:30:44,767 YOU KNOW, I'D RATHER GET IT FROM JESUS CHRIST OR THE DALAI LAMA. 817 00:30:44,767 --> 00:30:47,300 THOMAS RAVENEL? EH. 818 00:30:47,300 --> 00:30:48,567 I HAVE BETTER SOURCES. 819 00:30:48,567 --> 00:30:50,100 - SHALL WE? - YEAH, TEAM. 820 00:30:50,100 --> 00:30:51,500 GO, TEAM. 821 00:30:51,500 --> 00:30:53,333 LADIES. - THANK YOU. 822 00:30:53,333 --> 00:30:55,266 - JUST HOLD ON. 823 00:30:55,266 --> 00:30:57,200 I DON'T WANT TO WALK INTO A ROOM WITH TWO DRINKS IN MY HANDS. 824 00:30:57,200 --> 00:30:59,166 IT'S KIND OF EMBARRASSING. 825 00:31:02,367 --> 00:31:04,100 NOW IT'S NOT. - [laughs] 826 00:31:04,100 --> 00:31:08,700 - [laughs] NOW I'M READY FOR FREDDIE. 827 00:31:08,700 --> 00:31:10,533 - THE ONLY PERSON WE'RE WAITING ON NOW IS CRAIG, 828 00:31:10,533 --> 00:31:11,734 BUT WE'RE GONNA GET STARTED WITHOUT CRAIG. 829 00:31:11,734 --> 00:31:13,433 - YEAH. 830 00:31:13,433 --> 00:31:15,533 - EVERYBODY TAKE A CHAIR. OKAY. 831 00:31:15,533 --> 00:31:17,500 THERE HE IS! - WHAT'S UP, GUYS? 832 00:31:17,500 --> 00:31:19,033 - TAKE A SEAT RIGHT THERE. 833 00:31:19,033 --> 00:31:20,567 THANKS FOR JOINING US. 834 00:31:20,567 --> 00:31:23,000 - THOMAS IS PROBABLY THE LAST PERSON ON EARTH 835 00:31:23,000 --> 00:31:25,200 THAT SHOULD BE GIVING ANYONE LIFE ADVICE, 836 00:31:25,200 --> 00:31:27,266 BUT HE DOES THROW GOOD DINNER PARTIES, 837 00:31:27,266 --> 00:31:29,700 SO IF I HAVE TO HEAR HIM TALK ABOUT HIS LIFE FOR A LITTLE BIT, 838 00:31:29,700 --> 00:31:31,333 IT'S A SMALL PRICE TO PAY. 839 00:31:31,333 --> 00:31:32,667 - NOW I'M GONNA IMPART 840 00:31:32,667 --> 00:31:35,667 SOME WONDERFUL WORDS OF WISDOM TO YOU. 841 00:31:35,667 --> 00:31:37,700 TAKE IT ANY WAY YOU LIKE. 842 00:31:37,700 --> 00:31:39,500 OKAY, YOU KNOW, WHEN YOU TAKE A BIG FALL, 843 00:31:39,500 --> 00:31:41,700 A BIG PRECIPITOUS FALL, 844 00:31:41,700 --> 00:31:45,266 IT ALLOWS YOU AN OPPORTUNITY TO LOOK INSIDE YOURSELF 845 00:31:45,266 --> 00:31:49,066 AND REALLY STUDY WHO YOU ARE. 846 00:31:49,066 --> 00:31:51,166 AND, YOU KNOW, WHAT I DID WRONG HAD NOTHING TO DO WITH DRUGS 847 00:31:51,166 --> 00:31:53,600 OR COCAINE. 848 00:31:53,600 --> 00:31:56,667 AND, YOU KNOW, IN CASE YOU HAVEN'T READ THE STORY. 849 00:31:56,667 --> 00:31:58,533 THE GLASS MENAGERIE IS A STORY ABOUT A PERSON 850 00:31:58,533 --> 00:32:03,767 WHO IS TRAPPED IN A UNIVERSE FROM WHICH SHE COULD NOT ESCAPE. 851 00:32:03,767 --> 00:32:06,700 IT'S NOT A UNIVERSE THAT HAD ANY WALLS OR BARS OR CHAINS. 852 00:32:06,700 --> 00:32:08,700 IT WAS A PRISON MADE UP ONLY IN HER MIND. 853 00:32:08,700 --> 00:32:10,400 SHEP. 854 00:32:10,400 --> 00:32:11,533 JUST MAKING SURE YOU'RE LISTENING. 