Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:01,169 --> 00:00:04,338
[Airborne Toxic Event's
Changing plays]
2
00:00:04,372 --> 00:00:12,746
*
3
00:00:28,829 --> 00:00:31,265
- * ALL THESE
BUCKETS OF RAIN *
4
00:00:31,299 --> 00:00:33,401
* I'VE HEARD ENOUGH ABOUT IT
5
00:00:33,434 --> 00:00:36,170
* YOU SAY THAT I LIED
6
00:00:36,204 --> 00:00:38,172
* I AM A GENTLEMAN
7
00:00:38,206 --> 00:00:40,741
* DIDN'T I ASK
FOR A PLACE I COULD STAY? *
8
00:00:40,774 --> 00:00:42,843
* WHAT WERE WE BOTH THINKING?
9
00:00:42,876 --> 00:00:45,313
* THE NEXT PART
JUST GOT IN THE WAY *
10
00:00:45,346 --> 00:00:48,782
* YOU WERE JUST ALWAYS TALKING
ABOUT CHANGING *
11
00:00:48,816 --> 00:00:50,451
* CHANGING
12
00:00:50,484 --> 00:00:53,487
* WHAT IF I WAS
THE SAME THEN? *
13
00:00:53,521 --> 00:00:54,755
* SAME THEN
14
00:00:54,788 --> 00:00:58,159
* THE SAME I ALWAYS WAS
15
00:00:58,192 --> 00:01:06,434
*
16
00:01:06,467 --> 00:01:08,136
* ALL THESE THINGS
THAT YOU SAY *
17
00:01:08,169 --> 00:01:11,139
- HEY, WATCH IT!
18
00:01:11,172 --> 00:01:13,607
- * THE MIND-NUMBING GAMES
THAT YOU PLAY *
19
00:01:13,641 --> 00:01:15,609
* I AM A GENTLEMAN
20
00:01:15,643 --> 00:01:17,411
* DIDN'T I PAY FOR EVERY LAUGH,
EVERY DIME? *
21
00:01:17,445 --> 00:01:18,712
- [sneezes]
22
00:01:18,746 --> 00:01:20,381
EXCUSE ME,
I WASN'T GETTING OUT OF LINE.
23
00:01:20,414 --> 00:01:21,849
JUST NEEDED TO--
24
00:01:21,882 --> 00:01:23,284
YOU'RE THE ONE
WHO ALMOST RAN ME OVER.
25
00:01:23,317 --> 00:01:25,886
- I DIDN'T SEE ANYONE
AT THE O.H.B. CROSSWALK.
26
00:01:25,919 --> 00:01:27,788
- WELL, I WASN'T ACTUALLY
IN THE CROSSWALK.
27
00:01:27,821 --> 00:01:28,789
- THERE YOU GO.
28
00:01:28,822 --> 00:01:30,491
DRIP COFFEE, BLACK.
29
00:01:30,524 --> 00:01:32,326
- * AND THEN YOU
FEED ME SOME LINE *
30
00:01:32,360 --> 00:01:35,529
* I WON'T HEAR ONE MORE WORD
ABOUT CHANGING *
31
00:01:35,563 --> 00:01:38,098
- TWO, LOTS OF MILK
AND LOTS OF SUGAR.
32
00:01:39,800 --> 00:01:41,402
COFFEE.
33
00:01:41,435 --> 00:01:44,472
AT YOUR 10:00.
34
00:01:44,505 --> 00:01:46,140
- THANKS.
35
00:01:46,174 --> 00:01:48,376
- THIS ALPHA BARBIE
ALMOST MOWED ME DOWN
36
00:01:48,409 --> 00:01:49,810
IN THE PARKING LOT
THIS MORNING,
37
00:01:49,843 --> 00:01:52,513
AND THEN SHE TOOK MY SPOT
IN LINE AT THE COFFEE CART.
38
00:01:52,546 --> 00:01:53,881
- YOU HAD ME
AT "ALPHA BARBIE."
39
00:01:53,914 --> 00:01:56,584
SO THE DAY'S ALREADY
CONSPIRING AGAINST YOU?
40
00:01:56,617 --> 00:01:58,186
- YES.
41
00:01:58,219 --> 00:01:59,787
ARE YOU DRESSED FOR A WEDDING
OR A FUNERAL?
42
00:01:59,820 --> 00:02:03,224
- A LITTLE BIT OF BOTH.
43
00:02:03,257 --> 00:02:04,692
YOU ARE STANDING
IN FRONT OF THE NEW HEAD
44
00:02:04,725 --> 00:02:06,827
OF THE OFFICE
OF CONGRESSIONAL AFFAIRS.
45
00:02:06,860 --> 00:02:09,830
- THAT'S HUGE!
CONGRATULATIONS!
46
00:02:09,863 --> 00:02:11,365
- THANKS.
47
00:02:15,503 --> 00:02:17,705
- WAIT.
48
00:02:17,738 --> 00:02:22,210
YOUR DESK ISN'T CLEANED UP.
IT'S CLEANED OFF.
49
00:02:22,243 --> 00:02:23,811
YOU'RE LEAVING?
50
00:02:23,844 --> 00:02:25,579
- WELL, YOU WENT
FROM THRILLED FOR ME
51
00:02:25,613 --> 00:02:27,581
TO SAD FOR YOU
IN TWO SECONDS.
52
00:02:27,615 --> 00:02:28,882
- YOU'RE GONNA LOSE
YOUR COVERT STATUS.
53
00:02:28,916 --> 00:02:31,285
AM I GONNA BE ABLE
TO SEE YOU?
54
00:02:31,319 --> 00:02:32,820
- WE'LL MAKE IT WORK.
55
00:02:32,853 --> 00:02:35,689
- BUT NOT LIKE THIS,
NOT EVERY DAY.
56
00:02:35,723 --> 00:02:40,194
- BELIEVE IT OR NOT,
THIS WAS A VERY HARD DECISION.
57
00:02:40,228 --> 00:02:41,962
AND I'LL STILL BE KEEPING
AN EYE ON YOU,
58
00:02:41,995 --> 00:02:44,765
SO TO SPEAK.
59
00:02:44,798 --> 00:02:46,434
- THE O.C.A.
IS A GREAT JOB.
60
00:02:46,467 --> 00:02:47,801
- IT IS.
61
00:02:47,835 --> 00:02:49,937
- AND YOU'LL BE ON THE SEVENTH
FLOOR WITH THE BIG BOYS.
62
00:02:49,970 --> 00:02:52,373
- CAN ALWAYS COME BY
AND VISIT.
63
00:02:52,406 --> 00:02:55,609
JUST MAKE
AN APPOINTMENT FIRST.
64
00:02:55,643 --> 00:02:58,979
- GROAN. EYE ROLL.
65
00:02:59,012 --> 00:03:02,350
- BRIEFING TIME, ANNIE.
66
00:03:02,383 --> 00:03:04,718
- SOUNDS LIKE SOMEBODY'S DAY
IS ABOUT TO GET BETTER.
67
00:03:04,752 --> 00:03:06,587
I HEARD SOMETHING
ABOUT NASA.
68
00:03:06,620 --> 00:03:07,721
- REALLY?
69
00:03:07,755 --> 00:03:09,823
- YOU'VE FORGOTTEN ME ALREADY.
70
00:03:15,329 --> 00:03:17,498
- GOOD LUCK TODAY.
71
00:03:17,531 --> 00:03:19,533
- THANKS.
72
00:03:22,903 --> 00:03:25,606
HAVE FUN WITH THE ASTRONAUTS.
73
00:03:30,544 --> 00:03:32,413
- THIS AREA
OF NORTHWESTERN COLOMBIA
74
00:03:32,446 --> 00:03:35,249
IS NOW FRIENDLY
TO COLOMBIA'S REBEL ARMY, FARC.
75
00:03:35,283 --> 00:03:37,818
JUST TO ORIENT YOU,
76
00:03:37,851 --> 00:03:40,721
COLOMBIA'S BATALLON CARTAGENA
MILITARY BASE.
77
00:03:40,754 --> 00:03:41,722
THIS IS WHAT
OUR ANALYSTS SAW
78
00:03:41,755 --> 00:03:45,526
OVER BATALLON CARTAGENA
FOR TWO HOURS YESTERDAY.
79
00:03:45,559 --> 00:03:46,760
THE AREA WENT DARK.
80
00:03:46,794 --> 00:03:49,863
THE FIRST IMAGES
FOLLOWING THE BLACKOUT
81
00:03:49,897 --> 00:03:53,867
SHOW AT LEAST TEN LAV-150s
NEAR THE BASE'S PERIMETER.
82
00:03:53,901 --> 00:03:55,135
- FARC'S SPREADING
ITS WINGS.
83
00:03:55,168 --> 00:03:57,805
- THEY'VE GROWN BOLDER AND, AS
THE SATELLITE CORRUPTION PROVES,
84
00:03:57,838 --> 00:03:59,773
MORE SOPHISTICATED.
85
00:03:59,807 --> 00:04:01,809
IF FARC
TAKES THE BORDER AREA,
86
00:04:01,842 --> 00:04:03,043
THEY COULD DRIVE
INTO PANAMA ITSELF
87
00:04:03,076 --> 00:04:05,813
AND CONCEIVABLY OVERTAKE
THE CANAL ZONE.
88
00:04:05,846 --> 00:04:09,483
THIS REPRESENTS A VERY REAL
DANGER TO U.S. INTERESTS.
89
00:04:09,517 --> 00:04:11,752
NASA WANTS A DISCREET
DOMESTIC INQUEST
90
00:04:11,785 --> 00:04:13,821
INTO ITS SATELLITE
MAINTENANCE PROGRAM.
91
00:04:13,854 --> 00:04:15,856
IF THIS CAN HAPPEN
TO ONE U.S. SATELLITE,
92
00:04:15,889 --> 00:04:17,658
IT COULD HAPPEN
TO ALL OF THEM.
93
00:04:17,691 --> 00:04:20,361
JAI, I WANT YOU AND ANNIE
TO WORK ON THE INQUEST TEAM,
94
00:04:20,394 --> 00:04:21,862
ALONG WITH REVA.
95
00:04:21,895 --> 00:04:24,532
- WHO'S REVA?
- AUGGIE'S REPLACEMENT.
96
00:04:24,565 --> 00:04:28,436
- NO ONE CAN EVER REPLACE
AUGGIE ANDERSON, BUT...
97
00:04:28,469 --> 00:04:30,604
REVA KLINE, EVERYONE.
98
00:04:30,638 --> 00:04:32,340
REVA CAME FROM SCIENCE
AND TECHNOLOGY,
99
00:04:32,373 --> 00:04:34,575
WHERE SHE WAS THE YOUNGEST
LEAD PROJECT MANAGER
100
00:04:34,608 --> 00:04:35,943
EVER TO HOLD THAT POSITION.
101
00:04:35,976 --> 00:04:37,411
LET'S MAKE HER FEEL AT HOME.
102
00:04:37,445 --> 00:04:41,449
- HI.
IT'S GOOD TO BE HERE.
103
00:04:43,116 --> 00:04:46,086
[Can You Save Me?
by Apple Trees and Tangerines]
104
00:04:46,119 --> 00:04:54,328
*
105
00:05:04,905 --> 00:05:07,441
- * CAN YOU SAVE ME
106
00:05:07,475 --> 00:05:09,510
* FROM THIS NOTHING
I'VE BECOME? *
107
00:05:09,543 --> 00:05:11,512
* IT'S JUST SOMETHING
THAT I'VE DONE *
108
00:05:11,545 --> 00:05:13,581
* I NEVER MEANT
TO CAUSE YOU WORRY *
109
00:05:13,614 --> 00:05:15,549
* DON'T YOU BLAME ME
110
00:05:15,583 --> 00:05:17,451
* FOR THIS NOTHING
I'VE BECOME *
111
00:05:17,485 --> 00:05:19,553
* IT'S JUST SOMETHING
THAT I'VE DONE *
112
00:05:19,587 --> 00:05:23,591
* I NEVER MEANT TO SHOW YOU
MY MISTAKES *
113
00:05:29,096 --> 00:05:30,498
- IS THAT YOUR PEDAL FOOT?
114
00:05:30,531 --> 00:05:32,065
- HA HA.
VERY FUNNY.
115
00:05:32,099 --> 00:05:33,901
- ANNIE'S A FAST DRIVER.
116
00:05:33,934 --> 00:05:36,604
- MY SISTER WANTS US TO DO
THE MARINE CORPS MARATHON.
117
00:05:36,637 --> 00:05:37,738
TRAINING STARTED
LAST NIGHT.
