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1
00:00:01,802 --> 00:00:03,137
- PREVIOUSLY
ON COVERT AFFAIRS...
2
00:00:03,171 --> 00:00:04,738
- WHAT'S GOING ON, JAI?
- COME WITH ME.
3
00:00:04,772 --> 00:00:07,175
- OKAY, I DIDN'T WANT
A TUNA MELT ANYWAY.
4
00:00:07,208 --> 00:00:08,776
[glass shattering]
5
00:00:08,809 --> 00:00:10,411
- YOU'RE BEING REASSIGNED.
- WHO ARE YOU?
6
00:00:10,444 --> 00:00:12,113
- I'M LENA SMITH.
I'M YOUR NEW BOSS.
7
00:00:12,146 --> 00:00:13,781
I THINK YOU ARE
BEING UNDERUTILIZED.
8
00:00:13,814 --> 00:00:17,051
I WANT YOU TO DO HIGH SECURITY
CLEARANCE ON SIMON FISCHER.
9
00:00:17,085 --> 00:00:18,586
- I NEED A SWEEP DRIVE.
- HEAD TO THE MERRAKECH SOUK.
10
00:00:18,619 --> 00:00:20,254
- SIMON HAS A COMPUTER TABLET
11
00:00:20,288 --> 00:00:22,156
THAT I THINK
I CAN GAIN ACCESS TO.
12
00:00:22,190 --> 00:00:23,591
[beep]
- HE'S IN LOVE WITH YOU.
13
00:00:23,624 --> 00:00:25,259
- WHERE ARE YOU GOING?
- CUBA.
14
00:00:25,293 --> 00:00:26,660
- THE MISSION TO CUBA--
15
00:00:26,694 --> 00:00:28,162
- I CAN'T USE
MY REGULAR PASSPORT.
16
00:00:28,196 --> 00:00:29,530
- I KNOW A GUY.
17
00:00:29,563 --> 00:00:30,764
- NO ONE HERE WILL KNOW
SHE LEFT THE COUNTRY.
18
00:00:30,798 --> 00:00:31,632
- YOU MATCH THE STAMPS?
19
00:00:31,665 --> 00:00:34,102
- AND THE CREASE
ON THE MOROCCO PAGE.
20
00:00:34,135 --> 00:00:35,203
- GOOD LUCK.
21
00:00:35,236 --> 00:00:37,738
- AUGGIE, I'M COMING IN.
22
00:00:37,771 --> 00:00:40,541
WE CAN GO IN TOGETHER.
23
00:00:40,574 --> 00:00:52,253
[heel tapping floor]
24
00:00:52,286 --> 00:01:02,330
[birds chirping]
25
00:01:02,330 --> 00:01:12,340
[birds chirping]
26
00:01:46,774 --> 00:01:47,808
[knock on door]
27
00:01:47,841 --> 00:01:51,479
[dog barking]
28
00:01:51,512 --> 00:01:57,918
[knocking continues]
29
00:01:57,951 --> 00:02:11,732
- ANYBODY HOME?
30
00:02:11,765 --> 00:02:19,540
[ambulance siren wails]
31
00:02:19,573 --> 00:02:24,545
- EXCUSE ME, YOU JUST
PASSED THE HOSPITAL.
32
00:02:24,578 --> 00:02:30,251
ISN'T THAT WHERE
YOU'RE SUPPOSED TO TAKE ME?
33
00:02:30,284 --> 00:02:31,785
I THINK I'M DYING.
34
00:02:31,819 --> 00:02:33,887
- THOSE AREN'T
MY INSTRUCTIONS.
35
00:02:33,921 --> 00:02:36,557
YOU DON'T NEED A DOCTOR.
36
00:02:36,590 --> 00:02:47,535
WHAT YOU NEED
IS A NICE CUP OF TEA.
37
00:02:47,568 --> 00:02:51,939
BESIDES, YOU LOOK
THE PICTURE OF HEALTH TO ME.
38
00:02:51,972 --> 00:02:56,610
- HOW--
39
00:02:56,644 --> 00:02:57,778
WHAT IS THIS?
40
00:02:57,811 --> 00:03:00,681
- QUESTIONS ONLY
LEAD TO ANSWERS.
41
00:03:00,714 --> 00:03:04,285
WHERE'S THE FUN IN THAT?
42
00:03:04,318 --> 00:03:05,253
[heartbeat thumping]
43
00:03:05,286 --> 00:03:07,488
- LEFT PARA-STERNAL GSW,
TWO ENTRY WOUNDS.
44
00:03:07,521 --> 00:03:09,523
SHE'S PULSELESS.
DISTENDED NECK VEINS AS WELL.
45
00:03:09,557 --> 00:03:10,924
TIME OF INJURY
IS ABOUT TEN MINUTES AGO.
46
00:03:10,958 --> 00:03:12,260
- GET TWO WIDE BORE IVs.
47
00:03:12,293 --> 00:03:13,461
LET THE BLOOD BANK KNOW
WE'RE GONNA NEED
48
00:03:13,494 --> 00:03:14,495
A LOT OF O-NEG.
49
00:03:14,528 --> 00:03:15,629
GET THE OPEN
CHEST TRAY READY.
50
00:03:15,663 --> 00:03:16,864
CALL THE O.R., LET THEM KNOW
WE MIGHT BE SENDING THEM
51
00:03:16,897 --> 00:03:18,399
A GSW HEART.
52
00:03:18,432 --> 00:03:20,668
OPEN THE CHEST,
LET'S SEE WHAT WE CAN DO.
53
00:03:20,701 --> 00:03:22,270
COME ON, YOUNG LADY,
COME BACK TO US.
54
00:03:22,303 --> 00:03:24,372
[heartbeat thumping]
55
00:03:24,405 --> 00:03:27,375
[dramatic music]
56
00:03:27,408 --> 00:03:37,451
*
57
00:03:37,451 --> 00:03:47,461
*
58
00:03:59,340 --> 00:04:01,409
- I'M ANNIE WALKER'S
EMERGENCY CONTACT.
59
00:04:01,442 --> 00:04:02,810
I GOT A CALL
THAT SHE WAS HERE,
60
00:04:02,843 --> 00:04:04,345
BUT NOBODY WILL TELL ME
WHAT'S GOING ON.
61
00:04:04,378 --> 00:04:05,346
IS SHE OKAY?
62
00:04:05,379 --> 00:04:07,481
- COME WITH ME.
63
00:04:07,515 --> 00:04:17,558
[cane tapping floor]
64
00:04:17,558 --> 00:04:22,963
[cane tapping floor]
65
00:04:22,996 --> 00:04:26,300
- MR. ANDERSON?
I'M DR. LERMAN.
66
00:04:26,334 --> 00:04:27,868
- OH, HEY, HOW IS SHE?
67
00:04:27,901 --> 00:04:31,405
- ANNIE SUSTAINED TWO
GUN SHOT WOUNDS TO THE CHEST.
68
00:04:31,439 --> 00:04:33,541
THE SECOND BULLET PIERCED
HER LEFT VENTRICLE.
69
00:04:33,574 --> 00:04:34,908
WE OPENED HER CHEST
IN THE E.R.
70
00:04:34,942 --> 00:04:36,877
AND WE REVIVED
HER HEART.
71
00:04:36,910 --> 00:04:38,412
WE'RE BRINGING HER
INTO THE O.R. RIGHT NOW
72
00:04:38,446 --> 00:04:39,747
TO TRY AND REPAIR THE WOUND,
73
00:04:39,780 --> 00:04:43,016
BUT IT'S A VERY
DELICATE SURGERY.
74
00:04:43,050 --> 00:04:45,085
- IS SHE GONNA BE OKAY?
75
00:04:45,118 --> 00:04:49,390
- WE'LL KNOW MORE
IN A FEW HOURS.
76
00:04:49,423 --> 00:04:57,565
- THANK YOU, DOCTOR.
77
00:04:57,598 --> 00:05:01,369
[automatic door creaks]
78
00:05:01,402 --> 00:05:11,445
[wind whistling]
79
00:05:11,445 --> 00:05:16,417
[wind whistling]
80
00:05:16,450 --> 00:05:19,820
- HELLO, ANNIE.
81
00:05:19,853 --> 00:05:21,422
- HOW DID YOU--DID YOU--
82
00:05:21,455 --> 00:05:24,124
- TEA?
83
00:05:24,157 --> 00:05:25,959
- NO, THANKS.
84
00:05:25,993 --> 00:05:28,929
[tea tinkling]
85
00:05:28,962 --> 00:05:30,130
[wind continues]
86
00:05:30,163 --> 00:05:32,966
- ONE LUMP OR TWO?
- REALLY, I'M FINE.
87
00:05:33,000 --> 00:05:34,368
- RIGHT.
88
00:05:34,402 --> 00:05:37,571
SWEET ENOUGH AS YOU ARE.
89
00:05:37,605 --> 00:05:44,445
MMM, THAT'S LOVELY.
90
00:05:44,478 --> 00:05:48,849
NOW THEN, YOU'RE
IN GREAT DANGER.
91
00:05:48,882 --> 00:05:55,155
- FROM WHO?
92
00:05:55,188 --> 00:05:56,890
BLACKBIRD.
93
00:05:56,924 --> 00:05:59,760
- YOU NEED
TO FIND BLACKBIRD.
94
00:05:59,793 --> 00:06:07,167
- AND WHEN I DO?
95
00:06:07,200 --> 00:06:09,102
I SEE.
96
00:06:09,136 --> 00:06:11,104
- I'M AFRAID WE WON'T BE
SEEING EACH OTHER AGAIN
97
00:06:11,138 --> 00:06:19,413
AFTER THIS.
98
00:06:19,447 --> 00:06:21,849
I ACTUALLY THOUGHT
IT WOULD BE EASIER THIS TIME.
99
00:06:21,882 --> 00:06:23,451
- WHAT?
100
00:06:23,484 --> 00:06:26,454
- WALKING AWAY FROM YOU.
101
00:06:26,487 --> 00:06:28,422
- I'M SORRY FOR EVERYTHING.
102
00:06:28,456 --> 00:06:38,499
- I'M NOT.
