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1
00:00:07,775 --> 00:00:11,712
- WHY DID YOU KILL
12 CIA OFFICERS IN CHICAGO?
2
00:00:11,779 --> 00:00:13,547
I'M SORRY
IF THIS CAUSED YOU PROBLEMS.
3
00:00:13,614 --> 00:00:15,149
- I KEEP STICKING MY NECK OUT
FOR YOU,
4
00:00:15,216 --> 00:00:16,317
AND ALL YOU DO IS LIE TO ME.
5
00:00:16,384 --> 00:00:17,318
- THAT'S NOT TRUE.
6
00:00:17,385 --> 00:00:18,452
- WHAT ABOUT YOUR HEART
CONDITION
7
00:00:18,519 --> 00:00:20,288
OR WHEREVER THE HELL YOU WERE
FOR FOUR MONTHS?
8
00:00:20,354 --> 00:00:22,022
- GET THESE PEOPLE OUT
OF THE CARS AND MOVE THEM BACK.
9
00:00:22,090 --> 00:00:24,658
- CAITLYN COOK PUT A BOMB ON ONE
OF THE MOTORCADE VEHICLES.
10
00:00:24,725 --> 00:00:27,161
[device beeps]
- YOU'LL NEVER STOP HER!
11
00:00:27,661 --> 00:00:28,796
- ALEC.
12
00:00:28,862 --> 00:00:31,065
- THEY KNOW ABOUT YOUR
RELATIONSHIP WITH CAITLYN.
13
00:00:31,132 --> 00:00:33,134
- SOMEONE AT THE RUSSIAN EMBASSY
KNEW ABOUT BELENKO.
14
00:00:33,201 --> 00:00:35,269
IF WE CAN ACCESS
MASHKOV'S FILES,
15
00:00:35,336 --> 00:00:37,538
WE CAN LINK BELENKO
TO CHICAGO.
16
00:00:37,605 --> 00:00:40,074
WHEN YOU HAVE THE CHANCE,
TAKE THIS PHONE,
17
00:00:40,141 --> 00:00:41,509
PRESS IT AGAINST HIS
FOR 30 SECONDS.
18
00:00:41,575 --> 00:00:42,643
TECHNOLOGY WILL DO THE REST.
19
00:00:42,710 --> 00:00:44,712
- STOP!
20
00:00:44,778 --> 00:00:46,480
YOU RECOGNIZE HER?
- NO.
21
00:00:46,547 --> 00:00:47,815
- TONY, IT'S 5:30
IN THE MORNING.
22
00:00:47,881 --> 00:00:49,417
WHAT ARE YOU DOING?
- I'M A LITTLE BIT DRUNK.
23
00:00:49,483 --> 00:00:51,285
- I'M COMING OVER--
JUST PROMISE ME
24
00:00:51,352 --> 00:00:53,421
YOU'RE NOT GONNA HAVE ANOTHER
DRINK UNTIL I GET THERE, OKAY?
25
00:00:53,487 --> 00:00:55,823
TONY DIED. THEY'RE TELLING ME
HE DRANK HIMSELF TO DEATH.
26
00:00:55,889 --> 00:00:57,558
I DON'T BELIEVE
THAT'S WHAT KILLED HIM.
27
00:00:57,625 --> 00:00:58,692
WHAT ARE YOU DOING HERE?
28
00:00:58,759 --> 00:01:00,561
- MCQUAID IS RECOVERING
FROM THE GUNSHOT WOUND.
29
00:01:00,628 --> 00:01:01,829
IS HE OUT OF SURGERY?
IS HE CONSCIOUS?
30
00:01:01,895 --> 00:01:03,597
- YOU CAN ASK HIM YOURSELF.
31
00:01:35,196 --> 00:01:37,665
[teakettle whistling]
32
00:01:47,408 --> 00:01:48,776
- HEY.
- HEY.
33
00:01:55,383 --> 00:01:57,318
DOESN'T LOOK LIKE YOU HAVE ONE
OF THOSE FOR ME.
34
00:01:57,385 --> 00:01:59,320
- [laughing]
35
00:01:59,387 --> 00:02:02,122
THAT SHOULDN'T STOP YOU
FROM HAVING SOME
36
00:02:02,190 --> 00:02:04,358
OR TAKING YOUR WALK OF SHAME.
37
00:02:04,425 --> 00:02:07,528
- [laughing]
38
00:02:07,595 --> 00:02:10,431
AND HERE I WAS, THINKING
THAT LAST NIGHT MEANT SOMETHING.
39
00:02:15,869 --> 00:02:18,572
- WHERE ARE YOU GOING?
- UH, MY PLACE.
40
00:02:18,639 --> 00:02:21,409
I HAVE TO CHANGE
BEFORE I HEAD TO THE OFFICE.
41
00:02:22,743 --> 00:02:24,178
- YOU HIT THE GROUND RUNNING.
42
00:02:24,245 --> 00:02:26,214
- THAT'S THE ONLY WAY I KNOW
HOW TO HIT THE GROUND.
43
00:02:26,280 --> 00:02:29,917
[cell phone ringing]
44
00:02:29,983 --> 00:02:32,420
- IT'S LANGLEY.
- YOU SHOULD ANSWER IT.
45
00:02:35,456 --> 00:02:37,791
- YEAH.
- HEY, ANNIE, IT'S ME--
46
00:02:37,858 --> 00:02:40,294
ERIC, UH, ERIC BARBER.
WE USED TO WORK TOGETHER.
47
00:02:40,361 --> 00:02:43,397
- I REMEMBER YOU, ERIC.
WHAT'S UP?
48
00:02:43,464 --> 00:02:46,767
- UH, WE HAVE A BIT
OF A SITUATION HERE.
49
00:02:46,834 --> 00:02:49,437
- WHAT KIND OF SITUATION?
50
00:02:49,503 --> 00:02:51,839
- IT'S ABOUT AUGGIE.
51
00:02:55,209 --> 00:02:57,845
[door closes]
52
00:02:57,911 --> 00:03:00,714
[door buzzes]
53
00:03:10,691 --> 00:03:12,960
- AUGGIE.
54
00:03:13,026 --> 00:03:14,428
- ANNIE,
WHAT ARE YOU DOING HERE?
55
00:03:14,495 --> 00:03:16,864
- BAILING YOU OUT.
56
00:03:16,930 --> 00:03:18,666
BARBER CALLED ME.
57
00:03:18,732 --> 00:03:21,502
HE SAID YOU GOT INTO A FIGHT
WITH THAT MEDICAL EXAMINER.
58
00:03:21,569 --> 00:03:24,805
- WE HAD A DISAGREEMENT
OVER WHAT CAUSED TONY'S DEATH.
59
00:03:24,872 --> 00:03:27,308
- SO YOU THREW HIM INTO A WALL?
- I PUSHED HIM.
60
00:03:27,375 --> 00:03:28,776
BARBER WASN'T SUPPOSED
TO CALL YOU.
61
00:03:28,842 --> 00:03:30,644
- WHY DIDN'T YOU CALL ME?
62
00:03:30,711 --> 00:03:33,514
- WE HAVEN'T EXACTLY BEEN
GETTING ALONG LATELY.
63
00:03:33,581 --> 00:03:35,616
- THAT'S WHY YOU HAVEN'T BEEN
RETURNING MY CALLS?
64
00:03:37,951 --> 00:03:41,322
- IT'S BEEN A TOUGH WEEK.
65
00:03:41,389 --> 00:03:43,791
- COME ON.
WE'RE PARKED OUTSIDE.
66
00:03:49,363 --> 00:03:50,998
YOU THINK TONY WAS MURDERED?
67
00:03:51,064 --> 00:03:53,301
- THEY SAID HE DIED
OF ALCOHOL POISONING--
68
00:03:53,367 --> 00:03:55,235
TOO MUCH VODKA.
69
00:03:55,303 --> 00:03:57,237
TONY DIDN'T DRINK VODKA.
HE WAS A BOURBON MAN.
70
00:03:57,305 --> 00:03:59,573
- YOU SAID HE JUST FELL
OFF THE WAGON AFTER THREE YEARS.
71
00:03:59,640 --> 00:04:00,841
- YEAH, MEANING WHAT?
72
00:04:00,908 --> 00:04:02,310
- MEANING MAYBE HE WASN'T
THAT DISCERNING
73
00:04:02,376 --> 00:04:03,844
WHEN IT CAME TO GETTING DRUNK.
- ANNIE, I KNEW TONY.
74
00:04:03,911 --> 00:04:05,579
HE WOULDN'T DRINK HIMSELF
TO DEATH.
75
00:04:05,646 --> 00:04:07,348
SOMEONE JUST WANTED IT
TO LOOK THAT WAY.
76
00:04:07,415 --> 00:04:09,016
- WHO WOULD WANT THAT?
