Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 00:00:05:.. Two tributaries of humanity,|but here, this pump, 00:00:09:the signifier of that which unites|all. All men made in one image. 00:00:14:So I declare unto you|that God is light, 00:00:17:and in Him is no darkness at all. 00:00:20:GROANING 00:00:22:If we say that we have|fellowship with Him 00:00:26:and walk in darkness, we lie,|and we do not tell the truth. 00:00:29:That if we walk in the light,|as He is in the light, 00:00:34:then we have fellowship,|one with another. 00:00:38:MAN RETCHES 00:00:45:HE GROANS 00:00:47:Advertise your product or brand here|contact www.OpenSubtitles.org today 00:00:56:Off him, you jackals and vermin! 00:01:12:Help me, my guts. 00:01:27:Stay away from the water.|It is the King returned. 00:01:33:King Cholera. 00:02:31:I have sandwiches too. 00:02:38:You are kind to me, Mrs Reid. 00:02:40:I would take greater|care of you, Kathleen, 00:02:43:if you'd name the man who would|work you and then punish you so. 00:02:51:Kathleen? 00:02:53:No, Mrs Reid. 00:02:55:If you were you my friend,|you wouldn't ask me this thing. 00:03:16:You might at the least have|prepared a picnic, Reid. 00:03:19:Some German wine, perhaps. 00:03:21:I do not come here|to seduce, Inspector Ressler. 00:03:24:Well, then why, Reid? Hobbs! 00:03:31:Six, sir! 00:03:35:Elizabeth Jackson.|You lay claim to her, do you not? 00:03:39:Her dissected remains made|landfall here. Blackfriars. 00:03:42:On Corporation land.|A case for the City Police. 00:03:46:That makes her my case,|not yours. You question this? 00:03:51:That parts of her washed up here?|No. Her provenance, however... 00:03:54:Provenance, Reid? Where she came|from. Where she was butchered. 00:03:57:Whether she is|a Ripper victim at all. 00:04:00:The lad shouted "six". 00:04:02:Yes, I heard. Six is the number I|had painted on a sack of pig-flesh. 00:04:06:It weighs the same as that|package that washed up here. 00:04:09:I have had numerous such packages|dropped into the river 00:04:12:at various intervals on both banks. 00:04:15:Number six began its|journey in Battersea. 00:04:19:So this sack of pork has made|its way five miles east of there? 00:04:22:This river has strong|currents, Mr Ressler. 00:04:25:An eastward flow from the source,|westward with the rise of the sea. 00:04:28:The tide and time are apiece with|the day of Miss Jackson's discovery. 00:04:32:As this sack went into the river|in Battersea, then so did she. 00:04:35:But the Ripper cuts his swathe|here. The City and the East. 00:04:38:This woman is not such! 00:04:40:No! No, she must be. 00:04:42:This girl was diced,|separated and put into the river 00:04:46:in order to obscure her murder. 00:04:50:The Ripper would have us sit up and|pay heed, have men, men like you, 00:04:53:Inspector, clamour to add your names to the|tally of those who have wandered after him. 00:04:59:Inspector Reid!|Whitechapel calls you back, Reid. 00:05:02:Inspector Reid!|Forget your dismay, inspector. 00:05:05:Have it from me and remember it well. 00:05:08:You want no part of this parade. 00:05:10:Inspector Reid,|you must come immediately. 00:05:35:Morning to you.|And to yourself. 00:05:38:You are alone here? 00:05:41:The world hides in fright|when there's rumour of cholera. 00:05:46:But not yourself. No, sir. I make|my home where men's fear lies. 00:05:51:I fight it for them. 00:05:53:Then you are welcome here. 00:06:10:The dead man is here?|He is, sir. 00:06:12:Mr Jackson and Mr Drake|delivered him to us. 00:06:18:You question whether his|death is a matter for us? 00:06:20:It is a medical issue, is it not? If any|more are dead, it'll be one of public order. 00:06:24:Then should the water|pumps be broken? 00:06:26:Not until we confirm cholera. 00:06:28:Its water keeps most of|this populace above ground. 00:06:32:We close the pumps, they'll be|drinking from the river in a day. 00:06:35:And the dead will line the streets. 00:06:44:He's rigid. A spasm|at the point of death. 00:06:47:The jaw is locked, but... 00:06:52:The gums are discoloured. 00:06:56:The tongue's engorged. 00:06:58:All the signs. 00:07:01:You have word out enquiring|after other choleroids? 00:07:04:I do, sir. And nothing. 00:07:10:Fouled his fine suit too. 00:07:13:I was not here in '76, the last time the|King cut his way through these streets. 