103
00:06:38,499 --> 00:06:53,013
- I'M NOT.
104
00:06:53,046 --> 00:06:57,851
- I DIDN'T WANT
A TUNA MELT ANYWAY.
105
00:06:57,885 --> 00:06:58,852
[engine starts]
106
00:06:58,886 --> 00:06:59,953
[gasps]
107
00:06:59,987 --> 00:07:02,122
[engine humming]
108
00:07:02,155 --> 00:07:12,199
[wind continues]
109
00:07:12,199 --> 00:07:19,239
[wind continues]
110
00:07:19,272 --> 00:07:24,244
[footsteps]
111
00:07:24,277 --> 00:07:30,117
[wind whistling louder]
112
00:07:30,150 --> 00:07:39,259
[footsteps]
113
00:07:39,292 --> 00:07:53,974
[footsteps]
114
00:07:54,007 --> 00:07:59,580
[door closes]
115
00:07:59,613 --> 00:08:01,114
- [sighs]
116
00:08:01,148 --> 00:08:05,252
- WHAT HAPPENED?
117
00:08:05,285 --> 00:08:07,120
[door closes]
118
00:08:07,154 --> 00:08:09,156
- THANK YOU ALL FOR COMING IN
ON SUCH SHORT NOTICE.
119
00:08:09,189 --> 00:08:10,991
WE'D LIKE TO GET YOU ALL
UP TO SPEED ON THE EVENTS
120
00:08:11,024 --> 00:08:13,827
THAT HAVE TRANSPIRED
IN THE LAST 24 HOURS.
121
00:08:13,861 --> 00:08:16,096
EARLIER, LENA SMITH PRESENTED ME
WITH COMPELLING EVIDENCE
122
00:08:16,129 --> 00:08:19,266
THAT ANNIE WALKER HAS
BEEN PASSING CLASSIFIED INTEL
123
00:08:19,299 --> 00:08:22,269
TO AN FSB OPERATIVE
NAMED SIMON FISCHER,
124
00:08:22,302 --> 00:08:25,072
WHO WAS ALSO HER LOVER.
125
00:08:25,105 --> 00:08:27,307
A FEW HOURS AGO, THEY WERE
FOUND SHOT IN HER KITCHEN.
126
00:08:27,340 --> 00:08:28,809
NOW, WE'RE LABORING
UNDER THE THEORY
127
00:08:28,842 --> 00:08:31,845
THAT THERE WAS A DISPUTE
OVER THE ESCAPE PLAN.
128
00:08:31,879 --> 00:08:35,082
SIMON FIRED FIRST.
ANNIE SHOT BACK, KILLING HIM.
129
00:08:35,115 --> 00:08:39,152
SHE SURVIVED.
SHE'S STILL IN SURGERY.
130
00:08:39,186 --> 00:08:41,188
AS LENA IS THE MOST
FAMILIAR WITH THE EVIDENCE,
131
00:08:41,221 --> 00:08:43,991
SHE'LL BE BRIEFING YOU
ON THE SPECIFICS.
132
00:08:44,024 --> 00:08:47,561
LENA.
133
00:08:47,595 --> 00:08:49,262
- YOU ALL SHOULD HAVE
A DOSSIER IN FRONT OF YOU.
134
00:08:49,296 --> 00:08:52,265
PLEASE OPEN
TO THE FIRST PAGE.
135
00:08:52,299 --> 00:08:56,604
YOU'LL FIND AN ACCOUNT ANNIE
HELD IN AN OFFSHORE BANK.
136
00:08:56,637 --> 00:08:59,239
THE ACCOUNT NUMBER WAS FOUND
ON THE WALLET THAT WAS ON HER
137
00:08:59,272 --> 00:09:02,976
WHEN SHE WAS SHOT.
138
00:09:03,010 --> 00:09:05,278
ANNIE RECEIVED REGULAR DEPOSITS
IN THIS ACCOUNT.
139
00:09:05,312 --> 00:09:08,081
EACH IN THE AMOUNT
OF $10,000 U.S.
140
00:09:08,115 --> 00:09:11,084
TURN TO THE NEXT PAGE, PLEASE.
141
00:09:11,118 --> 00:09:12,319
YOU'RE LOOKING
AT THE FLIGHT PLAN
142
00:09:12,352 --> 00:09:15,222
FOR SIMON FISCHER'S
PRIVATE PLANE.
143
00:09:15,255 --> 00:09:20,027
DEPARTED D.C., STOPPED IN MEXICO
AND ULTIMATELY CUBA.
144
00:09:20,060 --> 00:09:22,229
ANNIE BOUGHT A FORGED PASSPORT
FROM AN OFF-BOOK COBBLER
145
00:09:22,262 --> 00:09:25,165
IN ORDER TO TRAVEL
WITH SIMON.
146
00:09:25,198 --> 00:09:27,367
THE NEXT PAGE IS A LIST
OF CLASSIFIED DOCUMENTS
147
00:09:27,400 --> 00:09:30,804
ANNIE PROVIDED
TO SIMON FISCHER.
148
00:09:30,838 --> 00:09:33,240
ALTHOUGH IT'S STILL UNKNOWN
HOW SHE SECRETED THESE DOCUMENTS
149
00:09:33,273 --> 00:09:35,275
OUT OF LANGLEY,
150
00:09:35,308 --> 00:09:37,110
OR WHERE SHE OBTAINED
THE SWEEP DRIVE,
151
00:09:37,144 --> 00:09:39,079
WHICH WE FOUND
HIDDEN IN HER HOME.
152
00:09:39,112 --> 00:09:41,114
EVIDENCE ON THE DRIVE
SUGGESTS SHE USED IT
153
00:09:41,148 --> 00:09:44,384
TO PASS THE DOCUMENTS
TO SIMON DIGITALLY.
154
00:09:44,417 --> 00:09:47,287
ANNIE ENGAGED SIMON FISCHER
UNDER MY PURVIEW.
155
00:09:47,320 --> 00:09:51,124
I SHOULD'VE
DISCOVERED IT SOONER.
156
00:09:51,158 --> 00:09:52,325
BUT ANNIE WAS
PLUCKED FROM THE FARM
157
00:09:52,359 --> 00:09:56,897
BEFORE SHE FINISHED TRAINING
AND WAS PUT INTO THE FIELD.
158
00:09:56,930 --> 00:09:58,165
WE ARE RUSHING PEOPLE THROUGH,
159
00:09:58,198 --> 00:09:59,867
TRYING TO PUT BOOTS
ON THE GROUND
160
00:09:59,900 --> 00:10:02,102
INSTEAD OF DOING
OUR DUE DILIGENCE.
161
00:10:02,135 --> 00:10:03,303
AND NOW BECAUSE OF THAT,
WE'RE ALL HERE
162
00:10:03,336 --> 00:10:13,781
IN THE MIDDLE OF THE NIGHT,
DEALING WITH THE CONSEQUENCES.
163
00:10:13,781 --> 00:10:26,426
IN THE MIDDLE OF THE NIGHT,
DEALING WITH THE CONSEQUENCES.
164
00:10:26,459 --> 00:10:28,295
- HEY, MAN.
165
00:10:28,328 --> 00:10:31,264
COFFEE.
166
00:10:31,298 --> 00:10:33,200
- THANKS.
- NO PROBLEM.
167
00:10:33,233 --> 00:10:36,069
HOW'S SHE DOING?
- STILL IN SURGERY.
168
00:10:36,103 --> 00:10:38,171
- JEEZ.
WHAT HAPPENED?
169
00:10:38,205 --> 00:10:40,207
I MEAN...
170
00:10:40,240 --> 00:10:44,011
WAS SHE IN SOME KIND
OF TROUBLE OR SOMETHING?
171
00:10:44,044 --> 00:10:45,979
- WELL, CONSIDERING
SHE WAS SHOT,
172
00:10:46,013 --> 00:10:49,016
I'D SAY YEAH, SHE WAS
IN SOME KIND OF TROUBLE.
173
00:10:49,049 --> 00:10:51,819
- RIGHT, SORRY.
174
00:10:51,852 --> 00:10:56,356
- SO, YOU MUST BE THE LAST
PERSON TO TALK TO HER, HUH?
175
00:10:56,389 --> 00:10:58,425
- I DON'T KNOW.
176
00:10:58,458 --> 00:11:00,160
THE HOSPITAL CALLED
ABOUT 30 MINUTES AFTER
177
00:11:00,193 --> 00:11:05,432
I GOT OFF THE PHONE
WITH HER, SO...
178
00:11:05,465 --> 00:11:08,836
HOW DID YOU KNOW
SHE CALLED ME?
179
00:11:08,869 --> 00:11:13,440
- AHH, THE DCS REQUISITIONED
A RECORDING OF IT.
180
00:11:13,473 --> 00:11:17,177
I PULLED THE DRIVE
FOR HIM MYSELF.
181
00:11:17,210 --> 00:11:29,122
- REQUISITIONED?
FOR WHAT?
182
00:11:29,156 --> 00:11:31,258
HAS ANYONE CALLED
HER SISTER, DANIELLE?
183
00:11:31,291 --> 00:11:32,926
- NO, NOT YET.
184
00:11:32,960 --> 00:11:34,027
WE CAN'T NOTIFY THE FAMILY
185
00:11:34,061 --> 00:11:38,165
UNTIL WE...
CLARIFY A FEW THINGS.
186
00:11:38,198 --> 00:11:40,934
- WELL, WHEN THE TIME COMES,
I'M MAKING THE CALL.
187
00:11:40,968 --> 00:11:42,169
- AUGGIE--
- I'M DOING IT.
188
00:11:42,202 --> 00:11:43,203
IT SHOULD COME
FROM SOMEONE WHO'S NOT
189
00:11:43,236 --> 00:11:46,006
TRYING TO PROSECUTE
HER SISTER.
190
00:11:46,039 --> 00:11:48,041
- IT'S BEEN
A LONG NIGHT, AUGGIE.
191
00:11:48,075 --> 00:11:49,309
- I HAVEN'T SLEPT MUCH EITHER.