77
00:04:09,082 --> 00:04:10,418
- BELENKO.
78
00:04:10,484 --> 00:04:12,653
- BELENKO?
YOU THINK THIS CONNECTS?
79
00:04:12,720 --> 00:04:14,522
- THERE'S A PATTERN
TO HIS ATTACKS.
80
00:04:14,588 --> 00:04:16,790
EACH ONE KILLED A GUY
FROM MY UNIT.
81
00:04:16,857 --> 00:04:18,926
FIRST, CHARLIE SCHINDERMAN
IN CHICAGO.
82
00:04:18,992 --> 00:04:21,795
THEN MUELLER, WHICH WAS BASED
ON FALSE INTEL FED TO US,
83
00:04:21,862 --> 00:04:23,731
AND WHEN YOU STOPPED
THE MOTORCADE BOMBING,
84
00:04:23,797 --> 00:04:24,932
HE HAD TONY POISONED.
85
00:04:24,998 --> 00:04:26,767
- YOU THINK TONY
WAS BELENKO'S TARGET?
86
00:04:26,834 --> 00:04:29,570
- THREE OF MY GUYS DEAD
IN THREE MONTHS.
87
00:04:29,637 --> 00:04:31,572
WE'RE TRAINED NOT TO BELIEVE
IN COINCIDENCES.
88
00:04:31,639 --> 00:04:33,040
- WHY WOULD BELENKO BE TARGETING
GUYS FROM YOUR UNIT?
89
00:04:33,106 --> 00:04:34,575
- I HAVEN'T FIGURED
THAT OUT YET.
90
00:04:34,642 --> 00:04:35,943
- HAVE YOU EVER CROSSED PATHS
WITH HIM?
91
00:04:36,009 --> 00:04:38,412
- NO. NOT THAT I KNOW OF.
92
00:04:38,479 --> 00:04:40,781
- WE'RE HERE.
93
00:04:43,317 --> 00:04:45,285
- I KNOW I'M RIGHT
ABOUT BELENKO.
94
00:04:45,353 --> 00:04:47,521
- THEN LET'S START BY PROVING
TONY'S DEATH WAS FOUL PLAY.
95
00:04:47,588 --> 00:04:50,924
WE DO THAT,
WE CAN PROVE CONSPIRACY.
96
00:04:53,627 --> 00:04:55,629
- OKAY.
97
00:05:01,902 --> 00:05:03,737
[sighs]
- HEY, BUDDY.
98
00:05:03,804 --> 00:05:05,439
GLAD TO SEE YOU DIDN'T GET
SHANKED IN THERE.
99
00:05:05,506 --> 00:05:09,743
- I SPECIFICALLY MADE
MY ONE CALL TO YOU, BARBER.
100
00:05:09,810 --> 00:05:11,345
- HEY, MAN, HOW WAS I TO KNOW
101
00:05:11,412 --> 00:05:12,913
YOU AND ANNIE WEREN'T
ON SPEAKING TERMS, OKAY?
102
00:05:12,980 --> 00:05:14,515
I THOUGHT
YOU TWO WERE INSEPARABLE.
103
00:05:14,582 --> 00:05:16,316
- JUST SO THAT
I'VE GOT A HEADS-UP,
104
00:05:16,384 --> 00:05:19,587
HAS WORD ABOUT THIS ALREADY MADE
ITS WAY TO JOAN?
105
00:05:19,653 --> 00:05:21,722
- YES.
- YEAH.
106
00:05:24,858 --> 00:05:26,894
- WILL YOU EXCUSE US, BARBER?
- YEAH.
107
00:05:26,960 --> 00:05:29,597
- JOAN, BEFORE YOU GET INTO IT,
YOU NEED TO KNOW
108
00:05:29,663 --> 00:05:31,331
THERE IS MORE GOING ON
WITH TONY'S DEATH.
109
00:05:33,967 --> 00:05:35,869
- AUGGIE...
110
00:05:35,936 --> 00:05:38,472
I UNDERSTAND THAT YOU'RE
GRIEVING THE LOSS OF YOUR FRIEND
111
00:05:38,539 --> 00:05:39,907
AND THAT YOU'RE SEARCHING
FOR ANSWERS.
112
00:05:39,973 --> 00:05:42,843
BUT WHEN IT COMES TO ADDICTION,
THERE AREN'T ANY.
113
00:05:42,910 --> 00:05:46,013
- TONY'S ADDICTION
ISN'T WHAT KILLED HIM.
114
00:05:46,079 --> 00:05:48,749
- I'M SENDING YOU HOME.
TAKE THE REST OF THE WEEK OFF.
115
00:05:48,816 --> 00:05:50,884
- I DON'T NEED A VACATION.
116
00:05:50,951 --> 00:05:52,486
- YOU WANT ME TO CALL IT
A SUSPENSION?
117
00:05:52,553 --> 00:05:53,887
- JOAN, DON'T DO THIS.
118
00:05:53,954 --> 00:05:55,689
- AUGGIE, YOU PUNCHED
A COUNTY OFFICIAL.
119
00:05:55,756 --> 00:05:57,491
- I DIDN'T PUNCH HIM.
I SHOVED HIM.
120
00:05:57,558 --> 00:05:59,993
LOOK, JUST LISTEN TO ME.
- NO, YOU LISTEN TO ME.
121
00:06:00,060 --> 00:06:03,130
YOU WERE ARRESTED,
WHICH LEAVES ME NO CHOICE.
122
00:06:05,499 --> 00:06:06,867
I'LL SEE YOU NEXT WEEK.
123
00:07:32,653 --> 00:07:34,888
[knock at door]
- WHO IS IT?
124
00:07:34,955 --> 00:07:37,758
- AUGGIE, IT'S ME.
125
00:07:41,094 --> 00:07:42,630
- HEY, IT'S LATE.
126
00:07:42,696 --> 00:07:43,897
- I BROKE
INTO TONY SALGADO'S HOUSE
127
00:07:43,964 --> 00:07:45,599
LOOKING FOR EVIDENCE
OF HOMICIDE.
128
00:07:45,666 --> 00:07:47,935
- WELL, DID YOU FIND ANY?
- YEAH.
129
00:07:48,001 --> 00:07:51,204
I CALLED IN A FAVOR AND HAD
TONY'S VODKA BOTTLES TESTED.
130
00:07:51,271 --> 00:07:52,773
- WHAT'D YOU FIND?
131
00:07:52,840 --> 00:07:55,843
- TRACES OF SYNTHETIC
TETRODOTOXIN.
132
00:07:55,909 --> 00:07:58,879
- NO WONDER THE M.E. MISSED IT.
133
00:07:58,946 --> 00:08:01,749
THAT WOULDN'T GET FLAGGED
IN A BASIC TOX SCREEN.
134
00:08:01,815 --> 00:08:05,118
THERE ARE ONLY A HANDFUL OF LABS
IN THE WORLD THAT CAN MAKE IT.
135
00:08:05,185 --> 00:08:07,054
TONY WAS MURDERED.
136
00:08:07,120 --> 00:08:09,623
- AUGGIE, YOU COULD BE NEXT.
WE NEED TO TAKE THIS TO JOAN.
137
00:08:09,690 --> 00:08:11,491
- NO, NO WAY, WE'RE NOT TAKING
THIS TO THE CIA,
138
00:08:11,559 --> 00:08:12,793
NOT AFTER THEY JUST BENCHED ME.
139
00:08:12,860 --> 00:08:14,494
- AUGGIE, YOU NEED TO BE
PROTECTED.
140
00:08:14,562 --> 00:08:17,164
- ANNIE, WHAT I NEED IS TO FIND
OUT WHO MADE THAT TOXIN
141
00:08:17,230 --> 00:08:19,032
AND LINK THEM TO BELENKO.
142
00:08:19,099 --> 00:08:21,769
I HAVE TO DO THIS FOR TONY,
FOR MY UNIT.
143
00:08:21,835 --> 00:08:23,170
- I HAVE TO DO THIS FOR YOU.
144
00:08:23,236 --> 00:08:25,939
WE NEED TO MOVE FAST BEFORE
BELENKO MAKES HIS NEXT MOVE.
145
00:08:42,322 --> 00:08:43,791
[knock at door]
146
00:08:45,092 --> 00:08:47,027
- THOUGHT YOU COULD USE A BITE
BEFORE THE RED-EYE.
147
00:08:47,094 --> 00:08:48,696
- MM.
148
00:08:51,965 --> 00:08:54,167
- ARE YOU SURE THAT THAT LAB
THAT YOU'RE GOING TO IN GERMANY
149
00:08:54,234 --> 00:08:55,903
IS THE RIGHT ONE?