00:07:20:Sudan, sir. I missed|that particular party. 00:07:23:'75. I was in New Orleans|when he came. 00:07:28:Each town, each settlement.|Men, women and child rotting. 00:07:33:Food for flies. 00:07:37:We must expect more, then? 00:07:39:I'll get him open. Get you sure. 00:07:43:He had no other effects on him? 00:07:45:He was scavenged|before they saw what he was. 00:07:50:This is a financial paper.|He's a City man. 00:07:53:This may not be our problem. 00:07:55:Indeed. But a news vendor has|written here. An address, perhaps? 00:07:58:We should cross to Corporation|land, find his home, 00:08:01:see if others there suffer or no. 00:08:04:Reid, this is a whale, not a man.|I'm going to need a hand in here. 00:08:09:They say no infection|may pass through it. 00:08:11:Hobbs, the dead room requires an assistant.|Go to Captain Jackson, see what he wants. 00:08:16:You'll enjoy that, Hobbs. 00:08:17:Yes, sir. 00:08:20:Sergeant Artherton, I want all other men out|where people can see them, not hiding in here. 00:08:27:And any man found wearing a mask,|I shall personally see them 00:08:31:exposed to one of|Mr Lister's bacteria. 00:08:33:We'll not alarm these|people by our absence. 00:08:38:Kathleen, please, this man who|sells you, sells you and beats you, 00:08:44:you protect him and he will|send you back here. 00:08:46:You and twenty others like you. 00:08:48:Perhaps he will, Mrs Reid. 00:08:50:But a woman has to work to find|food and lodging in this city. 00:08:53:I work to find you that lodging. 00:08:55:And will there be any that does not|insist upon churching me every Sunday? 00:08:59:Upon my knees, listing|the sins I got on my back? 00:09:04:RETCHING 00:09:06:Help me! Nurse! 00:09:12:He's a big man, Hobbs. 00:09:14:When I cut, he's liable to fall away|some, you're going to help me. 00:09:17:Sir? See, the tissue|must be drawn back... 00:09:24:.. to reveal the breastbone.|Now, I need you to hold it. 00:09:28:Now pull. 00:09:30:Just peel the flesh back|gently, evenly, while I cut. 00:09:35:The breastbone is held|in place by cartilage. 00:09:40:We need to cut the lower jaw here. 00:09:43:The breastbone comes... off. 00:09:49:Pull the tongue and the trachea. 00:09:53:And now to access where|this man's killer lives. 00:09:56:And where's that, sir?|The bowel, Hobbs. 00:10:02:The bowel. 00:10:09:We step out of our jurisdiction|now, Sergeant. Tread carefully. 00:10:13:DOGS BARK 00:10:15:Ma'am. 00:10:18:Money never begat courtesy, Bennet. 00:10:20:No, sir. 00:10:24:Excuse me. Could you tell me|where this is delivered to? 00:10:40:Delivered each morning. 00:10:42:Our presence here marked.|City Police, sir. 00:10:45:Let them mark it. 00:10:48:It's a German named Koch|that saw them first. 00:10:54:Grew them too. 00:10:55:Cholera bacillus in a jar. 00:10:59:Saw how it loved|dirt and dank earth, 00:11:03:how it lived to breed|and spread in river basins. 00:11:08:And how if your glass|was strong enough... 00:11:12:.. you could actually|see it in a man's gut. 00:11:15:And do you see it, sir? 00:11:19:No. No, Hobbs. I do not. 00:11:22:Captain Jackson. Word comes|from the dispensary, sir. 00:11:27:More dead? Not yet, sir.|But many sick. 00:11:32:If it's not cholera,|then what? Find Reid, Hobbs. 00:11:42:Number 26, sir. We'll take a look. 00:11:46:You're Metropolitan Police|and beyond your jurisdiction. 00:11:50:I suffer no obligation to you. 00:11:53:You will give us access. 00:11:55:Or I shall take you where|we shall find you your obligation. 00:12:02:My thanks to you. 00:12:08:Sir? 00:12:14:Is she dead? 00:12:19:No. Opium, Sergeant.|Have a look around. 00:12:46:Wake up, wake up. 00:12:47:What? 00:12:52:Ow, who are you? 00:12:54:The police, wench, is who we are. 00:12:57:Whose lurk is this? Mine. 00:13:00:The truth, toffer. 00:13:03:Mine in name. His in spending. His? 00:13:05:Big man. Small eyes.|Pink like a pig. 00:13:08:S'right. How's your health? 00:13:10:Well, my arm hurts, but|apart from that... Cramps, vomiting? 00:13:14:No! Why? What's his name,|the man that installs you here? 00:13:18:Winston. Algernon Winston.|He was with you last night? 00:13:22:He was. Raging all night|about his head and his belly. 00:13:25:Place of work? I dunno.|I swear it. Why would he tell me? 00:13:29:I don't care to ask which|Jew fills his pockets. 00:13:32:Then it's a bank? Course it's|a bleeding bank! In the street? 