118
00:05:37,771 --> 00:05:39,407
- IS SHE MARRIED?
119
00:05:39,440 --> 00:05:40,808
- YEAH.
120
00:05:40,841 --> 00:05:42,376
- HMM.
121
00:05:42,410 --> 00:05:44,445
- WHAT?
122
00:05:44,478 --> 00:05:45,746
- NOTHING.
123
00:05:45,779 --> 00:05:48,916
IT'S JUST THAT
IN 35% OF FAILED MARRIAGES,
124
00:05:48,949 --> 00:05:50,784
THE WIFE USUALLY TAKES UP
A SPORT OR A PASTIME
125
00:05:50,818 --> 00:05:52,686
AS A PRECURSOR TO DIVORCE.
126
00:05:52,720 --> 00:05:55,389
ALTHOUGH RUNNING IS A REALLY
GREAT WAY TO WORK THINGS OUT.
127
00:05:55,423 --> 00:05:58,726
BESIDES, IT'S CHEAPER
THAN THERAPY, RIGHT?
128
00:05:58,759 --> 00:06:01,028
OKAY, SO, ANNIE, YOU'RE GOING
TO USE YOUR SMITHSONIAN NOC
129
00:06:01,061 --> 00:06:02,796
TO INFILTRATE NASA.
130
00:06:02,830 --> 00:06:04,532
- GREAT, I CAN USE ALL THAT
KNOWLEDGE I GOT AT SPACE CAMP
131
00:06:04,565 --> 00:06:05,399
WHEN I WAS 12.
132
00:06:05,433 --> 00:06:06,967
- I HAD NO IDEA
YOU WERE A SPACE GEEK.
133
00:06:07,000 --> 00:06:08,636
- GET TO KNOW ME.
134
00:06:08,669 --> 00:06:10,704
IT'S THE FINAL FRONTIER.
135
00:06:10,738 --> 00:06:12,840
SPACE, I MEAN,
NOT ME.
136
00:06:12,873 --> 00:06:16,176
- REVA, WHAT DO YOU THINK
OF SPACE EXPLORATION?
137
00:06:16,209 --> 00:06:17,711
- IF YOU LOOK
AT THE NUMBERS,
138
00:06:17,745 --> 00:06:19,747
THE NASA MISSIONS
WASTE IN INORDINATE AMOUNT
139
00:06:19,780 --> 00:06:21,181
OF OUR NATION'S
SCIENCE BUDGET.
140
00:06:21,214 --> 00:06:22,783
- DO YOU HONESTLY THINK
YOU CAN PUT A PRICE
141
00:06:22,816 --> 00:06:25,753
ON BOLD EXPLORATIONS
OF NEW FRONTIERS IN SPACE?
142
00:06:25,786 --> 00:06:26,820
- I TRY TO.
143
00:06:26,854 --> 00:06:29,823
I HAVE A SPREADSHEET HERE,
IF YOU'D LIKE TO SEE IT.
144
00:06:29,857 --> 00:06:31,492
- OKAY, MISSION.
145
00:06:31,525 --> 00:06:34,762
ANNIE, YOU'LL HEAD DOWN TO NASA
HEADQUARTERS ON "E" STREET.
146
00:06:34,795 --> 00:06:37,831
THERE'S A MARS DAY RECEPTION
IN THE LOBBY.
147
00:06:37,865 --> 00:06:39,867
NASA EMPLOYEES AND THEIR
FAMILIES WILL BE THERE.
148
00:06:39,900 --> 00:06:42,135
YOU'LL TAKE THE ORAL HISTORIES
OF FOUR NASA STAFFERS
149
00:06:42,169 --> 00:06:44,472
WHO CONTRIBUTED TO THE
MAINTENANCE OF THE SATELLITE.
150
00:06:44,505 --> 00:06:45,739
- AND I'LL TAKE YOUR VIDEO
151
00:06:45,773 --> 00:06:48,041
AND USE FACIAL
AND BODY LANGUAGE
152
00:06:48,075 --> 00:06:49,543
MICRO-EXPRESSION ANALYSIS
153
00:06:49,577 --> 00:06:50,744
TO HONE IN
ON POTENTIAL SUSPECTS.
154
00:06:50,778 --> 00:06:53,013
- SO YOU'RE GONNA WATCH MY
INTERVIEWS AND LOOK FOR TELLS,
155
00:06:53,046 --> 00:06:54,882
LIKE IN POKER?
156
00:06:54,915 --> 00:06:56,784
- IT'S NOT A PRIMITIVE GUT
INSTINCT LIKE IN A CARD GAME.
157
00:06:56,817 --> 00:06:57,985
IT WORKS.
158
00:06:58,018 --> 00:07:00,788
- ANNIE, YOU'LL ASK
FOUR GENERAL QUESTIONS.
159
00:07:00,821 --> 00:07:02,756
- THREE OF WHICH ARE LEAD-UPS
TO THE CONTROL TRIGGER QUESTION.
160
00:07:02,790 --> 00:07:03,657
- AND ONE MORE THING,
161
00:07:03,691 --> 00:07:05,793
BUDGET CUTS AT NASA
HAVE BEEN SEVERE.
162
00:07:05,826 --> 00:07:07,761
SO DON'T BE DISAPPOINTED
IF MORALE--
163
00:07:07,795 --> 00:07:09,530
- ISN'T AS HIGH AS YOURS.
164
00:07:09,563 --> 00:07:11,565
OKAY.
165
00:07:31,885 --> 00:07:34,755
- YOU'RE STILL HERE
WITH US REGULAR FOLK.
166
00:07:34,788 --> 00:07:36,924
- BUREAUCRACY NEVER
CEASES TO AMAZE ME.
167
00:07:36,957 --> 00:07:38,726
I HAD TO FILL OUT 12 FORMS
168
00:07:38,759 --> 00:07:40,994
JUST TO GET THIS KEY CARD
FOR THE SEVENTH FLOOR,
169
00:07:41,028 --> 00:07:44,031
WHERE I HAVE TO FILL OUT
MORE FORMS.
170
00:07:46,934 --> 00:07:50,270
- NASA WANTS US TO INVESTIGATE
SCIENTISTS AND ASTRONAUTS.
171
00:07:50,303 --> 00:07:51,805
- WELL, IF NASA'S
REQUESTING IT,
172
00:07:51,839 --> 00:07:52,940
IT'S AN INTERNAL AUDIT,
173
00:07:52,973 --> 00:07:54,842
SO YOU'RE NOT BREACHING
CIA CHARTER.
174
00:07:54,875 --> 00:07:56,276
- IT STILL FEELS WEIRD.
175
00:07:56,309 --> 00:07:58,879
- BECAUSE IT'S AMERICANS
OR BECAUSE IT'S NASA?
176
00:07:58,912 --> 00:08:00,147
- BOTH.
177
00:08:00,180 --> 00:08:01,982
[elevator bell dings]
178
00:08:02,015 --> 00:08:03,517
- JOAN KNOWS HOW YOU FEEL.
179
00:08:03,551 --> 00:08:05,719
THAT'S PROBABLY
WHY SHE PICKED YOU.
180
00:08:05,753 --> 00:08:07,187
- WHY IS THAT?
181
00:08:07,220 --> 00:08:10,691
- BECAUSE SHE KNOWS YOU CARE
ENOUGH TO GET THIS RIGHT.
182
00:08:10,724 --> 00:08:11,892
[electronic beeping]
183
00:08:11,925 --> 00:08:13,293
NOW, I DON'T KNOW
IF YOU CAUGHT THAT,
184
00:08:13,326 --> 00:08:14,795
BUT I JUST HIT SEVEN.
185
00:08:18,699 --> 00:08:20,734
- MY OPPONENTS
ON THE INTELLIGENCE COMMITTEE
186
00:08:20,768 --> 00:08:21,769
ARE GAINING MOMENTUM.
187
00:08:21,802 --> 00:08:23,203
- THEY'RE PREPARED TO ASK
FOR AN INVESTIGATION
188
00:08:23,236 --> 00:08:25,038
AND HEARINGS INTO ARTHUR
AS EARLY AS NEXT WEEK.
189
00:08:25,072 --> 00:08:26,940
- AT LEAST THAT'S WHAT
WE'RE HEARING.
190
00:08:26,974 --> 00:08:28,742
MAYBE YOU KNOW SOMETHING ELSE.
191
00:08:28,776 --> 00:08:30,210
CHET?
192
00:08:33,313 --> 00:08:35,215
- ARE YOU SURE
THIS IS DECAF?
193
00:08:35,248 --> 00:08:38,719
- POSITIVE.
194
00:08:38,752 --> 00:08:40,654
- YEAH.
DON'T WORRY ABOUT HEARINGS.
195
00:08:40,688 --> 00:08:42,790
THOSE CLOWNS
ON THE INTELLIGENCE COMMITTEE
196
00:08:42,823 --> 00:08:44,692
HAVE TO JUSTIFY
THEIR JOBS.
197
00:08:44,725 --> 00:08:46,126
YOU'RE IN GOOD HANDS
WITH ME.
198
00:08:46,159 --> 00:08:47,861
SO, LISTEN,
I HAVE A TENNIS DATE
199
00:08:47,895 --> 00:08:49,029
IN HILTON HEAD.
200
00:08:49,062 --> 00:08:51,098
WE'LL REVISIT
WHEN I GET BACK.
201
00:08:57,037 --> 00:08:59,106
- I'M CONFUSED.
202
00:08:59,139 --> 00:09:02,075
ARE WE RESCHEDULING
THE MEETING?
203
00:09:02,109 --> 00:09:05,813
OR WAS THAT THE MEETING?
204
00:09:05,846 --> 00:09:09,116
[upbeat music]
205
00:09:09,149 --> 00:09:17,157
*
206
00:09:25,398 --> 00:09:27,234
- HOW DID YOU COME
TO WORK FOR NASA?
207
00:09:27,267 --> 00:09:28,669
- I WAS A DOUBLE MAJOR
208
00:09:28,702 --> 00:09:30,771
IN PHYSICS
AND AERONAUTICAL ENGINEERING...
209
00:09:30,804 --> 00:09:33,206
- NOT EVERYONE CAN WORK ON
OZONE MAPPING SPECTROMETERS.
210
00:09:33,240 --> 00:09:34,775
- WITH A MINOR
IN APPLIED MATHEMATICS.
211
00:09:34,808 --> 00:09:37,044
- AIR FORCE--
FLY, FIGHT, WIN.
212
00:09:37,077 --> 00:09:41,615
- I HAD PhDs IN MUSICAL THEORY
AND PRACTICAL PHILOSOPHY.
213
00:09:43,851 --> 00:09:46,887
- I'VE, UH, ALWAYS WANTED
TO WORK FOR NASA
214
00:09:46,920 --> 00:09:49,222
SINCE I WAS, UM,
A LITTLE BOY.
215
00:09:49,256 --> 00:09:52,826
- WHAT ARE YOU WORKING ON
SPECIFICALLY RIGHT NOW?
216
00:09:52,860 --> 00:09:55,162
- T.O.M.S. VOLCANIC EMISSIONS,
OZONE MAPPING.
217
00:09:55,195 --> 00:09:56,964
- I'M AN ASTRONAUT.
218
00:09:59,132 --> 00:10:02,335
- I SUPERVISE
A TEAM OF TECHNICIANS
219
00:10:02,369 --> 00:10:04,104
IN THE SATELLITE
MAINTENANCE OFFICE.
220
00:10:04,137 --> 00:10:06,106
WE ALWAYS HAVE
A CONTINGENCY PLAN,
221
00:10:06,139 --> 00:10:09,276
AND NO PROGRAM IS GREEN-LIT
222
00:10:09,309 --> 00:10:11,144
UNTIL WE KNOW EVERY SOLUTION
223
00:10:11,178 --> 00:10:13,080
TO EVERY POSSIBLE
EXTERNALITY.
224
00:10:13,113 --> 00:10:15,148
- WHERE DO YOU SEE YOURSELF
IN FIVE YEARS?
225
00:10:15,182 --> 00:10:16,216
- OUT OF H.Q. IN D.C.
226
00:10:16,249 --> 00:10:18,085
AND DOWN TO CANAVERAL
WHERE THE ACTION HAPPENS.
227
00:10:18,118 --> 00:10:20,087
- SPACE.
228
00:10:20,120 --> 00:10:22,890
DID I MENTION TO YOU
I WAS AN ASTRONAUT?
229
00:10:22,923 --> 00:10:24,692
- CAN I--I'M SORRY.
CAN I GO NOW?
