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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,302 --> 00:00:02,636 - THIS STARTED AS AN ANONYMOUS TIP, 2 00:00:02,670 --> 00:00:03,671 BUT IT'S TURNED OUT TO BE 3 00:00:03,704 --> 00:00:05,539 A CRASH COURSE IN MONEY LAUNDERING. 4 00:00:05,573 --> 00:00:07,475 - ALL RIGHT. WHAT'S THE FRONT COMPANY? 5 00:00:07,508 --> 00:00:09,343 - HONEY FACTORY IN SOUTH AFRICA. 6 00:00:09,377 --> 00:00:11,579 - LET ME GUESS, HONEY'S REAL, 7 00:00:11,612 --> 00:00:14,082 SOME OF THE ORDERS ARE FAKE. - BING! 8 00:00:14,115 --> 00:00:16,384 INVOICES SHOW THE FACTORY SOLD AN ORDER 9 00:00:16,417 --> 00:00:21,389 TO A CONFECTIONARY AT 134 RUE DU LOMBARD IN BRUSSELS. 10 00:00:21,422 --> 00:00:23,657 EXCEPT IT DOESN'T EXIST. - TRIP TO BRUSSELS 11 00:00:23,691 --> 00:00:25,459 ISN'T A BAD DEAL. 12 00:00:25,493 --> 00:00:27,261 - YEAH, BUT HONEY MONEY MOVES FAST. 13 00:00:27,295 --> 00:00:30,298 NEXT TO AN OFF-SHORE ACCOUNT IN BERMUDA, THEN TO BERLIN, 14 00:00:30,331 --> 00:00:32,333 TO A PRIVATE INVESTMENT COMPANY 15 00:00:32,366 --> 00:00:38,072 OWNED BY--DRUMROLL, PLEASE-- ISAAK VON HAGEN. 16 00:00:38,106 --> 00:00:42,276 - ISAAK VON HAGEN, GO-TO GUY FOR TAX EVADERS THE WORLD OVER. 17 00:00:42,310 --> 00:00:44,478 - YEAH, NOW HE'S RUMORED TO BE MOVING MONEY FOR TERRORISTS. 18 00:00:44,512 --> 00:00:48,216 - SO HOW DO WE GET TO A GUY WITH THAT MANY LAYERS? 19 00:00:48,249 --> 00:00:49,350 - WE DON'T. 20 00:00:49,383 --> 00:00:52,253 WE GET TO HIS WIFE. 21 00:00:52,286 --> 00:00:53,621 - YOU THINK SHE'S THE WAY IN? 22 00:00:53,654 --> 00:00:56,357 - ELSA VON HAGEN JUST OPENED 23 00:00:56,390 --> 00:00:58,092 A PRIVATE BANK ACCOUNT A FEW WEEKS AGO 24 00:00:58,126 --> 00:00:59,460 UNDER A FALSE NAME, 25 00:00:59,493 --> 00:01:02,396 HER FIRST IN 20 YEARS OF MARRIAGE. 26 00:01:02,430 --> 00:01:04,598 - YOU THINK SHE'S LOOKING FOR A CHANGE? 27 00:01:04,632 --> 00:01:08,136 - RIGHT NOW, SHE'S LOOKING FOR A HAT. 28 00:01:09,337 --> 00:01:11,505 - YOU KNOW THOSE DON'T DO ME ANY GOOD, RIGHT? 29 00:01:11,539 --> 00:01:13,207 - SHOPPING'S OVER. 30 00:01:13,241 --> 00:01:14,275 CHECK IN LATER. 31 00:01:41,535 --> 00:01:44,272 [train announcement] 32 00:01:57,685 --> 00:01:59,520 - LISTEN CLOSELY. 33 00:01:59,553 --> 00:02:02,390 YOU'RE TO TELL ARTHUR CAMPBELL I'VE REQUESTED TO SEE HIM. 34 00:02:02,423 --> 00:02:04,458 - I DON'T KNOW WHO-- - DON'T TURN AROUND. 35 00:02:04,492 --> 00:02:07,395 THE WAY YOU FOLLOW ME LIKE A LOVESICK PUPPY. 36 00:02:07,428 --> 00:02:10,498 EITHER YOU FANCY ME, OR YOU'RE C.I.A. SEEKING INTEL 37 00:02:10,531 --> 00:02:12,266 ON MY HUSBAND'S CLIENTS. 38 00:02:12,300 --> 00:02:13,634 OR MAYBE IT'S BOTH. 39 00:02:13,667 --> 00:02:15,303 I WANT A MEETING WITH ARTHUR CAMPBELL. 40 00:02:15,336 --> 00:02:17,238 MAKE IT SO. 41 00:02:41,462 --> 00:02:42,663 - GUESS I WON'T BOTHER ASKING YOU 42 00:02:42,696 --> 00:02:45,333 IF YOU'RE ACTUALLY GOING TO BERLIN. 43 00:02:45,366 --> 00:02:47,435 IS THIS WOMAN ELSA VON HAGEN 44 00:02:47,468 --> 00:02:48,569 WHO I THINK SHE IS? - A FORMER ASSET. 45 00:02:48,602 --> 00:02:52,373 YEAH, SHE WENT BY THE NAME PETRA THEN, BUT IT'S HER. 46 00:02:52,406 --> 00:02:53,674 - YOU SAID SHE WAS TROUBLE. 47 00:02:53,707 --> 00:02:55,309 - UNRELIABLE MAYBE. 48 00:02:55,343 --> 00:02:57,445 - DANGEROUS IS THE WORD YOU USED. 49 00:02:58,746 --> 00:03:00,314 WHY WAS SHE SO DANGEROUS? 50 00:03:00,348 --> 00:03:02,416 - OH, IT WAS BERLIN IN '89. 51 00:03:02,450 --> 00:03:04,685 AND I WAS A PUNK KID STILL WET BEHIND THE EARS 52 00:03:04,718 --> 00:03:06,254 TAKING ON THE STASI. 53 00:03:06,287 --> 00:03:08,489 THIS IS ENTIRELY DIFFERENT. 54 00:03:08,522 --> 00:03:10,458 IT'S A DIFFERENT TIME. 55 00:03:10,491 --> 00:03:12,326 - HAVE YOU LOOPED IN GERMAN INTELLIGENCE? 56 00:03:12,360 --> 00:03:13,927 - NO. ISAAK VON HAGEN HAS MOLES 57 00:03:13,961 --> 00:03:15,396 ALL OVER THE BND. - ARTHUR, 58 00:03:15,429 --> 00:03:16,597 YOU'RE A PUBLIC FIGURE. 59 00:03:16,630 --> 00:03:18,566 YOU CAN'T GO SKULKING AROUND BERLIN 60 00:03:18,599 --> 00:03:20,601 AND EXPECT THE BND NOT TO NOTICE. 61 00:03:20,634 --> 00:03:23,404 - IT'S NOT ABOUT NOT BEING NOTICED. 62 00:03:23,437 --> 00:03:24,938 IT'S ABOUT NOT BEING CAUGHT. 63 00:03:24,972 --> 00:03:26,974 KARL SCHMIDT'S ONE OF THE GOOD GUYS. HE'LL WANT TO HELP. 64 00:03:27,007 --> 00:03:28,976 ISAAK IS ULTIMATELY HIS PROBLEM ANYWAY. 65 00:03:29,009 --> 00:03:30,644 - KARL COULD BE THE MOLE. 66 00:03:30,678 --> 00:03:33,614 - WELL, HAVE YOU AT LEAST GIVEN THOUGHT 67 00:03:33,647 --> 00:03:36,384 AS TO WHO'LL COVER YOUR DESK? - YES. YOU. 68 00:03:36,417 --> 00:03:40,621 GIVE YOU A CHANCE TO SEE THE JOB YOU PASSED UP. 69 00:03:42,690 --> 00:03:44,492 - YOU LOOKING FOR THIS? - YES. 70 00:03:44,525 --> 00:03:47,961 - PROMISE ME YOU'LL MEET WITH ELSA AND COME RIGHT BACK. 71 00:03:47,995 --> 00:03:51,565 - YOU'LL BARELY HAVE TIME TO MISS ME. 72 00:04:01,041 --> 00:04:03,511 - ARTHUR HAS AGREED TO MEET ELSA. 73 00:04:03,544 --> 00:04:06,580 HE'S EN ROUTE TO BERLIN NOW. 74 00:04:06,614 --> 00:04:08,416 - HOW DO I CONTACT HIM? 75 00:04:08,449 --> 00:04:10,651 - BEING SPOTTED WITH ARTHUR, AN OVERT C.I.A. OFFICER, 76 00:04:10,684 --> 00:04:12,019 COULD BLOW YOUR COVER. 77 00:04:12,052 --> 00:04:14,422 SO I SUGGEST YOU FOLLOW STRICT PROTOCOLS. 78 00:04:14,455 --> 00:04:17,925 LIMIT FACE-TO-FACE MEETINGS, USE SECURE PHONE LINES. 79 00:04:17,958 --> 00:04:19,627 - STANDARD HANDLER PROTOCOL. 80 00:04:19,660 --> 00:04:22,930 - AS FAR AS YOUR ASSET, ELSA VON HAGEN, IS CONCERNED, 81 00:04:22,963 --> 00:04:25,032 SHE'S NOT TO BE TRUSTED. 82 00:04:25,065 --> 00:04:28,669 - I NEVER EXPECTED ARTHUR ACTUALLY TO COME TO BERLIN. 83 00:04:28,702 --> 00:04:31,372 - I DIDN'T REALIZE YOU HAD EXPECTATIONS FOR YOUR MISSIONS. 84 00:04:31,405 --> 00:04:33,073 - SORRY. 85 00:04:33,106 --> 00:04:35,976 I MEAN, HOW DOES A WOMAN LIKE ELSA EVEN KNOW ARTHUR? 