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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,802 --> 00:00:03,137 - PREVIOUSLY ON COVERT AFFAIRS... 2 00:00:03,171 --> 00:00:04,738 - WHAT'S GOING ON, JAI? - COME WITH ME. 3 00:00:04,772 --> 00:00:07,175 - OKAY, I DIDN'T WANT A TUNA MELT ANYWAY. 4 00:00:07,208 --> 00:00:08,776 [glass shattering] 5 00:00:08,809 --> 00:00:10,411 - YOU'RE BEING REASSIGNED. - WHO ARE YOU? 6 00:00:10,444 --> 00:00:12,113 - I'M LENA SMITH. I'M YOUR NEW BOSS. 7 00:00:12,146 --> 00:00:13,781 I THINK YOU ARE BEING UNDERUTILIZED. 8 00:00:13,814 --> 00:00:17,051 I WANT YOU TO DO HIGH SECURITY CLEARANCE ON SIMON FISCHER. 9 00:00:17,085 --> 00:00:18,586 - I NEED A SWEEP DRIVE. - HEAD TO THE MERRAKECH SOUK. 10 00:00:18,619 --> 00:00:20,254 - SIMON HAS A COMPUTER TABLET 11 00:00:20,288 --> 00:00:22,156 THAT I THINK I CAN GAIN ACCESS TO. 12 00:00:22,190 --> 00:00:23,591 [beep] - HE'S IN LOVE WITH YOU. 13 00:00:23,624 --> 00:00:25,259 - WHERE ARE YOU GOING? - CUBA. 14 00:00:25,293 --> 00:00:26,660 - THE MISSION TO CUBA-- 15 00:00:26,694 --> 00:00:28,162 - I CAN'T USE MY REGULAR PASSPORT. 16 00:00:28,196 --> 00:00:29,530 - I KNOW A GUY. 17 00:00:29,563 --> 00:00:30,764 - NO ONE HERE WILL KNOW SHE LEFT THE COUNTRY. 18 00:00:30,798 --> 00:00:31,632 - YOU MATCH THE STAMPS? 19 00:00:31,665 --> 00:00:34,102 - AND THE CREASE ON THE MOROCCO PAGE. 20 00:00:34,135 --> 00:00:35,203 - GOOD LUCK. 21 00:00:35,236 --> 00:00:37,738 - AUGGIE, I'M COMING IN. 22 00:00:37,771 --> 00:00:40,541 WE CAN GO IN TOGETHER. 23 00:00:40,574 --> 00:00:52,253 [heel tapping floor] 24 00:00:52,286 --> 00:01:02,330 [birds chirping] 25 00:01:02,330 --> 00:01:12,340 [birds chirping] 26 00:01:46,774 --> 00:01:47,808 [knock on door] 27 00:01:47,841 --> 00:01:51,479 [dog barking] 28 00:01:51,512 --> 00:01:57,918 [knocking continues] 29 00:01:57,951 --> 00:02:11,732 - ANYBODY HOME? 30 00:02:11,765 --> 00:02:19,540 [ambulance siren wails] 31 00:02:19,573 --> 00:02:24,545 - EXCUSE ME, YOU JUST PASSED THE HOSPITAL. 32 00:02:24,578 --> 00:02:30,251 ISN'T THAT WHERE YOU'RE SUPPOSED TO TAKE ME? 33 00:02:30,284 --> 00:02:31,785 I THINK I'M DYING. 34 00:02:31,819 --> 00:02:33,887 - THOSE AREN'T MY INSTRUCTIONS. 35 00:02:33,921 --> 00:02:36,557 YOU DON'T NEED A DOCTOR. 36 00:02:36,590 --> 00:02:47,535 WHAT YOU NEED IS A NICE CUP OF TEA. 37 00:02:47,568 --> 00:02:51,939 BESIDES, YOU LOOK THE PICTURE OF HEALTH TO ME. 38 00:02:51,972 --> 00:02:56,610 - HOW-- 39 00:02:56,644 --> 00:02:57,778 WHAT IS THIS? 40 00:02:57,811 --> 00:03:00,681 - QUESTIONS ONLY LEAD TO ANSWERS. 41 00:03:00,714 --> 00:03:04,285 WHERE'S THE FUN IN THAT? 42 00:03:04,318 --> 00:03:05,253 [heartbeat thumping] 43 00:03:05,286 --> 00:03:07,488 - LEFT PARA-STERNAL GSW, TWO ENTRY WOUNDS. 44 00:03:07,521 --> 00:03:09,523 SHE'S PULSELESS. DISTENDED NECK VEINS AS WELL. 45 00:03:09,557 --> 00:03:10,924 TIME OF INJURY IS ABOUT TEN MINUTES AGO. 46 00:03:10,958 --> 00:03:12,260 - GET TWO WIDE BORE IVs. 47 00:03:12,293 --> 00:03:13,461 LET THE BLOOD BANK KNOW WE'RE GONNA NEED 48 00:03:13,494 --> 00:03:14,495 A LOT OF O-NEG. 49 00:03:14,528 --> 00:03:15,629 GET THE OPEN CHEST TRAY READY. 50 00:03:15,663 --> 00:03:16,864 CALL THE O.R., LET THEM KNOW WE MIGHT BE SENDING THEM 51 00:03:16,897 --> 00:03:18,399 A GSW HEART. 52 00:03:18,432 --> 00:03:20,668 OPEN THE CHEST, LET'S SEE WHAT WE CAN DO. 53 00:03:20,701 --> 00:03:22,270 COME ON, YOUNG LADY, COME BACK TO US. 54 00:03:22,303 --> 00:03:24,372 [heartbeat thumping] 55 00:03:24,405 --> 00:03:27,375 [dramatic music] 56 00:03:27,408 --> 00:03:37,451 * 57 00:03:37,451 --> 00:03:47,461 * 58 00:03:59,340 --> 00:04:01,409 - I'M ANNIE WALKER'S EMERGENCY CONTACT. 59 00:04:01,442 --> 00:04:02,810 I GOT A CALL THAT SHE WAS HERE, 60 00:04:02,843 --> 00:04:04,345 BUT NOBODY WILL TELL ME WHAT'S GOING ON. 61 00:04:04,378 --> 00:04:05,346 IS SHE OKAY? 62 00:04:05,379 --> 00:04:07,481 - COME WITH ME. 63 00:04:07,515 --> 00:04:17,558 [cane tapping floor] 64 00:04:17,558 --> 00:04:22,963 [cane tapping floor] 65 00:04:22,996 --> 00:04:26,300 - MR. ANDERSON? I'M DR. LERMAN. 66 00:04:26,334 --> 00:04:27,868 - OH, HEY, HOW IS SHE? 67 00:04:27,901 --> 00:04:31,405 - ANNIE SUSTAINED TWO GUN SHOT WOUNDS TO THE CHEST. 68 00:04:31,439 --> 00:04:33,541 THE SECOND BULLET PIERCED HER LEFT VENTRICLE. 69 00:04:33,574 --> 00:04:34,908 WE OPENED HER CHEST IN THE E.R. 70 00:04:34,942 --> 00:04:36,877 AND WE REVIVED HER HEART. 71 00:04:36,910 --> 00:04:38,412 WE'RE BRINGING HER INTO THE O.R. RIGHT NOW 72 00:04:38,446 --> 00:04:39,747 TO TRY AND REPAIR THE WOUND, 73 00:04:39,780 --> 00:04:43,016 BUT IT'S A VERY DELICATE SURGERY. 74 00:04:43,050 --> 00:04:45,085 - IS SHE GONNA BE OKAY? 75 00:04:45,118 --> 00:04:49,390 - WE'LL KNOW MORE IN A FEW HOURS. 76 00:04:49,423 --> 00:04:57,565 - THANK YOU, DOCTOR. 77 00:04:57,598 --> 00:05:01,369 [automatic door creaks] 78 00:05:01,402 --> 00:05:11,445 [wind whistling] 79 00:05:11,445 --> 00:05:16,417 [wind whistling] 80 00:05:16,450 --> 00:05:19,820 - HELLO, ANNIE. 81 00:05:19,853 --> 00:05:21,422 - HOW DID YOU--DID YOU-- 82 00:05:21,455 --> 00:05:24,124 - TEA? 83 00:05:24,157 --> 00:05:25,959 - NO, THANKS. 84 00:05:25,993 --> 00:05:28,929 [tea tinkling] 85 00:05:28,962 --> 00:05:30,130 [wind continues] 86 00:05:30,163 --> 00:05:32,966 - ONE LUMP OR TWO? - REALLY, I'M FINE. 87 00:05:33,000 --> 00:05:34,368 - RIGHT. 88 00:05:34,402 --> 00:05:37,571 SWEET ENOUGH AS YOU ARE. 89 00:05:37,605 --> 00:05:44,445 MMM, THAT'S LOVELY. 90 00:05:44,478 --> 00:05:48,849 NOW THEN, YOU'RE IN GREAT DANGER. 91 00:05:48,882 --> 00:05:55,155 - FROM WHO? 92 00:05:55,188 --> 00:05:56,890 BLACKBIRD. 93 00:05:56,924 --> 00:05:59,760 - YOU NEED TO FIND BLACKBIRD. 94 00:05:59,793 --> 00:06:07,167 - AND WHEN I DO? 95 00:06:07,200 --> 00:06:09,102 I SEE. 96 00:06:09,136 --> 00:06:11,104 - I'M AFRAID WE WON'T BE SEEING EACH OTHER AGAIN 97 00:06:11,138 --> 00:06:19,413 AFTER THIS. 98 00:06:19,447 --> 00:06:21,849 I ACTUALLY THOUGHT IT WOULD BE EASIER THIS TIME. 99 00:06:21,882 --> 00:06:23,451 - WHAT? 100 00:06:23,484 --> 00:06:26,454 - WALKING AWAY FROM YOU. 101 00:06:26,487 --> 00:06:28,422 - I'M SORRY FOR EVERYTHING. 