All language subtitles for gi6-idreamofjeannie-s02e03-repack-1080p (1)_track3_[eng]

[Pal]

[DOORBELL RINGS]

[RAZOR BUZZING]

[DOORBELL RINGS]

[RAZOR BUZZING]
Master?

[DOORBELL RINGS]

Hello, my name
is Harry Huggins.

Is Major Nelson home?

Oh, yes, but he--
He’s, uh, occupied.

You’re, uh,
Mrs. Nelson?

Oh, not yet,
but | am very hopeful.

Oh, Major Nelson
is quite fond of me.

| am his, uh, housekeeper.

Yes.

Well, uh, may | wait
for Major Nelson?

Oh, certainly.
Please, come in.

Thank you.

Tiny, little place,
isn’t it?

Tiny?
Boxy.

They don't build houses
the way they used to.

Pity.

No taste.

Major Nelson
has wonderful taste.

Uh-huh.

Grand Rapids Renaissance.

You must see
the rest of the house.

[Pal]

Why that--

That looks like
a Louis XV.

Oh, it is.

Why, it must
be worth a fortune.

Oh, yes.

Money means nothing
to Major Nelson.

That’s a copy
of a Renoir.

It is no Copy.

A real Renoir?

In Cocoa Beach?

Of course.

Uh, be careful of Major
Nelson’s genuine Ming vase.

Ming vase?

| told you Major Nelson
has wonderful taste.

Does he keep any cash
in the house?

Cash?

[GIGGLES]

That safe is full of cash.

Full of cash?
Mm-hm.

It’s like a museum.

Do you take care
of this house yourself?

Oh, no. Major Nelson
has many servants.

[Pal]

Uh, no, thank you.

The others are off today.

No, thank you.
Good morning.

Oh, good morning, master.

You have a visitor.

Major Nelson.
Huh?

I’m Harry Huggins.

Department of Internal Revenue.

[Pal]

[Pal]

[Pal]

I-I’m sorry, d-did you say

the Department
of Internal Revenue?
Yes.

| have a refund here for you
on your last year’s income tax.

Seventeen dollars
and fifty cents.

Since | live
in the neighborhood,

| just thought
I'd drop it by myself.

Well, thank you,
Mr. Huggins.

I'll just keep this until
we finish the investigation.

Investigation?

Major, this house

is the Cocoa Beach branch
of the Louvre.

[CHUCKLING]
I’m sorry.

| don’t seem
to understand.

Your housekeeper

was kind enough

to show me your treasures.

Oh, | see.
What, uh--?

What treasures were you kind
enough to show Mr. Huggins?

Oh, you know, master,

your, uh, Louis XV,
your Renoir, your Ming.

[LAUGHING]
Oh! Oh, those treasures.

TONY:
You sure you didn't
forget anything?

Oh.

The statue.

Is that a Michelangelo?

TONY:
| wouldn't be
at all surprised.

Are you quite through?

| have not had so much fun
in a long time, master.

Would you like to see
something else?

No, I’ve, uh--
I’ve seen more than enough,

thank you.

I'll be back here
in the morning

with the assessor.

Mr. Huggins, uh,
all of this--

All of this
is not what it seems.

[LAUGHING]
Oh, you’re--

As soon
as | tell you the truth,

you're gonna
get a big laugh.

[BOTH LAUGHING]

Oh, I’m dying
to hear all about it.

Well, Jeannie does,
uh, these--

We like to call em tricks.

None of this is genuine.

Of course it is genuine.
Would you hold this a moment?

Yes.
And stand right there.

You see, the Michelangelo
and the Renoir

and the Ming and whatever,
well, they’re all just--

Just junk.

[CHUCKLES]

Well, I'd like to say,
my guess is,

this junk’s gonna run
somewhere between

20 to 30 years in prison.

Oh, 20 to 30 years.

And you can explain
to the government

why none of it appeared
on your income tax, major.

Oh, and | wouldn’t touch
that safe if | were you.

Safe?

The one full of cash.

Oh.

I'll be back early

in the morning
with the assessor.

We showed him,
did we not, master?

| think he was impressed.

What made you do that?

Why, he did not
like your house, master.

And | did not want him
to think you were poor.

Well, that’s what | am,
a poor master.
No.

Yeah, | wake up in the morning
and I-| come down to br--

And what do I-l--?
A Michelangelo. And a Renoir?

And a Ming.
You gotta get rid of this.