230
00:10:24,725 --> 00:10:25,893
- I'M A NASA GUY,
231
00:10:25,926 --> 00:10:27,294
SO I'LL PROBABLY BE WORKING
RIGHT HERE.
232
00:10:27,327 --> 00:10:28,962
- TELL HER HOW CLOSE
YOU CAME TO SERVING
233
00:10:28,996 --> 00:10:31,665
ON THE PRESIDENTIAL COMMISSION
FOR SPACE EXPLORATION.
234
00:10:31,699 --> 00:10:34,334
- THAT'S NOT A PLANT.
HE'S MY SON--CHARLIE.
235
00:10:34,367 --> 00:10:37,270
- MY DAD SHOULD BE
IN THE SMITHSONIAN.
236
00:10:37,304 --> 00:10:39,439
BASICALLY STARTED WORKING
FOR NASA WHEN HE WAS TEN.
237
00:10:39,472 --> 00:10:42,442
- I SAW THE APOLLO 15
SPACE LAUNCH AT CAPE CANAVERAL.
238
00:10:42,475 --> 00:10:43,476
- REALLY?
239
00:10:43,510 --> 00:10:45,779
- YES, MY FOLKS DROVE DOWN
FROM CHARLOTTESVILLE
240
00:10:45,813 --> 00:10:48,448
IN OUR FORD COUNTRY SQUIRE
STATION WAGON.
241
00:10:48,481 --> 00:10:49,883
- WHAT'S YOUR FAVORITE
MISSION, CHARLIE?
242
00:10:49,917 --> 00:10:50,984
- PIONEER TEN.
243
00:10:51,018 --> 00:10:52,285
BACK FROM THE DEAD
244
00:10:52,319 --> 00:10:54,354
AND 7 BILLION MILES AWAY.
245
00:10:54,387 --> 00:10:55,422
- AND STILL GOING.
246
00:10:55,455 --> 00:10:56,423
SEE YA, EARTH.
247
00:10:56,456 --> 00:10:58,158
- I'M WITH CARL SAGAN ON THAT.
248
00:10:58,191 --> 00:10:59,927
JUST A PALE-BLUE DOT.
249
00:10:59,960 --> 00:11:01,829
- EXCUSE ME.
250
00:11:01,862 --> 00:11:04,698
I OVERSEE ALL MULTIMEDIA
PROJECTS AT THE SMITHSONIAN,
251
00:11:04,732 --> 00:11:06,166
AND THE FIRST I'VE HEARD
OF THIS FILM
252
00:11:06,199 --> 00:11:08,201
IS A PHONE CALL I GOT
ABOUT 15 MINUTES AGO.
253
00:11:08,235 --> 00:11:10,037
WHO EXACTLY SIGNED OFF
ON YOUR PROJECT?
254
00:11:10,070 --> 00:11:12,873
- DENNIS STEPHENS.
255
00:11:12,906 --> 00:11:15,375
- I HAVE NO IDEA
WHO THAT IS.
256
00:11:15,408 --> 00:11:16,744
I'M CALLING--
257
00:11:16,777 --> 00:11:18,445
- THE BOARD OF DIRECTORS,
HE'S ON IT.
258
00:11:18,478 --> 00:11:20,080
HE'S IN CHARGE OF FUNDRAISING
FOR THE NEXT TWO YEARS,
259
00:11:20,113 --> 00:11:22,049
INCLUDING THE HERITAGE FUND.
260
00:11:22,082 --> 00:11:23,851
YOU FAMILIAR WITH THAT?
- YES, I AM.
261
00:11:23,884 --> 00:11:25,085
SORRY TO INTERRUPT.
262
00:11:25,118 --> 00:11:27,821
- NO, IT'S NO PROBLEM.
263
00:11:29,322 --> 00:11:31,892
SORRY.
264
00:11:38,899 --> 00:11:40,868
- THE IRONY OF A VIEW
YOU CAN'T ENJOY
265
00:11:40,901 --> 00:11:42,335
IS NOT LOST ON ME.
266
00:11:42,369 --> 00:11:44,104
BUT I DIDN'T WANT TO GIVE YOU
A DIFFERENT OFFICE
267
00:11:44,137 --> 00:11:45,873
JUST 'CAUSE YOU CAN'T
APPRECIATE BLUE SKIES.
268
00:11:45,906 --> 00:11:48,341
BY THE WAY, WE REPLICATED YOUR
D.P.D. WORKSTATION TO THE INCH.
269
00:11:48,375 --> 00:11:50,310
- OH, NOT EXACTLY.
270
00:11:50,343 --> 00:11:52,345
YOU ADDED
STATE-OF-THE-ART SPEAKERS
271
00:11:52,379 --> 00:11:54,081
AND SOME OTHER GOODIES.
272
00:11:54,114 --> 00:11:55,916
- CATERED LUNCH AT 1:00 P.M.
273
00:11:55,949 --> 00:11:59,920
YOU'RE IN
THE BIG LEAGUES NOW.
274
00:11:59,953 --> 00:12:03,757
- [sighs]
275
00:12:03,791 --> 00:12:06,159
[chuckles]
276
00:12:09,797 --> 00:12:12,399
- WOW, YOU'VE REALLY
MADE THIS PLACE YOUR OWN...
277
00:12:12,432 --> 00:12:14,067
AND SO QUICKLY.
278
00:12:14,101 --> 00:12:15,769
- ANNIE,
I HAD TO SIFT THROUGH
279
00:12:15,803 --> 00:12:17,838
A LOT OF YOUR NASA
INTERVIEW FOOTAGE.
280
00:12:17,871 --> 00:12:19,807
NEXT TIME TRY TO
PUT THE CONTROL QUESTION
281
00:12:19,840 --> 00:12:22,943
IN THE SAME PLACE
DURING EACH INTERVIEW.
282
00:12:22,976 --> 00:12:24,945
YOU VARIED IT ONCE.
- DULY NOTED.
283
00:12:24,978 --> 00:12:27,848
- IN 84% OF PERJURY CASES,
284
00:12:27,881 --> 00:12:30,150
THE SUBJECTS DISPLAY
COMMON PHYSICAL BEHAVIORS,
285
00:12:30,183 --> 00:12:32,052
AND IN 70%
OF THOSE CASES,
286
00:12:32,085 --> 00:12:33,921
THEY ACTUALLY TRY
TO HIDE THEMSELVES.
287
00:12:33,954 --> 00:12:36,790
THEY PUT UP A PHYSICAL
BARRIER LIKE AN ARM.
288
00:12:36,824 --> 00:12:39,326
- WHAT ARE YOU WORKING
ON SPECIFICALLY RIGHT NOW?
289
00:12:39,359 --> 00:12:43,363
- UH, I, UM--I SUPERVISE
A TEAM OF TECHNICIANS,
290
00:12:43,396 --> 00:12:46,900
UM, IN THE SATELLITE
MAINTENANCE OFFICE.
291
00:12:46,934 --> 00:12:47,868
- THAT'S IT?
292
00:12:47,901 --> 00:12:49,369
- THAT'S OUR START.
293
00:12:49,402 --> 00:12:51,438
- THE ARM ACROSS
HIS WAIST IS THE TELL,
294
00:12:51,471 --> 00:12:54,808
SO WE DUG DEEPER.
295
00:12:54,842 --> 00:12:57,845
THE TENSILE QUALITY
IN HIS OCULI AND ORIS MUSCLES
296
00:12:57,878 --> 00:13:00,213
IS INCONSISTENT
DURING THIS ANSWER--
297
00:13:00,247 --> 00:13:02,382
AN INVOLUNTARY
SIGN OF DECEIT.
298
00:13:02,415 --> 00:13:03,817
- OR HE WAS JUST NERVOUS.
299
00:13:03,851 --> 00:13:04,852
- HE'S GOT MOTIVE.
300
00:13:04,885 --> 00:13:06,386
NASA REFUSED
TO FUND HIS PROJECT
301
00:13:06,419 --> 00:13:07,988
ON SATELLITE REFUELING
SIX MONTHS AGO.
302
00:13:08,021 --> 00:13:09,923
HIS WIFE LEFT HIM LAST YEAR.
303
00:13:09,957 --> 00:13:11,925
AND WHILE HE WAS INITIALLY
ADMITTED TO NASA
304
00:13:11,959 --> 00:13:13,326
THROUGH
THE ASTRONAUT PROGRAM,
305
00:13:13,360 --> 00:13:14,962
HE NEVER GOT
TO GO UP IN SPACE.
306
00:13:14,995 --> 00:13:16,496
- OF ALL THE GUYS
I INTERVIEWED THERE,
307
00:13:16,529 --> 00:13:19,599
WILL WAS THE ONLY ONE CUT
FROM GENUINE NASA CLOTH.
308
00:13:19,632 --> 00:13:22,602
- NASA ENGINEERS ARE POORLY
PAID AND UNDERAPPRECIATED--
309
00:13:22,635 --> 00:13:25,873
TWO QUALITIES THAT FIT
THE TREASONOUS PROFILE.
310
00:13:25,906 --> 00:13:27,207
- WE NEED TO GET HIM
UNDER SURVEILLANCE.
311
00:13:27,240 --> 00:13:29,176
- THAT'S N.S.A. PURVIEW.
312
00:13:29,209 --> 00:13:32,279
- WE'LL GET JOAN TO LIAISE
WITH FORT MEADE.
313
00:13:32,312 --> 00:13:33,280
- NO.
314
00:13:33,313 --> 00:13:34,915
NO WAY.
ABSOLUTELY NOT.
315
00:13:34,948 --> 00:13:37,117
A WIRETAP MEANS
WE'RE IN BED WITH N.S.A.,
316
00:13:37,150 --> 00:13:38,886
AND THEY WOULD CONTROL
THE LEGACY SWITCH.
317
00:13:38,919 --> 00:13:41,521
SORRY.
318
00:13:41,554 --> 00:13:44,024
- UH, AN R1 WIRE TRANSMITTER
319
00:13:44,057 --> 00:13:45,893
COULD GET AROUND
THE LEGACY SWITCH.
320
00:13:45,926 --> 00:13:47,127
- SUPERSEDE
THE RULE OF LAW?
321
00:13:47,160 --> 00:13:49,562
DESTROY OUR TENUOUS RELATIONSHIP
WITH JUSTICE AND THE N.S.A.?
322
00:13:49,596 --> 00:13:51,031
- IF YOU'LL LET ME
JUST FINISH--
323
00:13:51,064 --> 00:13:52,532
- NO.
324
00:13:52,565 --> 00:13:54,234
REVA, YOU'RE NEW,
325
00:13:54,267 --> 00:13:57,237
SO I'LL LET YOU IN ON THE WAY
THINGS WORK IN MY DIVISION.
326
00:13:57,270 --> 00:13:59,106
THERE IS NO
SOCRATIC METHOD HERE.
327
00:13:59,139 --> 00:14:00,974
MY DECISIONS ARE FINAL.
328
00:14:01,008 --> 00:14:05,345
- [scoffs]
329
00:14:05,378 --> 00:14:06,914
[door closes]
330
00:14:11,651 --> 00:14:13,053
- YOU OKAY?
331
00:14:13,086 --> 00:14:16,356
- UM, I'M FINE.
I JUST HAVE ALLERGIES.
332
00:14:16,389 --> 00:14:19,226
THE POLLEN COUNTS
ARE AT 8.5.
333
00:14:19,259 --> 00:14:20,660
- JUST SO YOU KNOW,
YOU'RE NOT THE FIRST PERSON
334
00:14:20,693 --> 00:14:22,963
JOAN'S BAWLED-OUT
ON THEIR FIRST DAY.
335
00:14:22,996 --> 00:14:23,663
- REALLY?
336
00:14:23,696 --> 00:14:25,665
- SHE'S ACTUALLY KIND OF COOL.
337
00:14:25,698 --> 00:14:29,970
WELL, MAYBE NOT COOL,
BUT NOT SO BAD
338
00:14:30,003 --> 00:14:31,939
ONCE YOU FIGURE HER OUT.
339
00:14:31,972 --> 00:14:34,207
- IN D.S.T., WE DIDN'T HAVE
TO FIGURE OUT PEOPLE.
340
00:14:34,241 --> 00:14:38,946
WE JUST GENERATED FILES
AND CHARTS AND STUDIES AND--
341
00:14:40,280 --> 00:14:42,615
I TRANSFERRED HERE
TO THE D.P.D.
342
00:14:42,649 --> 00:14:44,651
BECAUSE I WANTED
MORE OF A CHALLENGE.
343
00:14:44,684 --> 00:14:47,921
AND CLEARLY
I'VE GOTTEN IT.