150
00:08:55,969 --> 00:08:58,038
- WELL, THERE'S ONLY EIGHT LABS
IN THE WORLD
151
00:08:58,105 --> 00:09:00,107
THAT SYNTHESIZE THE TOXIN
THAT KILLED TONY,
152
00:09:00,173 --> 00:09:03,276
AND KLF IN ESSEN
IS ONE OF THEM.
153
00:09:03,343 --> 00:09:07,981
AND BELENKO FLEW THROUGH THERE
ON HIS WAY BACK FROM ISTANBUL.
154
00:09:08,048 --> 00:09:10,651
- YOU KNOW, I, UH--
I SHOULD COME WITH YOU.
155
00:09:10,718 --> 00:09:13,721
- YOU STILL HAVE TWO BULLET
HOLES IN YOUR CHEST.
156
00:09:13,787 --> 00:09:17,290
- SO YOU THINK
THAT I WOULD SLOW YOU DOWN?
157
00:09:17,357 --> 00:09:20,628
- WELL, I THINK
YOU'RE MORE VALUABLE HERE.
158
00:09:20,694 --> 00:09:22,229
AND YOU HAVE A COMPANY
TO REBUILD.
159
00:09:22,295 --> 00:09:25,165
[zipper closes]
- HEY, HOLD--HOLD ON.
160
00:09:25,232 --> 00:09:27,167
HOLD ON.
YOUR CAR'S NOT HERE YET.
161
00:09:27,234 --> 00:09:30,003
[cell phone chimes]
162
00:09:30,070 --> 00:09:32,906
- NOW IT IS.
163
00:09:32,973 --> 00:09:36,910
CAN YOU DO ME A FAVOR
BEFORE I GO?
164
00:09:36,977 --> 00:09:38,245
- NAME IT.
165
00:09:40,280 --> 00:09:42,082
- AUGGIE.
166
00:09:42,149 --> 00:09:44,952
- ANNIE.
167
00:09:45,018 --> 00:09:47,354
- AUGGIE,
NICE TO MEET YOU.
168
00:09:47,420 --> 00:09:50,991
- RYAN MCQUAID?
169
00:09:51,058 --> 00:09:53,260
- I'M SORRY FOR YOUR LOSS.
170
00:09:53,326 --> 00:09:56,329
- YEAH, THANKS.
HOW ARE YOU FEELING?
171
00:09:56,396 --> 00:09:58,632
- WELL, IT TAKES MORE
THAN A COUPLE OF BULLETS
172
00:09:58,699 --> 00:09:59,933
TO KEEP A FROG MAN DOWN.
173
00:10:00,000 --> 00:10:01,234
- AND IN TRUE NAVY SEAL STYLE,
174
00:10:01,301 --> 00:10:02,803
YOU CAN WRITE A TELL-ALL BOOK
ABOUT IT.
175
00:10:02,870 --> 00:10:04,705
- OKAY,
I HAVE A PLANE TO CATCH.
176
00:10:04,772 --> 00:10:06,039
AUGGIE, WILL YOU WALK ME
TO MY CAR?
177
00:10:06,106 --> 00:10:08,608
- SURE.
NICE TO MEET YOU, MCQUAID.
178
00:10:08,676 --> 00:10:10,043
- YOU TOO.
179
00:10:10,110 --> 00:10:13,781
HAVE FUN.
- WILL DO.
180
00:10:13,847 --> 00:10:15,883
GOT SOMETHING FOR ME?
181
00:10:15,949 --> 00:10:19,319
- THIS IS EVERYTHING
ON KLF CHEMICAL.
182
00:10:19,386 --> 00:10:21,889
THEY'RE PRETTY SPECIALIZED--
NEUROTOXINS, NERVE AGENTS.
183
00:10:21,955 --> 00:10:24,224
THEY SELL TO A LOT
OF MILITARY CONTRACTORS,
184
00:10:24,291 --> 00:10:27,127
SO GETTING IN THERE IS GONNA BE
ALMOST IMPOSSIBLE.
185
00:10:27,194 --> 00:10:28,395
RECON COULD TAKE WEEKS.
186
00:10:28,461 --> 00:10:31,098
- YOU MAY NOT HAVE WEEKS.
I'LL FIND A SHORTCUT.
187
00:10:31,164 --> 00:10:33,066
- SOUNDS GOOD.
CALL ME ON MY CELL.
188
00:10:33,133 --> 00:10:35,335
WE'RE NOT FLYING AIR LANGLEY
ON THIS ONE.
189
00:10:35,402 --> 00:10:37,270
- OH, YOU'RE GONNA BE ALL RIGHT,
AREN'T YOU?
190
00:10:37,337 --> 00:10:38,706
- YEAH.
191
00:10:38,772 --> 00:10:40,240
- IS THERE ANYONE ELSE
IN YOUR UNIT--
192
00:10:40,307 --> 00:10:41,975
I MEAN,
ANYONE ELSE STILL ALIVE?
193
00:10:44,044 --> 00:10:44,978
- NO.
194
00:10:46,814 --> 00:10:50,383
LISTEN, WALKER, I...
195
00:10:50,450 --> 00:10:53,320
I APPRECIATE
YOU DOING THIS FOR ME.
196
00:10:53,386 --> 00:10:55,923
- YOU'D DO THE SAME FOR ME.
197
00:11:41,501 --> 00:11:44,004
[camera shutter clicks]
198
00:12:06,193 --> 00:12:08,395
[camera shutter clicks]
199
00:12:50,170 --> 00:12:52,172
- WAIT TO CROSS.
200
00:12:52,239 --> 00:12:55,108
WAIT TO CROSS.
201
00:12:55,175 --> 00:12:58,378
SAFE TO CROSS.
202
00:12:58,445 --> 00:13:03,183
SAFE TO CROSS.
203
00:13:03,250 --> 00:13:05,919
WAIT TO CROSS.
204
00:13:05,986 --> 00:13:08,055
WAIT TO CROSS.
205
00:13:08,121 --> 00:13:12,059
[horn honking, tires screeching]
WAIT TO CROSS.
206
00:13:46,126 --> 00:13:49,462
- [computerized voice]
13, 8, 7...
207
00:13:49,529 --> 00:13:51,331
MAYFLOWER.
208
00:13:51,398 --> 00:13:54,834
13, 8, 7...
209
00:13:54,902 --> 00:13:56,369
MAYFLOWER.
210
00:13:59,572 --> 00:14:01,441
- ANY HITS ON THE BRUNETTE?
211
00:14:01,508 --> 00:14:03,843
[computer whirs, beeps]
212
00:14:03,911 --> 00:14:06,246
- SHE LIT UP OUR INTERNAL
DATABASE LIKE A CHRISTMAS TREE.
213
00:14:06,313 --> 00:14:07,514
SHE'S AN FSB OPERATIVE
214
00:14:07,580 --> 00:14:09,382
WITH THE SPECIAL ACTIVITIES
DIRECTORATE,
215
00:14:09,449 --> 00:14:10,483
TRAINED WITH THE SVR.
216
00:14:10,550 --> 00:14:11,985
NAME IS OLGA AKAROVA.
217
00:14:12,052 --> 00:14:14,154
SHE'S ONE OF THEIR BEST--
THE REAL DEAL.
218
00:14:14,221 --> 00:14:16,256
- WHAT ABOUT LADY LAB COAT?
- LESS ON HER.
219
00:14:16,323 --> 00:14:18,491
BRITTA KAPLAN--
BORN AND RAISED IN JOHANNESBURG,
220
00:14:18,558 --> 00:14:22,129
STUDIED ORGANIC CHEMISTRY
AT E.T.H. ZURICH.
221
00:14:22,195 --> 00:14:23,463
SHE PLAYS WORDS WITH FRIENDS
A LOT,
222
00:14:23,530 --> 00:14:25,933
THOUGH SHE DOESN'T HAVE
MANY ACTUAL FRIENDS.
223
00:14:25,999 --> 00:14:27,100
- SHE'S BELENKO'S CHEMIST.
224
00:14:27,167 --> 00:14:28,501
THAT'S WHY OLGA'S
MONITORING HER.
225
00:14:28,568 --> 00:14:30,637
BRITTA MUST BE THE ONE WHO MADE
THEM THE TOXIN.
226
00:14:30,703 --> 00:14:33,506
SHE CAN PROVIDE A LINK TO WHAT
BELENKO WANTS FROM AUGGIE.
227
00:14:33,573 --> 00:14:34,641
- [sighs]
228
00:14:34,707 --> 00:14:37,110
YOU KNOW, I KNOW
THAT I HAVE TO REBUILD THE FORT,
229
00:14:37,177 --> 00:14:40,247
BUT IT IS KILLING ME
NOT BEING THERE WITH YOU.
230
00:14:40,313 --> 00:14:43,016
- THE SACRIFICES YOU'RE MAKING
ARE GOING TO BE WORTH IT--
231
00:14:43,083 --> 00:14:44,517
PROMISE.