Oh, but | could not
do that, master.

Why not?

Because | want you
to have beautiful things.

You never let me
do anything for you.

All the other genies

give their masters
treasures and palaces,

and lovely silks--
Oh, jeez. | Know.

| know, but if | ever need
a treasure or a palace,

believe me, you'll be
the first one to know.

Well, now, get rid
of this stuff.

No.

Jeannie, I’ve gotta pay
income taxes on this.

But why?
| gave them to you.

Well, that doesn't
make any difference.

| still have
to pay taxes on it.

You mean people
cannot give you gifts?

Yeah, that’s right.

Oh, you tell your government
that is ridiculous.

Ridiculous!

Oh, they are so beautiful.

Yes, | know that.
They are--

They are you.
[SIGHS]

Enjoy them.
Yeah, not--

I-| just--
| just can’t afford it.

Jeannie? Now, Jeannie,
you stop that.

Stop it this--
Jeannie!

Come out of there.
Come on.

Now, listen here,
young lady.

| want all this stuff gone,
you understand that?

Gone, when | get home.

Oh...

He is so adorable
when he is angry.

[Pal]

You mean Jeannie gave you
a Renoir, a Michelangelo,

and a Ming vase,
and you're complaining?

Oh, how ungrateful
can you get?

Hey, Roger, | gotta
get rid of that stuff.

All right. All right.

What are friends for?

Tell you what,
I'll take the Renoir,

the Michelangelo,
and the Ming vase.

You'll only get
in trouble.

Trouble? That’s right.
Get in trouble.

Uh, tell you what.

I'll take the Renoir
and the Michelangelo.

No.

How ’bout just the Renoir?
No.

Then will you buy me
a cup of coffee?

That | got.

Roger,
don’t you understand?

| am in trouble with
the Internal Revenue Department.

There’s a guy named Huggins
on my neck.

He’s bringing an assessor
over tomorrow.

What am I--? How am | gonna
explain all that art?

It’s very simple. All you
have to do is tell him that-

Yeah, what? What?

Well, you could say
that, uh--

Yeah, you got problems.

Doesn't he always?

What's your problem
this time, major?

Nothing, sir. Roger and |
were talking about art.

Yeah. About art.

Tony is a real
culture vulture.

[CHUCKLES]

Yes.

The simulator’s ready
for you, major.

lll be right along, sir.

You gonna handle
the ground controls?

It's the least | can do
for one of the great collectors.

If you don’t mind, major.
Yes, Sir.

You finish this, huh?
Huh? Oh, yeah.

Here’s your hat.
Roger?

How long do | stay up, sir?

Oh, | think, uh, 60 minutes
should be plenty.

Beautiful piece
of equipment.

Anything that can happen
in outer space,

can happen to you in here.

The only difference is,
it happens in this,

you can get home
in time for lunch.

Home for lunch.

Oh, shall we get started?

[Pal]

I’m gonna start him
off with some yaw.

Let’s begin at 10 degrees.

We don't want to shake him up
too badly at first.

Are you okay, Tony?

TONY [OVER RADIO]:
Fine, here. Let her rip.

Okay, hold tight.

I’m gonna soup her up.

I’m ready.

Give him a 30-degree pitch.

Yes, sir.

How you feeling, major?

Pretty good, Sir.

[INHALING & EXHALING]

Well, you are in remarkably
good health, major.

You can get dressed now.
Oh, thanks, sir.

[PHONE RINGS]
Oh, excuse me.

Dr. Bellows.

A visitor for me?
Who is it?

Huggins?
[GLASS SHATTERS]

| don’t know any Huggins.

Oh, urgent, huh?
Oh, very well.

I’m on my way
to my office now.

I'll see you later, major.
Yes, Sir.

Uh, your shirt.
Shirt?

Uh-uh.

Oh, yes.
I’m sorry.

[KNOCKING ON DOOR]
Oh, come in.

Dr. Bellows?
Yes.

Harry Huggins.

Mm. Sit down,
Mr. Huggins.

Department
of Internal Revenue.

Uh, the Department of--?

Now, if it’s about that trip
| took to Jamaica last year,

| can prove that it was
government business.

I’m not here to, uh,
discuss you, doctor.

But, uh, I'll certainly
make a note of that.

Jamaica.

No, I'm here because
something peculiar’s going on

with one of your men
at the base.

What has Major Nelson done now?

| didn’t mention his name.

How do you know
it was Major Nelson?

Do you see these reports?

