All language subtitles for Face Off - 5x14 - Top 20 Countdown - Judges Favorites.HDTV.aAF.en

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian Download
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,685 --> 00:00:03,652 I love this makeup. 2 00:00:03,687 --> 00:00:06,288 It's-- it's a stunning makeup. You did a great job. 3 00:00:06,322 --> 00:00:10,058 It is so good. This is camera-ready. 4 00:00:16,366 --> 00:00:18,700 Tonight, the all-time best makeups 5 00:00:18,734 --> 00:00:21,703 ever featured on Face Off. 6 00:00:30,479 --> 00:00:33,080 Throughout five amazing seasons, 7 00:00:33,115 --> 00:00:37,418 60 talented artists have created nearly 700 works of living art. 8 00:00:40,222 --> 00:00:42,289 From cyborgs to extraterrestrials... 9 00:00:45,327 --> 00:00:46,360 and underwater creatures to things 10 00:00:46,395 --> 00:00:50,631 that go bump in the night, 11 00:00:50,665 --> 00:00:52,333 our judges have seen it all-- 12 00:00:52,367 --> 00:00:56,803 Ve Neill, Glenn Hetrick, and Neville Page. 13 00:00:56,838 --> 00:00:58,239 I'm really blown away. 14 00:00:58,273 --> 00:01:00,874 Now, they'll count down their personal favorites, 15 00:01:00,909 --> 00:01:02,910 and you don't want to miss number one. 16 00:01:05,146 --> 00:01:09,249 There will be lots of awesome, bitchin', and groovy. 17 00:01:09,283 --> 00:01:12,019 And creations that almost defy description. 18 00:01:12,053 --> 00:01:16,122 This one is focused, myopic, truly deranged. 19 00:01:16,157 --> 00:01:18,191 What? Oh, man. 20 00:01:21,362 --> 00:01:23,863 We'll hear from our judges like never before... 21 00:01:23,897 --> 00:01:25,031 Is that you laughing? 22 00:01:25,066 --> 00:01:27,100 - It is. - Wow! 23 00:01:27,134 --> 00:01:30,841 And see exclusive new content fromFace Off. 24 00:01:32,806 --> 00:01:34,740 Find out which of your favorite makeups made 25 00:01:34,775 --> 00:01:36,943 the judge's list right now 26 00:01:36,977 --> 00:01:40,145 on the Face Off Top 20 Countdown, Judges' Favorites. 27 00:01:49,691 --> 00:01:52,776 Sync and corrections by n17t01 www.addic7ed.com 28 00:01:52,811 --> 00:01:55,294 We kick off the countdown with an eye-popping makeup 29 00:01:55,328 --> 00:01:59,131 from Face Off's season five champion, Laura. 30 00:01:59,165 --> 00:02:03,602 Number 20 on our list shows off her artist within. 31 00:02:03,636 --> 00:02:07,271 The challenge was to bring Classic art to life, 32 00:02:07,306 --> 00:02:09,307 and Laura had chosen Cubism. 33 00:02:12,979 --> 00:02:14,579 I loved it, Laura's Cubism piece. 34 00:02:14,614 --> 00:02:17,181 She really dialed it in perfectly. 35 00:02:17,216 --> 00:02:19,183 The colors were amazing. 36 00:02:19,218 --> 00:02:21,452 The fact that she fabricated on top of the suit, 37 00:02:21,487 --> 00:02:23,721 and the construction on the back of the head, 38 00:02:23,755 --> 00:02:25,523 it was just so well done. 39 00:02:25,557 --> 00:02:26,957 Laura's Cubism makeup is 40 00:02:26,992 --> 00:02:30,694 a perfect synthesis of sculpture and fabrication. 41 00:02:30,729 --> 00:02:32,163 I feel like Cubism was created 42 00:02:32,197 --> 00:02:35,466 because people wanted to transcend 2-D art. 43 00:02:35,501 --> 00:02:37,568 Cubism is three-dimensional squares. 44 00:02:37,603 --> 00:02:38,969 You can't think of this as a makeup. 45 00:02:39,004 --> 00:02:41,071 You have to think of this as a work of art. 46 00:02:41,106 --> 00:02:43,841 One of the things that you see Laura demonstrating here is 47 00:02:43,875 --> 00:02:47,678 her uncanny ability to do hard color transition. 48 00:02:47,712 --> 00:02:50,114 - Amazing paint job. - It really is. 49 00:02:50,148 --> 00:02:53,751 There's so many colors on the thing, and at no point do they 50 00:02:53,785 --> 00:02:56,386 slam against one another in an obtuse way. 51 00:02:56,420 --> 00:02:57,554 They just flow. 52 00:02:57,588 --> 00:03:00,990 It was so asymmetrical and so well developed. 53 00:03:01,025 --> 00:03:04,761 Just the whole Cubism idea was just so well put together. 54 00:03:04,795 --> 00:03:06,863 The face that she designed and sculpted 55 00:03:06,897 --> 00:03:09,932 really looked like it was trapped 56 00:03:09,967 --> 00:03:11,468 within a moment of Cubism. 57 00:03:11,502 --> 00:03:13,235 This is an immaculate makeup. 58 00:03:13,270 --> 00:03:14,671 Stunning job. 59 00:03:14,705 --> 00:03:17,306 Everything they said, times ten. 60 00:03:17,340 --> 00:03:18,607 You perfectly met this challenge 61 00:03:18,642 --> 00:03:22,211 and integrated your movement. It truly is living art. 62 00:03:22,245 --> 00:03:24,380 My Ve rating, two bitchin's. 63 00:03:24,414 --> 00:03:27,349 From avant-garde art to strange new worlds, 64 00:03:27,384 --> 00:03:31,687 next is one of the best silicone creations ever seen on Face Off. 65 00:03:31,721 --> 00:03:33,189 Check out this elegant extraterrestrial 66 00:03:33,223 --> 00:03:35,924 that earned the number 19 spot. 67 00:03:35,958 --> 00:03:37,793 All right, guys. This is your chance 68 00:03:37,827 --> 00:03:39,761 to do something literally out of this world. 69 00:03:39,796 --> 00:03:42,030 You will work in teams of two and create 70 00:03:42,065 --> 00:03:44,766 an alien species that might actually exist on what 71 00:03:44,801 --> 00:03:47,535 appears to be the first planet, besides Earth, 72 00:03:47,570 --> 00:03:49,705 capable of sustaining life. 73 00:03:52,742 --> 00:03:55,343 Conor and Jo's alien automatically feels like 74 00:03:55,377 --> 00:03:56,912 it belongs to a world. 75 00:03:56,946 --> 00:03:59,915 It, to me, was very reminiscent of some of 76 00:03:59,949 --> 00:04:04,018 the Star Trek, Next Generation makeups that Mr. Westmore did. 77 00:04:04,052 --> 00:04:06,621 This was our third episode in our first season. 78 00:04:06,655 --> 00:04:08,789 The thing that made it so unique was the fact 79 00:04:08,824 --> 00:04:12,059 that they used silicone, which very few 80 00:04:12,094 --> 00:04:14,562 makeup artists in a starting-out period 81 00:04:14,597 --> 00:04:16,698 of their career would attempt. 82 00:04:16,732 --> 00:04:17,998 I would have guessed that they 83 00:04:18,033 --> 00:04:20,534 bit off more than they can chew taking this approach. 84 00:04:20,568 --> 00:04:22,569 It doesn't seem like they should have been able to do it 85 00:04:22,604 --> 00:04:25,305 as quickly as they did, but they did. 86 00:04:25,340 --> 00:04:29,543 They really did far beyond what we ever had expected. 87 00:04:29,577 --> 00:04:32,012 This was an incredible makeup. 88 00:04:32,047 --> 00:04:34,949 You did a beautiful job. Congratulations. 89 00:04:34,983 --> 00:04:37,317 - Thank you. - It's got a great profile. 90 00:04:37,352 --> 00:04:41,388 It's got a great level of detail in terms of texturing, 91 00:04:41,422 --> 00:04:43,257 and then one of the most important things that 92 00:04:43,291 --> 00:04:45,825 so many people forget to do is graphic design 93 00:04:45,860 --> 00:04:49,396 that nature does with stripes, patterns, dots, what have you, 94 00:04:49,430 --> 00:04:51,998 and this makeup encapsulates all of that. 95 00:04:52,032 --> 00:04:55,201 And this was only the third episode for this makeup? 96 00:04:55,236 --> 00:04:56,836 Damn. 97 00:04:56,871 --> 00:04:58,571 Next, a makeup that added royal flare 98 00:04:58,605 --> 00:05:00,506 to the world of Resident Evil. 99 00:05:00,540 --> 00:05:03,243 Number 18 on our countdown comes from a competitor 100 00:05:03,277 --> 00:05:06,679 who was a fan-favorite in season three and again in season five. 101 00:05:08,149 --> 00:05:11,950 Roy's red queen zombie is a multi-layered beauty. 102 00:05:11,985 --> 00:05:15,421 This was important for us to see Roy do because 103 00:05:15,455 --> 00:05:18,257 of his ability to fabricate, be stellar, that-- 104 00:05:18,292 --> 00:05:20,626 We needed to see a makeup from him. 105 00:05:20,661 --> 00:05:22,662 He finally delivered. 106 00:05:25,265 --> 00:05:27,565 This is the queen, and she's been infected with a virus 107 00:05:27,600 --> 00:05:28,901 and so she's starting to mutate. 108 00:05:28,935 --> 00:05:30,903 It was a really great concept 109 00:05:30,937 --> 00:05:33,272 that her flesh turned into this crown. 110 00:05:33,306 --> 00:05:34,940 And Roy, the fabrication king, 111 00:05:34,974 --> 00:05:36,008 where did this come from, from him? 112 00:05:36,042 --> 00:05:37,876 I was totally blown away. 113 00:05:37,911 --> 00:05:41,146 The character really feels like it stepped out of 114 00:05:41,181 --> 00:05:44,649 a Resident Evil or Silent Hill, cutting-edge video game. 115 00:05:44,684 --> 00:05:47,552 Paul WS Anderson was so impressed with this makeup. 