00:13:35:You ever walk him back there|after a night on your back? 00:13:38:New Inn. Huge black door. 00:13:46:So where is he, then? 00:13:47:He's cold clay, woman.|As gone as your girlhood. 00:13:51:Best find another fine|suit to climb inside. 00:14:00:Off your patch twice in a day, Reid? 00:14:02:Put in for transfer? 00:14:04:We'd need grander manners|and blacker boots for that. 00:14:07:Aye, and a poker up our arseholes.|What is it your pit-dog says? 00:14:10:You enquire after my presence here,|here's the reason for it. 00:14:13:I've a resident of your|square mile on my slab, 00:14:16:grey and stinking and every mark on him|telling me cholera. Keep your voice down, man. 00:14:20:And keep your men|off my manor. Hobbs? 00:14:23:A message for you, sir. You're|needed at the Eastern dispensary. 00:14:27:What, Constable? Are there more? 00:14:31:Don't think this forgotten. 00:14:45:Fetch a nurse.|Fetch her quick. 00:14:48:RETCHING 00:14:54:BABY WAILS 00:14:56:Emily? 00:14:59:Edmund? Are you sick?|No, I am well. 00:15:01:Then why are you here? 00:15:03:I was visiting.|One of your women? 00:15:10:Reid! 00:15:12:Mrs Reid. Captain. 00:15:15:It spreads. 00:15:16:Indeed. Is it what we fear?|Well, that depends on what you fear. 00:15:19:The fat man, his insides|have a story to tell. 00:15:23:But that story ain't cholera. 00:15:26:What else could afflict so many? 00:15:29:I don't know. 00:15:33:Then what...? 00:15:38:What the hell is he doing here? 00:15:41:Ressler, you have an insight|into what is happening here. 00:15:44:Now is your moment to tell me.|Why do you follow us? 00:15:48:I have others. 00:15:49:Dead in such a way? How many? 00:15:51:Four in two days. Four!|And you have kept this silent? 00:15:55:A panic in the City! We close for business,|New York makes a million in our place. 00:15:59:And now the dead of|Whitechapel flush you out. 00:16:04:We have a contamination.|But of what? From where? 00:16:06:Ah, this hell! Hell rises up! 00:16:09:They rave. 00:16:11:Reid, one of mine. A waiter. 00:16:14:The word was, he fled from|the eating house he served, 00:16:16:stripped in the street and gave|himself to God's protection. 00:16:20:You have heard of ergotism? 00:16:24:I'm with you. Ergotism? 00:16:26:It is a fungal infection|on the rye grain. 00:16:29:It's milled into the food chain. 00:16:30:Sustained exposure can lead|to ravings and visions. 00:16:36:Sssh, I need you|to tell me how you feel. 00:16:39:I burn, sir! My feet|and my fingers are aflame! 00:16:42:Burning sensation|in the extremities. 00:16:45:Medievals knew it as|St Anthony's Fire. 00:16:47:Reid, ergotism. The man on my slab, 00:16:49:it doesn't account for|the manner of his passing, 00:16:51:the gastric collapse|that preceded it. 00:16:53:And yours the same? 00:16:56:Puked and shat themself to death? 00:16:58:Yes. 00:16:59:Well, we have a start, Captain. 00:17:01:There is a test for ergotism, is|there not? Ehlrich's reagent. 00:17:04:Ressler, you will bring your dead to|my laboratory. Reid, I cannot simply... 00:17:08:You can, you will! 00:17:09:Captain Jackson will make comparison.|We'll work on finding a bacteria 00:17:13:that unites these deaths. Tell us|what we fight against. Very well. 00:17:16:Sergeant Drake, you and I|have interviews to conduct. 00:17:19:We should learn from these, how they|may have ingested this infection. 00:17:24:Reid, I need you to bring me one. 00:17:26:A body near death. I need|to study how it take 'em. 00:17:31:Go with him. 00:17:35:What is this that|strikes here, Edmund? 00:17:37:I hope to find out. Go home, Emily. 00:17:39:I have appointments in town with possible|sponsors... And I would have you safe 00:17:43:and crossed off the roll|of those I fear for. 00:17:45:Please, Emily, go home!|You forget how my every day is, 00:17:49:how I have feared for you, 00:17:51:and how those fears|have been proved accurate? 00:17:54:I would do more with my life|than sit by the fire 00:17:57:in grief and anxiety. 00:18:00:You dedicate your life to your|service and at some sacrifice. 00:18:04:All I ask is that you|allow me the same. 00:18:10:Boil your water, Emily. Eat nothing|that has not been sealed. 00:18:18:With me, Sergeant. 00:18:35:Food? 00:18:37:Jedzenie? Pic? 00:18:40:Nothing? How long? 00:18:45:Three, three days? 00:18:50:I am sorry. 