344
00:14:47,955 --> 00:14:50,958
- AROUND HERE, IT'S A BIT MORE
OF A TWO-WAY STREET--
345
00:14:50,991 --> 00:14:53,160
HUMAN INTELLIGENCE
AND HARD FACTS.
346
00:14:53,193 --> 00:14:57,197
- YEAH.
347
00:14:57,230 --> 00:14:59,199
WHAT ABOUT
ONE-WAY SURVEILLANCE?
348
00:14:59,232 --> 00:15:00,600
- BUG THEIR HOME?
349
00:15:00,633 --> 00:15:01,568
- WHY NOT?
WE COULD DO IT OURSELVES.
350
00:15:01,601 --> 00:15:03,536
- WE'D ONLY HEAR
ONE SIDE OF THE PHONE CALL.
351
00:15:03,570 --> 00:15:04,671
- BUT WE'D HEAR EVERYTHING
352
00:15:04,704 --> 00:15:05,738
THAT WAS GOING ON
IN THEIR HOUSE.
353
00:15:05,772 --> 00:15:07,975
WE'D MAINTAIN JURISDICTION
OVER THE INVESTIGATION,
354
00:15:08,008 --> 00:15:09,576
AND WE WOULDN'T HAVE
TO INTERFACE WITH N.S.A.
355
00:15:09,609 --> 00:15:10,510
- THAT'LL WORK.
356
00:15:10,543 --> 00:15:13,613
- HOW SHOULD WE GET
INSIDE THEIR HOUSE--
357
00:15:13,646 --> 00:15:16,049
CREATE A DIVERSION,
CALL IN A BOMB THREAT?
358
00:15:16,083 --> 00:15:17,717
- NO, THAT'S LIKELY
TO TIP OFF THE FBI,
359
00:15:17,750 --> 00:15:21,621
AND WE DON'T WANT THAT.
- HOW ABOUT THIS?
360
00:15:21,654 --> 00:15:24,324
- WHAT ARE YOU DOING?
361
00:15:24,357 --> 00:15:29,029
ARE YOU CALLING
THE TARGET?
362
00:15:29,062 --> 00:15:30,597
- HELLO?
- HEY, IS THIS WILL?
363
00:15:30,630 --> 00:15:31,598
- YES.
WHO'S THIS?
364
00:15:31,631 --> 00:15:34,434
- THIS IS ANNIE WALKER
FROM THE SMITHSONIAN.
365
00:15:34,467 --> 00:15:36,236
I FILMED YOU FOR MARS DAY.
366
00:15:36,269 --> 00:15:38,671
IF WAS WONDERING IF I COULDN'T
DROP OFF A PHOTO WE HAVE HERE
367
00:15:38,705 --> 00:15:41,975
AS A SMALL THANK-YOU
FOR DOING OUR PIECE.
368
00:15:42,009 --> 00:15:43,476
- TODAY?
- YEAH, TODAY'D BE GREAT.
369
00:15:43,510 --> 00:15:45,712
I COULD EVEN TAKE
YOU GUYS OUT FOR A BITE.
370
00:15:45,745 --> 00:15:47,680
- CHARLIE AND I WERE PLANNING
TO GRILL ON THE ROOFTOP--
371
00:15:47,714 --> 00:15:50,350
NOTHING SPECIAL, OF COURSE.
YOU'RE WELCOME TO COME.
372
00:15:50,383 --> 00:15:51,985
AROUND 6:30 OR 7:00?
373
00:15:52,019 --> 00:15:54,121
- I LOVE A GOOD BARBECUE.
374
00:15:54,154 --> 00:15:58,391
I'LL SEE YOU TONIGHT.
375
00:15:58,425 --> 00:15:59,726
- ANNIE, WHEN YOU WERE
UP AT NASA,
376
00:15:59,759 --> 00:16:01,694
DID ANYTHING SEEM
OUT OF THE ORDINARY?
377
00:16:01,728 --> 00:16:05,265
- UH, P.R. REP ASKED ME
WHAT I WAS DOING,
378
00:16:05,298 --> 00:16:06,433
BUT I HANDLED IT.
379
00:16:06,466 --> 00:16:08,768
- YOU HANDLED IT?
380
00:16:08,801 --> 00:16:10,270
DID IT EVER OCCUR TO YOU
381
00:16:10,303 --> 00:16:13,306
THAT YOU MIGHT HAVE BLOWN
YOUR COVER YESTERDAY?
382
00:16:13,340 --> 00:16:15,208
I MEAN, WHAT ARE THE CHANCES
OF THEM HAVING A BARBECUE
383
00:16:15,242 --> 00:16:18,045
THE NIGHT YOU INVITE
YOURSELF OVER?
384
00:16:18,078 --> 00:16:20,647
THIS IS A TRAP.
385
00:16:29,622 --> 00:16:33,193
- YOU GET ALL THAT?
386
00:16:33,226 --> 00:16:34,527
- YES.
387
00:16:34,561 --> 00:16:36,629
AND ARE WE RESPONDING
TO A REQUEST
388
00:16:36,663 --> 00:16:39,299
TO DECLASSIFY THESE
THREE AFGHANISTAN MISSIONS?
389
00:16:39,332 --> 00:16:40,333
- THIS IS VOLUNTARY.
390
00:16:40,367 --> 00:16:41,601
IT'S PART
OF MY TRANSPARENCY PUSH.
391
00:16:41,634 --> 00:16:42,669
SOME OF OUR ASSETS
IN KASHMIR
392
00:16:42,702 --> 00:16:44,737
HAVE USED THEIR INFLUENCE
TO OPEN UP THE REGION.
393
00:16:44,771 --> 00:16:46,239
- YES, SIR.
394
00:16:46,273 --> 00:16:47,340
- AND, AUGGIE,
395
00:16:47,374 --> 00:16:49,209
HAVE SOME FUN WITH THIS.
396
00:16:49,242 --> 00:16:52,512
WE BUILT
A SCHOOL FOR GIRLS.
397
00:16:52,545 --> 00:16:55,415
IT'S THE FEEL-GOOD HIT
OF THE SUMMER.
398
00:16:55,448 --> 00:16:56,683
- YES, SIR.
399
00:17:05,492 --> 00:17:06,759
- [knocks]
400
00:17:06,793 --> 00:17:08,761
- HEY.
401
00:17:08,795 --> 00:17:11,131
COME ON IN.
402
00:17:18,205 --> 00:17:19,539
APOLLO 15.
403
00:17:19,572 --> 00:17:20,640
YOU REMEMBERED.
404
00:17:20,673 --> 00:17:22,642
- I THOUGHT
YOU'D APPRECIATE IT.
405
00:17:22,675 --> 00:17:24,511
- THANK YOU.
406
00:17:24,544 --> 00:17:26,413
I SWEAR, THE SUN
WAS BRIGHTER BACK THEN.
407
00:17:26,446 --> 00:17:27,814
- I'M SURE THAT'S
JUST 'CAUSE FLORIDA
408
00:17:27,847 --> 00:17:30,717
IS CLOSER
TO THE EQUATOR.
409
00:17:30,750 --> 00:17:33,753
- CHARLIE IS UPSTAIRS
LIGHTING THE COALS.
410
00:17:33,786 --> 00:17:35,788
CAN I GET YOU
SOMETHING TO DRINK?
411
00:17:35,822 --> 00:17:39,459
BEER?
- SURE.
412
00:17:39,492 --> 00:17:43,296
[upbeat music]
413
00:17:43,330 --> 00:17:50,503
*
414
00:17:51,704 --> 00:17:53,406
- IT'S CLEAN.
415
00:17:53,440 --> 00:17:55,508
IT'S JUST WE'RE NOT
BIG FOLDERS AROUND HERE.
416
00:17:55,542 --> 00:17:56,843
- NO JUDGMENT.
417
00:17:56,876 --> 00:17:58,378
SHOULD WE GO UPSTAIRS?
418
00:17:58,411 --> 00:18:00,647
- I'M HUNGRY, TOO.
LET'S, UM--LET'S GO.
419
00:18:03,583 --> 00:18:04,584
- REMEMBER, ANNIE,
420
00:18:04,617 --> 00:18:06,419
YOU NEED TO GIVE JAI
COVERAGE IN THE APARTMENT
421
00:18:06,453 --> 00:18:09,322
FROM 7:00 TO 7:15 FOR
THE SURVEILLANCE INSTALLATION.
422
00:18:09,356 --> 00:18:12,492
DON'T COME DOWN FROM THE ROOF
UNTIL 7:15.
423
00:18:12,525 --> 00:18:15,428
- FIRST STAR OF THE NIGHT, DAD.
ANTARES BEAT SCORPIO.
424
00:18:15,462 --> 00:18:18,298
- THERE'S BOOTES.
425
00:18:18,331 --> 00:18:20,500
- I CAN JUST SEE SPICA.
- WHERE?
426
00:18:22,435 --> 00:18:24,571
- IT'S NICE
YOU GUYS TAKE THE TIME
427
00:18:24,604 --> 00:18:26,473
TO COME AND DO THIS
ONCE IN A WHILE.
428
00:18:26,506 --> 00:18:27,907
- NOT JUST ONCE
IN A WHILE.
429
00:18:27,940 --> 00:18:30,310
I COME HOME FROM WORK TO LOOK
AT THE STARS WITH CHARLIE
430
00:18:30,343 --> 00:18:32,479
EVERY NIGHT
NO MATTER WHAT.
431
00:18:32,512 --> 00:18:34,414
LET'S EAT.
432
00:18:34,447 --> 00:18:37,617
- DELPHINUS WAS THE FIRST
CONSTELLATION I EVER LEARNED.
433
00:18:37,650 --> 00:18:38,918
MY DAD TAUGHT ME.
434
00:18:38,951 --> 00:18:40,853
I GOT CHICKEN POX
435
00:18:40,887 --> 00:18:42,589
THE FIRST DAY
BEFORE THIRD GRADE.
436
00:18:42,622 --> 00:18:45,392
HE CARRIED ME OUT
INTO THE BACKYARD,
437
00:18:45,425 --> 00:18:46,259
POINTED STRAIGHT UP,
438
00:18:46,293 --> 00:18:49,262
AND TOLD ME THE STORY
OF DELPHINUS.
439
00:18:49,296 --> 00:18:50,397
- SO EVERY AUTUMN
WHEN YOU LOOK
440
00:18:50,430 --> 00:18:51,831
AT THE SMALL CLUSTER
OF DELPHINUS,
441
00:18:51,864 --> 00:18:53,266
YOU MUST THINK OF HIM.
442
00:18:53,300 --> 00:18:54,634
- YEAH, I DO.
443
00:19:07,880 --> 00:19:10,283
[laughter]
444
00:19:10,317 --> 00:19:11,918
- CHARLIE,
SET UP THE TELESCOPE.
445
00:19:11,951 --> 00:19:14,354
- COME ON.
446
00:19:15,555 --> 00:19:18,258
- OH, WOW.
447
00:19:19,526 --> 00:19:22,795
- ARE, UH, YOU MARRIED
OR ANYTHING?
448
00:19:22,829 --> 00:19:25,898
- UH, NOT THAT I KNOW OF.
449
00:19:25,932 --> 00:19:27,400
- YOU SHOULD HANG OUT
WITH MY DAD.
450
00:19:27,434 --> 00:19:28,568
HE'S REALLY COOL.
451
00:19:28,601 --> 00:19:29,902
- WHOA.
452
00:19:29,936 --> 00:19:32,772
- I MEAN, HE CAN BE KIND OF
A DORK SOMETIMES,
453
00:19:32,805 --> 00:19:35,408
BUT HE BUILT
THIS TELESCOPE.
454
00:19:35,442 --> 00:19:37,544
- IT IS IMPRESSIVE.
455
00:19:37,577 --> 00:19:39,679
- I KNOW OUR APARTMENT
LOOKS REALLY DEPRESSING,
456
00:19:39,712 --> 00:19:43,283
BUT IT'S JUST 'CAUSE MY DAD
NEVER ASKS FOR A RAISE.
457
00:19:43,316 --> 00:19:44,817
HE DOESN'T BELIEVE
IN ASKING FOR ANYTHING.
458
00:19:44,851 --> 00:19:46,353
HE'S REALLY PROUD
ABOUT THAT.
459
00:19:46,386 --> 00:19:48,755
- WHAT ABOUT YOU?
- NAH, NOT SO MUCH.
460
00:19:48,788 --> 00:19:50,823
I GOT MY EYE
ON A REALLY SWEET VESPA.
461
00:19:50,857 --> 00:19:52,325
- [laughs]
OH.
462
00:19:52,359 --> 00:19:54,894
[thunder rumbles]
463
00:19:54,927 --> 00:19:58,931
- WOW, THE WEATHERMAN'S
FINALLY RIGHT.