855 00:32:11,533 --> 00:32:13,266 - OKAY. [laughs] 856 00:32:13,266 --> 00:32:15,233 WHETHER HE KNOWS IT OR NOT, IT'S KIND OF BRILLIANT. 857 00:32:15,233 --> 00:32:18,000 IT'S ALMOST LIKE A MONTY PYTHON OR SOMETHING. 858 00:32:18,000 --> 00:32:20,166 HE'S GOT ALL THESE IDIOTS SITTING AROUND A TABLE 859 00:32:20,166 --> 00:32:22,266 AND THEN THE HEAD IDIOT TRYING TO TELL US HOW TO BEHAVE. 860 00:32:22,266 --> 00:32:25,166 - 15 YEARS AGO, 861 00:32:25,166 --> 00:32:26,567 I DIDN'T REALIZE AT THE TIME, 862 00:32:26,567 --> 00:32:28,266 BUT I HAD MY OWN LITTLE GLASS MENAGERIE. 863 00:32:28,266 --> 00:32:30,533 I WAS GONNA BE THE SUCCESSFUL BUSINESSMAN. 864 00:32:30,533 --> 00:32:32,300 I WAS GONNA BE IN THE UNITED STATES SENATE. 865 00:32:32,300 --> 00:32:34,066 AND AS A RESULT OF ALL THAT, 866 00:32:34,066 --> 00:32:36,400 I WAS GONNA MARRY WHOEVER I WANTED. 867 00:32:36,400 --> 00:32:37,734 - IT'S ABSOLUTELY RIDICULOUS, 868 00:32:37,734 --> 00:32:39,667 THE STORY ABOUT THE GLASS MENAGERIE. 869 00:32:39,667 --> 00:32:41,633 HE'S USING THIS LITERARY REFERENCE COMPLETELY WRONG. 870 00:32:41,633 --> 00:32:43,700 - AND I'LL NEVER FORGET. 871 00:32:43,700 --> 00:32:46,734 I WAS HITTING, UM, BALLS OVER AT PATRIOTS POINT, 872 00:32:46,734 --> 00:32:49,233 AND I SAW THIS GIRL-- GOOD-LOOKING GIRL-- 873 00:32:49,233 --> 00:32:51,567 THE BEVERAGE CART GIRL. 874 00:32:51,567 --> 00:32:52,633 AND I PUT THE 7 IRON OVER MY SHOULDER 875 00:32:52,633 --> 00:32:54,300 AND I AMBLED OVER THERE, 876 00:32:54,300 --> 00:32:56,300 AND I LEARNED THAT THIS GIRL HAD GROWN UP IN ITALY, 877 00:32:56,300 --> 00:32:58,066 AND I WAS LIKE, "BUONGIORNO." 878 00:32:58,066 --> 00:32:59,500 SHE WAS ALL FLUSTERED. I COULD TELL SHE LIKED ME. 879 00:32:59,500 --> 00:33:02,100 - [laughs] GOOD IN. 880 00:33:03,700 --> 00:33:06,633 - THIS GIRL AND I WERE INSEPARABLE FOR THREE YEARS. 881 00:33:06,633 --> 00:33:08,734 BUT TO MY HORROR, IT WAS BATTLING WITH MY MIND, 882 00:33:08,734 --> 00:33:10,500 'CAUSE I WANTED EVERYTHING PERFECT, 883 00:33:10,500 --> 00:33:12,500 BUT SHE DIDN'T FIT INTO MY GLASS MENAGERIE. 884 00:33:12,500 --> 00:33:13,633 SHE WASN'T THIS PERFECT PERSON, YOU KNOW? 885 00:33:13,633 --> 00:33:16,133 SHE WAS THE BEVERAGE CART GIRL. 886 00:33:16,133 --> 00:33:18,233 SO THREE YEARS LATER, DAY BEFORE THE WEDDING, 887 00:33:18,233 --> 00:33:19,300 I CALL IT OFF. 888 00:33:22,533 --> 00:33:24,633 I THREW HER AWAY LIKE SHE WAS LIKE, 889 00:33:24,633 --> 00:33:26,266 YOU KNOW, YESTERDAY'S TRASH. 890 00:33:30,734 --> 00:33:35,700 I THINK WHAT HAPPENED-- WHEN I THREW HER AWAY, 891 00:33:35,700 --> 00:33:37,667 I WAS NOT TRUE TO MYSELF. 892 00:33:37,667 --> 00:33:40,567 THE REST OF THE GLASS MENAGERIE DIDN'T MATTER. 