116 00:05:47,586 --> 00:05:48,986 If I was making a movie, 117 00:05:49,021 --> 00:05:51,088 I'd be delighted to see a design like this, 118 00:05:51,123 --> 00:05:53,758 but also I'd be expecting a team of, like, 119 00:05:53,793 --> 00:05:55,092 six or seven people to execute it. 120 00:05:55,127 --> 00:05:56,528 I think Paul was accurate, 121 00:05:56,562 --> 00:05:59,530 saying that it would take six people, 122 00:05:59,564 --> 00:06:03,100 because Roy, everything he does is the power of some multiple, 123 00:06:03,135 --> 00:06:06,838 so unique in his ability 124 00:06:06,872 --> 00:06:10,741 to pull off the "un-pull-off-able." 125 00:06:10,775 --> 00:06:14,111 Roy, we loved your hyper-stylized queen, 126 00:06:14,146 --> 00:06:15,546 and we thought that you accomplished 127 00:06:15,580 --> 00:06:18,682 an absolutely amazing amount of work in the time that you had. 128 00:06:18,717 --> 00:06:20,551 The winner is... Roy. 129 00:06:20,585 --> 00:06:21,652 Thank you very much. 130 00:06:21,686 --> 00:06:22,886 Thank you. 131 00:06:22,920 --> 00:06:25,422 This is the best moment I've had on the show. 132 00:06:25,457 --> 00:06:28,726 My Ve rating for Roy's queen is-- 133 00:06:28,760 --> 00:06:32,395 I'd have to give it, like, at least three bitchin's. 134 00:06:32,429 --> 00:06:33,864 Since our premier, Face Offartists 135 00:06:33,898 --> 00:06:38,601 have created 280 incredible foundation challenge makeups. 136 00:06:38,635 --> 00:06:40,570 One memorable creation from season three 137 00:06:40,604 --> 00:06:43,806 earned an artist her ticket back into the competition. 138 00:06:43,841 --> 00:06:45,508 That spectacular look is the judges' pick 139 00:06:45,542 --> 00:06:48,411 for the very best foundation challenge makeup. 140 00:06:48,445 --> 00:06:51,748 The best foundation challenge goes to Nicole 141 00:06:51,782 --> 00:06:53,082 for her Day Of The Dead makeup. 142 00:06:53,116 --> 00:06:54,149 - They're back! They're back! - Oh, my God. 143 00:06:54,184 --> 00:06:55,651 Oh, my God! 144 00:06:57,020 --> 00:06:59,689 The winner of today's foundation challenge will 145 00:06:59,723 --> 00:07:01,491 rejoin the cast and earn 146 00:07:01,525 --> 00:07:03,559 another chance at winning our grand prize. 147 00:07:03,594 --> 00:07:06,528 It's the first glimmer of hope that we see out of her. 148 00:07:06,562 --> 00:07:10,266 She goes into that challenge and really decides that she's going 149 00:07:10,300 --> 00:07:13,068 to do better than she was previously. 150 00:07:13,103 --> 00:07:14,436 I'm thinking mariachi guy. 151 00:07:14,470 --> 00:07:16,705 The first thing I'm gonna do is I'm gonna draw out 152 00:07:16,739 --> 00:07:19,441 the shapes that I want, and then go into the color. 153 00:07:19,475 --> 00:07:21,643 This is obviously the best foundation challenge. 154 00:07:21,677 --> 00:07:24,413 It was colorful. They were at Olvera Street. 155 00:07:24,447 --> 00:07:27,816 - It was really, really fun. - It was precise. 156 00:07:27,850 --> 00:07:29,250 It was beautiful. 157 00:07:29,285 --> 00:07:31,953 It encapsulated all the things that we recognize 158 00:07:31,987 --> 00:07:33,021 as the Day Of The Dead makeup. 159 00:07:33,055 --> 00:07:35,123 - This is really cool. - Thank you. 160 00:07:35,157 --> 00:07:39,127 So, who is the winner of today's foundation challenge? 161 00:07:39,161 --> 00:07:40,929 Nicole. 162 00:07:40,963 --> 00:07:43,298 Oh, my God! 163 00:07:43,332 --> 00:07:45,400 I'm back! 164 00:07:45,434 --> 00:07:49,837 You first see Nicole working at what her true level is 165 00:07:49,871 --> 00:07:51,406 in that foundation challenge. 166 00:07:51,440 --> 00:07:53,841 We just saw the best foundation challenge makeup, 167 00:07:53,875 --> 00:07:57,010 courtesy of our season three champion, Nicole. 168 00:07:57,045 --> 00:07:59,112 Now, let's check out one of her signature makeups 169 00:07:59,147 --> 00:08:01,214 that became an instant audience favorite. 170 00:08:01,249 --> 00:08:04,084 It's number 17 on our top 20. 171 00:08:04,118 --> 00:08:06,420 Welcome to the junk yard. 172 00:08:06,455 --> 00:08:08,756 This week's challenge is to create 173 00:08:08,790 --> 00:08:11,591 an original cyborg character. 174 00:08:11,625 --> 00:08:12,592 - Oh, all right. - Oh, my gosh! 175 00:08:12,626 --> 00:08:13,793 Yay! That's cool, yeah. 176 00:08:19,300 --> 00:08:22,735 Nicole's cyborg is a truly unique piece of art, 177 00:08:22,770 --> 00:08:24,704 but at the same time, it really 178 00:08:24,738 --> 00:08:26,573 had a lot of composite elements 179 00:08:26,607 --> 00:08:28,407 from beloved science fiction sources. 180 00:08:28,442 --> 00:08:31,043 Also, Nicole managed to integrate the piece 181 00:08:31,078 --> 00:08:32,612 from the junkyard seamlessly. 182 00:08:32,646 --> 00:08:35,348 It didn't feel obtuse or glued on. 183 00:08:35,382 --> 00:08:37,316 She used it to inspire her, 184 00:08:37,351 --> 00:08:39,619 so when the whole thing was done it didn't really feel 185 00:08:39,653 --> 00:08:41,888 like that was an element that was forced upon her, 186 00:08:41,922 --> 00:08:43,889 or that it was requisite to use it. 187 00:08:43,923 --> 00:08:45,791 It felt very natural within the build. 188 00:08:45,825 --> 00:08:48,427 I want her to be basically this, like, cyborg princess 189 00:08:48,462 --> 00:08:51,630 from another planet. Elegant and tough. 190 00:08:51,664 --> 00:08:55,267 I have a mechanism on her eye which has a-- all different types 191 00:08:55,302 --> 00:08:58,837 of plugs, but, like, she can hook herself up and, like, 192 00:08:58,872 --> 00:09:00,372 through her eye, like, have different types of, 193 00:09:00,406 --> 00:09:01,640 like, way of seeing. 194 00:09:01,674 --> 00:09:03,775 I thought that was one of the coolest things 195 00:09:03,810 --> 00:09:04,810 I'd seen on the show. 196 00:09:04,844 --> 00:09:06,545 Gale Anne Hurd and I both loved it. 197 00:09:06,579 --> 00:09:09,280 It was elegant, and it read cyborg to me. 198 00:09:09,315 --> 00:09:11,483 It was real delicate and real female-looking. 199 00:09:11,518 --> 00:09:13,051 It didn't shout at you. 200 00:09:13,085 --> 00:09:15,020 Everything looked really beautiful. 201 00:09:15,054 --> 00:09:17,188 I wanted to write a story around it. 202 00:09:17,223 --> 00:09:18,589 I mean, that's how inspiring I think it was. 203 00:09:18,624 --> 00:09:19,857 - Awesome. - Wow. 204 00:09:19,892 --> 00:09:23,461 The junkyard cyborg for Nicole was a turning point, 205 00:09:23,496 --> 00:09:26,764 and she proved it on this particular makeup, 206 00:09:26,798 --> 00:09:29,267 and those who saw this makeup fell in love with it. 207 00:09:29,301 --> 00:09:31,302 It's a fan-favorite, obviously. 208 00:09:33,038 --> 00:09:35,372 Up next, it was a makeup from season two that looked like 209 00:09:35,407 --> 00:09:38,576 it was headed for disaster, but wound up winning the challenge. 210 00:09:38,610 --> 00:09:41,946 It earns the number 16 spot on our judges' countdown. 211 00:09:43,415 --> 00:09:45,750 So, this week, your spotlight challenge was to use 212 00:09:45,784 --> 00:09:47,952 one of Patrick's concept sketches 213 00:09:47,986 --> 00:09:49,886 as the basis for an original alien. 214 00:09:49,921 --> 00:09:51,055 Ian's bat alien was certainly 215 00:09:51,089 --> 00:09:53,257 one of the best things he did on the show. 216 00:09:53,291 --> 00:09:56,527 Bringing Patrick's drawings to life is really difficult. 217 00:09:56,561 --> 00:09:57,761 I'm nervous as heck. 218 00:09:57,795 --> 00:09:59,396 It's gonna be a hell of a challenge to do this. 219 00:09:59,431 --> 00:10:01,398 Well, I know that Ian was having some hesitation 220 00:10:01,433 --> 00:10:02,599 about this makeup, 221 00:10:02,633 --> 00:10:04,601 but he was smart enough to turn around 222 00:10:04,635 --> 00:10:07,103 his things that went wrong and really make it 223 00:10:07,137 --> 00:10:09,305 a positive attribute to the character. 224 00:10:09,339 --> 00:10:11,441 This piece did not come out at all. 225 00:10:11,475 --> 00:10:13,476 Immediately I can see both ears are missing. 226 00:10:13,510 --> 00:10:14,778 They didn't fill. 227 00:10:14,812 --> 00:10:17,981 It's got a huge tear in the shoulder to the neck. 228 00:10:18,015 --> 00:10:19,883 It's fucked up. 229 00:10:19,917 --> 00:10:21,818 I'm doin' everything I can to hold this thing together. 230 00:10:21,852 --> 00:10:24,820 I take the ears that are torn off and I glue one back on, 231 00:10:24,854 --> 00:10:27,022 and the other one is just not salvageable, 232 00:10:27,057 --> 00:10:29,024 so it's got to be a wound or something. 233 00:10:29,059 --> 00:10:31,294 So many points of that makeup I was gonna give up. 234 00:10:35,832 --> 00:10:37,166 I think this is a stellar makeup. 235 00:10:37,201 --> 00:10:39,868 Awesome, bitchin', and groovy. 236 00:10:39,903 --> 00:10:41,737 The hands were as beautiful as the face. 237 00:10:41,771 --> 00:10:43,472 The character felt lived-in. 238 00:10:43,506 --> 00:10:44,840 It felt like it had a story. 