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These are the user uploaded subtitles that are being translated: 1 00:00:07,775 --> 00:00:11,712 - WHY DID YOU KILL 12 CIA OFFICERS IN CHICAGO? 2 00:00:11,779 --> 00:00:13,547 I'M SORRY IF THIS CAUSED YOU PROBLEMS. 3 00:00:13,614 --> 00:00:15,149 - I KEEP STICKING MY NECK OUT FOR YOU, 4 00:00:15,216 --> 00:00:16,317 AND ALL YOU DO IS LIE TO ME. 5 00:00:16,384 --> 00:00:17,318 - THAT'S NOT TRUE. 6 00:00:17,385 --> 00:00:18,452 - WHAT ABOUT YOUR HEART CONDITION 7 00:00:18,519 --> 00:00:20,288 OR WHEREVER THE HELL YOU WERE FOR FOUR MONTHS? 8 00:00:20,354 --> 00:00:22,022 - GET THESE PEOPLE OUT OF THE CARS AND MOVE THEM BACK. 9 00:00:22,090 --> 00:00:24,658 - CAITLYN COOK PUT A BOMB ON ONE OF THE MOTORCADE VEHICLES. 10 00:00:24,725 --> 00:00:27,161 [device beeps] - YOU'LL NEVER STOP HER! 11 00:00:27,661 --> 00:00:28,796 - ALEC. 12 00:00:28,862 --> 00:00:31,065 - THEY KNOW ABOUT YOUR RELATIONSHIP WITH CAITLYN. 13 00:00:31,132 --> 00:00:33,134 - SOMEONE AT THE RUSSIAN EMBASSY KNEW ABOUT BELENKO. 14 00:00:33,201 --> 00:00:35,269 IF WE CAN ACCESS MASHKOV'S FILES, 15 00:00:35,336 --> 00:00:37,538 WE CAN LINK BELENKO TO CHICAGO. 16 00:00:37,605 --> 00:00:40,074 WHEN YOU HAVE THE CHANCE, TAKE THIS PHONE, 17 00:00:40,141 --> 00:00:41,509 PRESS IT AGAINST HIS FOR 30 SECONDS. 18 00:00:41,575 --> 00:00:42,643 TECHNOLOGY WILL DO THE REST. 19 00:00:42,710 --> 00:00:44,712 - STOP! 20 00:00:44,778 --> 00:00:46,480 YOU RECOGNIZE HER? - NO. 21 00:00:46,547 --> 00:00:47,815 - TONY, IT'S 5:30 IN THE MORNING. 22 00:00:47,881 --> 00:00:49,417 WHAT ARE YOU DOING? - I'M A LITTLE BIT DRUNK. 23 00:00:49,483 --> 00:00:51,285 - I'M COMING OVER-- JUST PROMISE ME 24 00:00:51,352 --> 00:00:53,421 YOU'RE NOT GONNA HAVE ANOTHER DRINK UNTIL I GET THERE, OKAY? 25 00:00:53,487 --> 00:00:55,823 TONY DIED. THEY'RE TELLING ME HE DRANK HIMSELF TO DEATH. 26 00:00:55,889 --> 00:00:57,558 I DON'T BELIEVE THAT'S WHAT KILLED HIM. 27 00:00:57,625 --> 00:00:58,692 WHAT ARE YOU DOING HERE? 28 00:00:58,759 --> 00:01:00,561 - MCQUAID IS RECOVERING FROM THE GUNSHOT WOUND. 29 00:01:00,628 --> 00:01:01,829 IS HE OUT OF SURGERY? IS HE CONSCIOUS? 30 00:01:01,895 --> 00:01:03,597 - YOU CAN ASK HIM YOURSELF. 31 00:01:35,196 --> 00:01:37,665 [teakettle whistling] 32 00:01:47,408 --> 00:01:48,776 - HEY. - HEY. 33 00:01:55,383 --> 00:01:57,318 DOESN'T LOOK LIKE YOU HAVE ONE OF THOSE FOR ME. 34 00:01:57,385 --> 00:01:59,320 - [laughing] 35 00:01:59,387 --> 00:02:02,122 THAT SHOULDN'T STOP YOU FROM HAVING SOME 36 00:02:02,190 --> 00:02:04,358 OR TAKING YOUR WALK OF SHAME. 37 00:02:04,425 --> 00:02:07,528 - [laughing] 38 00:02:07,595 --> 00:02:10,431 AND HERE I WAS, THINKING THAT LAST NIGHT MEANT SOMETHING. 39 00:02:15,869 --> 00:02:18,572 - WHERE ARE YOU GOING? - UH, MY PLACE. 40 00:02:18,639 --> 00:02:21,409 I HAVE TO CHANGE BEFORE I HEAD TO THE OFFICE. 41 00:02:22,743 --> 00:02:24,178 - YOU HIT THE GROUND RUNNING. 42 00:02:24,245 --> 00:02:26,214 - THAT'S THE ONLY WAY I KNOW HOW TO HIT THE GROUND. 43 00:02:26,280 --> 00:02:29,917 [cell phone ringing] 44 00:02:29,983 --> 00:02:32,420 - IT'S LANGLEY. - YOU SHOULD ANSWER IT. 45 00:02:35,456 --> 00:02:37,791 - YEAH. - HEY, ANNIE, IT'S ME-- 46 00:02:37,858 --> 00:02:40,294 ERIC, UH, ERIC BARBER. WE USED TO WORK TOGETHER. 47 00:02:40,361 --> 00:02:43,397 - I REMEMBER YOU, ERIC. WHAT'S UP? 48 00:02:43,464 --> 00:02:46,767 - UH, WE HAVE A BIT OF A SITUATION HERE. 49 00:02:46,834 --> 00:02:49,437 - WHAT KIND OF SITUATION? 50 00:02:49,503 --> 00:02:51,839 - IT'S ABOUT AUGGIE. 51 00:02:55,209 --> 00:02:57,845 [door closes] 52 00:02:57,911 --> 00:03:00,714 [door buzzes] 53 00:03:10,691 --> 00:03:12,960 - AUGGIE. 54 00:03:13,026 --> 00:03:14,428 - ANNIE, WHAT ARE YOU DOING HERE? 55 00:03:14,495 --> 00:03:16,864 - BAILING YOU OUT. 56 00:03:16,930 --> 00:03:18,666 BARBER CALLED ME. 57 00:03:18,732 --> 00:03:21,502 HE SAID YOU GOT INTO A FIGHT WITH THAT MEDICAL EXAMINER. 58 00:03:21,569 --> 00:03:24,805 - WE HAD A DISAGREEMENT OVER WHAT CAUSED TONY'S DEATH. 59 00:03:24,872 --> 00:03:27,308 - SO YOU THREW HIM INTO A WALL? - I PUSHED HIM. 60 00:03:27,375 --> 00:03:28,776 BARBER WASN'T SUPPOSED TO CALL YOU. 61 00:03:28,842 --> 00:03:30,644 - WHY DIDN'T YOU CALL ME? 62 00:03:30,711 --> 00:03:33,514 - WE HAVEN'T EXACTLY BEEN GETTING ALONG LATELY. 63 00:03:33,581 --> 00:03:35,616 - THAT'S WHY YOU HAVEN'T BEEN RETURNING MY CALLS? 64 00:03:37,951 --> 00:03:41,322 - IT'S BEEN A TOUGH WEEK. 65 00:03:41,389 --> 00:03:43,791 - COME ON. WE'RE PARKED OUTSIDE. 66 00:03:49,363 --> 00:03:50,998 YOU THINK TONY WAS MURDERED? 67 00:03:51,064 --> 00:03:53,301 - THEY SAID HE DIED OF ALCOHOL POISONING-- 68 00:03:53,367 --> 00:03:55,235 TOO MUCH VODKA. 69 00:03:55,303 --> 00:03:57,237 TONY DIDN'T DRINK VODKA. HE WAS A BOURBON MAN. 70 00:03:57,305 --> 00:03:59,573 - YOU SAID HE JUST FELL OFF THE WAGON AFTER THREE YEARS. 71 00:03:59,640 --> 00:04:00,841 - YEAH, MEANING WHAT? 72 00:04:00,908 --> 00:04:02,310 - MEANING MAYBE HE WASN'T THAT DISCERNING 73 00:04:02,376 --> 00:04:03,844 WHEN IT CAME TO GETTING DRUNK. - ANNIE, I KNEW TONY. 74 00:04:03,911 --> 00:04:05,579 HE WOULDN'T DRINK HIMSELF TO DEATH. 75 00:04:05,646 --> 00:04:07,348 SOMEONE JUST WANTED IT TO LOOK THAT WAY. 76 00:04:07,415 --> 00:04:09,016 - WHO WOULD WANT THAT? 77 00:04:09,082 --> 00:04:10,418 - BELENKO. 