192
00:11:49,342 --> 00:11:50,978
I'VE BEEN AT THE HOSPITAL
WAITING FOR A DOCTOR
193
00:11:51,011 --> 00:11:54,447
TO PULL A BULLET
OUT OF MY FRIEND.
194
00:11:54,481 --> 00:11:56,149
- YOU DIDN'T COME HERE
TO GIVE ME AN UPDATE
195
00:11:56,183 --> 00:12:00,053
ON ANNIE'S CONDITION,
DID YOU?
196
00:12:00,087 --> 00:12:02,923
- WORD IS, ANNIE'S
BEING ACCUSED OF TREASON.
197
00:12:02,956 --> 00:12:06,226
TELL ME THAT'S NOT TRUE.
198
00:12:06,259 --> 00:12:08,361
[scoffs] THIS IS BULLSH--!
199
00:12:08,395 --> 00:12:11,398
- HEY!
- THIS IS BULLSH--, SIR.
200
00:12:11,431 --> 00:12:13,166
THERE IS NO WAY
THAT COULD BE TRUE.
201
00:12:13,200 --> 00:12:15,035
WHAT PROOF DO YOU HAVE?
I WANNA SEE IT.
202
00:12:15,068 --> 00:12:20,240
- THE EVIDENCE IS ABOVE
YOUR CLEARANCE, AUGGIE.
203
00:12:20,273 --> 00:12:23,243
- ANNIE WALKER
IS NO TRAITOR.
204
00:12:23,276 --> 00:12:27,280
I DON'T CARE WHAT EVIDENCE
YOU HAVE, IT'S WRONG.
205
00:12:27,314 --> 00:12:34,454
I'M GONNA DO WHATEVER
I HAVE TO DO TO PROVE IT.
206
00:12:34,487 --> 00:12:39,159
[keys clicking]
207
00:12:39,192 --> 00:12:40,928
[door slams]
208
00:12:40,961 --> 00:12:44,131
- I'D LIKE ACCESS TO
THE EVIDENCE AGAINST ANNIE.
209
00:12:44,164 --> 00:12:45,365
PLEASE.
210
00:12:45,398 --> 00:12:47,034
- I DON'T HAVE THE AUTHORITY
TO GRANT IT.
211
00:12:47,067 --> 00:12:48,268
AND I'M GUESSING
YOU'RE HERE BECAUSE YOU'VE
212
00:12:48,301 --> 00:12:50,037
ALREADY BEEN DENIED
BY THE PERSON WHO DOES.
213
00:12:50,070 --> 00:12:51,438
- I HAVE BEEN HERE LONG ENOUGH
TO KNOW WHAT HAPPENS
214
00:12:51,471 --> 00:12:53,841
WHEN EVEN THE HINT
OF AN ACCUSATION LIKE THIS
215
00:12:53,874 --> 00:12:55,142
GETS HURLED AT AN OPERATIVE.
216
00:12:55,175 --> 00:12:56,844
ANNIE IS ON AN ISLAND
RIGHT NOW.
217
00:12:56,877 --> 00:12:59,246
- AUGGIE, I KNOW HOW
DIFFICULT THIS IS FOR YOU,
218
00:12:59,279 --> 00:13:01,148
AND I'M HAVING
A HARD TIME WITH IT MYSELF.
219
00:13:01,181 --> 00:13:03,050
IT ALL SEEMS IMPOSSIBLE.
220
00:13:03,083 --> 00:13:08,188
BUT THE EVIDENCE THAT LENA
PRESENTED IS--IT'S COMPELLING.
221
00:13:08,221 --> 00:13:10,057
- YOU ACTUALLY
BELIEVE SHE'S GUILTY?
222
00:13:10,090 --> 00:13:12,125
- I DON'T KNOW
WHAT I BELIEVE.
223
00:13:12,159 --> 00:13:14,061
THAT'S BECAUSE
I CAN'T BE OBJECTIVE
224
00:13:14,094 --> 00:13:15,195
AND NEITHER CAN YOU.
225
00:13:15,228 --> 00:13:18,198
SO WHAT GOOD IS LOOKING
AT THE EVIDENCE GONNA DO HER...
226
00:13:18,231 --> 00:13:19,099
OR YOU?
227
00:13:19,132 --> 00:13:21,068
- NO, YOU'RE RIGHT,
I'M NOT OBJECTIVE.
228
00:13:21,101 --> 00:13:23,170
SO SCREW LENA'S EVIDENCE,
I'LL GO OUT AND FIND MY OWN.
229
00:13:23,203 --> 00:13:25,472
BECAUSE WHATEVER SHE HAS
THAT PAINTS ANNIE AS A TRAITOR
230
00:13:25,505 --> 00:13:27,207
ISN'T WORTH THE PAPER
THAT IT'S PRINTED ON.
231
00:13:27,240 --> 00:13:29,442
- OKAY, YOU SEE,
THIS IS EXACTLY WHY
232
00:13:29,476 --> 00:13:31,879
PEOPLE WITHOUT
AN EMOTIONAL STAKE IN ANNIE,
233
00:13:31,912 --> 00:13:35,082
I.E. NOT YOU OR I,
ARE VETTING EVERYTHING.
234
00:13:35,115 --> 00:13:40,053
THAT INCLUDES HAVING
LENA HERSELF POLYGRAPHED.
235
00:13:40,087 --> 00:13:44,858
[cane tapping]
236
00:13:44,892 --> 00:13:46,226
[knock on door]
237
00:13:46,259 --> 00:13:47,227
- OH, HEY.
238
00:13:47,260 --> 00:13:49,196
- HEY, LIEBER, I NEED
YOU TO DO ME A SOLID.
239
00:13:49,229 --> 00:13:50,297
- OH, NAME IT.
240
00:13:50,330 --> 00:13:52,966
- I WANNA SIT IN.
- NO, NO.
241
00:13:53,000 --> 00:13:55,202
A SOLID IS A RIDE TO THE AIRPORT
OR TELLING YOUR WIFE
242
00:13:55,235 --> 00:13:56,303
YOU WERE WITH ME
WHEN YOU WEREN'T.
243
00:13:56,336 --> 00:13:58,138
WHAT YOU JUST ASKED FOR IS
NEITHER OF THOSE THINGS.
244
00:13:58,171 --> 00:14:00,340
- I DON'T HAVE A WIFE.
245
00:14:00,373 --> 00:14:01,408
I'LL BE QUIET
AS A MOUSE.
246
00:14:01,441 --> 00:14:03,176
NO ONE WILL EVER
KNOW I WAS HERE.
247
00:14:03,210 --> 00:14:06,346
- I CAN'T.
248
00:14:06,379 --> 00:14:09,316
- YOU STILL WANT A TRANSFER
TO U.K. DESK, RIGHT?
249
00:14:09,349 --> 00:14:10,884
- YEAH.
250
00:14:10,918 --> 00:14:12,953
- I GOT A BUDDY OVER THERE,
HE'S AN ANALYST.
251
00:14:12,986 --> 00:14:14,187
HE'S TRANSFERRING
TO BERLIN STATION
252
00:14:14,221 --> 00:14:15,889
AT THE END OF THE MONTH.
253
00:14:15,923 --> 00:14:18,125
I CAN SET YOU UP WITH
AN INTERVIEW WITH ANDREW BRANCH
254
00:14:18,158 --> 00:14:23,330
BEFORE ANYONE ELSE KNOWS
THAT JOB IS AVAILABLE.
255
00:14:23,363 --> 00:14:25,432
- YOU'RE QUIETER THAN
A MOUSE, YOU UNDERSTAND?
256
00:14:25,465 --> 00:14:29,937
YOU'RE A DEAD MOUSE.
257
00:14:29,970 --> 00:14:34,007
- NOT A SINGLE SQUEAK.
258
00:14:34,041 --> 00:14:37,044
- WERE YOU ASSIGNED
AN OPERATIVE NAMED ANNIE WALKER?
259
00:14:37,077 --> 00:14:38,311
- YES.
260
00:14:38,345 --> 00:14:40,180
- AND DID SHE INITIALLY
EXHIBIT ANY BEHAVIORS
261
00:14:40,213 --> 00:14:42,950
WHICH YOU FOUND
TO BE SUSPECT?
262
00:14:42,983 --> 00:14:44,151
- NO.
263
00:14:44,184 --> 00:14:48,188
- DID ANNIE PROPOSE THE MISSION
TO CULTIVATE SIMON FISHER?
264
00:14:48,221 --> 00:14:49,957
- YES.
265
00:14:49,990 --> 00:14:51,291
- DID YOU AGREE
TO THIS MISSION?
266
00:14:51,324 --> 00:14:53,260
- YES.
267
00:14:53,293 --> 00:14:57,230
- WERE YOU AWARE ANNIE AND SIMON
WERE ROMANTICALLY INVOLVED?
268
00:14:57,264 --> 00:14:58,698
- NO, I WASN'T.
269
00:14:58,731 --> 00:15:01,268
- ALL RIGHT, WHAT'S THE VERDICT?
FACT OR FICTION?
270
00:15:01,301 --> 00:15:03,203
- SO FAR SHE'S
TELLING THE TRUTH.
271
00:15:03,236 --> 00:15:05,105
- THIS IS A WASTE
OF TIME.
272
00:15:05,138 --> 00:15:07,207
ANYBODY WITH LENA'S BACKGROUND
WOULD HAVE NO PROBLEM
273
00:15:07,240 --> 00:15:08,208
BEATING A POLYGRAPH.
274
00:15:08,241 --> 00:15:09,042
- YOU KNOW, FOR A DEAD MOUSE,
275
00:15:09,076 --> 00:15:10,410
YOU DO AN AWFUL LOT
OF SQUEAKING.
276
00:15:10,443 --> 00:15:12,112
- DO YOU THINK ANNIE
HAD ANY INVOLVEMENT
277
00:15:12,145 --> 00:15:16,984
IN THE DEATH
OF JAI WILCOX?
278
00:15:17,017 --> 00:15:18,986
- I DON'T KNOW.
279
00:15:19,019 --> 00:15:21,154
- YES OR NO, PLEASE.
280
00:15:21,188 --> 00:15:28,228
- IF THOSE ARE MY ONLY OPTIONS,
I'M GONNA HAVE TO SAY YES.
