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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:02:56,896 --> 00:02:59,793 FROM "DAYS OF OUR LIVES," DRAKE HOGESTYN. 2 00:02:59,827 --> 00:03:02,758 YOU BROUGHT EVERYBODY FROM SALEM WITH YOU. 3 00:03:05,482 --> 00:03:11,482 I WANT TO SAY TO EVERYONE, WELCOME TO THE 50TH ANNUAL 4 00:03:11,896 --> 00:03:16,206 DAYTIME EMMYS AWARDS. THEY INTRODUCED US BUT WE'LL DO 5 00:03:16,241 --> 00:03:18,758 IT AGAIN. I'M NISCHELLE TURNER. 6 00:03:18,793 --> 00:03:21,758 AND I'M KEVIN FRAZIER. IT'S GOOD TO BE BACK AND SEE 7 00:03:21,793 --> 00:03:24,310 EVERYBODY. 50 YEARS OF CELEBRATING DAYTIME 8 00:03:24,344 --> 00:03:27,000 TELEVISION. ALL THE EXCELLENCE, IT'S BEEN 9 00:03:27,034 --> 00:03:28,458 INCREDIBLE. Nischelle: IT HAS BEEN WHEN 10 00:03:28,482 --> 00:03:31,793 YOU CONSIDER HOW MUCH HAS CHANGED IN THE PAST 50 YEARS AND 11 00:03:31,827 --> 00:03:36,689 NOT JUST TV. Kevin: 50 YEARS AGO I WAS 12 00:03:36,724 --> 00:03:40,379 SITTING IN MY MOM'S LAP IN THE FRONT SEAT OF THE CAR WITHOUT A 13 00:03:40,413 --> 00:03:45,689 SEAT BELT. NOW MY CARD IS AN EVEN START. 14 00:03:45,724 --> 00:03:48,379 Nischelle: TO NOTE THE TOP HAIRSTYLE WAS? 15 00:03:48,413 --> 00:03:52,103 IT WAS THE SHAG. I KNOW A BUNCH OF PEOPLE HAVE 16 00:03:52,137 --> 00:03:58,137 ONE. EVERYBODY HAVE THE SHAG. 17 00:04:01,379 --> 00:04:06,517 Kevin: IF I COULD HAVE KEPT IT I WOULD HAVE. 18 00:04:06,551 --> 00:04:09,275 TONIGHT WE ARE ALL ABOUT 50 YEARS OF DAYTIME EMMYS HISTORY 19 00:04:09,310 --> 00:04:12,586 AND WE ARE KICKING THINGS OFF WITH A VERY NICE TASTE OF THAT 20 00:04:12,620 --> 00:04:15,655 HISTORY. Nischelle: INDEED WE ARE. 21 00:04:15,689 --> 00:04:17,148 THIS YEAR, WE HAVE A REALLY SPECIAL TREAT. 22 00:04:17,172 --> 00:04:18,630 EACH ACTING CATEGORY WILL BE PRESENTED BY ONE OF LAST YEAR'S 23 00:04:18,654 --> 00:04:21,067 ACTING WINNERS, ALONG WITH A LEGACY WINNER. 24 00:04:21,103 --> 00:04:24,137 WE'RE CONNECTING THE DAYTIME EMMYS WITH ITS STORIED PAST, 25 00:04:24,172 --> 00:04:30,172 ITS WONDERFUL PRESENT, AND ITS BRIGHT FUTURE. 26 00:04:30,793 --> 00:04:32,665 PRESENTING OUR FIRST AWARD FOR OUTSTANDING SUPPORTING 27 00:04:32,689 --> 00:04:36,068 ACTRESS, 2022'S OUTSTANDING SUPPORTING ACTOR WINNER, 28 00:04:36,103 --> 00:04:37,034 JEFF KOBER. Kevin: AND 2005'S OUTSTANDING 29 00:04:37,068 --> 00:04:43,068 SUPPORTING ACTOR WINNER, GREG RIKAART. 30 00:04:49,068 --> 00:04:54,655 AS LAST YEAR'S OUTSTANDING 31 00:04:54,689 --> 00:04:56,562 SUPPORTING ACTOR WINNER... AND AS 2005'S OUTSTANDING 32 00:04:56,586 --> 00:04:59,137 SUPPORTING ACTOR WINNER... WE BOTH KNOW EXACTLY WHAT 33 00:04:59,172 --> 00:05:01,931 ALL THE NOMINEES ARE FEELING RIGHT NOW. 34 00:05:01,965 --> 00:05:04,551 INCREDIBLE ELATION AT BEING NOMINATED. 35 00:05:04,586 --> 00:05:07,655 THE SOARING HOPE OF PERHAPS WINNING AND TAKING HOME 36 00:05:07,689 --> 00:05:09,793 THE GOLD. AND THE TERROR THAT IF YOU 37 00:05:09,827 --> 00:05:13,724 DO WIN, YOU MIGHT LEAVE SOMEONE OFF YOUR ACCEPTANCE SPEECH, 38 00:05:13,758 --> 00:05:16,206 LIKE I DID LAST YEAR WHEN I DIDN'T MENTION MY MAKEUP ARTIST 39 00:05:16,241 --> 00:05:22,241 ALLIE FLECK. 40 00:05:26,068 --> 00:05:30,482 Nischelle: I FORGOT TO MENTION MY EX. 41 00:05:30,517 --> 00:05:36,517 I THINK THAT'S WHY HE'S MY EX. 42 00:05:37,517 --> 00:05:40,103 BUT WHEN YOU HEAR YOUR NAME CALLED... 43 00:05:40,137 --> 00:05:45,344 THE ONLY EMOTION YOU FEEL IN THAT MOMENT IS ABSOLUTE JOY. 44 00:05:45,379 --> 00:05:46,700 THE NOMINEES FOR OUTSTANDING SUPPORTING PERFORMANCE 45 00:05:46,724 --> 00:05:49,448 IN A DAYTIME DRAMA SERIES ACTRESS ARE... 46 00:05:49,482 --> 00:05:53,310 KRISTA ALLEN, SONYA EDDY, 47 00:05:53,344 --> 00:05:57,551 STACY HAIDUK, BROOK KERR, 48 00:05:57,586 --> 00:06:03,586 KELLY THIEBAUD, AND THE EMMY GOES TO... 49 00:06:11,448 --> 00:06:17,448 SONYA EDDY. AS EPIPHANY JOHNSON, 50 00:06:18,793 --> 00:06:24,793 "GENERAL HOSPITAL." 51 00:06:33,724 --> 00:06:38,206 "GENERAL HOSPITAL." 52 00:06:38,241 --> 00:06:41,655 >> SONYA EDDY. 53 00:06:41,689 --> 00:06:45,448 JOINS A RARE GROUP OF PERFO PERFORMERS. 54 00:06:45,482 --> 00:06:51,482 ACCEPTING THIS IS BITTER BITTERSWEET. 55 00:06:52,137 --> 00:06:58,103 I WANT TO THANK FRANK MORE THAN ANYTHING FOR BEING A FAITHFUL 56 00:06:58,137 --> 00:07:02,103 FRIEND. DISNEY ABC AND THE CAST AND CREW 57 00:07:02,137 --> 00:07:05,689 OF "GENERAL HOSPITAL" FOR EMBRACING HER FOR 16 YEARS. 58 00:07:05,724 --> 00:07:10,172 AND I WANT TO THANK THE ACADEMY FOR ACKNOWLEDGING HER 59 00:07:10,206 --> 00:07:14,517 CONTRIBUTION AND CRAFT. SONYA NEVER ASPIRED TO BE AN 60 00:07:14,551 --> 00:07:18,310 ACTOR AND WHILE HER TALENT WAS UNDENIABLE, I'M SURE THAT SHE'S 61 00:07:18,344 --> 00:07:21,310 MORE OVERJOYED BY BEING REMEMBERED FOR HOW SHE MADE 62 00:07:21,344 --> 00:07:27,344 PEOPLE FEEL ON THE SCREEN END. THANK YOU. 63 00:07:27,482 --> 00:07:33,482 Announcer: PLEASE WELCOME 2022'S DAYTIME EMMY WINNER FOR 64 00:07:33,827 --> 00:07:35,286 OUTSTANDING SUPPORTING ACTRESS FOR HER ROLE AS 65 00:07:35,310 --> 00:07:37,275 "GENERAL HOSPITAL'S" DR. BRITT WESTBOURNE, 66 00:07:37,310 --> 00:07:40,551 KELLY THIEBAUD. AND DIRECTOR, PRODUCER, 67 00:07:40,586 --> 00:07:43,344 AND WINNER OF THE 1980 DAYTIME EMMY FOR OUTSTANDING 68 00:07:43,379 --> 00:07:48,068 SUPPORTING ACTRESS, FRANCESCA JAMES. 69 00:07:48,103 --> 00:07:54,103 HI, EVERYONE. 70 00:07:57,689 --> 00:08:00,965 I LOVE HOW THEY'RE HAVING LAST YEAR'S WINNER, ME, 71 00:08:01,000 --> 00:08:03,896 PRESENT WITH FRANCESCA, A LEGACY WINNER FROM 1980. 72 00:08:03,931 --> 00:08:06,137 IT MAKES IT REALLY SPECIAL FOR ME. 73 00:08:06,172 --> 00:08:11,517 THANK YOU, KELLY. WHEN I HEARD WE WERE DOING IT 74 00:08:11,551 --> 00:08:15,689 TOGETHER, I THOUGHT THAT WAS AN EXCELLENT IDEA. 75 00:08:15,724 --> 00:08:19,413 REALLY LOVELY, LOVELY IDEA. WELL, WHAT'S LOVELY IS YOUR 76 00:08:19,448 --> 00:08:20,665 CONNECTION TO DAYTIME EMMY HISTORY. 77 00:08:20,689 --> 00:08:22,458 DID YOU GUYS KNOW FRANCESCA IS A FIVE-TIME EMMY WINNER AND 78 00:08:22,482 --> 00:08:28,137 WAS THE SECOND EVER WINNER OF THE SUPPORTING ACTRESS AWARD? 79 00:08:28,172 --> 00:08:33,241 I'M STANDING NEXT TO DAYTIME EMMY ROYALTY, PEOPLE. 80 00:08:33,275 --> 00:08:34,482 I COULD RAVE ABOUT YOU ALL DAY. 81 00:08:34,517 --> 00:08:40,517 WELL, I APPRECIATE THAT COMING FROM YOU, BECAUSE YOU'RE 82 00:08:42,413 --> 00:08:48,413 BEAUTIFUL AND ENVIABLY TALL. YOU'RE REMARKABLE YOURSELF, 83 00:08:48,482 --> 00:08:51,724 SHOULD WE DO WHAT WE'VE BEEN ASKED TO DO AND MAKE THIS 84 00:08:51,758 --> 00:08:54,172 PRESENTATION? YES. 85 00:08:54,206 --> 00:08:55,803 THE NOMINEES FOR OUTSTANDING SUPPORTING PERFORMANCE 86 00:08:55,827 --> 00:08:57,286 IN A DAYTIME DRAMA SERIES ACTOR ARE... 87 00:08:57,310 --> 00:09:03,310 NICHOLAS CHAVEZ, CHAD DUELL, 88 00:09:03,344 --> 00:09:05,896 DAN FEUERRIEGEL, ROBERT GOSSETT, 89 00:09:05,931 --> 00:09:11,931 JON LINDSTROM. AND THE EMMY GOES TO... 90 00:09:20,862 --> 00:09:21,758 JON LINDSTROM. AND THE EMMY GOES TO... 91 00:09:21,793 --> 00:09:26,931 ROBERT GOSSETT, FROM "GENERAL HOSPITAL." 92 00:09:26,965 --> 00:09:31,517 ROBERT GOSSETT WON LAST YEAR'S GUEST PERFORMER DAYTIME 93 00:09:31,551 --> 00:09:35,655 EMMYS FOR THE SAME ROLE AS MARSHALL ASHFORD ON 94 00:09:35,689 --> 00:09:39,068 "GENERAL HOSPITAL." YOU'VE BEEN UP SINCE THE 95 00:09:39,103 --> 00:09:42,103 CRACK OF DAWN STUDYING. YOU'VE GOT THIS. 96 00:09:42,137 --> 00:09:44,275 THANK YOU FOR THE ENCOURAGEMENT. 97 00:09:44,310 --> 00:09:48,724 I'M JUST STATING FACTS. WON A FINAL PASS? 98 00:09:48,758 --> 00:09:51,931 SO WHAT. SO WHAT. 99 00:09:51,965 --> 00:09:56,689 A VALIANT EFFORT IS NOT A FAILURE. 100 00:09:56,724 --> 00:09:57,931 FAR FROM IT. IT'S BRAVE. 101 00:09:57,965 --> 00:10:03,965 EPIPHANY, ITS CREATORS. IT'S COURAGEOUS. 