78 00:04:10,484 --> 00:04:12,653 - BELENKO? YOU THINK THIS CONNECTS? 79 00:04:12,720 --> 00:04:14,522 - THERE'S A PATTERN TO HIS ATTACKS. 80 00:04:14,588 --> 00:04:16,790 EACH ONE KILLED A GUY FROM MY UNIT. 81 00:04:16,857 --> 00:04:18,926 FIRST, CHARLIE SCHINDERMAN IN CHICAGO. 82 00:04:18,992 --> 00:04:21,795 THEN MUELLER, WHICH WAS BASED ON FALSE INTEL FED TO US, 83 00:04:21,862 --> 00:04:23,731 AND WHEN YOU STOPPED THE MOTORCADE BOMBING, 84 00:04:23,797 --> 00:04:24,932 HE HAD TONY POISONED. 85 00:04:24,998 --> 00:04:26,767 - YOU THINK TONY WAS BELENKO'S TARGET? 86 00:04:26,834 --> 00:04:29,570 - THREE OF MY GUYS DEAD IN THREE MONTHS. 87 00:04:29,637 --> 00:04:31,572 WE'RE TRAINED NOT TO BELIEVE IN COINCIDENCES. 88 00:04:31,639 --> 00:04:33,040 - WHY WOULD BELENKO BE TARGETING GUYS FROM YOUR UNIT? 89 00:04:33,106 --> 00:04:34,575 - I HAVEN'T FIGURED THAT OUT YET. 90 00:04:34,642 --> 00:04:35,943 - HAVE YOU EVER CROSSED PATHS WITH HIM? 91 00:04:36,009 --> 00:04:38,412 - NO. NOT THAT I KNOW OF. 92 00:04:38,479 --> 00:04:40,781 - WE'RE HERE. 93 00:04:43,317 --> 00:04:45,285 - I KNOW I'M RIGHT ABOUT BELENKO. 94 00:04:45,353 --> 00:04:47,521 - THEN LET'S START BY PROVING TONY'S DEATH WAS FOUL PLAY. 95 00:04:47,588 --> 00:04:50,924 WE DO THAT, WE CAN PROVE CONSPIRACY. 96 00:04:53,627 --> 00:04:55,629 - OKAY. 97 00:05:01,902 --> 00:05:03,737 [sighs] - HEY, BUDDY. 98 00:05:03,804 --> 00:05:05,439 GLAD TO SEE YOU DIDN'T GET SHANKED IN THERE. 99 00:05:05,506 --> 00:05:09,743 - I SPECIFICALLY MADE MY ONE CALL TO YOU, BARBER. 100 00:05:09,810 --> 00:05:11,345 - HEY, MAN, HOW WAS I TO KNOW 101 00:05:11,412 --> 00:05:12,913 YOU AND ANNIE WEREN'T ON SPEAKING TERMS, OKAY? 102 00:05:12,980 --> 00:05:14,515 I THOUGHT YOU TWO WERE INSEPARABLE. 103 00:05:14,582 --> 00:05:16,316 - JUST SO THAT I'VE GOT A HEADS-UP, 104 00:05:16,384 --> 00:05:19,587 HAS WORD ABOUT THIS ALREADY MADE ITS WAY TO JOAN? 105 00:05:19,653 --> 00:05:21,722 - YES. - YEAH. 106 00:05:24,858 --> 00:05:26,894 - WILL YOU EXCUSE US, BARBER? - YEAH. 107 00:05:26,960 --> 00:05:29,597 - JOAN, BEFORE YOU GET INTO IT, YOU NEED TO KNOW 108 00:05:29,663 --> 00:05:31,331 THERE IS MORE GOING ON WITH TONY'S DEATH. 109 00:05:33,967 --> 00:05:35,869 - AUGGIE... 110 00:05:35,936 --> 00:05:38,472 I UNDERSTAND THAT YOU'RE GRIEVING THE LOSS OF YOUR FRIEND 111 00:05:38,539 --> 00:05:39,907 AND THAT YOU'RE SEARCHING FOR ANSWERS. 112 00:05:39,973 --> 00:05:42,843 BUT WHEN IT COMES TO ADDICTION, THERE AREN'T ANY. 113 00:05:42,910 --> 00:05:46,013 - TONY'S ADDICTION ISN'T WHAT KILLED HIM. 114 00:05:46,079 --> 00:05:48,749 - I'M SENDING YOU HOME. TAKE THE REST OF THE WEEK OFF. 115 00:05:48,816 --> 00:05:50,884 - I DON'T NEED A VACATION. 116 00:05:50,951 --> 00:05:52,486 - YOU WANT ME TO CALL IT A SUSPENSION? 117 00:05:52,553 --> 00:05:53,887 - JOAN, DON'T DO THIS. 118 00:05:53,954 --> 00:05:55,689 - AUGGIE, YOU PUNCHED A COUNTY OFFICIAL. 119 00:05:55,756 --> 00:05:57,491 - I DIDN'T PUNCH HIM. I SHOVED HIM. 120 00:05:57,558 --> 00:05:59,993 LOOK, JUST LISTEN TO ME. - NO, YOU LISTEN TO ME. 121 00:06:00,060 --> 00:06:03,130 YOU WERE ARRESTED, WHICH LEAVES ME NO CHOICE. 122 00:06:05,499 --> 00:06:06,867 I'LL SEE YOU NEXT WEEK. 123 00:07:32,653 --> 00:07:34,888 [knock at door] - WHO IS IT? 124 00:07:34,955 --> 00:07:37,758 - AUGGIE, IT'S ME. 125 00:07:41,094 --> 00:07:42,630 - HEY, IT'S LATE. 126 00:07:42,696 --> 00:07:43,897 - I BROKE INTO TONY SALGADO'S HOUSE 127 00:07:43,964 --> 00:07:45,599 LOOKING FOR EVIDENCE OF HOMICIDE. 128 00:07:45,666 --> 00:07:47,935 - WELL, DID YOU FIND ANY? - YEAH. 129 00:07:48,001 --> 00:07:51,204 I CALLED IN A FAVOR AND HAD TONY'S VODKA BOTTLES TESTED. 130 00:07:51,271 --> 00:07:52,773 - WHAT'D YOU FIND? 131 00:07:52,840 --> 00:07:55,843 - TRACES OF SYNTHETIC TETRODOTOXIN. 132 00:07:55,909 --> 00:07:58,879 - NO WONDER THE M.E. MISSED IT. 133 00:07:58,946 --> 00:08:01,749 THAT WOULDN'T GET FLAGGED IN A BASIC TOX SCREEN. 134 00:08:01,815 --> 00:08:05,118 THERE ARE ONLY A HANDFUL OF LABS IN THE WORLD THAT CAN MAKE IT. 135 00:08:05,185 --> 00:08:07,054 TONY WAS MURDERED. 136 00:08:07,120 --> 00:08:09,623 - AUGGIE, YOU COULD BE NEXT. WE NEED TO TAKE THIS TO JOAN. 137 00:08:09,690 --> 00:08:11,491 - NO, NO WAY, WE'RE NOT TAKING THIS TO THE CIA, 138 00:08:11,559 --> 00:08:12,793 NOT AFTER THEY JUST BENCHED ME. 139 00:08:12,860 --> 00:08:14,494 - AUGGIE, YOU NEED TO BE PROTECTED. 140 00:08:14,562 --> 00:08:17,164 - ANNIE, WHAT I NEED IS TO FIND OUT WHO MADE THAT TOXIN 141 00:08:17,230 --> 00:08:19,032 AND LINK THEM TO BELENKO. 142 00:08:19,099 --> 00:08:21,769 I HAVE TO DO THIS FOR TONY, FOR MY UNIT. 143 00:08:21,835 --> 00:08:23,170 - I HAVE TO DO THIS FOR YOU. 144 00:08:23,236 --> 00:08:25,939 WE NEED TO MOVE FAST BEFORE BELENKO MAKES HIS NEXT MOVE. 145 00:08:42,322 --> 00:08:43,791 [knock at door] 146 00:08:45,092 --> 00:08:47,027 - THOUGHT YOU COULD USE A BITE BEFORE THE RED-EYE. 147 00:08:47,094 --> 00:08:48,696 - MM. 148 00:08:51,965 --> 00:08:54,167 - ARE YOU SURE THAT THAT LAB THAT YOU'RE GOING TO IN GERMANY 149 00:08:54,234 --> 00:08:55,903 IS THE RIGHT ONE? 150 00:08:55,969 --> 00:08:58,038 - WELL, THERE'S ONLY EIGHT LABS IN THE WORLD 151 00:08:58,105 --> 00:09:00,107 THAT SYNTHESIZE THE TOXIN THAT KILLED TONY, 152 00:09:00,173 --> 00:09:03,276 AND KLF IN ESSEN IS ONE OF THEM. 153 00:09:03,343 --> 00:09:07,981 AND BELENKO FLEW THROUGH THERE ON HIS WAY BACK FROM ISTANBUL. 