- JUST TELL ME THAT YOU'RE GOING
232
00:14:44,584 --> 00:14:46,253
TO NAIL THE BAD GUY'S ASS
TO THE WALL ON THIS.
233
00:14:46,319 --> 00:14:47,988
- WE'RE GONNA NAIL
THE BAD GUY'S ASS TO THE WALL.
234
00:14:54,694 --> 00:14:56,629
- SIGINT JUST GOT THE ANALYSIS
BACK FROM THE PHONE
235
00:14:56,696 --> 00:15:00,167
THAT SYDNEY HOT-SYNCHED
WITH OUR DIPLOMAT FRIEND.
236
00:15:00,233 --> 00:15:03,036
- DID MASHKOV'S PHONE
PROVIDE ANYTHING OF VALUE?
237
00:15:03,103 --> 00:15:04,637
- TURNS OUT HE'S MORE CONNECTED
THAN WE THOUGHT.
238
00:15:04,704 --> 00:15:07,274
HE HAS RELATIONSHIPS WITH TOP
OFFICIALS AT THE FSB,
239
00:15:07,340 --> 00:15:11,044
THE DUMA,
AND THE KREMLIN.
240
00:15:11,111 --> 00:15:12,145
- THIS IS GREAT INTEL.
241
00:15:12,212 --> 00:15:15,282
- SYDNEY DID REMARKABLE WORK
FOR A CIVILIAN.
242
00:15:18,685 --> 00:15:21,989
- WE NEED TO GET HER IN DEEPER.
243
00:15:22,055 --> 00:15:25,258
MASHKOV MIGHT HAVE ACCESS
TO INTEL ON BELENKO.
244
00:15:25,325 --> 00:15:27,160
GETTING OUR HANDS ON IT
WOULD BE A GAME CHANGER.
245
00:15:27,227 --> 00:15:28,928
- SHE'S NOT
A SEASONED OPERATIVE.
246
00:15:28,996 --> 00:15:31,631
- JOAN, WE HAVE OPERATIVES
SEVEN YEARS IN
247
00:15:31,698 --> 00:15:34,467
THAT WOULD NOT HAVE BEEN ABLE
TO PULL THIS OFF.
248
00:15:34,534 --> 00:15:36,103
- MASHKOV IS TOO CONNECTED.
249
00:15:36,169 --> 00:15:38,205
ONE FALSE MOVE,
AND SHE'D BE COMPROMISED,
250
00:15:38,271 --> 00:15:40,040
WHICH WOULD BLOW BACK
DIRECTLY ONTO US.
251
00:15:40,107 --> 00:15:42,075
SHE'S OUT OF HER DEPTH HERE.
- I THINK SHE CAN DO IT.
252
00:15:42,142 --> 00:15:43,710
- I STRONGLY CAUTION
AGAINST IT.
253
00:15:43,776 --> 00:15:47,247
- NOTED,
BUT I MADE MY DECISION.
254
00:15:47,314 --> 00:15:50,217
[knock at door]
255
00:15:50,283 --> 00:15:51,451
- MRS. CAMPBELL?
256
00:15:51,518 --> 00:15:54,287
YOU'RE WANTED DOWN IN POLYGRAPH.
257
00:15:54,354 --> 00:15:55,688
- "POLYGRAPH"?
258
00:15:55,755 --> 00:15:57,657
- THAT'S WHAT I'M TOLD.
259
00:15:57,724 --> 00:15:59,326
[door closes]
260
00:15:59,392 --> 00:16:02,362
- UNSCHEDULED?
261
00:16:02,429 --> 00:16:04,231
- YEAH.
262
00:16:05,565 --> 00:16:08,301
- HAPPENS TO THE BEST OF US.
263
00:16:11,271 --> 00:16:13,373
- I'LL KEEP THAT IN MIND.
264
00:16:17,277 --> 00:16:19,979
- OLGA AKAROVA IS THE WOMAN
YOU SAW IN ISTANBUL?
265
00:16:20,047 --> 00:16:23,083
- YEAH, OLGA WAS FOLLOWING
BRITTA KAPLAN, A KLF CHEMIST.
266
00:16:23,150 --> 00:16:24,651
- AND YOU THINK BRITTA
IS THE ONE WHO MADE
267
00:16:24,717 --> 00:16:26,519
THE TOXIN FOR BELENKO?
- YEAH.
268
00:16:26,586 --> 00:16:29,122
I THINK OLGA'S HERE KEEPING
AN EYE ON BRITTA FOR BELENKO.
269
00:16:29,189 --> 00:16:30,657
- HOW'D YOU GET THE I.D.s?
270
00:16:30,723 --> 00:16:32,492
- RYAN HELPED ME.
271
00:16:32,559 --> 00:16:33,760
- REALLY?
272
00:16:33,826 --> 00:16:35,562
- YEAH, WELL, I KNOW
WE DON'T HAVE ANY ACCESS
273
00:16:35,628 --> 00:16:36,996
TO CIA RESOURCES,
274
00:16:37,064 --> 00:16:38,298
SO I LOOPED HIM IN
FOR FACIAL REC.
275
00:16:38,365 --> 00:16:40,067
- YEAH. I GUESS I JUST WISH
YOU HAD RUN IT BY ME FIRST.
276
00:16:40,133 --> 00:16:43,070
IT WAS MY IMPRESSION THIS OP
WAS JUST BETWEEN THE TWO OF US.
277
00:16:43,136 --> 00:16:46,173
I'M GUESSING YOU HIT MCQUAID UP
FOR THE GUY SHADOWING ME?
278
00:16:46,239 --> 00:16:47,407
- HOW'D YOU FIND OUT?
279
00:16:47,474 --> 00:16:48,675
- MY SPIDEY SENSE WAS TINGLING,
280
00:16:48,741 --> 00:16:50,543
SO I HAD BARBER PULL UP
STREET-CAM FOOTAGE
281
00:16:50,610 --> 00:16:52,145
FROM OUTSIDE MY PLACE.
282
00:16:52,212 --> 00:16:53,713
- I JUST WANT TO MAKE SURE
YOU'RE PROTECTED.
283
00:16:53,780 --> 00:16:56,383
- I DIDN'T ASK YOU TO DO THAT.
- I KNOW.
284
00:16:56,449 --> 00:16:57,784
[keys clacking]
285
00:16:57,850 --> 00:17:01,121
- ALL RIGHT, LET'S SEE WHAT WE
CAN FIND ON BRITTA KAPLAN.
286
00:17:01,188 --> 00:17:02,655
- SHE'S FROM JOHANNESBURG.
287
00:17:02,722 --> 00:17:04,524
SHE DOESN'T HAVE
A BIG SOCIAL-MEDIA PRESENCE.
288
00:17:04,591 --> 00:17:06,159
- THAT'S NOT ENOUGH
FOR AN APPROACH.
289
00:17:06,226 --> 00:17:07,727
AND I GOT TO SAY, IT'S GONNA
TAKE ME A WHILE
290
00:17:07,794 --> 00:17:10,130
TO GET ANYTHING USEFUL
WITHOUT MY USUAL TECH.
291
00:17:10,197 --> 00:17:11,398
- YEAH, WHICH IS WHY
I'M THINKING
292
00:17:11,464 --> 00:17:13,233
OF BREAKING
INTO HER APARTMENT.
293
00:17:13,300 --> 00:17:15,368
- WHAT ABOUT THE FSB AGENT
SHADOWING HER?
294
00:17:15,435 --> 00:17:18,271
- I'LL STAY OFF HER RADAR.
295
00:17:18,338 --> 00:17:21,808
- DID YOU WORK IN THE BALKANS
DURING THE YUGOSLAV WARS?
296
00:17:25,178 --> 00:17:27,114
- YES.
297
00:17:27,180 --> 00:17:28,281
- WERE YOU STATIONED IN KOSOVO
298
00:17:28,348 --> 00:17:30,717
FROM MARCH '98
THROUGH FEBRUARY '99?
299
00:17:30,783 --> 00:17:32,285
- YES.
- DURING THAT TIME,
300
00:17:32,352 --> 00:17:34,287
WERE YOU INVOLVED IN TRAINING
MEMBERS OF THE KLA,
301
00:17:34,354 --> 00:17:37,724
ALSO KNOWN
AS THE KOSOVO LIBERATION ARMY?
302
00:17:37,790 --> 00:17:40,827
- YES, PER MY ASSIGNMENT.
303
00:17:40,893 --> 00:17:43,263
- "YES" OR "NO" ANSWERS ONLY,
PLEASE.
304
00:17:43,330 --> 00:17:45,398
- I'M NOT SURE IF YOU'RE AWARE,
305
00:17:45,465 --> 00:17:48,401
BUT I DID MY ANNUAL POLYGRAPH
TWO MONTHS AGO.