102 00:06:28,456 --> 00:06:38,499 - I'M NOT. 103 00:06:38,499 --> 00:06:53,013 - I'M NOT. 104 00:06:53,046 --> 00:06:57,851 - I DIDN'T WANT A TUNA MELT ANYWAY. 105 00:06:57,885 --> 00:06:58,852 [engine starts] 106 00:06:58,886 --> 00:06:59,953 [gasps] 107 00:06:59,987 --> 00:07:02,122 [engine humming] 108 00:07:02,155 --> 00:07:12,199 [wind continues] 109 00:07:12,199 --> 00:07:19,239 [wind continues] 110 00:07:19,272 --> 00:07:24,244 [footsteps] 111 00:07:24,277 --> 00:07:30,117 [wind whistling louder] 112 00:07:30,150 --> 00:07:39,259 [footsteps] 113 00:07:39,292 --> 00:07:53,974 [footsteps] 114 00:07:54,007 --> 00:07:59,580 [door closes] 115 00:07:59,613 --> 00:08:01,114 - [sighs] 116 00:08:01,148 --> 00:08:05,252 - WHAT HAPPENED? 117 00:08:05,285 --> 00:08:07,120 [door closes] 118 00:08:07,154 --> 00:08:09,156 - THANK YOU ALL FOR COMING IN ON SUCH SHORT NOTICE. 119 00:08:09,189 --> 00:08:10,991 WE'D LIKE TO GET YOU ALL UP TO SPEED ON THE EVENTS 120 00:08:11,024 --> 00:08:13,827 THAT HAVE TRANSPIRED IN THE LAST 24 HOURS. 121 00:08:13,861 --> 00:08:16,096 EARLIER, LENA SMITH PRESENTED ME WITH COMPELLING EVIDENCE 122 00:08:16,129 --> 00:08:19,266 THAT ANNIE WALKER HAS BEEN PASSING CLASSIFIED INTEL 123 00:08:19,299 --> 00:08:22,269 TO AN FSB OPERATIVE NAMED SIMON FISCHER, 124 00:08:22,302 --> 00:08:25,072 WHO WAS ALSO HER LOVER. 125 00:08:25,105 --> 00:08:27,307 A FEW HOURS AGO, THEY WERE FOUND SHOT IN HER KITCHEN. 126 00:08:27,340 --> 00:08:28,809 NOW, WE'RE LABORING UNDER THE THEORY 127 00:08:28,842 --> 00:08:31,845 THAT THERE WAS A DISPUTE OVER THE ESCAPE PLAN. 128 00:08:31,879 --> 00:08:35,082 SIMON FIRED FIRST. ANNIE SHOT BACK, KILLING HIM. 129 00:08:35,115 --> 00:08:39,152 SHE SURVIVED. SHE'S STILL IN SURGERY. 130 00:08:39,186 --> 00:08:41,188 AS LENA IS THE MOST FAMILIAR WITH THE EVIDENCE, 131 00:08:41,221 --> 00:08:43,991 SHE'LL BE BRIEFING YOU ON THE SPECIFICS. 132 00:08:44,024 --> 00:08:47,561 LENA. 133 00:08:47,595 --> 00:08:49,262 - YOU ALL SHOULD HAVE A DOSSIER IN FRONT OF YOU. 134 00:08:49,296 --> 00:08:52,265 PLEASE OPEN TO THE FIRST PAGE. 135 00:08:52,299 --> 00:08:56,604 YOU'LL FIND AN ACCOUNT ANNIE HELD IN AN OFFSHORE BANK. 136 00:08:56,637 --> 00:08:59,239 THE ACCOUNT NUMBER WAS FOUND ON THE WALLET THAT WAS ON HER 137 00:08:59,272 --> 00:09:02,976 WHEN SHE WAS SHOT. 138 00:09:03,010 --> 00:09:05,278 ANNIE RECEIVED REGULAR DEPOSITS IN THIS ACCOUNT. 139 00:09:05,312 --> 00:09:08,081 EACH IN THE AMOUNT OF $10,000 U.S. 140 00:09:08,115 --> 00:09:11,084 TURN TO THE NEXT PAGE, PLEASE. 141 00:09:11,118 --> 00:09:12,319 YOU'RE LOOKING AT THE FLIGHT PLAN 142 00:09:12,352 --> 00:09:15,222 FOR SIMON FISCHER'S PRIVATE PLANE. 143 00:09:15,255 --> 00:09:20,027 DEPARTED D.C., STOPPED IN MEXICO AND ULTIMATELY CUBA. 144 00:09:20,060 --> 00:09:22,229 ANNIE BOUGHT A FORGED PASSPORT FROM AN OFF-BOOK COBBLER 145 00:09:22,262 --> 00:09:25,165 IN ORDER TO TRAVEL WITH SIMON. 146 00:09:25,198 --> 00:09:27,367 THE NEXT PAGE IS A LIST OF CLASSIFIED DOCUMENTS 147 00:09:27,400 --> 00:09:30,804 ANNIE PROVIDED TO SIMON FISCHER. 148 00:09:30,838 --> 00:09:33,240 ALTHOUGH IT'S STILL UNKNOWN HOW SHE SECRETED THESE DOCUMENTS 149 00:09:33,273 --> 00:09:35,275 OUT OF LANGLEY, 150 00:09:35,308 --> 00:09:37,110 OR WHERE SHE OBTAINED THE SWEEP DRIVE, 151 00:09:37,144 --> 00:09:39,079 WHICH WE FOUND HIDDEN IN HER HOME. 152 00:09:39,112 --> 00:09:41,114 EVIDENCE ON THE DRIVE SUGGESTS SHE USED IT 153 00:09:41,148 --> 00:09:44,384 TO PASS THE DOCUMENTS TO SIMON DIGITALLY. 154 00:09:44,417 --> 00:09:47,287 ANNIE ENGAGED SIMON FISCHER UNDER MY PURVIEW. 155 00:09:47,320 --> 00:09:51,124 I SHOULD'VE DISCOVERED IT SOONER. 156 00:09:51,158 --> 00:09:52,325 BUT ANNIE WAS PLUCKED FROM THE FARM 157 00:09:52,359 --> 00:09:56,897 BEFORE SHE FINISHED TRAINING AND WAS PUT INTO THE FIELD. 158 00:09:56,930 --> 00:09:58,165 WE ARE RUSHING PEOPLE THROUGH, 159 00:09:58,198 --> 00:09:59,867 TRYING TO PUT BOOTS ON THE GROUND 160 00:09:59,900 --> 00:10:02,102 INSTEAD OF DOING OUR DUE DILIGENCE. 161 00:10:02,135 --> 00:10:03,303 AND NOW BECAUSE OF THAT, WE'RE ALL HERE 162 00:10:03,336 --> 00:10:13,781 IN THE MIDDLE OF THE NIGHT, DEALING WITH THE CONSEQUENCES. 163 00:10:13,781 --> 00:10:26,426 IN THE MIDDLE OF THE NIGHT, DEALING WITH THE CONSEQUENCES. 164 00:10:26,459 --> 00:10:28,295 - HEY, MAN. 165 00:10:28,328 --> 00:10:31,264 COFFEE. 166 00:10:31,298 --> 00:10:33,200 - THANKS. - NO PROBLEM. 167 00:10:33,233 --> 00:10:36,069 HOW'S SHE DOING? - STILL IN SURGERY. 168 00:10:36,103 --> 00:10:38,171 - JEEZ. WHAT HAPPENED? 169 00:10:38,205 --> 00:10:40,207 I MEAN... 170 00:10:40,240 --> 00:10:44,011 WAS SHE IN SOME KIND OF TROUBLE OR SOMETHING? 171 00:10:44,044 --> 00:10:45,979 - WELL, CONSIDERING SHE WAS SHOT, 172 00:10:46,013 --> 00:10:49,016 I'D SAY YEAH, SHE WAS IN SOME KIND OF TROUBLE. 173 00:10:49,049 --> 00:10:51,819 - RIGHT, SORRY. 174 00:10:51,852 --> 00:10:56,356 - SO, YOU MUST BE THE LAST PERSON TO TALK TO HER, HUH? 175 00:10:56,389 --> 00:10:58,425 - I DON'T KNOW. 176 00:10:58,458 --> 00:11:00,160 THE HOSPITAL CALLED ABOUT 30 MINUTES AFTER 177 00:11:00,193 --> 00:11:05,432 I GOT OFF THE PHONE WITH HER, SO... 178 00:11:05,465 --> 00:11:08,836 HOW DID YOU KNOW SHE CALLED ME? 179 00:11:08,869 --> 00:11:13,440 - AHH, THE DCS REQUISITIONED A RECORDING OF IT. 180 00:11:13,473 --> 00:11:17,177 I PULLED THE DRIVE FOR HIM MYSELF. 181 00:11:17,210 --> 00:11:29,122 - REQUISITIONED? FOR WHAT? 182 00:11:29,156 --> 00:11:31,258 HAS ANYONE CALLED HER SISTER, DANIELLE? 183 00:11:31,291 --> 00:11:32,926 - NO, NOT YET. 184 00:11:32,960 --> 00:11:34,027 WE CAN'T NOTIFY THE FAMILY 185 00:11:34,061 --> 00:11:38,165 UNTIL WE... CLARIFY A FEW THINGS. 186 00:11:38,198 --> 00:11:40,934 - WELL, WHEN THE TIME COMES, I'M MAKING THE CALL. 187 00:11:40,968 --> 00:11:42,169 - AUGGIE-- - I'M DOING IT. 188 00:11:42,202 --> 00:11:43,203 IT SHOULD COME FROM SOMEONE WHO'S NOT 189 00:11:43,236 --> 00:11:46,006 TRYING TO PROSECUTE HER SISTER. 190 00:11:46,039 --> 00:11:48,041 - IT'S BEEN A LONG NIGHT, AUGGIE. 191 00:11:48,075 --> 00:11:49,309 - I HAVEN'T SLEPT MUCH EITHER. 