239 00:10:44,874 --> 00:10:47,009 I wasn't a judge on this particular season, 240 00:10:47,043 --> 00:10:50,012 but I was a fan. I sat back 241 00:10:50,046 --> 00:10:51,981 impressed with the amount of work that he did on it. 242 00:10:52,015 --> 00:10:55,150 Ian's bat alien chick was so cool. 243 00:10:55,184 --> 00:10:58,420 Got to give him a ten on the creepy scale for sure. 244 00:10:59,422 --> 00:11:00,922 As the countdown continues, 245 00:11:00,956 --> 00:11:02,991 let us know if you agree with our judges' choices 246 00:11:03,025 --> 00:11:05,660 on Twitter using #FaceOff. Coming up, we'll find out 247 00:11:05,694 --> 00:11:08,563 which Star Wars makeup landed a spot in our top 20, 248 00:11:08,598 --> 00:11:11,299 and we'll see what Tim Burton-inspired look 249 00:11:11,334 --> 00:11:13,835 still makes Ve laugh today. 250 00:11:13,869 --> 00:11:15,870 These and many more incredible Face Off makeups 251 00:11:15,904 --> 00:11:18,272 as we count down to number one on 252 00:11:18,306 --> 00:11:21,509 Face Off's Top 20 Countdown, Judges' Favorites. 253 00:11:24,676 --> 00:11:26,176 Welcome back. We're counting down 254 00:11:26,211 --> 00:11:29,179 our judges' top 20 favorite Face Off makeups. 255 00:11:29,214 --> 00:11:32,550 For our expert panel to pick the very best creations, 256 00:11:32,584 --> 00:11:35,819 they chose from over 120 zombies and ghosts, 257 00:11:35,854 --> 00:11:38,556 31 demons, 28 hybrid creatures, 258 00:11:38,590 --> 00:11:40,624 and 43 aliens. 259 00:11:40,658 --> 00:11:44,594 Number 15 on our countdown is an out-of-this world alien makeup 260 00:11:44,629 --> 00:11:48,331 inspired by our season three's epic premier challenge. 261 00:11:48,366 --> 00:11:50,400 Your first spotlight challenge 262 00:11:50,434 --> 00:11:52,535 is based on the most influential 263 00:11:52,570 --> 00:11:56,573 film franchise in history, Star Wars. 264 00:11:56,607 --> 00:11:58,341 - Oh, yeah! - Oh, my God. 265 00:11:58,376 --> 00:11:59,842 All right. 266 00:11:59,877 --> 00:12:01,645 You're going to need to create an alien 267 00:12:01,679 --> 00:12:03,480 that would fit in a modern version 268 00:12:03,514 --> 00:12:05,649 of that classic cantina scene. 269 00:12:07,885 --> 00:12:09,952 Wow. Roy and Rod'sStar Warsalien 270 00:12:09,987 --> 00:12:12,756 was probably the biggest fabrication we had seen. 271 00:12:12,790 --> 00:12:16,325 I start right in on sculpting the face 272 00:12:16,359 --> 00:12:20,296 and the little fat body that's gonna be in the exoskeleton. 273 00:12:20,330 --> 00:12:23,365 You've got Roy, who is, like, the king of fabrication, 274 00:12:23,400 --> 00:12:26,969 who can build that whole critter around that little baby thing, 275 00:12:27,004 --> 00:12:30,439 and then Rod with that kind of sculpting sense that he had. 276 00:12:30,473 --> 00:12:32,240 It was like a perfect combination. 277 00:12:32,275 --> 00:12:34,443 Those two worked so well together. 278 00:12:34,477 --> 00:12:36,978 Roy is describing his exoskeleton. 279 00:12:37,013 --> 00:12:40,582 I'm describing my little guy, and they fit perfectly together. 280 00:12:40,617 --> 00:12:42,117 This was really fun. 281 00:12:42,151 --> 00:12:44,820 These two guys decided to be a little bit lighthearted 282 00:12:44,854 --> 00:12:47,088 about the whole thing, and that's wise. 283 00:12:47,123 --> 00:12:49,024 When you look back at those films and you look at some 284 00:12:49,058 --> 00:12:51,726 of the characters, they're not all super serious. 285 00:12:51,760 --> 00:12:54,595 Just the idea, the approach of putting a small man 286 00:12:54,630 --> 00:12:57,265 inside of a big robot body is genius. 287 00:12:57,300 --> 00:13:00,302 There were so many moving parts, and the fact 288 00:13:00,336 --> 00:13:02,937 that they pulled this off in the time that they did 289 00:13:02,971 --> 00:13:08,008 and still did a good makeup, which was the face, of course, 290 00:13:08,043 --> 00:13:09,544 it was really impressive. 291 00:13:09,578 --> 00:13:12,347 Winning the spotlight challenge feels great 292 00:13:12,381 --> 00:13:14,281 to have my work acknowledged in that way. 293 00:13:14,316 --> 00:13:15,817 Your character will be featured 294 00:13:15,851 --> 00:13:19,320 on the official Star Wars website in its original design, 295 00:13:19,354 --> 00:13:22,556 and re-created in the style of The Clone Wars. 296 00:13:22,590 --> 00:13:26,160 To have won and now have their designs that were 297 00:13:26,194 --> 00:13:29,096 originally a Face Off creation on the Star Wars site? 298 00:13:29,130 --> 00:13:31,131 That's pretty special. 299 00:13:32,700 --> 00:13:35,935 Our next makeup unleashed some ancient magic in season three 300 00:13:35,970 --> 00:13:39,573 of Face Off, and now this inspired Chinese dragon 301 00:13:39,607 --> 00:13:43,744 brings good fortune to our judges' countdown at number 14. 302 00:13:43,778 --> 00:13:47,347 Tommy and Derek's monkey-ox creation 303 00:13:47,382 --> 00:13:49,783 just hit the nail on the head. 304 00:13:49,817 --> 00:13:51,017 Your spotlight challenge 305 00:13:51,051 --> 00:13:52,886 is to create a completely original take 306 00:13:52,920 --> 00:13:56,022 on the traditional Chinese new year dragon. 307 00:13:56,056 --> 00:13:57,690 Awesome. 308 00:13:57,724 --> 00:13:59,458 For our concept, it's the face of a dragon with 309 00:13:59,493 --> 00:14:01,594 a bull ring out of a baboon nose. 310 00:14:01,628 --> 00:14:03,930 Derek starts painting the face piece, 311 00:14:03,964 --> 00:14:05,598 and I'm gonna focus on painting the cowl. 312 00:14:05,632 --> 00:14:07,666 It's a huge risk to have two different paint jobs. 313 00:14:07,701 --> 00:14:10,703 You're just really counting on each other to pull it together. 314 00:14:13,006 --> 00:14:14,507 When it came out onto the stage, 315 00:14:14,541 --> 00:14:16,509 the whole stage just lit up. 316 00:14:16,543 --> 00:14:19,712 That gold train, great color choices. 317 00:14:19,746 --> 00:14:21,280 I love that whisker detail. 318 00:14:21,314 --> 00:14:22,715 - Yeah. - Especially in profile. 319 00:14:22,749 --> 00:14:24,750 It's just badass. 320 00:14:24,785 --> 00:14:27,352 When these guys did the dragon dance, 321 00:14:27,387 --> 00:14:30,755 they were doing summersaults and jumping over one another 322 00:14:30,790 --> 00:14:31,924 and landing on each other. 323 00:14:31,958 --> 00:14:34,592 This makeup held up extraordinarily well. 324 00:14:34,627 --> 00:14:37,495 Awesome! 325 00:14:37,530 --> 00:14:39,331 I'm pretty thrilled with this thing. 326 00:14:39,365 --> 00:14:42,500 I also feel that it has a Japanese aesthetic. 327 00:14:42,535 --> 00:14:45,002 I'm a tattoo artist and a lot of the stuff I draw 328 00:14:45,037 --> 00:14:46,404 - is Japanese style. - That's awesome! 329 00:14:46,439 --> 00:14:48,239 That seems to me like it's transcending what it is 330 00:14:48,273 --> 00:14:49,474 that we asked you to do. 331 00:14:49,508 --> 00:14:50,975 Derek, being a tattoo artist, 332 00:14:51,009 --> 00:14:53,645 he's obviously studied dragons quite a bit. 333 00:14:53,679 --> 00:14:55,513 He knew what triggers to pull. 334 00:14:55,548 --> 00:14:56,714 It was spectacular. 335 00:14:56,749 --> 00:14:57,949 I can't even put a bitchin' to it 336 00:14:57,983 --> 00:14:59,350 'cause it was just too beautiful. 337 00:14:59,384 --> 00:15:00,717 For this makeup? 338 00:15:00,752 --> 00:15:03,487 Terrifying, titillating tenacity. 339 00:15:03,521 --> 00:15:05,823 From the mystical to the whimsical, 340 00:15:05,857 --> 00:15:07,491 coming in at number 13, 341 00:15:07,525 --> 00:15:11,595 it's one of Face Off's most iconic and humorous makeups. 342 00:15:11,629 --> 00:15:12,997 Your spotlight challenge this week is to create 343 00:15:13,031 --> 00:15:16,600 a whimsical character inspired by an everyday profession 344 00:15:16,634 --> 00:15:18,969 worthy of being featured in a Tim Burton film. 345 00:15:19,003 --> 00:15:21,772 - RJ. - Bellhop. 346 00:15:21,806 --> 00:15:24,174 RJ's bellhop is a perfect example 347 00:15:24,208 --> 00:15:26,543 of success through forethought. 348 00:15:26,578 --> 00:15:30,113 I'm thinking the bellhop has become part of the luggage, 349 00:15:30,147 --> 00:15:33,316 so he has drawers in his chest like a trunk would have, 350 00:15:33,351 --> 00:15:35,818 and he can open his drawers and pull out clothing. 351 00:15:35,853 --> 00:15:39,155 RJ, your makeup was a very complete vision 352 00:15:39,190 --> 00:15:41,757 and had some really great stylistic elements. 353 00:15:41,792 --> 00:15:42,892 This guy gets the challenge. 354 00:15:42,926 --> 00:15:44,060 He looks at it and he goes, 355 00:15:44,095 --> 00:15:46,896 "Look, I know Burton, and I know how to do it. 356 00:15:46,930 --> 00:15:48,764 I can do it with simple form language. 357 00:15:48,799 --> 00:15:50,867 I can do it with simple colors, so I'm gonna do that, 358 00:15:50,901 --> 00:15:52,067 and it's gonna feel like a Burton character 359 00:15:52,102 --> 00:15:53,435 when you look at the face, 360 00:15:53,470 --> 00:15:56,271 but I'm not going to spend all of my time on it. 361 00:15:56,306 --> 00:15:58,040 I'm gonna spend a lot of time fabricating 362 00:15:58,074 --> 00:16:01,043 this really intricate and extraordinary costume 363 00:16:01,077 --> 00:16:03,145 that's as much a part of the character as the makeup." 