86 00:04:36,009 --> 00:04:38,346 - ELSA IS ACTUALLY A LONG TERM ASSET OF ARTHUR'S 87 00:04:38,379 --> 00:04:41,549 NAMED PETRA MUELLER. FORMER STASI. 88 00:04:41,582 --> 00:04:46,454 - THAT'S HOW SHE MADE ME. THEY WERE SOME OF THE BEST. 89 00:04:49,590 --> 00:04:51,525 [speaking German] 90 00:05:00,768 --> 00:05:02,503 - ANNIE, I WANT YOU TO RUN POINT ON THIS. 91 00:05:02,536 --> 00:05:05,038 YOU'LL ARRANGE THE MEET, LIAISE WITH ELSA-- 92 00:05:05,072 --> 00:05:06,574 - WON'T ARTHUR WANT TO DO THAT? 93 00:05:06,607 --> 00:05:08,342 - ARTHUR'S GOING TO BE IN AND OUT. 94 00:05:08,376 --> 00:05:09,943 THINK OF HIM AS AN ACCESS AGENT, 95 00:05:09,977 --> 00:05:12,613 THERE ONLY TO MAKE INTRODUCTIONS. 96 00:05:12,646 --> 00:05:14,648 AND, ANNIE, 97 00:05:14,682 --> 00:05:15,683 I WANT A FULL REPORT. 98 00:05:15,716 --> 00:05:18,018 - OF THE MEET? 99 00:05:21,622 --> 00:05:24,392 - OF EVERYTHING. 100 00:05:25,726 --> 00:05:27,661 - I MAY BE WAY OFF BASE ON THIS, 101 00:05:27,695 --> 00:05:30,731 BUT I THINK JOAN WANTS ME TO SPY ON ARTHUR. 102 00:05:30,764 --> 00:05:33,701 - WHAT KIND OF INTEL IS SHE LOOKING FOR? 103 00:05:33,734 --> 00:05:35,969 - I DON'T KNOW, BUT ARTHUR HAS WAY MORE EXPERIENCE 104 00:05:36,003 --> 00:05:37,971 AS AN OPERATIVE, HE ALREADY KNOWS ELSA. 105 00:05:38,005 --> 00:05:40,107 SO WHY AM I THE ONE RUNNING POINT ON THIS? 106 00:05:40,140 --> 00:05:43,010 - WELL, IT COULD BE BECAUSE YOU GOT US ONTO ISAAK. 107 00:05:43,043 --> 00:05:45,579 COULD BE BECAUSE YOU'RE COVERT AND HE ISN'T. 108 00:05:45,613 --> 00:05:46,980 - I DON'T THINK SO. 109 00:05:47,014 --> 00:05:49,483 I THINK IT HAS SOMETHING TO DO WITH THIS WOMAN ELSA. 110 00:05:49,517 --> 00:05:51,118 I COULD HEAR IT IN JOAN'S VOICE. 111 00:05:51,151 --> 00:05:55,456 - WELL, THEN THIS MAY BE YOUR MOST SENSITIVE OPERATION YET. 112 00:05:55,489 --> 00:05:56,457 - GREAT. 113 00:05:56,490 --> 00:06:01,395 THANKS FOR THAT. 114 00:07:19,573 --> 00:07:21,642 - THIS WAS AN NSA LISTENING POST. 115 00:07:21,675 --> 00:07:24,645 AMAZING WHAT LENGTHS OUR PARANOIA TOOK US. 116 00:07:24,678 --> 00:07:26,747 SPEAKING OF WHICH, ARE YOU SURE YOU WEREN'T FOLLOWED? 117 00:07:26,780 --> 00:07:29,617 - POSITIVE. I TOOK THREE TRAMS, 118 00:07:29,650 --> 00:07:31,985 DOUBLED BACK, I USED EVASIVE TACTICS THE WHOLE WAY. 119 00:07:32,019 --> 00:07:34,221 - GOOD. I ASSUME JOAN'S FILLED YOU IN? 120 00:07:34,254 --> 00:07:37,625 - YEAH. ELSA WILL MEET YOU TOMORROW AT BRITZ-OST HARBOR. 121 00:07:37,658 --> 00:07:38,726 - NO. - I CAN-- 122 00:07:38,759 --> 00:07:40,661 - YOU'LL LET ME HANDLE ELSA. 123 00:07:40,694 --> 00:07:42,229 YOU CAN LET HER THINK WE'RE MEETING AT THE HARBOR, 124 00:07:42,262 --> 00:07:43,997 BUT I'VE GOT ANOTHER LOCATION IN MIND. 125 00:07:44,031 --> 00:07:46,133 - ANOTHER LOCATION? - I WANT TO CONTROL THE MEET. 126 00:07:46,166 --> 00:07:48,736 GARTENDFELDER STRASSE. 127 00:07:48,769 --> 00:07:53,040 WHAT'S THE ISSUE? 128 00:07:53,073 --> 00:07:54,207 - I-IT'S AN OFFICE PARK NOW. 129 00:07:54,241 --> 00:08:00,280 - OH. HOW ABOUT BERNAUER? OR IS THAT A T.G.I.FRIDAY'S? 130 00:08:00,313 --> 00:08:03,016 - NO. BERNAUER IS GOOD. 131 00:08:03,050 --> 00:08:06,554 - "TURN AND FACE THE STRANGE." 132 00:08:06,587 --> 00:08:09,056 - BRECHT? 133 00:08:09,089 --> 00:08:11,825 - BOWIE. 134 00:08:11,859 --> 00:08:16,564 HE RECORDED THREE ALBUMS HERE IN BERLIN. 135 00:08:16,597 --> 00:08:20,768 YOU'LL NEED THIS FOR THE MEET. 136 00:08:20,801 --> 00:08:23,036 - I THOUGHT I WAS GOING TO TAKE A MORE ACTIVE ROLE. 137 00:08:23,070 --> 00:08:24,738 I MEAN, JOAN GAVE ME THAT IMPRESSION, BUT IT'S FINE. 138 00:08:24,772 --> 00:08:26,239 - ELSA'S MY PROBLEM. 139 00:08:26,273 --> 00:08:29,042 ALL YOU HAVE TO DO IS FOLLOW MY LEAD. 140 00:08:29,076 --> 00:08:29,910 - UNDERSTOOD. 141 00:08:29,943 --> 00:08:33,113 - SAME EVASIVE TACTICS ON THE WAY HOME. 142 00:08:33,146 --> 00:08:35,048 DON'T WORRY ABOUT JOAN. 143 00:08:35,082 --> 00:08:40,654 IF ALL GOES TO HELL, IT'S ON ME. 144 00:08:52,666 --> 00:08:55,035 - OH, I'M SORRY. 145 00:08:55,068 --> 00:08:56,269 ARTHUR AND I HAD A MEETING SCHEDULED. 146 00:08:56,303 --> 00:08:57,838 NUMBERS MEETING. YES, I'M AWARE. 147 00:08:57,871 --> 00:08:59,039 - I CAN COME BACK. 148 00:08:59,072 --> 00:09:01,041 - NO, IT'S OKAY. ARTHUR READ ME IN. 149 00:09:01,074 --> 00:09:03,043 - I-IT'S NOT THAT PRESSING. 150 00:09:03,076 --> 00:09:04,311 REALLY. I'LL JUST... 151 00:09:04,344 --> 00:09:07,280 STOP IN TOMORROW. 152 00:09:07,314 --> 00:09:08,448 - JOAN. 153 00:09:08,481 --> 00:09:12,185 CAME TO PICK UP THE FILES ON THE SANTORINI OPERATION. 154 00:09:12,219 --> 00:09:13,486 I'M REASSIGNED TO SPECIAL PROJECTS. 155 00:09:13,520 --> 00:09:16,056 I'M SURE YOU'VE HEARD ABOUT IT, THE NEW DIVISION I'M HEADING UP. 156 00:09:16,089 --> 00:09:18,125 - YES, CONGRATULATIONS. 157 00:09:18,158 --> 00:09:19,827 RICHLY DESERVED. - THANK YOU. 158 00:09:19,860 --> 00:09:22,295 NOW THE FILES. 159 00:09:27,668 --> 00:09:30,370 - MAY YOU BE MORE PRUDENT WITH YOUR OWN BUDGET 160 00:09:30,403 --> 00:09:32,706 THAN YOU WERE WITH MINE. 161 00:09:32,740 --> 00:09:34,775 - IF YOU NEED HELP WHILE ARTHUR'S AWAY, 162 00:09:34,808 --> 00:09:37,110 I'LL BE IN MY OFFICE. 163 00:09:38,746 --> 00:09:41,081 - APPARENTLY ARTHUR DIDN'T GET THE MESSAGE. 164 00:09:41,114 --> 00:09:43,183 HIS ORDERS ARE THE EXACT OPPOSITE OF JOAN'S. 165 00:09:43,216 --> 00:09:47,287 - THAT SOUNDS PRETTY INTERESTING. 166 00:09:47,320 --> 00:09:48,288 YOU KNOW WHAT? 167 00:09:48,321 --> 00:09:50,290 MAYBE I SHOULD STICK AROUND, HUH? 168 00:09:50,323 --> 00:09:53,293 - WHERE WOULD YOU BE GOING? - RICHMOND. 169 00:09:53,326 --> 00:09:55,328 IT'S BILLY'S 30TH BIRTHDAY. 170 00:09:55,362 --> 00:09:58,065 OR IT WOULD HAVE BEEN. 171 00:09:58,098 --> 00:10:00,801 - BILLY FROM SPECIAL OPS? 172 00:10:00,834 --> 00:10:02,269 THE JACK OF DIAMONDS MISSION? 