154 00:09:08,048 --> 00:09:10,651 - YOU KNOW, I, UH-- I SHOULD COME WITH YOU. 155 00:09:10,718 --> 00:09:13,721 - YOU STILL HAVE TWO BULLET HOLES IN YOUR CHEST. 156 00:09:13,787 --> 00:09:17,290 - SO YOU THINK THAT I WOULD SLOW YOU DOWN? 157 00:09:17,357 --> 00:09:20,628 - WELL, I THINK YOU'RE MORE VALUABLE HERE. 158 00:09:20,694 --> 00:09:22,229 AND YOU HAVE A COMPANY TO REBUILD. 159 00:09:22,295 --> 00:09:25,165 [zipper closes] - HEY, HOLD--HOLD ON. 160 00:09:25,232 --> 00:09:27,167 HOLD ON. YOUR CAR'S NOT HERE YET. 161 00:09:27,234 --> 00:09:30,003 [cell phone chimes] 162 00:09:30,070 --> 00:09:32,906 - NOW IT IS. 163 00:09:32,973 --> 00:09:36,910 CAN YOU DO ME A FAVOR BEFORE I GO? 164 00:09:36,977 --> 00:09:38,245 - NAME IT. 165 00:09:40,280 --> 00:09:42,082 - AUGGIE. 166 00:09:42,149 --> 00:09:44,952 - ANNIE. 167 00:09:45,018 --> 00:09:47,354 - AUGGIE, NICE TO MEET YOU. 168 00:09:47,420 --> 00:09:50,991 - RYAN MCQUAID? 169 00:09:51,058 --> 00:09:53,260 - I'M SORRY FOR YOUR LOSS. 170 00:09:53,326 --> 00:09:56,329 - YEAH, THANKS. HOW ARE YOU FEELING? 171 00:09:56,396 --> 00:09:58,632 - WELL, IT TAKES MORE THAN A COUPLE OF BULLETS 172 00:09:58,699 --> 00:09:59,933 TO KEEP A FROG MAN DOWN. 173 00:10:00,000 --> 00:10:01,234 - AND IN TRUE NAVY SEAL STYLE, 174 00:10:01,301 --> 00:10:02,803 YOU CAN WRITE A TELL-ALL BOOK ABOUT IT. 175 00:10:02,870 --> 00:10:04,705 - OKAY, I HAVE A PLANE TO CATCH. 176 00:10:04,772 --> 00:10:06,039 AUGGIE, WILL YOU WALK ME TO MY CAR? 177 00:10:06,106 --> 00:10:08,608 - SURE. NICE TO MEET YOU, MCQUAID. 178 00:10:08,676 --> 00:10:10,043 - YOU TOO. 179 00:10:10,110 --> 00:10:13,781 HAVE FUN. - WILL DO. 180 00:10:13,847 --> 00:10:15,883 GOT SOMETHING FOR ME? 181 00:10:15,949 --> 00:10:19,319 - THIS IS EVERYTHING ON KLF CHEMICAL. 182 00:10:19,386 --> 00:10:21,889 THEY'RE PRETTY SPECIALIZED-- NEUROTOXINS, NERVE AGENTS. 183 00:10:21,955 --> 00:10:24,224 THEY SELL TO A LOT OF MILITARY CONTRACTORS, 184 00:10:24,291 --> 00:10:27,127 SO GETTING IN THERE IS GONNA BE ALMOST IMPOSSIBLE. 185 00:10:27,194 --> 00:10:28,395 RECON COULD TAKE WEEKS. 186 00:10:28,461 --> 00:10:31,098 - YOU MAY NOT HAVE WEEKS. I'LL FIND A SHORTCUT. 187 00:10:31,164 --> 00:10:33,066 - SOUNDS GOOD. CALL ME ON MY CELL. 188 00:10:33,133 --> 00:10:35,335 WE'RE NOT FLYING AIR LANGLEY ON THIS ONE. 189 00:10:35,402 --> 00:10:37,270 - OH, YOU'RE GONNA BE ALL RIGHT, AREN'T YOU? 190 00:10:37,337 --> 00:10:38,706 - YEAH. 191 00:10:38,772 --> 00:10:40,240 - IS THERE ANYONE ELSE IN YOUR UNIT-- 192 00:10:40,307 --> 00:10:41,975 I MEAN, ANYONE ELSE STILL ALIVE? 193 00:10:44,044 --> 00:10:44,978 - NO. 194 00:10:46,814 --> 00:10:50,383 LISTEN, WALKER, I... 195 00:10:50,450 --> 00:10:53,320 I APPRECIATE YOU DOING THIS FOR ME. 196 00:10:53,386 --> 00:10:55,923 - YOU'D DO THE SAME FOR ME. 197 00:11:41,501 --> 00:11:44,004 [camera shutter clicks] 198 00:12:06,193 --> 00:12:08,395 [camera shutter clicks] 199 00:12:50,170 --> 00:12:52,172 - WAIT TO CROSS. 200 00:12:52,239 --> 00:12:55,108 WAIT TO CROSS. 201 00:12:55,175 --> 00:12:58,378 SAFE TO CROSS. 202 00:12:58,445 --> 00:13:03,183 SAFE TO CROSS. 203 00:13:03,250 --> 00:13:05,919 WAIT TO CROSS. 204 00:13:05,986 --> 00:13:08,055 WAIT TO CROSS. 205 00:13:08,121 --> 00:13:12,059 [horn honking, tires screeching] WAIT TO CROSS. 206 00:13:46,126 --> 00:13:49,462 - [computerized voice] 13, 8, 7... 207 00:13:49,529 --> 00:13:51,331 MAYFLOWER. 208 00:13:51,398 --> 00:13:54,834 13, 8, 7... 209 00:13:54,902 --> 00:13:56,369 MAYFLOWER. 210 00:13:59,572 --> 00:14:01,441 - ANY HITS ON THE BRUNETTE? 211 00:14:01,508 --> 00:14:03,843 [computer whirs, beeps] 212 00:14:03,911 --> 00:14:06,246 - SHE LIT UP OUR INTERNAL DATABASE LIKE A CHRISTMAS TREE. 213 00:14:06,313 --> 00:14:07,514 SHE'S AN FSB OPERATIVE 214 00:14:07,580 --> 00:14:09,382 WITH THE SPECIAL ACTIVITIES DIRECTORATE, 215 00:14:09,449 --> 00:14:10,483 TRAINED WITH THE SVR. 216 00:14:10,550 --> 00:14:11,985 NAME IS OLGA AKAROVA. 217 00:14:12,052 --> 00:14:14,154 SHE'S ONE OF THEIR BEST-- THE REAL DEAL. 218 00:14:14,221 --> 00:14:16,256 - WHAT ABOUT LADY LAB COAT? - LESS ON HER. 219 00:14:16,323 --> 00:14:18,491 BRITTA KAPLAN-- BORN AND RAISED IN JOHANNESBURG, 220 00:14:18,558 --> 00:14:22,129 STUDIED ORGANIC CHEMISTRY AT E.T.H. ZURICH. 221 00:14:22,195 --> 00:14:23,463 SHE PLAYS WORDS WITH FRIENDS A LOT, 222 00:14:23,530 --> 00:14:25,933 THOUGH SHE DOESN'T HAVE MANY ACTUAL FRIENDS. 223 00:14:25,999 --> 00:14:27,100 - SHE'S BELENKO'S CHEMIST. 224 00:14:27,167 --> 00:14:28,501 THAT'S WHY OLGA'S MONITORING HER. 225 00:14:28,568 --> 00:14:30,637 BRITTA MUST BE THE ONE WHO MADE THEM THE TOXIN. 226 00:14:30,703 --> 00:14:33,506 SHE CAN PROVIDE A LINK TO WHAT BELENKO WANTS FROM AUGGIE. 227 00:14:33,573 --> 00:14:34,641 - [sighs] 228 00:14:34,707 --> 00:14:37,110 YOU KNOW, I KNOW THAT I HAVE TO REBUILD THE FORT, 229 00:14:37,177 --> 00:14:40,247 BUT IT IS KILLING ME NOT BEING THERE WITH YOU. 230 00:14:40,313 --> 00:14:43,016 - THE SACRIFICES YOU'RE MAKING ARE GOING TO BE WORTH IT-- 231 00:14:43,083 --> 00:14:44,517 PROMISE. - JUST TELL ME THAT YOU'RE GOING 232 00:14:44,584 --> 00:14:46,253 TO NAIL THE BAD GUY'S ASS TO THE WALL ON THIS. 233 00:14:46,319 --> 00:14:47,988 - WE'RE GONNA NAIL THE BAD GUY'S ASS TO THE WALL. 234 00:14:54,694 --> 00:14:56,629 - SIGINT JUST GOT THE ANALYSIS BACK FROM THE PHONE 235 00:14:56,696 --> 00:15:00,167 THAT SYDNEY HOT-SYNCHED WITH OUR DIPLOMAT FRIEND. 