They're all on Major Nelson.

Oh?

Well, uh,
what are they about?

Well, | wouldn't know
where to begin.

Here’s a report of a woman

who swears she saw him
flying over Cocoa Beach.

Well, he’s a pilot, isn’t he?
What’s so unusual about that?

He had no plane.

Oh.

A gas station attendant
saw Major Nelson’s car

go into a drive-in theater.

Well,
that doesn’t seem unusual.

Hm.

No one was in the car.

Oh, here’s one
that will interest you.

A witness saw it snow
on Major Nelson’s house,

but only on his house,
in the middle of July.

[LAUGHING]

That was obviously
some crackpot.

It was reported by me,
Mr. Huggins.

Oh, was it?

| have a 117 of these.

I’m afraid you'll have
to wait in line.

The government doesn't wait
in line, doctor.

I’m here to get the answers
to some questions.

Well, | don’t Know whether
| can answer them, Mr. Huggins.

You see, uh, our files
are confidential.

I’m with the government,
remember, doctor?

Now, that’s a coincidence.
So am l.

And I’m wearing
a uniform to prove it.

How would you like to have
your income tax audited

for the last five years?

How would you
like to be drafted?

Let me put it another way.

My branch of the government
would appreciate cooperation

from your branch
of the government.

What is it
you want to know?

Would you say that Major Nelson
is arich man?

Well, sometimes he is,
and sometimes he isn't.

A few weeks ago
he had $3 million

in his Christmas club fund.

His Christmas club fund?

When we went to track it down,
it had vanished.

Well, | think
| found it again.

Where?

Sorry, we can’t give out
that information.

This is gonna mean
a nice promotion for me.

Inspector Huggins.

We’ve been after Nelson
for a long time.

After him? For what?

Can you keep it confidential?

| mean, this is one branch
of the government talking to

[WHISPERING]
another branch
of the government.

Go ahead.

Your Major Nelson
is the head

of an international
smuggling ring.

[Pal]

Mr. Huggins, if you told me
that Major Nelson

could fly like a bird,

grow apple trees in the middle
of his living room,

talk to vacuum cleaners,
| wouldn't argue with you.

But when you tell me
that you think he’s involved

with an international
gang of smugglers,

oh, I’m afraid
| must disagree with you.

Doctor,

his salary is $950 a month.

You show me a man
who makes that,

who owns a Michelangelo,
a Renorr,

and keeps six servants,

and I'll show you a crook.

Major Nelson is not a crook.

These things are undoubtedly
reproductions.

Well, if he reproduced
the safe full a cash,

I’m even more anxious
to get my hands on it.

That’s counterfeiting.

I’ve got him coming and going.

Believe me, it’s strange
to hear myself saying this,

but | am sure
that Major Nelson is innocent.

The curator
of the Palm Beach Museum

is flying up in the morning.

And, uh, what if Major Nelson
removes the things tonight?

He’d be a fool if he didn’t.

You mean you think he will?

Of course, doctor.
He’s in a panic.

Right at the moment,
the poor devil’s out

probably trying
to round up a truck.

Then he’s planning
to drive to the house

and load everything
in the truck.

And lose it somewhere.

And, uh,
what’s to stop him?

lam, Dr. Bellows.
| am!

Mr. Huggins, you may be
an expert on financial matters,

but | happen to be an expert
on Major Anthony Nelson.

There’s no truck.

[Pal]

[TIRES SCREECHING]

ROGER:
Have you driven
a truck before?

TONY:
Huh?

You sure you know
what you're doing?

Believe me, Roge,
this is the only way out.

Hey...

A real Cellini.

Michelangelo.

Well, he could’ve
copied Cellini.

Yeah. Look, let’s get
this out first, huh?

All right.
Be careful.

It’s worth about $2 million.
Two million dollars?

Don’t drop it.
Come on. Come on.

All right. Wait a minute,
wait a minute.

Whoa, wait a minute.
| got the heavy end.

| know that.
Come on, let’s go.

Let me turn around here.
Wait--

Wait a minute.
| haven't got a good grip on it.

Okay. | got it.
| got it.

Put your end down a minute.
Hello.

Hello yourself. Can we get
this onto the truck?

Put your end down, Roger.
| can’t let my end down.

I-| just got a good grip on it.

Well, get a grip on yourself
and just put it down.

[GRUNTING]

Oh, you sent for help.
Good idea.