192 00:11:49,342 --> 00:11:50,978 I'VE BEEN AT THE HOSPITAL WAITING FOR A DOCTOR 193 00:11:51,011 --> 00:11:54,447 TO PULL A BULLET OUT OF MY FRIEND. 194 00:11:54,481 --> 00:11:56,149 - YOU DIDN'T COME HERE TO GIVE ME AN UPDATE 195 00:11:56,183 --> 00:12:00,053 ON ANNIE'S CONDITION, DID YOU? 196 00:12:00,087 --> 00:12:02,923 - WORD IS, ANNIE'S BEING ACCUSED OF TREASON. 197 00:12:02,956 --> 00:12:06,226 TELL ME THAT'S NOT TRUE. 198 00:12:06,259 --> 00:12:08,361 [scoffs] THIS IS BULLSH--! 199 00:12:08,395 --> 00:12:11,398 - HEY! - THIS IS BULLSH--, SIR. 200 00:12:11,431 --> 00:12:13,166 THERE IS NO WAY THAT COULD BE TRUE. 201 00:12:13,200 --> 00:12:15,035 WHAT PROOF DO YOU HAVE? I WANNA SEE IT. 202 00:12:15,068 --> 00:12:20,240 - THE EVIDENCE IS ABOVE YOUR CLEARANCE, AUGGIE. 203 00:12:20,273 --> 00:12:23,243 - ANNIE WALKER IS NO TRAITOR. 204 00:12:23,276 --> 00:12:27,280 I DON'T CARE WHAT EVIDENCE YOU HAVE, IT'S WRONG. 205 00:12:27,314 --> 00:12:34,454 I'M GONNA DO WHATEVER I HAVE TO DO TO PROVE IT. 206 00:12:34,487 --> 00:12:39,159 [keys clicking] 207 00:12:39,192 --> 00:12:40,928 [door slams] 208 00:12:40,961 --> 00:12:44,131 - I'D LIKE ACCESS TO THE EVIDENCE AGAINST ANNIE. 209 00:12:44,164 --> 00:12:45,365 PLEASE. 210 00:12:45,398 --> 00:12:47,034 - I DON'T HAVE THE AUTHORITY TO GRANT IT. 211 00:12:47,067 --> 00:12:48,268 AND I'M GUESSING YOU'RE HERE BECAUSE YOU'VE 212 00:12:48,301 --> 00:12:50,037 ALREADY BEEN DENIED BY THE PERSON WHO DOES. 213 00:12:50,070 --> 00:12:51,438 - I HAVE BEEN HERE LONG ENOUGH TO KNOW WHAT HAPPENS 214 00:12:51,471 --> 00:12:53,841 WHEN EVEN THE HINT OF AN ACCUSATION LIKE THIS 215 00:12:53,874 --> 00:12:55,142 GETS HURLED AT AN OPERATIVE. 216 00:12:55,175 --> 00:12:56,844 ANNIE IS ON AN ISLAND RIGHT NOW. 217 00:12:56,877 --> 00:12:59,246 - AUGGIE, I KNOW HOW DIFFICULT THIS IS FOR YOU, 218 00:12:59,279 --> 00:13:01,148 AND I'M HAVING A HARD TIME WITH IT MYSELF. 219 00:13:01,181 --> 00:13:03,050 IT ALL SEEMS IMPOSSIBLE. 220 00:13:03,083 --> 00:13:08,188 BUT THE EVIDENCE THAT LENA PRESENTED IS--IT'S COMPELLING. 221 00:13:08,221 --> 00:13:10,057 - YOU ACTUALLY BELIEVE SHE'S GUILTY? 222 00:13:10,090 --> 00:13:12,125 - I DON'T KNOW WHAT I BELIEVE. 223 00:13:12,159 --> 00:13:14,061 THAT'S BECAUSE I CAN'T BE OBJECTIVE 224 00:13:14,094 --> 00:13:15,195 AND NEITHER CAN YOU. 225 00:13:15,228 --> 00:13:18,198 SO WHAT GOOD IS LOOKING AT THE EVIDENCE GONNA DO HER... 226 00:13:18,231 --> 00:13:19,099 OR YOU? 227 00:13:19,132 --> 00:13:21,068 - NO, YOU'RE RIGHT, I'M NOT OBJECTIVE. 228 00:13:21,101 --> 00:13:23,170 SO SCREW LENA'S EVIDENCE, I'LL GO OUT AND FIND MY OWN. 229 00:13:23,203 --> 00:13:25,472 BECAUSE WHATEVER SHE HAS THAT PAINTS ANNIE AS A TRAITOR 230 00:13:25,505 --> 00:13:27,207 ISN'T WORTH THE PAPER THAT IT'S PRINTED ON. 231 00:13:27,240 --> 00:13:29,442 - OKAY, YOU SEE, THIS IS EXACTLY WHY 232 00:13:29,476 --> 00:13:31,879 PEOPLE WITHOUT AN EMOTIONAL STAKE IN ANNIE, 233 00:13:31,912 --> 00:13:35,082 I.E. NOT YOU OR I, ARE VETTING EVERYTHING. 234 00:13:35,115 --> 00:13:40,053 THAT INCLUDES HAVING LENA HERSELF POLYGRAPHED. 235 00:13:40,087 --> 00:13:44,858 [cane tapping] 236 00:13:44,892 --> 00:13:46,226 [knock on door] 237 00:13:46,259 --> 00:13:47,227 - OH, HEY. 238 00:13:47,260 --> 00:13:49,196 - HEY, LIEBER, I NEED YOU TO DO ME A SOLID. 239 00:13:49,229 --> 00:13:50,297 - OH, NAME IT. 240 00:13:50,330 --> 00:13:52,966 - I WANNA SIT IN. - NO, NO. 241 00:13:53,000 --> 00:13:55,202 A SOLID IS A RIDE TO THE AIRPORT OR TELLING YOUR WIFE 242 00:13:55,235 --> 00:13:56,303 YOU WERE WITH ME WHEN YOU WEREN'T. 243 00:13:56,336 --> 00:13:58,138 WHAT YOU JUST ASKED FOR IS NEITHER OF THOSE THINGS. 244 00:13:58,171 --> 00:14:00,340 - I DON'T HAVE A WIFE. 245 00:14:00,373 --> 00:14:01,408 I'LL BE QUIET AS A MOUSE. 246 00:14:01,441 --> 00:14:03,176 NO ONE WILL EVER KNOW I WAS HERE. 247 00:14:03,210 --> 00:14:06,346 - I CAN'T. 248 00:14:06,379 --> 00:14:09,316 - YOU STILL WANT A TRANSFER TO U.K. DESK, RIGHT? 249 00:14:09,349 --> 00:14:10,884 - YEAH. 250 00:14:10,918 --> 00:14:12,953 - I GOT A BUDDY OVER THERE, HE'S AN ANALYST. 251 00:14:12,986 --> 00:14:14,187 HE'S TRANSFERRING TO BERLIN STATION 252 00:14:14,221 --> 00:14:15,889 AT THE END OF THE MONTH. 253 00:14:15,923 --> 00:14:18,125 I CAN SET YOU UP WITH AN INTERVIEW WITH ANDREW BRANCH 254 00:14:18,158 --> 00:14:23,330 BEFORE ANYONE ELSE KNOWS THAT JOB IS AVAILABLE. 255 00:14:23,363 --> 00:14:25,432 - YOU'RE QUIETER THAN A MOUSE, YOU UNDERSTAND? 256 00:14:25,465 --> 00:14:29,937 YOU'RE A DEAD MOUSE. 257 00:14:29,970 --> 00:14:34,007 - NOT A SINGLE SQUEAK. 258 00:14:34,041 --> 00:14:37,044 - WERE YOU ASSIGNED AN OPERATIVE NAMED ANNIE WALKER? 259 00:14:37,077 --> 00:14:38,311 - YES. 260 00:14:38,345 --> 00:14:40,180 - AND DID SHE INITIALLY EXHIBIT ANY BEHAVIORS 261 00:14:40,213 --> 00:14:42,950 WHICH YOU FOUND TO BE SUSPECT? 262 00:14:42,983 --> 00:14:44,151 - NO. 263 00:14:44,184 --> 00:14:48,188 - DID ANNIE PROPOSE THE MISSION TO CULTIVATE SIMON FISHER? 264 00:14:48,221 --> 00:14:49,957 - YES. 265 00:14:49,990 --> 00:14:51,291 - DID YOU AGREE TO THIS MISSION? 266 00:14:51,324 --> 00:14:53,260 - YES. 267 00:14:53,293 --> 00:14:57,230 - WERE YOU AWARE ANNIE AND SIMON WERE ROMANTICALLY INVOLVED? 268 00:14:57,264 --> 00:14:58,698 - NO, I WASN'T. 269 00:14:58,731 --> 00:15:01,268 - ALL RIGHT, WHAT'S THE VERDICT? FACT OR FICTION? 270 00:15:01,301 --> 00:15:03,203 - SO FAR SHE'S TELLING THE TRUTH. 271 00:15:03,236 --> 00:15:05,105 - THIS IS A WASTE OF TIME. 272 00:15:05,138 --> 00:15:07,207 ANYBODY WITH LENA'S BACKGROUND WOULD HAVE NO PROBLEM 273 00:15:07,240 --> 00:15:08,208 BEATING A POLYGRAPH. 274 00:15:08,241 --> 00:15:09,042 - YOU KNOW, FOR A DEAD MOUSE, 275 00:15:09,076 --> 00:15:10,410 YOU DO AN AWFUL LOT OF SQUEAKING. 276 00:15:10,443 --> 00:15:12,112 - DO YOU THINK ANNIE HAD ANY INVOLVEMENT 277 00:15:12,145 --> 00:15:16,984 IN THE DEATH OF JAI WILCOX? 278 00:15:17,017 --> 00:15:18,986 - I DON'T KNOW. 279 00:15:19,019 --> 00:15:21,154 - YES OR NO, PLEASE. 