464
00:19:58,965 --> 00:20:00,400
STORM'S ON ITS WAY.
465
00:20:00,433 --> 00:20:04,003
BETTER GET DOWNSTAIRS.
466
00:20:04,036 --> 00:20:05,705
- ACTUALLY,
I'M STILL HUNGRY.
467
00:20:05,738 --> 00:20:07,974
COULD I HAVE
ONE MORE BRATWURST?
468
00:20:12,445 --> 00:20:14,381
- YEAH, I GOT YOU
LOUD AND CLEAR.
469
00:20:14,414 --> 00:20:16,349
WALKING THROUGH RIGHT NOW
470
00:20:16,383 --> 00:20:17,917
TALKING OUT LOUD
LIKE A CRAZY PERSON.
471
00:20:17,950 --> 00:20:21,321
YOU GOT THAT?
472
00:20:21,354 --> 00:20:23,256
OKAY, I'M GONNA SET ONE MORE.
IT'S ALL WE GOT TIME FOR.
473
00:20:24,957 --> 00:20:26,293
- THIS WAS REALLY GOOD.
474
00:20:26,326 --> 00:20:27,427
- YOU CAN TAKE
THAT DOWNSTAIRS.
475
00:20:27,460 --> 00:20:28,661
YOU DON'T HAVE TO EAT IT
OUT IN THE RAIN.
476
00:20:28,695 --> 00:20:29,662
- MM.
477
00:20:29,696 --> 00:20:31,698
[thunder rumbles]
478
00:20:41,708 --> 00:20:43,710
- JUST MADE IT.
479
00:20:47,514 --> 00:20:49,682
- OH, UH, I LEFT
MY SWEATER UPSTAIRS.
480
00:20:49,716 --> 00:20:51,518
- YOU GUYS HEAD ON DOWN.
I'LL GET IT.
481
00:20:51,551 --> 00:20:53,386
- THANKS, CHARLIE.
482
00:21:09,602 --> 00:21:10,837
- WHEW.
483
00:21:10,870 --> 00:21:13,673
- FEEL GREAT.
484
00:21:13,706 --> 00:21:15,608
HAD A LIGHT SUPPER.
485
00:21:15,642 --> 00:21:17,310
WENT TO BED EARLY.
I SLEPT LIKE A ROCK.
486
00:21:17,344 --> 00:21:19,446
- YEAH, I ATE TOO MUCH
AND WENT TO BED LATE.
487
00:21:19,479 --> 00:21:21,348
BUT THANKS.
488
00:21:21,381 --> 00:21:23,516
HEY, CAN I ASK YOU SOMETHING?
- SURE.
489
00:21:23,550 --> 00:21:25,318
- IS EVERYTHING OKAY
WITH YOU AND MICHAEL?
490
00:21:25,352 --> 00:21:27,620
I KNOW HE'S BEEN
TRAVELING A LOT.
491
00:21:27,654 --> 00:21:28,921
- IT'S FINE.
492
00:21:28,955 --> 00:21:31,924
I MEAN, IT'S WEIRD.
IT'S HARD TO EXPLAIN.
493
00:21:31,958 --> 00:21:33,460
- TRY ME.
494
00:21:33,493 --> 00:21:34,994
- I MEAN, IT'S NOTHING
EARTH-SHATTERING.
495
00:21:35,027 --> 00:21:38,665
IT'S JUST...
- DANIELLE, WHAT IS IT?
496
00:21:38,698 --> 00:21:40,833
- I DON'T MISS HIM MUCH...
497
00:21:40,867 --> 00:21:42,369
AT ALL.
498
00:21:42,402 --> 00:21:44,437
- DANIELLE, I'M SO--
- NO, IT'S FINE.
499
00:21:44,471 --> 00:21:46,739
THAT'S WHAT'S SO CRAZY.
I'M FINE.
500
00:21:46,773 --> 00:21:48,541
- WHAT HAPPENED?
501
00:21:48,575 --> 00:21:50,877
- I DON'T KNOW.
502
00:21:50,910 --> 00:21:52,111
[sighs]
503
00:21:52,144 --> 00:21:54,447
DO YOU THINK
IT'S POSSIBLE TO...
504
00:21:54,481 --> 00:21:57,450
SLOWLY FALL OUT OF LOVE
WITH SOMEONE?
505
00:21:57,484 --> 00:22:00,420
[dramatic music]
506
00:22:00,453 --> 00:22:03,055
*
507
00:22:03,089 --> 00:22:04,724
ANY THOUGHTS? HELLO?
508
00:22:04,757 --> 00:22:07,727
- LET'S KEEP RUNNING
AND TALKING.
509
00:22:07,760 --> 00:22:10,930
[dramatic music]
510
00:22:10,963 --> 00:22:13,533
- SO I DON'T KNOW WHETHER
I SHOULD TALK TO MICHAEL.
511
00:22:13,566 --> 00:22:15,535
ANNIE.
512
00:22:15,568 --> 00:22:17,404
[laughs]
513
00:22:17,437 --> 00:22:18,571
HEY, SLOW DOWN!
514
00:22:18,605 --> 00:22:20,440
I JUST WANT TO FINISH.
YOU WANT TO WIN!
515
00:22:20,473 --> 00:22:22,108
- SORRY.
516
00:22:26,613 --> 00:22:27,914
DANIELLE,
I WANT TO TALK ABOUT THIS,
517
00:22:27,947 --> 00:22:30,550
BUT I REALIZED I JUST DROPPED
MY PHONE BACK THERE.
518
00:22:30,583 --> 00:22:31,884
THE MUSEUM'S
GONNA KILL ME.
519
00:22:31,918 --> 00:22:33,453
IT HAS EVERYONE'S
HOME NUMBER ON IT.
520
00:22:33,486 --> 00:22:36,456
- WELL, I'LL HELP YOU.
- NO, UH, DON'T.
521
00:22:36,489 --> 00:22:37,524
GO HOME.
522
00:22:37,557 --> 00:22:39,426
PLEASE.
523
00:22:39,459 --> 00:22:41,127
THE GIRLS HAVE TO GET READY
FOR SCHOOL.
524
00:22:41,160 --> 00:22:42,629
- WELL, I'LL CALL--
- NO, YOU CAN'T.
525
00:22:42,662 --> 00:22:43,930
'CAUSE YOU
DON'T HAVE YOUR PHONE,
526
00:22:43,963 --> 00:22:45,598
AND I DROPPED MINE.
527
00:22:45,632 --> 00:22:47,667
I'LL BE CAREFUL.
I PROMISE.
528
00:22:47,700 --> 00:22:49,402
- OKAY.
529
00:22:53,506 --> 00:22:55,642
[suspenseful music]
530
00:22:55,675 --> 00:23:03,516
*
531
00:23:15,662 --> 00:23:18,565
[tires screech,
horn honks]
532
00:23:18,598 --> 00:23:20,099
[tires screech]
533
00:23:20,132 --> 00:23:21,801
[crash]
534
00:23:21,834 --> 00:23:23,102
[horn honks]
535
00:23:27,874 --> 00:23:30,109
- [panting]
536
00:23:37,016 --> 00:23:40,553
[line ringing]
537
00:23:40,587 --> 00:23:42,855
- HEY, ANNIE.
- I WAS SURVEILLED THIS MORNING.
538
00:23:42,889 --> 00:23:45,892
I NEED YOU TO GET IN TOUCH
WITH ROCK CREEK PARK POLICE
539
00:23:45,925 --> 00:23:47,159
AND SEE IF ANYONE I.D.'D
540
00:23:47,193 --> 00:23:50,096
A FEMALE INVOLVED
IN A PARKWAY PILEUP.
541
00:23:50,129 --> 00:23:51,998
BLUE TOP
WITH A LONG BRAID.
542
00:23:52,031 --> 00:23:53,065
- OKAY, WILL DO.
543
00:23:53,099 --> 00:23:55,835
AS FOR YOU,
PROTOCOL DIRECTIVE 2408.
544
00:23:55,868 --> 00:23:57,737
- GOT IT.
I'LL WATCH MY TAIL.
545
00:23:57,770 --> 00:23:59,772
- NO. THAT MEANS
YOU SHOULDN'T COME IN TODAY.
546
00:23:59,806 --> 00:24:01,708
- [laughs]
NOT GONNA HAPPEN.
547
00:24:05,211 --> 00:24:07,980
- I'M IN STICKER SHOCK.
548
00:24:08,014 --> 00:24:09,849
IT'S NOT EVEN ITEMIZED.
549
00:24:09,882 --> 00:24:12,051
- NEITHER ARE
OUR BILLS TO CONGRESS.
550
00:24:12,084 --> 00:24:13,786
- HE KNEW WE HAD
NOWHERE ELSE TO TURN.
551
00:24:13,820 --> 00:24:15,755
HE KNEW WE NEEDED
A FAT-CAT ATTORNEY.
552
00:24:15,788 --> 00:24:17,757
AND HE GOT US TO DIP
INTO OUR RETIREMENT FUNDS
553
00:24:17,790 --> 00:24:19,559
FOR A TENNIS VACATION
IN HILTON HEAD?
554
00:24:19,592 --> 00:24:21,227
- YEAH,
DON'T PERSONALIZE IT.
555
00:24:21,260 --> 00:24:23,730
- I WAS WRONG...
556
00:24:23,763 --> 00:24:26,232
TO INSIST
THAT WE HIRE HIM.
557
00:24:26,265 --> 00:24:28,835
- SO WHAT SHOULD WE DO?
558
00:24:28,868 --> 00:24:32,805
- I NEED YOU TO BE
EVERY BIT AS GALLANT
559
00:24:32,839 --> 00:24:34,106
AS I KNOW YOU CAN BE.
560
00:24:34,140 --> 00:24:35,642
- THIS DOESN'T SOUND GOOD.
561
00:24:35,675 --> 00:24:37,777
- I NEED YOU TO PAY HIM,
562
00:24:37,810 --> 00:24:40,780
AND THEN I NEED YOU
TO FIRE HIM.
563
00:24:40,813 --> 00:24:42,481
PLEASE.
564
00:24:43,716 --> 00:24:45,952
- [sighs]
565
00:24:45,985 --> 00:24:48,287
- I THOUGHT YOU--
- I WASN'T TAILED.
566
00:24:48,320 --> 00:24:49,756
- HOW CAN YOU BE SURE?
567
00:24:49,789 --> 00:24:51,758
- I TOOK THREE BUSES,
TWO METRO LINES,
568
00:24:51,791 --> 00:24:53,059
AND THE AGENCY JITNEY
DROPPED ME OFF
569
00:24:53,092 --> 00:24:54,126
AT THE FRONT DOOR.
570
00:24:54,160 --> 00:24:55,695
ALL IN ALL,
571
00:24:55,728 --> 00:24:56,863
I'D SAY PUBLIC TRANSPORTATION'S
A BETTER DEAL
572
00:24:56,896 --> 00:24:57,997
THAN MY PARKING SPOT.
- [laughs]
573
00:24:58,030 --> 00:24:59,999
- YOUR BOY WILL
HAS AN ACTIVE NIGHTLIFE.
574
00:25:00,032 --> 00:25:01,267
[beep]
575
00:25:01,300 --> 00:25:03,269
- THAT WAS THE WOMAN
WHO TAILED ME IN THE PARK.
576
00:25:03,302 --> 00:25:04,771
SHE WAS WITH WILL?
577
00:25:04,804 --> 00:25:07,173
- LAST NIGHT, ALMOST
IMMEDIATELY AFTER YOU LEFT.
578
00:25:07,206 --> 00:25:09,809
THEN WILL CAME BACK HOME,
AND WE GOT THIS.
579
00:25:09,842 --> 00:25:11,143
[beep]
580
00:25:11,177 --> 00:25:14,681
- I HAVE ANOTHER DROP,
SAME TIME AND PLACE.
581
00:25:14,714 --> 00:25:16,849
- WILL'S OUR GUY.
582
00:25:24,891 --> 00:25:26,693
- AUGGIE.
583
00:25:26,726 --> 00:25:29,796
THIS PRESS RELEASE
ABOUT OUR MISSIONS, THE SCHOOL,
584
00:25:29,829 --> 00:25:31,898
MY EFFORTS
TO OPEN UP THE AGENCY...
585
00:25:31,931 --> 00:25:33,065
- YES, SIR.
586
00:25:33,099 --> 00:25:35,067
- IT READS LIKE
CRIME AND PUNISHMENT,
587
00:25:35,101 --> 00:25:36,769
EXCEPT WITH
NO INFORMATION IN IT.
