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♪
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Downloaded from
YTS.MX
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Official YIFY movies site:
YTS.MX
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[ APPLAUSE ]
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>> HELLO, FRIENDS.
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WELCOME TO OUR EMMYS
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NEIGHBORHOOD ON A BEAUTIFUL MLK
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DAY.
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YOU KNOW...
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[ APPLAUSE ]
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I LOVE TELEVISION AND
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TONIGHT WE CELEBRATE 75 YEARS OF
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EMMYS!
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WE'RE GOING TO COMMEMORATE THE
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GREATEST SHOWS OF TODAY WHILE
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PAYING TRIBUTE TO SOME OF THE
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ICONIC SERIES THAT MEAN SO MUCH
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TO US.
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SIMPLY PUT, TELEVISION HAS
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SHAPED THE WORLD AND MORE
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IMPORTANTLY, IT SHAPED ME.
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NOW, I HAVE LEARNED A GREAT DEAL
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ABOUT LIFE FROM MY MOTHER.
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SHE TAUGHT ME EVERYTHING I KNOW,
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BUT I ALSO LEARNED A LOT FROM
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THE TELEVISION SHOWS THAT I
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WATCHED GROWING UP.
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I'D WATCH IN MY LIVING ROOM.
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IT WAS JUST ME, MY TV, MY PIANO
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AND A SMALL LOCAL DIVERSE AND
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INCLUSIVE CHOIR FROM COMPTON.
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YEAH!
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YOU'RE PROBABLY WONDERING WHY I
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HAVE THE WHITE DUDE IN THE
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CHOIR.
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FUN FACT, KEVIN COSTNER IS FROM
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COMPTON.
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I WONDER IF HE WAS A CRIP OR A
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BLOOD.
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WHO KNOWS...
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ALRIGHT.
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>> ANYWAY, FROM THIS GREAT
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SERIES CREATED BY NORMAN LEAR
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AND ERIC MONTE, I LEARNED ABOUT
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THE IMPORTANCE OF FAMILY, A
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DYNAMITE CATCHPHRASE AND SPINOFF
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MONEY.
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NO GOOD TIMES, NO GROWNISH.
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NONE OF THAT ISH.
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CHOIR, HIT IT!
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♪ KEEPIN' YOUR HEAD ABOVE
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WATER MAKING A WAVE WHEN
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YOU CAN ♪
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♪ LAY OFFS GOOD TIMES EASY
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CREDIT RIP OFFS GOOD TIMES
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SCRATCHING ♪
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♪ AND SURVIVING GOOD TIMES
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HANGING OUT AND
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JIVING GOOD TIMES ♪
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♪ AIN'T WE LUCKY WE GOT EM
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GOOD TIMES
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♪
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[ APPLAUSE ]
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>> ALL RIGHT!
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ALL RIGHT.
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I SEE YOU.
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OKAY.
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HEY, FLETCHER, YOU ALWAYS
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INVITED TO THE COOKOUT.
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NOW, TV GAVE ME MY FIRST CRUSH.
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I WAS WATCHING "FACTS OF LIFE"
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WHEN A BEAUTIFUL GIRL WITH
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PIGTAILS SKATED ACROSS MY TV AND
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STOLE MY HEART.
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I LOVE YOU TOOTIE!
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BUT THEN I REALIZED THAT TOOTIE
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WOULDN'T REALLY UNDERSTAND ME.
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I NEEDED SOMEONE GROWN AND MORE
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REFINED.
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AND THERE SHE WAS.
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MRS. GARRETT.
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MM-HM.
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NOW, SHE COULD TEACH ME THE
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FACTS OF LIFE.
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[ LAUGHTER ]
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♪ YOU TAKE THE GOOD YOU TAKE
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THE BAD YOU TAKE THEM BOTH
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AND THERE YOU HAVE ♪
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♪ THE FACTS OF LIFE THE
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FACTS OF LIFE
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THERE'S A TIME YOU GOT TO GO
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AND SHOW YOU'RE GROWING ♪
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♪ NOW YOU KNOW ABOUT THE
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FACTS OF LIFE
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THE FACTS OF LIFE
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WHEN THE ♪
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♪ WORLD NEVER SEEMS TO BE
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LIVING UP TO YOUR DREAMS
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THEN SUDDENLY YOU'RE
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FINDING OUT ♪
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♪ THE FACTS OF LIFE ARE
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ALL ABOUT
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YOU YOU ♪
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[ APPLAUSE ]
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ING.
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>> YEAH.
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NOW, MAMA SAID IF I WANTED A
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GROWN, MATURE WOMAN, I NEEDED TO
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GET COOL.
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I DIDN'T KNOW WHAT SHE MEANT
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UNTIL MIAMI VICE TAUGHT ME ALL I
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NEEDED WAS A TAN, WHITE FRIEND
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AND A COOL WHITE JACKET.
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IT'S CRAZY TO THINK THAT PHILLIP
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MICHAEL THOMAS COINED THE PHRASE
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EGOT.
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DAMMIT, HE AIN'T GOT ONE!
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♪
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♪ I CAN FEEL IT COMING IN THE
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AIR TONIGHT ♪
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♪ OH LORD
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♪ I BEEN WAITING FOR THIS MOMENT
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FOR ALL MY LIFE ♪
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♪ OH LORD
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♪ OH LORD
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>> YEAH!
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GIVE IT UP FOR TRAVIS BARKER!
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HEY, TRAVIS, YOU CAN PLAY AT MY
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WEDDING, MAN.
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YOU MISSED THE FIRST ONE.
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THE SECOND ONE.
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ALL RIGHT.
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LET'S GET INTO IT, EVERYBODY.
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TONIGHT, IS A CELEBRATION.
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WE'RE HONORING THE BEST OF BEST
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FROM ACTORS, WRITERS, DIRECTORS,
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AND THE SHOWS THAT KEPT US GLUED
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TO THE TUBE.
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TONIGHT WE'RE GIVING OUT 27
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AWARDS.
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THAT MEANS 27 ACCEPTANCE
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SPEECHES.
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SO I'D LIKE TO ASK YOU ALL TO
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KEEP THOSE SPEECHES TIGHT.
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NOW, NORMALLY ON AWARDS SHOWS WE
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DO WHAT'S CALLED "PLAYOFF MUSIC"
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WHICH EVERYONE TENDS TO IGNORE.
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BUT THIS YEAR I'VE GOT SOMETHING
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THAT NOBODY CAN IGNORE.
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MY MOMMA.
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NOW, TONIGHT, MY MOMMA --
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[ APPLAUSE ]
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>> TONIGHT, MY MOMMA, SHE IS
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GOING TO BE THE EMMYS "PLAYOFF
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MOMMA."
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WHEN YOU SEE MY MOMMA COMING,
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JUST THANK JESUS AND YOUR FAMILY
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AND WRAP IT UP.
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ALRIGHT NOW, THAT'S ENOUGH.
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I DON'T WANT NOBODY TO GET
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DISRESPECTFUL WITH MY MOMMA,
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BECAUSE MY MOMMA IS FROM THE
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WEST SIDE OF CHICAGO AND SHE CAN
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THROW HANDS.
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>> SHUT UP!
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>> MOMMA.
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>> I WANT TO GO TO THE
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AFTERPARTY.
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>> OKAY, MOMMA.
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ALL RIGHT.
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YOU'RE SUPPOSED TO BE YELLING AT
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THE OTHER PEOPLE, NOT AT ME, NOT
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IN THE MIDDLE OF THE MONOLOGUE.
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>> TIME'S UP, BABY.
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CUT TO THE CHASE!
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>> SEE WHAT I MEAN?
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MY MOMMA DON'T PLAY.
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YOU'VE ALL BEEN WARNED.
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>> OUR FIRST PRESENTER MADE HER
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TELEVISION DEBUT AT THE AGE OF
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ONE.
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THINK ABOUT IT, WHILE I GREW UP
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WATCHING TV, SHE GREW UP ON TV.
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SHE'S AN EMMY WINNER AND A
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NOMINEE AGAIN TONIGHT.
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IT IS MY HONOR TO INTRODUCE
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CHRISTINA APPLEGATE.
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♪
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[ APPLAUSE ]
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[ LOVE & MARRIAGE ]
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♪
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♪ LOVE & MARRIAGE
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♪ LOVE & MARRIAGE
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♪ GO TOGETHER LIKE A HORSE AND
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CARRIAGE ♪
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♪ YOU CAN'T HAVE ONE WITHOUT THE
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OTHER ♪
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♪ LOVE & MARRIAGE
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[ APPLAUSE ]
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>> THANK YOU SO MUCH.
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OH MY GOD, YOU'RE TOTALLY
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SHAMING ME WITH DISABILITY BY
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STANDING UP.
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IT'S FINE.
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[ LAUGHTER ]
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>> BODY NOT BY OZEMPIC.
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OKAY, LET'S GO.
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SOME OF YOU MAY KNOW ME AS KELLY
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BUNDY FROM "MARRIED, WITH
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CHILDREN," OR SAMANTHA FROM
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"SAMANTHA WHO?," OR JEN HARDING
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FROM "DEAD TO ME."
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[ CHEERS AND APPLAUSE ]
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>> THANK YOU.
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VERY FEW OF YOU PROBABLY KNOW ME
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FROM THAT DEBUT -- I'M GOING TO
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CRY, MORE THAN I'VE BEEN CRYING.
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BABY BURT GRIZELL ON "DAYS OF
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OUR LIVES."
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IT WAS MY BREAKOUT ROLE.
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AND FOR ALL THESE YEARS, IT'S
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LOOK AT THAT.
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BEEN AN HONOR TO PLAY FUNNY,
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FLAWED, COMPLEX CHARACTERS LIKE
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THE WOMEN NOMINATED FOR
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SUPPORTING ACTRESS IN A COMEDY
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SERIES.
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♪
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>> Announcer: ALEX BORSTEIN,
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"THE MARVELOUS MRS. MAISEL."
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JANELLE JAMES, "ABBOTT
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ELEMENTARY."
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SHERYL LEE RALPH, "ABBOTT
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ELEMENTARY."
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JUNO TEMPLE, "TED LASSO."
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HANNAH WADDINGHAM, "TED LASSO."
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JESSICA WILLIAMS, "SHRINKING."
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>> AND THE EMMY GOES TO.
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AYO EDEBIRI, GET YOUR ASS UP
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HERE!
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[ APPLAUSE ]
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♪
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[ APPLAUSE ]
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>> CONGRATULATIONS!
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>> HI.
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I HAVE 43 SECONDS.
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OKAY.
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I'M SO INCREDIBLY GRATEFUL FOR
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THIS FOR SO MANY REASONS.
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BUT THE MAIN ONE, THIS IS A SHOW
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ABOUT FAMILY AND FOUND FAMILY
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AND REAL FAMILY.
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MY PARENTS ARE HERE TONIGHT.
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I'M MAKING THEM SIT KIND OF FAR
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AWAY FROM ME, BECAUSE I'M A BAD
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KID.
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BUT I LOVE YOU GUYS SO MUCH.
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THANK YOU SO MUCH FOR LOVING ME
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AND LETTING ME FEEL BEAUTIFUL
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AND BLACK AND PROUD OF ALL OF
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THAT.
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I JUST LOVE YOU SO MUCH.
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IT'S A DREAM TO EMIGRATE TO THIS
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COUNTRY AND HAVE YOUR CHILD BE
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LIKE, "I WANT TO DO IMPROV."
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THANK YOU SO MUCH.
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THIS MEANS THE WORLD.
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THANK YOU.
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[ APPLAUSE ]
270
00:10:30,997 --> 00:10:40,673
♪
271
00:10:40,673 --> 00:10:42,508
>> I ACTUALLY DON'T NEED HIM
272
00:10:42,508 --> 00:10:42,909
HERE.
273
00:10:42,909 --> 00:10:43,443
HE'S JUST REALLY CUTE.
274
00:10:43,443 --> 00:10:45,712
[ LAUGHTER ]
275
00:10:45,712 --> 00:10:47,547
>> THIS IS A BIG ONE FOR ME.
276
00:10:47,547 --> 00:10:49,482
I HAVE ONLY HAD ONE PICTURE
277
00:10:49,482 --> 00:10:51,951
FRAMED IN MY HOME AND IT'S OF
278
00:10:51,951 --> 00:10:53,219
THIS PERSON AND MYSELF.
279
00:10:53,219 --> 00:10:55,655
I MEAN, ALL OF YOU ARE VERY
280
00:10:55,655 --> 00:10:57,857
FAMOUS, BUT SHE'S MORE IMPORTANT
281
00:10:57,857 --> 00:10:59,225
TO ME THAN ANY OF YOU.
282
00:10:59,225 --> 00:11:00,727
I'M SO SORRY.
283
00:11:00,727 --> 00:11:02,829
YOU'RE REALLY COOL.
284
00:11:02,829 --> 00:11:06,432
ANYWAY, CAROL BURNETT.
285
00:11:06,432 --> 00:11:08,568
CAROL BURNETT FOREVER CHANGED
286
00:11:08,568 --> 00:11:09,102
VARIETY TELEVISION.
287
00:11:09,102 --> 00:11:09,802
BEFORE CAROL, VARIETY WAS AN ALL
288
00:11:09,802 --> 00:11:10,636
MALE DOMINION.
289
00:11:10,636 --> 00:11:11,371
THE JACK BENNYS AND RED SKELTONS
290
00:11:11,371 --> 00:11:13,306
AND ANDY WILLIAMS ON TELEVISION
291
00:11:13,306 --> 00:11:14,841
WERE GREAT BUT IT WAS CAROL WHO
292
00:11:14,841 --> 00:11:15,875
BROKE NEW GROUND FOR ALL THE
293
00:11:15,875 --> 00:11:18,010
SHOWS THAT FOLLOWED, WITH
294
00:11:18,010 --> 00:11:18,778
SKETCHES THAT HAVE WITHSTOOD THE
295
00:11:18,778 --> 00:11:22,248
TEST OF TIME.
296
00:11:22,248 --> 00:11:24,851
AND NOW PLEASE WELCOME THE
297
00:11:24,851 --> 00:11:27,487
LEGEND WHO BLAZED A TRAIL FOR ME
298
00:11:27,487 --> 00:11:29,622
AND FOR EVERY WOMAN ON
299
00:11:29,622 --> 00:11:34,761
TELEVISION, 7-TIME EMMY WINNER
300
00:11:34,761 --> 00:11:37,730
WHO BROUGHT HOME HER LATEST EMMY
301
00:11:37,730 --> 00:11:40,266
A WEEK AGO FOR OUTSTANDING
302
00:11:40,266 --> 00:11:41,134
VARIETY SPECIAL.
303
00:11:41,134 --> 00:11:42,969
HERE IS THE LEGENDARY CAROL
304
00:11:42,969 --> 00:11:43,336
BURNETT.
305
00:11:43,336 --> 00:11:44,137
[ CAROL'S THEME ]
306
00:11:44,137 --> 00:11:50,910
♪
307
00:11:50,910 --> 00:12:05,792
[ CHEERS AND APPLAUSE ]
308
00:12:05,792 --> 00:12:07,960
>> I WAS LUCKY ENOUGH TO BE THE
309
00:12:07,960 --> 00:12:09,996
FIRST FEMALE HOST OF A COMEDY
310
00:12:09,996 --> 00:12:13,566
VARIETY SHOW FROM 1967 TO 1978.
311
00:12:13,566 --> 00:12:15,168
11 YEARS!
312
00:12:15,168 --> 00:12:18,571
THAT WAS A LONG TIME AGO, AND
313
00:12:18,571 --> 00:12:22,775
I JUST WANT TO SAY THAT A LOT
314
00:12:22,775 --> 00:12:24,644
HAS CHANGED IN THE LAST 46 YEARS
315
00:12:24,644 --> 00:12:25,278
FOR THE BETTER.
316
00:12:25,278 --> 00:12:28,981
PROGRESS HAS BEEN MADE.
317
00:12:28,981 --> 00:12:30,049
IT TRULY WARMS MY HEART TO SEE
318
00:12:30,049 --> 00:12:30,783
HOW WELL MEN ARE DOING IN COMEDY
319
00:12:30,783 --> 00:12:32,218
NOW.
320
00:12:32,218 --> 00:12:41,127
[ LAUGHTER ]
321
00:12:41,127 --> 00:12:41,461
GOOD.
322
00:12:41,461 --> 00:12:42,161
AND NOW, HERE ARE THE NOMINEES
323
00:12:42,161 --> 00:12:43,262
FOR A LEAD ACTRESS IN A COMEDY
324
00:12:43,262 --> 00:12:48,301
SERIES.
325
00:12:48,301 --> 00:12:50,670
>> Announcer: CHRISTINA
326
00:12:50,670 --> 00:12:53,373
APPLEGATE, "DEAD TO ME."
327
00:12:53,373 --> 00:12:57,310
RACHEL BROSNAHAN, "THE MARVELOUS
328
00:12:57,310 --> 00:12:58,378
MRS. MAISEL."
329
00:12:58,378 --> 00:13:01,047
WINTER, "ABBOTT ELEMENTARY."
330
00:13:01,047 --> 00:13:02,715
NATASHA LYONNE, "POKER FACE."
331
00:13:02,715 --> 00:13:07,720
JENNA ORTEGA, "WEDNESDAY."
332
00:13:07,720 --> 00:13:08,287
>> OKAY.
333
00:13:08,287 --> 00:13:13,860
AND THE EMMY GOES TO QUINTA
334
00:13:13,860 --> 00:13:15,128
BRUNSON, "ABBOTT ELEMENTARY"!
335
00:13:15,128 --> 00:13:29,008
♪
336
00:13:29,008 --> 00:13:45,691
♪
337
00:13:45,691 --> 00:13:47,360
>> WOW.
338
00:13:47,360 --> 00:13:48,594
THANK YOU SO MUCH.
339
00:13:48,594 --> 00:13:49,328
I DON'T EVEN KNOW.
340
00:13:49,328 --> 00:13:51,330
I'M SO EMOTIONAL.
341
00:13:51,330 --> 00:13:52,065
LIKE THE CAROL BURNETT OF IT
342
00:13:52,065 --> 00:13:52,331
ALL.
343
00:13:52,331 --> 00:13:55,868
[ LAUGHTER ]
344
00:13:55,868 --> 00:13:56,335
THANK YOU SO MUCH.
345
00:13:56,335 --> 00:13:57,737
I LOVE MAKING "ABBOTT
346
00:13:57,737 --> 00:13:58,771
ELEMENTARY" SO MUCH.
347
00:13:58,771 --> 00:14:04,644
AND I AM SO HAPPY TO BE ABLE TO
348
00:14:04,644 --> 00:14:08,347
LIVE MY DREAM AND ACT OUT
349
00:14:08,347 --> 00:14:08,681
COMEDY.
350
00:14:08,681 --> 00:14:10,283
I SAY THAT EVERY TIME.
351
00:14:10,283 --> 00:14:13,019
I JUST LOVE COMEDY SO MUCH.
352
00:14:13,019 --> 00:14:15,955
I'M SO HAPPY TO BE ABLE TO GET
353
00:14:15,955 --> 00:14:16,289
THIS.
354
00:14:16,289 --> 00:14:17,890
I DIDN'T PREPARE ANYTHING,
355
00:14:17,890 --> 00:14:20,860
BECAUSE I JUST DIDN'T THINK --
356
00:14:20,860 --> 00:14:21,594
OH GOD.
357
00:14:21,594 --> 00:14:25,298
I LOVE MY MOM, MY DAD, MY
358
00:14:25,298 --> 00:14:27,500
SISTERS, MY BROTHERS, MY ENTIRE
359
00:14:27,500 --> 00:14:28,568
FAMILY SO MUCH.
360
00:14:28,568 --> 00:14:30,169
I LOVE MY HUSBAND.
361
00:14:30,169 --> 00:14:31,170
I'M SO HAPPY.
362
00:14:31,170 --> 00:14:32,538
I LOVE MY CAST.
363
00:14:32,538 --> 00:14:34,207
I LOVE "ABBOTT ELEMENTARY."
364
00:14:34,207 --> 00:14:34,741
THANK YOU SO MUCH.
365
00:14:34,741 --> 00:14:35,975
[ CHEERS AND APPLAUSE ]
366
00:14:35,975 --> 00:14:39,379
♪
367
00:14:39,379 --> 00:14:40,947
>> COMING UP ON THE EMMYS, SOME
368
00:14:40,947 --> 00:14:41,614
OF YOUR FAVORITE STARS FROM
369
00:14:41,614 --> 00:14:43,516
"MARTIN," "CHEERS," "GREY'S
370
00:14:43,516 --> 00:14:45,184
ANATOMY," "ALLY McBEAL," "THE
371
00:14:45,184 --> 00:14:46,686
SOPRANOS," AND MORE.
372
00:14:46,686 --> 00:14:48,755
HERE ON FOX.
373
00:14:53,025 --> 00:14:59,332
♪
374
00:14:59,332 --> 00:15:01,768
♪ GOT YOURSELF A GUN
375
00:15:01,768 --> 00:15:04,270
♪ GOT YOURSELF A GUN
376
00:15:04,270 --> 00:15:06,272
♪
377
00:15:09,208 --> 00:15:11,244
>>> WHY HERE?
378
00:15:11,244 --> 00:15:12,845
WHY PAY TRIBUTE TO THE SOPRANOS
379
00:15:12,845 --> 00:15:15,481
IN THIS THERAPIST'S OFFICE?
380
00:15:15,481 --> 00:15:17,050
BECAUSE FROM THE MOMENT
381
00:15:17,050 --> 00:15:18,618
TONY SOPRANO WALKED INTO THIS
382
00:15:18,618 --> 00:15:21,254
SETTING, DOING THE UNTHINKABLE,
383
00:15:21,254 --> 00:15:22,855
SHARING HIS FEELINGS WITH
384
00:15:22,855 --> 00:15:24,390
DR. MELFI, TELEVISION HISTORY
385
00:15:24,390 --> 00:15:27,593
WAS ABOUT TO BE MADE.
386
00:15:27,593 --> 00:15:30,229
BY THE END OF ITS SIX SEASONS
387
00:15:30,229 --> 00:15:32,331
THIS SERIES WAS ACCLAIMED TIME
388
00:15:32,331 --> 00:15:33,900
AND TIME AGAIN AS ONE OF THE
389
00:15:33,900 --> 00:15:35,968
GREATEST DRAMAS OF ALL TIME,
390
00:15:35,968 --> 00:15:38,104
NOMINATED FOR OVER 100 EMMY
391
00:15:38,104 --> 00:15:38,771
NOMINATIONS, WINNING 21 EMMY
392
00:15:38,771 --> 00:15:39,706
AWARDS.
393
00:15:39,706 --> 00:15:42,842
[ KNOCK ON DOOR ]
394
00:15:42,842 --> 00:15:44,410
♪
395
00:15:44,410 --> 00:15:46,546
HERE ARE FOUR-TIME EMMY NOMINEE
396
00:15:46,546 --> 00:15:48,081
LORRAINE BRACCO AND EMMY WINNER,
397
00:15:48,081 --> 00:15:52,085
MICHAEL IMPERIOLI.
398
00:15:52,085 --> 00:15:53,319
[ CHEERS AND APPLAUSE ]
399
00:15:53,319 --> 00:16:03,062
♪
400
00:16:03,062 --> 00:16:05,732
>> 2024 MARKS THE 25TH
401
00:16:05,732 --> 00:16:06,733
ANNIVERSARY OF THIS SERIES THAT
402
00:16:06,733 --> 00:16:07,767
LORRAINE AND I WERE SO FORTUNATE
403
00:16:07,767 --> 00:16:10,403
TO BE PART OF.
404
00:16:10,403 --> 00:16:16,876
>> AND SPEAKING FOR MICHAEL,
405
00:16:16,876 --> 00:16:18,978
MYSELF AND THE ENTIRE CAST AND
406
00:16:18,978 --> 00:16:23,950
CREW, IT WAS AN HONOR WORKING
407
00:16:23,950 --> 00:16:27,854
WITH "SOPRANOS" CREATOR DAVID
408
00:16:27,854 --> 00:16:31,657
CHASE AND, OF COURSE, THE GREAT
409
00:16:31,657 --> 00:16:32,158
JAMES GANDOLFINI.
410
00:16:32,158 --> 00:16:32,792
>> AND NOW, HERE ARE THE
411
00:16:32,792 --> 00:16:33,526
NOMINEES FOR SUPPORTING ACTRESS
412
00:16:33,526 --> 00:16:36,429
IN A DRAMA SERIES.
413
00:16:36,429 --> 00:16:39,832
>> Announcer: JENNIFER COOLIDGE,
414
00:16:39,832 --> 00:16:41,434
"THE WHITE LOTUS."
415
00:16:41,434 --> 00:16:46,973
ELIZABETH DEBICKI, "THE CROWN."
416
00:16:46,973 --> 00:16:49,008
MEGHANN FAHY, "THE WHITE
417
00:16:49,008 --> 00:16:52,245
LOTUS."
418
00:16:52,245 --> 00:16:54,013
SABRINA, "THE WHITE LOTUS"
419
00:16:54,013 --> 00:16:57,784
AUBREY PLAZA, "THE WHITE LOTUS."
420
00:16:57,784 --> 00:16:58,918
"BETTER CALL SAUL."
421
00:16:58,918 --> 00:17:07,360
JAMES CAMERON, "SUCCESSION."
422
00:17:07,360 --> 00:17:11,064
>> AND THE EMMY GOES TO.
423
00:17:11,064 --> 00:17:14,634
>> JENNIFER COOLIDGE, "THE WHITE
424
00:17:14,634 --> 00:17:14,967
LOTUS."
425
00:17:14,967 --> 00:17:18,337
[ CHEERS AND APPLAUSE ]
426
00:17:18,337 --> 00:17:31,484
♪
427
00:17:31,484 --> 00:17:46,899
♪
428
00:17:46,899 --> 00:17:47,967
>> WOW.
429
00:17:47,967 --> 00:17:48,735
TH
430
00:17:48,735 --> 00:17:49,102
THANK YOU.
431
00:17:49,102 --> 00:17:50,336
YOU KNOW, I JUST WANT TO SAY --
432
00:17:50,336 --> 00:17:51,604
I HAVE TO PUT THIS DOWN.
433
00:17:51,604 --> 00:17:56,342
I STILL DON'T HAVE THE STRENGTH.
434
00:17:56,342 --> 00:17:56,743
[ LAUGHTER ]
435
00:17:56,743 --> 00:18:00,646
I GOT THE HOOK LAST YEAR, THIS
436
00:18:00,646 --> 00:18:02,181
GIANT HOOK COMES OUT AND TAKES
437
00:18:02,181 --> 00:18:04,851
YOU AWAY.
438
00:18:04,851 --> 00:18:05,952
I'M GOING TO BE SO FAST.
439
00:18:05,952 --> 00:18:11,157
MIKE WHITE, THANK YOU FOR THIS.
440
00:18:11,157 --> 00:18:12,592
MIKE WHITE.
441
00:18:12,592 --> 00:18:14,026
THANK YOU FOR GIVING ME THIS
442
00:18:14,026 --> 00:18:15,194
OPPORTUNITY TO PLAY THIS
443
00:18:15,194 --> 00:18:15,762
INCREDIBLE CHARACTER.
444
00:18:15,762 --> 00:18:17,830
HE SAYS I'M DEFINITELY DEAD, SO
445
00:18:17,830 --> 00:18:21,667
I'M GOING ALONG WITH IT.
446
00:18:21,667 --> 00:18:23,369
[ LAUGHTER ]
447
00:18:23,369 --> 00:18:32,578
NO.
448
00:18:32,578 --> 00:18:33,713
IT'S RUNNING OUT.
449
00:18:33,713 --> 00:18:40,019
I JUST WANT TO THANK ALL THE
450
00:18:40,019 --> 00:18:43,389
EVIL GAYS.
451
00:18:43,389 --> 00:18:50,396
[ APPLAUSE ]
452
00:18:50,396 --> 00:18:53,833
YES, PAOLO, FRANCESCO AND BRUNO,
453
00:18:53,833 --> 00:18:54,500
THANK YOU.
454
00:18:54,500 --> 00:18:56,102
WRAP IT UP.
455
00:18:56,102 --> 00:18:56,769
>> BABY.
456
00:18:56,769 --> 00:19:00,106
I LOVE YOU, BABY, BUT TIME,
457
00:19:00,106 --> 00:19:00,406
TIME.
458
00:19:00,406 --> 00:19:01,074
>> GUESS WHAT?
459
00:19:01,074 --> 00:19:02,008
ONE MORE THING.
460
00:19:02,008 --> 00:19:03,209
I LOVE YOU TOO.
461
00:19:03,209 --> 00:19:05,278
I JUST WANT TO SAY ONE LAST
462
00:19:05,278 --> 00:19:05,611
THING.
463
00:19:05,611 --> 00:19:08,448
I HAD A LITTLE DREAM IN MY
464
00:19:08,448 --> 00:19:11,884
LITTLE TOWN AND EVERYONE SAID IT
465
00:19:11,884 --> 00:19:15,822
WAS IMPRACTICAL AND FAR-FETCHED.
466
00:19:15,822 --> 00:19:17,590
IT DID HAPPEN AFTER ALL.
467
00:19:17,590 --> 00:19:19,592
SO DON'T GIVE UP ON YOUR DREAM.
468
00:19:19,592 --> 00:19:21,027
>> Announcer: HE'S NOMINATED FOR
469
00:19:21,027 --> 00:19:23,062
THREE EMMYS THIS YEAR, PLEASE
470
00:19:23,062 --> 00:19:25,832
WELCOME PEDRO PASCAL.
471
00:19:25,832 --> 00:19:26,232
[ APPLAUSE ]
472
00:19:26,232 --> 00:19:33,740
♪
473
00:19:33,740 --> 00:19:35,408
>> BEFORE WE GET INTO THE
474
00:19:35,408 --> 00:19:36,609
NOMINEES FOR BEST SUPPORTING
475
00:19:36,609 --> 00:19:39,011
ACTOR IN A DRAMA SERIES, I'D
476
00:19:39,011 --> 00:19:39,979
LIKE TO TAKE JUST A SECOND AND
477
00:19:39,979 --> 00:19:40,813
MAKE THIS ABOUT ME.
478
00:19:40,813 --> 00:19:44,650
[ LAUGHTER ]
479
00:19:44,650 --> 00:19:46,819
A LOT OF PEOPLE HAVE BEEN ASKING
480
00:19:46,819 --> 00:19:49,922
ABOUT MY ARM, ACTUALLY MY
481
00:19:49,922 --> 00:19:50,289
SHOULDER.
482
00:19:50,289 --> 00:19:52,325
I THINK TONIGHT IS A PERFECT
483
00:19:52,325 --> 00:19:56,696
TIME TO TELL EVERYONE THAT
484
00:19:56,696 --> 00:19:58,364
KIERAN CULKIN --
485
00:19:58,364 --> 00:20:06,539
[ LAUGHTER ]
486
00:20:06,539 --> 00:20:10,176
HERE ARE THE NOMINEES FOR
487
00:20:10,176 --> 00:20:14,547
SUPPORTING ACTOR IN A DRAMA
488
00:20:14,547 --> 00:20:20,453
SERIES.
489
00:20:20,453 --> 00:20:24,957
[ APPLAUSE ]
490
00:20:24,957 --> 00:20:26,325
>> Ann
491
00:20:26,325 --> 00:20:27,326
>> Announcer: JAMES "THE WHITE
492
00:20:27,326 --> 00:20:32,665
LOTUS," MATTHEW McFADDEN,
493
00:20:32,665 --> 00:20:33,066
"SUCCESSION."