173 00:10:02,302 --> 00:10:08,809 - YEAH. HIS FAMILY'S HOLDING A SPECIAL MEMORIAL, BUT... 174 00:10:08,842 --> 00:10:10,277 THESE THINGS CAN BE DIFFICULT, YOU KNOW? 175 00:10:10,310 --> 00:10:13,046 THE OTHER FAMILIES ARE THERE... - BILLY MEANT A LOT TO YOU. 176 00:10:13,080 --> 00:10:15,382 HIS FRIENDS AND FAMILY ARE CELEBRATING HIS LIFE, 177 00:10:15,415 --> 00:10:18,051 AND YOU WERE A PART OF THAT. 178 00:10:18,085 --> 00:10:21,789 AUGGIE? 179 00:10:21,822 --> 00:10:22,790 - YEAH. 180 00:10:22,823 --> 00:10:24,157 - GO. 181 00:10:43,076 --> 00:10:44,411 GUTEN TAG. 182 00:11:08,401 --> 00:11:11,171 YOU MUST BE EXCITED TO SEE ARTHUR. 183 00:11:11,204 --> 00:11:13,206 OR DO YOU ALWAYS DRIVE THIS FAST? 184 00:11:13,240 --> 00:11:16,476 - IS THAT WHAT'S MAKING YOU NERVOUS, MY FAST DRIVING? 185 00:11:16,509 --> 00:11:18,812 OR IS IT SOMETHING ELSE? 186 00:11:18,846 --> 00:11:19,813 - JUST LIKE TO GET WHERE I'M GOING 187 00:11:19,847 --> 00:11:21,248 ALL IN ONE PIECE, THAT'S ALL. 188 00:11:29,356 --> 00:11:32,092 - [cursing in German] 189 00:11:45,505 --> 00:11:47,374 ARTHUR. 190 00:11:52,379 --> 00:11:54,414 - YOU WANTED A MEET? 191 00:11:54,447 --> 00:11:56,183 YOU GOT IT. 192 00:11:56,216 --> 00:11:59,386 - NOT EVEN A HELLO? 193 00:11:59,419 --> 00:12:01,288 - HELLO, ELSA. 194 00:12:01,321 --> 00:12:05,492 - YOU'VE HARDLY CHANGED. 195 00:12:05,525 --> 00:12:08,328 YOUR LITTLE STUNT COULD'VE GOTTEN US KILLED. 196 00:12:08,361 --> 00:12:09,262 - I HAPPEN TO KNOW 197 00:12:09,296 --> 00:12:11,264 YOU CAN HANDLE YOURSELF BEHIND THE WHEEL. 198 00:12:11,298 --> 00:12:15,335 ANNIE SAID YOU'RE OFFERING US ISAAK'S CLIENT INFORMATION. 199 00:12:15,368 --> 00:12:18,238 - ALL I WANT IN RETURN IS RESETTLEMENT IN THE U.K. 200 00:12:18,271 --> 00:12:21,208 - WHY SO EAGER TO COOPERATE? 201 00:12:21,241 --> 00:12:23,310 - ISAAK CHANGED. 202 00:12:23,343 --> 00:12:26,146 HIS BUSINESS USED TO BE A FEW BEAN COUNTERS 203 00:12:26,179 --> 00:12:28,181 LOOKING TO CHEAT ON THEIR TAXES. 204 00:12:28,215 --> 00:12:30,884 HIS NEW CLIENTS, THEY ARE KILLERS. 205 00:12:30,918 --> 00:12:34,221 - HOW DO WE GET THIS CLIENT LIST? 206 00:12:34,254 --> 00:12:37,224 - THERE'S ONLY ONE WAY TO GET THAT INFORMATION. 207 00:12:37,257 --> 00:12:38,826 BECOME A CLIENT. 208 00:12:38,859 --> 00:12:41,228 - TWICE WE SENT OPERATIVES TO BECOME CLIENTS. 209 00:12:41,261 --> 00:12:43,330 THEY GOT NOWHERE. - WELL, 210 00:12:43,363 --> 00:12:45,833 YOUR OPERATIVES DIDN'T HAVE ME TO VOUCH FOR THEM. 211 00:12:45,866 --> 00:12:48,068 - SO YOU'RE THE KEY TO THIS WHOLE THING. 212 00:12:48,101 --> 00:12:51,438 - WHO DO YOU THINK GAVE YOU THE TIP ABOUT AJ MANUFACTURING? 213 00:12:51,471 --> 00:12:53,540 FACE IT, ARTHUR. 214 00:12:53,573 --> 00:12:55,442 YOU NEED ME. 215 00:12:58,345 --> 00:13:00,213 - THEN PITCH ME TO ISAAK. 216 00:13:00,247 --> 00:13:02,515 - MY HUSBAND IS NO FOOL. 217 00:13:02,549 --> 00:13:05,085 HE KNOWS YOU'RE C.I.A. 218 00:13:05,118 --> 00:13:06,486 - HE KNOWS YOUR PAST. 219 00:13:06,519 --> 00:13:08,455 UNLESS YOU'VE BEEN MISLEADING HIM ALL THIS TIME. 220 00:13:08,488 --> 00:13:12,525 TELL HIM I SOLD YOU SECRETS IN '89. 221 00:13:12,559 --> 00:13:14,494 HE COULD BE CONVINCED I'VE BEEN SELLING SECRETS ALL ALONG. 222 00:13:14,527 --> 00:13:18,231 I'M SURE HE'S HEARD ABOUT MY LEGAL TROUBLES AT THE AGENCY. 223 00:13:18,265 --> 00:13:21,168 A MAN IN MY POSITION MIGHT NEED SOME PLACE TO STASH THE MONEY. 224 00:13:21,201 --> 00:13:24,237 - WELL, IF HE SUSPECTS ANYTHING, HE'LL KILL US BOTH. 225 00:13:24,271 --> 00:13:27,574 - THEN YOU'D BETTER BE CONVINCING. 226 00:13:29,276 --> 00:13:32,479 I LOOK FORWARD TO MEETING YOUR HUSBAND. 227 00:13:41,554 --> 00:13:42,522 - DOES LANGLEY KNOW ABOUT THIS PLAN? 228 00:13:42,555 --> 00:13:44,624 - YOU MEAN JOAN. 229 00:13:44,657 --> 00:13:47,427 JOAN APPRECIATES RESOURCEFULNESS. 230 00:13:47,460 --> 00:13:51,098 ALL THAT MATTERS IS WHETHER OR NOT THE JOB GETS DONE. 231 00:13:51,131 --> 00:13:53,266 AND IT WILL. 232 00:13:59,139 --> 00:14:00,240 - THE MEETING MUST HAPPEN TODAY. 233 00:14:00,273 --> 00:14:04,344 - TODAY? - IN A COUPLE OF HOURS. 234 00:14:04,377 --> 00:14:08,916 TELL ARTHUR HE CAN'T ACCEPT THE TERMS ISAAK WILL GIVE HIM. 235 00:14:08,949 --> 00:14:11,919 ISAAK WILL KNOW IT'S A SET-UP. - I'LL TELL HIM. 236 00:14:11,952 --> 00:14:14,922 - ARTHUR IS CRAZY TO BE DOING THIS. 237 00:14:14,955 --> 00:14:16,156 YOU MUST KNOW THAT. 238 00:14:16,189 --> 00:14:18,258 - HE'S GOOD AT WHAT HE DOES. 239 00:14:18,291 --> 00:14:21,261 - ARTHUR WAS GOING TO RISE QUICKLY IN THE C.I.A. 240 00:14:21,294 --> 00:14:25,665 BERLIN PROVED IT. I SET HIM ON THAT PATH. 241 00:14:25,698 --> 00:14:27,667 MAYBE HE'S TRYING TO GET US ALL KILLED. 242 00:14:27,700 --> 00:14:29,602 OR MAYBE IT'S ONLY ME. 243 00:14:29,636 --> 00:14:33,373 - WHY WOULD HE WANT THAT? 244 00:14:33,406 --> 00:14:35,242 - YOU GIVE ARTHUR THE MESSAGE. 245 00:14:35,275 --> 00:14:37,210 HE MUST BE PROMPT. 246 00:14:37,244 --> 00:14:38,278 GOOD LUCK TO US ALL. 247 00:14:48,956 --> 00:14:51,324 [barroom chatter] 248 00:14:57,330 --> 00:14:59,166 - 'SCUSE ME. 249 00:15:03,436 --> 00:15:06,239 THE VENUE'S A BIT ATYPICAL, I KNOW. 250 00:15:06,273 --> 00:15:08,441 BUT WE'VE GOT BILLY'S HIGH SCHOOL FOOTBALL TEAM 251 00:15:08,475 --> 00:15:10,944 COMPETING FOR THE STATE CHAMPIONSHIP ON THE BIG SCREENS, 252 00:15:10,978 --> 00:15:13,646 30 BEERS ON TAP. 253 00:15:13,680 --> 00:15:16,649 - A PARTY TAILOR-MADE FOR BILLY. 254 00:15:16,683 --> 00:15:19,186 - YOU'RE ONE OF BILLY'S COLLEGE BUDDIES, RIGHT? 255 00:15:19,219 --> 00:15:22,422 THE COP, RIGHT? 256 00:15:22,455 --> 00:15:25,692 - FIREARMS TRAINING WOULD BE TRICKY. 257 00:15:25,725 --> 00:15:28,528 - OH. YOU'RE AUGGIE. 258 00:15:28,561 --> 00:15:31,298 I'M SORRY, I CAN'T BELIEVE I DIDN'T PUT THAT TOGETHER. 259 00:15:31,331 --> 00:15:32,732 I'M PARKER. 260 00:15:32,765 --> 00:15:36,669 - BILLY'S LITTLE SISTER. 