We can use you.
Roger--

We better get this stuff
out of here before

the Internal Revenue Department
catches us.
This is--

Give us a hand,
we'll get this onto the truck.

This is Mr. Huggins.

Nice to meet you.
You want to--?

Of the Department
of Internal Revenue.

| guess I'd better
be running along.

Just a moment, major.
Just a moment.

We'll consider you
an accomplice after the fact.

Did you hear what he said?

An accomplice
after the--

This is a notice
of distraint, Major Nelson.

Nothing is to be removed
from these premises

until my assessor
gets here in the morning.

Good day, gentlemen.

Why do you let Jeannie
do these things to ya?

Jeannie keeps doing
these things to me

because she loves me.

Yeah, she loves you.

Well, | guess this time
you re really trapped.

Not necessarily.

How you figure that?

I’m gonna outsmart her.
I’m gonna use my brain.

Yeah, well how
you gonna do that?

I’m gonna Say,
"Jeannie, you--"

Hello, master.

Oh, hello, Jeannie.

Do you like it?
It is a Rembrandt.

Oh, it’s absolutely lovely.
It's what I’ve always wanted.

Oh.
My own Rembrandt.

You mean you are not going
to ask me to return it?

No, of course not.
| wouldn’t dream of it.

Oh, lovely.

It'll go well with my
Michelangelo, don’t you think?

Are you--?
Are you out of your mind?

You realize what's gonna happen
when Huggins finds that picture?

Well, don’t worry about it.

Don’t worry?
Don’t worry.

Just for that I’m gonna ask
for separate cells.

Jeannie,
I'd like you to get ahold

of all the old masters
you can lay your hands on.

Oh, yes, master.
Oh, uh, wait, wait, wait.

Now, this is not
the right surroundings for it.

Could you--?

Could you blink
a villa in Tangiers?

Oh, yes, master.
Hey, | get it.

You'll have your turn next.

And while you're at it,

you might as well blink
all the statuary

and the paintings
and everything

to the Tangiers villa, hm?

You are right, master.

Ohl!
What is it?

Jeannie, take this with--

Oh, Mr. Huggins,
| thought you'd gone.

To tell the truth, | couldn't
bear to tear myself away

from these beautiful things.

So I’ve decided
to spend the night here with,

uh, Michelangelo.

Oh.

[Pal]

[Pal]

[DOORBELL RINGS]

That must be Professor Preever,
our little art expert.

[DOOR OPENS]

Come in, professor.

Ah. How do you do?

Can’t you, uh, just smell
the Cellini in the air?

[LAUGHS]

This is Major Nelson.
How do you do, sir?

Major Healey.

Professor Preever.

Gentlemen.
[DOORBELL RINGS]

ll get it.
ll get it.
No, I'll get it.

Oh, you get it.
Huh?

Oh, Dr. Bellows.
What are you doing here, sir?

Hello, major.

| came to offer my services.
Oh, that’s very kind of you.

You’re a lot of things,
major. A lot of things.

But you're not
an international smuggler.

[Pal]

| think you’re
going to find this

a very exciting morning,
professor.

For instance, here we have

a genuine Ming vase.

What would you say it was worth?
[SNIFFS]

About a dollar and a quarter.

"Made in...Japan."

| knew it.

| didn’t know how,
but | knew it.

They have the Renoir.

With a mustache?

| used to have an aunt
who looked like that.

[ROGER LAUGHING]

That wasn't there yesterday.

Six fingers?

This some sort
of practical joke?

You bring me
all the way here

and show me
a collection of junk?

| don’t understand.

How ’bout the safe
full of money?

[BELLOWS GASPS]

It’s Confederate.

Confederate?

How--?
How ‘bout the gold?

[SIGHS]

Hm.

Try one.

Chocolate.

I'll send you my bill.

BELLOWS: Major--
HUGGINS: Professor--

just a minute.
BELLOWS:
| can’t tell you

what a pleasure it is to see you
do it to someone else.

About your trip
to Jamaica, Dr. Bellows,

you did say it was strictly
government business?

Now, why don't you level with me
for the rest of the afternoon?

Whew.

Huh?

Oh. Oh, thank you,
Jeannie,

but | never want
to go through that again.

Neither do |.

Well, it is
your own fault, master.

My fault?
Yes.

You should’ve told me that
it would get you into trouble.

| never would’ve done that.

There were many ways

| could have impressed
that nasty, little man.

He did not have
to come into your house.

[Pal]

[Pal]