494
00:20:33,066 --> 00:20:36,402
BILL SHARP, "THE WHITE LOTUS,"
495
00:20:36,402 --> 00:20:39,372
ALEXANDER SKARSG ÅRD,
496
00:20:39,372 --> 00:20:39,806
"SUCCESSION."
497
00:20:39,806 --> 00:20:45,745
>> AND THE EMMY GOES TO, MATTHEW
498
00:20:45,745 --> 00:20:49,782
McFADDEN FOR "SUCCESSION."
499
00:20:49,782 --> 00:20:50,183
[ APPLAUSE ]
500
00:20:50,183 --> 00:21:15,608
♪
501
00:21:15,608 --> 00:21:17,443
>> THANK YOU SO MUCH TO THE
502
00:21:17,443 --> 00:21:20,546
TELEVISION ACADEMY AND TO THE
503
00:21:20,546 --> 00:21:23,015
ENTIRE "SUCCESSION" FAMILY,
504
00:21:23,015 --> 00:21:25,184
DIRECTORS, WHITERS, PRODUCERS,
505
00:21:25,184 --> 00:21:30,289
CAST AND CREW, OUR PEERLESS
506
00:21:30,289 --> 00:21:32,125
CREW, EVERY DEPARTMENT OFTEN
507
00:21:32,125 --> 00:21:35,795
UNSUNG, ALWAYS BRILLIANT.
508
00:21:35,795 --> 00:21:38,364
I MUST MAKE SPECIAL MENTION OF
509
00:21:38,364 --> 00:21:42,101
MY ONSCREEN WIFE SARAH SNOOK AND
510
00:21:42,101 --> 00:21:47,206
MY OTHER ONSCREEN WIFE NICHOLAS
511
00:21:47,206 --> 00:21:47,874
BRAUN.
512
00:21:47,874 --> 00:21:49,242
ACTING WITH YOU HAS BEEN ONE OF
513
00:21:49,242 --> 00:21:51,044
THE MOST WONDERFUL THINGS IN MY
514
00:21:51,044 --> 00:21:51,377
CAREER.
515
00:21:51,377 --> 00:21:52,445
THANK YOU, NICK.
516
00:21:52,445 --> 00:21:53,913
THANK YOU, SARAH.
517
00:21:53,913 --> 00:21:55,014
IT'S BEEN A JOY.
518
00:21:55,014 --> 00:21:55,848
THANK YOU TO MY ACTUAL WIFE
519
00:21:55,848 --> 00:21:57,450
KEELY.
520
00:21:57,450 --> 00:22:00,253
THANK YOU VERY MUCH.
521
00:22:00,253 --> 00:22:01,487
IT'S A GREAT HONOR.
522
00:22:01,487 --> 00:22:02,522
THANK YOU.
523
00:22:02,522 --> 00:22:05,158
[ APPLAUSE ]
524
00:22:05,158 --> 00:22:06,392
>> Announcer: OUTSTANDING
525
00:22:06,392 --> 00:22:07,860
SUPPORTING AND LEAD ACTOR IN A
526
00:22:07,860 --> 00:22:09,228
COMEDY SERIES ARE NEXT.
527
00:22:09,228 --> 00:22:11,330
PLUS, THE CAST OF "CHEERS" AND
528
00:22:11,330 --> 00:22:12,932
"MARTIN" REUNITE.
529
00:22:12,932 --> 00:22:14,167
KEEP WATCHING THE EMMYS
530
00:22:14,167 --> 00:22:16,269
ON FOX.
531
00:22:20,039 --> 00:22:20,973
[ "TWO AND A HALF MEN" THEME
532
00:22:20,973 --> 00:22:21,507
SONG ]
533
00:22:21,507 --> 00:22:22,175
>> Announcer: PLEASE WELCOME
534
00:22:22,175 --> 00:22:22,809
EMMY WINNERS, JON CRYER AND
535
00:22:22,809 --> 00:22:25,745
HOLLAND TAYLOR.
536
00:22:25,745 --> 00:22:28,314
[ APPLAUSE ]
537
00:22:34,220 --> 00:22:36,856
>> LIKE A GOOD BRA, A SUPPORTING
538
00:22:36,856 --> 00:22:37,757
ACTOR MAKES THINGS LOOK
539
00:22:37,757 --> 00:22:39,325
EFFORTLESS WHILE SECRETLY
540
00:22:39,325 --> 00:22:42,595
HOLDING UP THE WHOLE SHOW.
541
00:22:42,595 --> 00:22:44,797
[ LAUGHTER ]
542
00:22:44,797 --> 00:22:46,866
>> YOU KNOW, I ACTUALLY WON THIS
543
00:22:46,866 --> 00:22:50,503
AWARD, SO YOU COULD SAY I'M A
544
00:22:50,503 --> 00:22:54,307
GOOD BRA.
545
00:22:54,307 --> 00:22:56,609
>> DARLING, I DON'T THINK I
546
00:22:56,609 --> 00:22:58,978
WOULD EVER SAY THAT.
547
00:22:58,978 --> 00:23:01,013
I CERTAINLY HOPE NONE OF OUR
548
00:23:01,013 --> 00:23:02,415
NOMINEES FOR SUPPORTING ACTOR IN
549
00:23:02,415 --> 00:23:06,819
A COMEDY SERIES DO EITHER.
550
00:23:06,819 --> 00:23:10,690
>> Announcer: ANTHONY CARRIGAN,
551
00:23:10,690 --> 00:23:14,193
"BARRY."
552
00:23:14,193 --> 00:23:14,594
"TED LASSO."
553
00:23:14,594 --> 00:23:18,297
JAMES MARSDEN, "JURY DUTY."
554
00:23:18,297 --> 00:23:20,767
TYLER JAMES WILLIAMS, "ABBOTT
555
00:23:20,767 --> 00:23:21,401
ELEMENTARY."
556
00:23:21,401 --> 00:23:28,574
HENRY WINKLER, "BARRY."
557
00:23:28,574 --> 00:23:44,490
>> AND THE EMMY GOES TO.
558
00:23:44,490 --> 00:23:48,094
E
559
00:23:48,094 --> 00:23:49,395
E
560
00:23:49,395 --> 00:23:50,463
EVAN
561
00:23:50,463 --> 00:23:55,668
EVAN MOSS-BACHRACH.
562
00:23:55,668 --> 00:24:10,149
♪
563
00:24:10,149 --> 00:24:15,221
>> WOW.
564
00:24:15,221 --> 00:24:15,521
OKAY.
565
00:24:15,521 --> 00:24:16,289
THANK YOU VERY MUCH, EMMY
566
00:24:16,289 --> 00:24:18,524
ACADEMY, TELEVISION ACADEMY.
567
00:24:18,524 --> 00:24:19,325
I DON'T KNOW.
568
00:24:19,325 --> 00:24:20,927
THIS JOB IS SUCH A GIFT
569
00:24:20,927 --> 00:24:22,228
PREPONDERATE IT'S SUCH A
570
00:24:22,228 --> 00:24:24,097
PRIVILEGE TO WORK WITH THESE
571
00:24:24,097 --> 00:24:26,599
WONDERFUL ACTORS.
572
00:24:26,599 --> 00:24:28,301
WE HAVE THE BEST CREW.
573
00:24:28,301 --> 00:24:32,538
WE HAVE THIS INCREDIBLE CHICAGO
574
00:24:32,538 --> 00:24:37,009
CREW, LED BY OUR AMAZING --
575
00:24:37,009 --> 00:24:38,811
THANK YOU FOR TRUSTING ME WITH
576
00:24:38,811 --> 00:24:41,047
THIS PART.
577
00:24:41,047 --> 00:24:45,685
THANK YOU JEANNIE BACKRACK FOR
578
00:24:45,685 --> 00:24:46,652
MAKING THIS BEAUTIFUL GROUP THAT
579
00:24:46,652 --> 00:24:48,521
I GET TO PLAY WITH ALL THE TIME.
580
00:24:48,521 --> 00:24:50,890
THANK YOU STEPHANIE RITZ.
581
00:24:50,890 --> 00:24:57,930
THANK YOU BRIAN NOSKOFF.
582
00:24:57,930 --> 00:24:58,664
THANK YOU.
583
00:24:58,664 --> 00:25:00,366
I LOVE YOU SO MUCH.
584
00:25:00,366 --> 00:25:02,568
THANK YOU SASHA.
585
00:25:02,568 --> 00:25:02,935
ALL RIGHT.
586
00:25:02,935 --> 00:25:03,369
SEE YOU GUYS.
587
00:25:03,369 --> 00:25:06,606
THANKS.
588
00:25:06,606 --> 00:25:12,512
♪
589
00:25:12,512 --> 00:25:15,815
>> Announcer: FROM THE HIT TV
590
00:25:15,815 --> 00:25:22,722
SERIES "MARTIN,"
591
00:25:22,722 --> 00:25:23,356
HERE ARE TISHA CAMPBELL,
592
00:25:23,356 --> 00:25:23,923
CARL ANTHONY PAYNE,
593
00:25:23,923 --> 00:25:24,457
TICHINA ARNOLD, AND
594
00:25:24,457 --> 00:25:24,924
MARTIN LAWRENCE.
595
00:25:24,924 --> 00:25:25,925
[ "MARTIN" THEME SONG ]
596
00:25:25,925 --> 00:25:26,459
♪
597
00:25:26,459 --> 00:25:27,126
>> CAN YOU BELIEVE THIS?
598
00:25:27,126 --> 00:25:30,763
THIS IS A REAL MOMENT.
599
00:25:30,763 --> 00:25:33,366
>> WE FINALLY ABOUT TO --
600
00:25:33,366 --> 00:25:33,900
>> WHAT?
601
00:25:33,900 --> 00:25:39,572
>> WE GETTING OUR EMMY TONIGHT.
602
00:25:39,572 --> 00:25:39,972
[ LAUGHTER ]
603
00:25:39,972 --> 00:25:41,607
>> MATTER OF FACT, I GOT MY
604
00:25:41,607 --> 00:25:45,445
SPEECH ON DECK TOO.
605
00:25:45,445 --> 00:25:47,180
>> NO.
606
00:25:47,180 --> 00:25:52,051
>> THEY BETTER NOT SEND MOMMA D
607
00:25:52,051 --> 00:25:54,053
OUT TO PLAY ME OFF.
608
00:25:54,053 --> 00:25:54,721
>> CARL, WE'RE NOT WINNING AN
609
00:25:54,721 --> 00:25:56,122
EMMY, HUN.
610
00:25:56,122 --> 00:25:59,959
>> WE'RE PRESENTING AN EMMY, NOT
611
00:25:59,959 --> 00:26:03,563
BEING PRESENTED WITH ONE,
612
00:26:03,563 --> 00:26:07,567
KNUCKLEHEAD.
613
00:26:07,567 --> 00:26:07,934
>> WAIT.
614
00:26:07,934 --> 00:26:08,601
>> BUT CARL ISN'T WRONG, GUYS.
615
00:26:08,601 --> 00:26:09,669
WE SHOULD'VE HAD A COUPLE OF
616
00:26:09,669 --> 00:26:12,271
EMMYS DURING OUR RUN, BUT WE
617
00:26:12,271 --> 00:26:16,042
WERE NEVER EVEN NOMINATED,
618
00:26:16,042 --> 00:26:20,713
DESPITE 132 EPISODES, HUGE
619
00:26:20,713 --> 00:26:26,486
RATINGS, AND BEING IN
620
00:26:26,486 --> 00:26:28,287
SYNDICATION SO MUCH THAT IT'S A
621
00:26:28,287 --> 00:26:31,991
LITTLE HARD TO SEEING THE '90s
622
00:26:31,991 --> 00:26:33,793
SPANK-LESS VERSION OF MYSELF.
623
00:26:33,793 --> 00:26:36,763
[ LAUGHTER ]
624
00:26:36,763 --> 00:26:37,630
>> NO.
625
00:26:37,630 --> 00:26:40,767
I STILL LOOK GOOD.
626
00:26:40,767 --> 00:26:41,367
>> WOW.
627
00:26:41,367 --> 00:26:43,569
>> HEY, HEY, HEY, HOLD ON.
628
00:26:43,569 --> 00:26:45,104
I WANT TO THANK YOU GUYS FOR
629
00:26:45,104 --> 00:26:47,140
YOUR CONTRIBUTION TO TELEVISION.
630
00:26:47,140 --> 00:26:51,644
>> THANK YOU.
631
00:26:51,644 --> 00:26:54,547
>> UNLIKE ME, FOR THE LAST 11
632
00:26:54,547 --> 00:26:57,050
TIMES YOU'RE NOT GOING TO GET AN
633
00:26:57,050 --> 00:26:57,383
EMMY.
634
00:26:57,383 --> 00:26:58,985
>> WHAT DO YOU MEAN?
635
00:26:58,985 --> 00:27:00,186
>> WHY?
636
00:27:00,186 --> 00:27:02,688
>> THAT KIND OF SUCKS.
637
00:27:02,688 --> 00:27:04,223
>> HE'S TRICKING US.
638
00:27:04,223 --> 00:27:04,690
KEEP GOING.
639
00:27:04,690 --> 00:27:06,759
>> IT'S ALL GOOD.
640
00:27:06,759 --> 00:27:08,628
YOU KNOW, I'M JUST EXCITED TO BE
641
00:27:08,628 --> 00:27:12,865
HERE ON THE EMMYS STAGE WITH
642
00:27:12,865 --> 00:27:15,568
THIS TREMENDOUS CAST OF THE
643
00:27:15,568 --> 00:27:16,035
MARTIN SHOW.
644
00:27:16,035 --> 00:27:16,869
>> THAT'S RIGHT.
645
00:27:16,869 --> 00:27:24,877
>> YEAH, YEAH.
646
00:27:24,877 --> 00:27:27,280
>> TO PRESENT THE NEXT AWARD,
647
00:27:27,280 --> 00:27:30,016
NOMINEES FOR A LEAD ACTOR IN A
648
00:27:30,016 --> 00:27:30,883
COMEDY SERIES.
649
00:27:30,883 --> 00:27:33,486
>> Announcer: BILL HADER,
650
00:27:33,486 --> 00:27:34,887
"BARRY."
651
00:27:34,887 --> 00:27:37,724
JASON SEGEL, "SHRINKING."
652
00:27:37,724 --> 00:27:40,893
MARTIN SHORT, "ONLY MURDERS IN
653
00:27:40,893 --> 00:27:41,360
THE BUILDING."
654
00:27:41,360 --> 00:27:44,163
JASON SUDEIKIS, "TED LASSO."
655
00:27:44,163 --> 00:28:04,117
JEREMY ALLEN WHITE,.
656
00:28:04,117 --> 00:28:08,988
>> AND THE EMMY GOES TO JEREMY
657
00:28:08,988 --> 00:28:21,401
ALLEN WHITE.
658
00:28:21,401 --> 00:28:22,635
"THE BEAR."
659
00:28:22,635 --> 00:28:24,604
♪
660
00:28:24,604 --> 00:28:26,606
[ APPLAUSE ]
661
00:28:26,606 --> 00:28:29,409
♪
662
00:28:29,409 --> 00:28:33,012
>> THANK YOU, THANK YOU.
663
00:28:33,012 --> 00:28:34,013
I'M SO PROUD.
664
00:28:34,013 --> 00:28:36,282
I'M SO FULL OF GRATITUDE TO BE
665
00:28:36,282 --> 00:28:38,051
STANDING IN FRONT OF YOU ALL.
666
00:28:38,051 --> 00:28:40,086
I LOVE THE SHOW SO MUCH.
667
00:28:40,086 --> 00:28:41,487
IT FILLED ME UP.
668
00:28:41,487 --> 00:28:45,491
IT GAVE ME A PASSION, SET A FIRE
669
00:28:45,491 --> 00:28:48,394
IN ME TO MATCH THE BEAUTIFUL
670
00:28:48,394 --> 00:28:48,728
WORK.
671
00:28:48,728 --> 00:28:50,029
I LOVE YOU GUYS.
672
00:28:50,029 --> 00:28:51,964
THANK YOU, THANK YOU, THANK YOU.
673
00:28:51,964 --> 00:28:55,268
THE BEAUTIFUL CAST AND BEAUTIFUL
674
00:28:55,268 --> 00:28:58,771
CREW I GET TO SHARE A SPACE AND
675
00:28:58,771 --> 00:28:59,972
STAGE WITH.
676
00:28:59,972 --> 00:29:00,840
MY PARENTS.
677
00:29:00,840 --> 00:29:03,076
I LOVE YOU, THANK YOU FOR YOUR
678
00:29:03,076 --> 00:29:03,710
SUPPORT, DAD.
679
00:29:03,710 --> 00:29:06,212
I LOVE YOU SO MUCH.
680
00:29:06,212 --> 00:29:07,714
THANK YOU SO MUCH.
681
00:29:07,714 --> 00:29:09,449
THANK YOU TO ALL THOSE WHO HAVE
682
00:29:09,449 --> 00:29:10,983
STAYED CLOSE TO ME, ESPECIALLY
683
00:29:10,983 --> 00:29:12,351
IN THIS PAST YEAR.
684
00:29:12,351 --> 00:29:13,119
YOU KNOW WHO YOU ARE.
685
00:29:13,119 --> 00:29:14,887
I LOVE YOU, I LOVE YOU.
686
00:29:14,887 --> 00:29:16,756
THANK YOU FOR BELIEVING IN ME
687
00:29:16,756 --> 00:29:18,591
WHEN I HAD TROUBLE BELIEVING IN
688
00:29:18,591 --> 00:29:18,958
MYSELF.
689
00:29:18,958 --> 00:29:19,992
I LOVE YOU.
690
00:29:19,992 --> 00:29:22,028
AND DELORES, I LOVE YOU SO MUCH.
691
00:29:22,028 --> 00:29:22,962
THIS IS FOR YOU.
692
00:29:22,962 --> 00:29:23,930
THANK YOU, THANK YOU, THANK YOU.
693
00:29:23,930 --> 00:29:25,064
THANK YOU, GUYS.
694
00:29:25,064 --> 00:29:26,632
[ APPLAUSE ]
695
00:29:26,632 --> 00:29:30,603
>> Announcer: WHEN WE RETURN, AN
696
00:29:30,603 --> 00:29:32,605
EMMY EDITION OF SNL'S "WEEKEND
697
00:29:32,605 --> 00:29:36,342
UPDATE...
698
00:29:41,514 --> 00:29:42,515
♪
699
00:29:42,515 --> 00:29:43,683
>> WELCOME BACK TO THE
700
00:29:43,683 --> 00:29:45,651
75 PRIMETIME EMMY AWARDS.
701
00:29:45,651 --> 00:29:48,688
PLEASE WELCOME TAYLOR TOMLINSON
702
00:29:48,688 --> 00:29:51,124
AND TEN-TIME EMMY WINNER
703
00:29:51,124 --> 00:29:55,728
STEPHEN COLBERT.
704
00:29:55,728 --> 00:30:01,167
[ APPLAUSE ]
705
00:30:01,167 --> 00:30:05,905
>> TAYLOR, YOUR SHOW "AFTER
706
00:30:05,905 --> 00:30:07,373
MIDNIGHT" PREMIERS RIGHT AFTER
707
00:30:07,373 --> 00:30:07,974
ANY SHOW.
708
00:30:07,974 --> 00:30:09,275
THIS IS YOUR FIRST EMMYS.
709
00:30:09,275 --> 00:30:10,443
HOW ARE YOU FEELING?
710
00:30:10,443 --> 00:30:11,611
>> AMAZING.
711
00:30:11,611 --> 00:30:13,446
I LOVE THAT GEN Z IS ABSOLUTELY
712
00:30:13,446 --> 00:30:14,814
DESTROYING ME ONLINE RIGHT NOW.
713
00:30:14,814 --> 00:30:16,582
>> NO, THEY'RE NOT.
714
00:30:16,582 --> 00:30:17,683
YOU'RE YOUNG AND COOL.
715
00:30:17,683 --> 00:30:18,684
>> NO.
716
00:30:18,684 --> 00:30:21,921
I'M 30, STEPHEN.
717
00:30:21,921 --> 00:30:24,223
I'M BASICALLY MUMMY DUST.
718
00:30:24,223 --> 00:30:25,725
>> WHAT AM I?
719
00:30:25,725 --> 00:30:26,893
>> A PYRAMID.
720
00:30:26,893 --> 00:30:29,128
BECAUSE A LOT OF PEOPLE DIED TO
721
00:30:29,128 --> 00:30:32,398
BUILD YOU.
722
00:30:32,398 --> 00:30:34,934
>> I TOLD YOU NOT TO READ THE
723
00:30:34,934 --> 00:30:35,301
COMMENTS.
724
00:30:35,301 --> 00:30:37,003
>> YOU'RE NOT MY DAD!
725
00:30:37,003 --> 00:30:38,971
>> HERE ARE THE NOMINEES FOR
726
00:30:38,971 --> 00:30:42,408
OUTSTANDING SCRIPTED VARIETY
727
00:30:42,408 --> 00:30:43,209
SERIES.
728
00:30:43,209 --> 00:30:48,748
>> Announcer: "A BLACK LADY
729
00:30:48,748 --> 00:30:52,585
SKETCH SHOW."
730
00:30:52,585 --> 00:30:55,588
LAST WEEK TONIGHT WITH JOHN
731
00:30:55,588 --> 00:30:55,888
OLIVER.
732
00:30:55,888 --> 00:30:58,925
>> AND THE EMMY GOES TO --
733
00:30:58,925 --> 00:31:01,127
>> "LAST WEEK TONIGHT WITH JOHN
734
00:31:01,127 --> 00:31:02,895
OLIVER."
735
00:31:02,895 --> 00:31:08,401
♪
736
00:31:08,401 --> 00:31:11,704
>> Announcer: "LAST WEEK TONIGHT
737
00:31:11,704 --> 00:31:13,706
WITH JOHN OLIVER" HAS RECEIVED
738
00:31:13,706 --> 00:31:15,641
FOUR NOMINATIONS THIS YEAR AND A
739
00:31:15,641 --> 00:31:19,746
TOTAL OF 61, PRODUCTION DESIGN,
740
00:31:19,746 --> 00:31:20,179
WRITING.
741
00:31:20,179 --> 00:31:20,813
ACCEPTING THE EMMY IS JOHN
742
00:31:20,813 --> 00:31:25,585
OLIVER.
743
00:31:25,585 --> 00:31:27,253
>> THANK YOU SO MUCH.
744
00:31:27,253 --> 00:31:28,688
THANKS SO MUCH TO MY STAFF.
745
00:31:28,688 --> 00:31:30,656
MANY OF THEM ARE HERE TONIGHT.
746
00:31:30,656 --> 00:31:31,691
TIM IS NOT HERE.
747
00:31:31,691 --> 00:31:33,259
HE'S BACK IN NEW YORK WITH SOME
748
00:31:33,259 --> 00:31:35,294
OF OUR OTHER STAFF BURNING DOWN
749
00:31:35,294 --> 00:31:36,295
A BAR SOMEWHERE THERE.
750
00:31:36,295 --> 00:31:36,929
THANK YOU.
751
00:31:36,929 --> 00:31:38,331
THEY ALL WORK SO HARD.
752
00:31:38,331 --> 00:31:40,166
THANK YOU TO HBO AND OUR
753
00:31:40,166 --> 00:31:42,368
LAWYERS, WHO ARE ANGRY WITH US
754
00:31:42,368 --> 00:31:43,503
ALL THE TIME.
755
00:31:43,503 --> 00:31:45,171
THANK YOU TO MY WIFE KATE, WHO
756
00:31:45,171 --> 00:31:45,772
IS HERE TONIGHT.
757
00:31:45,772 --> 00:31:47,306
I LOVE YOU VERY MUCH.
758
00:31:47,306 --> 00:31:48,508
OUR KIDS ARE NOT HERE.
759
00:31:48,508 --> 00:31:50,810
THEY ARE SO MAD THAT I LEFT THIS
760
00:31:50,810 --> 00:31:51,177
MORNING.
761
00:31:51,177 --> 00:31:55,214
I PROMISED THEM POKEMON CARDS.
762
00:31:55,214 --> 00:31:55,848
I DON'T KNOW WHERE TO GET
763
00:31:55,848 --> 00:31:56,616
POKEMON CARDS IN L.A.
764
00:31:56,616 --> 00:31:59,052
IF ANYONE KNOWS WHERE TO GET
765
00:31:59,052 --> 00:32:00,386
POKEMON CARDS BETWEEN HERE AND
766
00:32:00,386 --> 00:32:01,921
LAX, IT'S A SIGNIFICANT PROBLEM
767
00:32:01,921 --> 00:32:03,723
I'VE WORKED MYSELF INTO.
768
00:32:03,723 --> 00:32:04,123
[ LAUGHTER ]
769
00:32:04,123 --> 00:32:06,092
I'M NOT LEAVING WITHOUT GETTING
770
00:32:06,092 --> 00:32:08,194
PLAYED OFF BY ANTHONY ANDERSON'S
771
00:32:08,194 --> 00:32:10,496
MOM, SO I'M GOING TO START
772
00:32:10,496 --> 00:32:12,131
READING OFF THE NAMES OF THE
773
00:32:12,131 --> 00:32:12,698
FOOTBALL TEAM.
774
00:32:12,698 --> 00:32:15,768
IN GOAL, ALLISON BECKER,
775
00:32:15,768 --> 00:32:17,837
ALEXANDER ARNOLD, VIRGIL VAN
776
00:32:17,837 --> 00:32:18,604
DYKE, OBVIOUSLY.
777
00:32:18,604 --> 00:32:20,039
OH, SHE'S NOT HERE?
778
00:32:20,039 --> 00:32:22,475
I CAN GET THROUGH THE WHOLE TEAM
779
00:32:22,475 --> 00:32:22,809
THEN.
780
00:32:22,809 --> 00:32:23,176
>> BABY.
781
00:32:23,176 --> 00:32:25,411
>> I'D LIKE TO THANK JESUS AND
782
00:32:25,411 --> 00:32:25,812
MY FAMILY.
783
00:32:25,812 --> 00:32:26,145
>> OKAY.
784
00:32:26,145 --> 00:32:33,186
[ APPLAUSE ]
785
00:32:33,186 --> 00:32:38,925
♪ MOVIN' ON UP
786
00:32:38,925 --> 00:32:42,161
>> PLEASE WELCOME QUINTA BRUNSON
787
00:32:42,161 --> 00:32:46,566
JOINED BY FIVE-TIME EMMY NOMINEE
788
00:32:46,566 --> 00:32:46,966
MARLA GIBBS.
789
00:32:46,966 --> 00:32:50,103
[ APPLAUSE ]
790
00:32:50,103 --> 00:32:52,705
♪ FISH DON'T FRY IN THE KITCHEN,
791
00:32:52,705 --> 00:32:54,774
BEANS DON'T BURN ON THE GRILL ♪
792
00:32:54,774 --> 00:32:56,376
♪ TOOK A WHOLE LOT OF TRYIN'
793
00:32:56,376 --> 00:32:58,978
JUST TO GET UP THAT HILL ♪
794
00:32:58,978 --> 00:33:12,258
[ APPLAUSE ]
795
00:33:12,258 --> 00:33:14,594
>> I AM SO HONORED TO BE
796
00:33:14,594 --> 00:33:17,330
PRESENTED THIS AWARD WITH THE
797
00:33:17,330 --> 00:33:20,800
INCOMPARABLE MARLA GIBBS.
798
00:33:20,800 --> 00:33:22,168
YOUR CAREER HAS LITERALLY
799
00:33:22,168 --> 00:33:23,169
SPANNED DECADES.
800
00:33:23,169 --> 00:33:25,405
YOU GOT YOUR FIRST JOB IN 1973,
801
00:33:25,405 --> 00:33:26,039
AND YOU ARE STILL WORKING.
802
00:33:26,039 --> 00:33:31,978
WHAT'S THE SECRET?
803
00:33:31,978 --> 00:33:34,347
>> THAT'S EASY, BABY.
804
00:33:34,347 --> 00:33:35,214
THE WAGE GAP.
805
00:33:35,214 --> 00:33:36,849
I GOT TO WORK 20 MORE YEARS
806
00:33:36,849 --> 00:33:38,251
BEFORE I CAN RETIRE.
807
00:33:38,251 --> 00:33:40,019
BUT IF YOU GREAT WRITERS WRITE
808
00:33:40,019 --> 00:33:42,255
SOMETHING FOR ME, I'LL JUST KEEP
809
00:33:42,255 --> 00:33:42,955
ON WORKING AND CUT INTO THAT
810
00:33:42,955 --> 00:33:51,931
WAGE GAP.
811
00:33:51,931 --> 00:33:52,899
IT'S NEVER TOO LATE.
812
00:33:52,899 --> 00:33:53,733
>> FACTS.
813
00:33:53,733 --> 00:33:59,005
>> LET'S LOOK AT THE NOM FINEES
814
00:33:59,005 --> 00:34:05,812
FOR SUPPORTING ACTRESS.
815
00:34:05,812 --> 00:34:10,917
>> ANNALEIGH ASHFORD, "WELCOME
816
00:34:10,917 --> 00:34:12,251
TO CHIPPENDALES."
817
00:34:12,251 --> 00:34:13,486
CLAIRE DANES.
818
00:34:13,486 --> 00:34:15,488
"FLEISHMAN IS IN TROUBLE."
819
00:34:15,488 --> 00:34:16,489
JULIETTE LEWIS, "WELCOME TO
820
00:34:16,489 --> 00:34:17,323
CHIPPENDALES."
821
00:34:17,323 --> 00:34:19,692
CAMILLA MORRONE, "DAISY JONES &
822
00:34:19,692 --> 00:34:22,762
THE SIX."
823
00:34:22,762 --> 00:34:25,431
NIECY NASH-BETTS, "DAHMER -
824
00:34:25,431 --> 00:34:26,132
MONSTER: THE JEFFREY DAHMER
825
00:34:26,132 --> 00:34:26,432
STORY."
826
00:34:26,432 --> 00:34:27,166
MERIT WEAVER, "TINY BEAUTIFUL
827
00:34:27,166 --> 00:34:29,535
THINGS."
828
00:34:29,535 --> 00:34:38,010
>> AND THE EMMY GOES TO NIECY
829
00:34:38,010 --> 00:34:38,745
NASH-BETTS, "DAHMER - MONSTER:
830
00:34:38,745 --> 00:34:39,379
THE JEFFREY DAHMER STORY."
831
00:34:39,379 --> 00:34:39,779
[ APPLAUSE ]
832
00:34:39,779 --> 00:35:02,635
♪
833
00:35:02,635 --> 00:35:13,679
♪
834
00:35:13,679 --> 00:35:20,019
>> I'M A WINNER, BABY!
835
00:35:20,019 --> 00:35:22,321
THANK YOU TO THE MOST HIGH FOR
836
00:35:22,321 --> 00:35:23,456
THIS DIVINE MOMENT.
837
00:35:23,456 --> 00:35:27,493
THANK YOU, RYAN FMURPHY FOR
838
00:35:27,493 --> 00:35:28,294
SEEING ME.
839
00:35:28,294 --> 00:35:30,696
EVAN PETERS, I LOVE YOU.
840
00:35:30,696 --> 00:35:30,997
NETFLIX.
841
00:35:30,997 --> 00:35:32,365
EVERY SINGLE PERSON WHO VOTED
842
00:35:32,365 --> 00:35:32,965
FOR ME.
843
00:35:32,965 --> 00:35:33,599
THANK YOU.