261 00:15:36,703 --> 00:15:40,407 - YEAH. 262 00:15:40,440 --> 00:15:42,675 IT'S NICE OF YOU TO COME. 263 00:15:42,709 --> 00:15:44,144 THE WHOLE FAMILY'S BEEN WONDERING 264 00:15:44,177 --> 00:15:46,146 HOW YOU'RE GETTING ALONG. 265 00:15:46,179 --> 00:15:49,716 HOW ARE YOU GETTING ALONG, AUGGIE? 266 00:15:52,619 --> 00:15:56,256 [iPad chiming] 267 00:16:01,661 --> 00:16:06,499 - HEY, YOU'RE SKYPING ME, YOU MUST MISS ME. 268 00:16:06,533 --> 00:16:09,536 - YEAH. I'D ALSO LOVE FOR YOU TO YELL 269 00:16:09,569 --> 00:16:13,706 IF YOU SEE CHLOE'S PAINTINGS ANYWHERE IN THIS PILE. 270 00:16:13,740 --> 00:16:15,575 - THE ONES SHE DID FOR THE ART SHOW? 271 00:16:15,608 --> 00:16:17,277 - YEAH. I THOUGHT I PUT THEM AWAY 272 00:16:17,310 --> 00:16:19,146 FOR SAFE-KEEPING A FEW WEEKS AGO, BUT... 273 00:16:19,179 --> 00:16:20,680 - OH, NO. 274 00:16:20,713 --> 00:16:23,516 - WHAT? 275 00:16:23,550 --> 00:16:25,318 - I GOT THEM FRAMED. 276 00:16:25,352 --> 00:16:27,220 - OH, HOW SWEET. 277 00:16:27,254 --> 00:16:28,555 - YEAH, BUT THEY'RE IN MY APARTMENT. 278 00:16:28,588 --> 00:16:31,291 - WELL, I'LL GO GET THEM. - YOU CAN'T. 279 00:16:31,324 --> 00:16:32,725 NO ONE CAN KNOW WHERE IT IS. 280 00:16:32,759 --> 00:16:34,561 - I CAN'T KNOW WHERE YOU LIVE? 281 00:16:34,594 --> 00:16:39,266 - NOT THIS PARTICULAR APARTMENT. THE AGENCY HAS STRICT PROTOCOLS. 282 00:16:39,299 --> 00:16:40,433 - THE SCHOOL ART SHOW IS TONIGHT. 283 00:16:40,467 --> 00:16:41,568 CHLOE'S GOING TO BE CRUSHED 284 00:16:41,601 --> 00:16:43,236 IF HER WORK ISN'T PART OF THE EXHIBIT. 285 00:16:43,270 --> 00:16:44,237 - I KNOW. 286 00:16:44,271 --> 00:16:45,338 - SO HAVE SOMEONE GO GET THEM. 287 00:16:45,372 --> 00:16:48,708 - DANIELLE, NO ONE AT THE AGENCY CAN KNOW WHERE I LIVE. 288 00:16:48,741 --> 00:16:50,410 - OKAY, WHAT AM I SUPPOSED TO TELL CHLOE? 289 00:16:50,443 --> 00:16:51,678 HOW DO I EXPLAIN THIS? 290 00:16:51,711 --> 00:16:53,313 - I-I-I'M SORRY. I-- 291 00:16:53,346 --> 00:16:55,782 - YOU KNOW WHAT? JUST SAVE YOUR APOLOGIES. 292 00:16:55,815 --> 00:16:57,717 - DANIELLE-- [line going dead] 293 00:17:03,390 --> 00:17:05,392 - GUTEN TAG, MR. CAMPBELL. 294 00:17:05,425 --> 00:17:06,626 - PLEASE HAVE A SEAT. 295 00:17:06,659 --> 00:17:10,363 - I MUST SAY, RARELY DOES A C.I.A. MAN COME TO ME FOR HELP. 296 00:17:10,397 --> 00:17:11,664 - WELL, THERE COMES A TIME WHEN A MAN 297 00:17:11,698 --> 00:17:13,700 MUST PREPARE AN EXIT STRATEGY. 298 00:17:13,733 --> 00:17:15,735 FOR ME THAT TIME APPEARS TO BE NOW. 299 00:17:15,768 --> 00:17:20,440 - ONLY A MAN WITH SPECIAL TALENT CAN KEEP HIS TRUE NATURE HIDDEN. 300 00:17:20,473 --> 00:17:22,542 IF WHAT MY WIFE SAYS IS TRUE, 301 00:17:22,575 --> 00:17:24,444 YOU HAVE KEPT YOURS HIDDEN A LONG TIME. 302 00:17:24,477 --> 00:17:25,578 - I'LL TAKE THAT AS A COMPLIMENT. 303 00:17:25,612 --> 00:17:30,317 - YOU MAY BE USING THAT SPECIAL TALENT ON ME RIGHT NOW. 304 00:17:30,350 --> 00:17:33,486 PERHAPS THE C.I.A. MADE A DEAL WITH THE POLIZEI. 305 00:17:33,520 --> 00:17:36,356 - IF SO, THE C.I.A. WOULD NOT CHOOSE TO SEND ME. 306 00:17:36,389 --> 00:17:39,192 - BECAUSE YOU'RE OVERT? 307 00:17:39,226 --> 00:17:43,696 - BECAUSE THE C.I.A. DOESN'T TRUST ME ANYMORE. 308 00:17:43,730 --> 00:17:49,702 - YOU WORKED WITH MY WIFE DURING THE '80S, NO? 309 00:17:49,736 --> 00:17:51,704 - I WAS POSING AS A STUDENT. WE HAD A CLASS TOGETHER. 310 00:17:51,738 --> 00:17:56,776 - I'M SURE YOU WERE QUITE TAKEN WITH HIM, WEREN'T YOU, ELSA? 311 00:17:56,809 --> 00:18:01,281 - WIE SO, OF COURSE. I THOUGHT IT WAS TRUE LOVE. 312 00:18:01,314 --> 00:18:04,484 - THE PULL OF YOUNG LOVE IS POWERFUL. 313 00:18:04,517 --> 00:18:08,388 ONE MIGHT SUSPECT NOW THE TWO OF YOU ARE PLOTTING AGAINST ME. 314 00:18:08,421 --> 00:18:11,224 - WELL, I ASSURE YOU-- - I PREFER MY WIFE TO ANSWER. 315 00:18:11,258 --> 00:18:12,759 - I'D BE TWICE A FOOL, THEN. 316 00:18:12,792 --> 00:18:16,329 HE'S HERE BECAUSE HE IS IN A BIND. 317 00:18:16,363 --> 00:18:22,169 AND I AM FORTUNATE TO HAVE A HUSBAND WHO CAN HELP HIM. 318 00:18:22,202 --> 00:18:24,771 - AND YOU THINK YOU CAN TRUST ME? 319 00:18:24,804 --> 00:18:28,441 - I DO. 320 00:18:28,475 --> 00:18:30,343 WORDS ARE CHEAP, ACTIONS ARE WHAT COUNT. 321 00:18:30,377 --> 00:18:34,381 - C.I.A. TEACHES YOU THIS? 322 00:18:34,414 --> 00:18:36,249 - MY WIFE. 323 00:18:36,283 --> 00:18:40,320 - THREE MILLION DOLLARS, THAT'S THE MINIMUM DEPOSIT. 324 00:18:40,353 --> 00:18:41,621 I TAKE 4%. 325 00:18:41,654 --> 00:18:44,557 - HEFTY MINIMUM. 326 00:18:44,591 --> 00:18:46,226 - FOR YOU, YES. 327 00:18:46,259 --> 00:18:49,329 BUT I'M SURE YOU AMASSED A SMALL FORTUNE SELLING SECRETS, 328 00:18:49,362 --> 00:18:50,797 DIDN'T YOU? - BUT I'M NOT THE KIND OF GUY 329 00:18:50,830 --> 00:18:53,433 WHO PUTS ALL OF HIS EGGS IN ONE BASKET. 330 00:18:53,466 --> 00:18:54,434 THREE MILLION. 331 00:18:54,467 --> 00:18:56,636 IT'S ALL THE EGGS I'VE GOT. 332 00:18:56,669 --> 00:18:59,572 - YOU SAY I'M A MAN YOU CAN TRUST, SO TRUST. 333 00:18:59,606 --> 00:19:04,411 YOU HAVE UNTIL 3 P.M. TOMORROW. 334 00:19:11,384 --> 00:19:14,221 - UH, KONNEN SIE MIR SAGEN... 335 00:19:14,254 --> 00:19:16,356 UM... - LET ME HELP. 336 00:19:16,389 --> 00:19:18,291 - AH! DO YOU SPEAK ENGLISH? - YEAH. 337 00:19:18,325 --> 00:19:19,459 - GREAT. 338 00:19:19,492 --> 00:19:22,195 I'M TRYING TO FIND THIS CONCERT HALL. 339 00:19:22,229 --> 00:19:23,596 - OH. YOU DON'T WANT TO GO THERE. 340 00:19:23,630 --> 00:19:25,565 I KNOW A PLACE, IT'S MORE EXCLUSIVE, 341 00:19:25,598 --> 00:19:27,200 BUT THE ADMISSION PRICES ARE A LITTLE STEEP. 342 00:19:27,234 --> 00:19:28,801 - UH...HOW STEEP? 343 00:19:28,835 --> 00:19:30,470 - ABOUT THREE MILLION, AND I NEED IT BY TOMORROW. 344 00:19:30,503 --> 00:19:34,474 MAKE EYE-CONTACT WITH THAT WOMAN IN FRONT OF YOU. 345 00:19:34,507 --> 00:19:36,376 NO, THE ONE OVER MY RIGHT SHOULDER. 