893 00:33:40,567 --> 00:33:42,567 I BASICALLY WANTED IT TO EXPLODE, 894 00:33:42,567 --> 00:33:44,000 AND I WAS JUST RECKLESS, 895 00:33:44,000 --> 00:33:45,633 AND I WAS REALLY UPSET WITH MYSELF, 896 00:33:45,633 --> 00:33:47,767 AND I DIDN'T KNOW HOW TO ATONE FOR MY SIN. 897 00:33:47,767 --> 00:33:50,700 - THIS IS A MOMENT 898 00:33:50,700 --> 00:33:54,667 WHERE I SEE THOMAS AS BEING RAW AND HONEST AND VULNERABLE. 899 00:33:54,667 --> 00:33:57,300 - SO I WOULD JUST IMPART THIS ADVICE 900 00:33:57,300 --> 00:33:59,000 TO EACH AND EVERY ONE OF YOU: 901 00:33:59,000 --> 00:34:00,633 YOU KNOW, BE CAREFUL OF WHAT YOU WANT. 902 00:34:00,633 --> 00:34:02,633 SHEP, YOU WERE SAYING YOU WANTED A CONSENSUS, 903 00:34:02,633 --> 00:34:05,600 YOU KNOW, WHEN YOU MARRY A WIFE. 904 00:34:05,600 --> 00:34:07,667 BUT I'M SAYING, BE TRUE TO WHO YOU WANT, 905 00:34:07,667 --> 00:34:11,133 NOT WHAT YOUR FATHER WANTS OR YOUR MOTHER. 906 00:34:11,133 --> 00:34:12,700 HEARD DANNI SAY THAT, 907 00:34:12,700 --> 00:34:15,500 "WELL, YOU KNOW, YOU'RE A CONVICTED FELON." 908 00:34:15,500 --> 00:34:17,300 I WOULD JUST SAY TO YOU THAT, YOU KNOW, 909 00:34:17,300 --> 00:34:20,300 WHERE ARE YOU GONNA FIND THESE PERFECT GUYS? 910 00:34:22,367 --> 00:34:23,500 YOU KNOW, WE ALL HAVE FRAILTIES. 911 00:34:23,500 --> 00:34:25,567 WE ALL HAVE WEAKNESSES. 912 00:34:25,567 --> 00:34:26,600 JUST BE CAREFUL. 913 00:34:28,700 --> 00:34:31,400 AND I WOULD SAY TO WHITNEY HERE... 914 00:34:35,166 --> 00:34:36,367 I SEE THE WAY YOU DRESS. 915 00:34:36,367 --> 00:34:38,200 YOU PROJECT THIS IMAGE 916 00:34:38,200 --> 00:34:40,667 OF A WORLDLY, OPEN-MINDED, TOLERANT PERSON. 917 00:34:40,667 --> 00:34:44,033 BUT I KNOW YOU TO BE INTOLERANT-- 918 00:34:44,033 --> 00:34:45,333 YOU KNOW, VERY CLOSED-MINDED, 919 00:34:45,333 --> 00:34:48,433 NARROW-MINDED, 920 00:34:48,433 --> 00:34:49,533 VERY JUDGMENTAL. 921 00:34:52,333 --> 00:34:53,600 - WELL, WHAT YOU MIGHT INTERPRET 922 00:34:53,600 --> 00:34:55,734 AS ME BEING INTOLERANT OR WHATEVER, 923 00:34:55,734 --> 00:34:58,767 IT'S JUST MORE OUT OF CONCERN AND LOVE, 924 00:34:58,767 --> 00:35:02,000 BECAUSE THERE'S TIMES YOU MAKE, FREQUENTLY, THE WRONG CHOICES. 925 00:35:02,000 --> 00:35:03,633 I'M JUST-- 926 00:35:03,633 --> 00:35:05,000 - WOULD YOU SUGGEST I DATE A BEVERAGE CART GIRL? 927 00:35:05,000 --> 00:35:06,367 - I DON'T KNOW. 928 00:35:06,367 --> 00:35:07,467 - IF I HAD GONE TO YOU FOR ADVICE, 929 00:35:07,467 --> 00:35:09,333 WHAT WOULD YOU HAVE SAID? 930 00:35:09,333 --> 00:35:12,734 YOU PROBABLY WOULD'VE SAID SHE WASN'T PROPER, APPROPRIATE. 931 00:35:12,734 --> 00:35:15,233 - NO. I MEAN, I THINK-- 932 00:35:15,233 --> 00:35:17,333 - NO? YOU'RE SAYING NO? 933 00:35:17,333 --> 00:35:18,633 - WHITNEY CAN BE JUDGMENTAL. 934 00:35:18,633 --> 00:35:21,100 IT'S NOT ENTIRELY WRONG. 