844
00:35:33,599 --> 00:35:36,369
MY BETTER HALF, WHO PICKED ME UP
845
00:35:36,369 --> 00:35:37,537
WHEN I WAS GUTTED FROM THIS
846
00:35:37,537 --> 00:35:37,804
WORK.
847
00:35:37,804 --> 00:35:38,337
THANK YOU.
848
00:35:38,337 --> 00:35:38,971
I WANT TO THANK ME.
849
00:35:38,971 --> 00:35:42,375
[ CHEERS AND APPLAUSE ]
850
00:35:42,375 --> 00:35:44,377
FOR BELIEVING IN ME AND DOING
851
00:35:44,377 --> 00:35:46,446
WHAT THEY SAID I COULD NOT DO.
852
00:35:46,446 --> 00:35:48,214
I WANT TO SAY TO MYSELF IN FRONT
853
00:35:48,214 --> 00:35:51,818
OF ALL YOU BEAUTIFUL PEOPLE, GO,
854
00:35:51,818 --> 00:35:54,921
GIRL, WITH YOU BAD SELF.
855
00:35:54,921 --> 00:35:56,422
YOU DID THAT.
856
00:35:56,422 --> 00:35:58,558
FINALLY, I ACCEPT THIS AWARD ON
857
00:35:58,558 --> 00:36:01,360
BEHALF OF EVERY BLACK AND BROWN
858
00:36:01,360 --> 00:36:04,397
WOMAN WHO HAVE GONE UNHEARD, YET
859
00:36:04,397 --> 00:36:05,832
OVERPOLICED, LIKE GLENDA
860
00:36:05,832 --> 00:36:12,538
CLEVELAND, LIKE SANDRA BLAND,
861
00:36:12,538 --> 00:36:15,875
LIKE BRIEEONNA TAYLOR.
862
00:36:15,875 --> 00:36:18,177
I'M GOING TO DO IT UNTIL THE DAY
863
00:36:18,177 --> 00:36:18,444
I DIE.
864
00:36:18,444 --> 00:36:19,979
MOMMA, I WON!
865
00:36:19,979 --> 00:36:25,852
[ APPLAUSE ]
866
00:36:25,852 --> 00:36:26,719
>> Announcer: COMING UP LATER,
867
00:36:26,719 --> 00:36:28,554
THE AWARDS FOR OUTSTANDING LEAD
868
00:36:28,554 --> 00:36:30,490
ACTOR AND ACTRESS IN A DRAMA
869
00:36:30,490 --> 00:36:31,190
SERIES.
870
00:36:31,190 --> 00:36:33,292
AND UP NEXT THE CAST OF "CHEERS"
871
00:36:33,292 --> 00:36:34,360
REUNITES.
872
00:36:34,360 --> 00:36:37,196
IT'S THE EMMYS ON FOX.
873
00:36:40,767 --> 00:36:44,704
[ "CURB YOUR ENTHUSIASM" THEME ]
874
00:36:44,704 --> 00:36:45,805
>>> THERE HAVE BEEN A LOT OF
875
00:36:45,805 --> 00:36:47,006
BRILLIANT SITCOMS IN THE
876
00:36:47,006 --> 00:36:48,741
75 YEARS OF THE EMMYS -- SOME
877
00:36:48,741 --> 00:36:49,642
SET IN THE WORKPLACE, OTHERS IN
878
00:36:49,642 --> 00:36:53,946
THE HOME, SOME IN RESTAURANTS.
879
00:36:53,946 --> 00:36:55,748
BUT ONE OF THE GREATEST SITCOMS
880
00:36:55,748 --> 00:36:58,584
OF ALL TIME, WINNER OF 28 EMMYS,
881
00:36:58,584 --> 00:37:00,286
WAS SET HERE, IN THE MOST ICONIC
882
00:37:00,286 --> 00:37:03,356
BAR IN TELEVISION HISTORY --
883
00:37:03,356 --> 00:37:04,690
"CHEERS."
884
00:37:04,690 --> 00:37:06,893
[ APPLAUSE ]
885
00:37:06,893 --> 00:37:08,795
♪ YOU WANT TO BE WHERE YOU CAN
886
00:37:08,795 --> 00:37:12,131
SEE TROUBLES ARE ALL THE SAME ♪
887
00:37:12,131 --> 00:37:12,932
♪ YOU WANT TO BE WHERE EVERYBODY
888
00:37:12,932 --> 00:37:17,003
KNOWS YOUR NAME ♪
889
00:37:17,003 --> 00:37:18,538
>> ANTHONY, THANK YOU FOR
890
00:37:18,538 --> 00:37:20,373
GETTING US ALL HERE.
891
00:37:20,373 --> 00:37:22,141
THIS FEELS NICE TO BE HERE.
892
00:37:22,141 --> 00:37:23,042
THANK YOU.
893
00:37:23,042 --> 00:37:25,278
>> JUST THINK OF IT AS A LONG
894
00:37:25,278 --> 00:37:26,446
OVERDUE CLASS REUNION.
895
00:37:26,446 --> 00:37:27,280
>> BEING TOGETHER BRINGS BACK
896
00:37:27,280 --> 00:37:28,047
SOME GREAT MEMORIES OF A SHOW WE
897
00:37:28,047 --> 00:37:28,581
ARE ALL SO PROUD OF.
898
00:37:28,581 --> 00:37:29,215
>> AND IF SOMEONE HAS THE
899
00:37:29,215 --> 00:37:30,083
ENVELOPE WE CAN PRESENT THE
900
00:37:30,083 --> 00:37:34,053
AWARD.
901
00:37:34,053 --> 00:37:34,353
>> YEAH.
902
00:37:34,353 --> 00:37:40,593
>> All: GEORGE!
903
00:37:40,593 --> 00:37:43,429
>> GEORGIE PORGIE.
904
00:37:43,429 --> 00:37:44,163
>> WE'RE HONORED TO PRESENT THE
905
00:37:44,163 --> 00:37:48,668
EMMY FOR OUTSTANDING DIRECTING
906
00:37:48,668 --> 00:37:49,836
IN A COMEDY SERIES.
907
00:37:49,836 --> 00:37:52,171
HERE ARE THE NOMINEES.
908
00:37:52,171 --> 00:37:55,575
>> Announcer: BILL HADER,
909
00:37:55,575 --> 00:37:56,376
"BARRY."
910
00:37:56,376 --> 00:38:01,114
CHRISTOPHER, "THE BEAR."
911
00:38:01,114 --> 00:38:07,286
AMY SHERMAN PALADINO, "THE
912
00:38:07,286 --> 00:38:09,188
MARVELOUS MRS. MAISEL."
913
00:38:09,188 --> 00:38:09,589
"TED LASSO."
914
00:38:09,589 --> 00:38:14,761
TIM BURTON, "WEDNESDAY."
915
00:38:14,761 --> 00:38:19,966
>> AND THE EMMY GOES TO
916
00:38:19,966 --> 00:38:35,381
CHRISTOPHER STORER.
917
00:38:35,381 --> 00:38:36,849
CHRISTOPHER IS UNABLE TO BE HERE
918
00:38:36,849 --> 00:38:38,418
TONIGHT, SO WE ACCEPT THIS AWARD
919
00:38:38,418 --> 00:38:38,851
ON HIS BEHALF.
920
00:38:38,851 --> 00:38:44,724
[ APPLAUSE ]
921
00:38:44,724 --> 00:38:45,358
>> AND NOW, HERE ARE THE
922
00:38:45,358 --> 00:38:46,325
NOMINEES FOR WRITING FOR A
923
00:38:46,325 --> 00:38:47,060
COMEDY SERIES, AN AWARD WON BY
924
00:38:47,060 --> 00:38:47,760
TWO OF CHEERS CREATORS, LES AND
925
00:38:47,760 --> 00:38:48,161
GLEN CHARLES.
926
00:38:51,531 --> 00:38:53,633
>> Announcer: BILL HADER,
927
00:38:53,633 --> 00:38:54,200
"BARRY."
928
00:38:54,200 --> 00:38:59,839
CHRISTOPHER STORER, "THE BEAR."
929
00:38:59,839 --> 00:39:00,773
"JURY DUTY."
930
00:39:00,773 --> 00:39:07,680
JOHN HOFFMAN, "ONLY MURDERS IN
931
00:39:07,680 --> 00:39:13,886
THE BUILDING".
932
00:39:13,886 --> 00:39:14,487
"TED LASSO."
933
00:39:14,487 --> 00:39:18,291
>> AND THE EMMY GOES TO.
934
00:39:18,291 --> 00:39:19,959
CHRISTOPHER STORER "THE BEAR."
935
00:39:19,959 --> 00:39:22,995
[ APPLAUSE ]
936
00:39:22,995 --> 00:39:24,831
>> WELL, CHRISTOPHER IS UNABLE
937
00:39:24,831 --> 00:39:25,665
TO BE HERE TONIGHT.
938
00:39:25,665 --> 00:39:26,466
WE ACCEPT THIS AWARD ON HIS
939
00:39:26,466 --> 00:39:29,402
BEHALF.
940
00:39:29,402 --> 00:39:31,204
♪
941
00:39:31,204 --> 00:39:31,804
>> Announcer: COMING UP,
942
00:39:31,804 --> 00:39:33,806
JOEL McHALE AND KEN JEONG.
943
00:39:33,806 --> 00:39:37,110
AN EMMY EDITION OF "SNL'S"
944
00:39:37,110 --> 00:39:38,845
WEEKEND UPDATE WITH TINA FEY AND
945
00:39:38,845 --> 00:39:41,247
AMY POEHLER, ARSENIO HALL, AND
946
00:39:41,247 --> 00:39:42,849
THE CAST OF "IT'S ALWAYS SUNNY
947
00:39:42,849 --> 00:39:44,951
IN PHILADELPHIA."
948
00:39:44,951 --> 00:39:45,885
PLUS, A "GREY'S ANATOMY"
949
00:39:45,885 --> 00:39:47,587
REUNION.
950
00:39:55,595 --> 00:39:57,096
>> OUR NEXT PRESENTERS ARE TWO
951
00:39:57,096 --> 00:39:58,831
OF THE MOST OVEREXPOSED PEOPLE
952
00:39:58,831 --> 00:39:59,565
IN TELEVISION AND MOVIES, GIVE
953
00:39:59,565 --> 00:40:00,400
IT UP FOR JOEL MCHALE AND
954
00:40:00,400 --> 00:40:03,336
KEN JEONG!
955
00:40:03,336 --> 00:40:06,239
[ APPLAUSE ]
956
00:40:06,239 --> 00:40:08,508
♪
957
00:40:08,508 --> 00:40:16,015
[ APPLAUSE ]
958
00:40:16,015 --> 00:40:16,616
>> YOU'RE ONE TO TALK,
959
00:40:16,616 --> 00:40:21,020
ANTHONY ANDERSON.
960
00:40:21,020 --> 00:40:24,457
CALL US ON YOUR T-MOBILE PHONE.
961
00:40:24,457 --> 00:40:29,729
>> ZING.
962
00:40:29,729 --> 00:40:30,329
WE'RE HERE TO HONOR THE
963
00:40:30,329 --> 00:40:33,599
OUTSTANDING REALITY COMPETITION
964
00:40:33,599 --> 00:40:33,966
PROGRAMS.
965
00:40:33,966 --> 00:40:36,736
>> WE KNOW A THING OR TWO ABOUT
966
00:40:36,736 --> 00:40:37,737
REALITY COMPETITION SHOWS.
967
00:40:37,737 --> 00:40:39,539
>> BECAUSE KEN IS FINALLY OVER
968
00:40:39,539 --> 00:40:41,741
THE HEIGHT REQUIREMENT TO
969
00:40:41,741 --> 00:40:42,709
PARTICIPATE IN THE PROFIT
970
00:40:42,709 --> 00:40:43,009
SHARING.
971
00:40:43,009 --> 00:40:43,543
WAY TO GO.
972
00:40:43,543 --> 00:40:43,843
>> STOP.
973
00:40:43,843 --> 00:40:50,149
SERIOUSLY, LIVE TV.
974
00:40:50,149 --> 00:40:52,785
REALITY IS THE MOST NOBLE OF
975
00:40:52,785 --> 00:40:53,152
CALLINGS.
976
00:40:53,152 --> 00:40:54,153
EVEN MORE THAN MEDICINE.
977
00:40:54,153 --> 00:40:55,421
>> HERE WE GO.
978
00:40:55,421 --> 00:40:56,656
YOU WERE THROWN OUT OF MEDICINE.
979
00:40:56,656 --> 00:40:57,724
HE KILLED A GUY.
980
00:40:57,724 --> 00:40:59,525
>> YOU CAN'T SAY THAT.
981
00:40:59,525 --> 00:41:01,527
IT'S NOT IN THE PROMPTER.
982
00:41:01,527 --> 00:41:04,497
YOU CANNOT SAY THAT.
983
00:41:04,497 --> 00:41:06,099
YOU CAN'T SAY THAT!
984
00:41:06,099 --> 00:41:07,433
THE INSTRUMENT THAT ALMOST
985
00:41:07,433 --> 00:41:08,901
KILLED THAT DUDE WERE THE ONES
986
00:41:08,901 --> 00:41:10,403
THE NURSES LEFT IN, OKAY?
987
00:41:10,403 --> 00:41:13,806
THE ONES THAT SAVED HIS LIFE, I
988
00:41:13,806 --> 00:41:14,774
LEFT IN.
989
00:41:14,774 --> 00:41:15,575
GIVE ME A BREAK.
990
00:41:15,575 --> 00:41:17,143
>> OKAY.
991
00:41:17,143 --> 00:41:19,379
>> AND THAT IS THE END OF OUR
992
00:41:19,379 --> 00:41:19,779
COMEDY BIT.
993
00:41:19,779 --> 00:41:23,516
>> IT NEVER STARTED!
994
00:41:23,516 --> 00:41:23,916
[ LAUGHTER ]
995
00:41:23,916 --> 00:41:25,685
>> HERE ARE THE NOMINEES FOR
996
00:41:25,685 --> 00:41:29,422
OUTSTANDING REALITY COMPETITION
997
00:41:29,422 --> 00:41:30,256
PROGRAM.
998
00:41:30,256 --> 00:41:32,892
>> Announcer: "THE AMAZING
999
00:41:32,892 --> 00:41:35,061
RACE."
1000
00:41:35,061 --> 00:41:37,130
"RuPAUL'S DRAG RACE."
1001
00:41:37,130 --> 00:41:37,730
"SURVIVOR."
1002
00:41:37,730 --> 00:41:39,265
"TALK SHOW."
1003
00:41:39,265 --> 00:41:43,536
"THE VOICE."
1004
00:41:43,536 --> 00:41:46,472
>> AND THE EMMY GOES TO --
1005
00:41:46,472 --> 00:41:47,173
"RuPAUL'S DRAG RACE"!
1006
00:41:47,173 --> 00:41:59,052
[ CHEERS AND APPLAUSE ]
1007
00:41:59,052 --> 00:41:59,786
>> Announcer: "RuPAUL'S DRAG
1008
00:41:59,786 --> 00:42:02,488
RACE" HAS EARNED A TOTAL OF 63
1009
00:42:02,488 --> 00:42:03,456
EMMY NOMINATIONS.
1010
00:42:03,456 --> 00:42:05,658
THIS IS THE SHOW'S FIFTH WIN IN
1011
00:42:05,658 --> 00:42:06,893
THIS CATEGORY.
1012
00:42:06,893 --> 00:42:08,795
ACCEPTING THE EMMY ON BEHALF OF
1013
00:42:08,795 --> 00:42:11,697
THE TEAM IS RUPAUL.
1014
00:42:11,697 --> 00:42:12,765
THIS MARKS THE EIGHTH
1015
00:42:12,765 --> 00:42:16,436
CONSECUTIVE WIN FOR RUPAUL AS
1016
00:42:16,436 --> 00:42:16,969
HOST OF THE SHOW.
1017
00:42:16,969 --> 00:42:21,507
RUPAUL IS THE MOST AWARDED HOST
1018
00:42:21,507 --> 00:42:25,044
IN EMMYS HISTORY.
1019
00:42:25,044 --> 00:42:26,879
>> THANK YOU SO MUCH.
1020
00:42:26,879 --> 00:42:28,548
THANK YOU SO MUCH, YOU LOVELY,
1021
00:42:28,548 --> 00:42:29,382
LOVELY PEOPLE.
1022
00:42:29,382 --> 00:42:33,619
WE ARE SO HONORED TO HAVE THIS
1023
00:42:33,619 --> 00:42:34,120
AWARD.
1024
00:42:34,120 --> 00:42:37,690
LISTEN, YOU GUYS ARE JUST PURE
1025
00:42:37,690 --> 00:42:40,059
LOVELY FOR HONORING OUR SHOW AND
1026
00:42:40,059 --> 00:42:42,361
RECOGNIZING ALL THESE QUEENS.
1027
00:42:42,361 --> 00:42:46,999
WE HAVE RELEASED INTO THE WILD
1028
00:42:46,999 --> 00:42:47,567
HUNDREDS OF DRAG QUEENS.
1029
00:42:47,567 --> 00:42:51,270
[ CHEERS AND APPLAUSE ]
1030
00:42:51,270 --> 00:42:53,172
AND THEY'RE BEAUTIFUL.
1031
00:42:53,172 --> 00:42:56,275
ON BEHALF OF ALL OF THEM, WE
1032
00:42:56,275 --> 00:42:57,043
THANK YOU.
1033
00:42:57,043 --> 00:42:58,845
LISTEN, IF A DRAG QUEEN WANTS TO
1034
00:42:58,845 --> 00:43:03,683
READ YOU A STORY AT A LIBRARY,
1035
00:43:03,683 --> 00:43:08,054
LISTEN TO HER, BECAUSE KNOWLEDGE
1036
00:43:08,054 --> 00:43:08,855
IS POWER.
1037
00:43:08,855 --> 00:43:11,891
IF SOMEONE TRIES TO RESTRICT
1038
00:43:11,891 --> 00:43:14,394
YOUR ACCESS TO POWER, THEY ARE
1039
00:43:14,394 --> 00:43:15,561
TRYING TO SCARE YOU.
1040
00:43:15,561 --> 00:43:17,130
SO LISTEN TO A DRAG QUEEN!
1041
00:43:17,130 --> 00:43:17,530
WE LOVE YOU.
1042
00:43:17,530 --> 00:43:18,131
THANK YOU!
1043
00:43:18,131 --> 00:43:20,967
[ CHEERS AND APPLAUSE ]
1044
00:43:20,967 --> 00:43:21,434
>> THANK YOU.
1045
00:43:21,434 --> 00:43:25,038
THANK YOU.
1046
00:43:25,038 --> 00:43:27,940
>> FROM THE PEACOCK THEATER IN
1047
00:43:27,940 --> 00:43:33,613
THE HEARTH OF DOWNTOWN LOS
1048
00:43:33,613 --> 00:43:34,881
ANGELES, IT'S ARSENIO HALL!
1049
00:43:34,881 --> 00:43:40,286
♪
1050
00:43:40,286 --> 00:43:41,387
[ THE ARSENIO HALL SHOW THEME ]
1051
00:43:41,387 --> 00:43:56,135
♪
1052
00:43:56,135 --> 00:44:00,640
>> THANK YOU.
1053
00:44:00,640 --> 00:44:02,141
THANK YOU.
1054
00:44:02,141 --> 00:44:06,646
AS A KID, I IDOLIZED JOHNNY
1055
00:44:06,646 --> 00:44:06,979
CARSON.
1056
00:44:06,979 --> 00:44:08,381
WHEN MOST KIDS IN CLEVELAND
1057
00:44:08,381 --> 00:44:09,649
WANTED TO BE FOOTBALL STARS LIKE
1058
00:44:09,649 --> 00:44:12,452
JIM BROWN, I WANTED TO BE AN OLD
1059
00:44:12,452 --> 00:44:13,086
WHITE MAN WITH A TALK SHOW.
1060
00:44:13,086 --> 00:44:18,124
[ LAUGHTER ]
1061
00:44:18,124 --> 00:44:20,760
I WAS A WEIRD 10-YEAR OLD.
1062
00:44:20,760 --> 00:44:22,929
I EVEN WAS A MAGICIAN LIKE
1063
00:44:22,929 --> 00:44:23,229
JOHNNY.
1064
00:44:23,229 --> 00:44:24,564
CHECK THIS OUT.
1065
00:44:24,564 --> 00:44:27,133
YES, THERE I AMOUNT IN A BLACK
1066
00:44:27,133 --> 00:44:28,935
SUIT AND TIE DOING MAGIC IN THE
1067
00:44:28,935 --> 00:44:33,139
GHETTO OF CLEVELAND.
1068
00:44:33,139 --> 00:44:37,744
YES, AND I'M STILL ALIVE.
1069
00:44:37,744 --> 00:44:41,414
BY BUT I GOT MY [ BLEEP ] BEAT A
1070
00:44:41,414 --> 00:44:41,681
LOT.
1071
00:44:41,681 --> 00:44:42,415
I LOVED JOHNNY SO MUCH I DID
1072
00:44:42,415 --> 00:44:46,452
"THE TONIGHT SHOW" IN MY
1073
00:44:46,452 --> 00:44:48,788
BASEMENT WITH MY FRIENDS AS
1074
00:44:48,788 --> 00:44:49,088
GUESTS.
1075
00:44:49,088 --> 00:44:50,723
EVENTUALLY I BECAME A STANDUP
1076
00:44:50,723 --> 00:44:51,290
COMIC.
1077
00:44:51,290 --> 00:44:54,026
I GOT MY BIG BREAK ON "LATE
1078
00:44:54,026 --> 00:44:56,095
NIGHT WITH DAVID LETTERMAN."
1079
00:44:56,095 --> 00:44:59,665
ON JANUARY 3rd, 1989, I DEBUTED
1080
00:44:59,665 --> 00:45:02,301
THE ARSENIO HALL SHOW.
1081
00:45:02,301 --> 00:45:02,702
I WAS HOST.
1082
00:45:02,702 --> 00:45:06,572
[ APPLAUSE ]
1083
00:45:06,572 --> 00:45:08,341
I WAS HOST OF THAT SHOW THAT I
1084
00:45:08,341 --> 00:45:10,243
USED TO DO IN MY BASEMENT.
1085
00:45:10,243 --> 00:45:11,711
I GOT TO GO HEAD TO HEAD WITH
1086
00:45:11,711 --> 00:45:16,382
THE KING, JOHNNY CARSON, AND HIS
1087
00:45:16,382 --> 00:45:18,684
HEIRS TO THE THRONE DAVE AND
1088
00:45:18,684 --> 00:45:18,918
JAY.
1089
00:45:18,918 --> 00:45:20,653
IT WAS AN HONOR TO FACE OFF
1090
00:45:20,653 --> 00:45:22,855
AGAINST THE TALENTED TRIO, BUT
1091
00:45:22,855 --> 00:45:28,528
TO BE HONEST, I WISH THEY HAD
1092
00:45:28,528 --> 00:45:30,396
SUCKED.
1093
00:45:30,396 --> 00:45:31,597
BUT THEY DIDN'T.
1094
00:45:31,597 --> 00:45:33,399
AND HERE ARE SOME OTHER FOLKS
1095
00:45:33,399 --> 00:45:36,002
WHO ABSOLUTELY DO NOT SUCK, THE
1096
00:45:36,002 --> 00:45:41,174
NOMINATED TEAMS FOR OUT SSTANDI
1097
00:45:41,174 --> 00:45:44,377
WRITER IN A VARIETY SERIES.
1098
00:45:44,377 --> 00:45:50,249
"THE LAST OF US," "THE LATE SHOW
1099
00:45:50,249 --> 00:45:52,251
WITH STEPHEN COLBERT".
1100
00:45:56,055 --> 00:45:59,892
>> AND THE EMMY GOES TO -- I'M
1101
00:45:59,892 --> 00:46:02,128
AS NERVOUS AS JOHN OLIVER WILL
1102
00:46:02,128 --> 00:46:03,830
BE.
1103
00:46:03,830 --> 00:46:07,233
THE TEAM FROM "LAST WEEK TONIGHT
1104
00:46:07,233 --> 00:46:13,373
WITH JOHN OLIVER."
1105
00:46:13,373 --> 00:46:14,607
>> Announcer: THIS IS THE EIGHTH
1106
00:46:14,607 --> 00:46:16,909
CONSECUTIVE EMMY WIN IN THIS
1107
00:46:16,909 --> 00:46:18,444
CATEGORY FOR "LAST WEEK TONIGHT
1108
00:46:18,444 --> 00:46:20,980
WITH JOHN OLIVER" WHICH HAS A
1109
00:46:20,980 --> 00:46:27,086
TOTAL OF 51 NOMINATIONS OVERALL.
1110
00:46:27,086 --> 00:46:33,092
THE SERIES DEBUTED --
1111
00:46:33,092 --> 00:46:46,973
♪
1112
00:46:46,973 --> 00:46:47,373
[ APPLAUSE ]
1113
00:46:47,373 --> 00:46:48,808
>> HI.
1114
00:46:48,808 --> 00:46:49,609
THANK YOU.
1115
00:46:49,609 --> 00:46:53,946
THANK YOU TO OUR EXECUTIVE
1116
00:46:53,946 --> 00:46:58,418
PRODUCERS, TIM CARVEL AND LIZ
1117
00:46:58,418 --> 00:47:01,854
STANTON, THANK YOU TO JOHN
1118
00:47:01,854 --> 00:47:02,488
OLIVER AND CAT OWENS.
1119
00:47:02,488 --> 00:47:04,557
THANK YOU TO EVERY DEPARTMENT AT
1120
00:47:04,557 --> 00:47:05,525
"LAST WEEK TONIGHT."
1121
00:47:05,525 --> 00:47:07,493
THEY ARE ALL INCREDIBLE AT WHAT
1122
00:47:07,493 --> 00:47:08,127
THEY DO.
1123
00:47:08,127 --> 00:47:09,562
THEY MAKE THE WHOLE THING
1124
00:47:09,562 --> 00:47:09,929
HAPPEN.
1125
00:47:09,929 --> 00:47:11,464
I ESPECIALLY WANT TO THANK
1126
00:47:11,464 --> 00:47:14,000
EVERYONE AT THE SHOW AND JOHN,
1127
00:47:14,000 --> 00:47:15,568
TIM AND LIZ FOR HOW MUCH THEY
1128
00:47:15,568 --> 00:47:16,736
BACKED US UP DURING THE WRITERS
1129
00:47:16,736 --> 00:47:17,036
STRIKE.
1130
00:47:17,036 --> 00:47:23,176
[ APPLAUSE ]
1131
00:47:23,176 --> 00:47:25,278
THEY WHOLEHEARTEDLY SUPPORTED
1132
00:47:25,278 --> 00:47:27,213
ALL OF US EVEN THOUGH A THIRD OF
1133
00:47:27,213 --> 00:47:30,049
US ARE ANNOYING.
1134
00:47:30,049 --> 00:47:30,750
IT WAS WONDERFUL.
1135
00:47:30,750 --> 00:47:33,286
WE ALSO WARRANT TO THANK OUR
1136
00:47:33,286 --> 00:47:35,288
UNION, THE WGA, AND ALL THE
1137
00:47:35,288 --> 00:47:38,124
UNIONS THAT BACKED WITH SO MUCH
1138
00:47:38,124 --> 00:47:38,591
SOLIDARITY.
1139
00:47:38,591 --> 00:47:39,692
THE STRIKE FELT LONG.
1140
00:47:39,692 --> 00:47:41,994
IT DID NOT FEEL LONELY.
1141
00:47:41,994 --> 00:47:42,562
SO THANK YOU SO MUCH.
1142
00:47:42,562 --> 00:47:43,129
[ APPLAUSE ]
1143
00:47:43,129 --> 00:47:45,898
♪
1144
00:47:45,898 --> 00:47:46,499
[ IT'S ALWAYS SUNNY IN
1145
00:47:46,499 --> 00:47:47,133
PHILADELPHIA THEME SONG ]
1146
00:47:47,133 --> 00:47:51,637
>> Announcer: FROM "ALWAYS SUNNY
1147
00:47:51,637 --> 00:47:52,372
IN PHILADELPHIA," A SERIES THAT
1148
00:47:52,372 --> 00:47:53,139
EARNED THREE EMMY NOMINATIONS,
1149
00:47:53,139 --> 00:47:54,307
HERE ARE ROB MCELHENMEY,
1150
00:47:54,307 --> 00:47:58,578
GLENN HOWERTON AND CHARLIE DAY.
1151
00:47:58,578 --> 00:48:05,318
♪
1152
00:48:05,318 --> 00:48:05,685
>> OKAY.
1153
00:48:05,685 --> 00:48:07,754
ALL RIGHT.
1154
00:48:07,754 --> 00:48:09,489
THANK YOU.
1155
00:48:09,489 --> 00:48:12,325
>> WHAT AN HONOR IT IS TO BE
1156
00:48:12,325 --> 00:48:15,728
HERE AT THE 75th EMMY AWARDS.
1157
00:48:15,728 --> 00:48:16,429
>> WHAT?
1158
00:48:16,429 --> 00:48:17,563
75 YEARS?
1159
00:48:17,563 --> 00:48:18,598
>> YEAH.
1160
00:48:18,598 --> 00:48:21,334
>> WE'VE BEEN ON THE AIR SINCE
1161
00:48:21,334 --> 00:48:21,968
2005.
1162
00:48:21,968 --> 00:48:23,136
I'VE NEVER EVEN BEEN HERE.
1163
00:48:23,136 --> 00:48:24,937
>> HANG ON.
1164
00:48:24,937 --> 00:48:26,205
HAVE YOU GUYS BEEN DOING THIS
1165
00:48:26,205 --> 00:48:28,808
EVERY SINGLE YEAR WITHOUT US?
1166
00:48:28,808 --> 00:48:30,676
>> THEY DO.
1167
00:48:30,676 --> 00:48:33,646
16 SEASONS WE'VE NEVER PRESENTED
1168
00:48:33,646 --> 00:48:34,080
BEFORE.
1169
00:48:34,080 --> 00:48:34,714
>> OH.
1170
00:48:34,714 --> 00:48:37,116
>> I FEEL LIKE WE'RE GETTING THE
1171
00:48:37,116 --> 00:48:43,289
FULL MARTIN TREATMENT OEVER HER.
1172
00:48:43,289 --> 00:48:45,992
>> DANNY, SURELY THE EMMYS MUST
1173
00:48:45,992 --> 00:48:47,193
HAVE GIVEN YOU AN AWARD.
1174
00:48:47,193 --> 00:48:48,327
>> YEAH, THEY DID.
1175
00:48:48,327 --> 00:48:49,128
>> THEY DID?
1176
00:48:49,128 --> 00:48:50,563
>> YEAH, I GOT ONE.
1177
00:48:50,563 --> 00:48:51,764
>> FOR SUNNY.
1178
00:48:51,764 --> 00:48:52,398
>> NO.
1179
00:48:52,398 --> 00:48:52,899
FOR TAXI.
1180
00:48:52,899 --> 00:49:00,907
[ APPLAUSE ]
1181
00:49:00,907 --> 00:49:02,875
>> HOW LONG WAS TAXI ON THE AIR?
1182
00:49:02,875 --> 00:49:04,077
>> FIVE YEARS.
1183
00:49:04,077 --> 00:49:06,412
>> ONLY FIVE YEARS AND IT GOT
1184
00:49:06,412 --> 00:49:06,746
NOMINATED?
1185
00:49:06,746 --> 00:49:09,315
>> YEAH, WITH 34 NOMINATIONS AND
1186
00:49:09,315 --> 00:49:11,517
18 WINS.
1187
00:49:11,517 --> 00:49:15,121
THAT'S WHY I GOT ONE.