306
00:17:48,468 --> 00:17:51,404
I'D LIKE TO KNOW
WHAT THIS IS ABOUT.
307
00:17:51,471 --> 00:17:53,740
- I'M JUST HERE
TO ASK QUESTIONS.
308
00:17:53,806 --> 00:17:56,409
READY TO CONTINUE?
309
00:19:11,284 --> 00:19:13,253
[camera shutter clicking]
310
00:19:15,588 --> 00:19:18,191
[door opens]
311
00:19:53,326 --> 00:19:55,795
[floor creaks]
312
00:20:19,552 --> 00:20:23,456
[thud, door opens]
313
00:20:41,574 --> 00:20:44,511
[door closes]
314
00:20:48,448 --> 00:20:51,384
[indistinct chatter over radio]
315
00:20:54,454 --> 00:20:57,624
[knock at door]
316
00:20:57,690 --> 00:21:00,927
- WHO IS IT?
- AUGGIE, IT'S RYAN MCQUAID.
317
00:21:05,031 --> 00:21:08,335
- I'M NOT AT THE CIA RIGHT NOW,
SO I CAN'T OFFER YOU A CONTRACT.
318
00:21:08,401 --> 00:21:09,969
- OH, SO YOU'D GIVE ME
A CONTRACT.
319
00:21:10,036 --> 00:21:11,438
THAT'S GOOD TO KNOW.
320
00:21:11,504 --> 00:21:13,039
- LISTEN, WHILE YOU'RE HERE,
321
00:21:13,105 --> 00:21:16,576
YOU WANT TO INTRODUCE ME
TO MY BABYSITTER?
322
00:21:16,643 --> 00:21:18,044
- HEY, PETE.
COME MEET AUGGIE.
323
00:21:20,880 --> 00:21:23,716
- HEY, AUGGIE.
- PETE.
324
00:21:23,783 --> 00:21:26,519
- THANKS, PETE.
BACK TO YOUR POST.
325
00:21:27,754 --> 00:21:29,856
YOU MIND IF I COME IN?
I BROUGHT YOU SOMETHING.
326
00:21:29,922 --> 00:21:32,859
- OH, COME ON IN, MAN.
327
00:21:32,925 --> 00:21:36,329
- I HOPE IT'S NOT
TOO FORWARD OF ME
328
00:21:36,396 --> 00:21:38,731
SHOWING UP LIKE THIS,
BEARING GIFTS.
329
00:21:38,798 --> 00:21:40,667
- GUESS IT DEPENDS
ON WHAT IT IS.
330
00:21:40,733 --> 00:21:42,735
- IT'S A MILITARY-GRADE LAPTOP
331
00:21:42,802 --> 00:21:45,705
THAT CONFORMS TO FIPS-140
CRYPTOGRAPHY STANDARDS.
332
00:21:45,772 --> 00:21:47,474
I EVEN HAD IT RETROFITTED
333
00:21:47,540 --> 00:21:49,409
WITH A REFRESHABLE
BRAILLE DISPLAY.
334
00:21:49,476 --> 00:21:53,713
[chuckles] LET'S CALL IT
AN EARLY BIRTHDAY PRESENT.
335
00:21:53,780 --> 00:21:55,582
- [chuckles]
336
00:21:55,648 --> 00:21:57,984
WELL, I'M NOT BIG ON BIRTHDAYS,
BUT I'LL TAKE IT.
337
00:21:58,050 --> 00:22:00,753
- FIGURED A GUY WHO CAN HACK
AS WELL AS YOU CAN
338
00:22:00,820 --> 00:22:03,356
MIGHT WANT TO TAKE IT
FOR A SPIN.
339
00:22:06,426 --> 00:22:09,762
- WHY ARE YOU REALLY HERE,
MCQUAID?
340
00:22:09,829 --> 00:22:10,897
- I JUST WANT TO MAKE SURE
341
00:22:10,963 --> 00:22:12,632
THAT ANNIE HAS
THE BEST AVAILABLE RESOURCES
342
00:22:12,699 --> 00:22:13,900
BACKING HER UP.
343
00:22:13,966 --> 00:22:17,504
- WELL, I ASSURE YOU SHE DOES.
344
00:22:20,573 --> 00:22:22,341
[lock opens]
THANKS FOR THE GEAR.
345
00:22:22,409 --> 00:22:23,510
- DON'T MENTION IT.
346
00:22:23,576 --> 00:22:26,513
IF YOU NEED ANYTHING ELSE,
JUST LET ME KNOW.
347
00:22:32,685 --> 00:22:34,754
- I FOUND A REJECTION LETTER
FOR AN ARTICLE BRITTA WROTE
348
00:22:34,821 --> 00:22:36,756
FROM MALMO CHEMICAL JOURNAL.
349
00:22:36,823 --> 00:22:40,359
I COULD USE THAT AS AN INTRO,
SAY I'M ON THE BOARD.
350
00:22:40,427 --> 00:22:41,894
- OPERATIVES USUALLY
HAVE TO PREP FOR MONTHS
351
00:22:41,961 --> 00:22:44,096
BEFORE THEY CAN UNDERSTAND
THE ADVANCED CHEM LINGO
352
00:22:44,163 --> 00:22:45,598
NEEDED TO PULL THAT OFF.
353
00:22:45,665 --> 00:22:47,734
- WELL, CHEMISTS JUST DON'T TALK
ABOUT FORMULAS.
354
00:22:47,800 --> 00:22:51,037
- NO, BUT, HONESTLY, RIGHT NOW
I'M MORE CONCERNED ABOUT OLGA.
355
00:22:51,103 --> 00:22:52,872
YOU SAID SHE PULLED A BUG
OUT OF BRITTA'S APARTMENT?
356
00:22:52,939 --> 00:22:54,774
- YEAH, BUT WE ALREADY KNEW
SHE WAS SURVEILLING BRITTA.
357
00:22:54,841 --> 00:22:56,008
- NAH, THIS IS BIGGER
THAN THAT.
358
00:22:56,075 --> 00:22:59,011
I'M ACCESSING
SOME CLASSIFIED FSB INTEL--
359
00:22:59,078 --> 00:23:00,847
D.I.A. HAS A FILE ON OLGA.
360
00:23:00,913 --> 00:23:02,415
- HOW'D YOU MANAGE THAT?
361
00:23:02,482 --> 00:23:04,383
- MCQUAID--
HE BROUGHT ME SOME TECH.
362
00:23:04,451 --> 00:23:05,852
- HE DID?
THAT WAS THOUGHTFUL.
363
00:23:05,918 --> 00:23:06,953
- COME ON, YOU KNEW.
364
00:23:07,019 --> 00:23:08,455
- AUGGIE.
- IT'S FINE.
365
00:23:08,521 --> 00:23:10,723
TURNS OUT
IT'S DECENT HARDWARE.
366
00:23:10,790 --> 00:23:13,159
BUT ACCORDING TO D.I.A.,
367
00:23:13,225 --> 00:23:15,728
OLGA RECENTLY GRADUATED
TO WET WORK FOR THE FSB--
368
00:23:15,795 --> 00:23:18,465
FOUR SUSPECTED KILLS
IN THE LAST SIX MONTHS,
369
00:23:18,531 --> 00:23:20,500
THREE IN ROTTERDAM,
ONE IN KIEV.
370
00:23:20,567 --> 00:23:22,569
I'M SENDING YOU
THE FILE RIGHT NOW.
371
00:23:22,635 --> 00:23:24,771
SHE MAY NOT BE THERE
JUST TO KEEP TABS ON BRITTA.
372
00:23:24,837 --> 00:23:26,839
- IF SHE'S HERE TO KILL HER,
WHAT IS SHE WAITING FOR?
373
00:23:26,906 --> 00:23:28,575
I MEAN,
WHY HASN'T SHE DONE IT YET?
374
00:23:28,641 --> 00:23:30,577
- WELL, MAYBE SHE'S WORKING
ON SOMETHING ELSE FOR BELENKO.
375
00:23:30,643 --> 00:23:32,011
- THEN I NEED TO FIND OUT
WHAT THAT IS.
376
00:23:32,078 --> 00:23:33,746
I'M GOING TO FAST-TRACK THIS.
377
00:23:33,813 --> 00:23:34,847
- NO, HEY,
YOU NEED TO HANG BACK,
378
00:23:34,914 --> 00:23:36,483
AT LEAST UNTIL WE CAN GET
SOMEONE ELSE
379
00:23:36,549 --> 00:23:37,884
ON THE GROUND THERE
TO PROVIDE BACKUP.
380
00:23:37,950 --> 00:23:39,886
- AUGGIE, WE DON'T HAVE TIME
FOR THAT.
381
00:23:39,952 --> 00:23:41,854
- ANNIE, THERE IS
AN FSB ASSASSIN IN THE MIX.