280 00:15:21,188 --> 00:15:28,228 - IF THOSE ARE MY ONLY OPTIONS, I'M GONNA HAVE TO SAY YES. 281 00:15:28,261 --> 00:15:30,730 - WERE YOU AWARE OF ANNIE'S PLANS TO GO TO CUBA? 282 00:15:30,763 --> 00:15:37,437 [door closes] 283 00:15:37,470 --> 00:15:39,139 DID ANNIE NOTIFY YOU-- 284 00:15:39,172 --> 00:15:41,008 - I KNOW THAT YOU'RE AN EXEMPLARY OPERATIVE 285 00:15:41,041 --> 00:15:42,142 AND YOU'VE DONE A LOT OF GREAT THINGS 286 00:15:42,175 --> 00:15:43,110 FOR THIS AGENCY-- 287 00:15:43,143 --> 00:15:44,177 - HEY. 288 00:15:44,211 --> 00:15:45,678 - BUT IF YOU BELIEVE THAT ANNIE COULD KILL ANYONE 289 00:15:45,712 --> 00:15:47,714 IN COLD BLOOD, LET ALONE SOMEONE SHE CARES FOR, 290 00:15:47,747 --> 00:15:49,416 YOU DON'T KNOW WHAT THE HELL YOU'RE TALKING ABOUT. 291 00:15:49,449 --> 00:15:52,185 - I AM SO SORRY ABOUT THIS-- - THIS IS OUTRAGEOUS. 292 00:15:52,219 --> 00:15:54,354 WHO'S YOUR SUPERVISOR? - IT'S OKAY, LEO. 293 00:15:54,387 --> 00:15:57,157 I UNDERSTAND WHY YOUR ANGER IS DIRECTED AT ME, AUGGIE. 294 00:15:57,190 --> 00:15:59,492 BUT THIS IS AN INAPPROPRIATE WAY TO DEAL WITH IT. 295 00:15:59,526 --> 00:16:01,161 WE'RE ALL FRUSTRATED HERE. 296 00:16:01,194 --> 00:16:04,497 - I KNOW. - LET'S GO. 297 00:16:04,531 --> 00:16:07,767 [door slams] 298 00:16:07,800 --> 00:16:16,409 ARE YOU OUT OF YOUR MIND? 299 00:16:16,443 --> 00:16:18,178 - I UNDERSTAND. 300 00:16:18,211 --> 00:16:21,181 GIVE ME AN HOUR TO GATHER THE MATERIALS. 301 00:16:21,214 --> 00:16:28,188 YES, SIR. 302 00:16:28,221 --> 00:16:33,193 - HERE YOU GO. - THANKS. 303 00:16:33,226 --> 00:16:35,128 THE DCI'S ASSEMBLING A SMALL COMMITTEE TO DETERMINE 304 00:16:35,162 --> 00:16:39,166 WHETHER OR NOT ANNIE SHOULD BE DECOMMISSIONED. 305 00:16:39,199 --> 00:16:41,768 I HAVE TO BRIEF THEM IN 30 MINUTES. 306 00:16:41,801 --> 00:16:43,736 - BUT IT HASN'T EVEN BEEN 24 HOURS. 307 00:16:43,770 --> 00:16:45,372 THIS SEEMS LIKE A RUSH TO JUDGMENT. 308 00:16:45,405 --> 00:16:46,306 - WELL, THE LAST SIX MONTHS 309 00:16:46,339 --> 00:16:48,241 HAVE HARDLY BEEN STELLAR FOR THIS AGENCY, 310 00:16:48,275 --> 00:16:50,110 BETWEEN JAI MURDERED ON U.S. SOIL 311 00:16:50,143 --> 00:16:52,179 AND NOW A POSSIBLE TRAITOR IN OUR MIDST. 312 00:16:52,212 --> 00:16:55,282 DCI'S BEING SQUEEZED FROM ALL SIDES FOR ANSWERS. 313 00:16:55,315 --> 00:16:57,250 SO THE ONLY WAY TO RELIEVE THE PRESSURE 314 00:16:57,284 --> 00:16:59,419 IS TO SEW THIS UP AS SOON AS POSSIBLE. 315 00:16:59,452 --> 00:17:00,787 - BUT HOW CAN THEY DECIDE ANYTHING 316 00:17:00,820 --> 00:17:01,788 UNTIL ANNIE WAKES UP? 317 00:17:01,821 --> 00:17:04,257 SHE SHOULD HAVE THE RIGHT TO DEFEND HERSELF. 318 00:17:04,291 --> 00:17:05,258 - I SPOKE TO ANNIE'S DOCTOR. 319 00:17:05,292 --> 00:17:07,794 SHE'S STABLE, BUT THERE IS NO TELLING WHEN, 320 00:17:07,827 --> 00:17:12,332 OR EVEN IF SHE'LL REGAIN CONSCIOUSNESS. 321 00:17:12,365 --> 00:17:19,372 - THANKS. 322 00:17:19,406 --> 00:17:22,175 - ANNIE WALKER'S FRIEND, RIGHT? - YEAH. 323 00:17:22,209 --> 00:17:23,176 - WHAT DO YOU NEED? 324 00:17:23,210 --> 00:17:25,245 - I'M HERE TO PICK UP HER PERSONAL EFFECTS. 325 00:17:25,278 --> 00:17:27,280 - A GENTLEMAN ALREADY COLLECTED THEM EARLIER. 326 00:17:27,314 --> 00:17:28,515 HE HAD A WARRANT. 327 00:17:28,548 --> 00:17:30,383 - GOTTA GET ME ONE OF THOSE. 328 00:17:30,417 --> 00:17:31,784 - DID SHE HAVE SOMETHING YOU NEEDED? 329 00:17:31,818 --> 00:17:34,187 - WELL, THAT'S WHAT I WAS HOPING TO FIND OUT. 330 00:17:34,221 --> 00:17:37,090 - THERE'S AN ITEMIZED LIST OF HER BELONGINGS IN HER CHART. 331 00:17:37,124 --> 00:17:39,092 I CAN MAKE A COPY OF IT FOR YOU. 332 00:17:39,126 --> 00:17:41,094 - I'D LOVE THAT, YEAH, THANKS. 333 00:17:41,128 --> 00:17:42,829 - OKAY. 334 00:17:42,862 --> 00:17:45,232 IT SHOULD TAKE A FEW MINUTES. 335 00:17:45,265 --> 00:17:47,134 [door closes] 336 00:17:47,167 --> 00:17:48,868 [echoing] I SAID IT'LL JUST TAKE A FEW MINUTES. 337 00:17:48,901 --> 00:17:50,170 PLEASE, HAVE A SEAT. 338 00:17:50,203 --> 00:17:51,371 [wind whistling] 339 00:17:51,404 --> 00:17:54,274 - DANIELLE. WHAT ARE YOU DOING HERE? 340 00:17:54,307 --> 00:17:56,876 - I'M HERE TO CONDUCT A POLYGRAPH EXAMINATION... 341 00:17:56,909 --> 00:17:59,179 ON YOU. 342 00:17:59,212 --> 00:18:00,480 - OKAY. 343 00:18:00,513 --> 00:18:02,815 THIS ISN'T REALLY A GOOD TIME. 344 00:18:02,849 --> 00:18:04,184 - FUNNY HOW IT'S NEVER A GOOD TIME 345 00:18:04,217 --> 00:18:09,189 WHEN I NEED SOMETHING FROM YOU. 346 00:18:09,222 --> 00:18:21,868 - LET'S DO IT. 347 00:18:21,901 --> 00:18:25,405 [buttons clicking] 348 00:18:25,438 --> 00:18:28,341 - IS YOUR NAME ANNE CATHERINE WALKER? 349 00:18:28,375 --> 00:18:29,509 - YES. 350 00:18:29,542 --> 00:18:32,479 - DO YOU RESIDE IN WASHINGTON, D.C.? 351 00:18:32,512 --> 00:18:34,381 - GEORGETOWN, YES. 352 00:18:34,414 --> 00:18:36,249 - DID YOU LIKE THE MISO BLACK COD 353 00:18:36,283 --> 00:18:38,751 I MADE FOR YOUR BIRTHDAY LAST YEAR? 354 00:18:38,785 --> 00:18:42,389 - WHAT? - YOU BARELY TOUCHED IT. 355 00:18:42,422 --> 00:18:44,724 YOU CLAIMED YOU HAD A REALLY BIG LUNCH THAT DAY. 356 00:18:44,757 --> 00:18:49,396 DID YOU LIKE MY COD? 357 00:18:49,429 --> 00:18:51,531 - YES. [machine beeps] 358 00:18:51,564 --> 00:18:54,267 COME ON, DANIELLE. 359 00:18:54,301 --> 00:18:56,403 - [clears throat] DO YOU EVER INTEND TO KEEP 360 00:18:56,436 --> 00:18:58,171 THE PROMISES YOU MAKE, OR DO YOU KNOW THEY'RE EMPTY 361 00:18:58,205 --> 00:19:00,940 WHEN YOU MAKE THEM? 362 00:19:00,973 --> 00:19:02,375 - WHAT? 363 00:19:02,409 --> 00:19:04,344 - I DIDN'T COMPOSE THE QUESTIONS, 364 00:19:04,377 --> 00:19:06,346 I'M JUST HERE TO CONDUCT THE INTERVIEW. 365 00:19:06,379 --> 00:19:08,748 PLEASE ANSWER THE QUESTION. 366 00:19:08,781 --> 00:19:11,251 - I INTEND TO KEEP EVERY PROMISE I MAKE. 367 00:19:11,284 --> 00:19:14,254 [machine beeps] I'M NOT LYING. 368 00:19:14,287 --> 00:19:15,788 - WELL, THE MACHINE INDICATES OTHERWISE. 369 00:19:15,822 --> 00:19:18,491 AND FRANKLY, I'M MORE INCLINED TO TRUST AN ELECTRONIC DEVICE 370 00:19:18,525 --> 00:19:20,393 THAN YOU. 371 00:19:20,427 --> 00:19:23,263 [Velcro ripping] - YOU KNOW WHAT? THIS IS OVER. 372 00:19:23,296 --> 00:19:25,298 - DID YOU EVER CONSIDER WHAT EFFECTS JOINING THE C.I.A. 373 00:19:25,332 --> 00:19:27,500 WOULD HAVE ON YOUR FAMILY? 