1188
00:49:15,121 --> 00:49:15,555
THANK YOU.
1189
00:49:15,555 --> 00:49:17,990
>> 34 NOMINATIONS IN FIVE YEARS
1190
00:49:17,990 --> 00:49:20,359
VERSUS ZERO NOMINATIONS IN 16
1191
00:49:20,359 --> 00:49:20,626
YEARS.
1192
00:49:20,626 --> 00:49:21,828
THAT MATH IS BAD.
1193
00:49:21,828 --> 00:49:24,130
THE MATH IS BAD.
1194
00:49:24,130 --> 00:49:27,800
>> RHEA WON FOUR FOR "CHEERS".
1195
00:49:27,800 --> 00:49:32,972
>> DON'T RUB IT IN.
1196
00:49:32,972 --> 00:49:35,775
OKAY.
1197
00:49:35,775 --> 00:49:38,978
>> MAYBE THEY HAVE TROPHIES
1198
00:49:38,978 --> 00:49:40,980
BACKSTAGE THEY FORGOT TO GIVE
1199
00:49:40,980 --> 00:49:41,247
US.
1200
00:49:41,247 --> 00:49:41,848
>> NO.
1201
00:49:41,848 --> 00:49:43,316
I WENT BACKSTAGE AND I LOOKED
1202
00:49:43,316 --> 00:49:45,485
FOR THE MARTIN ONES AND THE
1203
00:49:45,485 --> 00:49:47,887
SUNNY ONES AND THEY DIDN'T HAVE
1204
00:49:47,887 --> 00:49:48,221
THEM.
1205
00:49:48,221 --> 00:49:50,957
>> I'M STILL GOING TO POKE
1206
00:49:50,957 --> 00:49:52,125
AROUND BACK THERE.
1207
00:49:52,125 --> 00:49:55,061
>> SO SPEAKING OF GUYS WITH FAR
1208
00:49:55,061 --> 00:49:56,496
TOO MANY NOMINATIONS, HERE ARE
1209
00:49:56,496 --> 00:49:57,397
THE NOMINEES FOR OUTSTANDING
1210
00:49:57,397 --> 00:50:00,933
TALK SERIES.
1211
00:50:00,933 --> 00:50:01,701
>> Announcer: "THE DAILY SHOW
1212
00:50:01,701 --> 00:50:03,636
WITH TREVOR NOAH" WITH TREVOR
1213
00:50:03,636 --> 00:50:05,972
NOAH.
1214
00:50:05,972 --> 00:50:06,572
"JIMMY KIMMEL LIVE!."
1215
00:50:06,572 --> 00:50:07,840
LATE NIGHT WITH SETH MEYERS.
1216
00:50:07,840 --> 00:50:13,546
THE LATE SHOW WITH STEVEN
1217
00:50:13,546 --> 00:50:15,748
COLBERT.
1218
00:50:15,748 --> 00:50:16,449
"THE PROBLEM WITH JON STEWART."
1219
00:50:16,449 --> 00:50:20,086
>> AND THE EMMY GOES TO "THE
1220
00:50:20,086 --> 00:50:20,820
DAILY SHOW WITH TREVOR NOAH."
1221
00:50:20,820 --> 00:50:21,254
HOW ABOUT THAT.
1222
00:50:21,254 --> 00:50:32,999
♪
1223
00:50:32,999 --> 00:50:34,767
>> Announcer: D"THE DAILY SHOW
1224
00:50:34,767 --> 00:50:35,735
WITH TREVOR NOAH" RECEIVED THREE
1225
00:50:35,735 --> 00:50:36,969
NOMINATIONS THIS YEAR.
1226
00:50:36,969 --> 00:50:41,474
ACCEPTING THE EMMY IS TREVOR
1227
00:50:41,474 --> 00:50:46,012
NOAH.
1228
00:50:46,012 --> 00:50:48,848
>> I TOLD YOU WE WOULD BEAT JOHN
1229
00:50:48,848 --> 00:50:50,583
OLIVER AND HE WASN'T IN OUR
1230
00:50:50,583 --> 00:50:50,950
CATEGORY.
1231
00:50:50,950 --> 00:50:52,218
WE DID IT!
1232
00:50:52,218 --> 00:50:56,622
WE GOT RID OF JOHN OLIVER.
1233
00:50:56,622 --> 00:50:57,857
I'M SO GLAD EVERYBODY IS COMING
1234
00:50:57,857 --> 00:50:58,491
UP HERE.
1235
00:50:58,491 --> 00:51:00,026
CAN I JUST SAY THIS STORY HAS
1236
00:51:00,026 --> 00:51:02,729
BEEN SO LONG AND SO CRAZY AND SO
1237
00:51:02,729 --> 00:51:03,496
WONDERFUL.
1238
00:51:03,496 --> 00:51:05,198
I START BY THANKING THE CRAZY
1239
00:51:05,198 --> 00:51:10,236
AFRICANS WHO FOLLOWED ME TO THIS
1240
00:51:10,236 --> 00:51:10,570
COUNTRY.
1241
00:51:10,570 --> 00:51:11,104
THANK YOU SO MUCH.
1242
00:51:11,104 --> 00:51:15,375
AND THE WRITERS AND THE TEAM.
1243
00:51:15,375 --> 00:51:18,678
JORDAN'S FLIGHT GOT CANCELLED.
1244
00:51:18,678 --> 00:51:23,149
THE SHOWRUNNER, THIS WOMAN RODE
1245
00:51:23,149 --> 00:51:24,784
WITH ME THROUGH THE TRENCHES.
1246
00:51:24,784 --> 00:51:26,486
THANK YOU SO MUCH TO THE TEAM.
1247
00:51:26,486 --> 00:51:27,987
THE PERSON I ALWAYS THANK
1248
00:51:27,987 --> 00:51:32,458
BECAUSE HE'S A CRAZY GENIUS.
1249
00:51:32,458 --> 00:51:33,693
JON STEWART, THANK YOU FOR
1250
00:51:33,693 --> 00:51:34,961
CALLING ME UP.
1251
00:51:34,961 --> 00:51:36,629
THANK YOU FOR ASKING ME TO JOIN
1252
00:51:36,629 --> 00:51:38,531
YOU ON THIS CRAZY JOURNEY.
1253
00:51:38,531 --> 00:51:39,932
THANK YOU TO THESE PEOPLE.
1254
00:51:39,932 --> 00:51:40,767
WE DID IT, BABY.
1255
00:51:40,767 --> 00:51:41,134
WE DID IT.
1256
00:51:41,134 --> 00:51:44,904
[ APPLAUSE ]
1257
00:51:44,904 --> 00:51:45,938
>> Announcer: COMING UP,
1258
00:51:45,938 --> 00:51:47,540
BRETT GOLDSTEIN AND JUNO TEMPLE,
1259
00:51:47,540 --> 00:51:49,275
CAST REUNIONS FROM "GREY'S
1260
00:51:49,275 --> 00:51:51,210
ANATOMY" AND "ALLY MCBEAL," AND
1261
00:51:51,210 --> 00:51:52,245
TRACEE ELLIS ROSS AND
1262
00:51:52,245 --> 00:51:54,213
NATASHA LYONNE'S "I LOVE LUCY"
1263
00:51:54,213 --> 00:51:55,815
TRIBUTE.
1264
00:51:59,085 --> 00:52:01,020
[ "TED LASSO" THEME SONG ]
1265
00:52:01,020 --> 00:52:01,721
>> Announcer: WELCOME BACK TO
1266
00:52:01,721 --> 00:52:03,256
THE EMMY AWARDS.
1267
00:52:03,256 --> 00:52:04,957
SHE'S A NOMINEE TONIGHT.
1268
00:52:04,957 --> 00:52:07,260
HE'S A TWO-TIME EMMY WINNER.
1269
00:52:07,260 --> 00:52:09,529
PLEASE WELCOME JUNO TEMPLE AND
1270
00:52:09,529 --> 00:52:12,165
BRETT GOLDSTEIN.
1271
00:52:12,165 --> 00:52:17,336
[ APPLAUSE ]
1272
00:52:19,839 --> 00:52:21,808
>> BEING A DIRECTOR REQUIRES A
1273
00:52:21,808 --> 00:52:24,177
DIVERSE SKILL SET THAT GOES WELL
1274
00:52:24,177 --> 00:52:25,778
BEYOND THE CAMERA.
1275
00:52:25,778 --> 00:52:27,847
>> PERHAPS THE HARDEST TASK A
1276
00:52:27,847 --> 00:52:29,215
DIRECTOR HAS IS WALKING UP TO AN
1277
00:52:29,215 --> 00:52:30,717
ACTOR AFTER A TAKE AND SAYING,
1278
00:52:30,717 --> 00:52:32,885
"THAT WAS DOG [ BLEEP ].
1279
00:52:32,885 --> 00:52:34,220
LIKE, REALLY, REALLY BAD."
1280
00:52:34,220 --> 00:52:36,289
>> WHICH IS WHY BRILLIANT
1281
00:52:36,289 --> 00:52:37,890
DIRECTORS FIND OTHER WAYS TO SAY
1282
00:52:37,890 --> 00:52:38,925
IT, THINGS LIKE, "THAT WAS
1283
00:52:38,925 --> 00:52:40,026
GREAT.
1284
00:52:40,026 --> 00:52:40,693
BUT LET'S GET ANOTHER ONE FOR
1285
00:52:40,693 --> 00:52:42,095
SAFETY."
1286
00:52:42,095 --> 00:52:42,862
>> OR "LET'S TRY ONE WHERE YOU
1287
00:52:42,862 --> 00:52:43,696
JUST THROW IT AWAY.
1288
00:52:43,696 --> 00:52:44,197
JUST THROW IT AWAY.
1289
00:52:44,197 --> 00:52:45,765
DON'T ACT.
1290
00:52:45,765 --> 00:52:53,506
PLEASE DON'T ACT."
1291
00:52:53,506 --> 00:52:56,109
>> AND MY PERSONAL FAVORITE
1292
00:52:56,109 --> 00:52:56,909
"LET'S GO AGAIN EXACTLY THE
1293
00:52:56,909 --> 00:52:59,579
SAME, BUT DIFFERENT."
1294
00:52:59,579 --> 00:53:02,882
>> HERE ARE THE NOMINEES FOR
1295
00:53:02,882 --> 00:53:04,917
OUTSTANDING DIRECTING FOR A
1296
00:53:04,917 --> 00:53:08,221
LIMITED ANTHOLOGY SERIES OR
1297
00:53:08,221 --> 00:53:08,621
MOVIE.
1298
00:53:08,621 --> 00:53:10,289
>> Announcer: "BEEF."
1299
00:53:10,289 --> 00:53:13,926
CARL FRANKLIN, "DAHMER -
1300
00:53:13,926 --> 00:53:14,560
MONSTER: THE JEFFREY DAHMER
1301
00:53:14,560 --> 00:53:16,129
STORY".
1302
00:53:16,129 --> 00:53:19,165
PARIS BARCLAY, "DAHMER -
1303
00:53:19,165 --> 00:53:19,799
MONSTER: THE JEFFREY DAHMER
1304
00:53:19,799 --> 00:53:20,767
STORY."
1305
00:53:20,767 --> 00:53:22,335
VALERIE FARIS AND JONATHAN
1306
00:53:22,335 --> 00:53:25,371
DAYTON, "FLEISHMAN IS IN
1307
00:53:25,371 --> 00:53:25,805
TROUBLE."
1308
00:53:25,805 --> 00:53:30,410
DAN TRACHTENBERG.
1309
00:53:30,410 --> 00:53:37,450
>> AND THE EMMY GOES TO --
1310
00:53:37,450 --> 00:53:40,386
>> LEE SUNG JIN FOR "BEEF."
1311
00:53:40,386 --> 00:53:45,491
[ APPLAUSE ]
1312
00:53:45,491 --> 00:53:59,138
♪
1313
00:53:59,138 --> 00:54:08,081
♪
1314
00:54:08,081 --> 00:54:08,648
>> WOW.
1315
00:54:08,648 --> 00:54:11,851
THANK YOU TO THE ACADEMY.
1316
00:54:11,851 --> 00:54:14,220
YOU KNOW, WHEN I FIRST MOVED TO
1317
00:54:14,220 --> 00:54:15,555
L.A., MY BANK ACCOUNT WENT TO
1318
00:54:15,555 --> 00:54:17,724
THE NEGATIVE BY 63 CENTS.
1319
00:54:17,724 --> 00:54:19,792
SO I HAD TO DEPOSIT A DOLLAR
1320
00:54:19,792 --> 00:54:21,661
BILL INTO MY ACCOUNT TO AVOID
1321
00:54:21,661 --> 00:54:22,862
THE OVERDRAFT FEE.
1322
00:54:22,862 --> 00:54:25,198
THE ATM SCREEN SAID, ARE YOU
1323
00:54:25,198 --> 00:54:28,368
SURE YOU WANT TO DEPOSIT ONE
1324
00:54:28,368 --> 00:54:28,801
DOLLAR?
1325
00:54:28,801 --> 00:54:31,137
AND I WAS LIKE NO.
1326
00:54:31,137 --> 00:54:33,339
I WASN'T SURE OF ANYTHING BACK
1327
00:54:33,339 --> 00:54:33,740
THEN.
1328
00:54:33,740 --> 00:54:35,375
I CERTAINLY WASN'T SURE OF
1329
00:54:35,375 --> 00:54:37,076
HOLDING SOMETHING LIKE THIS.
1330
00:54:37,076 --> 00:54:40,346
IT'S REALLY A TESTAMENT TO THE
1331
00:54:40,346 --> 00:54:42,348
AMAZING PEOPLE THAT I'VE BEEN SO
1332
00:54:42,348 --> 00:54:43,449
BLESSED TO BE AROUND.
1333
00:54:43,449 --> 00:54:45,818
THANK YOU TO STEVE AND ALI,
1334
00:54:45,818 --> 00:54:50,189
JOSEPH MARIA, THE AMAZING CAST,
1335
00:54:50,189 --> 00:54:56,496
OUR INCREDIBLE CREW AND EVERYONE
1336
00:54:56,496 --> 00:54:56,896
AT NETFLIX.
1337
00:54:56,896 --> 00:54:59,799
MY MOM, MY DAD, MY SISTER.
1338
00:54:59,799 --> 00:55:00,800
KATIE, I LOVE YOU SO MUCH.
1339
00:55:00,800 --> 00:55:01,768
THIS REALLY MEANS A LOT.
1340
00:55:01,768 --> 00:55:02,235
THANK YOU SO MUCH.
1341
00:55:02,235 --> 00:55:10,343
[ APPLAUSE ]
1342
00:55:10,343 --> 00:55:19,085
>> NOW, I'M A FAN OF POLICE
1343
00:55:19,085 --> 00:55:20,286
PROCE
1344
00:55:20,286 --> 00:55:22,889
PROCEDURALS, LAW AND ORDER SVU
1345
00:55:22,889 --> 00:55:27,126
IS CELEBRATING 25 YEARS ON AIR.
1346
00:55:27,126 --> 00:55:30,463
MY MOMMA WATCHED SO MANY MEDICAL
1347
00:55:30,463 --> 00:55:32,031
SHOWS THAT SHE TRIED TO REMOVE
1348
00:55:32,031 --> 00:55:37,570
MY APPENDIX WITH A BUTTER KNIFE.
1349
00:55:37,570 --> 00:55:39,172
AT ONE POINT, WE COULD BE A
1350
00:55:39,172 --> 00:55:40,373
WHOLE FAMILY SITTING HERE
1351
00:55:40,373 --> 00:55:42,575
WATCHING A SHOW AND EVERYBODY'S
1352
00:55:42,575 --> 00:55:43,342
DOING FINE.
1353
00:55:43,342 --> 00:55:50,650
THEN THE NEXT IT'S 30 CC'S OF
1354
00:55:50,650 --> 00:55:51,017
PROPOFOL.
1355
00:55:51,017 --> 00:55:55,822
MY MOTHER IS YELLING AT THE TV
1356
00:55:55,822 --> 00:55:57,690
"CODE BLUE"!
1357
00:55:57,690 --> 00:55:59,325
NOT MY BABY!
1358
00:55:59,325 --> 00:56:01,527
THE SERIES THAT HAS BEEN PART OF
1359
00:56:01,527 --> 00:56:03,730
OUR LIVES SINCE 2005 AND EARNED
1360
00:56:03,730 --> 00:56:05,832
ITS RIGHTFUL PLACE IN TELEVISION
1361
00:56:05,832 --> 00:56:11,204
HISTORY IS NONE OTHER THAN
1362
00:56:11,204 --> 00:56:12,038
GRGRAY
1363
00:56:12,038 --> 00:56:12,605
E
1364
00:56:12,605 --> 00:56:14,374
GRAY'S ANATOMY.
1365
00:56:14,374 --> 00:56:16,609
WITH 39 EMMY NOMINATIONS AND
1366
00:56:16,609 --> 00:56:18,044
MULTIPLE WINS.
1367
00:56:18,044 --> 00:56:32,125
FROM THE SERIES PLEASE WELCOME
1368
00:56:32,125 --> 00:56:32,892
ELLEN POMPEO, JUSTIN CHAMBERS,
1369
00:56:32,892 --> 00:56:33,559
JAMES PICKENS JR., FIVE-TIME
1370
00:56:33,559 --> 00:56:34,327
EMMY NOMINEE CHANDRA WILSON AND
1371
00:56:34,327 --> 00:56:36,929
EMMY WINNER KATHERINE HEIGL.
1372
00:56:36,929 --> 00:56:38,531
♪
1373
00:56:38,531 --> 00:56:39,565
>> WHEN THE FIRST EPISODE OF
1374
00:56:39,565 --> 00:56:40,600
"GREY'S ANATOMY" AIRED IN MARCH
1375
00:56:40,600 --> 00:56:42,135
OF 2005, I'M NOT SURE IF
1376
00:56:42,135 --> 00:56:43,736
SHONDA RHIMES KNEW THAT SHE HAD
1377
00:56:43,736 --> 00:56:44,504
CREATED A SHOW THAT WOULD HAVE A
1378
00:56:44,504 --> 00:56:45,838
LASTING IMPRINT ON TELEVISION
1379
00:56:45,838 --> 00:56:49,542
AND CREATE LIFELONG FRIENDSHIPS.
1380
00:56:49,542 --> 00:56:52,178
>> OVER 400 EPISODES AND
1381
00:56:52,178 --> 00:56:54,213
COUNTING, A TRIBUTE TO EVERYONE
1382
00:56:54,213 --> 00:56:54,881
WHO HAS BEEN A PART OF OUR
1383
00:56:54,881 --> 00:56:58,451
FAMILY.
1384
00:56:58,451 --> 00:57:01,687
>> AND YES, THERE HAVE BEEN
1385
00:57:01,687 --> 00:57:02,388
CHANGES OVER THE YEARS, BUT THE
1386
00:57:02,388 --> 00:57:05,358
ONE CONSTANT IS THE AMAZING
1387
00:57:05,358 --> 00:57:07,960
FANBASE.
1388
00:57:07,960 --> 00:57:09,562
>> YOU STAYED WITH US THROUGH
1389
00:57:09,562 --> 00:57:11,130
PLANE CRASHES, SUPERSTORMS,
1390
00:57:11,130 --> 00:57:13,766
EARTHQUAKES AND A GLOBAL
1391
00:57:13,766 --> 00:57:17,470
PANDEMIC, AND AS WE START OUR
1392
00:57:17,470 --> 00:57:20,206
20th SEASON, WE ARE OFFICIALLY
1393
00:57:20,206 --> 00:57:21,974
THE LONGEST-RUNNING PRIME TIME
1394
00:57:21,974 --> 00:57:22,775
MEDICAL DRAMA IN TV HISTORY.
1395
00:57:22,775 --> 00:57:30,249
[ APPLAUSE ]
1396
00:57:30,249 --> 00:57:31,884
>> AND THAT WOULD NOT BE
1397
00:57:31,884 --> 00:57:35,021
POSSIBLE WITHOUT ALL OF YOU, SO
1398
00:57:35,021 --> 00:57:36,089
TO ALL OUR FANS, AND TO ALL OF
1399
00:57:36,089 --> 00:57:39,559
YOU, THANK YOU.
1400
00:57:39,559 --> 00:57:50,169
[ APPLAUSE ]
1401
00:57:50,169 --> 00:57:52,238
>> NOW WHAT?
1402
00:57:52,238 --> 00:57:52,605
OH RIGHT.
1403
00:57:52,605 --> 00:57:53,373
>> AND NOW HERE ARE THE NOMINEES
1404
00:57:53,373 --> 00:57:53,973
FOR SUPPORTING ACTOR IN A
1405
00:57:53,973 --> 00:57:54,907
LIMITED OR ANTHOLOGY SERIES OR
1406
00:57:54,907 --> 00:57:59,612
MOVIE.
1407
00:57:59,612 --> 00:58:05,251
>> Announcer: MURRAY BARTLETT,
1408
00:58:05,251 --> 00:58:10,757
"WELCOME TO CHIPPENDALES."
1409
00:58:10,757 --> 00:58:11,958
PAUL WALTER HAUSER.
1410
00:58:11,958 --> 00:58:13,826
RICHARD JENKINS "DAHMER -
1411
00:58:13,826 --> 00:58:14,527
MONSTER: THE JEFFREY DAHMER
1412
00:58:14,527 --> 00:58:14,827
STORY."
1413
00:58:14,827 --> 00:58:15,228
JOSEPH LEE.
1414
00:58:15,228 --> 00:58:23,136
RAY LIOTTA, "BLACK BIRD."
1415
00:58:23,136 --> 00:58:27,874
JESSE PLEMONS, "LOVE & DEATH."
1416
00:58:27,874 --> 00:58:32,245
>> AND THE EMMY GOES TO, PAUL
1417
00:58:32,245 --> 00:58:35,114
WALTER HAUSER, "BLACK BIRD."
1418
00:58:35,114 --> 00:58:35,515
[ APPLAUSE ]
1419
00:58:35,515 --> 00:58:51,130
♪
1420
00:58:51,130 --> 00:58:52,765
>> Announcer: THIS IS THE FIRST
1421
00:58:52,765 --> 00:58:54,167
EMMY WIN AND NOMINATION FOR PAUL
1422
00:58:54,167 --> 00:58:55,735
WALTER HAUSER.
1423
00:58:55,735 --> 00:59:07,480
♪
1424
00:59:07,480 --> 00:59:09,115
>> OH MAN.
1425
00:59:09,115 --> 00:59:10,049
MY WIFE LOVES YOUR SHOW.
1426
00:59:10,049 --> 00:59:13,086
[ LAUGHTER ]
1427
00:59:13,086 --> 00:59:14,721
>> SHE LOVES IT.
1428
00:59:14,721 --> 00:59:18,124
TO MY FELLOW NOMINEES, THAT'S A
1429
00:59:18,124 --> 00:59:21,327
TALENT POOL IF I EVER SAW ONE.
1430
00:59:21,327 --> 00:59:23,196
RICHARD JENKINS.
1431
00:59:23,196 --> 00:59:26,399
HAVE YOU GUYS SEEN "THE
1432
00:59:26,399 --> 00:59:26,766
VISITOR."
1433
00:59:26,766 --> 00:59:28,201
THANK YOU TO THE VOTERS AND THE
1434
00:59:28,201 --> 00:59:28,968
TV ACADEMY.
1435
00:59:28,968 --> 00:59:32,472
THANK YOU MOM AND DAD.
1436
00:59:32,472 --> 00:59:35,541
DENNIS AND TARON EDGERTON.
1437
00:59:35,541 --> 00:59:38,044
YOUR TALENT COULD MOVE BOULDERS.
1438
00:59:38,044 --> 00:59:41,481
I'M HERE TO GIVE YOU A FACELIFT
1439
00:59:41,481 --> 00:59:43,883
IN THOMASVILLE, GEORGIA, YOU
1440
00:59:43,883 --> 00:59:47,754
GAVE ME MY GREATEST GIFT.
1441
00:59:47,754 --> 00:59:52,692
TO RAY LIOTTA, WE'RE DOWN HERE
1442
00:59:52,692 --> 00:59:55,995
WEARING FOSSILS.
1443
00:59:55,995 --> 00:59:58,398
CAA, DEALING WITH MY DAY TO DAY.
1444
00:59:58,398 --> 01:00:01,734
THANK YOU, GOD FOR THIS LIFE.
1445
01:00:01,734 --> 01:00:03,169
THANK YOU FOR HELPING ME FIND
1446
01:00:03,169 --> 01:00:07,507
THE STRAIGHT AND THE FWNARROW.
1447
01:00:07,507 --> 01:00:09,575
TO MY WIFE AMY, YOU MAKE MY
1448
01:00:09,575 --> 01:00:12,779
HEART STRONG AND KNEES WEAK.
1449
01:00:12,779 --> 01:00:14,814
JONAH MAVERICK.
1450
01:00:14,814 --> 01:00:16,382
CAN'T WAIT TO SPEND THE REST OF
1451
01:00:16,382 --> 01:00:17,850
MY LIFE WITH THAT WOLF BACK
1452
01:00:17,850 --> 01:00:19,986
CASTING OUT DEMONS.
1453
01:00:19,986 --> 01:00:23,256
THAT'S A ONE UP TO JESUS.
1454
01:00:23,256 --> 01:00:28,828
HE'S THE SOLE OWNER.
1455
01:00:28,828 --> 01:00:31,164
DO THINGS A LITTLE BIT
1456
01:00:31,164 --> 01:00:31,664
DIFFERENT.
1457
01:00:31,664 --> 01:00:33,066
BRIAN WALSHE, GET THE TABLES.
1458
01:00:33,066 --> 01:00:37,804
[ APPLAUSE ]
1459
01:00:37,804 --> 01:00:39,773
♪
1460
01:00:39,773 --> 01:00:41,207
>> Announcer: WE WILL RETURN
WITH JON HAMM, JENNA ORTEGA,
SHERYL LEE RALPH, AND
PETER DINKLAGE.
1461
01:00:41,207 --> 01:00:43,476
AND A STIRRING PERFORMANCE FROM
1462
01:00:43,476 --> 01:00:44,844
WAR & TREATY.
1463
01:00:44,844 --> 01:00:46,312
AND, WE FIND OUT WHO WINS FOR
1464
01:00:46,312 --> 01:00:48,181
OUTSTANDING DRAMA AND COMEDY
1465
01:00:48,181 --> 01:00:48,848
SERIES.
1466
01:00:48,848 --> 01:00:52,452
IT'S THE EMMYS ON FOX.
1467
01:00:54,954 --> 01:01:01,728
[ "THE X-FILES" THEME SONG ]
1468
01:01:01,728 --> 01:01:05,298
>>> WE'RE BACK AT THE 75TH
1469
01:01:05,298 --> 01:01:06,199
EMMY AWARDS.
1470
01:01:06,199 --> 01:01:06,766
NOW WE JUST SAW SOME
1471
01:01:06,766 --> 01:01:07,734
COMMERCIALS.
1472
01:01:07,734 --> 01:01:08,801
THEY WERE GOOD.
1473
01:01:08,801 --> 01:01:09,502
I'M SURE THEY WERE CREATED BY
1474
01:01:09,502 --> 01:01:13,606
SOME REALLY GOOD AD AGENCIES.
1475
01:01:13,606 --> 01:01:16,709
BUT TO ME, THE GREATEST AD FIRM
1476
01:01:16,709 --> 01:01:22,215
OF THEM ALL WAS THE ONE
1477
01:01:22,215 --> 01:01:26,719
ON MY HIT TV SHOW "BLACKISH."
1478
01:01:26,719 --> 01:01:29,989
ANOTHER GREAT ADD FIRM WAS THE
1479
01:01:29,989 --> 01:01:30,256
ONE
1480
01:01:30,256 --> 01:01:30,823
DON DRAPER WORKED AT,
1481
01:01:30,823 --> 01:01:31,557
STERLING COOPER.
1482
01:01:31,557 --> 01:01:32,558
PLEASE WELCOME, DON DRAPER
1483
01:01:32,558 --> 01:01:38,564
HIMSELF, EMMY WINNER, JON HAMM.
1484
01:01:38,564 --> 01:01:38,965
[ APPLAUSE ]
1485
01:01:38,965 --> 01:01:43,169
♪
1486
01:01:43,169 --> 01:01:46,806
>> DURING ITS AMAZING SEVEN
1487
01:01:46,806 --> 01:01:50,009
SEASON RUN, "MAD MEN" RECEIVED
1488
01:01:50,009 --> 01:01:55,314
116 EMMY NOMINATIONS AND WON 16,
1489
01:01:55,314 --> 01:01:56,349
MEANING I WAS RESPONSIBLE FOR AN
1490
01:01:56,349 --> 01:01:57,417
INCREDIBLE ONE-SIXTEENTH OF OUR
1491
01:01:57,417 --> 01:02:00,620
TOTAL.
1492
01:02:00,620 --> 01:02:01,687
IF THAT DOESN'T GET ME THE
1493
01:02:01,687 --> 01:02:03,256
GOVERNORS AWARD ONE DAY, NOTHING
1494
01:02:03,256 --> 01:02:05,358
WILL.
1495
01:02:05,358 --> 01:02:06,392
THREE OF THOSE EMMYS WERE IN THE
1496
01:02:06,392 --> 01:02:09,562
CATEGORY I'M PRESENTING,
1497
01:02:09,562 --> 01:02:10,296
OUTSTANDING WRITING FOR A DRAMA
1498
01:02:10,296 --> 01:02:16,569
SERIES.
1499
01:02:16,569 --> 01:02:23,209
>> Announcer: "ANDOR."
1500
01:02:23,209 --> 01:02:27,814
"THE BEAR."
1501
01:02:27,814 --> 01:02:30,583
"BETTER CALL SAUL."
1502
01:02:30,583 --> 01:02:36,189
PETER GOULD, "BETTER CALL SAUL."
1503
01:02:36,189 --> 01:02:38,624
CRAIG MAZEAN, "THE LAST OF US."
1504
01:02:38,624 --> 01:02:42,228
MIKE WHITE, "THE WHITE LOTUS."
1505
01:02:42,228 --> 01:02:46,065
>> AND THE EMMY FOR BEST WRITING
1506
01:02:46,065 --> 01:02:51,738
EVER FOR DRAMAS LAST YEAR GOES
1507
01:02:51,738 --> 01:02:53,005
TO JESSE ARMSTRONG,
1508
01:02:53,005 --> 01:02:53,406
"SUCCESSION."
1509
01:02:53,406 --> 01:02:54,006
♪
1510
01:02:54,006 --> 01:03:05,118
[ APPLAUSE ]
1511
01:03:05,118 --> 01:03:06,419
>> Announcer: THIS IS THE SIXTH
1512
01:03:06,419 --> 01:03:08,020
EMMY WIN AND EIGHTH NOMINATION
1513
01:03:08,020 --> 01:03:09,889
FOR JESSE ARMSTRONG, WHO WAS
1514
01:03:09,889 --> 01:03:11,691
ALSO NOMINATED FOR PRODUCING.
1515
01:03:11,691 --> 01:03:13,793
WITH THIS WIN, HE HAS LOGGED
1516
01:03:13,793 --> 01:03:15,795
FOUR EMMYS FOR WRITING
1517
01:03:15,795 --> 01:03:16,262
"SUCCESSION."
1518
01:03:16,262 --> 01:03:17,263
>> MY GOODNESS, THANK YOU SO
1519
01:03:17,263 --> 01:03:17,764
MUCH.