935 00:35:21,100 --> 00:35:23,166 BUT I DON'T KNOW IF IT'S THOMAS' PLACE 936 00:35:23,166 --> 00:35:24,700 TO CONFRONT WHITNEY ABOUT THAT. 937 00:35:24,700 --> 00:35:29,400 - IF YOU'RE GONNA BE AN AGENT OF THE FUTURE, 938 00:35:29,400 --> 00:35:32,767 AS YOU PROJECT YOURSELF TO BE, 939 00:35:32,767 --> 00:35:35,100 THEN MAYBE THERE SHOULD BE SOMETHING IN YOU 940 00:35:35,100 --> 00:35:36,166 THAT SHOULD CHANGE. 941 00:35:38,667 --> 00:35:41,467 AND WITH THAT, I WOULD LIKE TO CONCLUDE 942 00:35:41,467 --> 00:35:44,133 WITH RAISING THE GLASS TO GOOD FRIENDS. 943 00:35:46,300 --> 00:35:47,600 [glasses clink] 944 00:35:47,600 --> 00:35:49,600 HEAR, HEAR. 945 00:35:49,600 --> 00:35:51,600 NOW YOU CAN BRING ON THE FIRST MEAL. 946 00:35:51,600 --> 00:35:54,533 - OR THE LAST SUPPER. [laughs] 947 00:35:54,533 --> 00:35:57,200 - HERE WE ARE. 948 00:35:57,200 --> 00:36:00,700 - HEY, DOES ANYBODY NEED HELP WONDERING WHICH FORK IS WHICH? 949 00:36:00,700 --> 00:36:02,633 THIS IS A SALAD FORK. 950 00:36:02,633 --> 00:36:05,700 - SO WHERE'S THE GIRL NOW? WHAT HAPPENED? 951 00:36:05,700 --> 00:36:07,767 - WELL, THE GIRL, SHE'S MARRIED. 952 00:36:07,767 --> 00:36:09,633 SHE'S GOT A CHILD. 953 00:36:09,633 --> 00:36:11,233 - IS IT YOURS? 954 00:36:11,233 --> 00:36:12,467 [laughter] 955 00:36:12,467 --> 00:36:14,133 - I WISH. 956 00:36:14,133 --> 00:36:15,533 NO. 957 00:36:15,533 --> 00:36:18,266 - HOW DID SHE REACT? I MEAN... 958 00:36:18,266 --> 00:36:19,767 - DID YOU RUN AWAY? 959 00:36:19,767 --> 00:36:20,767 - WELL, I GAVE HER THIS HUGE CHECK, 960 00:36:20,767 --> 00:36:22,333 AND I REMEMBER, IT CAME BACK 961 00:36:22,333 --> 00:36:24,433 AND IT'D BEEN RIPPED UP IN, LIKE, 500 PIECES. 962 00:36:24,433 --> 00:36:26,633 - IF SHE LIVES IN CHARLESTON, I WOULD LIKE TO MEET HER 963 00:36:26,633 --> 00:36:28,066 AND GIVE HER A HIGH FIVE. 964 00:36:28,066 --> 00:36:30,533 YOU GO, GIRL. 965 00:36:30,533 --> 00:36:33,066 - DEEP, BRO. - YEAH. 966 00:36:33,066 --> 00:36:36,033 - WHAT IF YOU FOUND OUT THAT THIS GIRL WAS DIVORCED 967 00:36:36,033 --> 00:36:38,200 AND SINGLE AND READY TO MINGLE? 968 00:36:39,567 --> 00:36:41,000 - UM, I'D BE ALL OVER IT 969 00:36:41,000 --> 00:36:43,467 LIKE, UM--LIKE, UM, WHITE ON RICE. 970 00:36:46,500 --> 00:36:48,367 - KATHRYN, EAR MUFFS. 971 00:36:48,367 --> 00:36:51,066 - REALLY? 972 00:36:51,066 --> 00:36:53,667 - UH-OH. 973 00:36:53,667 --> 00:36:56,233 WELL, WE HAVE A HISTORY, YOU KNOW. 974 00:36:56,233 --> 00:36:58,033 - I FEEL BAD FOR THOMAS. 975 00:36:58,033 --> 00:37:00,633 IF HE ACTUALLY FELT THAT WAY ABOUT SOMEONE, HE WAS LUCKY. 976 00:37:00,633 --> 00:37:02,667 SO HOPEFULLY HE CAN FIND IT IN HIS NEW 21-YEAR-OLD. 977 00:37:06,700 --> 00:37:08,633 - OH, MY, LOOK AT THIS. 978 00:37:08,633 --> 00:37:10,767 - I THINK COMMITMENT IN CHARLESTON 979 00:37:10,767 --> 00:37:13,633 IS ITS OWN WORLD IN GENERAL. 