00:18:59:RETCHING 00:19:03:This contamination. We have|Winston. Ressler has his dead. 00:19:08:All this, it is the same|affliction, but none yet die. 00:19:13:And what should|we learn from this, sir? 00:19:16:I know not. Not yet. 00:19:20:Sergeant Drake, have a Maria|brought to the porter's exit. 00:19:24:Sir? 00:19:25:I think we have|the Captain's case study. 00:19:31:What's your name? George. 00:19:33:George. George, I have|a mind to take you from here. 00:19:36:To where? To peace.|Four walls, a bed. 00:19:40:The devils that chase you|will not find you there. 00:20:49:It tests positive for ergotism. 00:20:57:But that cannot be all. 00:21:07:My husband. 00:21:10:Dead some ten years now. 00:21:19:I had not been told|you were also bereaved. 00:21:23:Yes. 00:21:26:A daughter. 00:21:28:I see. 00:21:31:Hmm, you lose a girl, 00:21:32:and come to me seeking|the funds to house a hundred. 00:21:42:He seems strong. He will fight. 00:21:44:In which case, he is ideal. 00:21:51:Any change in this man's temper,|you call Captain Jackson. 00:21:54:Inspector Reid! 00:22:03:I... 00:22:05:.. bring out my dead. 00:22:09:In our shelter, women would|find care and compassion. 00:22:13:And we would make|them safe, Mrs Gable. 00:22:15:And improve them also? 00:22:18:If they seek to improve|themselves, we will help them. 00:22:21:Through prayer and their|promise of chastity? 00:22:25:Through whatever means|they choose for themselves. 00:22:29:No mention of their sin?|On God's place in their redemption? 00:22:35:Ma'am, I fear such emphasis|will only turn them away in the fear 00:22:40:that judgement and|punishment await them. 00:22:44:Mrs Reid... 00:22:49:My husband was held as a good man. 00:22:53:A good husband to myself. 00:22:55:And how, our family|made a point of saying, 00:22:58:how unlucky we were not|to be blessed with children. 00:23:03:The imputation being how unlucky|he was to find himself burdened 00:23:07:with so barren a wife. 00:23:10:Mrs Gable, I'm... I am deeply|sorry for your trouble, but... 00:23:13:Do you not wonder at|the reason for this curse, hmm? 00:23:18:At my husband and his prowling|through your Whitechapel laneways. 00:23:23:At the dripping pinchcocks|with whom he lay 00:23:26:and whose foulness he came|home to put inside his wife. 00:23:32:That man, this, this Ripper. 00:23:35:I celebrated his judgement|and his punishment. 00:23:39:Please, Ma'am, I am not well. 00:23:41:And I have no pity for you. 00:23:43:I considered your proposal|perhaps worthy of endowment. 00:23:46:That indeed an institution where|these women may come to see 00:23:49:the sin and error of their|ways might prove a corrective 00:23:53:to their number on the streets. But|instead you come here to insult me 00:23:56:with your talk of compassion.|For whores, Mrs Reid. For whores! 00:24:00:I must... 00:24:12:Are you all right, missus?|Are you all right? 00:24:19:We have ergot.|That can't be all. 00:24:21:You think a cocktail? 00:24:23:Then this is not contamination|by misadventure. It is poison. 00:24:26:Deliberately constructed.|It does not act immediately. 00:24:29:There are those afflicted who have not|eaten for days. It acts by accumulation. 00:24:33:Seduction. The body absorbs it|in increments, becomes weakened. 00:24:38:Can't fight and then death follows. 00:24:40:Your men continue their survey|of all afflicted? They do. 00:24:43:First results are inconclusive.|There's a lot of gin. 00:24:46:And more than half are|on the skillet. Skillet? 00:24:50:Water and flour, in a stir. 00:24:53:And what is made with it?|It is drunk, Mr Ressler, 00:24:55:by those who cannot find nutrition|elsewhere. Violence and persecution 00:24:58:have driven them a thousand|miles from their home. 00:25:01:They choose these streets for safety and|shelter, find murder and mayhem in their stead. 00:25:05:And now they cannot eat,|for fear that may kill them also. 00:25:08:Get these dead open. Find out what relationship|the contents of their insides bear with each other. 00:25:13:There are many still live. 00:25:15:If you decipher this poison,|they may remain so. 00:25:27:CHILD LAUGHS IN THE DISTANCE 00:25:39:LAUGHTER CONTINUES 00:25:58:LOUDER LAUGHTER 00:26:14:Bennet! Bennet, will you,|will you do me a service? 