374 00:19:27,534 --> 00:19:29,202 WERE YOU AWARE OF THE POTENTIAL DANGERS 375 00:19:29,236 --> 00:19:31,838 AND CHOSE TO JOIN REGARDLESS? 376 00:19:31,871 --> 00:19:36,376 - NOTHING WAS EVER MORE IMPORTANT TO ME THAN YOU. 377 00:19:36,409 --> 00:19:38,978 [wind whistling] 378 00:19:39,011 --> 00:19:43,250 - I DON'T KNOW WHERE YOUR ALLEGIANCE LIES. 379 00:19:43,283 --> 00:19:49,389 BUT YOUR ACTIONS SUGGEST IT ISN'T WITH ME. 380 00:19:49,422 --> 00:19:54,394 - [grunts] 381 00:19:54,427 --> 00:20:04,304 [car engine rumbling] 382 00:20:04,337 --> 00:20:06,873 - HEY, GOOD-LOOKING, NEED A RIDE? 383 00:20:06,906 --> 00:20:12,279 [car engine revving] 384 00:20:12,312 --> 00:20:19,286 [car door slams] 385 00:20:19,319 --> 00:20:20,920 - WOULD YOU MIND READING THIS TO ME? 386 00:20:20,953 --> 00:20:23,323 I LEFT MY READING GLASSES IN MY CAR. 387 00:20:23,356 --> 00:20:25,825 - OF COURSE, SORRY. 388 00:20:25,858 --> 00:20:27,427 UH, LET'S SEE... 389 00:20:27,460 --> 00:20:32,265 PANTS, SHOES, BLOUSE, EARRINGS, WALLET, U.S. PASSPORT-- 390 00:20:32,299 --> 00:20:34,467 - PASSPORT? WHY WOULD SHE BE CARRYING THAT? 391 00:20:34,501 --> 00:20:35,968 - MAYBE SHE WAS ON HER WAY OUT OF TOWN? 392 00:20:36,002 --> 00:20:39,806 - NO, SHE SHE WAS ON HER WAY TO SEE ME. 393 00:20:39,839 --> 00:20:41,774 YOU WOULDN'T HAPPEN TO HAVE THE NUMBER OF THAT PASSPORT 394 00:20:41,808 --> 00:20:43,310 ON THAT LIST, WOULD YOU? 395 00:20:43,343 --> 00:20:44,477 - I DO. 396 00:20:44,511 --> 00:20:46,279 - BARBER, I NEED YOU TO RUN A PASSPORT. 397 00:20:46,313 --> 00:20:47,880 I WANT TO KNOW IF IT'S REAL OR A FORGERY. 398 00:20:47,914 --> 00:20:48,881 - YEAH, HIT ME. 399 00:20:48,915 --> 00:20:52,952 - BRAVO, 9-2-8-3-7-4-6-8. 400 00:20:52,985 --> 00:20:55,054 - NO, IT WASN'T ISSUED BY STATE. IT'S DEFINITELY A FORGERY. 401 00:20:55,087 --> 00:20:56,456 - ONE OF OURS? 402 00:20:56,489 --> 00:20:59,326 [keyboard clicking] 403 00:20:59,359 --> 00:21:00,793 - NOPE, CIA DIDN'T MAKE IT EITHER. 404 00:21:00,827 --> 00:21:02,562 MUST'VE BEEN CREATED BY AN OFF-BOOK COBBLER. 405 00:21:02,595 --> 00:21:04,464 - OUTSTANDING. 406 00:21:04,497 --> 00:21:06,799 - ANNIE COPPING A BOGUS PASSPORT IS GOODNEWS? 407 00:21:06,833 --> 00:21:08,401 - THE BEST NEWS I'VE HAD ALL DAY. 408 00:21:08,435 --> 00:21:09,969 AND I NEED YOU TO GET ME THE ADDRESSES 409 00:21:10,002 --> 00:21:12,038 OF THE BEST COBBLERS IN THE AREA. 410 00:21:12,071 --> 00:21:17,310 I'M GONNA MAKE A FEW HOUSE CALLS. 411 00:21:17,344 --> 00:21:21,514 [knock on door] 412 00:21:21,548 --> 00:21:27,487 - MR. GUERRERO? 413 00:21:27,520 --> 00:21:35,362 HELLO? 414 00:21:35,395 --> 00:21:37,897 HELLO? 415 00:21:37,930 --> 00:21:41,067 HELLO? 416 00:21:41,100 --> 00:21:51,344 MR. GUERRERO? 417 00:21:51,344 --> 00:22:01,354 MR. GUERRERO? 418 00:22:39,526 --> 00:22:43,963 [sirens wailing, police radio chatter] 419 00:22:43,996 --> 00:22:49,836 - CLEAR! CLEAR! 420 00:22:49,869 --> 00:22:51,838 - ANYTHING? - THE PLACE IS CLEAR. 421 00:22:51,871 --> 00:22:53,906 - HE MUST'VE SNUCK OUT WHILE I CALLED FOR BACK-UP. 422 00:22:53,940 --> 00:22:57,009 I HEARD A CAR ON THE STREET ABOUT TWO MINUTES AFTER I LEFT. 423 00:22:57,043 --> 00:22:58,210 DIESEL, I THINK. 424 00:22:58,244 --> 00:22:59,979 WHAT DO YOU WANNA BET THAT WAS THE KILLER'S GETAWAY CAR? 425 00:23:00,012 --> 00:23:04,951 - KILLER? 426 00:23:04,984 --> 00:23:07,954 - THIS WASN'T HERE BEFORE. 427 00:23:07,987 --> 00:23:09,856 I MAY BE BLIND, BUT I KNOW THE DIFFERENCE 428 00:23:09,889 --> 00:23:11,891 BETWEEN A CHEAP RUG AND A DEAD BODY. 429 00:23:11,924 --> 00:23:14,494 - ALL RIGHT, SO WHAT DO YOU IMAGINE HAPPENED HERE? 430 00:23:14,527 --> 00:23:18,531 - I DON'T KNOW. 431 00:23:18,565 --> 00:23:21,968 [sighs] 432 00:23:22,001 --> 00:23:25,004 [sniffs] 433 00:23:25,037 --> 00:23:33,079 DO YOU SEE ANY FLOWERS OR SCENTED CANDLES AROUND? 434 00:23:33,112 --> 00:23:35,582 - NO, I DON'T SEE ANYTHING LIKE THAT. 435 00:23:35,615 --> 00:23:39,018 - I COULD'VE SWORN I SMELLED LAVENDER EARLIER. 436 00:23:39,051 --> 00:23:41,554 - ALL RIGHT, I'M TAKING YOU HOME. 437 00:23:41,588 --> 00:23:42,989 YOU NEED SLEEP. 438 00:23:43,022 --> 00:23:44,223 - HOW MUCH SLEEP DO YOU THINK I'M GONNA GET 439 00:23:44,256 --> 00:23:47,026 KNOWING SOME COMMITTEE'S TRYING TO BURN ANNIE AT THE STAKE? 440 00:23:47,059 --> 00:23:48,127 - IT'S NOTHING PERSONAL, AUGGIE, 441 00:23:48,160 --> 00:23:50,863 THEY'RE GONNA MAKE A DECISION BASED ON THE EVIDENCE. 442 00:23:50,897 --> 00:23:52,131 - ALL THEY'RE LOOKING FOR IS EVIDENCE TO INDICT, 443 00:23:52,164 --> 00:23:53,966 THAT'S ALL THEY'RE GONNA FIND. 444 00:23:54,000 --> 00:23:56,769 YOU GOTTA HELP ME CONVINCE ARTHUR TO GIVE ME THOSE FILES. 445 00:23:56,803 --> 00:23:58,104 SOMEBODY'S GOTTA FIGHT FOR ANNIE. 446 00:23:58,137 --> 00:24:00,873 - I AGREE, WHICH IS WHY I'VE BEEN SIFTING THROUGH 447 00:24:00,907 --> 00:24:02,975 EVERY SCRAP OF EVIDENCE, 448 00:24:03,009 --> 00:24:05,578 LOOKING FOR ANYTHING I CAN TO HELP ANNIE. 449 00:24:05,612 --> 00:24:08,981 I CARE ABOUT HER TOO, AUGGIE. 450 00:24:09,015 --> 00:24:12,885 DO YOU TRUST ME TO FIGHT FOR HER? 451 00:24:12,919 --> 00:24:15,488 - YEAH. - OKAY. 452 00:24:15,522 --> 00:24:16,789 LET ME TAKE YOU HOME. 453 00:24:16,823 --> 00:24:18,224 - I WANNA GO TO THE HOSPITAL. - AUGGIE. 454 00:24:18,257 --> 00:24:23,596 - I CAN GET A CAB. 455 00:24:23,630 --> 00:24:36,976 - [sighs] COME ON, I'LL DRIVE YOU. 456 00:24:37,009 --> 00:24:38,244 [knock on door] 457 00:24:38,277 --> 00:24:40,847 - YEAH? 458 00:24:40,880 --> 00:24:41,914 OH, THANK YOU. 459 00:24:41,948 --> 00:24:51,991 [door closes] 460 00:24:51,991 --> 00:25:03,169 [door closes] 461 00:25:03,202 --> 00:25:05,004 WHAT IS IT? 462 00:25:05,037 --> 00:25:06,906 - WELL, IT'S NOT OFFICIAL YET. 463 00:25:06,939 --> 00:25:09,208 BUT I WANTED YOU TO HEAR IT FROM ME. 464 00:25:09,241 --> 00:25:15,014 THE COMMITTEE DECIDED TO DECOMMISSION ANNIE. 465 00:25:15,047 --> 00:25:17,984 - [scoffs] AUGGIE WAS RIGHT. 466 00:25:18,017 --> 00:25:19,886 DCI'S NOT INTERESTED IN DUE PROCESS. 