980 00:37:13,633 --> 00:37:16,066 - Y'ALL HAVE TOO MANY CHOICES. - YEAH. 981 00:37:16,066 --> 00:37:17,500 - AND IT'S NOT REALLY TRADITIONAL DATING ANYMORE. 982 00:37:17,500 --> 00:37:19,133 - NOT AT ALL. - IT'S NOT TRADITIONAL. 983 00:37:19,133 --> 00:37:22,233 - ZERO CHIVALRY AT ALL LEFT. - NO, THAT'S NOT TRUE. 984 00:37:22,233 --> 00:37:24,166 - YOU DON'T EVEN KNOW WHAT YOU'RE TALKING ABOUT, 985 00:37:24,166 --> 00:37:25,467 WHICH IS THE SAD PART. 986 00:37:27,667 --> 00:37:29,367 - I'M JUST SAYING, TIMES HAVE CHANGED. 987 00:37:29,367 --> 00:37:31,667 THAT'S ALL. CHIVALRY'S NOT DEAD. 988 00:37:31,667 --> 00:37:33,100 THERE--I MEAN, PEOPLE SAY THAT... 989 00:37:33,100 --> 00:37:35,000 - I DO BELIEVE IT IS. - BUT IT'S-- 990 00:37:35,000 --> 00:37:36,600 - THE WAY YOU'RE TALKING TO ME, YEAH, IT SHOWS 991 00:37:36,600 --> 00:37:38,734 CHIVALRY'S KIND OF DEAD. 992 00:37:38,734 --> 00:37:41,367 - I THINK KATHRYN'S EMBARRASSED BECAUSE HER NEW BOYFRIEND 993 00:37:41,367 --> 00:37:44,100 JUST SPENT TEN MINUTES TALKING ABOUT HOW HE LOVED ANOTHER GIRL, 994 00:37:44,100 --> 00:37:47,367 AND SHE'S TRYING TO PUSH ALL THAT ATTENTION ON SOMEONE ELSE. 995 00:37:47,367 --> 00:37:49,166 - I'M NOT GOING TO HAVE A CONVERSATION 996 00:37:49,166 --> 00:37:51,667 WITH PEOPLE WHO HAVE ZERO CLASS AND THINK THEY DO. 997 00:37:51,667 --> 00:37:53,633 - SHUT UP. 998 00:37:53,633 --> 00:37:55,166 - SLEEPING WITH THREE PEOPLE AT THIS TABLE 999 00:37:55,166 --> 00:37:56,767 IN THE COURSE OF THREE WEEKS ISN'T CLASS, 1000 00:37:56,767 --> 00:38:00,100 SO PLEASE DON'T MAKE COMMENTS ABOUT CLASS. 1001 00:38:02,667 --> 00:38:04,133 - OH, REALLY? 1002 00:38:04,133 --> 00:38:05,400 THREE PEOPLE? NAME THEM. 1003 00:38:05,400 --> 00:38:07,467 - I DON'T NEED TO AT THE MOMENT. 1004 00:38:07,467 --> 00:38:10,000 - THAT'S DISGUSTING. 1005 00:38:10,000 --> 00:38:12,300 - YOU SAID IT. 1006 00:38:12,300 --> 00:38:14,033 - LORD BE WITH US ALL. 1007 00:38:14,033 --> 00:38:16,367 CRAIG HAS JUST LET THE CAT OUT OF THE BAG. 1008 00:38:17,600 --> 00:38:19,600 - I'M GONNA GET OUT OF HERE. 1009 00:38:22,600 --> 00:38:26,066 - WHAT'S GOING ON? IS THAT TRUE? 1010 00:38:26,066 --> 00:38:28,467 I KNOW THAT ME, SHEP. 1011 00:38:28,467 --> 00:38:30,734 WHO'S THE THIRD PERSON HERE? 1012 00:38:30,734 --> 00:38:33,533 - THIS ISN'T HOW PEOPLE BEHAVE WHERE I HANG OUT. 1013 00:38:33,533 --> 00:38:34,500 - SHE STARTED IT. 1014 00:38:34,500 --> 00:38:36,233 DON'T CALL ME UNCLASSY, 1015 00:38:36,233 --> 00:38:37,333 'CAUSE I'LL CALL YOU OUT REAL QUICK. 