382
00:23:41,921 --> 00:23:44,491
- THE REASON I'M HERE IS TO MAKE
SURE NOTHING HAPPENS TO YOU.
383
00:23:44,557 --> 00:23:45,858
- PETE ALREADY
HAS THAT COVERED.
384
00:23:45,925 --> 00:23:47,059
LISTEN TO ME--
385
00:23:47,126 --> 00:23:48,628
THE LAST THING I WANT
IS TO LOSE ANOTHER FRIEND.
386
00:23:48,695 --> 00:23:49,896
NOW STAND DOWN!
387
00:23:49,962 --> 00:23:51,998
- I DON'T WANT TO LOSE
ANOTHER FRIEND EITHER.
388
00:23:59,038 --> 00:24:01,741
HELLO, BRITTA?
389
00:24:01,808 --> 00:24:03,142
- DO I KNOW YOU?
390
00:24:03,209 --> 00:24:05,545
- NO, YOU DON'T.
391
00:24:05,612 --> 00:24:07,747
AND NORMALLY
I'D DO THIS DIFFERENTLY,
392
00:24:07,814 --> 00:24:10,950
BUT WE DON'T HAVE ENOUGH TIME.
- TIME FOR WHAT?
393
00:24:11,017 --> 00:24:12,785
- FOR ME TO EXPLAIN
THAT BELENKO
394
00:24:12,852 --> 00:24:15,488
HAS SENT AN ASSASSIN
TO KILL YOU.
395
00:24:15,555 --> 00:24:17,156
- YOU HAVE ME CONFUSED
WITH SOMEONE ELSE.
396
00:24:17,223 --> 00:24:19,492
- I KNOW THAT YOU MADE HIM
THE TETRODOTOXIN.
397
00:24:19,559 --> 00:24:21,494
- I HAVE NO IDEA
WHAT YOU'RE TALKING ABOUT.
398
00:24:21,561 --> 00:24:23,229
- I DON'T HAVE TIME
FOR GAMES, BRITTA.
399
00:24:23,295 --> 00:24:26,899
BELENKO SENT THIS WOMAN
TO KILL YOU.
400
00:24:26,966 --> 00:24:29,035
HE'S DONE IT BEFORE.
401
00:24:29,101 --> 00:24:31,170
HE KILLED A WOMAN
WHO WORKED FOR HIM IN D.C.
402
00:24:31,237 --> 00:24:32,505
- THIS DOESN'T MAKE ANY SENSE.
403
00:24:32,572 --> 00:24:34,073
WHY WOULD HE SEND SOMEONE
TO KILL ME?
404
00:24:34,140 --> 00:24:35,608
- BECAUSE YOU'RE CLOSE
TO FINISHING
405
00:24:35,675 --> 00:24:37,744
WHAT YOU'RE WORKING ON
FOR HIM.
406
00:24:37,810 --> 00:24:39,846
- WHY SHOULD I BELIEVE
ANYTHING YOU'RE SAYING?
407
00:24:39,912 --> 00:24:41,814
THAT WOMAN IN THE PHOTO
COULD BE ANYONE.
408
00:24:41,881 --> 00:24:44,617
- LOOK OUT THE WINDOW.
409
00:24:44,684 --> 00:24:46,152
YOU SEE THE BRUNETTE
410
00:24:46,218 --> 00:24:50,022
ACROSS THE STREET
READING THE NEWSPAPER?
411
00:24:50,089 --> 00:24:51,758
SHE'S HERE FOR YOU.
412
00:24:53,259 --> 00:24:55,528
THESE ARE HER VICTIMS.
413
00:24:56,863 --> 00:24:59,098
THAT'S NOT
HOW YOU WANT TO END UP.
414
00:25:08,975 --> 00:25:10,643
- SHE'S COMING THIS WAY.
415
00:25:10,710 --> 00:25:12,511
- I CAN PROTECT YOU,
BUT YOU HAVE TO TELL ME
416
00:25:12,579 --> 00:25:13,980
WHAT YOU'RE WORKING ON
FOR BELENKO.
417
00:25:14,046 --> 00:25:15,047
- IT'S IN MY LAB.
418
00:25:15,114 --> 00:25:16,816
- GRAB YOUR STUFF, SLOWLY.
419
00:25:16,883 --> 00:25:18,184
WE'LL GO OUT THE BACK.
420
00:25:26,726 --> 00:25:28,160
- THEY DIDN'T SAY NO.
421
00:25:28,227 --> 00:25:31,097
- YOU AND I BOTH KNOW
WHAT THAT MEANS.
422
00:25:31,163 --> 00:25:32,965
- YOU'RE WORRIED.
423
00:25:33,032 --> 00:25:34,967
- DOWN TO MY LAST MAG
IN FALLUJAH--
424
00:25:35,034 --> 00:25:35,968
THAT HAD ME WORRIED.
425
00:25:36,035 --> 00:25:38,537
HAVING TO DEFEND
MY JUDGMENT OF CHARACTER
426
00:25:38,605 --> 00:25:39,972
BECAUSE OF CAITLYN IS BULLSH--.
427
00:25:40,039 --> 00:25:43,109
- AH, THE ONLY EASY DAY
WAS YESTERDAY.
428
00:25:43,175 --> 00:25:44,944
- YOU'RE GONNA DROP
SEAL MOTTOS ON ME?
429
00:25:45,011 --> 00:25:46,979
- A LITTLE ADVERSITY
NEVER HURT ANYONE.
430
00:25:47,046 --> 00:25:48,981
WE'LL BE BACK ON TOP
BEFORE YOU KNOW IT.
431
00:25:49,048 --> 00:25:50,249
- YEAH.
[cell phone ringing]
432
00:25:50,316 --> 00:25:51,718
- OH, I GOT TO TAKE THIS.
433
00:25:51,784 --> 00:25:53,252
SO I'LL SEE YOU AROUND 3:00?
- SURE.
434
00:25:53,319 --> 00:25:56,088
- HEY.
- I JUST GOT OUT OF POLYGRAPH.
435
00:25:56,155 --> 00:25:58,725
- THEY POLY'D YOU AGAIN
SO SOON?
436
00:25:58,791 --> 00:25:59,826
- YES.
437
00:25:59,892 --> 00:26:01,761
- DID THEY ASK
ABOUT THE BALKANS?
438
00:26:01,828 --> 00:26:04,030
- YES, THEY DID.
439
00:26:04,096 --> 00:26:05,297
I'M WORRIED, ARTHUR.
440
00:26:05,364 --> 00:26:06,766
- I'M GOING TO PULL
A FEW STRINGS
441
00:26:06,833 --> 00:26:08,300
AND GET TO THE BOTTOM
OF WHAT'S GOING ON.
442
00:26:08,367 --> 00:26:10,036
I STILL KNOW A FEW GUYS IN I.G.
443
00:26:10,102 --> 00:26:11,137
- THANK YOU.
444
00:26:11,203 --> 00:26:14,173
- IT'S GOING TO BE
ALL RIGHT, JOAN.
445
00:26:14,240 --> 00:26:16,175
- I HOPE YOU'RE RIGHT.
446
00:26:26,819 --> 00:26:30,189
- SO DID I GET YOU
ANYTHING USEFUL?
447
00:26:30,256 --> 00:26:34,661
- WOULD YOU CONSIDER
A JACKPOT USEFUL?
448
00:26:34,727 --> 00:26:37,664
- REALLY?
- YES, REALLY.
449
00:26:37,730 --> 00:26:39,866
GREAT WORK.
450
00:26:39,932 --> 00:26:41,901
- WHO KNEW SERVING MY COUNTRY
COULD FEEL SO...
451
00:26:41,968 --> 00:26:43,836
[inhales sharply]
GOOD?
452
00:26:43,903 --> 00:26:46,172
- I KNOW THE FEELING.
453
00:26:46,238 --> 00:26:48,174
- WHAT DO YOU WANT ME
TO DO NEXT?
454
00:26:48,240 --> 00:26:51,911
- CULTIVATE A DEEPER CONNECTION
WITH MASHKOV.
455
00:26:51,978 --> 00:26:54,313
- "DEEPER CONNECTION"?
- YEAH.
456
00:26:54,380 --> 00:26:56,649
HE NEEDS TO FALL
IN LOVE WITH YOU.
457
00:26:56,716 --> 00:26:59,952
- SO HE CAN TRUST ME.
- EXACTLY.
458
00:27:00,019 --> 00:27:03,656
- I'M SEEING HIM LATER TODAY.
I'LL SEE WHAT I CAN DO.
459
00:27:03,723 --> 00:27:07,059
- OKAY. LET'S MEET UP AFTER.
AND MAKE SURE TO--
460
00:27:07,126 --> 00:27:10,196
- FOLLOW YOUR PROTOCOLS?
DON'T I ALWAYS?