1520
01:03:17,764 --> 01:03:19,499
THESE ARE SUCH GREAT WRITERS TO
1521
01:03:19,499 --> 01:03:20,633
BE BRACKETED WITH.
1522
01:03:20,633 --> 01:03:22,502
I WANT TO SAY THANK YOU TO HBO.
1523
01:03:22,502 --> 01:03:25,238
I WANT TO SAY THANK YOU TO MY
1524
01:03:25,238 --> 01:03:26,906
EXTRAORDINARY WRITERS ROOM, WHO
1525
01:03:26,906 --> 01:03:27,840
I WORK WITH.
1526
01:03:27,840 --> 01:03:29,509
I WANT TO SAY THANK YOU TO THE
1527
01:03:29,509 --> 01:03:32,211
WHOLE CAST AND CREW OF
1528
01:03:32,211 --> 01:03:35,214
"SUCCESSION," WHO I LOVE.
1529
01:03:35,214 --> 01:03:36,282
THEY'RE WONDERFUL.
1530
01:03:36,282 --> 01:03:38,451
AND I WANT TO SAY THANK YOU TO
1531
01:03:38,451 --> 01:03:40,453
THE WIDER SORT OF CREATIVE
1532
01:03:40,453 --> 01:03:41,254
COMMUNITY IN THE U.S.
1533
01:03:41,254 --> 01:03:45,158
I COME FROM THE U.K.
1534
01:03:45,158 --> 01:03:47,660
OUR SHOW IS ABOUT SOME THINGS
1535
01:03:47,660 --> 01:03:50,263
THAT ARE CLOSE TO THE CENTER OF
1536
01:03:50,263 --> 01:03:52,732
AMERICAN LIFE AND POLITICS, AND
1537
01:03:52,732 --> 01:03:56,536
WE'VE ALWAYS BEEN MET WITH
1538
01:03:56,536 --> 01:03:59,105
GENEROSITY AND GOOD FAITH, AND
1539
01:03:59,105 --> 01:04:01,140
THAT'S PART OF AMERICA'S
1540
01:04:01,140 --> 01:04:02,375
TRADITION OF BEING VERY
1541
01:04:02,375 --> 01:04:04,243
WELCOMING TO OUTSIDERS.
1542
01:04:04,243 --> 01:04:05,278
IT'S VERY NICE.
1543
01:04:05,278 --> 01:04:12,251
FOR SOME REASON, THE NAME OF
1544
01:04:12,251 --> 01:04:15,421
AUSTRALIAN-BORN MEDIA MOGUL
1545
01:04:15,421 --> 01:04:17,123
RUPERT MURDOCH COMES TO MIND.
1546
01:04:17,123 --> 01:04:20,593
I CAN'T SPEAK FOR HIM BUT I'M
1547
01:04:20,593 --> 01:04:22,495
GRATEFUL FOR THE GENEROSITY I'VE
1548
01:04:22,495 --> 01:04:23,996
BEEN SHOWN WORKING IN THIS
1549
01:04:23,996 --> 01:04:24,330
COUNTRY.
1550
01:04:24,330 --> 01:04:26,365
IT WAS A GREAT SADNESS TO LEAVE
1551
01:04:26,365 --> 01:04:29,268
THE SHOW, BUT IT WAS A GREAT
1552
01:04:29,268 --> 01:04:30,670
PLEASURE TO DO IT.
1553
01:04:30,670 --> 01:04:32,772
THANK YOU VERY MUCH.
1554
01:04:32,772 --> 01:04:33,439
>> PLEASE WELCOME KE HUY QUAN
1555
01:04:33,439 --> 01:04:34,140
AND TWO-TIME EMMY NOMINEE,
1556
01:04:34,140 --> 01:04:42,849
TOM HIDDLESTON.
1557
01:04:42,849 --> 01:04:44,617
>> GOOD EVENING, EVERYONE.
1558
01:04:44,617 --> 01:04:45,785
IT'S WONDERFUL TO BE HERE.
1559
01:04:45,785 --> 01:04:47,320
YOU ALL LOOK LOVELY.
1560
01:04:47,320 --> 01:04:49,255
>> HELLO, EVERYONE.
1561
01:04:49,255 --> 01:04:51,557
TOM HIDDLESTON WANTS ALL OF YOU
1562
01:04:51,557 --> 01:04:53,159
TO KNOW THAT HE LOVES ME VERY
1563
01:04:53,159 --> 01:04:53,493
MUCH.
1564
01:04:53,493 --> 01:04:57,029
RIGHT, TOM?
1565
01:04:57,029 --> 01:05:00,166
>> NOW, WHETHER YOU'RE PLAYING
1566
01:05:00,166 --> 01:05:02,301
THE GOD OF MISCHIEF OR A MERE
1567
01:05:02,301 --> 01:05:03,703
MORTAL JUST TRYING TO MAKE IT
1568
01:05:03,703 --> 01:05:07,373
THROUGH THE DAY, WE DON'T GET TO
1569
01:05:07,373 --> 01:05:08,074
PLAY THESE PARTS WITHOUT THE
1570
01:05:08,074 --> 01:05:08,808
WRITERS WHO DREAM THESE WORLDS
1571
01:05:08,808 --> 01:05:09,208
INTO BEING.
1572
01:05:09,208 --> 01:05:09,942
>> EACH JOURNEY BEGINS WITH A
1573
01:05:09,942 --> 01:05:10,643
SCRIPT THAT GRABS YOU AND WON'T
1574
01:05:10,643 --> 01:05:12,645
LET GO.
1575
01:05:12,645 --> 01:05:14,781
TONIGHT, WE HONOR A TALENTED
1576
01:05:14,781 --> 01:05:15,815
COLLECTION OF WRITERS WHO'VE
1577
01:05:15,815 --> 01:05:18,451
CREATED HILARIOUS, TERRIFYING,
1578
01:05:18,451 --> 01:05:20,019
ABSORBING NEW WORLDS FOR US TO
1579
01:05:20,019 --> 01:05:22,121
DISCOVER.
1580
01:05:22,121 --> 01:05:24,223
HERE ARE THE NOMINEES FOR
1581
01:05:24,223 --> 01:05:25,858
OUTSTANDING WRITING FOR A
1582
01:05:25,858 --> 01:05:26,859
LIMITED OR ANTHOLOGY SERIES OR
1583
01:05:26,859 --> 01:05:32,498
MOVIE.
1584
01:05:32,498 --> 01:05:36,469
>> Announcer: LEE SUNG JIN,
1585
01:05:36,469 --> 01:05:36,869
"BEEF."
1586
01:05:36,869 --> 01:05:44,110
KIM BRUCER "FIRE & FURY."
1587
01:05:44,110 --> 01:05:44,677
"FLEISHMAN IS IN TROUBLE."
1588
01:05:44,677 --> 01:05:58,357
DAN TRACK HTENBERG.
1589
01:05:58,357 --> 01:06:01,427
THE WEIRD AL YANKOVIC STORY.
1590
01:06:01,427 --> 01:06:03,930
>> AND THE EMMY GOES TO.
1591
01:06:03,930 --> 01:06:12,338
>> LEE SUNG JIN!
1592
01:06:12,338 --> 01:06:13,439
>> Announcer: THIS IS THE SECOND
1593
01:06:13,439 --> 01:06:17,477
EMMY WIN TONIGHT AND THIRD
1594
01:06:17,477 --> 01:06:18,177
NOMINATION FOR LEE SUNG JIN,
1595
01:06:18,177 --> 01:06:19,912
ALSO NOMINATED THIS YEAR FOR
1596
01:06:19,912 --> 01:06:21,381
DIRECTING AND PRODUCING "BEEF."
1597
01:06:21,381 --> 01:06:28,821
♪
1598
01:06:28,821 --> 01:06:30,423
>> FIRST AND FOREMOST, THANK YOU
1599
01:06:30,423 --> 01:06:32,358
TO THE WRITERS.
1600
01:06:32,358 --> 01:06:34,927
WE WROTE THIS OVER ZOOM, WHICH
1601
01:06:34,927 --> 01:06:38,097
IS THE HEALTHIEST WAY TO
1602
01:06:38,097 --> 01:06:38,498
COMMUNICATE.
1603
01:06:38,498 --> 01:06:39,966
THANK YOU FOR POWERING THROUGH
1604
01:06:39,966 --> 01:06:40,233
THAT.
1605
01:06:40,233 --> 01:06:46,339
I WANT TO SAY THANK YOU TO OUR
1606
01:06:46,339 --> 01:06:46,806
OTHER DIRECTORS.
1607
01:06:46,806 --> 01:06:47,540
JAKE HAS BEEN ONE OF MY CLOSEST
1608
01:06:47,540 --> 01:06:49,509
FRIENDS FOR YEARS.
1609
01:06:49,509 --> 01:06:50,643
HE'S LITERALLY TAUGHT ME
1610
01:06:50,643 --> 01:06:55,014
EVERYTHING I KNOW ABOUT FILM
1611
01:06:55,014 --> 01:06:56,149
MAKING.
1612
01:06:56,149 --> 01:06:57,850
LARKIN AND GRACE ARE THE DNA OF
1613
01:06:57,850 --> 01:06:59,719
THE SHOW AND THEY REALLY SHOULD
1614
01:06:59,719 --> 01:07:00,720
HAVE BEEN NOMINATED.
1615
01:07:00,720 --> 01:07:01,788
I'M BIASED.
1616
01:07:01,788 --> 01:07:04,624
THANK YOU TO ALL OUR HODs,
1617
01:07:04,624 --> 01:07:07,026
HELEN, DANA, NICOLE AND SO MANY
1618
01:07:07,026 --> 01:07:07,427
OTHERS.
1619
01:07:07,427 --> 01:07:09,328
I'VE GOT TO DO THE THANKING MY
1620
01:07:09,328 --> 01:07:10,596
REPS THING.
1621
01:07:10,596 --> 01:07:12,465
HONESTLY, THEY'VE BEEN THE BEST,
1622
01:07:12,465 --> 01:07:14,467
TOM RYAN, BEN, KEN, THANK YOU
1623
01:07:14,467 --> 01:07:15,234
VERY MUCH.
1624
01:07:15,234 --> 01:07:15,735
THIS IS SO CRAZY.
1625
01:07:15,735 --> 01:07:16,703
THANK YOU.
1626
01:07:16,703 --> 01:07:19,472
♪
1627
01:07:19,472 --> 01:07:20,540
>> Announcer: COMING UP,
1628
01:07:20,540 --> 01:07:22,141
JASON BATEMAN, TARAJI P. HENSON,
1629
01:07:22,141 --> 01:07:24,210
AND DAME JOAN COLLINS.
1630
01:07:24,210 --> 01:07:26,379
PLUS, TINA FEY AND AMY POEHLER'S
1631
01:07:26,379 --> 01:07:29,248
EMMY EDITION OF "SNL'S" WEEKEND
1632
01:07:29,248 --> 01:07:30,883
UPDATE, AND WE VISIT THE
1633
01:07:30,883 --> 01:07:32,852
"AMERICAN HORROR STORY" MURDER
1634
01:07:32,852 --> 01:07:33,786
HOUSE.
1635
01:07:39,892 --> 01:07:48,201
♪
1636
01:07:52,238 --> 01:07:53,639
>> MOMMA!
1637
01:07:53,639 --> 01:07:54,440
>> YEAH, BABY.
1638
01:07:54,440 --> 01:07:55,708
>> HOW YOU DOING TONIGHT, MOMMA?
1639
01:07:55,708 --> 01:07:56,943
>> I'M WONDERFUL.
1640
01:07:56,943 --> 01:07:59,579
>> YOU MEETING SOME GOOD STARS
1641
01:07:59,579 --> 01:08:00,747
TONIGHT?
1642
01:08:00,747 --> 01:08:01,614
>> OH YEAH.
1643
01:08:01,614 --> 01:08:02,615
>> WHO DID YOU MEET?
1644
01:08:02,615 --> 01:08:04,250
>> HENRY FORD RIGHT HERE.
1645
01:08:04,250 --> 01:08:05,485
>> WHO IS THAT?
1646
01:08:05,485 --> 01:08:07,353
>> HE GONE!
1647
01:08:07,353 --> 01:08:10,923
>> I WAS LIKE, MOMMA, THAT'S NOT
1648
01:08:10,923 --> 01:08:13,993
HARRISON FORD.
1649
01:08:13,993 --> 01:08:17,096
>> HIS WIFE DID.
1650
01:08:17,096 --> 01:08:18,364
OKAY.
1651
01:08:18,364 --> 01:08:18,998
>> ALL RIGHT.
1652
01:08:18,998 --> 01:08:20,166
EVERYBODY HAVING FUN AT THE
1653
01:08:20,166 --> 01:08:22,201
CHOCOLATE EMMYS TONIGHT?
1654
01:08:22,201 --> 01:08:25,638
[ APPLAUSE ]
1655
01:08:25,638 --> 01:08:28,875
>> WE ARE KILLING IT TONIGHT.
1656
01:08:28,875 --> 01:08:30,076
TYLER, WE ARE KILLING IT
1657
01:08:30,076 --> 01:08:30,543
TONIGHT.
1658
01:08:30,543 --> 01:08:32,445
YOU SEE THAT?
1659
01:08:32,445 --> 01:08:35,515
THIS IS LIKE MLK DAY AND
1660
01:08:35,515 --> 01:08:40,153
JUNETEENTH ALL ROLLED INTO ONE.
1661
01:08:40,153 --> 01:08:43,056
IF I WAS NOMINATED THIS YEAR,
1662
01:08:43,056 --> 01:08:44,590
HELL, I DEFINITELY WOULD HAVE
1663
01:08:44,590 --> 01:08:44,991
WON.
1664
01:08:44,991 --> 01:08:45,391
ALL RIGHT.
1665
01:08:45,391 --> 01:08:48,061
HE STARRED IN "ARRESTED
1666
01:08:48,061 --> 01:08:49,262
DEVELOPMENT" AND THEN STARRED ON
1667
01:08:49,262 --> 01:08:51,364
A SHOW WHERE HIS [ BLEEP ]
1668
01:08:51,364 --> 01:08:54,434
SHOULD HAVE BEEN ARRESTED.
1669
01:08:54,434 --> 01:08:55,068
GIVE IT UP FOR EMMY-WINNING
1670
01:08:55,068 --> 01:09:00,907
ACTOR JASON BATEMAN.
1671
01:09:00,907 --> 01:09:04,277
♪
1672
01:09:04,277 --> 01:09:05,344
>> MY FIRST ACTING ROLE WAS IN
1673
01:09:05,344 --> 01:09:06,412
"LITTLE HOUSE ON THE PRAIRIE."
1674
01:09:06,412 --> 01:09:07,447
I WAS 11.
1675
01:09:07,447 --> 01:09:08,514
COMPARED TO CHRISTINA APPLEGATE
1676
01:09:08,514 --> 01:09:16,389
I WAS A LATE BLOOMER.
1677
01:09:16,389 --> 01:09:16,989
THAT'S ME WITHOUT HAIR
1678
01:09:16,989 --> 01:09:20,093
EXTENSIONS AND LIP FILLERS.
1679
01:09:20,093 --> 01:09:21,694
MY CHARACTER WAS AN ORPHAN WHO
1680
01:09:21,694 --> 01:09:22,729
SUFFERED NUMEROUS HARDSHIPS
1681
01:09:22,729 --> 01:09:25,364
INCLUDING GETTING CAUGHT IN A
1682
01:09:25,364 --> 01:09:26,399
BEAR TRAP AND BEING SHOT IN A
1683
01:09:26,399 --> 01:09:26,933
BANK ROBBERY.
1684
01:09:26,933 --> 01:09:28,501
WITHOUT DIRECTION FROM THE GREAT
1685
01:09:28,501 --> 01:09:33,206
MICHAEL LANDON, THERE'S NO WAY I
1686
01:09:33,206 --> 01:09:34,774
COULD'VE PULLED OFF SUCH A
1687
01:09:34,774 --> 01:09:39,512
REALISTIC AND HEARTRENDING
1688
01:09:39,512 --> 01:09:40,580
PORTRAYAL OF A YOUNG,
1689
01:09:40,580 --> 01:09:43,783
THIN-LIPPED ORPHAN WITH A BOB.
1690
01:09:43,783 --> 01:09:44,751
SO, ALL MY RESPECT FOR THE
1691
01:09:44,751 --> 01:09:46,352
FOLLOWING NOMINEES FOR DIRECTING
1692
01:09:46,352 --> 01:09:46,853
FOR A DRAMA SERIES.
1693
01:09:53,793 --> 01:09:55,995
>> Announcer: BEN JA MINUTE
1694
01:09:55,995 --> 01:10:01,401
KAREN, "ANDOR."
1695
01:10:01,401 --> 01:10:02,268
"THE LAST OF US."
1696
01:10:02,268 --> 01:10:08,908
ANDRIJ PAREKH, "SUCCESSION"."
1697
01:10:08,908 --> 01:10:09,509
"SUCCESSION."
1698
01:10:09,509 --> 01:10:14,547
MIKE WHITE, "THE WHITE LOTUS."
1699
01:10:14,547 --> 01:10:25,291
>> AND THE EMMY GOES TO MARK
1700
01:10:25,291 --> 01:10:32,999
MAYLAD, "SUCCESSION."
1701
01:10:32,999 --> 01:10:34,400
>> Announcer: THIS IS THE THIRD
1702
01:10:34,400 --> 01:10:35,935
EMMY WIN AND EIGHTH NOMINATION
1703
01:10:35,935 --> 01:10:36,769
FOR MARK.
1704
01:10:36,769 --> 01:10:39,305
HIS FIRST EMMYS CAME FROM THE
1705
01:10:39,305 --> 01:10:40,506
PRODUCING OF "SUCCESSION."
1706
01:10:40,506 --> 01:10:41,607
THE SHOW "SUCCESSION" HAS THREE
1707
01:10:41,607 --> 01:10:42,141
WINS TONIGHT SO FAR.
1708
01:10:42,141 --> 01:10:53,453
♪
1709
01:10:53,453 --> 01:10:54,754
>> THANK YOU.
1710
01:10:54,754 --> 01:10:55,221
THANK YOU SO MUCH.
1711
01:10:55,221 --> 01:10:59,092
WHAT AN INCREDIBLE HONOR.
1712
01:10:59,092 --> 01:10:59,859
TH
1713
01:10:59,859 --> 01:11:00,259
THANK YOU.
1714
01:11:00,259 --> 01:11:02,495
I TAKE THIS ON BEHALF OF ALL MY
1715
01:11:02,495 --> 01:11:07,667
FELLOW DIRECTORS AND NOMINEES.
1716
01:11:07,667 --> 01:11:10,937
THANK HBO, TO CASEY, TO FRANNIE,
1717
01:11:10,937 --> 01:11:12,138
TO NORA.
1718
01:11:12,138 --> 01:11:16,409
THANK YOU TO ZACH AND MY LOVELY
1719
01:11:16,409 --> 01:11:18,411
AGENT, THANK YOU.
1720
01:11:18,411 --> 01:11:20,279
TO MY WIFE AND INSPIRATION,
1721
01:11:20,279 --> 01:11:21,848
THANK YOU.
1722
01:11:21,848 --> 01:11:24,183
TO ALL THE CAST AND CREW OF
1723
01:11:24,183 --> 01:11:25,385
"SUCCESSION" FOR THE TOTAL JOY
1724
01:11:25,385 --> 01:11:29,188
OF WORKING WITH THEM FOR FOUR
1725
01:11:29,188 --> 01:11:30,823
SEASONS, AN ABSOLUTE LIFE
1726
01:11:30,823 --> 01:11:31,958
HIGHLIGHT, CAREER HIGHLIGHT.
1727
01:11:31,958 --> 01:11:33,359
I DON'T KNOW IF IT WILL EVER
1728
01:11:33,359 --> 01:11:36,496
HAPPEN AGAIN, BUT I'M SO
1729
01:11:36,496 --> 01:11:38,998
GRATEFUL OR ALL OF THEM AND THE
1730
01:11:38,998 --> 01:11:40,333
ABSOLUTE STIMULATION EVERY TIME
1731
01:11:40,333 --> 01:11:45,304
I WALKED ONTO SET FOR THEM.
1732
01:11:45,304 --> 01:11:46,806
FINALLY, JESSE ARMSTRONG, THANK
1733
01:11:46,806 --> 01:11:47,206
YOU SO MUCH.
1734
01:11:47,206 --> 01:11:48,141
CHEERS.
1735
01:11:48,141 --> 01:11:55,715
[ APPLAUSE ]
1736
01:11:55,715 --> 01:11:57,050
>> Announcer: AND NOW A SPECIAL
1737
01:11:57,050 --> 01:11:59,619
EMMY EDITION OF "WEEKEND UPDATE"
1738
01:11:59,619 --> 01:12:02,255
WITH TINA FEY AND AMY POEHLER.
1739
01:12:02,255 --> 01:12:14,534
[ CHEERS AND APPLAUSE ]
1740
01:12:14,534 --> 01:12:18,638
>> I'M AMY POEHLER.
1741
01:12:18,638 --> 01:12:20,506
>> I'M TINA FEY.
1742
01:12:20,506 --> 01:12:22,241
WE'VE REACHED THE STAGE IN LIFE
1743
01:12:22,241 --> 01:12:23,976
WHERE WE'LL ONLY PRESENT AWARDS
1744
01:12:23,976 --> 01:12:24,577
SITTING DOWN.
1745
01:12:24,577 --> 01:12:27,447
HERE ARE TONIGHT'S NOMINEES FOR
1746
01:12:27,447 --> 01:12:29,048
OUTSTANDING LIVE VARIETY
1747
01:12:29,048 --> 01:12:29,382
SPECIAL.
1748
01:12:29,382 --> 01:12:31,350
>> THE ONLY SHOW THAT'S LONGER
1749
01:12:31,350 --> 01:12:34,420
THAN WHEN THEY AIRED "TITANIC"
1750
01:12:34,420 --> 01:12:35,421
WITH COMMERCIALS ON TBS, THE
1751
01:12:35,421 --> 01:12:39,559
OSCARS.
1752
01:12:39,559 --> 01:12:40,226
>> "CHRIS ROCK: SELECTIVE
1753
01:12:40,226 --> 01:12:43,029
OUTRAGE."
1754
01:12:43,029 --> 01:12:44,530
CHRIS COULD BE HERE TONIGHT, BUT
1755
01:12:44,530 --> 01:12:47,967
IF HE WINS, WE'LL ACCEPT ON HIS
1756
01:12:47,967 --> 01:12:49,235
BEHALF BECAUSE WE MISS GETTING
1757
01:12:49,235 --> 01:12:53,773
EMMYS.
1758
01:12:53,773 --> 01:12:58,177
>> ELTON JOHN LIVE.
1759
01:12:58,177 --> 01:13:02,415
>> THE CONCERT SO GOOD IT GOT US
1760
01:13:02,415 --> 01:13:06,452
ALL PREGNANT, THE SUPER BOWL
1761
01:13:06,452 --> 01:13:09,021
HALFTIME SHOW STARRING RIHANNA.
1762
01:13:09,021 --> 01:13:10,890
>> CELEBRATING THE BEST IN
1763
01:13:10,890 --> 01:13:12,725
MUSICALS BASED ON MOVIES WHICH
1764
01:13:12,725 --> 01:13:14,394
WILL PROBABLY BE MOVIES AGAIN --
1765
01:13:14,394 --> 01:13:16,062
>> THERE'S NOTHING WRONG WITH
1766
01:13:16,062 --> 01:13:16,329
THAT.
1767
01:13:16,329 --> 01:13:16,796
>> ABSOLUTELY.
1768
01:13:16,796 --> 01:13:24,771
>> THE 75th ANNUAL TONY AWARDS.
1769
01:13:24,771 --> 01:13:29,976
>> AND THE EMMY GOES TO --
1770
01:13:29,976 --> 01:13:33,379
>> AND THE EMMY GOES TO "ELTON
1771
01:13:33,379 --> 01:13:35,748
JOHN LIVE, FAREWELL FROM DODGER
1772
01:13:35,748 --> 01:13:36,616
STADIUM."
1773
01:13:36,616 --> 01:13:45,358
♪
1774
01:13:45,358 --> 01:13:47,326
>> Announcer: ELTON JOHN LIVE
1775
01:13:47,326 --> 01:13:48,828
FAREWELL FROM DODGER STADIUM
1776
01:13:48,828 --> 01:13:50,063
RECEIVED THREE NOMINATIONS THIS
1777
01:13:50,063 --> 01:13:50,430
YEAR.
1778
01:13:50,430 --> 01:13:52,098
THE CONCERT EVENT TOOKED PLACE
1779
01:13:52,098 --> 01:13:55,668
NOVEMBER 20th, 2022, IN DODGER
1780
01:13:55,668 --> 01:14:00,373
STADIUM WHERE IN 1975 JOHN
1781
01:14:00,373 --> 01:14:02,608
PERFORMED TWO SOLDOUT CONCERTS
1782
01:14:02,608 --> 01:14:05,712
THAT CEMENTED HIS LEGACY.
1783
01:14:05,712 --> 01:14:09,816
HE TOOK THE STAGE IN HIS FINAL
1784
01:14:09,816 --> 01:14:11,484
NORTH AMERICAN SHOW AS PART OF
1785
01:14:11,484 --> 01:14:14,887
HIS FINAL FAREWELL YELLOWBRICK
1786
01:14:14,887 --> 01:14:15,221
TOUR.
1787
01:14:15,221 --> 01:14:17,890
>> I AM NOT ELTON JOHN.
1788
01:14:17,890 --> 01:14:19,192
SADLY, HE'S ABSOLUTELY FINE, BUT
1789
01:14:19,192 --> 01:14:21,661
HE WANTED TO SEND HIS LOVE AND
1790
01:14:21,661 --> 01:14:25,098
THANKS TO THE TELEVISION
1791
01:14:25,098 --> 01:14:25,732
ACADEMY.
1792
01:14:25,732 --> 01:14:29,168
I WANT TO THANK DAVID FURNISH,
1793
01:14:29,168 --> 01:14:31,571
WHO HAD THE CREATIVE VISION FOR
1794
01:14:31,571 --> 01:14:32,538
THIS SHOW.
1795
01:14:32,538 --> 01:14:34,307
I WANT TO THANK LUKE LLOYD DAVIS
1796
01:14:34,307 --> 01:14:35,908
AND ALL THE TEAM AT ROCKET
1797
01:14:35,908 --> 01:14:36,342
ENTERTAINMENT.
1798
01:14:36,342 --> 01:14:38,211
I WANT TO THANK THE TEAM AT
1799
01:14:38,211 --> 01:14:40,279
DISNEY PLUS, CHARLIE, NICOLE,
1800
01:14:40,279 --> 01:14:42,148
MARK, DANA, CRAIG.
1801
01:14:42,148 --> 01:14:44,684
I WANT TO THANK THE DIRECTOR OF
1802
01:14:44,684 --> 01:14:45,318
THIS SPECIAL.
1803
01:14:45,318 --> 01:14:47,220
I WANT TO THANK SALLY AND THE
1804
01:14:47,220 --> 01:14:49,422
TEAM, LOU, MEREDITH, LAUREN AND
1805
01:14:49,422 --> 01:14:49,789
EVERYBODY.
1806
01:14:49,789 --> 01:14:51,124
WE KNEW THIS SHOW WOULD BE
1807
01:14:51,124 --> 01:14:52,125
HISTORIC BECAUSE IT WAS GOING TO
1808
01:14:52,125 --> 01:14:54,494
BE ELTON'S LAST EVER SHOW IN
1809
01:14:54,494 --> 01:14:55,561
NORTH AMERICA ON TOUR.
1810
01:14:55,561 --> 01:14:57,096
WE KNEW IT WOULD BE HISTORIC
1811
01:14:57,096 --> 01:14:59,298
BECAUSE IT WAS DISNEY'S
1812
01:14:59,298 --> 01:15:00,633
FIRST-EVER LIVE GLOBAL STREAM.
1813
01:15:00,633 --> 01:15:02,235
WE DIDN'T KNOW IT WAS GOING TO
1814
01:15:02,235 --> 01:15:04,037
BE HISTORIC BECAUSE IT WAS GOING
1815
01:15:04,037 --> 01:15:07,673
TO WIN A MAN WHO CREATED THE
1816
01:15:07,673 --> 01:15:08,408
SO
1817
01:15:08,408 --> 01:15:10,276
SOUNDTRACK TO ALL OF OUR LIVES.
1818
01:15:10,276 --> 01:15:12,178
WE DIDN'T KNOW IT WAS GOING TO
1819
01:15:12,178 --> 01:15:14,047
WIN HIM AN EGOT.
1820
01:15:14,047 --> 01:15:14,514
THANK YOU SO MUCH.
1821
01:15:14,514 --> 01:15:15,081
WE ARE SO GRATEFUL.
1822
01:15:15,081 --> 01:15:15,848
THANK YOU.
1823
01:15:15,848 --> 01:15:17,116
♪
1824
01:15:17,116 --> 01:15:21,087
[ APPLAUSE ]
1825
01:15:21,087 --> 01:15:21,921
>> Announcer: JUST AHEAD,
1826
01:15:21,921 --> 01:15:23,056
DYLAN McDERMOTT.
1827
01:15:23,056 --> 01:15:25,058
THEN LATER, DAME JOAN COLLINS
1828
01:15:25,058 --> 01:15:27,527
AND TARAJI P. HENSON, AN "I LOVE
1829
01:15:27,527 --> 01:15:29,328
LUCY" TRIBUTE, PETER DINKLAGE
1830
01:15:29,328 --> 01:15:30,563
TAKES THE STAGE.
1831
01:15:30,563 --> 01:15:32,398
AND THE "ALLY McBEAL" CAST
1832
01:15:32,398 --> 01:15:33,866
REUNITES.
1833
01:15:38,604 --> 01:15:42,208
[ "THE TWILIGHT ZONE"
THEME SONG ]
1834
01:15:42,208 --> 01:15:44,544
>>> ROD ZERLING'S "TWILIGHT
1835
01:15:44,544 --> 01:15:45,978
ZONE" PAVED WAY FOR AN
1836
01:15:45,978 --> 01:15:47,980
EVER-EVOLVING GENERATION OF WORK
1837
01:15:47,980 --> 01:15:50,383
THAT CONTINUES TO PUSH US INTO A
1838
01:15:50,383 --> 01:15:53,119
NEW DIMENSION ON A JOURNEY INTO
1839
01:15:53,119 --> 01:15:54,654
A HOUSE THAT IS NO AVERAGE
1840
01:15:54,654 --> 01:15:55,221
HOUSE.
1841
01:15:55,221 --> 01:15:57,090
ONE THAT MAY APPEAR STRUCTURALLY
1842
01:15:57,090 --> 01:15:58,891
SOUND, BUT FOLDS UNDER THE
1843
01:15:58,891 --> 01:16:00,359
WEIGHT OF SECRETS OF A DARK
1844
01:16:00,359 --> 01:16:01,360
HISTORY.
1845
01:16:01,360 --> 01:16:03,162
A HOUSE POSSESSED BY RESIDENTS
1846
01:16:03,162 --> 01:16:05,331
PAST WITH A SINISTER AGENDA FOR
1847
01:16:05,331 --> 01:16:07,066
ITS CURRENT OCCUPANTS.
1848
01:16:07,066 --> 01:16:08,301
A DANGEROUS HOUSE.
1849
01:16:08,301 --> 01:16:10,236
A MURDER HOUSE.