364 00:16:04,814 --> 00:16:07,582 It was so cute, so well done, so Burton-esque. 365 00:16:07,617 --> 00:16:11,320 When we went up for closer inspection, oh, my God. 366 00:16:11,354 --> 00:16:13,822 He just started pulling all these things out of this drawer. 367 00:16:13,856 --> 00:16:15,357 At one point he took out a bra 368 00:16:15,392 --> 00:16:16,825 and put it over my head. 369 00:16:16,859 --> 00:16:19,361 I thought I was gonna die. It was so bloody funny. 370 00:16:19,396 --> 00:16:20,662 Thank you. 371 00:16:20,696 --> 00:16:23,031 He didn't need to strap that bra over her head. 372 00:16:23,065 --> 00:16:26,234 RJ's bellhop is the embodiment of Tim Burton aesthetic, 373 00:16:26,268 --> 00:16:29,170 but where this really came together was 374 00:16:29,204 --> 00:16:32,206 in his overall character development. 375 00:16:32,241 --> 00:16:34,976 The little details and in directing the performer... 376 00:16:36,045 --> 00:16:37,545 ...to also convey 377 00:16:37,579 --> 00:16:39,780 a Burton-esque type of performance. 378 00:16:39,814 --> 00:16:42,383 RJ's bellhop is the embodiment of Dark Whimsy. 379 00:16:44,453 --> 00:16:46,220 The laughter continues on our countdown 380 00:16:46,255 --> 00:16:50,391 as we check out a comedic look that won over our expert panel. 381 00:16:50,426 --> 00:16:54,428 Here it is, the judges' pick for the funniest makeup of all time. 382 00:16:54,462 --> 00:16:58,566 Roy's laughing-dead character, hands down, 383 00:16:58,600 --> 00:17:02,135 wins for the funniest makeup. 384 00:17:04,205 --> 00:17:06,373 It's a humorous concept, 385 00:17:06,407 --> 00:17:09,577 but none of it really got to me until it started dancing. 386 00:17:15,383 --> 00:17:16,749 Glenn's even crackin' a smile. Look it. 387 00:17:18,052 --> 00:17:20,487 Is that you laughing? 388 00:17:20,521 --> 00:17:22,989 - It is. - Wow! 389 00:17:23,023 --> 00:17:26,493 Roy's stacked ghost character, 390 00:17:26,527 --> 00:17:27,660 so funny. 391 00:17:27,695 --> 00:17:31,831 - Shows he has a sense of humor. - Oh, my God! 392 00:17:31,865 --> 00:17:33,833 Hee-hee-hee-hee-hee! 393 00:17:33,867 --> 00:17:35,034 These are the Caine Brothers, 394 00:17:35,069 --> 00:17:36,869 and they were Vaudevillian performers. 395 00:17:36,904 --> 00:17:38,838 They had a drinkin' problem, and one night they stepped 396 00:17:38,872 --> 00:17:40,907 into traffic and got hit by a street car, 397 00:17:40,941 --> 00:17:43,009 so this is how they have to live in the afterlife. 398 00:17:43,043 --> 00:17:46,445 This is a quintessential Vaudevillian trick. 399 00:17:46,480 --> 00:17:49,148 They would put two little kids on top of each other 400 00:17:49,182 --> 00:17:52,551 to create an adult, and you pulled it off with one person. 401 00:17:52,586 --> 00:17:55,087 When we first saw it, all three of us, 402 00:17:55,122 --> 00:17:57,223 it was a complete laugh-out-loud moment. 403 00:17:57,257 --> 00:17:58,724 Well, I chuckled. I wouldn't say laughed out loud. 404 00:17:58,758 --> 00:18:00,025 - I think I screamed. - Glenn-- 405 00:18:00,059 --> 00:18:03,028 Glenn was crying like a little girl with laughter. 406 00:18:05,031 --> 00:18:06,632 Coming up, we'll see how a season one 407 00:18:06,666 --> 00:18:09,768 body paint challenge inspired both a jaw-dropping work of art 408 00:18:09,802 --> 00:18:12,738 and one of the most bewildering makeups ever on Face Off. 409 00:18:13,940 --> 00:18:15,874 All this and more dazzling creations when 410 00:18:15,908 --> 00:18:20,161 Face Off's Top 20 Countdown, Judges' Favorites returns. 411 00:18:24,271 --> 00:18:27,339 We're back, counting down our judges' top 20 favorite makeups 412 00:18:27,374 --> 00:18:29,375 in the history of Face Off. 413 00:18:29,409 --> 00:18:32,145 Whether it's distant planets, desert plains, 414 00:18:32,179 --> 00:18:35,814 or eerie wastelands, Face Off's 77 spotlight challenges 415 00:18:35,848 --> 00:18:38,284 have taken us to every kind of destination. 416 00:18:38,318 --> 00:18:41,387 The number 12 spot is a makeup from a season two challenge 417 00:18:41,421 --> 00:18:44,356 that took the competition to one of the most difficult places 418 00:18:44,391 --> 00:18:47,993 a makeup artist can go-- underwater. 419 00:18:48,027 --> 00:18:51,697 Tara and Matt's fish creature was really spectacular. 420 00:18:51,731 --> 00:18:53,265 So beautiful. 421 00:18:53,299 --> 00:18:54,365 I really love this. 422 00:18:54,400 --> 00:18:55,600 Your spotlight challenge was 423 00:18:55,634 --> 00:18:58,536 to find a sea creature to use as inspiration 424 00:18:58,570 --> 00:18:59,671 for your unique makeups. 425 00:18:59,705 --> 00:19:02,908 You were also asked to make them waterproof. 426 00:19:02,942 --> 00:19:05,610 It's very nerve-wracking. Is this gonna float? 427 00:19:05,644 --> 00:19:07,779 Is the paint gonna bleed into the water? 428 00:19:07,814 --> 00:19:09,013 I don't know what happened. 429 00:19:09,047 --> 00:19:11,115 There's so many chunks missing from the edges. 430 00:19:11,149 --> 00:19:12,684 I'm really stressing that 431 00:19:12,718 --> 00:19:14,519 we're not gonna be able to get these edges down. 432 00:19:14,553 --> 00:19:16,053 How are we gonna hide these? 433 00:19:16,087 --> 00:19:20,090 My brilliant plan is to cover these massive edges with fabric. 434 00:19:20,125 --> 00:19:21,091 - Oh, wow. - Wow. 435 00:19:21,126 --> 00:19:22,259 - That looks so cool. - Wow. 436 00:19:22,294 --> 00:19:24,195 Everybody gasped when she got in the water. 437 00:19:24,229 --> 00:19:25,595 Oh, it looks really cool. 438 00:19:25,630 --> 00:19:26,897 The colors are beautiful. 439 00:19:26,932 --> 00:19:29,566 Massive range of iridescence head to toe. 440 00:19:29,600 --> 00:19:32,036 The little filigree work that's in the sculpture, 441 00:19:32,070 --> 00:19:33,304 absolutely thrilled me. 442 00:19:33,338 --> 00:19:34,839 Well done. 443 00:19:34,873 --> 00:19:36,841 I'm glad we decided to go with the fabric and hide the edges 444 00:19:36,875 --> 00:19:38,775 because it looks like colorful scales. 445 00:19:38,810 --> 00:19:41,911 Well, this was a really clever way to hide all their edges. 446 00:19:41,946 --> 00:19:44,581 They're thinkin' on their feet and they're turning challenges 447 00:19:44,615 --> 00:19:48,151 around and making them attributes. 448 00:19:48,185 --> 00:19:50,320 Tara and Matt's fish creature, 449 00:19:50,355 --> 00:19:53,056 aquatic, sensual beauty. 450 00:19:55,560 --> 00:19:57,961 From under the sea to outer space, it's the second makeup 451 00:19:57,995 --> 00:20:01,797 in our top 20 from season three's Star Wars challenge. 452 00:20:01,832 --> 00:20:03,466 Let's head back to Mos Eisley and meet 453 00:20:03,500 --> 00:20:08,371 this unforgettable cantina alien taking the number 11 spot. 454 00:20:08,405 --> 00:20:10,706 This week, your spotlight challenge was to create 455 00:20:10,741 --> 00:20:14,077 an original alien that would fit into a modern version 456 00:20:14,111 --> 00:20:17,079 of the classic Star Wars cantina scene. 457 00:20:17,113 --> 00:20:18,447 Let's see what you've come up with. 458 00:20:20,617 --> 00:20:23,552 Talk about coming out swinging. 459 00:20:23,587 --> 00:20:26,021 Laura and Sarah's Star Wars cantina alien 460 00:20:26,055 --> 00:20:30,493 is the first episode, and it's perfectly executed. 461 00:20:30,527 --> 00:20:33,395 She comes from the Dagobah System, which is very moist, 462 00:20:33,429 --> 00:20:35,830 but she lives on Tatooine. 463 00:20:35,865 --> 00:20:38,133 That's why she's got the breathing apparatus. 464 00:20:38,167 --> 00:20:40,402 And her costume helps retain that moisture. 465 00:20:40,436 --> 00:20:42,271 It's a whole suit get-up. 466 00:20:42,305 --> 00:20:44,439 This is the type of design that we're working towards 467 00:20:44,473 --> 00:20:47,675 in production all the time, with room to design it. 468 00:20:47,710 --> 00:20:49,911 They pulled it off in two days. 469 00:20:49,945 --> 00:20:51,746 One of the coolest things was when she walked out, 470 00:20:51,781 --> 00:20:53,681 she had her hood up, so we really couldn't see 471 00:20:53,716 --> 00:20:54,749 what she looked like. 472 00:20:54,784 --> 00:20:56,885 Would you mind removing the cowl for us? 473 00:20:56,919 --> 00:20:58,820 And when she pulled that hood down, 474 00:20:58,854 --> 00:21:02,824 it was so regal and so gorgeous. 475 00:21:02,858 --> 00:21:04,892 Really excellent job, ladies. 476 00:21:04,927 --> 00:21:06,593 Laura and Sarah nailed it with this one. 477 00:21:06,628 --> 00:21:09,063 I like the fact that you mentioned the Dagobah System. 478 00:21:09,097 --> 00:21:11,765 She has a specific origin, 479 00:21:11,800 --> 00:21:13,401 so you've been doing your homework, which is great. 480 00:21:13,435 --> 00:21:14,535 We're such geeks. 