236 00:15:00,233 --> 00:15:03,036 - DID MASHKOV'S PHONE PROVIDE ANYTHING OF VALUE? 237 00:15:03,103 --> 00:15:04,637 - TURNS OUT HE'S MORE CONNECTED THAN WE THOUGHT. 238 00:15:04,704 --> 00:15:07,274 HE HAS RELATIONSHIPS WITH TOP OFFICIALS AT THE FSB, 239 00:15:07,340 --> 00:15:11,044 THE DUMA, AND THE KREMLIN. 240 00:15:11,111 --> 00:15:12,145 - THIS IS GREAT INTEL. 241 00:15:12,212 --> 00:15:15,282 - SYDNEY DID REMARKABLE WORK FOR A CIVILIAN. 242 00:15:18,685 --> 00:15:21,989 - WE NEED TO GET HER IN DEEPER. 243 00:15:22,055 --> 00:15:25,258 MASHKOV MIGHT HAVE ACCESS TO INTEL ON BELENKO. 244 00:15:25,325 --> 00:15:27,160 GETTING OUR HANDS ON IT WOULD BE A GAME CHANGER. 245 00:15:27,227 --> 00:15:28,928 - SHE'S NOT A SEASONED OPERATIVE. 246 00:15:28,996 --> 00:15:31,631 - JOAN, WE HAVE OPERATIVES SEVEN YEARS IN 247 00:15:31,698 --> 00:15:34,467 THAT WOULD NOT HAVE BEEN ABLE TO PULL THIS OFF. 248 00:15:34,534 --> 00:15:36,103 - MASHKOV IS TOO CONNECTED. 249 00:15:36,169 --> 00:15:38,205 ONE FALSE MOVE, AND SHE'D BE COMPROMISED, 250 00:15:38,271 --> 00:15:40,040 WHICH WOULD BLOW BACK DIRECTLY ONTO US. 251 00:15:40,107 --> 00:15:42,075 SHE'S OUT OF HER DEPTH HERE. - I THINK SHE CAN DO IT. 252 00:15:42,142 --> 00:15:43,710 - I STRONGLY CAUTION AGAINST IT. 253 00:15:43,776 --> 00:15:47,247 - NOTED, BUT I MADE MY DECISION. 254 00:15:47,314 --> 00:15:50,217 [knock at door] 255 00:15:50,283 --> 00:15:51,451 - MRS. CAMPBELL? 256 00:15:51,518 --> 00:15:54,287 YOU'RE WANTED DOWN IN POLYGRAPH. 257 00:15:54,354 --> 00:15:55,688 - "POLYGRAPH"? 258 00:15:55,755 --> 00:15:57,657 - THAT'S WHAT I'M TOLD. 259 00:15:57,724 --> 00:15:59,326 [door closes] 260 00:15:59,392 --> 00:16:02,362 - UNSCHEDULED? 261 00:16:02,429 --> 00:16:04,231 - YEAH. 262 00:16:05,565 --> 00:16:08,301 - HAPPENS TO THE BEST OF US. 263 00:16:11,271 --> 00:16:13,373 - I'LL KEEP THAT IN MIND. 264 00:16:17,277 --> 00:16:19,979 - OLGA AKAROVA IS THE WOMAN YOU SAW IN ISTANBUL? 265 00:16:20,047 --> 00:16:23,083 - YEAH, OLGA WAS FOLLOWING BRITTA KAPLAN, A KLF CHEMIST. 266 00:16:23,150 --> 00:16:24,651 - AND YOU THINK BRITTA IS THE ONE WHO MADE 267 00:16:24,717 --> 00:16:26,519 THE TOXIN FOR BELENKO? - YEAH. 268 00:16:26,586 --> 00:16:29,122 I THINK OLGA'S HERE KEEPING AN EYE ON BRITTA FOR BELENKO. 269 00:16:29,189 --> 00:16:30,657 - HOW'D YOU GET THE I.D.s? 270 00:16:30,723 --> 00:16:32,492 - RYAN HELPED ME. 271 00:16:32,559 --> 00:16:33,760 - REALLY? 272 00:16:33,826 --> 00:16:35,562 - YEAH, WELL, I KNOW WE DON'T HAVE ANY ACCESS 273 00:16:35,628 --> 00:16:36,996 TO CIA RESOURCES, 274 00:16:37,064 --> 00:16:38,298 SO I LOOPED HIM IN FOR FACIAL REC. 275 00:16:38,365 --> 00:16:40,067 - YEAH. I GUESS I JUST WISH YOU HAD RUN IT BY ME FIRST. 276 00:16:40,133 --> 00:16:43,070 IT WAS MY IMPRESSION THIS OP WAS JUST BETWEEN THE TWO OF US. 277 00:16:43,136 --> 00:16:46,173 I'M GUESSING YOU HIT MCQUAID UP FOR THE GUY SHADOWING ME? 278 00:16:46,239 --> 00:16:47,407 - HOW'D YOU FIND OUT? 279 00:16:47,474 --> 00:16:48,675 - MY SPIDEY SENSE WAS TINGLING, 280 00:16:48,741 --> 00:16:50,543 SO I HAD BARBER PULL UP STREET-CAM FOOTAGE 281 00:16:50,610 --> 00:16:52,145 FROM OUTSIDE MY PLACE. 282 00:16:52,212 --> 00:16:53,713 - I JUST WANT TO MAKE SURE YOU'RE PROTECTED. 283 00:16:53,780 --> 00:16:56,383 - I DIDN'T ASK YOU TO DO THAT. - I KNOW. 284 00:16:56,449 --> 00:16:57,784 [keys clacking] 285 00:16:57,850 --> 00:17:01,121 - ALL RIGHT, LET'S SEE WHAT WE CAN FIND ON BRITTA KAPLAN. 286 00:17:01,188 --> 00:17:02,655 - SHE'S FROM JOHANNESBURG. 287 00:17:02,722 --> 00:17:04,524 SHE DOESN'T HAVE A BIG SOCIAL-MEDIA PRESENCE. 288 00:17:04,591 --> 00:17:06,159 - THAT'S NOT ENOUGH FOR AN APPROACH. 289 00:17:06,226 --> 00:17:07,727 AND I GOT TO SAY, IT'S GONNA TAKE ME A WHILE 290 00:17:07,794 --> 00:17:10,130 TO GET ANYTHING USEFUL WITHOUT MY USUAL TECH. 291 00:17:10,197 --> 00:17:11,398 - YEAH, WHICH IS WHY I'M THINKING 292 00:17:11,464 --> 00:17:13,233 OF BREAKING INTO HER APARTMENT. 293 00:17:13,300 --> 00:17:15,368 - WHAT ABOUT THE FSB AGENT SHADOWING HER? 294 00:17:15,435 --> 00:17:18,271 - I'LL STAY OFF HER RADAR. 295 00:17:18,338 --> 00:17:21,808 - DID YOU WORK IN THE BALKANS DURING THE YUGOSLAV WARS? 296 00:17:25,178 --> 00:17:27,114 - YES. 297 00:17:27,180 --> 00:17:28,281 - WERE YOU STATIONED IN KOSOVO 298 00:17:28,348 --> 00:17:30,717 FROM MARCH '98 THROUGH FEBRUARY '99? 299 00:17:30,783 --> 00:17:32,285 - YES. - DURING THAT TIME, 300 00:17:32,352 --> 00:17:34,287 WERE YOU INVOLVED IN TRAINING MEMBERS OF THE KLA, 301 00:17:34,354 --> 00:17:37,724 ALSO KNOWN AS THE KOSOVO LIBERATION ARMY? 302 00:17:37,790 --> 00:17:40,827 - YES, PER MY ASSIGNMENT. 303 00:17:40,893 --> 00:17:43,263 - "YES" OR "NO" ANSWERS ONLY, PLEASE. 304 00:17:43,330 --> 00:17:45,398 - I'M NOT SURE IF YOU'RE AWARE, 305 00:17:45,465 --> 00:17:48,401 BUT I DID MY ANNUAL POLYGRAPH TWO MONTHS AGO. 306 00:17:48,468 --> 00:17:51,404 I'D LIKE TO KNOW WHAT THIS IS ABOUT. 307 00:17:51,471 --> 00:17:53,740 - I'M JUST HERE TO ASK QUESTIONS. 