1850
01:16:10,236 --> 01:16:11,371
[ "AMERICAN HORROR STORY" THEME
1851
01:16:11,371 --> 01:16:16,476
SONG ]
1852
01:16:16,476 --> 01:16:17,577
>> Announcer: PLEASE WELCOME
1853
01:16:17,577 --> 01:16:19,445
MULTIPLE EMMY NOMINEE DYLAN
1854
01:16:19,445 --> 01:16:20,279
McDERMOTT.
1855
01:16:20,279 --> 01:16:27,286
♪
1856
01:16:27,286 --> 01:16:31,891
>> WE WOULD NOT HAVE AMERICAN
1857
01:16:31,891 --> 01:16:33,960
HORROR STORY, A WINNER OF 16
1858
01:16:33,960 --> 01:16:35,561
EMMYS, WITHOUT THE SERIES
1859
01:16:35,561 --> 01:16:36,195
CREATORS, RYAN MURPHY AND
1860
01:16:36,195 --> 01:16:38,631
BRAD FALCHUK.
1861
01:16:38,631 --> 01:16:41,434
[ APPLAUSE ]
1862
01:16:41,434 --> 01:16:42,969
>> IS IT ME OR DOES THIS PLACE
1863
01:16:42,969 --> 01:16:45,605
SEEM HAUNTED?
1864
01:16:45,605 --> 01:16:47,206
IT'S ALMOST LIKE SOMEBODY IS
1865
01:16:47,206 --> 01:16:55,481
WATCHING US.
1866
01:16:55,481 --> 01:16:59,285
OH NO, NOT THIS DUDE AGAIN.
1867
01:16:59,285 --> 01:17:01,654
MAYBE IF I IGNORE HIM, HE'LL
1868
01:17:01,654 --> 01:17:04,490
JUST GO AWAY.
1869
01:17:04,490 --> 01:17:06,025
LET'S TAKE A LOOK AT THE
1870
01:17:06,025 --> 01:17:08,094
NOMINEES FOR LEAD ACTOR IN A
1871
01:17:08,094 --> 01:17:14,400
LIMITED SERIES OR MOVIE.
1872
01:17:14,400 --> 01:17:17,170
>> Announcer: TARON EDGERTON,
1873
01:17:17,170 --> 01:17:17,737
"BLACK BIRD."
1874
01:17:17,737 --> 01:17:21,941
KUMAIL NANJIANI, "WELCOME TO
1875
01:17:21,941 --> 01:17:22,375
CHIPPENDALES."
1876
01:17:22,375 --> 01:17:23,076
EVAN PETERS, "DAHMER - MONSTER:
1877
01:17:23,076 --> 01:17:28,848
THE JEFFREY DAHMER STORY."
1878
01:17:28,848 --> 01:17:31,451
DA
1879
01:17:31,451 --> 01:17:37,256
DANIEL -- MICHAEL SHANNON,
1880
01:17:37,256 --> 01:17:39,726
"GEORGE & TAMMY."
1881
01:17:39,726 --> 01:17:43,663
STEVEN YOUNG.
1882
01:17:43,663 --> 01:17:54,407
>> DO YOU HAVE THE ENVELOPE?
1883
01:17:54,407 --> 01:17:54,941
>> WHERE ARE YOU?
1884
01:17:54,941 --> 01:17:58,478
[ LAUGHTER ]
1885
01:17:58,478 --> 01:18:00,646
>> IT'S HARD TO BREATHE IN THESE
1886
01:18:00,646 --> 01:18:02,048
DARN THINGS.
1887
01:18:02,048 --> 01:18:03,149
I DON'T KNOW HOW THAT DUDE DID
1888
01:18:03,149 --> 01:18:05,118
IT IN PULP FICTION.
1889
01:18:05,118 --> 01:18:06,753
AM I SWEATING BACK THERE?
1890
01:18:06,753 --> 01:18:07,487
>> OH YEAH.
1891
01:18:07,487 --> 01:18:11,124
>> DON'T DO THAT.
1892
01:18:11,124 --> 01:18:11,958
I'M NAKED.
1893
01:18:11,958 --> 01:18:14,160
DUDE, I THOUGHT MY BUTT WAS BIG
1894
01:18:14,160 --> 01:18:16,963
UNTIL I PUT ON THIS THING.
1895
01:18:16,963 --> 01:18:19,365
>> AND THE EMMY GOES TO STEVEN
1896
01:18:19,365 --> 01:18:20,133
YOUNG, "BEEF."
1897
01:18:20,133 --> 01:18:28,408
[ APPLAUSE ]
1898
01:18:28,408 --> 01:18:45,324
♪
1899
01:18:45,324 --> 01:18:47,393
>> WELL, THANK YOU FOR THIS.
1900
01:18:47,393 --> 01:18:49,729
THANK YOU FOR THIS IMMENSE HONOR
1901
01:18:49,729 --> 01:18:51,097
AND BLESSING.
1902
01:18:51,097 --> 01:18:52,965
MAN, I HAVE A LOT OF PEOPLE TO
1903
01:18:52,965 --> 01:18:55,068
THANK, A LOT OF PEOPLE THAT
1904
01:18:55,068 --> 01:18:59,005
LOOKED OUT FOR ME ON MY WAY TO
1905
01:18:59,005 --> 01:19:04,711
EVEN GET TO BE IN THIS BUSINESS.
1906
01:19:04,711 --> 01:19:09,615
I WANT TO THANK SUNNY, ALI,
1907
01:19:09,615 --> 01:19:14,954
JAKE, OUR INCREDIBLE CAST AND
1908
01:19:14,954 --> 01:19:15,855
CREW.
1909
01:19:15,855 --> 01:19:18,491
THANK YOU TO A-24, NETFLIX.
1910
01:19:18,491 --> 01:19:23,496
THANK YOU TO MIKE AND PETER.
1911
01:19:23,496 --> 01:19:26,766
I WANT TO THANK ANDREW COOPER
1912
01:19:26,766 --> 01:19:30,370
FOR TALKING TO ME ONE NIGHT.
1913
01:19:30,370 --> 01:19:32,405
OUR INCREDIBLE ONSET
1914
01:19:32,405 --> 01:19:33,606
PHOTOGRAPHER, A LEGEND.
1915
01:19:33,606 --> 01:19:35,141
THERE WERE DAYS WHEN IT WAS
1916
01:19:35,141 --> 01:19:37,377
DIFFICULT TO LIVE IN DANNY'S
1917
01:19:37,377 --> 01:19:37,810
SKIN.
1918
01:19:37,810 --> 01:19:39,612
SOMETIMES I WANTED TO JUDGE HIM.
1919
01:19:39,612 --> 01:19:41,247
SOMETIMES I WANTED TO MAKE FUN
1920
01:19:41,247 --> 01:19:41,714
OF HIM.
1921
01:19:41,714 --> 01:19:44,016
HE PULLED ME ASIDE AND HE'S
1922
01:19:44,016 --> 01:19:50,523
LIKE, NEVER BAIL ON DANNY.
1923
01:19:50,523 --> 01:19:50,890
THANKS.
1924
01:19:50,890 --> 01:19:52,892
I WANT TO SAY THANK YOU TO DANNY
1925
01:19:52,892 --> 01:20:00,400
FOR TEACHING ME THAT JUDGMENT
1926
01:20:00,400 --> 01:20:04,137
AND SHAME IS A LONELY PLACE, BUT
1927
01:20:04,137 --> 01:20:06,572
COMPASSION AND GRACE IS WHERE WE
1928
01:20:06,572 --> 01:20:09,142
CAN ALL MEET.
1929
01:20:09,142 --> 01:20:12,812
[ APPLAUSE ]
1930
01:20:12,812 --> 01:20:16,616
I'M GRATEFUL TO MY WIFE JO.
1931
01:20:16,616 --> 01:20:18,217
THANK YOU ALWAYS.
1932
01:20:18,217 --> 01:20:21,888
JUDE, RUTH, MOM, DAD, BRIAN,
1933
01:20:21,888 --> 01:20:22,655
FAMILY, I LOVE YOU.
1934
01:20:22,655 --> 01:20:23,022
THANK YOU.
1935
01:20:23,022 --> 01:20:24,657
[ APPLAUSE ]
1936
01:20:24,657 --> 01:20:30,563
♪
1937
01:20:30,563 --> 01:20:32,732
>> PLEASE WELCOME EMMY NOMINEE
1938
01:20:32,732 --> 01:20:37,870
JENNA ORTEGA AND EMMY WINNER
1939
01:20:37,870 --> 01:20:38,504
SHERYL LEE RALPH.
1940
01:20:38,504 --> 01:20:46,713
♪ DOING IT OUR WAY
1941
01:20:46,713 --> 01:20:49,248
>> HAPPY MLK DAY, JENNA.
1942
01:20:49,248 --> 01:20:53,286
>> HAPPY MLK DAY TO YOU TOO.
1943
01:20:53,286 --> 01:20:54,487
>> THANK YOU.
1944
01:20:54,487 --> 01:20:57,557
THE DIVINE JESSICA LANGE, THE
1945
01:20:57,557 --> 01:21:04,731
INSPIRING REGINA KING, THE V
1946
01:21:04,731 --> 01:21:07,367
VIVACIOUS HELEN MIRREN AND MERYL
1947
01:21:07,367 --> 01:21:09,335
STREEP.
1948
01:21:09,335 --> 01:21:09,936
>> THE LIST OF ESTEEMED
1949
01:21:09,936 --> 01:21:10,603
ACTRESSES WHOSE INSPIRED AND
1950
01:21:10,603 --> 01:21:11,337
UNFORGETTABLE PERFORMANCES HAVE
1951
01:21:11,337 --> 01:21:12,105
EARNED THEM THIS AWARD IS SECOND
1952
01:21:12,105 --> 01:21:12,405
TO NONE.
1953
01:21:12,405 --> 01:21:13,172
>> TONIGHT, ANOTHER EXCEPTIONAL
1954
01:21:13,172 --> 01:21:14,040
TALENT JOINS THOSE IMPRESSIVE
1955
01:21:14,040 --> 01:21:18,811
RANKS.
1956
01:21:18,811 --> 01:21:19,846
>> HERE ARE THE NOMINEES FOR
1957
01:21:19,846 --> 01:21:20,580
OUTSTANDING LEAD ACTRESS IN A
1958
01:21:20,580 --> 01:21:21,414
LIMITED OR ANTHOLOGY SERIES OR
1959
01:21:21,414 --> 01:21:31,124
MOVIE.
1960
01:21:31,124 --> 01:21:31,858
>> Announcer: LIZZY CAP LANE,
1961
01:21:31,858 --> 01:21:32,458
KAPLAN "FLEISHMAN IS IN
1962
01:21:32,458 --> 01:21:32,825
TROUBLE."
1963
01:21:32,825 --> 01:21:34,627
JESSICA CHASTAIN, "GEORGE &
1964
01:21:34,627 --> 01:21:37,630
TAMMY."
1965
01:21:37,630 --> 01:21:41,501
DOMINIQUE FISHBACK, "SWARM."
1966
01:21:41,501 --> 01:21:43,970
RILEY KEOGH, "DAISY JONES & THE
1967
01:21:43,970 --> 01:21:44,570
SIX."
1968
01:21:44,570 --> 01:21:49,175
ALI WONG, "BEEF."
1969
01:21:49,175 --> 01:21:50,777
>> I LOVE THIS PART.
1970
01:21:50,777 --> 01:21:59,752
AND THE EMMY GOES TO -- ALI
1971
01:21:59,752 --> 01:22:00,853
WONG, "BEEF."
1972
01:22:00,853 --> 01:22:08,461
♪
1973
01:22:08,461 --> 01:22:09,529
[ APPLAUSE ]
1974
01:22:09,529 --> 01:22:23,443
♪
1975
01:22:23,443 --> 01:22:25,478
>> WOW.
1976
01:22:25,478 --> 01:22:30,616
I HAVE TO, OF COURSE, THANK
1977
01:22:30,616 --> 01:22:32,785
SONNY AND STEVEN AND JAKE,
1978
01:22:32,785 --> 01:22:34,654
MARIA, JOE, YOUNG, THE REST OF
1979
01:22:34,654 --> 01:22:36,889
THE INCREDIBLE TALENTED CAST AND
1980
01:22:36,889 --> 01:22:37,990
CREW OF "BEEF."
1981
01:22:37,990 --> 01:22:39,525
I WOULDN'T BE STANDING HERE
1982
01:22:39,525 --> 01:22:42,462
WITHOUT MY AMAZING PARENTS, MY
1983
01:22:42,462 --> 01:22:44,530
MOTHER AND MY FATHER, WHO I SO
1984
01:22:44,530 --> 01:22:46,933
WISH WAS ALIVE TO SHARE THIS
1985
01:22:46,933 --> 01:22:49,035
MOMENT WITH ME, MY HILARIOUS
1986
01:22:49,035 --> 01:22:51,704
FATHER WHO LOVED ME
1987
01:22:51,704 --> 01:22:52,705
UNCONDITIONALLY AND TAUGHT ME
1988
01:22:52,705 --> 01:22:54,907
THE VALUE OF FAILURE.
1989
01:22:54,907 --> 01:22:58,010
TO MY BEAUTIFUL DAUGHTERS MARI
1990
01:22:58,010 --> 01:22:59,846
AND NIKKI, YOU ARE MY
1991
01:22:59,846 --> 01:23:00,246
EVERYTHING.
1992
01:23:00,246 --> 01:23:03,015
THANK YOU FOR INSPIRING ME.
1993
01:23:03,015 --> 01:23:03,816
THIS IS FOR YOU.
1994
01:23:03,816 --> 01:23:04,183
THANK YOU.
1995
01:23:04,183 --> 01:23:16,996
[ APPLAUSE ]
1996
01:23:16,996 --> 01:23:19,098
>> YOU KNOW, APPARENTLY IT'S
1997
01:23:19,098 --> 01:23:20,633
KIND OF HARD TO PEEL YOURSELF
1998
01:23:20,633 --> 01:23:21,934
OUT OF A LATEX RUBBER SUIT
1999
01:23:21,934 --> 01:23:25,638
QUICKLY.
2000
01:23:25,638 --> 01:23:27,440
I'M REAL MOIST UP IN HERE RIGHT
2001
01:23:27,440 --> 01:23:27,740
NOW.
2002
01:23:27,740 --> 01:23:31,778
I GOT TO TAKE A SHOWER.
2003
01:23:31,778 --> 01:23:33,179
I GOT SWEAT DRIPPING DOWN THE
2004
01:23:33,179 --> 01:23:35,615
CRACK -- YOU KNOW WHERE IT GOES.
2005
01:23:35,615 --> 01:23:37,550
YES, MOMMA.
2006
01:23:37,550 --> 01:23:40,720
WHAT, MOMMA?
2007
01:23:40,720 --> 01:23:42,121
YOU WEREN'T EVEN SUPPOSED TO SAY
2008
01:23:42,121 --> 01:23:43,623
NOTHING RIGHT NOW, MOMMA.
2009
01:23:43,623 --> 01:23:44,891
LET ME DO MY SHOW.
2010
01:23:44,891 --> 01:23:46,626
I'M THE HOST.
2011
01:23:46,626 --> 01:23:48,895
YOU'RE JUST SITTING IN THE
2012
01:23:48,895 --> 01:23:50,263
AUDIENCE.
2013
01:23:50,263 --> 01:23:52,265
YOU'RE RUIN EVERYTHING.
2014
01:23:52,265 --> 01:23:54,333
LET ME INTRODUCE THESE NEXT TWO
2015
01:23:54,333 --> 01:23:57,637
PRESENTERS SO I CAN TAKE A
2016
01:23:57,637 --> 01:23:57,937
SHOWER.
2017
01:23:57,937 --> 01:24:03,743
I'M A LITTLE MUSTY.
2018
01:24:03,743 --> 01:24:04,777
NOMINATED FOR THEIR WORK ON
2019
01:24:04,777 --> 01:24:05,478
"DYNASTY" AND "EMPIRE," HERE ARE
2020
01:24:05,478 --> 01:24:06,379
DAME JOAN COLLINS AND
2021
01:24:06,379 --> 01:24:12,719
TARAJI P. HENSON.
2022
01:24:12,719 --> 01:24:31,871
♪
2023
01:24:31,871 --> 01:24:33,406
>> THROUGHOUT THE NIGHT WE HAVE
2024
01:24:33,406 --> 01:24:34,107
BEEN REVISITING SOME OF THE
2025
01:24:34,107 --> 01:24:35,541
GREATEST SETS IN TELEVISION
2026
01:24:35,541 --> 01:24:38,177
HISTORY, BUT ON "DYNASTY,"
2027
01:24:38,177 --> 01:24:41,347
CREATED BY AARON SPELLING, IT
2028
01:24:41,347 --> 01:24:42,014
WASN'T ABOUT THE SETS, IT WAS
2029
01:24:42,014 --> 01:24:52,225
ABOUT THE DRAMA AND THE FASHION.
2030
01:24:52,225 --> 01:24:53,826
CREATED BY NOLAN MILLER.
2031
01:24:53,826 --> 01:24:54,527
>> "DYNASTY" LOOKS JUST BLEW ME
2032
01:24:54,527 --> 01:24:56,462
AWAY.
2033
01:24:56,462 --> 01:24:58,531
THE CINCHED WAISTS, THE
2034
01:24:58,531 --> 01:24:59,198
SHOULDERS OUT TO HERE, THE
2035
01:24:59,198 --> 01:25:03,836
JEWELRY, THE GOWNS.
2036
01:25:03,836 --> 01:25:05,972
>> WE LEFT NO DESIGNER UNWORN.
2037
01:25:05,972 --> 01:25:07,540
>> AND ON LEE DANIELS' "EMPIRE,"
2038
01:25:07,540 --> 01:25:10,676
WE TOOK UP THAT MANTLE.
2039
01:25:10,676 --> 01:25:11,377
OUR STYLE AND FASHION SENSE
2040
01:25:11,377 --> 01:25:13,846
HELPED ME BRING COOKIE TO LIFE.
2041
01:25:13,846 --> 01:25:15,448
LET'S TAKE A LOOK AT THIS YEAR'S
2042
01:25:15,448 --> 01:25:16,449
NOMINEES FOR OUTSTANDING LIMITED
2043
01:25:16,449 --> 01:25:22,422
OR ANTHOLOGY SERIES.
2044
01:25:22,422 --> 01:25:23,756
>> Announcer: "BEEF."
2045
01:25:23,756 --> 01:25:24,924
>> I DON'T WANT ANYTHING TO DO
2046
01:25:24,924 --> 01:25:25,792
WITH YOU.
2047
01:25:25,792 --> 01:25:26,726
YOU'RE SICK.
2048
01:25:26,726 --> 01:25:27,593
YOU'RE DISEASED.
2049
01:25:27,593 --> 01:25:29,395
>> YOU THINK YOU'RE BETTER THAN
2050
01:25:29,395 --> 01:25:31,330
ME NOW, HUH?
2051
01:25:31,330 --> 01:25:34,367
>> "DAHMER - MONSTER: THE
2052
01:25:34,367 --> 01:25:34,934
JEFFREY DAHMER STORY."
2053
01:25:34,934 --> 01:25:37,370
>> THE GUYS WERE JUST ONE THING
2054
01:25:37,370 --> 01:25:40,206
IN MY LIFE THAT I COULD CONTROL.
2055
01:25:40,206 --> 01:25:41,040
>> "DAISY JONES & THE SIX."
2056
01:25:41,040 --> 01:25:51,284
♪
2057
01:25:51,284 --> 01:25:54,687
>> "FLEISHMAN IS IN TROUBLE."
2058
01:25:54,687 --> 01:25:56,889
>> I STILL CAN'T FEEL MY LEGS.
2059
01:25:56,889 --> 01:26:00,293
IT'S NOT SAFE.
2060
01:26:00,293 --> 01:26:02,962
>> "OBI-WAN KENOBI."
2061
01:26:02,962 --> 01:26:07,734
>> I'M SORRY FOR ALL OF IT.
2062
01:26:07,734 --> 01:26:12,438
>> AND THE EMMY GOES TO, "BEEF."
2063
01:26:12,438 --> 01:26:13,406
[ APPLAUSE ]
2064
01:26:13,406 --> 01:26:22,615
♪
2065
01:26:22,615 --> 01:26:24,250
>> Announcer: "BEEF" RECEIVED 13
2066
01:26:24,250 --> 01:26:25,651
NOMINATIONS THIS YEAR, WINNING
2067
01:26:25,651 --> 01:26:26,686
FIVE TONIGHT.
2068
01:26:26,686 --> 01:26:29,689
THE SHOW FEATURED BELOVED SONGS
2069
01:26:29,689 --> 01:26:32,558
FROM THE '90s AND EARLY 2000s.
2070
01:26:32,558 --> 01:26:35,461
ACCEPTING ON BEHALF OF THE TEAM
2071
01:26:35,461 --> 01:26:36,729
IS LEE SUNG JIN.
2072
01:26:36,729 --> 01:26:45,338
♪
2073
01:26:45,338 --> 01:26:49,409
>> WOW, THANK YOU.
2074
01:26:49,409 --> 01:26:52,412
YOU KNOW, A LOT OF THE SUICIDAL
2075
01:26:52,412 --> 01:26:54,414
IDEATION IN THIS SHOW WAS BASED
2076
01:26:54,414 --> 01:26:57,250
ON STUFF THAT I AND SOME OF THE
2077
01:26:57,250 --> 01:26:59,052
FOLKS UP HERE HAVE STRUGGLED
2078
01:26:59,052 --> 01:27:00,653
WITH OVER THE YEARS.
2079
01:27:00,653 --> 01:27:02,955
SO I'M REALLY GRATEFUL AND
2080
01:27:02,955 --> 01:27:04,257
HUMBLED BY EVERYONE WHO WATCHED
2081
01:27:04,257 --> 01:27:05,958
THE SHOW AND REACHED OUT ABOUT
2082
01:27:05,958 --> 01:27:07,760
THEIR OWN PERSONAL STRUGGLES.
2083
01:27:07,760 --> 01:27:09,295
IT'S VERY LIFE AFFIRMING.
2084
01:27:09,295 --> 01:27:10,396
SO THANK YOU.
2085
01:27:10,396 --> 01:27:13,966
I FEEL LIKE WE LIVE IN A WORLD
2086
01:27:13,966 --> 01:27:15,635
DESIGNED TO KIND OF KEEP US
2087
01:27:15,635 --> 01:27:16,002
SEPARATE.
2088
01:27:16,002 --> 01:27:17,603
EVEN HERE, SOME OF US GO HOME
2089
01:27:17,603 --> 01:27:19,138
WITH TROPHIES, OTHER PEOPLE
2090
01:27:19,138 --> 01:27:19,405
DON'T.
2091
01:27:19,405 --> 01:27:21,074
I THINK FOR SOME OF US WHEN WE
2092
01:27:21,074 --> 01:27:23,042
LIVE IN A WORLD LIKE THIS, YOU
2093
01:27:23,042 --> 01:27:25,678
BEGIN TO THINK THERE'S NO WAY
2094
01:27:25,678 --> 01:27:27,113
ANYONE CAN EVER UNDERSTAND YOU
2095
01:27:27,113 --> 01:27:29,449
OR LIKE YOU OR MUCH LESS NO
2096
01:27:29,449 --> 01:27:30,983
POTENTIAL AT BEING LOVED.
2097
01:27:30,983 --> 01:27:33,119
SO THE GREATEST JOY OF WORKING
2098
01:27:33,119 --> 01:27:35,154
ON "BEEF" HAS TRULY BEEN WORKING
2099
01:27:35,154 --> 01:27:38,858
WITH THE FOLKS UP HERE WHO LOVED
2100
01:27:38,858 --> 01:27:40,727
SO UNCONDITIONALLY.
2101
01:27:40,727 --> 01:27:43,396
THANK YOU TO THEM.
2102
01:27:43,396 --> 01:27:43,796
[ APPLAUSE ]
2103
01:27:43,796 --> 01:27:45,264
>> THANK YOU.
2104
01:27:45,264 --> 01:27:46,999
TO ANYONE OUT THERE WHO DIRECTLY
2105
01:27:46,999 --> 01:27:48,768
OR INDIRECTLY WAS INVOLVED WITH
2106
01:27:48,768 --> 01:27:50,336
THE SHOW, THANK YOU SO MUCH.
2107
01:27:50,336 --> 01:27:51,971
LASTLY, EVERYTHING I DO IS FOR
2108
01:27:51,971 --> 01:27:54,440
MY THREE DOGS.
2109
01:27:54,440 --> 01:27:56,209
THE FEDERAL DRUG ADMINISTRATION,
2110
01:27:56,209 --> 01:27:58,144
IF YOU PLEASE FAST TRACK THAT
2111
01:27:58,144 --> 01:27:59,946
CANINE ANTI-AGING PILL THAT
2112
01:27:59,946 --> 01:28:00,446
WOULD BE SO LOVELY.
2113
01:28:00,446 --> 01:28:05,918
THANK YOU SO MUCH
2114
01:28:05,918 --> 01:28:06,719
>> Announcer: WHEN THE EMMYS
2115
01:28:06,719 --> 01:28:08,521
RETURN, GLAAD RECEIVES THE
2116
01:28:08,521 --> 01:28:11,124
ACADEMY'S GOVERNOR'S AWARD, AND
2117
01:28:11,124 --> 01:28:12,792
WE PAY TRIBUTE TO THE STARS
2118
01:28:12,792 --> 01:28:14,794
WE'VE LOST WITH A PERFORMANCE BY
2119
01:28:14,794 --> 01:28:17,597
WAR & TREATY.
2120
01:28:24,170 --> 01:28:27,640
[ "THE PRICE IS RIGHT" THEME ]
2121
01:28:27,640 --> 01:28:29,609
>>> WELCOME BACK TO THE EMMYS.
2122
01:28:29,609 --> 01:28:31,444
HERE ARE ALONA McCLUNEY,
2123
01:28:31,444 --> 01:28:33,679
JADE DAVIS, AND SUZANNE DeJONG,
2124
01:28:33,679 --> 01:28:35,782
REPRESENTING EY, THE OFFICIAL
2125
01:28:35,782 --> 01:28:38,418
ACCOUNTING FIRM OF THE EMMYS.
2126
01:28:38,418 --> 01:28:40,720
AND NOW PLEASE WELCOME THE CHAIR
2127
01:28:40,720 --> 01:28:42,055
OF THE TELEVISION ACADEMY,
2128
01:28:42,055 --> 01:28:43,256
FRANK SCHERMA.
2129
01:28:43,256 --> 01:28:46,059
[ "GET SMART" THEME ]
2130
01:28:46,059 --> 01:28:57,637
[ APPLAUSE ]
2131
01:29:00,039 --> 01:29:01,841
>> I AM THRILLED TO CELEBRATE AN
2132
01:29:01,841 --> 01:29:04,410
ASTRONOMICAL MILESTONE FOR ANY
2133
01:29:04,410 --> 01:29:07,447
INSTITUTION -- 75.
2134
01:29:07,447 --> 01:29:13,252
[ APPLAUSE ]
2135
01:29:13,252 --> 01:29:15,888
TONIGHT'S EMMY AWARDS MARK
2136
01:29:15,888 --> 01:29:18,524
75 YEARS OF EXCELLENCE IN A
2137
01:29:18,524 --> 01:29:19,559
DYNAMIC MEDIUM THAT IS A
2138
01:29:19,559 --> 01:29:21,127
CONSTANT SOURCE OF BOTH
2139
01:29:21,127 --> 01:29:22,195
ENTERTAINMENT AND INFORMATION
2140
01:29:22,195 --> 01:29:25,364
VITAL TO OUR WORLD.
2141
01:29:25,364 --> 01:29:27,967
AND YET, TV GOES BEYOND
2142
01:29:27,967 --> 01:29:29,001
ENTERTAINING AND INFORMING, WITH
2143
01:29:29,001 --> 01:29:29,736
THE POWER TO ENACT GREAT SOCIAL
2144
01:29:29,736 --> 01:29:32,171
CHANGE.
2145
01:29:32,171 --> 01:29:34,807
AS PART OF OUR CELEBRATION OF
2146
01:29:34,807 --> 01:29:36,376
75 YEARS OF EMMYS, THE
2147
01:29:36,376 --> 01:29:40,079
TELEVISION ACADEMY HAS SELECTED
2148
01:29:40,079 --> 01:29:41,647
75 OF THE MOST IMPACTFUL MOMENTS
2149
01:29:41,647 --> 01:29:45,318
FROM TELEVISION'S RICH HISTORY.
2150
01:29:45,318 --> 01:29:47,420
WE ALL LAUGHED WATCHING THE BOLD
2151
01:29:47,420 --> 01:29:52,225
SCRIPTED SERIES OF THE LEGENDARY
2152
01:29:52,225 --> 01:29:55,528
NORMAN LEAR.
2153
01:29:55,528 --> 01:29:58,197
[ APPLAUSE ]
2154
01:29:58,197 --> 01:30:00,800
WE ALL MOURNED, TOGETHER, AS WE
2155
01:30:00,800 --> 01:30:03,936
WATCHED THE TOWERS FALL ON 9/11.
2156
01:30:03,936 --> 01:30:05,505
WE WERE ALL IN AWE AS WE WATCHED
2157
01:30:05,505 --> 01:30:07,640
NEIL ARMSTRONG TAKE HIS FIRST
2158
01:30:07,640 --> 01:30:11,844
STEP ON THE MOON, IN REAL TIME.
2159
01:30:11,844 --> 01:30:13,413
HERE IS JUST A SMALL SAMPLING OF
2160
01:30:13,413 --> 01:30:20,420
THESE 75 INCREDIBLE TOUCHSTONES.
2161
01:30:20,420 --> 01:30:22,789
ENJOY.
2162
01:30:22,789 --> 01:30:24,690
>> FRANKIE, THIS IS IT.
2163
01:30:24,690 --> 01:30:25,958
>> I'M GAY.
2164
01:30:25,958 --> 01:30:28,761
♪
2165
01:30:28,761 --> 01:30:30,630
>> CAN WE KEEP HIM, DAD, PLEASE?
2166
01:30:30,630 --> 01:30:45,411
♪
2167
01:30:45,411 --> 01:30:46,179
>>
2168
01:30:46,179 --> 01:30:47,914
>> TELL ME I'M DOING THE RIGHT
2169
01:30:47,914 --> 01:30:49,515
THING NOT HAVING THE BABY.
2170
01:30:49,515 --> 01:30:53,586
>> I HAVE A DREAM.
2171
01:30:53,586 --> 01:30:55,855
>> ONE GIANT LEAP FOR MANKIND.
2172
01:30:55,855 --> 01:30:58,024
>> A PLANE HAS CRASHED INTO THE
2173
01:30:58,024 --> 01:30:59,926
WORLD TRADE CENTER.
2174
01:30:59,926 --> 01:31:06,232
♪
2175
01:31:06,232 --> 01:31:12,538
[ APPLAUSE ]
2176
01:31:12,538 --> 01:31:21,981
>> I AM YOUR HOST, LIBERACE.
2177
01:31:21,981 --> 01:31:22,749
>> THEY'RE BOTH EMMY WINNERS AND
2178
01:31:22,749 --> 01:31:23,583
SHE'S A NOMINEE TONIGHT, PLEASE
2179
01:31:23,583 --> 01:31:24,250
WELCOME COLMAN DOMINGO AND
2180
01:31:24,250 --> 01:31:39,732
HANNAH WADDINGHAM.
2181
01:31:39,732 --> 01:31:41,367
♪
2182
01:31:41,367 --> 01:31:47,006
>> YOU'RE WELCOME.
2183
01:31:47,006 --> 01:31:49,709
>> GOOD EVENING, EVERYBODY.