346 00:19:36,409 --> 00:19:38,411 CONVEY ANNOYANCE WITH ME. IF SHE RESPONDS, 347 00:19:38,445 --> 00:19:39,512 SHE'S NOT A SHADOW. - OKAY. 348 00:19:39,546 --> 00:19:43,683 GREAT! CAN YOU JUST POINT ME IN THE RIGHT DIRECTION? 349 00:19:43,716 --> 00:19:47,754 - WELL, IT'S OLD-SCHOOL, BUT IT WORKS. 350 00:19:47,787 --> 00:19:49,756 - SO WHAT DO YOU WANT TO DO NOW? - I'M GOING TO ASK JOAN 351 00:19:49,789 --> 00:19:51,324 TO DIVERT MONEY FROM ANOTHER MISSION. 352 00:19:51,358 --> 00:19:52,259 - OKAY. MAYBE-- 353 00:19:52,292 --> 00:19:53,726 MAYBE I SHOULD BE THE ONE TO CALL JOAN. 354 00:19:53,760 --> 00:19:56,629 - WE HAVE A BETTER SHOT IF I DO IT. 355 00:19:56,663 --> 00:19:58,665 - YEAH, BUT YOU'RE SUPPOSED TO BE ON A PLANE HOME ALREADY, 356 00:19:58,698 --> 00:20:01,000 AND I'VE ONLY BLOWN ONE CHECK-IN. 357 00:20:01,033 --> 00:20:02,769 - WELL, MAYBE YOU'RE RIGHT. 358 00:20:02,802 --> 00:20:07,006 - OKAY. UM, THEN, I'M GOING TO NEED TO BE READ IN. 359 00:20:07,039 --> 00:20:09,642 - YOU'VE ALREADY BEEN READ IN. 360 00:20:09,676 --> 00:20:11,344 - NOT ON YOU AND ELSA. 361 00:20:11,378 --> 00:20:14,714 - WELL, AS YOU KNOW, THE OFFICER-ASSET RELATIONSHIP 362 00:20:14,747 --> 00:20:16,383 CAN GET COMPLICATED. 363 00:20:16,416 --> 00:20:19,619 ASSETS STOP BEING SOURCES OF INTEL, LINES BLUR. 364 00:20:19,652 --> 00:20:22,255 - THE LINES BLURRED BETWEEN YOU AND ELSA? 365 00:20:22,289 --> 00:20:24,391 - YOU FEEL THE NEED TO BE HONEST WITH JOAN. THAT'S ADMIRABLE. 366 00:20:24,424 --> 00:20:26,626 BUT I'M HER HUSBAND, AND I WILL EXPLAIN IT ALL LATER. 367 00:20:26,659 --> 00:20:27,627 IT'S BETTER THAT WAY. 368 00:20:27,660 --> 00:20:31,364 - THANKS! 369 00:20:35,602 --> 00:20:39,406 - IN THE END, I JUST DID WHAT MOST OF US DO. 370 00:20:39,439 --> 00:20:45,478 I GRADUATED, CAME HOME TO RICHMOND, GOT A DECENT JOB. 371 00:20:45,512 --> 00:20:48,047 I NEEDED TO BE CLOSE TO FAMILY AFTER WHAT HAPPENED. 372 00:20:48,080 --> 00:20:50,717 - I'M SURE THEY NEEDED YOU TOO. 373 00:20:50,750 --> 00:20:53,052 - I'M LEAVING THE NEST THIS FALL, THOUGH. 374 00:20:53,085 --> 00:20:54,487 OFF TO THE PEACE CORPS. 375 00:20:54,521 --> 00:20:56,723 - WHERE ARE YOU BEING PLACED? 376 00:20:56,756 --> 00:20:59,492 - NOT SURE YET. BUT... 377 00:20:59,526 --> 00:21:01,394 I ALWAYS WANTED TO GO, THOUGH, SO... 378 00:21:01,428 --> 00:21:02,395 IT'S ABOUT TIME I DID, YOU KNOW? 379 00:21:02,429 --> 00:21:05,365 - YEAH. - I FORGOT TO ASK 380 00:21:05,398 --> 00:21:06,766 WHAT YOU BROUGHT FOR THE SCRAPBOOK. 381 00:21:09,836 --> 00:21:12,639 - ACTUALLY, I'M EMPTY-HANDED. 382 00:21:12,672 --> 00:21:14,641 I WASN'T SURE I WAS COMING TO THIS. 383 00:21:14,674 --> 00:21:16,476 - AH. 384 00:21:16,509 --> 00:21:18,411 WELL, YOU CAN STILL CONTRIBUTE SOMETHING. 385 00:21:18,445 --> 00:21:21,514 IT PROBABLY WON'T BE AS COOL AS THE ORIGINAL SHEET MUSIC 386 00:21:21,548 --> 00:21:23,383 TO BILLY'S FAVORITE SONG THAT I FOUND, 387 00:21:23,416 --> 00:21:26,386 BUT YOU CAN TRY. - NOT A WORLD APART? 388 00:21:26,419 --> 00:21:27,854 - YEAH, THAT'S THE ONE. 389 00:21:27,887 --> 00:21:30,523 - IS IT SIGNED? 390 00:21:30,557 --> 00:21:33,092 - IT WAS TOUGH TO FIND ALREADY, COME ON. 391 00:21:33,125 --> 00:21:36,829 - I THINK I CAN TOP IT. 392 00:21:36,863 --> 00:21:40,633 - WE'RE NOT AN ATM, I CAN'T GET THREE MILLION CLEARED THAT FAST. 393 00:21:40,667 --> 00:21:42,101 - ARTHUR MENTIONED THE POSSIBILITY 394 00:21:42,134 --> 00:21:43,570 OF DIVERTING THE MONEY FROM ANOTHER OP. 395 00:21:43,603 --> 00:21:44,637 - THE SANTORINI OPERATION. 396 00:21:44,671 --> 00:21:47,807 WELL, JAI IS IN CHARGE OF THAT NOW, 397 00:21:47,840 --> 00:21:49,108 AND I CAN'T TOUCH ANY OF THAT MONEY 398 00:21:49,141 --> 00:21:51,110 WITHOUT HIS EXPRESSED APPROVAL. 399 00:21:51,143 --> 00:21:52,445 - OH. 400 00:21:52,479 --> 00:21:53,580 - AND I THOUGHT ARTHUR IS SUPPOSED TO BE 401 00:21:53,613 --> 00:21:55,548 ON A PLANE TO DULLES RIGHT NOW. 402 00:21:55,582 --> 00:21:57,049 - IF WE CAN GET THE MONEY INTO AN ACCOUNT, 403 00:21:57,083 --> 00:21:58,117 WE CAN GET THE BANK CODES, 404 00:21:58,150 --> 00:22:00,587 AND THEN BOTH OF US CAN BE HOME SOON AFTER THAT. 405 00:22:00,620 --> 00:22:02,522 - ANNIE, TWO OTHER OPERATIVES 406 00:22:02,555 --> 00:22:04,624 HAVE TRIED TO BECOME CLIENTS BEFORE. 407 00:22:04,657 --> 00:22:07,794 WHAT MAKES YOU CERTAIN THIS WILL WORK FOR YOU? 408 00:22:07,827 --> 00:22:09,128 ANNIE? 409 00:22:09,161 --> 00:22:11,531 - ELSA'S THE KEY. 410 00:22:11,564 --> 00:22:13,733 - ALL RIGHT. 411 00:22:13,766 --> 00:22:17,837 I'LL SPEAK TO JAI. BUT THIS BETTER WORK. 412 00:22:26,713 --> 00:22:31,518 - I NEVER EXPECTED THE GUY THAT COMPOSED A WORLD APART 413 00:22:31,551 --> 00:22:34,854 TO LOOK SO PROFESSORIAL. 414 00:22:34,887 --> 00:22:39,626 - ON THIS, I HAVE NO COMMENT. 415 00:22:39,659 --> 00:22:41,060 - SO YOU'RE REALLY GOING TO ASK HIM 416 00:22:41,093 --> 00:22:43,530 TO AUTOGRAPH THE SHEET MUSIC? - WELL, WE'RE HERE. 417 00:22:43,563 --> 00:22:46,433 I'LL GET YOU A COPY OF HIS LATEST RECORDING TOO. 418 00:22:46,466 --> 00:22:48,535 YOU CAN TAKE IT WITH YOU THIS FALL. 419 00:22:48,568 --> 00:22:50,837 - IT'S BETTER IF YOU DON'T. 420 00:22:50,870 --> 00:22:53,406 I GOT GOOD AT USING WHAT HAPPENED 421 00:22:53,440 --> 00:22:57,544 AS AN EXCUSE NOT TO GET ON WITH THINGS. 422 00:22:57,577 --> 00:23:00,513 I DON'T WANT TO FALL BACK INTO OLD HABITS, YOU KNOW? 423 00:23:04,517 --> 00:23:06,719 COME ON. 424 00:23:06,753 --> 00:23:08,621 - WHAT ARE YOU DOING? 425 00:23:08,655 --> 00:23:10,089 - WE'VE GOT TIME. 426 00:23:10,122 --> 00:23:13,460 CAN'T GET AN AUTOGRAPH TILL THE END OF THE SET, RIGHT? 427 00:23:13,493 --> 00:23:17,096 - YOU DON'T WANT TO TAKE A BLIND MAN TO THE DANCE FLOOR. 428 00:23:17,129 --> 00:23:20,800 - YOU LOVE THE MUSIC. SO SHOW IT. 429 00:23:20,833 --> 00:23:24,637 - JAZZ IS ABOUT LISTENING. 430 00:23:24,671 --> 00:23:29,408 - WRONG. JAZZ IS ABOUT FEELING. 