102 00:10:10,000 --> 00:10:16,000 FRANK VALENTINI. THANK YOU. 103 00:10:16,103 --> 00:10:20,068 FRANK VALENTINI. THANK YOU. 104 00:10:20,103 --> 00:10:26,103 WE ARE, AS YOU KNOW, WE'VE HAD LOSS IN OUR FAMILY AT "GH." 105 00:10:28,862 --> 00:10:34,862 WE LOST MY LEADING LADY, SONYA EDDY AND OUR BELOVED PRODUCER. 106 00:10:40,068 --> 00:10:46,068 I LOST MY SON, MY SON. I KNOW HE'S UP THERE WATCHING. 107 00:10:49,413 --> 00:10:51,517 I MISS YOU. I MISS YOU EVERY DAY. 108 00:10:51,551 --> 00:10:56,172 BUT I HAVE MY OTHER SON HERE, CALEB. 109 00:10:56,206 --> 00:11:02,206 I LOVE YOU, SON. THERE'S SO MANY PEOPLE TO THANK. 110 00:11:05,310 --> 00:11:09,034 PRISCILLA, MAKE UP. I DON'T WANT TO FORGET THAT, 111 00:11:09,068 --> 00:11:15,068 RIGHT? ALL THE DIRECTORS. 112 00:11:15,413 --> 00:11:18,655 ROBERT AND GARY AND ALLISON AND WARDROBE. 113 00:11:18,689 --> 00:11:21,068 YOU KNOW, WE DO THIS. YOU KNOW WE DO THIS. 114 00:11:21,103 --> 00:11:27,103 WE ARE NOT HERE BY OURSELVES. I STAND ON SO MANY OTHER 115 00:11:28,103 --> 00:11:33,000 SHOULDERS. MY CHILDREN, CALEB, HALEY, 116 00:11:33,034 --> 00:11:39,034 DANIELLE, MICHELLE, CARMEN. SO MANY, SO MANY PEOPLE. 117 00:11:39,413 --> 00:11:45,413 THERE WAS A PLAY I DID MANY YEARS AGO. 118 00:11:46,068 --> 00:11:52,068 IT GOES "I'M SOMEBODY BECAUSE YOU AND YOU AND YOU MAKE ME 119 00:11:55,551 --> 00:11:58,724 SOMEBODY. BECAUSE YOU AND YOU AND YOU ARE 120 00:11:58,758 --> 00:12:04,758 A PART OF ME." SO THIS IS NICE, AND I'M SO 121 00:12:04,965 --> 00:12:10,965 HAPPY. 122 00:12:12,344 --> 00:12:15,655 Announcer: THIS ACTRESS, BEST KNOWN FOR PLAYING NIKKI NEWMAN, 123 00:12:15,689 --> 00:12:17,286 IS THE LONGEST TENURED PERFORMER IN THE HISTORY OF "THE YOUNG 124 00:12:17,310 --> 00:12:23,310 AND THE RESTLESS," MELODY THOMAS SCOTT. 125 00:12:28,103 --> 00:12:34,103 THERE IT IS. 126 00:12:38,103 --> 00:12:41,034 WILLIAM J. BELL AND LEE PHILLIP BELL MADE THEIR 127 00:12:41,068 --> 00:12:44,206 MARK ON THE DAYTIME DRAMA LANDSCAPE WHEN THEY CREATED 128 00:12:44,241 --> 00:12:48,827 "THE YOUNG AND THE RESTLESS" 50 YEARS AGO, THANKS TO THEIR 129 00:12:48,862 --> 00:12:52,586 RICH STORYTELLING OF FAMILY DRAMA, EPIC ROMANCES, 130 00:12:52,620 --> 00:12:57,000 AND THEIR ASTUTE FOCUS ON SOCIAL ISSUES, ALL BROUGHT TO LIFE 131 00:12:57,034 --> 00:13:01,000 BY COMPELLING CHARACTERS, MANY OF WHOM CONTINUE TO 132 00:13:01,034 --> 00:13:04,758 ENTERTAIN THE Y&R VIEWERS TO THIS DAY. 133 00:13:04,793 --> 00:13:09,517 AND WE CAN'T HONOR Y&R'S 50TH ANNIVERSARY WITHOUT THANKING 134 00:13:09,551 --> 00:13:15,551 OUR FANS FOR FIVE DECADES OF LOYALTY AND SUPPORT. 135 00:13:17,827 --> 00:13:21,034 HERE'S TO MANY MORE YEARS 136 00:13:21,068 --> 00:13:27,068 TOGETHER IN GENOA CITY. ♪ THE MEMORIES 137 00:13:29,793 --> 00:13:31,689 ♪ WILL REMAIN ♪ WHEN YOUR HEART 138 00:13:31,724 --> 00:13:37,724 ♪ IS FEELING BLUE ♪ ONE THING IN LIFE 139 00:13:38,862 --> 00:13:44,000 ♪ THAT DOESN'T CHANGE ♪ THERE'S ALWAYS LOVE 140 00:13:44,034 --> 00:13:50,034 ♪ SOMEWHERE ♪ WAITING FOR YOU 141 00:13:50,793 --> 00:13:56,793 ♪ I'VE KNOWN FRIENDSHIP ♪ THAT NEVER FAILED 142 00:13:56,931 --> 00:14:02,931 ♪ FELT THE PAIN THAT COMES ♪ WITH BETRAYAL 143 00:14:04,310 --> 00:14:09,620 ♪ BUT I CAN'T DENY ♪ I LIVE LIFE WELL 144 00:14:09,655 --> 00:14:15,655 ♪ AND I'M GRATEFUL GOOD NIGHT. 145 00:14:16,172 --> 00:14:22,172 GOOD NIGHT. ♪ FOR IT ALL 146 00:14:31,103 --> 00:14:32,034 GOOD NIGHT. ♪ FOR IT ALL 147 00:14:32,068 --> 00:14:38,068 Announcer: WHEN WE RETURN, 148 00:14:45,551 --> 00:14:47,965 THE 50TH ANNUAL DAYTIME EMMY AWARDS CONTINUE, FEATURING 149 00:14:48,000 --> 00:14:50,344 AWARDS FOR OUTSTANDING DAYTIME TALK SERIES AND 150 00:14:50,379 --> 00:14:56,379 OUTSTANDING ENTERTAINMENT NEWS SERIES. 151 00:14:57,034 --> 00:14:59,413 THAT AND MUCH MORE. THIS IS CBS. 152 00:15:10,068 --> 00:15:11,551 Announcer: FROM "GENERAL HOSPITAL," 153 00:15:11,586 --> 00:15:16,586 WELCOME DONNELL TURNER AND EMMY WINNER LAURA WRIGHT. 154 00:15:26,379 --> 00:15:29,758 WHAT A PLEASURE TO BE A PART 155 00:15:29,793 --> 00:15:34,068 OF SUCH A HISTORIC SHOW. I MEAN, 50 YEARS OF HONORING 156 00:15:34,103 --> 00:15:35,182 DAYTIME TV, A SUBJECT WE BOTH KNOW A LITTLE SOMETHING 157 00:15:35,206 --> 00:15:37,827 ABOUT. HEAR, HEAR! 158 00:15:37,862 --> 00:15:43,034 TALK ABOUT CONSISTENCY. LET'S TALK ABOUT CONSISTENCY. 159 00:15:43,068 --> 00:15:47,827 THE SHOWS NOMINATED IN THIS NEXT CATEGORY NOT ONLY HAVE BECOME 160 00:15:47,862 --> 00:15:50,172 A BIG PART OF THE FABRIC OF DAYTIME TV, THEY'VE ALSO 161 00:15:50,206 --> 00:15:53,586 PROVIDED AUDIENCES WITH CONSISTENTLY ENJOYABLE MOMENTS, 162 00:15:53,620 --> 00:15:58,034 DAY IN AND DAY OUT. WHICH IS PROBABLY WHY THEY'RE 163 00:15:58,068 --> 00:16:03,448 NOMINATED IN THE FIRST PLACE. YOU'RE NOT WRONG, 164 00:16:03,482 --> 00:16:06,275 LAURA WRIGHT. SEE WHAT I DID? 165 00:16:06,310 --> 00:16:09,482 I WENT FOR IT. THE NOMINEES FOR OUTSTANDING 166 00:16:09,517 --> 00:16:12,034 DAYTIME TALK SERIES ARE... "THE DREW BARRYMORE SHOW." 167 00:16:12,068 --> 00:16:18,068 "THE JENNIFER HUDSON SHOW." "THE KELLY CLARKSON SHOW." 168 00:16:18,241 --> 00:16:24,241 "LIVE WITH KELLY AND RYAN." "TODAY WITH HODA AND JENNA." 169 00:16:30,137 --> 00:16:33,758 AND THE EMMY GOES TO... 170 00:16:33,793 --> 00:16:39,793 "THE KELLY CLARKSON SHOW." ACCEPTING, THE 171 00:16:42,517 --> 00:16:47,517 EXECUTIVE PRODUCER. ALEX DUDA. 172 00:16:57,172 --> 00:17:03,172 WOW, THANK YOU SO, SO MUCH. TO THE ACADEMY, TO NBC 173 00:17:04,172 --> 00:17:08,758 UNIVERSAL, TRACY WILSON, OUR FEARLESS LEADER, OUR FELLOW 174 00:17:08,792 --> 00:17:12,931 NOMINEES AND OUR AFFILIATES. WE ARE SO HONORED FOR THIS 175 00:17:12,964 --> 00:17:16,068 AWARD. IT'S BEEN QUITE A YEAR. 176 00:17:16,103 --> 00:17:19,241 KELLY COULDN'T BE HERE TONIGHT BUT I CAN SPEAK FOR EVERYONE ON 177 00:17:19,275 --> 00:17:23,034 THIS STAFF IN ON THIS SHOW AND SAY IT'S A PLEASURE TO WORK WITH 178 00:17:23,068 --> 00:17:25,517 HER. SHE MAKES IT FUN. 179 00:17:25,550 --> 00:17:28,103 SHE'S ENJOY EVERY DAY. THAT MAKES IT A LITTLE EASIER. 180 00:17:28,137 --> 00:17:32,068 YOU WANT ME TO THANK ALL OF OUR VIEWERS FOR STICKING WITH US IN 181 00:17:32,103 --> 00:17:35,551 THIS MIGRATION AS WE MOVE FROM LOS ANGELES TO NEW YORK. 182 00:17:35,586 --> 00:17:41,000 MOSTLY WANT TO THANK THE STAFF. THOSE PEOPLE WHO BUILT US 183 00:17:41,034 --> 00:17:43,010 ONSTAGE 1 HERE IN LOS ANGELES. FOR THOSE PEOPLE WHO MOVED THEIR 184 00:17:43,034 --> 00:17:46,000 LIVES ACROSS THE COUNTRY BECAUSE THEY BELIEVED IN WHAT WE WERE 185 00:17:46,034 --> 00:17:48,241 DOING. FOR THOSE PEOPLE WHO LEARNED HOW 186 00:17:48,275 --> 00:17:52,620 TO WORK REMOTE EVEN THOUGH THERE'S CHALLENGES WITH THE TIME 187 00:17:52,655 --> 00:17:54,379 ZONES. AND FOR OUR NEW TEAM MEMBERS IN 188 00:17:54,413 --> 00:17:57,413 NEW YORK AND ARE AGREEABLE PARTNERS AT 30 ROCK. 189 00:17:57,448 --> 00:18:00,000 YOU BRING NEW MAGIC TO OUR MIX. THANK YOU. 190 00:18:00,034 --> 00:18:04,379 THIS IS FOR YOU AND BECAUSE OF YOU. 191 00:18:04,413 --> 00:18:10,413 THANKS. 192 00:18:15,586 --> 00:18:17,079 Announcer: PLEASE WELCOME EMMY-NOMINATED COMEDIAN, 193 00:18:17,103 --> 00:18:18,034 ACTRESS KYM WHITLEY AND DAYTIME EMMY WINNER 194 00:18:18,068 --> 00:18:24,068 A. MARTINEZ. 195 00:18:32,206 --> 00:18:37,793 MY GOODNESS. I ALMOST LOST MY WIG ON THAT 196 00:18:37,827 --> 00:18:40,931 SECOND STEP. YOU'RE LOOKING BEAUTIFUL. 197 00:18:40,965 --> 00:18:42,355 ENTERTAINMENT NEWS SHOWS. WHO DOESN'T LOVE 'EM? 198 00:18:42,379 --> 00:18:44,482 RIGHT? TALK ABOUT BINGE-WORTHY TV. 199 00:18:44,517 --> 00:18:45,562 GIVEN THE CHANCE, SOME OF US WOULD PROBABLY WATCH OUR 200 00:18:45,586 --> 00:18:47,758 FAVORITE ENTERTAINMENT NEWS SHOW ALL DAY LONG. 201 00:18:47,793 --> 00:18:50,172 OH, TRUST ME, I HAVE! AND WHY NOT? 202 00:18:50,206 --> 00:18:54,034 A BUNCH OF FUN, INFORMATIVE, AND SMART PEOPLE GIVING US 203 00:18:54,068 --> 00:18:58,482 THE 411 ON "THE BIZ." THAT'S MY KINDA SHOW. 204 00:18:58,517 --> 00:19:04,517 THERE YOU GO. I THINK YOU MEAN "THE TEA." 205 00:19:04,827 --> 00:19:10,827 EXCUSE ME? GIVING US THE TEA. 206 00:19:12,068 --> 00:19:18,068 YOU CAN'T SAY FOR 11 ANYMORE. YOU'VE GOT TO SAY THE TEA. 207 00:19:19,862 --> 00:19:22,103 I I SEE YOU ALL HIT ON THE JARGON. 