461
00:28:12,324 --> 00:28:15,427
- [woman speaking indistinctly
over PA]
462
00:28:18,765 --> 00:28:21,901
[train beeps,
man speaking German over PA]
463
00:28:37,049 --> 00:28:38,818
- [computerized voice]
INCOMING CALL--ANNIE.
464
00:28:38,885 --> 00:28:40,086
- ANNIE?
- HEY, AUGGIE.
465
00:28:40,152 --> 00:28:42,922
LITTLE FOOT CHASE
GOT MY BLOOD PUMPING.
466
00:28:42,989 --> 00:28:44,924
- YOU WERE MADE.
- IT'S GOING TO BE FINE.
467
00:28:44,991 --> 00:28:47,426
I HAD TO DRAW OLGA
AWAY FROM BRITTA.
468
00:28:47,493 --> 00:28:49,195
- SURE, OF COURSE YOU DID.
469
00:28:49,261 --> 00:28:50,763
- WHAT DOES THAT MEAN?
470
00:28:50,830 --> 00:28:52,765
- IT MEANS
YOU IGNORED MY ADVICE,
471
00:28:52,832 --> 00:28:54,466
AND YOU PUT THE MISSION
IN JEOPARDY.
472
00:28:54,533 --> 00:28:57,036
- I'M TRYING TO COMPLETE
THE MISSION.
473
00:28:57,103 --> 00:28:59,071
- YOU ARE ALWAYS TRYING
TO COMPLETE THE MISSION.
474
00:28:59,138 --> 00:29:00,940
THAT ISN'T THE ISSUE.
- WHAT'S THE ISSUE?
475
00:29:01,007 --> 00:29:02,208
- THE ONE THING
476
00:29:02,274 --> 00:29:04,210
THAT AN OPERATIVE
AND A HANDLER NEED IS TRUST,
477
00:29:04,276 --> 00:29:05,277
AND I CAN'T TRUST YOU.
478
00:29:05,344 --> 00:29:07,346
- I'M DOING
THIS MISSION FOR YOU.
479
00:29:07,413 --> 00:29:09,348
- RIGHT, BUT THE ANNIE WALKER
I USED TO KNOW
480
00:29:09,415 --> 00:29:11,483
WOULD'VE CONSULTED ME
BEFORE GETTING ME PROTECTION
481
00:29:11,550 --> 00:29:12,952
AND LOOPING IN MCQUAID.
482
00:29:13,019 --> 00:29:14,486
- THIS IS ABOUT MCQUAID?
483
00:29:14,553 --> 00:29:17,824
- NO. THIS IS ABOUT YOU
AND HOW YOU'VE CHANGED.
484
00:29:17,890 --> 00:29:19,225
- YOU'RE RIGHT.
I'VE CHANGED.
485
00:29:19,291 --> 00:29:22,128
I'M NOT A ROOKIE OPERATIVE
ANYMORE WHO NEEDS YOUR APPROVAL.
486
00:29:22,194 --> 00:29:23,362
AND I THINK THAT--
487
00:29:23,429 --> 00:29:26,098
I THINK THAT SCARES YOU.
488
00:29:26,165 --> 00:29:27,934
- YOU HAVE NO IDEA
WHAT SCARES ME.
489
00:29:28,000 --> 00:29:30,469
JUST GET THE INTEL
AND CALL ME BACK.
490
00:29:35,007 --> 00:29:37,810
- NO, I UNDERSTAND.
THANKS FOR GETTING BACK TO ME.
491
00:29:37,877 --> 00:29:40,412
- OKAY, THEN WE GOT THIS ONE.
- I OWE YOU ONE.
492
00:29:40,479 --> 00:29:43,049
- WHAT WAS THAT ABOUT?
- YOU.
493
00:29:43,115 --> 00:29:46,218
THE DIGGING I DID
INTO YOUR POLYGRAPH PAID OFF.
494
00:29:46,285 --> 00:29:49,055
- HOW BAD IS IT?
- IT'S NOT GOOD.
495
00:29:49,121 --> 00:29:50,422
IT'S GREAT.
496
00:29:50,489 --> 00:29:52,491
IT TURNS OUT THE AGENCY
IS VETTING YOU
497
00:29:52,558 --> 00:29:55,094
FOR ANOTHER POSITION--
SOMETHING HUGE.
498
00:29:55,161 --> 00:29:57,096
- DID HE SAY ANYTHING ELSE?
499
00:29:57,163 --> 00:29:59,098
- NO, THAT'S ALL I KNOW.
500
00:29:59,165 --> 00:30:02,468
SEE, POLYGRAPHS AREN'T ALWAYS
A BAD THING.
501
00:30:02,534 --> 00:30:04,971
- [babbles]
- NOT AS GOOD AS THIS.
502
00:30:13,145 --> 00:30:14,947
- HURRY. WE HAVE TO BEAT
THE SHIFT CHANGE.
503
00:30:15,014 --> 00:30:16,248
- WHY?
WHAT'S THE RUSH?
504
00:30:16,315 --> 00:30:18,284
- ONE OF THE CURRENT GUARDS
ON DUTY IS FROM CAPE TOWN.
505
00:30:18,350 --> 00:30:20,286
HE LIKES SPEAKING AFRIKAANS
WITH ME.
506
00:30:20,352 --> 00:30:21,954
HELLO, THOMAS.
507
00:30:53,953 --> 00:30:56,322
- HOW MUCH FURTHER?
- IT'S JUST UP HERE.
508
00:30:56,388 --> 00:30:59,591
- WHAT DID BELENKO
HAVE YOU WORKING ON?
509
00:30:59,658 --> 00:31:03,162
DO YOU KNOW
WHO HE'S TARGETING NEXT?
510
00:31:04,496 --> 00:31:06,432
- THIS WAS A MISTAKE.
511
00:31:06,498 --> 00:31:10,970
- BRITTA, I CANNOT KEEP YOU SAFE
UNLESS YOU TELL ME EVERYTHING.
512
00:31:12,972 --> 00:31:15,141
[door beeps]
513
00:31:17,376 --> 00:31:18,544
- BEFORE I TELL YOU ANYTHING,
514
00:31:18,610 --> 00:31:20,947
I NEED TO KNOW MORE
ABOUT THE WOMAN HE KILLED.
515
00:31:21,013 --> 00:31:22,114
- WHY?
516
00:31:22,181 --> 00:31:25,184
WHAT DO YOU WANT TO KNOW?
- WHAT WAS HER NAME?
517
00:31:25,251 --> 00:31:27,053
- CAITLYN COOK.
518
00:31:27,119 --> 00:31:28,921
- WHAT WAS SHE LIKE?
519
00:31:28,988 --> 00:31:30,422
- WHY ARE YOU ASKING ME THIS?
520
00:31:30,489 --> 00:31:32,959
- TELL ME ABOUT HER, AND I'LL
TELL YOU WHAT I'M WORKING ON.
521
00:31:33,025 --> 00:31:36,895
- SHE WAS SUCCESSFUL,
CAREER-ORIENTED...
522
00:31:36,963 --> 00:31:38,897
ACCOMPLISHED.
523
00:31:38,965 --> 00:31:40,666
- SHE SOUNDS LIKE ME.
524
00:31:40,732 --> 00:31:43,435
- IN SOME WAYS.
525
00:31:43,502 --> 00:31:45,604
- WHAT DID SHE DO FOR HIM?
526
00:31:45,671 --> 00:31:49,441
- SHE HELPED HIM PLAN AN ATTACK
THAT KILLED INNOCENT PEOPLE.
527
00:31:50,642 --> 00:31:52,979
- WHY DO YOU THINK SHE DID IT?
528
00:31:53,045 --> 00:31:54,580
- I THINK SHE LOVED HIM.
529
00:31:54,646 --> 00:31:59,051
I THINK HE CONVINCED HER
THAT HE FELT THE SAME WAY.
530
00:31:59,118 --> 00:32:00,953
HE GAVE HER A WEDDING RING.
531
00:32:01,020 --> 00:32:03,522
BUT HE WAS JUST MANIPULATING HER
TO FURTHER HIS PLAN.
532
00:32:03,589 --> 00:32:05,157
AS SOON AS
HE DIDN'T NEED HER ANYMORE,
533
00:32:05,224 --> 00:32:06,658
HE SHOT HER IN COLD BLOOD
534
00:32:06,725 --> 00:32:09,528
AND WALKED AWAY
AS IF HE NEVER KNEW HER.
535
00:32:15,067 --> 00:32:18,104
- DID THE RING LOOK LIKE THIS?
536
00:32:19,671 --> 00:32:21,140
- YEAH.
537
00:32:27,146 --> 00:32:31,383
- ALEX PROMISED ME
THAT I WAS THE LOVE OF HIS LIFE.
538
00:32:31,450 --> 00:32:33,685
I BELIEVED HIM.