431 00:23:31,611 --> 00:23:33,546 YOU KNOW, YOU'RE DOING PRETTY GOOD. 432 00:23:33,580 --> 00:23:37,750 - YOU SHOULD SEE MY ELECTRIC SLIDE. 433 00:23:42,188 --> 00:23:44,891 [phone ringing] 434 00:23:44,924 --> 00:23:47,560 MS. WALKER. GOOD MORNING. 435 00:23:47,594 --> 00:23:49,696 - ARTHUR WAS IN LOVE WITH HER. 436 00:23:49,729 --> 00:23:52,632 - ELSA? DID YOU TELL JOAN? 437 00:23:52,665 --> 00:23:54,901 - NO. WE NEED HER TO MAKE THE MONEY TRANSFER. 438 00:23:54,934 --> 00:23:57,203 I WAS AFRAID THAT IF I TOLD HER ABOUT ARTHUR AND ELSA, 439 00:23:57,236 --> 00:23:58,705 SHE WOULDN'T DO IT. 440 00:23:58,738 --> 00:24:01,708 WHY ARE YOU STILL UP? IT'S A SCHOOL NIGHT. 441 00:24:01,741 --> 00:24:04,677 - I CLOSED DOWN THE JAZZ CLUB. 442 00:24:04,711 --> 00:24:07,714 THE GUITARIST WAS AMAZING. 443 00:24:07,747 --> 00:24:09,716 - UH-HUH. SO WHO IS SHE? 444 00:24:09,749 --> 00:24:12,485 - THE GUITARIST? GUY NAMED BLACKHORN. 445 00:24:12,519 --> 00:24:14,821 - YOU KNOW WHAT I MEAN. YOUR DATE. 446 00:24:14,854 --> 00:24:18,224 - OH, WELL, TO QUOTE THE FAMOUS ANNIE WALKER, 447 00:24:18,257 --> 00:24:20,827 THAT INFORMATION IS NEED TO KNOW. 448 00:24:42,314 --> 00:24:43,783 - HEY, IT'S ME. 449 00:24:43,816 --> 00:24:46,686 - HEY. ANNIE SAID YOU CAME THROUGH WITH THE MONEY. 450 00:24:46,719 --> 00:24:49,856 - BUT YOU'RE THE CLIENT, RIGHT? - HOW'D YOU KNOW? 451 00:24:49,889 --> 00:24:52,291 - ARTHUR, I'M YOUR WIFE. 452 00:24:52,324 --> 00:24:53,893 AND I'M A SPY. 453 00:24:53,926 --> 00:24:55,261 AND GIVEN THE FACT 454 00:24:55,294 --> 00:24:57,163 THAT I HAD TO HORSE-TRADE WITH JAI FOR THE MONEY, 455 00:24:57,196 --> 00:25:00,867 HOW 'BOUT YOU TELL ME THE TRUTH ABOUT YOU AND ELSA? 456 00:25:00,900 --> 00:25:03,736 - OH, I WAS GREEN. 457 00:25:03,770 --> 00:25:05,638 - YOU WERE IN LOVE WITH HER. 458 00:25:11,110 --> 00:25:13,646 - WELL, I WASN'T READY TO ADMIT IT TO ANYONE. 459 00:25:13,680 --> 00:25:17,283 NOT EVEN MYSELF. 460 00:25:17,316 --> 00:25:20,820 - SO TWO DAYS AGO WHEN SHE CALLED, YOU CAME RUNNING? 461 00:25:20,853 --> 00:25:25,558 - I KNOW HOW IT MUST LOOK. 462 00:25:25,592 --> 00:25:27,760 BUT THERE IS NOTHING GOING ON WITH ME AND ELSA. 463 00:25:27,794 --> 00:25:29,829 PLEASE KNOW THAT. 464 00:25:29,862 --> 00:25:32,164 - YOU KNOW WHAT'S IN TWO DAYS FROM NOW? 465 00:25:32,198 --> 00:25:35,568 - OUR WEDDING ANNIVERSARY. I'LL BE HOME BY THEN. 466 00:25:35,602 --> 00:25:38,705 - YOU KNOW, WE HAVEN'T BEEN IN THE SAME CITY 467 00:25:38,738 --> 00:25:40,640 ON OUR ANNIVERSARY IN THREE YEARS. 468 00:25:40,673 --> 00:25:42,609 LAST YEAR, I WAS IN PRAGUE. 469 00:25:42,642 --> 00:25:45,244 - WELL, THIS YEAR, WE'LL START A NEW TREND. 470 00:25:45,277 --> 00:25:46,345 WHERE DO YOU WANT TO GO? 471 00:25:46,378 --> 00:25:51,784 - I DON'T WANT TO GO ANYWHERE. I JUST WANT TO BE HOME. 472 00:25:51,818 --> 00:25:54,253 WITH YOU. 473 00:25:54,286 --> 00:25:58,190 GOOD NIGHT, ARTHUR. 474 00:25:58,224 --> 00:25:59,759 - OH, GOOD NIGHT, JOAN. 475 00:26:03,395 --> 00:26:04,597 [knocking] 476 00:26:07,399 --> 00:26:10,202 [knocking] 477 00:26:19,879 --> 00:26:22,348 - WHAT THE HELL ARE YOU DOING? 478 00:26:26,252 --> 00:26:27,854 YOU KNOW YOU CAN'T BE HERE. 479 00:26:27,887 --> 00:26:29,756 - ISAAK IS ON TO YOU. TO US. 480 00:26:29,789 --> 00:26:31,858 I OVERHEARD HIM TALKING ON THE PHONE. 481 00:26:31,891 --> 00:26:33,259 SOMEBODY TIPPED HIM OFF. 482 00:26:33,292 --> 00:26:34,293 - DON'T PLAY GAMES WITH ME, ELSA. 483 00:26:34,326 --> 00:26:36,395 - ARTHUR, THIS IS NOT A GAME. 484 00:26:36,428 --> 00:26:40,132 EITHER WE GO NOW, OR WE HIDE OUT SOMEWHERE TILL DARK. 485 00:26:40,166 --> 00:26:41,400 - LIKE WE DID IN 1989? 486 00:26:41,433 --> 00:26:44,871 - OUR PLACE IS STILL THERE. 487 00:26:44,904 --> 00:26:46,272 YOU GOT THE MONEY, DIDN'T YOU? 488 00:26:46,305 --> 00:26:49,742 - THAT'S WHAT THIS IS ALL ABOUT. THE MONEY. 489 00:26:49,776 --> 00:26:52,411 - YOU USED TO TRUST ME. 490 00:26:52,444 --> 00:26:54,246 - WELL, I CHALK THAT UP TO IMMATURITY. 491 00:26:54,280 --> 00:26:56,382 - YOU WERE MATURE ENOUGH TO MAKE ME ENVISION 492 00:26:56,415 --> 00:26:59,719 A LIFE BEYOND THE WALL, A LIFE WITH YOU. 493 00:26:59,752 --> 00:27:03,189 - YOU NEVER INTENDED TO GO ANYWHERE. 494 00:27:03,222 --> 00:27:10,196 - AS OPERATIVES GO, YOU HAD GREAT INSTINCTS. 495 00:27:10,229 --> 00:27:15,134 PROBABLY THE BEST OF ANY OPERATIVE I'D SEEN. 496 00:27:15,167 --> 00:27:19,906 YOU REALLY THINK YOU COULD'VE BEEN SO WRONG ABOUT ME? 497 00:27:38,424 --> 00:27:42,428 [phone ringing] 498 00:27:42,461 --> 00:27:44,764 - HELLO? 499 00:27:44,797 --> 00:27:46,332 - ELSA SHOWED UP AT THE HOTEL ROOM 500 00:27:46,365 --> 00:27:48,267 CLAIMING THE OPERATION'S BEEN COMPROMISED, 501 00:27:48,300 --> 00:27:49,736 THAT ISAAK IS ON TO US. 502 00:27:49,769 --> 00:27:50,837 - YOU DON'T BELIEVE HER? 503 00:27:50,870 --> 00:27:52,404 - SHE'S TRYING TO PLAY US. 504 00:27:52,438 --> 00:27:54,140 - SO WHAT DO YOU WANT TO DO? 505 00:27:54,173 --> 00:27:55,742 - MEET ME AT THE USUAL SPOT IN TEN MINUTES. 506 00:27:55,775 --> 00:27:59,178 I'LL TRY AND FIGURE SOMETHING OUT. 507 00:28:07,920 --> 00:28:09,789 - COMING WITH ME. 508 00:28:11,457 --> 00:28:14,260 - WHAT'S GOING ON? 509 00:28:14,293 --> 00:28:15,494 - ANNIE, MEET KARL SCHMIDT, 510 00:28:15,527 --> 00:28:17,196 MY GERMAN COUNTERPART AT THE BND. 511 00:28:18,330 --> 00:28:20,432 KARL AND I HAVE SPOKEN MANY TIMES ON THE PHONE, 512 00:28:20,466 --> 00:28:22,769 BUT NEVER IN PERSON UNTIL NOW. 513 00:28:22,802 --> 00:28:24,270 - HE'S BEEN SHADOWING US. 514 00:28:24,303 --> 00:28:25,938 SAW HIM AT THE CURRY WURST STAND. 515 00:28:25,972 --> 00:28:28,207 - DID ELSA VON HAGEN ORDER YOU TO PICK US UP? 516 00:28:28,240 --> 00:28:30,276 - I DON'T TAKE ORDERS FROM THE VON HAGENS, ARTHUR. 517 00:28:30,309 --> 00:28:32,411 I'M ONE OF THE GOOD GUYS, REMEMBER? 518 00:28:32,444 --> 00:28:34,480 - WELL, IT'S HARD TO TELL, THE WAY YOU SNATCHED US UP. 519 00:28:34,513 --> 00:28:37,316 - I THINK YOU'D BE MORE APPRECIATIVE. 