588
00:25:36,803 --> 00:25:39,071
YOU'RE MADDENINGLY OBTUSE.
589
00:25:39,105 --> 00:25:40,907
IF WE'RE GONNA DEPRESS
THE HELL OUT OF EVERYONE,
590
00:25:40,940 --> 00:25:43,876
LET'S NOT BOTHER VOLUNTARILY
DECLASSIFYING ANYTHING.
591
00:25:44,877 --> 00:25:46,746
I MEAN, AUGGIE...
592
00:25:46,779 --> 00:25:49,215
WE BUILT A GIRLS' SCHOOL...
593
00:25:49,248 --> 00:25:50,717
A GIRLS' SCHOOL.
594
00:25:50,750 --> 00:25:52,018
- AND I INCLUDED THAT.
595
00:25:52,051 --> 00:25:54,020
- ALONG WITH VAGUE,
CONDITIONAL INFORMATION
596
00:25:54,053 --> 00:25:56,923
ABOUT THE PURPOSE
OF THE SCHOOL ITSELF.
597
00:25:56,956 --> 00:25:59,091
LET ME SAVE YOU
SOME CAT-AND-MOUSE.
598
00:25:59,125 --> 00:26:00,727
GIRLS WILL SHOW UP.
599
00:26:00,760 --> 00:26:02,762
THEY WILL LEARN.
600
00:26:02,795 --> 00:26:04,597
LIVES WILL IMPROVE.
601
00:26:04,631 --> 00:26:06,699
IT'S STRAIGHTFORWARD.
602
00:26:06,733 --> 00:26:09,135
NOW, I UNDERESTIMATED
HOW DIFFICULT A TRANSITION
603
00:26:09,168 --> 00:26:11,771
IT WOULD BE FOR A GOOD
COVERT OPERATIVE LIKE YOURSELF,
604
00:26:11,804 --> 00:26:14,741
ESPECIALLY ONE WITH SUCH TALENT
ON THE BATTLEFIELD.
605
00:26:14,774 --> 00:26:16,743
- IT'S NOT DIFFICULT, SIR.
606
00:26:16,776 --> 00:26:18,377
- I'M ASKING YOU TO RUN
AGAINST EVERY INSTINCT
607
00:26:18,410 --> 00:26:19,779
TO MAINTAIN SECRECY.
608
00:26:19,812 --> 00:26:21,748
- I LEARNED THOSE SKILLS.
609
00:26:21,781 --> 00:26:23,082
I CAN UNLEARN THEM.
610
00:26:23,115 --> 00:26:25,785
- WELL,
UNLEARN THEM QUICK.
611
00:26:25,818 --> 00:26:27,319
THE PRESS CONFERENCE
IS TOMORROW.
612
00:26:39,799 --> 00:26:41,934
- [sighs]
613
00:26:41,968 --> 00:26:45,271
ANNIE WALKER
AND ICY-HOT MENTHOL.
614
00:26:45,304 --> 00:26:46,939
- [chuckles]
615
00:26:46,973 --> 00:26:49,809
MARATHON TRAINING
IS NO PICNIC.
616
00:26:49,842 --> 00:26:51,944
HEY, THESE NEW DIGS
617
00:26:51,978 --> 00:26:53,412
ARE INCREDIBLE.
618
00:26:53,445 --> 00:26:55,247
- YEAH, I'VE GOT
MY OWN THERMOSTAT
619
00:26:55,281 --> 00:26:56,816
AND FREE LUNCH.
620
00:26:56,849 --> 00:26:58,685
- ALL I EVER WANTED
WAS A JOB WITH FREE FOOD.
621
00:26:58,718 --> 00:27:02,121
- BUT YOU'RE NOT HERE
TO TALK ABOUT MY JOB, ARE YOU?
622
00:27:02,154 --> 00:27:04,356
- THE D.P.D. HAS THE NASA
TRAITOR DEAD TO RIGHTS--
623
00:27:04,390 --> 00:27:06,859
PHONE CALLS,
SURVEILLANCE PHOTOS--
624
00:27:06,893 --> 00:27:08,828
BUT SOMETHING ABOUT IT
DOES NOT LINE UP.
625
00:27:08,861 --> 00:27:10,129
- TALK TO REVA.
626
00:27:10,162 --> 00:27:11,964
I VETTED HER WITH JOAN.
SHE'S GOOD.
627
00:27:11,998 --> 00:27:13,766
- SHE'S NOT YOU.
- ANNIE...
628
00:27:13,800 --> 00:27:15,267
I'D LOVE TO HELP YOU,
BUT I CAN'T.
629
00:27:15,301 --> 00:27:18,838
- WHAT DO YOU MEAN YOU CAN'T?
YOU ALWAYS KNOW WHAT TO DO.
630
00:27:23,075 --> 00:27:25,311
- I JUST BOMBED OUT ON
MY FIRST ASSIGNMENT FOR ARTHUR,
631
00:27:25,344 --> 00:27:28,848
AND I'VE GOT TO TURN IT AROUND
BY THE END OF THE DAY.
632
00:27:31,851 --> 00:27:35,755
- YOU ARE THE FIRST FRIEND
I EVER MADE AT THIS AGENCY...
633
00:27:35,788 --> 00:27:37,990
AND NO ONE
I HAVE MET HERE
634
00:27:38,024 --> 00:27:40,993
HAS IMPRESSED ME
MORE SINCE.
635
00:27:41,027 --> 00:27:44,230
YOU'RE GONNA DO GREAT
AT THIS JOB.
636
00:27:49,802 --> 00:27:51,804
[door closes]
637
00:27:58,845 --> 00:28:00,446
- I WANT TO MAKE IT CLEAR
WE'RE JUST TALKING.
638
00:28:00,479 --> 00:28:02,782
YOU'RE FREE TO GO
AT ANY TIME.
639
00:28:02,815 --> 00:28:04,250
- IN THE WAY
I'M FREE TO NOT TAKE
640
00:28:04,283 --> 00:28:06,418
THE FIELD SOBRIETY TEST?
641
00:28:06,452 --> 00:28:08,420
- MEANING WHAT?
642
00:28:08,454 --> 00:28:10,890
- MEANING THAT,
BY NOT TALKING,
643
00:28:10,923 --> 00:28:14,126
IT'S A PRESUMPTION
OF GUILT.
644
00:28:14,160 --> 00:28:16,829
- WE CAN TALK ABOUT TALKING,
645
00:28:16,863 --> 00:28:19,866
OR WE CAN TALK.
646
00:28:22,434 --> 00:28:24,370
OR WE CAN SIT
AND NOT TALK.
647
00:28:25,938 --> 00:28:27,439
- I DIDN'T KNOW
WHO THEY WERE AT FIRST.
648
00:28:27,473 --> 00:28:30,242
- YOU KNOW WHO THEY ARE NOW?
- COLOMBIAN REBELS.
649
00:28:30,276 --> 00:28:32,144
- I'M GOING TO ADVISE YOU
TO GET AN ATTORNEY...
650
00:28:32,178 --> 00:28:33,980
- [sighs]
- BECAUSE WE'RE GONNA HAVE TO
651
00:28:34,013 --> 00:28:37,516
HAND OUR INVESTIGATION
OVER TO THE FEDS.
652
00:28:37,549 --> 00:28:39,285
- I'LL TELL YOU
EVERYTHING.
653
00:28:39,318 --> 00:28:41,320
I'M TIRED OF LYING.
654
00:28:44,824 --> 00:28:47,760
- HOW DID
THE COLOMBIANS MAKE YOU?
655
00:28:47,794 --> 00:28:49,028
- I DON'T UNDERSTAND.
656
00:28:49,061 --> 00:28:50,396
- HOW DID THEY TURN YOU?
657
00:28:50,429 --> 00:28:52,799
HOW DID THEY CONVINCE YOU
TO SPY FOR THEM?
658
00:28:52,832 --> 00:28:56,368
- I WAS AT A SCIENCE FAIR
OF CHARLIE'S.
659
00:28:56,402 --> 00:29:00,339
HE WAS A FINALIST
IN THE NATIONAL COMPETITION.
660
00:29:00,372 --> 00:29:02,308
SHE WAS A VERY ATTRACTIVE
AMERICAN WOMAN
661
00:29:02,341 --> 00:29:04,310
WHO SAID SHE WAS
FROM THE PRIVATE SECTOR.
662
00:29:04,343 --> 00:29:06,212
SHE SAID HER COMPANY
HAD HEARD OF MY WORK
663
00:29:06,245 --> 00:29:09,782
AND THAT NO PRICE WAS TOO HIGH
TO WOO ME AWAY FROM NASA.
664
00:29:09,816 --> 00:29:11,117
- SHE WORKS FOR FARC.
665
00:29:11,150 --> 00:29:12,351
- I KNOW THAT NOW.
666
00:29:12,384 --> 00:29:14,020
I KNEW THAT HER COMPANY
WAS COMING AT ME
667
00:29:14,053 --> 00:29:16,022
WITH A STRATEGY
OF SEDUCTION, BUT I--
668
00:29:16,055 --> 00:29:17,957
I JUST DIDN'T CARE.
669
00:29:17,990 --> 00:29:19,792
AFTER A COUPLE
OF ROUGH YEARS,
670
00:29:19,826 --> 00:29:21,493
BOTH PERSONALLY
AND PROFESSIONALLY,
671
00:29:21,527 --> 00:29:23,429
SHE WAS A TONIC.
672
00:29:23,462 --> 00:29:24,797
- THEN WHAT HAPPENED?
673
00:29:24,831 --> 00:29:26,966
- THEN I MET HER AGAIN...
674
00:29:26,999 --> 00:29:28,801
THIS TIME
AT THE PLANETARIUM.
675
00:29:28,835 --> 00:29:31,137
SHE ASKED ME FOR A MANUAL
676
00:29:31,170 --> 00:29:34,974
THAT I'D WRITTEN ON, UH,
SATELLITE MAINTENANCE.
677
00:29:35,007 --> 00:29:36,909
- WHICH THEY
COULD REVERSE ENGINEER.
678
00:29:38,244 --> 00:29:39,511
SO AFTER YOU
GAVE HER THE MANUAL,
679
00:29:39,545 --> 00:29:41,480
IS THAT WHEN SHE REVEALED
WHO SHE WORKED FOR?
680
00:29:41,513 --> 00:29:43,850
- [sighs] BY THAT TIME,
THEY HAD THEIR HOOKS IN ME.
681
00:29:43,883 --> 00:29:46,352
THEY BLACKMAILED ME FOR MORE
INFORMATION ABOUT THE SATELLITE.
682
00:29:46,385 --> 00:29:49,388
I WAS--I WAS TRAPPED.
- YOU WEREN'T TRAPPED.
683
00:29:49,421 --> 00:29:50,923
YOU COULD HAVE COME TO US
684
00:29:50,957 --> 00:29:52,391
AFTER HANDING OVER
THAT FIRST MANUAL,
685
00:29:52,424 --> 00:29:54,961
BUT YOU CHOSE NOT TO.
686
00:29:57,363 --> 00:29:59,365
- I'M SORRY.
687
00:30:09,275 --> 00:30:10,542
- YOU WANT TO TALK
ABOUT IT?
688
00:30:10,576 --> 00:30:13,379
- THERE'S NOTHING
REALLY TO SAY.
689
00:30:13,412 --> 00:30:15,314
- MAYBE IT'S
JUST A TEMPORARY LULL
690
00:30:15,347 --> 00:30:17,149
OR A PASSING FUNK.
691
00:30:20,352 --> 00:30:22,254
MICHAEL'S A GOOD FATHER.
692
00:30:22,288 --> 00:30:25,925
- YOU ALWAYS SEE THE BEST
IN EVERYONE.
693
00:30:25,958 --> 00:30:28,627
- MAYBE I'M NAIVE.
- NO.
694
00:30:28,660 --> 00:30:31,463
I JUST NEED TO TAKE A BEAT
AND REFOCUS.
695
00:30:33,465 --> 00:30:36,202
- WHY DON'T YOU GO
FOR A ROMANTIC NIGHT OUT?
696
00:30:36,235 --> 00:30:39,338
I'LL WATCH THE GIRLS
THIS WEEKEND.
697
00:30:39,371 --> 00:30:41,373
- I COULD DO THAT.
698
00:30:45,211 --> 00:30:47,613
- [clears throat]
699
00:30:47,646 --> 00:30:49,949
- I'M JUST
INTO WILL'S FINANCES.
700
00:30:49,982 --> 00:30:51,417
HE LISTED NASA
AS A BENEFICIARY
701
00:30:51,450 --> 00:30:53,385
OF PART OF HIS 401(k).