308 00:17:53,806 --> 00:17:56,409 READY TO CONTINUE? 309 00:19:11,284 --> 00:19:13,253 [camera shutter clicking] 310 00:19:15,588 --> 00:19:18,191 [door opens] 311 00:19:53,326 --> 00:19:55,795 [floor creaks] 312 00:20:19,552 --> 00:20:23,456 [thud, door opens] 313 00:20:41,574 --> 00:20:44,511 [door closes] 314 00:20:48,448 --> 00:20:51,384 [indistinct chatter over radio] 315 00:20:54,454 --> 00:20:57,624 [knock at door] 316 00:20:57,690 --> 00:21:00,927 - WHO IS IT? - AUGGIE, IT'S RYAN MCQUAID. 317 00:21:05,031 --> 00:21:08,335 - I'M NOT AT THE CIA RIGHT NOW, SO I CAN'T OFFER YOU A CONTRACT. 318 00:21:08,401 --> 00:21:09,969 - OH, SO YOU'D GIVE ME A CONTRACT. 319 00:21:10,036 --> 00:21:11,438 THAT'S GOOD TO KNOW. 320 00:21:11,504 --> 00:21:13,039 - LISTEN, WHILE YOU'RE HERE, 321 00:21:13,105 --> 00:21:16,576 YOU WANT TO INTRODUCE ME TO MY BABYSITTER? 322 00:21:16,643 --> 00:21:18,044 - HEY, PETE. COME MEET AUGGIE. 323 00:21:20,880 --> 00:21:23,716 - HEY, AUGGIE. - PETE. 324 00:21:23,783 --> 00:21:26,519 - THANKS, PETE. BACK TO YOUR POST. 325 00:21:27,754 --> 00:21:29,856 YOU MIND IF I COME IN? I BROUGHT YOU SOMETHING. 326 00:21:29,922 --> 00:21:32,859 - OH, COME ON IN, MAN. 327 00:21:32,925 --> 00:21:36,329 - I HOPE IT'S NOT TOO FORWARD OF ME 328 00:21:36,396 --> 00:21:38,731 SHOWING UP LIKE THIS, BEARING GIFTS. 329 00:21:38,798 --> 00:21:40,667 - GUESS IT DEPENDS ON WHAT IT IS. 330 00:21:40,733 --> 00:21:42,735 - IT'S A MILITARY-GRADE LAPTOP 331 00:21:42,802 --> 00:21:45,705 THAT CONFORMS TO FIPS-140 CRYPTOGRAPHY STANDARDS. 332 00:21:45,772 --> 00:21:47,474 I EVEN HAD IT RETROFITTED 333 00:21:47,540 --> 00:21:49,409 WITH A REFRESHABLE BRAILLE DISPLAY. 334 00:21:49,476 --> 00:21:53,713 [chuckles] LET'S CALL IT AN EARLY BIRTHDAY PRESENT. 335 00:21:53,780 --> 00:21:55,582 - [chuckles] 336 00:21:55,648 --> 00:21:57,984 WELL, I'M NOT BIG ON BIRTHDAYS, BUT I'LL TAKE IT. 337 00:21:58,050 --> 00:22:00,753 - FIGURED A GUY WHO CAN HACK AS WELL AS YOU CAN 338 00:22:00,820 --> 00:22:03,356 MIGHT WANT TO TAKE IT FOR A SPIN. 339 00:22:06,426 --> 00:22:09,762 - WHY ARE YOU REALLY HERE, MCQUAID? 340 00:22:09,829 --> 00:22:10,897 - I JUST WANT TO MAKE SURE 341 00:22:10,963 --> 00:22:12,632 THAT ANNIE HAS THE BEST AVAILABLE RESOURCES 342 00:22:12,699 --> 00:22:13,900 BACKING HER UP. 343 00:22:13,966 --> 00:22:17,504 - WELL, I ASSURE YOU SHE DOES. 344 00:22:20,573 --> 00:22:22,341 [lock opens] THANKS FOR THE GEAR. 345 00:22:22,409 --> 00:22:23,510 - DON'T MENTION IT. 346 00:22:23,576 --> 00:22:26,513 IF YOU NEED ANYTHING ELSE, JUST LET ME KNOW. 347 00:22:32,685 --> 00:22:34,754 - I FOUND A REJECTION LETTER FOR AN ARTICLE BRITTA WROTE 348 00:22:34,821 --> 00:22:36,756 FROM MALMO CHEMICAL JOURNAL. 349 00:22:36,823 --> 00:22:40,359 I COULD USE THAT AS AN INTRO, SAY I'M ON THE BOARD. 350 00:22:40,427 --> 00:22:41,894 - OPERATIVES USUALLY HAVE TO PREP FOR MONTHS 351 00:22:41,961 --> 00:22:44,096 BEFORE THEY CAN UNDERSTAND THE ADVANCED CHEM LINGO 352 00:22:44,163 --> 00:22:45,598 NEEDED TO PULL THAT OFF. 353 00:22:45,665 --> 00:22:47,734 - WELL, CHEMISTS JUST DON'T TALK ABOUT FORMULAS. 354 00:22:47,800 --> 00:22:51,037 - NO, BUT, HONESTLY, RIGHT NOW I'M MORE CONCERNED ABOUT OLGA. 355 00:22:51,103 --> 00:22:52,872 YOU SAID SHE PULLED A BUG OUT OF BRITTA'S APARTMENT? 356 00:22:52,939 --> 00:22:54,774 - YEAH, BUT WE ALREADY KNEW SHE WAS SURVEILLING BRITTA. 357 00:22:54,841 --> 00:22:56,008 - NAH, THIS IS BIGGER THAN THAT. 358 00:22:56,075 --> 00:22:59,011 I'M ACCESSING SOME CLASSIFIED FSB INTEL-- 359 00:22:59,078 --> 00:23:00,847 D.I.A. HAS A FILE ON OLGA. 360 00:23:00,913 --> 00:23:02,415 - HOW'D YOU MANAGE THAT? 361 00:23:02,482 --> 00:23:04,383 - MCQUAID-- HE BROUGHT ME SOME TECH. 362 00:23:04,451 --> 00:23:05,852 - HE DID? THAT WAS THOUGHTFUL. 363 00:23:05,918 --> 00:23:06,953 - COME ON, YOU KNEW. 364 00:23:07,019 --> 00:23:08,455 - AUGGIE. - IT'S FINE. 365 00:23:08,521 --> 00:23:10,723 TURNS OUT IT'S DECENT HARDWARE. 366 00:23:10,790 --> 00:23:13,159 BUT ACCORDING TO D.I.A., 367 00:23:13,225 --> 00:23:15,728 OLGA RECENTLY GRADUATED TO WET WORK FOR THE FSB-- 368 00:23:15,795 --> 00:23:18,465 FOUR SUSPECTED KILLS IN THE LAST SIX MONTHS, 369 00:23:18,531 --> 00:23:20,500 THREE IN ROTTERDAM, ONE IN KIEV. 370 00:23:20,567 --> 00:23:22,569 I'M SENDING YOU THE FILE RIGHT NOW. 371 00:23:22,635 --> 00:23:24,771 SHE MAY NOT BE THERE JUST TO KEEP TABS ON BRITTA. 372 00:23:24,837 --> 00:23:26,839 - IF SHE'S HERE TO KILL HER, WHAT IS SHE WAITING FOR? 373 00:23:26,906 --> 00:23:28,575 I MEAN, WHY HASN'T SHE DONE IT YET? 374 00:23:28,641 --> 00:23:30,577 - WELL, MAYBE SHE'S WORKING ON SOMETHING ELSE FOR BELENKO. 375 00:23:30,643 --> 00:23:32,011 - THEN I NEED TO FIND OUT WHAT THAT IS. 376 00:23:32,078 --> 00:23:33,746 I'M GOING TO FAST-TRACK THIS. 377 00:23:33,813 --> 00:23:34,847 - NO, HEY, YOU NEED TO HANG BACK, 378 00:23:34,914 --> 00:23:36,483 AT LEAST UNTIL WE CAN GET SOMEONE ELSE 379 00:23:36,549 --> 00:23:37,884 ON THE GROUND THERE TO PROVIDE BACKUP. 380 00:23:37,950 --> 00:23:39,886 - AUGGIE, WE DON'T HAVE TIME FOR THAT. 381 00:23:39,952 --> 00:23:41,854 - ANNIE, THERE IS AN FSB ASSASSIN IN THE MIX. 382 00:23:41,921 --> 00:23:44,491 - THE REASON I'M HERE IS TO MAKE SURE NOTHING HAPPENS TO YOU. 383 00:23:44,557 --> 00:23:45,858 - PETE ALREADY HAS THAT COVERED. 