520 00:28:37,349 --> 00:28:39,919 I'M GETTING YOU OUT OF BERLIN, KEEPING YOU ALIVE. 521 00:28:39,952 --> 00:28:42,755 - OH. IS THAT WHAT YOU'RE DOING? 522 00:28:42,789 --> 00:28:45,457 - BEEN SURVEILLING THE VON HAGENS LONG BEFORE YOU GOT HERE. 523 00:28:45,491 --> 00:28:48,194 THIS MORNING, WE HEAR CHATTER THAT ISAAK WANTS YOU DEAD. 524 00:28:48,227 --> 00:28:51,197 HE WOULD TAKE GREAT PLEASURE IN TAKING YOU DOWN, 525 00:28:51,230 --> 00:28:52,932 SMEARING YOUR REPUTATION, 526 00:28:52,965 --> 00:28:56,202 AND THAT OF THE C.I.A. IN THE PROCESS. 527 00:29:11,250 --> 00:29:14,186 YOUR PLANE TO D.C. 528 00:29:14,220 --> 00:29:17,189 THE LOCAL POLIZEI WILL ENSURE THAT YOU ARE ON IT 529 00:29:17,223 --> 00:29:18,791 WHEN IT DEPARTS. 530 00:29:22,361 --> 00:29:24,797 SAFE TRAVELS TO YOU BOTH, THEN. 531 00:29:27,834 --> 00:29:33,305 OH, AND, UH...NICE JACKET. VERY GERMAN. 532 00:29:35,842 --> 00:29:38,277 - ARTHUR. 533 00:29:38,310 --> 00:29:39,278 WHAT ABOUT ELSA? 534 00:29:39,311 --> 00:29:41,814 - WHAT ABOUT HER? 535 00:29:41,848 --> 00:29:43,182 - WE'RE JUST GOING TO LEAVE HER HERE? 536 00:29:43,215 --> 00:29:45,284 YOU HEARD WHAT KARL SAID, SHE VOUCHED FOR US. 537 00:29:45,317 --> 00:29:46,585 - THERE'S A LOT ABOUT ELSA YOU DON'T KNOW. 538 00:29:46,618 --> 00:29:47,586 - OKAY. 539 00:29:47,619 --> 00:29:49,588 READ ME IN. 540 00:29:49,621 --> 00:29:51,590 - SHE WAS PLAYING A GAME BACK IN '89. 541 00:29:51,623 --> 00:29:53,192 ONE I BARELY GOT OUT OF. 542 00:29:53,225 --> 00:29:55,294 WE WERE SUPPOSED TO MEET AT ONE OF THE TRAIN STATIONS 543 00:29:55,327 --> 00:29:56,495 THAT THE SECRET POLICE HAD CLOSED DOWN 544 00:29:56,528 --> 00:29:57,529 AFTER THE BERLIN WALL WAS BUILT. 545 00:29:57,563 --> 00:29:59,198 - GHOST STATION. 546 00:29:59,231 --> 00:30:00,132 - SHE WAS GOING TO DEFECT. 547 00:30:00,166 --> 00:30:03,469 I GET THERE. ELSA'S NOWHERE TO BE FOUND. 548 00:30:03,502 --> 00:30:07,239 BUT THE STASI'S THERE, WITH GUNS. 549 00:30:09,976 --> 00:30:11,410 - I KNOW YOU'RE MY BOSS. 550 00:30:11,443 --> 00:30:15,314 YOU'RE ACTUALLY MY BOSS'S BOSS, WHICH IS WORSE. 551 00:30:15,347 --> 00:30:17,216 BUT IF YOU THOUGHT ELSA BETRAYED YOU, 552 00:30:17,249 --> 00:30:19,418 WHY'D YOU COME TO BERLIN? 553 00:30:19,451 --> 00:30:21,220 WHY'D YOU TAKE THAT CALL? 554 00:30:21,253 --> 00:30:23,622 IF YOU'RE ABSOLUTELY CERTAIN SHE BETRAYED YOU, 555 00:30:23,655 --> 00:30:26,392 THEN WE SHOULD GET ON THAT PLANE RIGHT NOW, BUT... 556 00:30:26,425 --> 00:30:28,394 IF THERE'S ANY DOUBT-- 557 00:30:28,427 --> 00:30:32,198 - I DO HAVE DOUBTS. 558 00:30:32,231 --> 00:30:34,300 BUT IT'S TOO LATE. 559 00:30:34,333 --> 00:30:38,871 - NO, IF THERE'S A CHANCE TO SAVE HER, WE SHOULD TAKE IT. 560 00:30:38,905 --> 00:30:42,274 I KNOW HOW DIFFICULT IT CAN BE. 561 00:30:42,308 --> 00:30:44,410 TRUSTING SOMEONE WHEN IT SEEMS DANGEROUS. 562 00:30:44,443 --> 00:30:48,948 - WE'D HAVE TO GET BY THESE GUYS FIRST. 563 00:30:48,981 --> 00:30:51,951 - YEAH. 564 00:30:51,984 --> 00:30:54,653 HOW? 565 00:30:54,686 --> 00:30:57,423 - I GOT 13 OPERATIVES OUT OF HERE DURING THE COLD WAR, 566 00:30:57,456 --> 00:31:00,392 I CAN GET US BACK IN NOW. 567 00:31:27,586 --> 00:31:29,055 - HOW DID YOU KNOW THE POLIZEI WOULD HELP US? 568 00:31:29,088 --> 00:31:31,958 - WELL, THE POLIZEI HATE THE WAY THE BND COME IN BARKING ORDERS. 569 00:31:31,991 --> 00:31:33,492 - KIND OF LIKE THE POLICE AND F.B.I. 570 00:31:33,525 --> 00:31:35,227 - SOME THINGS ARE UNIVERSAL. 571 00:31:35,261 --> 00:31:39,631 A MAN IN UNIFORM'S DISTASTE FOR A SUIT, THAT'S ONE. 572 00:31:39,665 --> 00:31:42,568 THE GHOST STATION'S DOWN HERE. 573 00:31:45,337 --> 00:31:47,940 WAIT HERE. IT COULD BE DANGEROUS. 574 00:31:47,974 --> 00:31:50,209 - IT'S OKAY. I'LL COME. - STAY HERE. 575 00:31:50,242 --> 00:31:51,343 KEEP YOUR EYES OPEN. 576 00:32:02,989 --> 00:32:04,991 - ARTHUR? 577 00:32:11,330 --> 00:32:12,498 YOU MUST GO. NOW. 578 00:32:12,531 --> 00:32:14,733 ISAAK, HE KNOWS I WAS WORKING WITH YOU. 579 00:32:14,766 --> 00:32:17,469 I THINK ONE OF HIS MEN FOLLOWED ME HERE. 580 00:32:17,503 --> 00:32:21,007 I DID MY BEST TO SHAKE HIM, BUT I CAN'T BE SURE. 581 00:32:21,040 --> 00:32:23,742 - WE'VE GOT A VAN OUTSIDE. 582 00:32:23,775 --> 00:32:26,212 WE MOVE QUICKLY, WE GOT A SHOT AT ESCAPING. 583 00:32:26,245 --> 00:32:28,347 - ARTHUR, THANK YOU. 584 00:32:28,380 --> 00:32:31,450 - YOU DON'T HAVE TO THANK ME. LET'S GO. 585 00:32:36,055 --> 00:32:39,391 - HE'S STILL NOT BACK, MILES. - SORRY. 586 00:32:39,425 --> 00:32:41,260 - LET ME SAVE YOU ANOTHER TRIP. 587 00:32:41,293 --> 00:32:43,462 ARTHUR WILL TRADE YOU DESHAWN JACKSON 588 00:32:43,495 --> 00:32:45,397 FOR ELI MANNING AND YOUR FIRST PICK IN THE KEEPER DRAFT. 589 00:32:45,431 --> 00:32:47,366 WHAT? 590 00:32:47,399 --> 00:32:48,567 THAT'S BREAKAWAY SPEED, AND I'M SURE MANNING 591 00:32:48,600 --> 00:32:50,002 ISN'T THRILLED TO BE WARMING YOUR BENCH. 592 00:32:50,036 --> 00:32:54,273 - YEAH. 593 00:32:56,375 --> 00:32:57,209 - AUGGIE. 594 00:32:57,243 --> 00:32:58,777 HAVE YOU HEARD FROM ARTHUR OR ANNIE? 595 00:32:58,810 --> 00:33:00,512 - NO, WHY? 596 00:33:00,546 --> 00:33:02,581 - BECAUSE THEY STILL HAVEN'T PICKED UP THE MONEY, 597 00:33:02,614 --> 00:33:06,218 AND NEITHER OF THEM ARE ANSWERING THEIR PHONES. 598 00:33:06,252 --> 00:33:08,487 - I'LL SEE WHAT I CAN FIND OUT. 599 00:33:18,830 --> 00:33:20,999 - THAT'S HIM. ONE OF ISAAK'S MEN. 600 00:33:22,434 --> 00:33:24,703 THIS WAY. MY CAR'S HIDDEN NOT FAR FROM HERE. 601 00:33:31,777 --> 00:33:34,413 - HALT! 602 00:33:56,802 --> 00:33:59,505 - GO, GO. 603 00:33:59,538 --> 00:34:00,639 [tires screeching] 604 00:34:36,675 --> 00:34:38,310 [gunshot] 605 00:34:40,879 --> 00:34:42,714 [gunshot] 606 00:34:50,856 --> 00:34:52,658 - DOWN! [gunshot] 607 00:35:16,715 --> 00:35:17,783 [gunshot] 608 00:35:17,816 --> 00:35:19,718 [speaking German] 609 00:35:19,751 --> 00:35:22,554 - OH, WE AMERICANS HAVE A FEW MOVES OF OUR OWN. 610 00:35:49,715 --> 00:35:50,849 [gunshot] 611 00:35:56,322 --> 00:35:57,623 - DON'T WORRY, I GOT THIS. 612 00:36:13,339 --> 00:36:14,806 [tires screech] 613 00:36:31,490 --> 00:36:33,892 [tires screech] 614 00:36:55,781 --> 00:36:57,449 - YOUR FLIGHT TO LONDON. 