00:26:18:Name it, sir. Mrs Reid. I|may not leave here at this time 00:26:22:but I would know she was... well. 00:26:24:It will be my pleasure, sir. 00:26:27:Drake. Take a turn past|Tenter Street, as well, will you? 00:26:35:God! 00:26:39:GROANING 00:26:40:God help me! 00:26:46:So you boil all water. You eat|nothing that cannot be heated first. 00:26:50:And nothing preserved or canned 00:26:52:that has not been made|so in the last six months. 00:26:54:Thank you. 00:27:00:And should you see Miss Rose...|I'll keep her safe, Sergeant. 00:27:05:Don't worry. 00:27:13:Mrs Reid? 00:27:30:Mrs Reid? 00:27:35:Mrs Reid? 00:27:40:Mrs Reid, it's only me.|It's Sergeant Drake. 00:27:46:Mrs Reid? 00:27:49:Mrs Reid? 00:28:00:You'll be all right. 00:28:19:His temperature soars.|His pulse too. 00:28:22:Sir. Your name? 00:28:24:The name's Jackson. 00:28:26:And I am George. 00:28:28:It's good to know you, George. 00:28:31:No, sir. It is not.|For I am a bad man. 00:28:35:George, there are none|of us that are good. 00:28:38:Now, listen to me. I need you|to tell me what you feel. 00:28:43:My guts, sir. They churn|like they're full of nails. 00:28:46:What else? Do you burn? 00:28:50:Do you see things? 00:28:53:Yes, sir. Demons, that rise in me. 00:28:58:I would speak of my sins. 00:29:01:All men sin. 00:29:05:But none so bad as I. 00:29:07:Reid, is that preacher|still lurking by your door? 00:29:11:They talk of the Ripper|as if he was the first 00:29:14:to bring violence to a woman. 00:29:16:But I know that feeling, sir. 00:29:20:How they bend to a fist|driven hard into their kidneys. 00:29:23:The fear in their eyes to see|a knife at their throat. 00:29:31:My God, am I forsaken? 00:29:37:I'd wager so, brother. I'd wager so. 00:29:42:Name's George, Preacher. 00:29:46:George, my son. 00:29:48:Joy shall be in heaven over|one sinner who have repenteth, 00:29:54:more than nine and ninety just|persons who need no repentance. 00:30:00:GEORGE SPLUTTERS 00:30:08:Was anything learnt here? 00:30:10:I don't know. Get him to the lab. 00:30:14:His eyes, they were conjunctival.|And what of it? 00:30:17:The other substance you look for could be|some kind of heavy metal compound. Arsenic? 00:30:21:Perhaps. But how, how is it packaged|and delivered to these men? 00:30:29:There's alum husks here.|Lodged. Resisting digestion. 00:30:34:Alum? From unprocessed flour? 00:30:36:Skillet, most likely.|A pie, perhaps. 00:30:38:And in these first men? 00:30:44:Bread. Much processed. 00:30:47:Processed? Ground to the extreme. 00:30:49:All nutritional value|removed from it. White bread. 00:30:52:But still flour. Yes. 00:30:54:So this cocktail that our poisoner|constructs is made, ground, 00:30:57:powdered and then milled into flour. 00:31:00:My God. 00:31:02:Skillet, pies, pastries, cakes. 00:31:05:It is in everything. 00:31:06:Run your tests, Captain,|find what it is we face. 00:31:11:Fetch the Inspector.|Tell him Mrs Reid is sick. 00:31:14:Get the inspector's bed out. 00:31:17:Help me with her head.|That's it, that's it. 00:31:22:How bad is it, Bennet?|She'll be fine. 00:31:27:She's a strong woman, sir.|Please, bring towels and water. 00:31:35:Emily, we have you safe. 00:31:38:We have you safe. 00:31:40:And we apply ourselves to what|will take this sickness from you. 00:31:50:The Marsh Test, gentlemen. 00:31:53:That shelf, if you please, Sergeant. 00:31:56:The brown bottle,|sodium hypochlorite. 00:31:59:And pour me a glass, will you? 00:32:05:If this residue dissolves,|it is arsenic. 00:32:08:And if it does not?|Then there is but one other. 00:32:11:Reid, should you not be with her?|I am no use to her there. 00:32:16:Well? 00:32:24:It is antimony. A fatal toxin. 00:32:27:In amalgam with ergot. 00:32:30:Such a death. 00:32:32:This man, he is an evil one. 00:32:35:Then we must find him,|sir, and stop him. 00:32:38:Easy to say, Sergeant. 00:32:39:He may do his work at bakery,|at mill, at wholesale. 00:32:43:He may be in Dundee|for all we know. No. 00:32:45:He will be hid in these|streets somewhere. 00:32:47:Watching. 00:32:49:I know this type of man. 00:32:52:He wants his work seen. 00:33:15:MEN SHOUT OVER MACHINERY NOISE 00:33:40:Our pimp here gives|up his life yesterday 00:33:43:and we must assume|others also. Yet these... 00:33:50:.. dead some 36 hours or more. 00:33:53:A breather between them and this. 00:33:55:Two waves of attack.|The first, small. Five men. 00:33:58:The second wider, we know not|how many, indecipherable. 