281
00:15:28,261 --> 00:15:30,730
- WERE YOU AWARE OF ANNIE'S
PLANS TO GO TO CUBA?
282
00:15:30,763 --> 00:15:37,437
[door closes]
283
00:15:37,470 --> 00:15:39,139
DID ANNIE NOTIFY YOU--
284
00:15:39,172 --> 00:15:41,008
- I KNOW THAT YOU'RE
AN EXEMPLARY OPERATIVE
285
00:15:41,041 --> 00:15:42,142
AND YOU'VE DONE
A LOT OF GREAT THINGS
286
00:15:42,175 --> 00:15:43,110
FOR THIS AGENCY--
287
00:15:43,143 --> 00:15:44,177
- HEY.
288
00:15:44,211 --> 00:15:45,678
- BUT IF YOU BELIEVE
THAT ANNIE COULD KILL ANYONE
289
00:15:45,712 --> 00:15:47,714
IN COLD BLOOD, LET ALONE
SOMEONE SHE CARES FOR,
290
00:15:47,747 --> 00:15:49,416
YOU DON'T KNOW WHAT THE HELL
YOU'RE TALKING ABOUT.
291
00:15:49,449 --> 00:15:52,185
- I AM SO SORRY ABOUT THIS--
- THIS IS OUTRAGEOUS.
292
00:15:52,219 --> 00:15:54,354
WHO'S YOUR SUPERVISOR?
- IT'S OKAY, LEO.
293
00:15:54,387 --> 00:15:57,157
I UNDERSTAND WHY YOUR ANGER
IS DIRECTED AT ME, AUGGIE.
294
00:15:57,190 --> 00:15:59,492
BUT THIS IS AN INAPPROPRIATE WAY
TO DEAL WITH IT.
295
00:15:59,526 --> 00:16:01,161
WE'RE ALL FRUSTRATED HERE.
296
00:16:01,194 --> 00:16:04,497
- I KNOW.
- LET'S GO.
297
00:16:04,531 --> 00:16:07,767
[door slams]
298
00:16:07,800 --> 00:16:16,409
ARE YOU OUT OF YOUR MIND?
299
00:16:16,443 --> 00:16:18,178
- I UNDERSTAND.
300
00:16:18,211 --> 00:16:21,181
GIVE ME AN HOUR
TO GATHER THE MATERIALS.
301
00:16:21,214 --> 00:16:28,188
YES, SIR.
302
00:16:28,221 --> 00:16:33,193
- HERE YOU GO.
- THANKS.
303
00:16:33,226 --> 00:16:35,128
THE DCI'S ASSEMBLING
A SMALL COMMITTEE TO DETERMINE
304
00:16:35,162 --> 00:16:39,166
WHETHER OR NOT ANNIE
SHOULD BE DECOMMISSIONED.
305
00:16:39,199 --> 00:16:41,768
I HAVE TO BRIEF THEM
IN 30 MINUTES.
306
00:16:41,801 --> 00:16:43,736
- BUT IT HASN'T
EVEN BEEN 24 HOURS.
307
00:16:43,770 --> 00:16:45,372
THIS SEEMS LIKE
A RUSH TO JUDGMENT.
308
00:16:45,405 --> 00:16:46,306
- WELL, THE LAST SIX MONTHS
309
00:16:46,339 --> 00:16:48,241
HAVE HARDLY BEEN STELLAR
FOR THIS AGENCY,
310
00:16:48,275 --> 00:16:50,110
BETWEEN JAI MURDERED
ON U.S. SOIL
311
00:16:50,143 --> 00:16:52,179
AND NOW A POSSIBLE TRAITOR
IN OUR MIDST.
312
00:16:52,212 --> 00:16:55,282
DCI'S BEING SQUEEZED
FROM ALL SIDES FOR ANSWERS.
313
00:16:55,315 --> 00:16:57,250
SO THE ONLY WAY
TO RELIEVE THE PRESSURE
314
00:16:57,284 --> 00:16:59,419
IS TO SEW THIS UP
AS SOON AS POSSIBLE.
315
00:16:59,452 --> 00:17:00,787
- BUT HOW CAN THEY
DECIDE ANYTHING
316
00:17:00,820 --> 00:17:01,788
UNTIL ANNIE WAKES UP?
317
00:17:01,821 --> 00:17:04,257
SHE SHOULD HAVE THE RIGHT
TO DEFEND HERSELF.
318
00:17:04,291 --> 00:17:05,258
- I SPOKE TO ANNIE'S DOCTOR.
319
00:17:05,292 --> 00:17:07,794
SHE'S STABLE, BUT
THERE IS NO TELLING WHEN,
320
00:17:07,827 --> 00:17:12,332
OR EVEN IF SHE'LL
REGAIN CONSCIOUSNESS.
321
00:17:12,365 --> 00:17:19,372
- THANKS.
322
00:17:19,406 --> 00:17:22,175
- ANNIE WALKER'S FRIEND, RIGHT?
- YEAH.
323
00:17:22,209 --> 00:17:23,176
- WHAT DO YOU NEED?
324
00:17:23,210 --> 00:17:25,245
- I'M HERE TO PICK UP
HER PERSONAL EFFECTS.
325
00:17:25,278 --> 00:17:27,280
- A GENTLEMAN ALREADY
COLLECTED THEM EARLIER.
326
00:17:27,314 --> 00:17:28,515
HE HAD A WARRANT.
327
00:17:28,548 --> 00:17:30,383
- GOTTA GET ME
ONE OF THOSE.
328
00:17:30,417 --> 00:17:31,784
- DID SHE HAVE
SOMETHING YOU NEEDED?
329
00:17:31,818 --> 00:17:34,187
- WELL, THAT'S WHAT
I WAS HOPING TO FIND OUT.
330
00:17:34,221 --> 00:17:37,090
- THERE'S AN ITEMIZED LIST
OF HER BELONGINGS IN HER CHART.
331
00:17:37,124 --> 00:17:39,092
I CAN MAKE A COPY
OF IT FOR YOU.
332
00:17:39,126 --> 00:17:41,094
- I'D LOVE THAT,
YEAH, THANKS.
333
00:17:41,128 --> 00:17:42,829
- OKAY.
334
00:17:42,862 --> 00:17:45,232
IT SHOULD TAKE
A FEW MINUTES.
335
00:17:45,265 --> 00:17:47,134
[door closes]
336
00:17:47,167 --> 00:17:48,868
[echoing] I SAID IT'LL
JUST TAKE A FEW MINUTES.
337
00:17:48,901 --> 00:17:50,170
PLEASE, HAVE A SEAT.
338
00:17:50,203 --> 00:17:51,371
[wind whistling]
339
00:17:51,404 --> 00:17:54,274
- DANIELLE.
WHAT ARE YOU DOING HERE?
340
00:17:54,307 --> 00:17:56,876
- I'M HERE TO CONDUCT
A POLYGRAPH EXAMINATION...
341
00:17:56,909 --> 00:17:59,179
ON YOU.
342
00:17:59,212 --> 00:18:00,480
- OKAY.
343
00:18:00,513 --> 00:18:02,815
THIS ISN'T REALLY
A GOOD TIME.
344
00:18:02,849 --> 00:18:04,184
- FUNNY HOW IT'S
NEVER A GOOD TIME
345
00:18:04,217 --> 00:18:09,189
WHEN I NEED
SOMETHING FROM YOU.
346
00:18:09,222 --> 00:18:21,868
- LET'S DO IT.
347
00:18:21,901 --> 00:18:25,405
[buttons clicking]
348
00:18:25,438 --> 00:18:28,341
- IS YOUR NAME
ANNE CATHERINE WALKER?
349
00:18:28,375 --> 00:18:29,509
- YES.
350
00:18:29,542 --> 00:18:32,479
- DO YOU RESIDE
IN WASHINGTON, D.C.?
351
00:18:32,512 --> 00:18:34,381
- GEORGETOWN, YES.
352
00:18:34,414 --> 00:18:36,249
- DID YOU LIKE
THE MISO BLACK COD
353
00:18:36,283 --> 00:18:38,751
I MADE FOR
YOUR BIRTHDAY LAST YEAR?
354
00:18:38,785 --> 00:18:42,389
- WHAT?
- YOU BARELY TOUCHED IT.
355
00:18:42,422 --> 00:18:44,724
YOU CLAIMED YOU HAD
A REALLY BIG LUNCH THAT DAY.
356
00:18:44,757 --> 00:18:49,396
DID YOU LIKE MY COD?
357
00:18:49,429 --> 00:18:51,531
- YES.
[machine beeps]
358
00:18:51,564 --> 00:18:54,267
COME ON, DANIELLE.
359
00:18:54,301 --> 00:18:56,403
- [clears throat]
DO YOU EVER INTEND TO KEEP
360
00:18:56,436 --> 00:18:58,171
THE PROMISES YOU MAKE,
OR DO YOU KNOW THEY'RE EMPTY
361
00:18:58,205 --> 00:19:00,940
WHEN YOU MAKE THEM?
362
00:19:00,973 --> 00:19:02,375
- WHAT?
363
00:19:02,409 --> 00:19:04,344
- I DIDN'T
COMPOSE THE QUESTIONS,
364
00:19:04,377 --> 00:19:06,346
I'M JUST HERE
TO CONDUCT THE INTERVIEW.
365
00:19:06,379 --> 00:19:08,748
PLEASE ANSWER THE QUESTION.
366
00:19:08,781 --> 00:19:11,251
- I INTEND TO KEEP
EVERY PROMISE I MAKE.
367
00:19:11,284 --> 00:19:14,254
[machine beeps]
I'M NOT LYING.
368
00:19:14,287 --> 00:19:15,788
- WELL, THE MACHINE
INDICATES OTHERWISE.
369
00:19:15,822 --> 00:19:18,491
AND FRANKLY, I'M MORE INCLINED
TO TRUST AN ELECTRONIC DEVICE
370
00:19:18,525 --> 00:19:20,393
THAN YOU.
371
00:19:20,427 --> 00:19:23,263
[Velcro ripping]
- YOU KNOW WHAT? THIS IS OVER.