539
00:32:33,752 --> 00:32:36,388
- HE'S USING YOU.
540
00:32:37,689 --> 00:32:41,260
HE'S NOT WORTH PROTECTING.
541
00:32:41,327 --> 00:32:45,264
- [scoffs]
I NEED A DRINK.
542
00:32:45,331 --> 00:32:47,299
- OKAY.
543
00:32:57,676 --> 00:33:01,647
- HE'S MEETING SOMEONE
NAMED SHUMER
544
00:33:01,713 --> 00:33:06,252
IN FRANKFURT TOMORROW--
THE LINDAUER HOTEL.
545
00:33:08,420 --> 00:33:10,056
- WHAT ELSE CAN YOU TELL ME?
546
00:33:10,122 --> 00:33:12,158
- [sighs]
547
00:33:14,426 --> 00:33:16,228
[glass thuds]
548
00:33:22,634 --> 00:33:25,571
- YOU WERE RIGHT.
549
00:33:25,637 --> 00:33:27,673
I DID MAKE THIS FOR ALEX.
550
00:33:29,641 --> 00:33:31,710
[coughs]
551
00:33:31,777 --> 00:33:34,180
- BRITTA!
552
00:33:34,246 --> 00:33:37,349
BRITTA?
- [coughs, chokes]
553
00:33:37,416 --> 00:33:39,251
- BRITTA?
554
00:33:39,318 --> 00:33:42,020
WHAT ELSE DID YOU MAKE
FOR BELENKO?
555
00:33:42,088 --> 00:33:44,256
BRITTA?
556
00:33:44,323 --> 00:33:46,024
WHAT DID YOU MAKE FOR HIM?
557
00:33:46,092 --> 00:33:48,194
BRITTA?
UH...
558
00:33:54,200 --> 00:33:57,136
BRITTA, STAY WITH ME.
JUST--
559
00:33:57,203 --> 00:34:01,307
[breathing heavily]
560
00:34:03,175 --> 00:34:04,710
[groans]
561
00:34:17,556 --> 00:34:20,359
[indistinct chatter over radio]
562
00:34:45,184 --> 00:34:48,154
- ANDERSON, IT'S RYAN MCQUAID.
563
00:34:48,220 --> 00:34:50,689
- PETE TIPPED OFF MY 20.
564
00:34:50,756 --> 00:34:52,291
- YEAH, HE DID.
565
00:34:52,358 --> 00:34:55,827
- AND I THOUGHT WE WERE FRIENDS.
566
00:34:55,894 --> 00:34:57,796
- UH, TWO MORE
OF WHATEVER HE'S HAVING.
567
00:34:57,863 --> 00:34:59,531
WHAT'S YOUR POISON?
568
00:34:59,598 --> 00:35:01,833
- ANY OTHER NIGHT, TEQUILA.
569
00:35:01,900 --> 00:35:05,103
- TONIGHT?
- BOURBON FOR TONY.
570
00:35:15,247 --> 00:35:16,848
- HAVE YOU HEARD
ANYTHING FROM ANNIE?
571
00:35:16,915 --> 00:35:18,550
- NO, NOTHING YET.
572
00:35:18,617 --> 00:35:20,519
BUT THAT'S
NOT EXACTLY SURPRISING,
573
00:35:20,586 --> 00:35:23,722
AS YOU KNOW,
SHE'S A BIT OF A MAVERICK.
574
00:35:23,789 --> 00:35:26,592
- ONE OF HER FINEST QUALITIES.
575
00:35:26,658 --> 00:35:29,328
- [chuckles]
576
00:35:33,665 --> 00:35:37,603
- LOOK, I KNOW WHAT IT'S LIKE
TO LOSE A BROTHER IN ARMS.
577
00:35:37,669 --> 00:35:40,572
IT MAKES YOU ANGRY
AT THE WORLD AND...
578
00:35:40,639 --> 00:35:43,309
EVERYONE IN IT.
579
00:35:43,375 --> 00:35:47,313
SOMETHING LIKE THAT
YOU NEVER QUITE GET OVER.
580
00:35:47,379 --> 00:35:48,780
- NO, YOU DON'T.
581
00:35:50,649 --> 00:35:52,584
- SO LET'S DRINK TO TONY.
582
00:35:57,256 --> 00:35:59,425
- TO TONY.
583
00:36:14,340 --> 00:36:15,607
[car door closes]
584
00:36:15,674 --> 00:36:17,709
- [sighs]
585
00:36:17,776 --> 00:36:21,213
- HOW'D IT GO EARLIER
WITH MASHKOV?
586
00:36:21,280 --> 00:36:22,381
- HE'S ALREADY TALKING
587
00:36:22,448 --> 00:36:24,516
ABOUT TAKING ME
TO RUSSIA SOMEDAY.
588
00:36:24,583 --> 00:36:26,718
HE WANTS TO SHOW ME
WHERE HE GREW UP.
589
00:36:26,785 --> 00:36:30,922
- YOU MOVE FAST. SOUNDS LIKE
HE'S FALLING PRETTY HARD.
590
00:36:30,989 --> 00:36:33,292
- I'M ONLY DOING
WHAT YOU ASKED.
591
00:36:33,359 --> 00:36:37,529
- I KNOW.
WASN'T CRITICIZING.
592
00:36:37,596 --> 00:36:39,798
- I'M DOING THIS BECAUSE...
593
00:36:39,865 --> 00:36:43,269
IT FEELS GOOD
TO DO THE RIGHT THING,
594
00:36:43,335 --> 00:36:46,472
BUT I'M ALSO DOING IT
FOR YOU, CALDER.
595
00:36:57,416 --> 00:37:00,419
[cell phone ringing]
MM.
596
00:37:04,623 --> 00:37:06,425
AH, IT'S MASHKOV.
597
00:37:06,492 --> 00:37:08,560
I'LL CALL HIM LATER.
- NO, NO, TAKE THAT.
598
00:37:08,627 --> 00:37:11,297
- I'D RATHER PICK UP
WHERE WE LEFT OFF.
599
00:37:11,363 --> 00:37:12,431
- LISTEN TO ME.
600
00:37:12,498 --> 00:37:15,634
THE SOONER WE GET WHAT WE NEED
OUT OF HIM,
601
00:37:15,701 --> 00:37:18,837
THE SOONER WE CAN END IT.
602
00:37:18,904 --> 00:37:21,440
[ringing continues]
603
00:37:21,507 --> 00:37:24,410
- HEY, BABY.
604
00:37:24,476 --> 00:37:26,512
YOU WANT TO SEE ME TONIGHT?
605
00:37:29,515 --> 00:37:30,982
OKAY.
606
00:37:31,049 --> 00:37:33,585
I'LL MEET YOU AT MY PLACE.
607
00:37:34,920 --> 00:37:37,589
I CAN'T WAIT EITHER, BABY.
608
00:37:37,656 --> 00:37:39,958
BYE.
609
00:37:49,768 --> 00:37:52,571
- YEAH.
YOU BETTER NOT KEEP HIM WAITING.
610
00:38:15,627 --> 00:38:17,028
- HEY, HEY, HEY.
611
00:38:17,095 --> 00:38:19,398
HEY!
HEY, HEY, HEY, HEY!
612
00:38:35,113 --> 00:38:36,848
- I KNOW YOU'RE NOT INTERPOL.
613
00:38:36,915 --> 00:38:38,917
- YOU DON'T KNOW ANYTHING.
614
00:38:49,495 --> 00:38:51,997
- WE ARE ON THE SAME SIDE...
615
00:38:52,063 --> 00:38:54,466
ANNIE WALKER.
616
00:38:54,533 --> 00:38:57,469
- [breathing heavily]
617
00:39:01,640 --> 00:39:04,610
- YOU WANT A RIDE?
- NAH, IT'S A TWO-MINUTE WALK.
618
00:39:04,676 --> 00:39:06,745
- ALL RIGHT, MAN,
SEE YOU LATER.
619
00:39:06,812 --> 00:39:08,714
- HEY, MCQUAID?
- YEAH?
620
00:39:10,115 --> 00:39:13,719
- SORRY I GAVE YOU SUCH
A HARD TIME ABOUT THE SHADOW.
621
00:39:13,785 --> 00:39:16,722
I KNOW YOU WERE DOING
THE RIGHT THING...
622
00:39:16,788 --> 00:39:18,590
AND I APPRECIATE IT.
623
00:39:18,657 --> 00:39:20,859
- YOU'RE WELCOME.
TAKE IT EASY, AUGGIE.
624
00:39:20,926 --> 00:39:23,128
- YEAH, YOU TOO.
625
00:39:24,630 --> 00:39:27,466
COME ON, PETE!
WE'RE GOING HOME!
626
00:40:04,636 --> 00:40:08,039
[lock clicking]
43280
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