467 00:25:19,919 --> 00:25:21,253 HE JUST WANTS TO ASSIGN BLAME AND MOVE ON. 468 00:25:21,287 --> 00:25:22,555 - WELL THE OPERATIVES IN THIS BUILDING 469 00:25:22,589 --> 00:25:25,892 DEPEND ON HIM TO PROTECT THEM. 470 00:25:25,925 --> 00:25:28,995 WHEN THERE'S OVERWHELMING EVIDENCE THAT ONE AMONG US 471 00:25:29,028 --> 00:25:29,862 IS A TRAITOR, 472 00:25:29,896 --> 00:25:32,999 HE HAS NO CHOICE BUT TO ACT SWIFTLY. 473 00:25:33,032 --> 00:25:35,101 - MM. 474 00:25:35,134 --> 00:25:39,271 - MAYBE LENA WAS RIGHT. 475 00:25:39,305 --> 00:25:41,207 MAYBE WE BROUGHT ANNIE IN TOO EARLY. 476 00:25:41,240 --> 00:25:44,010 - NO, SHE WAS READY, ARTHUR. 477 00:25:44,043 --> 00:25:47,146 SHE HAD MORE RAW TALENT THAN ANYONE I HAVE EVER SEEN, 478 00:25:47,179 --> 00:25:49,582 AND IN THE TWO-AND-A-HALF YEARS THAT WE'VE WORKED TOGETHER, 479 00:25:49,616 --> 00:25:52,218 SHE'S PROVED HERSELF TO BE AN INVALUABLE OPERATIVE. 480 00:25:52,251 --> 00:25:54,186 - INVALUABLE. 481 00:25:54,220 --> 00:26:03,329 EVEN IF SHE WAS LYING TO YOU THE ENTIRE TIME? 482 00:26:03,362 --> 00:26:06,332 - YOU HAVE NEVER DOUBTED 483 00:26:06,365 --> 00:26:09,936 SHE WAS GUILTY, HAVE YOU? 484 00:26:09,969 --> 00:26:13,840 YOU DIDN'T EVEN TRY TO DEFEND HER. 485 00:26:13,873 --> 00:26:16,208 SO, WHAT ABOUT THE OPERATIVE THAT DEPENDS ON YOU 486 00:26:16,242 --> 00:26:18,110 TO HAVE THEIR BACK? 487 00:26:18,144 --> 00:26:21,213 - ANNIE WALKER... 488 00:26:21,247 --> 00:26:25,852 IS LOOKING VERY, VERY GUILTY. 489 00:26:25,885 --> 00:26:29,255 IT'S HARD TO ACCEPT. 490 00:26:29,288 --> 00:26:39,999 I KNOW. 491 00:26:40,032 --> 00:26:47,006 [monitor beeps] 492 00:26:47,039 --> 00:26:51,043 - YOU SHOULD TALK TO HER. 493 00:26:51,077 --> 00:26:53,012 - CAN SHE HEAR ME? 494 00:26:53,045 --> 00:26:55,081 - THE TRUTH IS NOBODY KNOWS FOR SURE. 495 00:26:55,114 --> 00:26:58,985 BUT I LIKE TO THINK SHE CAN. 496 00:26:59,018 --> 00:27:01,821 THERE'S SOME FOOD AT THE FOOT OF THE BED. 497 00:27:01,854 --> 00:27:04,023 YOU LOOK LIKE YOU COULD USE IT. 498 00:27:04,056 --> 00:27:12,031 - THANKS. 499 00:27:12,064 --> 00:27:15,401 [sighs] 500 00:27:15,434 --> 00:27:17,369 [claps hands] 501 00:27:17,403 --> 00:27:19,906 ANNIE, HEY, IT'S ME... 502 00:27:19,939 --> 00:27:22,875 AUGGIE. 503 00:27:22,909 --> 00:27:27,413 YOU KNOW, THE GUY THAT GAVE YOU A CORVETTE. 504 00:27:27,446 --> 00:27:29,281 SINCE I HAVE YOUR UNDIVIDED ATTENTION, 505 00:27:29,315 --> 00:27:32,418 I'D LIKE TO SHARE MY THOUGHTS ABOUT HOW 506 00:27:32,451 --> 00:27:35,988 BILLY COLLINS' POETRY IS OVERRATED AND DERIVATIVE. 507 00:27:36,022 --> 00:27:42,194 IF YOU AGREE WITH THIS, SAY ABSOLUTELY NOTHING. 508 00:27:42,228 --> 00:27:43,863 [chuckles] 509 00:27:43,896 --> 00:27:47,066 YEAH, THE THING ABOUT THIS WHOLE WITTY BANTER DEAL IS 510 00:27:47,099 --> 00:27:48,835 IT KIND OF TAKES TWO PEOPLE. 511 00:27:48,868 --> 00:27:51,037 OTHERWISE IT'S JUST A GUY BY HIMSELF 512 00:27:51,070 --> 00:27:59,912 BEING INCREDIBLY CLEVER. 513 00:27:59,946 --> 00:28:03,916 I MISS YOU, ANNIE. 514 00:28:03,950 --> 00:28:09,021 I HAVE FOR A LONG TIME. 515 00:28:09,055 --> 00:28:11,290 THINGS HAVE BEEN DIFFERENT BETWEEN US SINCE BARCELONA, 516 00:28:11,323 --> 00:28:16,228 AND IT'S ALL MY FAULT. 517 00:28:16,262 --> 00:28:20,199 I'VE BEEN, UH... CLOSED OFF AND DISTANT, 518 00:28:20,232 --> 00:28:23,435 AND... 519 00:28:23,469 --> 00:28:29,375 I CAN'T TELL YOU HOW SORRY I AM FOR THAT. 520 00:28:29,408 --> 00:28:31,077 I DON'T KNOW IF YOU CAN HEAR ME, 521 00:28:31,110 --> 00:28:34,947 BUT I NEED YOU TO WAKE UP. 522 00:28:34,981 --> 00:28:36,983 I KNOW YOU'RE NOT A TRAITOR AND RIGHT NOW 523 00:28:37,016 --> 00:28:42,054 YOU'RE THE ONLY ONE WHO CAN HELP ME HELP YOU. 524 00:28:42,088 --> 00:28:46,425 I NEED YOU, ANNIE. 525 00:28:46,458 --> 00:28:51,263 I NEVER NEED ANYONE. 526 00:28:51,297 --> 00:28:57,403 BUT I NEED YOU. 527 00:28:57,436 --> 00:29:04,143 [sighs] 528 00:29:04,176 --> 00:29:14,220 [wind whistling] 529 00:29:14,220 --> 00:29:28,067 [wind whistling] 530 00:29:28,100 --> 00:29:31,237 WE GOT INTEL THAT BLACKBIRD IS STAYING IN ROOM 309. 531 00:29:31,270 --> 00:29:33,439 THE ONLY WAY TO GET UP THERE WITHOUT BEING SEEN IS TO USE 532 00:29:33,472 --> 00:29:35,975 THE SERVICE ELEVATOR IN THE KITCHEN. 533 00:29:36,008 --> 00:29:38,044 - SOUNDS LIKE A PLAN. 534 00:29:38,077 --> 00:29:41,213 HOW DO I GET TO THE KITCHEN? 535 00:29:41,247 --> 00:29:44,150 - DO YOU TRUST ME? 536 00:29:44,183 --> 00:29:51,190 - WITH MY LIFE. 537 00:29:51,223 --> 00:30:03,302 [wind continues] 538 00:30:03,335 --> 00:30:05,905 - HAVE I EVER TOLD YOU HOW BEAUTIFUL YOU ARE? 539 00:30:05,938 --> 00:30:07,439 - I CLEAN UP NICELY, DON'T I? 540 00:30:07,473 --> 00:30:11,043 - I'M NOT TALKING ABOUT THE CLOTHES. 541 00:30:11,077 --> 00:30:21,120 [wind whistling] 542 00:30:21,120 --> 00:30:31,130 [wind whistling] 543 00:30:38,370 --> 00:30:40,172 YOU SHOULD PROBABLY GET UPSTAIRS. 544 00:30:40,206 --> 00:30:42,008 - THE SONG'S NOT OVER YET. 545 00:30:42,041 --> 00:30:43,409 WE COULD DANCE A LITTLE WHILE LONGER. 546 00:30:43,442 --> 00:30:45,077 - THERE'S NOTHING I'D LIKE MORE, 547 00:30:45,111 --> 00:30:49,081 BUT YOU AND I BOTH KNOW THIS ISN'T OUR SONG. 548 00:30:49,115 --> 00:30:53,886 WE'LL DANCE AGAIN, WALKER, BUT NOT UNTIL THE MUSIC'S RIGHT. 549 00:30:53,920 --> 00:30:56,188 - UNTIL THEN... 550 00:30:56,222 --> 00:30:58,024 - THE ACCESS CARD FOR THE KITCHEN 551 00:30:58,057 --> 00:31:04,263 IS IN MY RIGHT COAT POCKET. 552 00:31:04,296 --> 00:31:14,340 - LET'S DO THIS. 553 00:31:14,340 --> 00:31:24,350 - LET'S DO THIS. 554 00:31:32,158 --> 00:31:38,197 - HEY, I THOUGHT YOU COULD USE THAT. 555 00:31:38,230 --> 00:31:40,666 - THANKS. 556 00:31:40,699 --> 00:31:44,036 - THE NURSE SAID SHE'S ALMOST DONE CHANGING ANNIE'S BANDAGES. 557 00:31:44,070 --> 00:31:54,280 IT'LL BE ABOUT FIVE MORE MINUTES. 558 00:31:54,313 --> 00:31:56,082 LOOK, I JUST WANT YOU TO KNOW WHAT HAPPENED 559 00:31:56,115 --> 00:32:00,219 IN POLYGRAPH YESTERDAY WON'T LEAVE THE POLYGRAPH ROOM. 560 00:32:00,252 --> 00:32:07,093 I DON'T BLAME YOU FOR HAVING THE REACTION THAT YOU DID. 561 00:32:07,126 --> 00:32:09,361 IF THERE'S ANYTHING I CAN DO FOR YOU-- 562 00:32:09,395 --> 00:32:15,968 ANYTHING AT ALL, JUST ASK. 563 00:32:16,002 --> 00:32:22,708 I'M HERE TO HELP. 564 00:32:22,741 --> 00:32:24,276 - THANKS FOR THE COFFEE. 