384 00:23:45,925 --> 00:23:47,059 LISTEN TO ME-- 385 00:23:47,126 --> 00:23:48,628 THE LAST THING I WANT IS TO LOSE ANOTHER FRIEND. 386 00:23:48,695 --> 00:23:49,896 NOW STAND DOWN! 387 00:23:49,962 --> 00:23:51,998 - I DON'T WANT TO LOSE ANOTHER FRIEND EITHER. 388 00:23:59,038 --> 00:24:01,741 HELLO, BRITTA? 389 00:24:01,808 --> 00:24:03,142 - DO I KNOW YOU? 390 00:24:03,209 --> 00:24:05,545 - NO, YOU DON'T. 391 00:24:05,612 --> 00:24:07,747 AND NORMALLY I'D DO THIS DIFFERENTLY, 392 00:24:07,814 --> 00:24:10,950 BUT WE DON'T HAVE ENOUGH TIME. - TIME FOR WHAT? 393 00:24:11,017 --> 00:24:12,785 - FOR ME TO EXPLAIN THAT BELENKO 394 00:24:12,852 --> 00:24:15,488 HAS SENT AN ASSASSIN TO KILL YOU. 395 00:24:15,555 --> 00:24:17,156 - YOU HAVE ME CONFUSED WITH SOMEONE ELSE. 396 00:24:17,223 --> 00:24:19,492 - I KNOW THAT YOU MADE HIM THE TETRODOTOXIN. 397 00:24:19,559 --> 00:24:21,494 - I HAVE NO IDEA WHAT YOU'RE TALKING ABOUT. 398 00:24:21,561 --> 00:24:23,229 - I DON'T HAVE TIME FOR GAMES, BRITTA. 399 00:24:23,295 --> 00:24:26,899 BELENKO SENT THIS WOMAN TO KILL YOU. 400 00:24:26,966 --> 00:24:29,035 HE'S DONE IT BEFORE. 401 00:24:29,101 --> 00:24:31,170 HE KILLED A WOMAN WHO WORKED FOR HIM IN D.C. 402 00:24:31,237 --> 00:24:32,505 - THIS DOESN'T MAKE ANY SENSE. 403 00:24:32,572 --> 00:24:34,073 WHY WOULD HE SEND SOMEONE TO KILL ME? 404 00:24:34,140 --> 00:24:35,608 - BECAUSE YOU'RE CLOSE TO FINISHING 405 00:24:35,675 --> 00:24:37,744 WHAT YOU'RE WORKING ON FOR HIM. 406 00:24:37,810 --> 00:24:39,846 - WHY SHOULD I BELIEVE ANYTHING YOU'RE SAYING? 407 00:24:39,912 --> 00:24:41,814 THAT WOMAN IN THE PHOTO COULD BE ANYONE. 408 00:24:41,881 --> 00:24:44,617 - LOOK OUT THE WINDOW. 409 00:24:44,684 --> 00:24:46,152 YOU SEE THE BRUNETTE 410 00:24:46,218 --> 00:24:50,022 ACROSS THE STREET READING THE NEWSPAPER? 411 00:24:50,089 --> 00:24:51,758 SHE'S HERE FOR YOU. 412 00:24:53,259 --> 00:24:55,528 THESE ARE HER VICTIMS. 413 00:24:56,863 --> 00:24:59,098 THAT'S NOT HOW YOU WANT TO END UP. 414 00:25:08,975 --> 00:25:10,643 - SHE'S COMING THIS WAY. 415 00:25:10,710 --> 00:25:12,511 - I CAN PROTECT YOU, BUT YOU HAVE TO TELL ME 416 00:25:12,579 --> 00:25:13,980 WHAT YOU'RE WORKING ON FOR BELENKO. 417 00:25:14,046 --> 00:25:15,047 - IT'S IN MY LAB. 418 00:25:15,114 --> 00:25:16,816 - GRAB YOUR STUFF, SLOWLY. 419 00:25:16,883 --> 00:25:18,184 WE'LL GO OUT THE BACK. 420 00:25:26,726 --> 00:25:28,160 - THEY DIDN'T SAY NO. 421 00:25:28,227 --> 00:25:31,097 - YOU AND I BOTH KNOW WHAT THAT MEANS. 422 00:25:31,163 --> 00:25:32,965 - YOU'RE WORRIED. 423 00:25:33,032 --> 00:25:34,967 - DOWN TO MY LAST MAG IN FALLUJAH-- 424 00:25:35,034 --> 00:25:35,968 THAT HAD ME WORRIED. 425 00:25:36,035 --> 00:25:38,537 HAVING TO DEFEND MY JUDGMENT OF CHARACTER 426 00:25:38,605 --> 00:25:39,972 BECAUSE OF CAITLYN IS BULLSH--. 427 00:25:40,039 --> 00:25:43,109 - AH, THE ONLY EASY DAY WAS YESTERDAY. 428 00:25:43,175 --> 00:25:44,944 - YOU'RE GONNA DROP SEAL MOTTOS ON ME? 429 00:25:45,011 --> 00:25:46,979 - A LITTLE ADVERSITY NEVER HURT ANYONE. 430 00:25:47,046 --> 00:25:48,981 WE'LL BE BACK ON TOP BEFORE YOU KNOW IT. 431 00:25:49,048 --> 00:25:50,249 - YEAH. [cell phone ringing] 432 00:25:50,316 --> 00:25:51,718 - OH, I GOT TO TAKE THIS. 433 00:25:51,784 --> 00:25:53,252 SO I'LL SEE YOU AROUND 3:00? - SURE. 434 00:25:53,319 --> 00:25:56,088 - HEY. - I JUST GOT OUT OF POLYGRAPH. 435 00:25:56,155 --> 00:25:58,725 - THEY POLY'D YOU AGAIN SO SOON? 436 00:25:58,791 --> 00:25:59,826 - YES. 437 00:25:59,892 --> 00:26:01,761 - DID THEY ASK ABOUT THE BALKANS? 438 00:26:01,828 --> 00:26:04,030 - YES, THEY DID. 439 00:26:04,096 --> 00:26:05,297 I'M WORRIED, ARTHUR. 440 00:26:05,364 --> 00:26:06,766 - I'M GOING TO PULL A FEW STRINGS 441 00:26:06,833 --> 00:26:08,300 AND GET TO THE BOTTOM OF WHAT'S GOING ON. 442 00:26:08,367 --> 00:26:10,036 I STILL KNOW A FEW GUYS IN I.G. 443 00:26:10,102 --> 00:26:11,137 - THANK YOU. 444 00:26:11,203 --> 00:26:14,173 - IT'S GOING TO BE ALL RIGHT, JOAN. 445 00:26:14,240 --> 00:26:16,175 - I HOPE YOU'RE RIGHT. 446 00:26:26,819 --> 00:26:30,189 - SO DID I GET YOU ANYTHING USEFUL? 447 00:26:30,256 --> 00:26:34,661 - WOULD YOU CONSIDER A JACKPOT USEFUL? 448 00:26:34,727 --> 00:26:37,664 - REALLY? - YES, REALLY. 449 00:26:37,730 --> 00:26:39,866 GREAT WORK. 450 00:26:39,932 --> 00:26:41,901 - WHO KNEW SERVING MY COUNTRY COULD FEEL SO... 451 00:26:41,968 --> 00:26:43,836 [inhales sharply] GOOD? 452 00:26:43,903 --> 00:26:46,172 - I KNOW THE FEELING. 453 00:26:46,238 --> 00:26:48,174 - WHAT DO YOU WANT ME TO DO NEXT? 454 00:26:48,240 --> 00:26:51,911 - CULTIVATE A DEEPER CONNECTION WITH MASHKOV. 455 00:26:51,978 --> 00:26:54,313 - "DEEPER CONNECTION"? - YEAH. 456 00:26:54,380 --> 00:26:56,649 HE NEEDS TO FALL IN LOVE WITH YOU. 457 00:26:56,716 --> 00:26:59,952 - SO HE CAN TRUST ME. - EXACTLY. 458 00:27:00,019 --> 00:27:03,656 - I'M SEEING HIM LATER TODAY. I'LL SEE WHAT I CAN DO. 459 00:27:03,723 --> 00:27:07,059 - OKAY. LET'S MEET UP AFTER. AND MAKE SURE TO-- 460 00:27:07,126 --> 00:27:10,196 - FOLLOW YOUR PROTOCOLS? DON'T I ALWAYS? 461 00:28:12,324 --> 00:28:15,427 - [woman speaking indistinctly over PA] 462 00:28:18,765 --> 00:28:21,901 [train beeps, man speaking German over PA] 463 00:28:37,049 --> 00:28:38,818 - [computerized voice] INCOMING CALL--ANNIE. 