615 00:36:57,483 --> 00:36:59,451 INTERPOL HAS ISAAK IN CUSTODY ALREADY, 616 00:36:59,485 --> 00:37:01,420 SO YOU'LL BE SAFE. 617 00:37:01,453 --> 00:37:03,589 - OUR MISSION SUCCEEDED. 618 00:37:03,622 --> 00:37:05,591 - THEY HAVE A TEAM PULLING VALUABLE INTEL 619 00:37:05,624 --> 00:37:07,726 FROM ISAAK'S NETWORK AS WE SPEAK. 620 00:37:07,759 --> 00:37:09,528 - FUNNY... 621 00:37:09,561 --> 00:37:11,863 I THOUGHT THE ONLY WAY I'D EVER LEAVE BERLIN 622 00:37:11,897 --> 00:37:13,732 WAS WITH YOU. 623 00:37:15,667 --> 00:37:18,537 I WAS DETAINED THAT LAST NIGHT. 624 00:37:18,570 --> 00:37:21,807 SOMEBODY HAD TIPPED THE POLICE OFF ABOUT US, 625 00:37:21,840 --> 00:37:23,875 ABOUT WHAT WE WERE PLANNING. 626 00:37:23,909 --> 00:37:26,678 I TOLD NO ONE. 627 00:37:26,712 --> 00:37:29,648 YOU BELIEVE ME NOW, DON'T YOU? 628 00:37:33,352 --> 00:37:35,554 - IT DOESN'T MATTER. 629 00:37:35,587 --> 00:37:39,725 YOU'LL GO TO ENGLAND, I'LL GO HOME TO D.C. 630 00:37:39,758 --> 00:37:41,627 - TO YOUR WIFE. 631 00:37:42,761 --> 00:37:45,831 GOOD-BYE, ARTHUR. 632 00:37:48,500 --> 00:37:49,601 - GOOD-BYE, ELSA. 633 00:38:08,520 --> 00:38:10,556 - IT'S NOT THE ENDING OF THE COLD WAR, 634 00:38:10,589 --> 00:38:11,657 BUT IT'S A JOB WELL DONE. 635 00:38:11,690 --> 00:38:15,861 - OH...I GOT A HERO'S WELCOME WHEN THE WALL FELL. 636 00:38:15,894 --> 00:38:18,430 ONE THAT I DID NOT DESERVE. 637 00:38:18,464 --> 00:38:20,932 I JUST HAPPENED TO BE IN BERLIN AT THE RIGHT TIME. 638 00:38:20,966 --> 00:38:23,869 THE KUDOS YOU'LL RECEIVE FOR THIS WORK YOU'VE DONE HERE 639 00:38:23,902 --> 00:38:25,537 WILL BE WELL EARNED. 640 00:38:25,571 --> 00:38:28,474 - I CAN HARDLY TAKE THE CREDIT. 641 00:38:28,507 --> 00:38:31,843 - OH, YOU'LL HAVE TO. 642 00:38:31,877 --> 00:38:35,347 I WAS NEVER HERE. 643 00:38:35,381 --> 00:38:36,915 [plane engine revs] 644 00:38:41,887 --> 00:38:43,622 - HEY. 645 00:38:43,655 --> 00:38:45,791 I'M SORRY TO SHOW UP LIKE THIS. 646 00:38:45,824 --> 00:38:47,726 - NO, IT'S OKAY. - [chuckles] 647 00:38:47,759 --> 00:38:48,727 - IS EVERYTHING ALL RIGHT? COME ON IN. 648 00:38:48,760 --> 00:38:52,464 - UM, IT WOULD HAVE MADE MORE SENSE TO CALL, 649 00:38:52,498 --> 00:38:56,435 BUT I THOUGHT I SHOULD SAY THIS IN PERSON. 650 00:38:56,468 --> 00:38:59,905 AND I NEED TO SAY IT NOW OR I MIGHT LOSE MY NERVE. 651 00:38:59,938 --> 00:39:02,140 - OKAY. 652 00:39:02,173 --> 00:39:04,443 - I REALLY APPRECIATE YOUR OFFERING 653 00:39:04,476 --> 00:39:05,777 TO HANG OUT THIS WEEKEND, 654 00:39:05,811 --> 00:39:07,145 BUT I DON'T KNOW. 655 00:39:07,178 --> 00:39:08,780 - YOU DON'T THINK IT'S SUCH A GOOD IDEA. 656 00:39:08,814 --> 00:39:10,782 - YEAH. 657 00:39:10,816 --> 00:39:12,718 I MEAN, IT JUST TOOK SO LONG TO GET OVER LOSING BILLY, 658 00:39:12,751 --> 00:39:15,454 AND THIS FEELS LIKE-- - NO, NO. YOU KNOW WHAT... 659 00:39:15,487 --> 00:39:16,922 HEY, YOU DON'T NEED TO EXPLAIN IT. 660 00:39:16,955 --> 00:39:19,558 CERTAINLY NOT TO ME. 661 00:39:19,591 --> 00:39:23,662 - OKAY. 662 00:39:23,695 --> 00:39:27,833 WELL, I... GUESS I SHOULD GO THEN. 663 00:39:34,473 --> 00:39:37,375 I'M SORRY. I SHOULDN'T HAVE DONE THAT. 664 00:39:42,881 --> 00:39:44,450 I THOUGHT WE WERE ON THE SAME PAGE. 665 00:39:44,483 --> 00:39:47,886 - YOU SAID THIS WAS A BAD IDEA. - MM-HMM. RIGHT. 666 00:39:47,919 --> 00:39:49,988 - SO WE AGREE. - MM-HMM. 667 00:40:02,601 --> 00:40:05,737 - NO ROMANTIC DINNER. 668 00:40:05,771 --> 00:40:08,740 - I ASSUMED I'D BE EATING ALONE. 669 00:40:08,774 --> 00:40:10,576 - I'M SORRY. 670 00:40:16,482 --> 00:40:18,450 - YOU HAD ME WORRIED. 671 00:40:18,484 --> 00:40:19,885 - YOU DIDN'T NEED TO BE. 672 00:40:19,918 --> 00:40:21,953 - YOU SHOULD HAVE TOLD ME. 673 00:40:21,987 --> 00:40:24,756 - YOU'RE RIGHT. 674 00:40:24,790 --> 00:40:28,794 BUT BERLIN IS BEHIND ME. 675 00:40:28,827 --> 00:40:32,498 FOR US NAVY BOYS... 676 00:40:34,600 --> 00:40:36,802 THIS SYMBOLIZES SAFE PASSAGE HOME. 677 00:40:39,771 --> 00:40:43,775 - IT'S BEAUTIFUL. 678 00:40:43,809 --> 00:40:46,945 I GOT YOU SOMETHING TOO. 679 00:40:56,688 --> 00:40:58,256 - ELI MANNING? - MM-HMM. 680 00:40:58,289 --> 00:41:00,626 THANKS TO ME, YOU'RE WINNING NOW. 681 00:41:00,659 --> 00:41:02,928 HAPPY ANNIVERSARY. 682 00:41:11,302 --> 00:41:13,204 - HAPPY ANNIVERSARY. 683 00:41:23,915 --> 00:41:25,751 - DANIELLE? 684 00:41:27,553 --> 00:41:29,187 CHOCOLATE CHIP PANCAKES. 685 00:41:29,220 --> 00:41:31,657 CHLOE'S FAVORITE. I MADE THEM MYSELF. 686 00:41:31,690 --> 00:41:34,526 - WELL, THE GIRLS AREN'T UP YET. 687 00:41:36,595 --> 00:41:37,495 - I KNOW THIS WON'T MAKE UP 688 00:41:37,529 --> 00:41:38,930 FOR WHAT HAPPENED WITH CHLOE'S ARTWORK. 689 00:41:42,233 --> 00:41:43,802 I REALIZE WE DON'T ALWAYS GET THE CHANCE 690 00:41:43,835 --> 00:41:45,537 TO MAKE THINGS RIGHT. 691 00:41:45,571 --> 00:41:48,707 SOMETIMES WHAT'S DONE IS DONE. 692 00:41:48,740 --> 00:41:53,545 I JUST HOPE THIS ISN'T ONE OF THOSE TIMES. 693 00:41:55,581 --> 00:41:58,650 - HAVE YOU SLEPT? 694 00:41:58,684 --> 00:42:01,920 - NOT YET. I--I GOT IN LATE LAST NIGHT. 695 00:42:01,953 --> 00:42:04,990 - WELL, THE GIRLS WILL BE UP ANY MINUTE. 696 00:42:05,023 --> 00:42:07,893 THEY CAN'T EAT ALL THESE PANCAKES BY THEMSELVES. 697 00:42:10,829 --> 00:42:12,330 - WHAT DO YOU THINK? 698 00:42:12,363 --> 00:42:15,300 - LET'S SEE. [sniffs] 699 00:42:15,333 --> 00:42:17,302 OH, MY GOD. - GOOD, RIGHT? 700 00:42:17,335 --> 00:42:19,237 - THEY'RE AMAZING. AND THEY'RE STILL WARM. 48166

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