565 00:32:24,310 --> 00:32:34,353 [cane tapping] 566 00:32:34,353 --> 00:32:42,761 [cane tapping] 567 00:32:42,794 --> 00:32:49,101 [door closes] IT WAS LENA. 568 00:32:49,135 --> 00:32:50,269 - WHEN I FOUND GUERRERO'S BODY, 569 00:32:50,302 --> 00:32:53,105 I WAS POSITIVE THAT I SMELLED LAVENDER. 570 00:32:53,139 --> 00:32:55,307 BY THE TIME YOU GOT THERE, IT WAS GONE. 571 00:32:55,341 --> 00:32:58,077 I JUST CAUGHT THAT SCENT AGAIN AT THE HOSPITAL. 572 00:32:58,110 --> 00:33:01,113 IT WASN'T FLOWERS, IT WAS LENA'S PERFUME. 573 00:33:01,147 --> 00:33:03,149 TOM FORD, LAVENDER PALM. 574 00:33:03,182 --> 00:33:04,483 IT COULDN'T BE A COINCIDENCE. 575 00:33:04,516 --> 00:33:06,318 SHE WAS IN HIS HOUSE. 576 00:33:06,352 --> 00:33:08,087 - NOBODY DISLIKES LENA MORE THAN I, 577 00:33:08,120 --> 00:33:11,357 BUT TO ACCUSE HER OF MURDER BASED ON THE PERFUME SHE WEARS 578 00:33:11,390 --> 00:33:13,392 IS TANTAMOUNT TO CAREER SUICIDE. 579 00:33:13,425 --> 00:33:15,327 - SHE WAS THERE, JOAN, I'M NOT CRAZY. 580 00:33:15,361 --> 00:33:16,162 - I'M NOT SAYING YOU ARE. 581 00:33:16,195 --> 00:33:19,398 JUST HELP ME CONNECT THE DOTS, OKAY? 582 00:33:19,431 --> 00:33:20,666 UM... 583 00:33:20,699 --> 00:33:25,237 WHY WOULD LENA KILL THE COBBLER THAT FORGED ANNIE'S PASSPORT? 584 00:33:25,271 --> 00:33:27,206 - MAYBE ANNIE DIDN'T BUY THE PASSPORT. 585 00:33:27,239 --> 00:33:28,340 MAYBE LENA DID. 586 00:33:28,374 --> 00:33:30,376 - WELL, WHY WOULD SHE DO THAT? 587 00:33:30,409 --> 00:33:32,444 AND WHY KEEP IT OFF-BOOK? 588 00:33:32,478 --> 00:33:35,481 UNLESS LENA WAS AIDING AND ABETTING ANNIE. 589 00:33:35,514 --> 00:33:38,084 - MAYBE LENA'S THE REAL FSB DOUBLE 590 00:33:38,117 --> 00:33:39,351 AND ANNIE IS JUST HER PATSY. 591 00:33:39,385 --> 00:33:40,486 IT MAKES SENSE WHY SHE'D KILL GUERRERO. 592 00:33:40,519 --> 00:33:41,753 THINK ABOUT IT. 593 00:33:41,787 --> 00:33:43,355 AS LONG AS HE'S ALIVE, HE CAN PROVE 594 00:33:43,389 --> 00:33:45,391 NOT ONLY THAT LENA KNEW ANNIE WENT TO CUBA, 595 00:33:45,424 --> 00:33:47,359 BUT SHE HELPED HER GET THERE. 596 00:33:47,393 --> 00:33:48,727 AND IF ANYONE FINDS THAT OUT, 597 00:33:48,760 --> 00:33:51,763 HER ENTIRE COVER STARTS TO UNRAVEL. 598 00:33:51,797 --> 00:33:54,166 - IT'S A PLAUSIBLE THEORY, BUT IT'S ALL CONJECTURE. 599 00:33:54,200 --> 00:33:55,401 CAN YOU PROVE ANY OF IT? 600 00:33:55,434 --> 00:33:57,803 - THAT'S WHY I'M HERE. - OH, AUGGIE-- 601 00:33:57,836 --> 00:34:00,139 - I HAVE GONE AS FAR AS I CAN ON MY OWN. 602 00:34:00,172 --> 00:34:03,075 I NEED ACCESS TO THAT EVIDENCE TO GET THE REST OF THE WAY. 603 00:34:03,109 --> 00:34:11,383 AND UNLESS I GET IT, YOU CAN EXPECT MY RESIGNATION. 604 00:34:11,417 --> 00:34:13,785 - BECAUSE THIS IS A TIME OF EXTREME DURESS, 605 00:34:13,819 --> 00:34:16,855 I'M GOING TO PRETEND YOU DIDN'T JUST DEMAND 606 00:34:16,888 --> 00:34:20,159 I VIOLATE A DOZEN PROTOCOLS BY PASSING YOU INTEL 607 00:34:20,192 --> 00:34:21,860 WELL ABOVE YOUR CLEARANCE. 608 00:34:21,893 --> 00:34:24,263 BUT TRY THIS TACK WITH ME AGAIN AND I ASSURE YOU, 609 00:34:24,296 --> 00:34:35,274 YOU WILL NOT ENJOY THE CONSEQUENCES. 610 00:34:35,307 --> 00:34:39,878 NOW IF YOU'LL EXCUSE ME, I HAVE TO CALL TECH SUPPORT. 611 00:34:39,911 --> 00:34:41,513 I'M HAVING TROUBLE ACCESSING 612 00:34:41,547 --> 00:34:45,117 THE EVIDENCE FILES ON THE MANHATTAN SERVER. 613 00:34:45,151 --> 00:34:48,520 I'LL HAVE TO RECITE MY ACCESS CODE AND UNDER NO CIRCUMSTANCES 614 00:34:48,554 --> 00:34:50,389 CAN I HAVE YOU OVERHEAR IT. 615 00:34:50,422 --> 00:34:52,158 DO YOU UNDERSTAND WHAT I'M SAYING? 616 00:34:52,191 --> 00:34:54,460 - I THINK I DO. 617 00:34:54,493 --> 00:34:56,528 - GOOD. 618 00:34:56,562 --> 00:34:58,230 [keyboard clicking] 619 00:34:58,264 --> 00:35:00,366 - IT WAS AT THIS TIME LENA SMITH TERMINATED 620 00:35:00,399 --> 00:35:02,468 THE MISSION TO CULTIVATE FISCHER. 621 00:35:02,501 --> 00:35:03,702 - [computer voice] LENA SMITH TERMINATED THE MISSION 622 00:35:03,735 --> 00:35:04,503 TO CULTIVATE FISCHER 623 00:35:04,536 --> 00:35:06,205 BECAUSE IT FAILED TO YIELD INTEL. 624 00:35:06,238 --> 00:35:07,206 UNBEKNOWNST TO SMITH, 625 00:35:07,239 --> 00:35:09,241 OPERATIVE WALKER CONTINUED TO PURSUE FISCHER. 626 00:35:09,275 --> 00:35:10,075 [taps keyboard] 627 00:35:10,108 --> 00:35:11,510 SMITH TESTIFIED TO TASKING OPERATIVE-- 628 00:35:11,543 --> 00:35:12,711 [taps keyboard] 629 00:35:12,744 --> 00:35:13,845 SHE'S SUSPECTED OF BEING AN FSB AGENT-- 630 00:35:13,879 --> 00:35:14,846 [taps keyboard] 631 00:35:14,880 --> 00:35:16,315 ACCORDING--DURING THE DEPOSITION OF BOB GOODMAN, 632 00:35:16,348 --> 00:35:17,783 DELIVERY DRIVER AT GABE'S BAKERY. 633 00:35:17,816 --> 00:35:20,786 OFFICIAL STATEMENT READS "I GOT THERE CLOSE TO 5:00 PM. 634 00:35:20,819 --> 00:35:21,853 "I SAW THE LIGHT ON IN THE KITCHEN. 635 00:35:21,887 --> 00:35:22,921 "A RED VOLKSWAGEN IN THE DRIVEWAY, 636 00:35:22,954 --> 00:35:24,190 "SO I ASSUMED SOMEONE WAS THERE. 637 00:35:24,223 --> 00:35:25,391 "BUT IT WAS REAL QUIET. 638 00:35:25,424 --> 00:35:26,792 "WHEN I LOOKED INSIDE, OTHER THAN THE BODIES, 639 00:35:26,825 --> 00:35:28,260 "I DIDN'T SEE ANYTHING OUT OF THE ORDINARY. 640 00:35:28,294 --> 00:35:29,495 "JUST CARS AND HOUSES. 641 00:35:29,528 --> 00:35:30,529 "SAME EVERY OTHER BLOCK IN THE NEIGHBORHOOD. 642 00:35:30,562 --> 00:35:31,730 "THERE WAS NOTHING REALLY OUT OF THE ORDINARY. 643 00:35:31,763 --> 00:35:33,432 "OTHER THAN A CAR THAT WAS PARKED WHERE I NORMALLY PARK. 644 00:35:33,465 --> 00:35:36,935 [knobs clicking] 645 00:35:36,968 --> 00:35:38,404 "THE ORDINARY-- JUST CARS AND HOUSES. 646 00:35:38,437 --> 00:35:42,874 "SAME AS EVERY OTHER BLOCK IN THE NEIGHBORHOOD. 647 00:35:42,908 --> 00:35:44,276 "JUST CARS AND HOUSES, SAME AS EVERY OTHER BLOCK 648 00:35:44,310 --> 00:35:47,446 IN THE NEIGHBORHOOD." 649 00:35:47,479 --> 00:35:49,215 - "JUST CARS AND HOUSES." 650 00:35:49,248 --> 00:35:59,291 [knobs clicking] 651 00:35:59,291 --> 00:36:04,396 [knobs clicking] 652 00:36:04,430 --> 00:36:05,964 - [female computer voice] DMV DATABASE. 