00:34:01:Yet these, these first we may study. 00:34:04:They must show us the way|to our poisoner. Mr Ressler, 00:34:06:you must have thought on the details of|these men, commonalities that might bind them? 00:34:10:I have, of course. But nothing.|No. We do not allow nothing! 00:34:14:There must be a connection!|Reid, iodine in the cabinet. 00:34:18:What are they doing now?|If you don't know and I don't, 00:34:21:sir, it's often best not to ask.|First to last, if you please. 00:34:26:First to die, Mr Ressler. 00:34:27:Yes, erm, of course, um... 00:34:31:First. Name? 00:34:33:Er, Dursley. 00:34:41:If I may? 00:34:45:Hackett. 00:34:49:Blackstone. 00:34:55:Grubb. 00:34:59:And Winston. 00:35:07:Correlation? They made their|living within Corporation Land. 00:35:10:We are there already, Mr Ressler.|Beyond that, nothing. 00:35:16:Dursley, a surgeon,|practice on King William's Street. 00:35:19:Hackett, a clerk|at Barings, third level. 00:35:22:Blackstone, a busboy|at Sweetings restaurant. 00:35:25:Grubb, an under-manager|at Lloyds of London. 00:35:28:This man, your man, name|of Winston, a broker at Goldman's. 00:35:31:He lived within the square mile. 00:35:33:He, Marylebone,|travelled by carriage. 00:35:37:Hackney, by omnibus. Stepney, also|omnibus, different route, however. 00:35:42:Blackstone, your very own|Whitechapel, 00:35:45:took to his feet each day. 00:35:46:No sign or record they knew one|another from a hole in Bishopsgate. 00:35:50:Then we must look harder. Drake,|do you have your map? Yes, sir. 00:35:54:Dursley, Grubb. Omnibus routes? 00:35:57:Dursley, Bethnal Green Road.|Grubb, Whitechapel Road. 00:36:01:Places of work?|Here and here. 00:36:04:Mr Dursley could have|disembarked here, sir, 00:36:06:cut down Commercial|Street to his work. 00:36:08:All roads lead to Whitechapel.|Indeed and our waiter, Blackstone, 00:36:12:on foot to Sweetings also.|That doesn't wash, Reid. 00:36:15:These two, Winston and Hackett. 00:36:17:He in the square mile itself,|he west of there. 00:36:20:What would bring them here?|What has always brought men here? 00:36:29:Captain, a hand lens. 00:36:37:In his rooms I found a sugar|mixture, a knife, some muslin. 00:36:41:I thought it for his woman, but if|you remember, she was a blonde. 00:36:45:And naturally so. The remaining|hair on the muslin was dark. 00:36:48:He strips himself?|On his chest, yes. 00:36:53:His legs are also stripped so. 00:36:55:You're asking yourself, does|this man like to play a lady? 00:36:59:This man, Hackett, I found|something... irregular in his gut. 00:37:04:What? Semen. 00:37:06:And you thought not to say! 00:37:09:Well, it had no relevance. 00:37:11:Look, whatever raises another|man's flag is no business of mine. 00:37:14:Mr Ressler, whether these two|played backgammon together or no, 00:37:18:it is a current upon|which they both float. 00:37:20:Ready a carriage for|Winston's apartments. 00:37:23:We shall pick it clean for anything|which speaks of these desires. 00:37:26:And we may have our link. 00:37:37:You know what this is.|Can it be stopped? 00:37:43:In a body that's recently|ingested its first dose, 00:37:47:an enema or lavage might|remove it, but beyond that, 00:37:51:Reid, you've seen this for yourself.|It does not kill in one strike. 00:37:54:A strong body might fight it off. 00:37:56:For those of who it has|already taken its grip, 00:38:00:science, medicine,|they only take you so far. 00:38:03:And then they drop you like a stone. 00:38:08:Captain, I only ask you this.|Will you keep watch over Mrs Reid? 00:38:14:Consider it done. 00:38:21:Reid, your wife. 00:38:26:You have what men have always had. 00:38:28:What is that, Captain? 00:38:30:Hope. 00:38:46:Mr Reid, sir? 00:38:49:Word comes from the dispensary.|And the London as well. 00:38:54:They start to die. 00:39:01:God of all creation, send forth|your power to heal these afflicted. 00:39:07:You cleansed the lepers,|gave sight to the blind 00:39:11:and by simple command empowered|the crippled to rise up and walk. 00:40:34:I know this bawdy house. 00:40:36:Mr Reid. 00:40:40:FALSETTO VOICE SINGS 00:40:49:APPLAUSE AND CHEERING 00:40:51:Police! Everybody, stay calm. 00:40:54:Sit, sit, sit, sit! 00:40:55:Everybody stay where|they are and stay calm. 00:40:57:This is no raid.|This is no raid! Sit down! 00:41:00:Get your hands off! 00:41:02:Then calm your men! 00:41:04:Calm yours, madam! 