2184
01:31:49,709 --> 01:31:52,111
COLEMAN AND I ARE SO VERY
2185
01:31:52,111 --> 01:31:54,647
HONORED TO HAVE BEEN ASKED TO
2186
01:31:54,647 --> 01:31:57,116
PRESENT THE 2023 GOVERNOR'S
2187
01:31:57,116 --> 01:32:05,291
AWARD TO GLAAD.
2188
01:32:05,291 --> 01:32:08,795
>> TONIGHT, I AM SO PROUD
2189
01:32:08,795 --> 01:32:16,269
STANDING HERE AS AN ADVOCATE FOR
2190
01:32:16,269 --> 01:32:21,107
RACIAL EQUITY AND THE LGBTQ
2191
01:32:21,107 --> 01:32:21,441
COMMUNITY.
2192
01:32:21,441 --> 01:32:22,208
I UNDERSTAND THE IMPORTANCE OF
2193
01:32:22,208 --> 01:32:24,310
GLAAD'S MISSION AND ITS
2194
01:32:24,310 --> 01:32:27,413
COMMITMENT TO REPRESENTATION,
2195
01:32:27,413 --> 01:32:28,047
>> WHEN WE REPRESENT THE
2196
01:32:28,047 --> 01:32:28,748
DIVERSITY OF OUR SOCIETY, WE
2197
01:32:28,748 --> 01:32:29,549
HELP CHANGE THE NARRATIVES ABOUT
2198
01:32:29,549 --> 01:32:30,583
A COMMUNITY.
2199
01:32:30,583 --> 01:32:32,685
I'M PROUD THAT THIS PAST SEASON
2200
01:32:32,685 --> 01:32:33,286
OF "TED LASSO" INCLUDED
2201
01:32:33,286 --> 01:32:34,020
STORYLINES THAT CELEBRATED LGBTQ
2202
01:32:34,020 --> 01:32:39,358
CHARACTERS.
2203
01:32:39,358 --> 01:32:44,697
[ APPLAUSE ]
2204
01:32:44,697 --> 01:32:47,500
>> AND, UNFORTUNATELY, WITH
2205
01:32:47,500 --> 01:32:49,435
ANTI-LGBTQ FREEDOMS BEING
2206
01:32:49,435 --> 01:32:51,137
DEBATED BOTH HERE AND ABROAD,
2207
01:32:51,137 --> 01:32:52,638
THE COMPLEX CHARACTERS THAT WE
2208
01:32:52,638 --> 01:32:54,374
SEE AND COMPELLING STORIES THAT
2209
01:32:54,374 --> 01:32:56,342
WE TELL ARE AN INCREDIBLY
2210
01:32:56,342 --> 01:32:57,910
IMPORTANT PIECE OF SHOWING THE
2211
01:32:57,910 --> 01:33:01,381
HUMANITY OF WHO WE ACTUALLY ARE,
2212
01:33:01,381 --> 01:33:03,983
DISPELLING TROPES AND OFFERING A
2213
01:33:03,983 --> 01:33:05,852
RICH, VIBRANT RAINBOW OF THE
2214
01:33:05,852 --> 01:33:07,120
HUMAN EXPERIENCE.
2215
01:33:07,120 --> 01:33:07,854
>> WHEN WE VIEW ENTERTAINMENT AS
2216
01:33:07,854 --> 01:33:08,654
A FORM OF ADVOCACY, WE
2217
01:33:08,654 --> 01:33:09,322
UNDERSTAND THAT WE HAVE THE
2218
01:33:09,322 --> 01:33:14,093
POWER TO CREATE REAL CHANGE.
2219
01:33:14,093 --> 01:33:18,297
>> OVER THE PAST FOUR DECADES,
2220
01:33:18,297 --> 01:33:21,734
GLAAD HAS CONSULTED ON NEARLY
2221
01:33:21,734 --> 01:33:25,938
EVERY TV SERIES AND TV MOVIE
2222
01:33:25,938 --> 01:33:28,641
MAKING SURE THE REALITIES WE
2223
01:33:28,641 --> 01:33:29,709
FACE OFF SCREEN ARE REFLECTED ON
2224
01:33:29,709 --> 01:33:30,943
SCREEN.
2225
01:33:30,943 --> 01:33:35,081
♪
2226
01:33:35,081 --> 01:33:38,618
>> ONE OF THE WORLD'S MOST
2227
01:33:38,618 --> 01:33:40,253
EFFECTIVE ADVOCATES FOR THE
2228
01:33:40,253 --> 01:33:42,522
LGBTQ COMMUNITY, GLAAD WAS
2229
01:33:42,522 --> 01:33:47,160
ORIGINALLY FOUNDED IN 1985 BY
2230
01:33:47,160 --> 01:33:49,429
VE
2231
01:33:49,429 --> 01:33:52,331
VITO RUSSO AND ACTIVISTS.
2232
01:33:52,331 --> 01:34:02,075
SINCE THEN, IT HAS GROWN INTO A
2233
01:34:02,075 --> 01:34:02,608
GLOBAL ORGANIZATION.
2234
01:34:02,608 --> 01:34:03,342
THIS NOW ICONIC ORGANIZATION IS
2235
01:34:03,342 --> 01:34:04,043
DEDICATED TO TEAMING UP WITH
2236
01:34:04,043 --> 01:34:04,744
CREATORS TO ENSURE ACCURATE
2237
01:34:04,744 --> 01:34:05,378
DESCRIPTIONS OF CHARACTERS,
2238
01:34:05,378 --> 01:34:09,315
CORRECTING FALSE AND HARMFUL
2239
01:34:09,315 --> 01:34:11,718
NARRATIVES AND WORKING
2240
01:34:11,718 --> 01:34:12,785
WITH THE HOLLYWOOD COMMUNITY TO
2241
01:34:12,785 --> 01:34:13,486
INCREASE LGBTQ PRESENCE ON US TV
2242
01:34:13,486 --> 01:34:14,854
TO ITS CURRENT RECORD HIGH.
2243
01:34:14,854 --> 01:34:16,456
FOR ITS ONGOING WORK TO SECURE
2244
01:34:16,456 --> 01:34:18,558
FAIR, ACCURATE AND DIVERSE
2245
01:34:18,558 --> 01:34:20,660
REPRESENTATION OF THE LGBTQ
2246
01:34:20,660 --> 01:34:22,762
COMMUNITY IN THE MEDIA AND
2247
01:34:22,762 --> 01:34:24,330
ENTERTAINMENT INDUSTRIES, THE
2248
01:34:24,330 --> 01:34:26,432
TELEVISION ACADEMY HONORS GLAAD
2249
01:34:26,432 --> 01:34:33,005
WITH THE 2023 GOVERNORS AWARD.
2250
01:34:33,005 --> 01:34:33,339
♪
2251
01:34:33,339 --> 01:34:39,812
[ APPLAUSE ]
2252
01:34:39,812 --> 01:34:40,546
>> ACCEPTING THE AWARD ON BEHALF
2253
01:34:40,546 --> 01:34:41,280
OF GLAAD IS PRESIDENT AND CEO OF
2254
01:34:41,280 --> 01:34:47,186
GLAAD, SARAH KATE ELLIS.
2255
01:34:47,186 --> 01:34:49,288
[ "POSE" MAIN THEME ]
2256
01:34:49,288 --> 01:34:59,732
♪
2257
01:34:59,732 --> 01:35:10,543
♪
2258
01:35:10,543 --> 01:35:13,012
>> THANK YOU.
2259
01:35:13,012 --> 01:35:13,713
THANK YOU SO MUCH.
2260
01:35:13,713 --> 01:35:18,117
THIS IS ACTUALLY A HISTORIC
2261
01:35:18,117 --> 01:35:20,219
MOMENT, AND SO MANY PEOPLE HAVE
2262
01:35:20,219 --> 01:35:24,524
WORKED TIRELESSLY TO GET LGBTQ
2263
01:35:24,524 --> 01:35:27,093
REPRESENTATION HERE, WHERE IT IS
2264
01:35:27,093 --> 01:35:27,393
TODAY.
2265
01:35:27,393 --> 01:35:31,130
FOR ALL OF US AT GLAAD, THIS
2266
01:35:31,130 --> 01:35:32,165
WORK IS PERSONAL.
2267
01:35:32,165 --> 01:35:35,268
FOR ME, IT'S ABOUT MY WIFE AND
2268
01:35:35,268 --> 01:35:38,938
OUR KIDS, BECAUSE WHAT THE WORLD
2269
01:35:38,938 --> 01:35:42,975
SEES ON TV INFLUENCES HOW WE
2270
01:35:42,975 --> 01:35:44,777
TREAT EACH OTHER AND THE
2271
01:35:44,777 --> 01:35:46,212
DECISIONS THAT WE MAKE IN OUR
2272
01:35:46,212 --> 01:35:50,349
LIVING ROOMS, SCHOOLS, AT WORK
2273
01:35:50,349 --> 01:35:53,086
AND AT THE BALLOT BOX.
2274
01:35:53,086 --> 01:36:00,927
[ CHEERS AND APPLAUSE ]
2275
01:36:00,927 --> 01:36:04,197
THE WORLD URGENTLY NEEDS
2276
01:36:04,197 --> 01:36:05,765
CULTURE-CHANGING STORIES ABOUT
2277
01:36:05,765 --> 01:36:09,135
TRANSGENDER PEOPLE.
2278
01:36:09,135 --> 01:36:15,675
[ APPLAUSE ]
2279
01:36:15,675 --> 01:36:18,177
MORE PEOPLE SAY THEY HAVE SEEN A
2280
01:36:18,177 --> 01:36:21,314
GHOST THAN KNOW A TRANSGENDER
2281
01:36:21,314 --> 01:36:21,914
PERSON.
2282
01:36:21,914 --> 01:36:24,984
WHEN YOU DON'T KNOW PEOPLE, IT'S
2283
01:36:24,984 --> 01:36:28,221
EASY TO DEMONIZE THEM.
2284
01:36:28,221 --> 01:36:30,690
VISIBILITY CREATES
2285
01:36:30,690 --> 01:36:32,625
UNDERSTANDING, AND IT OPENS
2286
01:36:32,625 --> 01:36:33,659
DOORS.
2287
01:36:33,659 --> 01:36:37,130
IT'S LIFE SAVING.
2288
01:36:37,130 --> 01:36:40,633
OUR COMMUNITY HAS ACHIEVED SO
2289
01:36:40,633 --> 01:36:43,669
MUCH, AND YET WE ARE STILL BEING
2290
01:36:43,669 --> 01:36:46,239
VICTIMIZED AND VILLAINIZED WITH
2291
01:36:46,239 --> 01:36:49,742
CRUEL AND HARMFUL LIES.
2292
01:36:49,742 --> 01:36:54,647
SHARING STORIES IS THE ANTIDOTE,
2293
01:36:54,647 --> 01:36:58,985
AND NOW IS THE TIME TO TAKE
2294
01:36:58,985 --> 01:37:01,087
ACTION TO SUPPORT EVERYONE IN
2295
01:37:01,087 --> 01:37:03,689
THE LGBTQ COMMUNITY, BECAUSE
2296
01:37:03,689 --> 01:37:08,394
THIS STORY IS STILL BEING TOLD,
2297
01:37:08,394 --> 01:37:11,697
AND WE ALL CAN BE THE HEROS.
2298
01:37:11,697 --> 01:37:14,200
THANK YOU TO THE TELEVISION
2299
01:37:14,200 --> 01:37:18,538
ACADEMY AND THE BOARD OF
2300
01:37:18,538 --> 01:37:18,905
GOVERNORS.
2301
01:37:18,905 --> 01:37:19,305
[ APPLAUSE ]
2302
01:37:19,305 --> 01:37:23,543
♪
2303
01:37:23,543 --> 01:37:24,210
>> Announcer: PLEASE WELCOME
2304
01:37:24,210 --> 01:37:28,781
ROB REINER AND SALLY STRUTHERS.
2305
01:37:28,781 --> 01:37:29,515
["THOSE WERE THE DAYS" FROM "ALL
2306
01:37:29,515 --> 01:37:30,883
IN THE FAMILY" ]
2307
01:37:30,883 --> 01:37:37,724
♪
2308
01:37:37,724 --> 01:37:40,359
>> SALLY AND I WERE PART OF A
2309
01:37:40,359 --> 01:37:48,267
UNIQUE TELEVISION FAMILY, NOT
2310
01:37:48,267 --> 01:37:49,102
-- YES.
2311
01:37:49,102 --> 01:37:53,239
THANK YOU.
2312
01:37:53,239 --> 01:37:54,841
WE WERE PART OF A UNIQUE FAMILY,
2313
01:37:54,841 --> 01:38:01,347
NOT JUST THE BUNKERS, BUT NORMAN
2314
01:38:01,347 --> 01:38:03,416
LEAR'S EXTENDED FAMILY.
2315
01:38:03,416 --> 01:38:04,150
OVER THE DECADES NORMAN BROUGHT
2316
01:38:04,150 --> 01:38:05,017
US TOGETHER TO CREATE
2317
01:38:05,017 --> 01:38:06,586
GROUNDBREAKING TELEVISION.
2318
01:38:06,586 --> 01:38:07,587
SHOWS THAT DEPICTED REAL PEOPLE
2319
01:38:07,587 --> 01:38:11,924
THAT MADE US LAUGH, MADE US
2320
01:38:11,924 --> 01:38:14,026
THINK, MADE US PEOPLE.
2321
01:38:14,026 --> 01:38:15,628
THERE IS A YIDDISH WORD THAT
2322
01:38:15,628 --> 01:38:18,765
DESCRIBES NORMAN'S GENIUS, IT'S
2323
01:38:18,765 --> 01:38:21,401
KOCHLEFFEL, A LADLE THAT STIRS
2324
01:38:21,401 --> 01:38:31,944
THE POT.
2325
01:38:31,944 --> 01:38:33,479
AND WHEN NORMAN THE KOCHLEFFEL
2326
01:38:33,479 --> 01:38:35,048
STIRRED THE POT, HE WOUND UP
2327
01:38:35,048 --> 01:38:38,985
CHANGING AMERICAN CULTURE.
2328
01:38:38,985 --> 01:38:46,325
[ APPLAUSE ]
2329
01:38:46,325 --> 01:38:46,993
>> TONIGHT AS WE REMEMBER ALL
2330
01:38:46,993 --> 01:38:48,961
THE LEGENDS OF OUR INDUSTRY WE
2331
01:38:48,961 --> 01:38:50,563
LOST THIS PAST YEAR, WE
2332
01:38:50,563 --> 01:38:52,665
CELEBRATE THEIR LIVES AND
2333
01:38:52,665 --> 01:38:53,366
LEGACY, AND ALL THE JOY THEY
2334
01:38:53,366 --> 01:38:56,302
BROUGHT TO US.
2335
01:38:56,302 --> 01:38:59,005
AND TO ALL THE MEMBERS OF ALL
2336
01:38:59,005 --> 01:39:00,039
OUR TELEVISION FAMILIES WHO HAVE
2337
01:39:00,039 --> 01:39:03,376
PASSED ON --
2338
01:39:03,376 --> 01:39:08,147
♪ THOSE WERE THE DAYS
2339
01:39:08,147 --> 01:39:10,950
[ APPLAUSE ]
2340
01:39:10,950 --> 01:39:13,386
>> JOINING US IN OUR TRIBUTE ARE
2341
01:39:13,386 --> 01:39:15,521
THE WAR AND TREATY AND
2342
01:39:15,521 --> 01:39:18,691
CHARLIE PUTH.
2343
01:39:23,429 --> 01:39:28,134
♪
2344
01:39:28,134 --> 01:39:31,537
♪ IT'S BEEN A LONG DAY
2345
01:39:31,537 --> 01:39:33,940
WITHOUT YOU MY FRIEND ♪
2346
01:39:33,940 --> 01:39:35,074
♪ AND I'LL TELL YOU
2347
01:39:35,074 --> 01:39:36,576
ALL ABOUT IT
2348
01:39:36,576 --> 01:39:41,814
WHEN I SEE YOU AGAIN ♪
2349
01:39:41,814 --> 01:39:42,448
♪ WE'VE COME A LONG WAY
2350
01:39:42,448 --> 01:39:42,882
OOOOH
2351
01:39:42,882 --> 01:39:45,518
FROM WHERE WE BEGAN ♪
2352
01:39:45,518 --> 01:39:46,552
♪ OH I'LL TELL YOU
2353
01:39:46,552 --> 01:39:48,154
ALL ABOUT IT
2354
01:39:48,154 --> 01:39:50,823
WHEN I SEE YOU AGAIN
2355
01:39:50,823 --> 01:39:54,460
WHEN I SEE YOU AGAIN ♪
2356
01:39:54,460 --> 01:39:58,164
♪
2357
01:39:58,164 --> 01:40:03,369
♪
2358
01:40:03,369 --> 01:40:10,243
♪
2359
01:40:10,243 --> 01:40:31,898
♪
2360
01:40:31,898 --> 01:40:34,200
♪
2361
01:40:34,200 --> 01:40:47,146
♪
2362
01:40:47,146 --> 01:40:47,647
♪
2363
01:40:47,647 --> 01:40:49,248
♪ SO LET THE LIGHT
2364
01:40:49,248 --> 01:40:52,919
GUIDE YOUR WAY
2365
01:40:52,919 --> 01:40:54,487
HOLD EVERY MEMORY
2366
01:40:54,487 --> 01:40:58,191
AS YOU GO ♪
2367
01:40:58,191 --> 01:41:01,394
♪ AND EVERY ROAD YOU TAKE
2368
01:41:01,394 --> 01:41:03,496
WILL ALWAYS LEAD YOU
2369
01:41:03,496 --> 01:41:10,336
HOME HOME ♪
2370
01:41:10,336 --> 01:41:12,472
♪ IT'S BEEN A LONG DAY
2371
01:41:12,472 --> 01:41:14,540
WITHOUT YOU MY FRIEND ♪
2372
01:41:14,540 --> 01:41:17,176
♪ AND I'LL TELL YOU
2373
01:41:17,176 --> 01:41:17,710
ALL ABOUT IT
2374
01:41:17,710 --> 01:41:20,346
WHEN I SEE YOU AGAIN ♪
2375
01:41:20,346 --> 01:41:24,016
♪ WE'VE COME A LONG WAY
2376
01:41:24,016 --> 01:41:24,350
OOOOH
2377
01:41:24,350 --> 01:41:26,152
FROM WHERE WE BEGAN ♪
2378
01:41:26,152 --> 01:41:27,720
♪ OH I'LL TELL YOU
2379
01:41:27,720 --> 01:41:28,788
ALL ABOUT IT
2380
01:41:28,788 --> 01:41:31,924
WHEN I SEE YOU AGAIN
2381
01:41:31,924 --> 01:41:39,832
WHEN I SEE YOU AGAIN ♪
2382
01:41:39,832 --> 01:41:45,038
♪
2383
01:41:45,038 --> 01:41:53,446
♪
2384
01:41:53,446 --> 01:41:58,718
♪
2385
01:41:58,718 --> 01:42:04,057
♪
2386
01:42:04,057 --> 01:42:10,897
♪
2387
01:42:10,897 --> 01:42:17,704
♪
2388
01:42:17,704 --> 01:42:25,611
♪
2389
01:42:25,611 --> 01:42:30,850
♪
2390
01:42:30,850 --> 01:42:31,951
♪
2391
01:42:31,951 --> 01:42:33,486
♪ IT'S LIKE
2392
01:42:33,486 --> 01:42:34,020
YOU'RE ALWAYS STUCK
2393
01:42:34,020 --> 01:42:37,623
IN SECOND GEAR ♪
2394
01:42:37,623 --> 01:42:39,258
♪ WHEN IT HASN'T BEEN
2395
01:42:39,258 --> 01:42:40,326
YOUR DAY YOUR WEEK YOUR MONTH
2396
01:42:40,326 --> 01:42:43,463
OR EVEN YOUR YEAR BUT ♪
2397
01:42:43,463 --> 01:42:47,166
♪ I'LL BE THERE FOR YOU
2398
01:42:47,166 --> 01:42:49,235
WHEN THE RAIN STARTS TO POUR
2399
01:42:49,235 --> 01:42:52,372
I'LL BE THERE FOR YOU LIKE
2400
01:42:52,372 --> 01:42:56,008
I'VE BEEN THERE BEFORE ♪
2401
01:42:56,008 --> 01:42:58,678
♪ I'LL BE THERE FOR YOU
2402
01:42:58,678 --> 01:43:00,880
'CAUSE YOU'RE THERE FOR ME
2403
01:43:00,880 --> 01:43:03,116
TOO
2404
01:43:11,858 --> 01:43:14,293
'CAUSE YOU'RE THERE FOR ME
2405
01:43:14,293 --> 01:43:17,530
TOO ♪
2406
01:43:17,530 --> 01:43:21,534
♪
2407
01:43:21,534 --> 01:43:26,039
[ APPLAUSE ]
2408
01:43:29,776 --> 01:43:32,311
[ "SEARCHIN' MY SOUL" FROM
2409
01:43:32,311 --> 01:43:34,981
"ALLY McBEAL" ]
2410
01:43:34,981 --> 01:43:39,052
♪
2411
01:43:53,066 --> 01:43:56,235
>>> GIRL, YOU LOOK GOOD.
2412
01:43:56,235 --> 01:44:08,581
♪
2413
01:44:08,581 --> 01:44:23,396
♪
2414
01:44:23,396 --> 01:44:27,600
♪
2415
01:44:27,600 --> 01:44:29,969
>> CALISTA, GIVE OUT THE DAMN
2416
01:44:29,969 --> 01:44:31,003
AWARD!
2417
01:44:31,003 --> 01:44:36,642
♪
2418
01:44:36,642 --> 01:44:38,911
♪ YOU'RE THE FIRST, YOU'RE THE
2419
01:44:38,911 --> 01:44:41,848
LAST, MY EVERYTHING ♪
2420
01:44:41,848 --> 01:44:48,287
♪
2421
01:44:48,287 --> 01:44:51,791
[ APPLAUSE ]
2422
01:44:51,791 --> 01:44:53,326
>> OH BOY.
2423
01:44:54,227 --> 01:44:56,896
I LOVED WORKING WITH PETER GIL
2424
01:44:56,896 --> 01:45:01,367
AND GREG, AND I STILL DO.
2425
01:45:01,367 --> 01:45:03,636
THE ENTIRE "ALLY McBEAL" CAST
2426
01:45:03,636 --> 01:45:07,040
WAS SO TALENTED.
2427
01:45:16,082 --> 01:45:18,584
IT WAS GROUNDBREAKING,
2428
01:45:18,584 --> 01:45:20,253
REVOLUTIONARY, INTRODUCING US TO
2429
01:45:20,253 --> 01:45:21,888
A DANCING BABY AND UNISEX
2430
01:45:21,888 --> 01:45:30,663
BATHROOMS.
2431
01:45:30,663 --> 01:45:33,266
NOW I AM PROUD TO ANNOUNCE THE
2432
01:45:33,266 --> 01:45:37,370
NOMINEES FOR A LEAD ACTOR IN A
2433
01:45:37,370 --> 01:45:38,571
DRAMA SERIES.
2434
01:45:38,571 --> 01:45:41,574
>> Announcer: JEFF BRIDGE BRIDGE
2435
01:45:41,574 --> 01:45:42,008
"THE OLD MAN."
2436
01:45:42,008 --> 01:45:43,376
BRIAN COX "SUCCESSION."
2437
01:45:43,376 --> 01:45:48,147
KIERAN CULKIN, "SUCCESSION."
2438
01:45:48,147 --> 01:45:48,681
B
2439
01:45:48,681 --> 01:45:52,151
BOB ODENKIRK, "BETTER CALL
2440
01:45:52,151 --> 01:45:52,952
SAUL."
2441
01:45:52,952 --> 01:45:55,054
PEDRO PASCAL, "THE LAST OF US."
2442
01:45:55,054 --> 01:46:00,059
JEREMY STRONG, "SUCCESSION."
2443
01:46:00,059 --> 01:46:04,497
>> AND THE EMMY GOES TO --
2444
01:46:04,497 --> 01:46:06,866
KIERAN CULKIN, "SUCCESSION."
2445
01:46:06,866 --> 01:46:16,209
♪
2446
01:46:16,209 --> 01:46:26,519
♪
2447
01:46:26,519 --> 01:46:40,333
♪
2448
01:46:40,333 --> 01:46:42,368
>> DON'T PICK IT UP.
2449
01:46:42,368 --> 01:46:44,103
I COULDN'T DO THE BUTTON.
2450
01:46:44,103 --> 01:46:46,072
I WASTED ALL MY TIME HUGGING
2451
01:46:46,072 --> 01:46:46,406
EVERYBODY.
2452
01:46:46,406 --> 01:46:48,441
I LOVE YOU ALL SO MUCH,
2453
01:46:48,441 --> 01:46:52,545
ESPECIALLY EVERYONE IN THE CAST,
2454
01:46:52,545 --> 01:46:54,180
EVERY SINGLE ONE.
2455
01:46:54,180 --> 01:46:54,680
THANK YOU SO MUCH.
2456
01:46:54,680 --> 01:46:56,416
I LOVE YOU.
2457
01:46:56,416 --> 01:46:57,950
I'M NOT GOING TO HAVE ANY TIME.
2458
01:46:57,950 --> 01:47:00,486
I DON'T WANT TO GET YELLED AT.
2459
01:47:00,486 --> 01:47:02,922
GOT TO THANK JESSE ARMSTRONG FOR
2460
01:47:02,922 --> 01:47:05,058
BEING A BRILLIANT WRITER,
2461
01:47:05,058 --> 01:47:06,192
SHOWRUNNER AND GENTLEMAN.
2462
01:47:06,192 --> 01:47:07,693
THANK YOU FOR "SUCCESSION."
2463
01:47:07,693 --> 01:47:08,828
THANK YOU FOR EVERYTHING.
2464
01:47:08,828 --> 01:47:10,430
I HAVE TO SWITCH TO THE PERSONAL
2465
01:47:10,430 --> 01:47:11,297
REALLY FAST.
2466
01:47:11,297 --> 01:47:13,299
I HAVE TO THANK MY MOM FOR
2467
01:47:13,299 --> 01:47:16,602
GIVING ME LIFE AND MY CHILDHOOD,
2468
01:47:16,602 --> 01:47:17,403
WHICH WAS GREAT.
2469
01:47:17,403 --> 01:47:22,475
SO THANK YOU FOR THAT.
2470
01:47:22,475 --> 01:47:22,875
[ APPLAUSE ]
2471
01:47:22,875 --> 01:47:23,810
>> THANKS.
2472
01:47:23,810 --> 01:47:27,613
I HAVE TO THANK MY MANAGER WHO
2473
01:47:27,613 --> 01:47:29,649
I'VE BEEN WITH FOR ABOUT 29
2474
01:47:29,649 --> 01:47:30,116
YEARS.
2475
01:47:30,116 --> 01:47:32,418
SORRY, EMILY, YOU PROBABLY
2476
01:47:32,418 --> 01:47:33,920
DIDN'T WANT ME TO SAY THE
2477
01:47:33,920 --> 01:47:34,253
NUMBER.
2478
01:47:34,253 --> 01:47:35,955
I JUST HAVE TO THANK YOU FOR
2479
01:47:35,955 --> 01:47:37,023
KEEPING MY NAME IN THE
2480
01:47:37,023 --> 01:47:39,459
CONVERSATION WHEN NOBODY WAS
2481
01:47:39,459 --> 01:47:40,660
TALKING ABOUT ME SO AS FAR AS
2482
01:47:40,660 --> 01:47:43,663
I'M CONCERNED, THIS IS YOURS.
2483
01:47:43,663 --> 01:47:45,264
OF COURSE MY BEAUTIFUL WIFE
2484
01:47:45,264 --> 01:47:46,799
JAZZ, THANK YOU FOR SHARING YOUR
2485
01:47:46,799 --> 01:47:49,569
LIFE WITH ME AND GIVING ME TWO
2486
01:47:49,569 --> 01:47:50,403
AMAZING KIDS.
2487
01:47:50,403 --> 01:47:52,705
I LOVE YOU SO MANY AND SO MUCH.
2488
01:47:52,705 --> 01:47:54,006
AND JAZZ, I WANT MORE.
2489
01:47:54,006 --> 01:48:00,146
[ LAUGHTER ]
2490
01:48:00,146 --> 01:48:02,148
YOU SAID MAYBE IF I WIN.
2491
01:48:02,148 --> 01:48:02,749
I LOVE YOU SO MUCH.
2492
01:48:02,749 --> 01:48:04,884
THANK YOU.
2493
01:48:04,884 --> 01:48:07,320
[ CHEERS AND APPLAUSE ]
2494
01:48:07,320 --> 01:48:08,888
[ "BEST FRIEND" THEME FROM "THE
2495
01:48:08,888 --> 01:48:11,057
COURTSHIP OF EDDIE'S FATHER ]
2496
01:48:11,057 --> 01:48:16,896
♪
2497
01:48:16,896 --> 01:48:18,931
♪ LET ME TELL YOU ABOUT MY BEST
2498
01:48:18,931 --> 01:48:21,834
FRIEND ♪
2499
01:48:21,834 --> 01:48:24,137
>> I WANT TO SAY CONGRATULATIONS
2500
01:48:24,137 --> 01:48:24,737
TO "BEEF."
2501
01:48:24,737 --> 01:48:28,408
YOU GUYS ARE KILLING IT TONIGHT.
2502
01:48:28,408 --> 01:48:34,213
AND HOW GREAT WAS THAT ALLY
2503
01:48:34,213 --> 01:48:35,615
McBEAL DANCE?
2504
01:48:35,615 --> 01:48:38,117
HOW ABOUT ALL OF THESE REUNIONS
2505
01:48:38,117 --> 01:48:39,585
TONIGHT?
2506
01:48:39,585 --> 01:48:48,895
"CHEERS," GRAY'S 'S ANATOMY."
2507
01:48:48,895 --> 01:48:50,763
ALL IN THE FAMILY JUST TO NAME A
2508
01:48:50,763 --> 01:48:51,330
FEW.
2509
01:48:51,330 --> 01:48:52,865
CONGRATS TO KIERAN CULKIN FOR
2510
01:48:52,865 --> 01:48:53,599
WINNING LEAD ACTOR IN A DRAMA
2511
01:48:53,599 --> 01:48:53,933
SERIES.
2512
01:48:53,933 --> 01:49:00,173
[ APPLAUSE ]
2513
01:49:00,173 --> 01:49:01,974
>> WE HAVE THREE MORE BIG AWARDS
2514
01:49:01,974 --> 01:49:03,676
TONIGHT, LEAD ACTRESS IN A DRAMA
2515
01:49:03,676 --> 01:49:04,010
SERIES.
2516
01:49:04,010 --> 01:49:06,179
THEN THE AWARDS FOR OUTSTANDING
2517
01:49:06,179 --> 01:49:10,016
COMEDY SERIES AND OUTSTANDING
2518
01:49:10,016 --> 01:49:11,884
DRAMA SERIES.
2519
01:49:11,884 --> 01:49:13,219
SOMEBODY PEAKED A LITTLE TOO
2520
01:49:13,219 --> 01:49:13,653
SOON TONIGHT.
2521
01:49:13,653 --> 01:49:17,757
[ LAUGHTER ]
2522
01:49:17,757 --> 01:49:21,327
>> MOMMA, THE WAY YOU'RE GOING
2523
01:49:21,327 --> 01:49:24,397
TONIGHT, YOU MIGHT WIN FOR
2524
01:49:24,397 --> 01:49:29,035
OUTSTANDING PLAYOFF MOMMA AT THE
2525
01:49:29,035 --> 01:49:29,402
EMMYS.