208 00:19:22,137 --> 00:19:24,172 I THINK I LOVE YOU EVEN MORE NOW. 209 00:19:24,206 --> 00:19:28,000 LET'S GET DOWN TO BUSINESS. THE NOMINEES FOR OUTSTANDING 210 00:19:28,034 --> 00:19:31,172 ENTERTAINMENT NEWS SERIES ARE... "ACCESS HOLLYWOOD." 211 00:19:31,206 --> 00:19:35,482 "E! NEWS." "ENTERTAINMENT TONIGHT." 212 00:19:35,517 --> 00:19:41,517 "EXTRA." "INSIDE EDITION." 213 00:19:45,793 --> 00:19:51,793 AND THE EMMY GOES TO... 214 00:19:53,241 --> 00:19:59,241 THIS IS EXCITING. "ENTERTAINMENT TONIGHT." 215 00:20:04,482 --> 00:20:09,034 ACCEPTING THE EMMY ARE OUR HOSTS KEVIN FRAZIER AND 216 00:20:09,068 --> 00:20:15,068 NISCHELLE TURNER. 217 00:20:24,000 --> 00:20:30,000 NISCHELLE TURNER. 218 00:20:33,137 --> 00:20:38,482 CONGRATULATIONS. 219 00:20:38,517 --> 00:20:41,793 Nischelle: OH, BOY. KEVIN, I REALLY JUST GOING TO 220 00:20:41,827 --> 00:20:45,620 MAKE ME DO THIS? FIRST OF ALL, THIS IS JUST 221 00:20:45,655 --> 00:20:50,689 REALLY, REALLY AN HONOR. I GREW UP ON A FARM IN MISSOURI. 222 00:20:50,724 --> 00:20:54,965 THIS IS WILD TO BE STANDING UP HERE GETTING AN ENEMY. 223 00:20:55,000 --> 00:20:58,551 WE WORK WITH THE MOST INCREDIBLE PEOPLE EVERY SINGLE DAY, WE HAVE 224 00:20:58,586 --> 00:21:03,344 THE MOST INCREDIBLE TEAM. OUR TEAM IS LED BY A GROUP OF 225 00:21:03,379 --> 00:21:06,068 FANTASTIC, SMART, ACCOMPLISHED WOMEN THAT I LOVE GOING TO WORK 226 00:21:06,103 --> 00:21:11,344 WITH EVERY SINGLE DAY. THEY'RE HERE TONIGHT. 227 00:21:11,379 --> 00:21:14,172 THANK YOU SO, SO MUCH. Kevin: WE WANT TO SAY FIRST 228 00:21:14,206 --> 00:21:17,137 OF ALL CONGRATULATIONS TO EVERYONE WHO WAS NOMINATED IN 229 00:21:17,172 --> 00:21:19,103 THE CATEGORY. WE ARE ALL FRIENDS AND WE ALL 230 00:21:19,137 --> 00:21:22,517 WORK TOGETHER OUT IN THE FIELD. ALSO THE REST OF OUR TEAM AND 231 00:21:22,551 --> 00:21:25,896 THE FOLKS AT HOME WATCHING THIS AND OUR SPOUSES AND OUR PARTNERS 232 00:21:25,931 --> 00:21:28,655 WHO PUT UP WITH THESE INSANE SCHEDULES. 233 00:21:28,689 --> 00:21:31,103 MOST IMPORTANTLY YOU IN HOLLYWOOD WHO OPENED OUR DOORS 234 00:21:31,137 --> 00:21:33,482 TO US AND ALLOW US TO COME IN AND TELL YOUR STORIES. 235 00:21:33,517 --> 00:21:36,275 WE APPRECIATE YOU SO MUCH. THANK YOU SO MUCH. 236 00:21:36,310 --> 00:21:40,310 WE'VE BEEN ON THE SET WITH THE MOST ALL OF YOU. 237 00:21:40,344 --> 00:21:41,424 THANK YOU. Nischelle: THANK YOU SO 238 00:21:41,448 --> 00:21:45,689 MUCH. THANK YOU, GUYS. 239 00:21:45,724 --> 00:21:48,551 KEVIN, DON'T GO AWAY. Kevin: THAT'S RIGHT. 240 00:21:48,586 --> 00:21:51,965 WE ARE HOSTING THE SHOW. I JUST REALIZED WE HAVE TO STAY 241 00:21:52,000 --> 00:21:53,241 OUT HERE. Nischelle: WE DO. 242 00:21:53,275 --> 00:21:57,206 WE HAVE TO STAY RIGHT HERE. WE HAVE TO FOCUS AND WE HAVE TO 243 00:21:57,241 --> 00:22:00,655 KEEP THIS THING GOING. HERE WE GO. 244 00:22:00,689 --> 00:22:03,586 SPEAK TO YOU TALK. Nischelle: KEVIN AND I, 245 00:22:03,620 --> 00:22:06,344 WITH ALL THE THANK YOUS WE HAVE A STRONG DESIRE TO EXPRESS THE 246 00:22:06,379 --> 00:22:11,034 RELEVANCE, THE IMPORTANCE, AND REALLY THE GRAVITAS OF THE 50TH 247 00:22:11,068 --> 00:22:13,931 ANNIVERSARY OF THE DAYTIME EMMYS AND WE REALLY WANT TO SHARE HOW 248 00:22:13,965 --> 00:22:17,758 DEEPLY SPECIAL THIS SHOW IS IN PARTICULAR NOT ONLY TO US BUT TO 249 00:22:17,793 --> 00:22:21,896 THE MANY PEOPLE WHO HAD REALLY RATE EXPERIENCES AND MEMORIES OF 250 00:22:21,931 --> 00:22:25,448 PAST DAYTIME EMMYS BROADCASTS. SO, WE THOUGHT, TO HELP 251 00:22:25,482 --> 00:22:26,665 RECOGNIZE THE RICH HISTORY OF THE DAYTIME EMMYS 252 00:22:26,689 --> 00:22:28,896 WE'D CHAT WITH A FEW AUDIENCE MEMBERS ABOUT THEIR 253 00:22:28,931 --> 00:22:33,896 PERSONAL DAYTIME EMMY MOMENTS, MOMENTS THAT STAND OUT IN THEIR 254 00:22:33,931 --> 00:22:37,034 OWN LIVES. Kevin: I LOVE THAT YOU 255 00:22:37,068 --> 00:22:40,275 LOCKED BACK IN SO QUICKLY. Nischelle: I KNOW. 256 00:22:40,310 --> 00:22:44,896 Kevin: HERE TO SHARE ONE SUCH MEMORY WE HAVE, FROM 257 00:22:44,931 --> 00:22:48,896 "THE BOLD AND THE BEAUTIFUL," ASHLEY JONES. 258 00:22:48,931 --> 00:22:52,379 YOU GUYS, I THOUGHT I WOULD GET TO BANTER WITH YOU BUT 259 00:22:52,413 --> 00:22:55,482 YOU'RE SO GOOD YOU WON THE AWARD SO I'M HERE BY MYSELF. 260 00:22:55,517 --> 00:22:59,034 ONE OF MY FAVORITE MEMORIES WAS COMING TO THE AWARDS NOT LONG 261 00:22:59,068 --> 00:23:01,172 AGO. I THOUGHT I WAS GOING TO GET TO 262 00:23:01,206 --> 00:23:05,034 SEE SOMEONE VERY SPECIFIC AND I DIDN'T SEE HER AT THE RED CARPET 263 00:23:05,068 --> 00:23:09,551 OR AT THE TABLES. I GET UP TO GO TO THE RESTROOM. 264 00:23:09,586 --> 00:23:11,034 I OPEN THE DOOR. AND BOOM! 265 00:23:11,068 --> 00:23:15,344 DREW BARRYMORE. THAT WAS A REALLY SPECIAL MOMENT 266 00:23:15,379 --> 00:23:19,275 FOR ME. IF YOU EVER GET THE CHANCE TO 267 00:23:19,310 --> 00:23:21,275 CHAT WITH DREW BARRYMORE, SHE DOESN'T DISAPPOINT. 268 00:23:21,310 --> 00:23:26,793 THERE WAS ONE OTHER TIME WHERE I GOT ON THE ELEVATOR AND LO AND 269 00:23:26,827 --> 00:23:28,655 BEHOLD, THE LEGENDARY ALEX TREBEK. 270 00:23:28,689 --> 00:23:32,482 HE TRIED TO INTRODUCE HIMSELF TO ME AND OF COURSE I WAS LIKE, I 271 00:23:32,517 --> 00:23:33,976 THINK WE ALL KNOW EXACTLY WHO YOU ARE. 272 00:23:34,000 --> 00:23:36,758 WE ARE HUGE FANS. ESPECIALLY MOMENT, SHORTLY AFTER 273 00:23:36,793 --> 00:23:41,275 THAT I GOT TO BE AN ACTUAL ANSWER ON JEOPARDY. 274 00:23:41,310 --> 00:23:45,275 THAT WAS PRETTY SPECIAL FOR ME. I'M SURE THERE'S A LOT OF OTHER 275 00:23:45,310 --> 00:23:49,655 MEMORIES TONIGHT AND IT'S SUCH A PLEASURE TO BE HERE. 276 00:23:49,689 --> 00:23:55,689 Announcer: THERE IS MUCH MORE TO COME AS WE CELEBRATE 50 YEARS 277 00:23:57,586 --> 00:23:59,734 OF THE DAYTIME EMMY AWARDS, LIVE FROM BEAUTIFUL DOWNTOWN 278 00:23:59,758 --> 00:24:01,482 LOS ANGELES. WHEN WE RETURN, OUR GOLD AND 279 00:24:01,517 --> 00:24:02,907 SILVER CIRCLE PRESENTATIONS WITH AN APPEARANCE BY DAYTIME 280 00:24:02,931 --> 00:24:04,965 TALK-SHOW LEGEND MAURY POVICH. WE'LL BE RIGHT ACK. 281 00:24:05,000 --> 00:24:11,000 THIS IS CBS. 282 00:24:14,482 --> 00:24:15,413 THE 50TH ANNUAL DAYTIME EMMY AWARDS 283 00:24:15,448 --> 00:24:16,527 IS SPONSORED BY CHARMIN. WE ALL GO. 284 00:24:16,551 --> 00:24:21,310 WHY NOT ENJOY THE GO WITH CHARMIN. 285 00:24:30,586 --> 00:24:32,700 Announcer: PLEASE WELCOME THE CHAIRMAN OF THE NATIONAL 286 00:24:32,724 --> 00:24:38,724 ACADEMY OF TELEVISION ARTS AND SCIENCES, TERRY O'REILLY. 287 00:24:41,379 --> 00:24:45,551 GOOD EVENING, EVERYONE. 288 00:24:45,586 --> 00:24:49,103 WONDERFUL TO HAVE YOU HERE THIS EVENING, OUR 50TH CELEBRATION OF 289 00:24:49,137 --> 00:24:53,034 THE DAYTIME EMMYS AWARDS. WELCOME 290 00:24:53,068 --> 00:24:56,724 ON BEHALF OF OUR 19,000 ACADEMY MEMBERS ACROSS AMERICA, WELCOME 291 00:24:56,758 --> 00:24:59,044 THIS IS THE FIRST MAJOR AWARDS CEREMONY SINCE THE RESOLUTION 292 00:24:59,068 --> 00:25:05,068 OF OUR INDUSTRY'S LABOR ISSUES. WE'VE BEEN WAITING FOR THIS 293 00:25:07,724 --> 00:25:11,379 EVENING FOR SIX MONTHS, I ASKED SUSPECT THERE ARE AT 294 00:25:11,413 --> 00:25:16,068 LEAST A FEW PEOPLE IN THIS ROOM READY FOR A PRETTY GOOD PARTY. 295 00:25:16,103 --> 00:25:18,044 MUCH HAS CHANGED IN OUR INDUSTRY IN THE PAST FEW YEARS. 296 00:25:18,068 --> 00:25:21,034 AMAZING ADVANCEMENTS IN TECHNOLOGY PROVIDE US 297 00:25:21,068 --> 00:25:25,413 WITH ACCESS TO MORE AND BETTER TELEVISION PROGRAMMING THAN EVER 298 00:25:25,448 --> 00:25:28,448 BEFORE, AND THE ABILITY TO NEGOTIATE THESE VAST LIBRARIES 299 00:25:28,482 --> 00:25:30,103 OF CONTENT ON ANY SCREEN ANYWHERE. 