372
00:19:23,296 --> 00:19:25,298
- DID YOU EVER CONSIDER
WHAT EFFECTS JOINING THE C.I.A.
373
00:19:25,332 --> 00:19:27,500
WOULD HAVE ON YOUR FAMILY?
374
00:19:27,534 --> 00:19:29,202
WERE YOU AWARE
OF THE POTENTIAL DANGERS
375
00:19:29,236 --> 00:19:31,838
AND CHOSE TO JOIN REGARDLESS?
376
00:19:31,871 --> 00:19:36,376
- NOTHING WAS EVER MORE
IMPORTANT TO ME THAN YOU.
377
00:19:36,409 --> 00:19:38,978
[wind whistling]
378
00:19:39,011 --> 00:19:43,250
- I DON'T KNOW WHERE
YOUR ALLEGIANCE LIES.
379
00:19:43,283 --> 00:19:49,389
BUT YOUR ACTIONS
SUGGEST IT ISN'T WITH ME.
380
00:19:49,422 --> 00:19:54,394
- [grunts]
381
00:19:54,427 --> 00:20:04,304
[car engine rumbling]
382
00:20:04,337 --> 00:20:06,873
- HEY, GOOD-LOOKING,
NEED A RIDE?
383
00:20:06,906 --> 00:20:12,279
[car engine revving]
384
00:20:12,312 --> 00:20:19,286
[car door slams]
385
00:20:19,319 --> 00:20:20,920
- WOULD YOU MIND
READING THIS TO ME?
386
00:20:20,953 --> 00:20:23,323
I LEFT MY READING GLASSES
IN MY CAR.
387
00:20:23,356 --> 00:20:25,825
- OF COURSE, SORRY.
388
00:20:25,858 --> 00:20:27,427
UH, LET'S SEE...
389
00:20:27,460 --> 00:20:32,265
PANTS, SHOES, BLOUSE, EARRINGS,
WALLET, U.S. PASSPORT--
390
00:20:32,299 --> 00:20:34,467
- PASSPORT? WHY WOULD
SHE BE CARRYING THAT?
391
00:20:34,501 --> 00:20:35,968
- MAYBE SHE WAS
ON HER WAY OUT OF TOWN?
392
00:20:36,002 --> 00:20:39,806
- NO, SHE SHE WAS
ON HER WAY TO SEE ME.
393
00:20:39,839 --> 00:20:41,774
YOU WOULDN'T HAPPEN TO HAVE
THE NUMBER OF THAT PASSPORT
394
00:20:41,808 --> 00:20:43,310
ON THAT LIST, WOULD YOU?
395
00:20:43,343 --> 00:20:44,477
- I DO.
396
00:20:44,511 --> 00:20:46,279
- BARBER, I NEED YOU
TO RUN A PASSPORT.
397
00:20:46,313 --> 00:20:47,880
I WANT TO KNOW
IF IT'S REAL OR A FORGERY.
398
00:20:47,914 --> 00:20:48,881
- YEAH, HIT ME.
399
00:20:48,915 --> 00:20:52,952
- BRAVO, 9-2-8-3-7-4-6-8.
400
00:20:52,985 --> 00:20:55,054
- NO, IT WASN'T ISSUED BY STATE.
IT'S DEFINITELY A FORGERY.
401
00:20:55,087 --> 00:20:56,456
- ONE OF OURS?
402
00:20:56,489 --> 00:20:59,326
[keyboard clicking]
403
00:20:59,359 --> 00:21:00,793
- NOPE, CIA
DIDN'T MAKE IT EITHER.
404
00:21:00,827 --> 00:21:02,562
MUST'VE BEEN CREATED
BY AN OFF-BOOK COBBLER.
405
00:21:02,595 --> 00:21:04,464
- OUTSTANDING.
406
00:21:04,497 --> 00:21:06,799
- ANNIE COPPING
A BOGUS PASSPORT IS GOODNEWS?
407
00:21:06,833 --> 00:21:08,401
- THE BEST NEWS
I'VE HAD ALL DAY.
408
00:21:08,435 --> 00:21:09,969
AND I NEED YOU
TO GET ME THE ADDRESSES
409
00:21:10,002 --> 00:21:12,038
OF THE BEST COBBLERS
IN THE AREA.
410
00:21:12,071 --> 00:21:17,310
I'M GONNA MAKE
A FEW HOUSE CALLS.
411
00:21:17,344 --> 00:21:21,514
[knock on door]
412
00:21:21,548 --> 00:21:27,487
- MR. GUERRERO?
413
00:21:27,520 --> 00:21:35,362
HELLO?
414
00:21:35,395 --> 00:21:37,897
HELLO?
415
00:21:37,930 --> 00:21:41,067
HELLO?
416
00:21:41,100 --> 00:21:51,344
MR. GUERRERO?
417
00:21:51,344 --> 00:22:01,354
MR. GUERRERO?
418
00:22:39,526 --> 00:22:43,963
[sirens wailing,
police radio chatter]
419
00:22:43,996 --> 00:22:49,836
- CLEAR! CLEAR!
420
00:22:49,869 --> 00:22:51,838
- ANYTHING?
- THE PLACE IS CLEAR.
421
00:22:51,871 --> 00:22:53,906
- HE MUST'VE SNUCK OUT
WHILE I CALLED FOR BACK-UP.
422
00:22:53,940 --> 00:22:57,009
I HEARD A CAR ON THE STREET
ABOUT TWO MINUTES AFTER I LEFT.
423
00:22:57,043 --> 00:22:58,210
DIESEL, I THINK.
424
00:22:58,244 --> 00:22:59,979
WHAT DO YOU WANNA BET THAT
WAS THE KILLER'S GETAWAY CAR?
425
00:23:00,012 --> 00:23:04,951
- KILLER?
426
00:23:04,984 --> 00:23:07,954
- THIS WASN'T HERE BEFORE.
427
00:23:07,987 --> 00:23:09,856
I MAY BE BLIND,
BUT I KNOW THE DIFFERENCE
428
00:23:09,889 --> 00:23:11,891
BETWEEN A CHEAP RUG
AND A DEAD BODY.
429
00:23:11,924 --> 00:23:14,494
- ALL RIGHT, SO WHAT
DO YOU IMAGINE HAPPENED HERE?
430
00:23:14,527 --> 00:23:18,531
- I DON'T KNOW.
431
00:23:18,565 --> 00:23:21,968
[sighs]
432
00:23:22,001 --> 00:23:25,004
[sniffs]
433
00:23:25,037 --> 00:23:33,079
DO YOU SEE ANY FLOWERS
OR SCENTED CANDLES AROUND?
434
00:23:33,112 --> 00:23:35,582
- NO, I DON'T SEE
ANYTHING LIKE THAT.
435
00:23:35,615 --> 00:23:39,018
- I COULD'VE SWORN
I SMELLED LAVENDER EARLIER.
436
00:23:39,051 --> 00:23:41,554
- ALL RIGHT,
I'M TAKING YOU HOME.
437
00:23:41,588 --> 00:23:42,989
YOU NEED SLEEP.
438
00:23:43,022 --> 00:23:44,223
- HOW MUCH SLEEP
DO YOU THINK I'M GONNA GET
439
00:23:44,256 --> 00:23:47,026
KNOWING SOME COMMITTEE'S TRYING
TO BURN ANNIE AT THE STAKE?
440
00:23:47,059 --> 00:23:48,127
- IT'S NOTHING PERSONAL,
AUGGIE,
441
00:23:48,160 --> 00:23:50,863
THEY'RE GONNA MAKE A DECISION
BASED ON THE EVIDENCE.
442
00:23:50,897 --> 00:23:52,131
- ALL THEY'RE LOOKING FOR
IS EVIDENCE TO INDICT,
443
00:23:52,164 --> 00:23:53,966
THAT'S ALL THEY'RE GONNA FIND.
444
00:23:54,000 --> 00:23:56,769
YOU GOTTA HELP ME CONVINCE
ARTHUR TO GIVE ME THOSE FILES.
445
00:23:56,803 --> 00:23:58,104
SOMEBODY'S GOTTA
FIGHT FOR ANNIE.
446
00:23:58,137 --> 00:24:00,873
- I AGREE, WHICH IS WHY
I'VE BEEN SIFTING THROUGH
447
00:24:00,907 --> 00:24:02,975
EVERY SCRAP OF EVIDENCE,
448
00:24:03,009 --> 00:24:05,578
LOOKING FOR ANYTHING
I CAN TO HELP ANNIE.
449
00:24:05,612 --> 00:24:08,981
I CARE ABOUT HER TOO, AUGGIE.
450
00:24:09,015 --> 00:24:12,885
DO YOU TRUST ME
TO FIGHT FOR HER?
451
00:24:12,919 --> 00:24:15,488
- YEAH.
- OKAY.
452
00:24:15,522 --> 00:24:16,789
LET ME TAKE YOU HOME.
453
00:24:16,823 --> 00:24:18,224
- I WANNA GO TO THE HOSPITAL.
- AUGGIE.
454
00:24:18,257 --> 00:24:23,596
- I CAN GET A CAB.
455
00:24:23,630 --> 00:24:36,976
- [sighs] COME ON,
I'LL DRIVE YOU.
456
00:24:37,009 --> 00:24:38,244
[knock on door]
457
00:24:38,277 --> 00:24:40,847
- YEAH?
458
00:24:40,880 --> 00:24:41,914
OH, THANK YOU.
459
00:24:41,948 --> 00:24:51,991
[door closes]
460
00:24:51,991 --> 00:25:03,169
[door closes]
461
00:25:03,202 --> 00:25:05,004
WHAT IS IT?
462
00:25:05,037 --> 00:25:06,906
- WELL, IT'S NOT OFFICIAL YET.
463
00:25:06,939 --> 00:25:09,208
BUT I WANTED YOU
TO HEAR IT FROM ME.
464
00:25:09,241 --> 00:25:15,014
THE COMMITTEE DECIDED
TO DECOMMISSION ANNIE.
465
00:25:15,047 --> 00:25:17,984
- [scoffs] AUGGIE WAS RIGHT.