481 00:21:14,569 --> 00:21:15,736 You know, it's so important that 482 00:21:15,770 --> 00:21:18,105 when you're going to do a head-to-toe makeup 483 00:21:18,140 --> 00:21:20,007 that it feels like it's connected, 484 00:21:20,042 --> 00:21:22,843 and the hands related perfectly to the head, 485 00:21:22,877 --> 00:21:26,146 both in its texturing and, of course, its coloration. 486 00:21:26,180 --> 00:21:29,215 This makeup is one of the cleanest that we have seen 487 00:21:29,250 --> 00:21:33,053 in all five seasons on the show. 488 00:21:33,087 --> 00:21:35,822 Up next, we travel to the World Of Oz. 489 00:21:35,856 --> 00:21:37,958 Coming in at number ten is a winning collaboration 490 00:21:37,992 --> 00:21:40,060 from a pair of season two finalists, 491 00:21:40,094 --> 00:21:42,762 one of whom became that season's champion. 492 00:21:49,503 --> 00:21:50,736 Rayce and Ian's Cowardly Lion, 493 00:21:50,771 --> 00:21:52,371 it's a very contemporary way 494 00:21:52,405 --> 00:21:54,574 to approach a very traditional character. 495 00:21:54,608 --> 00:21:56,008 If you're a Cowardly Lion, 496 00:21:56,042 --> 00:21:57,576 you're probably starving. 497 00:21:57,610 --> 00:21:59,744 You'll have a smaller frame. You'll be a little nicked up. 498 00:21:59,779 --> 00:22:03,148 The way me and Ian are breaking down our concept and design 499 00:22:03,183 --> 00:22:06,018 is we're both going to do the chest piece, 500 00:22:06,052 --> 00:22:09,154 and he's gonna do the hair while I do the overall paint job. 501 00:22:09,189 --> 00:22:14,593 It was weird, and cool, and exceptionally done. 502 00:22:14,627 --> 00:22:17,428 - I do love the paws. - What makes it work, beyond 503 00:22:17,463 --> 00:22:21,566 all the obvious makeup work that they did, was the hair work. 504 00:22:21,601 --> 00:22:23,468 Its silhouette was so strong, 505 00:22:23,503 --> 00:22:26,204 and that was a huge head of hair. 506 00:22:26,238 --> 00:22:30,774 That's not easy to work with unless you're Fabio. 507 00:22:30,809 --> 00:22:34,578 I really love the idea of it being gray. 508 00:22:34,613 --> 00:22:37,781 So expect it to be this beige-y flesh tone. 509 00:22:37,816 --> 00:22:39,617 - Very well done. - Thank you very much. 510 00:22:39,651 --> 00:22:41,352 They didn't allow their paint 511 00:22:41,387 --> 00:22:43,054 to get in the way of the sculpture, 512 00:22:43,088 --> 00:22:44,555 so the shading and counter-shading 513 00:22:44,589 --> 00:22:46,824 that they're using and the highlighting to make those ribs 514 00:22:46,858 --> 00:22:49,760 feel really nice and sunken in, it was all gorgeous. 515 00:22:49,794 --> 00:22:53,363 It was such a unique character and such a bizarre take. 516 00:22:53,398 --> 00:22:55,265 That makeup really has staying power. 517 00:22:55,299 --> 00:22:59,169 Rayce and Ian's Cowardly Lion, courage personified. 518 00:23:01,673 --> 00:23:03,306 It's time to peel off the clothes 519 00:23:03,341 --> 00:23:04,941 as we take a look at the best 520 00:23:04,975 --> 00:23:07,310 body painting ever featured on Face Off. 521 00:23:07,345 --> 00:23:10,247 This season one makeup not only won the challenge, 522 00:23:10,281 --> 00:23:13,650 but it joins our top 20 at number nine. 523 00:23:13,684 --> 00:23:17,354 Welcome to your next spotlight challenge. 524 00:23:17,388 --> 00:23:20,256 Everybody? Drop 'em. 525 00:23:20,290 --> 00:23:22,324 Oh, my God! 526 00:23:22,359 --> 00:23:24,561 It is birthday suits as far as the eye can see. 527 00:23:24,595 --> 00:23:26,596 Okay. 528 00:23:29,466 --> 00:23:31,868 Anthony killed this challenge. 529 00:23:31,902 --> 00:23:34,571 I mean, the guy's never done a body painting before 530 00:23:34,605 --> 00:23:37,173 in his life, and then he rolls this thing out? 531 00:23:37,207 --> 00:23:38,907 We're just shocked. 532 00:23:38,942 --> 00:23:41,710 To come on the show and discover an attribute 533 00:23:41,744 --> 00:23:45,747 that he may not have ever known that he had as an artist? 534 00:23:45,782 --> 00:23:47,183 I think that's so awesome. 535 00:23:47,217 --> 00:23:50,018 The idea is that she's pickin' her bark apart. 536 00:23:50,053 --> 00:23:54,122 Anthony's burnt wood makeup, holy smoke. 537 00:23:54,156 --> 00:23:56,658 I don't even think he knew he could do that. 538 00:23:56,693 --> 00:23:59,561 - This was awesome. - Thank you. 539 00:23:59,596 --> 00:24:01,964 I loved the way that he did that very clever thing 540 00:24:01,998 --> 00:24:04,900 where it looked like she was holding part of her stomach. 541 00:24:04,934 --> 00:24:07,135 If you hadn't have had those open spaces, 542 00:24:07,169 --> 00:24:09,170 I think it would have been very difficult 543 00:24:09,205 --> 00:24:11,606 to pick out where your person was. 544 00:24:11,640 --> 00:24:14,342 It's like she ripped a piece of her body off and is screaming. 545 00:24:14,376 --> 00:24:16,411 I just really love it. 546 00:24:16,445 --> 00:24:19,614 To see that huge piece of art up there was just-- 547 00:24:19,648 --> 00:24:21,048 oh, it was breathtaking. 548 00:24:21,083 --> 00:24:23,651 That was one of the most happiest moments of my life. 549 00:24:23,685 --> 00:24:25,920 I'm ready to cry. I-- It was-- Honestly? 550 00:24:25,954 --> 00:24:29,189 That right there was better than winning any Academy Award. 551 00:24:29,224 --> 00:24:32,693 The detail and the precision in mimicking his paint 552 00:24:32,728 --> 00:24:36,363 with the environment was uncanny. 553 00:24:36,397 --> 00:24:39,366 Anthony's burnt wood was both invisible 554 00:24:39,400 --> 00:24:42,302 and self-demonstrative. 555 00:24:42,337 --> 00:24:43,670 For aFace Offcompetitor, 556 00:24:43,704 --> 00:24:47,407 the final presentation can make or break your chances. 557 00:24:47,442 --> 00:24:49,676 Our season one body paint challenge not only gave us 558 00:24:49,710 --> 00:24:51,778 one of the judges' favorites, 559 00:24:51,812 --> 00:24:54,414 it also offered one of the most amusing moments 560 00:24:54,449 --> 00:24:56,216 in Face Off history. 561 00:24:56,251 --> 00:24:58,952 This is the judges' pick for the longest makeup description 562 00:24:58,986 --> 00:25:01,320 in the history of Face Off. 563 00:25:01,355 --> 00:25:02,956 The most complicated 564 00:25:02,990 --> 00:25:05,258 and convoluted description of a makeup 565 00:25:05,292 --> 00:25:06,693 goes to Sergio. 566 00:25:06,727 --> 00:25:09,029 I looked at all the backgrounds and I saw this, 567 00:25:09,063 --> 00:25:13,599 uh, big tornado comin' up from a very desolate area... 568 00:25:13,634 --> 00:25:14,868 It kind of speaks about real life because we have 569 00:25:14,902 --> 00:25:16,001 a lot of events that happen 570 00:25:16,036 --> 00:25:17,570 that we-- We're not aware of here... 571 00:25:17,604 --> 00:25:20,139 When you're overrun and you have all this stuff, you know, 572 00:25:20,174 --> 00:25:21,974 I mean, it's something that he's not gonna be able to escape, 573 00:25:22,008 --> 00:25:23,609 you know-- but there's droughts and stuff like that 574 00:25:23,644 --> 00:25:24,910 in other places of the world, 575 00:25:24,944 --> 00:25:27,112 and so I got an image real quick of... 576 00:25:27,147 --> 00:25:29,848 But he still has that, like, look of hope, 577 00:25:29,883 --> 00:25:31,617 and I wanted my image to really be able 578 00:25:31,652 --> 00:25:35,220 to tell people a story and have them ask questions... 579 00:25:35,254 --> 00:25:37,222 Almost like a fetal position, because... 580 00:25:37,256 --> 00:25:39,058 I gotta laugh. 581 00:25:39,092 --> 00:25:42,728 Sergio gave us the longest description of a makeup job 582 00:25:42,762 --> 00:25:44,663 in the history of Face Off. 583 00:25:44,698 --> 00:25:46,899 And that's kind of what I was going for. 584 00:25:46,933 --> 00:25:49,167 Uh-huh. 585 00:25:49,202 --> 00:25:52,504 Boy, that's a long story for a very short makeup. 586 00:25:52,538 --> 00:25:56,241 And it was an orange body painting and white stripes. 587 00:25:56,275 --> 00:25:58,743 Hello? Too long. 588 00:25:58,777 --> 00:26:00,978 I thought about maybe darkening his skin even more. 589 00:26:01,013 --> 00:26:04,182 Sergio's description of his naked ambition makeup, 590 00:26:04,217 --> 00:26:07,952 uh, I don't know. Fell asleep, don't recall. 591 00:26:09,755 --> 00:26:11,522 Face off'sseason two Tim Burton challenge 592 00:26:11,556 --> 00:26:14,992 inspired three looks among our judges' countdown, 593 00:26:15,027 --> 00:26:17,695 and two are still to come. 594 00:26:17,730 --> 00:26:20,264 Which ones are they and where did they rank? 595 00:26:20,298 --> 00:26:21,699 It's coming up on 596 00:26:21,733 --> 00:26:24,167 Face Off Top 20 Countdown, Judges' Favorites. 597 00:26:29,961 --> 00:26:31,195 Welcome back. 598 00:26:31,230 --> 00:26:33,097 We're counting down our judges' top 20 599 00:26:33,132 --> 00:26:35,633 Face Off makeups of all time. 600 00:26:35,667 --> 00:26:37,402 Let us know if you agree with our judges' choices 601 00:26:37,436 --> 00:26:40,538 on Twitter using #FaceOff. 602 00:26:40,572 --> 00:26:42,706 Coming in at number eight is this tasty treat 603 00:26:42,741 --> 00:26:45,843 from the season two Tim Burton challenge. 