300 00:25:30,137 --> 00:25:33,275 BUT WHILE WE CELEBRATE THESE ADVANCES, THEY ARE JUST 301 00:25:33,310 --> 00:25:36,482 AN EMPTY PIPELINE WITHOUT THE TALENTED INDIVIDUALS 302 00:25:36,517 --> 00:25:39,517 WHO CREATE THE PROGRAMMING, THE INDIVIDUALS THAT WE 303 00:25:39,551 --> 00:25:42,034 CELEBRATE HERE THIS EVENING. TELEVISION, WHETHER YOU'RE 304 00:25:42,068 --> 00:25:45,413 WATCHING ON A BIG SCREEN, A COMPUTER SCREEN, 305 00:25:45,448 --> 00:25:48,827 OR ON YOUR CELLPHONE SCREEN, TELEVISION IS IN A GOLDEN HOUR. 306 00:25:48,862 --> 00:25:54,862 AND TONIGHT, WE HONOR ITS BEST WITH THE EMMY, 307 00:25:55,551 --> 00:25:57,113 WHICH IS OF COURSE OUR INDUSTRY'S GOLD STANDARD. 308 00:25:57,137 --> 00:26:00,482 NOW I'D LIKE TO TAKE A MOMENT TO NOTE THE PASSING LAST 309 00:26:00,517 --> 00:26:06,517 WEEK OF NORMAN LEAR, A REAL GIANT IN OUR INDUSTRY, 310 00:26:07,206 --> 00:26:08,931 NORMAN BROUGHT US COMEDY 311 00:26:08,965 --> 00:26:10,724 AND SATIRE, BUT ALWAYS WITH WARMTH AND 312 00:26:10,758 --> 00:26:12,482 HEART. HIS GROUNDBREAKING SITCOMS 313 00:26:12,517 --> 00:26:15,793 TACKLED SOCIAL ISSUES HEAD-ON, SPARKING CONVERSATIONS 314 00:26:15,827 --> 00:26:19,862 AND CHALLENGING PERSPECTIVES. WHILE THE BULK OF HIS WORK 315 00:26:19,896 --> 00:26:22,103 WAS FOR PRIMETIME TELEVISION, ONE OF HIS FINAL PROJECTS 316 00:26:22,137 --> 00:26:24,044 FOR NETWORK TV WAS ACTUALLY AN ANIMATED DAYTIME SERIES 317 00:26:24,068 --> 00:26:28,655 FOR CHILDREN. NORMAN ONCE SAID, 318 00:26:28,689 --> 00:26:31,586 "I'M NOT IN THIS BUSINESS TO MAKE MONEY. 319 00:26:31,620 --> 00:26:33,655 I'M IN THIS BUSINESS TO CHANGE THE WORLD." 320 00:26:33,689 --> 00:26:39,689 WELL, HE DID JUST THAT. 321 00:26:40,448 --> 00:26:43,896 NORMAN LEAR BROUGHT LAUGHS AND LIGHT TO OUR LIVES, INSPIRING US 322 00:26:43,931 --> 00:26:46,034 ALL TO PUSH BOUNDARIES IN THE NAME OF JUSTICE. 323 00:26:46,068 --> 00:26:52,068 SO THANK YOU, NORMAN LEAR, FOR A JOB EXCEEDINGLY WELL DONE. 324 00:26:56,551 --> 00:26:58,620 NOW I'M PLEASED TO INTRODUCE 325 00:26:58,655 --> 00:27:01,034 A LONG-STANDING MEMBER OF OUR ACADEMY AND AN HONORED 326 00:27:01,068 --> 00:27:04,551 MEMBER OF OUR DAYTIME COMMUNITY. TONIGHT, HE WILL BE INTRODUCING 327 00:27:04,586 --> 00:27:08,689 THE MEMBERS OF OUR ACADEMY'S GOLD AND SILVER CIRCLE. 328 00:27:08,724 --> 00:27:11,965 AND TOMORROW AT OUR CREATIVE ARTS AWARDS, HE WILL BE 329 00:27:12,000 --> 00:27:14,896 RECEIVING OUR ACADEMY'S LIFETIME ACHIEVEMENT AWARD. 330 00:27:14,931 --> 00:27:20,448 HE IS A DAYTIME TELEVISION ICON AND THE NAMESAKE OF ONE 331 00:27:20,482 --> 00:27:25,275 SHOWS IN AMERICAN TV HISTORY, HAVING AIRING FOR OVER 30 YEARS. 332 00:27:25,310 --> 00:27:28,379 WILL YOU PLEASE JOIN ME IN WELCOMING TO THE STAGE 333 00:27:28,413 --> 00:27:34,413 MAURY POVICH. 334 00:27:38,448 --> 00:27:44,448 ♪ THANK YOU, TERRY. 335 00:27:47,068 --> 00:27:52,068 THANK YOU. IT'S GOOD TO BE HERE. 336 00:27:52,103 --> 00:27:56,862 IT'S GREAT TO BE HERE! AMONG OUR ACADEMY'S MOST 337 00:27:56,896 --> 00:28:00,862 PRESTIGIOUS RECOGNITION IS THE INDUCTION INTO THE GOLD 338 00:28:00,896 --> 00:28:06,896 AND SILVER CIRCLE. IT'S OUR SOCIETY OF HONOR, 339 00:28:07,275 --> 00:28:09,620 AND IT RECOGNIZES 50 OR 25 YEARS 340 00:28:09,655 --> 00:28:11,320 OF DISTINGUISHED SERVICE BY TELEVISION PROFESSIONALS TO OUR 341 00:28:11,344 --> 00:28:13,206 INDUSTRY. AND THOSE WHO'VE NOT ONLY 342 00:28:13,241 --> 00:28:16,862 INSPIRED US BUT HAVE HELPED MAKE TELEVISION THE HUGE PART OF THE 343 00:28:16,896 --> 00:28:21,551 FABRIC OF AMERICAN LIFE THAT IT IS TODAY. 344 00:28:21,586 --> 00:28:25,137 IN 2017, I HAD THE DISTINCT HONOR OF BEING INDUCTED INTO 345 00:28:25,172 --> 00:28:31,172 THE NEW YORK CHAPTER OF THIS HIGHLY PRESTIGIOUS SOCIETY, 346 00:28:33,068 --> 00:28:35,355 A MOMENT, BY THE WAY, THAT I HAVE TRULY CHERISHED FROM THAT 347 00:28:35,379 --> 00:28:41,275 DAY TO THIS. WHEN I LOOK AT IT I GET THE 348 00:28:41,310 --> 00:28:44,482 FEELING I INTERCEPTED A GAME-WINNING PASS IN THE NFL. 349 00:28:44,517 --> 00:28:48,551 ANYHOW. THIS YEAR IS EVEN MORE SPECIAL. 350 00:28:48,586 --> 00:28:51,068 IT'S THE FIRST TIME WE'RE BESTOWING THESE HONORS 351 00:28:51,103 --> 00:28:53,068 AT THE NATIONAL LEVEL. AND I COULD NOT BE PROUDER 352 00:28:53,103 --> 00:28:56,482 AND MORE HONORED TO BRING YOU THE INAUGURAL CLASS OF 353 00:28:56,517 --> 00:28:59,275 DAYTIME INDUCTEES OF THE EMMY GOLD AND SILVER 354 00:28:59,310 --> 00:29:05,000 FOR 2023. TANYA HART, WENDY RICHE, 355 00:29:05,034 --> 00:29:08,068 IT'S HERE THEY ARE. 356 00:29:08,103 --> 00:29:13,275 HERE THEY ARE. CHRISTINA KNACK 357 00:29:13,310 --> 00:29:15,413 SERVES "THE YOUNG AND THE RESTLESS" AS PRODUCTION 358 00:29:15,448 --> 00:29:18,241 COORDINATOR. SHE KEEPS THE TEAM RUNNING 359 00:29:18,275 --> 00:29:21,034 SMOOTHLY. FROM BIZARRE FOODS TO WILD 360 00:29:21,068 --> 00:29:26,034 TRAVEL DESTINATIONS PATRICK WEILAND 361 00:29:26,068 --> 00:29:30,000 IS KNOWN TO BUILD RELATIONSHIPS AND ELEVATE THE CREW AROUND HIM. 362 00:29:30,034 --> 00:29:31,665 HIS STORYTELLING AND MANAGEMENT STYLE IS A TRUE REFLECTION OF 363 00:29:31,689 --> 00:29:37,689 HIS PERSONALITY. ENTERING THE GOLD CIRCLE THIS 364 00:29:37,793 --> 00:29:41,965 YEAR, TANYA HART'S CAREER 365 00:29:42,000 --> 00:29:46,482 HAS STREAMED BROADCAST, STREAMING, SYNDICATION, CABLE 366 00:29:46,517 --> 00:29:48,482 TV. CREATING THE ET WEST COAST 367 00:29:48,517 --> 00:29:52,482 STUDIO AND CREATING MORE THAN 300 EPISODES OF "LIVE FROM 368 00:29:52,517 --> 00:29:57,344 L.A.." PRODUCER AND WRITER 369 00:29:57,379 --> 00:30:03,379 WENDY RICHE, AS EXECUTIVE PRODUCER OF 370 00:30:04,000 --> 00:30:07,586 "GENERAL HOSPITAL" DURING THE '90s, SHE WAS RECOGNIZED FOR 371 00:30:07,620 --> 00:30:10,241 BRINGING THE DRAMA BACK TO THE FOREFRONT OF DAYTIME. 372 00:30:10,275 --> 00:30:15,206 AL SCHWARTZ'S CAREER HAS SPAN GENRES AND GENERATIONS 373 00:30:15,241 --> 00:30:18,862 FROM SERIES, DOCUMENTARIES, SPECIALS AND MORE THAN A FEW 374 00:30:18,896 --> 00:30:20,586 AWARD SHOWS. HIS CELEBRITY TALENT AND 375 00:30:20,620 --> 00:30:23,275 PRODUCERS ALWAYS KNEW HE WAS THE GO-TO PRODUCER WITH THE 376 00:30:23,310 --> 00:30:26,655 RIGHT PEN... AND SKILL FOR QUALITY SHOWS. 377 00:30:26,689 --> 00:30:32,137 VERNEE WATSON BEGAN HER ACTING CAREER MORE 378 00:30:32,172 --> 00:30:35,275 THAN 30 YEARS AGO. AFTER A STINT THAT INCLUDED MORE 379 00:30:35,310 --> 00:30:37,870 THAN 200 COMMERCIAL SHE MOVED TO L.A. WHERE SHE CURRENTLY APPEARS 380 00:30:37,896 --> 00:30:43,896 ON A CBS COMEDY BOB HEARTS ABISHOLA. 381 00:30:48,034 --> 00:30:54,034 VERNEE DIRECTS FOR THE STAGE AND TEACHES ACTING. 382 00:31:03,000 --> 00:31:09,000 VERNEE DIRECTS FOR THE STAGE AND TEACHES ACTING. 383 00:31:09,172 --> 00:31:15,172 Announcer: WE'VE GOT MANY 384 00:31:16,482 --> 00:31:18,965 MORE SPECIAL MOMENTS COMING YOUR WAY AS WE FIND OUT WHO GETS 385 00:31:19,000 --> 00:31:25,000 THE OUTSTANDING WRITING TEAM AND YOUNGER PERFORMER AWARDS 386 00:31:25,034 --> 00:31:26,734 AND LATER, WE BID A FOND FAREWELL TO TWO OF DAYTIME 387 00:31:26,758 --> 00:31:29,448 TELEVISION'S MOST BELOVED HOSTS. WHEN THE 50TH ANNUAL DAYTIME 388 00:31:29,482 --> 00:31:33,758 EMMYS RETURN. THIS IS CBS. 389 00:31:49,551 --> 00:31:51,320 Announcer: THE REUNITED '90s SUPER COUPLE, PLEASE WELCOME 390 00:31:51,344 --> 00:31:53,862 FROM "THE YOUNG AND THE RESTLESS," EMMY WINNER 391 00:31:53,896 --> 00:31:58,896 LAURALEE BELL AND MICHAEL DAMIAN. 392 00:32:09,724 --> 00:32:15,724 SUPER COUPLE! WOW, I LIKE THAT. 393 00:32:16,965 --> 00:32:22,965 FROM THE '90s... BUT WE'RE BRINGING IT BACK! 394 00:32:24,517 --> 00:32:28,896 WE'VE ALL HEARD THE SAYING "THERE'S NO I IN TEAM," 395 00:32:28,931 --> 00:32:32,068 IN THIS NEXT CATEGORY THERE IS NOT JUST I 396 00:32:32,103 --> 00:32:34,482 BUT TWO. OUR NEXT CATEGORY IS FOR 397 00:32:34,517 --> 00:32:38,137 OUTSTANDING WRITING TEAM FOR A DAYTIME DRAMA SERIES. 