00:41:06:You have my word. All this quarter|know I prosecute no bawdy house. 00:41:10:Even one such as mine?|Even that. 00:41:14:Madam, there are two men I would|seek your help in placing. 00:41:18:Mr Ressler, your likenesses. 00:41:20:Prepare yourself. They might have|looked differently when they lived. 00:41:27:They visited here, yes. 00:41:30:Regular? Lunchtime each day. 00:41:32:And you fed them, madam? 00:41:36:No, sir. This is no chop house. 00:41:42:The Molly House. 00:41:45:The Molly House. 00:41:47:Here. Mr Winston's work at|Barings, Mr Hackett's - Goldman's. 00:41:51:So they find their lunch|on their way back to their desks? 00:41:54:So we presume. I must take an|interest in this section here, 00:41:57:where the routes are joined. Ressler,|the omnibus stations you spoke of? 00:42:01:Dursley here. Grubb here. 00:42:04:And Blackstone, our waiter,|his home and route? 00:42:07:Here to here. 00:42:09:This web of streets,|a convergence where they meet. 00:42:12:We walk these routes,|then? We do. 00:42:15:We must find the place at which|their lives intersected 00:42:18:and hope to learn from it why|they are joined in death also. 00:42:29:Inspector! Look. 00:43:20:'A milling for new|customers, Mrs Gable. 00:43:23:'A special batch. 00:43:25:The bakers of London will all soon|be shouting our name, ma'am. 00:43:29:Hmm. 00:43:31:These can go, Harris.|This way, ma'am. 00:43:37:'As you see, all is|ever as it should be. 00:43:41:Yes, I can see as it ever should be. 00:43:44:It is you that insists on|these inspections, not myself. 00:43:47:It is your mill, Ma'am. 00:43:49:It is ever important to us that you|see what work we perform for you. 00:43:54:Of course. Lead on, Mr Claxton. 00:43:57:Lead on. 00:44:02:Good day, gentlemen. 00:44:05:Same time next week, Mr Claxton? 00:44:07:Of course, Mrs Gable. 00:44:08:You'll be ready, I'm sure. 00:44:12:Ready as ever, Ma'am.|Sergeant, no man leaves. 00:44:16:Inspectors Reid and Ressler, police.|Your names and business here. 00:44:20:Flora Gable. I am proprietor. 00:44:23:Claxton. General manager. 00:44:25:Well, Mrs Gable, Mr Claxton,|a batch of flour you sold went bad. 00:44:28:Bad? Men died. 00:44:30:This sickness? Yes, ma'am. 00:44:34:Mr Claxton, help these men. 00:44:36:Yes, of course.|Please, come with me. 00:44:39:The batches are all logged and|recorded. You have the number? I do. 00:44:59:The number, sir?|Mr Ressler will give it to you. 00:45:01:Thank you, sir. 00:45:08:This your office, Mr Claxton?|It is, sir. Yes, sir. 00:45:16:You install these cabinets yourself?|If memory serves, sir. 00:45:21:Reid, every man likes a good|cabinet, but is this quite the time? 00:45:41:Did you notice the dimensions of this|room from without, when we entered? 00:45:45:It is a rectangle, Mr Ressler. 00:45:52:Now we are inside,|how does it look? 00:45:55:Like a cube, Reid. It does so. 00:46:10:Mr Ressler. 00:46:30:MRS GABLE GASPS|Reid! 00:46:35:I have worked hard,|Mr Reid. And now, look, 00:46:38:it is synthesised as a liquid.|Much faster in its actions. 00:46:43:An increased agony in death, also. 00:46:47:Mrs Gable? Yes. 00:46:49:Those papers on the desk. Yes. 00:46:52:Take them, please. 00:46:55:The steel bin at your feet.|Drop them in there. 00:46:59:Those matches on the desk. 00:47:02:Strike them. 00:47:08:And burn the papers. 00:47:14:The delivery details. 00:47:17:If you please, we shall leave now. 00:47:25:MRS GABLE SCREAMS 00:47:27:Please, don't! 00:47:36:Drake! Sergeant Drake!|Mr Reid, sir! 00:47:38:Stand your man down, Reid!|Drake, he has the poison! Stay back! 00:47:42:Drake, you recall a conversation we had some|while ago on John Stuart Mill and his philosophy? 00:47:46:I do, sir. His principle of|happiness. And do you recall what, 00:47:49:when faced with a choice, he held|the proper course of action to be? 00:47:53:Whatever would lead to|the greater well-being, sir. 00:48:02:Tell me where it is!|Tell me where the rest of it is! 00:48:05:I will tell you nothing,|nothing. Only this. 00:48:08:There is more,|more even than before, 00:48:11:making its glorious way into|this world this very moment. 00:48:16:Reid! Your evil|has poisoned my wife! 00:48:18:We'll get nothing if you kill him. 00:48:22:Not if I kill him immediately, no. 00:48:47:Get him strapped|to a cot in our dead room. 00:48:49:You are going to save|lives, Claxton! No! 00:49:11:Edmund... 