466
00:25:18,017 --> 00:25:19,886
DCI'S NOT INTERESTED
IN DUE PROCESS.
467
00:25:19,919 --> 00:25:21,253
HE JUST WANTS TO ASSIGN BLAME
AND MOVE ON.
468
00:25:21,287 --> 00:25:22,555
- WELL THE OPERATIVES
IN THIS BUILDING
469
00:25:22,589 --> 00:25:25,892
DEPEND ON HIM
TO PROTECT THEM.
470
00:25:25,925 --> 00:25:28,995
WHEN THERE'S OVERWHELMING
EVIDENCE THAT ONE AMONG US
471
00:25:29,028 --> 00:25:29,862
IS A TRAITOR,
472
00:25:29,896 --> 00:25:32,999
HE HAS NO CHOICE
BUT TO ACT SWIFTLY.
473
00:25:33,032 --> 00:25:35,101
- MM.
474
00:25:35,134 --> 00:25:39,271
- MAYBE LENA WAS RIGHT.
475
00:25:39,305 --> 00:25:41,207
MAYBE WE BROUGHT
ANNIE IN TOO EARLY.
476
00:25:41,240 --> 00:25:44,010
- NO, SHE WAS READY, ARTHUR.
477
00:25:44,043 --> 00:25:47,146
SHE HAD MORE RAW TALENT
THAN ANYONE I HAVE EVER SEEN,
478
00:25:47,179 --> 00:25:49,582
AND IN THE TWO-AND-A-HALF YEARS
THAT WE'VE WORKED TOGETHER,
479
00:25:49,616 --> 00:25:52,218
SHE'S PROVED HERSELF TO BE
AN INVALUABLE OPERATIVE.
480
00:25:52,251 --> 00:25:54,186
- INVALUABLE.
481
00:25:54,220 --> 00:26:03,329
EVEN IF SHE WAS LYING
TO YOU THE ENTIRE TIME?
482
00:26:03,362 --> 00:26:06,332
- YOU HAVE NEVER DOUBTED
483
00:26:06,365 --> 00:26:09,936
SHE WAS GUILTY, HAVE YOU?
484
00:26:09,969 --> 00:26:13,840
YOU DIDN'T EVEN
TRY TO DEFEND HER.
485
00:26:13,873 --> 00:26:16,208
SO, WHAT ABOUT THE OPERATIVE
THAT DEPENDS ON YOU
486
00:26:16,242 --> 00:26:18,110
TO HAVE THEIR BACK?
487
00:26:18,144 --> 00:26:21,213
- ANNIE WALKER...
488
00:26:21,247 --> 00:26:25,852
IS LOOKING VERY,
VERY GUILTY.
489
00:26:25,885 --> 00:26:29,255
IT'S HARD TO ACCEPT.
490
00:26:29,288 --> 00:26:39,999
I KNOW.
491
00:26:40,032 --> 00:26:47,006
[monitor beeps]
492
00:26:47,039 --> 00:26:51,043
- YOU SHOULD TALK TO HER.
493
00:26:51,077 --> 00:26:53,012
- CAN SHE HEAR ME?
494
00:26:53,045 --> 00:26:55,081
- THE TRUTH IS
NOBODY KNOWS FOR SURE.
495
00:26:55,114 --> 00:26:58,985
BUT I LIKE
TO THINK SHE CAN.
496
00:26:59,018 --> 00:27:01,821
THERE'S SOME FOOD
AT THE FOOT OF THE BED.
497
00:27:01,854 --> 00:27:04,023
YOU LOOK LIKE
YOU COULD USE IT.
498
00:27:04,056 --> 00:27:12,031
- THANKS.
499
00:27:12,064 --> 00:27:15,401
[sighs]
500
00:27:15,434 --> 00:27:17,369
[claps hands]
501
00:27:17,403 --> 00:27:19,906
ANNIE, HEY,
IT'S ME...
502
00:27:19,939 --> 00:27:22,875
AUGGIE.
503
00:27:22,909 --> 00:27:27,413
YOU KNOW, THE GUY
THAT GAVE YOU A CORVETTE.
504
00:27:27,446 --> 00:27:29,281
SINCE I HAVE
YOUR UNDIVIDED ATTENTION,
505
00:27:29,315 --> 00:27:32,418
I'D LIKE TO SHARE
MY THOUGHTS ABOUT HOW
506
00:27:32,451 --> 00:27:35,988
BILLY COLLINS' POETRY
IS OVERRATED AND DERIVATIVE.
507
00:27:36,022 --> 00:27:42,194
IF YOU AGREE WITH THIS,
SAY ABSOLUTELY NOTHING.
508
00:27:42,228 --> 00:27:43,863
[chuckles]
509
00:27:43,896 --> 00:27:47,066
YEAH, THE THING ABOUT THIS
WHOLE WITTY BANTER DEAL IS
510
00:27:47,099 --> 00:27:48,835
IT KIND OF TAKES TWO PEOPLE.
511
00:27:48,868 --> 00:27:51,037
OTHERWISE IT'S JUST
A GUY BY HIMSELF
512
00:27:51,070 --> 00:27:59,912
BEING INCREDIBLY CLEVER.
513
00:27:59,946 --> 00:28:03,916
I MISS YOU, ANNIE.
514
00:28:03,950 --> 00:28:09,021
I HAVE FOR A LONG TIME.
515
00:28:09,055 --> 00:28:11,290
THINGS HAVE BEEN DIFFERENT
BETWEEN US SINCE BARCELONA,
516
00:28:11,323 --> 00:28:16,228
AND IT'S ALL MY FAULT.
517
00:28:16,262 --> 00:28:20,199
I'VE BEEN, UH...
CLOSED OFF AND DISTANT,
518
00:28:20,232 --> 00:28:23,435
AND...
519
00:28:23,469 --> 00:28:29,375
I CAN'T TELL YOU
HOW SORRY I AM FOR THAT.
520
00:28:29,408 --> 00:28:31,077
I DON'T KNOW
IF YOU CAN HEAR ME,
521
00:28:31,110 --> 00:28:34,947
BUT I NEED YOU TO WAKE UP.
522
00:28:34,981 --> 00:28:36,983
I KNOW YOU'RE NOT
A TRAITOR AND RIGHT NOW
523
00:28:37,016 --> 00:28:42,054
YOU'RE THE ONLY ONE
WHO CAN HELP ME HELP YOU.
524
00:28:42,088 --> 00:28:46,425
I NEED YOU, ANNIE.
525
00:28:46,458 --> 00:28:51,263
I NEVER NEED ANYONE.
526
00:28:51,297 --> 00:28:57,403
BUT I NEED YOU.
527
00:28:57,436 --> 00:29:04,143
[sighs]
528
00:29:04,176 --> 00:29:14,220
[wind whistling]
529
00:29:14,220 --> 00:29:28,067
[wind whistling]
530
00:29:28,100 --> 00:29:31,237
WE GOT INTEL THAT BLACKBIRD
IS STAYING IN ROOM 309.
531
00:29:31,270 --> 00:29:33,439
THE ONLY WAY TO GET UP THERE
WITHOUT BEING SEEN IS TO USE
532
00:29:33,472 --> 00:29:35,975
THE SERVICE ELEVATOR
IN THE KITCHEN.
533
00:29:36,008 --> 00:29:38,044
- SOUNDS LIKE A PLAN.
534
00:29:38,077 --> 00:29:41,213
HOW DO I GET
TO THE KITCHEN?
535
00:29:41,247 --> 00:29:44,150
- DO YOU TRUST ME?
536
00:29:44,183 --> 00:29:51,190
- WITH MY LIFE.
537
00:29:51,223 --> 00:30:03,302
[wind continues]
538
00:30:03,335 --> 00:30:05,905
- HAVE I EVER TOLD YOU
HOW BEAUTIFUL YOU ARE?
539
00:30:05,938 --> 00:30:07,439
- I CLEAN UP NICELY,
DON'T I?
540
00:30:07,473 --> 00:30:11,043
- I'M NOT TALKING
ABOUT THE CLOTHES.
541
00:30:11,077 --> 00:30:21,120
[wind whistling]
542
00:30:21,120 --> 00:30:31,130
[wind whistling]
543
00:30:38,370 --> 00:30:40,172
YOU SHOULD PROBABLY
GET UPSTAIRS.
544
00:30:40,206 --> 00:30:42,008
- THE SONG'S NOT OVER YET.
545
00:30:42,041 --> 00:30:43,409
WE COULD DANCE
A LITTLE WHILE LONGER.
546
00:30:43,442 --> 00:30:45,077
- THERE'S NOTHING
I'D LIKE MORE,
547
00:30:45,111 --> 00:30:49,081
BUT YOU AND I BOTH KNOW
THIS ISN'T OUR SONG.
548
00:30:49,115 --> 00:30:53,886
WE'LL DANCE AGAIN, WALKER,
BUT NOT UNTIL THE MUSIC'S RIGHT.
549
00:30:53,920 --> 00:30:56,188
- UNTIL THEN...
550
00:30:56,222 --> 00:30:58,024
- THE ACCESS CARD
FOR THE KITCHEN
551
00:30:58,057 --> 00:31:04,263
IS IN MY RIGHT COAT POCKET.
552
00:31:04,296 --> 00:31:14,340
- LET'S DO THIS.
553
00:31:14,340 --> 00:31:24,350
- LET'S DO THIS.
554
00:31:32,158 --> 00:31:38,197
- HEY, I THOUGHT
YOU COULD USE THAT.
555
00:31:38,230 --> 00:31:40,666
- THANKS.
556
00:31:40,699 --> 00:31:44,036
- THE NURSE SAID SHE'S ALMOST
DONE CHANGING ANNIE'S BANDAGES.
557
00:31:44,070 --> 00:31:54,280
IT'LL BE ABOUT
FIVE MORE MINUTES.
558
00:31:54,313 --> 00:31:56,082
LOOK, I JUST WANT YOU
TO KNOW WHAT HAPPENED
559
00:31:56,115 --> 00:32:00,219
IN POLYGRAPH YESTERDAY
WON'T LEAVE THE POLYGRAPH ROOM.