398 00:32:38,172 --> 00:32:41,655 OH, OKAY, I GET IT. "WRITER." 399 00:32:41,689 --> 00:32:46,965 TWO Is. THEY CREATE THE STORIES THAT ARE 400 00:32:47,000 --> 00:32:49,620 THE LIFEBLOOD OF DAYTIME TELEVISION. 401 00:32:49,655 --> 00:32:50,872 HERE ARE THE NOMINEES FOR OUTSTANDING WRITING TEAM 402 00:32:50,896 --> 00:32:56,896 FOR A DAYTIME DRAMA SERIES. "THE BAY." 403 00:32:56,965 --> 00:32:59,655 CHAPTER TWO." "THE BOLD AND THE BEAUTIFUL." 404 00:32:59,689 --> 00:33:05,689 "DAYS OF OUR LIVES." "GENERAL HOSPITAL." 405 00:33:07,206 --> 00:33:13,206 "THE YOUNG AND THE RESTLESS." SUPER COUPLE. 406 00:33:17,103 --> 00:33:21,965 YOU READY? AND THE EMMY GOES TO... 407 00:33:22,000 --> 00:33:28,000 "THE YOUNG AND THE RESTLESS." ACCEPTING THE EMMY, THE HEAD 408 00:33:30,103 --> 00:33:33,103 WRITER AND EXECUTIVE PRODUCER. JOSH GRIFFITH. 409 00:33:51,517 --> 00:33:56,517 HI. I'M GOING TO READ BECAUSE I 410 00:33:56,551 --> 00:33:58,862 CAN'T SAY ANYTHING UNLESS IT'S WRITTEN OUT. 411 00:33:58,896 --> 00:34:02,689 THIS IS A WONDERFUL HONOR. WE FELT IT WAS A VERY TIMELY AND 412 00:34:02,724 --> 00:34:05,137 IMPORTANT STORY TO TELL. I'M THRILLED WE WERE ABLE TO 413 00:34:05,172 --> 00:34:09,137 PULL IT OFF. I'D LIKE TO THANK DR. DAN RYDEN 414 00:34:09,172 --> 00:34:15,172 BERG FOR HELP AND US. TO AMY. 415 00:34:16,688 --> 00:34:21,034 STEVE KENT. TRULY OUTSTANDING. 416 00:34:21,068 --> 00:34:27,068 SPECIAL THANKS TO THE AMAZING DANIELLE UNGER. 417 00:34:28,862 --> 00:34:34,827 THANKS TO OUR TERRIFIC WRITING TEAM, ESPECIALLY MY COHEAD 418 00:34:34,862 --> 00:34:36,458 WRITER AMANDA BEAL. DIRECTORS, ACTORS, PRODUCERS 419 00:34:36,482 --> 00:34:41,931 THAT MAKE MAGIC EVERY DAY. YOU'RE THE BEST IN THE BUSINESS. 420 00:34:41,965 --> 00:34:46,757 LASTLY, THANK YOU TO OUR FANS. WE WOULD NOT BE HERE WITHOUT 421 00:34:46,793 --> 00:34:51,379 YOU. THANK YOU. 422 00:34:51,413 --> 00:34:55,482 Announcer: WELCOME BACK YOUR HOSTS, KEVIN FRAZIER 423 00:34:55,516 --> 00:35:01,516 AND NISCHELLE TURNER! Nischelle: EVERYBODY HAVING 424 00:35:07,413 --> 00:35:11,586 FUN? DO YOU HEAR CAMERON MATHISON 425 00:35:11,620 --> 00:35:12,827 SCREAMING? 426 00:35:12,862 --> 00:35:14,838 Kevin: NOT ONLY DO THIS YEAR'S DAYTIME EMMY AWARDS GIVE 427 00:35:14,862 --> 00:35:19,551 US A CHANCE TO REFLECT AND REMINISCE ON 50 YEARS OF 428 00:35:19,586 --> 00:35:22,034 GREATNESS, IT ALSO GIVES US THE OPPORTUNITY TO LOOK AHEAD 429 00:35:22,068 --> 00:35:23,862 AND ACKNOWLEDGE THE BRIGHT FUTURE OF 430 00:35:23,896 --> 00:35:29,655 DAYTIME TV. Nischelle: IT DOES. 431 00:35:29,689 --> 00:35:32,034 EVEN THOUGH MOST OF TONIGHT'S NOMINEES ARE PROBABLY UP PAST 432 00:35:32,068 --> 00:35:34,517 THEIR BEDTIME. Kevin: BUT WE'LL MAKE SURE 433 00:35:34,551 --> 00:35:35,907 THEY GET A JUICE BOX OR SOMETHING AT THE AFTER-PARTY. 434 00:35:35,931 --> 00:35:37,665 EITHER WAY, DAYTIME TV'S FUTURE IS IN VERY CAPABLE HANDS, 435 00:35:37,689 --> 00:35:43,689 AS EACH OF THESE NOMINEES HAVE PROVEN TIME AND TIME AGAIN. 436 00:35:44,655 --> 00:35:46,389 THESE KIDS ARE SO DOGGONE GOOD. Nischelle: HERE ARE THE 437 00:35:46,413 --> 00:35:47,631 NOMINEES FOR OUTSTANDING YOUNGER PERFORMER IN A DAYTIME DRAMA 438 00:35:47,655 --> 00:35:51,034 SERIES. CARY CHRISTOPHER, 439 00:35:51,068 --> 00:35:57,068 EDEN McCOY, HENRY JOSEPH SAMIRI. 440 00:36:01,275 --> 00:36:07,275 Nischelle: THEY GOT SOME FANS. 441 00:36:07,379 --> 00:36:10,034 AND THE EMMY GOES TO... EDEN McCOY, 442 00:36:10,068 --> 00:36:16,068 "GENERAL HOSPITAL." EDEN McCOY BEGAN HER ROLE 443 00:36:20,689 --> 00:36:26,655 ON "GENERAL HOSPITAL" WHICH WAS ONLY 11 YEARS OLD. 444 00:36:26,689 --> 00:36:32,689 WE HAD NO IDEA WHY AND SOMEONE SAID. 445 00:36:35,931 --> 00:36:38,689 THE WHOLE THING PLAYED IN FRONT 446 00:36:38,724 --> 00:36:43,103 OF THE WHOLE CLASS ON THIS GIANT SCREEN. 447 00:36:43,137 --> 00:36:47,551 I DON'T UNDERSTAND. WHAT WAS ON THE VIDEO? 448 00:36:47,586 --> 00:36:53,586 CAMERON. HAVING SEX. 449 00:36:55,172 --> 00:37:00,000 SOMEONE FILMED US. 450 00:37:00,034 --> 00:37:05,068 OH, MY GOD. THIS IS LITERALLY A DREAM COME 451 00:37:05,103 --> 00:37:08,275 TRUE. I WANT TO THANK NITA AND MY TEAM 452 00:37:08,310 --> 00:37:11,551 AT COAST FOR ALL THE SUPPORT OVER THE YEARS AND ALL THE YEARS 453 00:37:11,586 --> 00:37:15,586 TO COME. I AM INDEBTED TO THE "GH" 454 00:37:15,620 --> 00:37:21,310 WRITERS, PRODUCERS, DIRECTORS. MARK, YOU STARTED THIS JOURNEY 455 00:37:21,344 --> 00:37:23,103 FOR ME. FRANK VALENTINI. 456 00:37:23,137 --> 00:37:24,586 YOU TOOK A CHANCE AND CHANGE MY LIFE. 457 00:37:24,620 --> 00:37:28,034 I LOVE YOU MORE THAN YOU KNOW. MY WONDERFUL CAST AND CREW 458 00:37:28,068 --> 00:37:30,448 THANK YOU FOR ALWAYS ELEVATING% MY WORK. 459 00:37:30,482 --> 00:37:32,217 YOU KNOW WHO YOU ARE. LAURA WRIGHT, YOU ARE SO MUCH 460 00:37:32,241 --> 00:37:35,482 MORE THAN A MOTHER AND SO MUCH MORE THAN A MENTOR. 461 00:37:35,517 --> 00:37:37,482 YOU GIVE NEW MEANING TO THE WORD FRIEND. 462 00:37:37,517 --> 00:37:40,620 DAD, I LOVE YOU. I'M SO HAPPY YOU'RE HERE. 463 00:37:40,655 --> 00:37:43,068 THIS IS FOREIGN BECAUSE OF MY MOTHER. 464 00:37:43,103 --> 00:37:47,137 AND I JUST WANT TO SAY IT'S NOT LOST ON ME WHAT AN ABSOLUTE 465 00:37:47,172 --> 00:37:52,206 PRIVILEGE IT IS TO DO SOMETHING NOT ONLY I'D LIKE TO DO BUT LOVE 466 00:37:52,241 --> 00:37:56,448 TO DO. I LOVE WHAT I DO. 467 00:37:56,482 --> 00:37:58,896 IT'S EASY TO BE GRATEFUL ON NIGHTS LIKE THIS BUT I'M 468 00:37:58,931 --> 00:38:02,241 GRATEFUL EVERY DAY. THANK YOU SO MUCH. 469 00:38:02,275 --> 00:38:08,275 THANK YOU SO MUCH. Nischelle: THAT WAS 470 00:38:15,620 --> 00:38:19,620 FANTASTIC. I LOVE HOW THE "GH" FOLKS RISE 471 00:38:19,655 --> 00:38:25,655 FOR THEIR PEOPLE. LET'S GIVE A ROUND OF APPLAUSE 472 00:38:27,379 --> 00:38:31,137 FOR "DAYS OF OUR LIVES'S" STEVEN NICHOLS 473 00:38:31,172 --> 00:38:33,724 ALL MY LIFE I'VE BEEN CALLING YOU PATCH. 474 00:38:33,758 --> 00:38:35,665 CAN I CALL YOU PATCH. YOU HAVE AN INCREDIBLE MEMORY 475 00:38:35,689 --> 00:38:41,689 MOMENT FOR US. THANKS, NISCHELLE. 476 00:38:43,586 --> 00:38:45,355 MY MOMENT IS ABOUT MY FRIEND TYLER CHRISTOPHER. 477 00:38:45,379 --> 00:38:49,448 I MET TYLER AT HIS AUDITION AND I KNEW INSTANTLY THAT THOUGH 478 00:38:49,482 --> 00:38:51,206 HE WAS YOUNG, HE REALLY HAD SOMETHING. 479 00:38:51,241 --> 00:38:55,275 SO I TOOK THE LIBERTY OF GIVING HIM A BOOK ON ACTING THAT HAD 480 00:38:55,310 --> 00:39:01,310 HELPED ME, HELPED ME, WHEN I WAS FIRST 481 00:39:01,758 --> 00:39:07,758 STARTING OUT. "TO THE ACTOR," 482 00:39:09,758 --> 00:39:11,689 MICHAEL CHEKOV. WELL, AT THE 2016 DAYTIME 483 00:39:11,724 --> 00:39:15,586 EMMYS AFTER HE'D WON FOR OUTSTANDING LEAD ACTOR, 484 00:39:15,620 --> 00:39:19,551 HE WANTED TO THANK EVERYBODY WHO GOT HIM THERE. 485 00:39:19,586 --> 00:39:23,793 HE SCANNED THE AUDIENCE AND SAID "WHERE'S STEVEN?" 486 00:39:23,827 --> 00:39:29,827 WE CAUGHT EACH OTHER'S EYES AND THEN HE HELP UP THE VERY 487 00:39:33,689 --> 00:39:39,689 SAME BOOK I'D GIVEN HIM, NOW AND HE THANKED ME. 488 00:39:39,965 --> 00:39:43,655 THAT WAS A MOMENT. I MISS YOU, TYLER, AND I LOVE 489 00:39:43,689 --> 00:39:46,655 YOU. WE ALL LOVE YOU. 490 00:39:46,689 --> 00:39:47,907 THANK YOU. Nischelle: THAT WAS 491 00:39:47,931 --> 00:39:49,320 INCREDIBLE. THANK YOU SO MUCH FOR SHARING 492 00:39:49,344 --> 00:39:55,344 WITH US. TYLER, LIKE STEPHEN SAID, WILL 493 00:39:55,620 --> 00:40:01,620 BE SORELY MISSED. TYLER CHRISTOPHER! 494 00:40:04,758 --> 00:40:10,586 I WANT TO MAKE IT ABOUT THE PEOPLE WHO GOT ME HERE IN THE 495 00:40:10,620 --> 00:40:13,551 BEGINNING. STEPHEN NICHOLS, WHERE ARE YOU, 496 00:40:13,586 --> 00:40:16,034 BROTHER? I TOLD YOU I WOULD DO IT, MAN. 497 00:40:16,068 --> 00:40:19,241 YOU ARE MY FIRST MENTOR, MY FIRST TEACHER. 