464 00:28:38,885 --> 00:28:40,086 - ANNIE? - HEY, AUGGIE. 465 00:28:40,152 --> 00:28:42,922 LITTLE FOOT CHASE GOT MY BLOOD PUMPING. 466 00:28:42,989 --> 00:28:44,924 - YOU WERE MADE. - IT'S GOING TO BE FINE. 467 00:28:44,991 --> 00:28:47,426 I HAD TO DRAW OLGA AWAY FROM BRITTA. 468 00:28:47,493 --> 00:28:49,195 - SURE, OF COURSE YOU DID. 469 00:28:49,261 --> 00:28:50,763 - WHAT DOES THAT MEAN? 470 00:28:50,830 --> 00:28:52,765 - IT MEANS YOU IGNORED MY ADVICE, 471 00:28:52,832 --> 00:28:54,466 AND YOU PUT THE MISSION IN JEOPARDY. 472 00:28:54,533 --> 00:28:57,036 - I'M TRYING TO COMPLETE THE MISSION. 473 00:28:57,103 --> 00:28:59,071 - YOU ARE ALWAYS TRYING TO COMPLETE THE MISSION. 474 00:28:59,138 --> 00:29:00,940 THAT ISN'T THE ISSUE. - WHAT'S THE ISSUE? 475 00:29:01,007 --> 00:29:02,208 - THE ONE THING 476 00:29:02,274 --> 00:29:04,210 THAT AN OPERATIVE AND A HANDLER NEED IS TRUST, 477 00:29:04,276 --> 00:29:05,277 AND I CAN'T TRUST YOU. 478 00:29:05,344 --> 00:29:07,346 - I'M DOING THIS MISSION FOR YOU. 479 00:29:07,413 --> 00:29:09,348 - RIGHT, BUT THE ANNIE WALKER I USED TO KNOW 480 00:29:09,415 --> 00:29:11,483 WOULD'VE CONSULTED ME BEFORE GETTING ME PROTECTION 481 00:29:11,550 --> 00:29:12,952 AND LOOPING IN MCQUAID. 482 00:29:13,019 --> 00:29:14,486 - THIS IS ABOUT MCQUAID? 483 00:29:14,553 --> 00:29:17,824 - NO. THIS IS ABOUT YOU AND HOW YOU'VE CHANGED. 484 00:29:17,890 --> 00:29:19,225 - YOU'RE RIGHT. I'VE CHANGED. 485 00:29:19,291 --> 00:29:22,128 I'M NOT A ROOKIE OPERATIVE ANYMORE WHO NEEDS YOUR APPROVAL. 486 00:29:22,194 --> 00:29:23,362 AND I THINK THAT-- 487 00:29:23,429 --> 00:29:26,098 I THINK THAT SCARES YOU. 488 00:29:26,165 --> 00:29:27,934 - YOU HAVE NO IDEA WHAT SCARES ME. 489 00:29:28,000 --> 00:29:30,469 JUST GET THE INTEL AND CALL ME BACK. 490 00:29:35,007 --> 00:29:37,810 - NO, I UNDERSTAND. THANKS FOR GETTING BACK TO ME. 491 00:29:37,877 --> 00:29:40,412 - OKAY, THEN WE GOT THIS ONE. - I OWE YOU ONE. 492 00:29:40,479 --> 00:29:43,049 - WHAT WAS THAT ABOUT? - YOU. 493 00:29:43,115 --> 00:29:46,218 THE DIGGING I DID INTO YOUR POLYGRAPH PAID OFF. 494 00:29:46,285 --> 00:29:49,055 - HOW BAD IS IT? - IT'S NOT GOOD. 495 00:29:49,121 --> 00:29:50,422 IT'S GREAT. 496 00:29:50,489 --> 00:29:52,491 IT TURNS OUT THE AGENCY IS VETTING YOU 497 00:29:52,558 --> 00:29:55,094 FOR ANOTHER POSITION-- SOMETHING HUGE. 498 00:29:55,161 --> 00:29:57,096 - DID HE SAY ANYTHING ELSE? 499 00:29:57,163 --> 00:29:59,098 - NO, THAT'S ALL I KNOW. 500 00:29:59,165 --> 00:30:02,468 SEE, POLYGRAPHS AREN'T ALWAYS A BAD THING. 501 00:30:02,534 --> 00:30:04,971 - [babbles] - NOT AS GOOD AS THIS. 502 00:30:13,145 --> 00:30:14,947 - HURRY. WE HAVE TO BEAT THE SHIFT CHANGE. 503 00:30:15,014 --> 00:30:16,248 - WHY? WHAT'S THE RUSH? 504 00:30:16,315 --> 00:30:18,284 - ONE OF THE CURRENT GUARDS ON DUTY IS FROM CAPE TOWN. 505 00:30:18,350 --> 00:30:20,286 HE LIKES SPEAKING AFRIKAANS WITH ME. 506 00:30:20,352 --> 00:30:21,954 HELLO, THOMAS. 507 00:30:53,953 --> 00:30:56,322 - HOW MUCH FURTHER? - IT'S JUST UP HERE. 508 00:30:56,388 --> 00:30:59,591 - WHAT DID BELENKO HAVE YOU WORKING ON? 509 00:30:59,658 --> 00:31:03,162 DO YOU KNOW WHO HE'S TARGETING NEXT? 510 00:31:04,496 --> 00:31:06,432 - THIS WAS A MISTAKE. 511 00:31:06,498 --> 00:31:10,970 - BRITTA, I CANNOT KEEP YOU SAFE UNLESS YOU TELL ME EVERYTHING. 512 00:31:12,972 --> 00:31:15,141 [door beeps] 513 00:31:17,376 --> 00:31:18,544 - BEFORE I TELL YOU ANYTHING, 514 00:31:18,610 --> 00:31:20,947 I NEED TO KNOW MORE ABOUT THE WOMAN HE KILLED. 515 00:31:21,013 --> 00:31:22,114 - WHY? 516 00:31:22,181 --> 00:31:25,184 WHAT DO YOU WANT TO KNOW? - WHAT WAS HER NAME? 517 00:31:25,251 --> 00:31:27,053 - CAITLYN COOK. 518 00:31:27,119 --> 00:31:28,921 - WHAT WAS SHE LIKE? 519 00:31:28,988 --> 00:31:30,422 - WHY ARE YOU ASKING ME THIS? 520 00:31:30,489 --> 00:31:32,959 - TELL ME ABOUT HER, AND I'LL TELL YOU WHAT I'M WORKING ON. 521 00:31:33,025 --> 00:31:36,895 - SHE WAS SUCCESSFUL, CAREER-ORIENTED... 522 00:31:36,963 --> 00:31:38,897 ACCOMPLISHED. 523 00:31:38,965 --> 00:31:40,666 - SHE SOUNDS LIKE ME. 524 00:31:40,732 --> 00:31:43,435 - IN SOME WAYS. 525 00:31:43,502 --> 00:31:45,604 - WHAT DID SHE DO FOR HIM? 526 00:31:45,671 --> 00:31:49,441 - SHE HELPED HIM PLAN AN ATTACK THAT KILLED INNOCENT PEOPLE. 527 00:31:50,642 --> 00:31:52,979 - WHY DO YOU THINK SHE DID IT? 528 00:31:53,045 --> 00:31:54,580 - I THINK SHE LOVED HIM. 529 00:31:54,646 --> 00:31:59,051 I THINK HE CONVINCED HER THAT HE FELT THE SAME WAY. 530 00:31:59,118 --> 00:32:00,953 HE GAVE HER A WEDDING RING. 531 00:32:01,020 --> 00:32:03,522 BUT HE WAS JUST MANIPULATING HER TO FURTHER HIS PLAN. 532 00:32:03,589 --> 00:32:05,157 AS SOON AS HE DIDN'T NEED HER ANYMORE, 533 00:32:05,224 --> 00:32:06,658 HE SHOT HER IN COLD BLOOD 534 00:32:06,725 --> 00:32:09,528 AND WALKED AWAY AS IF HE NEVER KNEW HER. 535 00:32:15,067 --> 00:32:18,104 - DID THE RING LOOK LIKE THIS? 536 00:32:19,671 --> 00:32:21,140 - YEAH. 537 00:32:27,146 --> 00:32:31,383 - ALEX PROMISED ME THAT I WAS THE LOVE OF HIS LIFE. 538 00:32:31,450 --> 00:32:33,685 I BELIEVED HIM. 539 00:32:33,752 --> 00:32:36,388 - HE'S USING YOU. 540 00:32:37,689 --> 00:32:41,260 HE'S NOT WORTH PROTECTING. 