604 00:26:45,877 --> 00:26:49,680 Its clever design and evocative image had all the judges raving. 605 00:26:52,216 --> 00:26:54,818 Matt's ice cream man from the Tim Burton challenge, 606 00:26:54,853 --> 00:26:57,922 oh, so creepy. 607 00:26:57,956 --> 00:27:01,624 It was kind of like you take Burton's dark side, and you add 608 00:27:01,659 --> 00:27:04,327 nothing but dark chocolate and make it darker and darker, 609 00:27:04,362 --> 00:27:07,464 'cause he went so south on this. 610 00:27:07,498 --> 00:27:09,299 I love the ice cream man. 611 00:27:09,333 --> 00:27:12,436 He's so colorful, so delicious looking, 612 00:27:12,470 --> 00:27:14,271 and he's just a feast for the eyes. 613 00:27:14,305 --> 00:27:16,706 It has so much going on, there's so much story, 614 00:27:16,740 --> 00:27:18,708 that you're almost afraid to ask. 615 00:27:18,742 --> 00:27:20,242 He's an ice cream inventor. 616 00:27:20,277 --> 00:27:23,580 His lab exploded, fusing his anatomy and DNA 617 00:27:23,614 --> 00:27:25,582 with his own creation, so now 618 00:27:25,616 --> 00:27:27,584 he's this chocolaty, ice cream-sprinkled, 619 00:27:27,618 --> 00:27:29,518 waffle cone-headed clown. 620 00:27:29,553 --> 00:27:32,555 Matt's attention to detail was pretty inspiring. 621 00:27:32,589 --> 00:27:36,024 Sprinkles around its mouth, a little cherry on its nose. 622 00:27:36,059 --> 00:27:38,461 Phew. Spooky. 623 00:27:38,495 --> 00:27:39,962 Oh, no, thanks. I ate. 624 00:27:41,498 --> 00:27:45,267 There's something so wrong about this twisted vision 625 00:27:45,302 --> 00:27:47,336 of the perennial classic that it's right. 626 00:27:47,370 --> 00:27:51,139 This is more of what I've been looking for out of you. 627 00:27:51,173 --> 00:27:53,575 The balance of what you did integrating the actual 628 00:27:53,610 --> 00:27:56,144 cones into the makeup is very wise. 629 00:27:56,178 --> 00:27:58,179 If Tim Burton was gonna make a horror movie, 630 00:27:58,214 --> 00:27:59,247 this guy would be in it. 631 00:27:59,281 --> 00:28:01,617 This thing still has life today. 632 00:28:01,651 --> 00:28:03,685 People are always talking about it online. 633 00:28:03,720 --> 00:28:06,488 This thing is really a psychotic-- 634 00:28:06,522 --> 00:28:10,091 I don't want to have ice cream again. 635 00:28:10,126 --> 00:28:12,559 Now we've got the stunning makeup that earned its creator 636 00:28:12,594 --> 00:28:14,761 the title of Face Off champion. 637 00:28:14,795 --> 00:28:16,497 From season one, this haunting creation 638 00:28:16,531 --> 00:28:18,031 comes in at number seven. 639 00:28:18,065 --> 00:28:21,535 Your final challenge is to reinvent 640 00:28:21,569 --> 00:28:24,904 two characters from a classic fairy tale. 641 00:28:24,939 --> 00:28:26,873 You will also be choosing a theme 642 00:28:26,907 --> 00:28:28,274 to go along with your fairy tale. 643 00:28:29,710 --> 00:28:33,146 I knew a little bit about the Frog Prince fairy tale, 644 00:28:33,180 --> 00:28:35,515 and I knew that there was a lot of potential there. 645 00:28:35,549 --> 00:28:38,018 Conor's Frog Prince, when you look at it, 646 00:28:38,052 --> 00:28:40,754 it really is feature-film quality. 647 00:28:40,788 --> 00:28:45,525 The design captures a moment of metamorphosis so brilliantly. 648 00:28:45,559 --> 00:28:50,029 It is the quintessence of the pain of transformation. 649 00:28:50,063 --> 00:28:51,997 And, on top of everything else, 650 00:28:52,032 --> 00:28:54,167 he decides to go ahead and integrate 651 00:28:54,201 --> 00:28:58,337 a very rudimentary mechanical element to give it some life. 652 00:28:58,372 --> 00:29:00,206 Blow into that tube. 653 00:29:00,240 --> 00:29:01,306 Oh, my God. 654 00:29:01,340 --> 00:29:03,475 That bladder that he stuck in there? 655 00:29:03,509 --> 00:29:06,779 It's genius in its simplicity, and it worked perfectly. 656 00:29:06,813 --> 00:29:09,915 I took the foam run and I cut out all this 657 00:29:09,949 --> 00:29:12,785 and built latex and a tube right into the mold. 658 00:29:12,819 --> 00:29:13,852 Hid the tube up underneath the lip. 659 00:29:13,887 --> 00:29:15,087 Well done. 660 00:29:15,121 --> 00:29:16,955 I didn't come here just for the hell of it. 661 00:29:16,990 --> 00:29:18,723 I came here to win. 662 00:29:18,757 --> 00:29:19,991 Conor is a really good technician. 663 00:29:20,025 --> 00:29:21,759 He has a great design sense. 664 00:29:21,794 --> 00:29:24,095 His applications are flawless. 665 00:29:24,129 --> 00:29:27,165 Look at the top of the head. That's a great paint job too. 666 00:29:27,200 --> 00:29:29,901 Conor's Frog Prince, and the fact that this is 667 00:29:29,935 --> 00:29:32,237 a season one winner, it's incredible. 668 00:29:32,271 --> 00:29:33,771 It's why he was the winner. 669 00:29:33,806 --> 00:29:37,809 The eye of the frog is one of the best eyes that I've seen. 670 00:29:37,843 --> 00:29:39,177 Conor, in this challenge, 671 00:29:39,211 --> 00:29:42,046 achieved a "ribbeting" amphibious delight. 672 00:29:43,248 --> 00:29:46,050 From cursed frogs to enchanted swans, 673 00:29:46,085 --> 00:29:48,953 it's the crowning achievement from season five champion, 674 00:29:48,987 --> 00:29:53,156 Laura, and it holds the number six spot on our all-time top 20. 675 00:29:56,661 --> 00:29:59,263 Laura's season five finale makeup 676 00:29:59,297 --> 00:30:01,432 was the manifestation of beauty and power. 677 00:30:01,466 --> 00:30:02,899 So incredible. 678 00:30:02,934 --> 00:30:07,070 Laura's Renaissance swan and sorcerer is breathtaking. 679 00:30:07,105 --> 00:30:08,705 Unbelievably gorgeous. 680 00:30:08,740 --> 00:30:11,708 Renaissance, Baroque, whatever you want to call it. 681 00:30:11,743 --> 00:30:13,243 Pearls, swirls. 682 00:30:13,277 --> 00:30:15,678 Oh, my God. She had everything in it. 683 00:30:15,713 --> 00:30:18,048 I absolutely love how her bodice 684 00:30:18,082 --> 00:30:20,516 looks like it's morphing into something, and then 685 00:30:20,551 --> 00:30:23,553 the shoulder pieces, like, the start of wings. 686 00:30:23,587 --> 00:30:25,855 You've got some great texturing happening. 687 00:30:25,889 --> 00:30:29,892 There's a real beautiful, classic silhouette that she has. 688 00:30:29,926 --> 00:30:34,163 To have a figure dancing with that aesthetic 689 00:30:34,197 --> 00:30:37,700 on their body was so beautiful. 690 00:30:37,735 --> 00:30:39,902 When you're designing, you cannot do it alone, 691 00:30:39,936 --> 00:30:41,771 so Laura divides up the labor 692 00:30:41,805 --> 00:30:43,939 but guides it, so that when it's done 693 00:30:43,974 --> 00:30:46,441 it all looks like it was done by one person. 694 00:30:46,476 --> 00:30:47,943 Clearly she's a good artist. 695 00:30:47,978 --> 00:30:49,845 She has an incredible design sense. 696 00:30:49,880 --> 00:30:52,648 She's a really seasoned technician. 697 00:30:52,682 --> 00:30:55,584 She is a focused beam of talent. 698 00:30:55,618 --> 00:30:57,519 It's clear that she's gonna do the same 699 00:30:57,553 --> 00:30:59,020 professionally and in her career. 700 00:30:59,054 --> 00:31:00,422 She's phenomenal. 701 00:31:00,456 --> 00:31:04,025 This is an awe-inspiring conglomerate 702 00:31:04,059 --> 00:31:06,428 of multiple different techniques 703 00:31:06,462 --> 00:31:07,629 and multiple different influences 704 00:31:07,664 --> 00:31:09,831 that are blended seamlessly together 705 00:31:09,865 --> 00:31:12,133 to create truly amazing characters. 706 00:31:14,369 --> 00:31:16,404 Next up, Las Vegas was the backdrop 707 00:31:16,438 --> 00:31:20,141 for one Face Off competitor's crowning achievement. 708 00:31:20,176 --> 00:31:22,610 The number five spot on our judges' countdown belongs 709 00:31:22,644 --> 00:31:24,512 to these amazing makeups created 710 00:31:24,546 --> 00:31:26,547 for the mind-blowing production, Le Reve. 711 00:31:33,355 --> 00:31:36,691 Anthony's sinister performers from theLe Reveshow 712 00:31:36,725 --> 00:31:40,027 were probably the most definitive characters. 713 00:31:40,061 --> 00:31:42,062 I don't know how they could have been beaten. 714 00:31:44,199 --> 00:31:46,967 The thing with this challenge is to keep it very minimal 715 00:31:47,001 --> 00:31:49,102 and not have anything restrictive on their bodies. 716 00:31:49,137 --> 00:31:54,308 I decided to keep it to a cowl, face, and a minor chest piece. 717 00:31:54,342 --> 00:31:57,277 TheLe Revechallenge was, by far, 718 00:31:57,312 --> 00:32:01,481 the most physically difficult challenge to work a makeup on. 719 00:32:01,515 --> 00:32:05,752 These guys were falling from 50, 60 feet above water, 720 00:32:05,786 --> 00:32:08,855 so creating anything that didn't fall off 721 00:32:08,889 --> 00:32:11,491 was extremely challenging to begin with, 722 00:32:11,525 --> 00:32:13,626 but to be able to design something that looks beautiful 723 00:32:13,661 --> 00:32:17,530 as a makeup, performs under extreme circumstances, 724 00:32:17,565 --> 00:32:21,334 and happens to just fit in to a rich environment 725 00:32:21,368 --> 00:32:24,270 that he could not have access to prior to the challenge? 