498 00:40:19,275 --> 00:40:25,275 YOU GAVE ME THIS BOOK "TO THE ACTOR" I APPRECIATE IT AND I'M 499 00:40:25,827 --> 00:40:31,827 NOT HERE WITHOUT YOU AND I SHARE THIS WITH YOU. 500 00:40:32,896 --> 00:40:34,458 Announcer: WHEN WE RETURN, WE PAY TRIBUTE TO A LIFETIME OF 501 00:40:34,482 --> 00:40:37,689 ACHIEVEMENT FOR ONE OF DAYTIME TELEVISION'S FAVORITE 502 00:40:37,724 --> 00:40:40,413 PERFORMERS. THAT AND MUCH MORE AT THE 503 00:40:40,448 --> 00:40:44,827 50TH ANNUAL DAYTIME EMMY AWARDS. THIS IS CBS. 504 00:40:49,827 --> 00:40:52,034 THE 50TH ANNUAL DAYTIME EMMYS 505 00:40:52,068 --> 00:40:55,172 AWARDS WILL CONTINUE. THIS IS CBS. 506 00:41:00,758 --> 00:41:01,965 Announcer: PLEASE WELCOME 507 00:41:02,000 --> 00:41:05,034 DAYTIME EMMY AWARD WINNER FOR OUTSTANDING SUPPORTING ACTOR, 508 00:41:05,068 --> 00:41:11,068 SHEMAR MOORE. 509 00:41:16,517 --> 00:41:21,275 WHERE IS MY "THE YOUNG AND THE RESTLESS" FAMILY AT? 510 00:41:21,310 --> 00:41:24,896 I SEE YOU. I SEE YOU. 511 00:41:24,931 --> 00:41:29,275 CRISTOPH ST. JOHN, MY BROTHER, REST IN PEACE. 512 00:41:29,310 --> 00:41:31,793 NEVER FORGOTTEN. I LOVE YOU, MAN. 513 00:41:31,827 --> 00:41:37,517 WITHOUT YOU, I'M NOT HERE. I'M NOT DOING WHAT I'M DOING. 514 00:41:37,551 --> 00:41:43,137 I NEEDED TO GET THAT OUT. THANK YOU. 515 00:41:43,172 --> 00:41:46,724 NOW BACK TO BUSINESS. THIS IS A VERY PROUD DAY FOR ME. 516 00:41:46,758 --> 00:41:52,758 I VERY PROUD OF THIS PERSON. TO RECEIVE LIFETIME ACHIEVEMENT 517 00:41:55,344 --> 00:41:58,655 AWARD IN ANY FIELD IS A RARITY INDEED. 518 00:41:58,689 --> 00:42:03,344 BUT TO RECEIVE ONE IN THE GENRE OF ENTERTAINMENT, THAT'S 519 00:42:03,379 --> 00:42:07,379 SOMETHING ALMOST TOO INCREDIBLE TO BELIEVE THAT WHEN YOU'VE 520 00:42:07,413 --> 00:42:10,586 HONED AND REFINED YOUR CRAFT FOR LONGER THAN MOST CAN EVEN 521 00:42:10,620 --> 00:42:14,965 FATHOM, WHEN YOU'VE KEPT THE SAME EAGER, BRIGHTSIDE OUTLOOK 522 00:42:15,000 --> 00:42:17,448 TOWARD EVERYONE YOU'VE EVER WORKED WITH, WHEN YOU'VE 523 00:42:17,482 --> 00:42:22,551 ENCOURAGED OTHERS EVERY STEP OF THE WAY, YOU DESERVE 524 00:42:22,586 --> 00:42:25,896 RECOGNITION. TONIGHT'S RECIPIENT IS SUCH A 525 00:42:25,931 --> 00:42:27,355 PERSON. SHE'S BEEN IN TV SERIES AS WELL 526 00:42:27,379 --> 00:42:31,482 AS IN FILM AND STAGE WITH MULTI-EPISODIC GUEST 527 00:42:31,517 --> 00:42:33,000 APPEARANCES ON THE SERIES "DALLAS," 528 00:42:33,034 --> 00:42:35,137 "HOT IN CLEVELAND," AND "ARMY WIVES." 529 00:42:35,172 --> 00:42:41,172 SHE'S STARRED IN THE LIFETIME SERIES "DEVIOUS MAIDS," 530 00:42:41,931 --> 00:42:44,689 APPEARED ON "THE COLBERT REPORT." 531 00:42:44,724 --> 00:42:46,010 AND EVEN HOSTED "SATURDAY NIGHT LIVE." 532 00:42:46,034 --> 00:42:49,103 SHE'S BEEN RANKED AS ONE OF THE 50 GREATEST TELEVISION STARS 533 00:42:49,137 --> 00:42:53,137 OF ALL TIME. AND I COULDN'T AGREE MORE. 534 00:42:53,172 --> 00:42:59,172 THIS IS THE GOOD PART. 535 00:43:02,724 --> 00:43:08,724 WORLDWIDE. ON THE ABC DAYTIME DRAMA 536 00:43:10,068 --> 00:43:16,068 "ALL MY CHILDREN" FOR NEARLY 40 YEARS, 537 00:43:18,758 --> 00:43:22,103 THIS WOMAN IS A TRUE LIVING TV LEGEND. 538 00:43:22,137 --> 00:43:28,137 I'M SO PROUD, AS I WAS ONCE UPON A TIME BACK IN 1999 WHEN I 539 00:43:29,241 --> 00:43:35,241 PRESENTED HER WITH HER FIRST EMMY AFTER 19 NOMINATIONS AND I 540 00:43:36,586 --> 00:43:40,413 FLIPPED OVER THE CARD AND I DIDN'T THINK SHE WAS GOING TO 541 00:43:40,448 --> 00:43:43,172 WIN. I FLIPPED OVER THE CARD AND I 542 00:43:43,206 --> 00:43:47,551 ALMOST COST. I WAS LIKE "OH!" 543 00:43:47,586 --> 00:43:53,586 AND I SAID "THE STREAK IS OVER!" RIGHT? 544 00:43:54,137 --> 00:43:57,827 YOU ALL KNOW HORN TALKING ABOUT. ALL RIGHT? 545 00:43:57,862 --> 00:43:59,724 THERE IS SUPPOSED TO BE MORE SCRIPT. 546 00:43:59,758 --> 00:44:03,379 YOU ALL KNOW WARM TALKING ABOUT. I READ IT IN THE CAR. 547 00:44:03,413 --> 00:44:09,034 LET ME WING IT. I SAID THE STREAK IS OVER. 548 00:44:09,068 --> 00:44:12,862 TONIGHT I'M VERY PROUD TO PRESENT THE 2023 549 00:44:12,896 --> 00:44:18,896 LIFETIME ACHIEVEMENT AWARD TO THE ONE, TO THE ONLY, 550 00:44:20,310 --> 00:44:26,310 GIVE IT UP. SUSAN LUCCI. 551 00:44:28,758 --> 00:44:32,275 I'M ERICA KANE. I'M ERICA KANE. 552 00:44:32,310 --> 00:44:34,448 I'M ERICA KANE. I WANT TO BE SPECIAL AND I'M 553 00:44:34,482 --> 00:44:36,620 GOING TO BE. YOU WOULD DO THAT TO ME. 554 00:44:36,655 --> 00:44:38,965 HE WOULD PUT ME OUT, YOUR VERY OWN DAUGHTER. 555 00:44:39,000 --> 00:44:45,000 I DO NOT NEED A MAN TO BE HAPPY. I ERICA TAKE YOU TONY TO BE 556 00:44:48,551 --> 00:44:50,896 MY HUSBAND. SPEAK I NOW PRONOUNCE YOU MAN 557 00:44:50,931 --> 00:44:53,793 AND WIFE. YOU MAY KISS YOUR BRIDE. 558 00:44:53,827 --> 00:44:59,758 I AM ERICA KANE AND YOU ARE A FILTHY BEAST! 559 00:44:59,793 --> 00:45:04,000 ERICA! YOU BETRAYED ME. 560 00:45:04,034 --> 00:45:08,103 AND YOU BETRAYED OUR MARRIAGE. I WILL NOT LET MY COMPANY DOWN 561 00:45:08,137 --> 00:45:14,137 AND I WILL NOT LET MY FANS DOWN AND I WILL NOT LET MYSELF DOWN. 562 00:45:16,551 --> 00:45:18,965 YOU ARE A PISTOL. BANG-BANG. 563 00:45:19,000 --> 00:45:22,413 YOU KNOW WHEN I WANT SOMETHING BADLY ENOUGH I PULL OUT ALL THE 564 00:45:22,448 --> 00:45:25,413 STOPS. HELLO. 565 00:45:25,448 --> 00:45:31,275 YOU SCARED ME. I THOUGHT YOU WERE SVEN. 566 00:45:31,310 --> 00:45:34,517 DOES HE WORK HERE? HE IS A LECHEROUS MAN WHO 567 00:45:34,551 --> 00:45:40,551 TOUCHES ME AN APPROPRIATE LINK THAT I'M GOING FILE A COMPLIANT 568 00:45:41,206 --> 00:45:43,724 SOMEDAY. SUSAN LUCCI AND HER PARTNER. 569 00:45:43,758 --> 00:45:46,965 LAST WEEK SUSAN'S CONSISTENCY CONTINUED. 570 00:45:47,000 --> 00:45:50,068 ERICA KANE AND I ARE BOTH FULL OF EMOTION AND I'M READY TO 571 00:45:50,103 --> 00:45:56,103 TAKE CONTROL OF THE TANGO. SUSAN, YOU DESERVE THIS 572 00:45:58,413 --> 00:46:03,344 LIFETIME ACHIEVEMENT AWARD AND A BOOKCASE FULL OF EMMY BURLESQUE 573 00:46:03,379 --> 00:46:04,620 FOR YOUR CONTRIBUTION 574 00:46:04,655 --> 00:46:08,586 TO DAYTIME TELEVISION AND TELEVISION AT LARGE. 575 00:46:08,620 --> 00:46:11,448 YOU ARE THE FIRST DIVA I FELL IN LOVE WITH AND YOU CAPTIVATED ME 576 00:46:11,482 --> 00:46:16,827 EVER SINCE. TO ACCOMPLISH WHAT YOU'VE HAD 577 00:46:16,862 --> 00:46:21,965 AN DAYTIME TV, PRIME TIME TV, FILM, BROADWAY, THE WORLD OF 578 00:46:22,000 --> 00:46:24,758 CABARET. YOUR SUCCESS, YOUR CHARITY WORK. 579 00:46:24,793 --> 00:46:28,724 MOST RECENTLY ARE VERY IMPORTANT HEARTFELT MESSAGE. 580 00:46:28,758 --> 00:46:31,793 TO ACCOMPLISH ALL THIS IN A LIFETIME IS ONE HECK OF AN 581 00:46:31,827 --> 00:46:35,103 ACHIEVEMENT. BUT I'VE SEEN YOU DO ALL OF THIS 582 00:46:35,137 --> 00:46:38,137 IN A WEEK. SO ENJOY THIS, SUSAN. 583 00:46:38,172 --> 00:46:44,172 YOU DESERVE IT. WE LOVE YOU. 584 00:46:47,206 --> 00:46:48,355 HI, MOM. CONGRATULATIONS ON THIS AWESOME 585 00:46:48,379 --> 00:46:49,389 LIFETIME ACHIEVEMENT AWARD. WE ARE ALSO PROUD OF YOU AND 586 00:46:49,413 --> 00:46:52,275 LOVE YOU VERY MUCH. CONGRATS, SUSAN ON YOUR 587 00:46:52,310 --> 00:46:54,965 LIFETIME ACHIEVEMENT AWARD. WE ARE SO HONORED TO CELEBRATE 588 00:46:55,000 --> 00:46:56,976 YOU AND THE ENORMOUS IMPACT YOU'VE HAD ON THE INDUSTRY IS 589 00:46:57,000 --> 00:46:59,482 DAYTIME TELEVISION'S BIGGEST ICON. 590 00:46:59,517 --> 00:47:04,103 MARK AND I HAVE SO MANY FOND MEMORIES FROM OUR DAYS TOGETHER 591 00:47:04,137 --> 00:47:07,344 ON "ALL MY CHILDREN." WITHOUT QUESTION THE BEST MEMORY 592 00:47:07,379 --> 00:47:12,241 EVER WAS WATCHING YOU WIN THAT EMMY AND BREAKING THAT STREAK. 593 00:47:12,275 --> 00:47:15,034 THE STREAK IS OVER! SUSAN LUCCI! 594 00:47:15,068 --> 00:47:18,862 IT WAS THE MOST THRILLING THING TO HAPPEN TO ALL OF US IN 595 00:47:18,896 --> 00:47:21,206 THE ROOM. AND YOU DESERVED IT. 596 00:47:21,241 --> 00:47:23,172 SENDING YOU SO MUCH LOVE ON THIS SPECIAL EVENING. 597 00:47:23,206 --> 00:47:27,965 YOU DESERVE ALL GOOD THINGS. CONGRATULATIONS, SUSAN. 