653 00:36:05,997 --> 00:36:07,866 REGISTERED TO LENA SMITH. 654 00:36:07,899 --> 00:36:11,237 GREY 2011 BMW X5 DIESEL. 655 00:36:11,270 --> 00:36:13,939 - I DIDN'T EXPECT TO SEE YOU LEAVING HERE ANYTIME SOON. 656 00:36:13,972 --> 00:36:15,974 - I THINK I FOUND SOMETHING. 657 00:36:16,007 --> 00:36:17,343 - THEN I'M COMING WITH YOU. 658 00:36:17,376 --> 00:36:18,477 - GOOD, YOU CAN DRIVE. 659 00:36:18,510 --> 00:36:20,246 - I THINK I'D PREFER THAT, ACTUALLY. 660 00:36:20,279 --> 00:36:30,322 WHERE ARE WE GOING? - TO THROW A HAIL MARY. 661 00:36:30,322 --> 00:36:40,832 WHERE ARE WE GOING? - TO THROW A HAIL MARY. 662 00:36:40,866 --> 00:36:42,434 - MR. GOODMAN? 663 00:36:42,468 --> 00:36:44,803 MAY WE SPEAK WITH YOU FOR A MOMENT? 664 00:36:44,836 --> 00:36:46,405 - ARE YOU GUYS COPS OR SOMETHING? 665 00:36:46,438 --> 00:36:47,439 - WE HAVE A FOLLOW-UP QUESTION 666 00:36:47,473 --> 00:36:50,376 ABOUT THE STATEMENT YOU GAVE THE OTHER NIGHT. 667 00:36:50,409 --> 00:36:51,910 - YEAH, NO PROBLEM. 668 00:36:51,943 --> 00:36:53,011 SHOOT. 669 00:36:53,044 --> 00:36:53,845 - ON THE NIGHT YOU FOUND THE BODIES, 670 00:36:53,879 --> 00:36:56,482 DO YOU REMEMBER SEEING A GREY BMW X5 671 00:36:56,515 --> 00:36:58,417 PARKED ANYWHERE NEARBY? 672 00:36:58,450 --> 00:37:02,454 - A GREY BMW. 673 00:37:02,488 --> 00:37:05,791 ACTUALLY, YOU KNOW WHAT? I DO. 674 00:37:05,824 --> 00:37:06,992 - YOU DO? 675 00:37:07,025 --> 00:37:09,795 - ARE YOU SURE IT WAS A BMW? - YEAH. YEAH, I'M POSITIVE. 676 00:37:09,828 --> 00:37:12,398 I'M IN THAT NEIGHBORHOOD A LOT AND I REMEMBER 677 00:37:12,431 --> 00:37:14,833 BECAUSE IT WAS PARKED UNDERNEATH THE BIG TREE 678 00:37:14,866 --> 00:37:17,369 WHERE I ALWAYS PARK THE TRUCK. 679 00:37:17,403 --> 00:37:19,438 GOTTA KEEP THE COOKIES IN THE SHADE, YOU KNOW? 680 00:37:19,471 --> 00:37:20,806 - [clears throat] 681 00:37:20,839 --> 00:37:22,040 - THE SAME COLOR, MAKE AND MODEL CAR 682 00:37:22,073 --> 00:37:23,942 AS THE ONE REGISTERED TO LENA WAS PARKED LESS THAN A BLOCK 683 00:37:23,975 --> 00:37:26,278 FROM ANNIE'S HOUSE ON THE NIGHT SHE WAS SHOT. 684 00:37:26,312 --> 00:37:29,014 - WELL, I'M NOT SURE IT'S ENOUGH TO IMPLICATE LENA. 685 00:37:29,047 --> 00:37:30,382 BUT I CAN MAKE A DAMN GOOD CASE 686 00:37:30,416 --> 00:37:32,384 TO POSTPONE DECOMMISSIONING ANNIE 687 00:37:32,418 --> 00:37:34,953 UNTIL WE CAN LOOK INTO THIS FURTHER. 688 00:37:34,986 --> 00:37:36,288 [speakerphone beeps] 689 00:37:36,322 --> 00:37:37,889 - I HAVE THE HOSPITAL ON LINE ONE. 690 00:37:37,923 --> 00:37:38,990 [speakerphone beeps] 691 00:37:39,024 --> 00:37:41,493 - HELLO. 692 00:37:41,527 --> 00:37:43,495 I SEE. 693 00:37:43,529 --> 00:37:46,732 ALL RIGHT. THANK YOU, DOCTOR. 694 00:37:46,765 --> 00:37:47,866 [hangs up phone] 695 00:37:47,899 --> 00:37:48,900 - WHAT IS IT? 696 00:37:48,934 --> 00:37:49,901 - ANNIE WOKE UP. 697 00:37:49,935 --> 00:37:51,870 JUST FOR A FEW MINUTES, BUT SHE WAS RESPONSIVE. 698 00:37:51,903 --> 00:37:57,876 THE DOCTOR SAYS THAT'S A REALLY GOOD SIGN. 699 00:37:57,909 --> 00:37:59,478 [wind whistling] 700 00:37:59,511 --> 00:38:06,452 - LOOK WHO'S FINALLY COME HOME TO ROOST. 701 00:38:06,485 --> 00:38:10,889 - YOU'RE BLACKBIRD. I SHOULD HAVE KNOWN. 702 00:38:10,922 --> 00:38:13,559 - FUNNY HOW EACH MIRROR MAKES EVERYTHING LOOK SO DIFFERENT. 703 00:38:13,592 --> 00:38:22,401 [wind whistling] 704 00:38:22,434 --> 00:38:24,102 [gun shot] 705 00:38:24,135 --> 00:38:26,372 [glass clattering] 706 00:38:26,405 --> 00:38:27,973 - THE ENTIRE TIME YOU WERE LOOKING FOR ME, 707 00:38:28,006 --> 00:38:32,043 YOU SHOULD HAVE BEEN LOOKING IN THE MIRROR, BLACKBIRD. 708 00:38:32,077 --> 00:38:34,079 - I KNOW WHO I AM. 709 00:38:34,112 --> 00:38:36,348 [mirror breaking] 710 00:38:36,382 --> 00:38:38,784 [wind continues] 711 00:38:38,817 --> 00:38:42,888 - YOU KNOW WHO YOU ARE? WHO YOU REALLY ARE? 712 00:38:42,921 --> 00:38:44,456 LOOK INTO YOUR HEART. 713 00:38:44,490 --> 00:38:46,425 IT'S THE ONLY THING THAT DOESN'T LIE. 714 00:38:46,458 --> 00:38:51,830 [wind continues] 715 00:38:51,863 --> 00:38:54,466 [wings fluttering] 716 00:38:54,500 --> 00:38:56,868 - [gasps] 717 00:38:56,902 --> 00:38:59,137 [monitor beeping] 718 00:38:59,170 --> 00:39:00,439 [monitor beeps speed up] 719 00:39:00,472 --> 00:39:06,077 [grunts] 720 00:39:06,111 --> 00:39:07,413 [monitor beeping] 721 00:39:07,446 --> 00:39:09,848 - [grunts] 722 00:39:09,881 --> 00:39:10,949 - WHAT ARE YOU DOING? 723 00:39:10,982 --> 00:39:12,884 - CPR! HER HEART STOPPED. 724 00:39:12,918 --> 00:39:17,489 HELP ME! 725 00:39:17,523 --> 00:39:22,961 - [gasping] 726 00:39:22,994 --> 00:39:23,962 - LENA! 727 00:39:23,995 --> 00:39:26,097 - [grunts] 728 00:39:26,131 --> 00:39:27,833 - WE NEED SOME HELP OVER HERE! 729 00:39:27,866 --> 00:39:29,501 - [grunts] 730 00:39:29,535 --> 00:39:30,836 [monitor beeps faster] 731 00:39:30,869 --> 00:39:32,838 - NO! NO! 732 00:39:32,871 --> 00:39:33,839 [thud] 733 00:39:33,872 --> 00:39:47,886 [monitor beeping faster] 734 00:39:47,919 --> 00:39:49,955 [fire alarm rings] 735 00:39:49,988 --> 00:39:52,791 HELP! 736 00:39:52,824 --> 00:40:02,868 [indistinct chatter] 737 00:40:02,868 --> 00:40:12,878 [indistinct chatter] 738 00:40:40,205 --> 00:40:42,240 [monitor beeping] 739 00:40:42,273 --> 00:40:44,242 [monitor flatlines] 740 00:40:44,275 --> 00:40:45,243 - [gasps] 741 00:40:45,276 --> 00:40:50,248 [flatline continues] 742 00:40:50,281 --> 00:40:54,152 [thump] 743 00:40:54,185 --> 00:40:58,857 [machine charging up] 744 00:40:58,890 --> 00:41:00,258 [thump] 745 00:41:00,291 --> 00:41:08,900 [flatline continues] 746 00:41:08,934 --> 00:41:10,502 - THIS IS JOAN CAMPBELL. 747 00:41:10,536 --> 00:41:13,572 I WANT EVERY POSSIBLE WAY OUT OF DC SEALED OFF. 748 00:41:13,605 --> 00:41:15,874 TRAIN STATIONS, BUS STATIONS, AIRPORTS. 749 00:41:15,907 --> 00:41:17,576 I WANT THEM ALL SHUT DOWN. 750 00:41:17,609 --> 00:41:19,778 [flatline continues] 751 00:41:19,811 --> 00:41:27,953 [machine charging up] 752 00:41:27,986 --> 00:41:28,954 [thud] 753 00:41:28,987 --> 00:41:32,524 [flatline continues] 754 00:41:32,558 --> 00:41:34,560 [machine beeps] 50340

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