702
00:30:53,419 --> 00:30:54,320
- SO?
703
00:30:54,353 --> 00:30:55,654
- SO THIS IS NOT A GUY
704
00:30:55,687 --> 00:30:57,489
WHO HATES
HIS INSTITUTION.
705
00:30:57,523 --> 00:31:01,193
- ANNIE, YOU HELPED THE D.P.D.
NAIL NASA'S MOLE, OKAY?
706
00:31:01,227 --> 00:31:04,063
IT'S IN THE FEDS' HANDS NOW.
CAN WE MOVE ON?
707
00:31:04,096 --> 00:31:07,266
- UH, NORMALLY THIS IS THE TIME
WHERE MY FORMER TECH OP
708
00:31:07,299 --> 00:31:10,002
WOULD ENCOURAGE ME,
SUPPORT MY GUT INSTINCT,
709
00:31:10,036 --> 00:31:11,938
AND ASSIST IN MY RESEARCH.
710
00:31:14,006 --> 00:31:17,076
- HAVE YOU HEARD
OF THE HUMMINGBIRD PROJECT?
711
00:31:17,109 --> 00:31:18,277
- WAS THAT THE ONE
TWO YEARS AGO
712
00:31:18,310 --> 00:31:21,180
WHERE D.S.T. WAS MAKING
SURVEILLANCE BIRDS?
713
00:31:21,213 --> 00:31:22,648
- YES, REMOTE-CONTROLLED
HUMMINGBIRDS
714
00:31:22,681 --> 00:31:25,284
THAT CAN MONITOR
OUTDOOR CONVERSATIONS.
715
00:31:25,317 --> 00:31:28,554
I WAS BEHIND THAT.
716
00:31:28,587 --> 00:31:32,291
AND EVEN AFTER IT FAILED
A VERY CRITICAL TEST RUN
717
00:31:32,324 --> 00:31:33,692
DUE TO INTERFERENCE,
718
00:31:33,725 --> 00:31:36,495
I KEPT PUSHING IT.
I COULDN'T LET IT GO.
719
00:31:36,528 --> 00:31:38,230
- WELL, IT SOUNDS
LIKE A COOL IDEA.
720
00:31:38,264 --> 00:31:39,698
- WELL, IT WAS...
721
00:31:39,731 --> 00:31:41,400
UNTIL WE TOOK IT OUT
TO CAMP PEARY
722
00:31:41,433 --> 00:31:42,668
FOR A SECOND TEST RUN.
723
00:31:42,701 --> 00:31:44,370
THERE WAS ONE THING
WE DIDN'T COUNT ON,
724
00:31:44,403 --> 00:31:46,205
WAS THE WEATHER.
725
00:31:46,238 --> 00:31:47,473
I MEAN,
WHEN THE WIND BLEW,
726
00:31:47,506 --> 00:31:49,241
WE COULDN'T CONTROL
THE DAMN THINGS.
727
00:31:49,275 --> 00:31:51,577
MY BLIND FAITH
IN THAT PROJECT
728
00:31:51,610 --> 00:31:54,613
SET ME BACK TWO YEARS
AT THE AGENCY.
729
00:31:55,747 --> 00:31:57,349
SO...
730
00:31:57,383 --> 00:32:01,353
TAKE SOME ADVICE FROM ME
AND GET OUT OF YOUR OWN WAY.
731
00:32:01,387 --> 00:32:03,355
WE'RE DONE
WITH THE NASA OPERATION.
732
00:32:03,389 --> 00:32:07,393
MOVE ON, OKAY?
733
00:32:07,426 --> 00:32:09,195
- YOU KNOW WHAT I GET
FROM THAT STORY?
734
00:32:10,596 --> 00:32:12,564
YOU WERE FIRED UP
ABOUT SOMETHING.
735
00:32:15,001 --> 00:32:18,237
[footsteps departing]
736
00:32:21,373 --> 00:32:23,575
- AUGGIE, YOU ARE
THE ERNEST HEMINGWAY
737
00:32:23,609 --> 00:32:25,111
OF GOOD NEWS.
738
00:32:25,144 --> 00:32:26,678
TURNS OUT I WAS RIGHT.
YOU'RE A NATURAL AT THIS.
739
00:32:26,712 --> 00:32:28,180
- [sighs]
740
00:32:28,214 --> 00:32:29,648
- YOU'RE A QUICK STUDY.
741
00:32:29,681 --> 00:32:32,184
YOU'RE GONNA HELP MOVE
THE AGENCY INTO A NEW ERA.
742
00:32:32,218 --> 00:32:35,121
[clattering]
743
00:32:35,154 --> 00:32:37,756
REPORTERS ARE LIKE
TIGERS IN CAPTIVITY--
744
00:32:37,789 --> 00:32:39,325
IF YOU WANT TO CLEAN
THE CAGE,
745
00:32:39,358 --> 00:32:42,561
YOU GOT TO DISTRACT 'EM
WITH A PIECE OF MEAT.
746
00:32:42,594 --> 00:32:45,497
MANY GOOD OPERATIVES
HAVE COME IN FROM THE COLD.
747
00:32:45,531 --> 00:32:47,299
- YES, SIR.
748
00:32:47,333 --> 00:32:49,335
- THERE IS A LIFE,
749
00:32:49,368 --> 00:32:52,371
A FULFILLING LIFE,
FOR AN OVERT OFFICER, AUGGIE.
750
00:32:57,343 --> 00:33:00,146
[indistinct chatter,
camera shutters clicking]
751
00:33:00,179 --> 00:33:03,482
COME ON, AUGGIE.
IT'S TIME.
752
00:33:03,515 --> 00:33:06,285
- MICRO-EXPRESSIONS
DON'T LIE, RIGHT?
753
00:33:06,318 --> 00:33:09,288
- WELL, I DON'T LIKE
TO USE ABSOLUTES, BUT, YES,
754
00:33:09,321 --> 00:33:10,422
STATISTICALLY,
MICRO-EXPRESSIONS
755
00:33:10,456 --> 00:33:12,058
ARE EXCELLENT BASELINES
OF TRUTHFULNESS.
756
00:33:12,091 --> 00:33:13,425
- AND PUTTING UP
A PHYSICAL BARRIER,
757
00:33:13,459 --> 00:33:15,094
LIKE YOUR ARM
OR A COFFEE CUP,
758
00:33:15,127 --> 00:33:17,096
MEANS A LIE, RIGHT?
759
00:33:17,129 --> 00:33:19,998
- RIGHT.
- OKAY.
760
00:33:21,767 --> 00:33:23,035
[beep]
761
00:33:23,069 --> 00:33:24,370
- HOW DID THEY TURN YOU?
762
00:33:24,403 --> 00:33:27,273
HOW DID THEY CONVINCE YOU
TO SPY FOR THEM?
763
00:33:27,306 --> 00:33:29,575
- I WAS AT A SCIENCE FAIR
FOR CHARLIE.
764
00:33:29,608 --> 00:33:31,043
HE WAS A, UH--
765
00:33:31,077 --> 00:33:33,812
A FINALIST
IN THE NATIONAL COMPETITION.
766
00:33:33,845 --> 00:33:36,448
- WAIT A SECOND.
767
00:33:36,482 --> 00:33:38,784
- THAT'S HIS TELL.
[beeping]
768
00:33:38,817 --> 00:33:40,219
RIGHT?
769
00:33:40,252 --> 00:33:42,321
- YOU'RE RIGHT.
HE'S LYING.
770
00:33:42,354 --> 00:33:44,156
- EXACTLY.
771
00:33:44,190 --> 00:33:47,259
HOW COULD HE BE LYING
BOTH TIMES?
772
00:33:49,361 --> 00:33:52,164
[door opens]
773
00:33:54,300 --> 00:33:57,269
- [chuckles]
774
00:33:57,303 --> 00:33:59,305
SOMEHOW I KNEW
THAT A BEAUTIFUL FILMMAKER
775
00:33:59,338 --> 00:34:03,309
WHO LOVES SPACE
WAS TOO GOOD TO BE TRUE.
776
00:34:03,342 --> 00:34:05,444
- WHAT HAPPENED
TO THE ASPIRING ASTRONAUT?
777
00:34:05,477 --> 00:34:06,678
- ANNIE,
778
00:34:06,712 --> 00:34:09,648
IN THE SCOPE OF THINGS,
I DIDN'T RUIN THE WORLD.
779
00:34:09,681 --> 00:34:12,651
LIFE--OR THE EXPANSION
OF THE GALAXY, FOR THAT MATTER--
780
00:34:12,684 --> 00:34:15,454
CONTINUES TO GO ON
FOR BILLIONS OF YEARS,
781
00:34:15,487 --> 00:34:17,756
WITH OR WITHOUT ME.
782
00:34:17,789 --> 00:34:21,827
WE'RE JUST
A PALE-BLUE DOT.
783
00:34:21,860 --> 00:34:23,362
- CHARLIE QUOTED CARL SAGAN
784
00:34:23,395 --> 00:34:26,865
WHEN HE WAS TALKING
ABOUT PIONEER 10.
785
00:34:26,898 --> 00:34:29,835
IT WASN'T YOU THEY MADE
AT THE SCIENCE FAIR.
786
00:34:29,868 --> 00:34:32,671
IT WAS CHARLIE...
787
00:34:32,704 --> 00:34:34,706
WASN'T IT?
788
00:34:37,343 --> 00:34:39,311
- HE WAS ONLY A BOY...
789
00:34:39,345 --> 00:34:43,282
A VERY SMART
16-YEAR-OLD BOY.
790
00:34:43,315 --> 00:34:46,385
AND THEN SHE CAME ALONG.
791
00:34:46,418 --> 00:34:48,720
THAT'S ALL IT TOOK
TO SNAG A KID
792
00:34:48,754 --> 00:34:50,722
WITH HIS OWN AMBITIONS,
793
00:34:50,756 --> 00:34:53,292
WHO ALSO WANTED HIS OLD MAN
TO BE A HERO AGAIN.
794
00:34:53,325 --> 00:34:55,294
- HOW'D HE GET
THE INFORMATION?
795
00:34:55,327 --> 00:34:57,496
- AT FIRST
IT WAS JUST MY RESUME.
796
00:34:57,529 --> 00:35:00,332
THEN IT WAS A PAPER
I WROTE.
797
00:35:00,366 --> 00:35:01,833
HE THOUGHT
HE WAS GIVING MY WORK
798
00:35:01,867 --> 00:35:05,304
TO SOMEONE
IN THE PRIVATE SECTOR.
799
00:35:05,337 --> 00:35:07,473
THEY TOLD HIM THAT,
JUST BY DOING THAT,
800
00:35:07,506 --> 00:35:10,209
HE HAD VIOLATED
THE STATE SECRETS ACT,
801
00:35:10,242 --> 00:35:12,211
AND THEY JUST KEPT
ASKING FOR MORE.
802
00:35:12,244 --> 00:35:13,845
- WHEN DID THEY HAVE YOU?
803
00:35:13,879 --> 00:35:16,348
- AS SOON
AS CHARLIE TOLD ME.
804
00:35:16,382 --> 00:35:17,549
I TOOK OVER
THE RELATIONSHIP.
805
00:35:17,583 --> 00:35:20,686
I GAVE THEM THE INFORMATION
ABOUT THE SATELLITES, AND...
806
00:35:20,719 --> 00:35:22,688
I DIDN'T KNOW
WHAT ELSE TO DO.
807
00:35:22,721 --> 00:35:26,392
- WHAT DID CHARLIE THINK
WAS HAPPENING?
808
00:35:26,425 --> 00:35:29,728
- HE THOUGHT
I'D FIXED IT ALL.
809
00:35:29,761 --> 00:35:32,864
HE THOUGHT THINGS
WERE BACK TO NORMAL.
810
00:35:32,898 --> 00:35:35,601
IT'S BEEN HARD
SINCE HIS MOTHER LEFT.
811
00:35:37,736 --> 00:35:39,705
- BUT IT WASN'T OVER,
WAS IT?
812
00:35:39,738 --> 00:35:41,473
- NO.
813
00:35:41,507 --> 00:35:43,642
- WHY THE PHONE CALL?
814
00:35:46,245 --> 00:35:47,846
- WHEN I WALKED YOU
OUT OF THE BUILDING
815
00:35:47,879 --> 00:35:50,416
AFTER THE BARBECUE...
816
00:35:50,449 --> 00:35:52,318
I SAW THEY LEFT ME
A SIGNAL.
817
00:35:52,351 --> 00:35:54,353
THERE WAS A BIKE
818
00:35:54,386 --> 00:35:55,854
LOCKED UP
TO THE BUS STOP.