598 00:47:28,000 --> 00:47:32,034 I'M SO EXCITED FOR YOU. I MEAN, YOU LOOK ALTOGETHER TOO 599 00:47:32,068 --> 00:47:35,103 YOUNG AND FABULOUS TO BE RECEIVING A LIFETIME ACHIEVEMENT 600 00:47:35,137 --> 00:47:39,965 AWARD BUT YOU'RE AN ABSOLUTE ICON AND A TRAILBLAZER. 601 00:47:40,000 --> 00:47:42,586 ACROSS MEDIUMS. SOMEONE I'VE ALWAYS ADORED AND 602 00:47:42,620 --> 00:47:44,896 LOOKED UP TO. CONGRATULATIONS, MY FRIEND. 603 00:47:44,931 --> 00:47:47,137 I'M SO EXCITED FOR THIS HONOR FOR YOU. 604 00:47:47,172 --> 00:47:51,965 SENDING YOU SO MUCH LOVE. OH, SUSAN. 605 00:47:52,000 --> 00:47:55,206 I AM SO HAPPY FOR YOU. NOBODY DESERVES THIS AWARD MORE 606 00:47:55,241 --> 00:47:59,517 THAN YOU DO. I HAD SUCH A GOOD TIME WORKING 607 00:47:59,551 --> 00:48:04,758 WITH YOU ON "ALL MY CHILDREN." OF COURSE YOU'RE NOT THE DIVA 608 00:48:04,793 --> 00:48:08,172 EVERYBODY THOUGHT YOU WERE. YOU ARE JUST A TRICK OF THE 609 00:48:08,206 --> 00:48:12,000 TOTAL OPPOSITE. LET ME JUST PUT IT THIS WAY. 610 00:48:12,034 --> 00:48:18,034 YOU ARE PERMANENTLY TERRIFIC. CONGRATULATIONS. 611 00:48:18,724 --> 00:48:24,724 LADIES AND GENTLEMEN, THE 612 00:48:30,724 --> 00:48:36,724 QUEEN HERSELF, SUSAN LUCCI. 613 00:48:42,137 --> 00:48:48,137 OH. THANK YOU SO MUCH. 614 00:48:49,931 --> 00:48:55,931 OH, MY GOODNESS. THANK YOU SO MUCH. 615 00:49:04,931 --> 00:49:05,896 OH, MY GOODNESS. THANK YOU SO MUCH. 616 00:49:05,931 --> 00:49:10,068 SHEMAR, THANK YOU. I'M SO HAPPY YOU'RE HERE 617 00:49:10,103 --> 00:49:12,931 PRESENTING ME THIS WONDERFUL AWARD. 618 00:49:12,965 --> 00:49:18,965 I THANK THE ACADEMY, TO THE EMMY COMMITTEE, CBS, FOR GIVING ME 619 00:49:20,862 --> 00:49:24,034 THIS ENORMOUS HONOR. AND HOW LUCKY AM I TO DREAM MY 620 00:49:24,068 --> 00:49:28,965 DREAMS OF BECOMING AN ACTRESS AND GROW UP AND HAVE MY DREAMS 621 00:49:29,000 --> 00:49:35,000 COME TRUE. 622 00:49:38,034 --> 00:49:41,620 THERE WERE OBSTACLES AND THERE WERE ROADBLOCKS. 623 00:49:41,655 --> 00:49:45,724 I MEAN, THEY WERE ONE OF THE OBSTACLES AND ROADBLOCKS. 624 00:49:45,758 --> 00:49:51,758 BUT TONIGHT IS A NIGHT TO CELEBRATE FOR SAYING THANK YOU. 625 00:49:53,206 --> 00:49:58,034 ON THE 19TH NOMINATION WHEN I HEARD 626 00:49:58,068 --> 00:50:03,310 SHEMAR ANNOUNCE "THE STREAK IS OVER" AND HE SAID 627 00:50:03,344 --> 00:50:05,586 MY NAME. I BEGAN BY THANKING GOD FOR ALL 628 00:50:05,620 --> 00:50:10,896 THE MANY BLESSINGS. 629 00:50:10,931 --> 00:50:15,620 I BEGIN THERE AGAIN TONIGHT, STARTING WITH MY PARENTS FOR 630 00:50:15,655 --> 00:50:18,448 THEIR LOVE. THEY WERE MEMBERS OF THE 631 00:50:18,482 --> 00:50:20,251 GREATEST GENERATION AND I THANK THEM FOR THE EXAMPLE THAT THEY 632 00:50:20,275 --> 00:50:25,896 SET FOR ME. FOR ALWAYS BEING THERE FOR ME 633 00:50:25,931 --> 00:50:29,896 AND FOR TELLING ME I COULD AIM FOR THE STARS, FOR THE MOON AND 634 00:50:29,931 --> 00:50:33,931 THE STARS, AND NEVER TO BE AFRAID. 635 00:50:33,965 --> 00:50:38,000 I'M SO GRATEFUL TO THEM. I AM SO GRATEFUL TO MY TEACHERS. 636 00:50:38,034 --> 00:50:40,000 THEY TAUGHT ME WHAT I NEEDED TO KNOW. 637 00:50:40,034 --> 00:50:43,034 THEY GAVE ME THE TOOLS. THEY BELIEVED IN ME. 638 00:50:43,068 --> 00:50:45,389 THEY ENCOURAGED ME, AND THEY GAVE ME THE TOOLS TO BE THE KIND 639 00:50:45,413 --> 00:50:50,482 OF ACTRESS I WANTED TO BE. TALKING ABOUT LOCKE, HOW LUCKY 640 00:50:50,517 --> 00:50:56,517 WAS I TO BE PUT IN THE HANDS OF AGNES NIXON? 641 00:50:59,896 --> 00:51:03,758 AGNES WAS THE TRAILBLAZER. 642 00:51:03,793 --> 00:51:07,758 SHE WAS THE VISIONARY STORYTELLER. 643 00:51:07,793 --> 00:51:13,655 GAVE ME THE PART OF A LIFETIME. THE FABULOUSLY FLAWED ERICA KA 644 00:51:13,689 --> 00:51:17,103 KANE. 645 00:51:17,137 --> 00:51:19,862 YEAH. SHE WAS THE NAUGHTY GIRL IN 646 00:51:19,896 --> 00:51:21,965 TOWN. SHE WAS THE BAD GIRL IN TOWN. 647 00:51:22,000 --> 00:51:26,758 SHE WAS THE TROUBLEMAKER. AND YES, SHE WAS ALL THAT. 648 00:51:26,793 --> 00:51:30,965 BUT AGNES HAD OTHER PLANS FOR HER TOO IN ADDITION AND FANS 649 00:51:31,000 --> 00:51:35,137 WERE SMART ENOUGH, THEY SAW BEHIND THE LABELS AND THEY COULD 650 00:51:35,172 --> 00:51:39,241 SEE THAT IN ERICA, SHE WAS A GIRL WHO HAD DREAMS FOR HERSELF. 651 00:51:39,275 --> 00:51:42,965 UNDERNEATH ALL OF THAT, NAUGHTINESS, SHE HAD 652 00:51:43,000 --> 00:51:49,000 DETERMINATION AND DRIVE AND SPIRIT AND SPUNK AND THAT'S WHAT 653 00:51:50,034 --> 00:51:54,517 THEY LOVED AND I'M SO GRATEFUL, ETERNALLY GRATEFUL TO THE FANS 654 00:51:54,551 --> 00:51:58,379 FOR LOVING ERICA KANE EVEN WHEN THE TIMES WHEN SHE WASN'T SO 655 00:51:58,413 --> 00:52:00,379 LOVABLE. THANKS TO THEM, I GOT TO 656 00:52:00,413 --> 00:52:06,413 CONTINUE TO PLAY HER AND PLAY HER AGAIN AND AGAIN. 657 00:52:06,586 --> 00:52:12,586 BUT I SURE DIDN'T PLAY ALL THOSE 658 00:52:13,551 --> 00:52:17,413 SCENES BY MYSELF. I WAS ALSO LUCKY TO BE PART OF 659 00:52:17,448 --> 00:52:21,965 THE GREAT COMPANY OF THE MOST ACCOMPLISHED AND TALENTED ACTORS 660 00:52:22,000 --> 00:52:26,206 IN NEW YORK AT "ALL MY CHILDREN." 661 00:52:26,241 --> 00:52:29,172 MANY OF WHOM I SEE TONIGHT AND IT'S THRILLING FOR ME TO SEE 662 00:52:29,206 --> 00:52:35,137 THEM. EDEN REGAL. 663 00:52:35,172 --> 00:52:41,172 CAMERON MATHISON. PETER BERGMAN. 664 00:52:42,413 --> 00:52:48,413 FRANCESCA JAMES. WE WERE IN THE TRENCHES 665 00:52:49,068 --> 00:52:51,379 TOGETHER. I KNOW YOU ALL KNOW WHAT I'M 666 00:52:51,413 --> 00:52:54,862 TALKING ABOUT BECAUSE EVERYBODY IN THIS ROOM HAS BEEN IN THE 667 00:52:54,896 --> 00:52:57,413 TRENCHES WITH YOUR OWN CAST AND CREW. 668 00:52:57,448 --> 00:53:03,448 I JUST NEED TO SAY THIS. I'M SO PROUD TO BE PART OF THIS 669 00:53:03,758 --> 00:53:08,068 COMMUNITY, THIS COMMUNITY OF STORYTELLERS IN SUCH A 670 00:53:08,103 --> 00:53:11,034 COLLABORATIVE GENRE OF WRITERS, DIRECTORS, PRODUCERS, ACTORS, 671 00:53:11,068 --> 00:53:15,965 DESIGN TEAMS, AND CREW. WE GET TO DO WHAT WE LOVE TO DO. 672 00:53:16,000 --> 00:53:22,000 WE GET TO ENTERTAIN. WE TELL STORIES. 673 00:53:23,241 --> 00:53:26,103 AND WE ILLUMINATE OUR HUMAN CONDITION. 674 00:53:26,137 --> 00:53:29,793 SOMETIMES ON OUR BEST DAYS EVEN MAKE A LITTLE MAGIC. 675 00:53:29,827 --> 00:53:35,827 TONIGHT IS A NIGHT TO CELEBRATE. THE ICING ON THE CAKE FOR ME 676 00:53:37,344 --> 00:53:42,517 TONIGHT IS THAT MY SON ANDREAS 677 00:53:42,551 --> 00:53:47,724 IS WITH ME. 678 00:53:47,758 --> 00:53:52,275 IT MEANS SO MUCH TO ME, HONEY, TO HAVE YOU HERE WITH ME. 679 00:53:52,310 --> 00:53:57,137 THANK YOU SO MUCH FOR BEING WITH ME TONIGHT. 680 00:53:57,172 --> 00:54:02,758 AND YOU KNOW WHAT ELSE? I FEEL YOUR DAD'S PRESENCE HERE 681 00:54:02,793 --> 00:54:08,793 TONIGHT WITH US TOO. 682 00:54:13,068 --> 00:54:16,103 I THANK MY HUSBAND HELMUT HUBER. 683 00:54:16,137 --> 00:54:19,827 HE HAS EVERYTHING TO DO WITH MY STANDING UP HERE TONIGHT AND 684 00:54:19,862 --> 00:54:24,344 RECEIVING THIS INCREDIBLE AWARD. THANK YOU. 685 00:54:24,379 --> 00:54:30,379 THANK YOU. 686 00:54:32,413 --> 00:54:34,034 Announcer: STAY TUNED! WHEN WE RETURN, 687 00:54:34,068 --> 00:54:37,448 AWARDS FOR DIRECTING TEAM AND GUEST PERFORMANCE. 688 00:54:37,482 --> 00:54:38,941 PLUS, WE CELEBRATE A MILESTONE OF DAYTIME ICON 689 00:54:38,965 --> 00:54:42,551 "GENERAL HOSPITAL." THE 50TH ANNUAL DAYTIME 690 00:54:42,586 --> 00:54:45,965 EMMY AWARDS WILL BE RIGHT BACK. THIS IS CBS. 691 00:54:53,586 --> 00:54:55,010 Announcer: PLEASE WELCOME, FROM "THE BOLD 692 00:54:55,034 --> 00:54:57,379 AND THE BEAUTIFUL," SIX-TIME EMMY WINNER 693 00:54:57,413 --> 00:55:02,000 HEATHER TOM AND DON DIAMONT. 694 00:55:04,034 --> 00:55:10,034 NOW, IF THERE'S ONE THING 695 00:55:12,413 --> 00:55:15,586 DON AND I KNOW ALL ABOUT, IT'S TEAMWORK. 696 00:55:15,620 --> 00:55:18,551 YOU KNOW HOW MUCH I LOVE YOU BUT ARE YOU A TEAM PLAYER? 697 00:55:18,586 --> 00:55:22,448 I AM. ARE YOU? 698 00:55:22,482 --> 00:55:26,965 HAVE YOU EVER SAID HEY, DONALD, I WANT YOU TO HAVE ONE OF MY 699 00:55:27,000 --> 00:55:28,389 EMMYS AS A TOKEN OF MY APPRECIATION? 