00:49:14:Edmund, I see her... 00:49:19:.. our darling. 00:49:22:I see her aflame and in water. 00:49:29:You listen to me.|You listen to me. You stay alive. 00:49:35:Stay alive. You live. 00:49:45:HE GASPS 00:50:09:Curious as to your|interest, Mr Claxton. 00:50:15:That man. The Ripper. 00:50:21:His brutality. 00:50:24:How many? Seven? At most? 00:50:32:And his name, all set to haunt|this city for a thousand years. 00:50:39:I have already tripled his score. 00:50:46:Think how long they'll talk of me. 00:50:56:They will talk of you|to the same extent 00:50:59:they have the length|of your life so far. 00:51:02:Precious little, I should think, 00:51:06:which may go some way to explain|your need to make it otherwise. 00:51:10:Now, it is already abroad 00:51:12:that this was an accident, terrible, 00:51:15:but a contamination,|not a poisoning. 00:51:18:Your employer, Mrs Gable, stands|by to confirm this to all who ask. 00:51:24:You, Mr Claxton, will be quite,|quite forgotten, I promise you. 00:51:32:But not by those whose loved|ones are in our hospitals. 00:51:35:Not by you, eh, Mr Reid? 00:51:39:Not by you. 00:51:41:Nor by your wife. 00:51:43:Steady, sir, steady. 00:51:52:Captain Jackson. 00:51:55:My surgeon. He is American. 00:52:01:Now, which is the more urgent?|The pain of your arm or the ergot 00:52:05:and antimony that sprint,|even now, through your innards? 00:52:16:There's still time|for you, I'd imagine. 00:52:20:Then, please, wash it from me. 00:52:24:Really? 00:52:26:Would you rather not have|me examine this break? 00:52:29:No, no!|HE SCREAMS 00:52:34:A pity for you that we have had|a run on our stores of anaesthetic. 00:52:38:If you tell us where your|last consignment is sent for, 00:52:40:we might find that after all,|we have some spare. 00:52:43:Captain Jackson, how long before|this toxin makes its way 00:52:46:from gut to bloodstream?|I shall never tell you. 00:52:50:My death shall join the great|number I have put in this world. 00:52:56:Again. 00:52:59:HE SCREAMS 00:53:03:Until he tells you. 00:53:04:CLAXTON SOBS 00:53:09:Dearest Father of all mankind... 00:53:11:DISTANT SCREAMING 00:53:40:He has given it to you? 00:53:43:Yes, sir. Everything. 00:53:46:We have the delivery details,|the batch number. 00:53:49:Thank you, Bennet. 00:54:06:Emily. 00:54:10:My own sweet Emily. 00:54:14:If you will only come back to me,|I will, I will tell you. 00:54:20:I will tell you why I am the way|I am and why I cannot mourn her... 00:54:28:.. like you do. 00:54:35:Please. 00:54:37:I will do anything. 00:54:40:SHE MOANS SOFTLY 00:54:42:Emily! Emily! Emily! 00:54:52:Edmund, she was waving to me. 00:54:58:My darling was calling me on. 00:55:23:Mrs Reid. 00:55:29:You may have heard that|the mill is to be sold. 00:55:33:I did. 00:55:43:Your first endowment. 00:55:46:More will follow on the first|day of each and every month. 00:56:00:Without judgement, 00:56:01:without punishment and|without God if need be? 00:56:12:As you would have it, Mrs Reid. 00:56:22:Thank you. I must go. 00:56:30:You are fixed on this plan,|then, despite all that has passed? 00:56:34:I am. 00:56:38:I am and with greater conviction. 00:56:43:Edmund, it was your will|kept me alive those hours. 00:56:47:It is a powerful force. 00:56:51:Please do not set it against me. 00:57:09:Reid, I cannot help but think|the man's further excesses, 00:57:14:his need to move beyond|that initial batch... 00:57:18:Dozens have perished,|your wife almost among them... 00:57:22:Had I not bowed to pressure|to keep those bodies secret, 00:57:25:the public knowledge|of those deaths 00:57:28:might have been enough|to sate his madness. 00:57:31:Word of advice, Ressler.|This work we perform, 00:57:33:it does not serve to look backward. 00:57:38:This city, wickedness will|ever leave its spores here. 00:57:42:You and I, we are not magicians,|we cannot see through walls 00:57:44:or into men's minds. 00:57:46:Dozens perished, but hundreds|who were ill are now well once more. 00:57:53:We fight. 00:57:56:We fight with all|the skills we may muster. 00:57:58:Beyond that, we may do no more. 00:58:13:Can you remember what it was|brought you here? 00:58:16:His blood was shed all upon you. 00:58:19:What did you see? 00:58:21:'Tis my darkness. 00:58:49:www. 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