1016 00:38:37,333 --> 00:38:38,667 I JUST TELL IT HOW IT IS. 1017 00:38:38,667 --> 00:38:40,333 - WELL, LET'S JUST TRY TO MAKE THE BEST OF IT. 1018 00:38:40,333 --> 00:38:41,700 LET'S SALVAGE THE EVENING. 1019 00:38:41,700 --> 00:38:44,367 I'VE HEARD SOME UNPLEASANT THINGS. 1020 00:38:46,500 --> 00:38:48,367 - COMING UP... 1021 00:38:48,367 --> 00:38:50,333 - SO IT'S OKAY FOR HIM TO SAY WHATEVER HE WANTS ABOUT ME... 1022 00:38:50,333 --> 00:38:51,700 - I MEAN, HE HIT A NERVE. - EVEN IF IT'S NOT TRUE? 1023 00:38:51,700 --> 00:38:54,567 - I JUST WANT TO KNOW, WHAT IS THE TRUTH? 1024 00:39:00,567 --> 00:39:01,467 - WOULD YOU PLEASE SAY THE BLESSING? 1025 00:39:03,400 --> 00:39:05,467 - OKAY. 1026 00:39:05,467 --> 00:39:06,567 GOD... 1027 00:39:08,500 --> 00:39:10,133 CLAP YOUR HANDS. 1028 00:39:10,133 --> 00:39:11,633 STOMP YOUR FEET. 1029 00:39:11,633 --> 00:39:13,133 THANK THE LORD. 1030 00:39:13,133 --> 00:39:15,533 IT'S TIME TO EAT. 1031 00:39:15,533 --> 00:39:17,467 GOD BLESS EVERYONE. 1032 00:39:17,467 --> 00:39:20,166 AMEN. 1033 00:39:20,166 --> 00:39:22,033 - AMEN. I LIKE IT. 1034 00:39:22,033 --> 00:39:23,300 - WAS THAT GOOD? 1035 00:39:23,300 --> 00:39:25,433 - BRAVO. 1036 00:39:25,433 --> 00:39:27,200 - I'M NOT A REGULAR CHURCHGOER, 1037 00:39:27,200 --> 00:39:31,066 SO I JUST COME UP WITH WHAT GOD TELLS ME. 1038 00:39:32,400 --> 00:39:34,233 - OH, MY GOD. 1039 00:39:40,333 --> 00:39:43,200 [dramatic music] 1040 00:39:43,200 --> 00:39:45,200 ♪♪ ♪♪ 1041 00:39:45,200 --> 00:39:46,567 - [sobbing] - COME HERE. 1042 00:39:46,567 --> 00:39:49,133 COME HERE. 1043 00:39:49,133 --> 00:39:51,033 - I'M NOT GONNA BE TREATED THAT WAY. 1044 00:39:51,033 --> 00:39:53,500 WHO SAYS THAT AT A TABLE? 1045 00:39:53,500 --> 00:39:57,066 CRAIG IS JUST UPSET BECAUSE I REJECTED HIM. 1046 00:39:57,066 --> 00:39:58,367 - OKAY, WELL, LET HIM BE. 1047 00:39:58,367 --> 00:40:00,066 - LIKE, BOO-HOO. - LET HIM BE. 1048 00:40:00,066 --> 00:40:01,266 - BUT THAT DOESN'T GIVE YOU THE RIGHT 1049 00:40:01,266 --> 00:40:04,100 TO SIT THERE AND TRY AND SLANDER ME. 1050 00:40:04,100 --> 00:40:05,734 - OKAY, WELL, IF IT GETS THAT BAD, 1051 00:40:05,734 --> 00:40:08,333 THOMAS, IF HE'S THE ONE FOR YOU, HE WILL DEFEND YOU. 1052 00:40:08,333 --> 00:40:10,333 IT'S HIS HOUSE. 1053 00:40:10,333 --> 00:40:12,133 - THOMAS, THANK YOU. IT WAS A WONDERFUL NIGHT. 1054 00:40:12,133 --> 00:40:13,266 THANK YOU SO MUCH. - ALL RIGHT, AS ALWAYS... 1055 00:40:13,266 --> 00:40:15,400 - I ADORED YOUR TALK, REALLY. 1056 00:40:15,400 --> 00:40:17,367 I THINK IF YOU AND I JUST, YOU KNOW-- 1057 00:40:17,367 --> 00:40:19,100 IF I OFFER ADVICE, IF IT'S MISGUIDED OR NOT, 1058 00:40:19,100 --> 00:40:21,066 YOU KNOW IT'S OUT OF LOVE, RESPECT. 