560
00:32:00,252 --> 00:32:07,093
I DON'T BLAME YOU FOR HAVING
THE REACTION THAT YOU DID.
561
00:32:07,126 --> 00:32:09,361
IF THERE'S ANYTHING
I CAN DO FOR YOU--
562
00:32:09,395 --> 00:32:15,968
ANYTHING AT ALL,
JUST ASK.
563
00:32:16,002 --> 00:32:22,708
I'M HERE TO HELP.
564
00:32:22,741 --> 00:32:24,276
- THANKS FOR THE COFFEE.
565
00:32:24,310 --> 00:32:34,353
[cane tapping]
566
00:32:34,353 --> 00:32:42,761
[cane tapping]
567
00:32:42,794 --> 00:32:49,101
[door closes]
IT WAS LENA.
568
00:32:49,135 --> 00:32:50,269
- WHEN I FOUND
GUERRERO'S BODY,
569
00:32:50,302 --> 00:32:53,105
I WAS POSITIVE THAT
I SMELLED LAVENDER.
570
00:32:53,139 --> 00:32:55,307
BY THE TIME YOU GOT THERE,
IT WAS GONE.
571
00:32:55,341 --> 00:32:58,077
I JUST CAUGHT THAT SCENT
AGAIN AT THE HOSPITAL.
572
00:32:58,110 --> 00:33:01,113
IT WASN'T FLOWERS,
IT WAS LENA'S PERFUME.
573
00:33:01,147 --> 00:33:03,149
TOM FORD, LAVENDER PALM.
574
00:33:03,182 --> 00:33:04,483
IT COULDN'T
BE A COINCIDENCE.
575
00:33:04,516 --> 00:33:06,318
SHE WAS IN HIS HOUSE.
576
00:33:06,352 --> 00:33:08,087
- NOBODY DISLIKES LENA
MORE THAN I,
577
00:33:08,120 --> 00:33:11,357
BUT TO ACCUSE HER OF MURDER
BASED ON THE PERFUME SHE WEARS
578
00:33:11,390 --> 00:33:13,392
IS TANTAMOUNT
TO CAREER SUICIDE.
579
00:33:13,425 --> 00:33:15,327
- SHE WAS THERE,
JOAN, I'M NOT CRAZY.
580
00:33:15,361 --> 00:33:16,162
- I'M NOT SAYING YOU ARE.
581
00:33:16,195 --> 00:33:19,398
JUST HELP ME
CONNECT THE DOTS, OKAY?
582
00:33:19,431 --> 00:33:20,666
UM...
583
00:33:20,699 --> 00:33:25,237
WHY WOULD LENA KILL THE COBBLER
THAT FORGED ANNIE'S PASSPORT?
584
00:33:25,271 --> 00:33:27,206
- MAYBE ANNIE
DIDN'T BUY THE PASSPORT.
585
00:33:27,239 --> 00:33:28,340
MAYBE LENA DID.
586
00:33:28,374 --> 00:33:30,376
- WELL, WHY WOULD
SHE DO THAT?
587
00:33:30,409 --> 00:33:32,444
AND WHY KEEP IT OFF-BOOK?
588
00:33:32,478 --> 00:33:35,481
UNLESS LENA WAS AIDING
AND ABETTING ANNIE.
589
00:33:35,514 --> 00:33:38,084
- MAYBE LENA'S
THE REAL FSB DOUBLE
590
00:33:38,117 --> 00:33:39,351
AND ANNIE IS JUST HER PATSY.
591
00:33:39,385 --> 00:33:40,486
IT MAKES SENSE
WHY SHE'D KILL GUERRERO.
592
00:33:40,519 --> 00:33:41,753
THINK ABOUT IT.
593
00:33:41,787 --> 00:33:43,355
AS LONG AS HE'S ALIVE,
HE CAN PROVE
594
00:33:43,389 --> 00:33:45,391
NOT ONLY THAT LENA KNEW ANNIE
WENT TO CUBA,
595
00:33:45,424 --> 00:33:47,359
BUT SHE HELPED HER GET THERE.
596
00:33:47,393 --> 00:33:48,727
AND IF ANYONE
FINDS THAT OUT,
597
00:33:48,760 --> 00:33:51,763
HER ENTIRE COVER
STARTS TO UNRAVEL.
598
00:33:51,797 --> 00:33:54,166
- IT'S A PLAUSIBLE THEORY,
BUT IT'S ALL CONJECTURE.
599
00:33:54,200 --> 00:33:55,401
CAN YOU PROVE ANY OF IT?
600
00:33:55,434 --> 00:33:57,803
- THAT'S WHY I'M HERE.
- OH, AUGGIE--
601
00:33:57,836 --> 00:34:00,139
- I HAVE GONE AS FAR
AS I CAN ON MY OWN.
602
00:34:00,172 --> 00:34:03,075
I NEED ACCESS TO THAT EVIDENCE
TO GET THE REST OF THE WAY.
603
00:34:03,109 --> 00:34:11,383
AND UNLESS I GET IT,
YOU CAN EXPECT MY RESIGNATION.
604
00:34:11,417 --> 00:34:13,785
- BECAUSE THIS IS
A TIME OF EXTREME DURESS,
605
00:34:13,819 --> 00:34:16,855
I'M GOING TO PRETEND
YOU DIDN'T JUST DEMAND
606
00:34:16,888 --> 00:34:20,159
I VIOLATE A DOZEN PROTOCOLS
BY PASSING YOU INTEL
607
00:34:20,192 --> 00:34:21,860
WELL ABOVE YOUR CLEARANCE.
608
00:34:21,893 --> 00:34:24,263
BUT TRY THIS TACK WITH ME AGAIN
AND I ASSURE YOU,
609
00:34:24,296 --> 00:34:35,274
YOU WILL NOT ENJOY
THE CONSEQUENCES.
610
00:34:35,307 --> 00:34:39,878
NOW IF YOU'LL EXCUSE ME,
I HAVE TO CALL TECH SUPPORT.
611
00:34:39,911 --> 00:34:41,513
I'M HAVING TROUBLE ACCESSING
612
00:34:41,547 --> 00:34:45,117
THE EVIDENCE FILES
ON THE MANHATTAN SERVER.
613
00:34:45,151 --> 00:34:48,520
I'LL HAVE TO RECITE MY ACCESS
CODE AND UNDER NO CIRCUMSTANCES
614
00:34:48,554 --> 00:34:50,389
CAN I HAVE YOU OVERHEAR IT.
615
00:34:50,422 --> 00:34:52,158
DO YOU UNDERSTAND
WHAT I'M SAYING?
616
00:34:52,191 --> 00:34:54,460
- I THINK I DO.
617
00:34:54,493 --> 00:34:56,528
- GOOD.
618
00:34:56,562 --> 00:34:58,230
[keyboard clicking]
619
00:34:58,264 --> 00:35:00,366
- IT WAS AT THIS TIME
LENA SMITH TERMINATED
620
00:35:00,399 --> 00:35:02,468
THE MISSION
TO CULTIVATE FISCHER.
621
00:35:02,501 --> 00:35:03,702
- [computer voice] LENA SMITH
TERMINATED THE MISSION
622
00:35:03,735 --> 00:35:04,503
TO CULTIVATE FISCHER
623
00:35:04,536 --> 00:35:06,205
BECAUSE IT FAILED
TO YIELD INTEL.
624
00:35:06,238 --> 00:35:07,206
UNBEKNOWNST TO SMITH,
625
00:35:07,239 --> 00:35:09,241
OPERATIVE WALKER
CONTINUED TO PURSUE FISCHER.
626
00:35:09,275 --> 00:35:10,075
[taps keyboard]
627
00:35:10,108 --> 00:35:11,510
SMITH TESTIFIED
TO TASKING OPERATIVE--
628
00:35:11,543 --> 00:35:12,711
[taps keyboard]
629
00:35:12,744 --> 00:35:13,845
SHE'S SUSPECTED
OF BEING AN FSB AGENT--
630
00:35:13,879 --> 00:35:14,846
[taps keyboard]
631
00:35:14,880 --> 00:35:16,315
ACCORDING--DURING THE DEPOSITION
OF BOB GOODMAN,
632
00:35:16,348 --> 00:35:17,783
DELIVERY DRIVER
AT GABE'S BAKERY.
633
00:35:17,816 --> 00:35:20,786
OFFICIAL STATEMENT READS
"I GOT THERE CLOSE TO 5:00 PM.
634
00:35:20,819 --> 00:35:21,853
"I SAW THE LIGHT ON
IN THE KITCHEN.
635
00:35:21,887 --> 00:35:22,921
"A RED VOLKSWAGEN
IN THE DRIVEWAY,
636
00:35:22,954 --> 00:35:24,190
"SO I ASSUMED
SOMEONE WAS THERE.
637
00:35:24,223 --> 00:35:25,391
"BUT IT WAS REAL QUIET.
638
00:35:25,424 --> 00:35:26,792
"WHEN I LOOKED INSIDE,
OTHER THAN THE BODIES,
639
00:35:26,825 --> 00:35:28,260
"I DIDN'T SEE ANYTHING
OUT OF THE ORDINARY.
640
00:35:28,294 --> 00:35:29,495
"JUST CARS AND HOUSES.
641
00:35:29,528 --> 00:35:30,529
"SAME EVERY OTHER BLOCK
IN THE NEIGHBORHOOD.
642
00:35:30,562 --> 00:35:31,730
"THERE WAS NOTHING
REALLY OUT OF THE ORDINARY.
643
00:35:31,763 --> 00:35:33,432
"OTHER THAN A CAR THAT WAS
PARKED WHERE I NORMALLY PARK.
644
00:35:33,465 --> 00:35:36,935
[knobs clicking]
645
00:35:36,968 --> 00:35:38,404
"THE ORDINARY--
JUST CARS AND HOUSES.
646
00:35:38,437 --> 00:35:42,874
"SAME AS EVERY OTHER BLOCK
IN THE NEIGHBORHOOD.
647
00:35:42,908 --> 00:35:44,276
"JUST CARS AND HOUSES,
SAME AS EVERY OTHER BLOCK
648
00:35:44,310 --> 00:35:47,446
IN THE NEIGHBORHOOD."