726 00:32:24,304 --> 00:32:25,604 Killer work. 727 00:32:25,638 --> 00:32:28,207 So, we're basically doing a prosthetic face piece, 728 00:32:28,242 --> 00:32:29,976 and we're gonna be working into the cowl. 729 00:32:30,010 --> 00:32:32,111 And then for our female character, 730 00:32:32,145 --> 00:32:34,881 it's gonna be the same species but a lot softer. 731 00:32:34,915 --> 00:32:37,516 The characters look like they belong together. 732 00:32:37,550 --> 00:32:39,718 I love the coloring on both of them. 733 00:32:39,753 --> 00:32:40,719 The paint job was 734 00:32:40,754 --> 00:32:42,921 - absolutely gorgeous. - Thank you. 735 00:32:42,955 --> 00:32:45,524 Anthony'sLe Revecharacters were perfection. 736 00:32:45,558 --> 00:32:46,925 This is, by far, 737 00:32:46,959 --> 00:32:49,261 - my absolute favorite profile. - Of course it is, because 738 00:32:49,295 --> 00:32:50,529 it's so naturally looking. 739 00:32:50,563 --> 00:32:51,630 I can believe this thing 740 00:32:51,664 --> 00:32:53,031 - exists somewhere. - Yes. 741 00:32:53,065 --> 00:32:56,167 The execution of the makeup from a design standpoint, 742 00:32:56,202 --> 00:33:00,838 application, paint, costume, all of it, is the reason he won 743 00:33:00,873 --> 00:33:04,009 that particular challenge, and the entire season of Face Off. 744 00:33:06,212 --> 00:33:09,179 Have your favorite competitors made the list? 745 00:33:09,214 --> 00:33:10,915 We're working our way to number one. 746 00:33:10,949 --> 00:33:12,517 It's coming up, 747 00:33:12,551 --> 00:33:16,571 when Face Off Top 20 Countdown, Judges' Favorites returns. 748 00:33:17,920 --> 00:33:20,721 Welcome back to the Top 20 Countdown, Judges' Favorites, 749 00:33:20,755 --> 00:33:23,257 where we reveal the best special effects makeup 750 00:33:23,292 --> 00:33:26,027 in the history of Face Off. 751 00:33:26,061 --> 00:33:28,362 Our number four makeup comes from a season one challenge 752 00:33:28,396 --> 00:33:30,998 where the artists were shocked to learn their zombie creations 753 00:33:31,033 --> 00:33:34,235 would be put to the test in an expected dance routine, 754 00:33:34,269 --> 00:33:35,469 and one of those zombies 755 00:33:35,503 --> 00:33:38,038 has been haunting our judges ever since. 756 00:33:44,846 --> 00:33:46,513 Conor's zombie. 757 00:33:46,548 --> 00:33:48,081 Crap, was that bitchin'. 758 00:33:48,115 --> 00:33:50,551 Particularly since so many zombies have been done, 759 00:33:50,585 --> 00:33:51,885 we know what they're supposed to look like. 760 00:33:51,919 --> 00:33:55,288 This one is zombie perfection. 761 00:33:55,323 --> 00:33:56,589 Wow. 762 00:33:56,623 --> 00:33:58,358 First of all, it's a really cool opportunity 763 00:33:58,392 --> 00:34:00,827 to do something that every makeup artist wants to do, 764 00:34:00,862 --> 00:34:02,695 create this really awesome zombie 765 00:34:02,730 --> 00:34:04,831 in a dance video situation. 766 00:34:04,866 --> 00:34:07,100 It was the quintessential zombie. 767 00:34:07,134 --> 00:34:10,470 She was skinny. She was dry. 768 00:34:10,504 --> 00:34:13,473 She was everything a zombie should be. 769 00:34:13,507 --> 00:34:16,275 The proportions are beautifully handled. 770 00:34:16,309 --> 00:34:20,145 You want to create a sucked-in skeletal frame, 771 00:34:20,180 --> 00:34:22,214 but to build that framework over 772 00:34:22,249 --> 00:34:24,617 and then put skin over that that looks sunken in, 773 00:34:24,651 --> 00:34:26,318 it can easily get away from you. 774 00:34:26,353 --> 00:34:27,486 This does not. 775 00:34:27,520 --> 00:34:30,422 He works those notes to perfection. 776 00:34:30,456 --> 00:34:32,124 I want to do, like, kind of a classic 777 00:34:32,158 --> 00:34:35,727 '80s style zombie who's now just a dried out husk. 778 00:34:35,762 --> 00:34:37,029 Conor's another one of our artists who has 779 00:34:37,063 --> 00:34:38,497 a great design sense. 780 00:34:38,531 --> 00:34:40,665 A really great applicator. 781 00:34:40,700 --> 00:34:42,901 This is his third in our top 20. 782 00:34:42,935 --> 00:34:44,168 You name it, he can do it. 783 00:34:44,203 --> 00:34:47,572 You got every detail absolutely perfect, 784 00:34:47,607 --> 00:34:50,541 right down to her arms, her fingernails. 785 00:34:50,575 --> 00:34:53,076 You even aged her hair to the right color. 786 00:34:53,111 --> 00:34:55,513 - It's a stunning makeup. - Thank you. 787 00:34:55,547 --> 00:34:57,515 It never becomes silly. 788 00:34:57,549 --> 00:34:59,417 It never parodies itself. 789 00:34:59,451 --> 00:35:01,619 It somehow manages to pull off 790 00:35:01,653 --> 00:35:04,588 a dancing zombie and still be super cool. 791 00:35:05,689 --> 00:35:08,158 Conor's zombie is roadkill beauty. 792 00:35:08,192 --> 00:35:10,360 Everybody loves a zombie. 793 00:35:11,930 --> 00:35:14,965 From zombie dancers to cursed musicians. 794 00:35:14,999 --> 00:35:16,866 Earning the number three spot on our top 20, 795 00:35:16,901 --> 00:35:18,101 here is the winning look 796 00:35:18,136 --> 00:35:20,370 from Face Off's Tim Burton challenge. 797 00:35:20,405 --> 00:35:22,472 This week, your spotlight challenge was to take 798 00:35:22,506 --> 00:35:25,608 an ordinary profession and create a character 799 00:35:25,643 --> 00:35:28,144 worthy of being featured in a Tim Burton film. 800 00:35:31,114 --> 00:35:34,116 With Rayce's cellist, you see him really 801 00:35:34,151 --> 00:35:36,285 working at his highest capacity. 802 00:35:36,320 --> 00:35:38,421 He writes these stories inside 803 00:35:38,455 --> 00:35:40,222 of his head while he's sculpting. 804 00:35:40,257 --> 00:35:41,690 It's a unique thing. 805 00:35:41,724 --> 00:35:45,027 I wanted to see if I could bring in another character, 806 00:35:45,062 --> 00:35:46,895 almost like the cello was morphed into 807 00:35:46,930 --> 00:35:49,832 a human and it's her love. 808 00:35:49,866 --> 00:35:53,569 The idea that her playing it was keeping alive 809 00:35:53,603 --> 00:35:56,037 the spirit within the cello, 810 00:35:56,072 --> 00:35:57,973 and the melancholy on her face, 811 00:35:58,007 --> 00:36:00,408 which is so appropriate for that type of instrument. 812 00:36:00,443 --> 00:36:05,581 This is an unparalleled design executed without fear. 813 00:36:05,615 --> 00:36:07,916 Actually, I went through a few different designs. 814 00:36:07,951 --> 00:36:10,118 It's just a face prosthetic. 815 00:36:10,152 --> 00:36:12,020 Sometimes less is more. I mean, you know, 816 00:36:12,054 --> 00:36:13,554 you don't necessarily have to cover their, 817 00:36:13,589 --> 00:36:17,058 you know, face with prosthetics to get a Tim Burton character. 818 00:36:17,093 --> 00:36:19,361 That design was really unique, 819 00:36:19,395 --> 00:36:21,529 and I imagine it could be in a Burton film. 820 00:36:21,563 --> 00:36:23,198 Oh, beautifully executed. 821 00:36:23,232 --> 00:36:25,633 Your airbrush work is really great. 822 00:36:25,667 --> 00:36:27,035 You had airbrushed her clothing as well, which was 823 00:36:27,069 --> 00:36:29,670 a good idea, because it homogenized the whole look. 824 00:36:29,705 --> 00:36:31,038 It's just beautiful. 825 00:36:31,072 --> 00:36:32,940 Thank you so much. 826 00:36:32,975 --> 00:36:35,776 Rayce's cellist really did capture 827 00:36:35,811 --> 00:36:38,679 other elements of the Tim Burton style. 828 00:36:38,714 --> 00:36:42,016 The stripes, the curved, concentric lines, 829 00:36:42,050 --> 00:36:45,986 but it's also the fact that he included the relationship. 830 00:36:46,021 --> 00:36:50,190 That was a really smart move, which is why he won. 831 00:36:50,225 --> 00:36:52,893 Our top 20 countdown goes to the underworld 832 00:36:52,927 --> 00:36:56,296 as we check out a chilling creation from season four. 833 00:36:56,331 --> 00:36:59,766 Here's the second best makeup in the history of Face Off. 834 00:37:02,403 --> 00:37:05,272 Anthony and Alam's ice demon, so pretty. 835 00:37:05,306 --> 00:37:07,107 Anthony and Alam. 836 00:37:07,141 --> 00:37:08,742 Ice demon. What? 837 00:37:08,776 --> 00:37:13,513 How are they managing something so perfect for the challenge? 838 00:37:13,548 --> 00:37:16,383 Create a demon character from somewhere around the world 839 00:37:16,417 --> 00:37:18,017 and bring it to life. 840 00:37:18,052 --> 00:37:20,653 Then we threw you a twist. 841 00:37:20,687 --> 00:37:21,921 Hell had frozen over. 842 00:37:21,956 --> 00:37:23,823 So, we got "Deumus," a Hindu goddess. 843 00:37:23,858 --> 00:37:25,825 We both really want to make this demon 844 00:37:25,860 --> 00:37:29,929 beautiful to take it away from a grotesque nature. 845 00:37:29,964 --> 00:37:31,030 - It's very beautiful. - Yeah. 846 00:37:31,065 --> 00:37:32,031 It's pretty. 