1059 00:40:21,066 --> 00:40:22,500 THANK YOU VERY MUCH. 1060 00:40:22,500 --> 00:40:24,333 THIS DINNER IS SILLY. IT'S A BIT OUT OF HAND. 1061 00:40:24,333 --> 00:40:26,533 AND I DON'T REALLY NEED TO BE DRESSED DOWN FOR ANY REASON, 1062 00:40:26,533 --> 00:40:28,200 SO I JUST GOT THE [bleep] OUT OF THERE. 1063 00:40:28,200 --> 00:40:31,200 - THANK YOU VERY MUCH. - OKAY. MWAH! 1064 00:40:31,200 --> 00:40:32,467 WISH Y'ALL WEREN'T LEAVING SO SOON. 1065 00:40:32,467 --> 00:40:34,600 - HI. 1066 00:40:34,600 --> 00:40:38,000 - I CAN HONESTLY SAY WHEN THOMAS ENVISIONED THIS NIGHT, 1067 00:40:38,000 --> 00:40:40,433 THIS IS NOT WHAT HE HAD IN MIND. 1068 00:40:40,433 --> 00:40:43,667 WELL, THAT WAS INTERESTING. [chuckles] 1069 00:40:43,667 --> 00:40:46,100 - WHAT WAS HAPPENING EARLIER? - SHE'S JUST BAD NEWS. 1070 00:40:46,100 --> 00:40:47,433 AND I DON'T WANT TO BE THE PERSON THAT TELLS YOU THAT, 1071 00:40:47,433 --> 00:40:48,633 BUT SHE IS, SO I'M JUST SAYING, 1072 00:40:48,633 --> 00:40:50,367 KEEP YOUR GUARD UP. 1073 00:40:50,367 --> 00:40:51,433 THOMAS IS MY FRIEND. 1074 00:40:51,433 --> 00:40:53,266 I'M GONNA TELL HIM 1075 00:40:53,266 --> 00:40:54,633 IF I THINK A GIRL'S BEING MANIPULATIVE TO HIM. 1076 00:40:54,633 --> 00:40:57,200 I SEE RIGHT THROUGH KATHRYN'S BULL[bleep]. 1077 00:40:57,200 --> 00:41:00,266 SHE'S 30 YEARS YOUNGER THAN HIM, 1078 00:41:00,266 --> 00:41:02,133 AND I BELIEVE SHE HAS ULTERIOR MOTIVES. 1079 00:41:02,133 --> 00:41:05,100 IF I MADE A BULL[bleep] COMMENT AND IT MEANT NOTHING, 1080 00:41:05,100 --> 00:41:06,400 THEN NO ONE WOULD GET THAT MAD. 1081 00:41:06,400 --> 00:41:08,200 - RIGHT. - I'M JUST SAYING. 1082 00:41:08,200 --> 00:41:10,633 I'M GONNA LOOK OUT FOR YOU NO MATTER WHAT, SO... 1083 00:41:10,633 --> 00:41:13,100 - I WANT TO KNOW EXACTLY WHAT'S GOING ON RIGHT NOW, 1084 00:41:13,100 --> 00:41:14,400 BECAUSE I KNOW YOU'RE SAYING THINGS ABOUT ME 1085 00:41:14,400 --> 00:41:15,500 THAT ARE NOT TRUE. 1086 00:41:15,500 --> 00:41:16,667 - NO, NO, NO. 1087 00:41:16,667 --> 00:41:18,166 - NO, NO, NO, NO, NO, NO, NO. 1088 00:41:18,166 --> 00:41:19,300 - THANKS FOR HAVING ME. - THANKS. 1089 00:41:19,300 --> 00:41:20,767 APPRECIATE IT. HE'S JUST-- 1090 00:41:20,767 --> 00:41:23,066 - REALLY, YOU'RE GONNA WALK AWAY LIKE A CHILD? 1091 00:41:23,066 --> 00:41:24,567 - I'M GONNA LOOK OUT FOR MY FRIEND. 1092 00:41:24,567 --> 00:41:26,200 I JUST DON'T WANT TO SEE YOU GET TAKEN ADVANTAGE OF. 1093 00:41:27,567 --> 00:41:29,433 - WOW. - THANK YOU FOR DINNER. 1094 00:41:29,433 --> 00:41:30,300 I APPRECIATE IT. I'LL SEE YOU IN THE MORNING. 1095 00:41:30,300 --> 00:41:31,700 - WHO ARE YOU TO JUDGE? 1096 00:41:31,700 --> 00:41:33,266 GO AWAY, AND YOU'RE NEVER INVITED AGAIN. 1097 00:41:33,266 --> 00:41:35,133 - IT'S NOT YOUR HOUSE. 1098 00:41:35,133 --> 00:41:37,700 IT'S THOMAS' HOUSE. 