819
00:35:55,887 --> 00:35:58,557
THAT MEANT THEY WANTED ME
TO MEET THEM IMMEDIATELY.
820
00:35:58,590 --> 00:36:01,260
- WHAT DID THEY SAY
AT THE MEETING?
821
00:36:01,293 --> 00:36:03,862
- OH, THEY THOUGHT
YOU MIGHT BE ONTO ME.
822
00:36:03,895 --> 00:36:05,331
WHEN YOU WALKED
IN THE BUILDING,
823
00:36:05,364 --> 00:36:07,499
THEY SAID SOMEONE
FOLLOWED YOU IN
824
00:36:07,533 --> 00:36:09,401
AND CLIMBED OUT
THE FIRE ESCAPE
825
00:36:09,435 --> 00:36:12,338
JUST WHEN WE CAME DOWN
FROM THE ROOFTOP.
826
00:36:12,371 --> 00:36:14,406
THEY ASSUMED
THAT YOU'D BUGGED MY PLACE.
827
00:36:14,440 --> 00:36:16,442
- THEN WHY
WOULD YOU GO HOME
828
00:36:16,475 --> 00:36:18,410
AND MAKE
AN INCRIMINATING PHONE CALL?
829
00:36:18,444 --> 00:36:21,447
- [sighs]
830
00:36:21,480 --> 00:36:23,282
- [chuckles]
831
00:36:23,315 --> 00:36:26,585
WAIT. YOU WERE TRYING
TO GET CAUGHT?
832
00:36:26,618 --> 00:36:29,421
- THAT WAS JUST A MESSAGE
I LEFT ON MY OWN VOICE MAIL.
833
00:36:29,455 --> 00:36:30,556
- ONCE YOU WERE OUT TO US,
834
00:36:30,589 --> 00:36:32,424
FARC'S PIPELINE
TO NASA'S INFORMATION
835
00:36:32,458 --> 00:36:33,359
WOULD BE SHUT DOWN.
836
00:36:33,392 --> 00:36:35,594
- AND CHARLIE
WOULD BE USELESS TO THEM.
837
00:36:35,627 --> 00:36:37,596
- WELL, WHAT WAS
YOUR CONTINGENCY PLAN?
838
00:36:37,629 --> 00:36:39,431
- ALL OF THIS.
839
00:36:39,465 --> 00:36:43,469
THIS WASN'T A SPACE MISSION.
840
00:36:43,502 --> 00:36:46,638
I HAD TO PROTECT MY SON,
NO MATTER WHAT THE COST.
841
00:36:50,476 --> 00:36:51,977
[cell phone rings]
842
00:36:55,281 --> 00:36:56,382
- REVA.
843
00:36:56,415 --> 00:36:59,551
- ANNIE WALKER.
I REMEMBER YOU.
844
00:36:59,585 --> 00:37:00,586
- AUGGIE.
845
00:37:00,619 --> 00:37:03,422
- I'M BACK.
846
00:37:03,455 --> 00:37:05,591
- [sighs] BECAUSE YOU
MISSED ME SO MUCH?
847
00:37:05,624 --> 00:37:07,293
- [laughs]
AH, YOU'RE GOOD,
848
00:37:07,326 --> 00:37:08,427
BUT YOU'RE NOT
THAT GOOD.
849
00:37:08,460 --> 00:37:10,429
I WASN'T READY
TO BLOW MY COVER.
850
00:37:10,462 --> 00:37:13,432
BESIDES, YOU ARE CLEARLY
HELPLESS WITHOUT ME.
851
00:37:13,465 --> 00:37:16,502
- COMPLETELY
AND UTTERLY HELPLESS.
852
00:37:16,535 --> 00:37:18,837
ARE YOU READ IN?
- YEAH. IT'S NOT OVER, ANNIE.
853
00:37:18,870 --> 00:37:20,739
- WHY?
- CHARLIE MADE A CALL.
854
00:37:20,772 --> 00:37:22,974
HE OFFERED TO GIVE UP EVERYTHING
ABOUT HIS DAD'S RESEARCH
855
00:37:23,008 --> 00:37:24,643
ON SATELLITE
RENDEZVOUS CAPACITIES
856
00:37:24,676 --> 00:37:25,811
IF THEY'LL LET WILL GO.
857
00:37:25,844 --> 00:37:27,813
- HE THINKS WILL
IS BEING HELD BY FARC?
858
00:37:27,846 --> 00:37:30,782
- YOU GOT TO GET TO HIM
BEFORE THEY DO.
859
00:37:37,723 --> 00:37:39,458
[tires screech]
860
00:37:39,491 --> 00:37:41,493
[suspenseful music]
861
00:37:41,527 --> 00:37:45,331
*
862
00:37:45,364 --> 00:37:47,433
- CHARLIE,
LISTEN TO ME.
863
00:37:47,466 --> 00:37:49,601
YOUR DAD'S SAFE.
WE WANT TO HELP YOU.
864
00:37:49,635 --> 00:37:52,538
HE TOLD US ABOUT FARC.
I'M HERE TO PROTECT YOU.
865
00:37:52,571 --> 00:37:55,374
- 88 CONSTELLATIONS
866
00:37:55,407 --> 00:37:59,678
MOVE ACROSS THE SKY
EACH YEAR.
867
00:37:59,711 --> 00:38:01,913
CAST YOUR EYES UPWARD
868
00:38:01,947 --> 00:38:04,716
TOWARD
THE NORTHERN HEMISPHERE,
869
00:38:04,750 --> 00:38:09,355
AND WE WILL EXPLORE
JUST ONE PART
870
00:38:09,388 --> 00:38:12,958
OF THE CELESTIAL FIELD
THAT HAS MESMERIZED...
871
00:38:19,731 --> 00:38:22,734
[suspenseful music]
872
00:38:22,768 --> 00:38:30,509
*
873
00:38:30,542 --> 00:38:31,677
[lever clanks]
874
00:38:33,379 --> 00:38:36,382
[footsteps approaching]
875
00:38:39,951 --> 00:38:41,953
[both groaning]
876
00:38:41,987 --> 00:38:44,456
- CHARLIE,
GET THE GUN!
877
00:38:44,490 --> 00:38:48,794
[both groaning]
878
00:39:03,542 --> 00:39:05,944
- [panting]
879
00:39:05,977 --> 00:39:09,815
IT'S OVER.
IT'S GONNA BE OKAY.
880
00:39:11,717 --> 00:39:14,620
[sirens wailing]
881
00:39:14,653 --> 00:39:18,757
[indistinct conversation
over police radio]
882
00:39:18,790 --> 00:39:21,092
DO YOU HAVE
OTHER RELATIVES HERE?
883
00:39:21,126 --> 00:39:22,828
I MEAN,
WHO WILL YOU STAY WITH?
884
00:39:22,861 --> 00:39:24,663
- MY GRANDMA FOR NOW.
885
00:39:24,696 --> 00:39:29,701
DOWNSIDE, LOTS OF CHORES.
UPSIDE, FOLDED LAUNDRY.
886
00:39:29,735 --> 00:39:31,703
WHEN CAN I SEE MY DAD?
887
00:39:31,737 --> 00:39:33,004
- I DON'T KNOW YET.
888
00:39:33,038 --> 00:39:35,006
WHAT I DO KNOW
IS I'VE NEVER SEEN TWO PEOPLE
889
00:39:35,040 --> 00:39:37,543
SO LOYAL TO EACH OTHER.
890
00:39:37,576 --> 00:39:40,846
THAT WILL COUNT
FOR SOMETHING, CHARLIE.
891
00:39:40,879 --> 00:39:43,515
COME ON, LET'S CALL
YOUR GRANDMOTHER.
892
00:39:45,183 --> 00:39:46,718
- CHET, WE WANTED
TO TALK TO YOU.
893
00:39:46,752 --> 00:39:48,887
- LOOK, THERE'S NO REASON
TO THANK ME.
894
00:39:48,920 --> 00:39:50,021
THIS IS WHAT I DO.
895
00:39:50,055 --> 00:39:52,524
- THAT'S WHAT WE
WANTED TO TALK ABOUT.
896
00:39:52,558 --> 00:39:54,560
- I GOT HIM
IN THE THIRD SET.
897
00:39:54,593 --> 00:39:56,061
NOW, I'M NOT GONNA LIE TO YOU.
898
00:39:56,094 --> 00:39:58,630
WE COULD BE HAVING
A VERY DIFFERENT CONVERSATION
899
00:39:58,664 --> 00:40:00,666
IF MY TENNIS ELBOW
HAD FLARED UP.
900
00:40:00,699 --> 00:40:03,569
- WE'RE TALKING
ABOUT WHY WE HIRED YOU.
901
00:40:03,602 --> 00:40:05,571
- YEAH, I KNOW, JOANIE.
NO HEARINGS.
902
00:40:05,604 --> 00:40:07,506
WHO DO YOU THINK
I WAS PLAYING TENNIS WITH?
903
00:40:07,539 --> 00:40:08,674
- I HAVE NO IDEA.
904
00:40:08,707 --> 00:40:11,577
- THE ESTEEMED SENATOR
FROM KENTUCKY.
905
00:40:11,610 --> 00:40:12,844
- JENSEN?
906
00:40:12,878 --> 00:40:14,580
- HE TOLD HIS COMMITTEE
THIS MORNING
907
00:40:14,613 --> 00:40:18,884
THERE'S NO REASON
TO PURSUE AN INVESTIGATION.
908
00:40:20,151 --> 00:40:22,754
GET SOME SLEEP, CHIEF.
909
00:40:31,096 --> 00:40:33,031
[door closes]
910
00:40:33,064 --> 00:40:34,966
[upbeat pop music]
911
00:40:35,000 --> 00:40:37,503
[laughter]
912
00:40:37,536 --> 00:40:38,770
- TO EVERYTHING
IN ITS PLACE.
913
00:40:38,804 --> 00:40:39,838
- HEAR, HEAR.
914
00:40:39,871 --> 00:40:41,707
[bottles clinking]
915
00:40:43,742 --> 00:40:46,645
MM. WHAT HAPPENS
TO YOU NOW, REVA?
916
00:40:46,678 --> 00:40:49,114
- UM, BACK TO D.S.T.
917
00:40:49,147 --> 00:40:51,116
BUT WITH A BUMP
IN PAY GRADE.
918
00:40:51,149 --> 00:40:53,952
- HMM. THEY'RE NOWHERE NEAR
AS MUCH FUN AS WE ARE.
919
00:40:53,985 --> 00:40:55,721
- BUT THEY'RE
MORE PREDICTABLE.
920
00:40:55,754 --> 00:40:57,623
- OH, YOU SAY THAT
LIKE IT'S A COMPLIMENT.
921
00:40:57,656 --> 00:40:59,658
TIME FOR MORE DRINKS.
922
00:40:59,691 --> 00:41:00,792
- OH...
923
00:41:00,826 --> 00:41:03,495
I GOT TO GO.
I HAVE A DATE.
924
00:41:03,529 --> 00:41:05,597
- WELL, WELL.
- OOH!
925
00:41:08,800 --> 00:41:10,869
- HERE IT IS.
926
00:41:12,604 --> 00:41:13,805
- IT'S OLD.
927
00:41:13,839 --> 00:41:15,641
- DID YOU FIND IT?
928
00:41:15,674 --> 00:41:17,743
- MY DAD GAVE IT TO ME
FOR MY BIRTHDAY
929
00:41:17,776 --> 00:41:20,912
WHEN I WAS JUST
A LITTLE OLDER THAN YOU.
930
00:41:21,880 --> 00:41:23,181
YOU GUYS ARE REALLY LUCKY,
931
00:41:23,214 --> 00:41:26,184
AND NOT JUST BECAUSE
I'M BABYSITTING TONIGHT.
932
00:41:26,217 --> 00:41:30,556
THERE'S A REALLY BRIGHT STAR
I'M GONNA SHOW YOU.
933
00:41:30,589 --> 00:41:32,558
PLUS, THERE'S A STORY
TO GO WITH IT.
934
00:41:32,591 --> 00:41:34,025
- [giggles]
935
00:41:34,059 --> 00:41:36,027
- * LA, LA, LA, LA
936
00:41:36,061 --> 00:41:37,696
* LA, LA, LA, LA
937
00:41:37,729 --> 00:41:41,199
* THE WRONG MIRACLE,
'CAUSE ALL I WANTED WAS YOU *
938
00:41:41,232 --> 00:41:45,103
* THE WRONG MIRACLE,
BUT I GUESS IT WILL DO *
62556
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.