2526
01:49:29,402 --> 01:49:29,836
>> DAMN RIGHT.
2527
01:49:29,836 --> 01:49:34,674
>> PLEASE WELCOME THE AMAZING,
2528
01:49:34,674 --> 01:49:42,482
REMARKABLE JODI FOSTER.
2529
01:49:42,482 --> 01:49:46,319
♪ LET ME TELL YOU ABOUT MY BEST
2530
01:49:46,319 --> 01:49:46,719
FRIEND ♪
2531
01:49:46,719 --> 01:49:47,820
♪ PEOPLE LET ME TELL YOU ABOUT
2532
01:49:47,820 --> 01:49:52,625
MY BEST FRIEND ♪
2533
01:49:52,625 --> 01:49:55,695
>> ONE OF MY FIRST TV
2534
01:49:55,695 --> 01:49:58,064
APPEARANCES WAS ON "THE
2535
01:49:58,064 --> 01:50:03,169
COURTSHIP OF EDDIE'S FATHER."
2536
01:50:03,169 --> 01:50:04,704
INTERESTING COMPLICATED WOMEN ON
2537
01:50:04,704 --> 01:50:10,043
TV WERE FEW AND FAR BETWEEN,
2538
01:50:10,043 --> 01:50:10,610
EVEN FOR A 6-YEAR-OLD.
2539
01:50:10,610 --> 01:50:12,412
TODAY TELEVISION PROVIDES THE
2540
01:50:12,412 --> 01:50:14,147
CANVAS FOR TALENTED ACTRESSES TO
2541
01:50:14,147 --> 01:50:16,883
GO DEEP, BARING THEIR SOULS,
2542
01:50:16,883 --> 01:50:17,750
BLOWING OUR MINDS AND BREAKING
2543
01:50:17,750 --> 01:50:24,090
OUR HEARTS.
2544
01:50:24,090 --> 01:50:24,791
IN A GOLDEN AGE, HERE ARE THE
2545
01:50:24,791 --> 01:50:25,525
NOMINEES FOR LEAD ACTRESS IN A
2546
01:50:25,525 --> 01:50:25,925
DRAMA SERIES.
2547
01:50:28,294 --> 01:50:33,766
>> SHARON HORGAN, MELANIE LYNN
2548
01:50:33,766 --> 01:50:34,867
SEE.
2549
01:50:34,867 --> 01:50:35,568
ELISABETH MOSS.
2550
01:50:35,568 --> 01:50:38,905
BELLA RAMSEY, "THE LAST OF US."
2551
01:50:38,905 --> 01:50:42,075
KERI RUSSELL, "THE DIPLOMAT."
2552
01:50:42,075 --> 01:50:46,913
SARAH SNOOK, "SUCCESSION."
2553
01:50:46,913 --> 01:50:47,246
BLAZE.
2554
01:50:47,246 --> 01:50:52,618
>> AND THE EMMY GOES TO SARAH
2555
01:50:52,618 --> 01:50:53,152
SNOOK, "SUCCESSION."
2556
01:50:53,152 --> 01:50:53,786
♪
2557
01:50:53,786 --> 01:51:04,263
[ APPLAUSE ]
2558
01:51:04,263 --> 01:51:23,216
♪
2559
01:51:23,216 --> 01:51:28,087
>> WOW.
2560
01:51:28,087 --> 01:51:30,089
THANKS TO EVERYONE WHO VOTED AND
2561
01:51:30,089 --> 01:51:32,058
FOR LOVING THE SHOW AS MUCH AS
2562
01:51:32,058 --> 01:51:34,527
WE DID AS A CAST MAKING IT AND
2563
01:51:34,527 --> 01:51:35,862
AS A CREW MAKING IT.
2564
01:51:35,862 --> 01:51:37,463
WE PUT OUR ALL INTO IT AND THE
2565
01:51:37,463 --> 01:51:38,731
BAR WAS SET SO HIGH.
2566
01:51:38,731 --> 01:51:41,634
I THINK THAT'S WHAT SPURRED US
2567
01:51:41,634 --> 01:51:43,669
ON FROM EVERY DEPARTMENT WE ALL
2568
01:51:43,669 --> 01:51:47,340
GAVE IT OUR BEST, LED BY JESSE
2569
01:51:47,340 --> 01:51:49,142
AND MARK AND MY CAST WHO I LOVE
2570
01:51:49,142 --> 01:51:50,676
SO MUCH AND I'M GOING TO MISS.
2571
01:51:50,676 --> 01:51:52,678
TO MY FAMILY, TO MY MOM AND DAD,
2572
01:51:52,678 --> 01:51:54,213
I LOVE YOU.
2573
01:51:54,213 --> 01:51:56,816
THANK YOU FOR HAVING A DRESS-UP
2574
01:51:56,816 --> 01:51:58,418
BOX WHEN I WAS A KID.
2575
01:51:58,418 --> 01:51:59,852
THIS IS WHERE IT GETS YOU.
2576
01:51:59,852 --> 01:52:03,222
ALSO THE BIGGEST THANK YOU IS TO
2577
01:52:03,222 --> 01:52:04,257
SOMEONE WHO WON'T UNDERSTAND
2578
01:52:04,257 --> 01:52:05,691
ANYTHING I'M SAYING AT THE
2579
01:52:05,691 --> 01:52:07,860
MOMENT, BUT I CARRIED HER WITH
2580
01:52:07,860 --> 01:52:09,796
ME IN THIS LAST SEASON AND
2581
01:52:09,796 --> 01:52:11,764
REALLY IT WAS HER WHO CARRIED
2582
01:52:11,764 --> 01:52:12,065
ME.
2583
01:52:12,065 --> 01:52:13,866
IT'S VERY EASY TO ACT WHEN
2584
01:52:13,866 --> 01:52:14,701
YOU'RE PREGNANT, BECAUSE YOU
2585
01:52:14,701 --> 01:52:19,772
HAVE HORMONES RAGING.
2586
01:52:19,772 --> 01:52:21,841
IT WAS THE PROXIMITY OF HER LIFE
2587
01:52:21,841 --> 01:52:23,643
GROWING INSIDE ME THAT GAVE ME
2588
01:52:23,643 --> 01:52:26,012
THE STRENGTH TO DO THIS AND THIS
2589
01:52:26,012 --> 01:52:26,412
PERFORMANCE.
2590
01:52:26,412 --> 01:52:30,483
I LOVE YOU SO MUCH AND IT'S ALL
2591
01:52:30,483 --> 01:52:32,652
FOR YOU FROM HERE ON OUT.
2592
01:52:32,652 --> 01:52:33,019
THANK YOU.
2593
01:52:33,019 --> 01:52:35,088
[ APPLAUSE ]
2594
01:52:35,088 --> 01:52:44,764
♪
2595
01:52:44,764 --> 01:52:49,035
♪
2596
01:52:49,035 --> 01:52:49,836
>> Announcer: UP NEXT,
2597
01:52:49,836 --> 01:52:51,104
TRACEE ELLIS ROSS AND
2598
01:52:51,104 --> 01:52:52,638
NATASHA LYONNE GIVE THE AWARD
2599
01:52:52,638 --> 01:52:54,907
FOR OUTSTANDING COMEDY SERIES,
2600
01:52:54,907 --> 01:52:56,676
PLUS, PETER DINKLAGE GIVES THE
2601
01:52:56,676 --> 01:52:58,277
AWARD FOR OUTSTANDING DRAMA
2602
01:52:58,277 --> 01:52:59,078
SERIES.
2603
01:52:59,078 --> 01:53:02,249
WHEN THE EMMYS RETURN, ON FOX.
2604
01:53:06,686 --> 01:53:12,825
♪
2605
01:53:12,825 --> 01:53:15,995
[ APPLAUSE ]
2606
01:53:15,995 --> 01:53:20,833
>>> OH, I SEE YOU WENT ALL IN.
2607
01:53:20,833 --> 01:53:23,302
>> I ALWAYS DO, NATASHA LYONNE.
2608
01:53:23,302 --> 01:53:26,105
>> I'M SO SORRY, LUCILLE.
2609
01:53:26,105 --> 01:53:28,341
MY BAD.
2610
01:53:28,341 --> 01:53:29,609
>> THANK YOU.
2611
01:53:29,609 --> 01:53:31,978
>> ANYTHING FOR YOU, TRACEE.
2612
01:53:31,978 --> 01:53:33,346
>> LUCY WILL DO.
2613
01:53:33,346 --> 01:53:35,481
>> COPY YOU, MISS BALL.
2614
01:53:35,481 --> 01:53:36,983
[ APPLAUSE ]
2615
01:53:36,983 --> 01:53:39,085
>> ALRIGHT, LISTEN CAREFULLY.
2616
01:53:39,085 --> 01:53:41,521
THIS IS THE NEXT TO LAST AWARD
2617
01:53:41,521 --> 01:53:43,089
AND I NEED YOU TWO TO WRAP THESE
2618
01:53:43,089 --> 01:53:44,323
CHOCOLATES.
2619
01:53:44,323 --> 01:53:47,293
THE CHOCOLATE WILL COME DOWN THE
2620
01:53:47,293 --> 01:53:48,027
CONVEYER BELT AND YOUR JOB IS TO
2621
01:53:48,027 --> 01:53:48,694
TAKE EACH PIECE AND WRAP --
2622
01:53:48,694 --> 01:53:49,429
>> WE'VE ALL SEEN THE EPISODE,
2623
01:53:49,429 --> 01:53:49,762
ANTHONY.
2624
01:53:49,762 --> 01:53:54,400
GIVE US OUR MOMENT.
2625
01:53:54,400 --> 01:53:55,234
>> THANK YOU, ANTHONY.
2626
01:53:55,234 --> 01:53:56,235
>> LET HER ROLL.
2627
01:53:56,235 --> 01:53:56,769
LET HER ROLL!
2628
01:53:56,769 --> 01:53:58,337
>> YOU READY?
2629
01:53:58,337 --> 01:54:01,040
>> ABSOLUTELY NOT.
2630
01:54:01,040 --> 01:54:06,746
LET'S DO THIS.
2631
01:54:06,746 --> 01:54:07,080
♪
2632
01:54:07,080 --> 01:54:08,915
>> NO PAPERS.
2633
01:54:08,915 --> 01:54:10,083
THAT'S ALL RIGHT.
2634
01:54:10,083 --> 01:54:10,483
JUST GO --
2635
01:54:10,483 --> 01:54:10,817
>> OKAY.
2636
01:54:10,817 --> 01:54:12,618
ALL RIGHT.
2637
01:54:12,618 --> 01:54:25,765
>> DON'T WORRY ABOUT IT.
2638
01:54:25,765 --> 01:54:26,099
>> WHAT?
2639
01:54:26,099 --> 01:54:31,337
>> WHAT?
2640
01:54:31,337 --> 01:54:39,812
♪
2641
01:54:39,812 --> 01:54:44,016
>> WOW.
2642
01:54:44,016 --> 01:54:46,018
>> I'M A BIG FAN OF YOUR WORK.
2643
01:54:46,018 --> 01:54:46,352
>> OKAY.
2644
01:54:46,352 --> 01:54:49,322
WHAT THE HELL IS THIS?
2645
01:54:49,322 --> 01:54:51,190
HEY, HEY, HEY.
2646
01:54:51,190 --> 01:54:52,592
WHAT ARE THE AWARDS?
2647
01:54:52,592 --> 01:54:54,026
WHAT'S THE CATEGORY WE'RE
2648
01:54:54,026 --> 01:54:56,863
SUPPOSED TO BE DOING RIGHT NOW?
2649
01:54:56,863 --> 01:54:58,431
[ MUFFLED SPEAKING ]
2650
01:54:58,431 --> 01:54:59,499
>> THE CATEGORY IS COMEDY
2651
01:54:59,499 --> 01:55:03,336
SERIES.
2652
01:55:03,336 --> 01:55:05,505
>> Announcer: "ABBOTT
2653
01:55:05,505 --> 01:55:12,979
ELEMENTARY."
2654
01:55:12,979 --> 01:55:14,480
"BARRY."
2655
01:55:14,480 --> 01:55:15,848
>> I NEVER SHOULD HAVE TAKEN
2656
01:55:15,848 --> 01:55:16,916
THAT ACTING CLASS.
2657
01:55:16,916 --> 01:55:18,651
IF I HADN'T TRIED TO UNDERSTAND
2658
01:55:18,651 --> 01:55:22,755
MYSELF, WE WOULDN'T BE HERE.
2659
01:55:22,755 --> 01:55:24,557
>> Announcer: "THE BEAR."
2660
01:55:24,557 --> 01:55:26,426
>> IT LOOKS LIKE A CARROT.
2661
01:55:26,426 --> 01:55:28,361
>> IT'S CLEARLY A CARROT.
2662
01:55:28,361 --> 01:55:30,696
DO YOU NOT KNOW WHAT A CARROT
2663
01:55:30,696 --> 01:55:31,597
LOOKS LIKE?
2664
01:55:31,597 --> 01:55:34,767
>> Announcer: "JURY DUTY."
2665
01:55:34,767 --> 01:55:39,172
>> A DEHYDRATED MANGO.
2666
01:55:39,172 --> 01:55:39,872
>> Announcer: "THE MARVELOUS
2667
01:55:39,872 --> 01:55:43,376
MRS. MAISEL."
2668
01:55:43,376 --> 01:55:46,612
>> WANT TO THANK BERGDORF GOOD
2669
01:55:46,612 --> 01:55:48,881
MAN FROM THE BOTTOM OF MY HEART.
2670
01:55:48,881 --> 01:55:52,285
THANK YOU AND GOOD NIGHT.
2671
01:55:52,285 --> 01:55:53,019
>> Announcer: "ONLY MURDERS IN
2672
01:55:53,019 --> 01:55:54,053
THE BUILDING."
2673
01:55:54,053 --> 01:55:55,388
>> HAVE WE REACHED THAT POINT IN
2674
01:55:55,388 --> 01:55:59,192
OUR FRIENDSHIP WHERE WE CAN JUST
2675
01:55:59,192 --> 01:56:01,394
SHOW UP AT OUR APARTMENTS IN OUR
2676
01:56:01,394 --> 01:56:08,167
NIGHT CLOTHES?
2677
01:56:08,167 --> 01:56:13,106
>> Announcer: "WEDNESDAY."
2678
01:56:13,106 --> 01:56:15,041
>> HOW WOULD THAT HAVE LOOKED ON
2679
01:56:15,041 --> 01:56:16,876
YOUR RECORD?
2680
01:56:16,876 --> 01:56:17,543
>> TERRIBLE.
2681
01:56:17,543 --> 01:56:18,277
I KNOW I FAILED TO GET THE JOB
2682
01:56:18,277 --> 01:56:21,047
DONE.
2683
01:56:21,047 --> 01:56:24,517
>> CHOCOLATES COMING DOWN.
2684
01:56:24,517 --> 01:56:27,053
>> YOU GOT A LITTLE CHOCOLATE ON
2685
01:56:27,053 --> 01:56:29,322
THE ENVELOPE, A LITTLE SOMETHING
2686
01:56:29,322 --> 01:56:31,924
EXTRA FOR THE WINNER.
2687
01:56:31,924 --> 01:56:33,326
>> EVERYBODY LOVES A LITTLE
2688
01:56:33,326 --> 01:56:34,360
TREAT.
2689
01:56:34,360 --> 01:56:35,528
>> OKAY.
2690
01:56:35,528 --> 01:56:36,696
I'M GOING TO GIVE THEM A
2691
01:56:36,696 --> 01:56:38,297
CHOCOLATE.
2692
01:56:38,297 --> 01:56:43,803
>> AND THE EMMY GOES TO -- "THE
2693
01:56:43,803 --> 01:56:45,371
BEAR"!
2694
01:56:45,371 --> 01:56:54,814
♪
2695
01:56:54,814 --> 01:56:57,583
>> Announcer: FOR ITS FIRST
2696
01:56:57,583 --> 01:56:59,218
ELIGIBLE YEAR, "THE BEAR" HAS
2697
01:56:59,218 --> 01:57:00,420
RECEIVED 13 NOMINATIONS.
2698
01:57:00,420 --> 01:57:09,095
TONIGHT THEY HAVE WON SIX EMMYS.
2699
01:57:09,095 --> 01:57:12,165
♪
2700
01:57:12,165 --> 01:57:33,386
♪
2701
01:57:33,386 --> 01:57:35,488
>> WHAT'S GOOD?
2702
01:57:35,488 --> 01:57:37,290
YEAH, I JUST WANT TO THANK
2703
01:57:37,290 --> 01:57:38,758
RESTAURANTS AS A WHOLE,
2704
01:57:38,758 --> 01:57:42,495
HOSPITALITY AS A WHOLE.
2705
01:57:42,495 --> 01:57:50,303
[ APPLAUSE ]
2706
01:57:50,303 --> 01:57:54,374
>> I LOVE YOU EVAN.
2707
01:57:54,374 --> 01:57:56,976
I JUST LOVE RESTAURANTS SO MUCH,
2708
01:57:56,976 --> 01:57:58,378
THE GOOD, THE BAD.
2709
01:57:58,378 --> 01:57:59,345
IT'S ROUGH.
2710
01:57:59,345 --> 01:58:00,613
WE'RE ALL BROKEN INSIDE AND
2711
01:58:00,613 --> 01:58:02,715
EVERY SINGLE DAY WE'VE GOT TO
2712
01:58:02,715 --> 01:58:05,218
SHOW UP AND COOK AND MAKE PEOPLE
2713
01:58:05,218 --> 01:58:06,419
FEEL GOOD BY EATING SOMETHING
2714
01:58:06,419 --> 01:58:08,154
AND SITTING AT A TABLE.
2715
01:58:08,154 --> 01:58:08,921
IT'S BEAUTIFUL.
2716
01:58:08,921 --> 01:58:11,591
ALL OF US HERE GET TO MAKE A
2717
01:58:11,591 --> 01:58:13,326
SHOW TOGETHER AND GET TO MAKE
2718
01:58:13,326 --> 01:58:15,294
PEOPLE FEEL GOOD OR FILLED WITH
2719
01:58:15,294 --> 01:58:16,963
ANXIETY OR TRIGGERS.
2720
01:58:16,963 --> 01:58:18,131
THIS IS AMAZING.
2721
01:58:18,131 --> 01:58:19,565
IT'S BEAUTIFUL.
2722
01:58:19,565 --> 01:58:21,768
THE CAST AND CREW, THERE ARE SO
2723
01:58:21,768 --> 01:58:23,369
MANY PEOPLE THAT MAKE THIS SHOW
2724
01:58:23,369 --> 01:58:24,837
HAPPEN EVERY SINGLE DAY.
2725
01:58:24,837 --> 01:58:25,705
IT'S BEAUTIFUL.
2726
01:58:25,705 --> 01:58:26,773
IT'S HARD WORK.
2727
01:58:26,773 --> 01:58:28,875
IT'S EARLY HOURS.
2728
01:58:28,875 --> 01:58:31,344
WE DON'T SEE THE SUN FOR THREE
2729
01:58:31,344 --> 01:58:33,146
MONTHS.
2730
01:58:33,146 --> 01:58:34,447
WE SHOOT ON A SOUNDSTAGE.
2731
01:58:34,447 --> 01:58:36,082
IT'S REALLY COOL.
2732
01:58:36,082 --> 01:58:37,483
I'VE NEVER ACTED BEFORE.
2733
01:58:37,483 --> 01:58:39,185
I LOVE ALL THESE PEOPLE SO MUCH.
2734
01:58:39,185 --> 01:58:46,159
I LOVE MY FAMILY!
2735
01:58:46,159 --> 01:58:48,995
I WANT TO THANK FX!
2736
01:58:48,995 --> 01:58:50,730
FX IS TIGHT.
2737
01:58:50,730 --> 01:58:51,464
>> THANK YOU SO MUCH.
2738
01:58:51,464 --> 01:58:55,735
I WANT TO GIVE A SPECIAL
2739
01:58:55,735 --> 01:58:57,336
SHOUTOUT TO JOHN SOLEBERG.
2740
01:58:57,336 --> 01:58:58,404
>> LET'S GO!
2741
01:58:58,404 --> 01:58:59,739
>> THANK YOU.
2742
01:58:59,739 --> 01:59:01,074
>> RED SOX FOREVER!
2743
01:59:01,074 --> 01:59:03,176
[ APPLAUSE ]
2744
01:59:03,176 --> 01:59:08,214
♪
2745
01:59:08,214 --> 01:59:25,631
♪
2746
01:59:25,631 --> 01:59:28,401
>> WHAT'S MORE DESIRED, AN EMMY
2747
01:59:28,401 --> 01:59:30,002
OR THIS THRONE?
2748
01:59:30,002 --> 01:59:32,038
IT MIGHT BE A TIE.
2749
01:59:32,038 --> 01:59:34,674
AND I MIGHT TAKE THE THRONE.
2750
01:59:34,674 --> 01:59:39,946
[ "GAME OF THRONES" THEME ]
2751
01:59:39,946 --> 01:59:42,215
GAME OF THRONES ENDED UP WITH AN
2752
01:59:42,215 --> 01:59:46,652
AMAZING 159 NOMINATIONS AND 59
2753
01:59:46,652 --> 01:59:48,054
WINS.
2754
01:59:48,054 --> 01:59:49,722
AND NOW, PLEASE WELCOME THE
2755
01:59:49,722 --> 01:59:51,224
ACTOR WHO WON FOUR OF THOSE
2756
01:59:51,224 --> 01:59:54,227
EMMYS, PETER DINKLAGE.
2757
01:59:54,227 --> 02:00:11,711
[ CHEERS AND APPLAUSE ]
2758
02:00:11,711 --> 02:00:15,948
>> THANK YOU.
2759
02:00:15,948 --> 02:00:20,653
HELLO, YOU ROOM FULL OF HOTTIES.
2760
02:00:20,653 --> 02:00:22,121
WOW.
2761
02:00:22,121 --> 02:00:24,190
IT'S BEEN A SECOND.
2762
02:00:24,190 --> 02:00:25,892
HAPPY BIRTHDAY, DR. KING.
2763
02:00:25,892 --> 02:00:31,130
[ APPLAUSE ]
2764
02:00:31,130 --> 02:00:32,165
>> AND NOW I'M GOING TO READ
2765
02:00:32,165 --> 02:00:33,332
THIS.
2766
02:00:33,966 --> 02:00:35,568
THERE'S NOTHING MORE POWERFUL
2767
02:00:35,568 --> 02:00:37,470
THAN A GOOD STORY.
2768
02:00:37,470 --> 02:00:39,172
NOTHING CAN STOP IT.
2769
02:00:39,172 --> 02:00:41,574
NO ENEMY CAN DEFEAT IT.
2770
02:00:41,574 --> 02:00:43,409
AND WHO HAS TOLD STORIES BETTER
2771
02:00:43,409 --> 02:00:45,611
THAN THESE EIGHT NOMINEES FOR
2772
02:00:45,611 --> 02:00:48,014
OUTSTANDING DRAMA SERIES?
2773
02:00:49,215 --> 02:00:51,250
>> Announcer: "ANDOR."
2774
02:00:51,250 --> 02:00:52,752
>> I'D RATHER DIE TRYING TO TAKE
2775
02:00:52,752 --> 02:00:55,988
THEM DOWN.
2776
02:00:55,988 --> 02:00:57,290
>> Announcer: "BETTER CALL
2777
02:00:57,290 --> 02:00:58,458
SAUL."
2778
02:00:58,458 --> 02:01:00,960
>> BETTER CALL SAUL, RIGHT?
2779
02:01:00,960 --> 02:01:04,464
McGILL.
2780
02:01:04,464 --> 02:01:06,799
>> Reporter: "THE CROWN".
2781
02:01:11,771 --> 02:01:12,538
>> Announcer: "HOUSE OF THE
2782
02:01:12,538 --> 02:01:13,740
DRAGON."
2783
02:01:13,740 --> 02:01:17,810
>> THE IRON THRONE.
2784
02:01:17,810 --> 02:01:20,179
>> Announcer: "THE LAST OF US."
2785
02:01:20,179 --> 02:01:21,481
>> SO TIME HEALS ALL WOUNDS, I
2786
02:01:21,481 --> 02:01:22,448
GUESS.
2787
02:01:26,052 --> 02:01:28,020
>> Announcer: "SUCCESSION."
2788
02:01:28,020 --> 02:01:30,056
[ APPLAUSE ]
2789
02:01:31,190 --> 02:01:33,059
>> I'M THE ELDEST BOY!
2790
02:01:34,727 --> 02:01:36,929
>> Announcer: "THE WHITE LOTUS."
2791
02:01:36,929 --> 02:01:41,567
>> WHEN I STAY AT WHITE LOTUS.
2792
02:01:41,567 --> 02:01:47,840
>> Announcer: "YELLOWJACKETS."
2793
02:01:51,711 --> 02:01:55,581
>> AND THE EMMY GOES TO
2794
02:01:55,581 --> 02:01:56,983
"SUCCESSION."
2795
02:01:56,983 --> 02:02:03,756
♪
2796
02:02:03,756 --> 02:02:04,891
>> Announcer: "SUCCESSION"
2797
02:02:04,891 --> 02:02:06,125
RECEIVED 27 NOMINATIONS THIS
2798
02:02:06,125 --> 02:02:09,529
YEAR AND A TOTAL OVERALL OF 75.
2799
02:02:09,529 --> 02:02:12,165
THE SHOW HOLDS THIS YEAR'S TOP
2800
02:02:12,165 --> 02:02:14,167
SPOT WITH THE MOST EMMY
2801
02:02:14,167 --> 02:02:14,767
NOMINATIONS.
2802
02:02:14,767 --> 02:02:16,602
ACCEPTING THE EMMY ON BEHALF OF
2803
02:02:16,602 --> 02:02:19,272
THE TEAM IS JESSE ARMSTRONG.
2804
02:02:19,272 --> 02:02:19,972
"SUCCESSION" HAS WON SIX EMMYS
2805
02:02:19,972 --> 02:02:34,887
TONIGHT.
2806
02:02:34,887 --> 02:02:37,256
>> THANK YOU VERY MUCH INDEED.
2807
02:02:37,256 --> 02:02:39,625
WE WANT TO THANK HBO.
2808
02:02:39,625 --> 02:02:41,060
THIS WASN'T NECESSARILY AN EASY
2809
02:02:41,060 --> 02:02:42,495
SHOW TO COMMISSION RIGHT AT THE
2810
02:02:42,495 --> 02:02:43,629
VERY BEGINNING.
2811
02:02:43,629 --> 02:02:48,568
THANK YOU TO KATIE AND FRANCESCA
2812
02:02:48,568 --> 02:02:52,338
AND NORA SKINNER AND RICHARD.
2813
02:02:52,338 --> 02:02:54,941
WE WANT TO SAY HELLO TO JEREMY
2814
02:02:54,941 --> 02:03:00,313
STRONG, WHO'S MAKING A MOVIE AND
2815
02:03:00,313 --> 02:03:00,980
L
2816
02:03:00,980 --> 02:03:02,815
LUCY WHO'S MADE A BABY.
2817
02:03:02,815 --> 02:03:04,450
WE SEND OUR LOVE TO BOTH OF
2818
02:03:04,450 --> 02:03:04,784
THEM.
2819
02:03:04,784 --> 02:03:06,652
I JUST WANT TO SAY THANK YOU TO
2820
02:03:06,652 --> 02:03:10,156
BRIAN COX, WHO THE SHOW REVOLVED
2821
02:03:10,156 --> 02:03:11,457
AROUND WHETHER HE WAS IN IT OR
2822
02:03:11,457 --> 02:03:11,691
NOT.
2823
02:03:11,691 --> 02:03:15,128
[ APPLAUSE ]
2824
02:03:15,128 --> 02:03:16,796
>> THIS IS A SHOW ABOUT FAMILY,
2825
02:03:16,796 --> 02:03:24,370
BUT IT'S ALSO ABOUT WHEN
2826
02:03:24,370 --> 02:03:25,938
PARTISAN POLITICS AND NEWS
2827
02:03:25,938 --> 02:03:29,208
COVERAGE GETS INTERTWINED WITH
2828
02:03:29,208 --> 02:03:31,044
DIVISIVE RIGHT-WING POLITICS.
2829
02:03:31,044 --> 02:03:34,180
AFTER FOUR SEASONS OF SATIRE,
2830
02:03:34,180 --> 02:03:35,348
THAT'S A PROBLEM I UNDERSTAND WE
2831
02:03:35,348 --> 02:03:36,816
HAVE NOW FIXED.
2832
02:03:36,816 --> 02:03:38,184
WE ARE SO HONORED.
2833
02:03:38,184 --> 02:03:41,621
WE'VE LOVED MAKING THE SHOW.
2834
02:03:41,621 --> 02:03:42,288
THANK YOU VERY MUCH INDEED.
2835
02:03:43,122 --> 02:04:01,174
[ APPLAUSE ]
2836
02:04:01,174 --> 02:04:02,742
>> IN ADDITION TO CELEBRATING
2837
02:04:02,742 --> 02:04:04,544
THE VERY BEST OF THE PAST YEAR,
2838
02:04:04,544 --> 02:04:06,212
THIS IS ALSO A DAY TO HONOR
2839
02:04:06,212 --> 02:04:08,781
DR. MARTIN LUTHER KING JR.
2840
02:04:08,781 --> 02:04:12,852
[ APPLAUSE ]
2841
02:04:12,852 --> 02:04:14,120
BY BRINGING YOU
A MOMENT FROM HIS
2842
02:04:14,120 --> 02:04:15,421
MOST FAMOUS SPEECH, VOTED BY THE
2843
02:04:15,421 --> 02:04:16,489
TELEVISION ACADEMY ONE OF THE
2844
02:04:16,489 --> 02:04:17,090
MOST IMPACTFUL MOMENTS IN
2845
02:04:17,090 --> 02:04:22,195
TELEVISION HISTORY.
2846
02:04:22,195 --> 02:04:23,396
CONGRATULATIONS TO ALL OF THE
2847
02:04:23,396 --> 02:04:24,997
WINNERS AND NOMINEES.
2848
02:04:24,997 --> 02:04:26,099
GOOD NIGHT.
2849
02:04:26,099 --> 02:04:31,738
[ APPLAUSE ]
2850
02:04:31,738 --> 02:04:36,376
>> WHEN WE ALLOW FREEDOM RING,
2851
02:04:36,376 --> 02:04:38,945
WHEN WE LET IT RING FROM EVERY
2852
02:04:38,945 --> 02:04:41,981
HAMLET AND EVERY STATE AND EVERY
2853
02:04:41,981 --> 02:04:44,350
CITY, WE WILL BE ABLE TO SPEED
2854
02:04:44,350 --> 02:04:47,620
UP THAT DAY WHEN ALL OF GOD'S
2855
02:04:47,620 --> 02:04:49,055
CHILDREN, DARK MEN AND WHITE
2856
02:04:49,055 --> 02:04:53,659
MEN, JEWS AND GENTILES,
2857
02:04:53,659 --> 02:04:55,495
PROTESTANTS AND CATHOLICS WILL
2858
02:04:55,495 --> 02:04:58,765
BE ABLE TO JOIN HANDS AND SING
2859
02:04:58,765 --> 02:05:01,467
"FREE AT LAST, FREE AT LAST,
2860
02:05:01,467 --> 02:05:02,902
THANK GOT ALMIGHTY, WE ARE FREE
2861
02:05:02,902 --> 02:05:04,737
AT LAST."
2862
02:05:04,737 --> 02:05:10,309
[ APPLAUSE ]
178530
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