1099 00:41:37,700 --> 00:41:39,667 YOU'RE 21 YEARS OLD. - STOP TALKING. 1100 00:41:39,667 --> 00:41:41,367 - DO YOU EVEN OWN A HOUSE? - NO ONE ASKED FOR YOUR OPINION. 1101 00:41:41,367 --> 00:41:42,734 - YOU CAN'T DISINVITE-- - NO ONE'S TALKING TO YOU. 1102 00:41:42,734 --> 00:41:44,700 - I COULD LITERALLY STAY HERE IF I WANTED TO. 1103 00:41:44,700 --> 00:41:46,633 YOU'RE OUT OF YOUR MIND. 1104 00:41:46,633 --> 00:41:49,033 OH, MY GOD. 1105 00:41:49,033 --> 00:41:51,433 YOU'RE A GIRL THAT SHOWED UP A WEEK AGO. 1106 00:41:51,433 --> 00:41:53,000 - THIS IS MY HOUSE. 1107 00:41:53,000 --> 00:41:54,300 - THANK YOU! - HE IS MY FRIEND. 1108 00:41:54,300 --> 00:41:56,200 - TOM, YOU CAN HANDLE THIS, 1109 00:41:56,200 --> 00:41:58,533 BUT DON'T LET GIRLS SAY STUFF LIKE THAT. 1110 00:41:58,533 --> 00:42:01,166 OH, MY GOD, GIRLS ARE INSANE. 1111 00:42:01,166 --> 00:42:03,266 - YOU'RE [bleep] INSANE. 1112 00:42:03,266 --> 00:42:05,433 - I WON'T LET YOU GET AWAY WITH WHAT YOU WANT. 1113 00:42:05,433 --> 00:42:07,266 - YOU KNOW WHAT? 1114 00:42:07,266 --> 00:42:09,133 - IF IT'S NOT TRUE, WHY ARE YOU GETTING SO UPSET? 1115 00:42:09,133 --> 00:42:11,100 - SO IT'S OKAY FOR HIM TO SAY WHATEVER HE WANTS ABOUT ME... 1116 00:42:11,100 --> 00:42:13,233 - I MEAN, HE HIT A NERVE. - EVEN IF IT'S NOT TRUE? 1117 00:42:13,233 --> 00:42:16,266 - I JUST WANT TO KNOW, WHAT IS THE TRUTH? 1118 00:42:16,266 --> 00:42:19,166 - YOU BELIEVE WHAT YOU WANT. LOSE WHAT YOU WANT. 1119 00:42:29,567 --> 00:42:31,367 - NEXT TIME ON SOUTHERN CHARM... 1120 00:42:31,367 --> 00:42:33,100 - DUDE, WHAT THE [bleep] HAPPENED? 1121 00:42:33,100 --> 00:42:35,500 YOU SAID SHE SLEPT WITH THREE PEOPLE AT THIS TABLE. 1122 00:42:35,500 --> 00:42:37,233 - I DIDN'T NAME DROP, THOUGH. 1123 00:42:37,233 --> 00:42:40,166 - OH, GOD, IT'S JUST MATH. SIMPLE ARITHMETIC. 1124 00:42:40,166 --> 00:42:42,033 - WHO'S THIS THIRD GUY I HOOKED UP WITH? 1125 00:42:42,033 --> 00:42:45,533 THAT HAS NEVER HAPPENED, EVER. 1126 00:42:45,533 --> 00:42:47,233 - I BELIEVE YOU TOTALLY. 1127 00:42:47,233 --> 00:42:49,333 - KISS THE COMFORTS OF HOME GOOD-BYE. 1128 00:42:49,333 --> 00:42:50,433 [dog barks] 1129 00:42:50,433 --> 00:42:51,467 [laughter] 1130 00:42:51,467 --> 00:42:53,767 - HERE WE GO. 1131 00:42:53,767 --> 00:42:55,467 [gunshot] - [squeals] 1132 00:42:55,467 --> 00:42:56,567 - WE'RE ALL GOING INTO THE WOODS-- 1133 00:42:56,567 --> 00:42:58,266 THE WHOLE GANG WITH GUNS. 1134 00:42:58,266 --> 00:42:59,500 WHAT COULD GO WRONG? 1135 00:42:59,500 --> 00:43:01,233 - YOU'RE AN OLD FRIEND. 1136 00:43:01,233 --> 00:43:04,300 YOU KNOW, I'LL COME CLEAN. I'LL BE HONEST. 1137 00:43:04,300 --> 00:43:05,200 - JESUS CHRIST. 82456

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