649
00:35:47,479 --> 00:35:49,215
- "JUST CARS AND HOUSES."
650
00:35:49,248 --> 00:35:59,291
[knobs clicking]
651
00:35:59,291 --> 00:36:04,396
[knobs clicking]
652
00:36:04,430 --> 00:36:05,964
- [female computer voice]
DMV DATABASE.
653
00:36:05,997 --> 00:36:07,866
REGISTERED TO LENA SMITH.
654
00:36:07,899 --> 00:36:11,237
GREY 2011 BMW X5 DIESEL.
655
00:36:11,270 --> 00:36:13,939
- I DIDN'T EXPECT TO SEE YOU
LEAVING HERE ANYTIME SOON.
656
00:36:13,972 --> 00:36:15,974
- I THINK I FOUND SOMETHING.
657
00:36:16,007 --> 00:36:17,343
- THEN I'M COMING WITH YOU.
658
00:36:17,376 --> 00:36:18,477
- GOOD, YOU CAN DRIVE.
659
00:36:18,510 --> 00:36:20,246
- I THINK
I'D PREFER THAT, ACTUALLY.
660
00:36:20,279 --> 00:36:30,322
WHERE ARE WE GOING?
- TO THROW A HAIL MARY.
661
00:36:30,322 --> 00:36:40,832
WHERE ARE WE GOING?
- TO THROW A HAIL MARY.
662
00:36:40,866 --> 00:36:42,434
- MR. GOODMAN?
663
00:36:42,468 --> 00:36:44,803
MAY WE SPEAK WITH YOU
FOR A MOMENT?
664
00:36:44,836 --> 00:36:46,405
- ARE YOU GUYS COPS
OR SOMETHING?
665
00:36:46,438 --> 00:36:47,439
- WE HAVE A FOLLOW-UP QUESTION
666
00:36:47,473 --> 00:36:50,376
ABOUT THE STATEMENT
YOU GAVE THE OTHER NIGHT.
667
00:36:50,409 --> 00:36:51,910
- YEAH, NO PROBLEM.
668
00:36:51,943 --> 00:36:53,011
SHOOT.
669
00:36:53,044 --> 00:36:53,845
- ON THE NIGHT
YOU FOUND THE BODIES,
670
00:36:53,879 --> 00:36:56,482
DO YOU REMEMBER
SEEING A GREY BMW X5
671
00:36:56,515 --> 00:36:58,417
PARKED ANYWHERE NEARBY?
672
00:36:58,450 --> 00:37:02,454
- A GREY BMW.
673
00:37:02,488 --> 00:37:05,791
ACTUALLY, YOU KNOW WHAT?
I DO.
674
00:37:05,824 --> 00:37:06,992
- YOU DO?
675
00:37:07,025 --> 00:37:09,795
- ARE YOU SURE IT WAS A BMW?
- YEAH. YEAH, I'M POSITIVE.
676
00:37:09,828 --> 00:37:12,398
I'M IN THAT NEIGHBORHOOD A LOT
AND I REMEMBER
677
00:37:12,431 --> 00:37:14,833
BECAUSE IT WAS PARKED
UNDERNEATH THE BIG TREE
678
00:37:14,866 --> 00:37:17,369
WHERE I ALWAYS
PARK THE TRUCK.
679
00:37:17,403 --> 00:37:19,438
GOTTA KEEP THE COOKIES
IN THE SHADE, YOU KNOW?
680
00:37:19,471 --> 00:37:20,806
- [clears throat]
681
00:37:20,839 --> 00:37:22,040
- THE SAME COLOR,
MAKE AND MODEL CAR
682
00:37:22,073 --> 00:37:23,942
AS THE ONE REGISTERED TO LENA
WAS PARKED LESS THAN A BLOCK
683
00:37:23,975 --> 00:37:26,278
FROM ANNIE'S HOUSE
ON THE NIGHT SHE WAS SHOT.
684
00:37:26,312 --> 00:37:29,014
- WELL, I'M NOT SURE
IT'S ENOUGH TO IMPLICATE LENA.
685
00:37:29,047 --> 00:37:30,382
BUT I CAN MAKE
A DAMN GOOD CASE
686
00:37:30,416 --> 00:37:32,384
TO POSTPONE
DECOMMISSIONING ANNIE
687
00:37:32,418 --> 00:37:34,953
UNTIL WE CAN
LOOK INTO THIS FURTHER.
688
00:37:34,986 --> 00:37:36,288
[speakerphone beeps]
689
00:37:36,322 --> 00:37:37,889
- I HAVE THE HOSPITAL
ON LINE ONE.
690
00:37:37,923 --> 00:37:38,990
[speakerphone beeps]
691
00:37:39,024 --> 00:37:41,493
- HELLO.
692
00:37:41,527 --> 00:37:43,495
I SEE.
693
00:37:43,529 --> 00:37:46,732
ALL RIGHT.
THANK YOU, DOCTOR.
694
00:37:46,765 --> 00:37:47,866
[hangs up phone]
695
00:37:47,899 --> 00:37:48,900
- WHAT IS IT?
696
00:37:48,934 --> 00:37:49,901
- ANNIE WOKE UP.
697
00:37:49,935 --> 00:37:51,870
JUST FOR A FEW MINUTES,
BUT SHE WAS RESPONSIVE.
698
00:37:51,903 --> 00:37:57,876
THE DOCTOR SAYS
THAT'S A REALLY GOOD SIGN.
699
00:37:57,909 --> 00:37:59,478
[wind whistling]
700
00:37:59,511 --> 00:38:06,452
- LOOK WHO'S FINALLY
COME HOME TO ROOST.
701
00:38:06,485 --> 00:38:10,889
- YOU'RE BLACKBIRD.
I SHOULD HAVE KNOWN.
702
00:38:10,922 --> 00:38:13,559
- FUNNY HOW EACH MIRROR MAKES
EVERYTHING LOOK SO DIFFERENT.
703
00:38:13,592 --> 00:38:22,401
[wind whistling]
704
00:38:22,434 --> 00:38:24,102
[gun shot]
705
00:38:24,135 --> 00:38:26,372
[glass clattering]
706
00:38:26,405 --> 00:38:27,973
- THE ENTIRE TIME
YOU WERE LOOKING FOR ME,
707
00:38:28,006 --> 00:38:32,043
YOU SHOULD HAVE BEEN LOOKING
IN THE MIRROR, BLACKBIRD.
708
00:38:32,077 --> 00:38:34,079
- I KNOW WHO I AM.
709
00:38:34,112 --> 00:38:36,348
[mirror breaking]
710
00:38:36,382 --> 00:38:38,784
[wind continues]
711
00:38:38,817 --> 00:38:42,888
- YOU KNOW WHO YOU ARE?
WHO YOU REALLY ARE?
712
00:38:42,921 --> 00:38:44,456
LOOK INTO YOUR HEART.
713
00:38:44,490 --> 00:38:46,425
IT'S THE ONLY THING
THAT DOESN'T LIE.
714
00:38:46,458 --> 00:38:51,830
[wind continues]
715
00:38:51,863 --> 00:38:54,466
[wings fluttering]
716
00:38:54,500 --> 00:38:56,868
- [gasps]
717
00:38:56,902 --> 00:38:59,137
[monitor beeping]
718
00:38:59,170 --> 00:39:00,439
[monitor beeps speed up]
719
00:39:00,472 --> 00:39:06,077
[grunts]
720
00:39:06,111 --> 00:39:07,413
[monitor beeping]
721
00:39:07,446 --> 00:39:09,848
- [grunts]
722
00:39:09,881 --> 00:39:10,949
- WHAT ARE YOU DOING?
723
00:39:10,982 --> 00:39:12,884
- CPR! HER HEART STOPPED.
724
00:39:12,918 --> 00:39:17,489
HELP ME!
725
00:39:17,523 --> 00:39:22,961
- [gasping]
726
00:39:22,994 --> 00:39:23,962
- LENA!
727
00:39:23,995 --> 00:39:26,097
- [grunts]
728
00:39:26,131 --> 00:39:27,833
- WE NEED SOME
HELP OVER HERE!
729
00:39:27,866 --> 00:39:29,501
- [grunts]
730
00:39:29,535 --> 00:39:30,836
[monitor beeps faster]
731
00:39:30,869 --> 00:39:32,838
- NO! NO!
732
00:39:32,871 --> 00:39:33,839
[thud]
733
00:39:33,872 --> 00:39:47,886
[monitor beeping faster]
734
00:39:47,919 --> 00:39:49,955
[fire alarm rings]
735
00:39:49,988 --> 00:39:52,791
HELP!
736
00:39:52,824 --> 00:40:02,868
[indistinct chatter]
737
00:40:02,868 --> 00:40:12,878
[indistinct chatter]
738
00:40:40,205 --> 00:40:42,240
[monitor beeping]
739
00:40:42,273 --> 00:40:44,242
[monitor flatlines]
740
00:40:44,275 --> 00:40:45,243
- [gasps]
741
00:40:45,276 --> 00:40:50,248
[flatline continues]
742
00:40:50,281 --> 00:40:54,152
[thump]
743
00:40:54,185 --> 00:40:58,857
[machine charging up]
744
00:40:58,890 --> 00:41:00,258
[thump]
745
00:41:00,291 --> 00:41:08,900
[flatline continues]
746
00:41:08,934 --> 00:41:10,502
- THIS IS JOAN CAMPBELL.
747
00:41:10,536 --> 00:41:13,572
I WANT EVERY POSSIBLE WAY
OUT OF DC SEALED OFF.
748
00:41:13,605 --> 00:41:15,874
TRAIN STATIONS,
BUS STATIONS, AIRPORTS.
749
00:41:15,907 --> 00:41:17,576
I WANT THEM
ALL SHUT DOWN.
750
00:41:17,609 --> 00:41:19,778
[flatline continues]
751
00:41:19,811 --> 00:41:27,953
[machine charging up]
752
00:41:27,986 --> 00:41:28,954
[thud]
753
00:41:28,987 --> 00:41:32,524
[flatline continues]
754
00:41:32,558 --> 00:41:34,560
[machine beeps]
50340
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