541 00:32:41,327 --> 00:32:45,264 - [scoffs] I NEED A DRINK. 542 00:32:45,331 --> 00:32:47,299 - OKAY. 543 00:32:57,676 --> 00:33:01,647 - HE'S MEETING SOMEONE NAMED SHUMER 544 00:33:01,713 --> 00:33:06,252 IN FRANKFURT TOMORROW-- THE LINDAUER HOTEL. 545 00:33:08,420 --> 00:33:10,056 - WHAT ELSE CAN YOU TELL ME? 546 00:33:10,122 --> 00:33:12,158 - [sighs] 547 00:33:14,426 --> 00:33:16,228 [glass thuds] 548 00:33:22,634 --> 00:33:25,571 - YOU WERE RIGHT. 549 00:33:25,637 --> 00:33:27,673 I DID MAKE THIS FOR ALEX. 550 00:33:29,641 --> 00:33:31,710 [coughs] 551 00:33:31,777 --> 00:33:34,180 - BRITTA! 552 00:33:34,246 --> 00:33:37,349 BRITTA? - [coughs, chokes] 553 00:33:37,416 --> 00:33:39,251 - BRITTA? 554 00:33:39,318 --> 00:33:42,020 WHAT ELSE DID YOU MAKE FOR BELENKO? 555 00:33:42,088 --> 00:33:44,256 BRITTA? 556 00:33:44,323 --> 00:33:46,024 WHAT DID YOU MAKE FOR HIM? 557 00:33:46,092 --> 00:33:48,194 BRITTA? UH... 558 00:33:54,200 --> 00:33:57,136 BRITTA, STAY WITH ME. JUST-- 559 00:33:57,203 --> 00:34:01,307 [breathing heavily] 560 00:34:03,175 --> 00:34:04,710 [groans] 561 00:34:17,556 --> 00:34:20,359 [indistinct chatter over radio] 562 00:34:45,184 --> 00:34:48,154 - ANDERSON, IT'S RYAN MCQUAID. 563 00:34:48,220 --> 00:34:50,689 - PETE TIPPED OFF MY 20. 564 00:34:50,756 --> 00:34:52,291 - YEAH, HE DID. 565 00:34:52,358 --> 00:34:55,827 - AND I THOUGHT WE WERE FRIENDS. 566 00:34:55,894 --> 00:34:57,796 - UH, TWO MORE OF WHATEVER HE'S HAVING. 567 00:34:57,863 --> 00:34:59,531 WHAT'S YOUR POISON? 568 00:34:59,598 --> 00:35:01,833 - ANY OTHER NIGHT, TEQUILA. 569 00:35:01,900 --> 00:35:05,103 - TONIGHT? - BOURBON FOR TONY. 570 00:35:15,247 --> 00:35:16,848 - HAVE YOU HEARD ANYTHING FROM ANNIE? 571 00:35:16,915 --> 00:35:18,550 - NO, NOTHING YET. 572 00:35:18,617 --> 00:35:20,519 BUT THAT'S NOT EXACTLY SURPRISING, 573 00:35:20,586 --> 00:35:23,722 AS YOU KNOW, SHE'S A BIT OF A MAVERICK. 574 00:35:23,789 --> 00:35:26,592 - ONE OF HER FINEST QUALITIES. 575 00:35:26,658 --> 00:35:29,328 - [chuckles] 576 00:35:33,665 --> 00:35:37,603 - LOOK, I KNOW WHAT IT'S LIKE TO LOSE A BROTHER IN ARMS. 577 00:35:37,669 --> 00:35:40,572 IT MAKES YOU ANGRY AT THE WORLD AND... 578 00:35:40,639 --> 00:35:43,309 EVERYONE IN IT. 579 00:35:43,375 --> 00:35:47,313 SOMETHING LIKE THAT YOU NEVER QUITE GET OVER. 580 00:35:47,379 --> 00:35:48,780 - NO, YOU DON'T. 581 00:35:50,649 --> 00:35:52,584 - SO LET'S DRINK TO TONY. 582 00:35:57,256 --> 00:35:59,425 - TO TONY. 583 00:36:14,340 --> 00:36:15,607 [car door closes] 584 00:36:15,674 --> 00:36:17,709 - [sighs] 585 00:36:17,776 --> 00:36:21,213 - HOW'D IT GO EARLIER WITH MASHKOV? 586 00:36:21,280 --> 00:36:22,381 - HE'S ALREADY TALKING 587 00:36:22,448 --> 00:36:24,516 ABOUT TAKING ME TO RUSSIA SOMEDAY. 588 00:36:24,583 --> 00:36:26,718 HE WANTS TO SHOW ME WHERE HE GREW UP. 589 00:36:26,785 --> 00:36:30,922 - YOU MOVE FAST. SOUNDS LIKE HE'S FALLING PRETTY HARD. 590 00:36:30,989 --> 00:36:33,292 - I'M ONLY DOING WHAT YOU ASKED. 591 00:36:33,359 --> 00:36:37,529 - I KNOW. WASN'T CRITICIZING. 592 00:36:37,596 --> 00:36:39,798 - I'M DOING THIS BECAUSE... 593 00:36:39,865 --> 00:36:43,269 IT FEELS GOOD TO DO THE RIGHT THING, 594 00:36:43,335 --> 00:36:46,472 BUT I'M ALSO DOING IT FOR YOU, CALDER. 595 00:36:57,416 --> 00:37:00,419 [cell phone ringing] MM. 596 00:37:04,623 --> 00:37:06,425 AH, IT'S MASHKOV. 597 00:37:06,492 --> 00:37:08,560 I'LL CALL HIM LATER. - NO, NO, TAKE THAT. 598 00:37:08,627 --> 00:37:11,297 - I'D RATHER PICK UP WHERE WE LEFT OFF. 599 00:37:11,363 --> 00:37:12,431 - LISTEN TO ME. 600 00:37:12,498 --> 00:37:15,634 THE SOONER WE GET WHAT WE NEED OUT OF HIM, 601 00:37:15,701 --> 00:37:18,837 THE SOONER WE CAN END IT. 602 00:37:18,904 --> 00:37:21,440 [ringing continues] 603 00:37:21,507 --> 00:37:24,410 - HEY, BABY. 604 00:37:24,476 --> 00:37:26,512 YOU WANT TO SEE ME TONIGHT? 605 00:37:29,515 --> 00:37:30,982 OKAY. 606 00:37:31,049 --> 00:37:33,585 I'LL MEET YOU AT MY PLACE. 607 00:37:34,920 --> 00:37:37,589 I CAN'T WAIT EITHER, BABY. 608 00:37:37,656 --> 00:37:39,958 BYE. 609 00:37:49,768 --> 00:37:52,571 - YEAH. YOU BETTER NOT KEEP HIM WAITING. 610 00:38:15,627 --> 00:38:17,028 - HEY, HEY, HEY. 611 00:38:17,095 --> 00:38:19,398 HEY! HEY, HEY, HEY, HEY! 612 00:38:35,113 --> 00:38:36,848 - I KNOW YOU'RE NOT INTERPOL. 613 00:38:36,915 --> 00:38:38,917 - YOU DON'T KNOW ANYTHING. 614 00:38:49,495 --> 00:38:51,997 - WE ARE ON THE SAME SIDE... 615 00:38:52,063 --> 00:38:54,466 ANNIE WALKER. 616 00:38:54,533 --> 00:38:57,469 - [breathing heavily] 617 00:39:01,640 --> 00:39:04,610 - YOU WANT A RIDE? - NAH, IT'S A TWO-MINUTE WALK. 618 00:39:04,676 --> 00:39:06,745 - ALL RIGHT, MAN, SEE YOU LATER. 619 00:39:06,812 --> 00:39:08,714 - HEY, MCQUAID? - YEAH? 620 00:39:10,115 --> 00:39:13,719 - SORRY I GAVE YOU SUCH A HARD TIME ABOUT THE SHADOW. 621 00:39:13,785 --> 00:39:16,722 I KNOW YOU WERE DOING THE RIGHT THING... 622 00:39:16,788 --> 00:39:18,590 AND I APPRECIATE IT. 623 00:39:18,657 --> 00:39:20,859 - YOU'RE WELCOME. TAKE IT EASY, AUGGIE. 624 00:39:20,926 --> 00:39:23,128 - YEAH, YOU TOO. 625 00:39:24,630 --> 00:39:27,466 COME ON, PETE! WE'RE GOING HOME! 626 00:40:04,636 --> 00:40:08,039 [lock clicking] 43280

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