847 00:37:32,066 --> 00:37:33,133 - I like the turquoise. - Yeah. 848 00:37:33,167 --> 00:37:34,700 I mean, it was so great to see them 849 00:37:34,735 --> 00:37:38,571 doing a beauty makeup on top of a creature makeup, 850 00:37:38,605 --> 00:37:41,907 and just pulling it all together from head to toe. 851 00:37:41,941 --> 00:37:43,442 The feet on this thing were beautiful. 852 00:37:43,477 --> 00:37:46,245 These are some of the best details 853 00:37:46,280 --> 00:37:47,580 that we've seen in any makeup. 854 00:37:47,614 --> 00:37:49,582 What's remarkable about this makeup 855 00:37:49,616 --> 00:37:51,950 is the flow of the line from 856 00:37:51,985 --> 00:37:53,786 horn down through the zygomatic arch. 857 00:37:53,820 --> 00:37:55,754 It's a perfect example of how 858 00:37:55,789 --> 00:37:58,490 to move your eye throughout the sculpture. 859 00:37:58,524 --> 00:38:01,359 Alam does like beauty and Anthony 860 00:38:01,394 --> 00:38:03,862 does like the creature-y side of things, 861 00:38:03,897 --> 00:38:07,865 so that hybrid of their comfort zone, of their wheelhouse, 862 00:38:07,900 --> 00:38:11,269 really lent itself to a perfect vision. 863 00:38:11,304 --> 00:38:13,438 There's a very strong synthesis between 864 00:38:13,472 --> 00:38:16,174 your demon's attributes and the region that it was from. 865 00:38:16,208 --> 00:38:18,943 We could immediately tell a lot about it just looking at it. 866 00:38:18,977 --> 00:38:20,812 Everything that you guys did worked 867 00:38:20,846 --> 00:38:23,447 so extremely well together. Well done. 868 00:38:23,481 --> 00:38:24,949 - Thank you. - Thank you, guys. 869 00:38:24,983 --> 00:38:26,050 Five awesomes. 870 00:38:26,084 --> 00:38:29,320 This one totally blew me away. 871 00:38:29,354 --> 00:38:33,090 We've seen 19 of the best creations ever onFace Off. 872 00:38:33,125 --> 00:38:36,593 When we come back, we reveal the judges' top pick. 873 00:38:36,628 --> 00:38:38,963 The number one makeup is next. 874 00:38:44,312 --> 00:38:46,646 Over five seasons of intense competition, 875 00:38:46,681 --> 00:38:48,281 Face Off artists have created 876 00:38:48,316 --> 00:38:51,418 almost 700 special effects makeups. 877 00:38:51,452 --> 00:38:55,122 So far, our judges have revealed 19 of their top 20 picks. 878 00:38:55,156 --> 00:38:58,225 Now we are moments away from the number one makeup 879 00:38:58,259 --> 00:39:00,893 in the history of Face Off, 880 00:39:00,928 --> 00:39:04,631 but first, let's see the largest. 881 00:39:04,665 --> 00:39:07,166 The largest makeup goes 882 00:39:07,201 --> 00:39:10,169 to Eric F and Kris for their two-headed giant. 883 00:39:12,106 --> 00:39:14,273 What the fuck is that? 884 00:39:14,307 --> 00:39:15,942 I don't know, but it was funny. 885 00:39:15,976 --> 00:39:18,211 It was so big, and then they had this little guy, 886 00:39:18,245 --> 00:39:20,213 who was actually the real life-sized guy. 887 00:39:20,247 --> 00:39:23,015 This poor little guy held there, 888 00:39:23,050 --> 00:39:24,383 like a little baby 889 00:39:24,417 --> 00:39:25,952 like an adult baby. It was weird. 890 00:39:25,986 --> 00:39:29,020 They probably rang up the biggest bill in material costs 891 00:39:29,055 --> 00:39:30,723 on the history of the show. 892 00:39:30,757 --> 00:39:34,326 This thing is like trying to plaster a hot tub. 893 00:39:34,361 --> 00:39:36,194 I mean, it is massive. 894 00:39:36,229 --> 00:39:38,230 Kris and I want to execute 895 00:39:38,265 --> 00:39:40,532 the biggest character as possible. 896 00:39:40,567 --> 00:39:42,268 It's gonna be ten-foot tall! 897 00:39:42,302 --> 00:39:44,536 It's filling up half the stage, 898 00:39:44,571 --> 00:39:48,339 and the looks on the judges' faces is amazing. 899 00:39:52,278 --> 00:39:56,882 This thing is so huge, so impressive, but funny. 900 00:39:56,916 --> 00:39:58,316 - They switched it back. - This is so great. 901 00:39:58,350 --> 00:40:00,919 Look, he's stabbin' his hand. 902 00:40:02,821 --> 00:40:05,089 You guys should definitely be impressed with yourselves. 903 00:40:05,123 --> 00:40:07,558 I think it's the biggest makeup we've ever seen on the show. 904 00:40:07,593 --> 00:40:08,826 Yes. 905 00:40:08,860 --> 00:40:10,461 That was one of our goals. 906 00:40:10,496 --> 00:40:11,829 So... 907 00:40:13,632 --> 00:40:16,534 The top creation of all time comes from a season five team, 908 00:40:16,568 --> 00:40:18,302 and it's the most camera-ready creature 909 00:40:18,336 --> 00:40:20,637 to spring out of your garden. 910 00:40:20,672 --> 00:40:22,606 Here it is, the number one makeup 911 00:40:22,640 --> 00:40:24,541 in the history of Face Off. 912 00:40:29,848 --> 00:40:32,283 Miranda and Tate's Peter Pumpkin Eater. 913 00:40:32,317 --> 00:40:34,451 Wow. 914 00:40:37,087 --> 00:40:38,355 This is my favorite makeup 915 00:40:38,389 --> 00:40:41,958 I have ever seen on the show, period. 916 00:40:41,992 --> 00:40:43,727 There are a ton of awesome 917 00:40:43,761 --> 00:40:45,696 sculptural decisions in the head. 918 00:40:45,730 --> 00:40:48,532 It is so good that Ve, myself, and Glenn 919 00:40:48,566 --> 00:40:50,767 all agreed that this is camera-ready. 920 00:40:50,802 --> 00:40:54,037 Every little detail on this reads whimsy and fantastical, 921 00:40:54,071 --> 00:40:55,939 and I think you did a great job. 922 00:40:55,973 --> 00:41:00,310 Terrific costume, impeccable fabrication. 923 00:41:00,344 --> 00:41:04,848 Miranda did a spectacular job on the sculpting. 924 00:41:04,882 --> 00:41:08,884 I'm sure Tate helped her with all that fabrication and cowl. 925 00:41:08,918 --> 00:41:10,419 What do you think about this 926 00:41:10,454 --> 00:41:11,920 coming out of her dress from behind? 927 00:41:11,955 --> 00:41:14,189 Tate and I are just really bouncing back and forth ideas 928 00:41:14,224 --> 00:41:15,424 past each other with everything. 929 00:41:15,459 --> 00:41:17,706 Like that, but pull the whole thing up higher. 930 00:41:17,741 --> 00:41:18,342 Oh, okay. 931 00:41:18,377 --> 00:41:19,829 Should we extend, like, a long line in that? 932 00:41:19,863 --> 00:41:23,899 So, I start adding little bits of clay right here, 933 00:41:23,933 --> 00:41:25,334 and that is already helping, 934 00:41:25,368 --> 00:41:27,202 making her look more like she's smiling 935 00:41:27,237 --> 00:41:28,470 rather than gaping. 936 00:41:28,504 --> 00:41:30,839 We tell them not to bake in expressions, right? 937 00:41:30,874 --> 00:41:32,407 They did exactly that, 938 00:41:32,441 --> 00:41:35,277 but it's such a cool expression that it doesn't matter. 939 00:41:35,311 --> 00:41:37,412 The paint job, so authentic. 940 00:41:37,446 --> 00:41:40,582 It just felt like this fetid, rotted pumpkin 941 00:41:40,616 --> 00:41:42,083 that's laying out in the field, 942 00:41:42,117 --> 00:41:43,918 and the combination of that with the wardrobe 943 00:41:43,952 --> 00:41:46,754 and the vines coming all the way down on the hands, 944 00:41:46,788 --> 00:41:48,589 it's this huge story 945 00:41:48,623 --> 00:41:51,592 that demands not only to be in a film 946 00:41:51,626 --> 00:41:54,027 but to be the star of its own film. 947 00:41:54,061 --> 00:41:56,430 The reason this is my top 948 00:41:56,464 --> 00:41:58,965 is because there's nuanced layers. 949 00:41:59,000 --> 00:42:01,402 The use of pumpkins seeds, 950 00:42:01,436 --> 00:42:04,437 the gloss, but they used it in reserve, 951 00:42:04,471 --> 00:42:07,507 which gave it a realistic sensibility. 952 00:42:07,541 --> 00:42:09,409 I think you knocked it out of the park. 953 00:42:09,443 --> 00:42:11,344 This is my greatest moment onFace Off. 954 00:42:11,379 --> 00:42:14,447 I've never felt so much pride. 955 00:42:14,481 --> 00:42:15,982 It is what we wanted to make. 956 00:42:16,017 --> 00:42:18,418 It was such a team effort, and I feel so honored. 957 00:42:18,452 --> 00:42:20,986 We absolutely loved the sculpture, the paint, 958 00:42:21,021 --> 00:42:22,755 and the overall harmony of the piece. 959 00:42:22,790 --> 00:42:24,757 Yeah, girl! 960 00:42:24,792 --> 00:42:26,292 Oh, wow. This is an obvious rating. 961 00:42:26,326 --> 00:42:29,261 This probably has at least 100 bitchin's in it. 962 00:42:29,296 --> 00:42:30,963 Miranda and Tate's Peter Pumpkin Eater 963 00:42:30,997 --> 00:42:32,665 is off the squash hook. 964 00:42:37,503 --> 00:42:40,239 Looking back at these top 20 makeups, I just cannot wait 965 00:42:40,273 --> 00:42:42,607 to see what happens next on Face Off. 966 00:42:42,642 --> 00:42:44,910 There you go. The top 20 makeups 967 00:42:44,945 --> 00:42:47,746 in the history of Face Off according to our expert judges. 968 00:42:47,780 --> 00:42:50,015 But the movie magic doesn't stop there. 969 00:42:50,050 --> 00:42:51,716 The jaw-dropping creations continue 970 00:42:51,751 --> 00:42:54,719 on our next blockbuster season of Face Off. 971 00:42:54,754 --> 00:42:56,460 We'll see you then. 972 00:42:56,876 --> 00:42:58,699 Sync and corrections by n17t01 www.addic7ed.com 9999 00:00:0,500 --> 00:00:2,00 www.tvsubtitles.net 73197

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.