700 00:55:28,413 --> 00:55:32,551 WHAT DO YOU CARE? YOU'VE BEEN ONE OF PEOPLE 701 00:55:32,586 --> 00:55:38,586 MAGAZINE'S SEXIEST MAN ALIVE! THAT'S A MANTEL YOU WILL CARRY 702 00:55:41,827 --> 00:55:47,827 FOR THE REST OF YOUR LIFE. THAT IS WHAT I TELL MY WIFE. 703 00:55:48,620 --> 00:55:50,344 I'M NOT BITTER. GO AHEAD, READ THE PROMPTER. 704 00:55:50,379 --> 00:55:55,793 YOU'LL PROBABLY WIN AN EMMY FOR PROMPTER READING. 705 00:55:55,827 --> 00:55:58,724 THE NOMINEES FOR OUTSTANDING DIRECTING TEAM FOR A DAYTIME 706 00:55:58,758 --> 00:56:04,103 DRAMA SERIES ARE... "THE BAY." 707 00:56:04,137 --> 00:56:10,137 CHAPTER TWO." "THE BOLD AND THE BEAUTIFUL." 708 00:56:12,655 --> 00:56:15,310 "DAYS OF OUR LIVES." "GENERAL HOSPITAL." 709 00:56:15,344 --> 00:56:21,344 "THE YOUNG AND THE RESTLESS." AND THE EMMY GOES TO 710 00:56:27,137 --> 00:56:30,137 "GENERAL HOSPITAL." 711 00:56:34,275 --> 00:56:38,275 ACCEPTING THE EMMY, THE DIRECTOR PHIDEAUX XAVIER. 712 00:57:00,689 --> 00:57:02,000 IN THE YEAR WERE WE FACE 713 00:57:02,034 --> 00:57:05,793 DIVISION AND CHALLENGES, WE CELEBRATE TONIGHT CELEBRATING 714 00:57:05,827 --> 00:57:09,034 THE RETURN OF OUR WRITERS. THIS ESTEEMED HONOR. 715 00:57:09,068 --> 00:57:14,206 TO OUR AUDIENCE AND EMMY VOTERS, YOUR SUPPORT HAS HUMBLED AND 716 00:57:14,241 --> 00:57:17,827 ELATED US. AS THE DIRECTORS OF 717 00:57:17,862 --> 00:57:23,862 "GENERAL HOSPITAL" WE BRING THESE TO LIFE GUIDED BY OUR 718 00:57:25,172 --> 00:57:29,586 TEAM, OUR PHENOMENAL CAST, OUR CREW AND PRODUCERS, SKILLED 719 00:57:29,620 --> 00:57:32,034 ENGINEERING DEPARTMENT, IMAGINATIVE PROJECTION DESIGNERS 720 00:57:32,068 --> 00:57:35,758 AND ARTISTS AND MAKEUP AND HAIR AND COSTUMES TEAMS ALL SUPPORTED 721 00:57:35,793 --> 00:57:37,758 BY OUR DILIGENT PRODUCTION STAFF. 722 00:57:37,793 --> 00:57:41,137 SPECIAL THANK YOU TO EVERYONE AT ABC TELEVISION AND ALL THOSE WHO 723 00:57:41,172 --> 00:57:43,275 CONTRIBUTE TO THIS INCREDIBLE JOURNEY. 724 00:57:43,310 --> 00:57:46,517 THIS EMMY IS NOT JUST AN AWARD. IT'S A SYMBOL OF OUR SHARED 725 00:57:46,551 --> 00:57:49,137 PASSION AND DEDICATION TO STORYTELLING THAT RESONATES AND 726 00:57:49,172 --> 00:57:51,517 UNITES. HERE'S TO CONTINUING THIS 727 00:57:51,551 --> 00:57:53,482 JOURNEY WITH THE SAME FERVOR AND COMMITMENT. 728 00:57:53,517 --> 00:57:59,517 THANK YOU ALL. 729 00:58:04,413 --> 00:58:06,631 Announcer: PRESENTING THE EMMY AWARD FOR OUTSTANDING GUEST 730 00:58:06,655 --> 00:58:07,976 PERFORMANCE IN A DAYTIME DRAMA SERIES, PLEASE WELCOME CO-HOSTS 731 00:58:08,000 --> 00:58:09,182 OF CBS'S "THE TALK," AMANDA KLOOTS 732 00:58:09,206 --> 00:58:15,206 AND AKBAR GBAJABIAMILA. THIS IS COOL. 733 00:58:17,379 --> 00:58:23,379 I'VE GOT TO SAY 26 YEARS AGO I WAS IN THIS VERY ROOM AS THE 734 00:58:24,655 --> 00:58:26,862 PROM KING AT CRENSHAW HIGH SCHOOL. 735 00:58:26,896 --> 00:58:30,689 I WAS SITTING RIGHT OVER THERE. I WAS SITTING OVER THERE. 736 00:58:30,724 --> 00:58:33,172 IT WAS PRETTY COOL. IT'S AN HONOR TO BE WITH A 737 00:58:33,206 --> 00:58:37,034 KING TODAY. TO BE NOMINATED IN THIS 738 00:58:37,068 --> 00:58:39,044 CATEGORY MEANS YOUR PERFORMANCE WAS SO MEMORABLE AND POWERFUL 739 00:58:39,068 --> 00:58:44,068 AND DOWN-RIGHT GOOD, IT SIMPLY HAD TO BE HONORED. 740 00:58:44,103 --> 00:58:48,965 THAT'S RIGHT. THIS CATEGORY HAS UNDERGONE 741 00:58:49,000 --> 00:58:50,079 SEVERAL NAME CHANGES SINCE ITS FIRST APPEARANCE IN 1980. 742 00:58:50,103 --> 00:58:52,310 THAT'S RIGHT. IT WAS FIRST CALLED 743 00:58:52,344 --> 00:58:58,034 OUTSTANDING CAMEO APPEARANCE. NOWADAYS AN OUTSTANDING CAMEO 744 00:58:58,068 --> 00:59:00,344 APPEARANCE WOULD PROBABLY BE SOMETHING LIKE GEORGE SANTOS 745 00:59:00,379 --> 00:59:03,655 IN THE BACK OF A TAXI DOING SHOUTOUTS. 746 00:59:03,689 --> 00:59:04,896 YEAH. ONE THING HAS REMAINED 747 00:59:04,931 --> 00:59:07,965 IF YOU'RE NOMINATED IN THIS CATEGORY, YOU GAVE 748 00:59:08,000 --> 00:59:09,862 ONE HELLUVA SHOW. HERE ARE THE NOMINEES FOR 749 00:59:09,896 --> 00:59:14,172 OUTSTANDING GUEST PERFORMANCE IN A DAYTIME DRAMA SERIES. 750 00:59:14,206 --> 00:59:18,620 STEVE BURTON, CASSANDRA CREECH, 751 00:59:18,655 --> 00:59:23,068 ALLEY MILLS, ROBERT NEWMAN, 752 00:59:23,103 --> 00:59:29,103 KEVIN SPIRTAS. ALL RIGHT. 753 00:59:32,931 --> 00:59:38,931 AND THE EMMY GOES TO... HURRY UP AND OPEN IT. 754 00:59:40,827 --> 00:59:46,482 ALLEY MILLS. DESPITE BEING AMERICA'S MOM 755 00:59:46,517 --> 00:59:50,413 NORMA ARNOLD, THIS IS THE FIRST EVER EMMY NOMINATION AT WIN FOR 756 00:59:50,448 --> 00:59:56,448 THE LEGENDARY ALLEY MILLS. 757 01:00:04,172 --> 01:00:09,482 AND I'M 20 YEARS OLDER THAN SUSAN LUCCI. 758 01:00:09,517 --> 01:00:13,103 I JUST HAVE TO SAY I'M HONORED TO BE IN THIS FAMILY. 759 01:00:13,137 --> 01:00:16,206 THIS DAYTIME FAMILY, IT'S THE HARDEST WORKING GROUP OF PEOPLE 760 01:00:16,241 --> 01:00:20,344 I'VE EVER SEEN IN SHOW BUSINESS, WORKED WITH IN SHOW BUSINESS. 761 01:00:20,379 --> 01:00:26,379 ALL OF YOU, DIRECTORS, WRITERS, ACTORS. 762 01:00:27,068 --> 01:00:28,079 MY "THE BOLD AND THE BEAUTIFUL" FAMILY. 763 01:00:28,103 --> 01:00:34,103 "GENERAL HOSPITAL." I REALLY HAVE TO THANK CHRIS 764 01:00:37,068 --> 01:00:39,551 FANON FOR WRITING THIS CRAZY CHARACTER. 765 01:00:39,586 --> 01:00:45,379 FRANK VALENTINI. I FEEL LIKE I WAS SEEING THE 766 01:00:45,413 --> 01:00:49,862 FIRST SECOND THAT I MET YOU. YOU LOOK RIGHT INTO PEOPLE'S 767 01:00:49,896 --> 01:00:52,965 SOULS AND IT MAKES YOU FEEL LIKE YOU'RE IN THE THEATER. 768 01:00:53,000 --> 01:00:58,068 MOSTLY I HAVE THIS MOMENT IN MY LIFE HAVE TO GOD BECAUSE IT 769 01:00:58,103 --> 01:01:01,448 HAPPENED AT A VERY TENDER MOMENT FOR ME. 770 01:01:01,482 --> 01:01:05,275 I JUST LOST MY BELOVED HUSBAND. IT WAS PRETTY DRAMATIC AND THEN 771 01:01:05,310 --> 01:01:10,551 I GET ASKED TO PLAY A SERIOUSL TRAUMATIZED PERSON WHO KILLS A 772 01:01:10,586 --> 01:01:16,000 LOT OF PEOPLE. BUT SHE'S GOT A HEART OF GOLD. 773 01:01:16,034 --> 01:01:20,896 I PROMISE YOU. SHE'S BARRELING TOWARDS THE 774 01:01:20,931 --> 01:01:25,137 LIGHT ALL THE TIME. IT GAVE ME THAT ABILITY TO KEEP 775 01:01:25,172 --> 01:01:28,413 GOING AND BARRELED TOWARDS THE LIGHT IN THE WORLD IS SO SCREWED 776 01:01:28,448 --> 01:01:32,068 UP RIGHT NOW BUT ALL I CAN SAY IS TO ALL YOU TRAUMATIZED PEOPLE 777 01:01:32,103 --> 01:01:35,931 OUT THERE AND I'M THE HEAD OF THE HOMELESS COMMITTEE IN 778 01:01:35,965 --> 01:01:38,034 VENICE, JUST KEEP BARRELING TOWARDS THE LIGHT. 779 01:01:38,068 --> 01:01:44,068 I LOVE YOU ALL. THANK YOU SO MUCH. 780 01:01:50,724 --> 01:01:54,793 ALLEY MILLS WAS FANTASTIC. SHE SPRINTED ON STAGE. 781 01:01:54,827 --> 01:01:57,793 AND NOW A MAN WHO'S ALSO HAD THE PRIVILEGE OF HOSTING THE DAYTIME 782 01:01:57,827 --> 01:02:03,655 EMMYS, CAMERON MATHISON. TELL ME ABOUT YOUR MEMORY AND 783 01:02:03,689 --> 01:02:06,724 YOUR MOMENT. 50 YEARS, SO MANY GREAT 784 01:02:06,758 --> 01:02:10,758 MOMENTS. 2006, KEVIN. 785 01:02:10,793 --> 01:02:16,793 WE WERE AT HOLLYWOOD AND HIGHLAND AND 786 01:02:17,068 --> 01:02:23,068 OUTSIDE IN THE FAN ZONE. HE'S PLAYING A WIRELESS ELECTRIC 787 01:02:24,241 --> 01:02:25,862 GUITAR. PLAYING "JESSE'S GIRL PICKLES 788 01:02:25,896 --> 01:02:30,655 BUT THERE'S A THOUSAND FANS, THE CAMERAS FOLLOW HIM INTO THE 789 01:02:30,689 --> 01:02:35,448 THEATER. HE NEVER MISSES A BEAT. 790 01:02:35,482 --> 01:02:38,551 PAST OPENS. NEVER FORGET IT. 791 01:02:38,586 --> 01:02:40,310 YOU HAVEN'T FORGOTTEN THE SECOND OF IT. 792 01:02:40,344 --> 01:02:44,241 THE CLOSEST I EVER CAME TO BEING A ROCK STAR. 793 01:02:44,275 --> 01:02:48,758 THANKS, CAMERON. ALWAYS GOOD TALKING TO YOU, MY 794 01:02:48,793 --> 01:02:54,034 MAN. Announcer: THE 50TH ANNUAL 795 01:02:54,068 --> 01:02:56,113 DAYTIME EMMY AWARDS WILL RETURN WITH MORE GREAT MOMENTS 796 01:02:56,137 --> 01:03:00,068 AFTER THESE MESSAGES. THIS IS CBS. 797 01:03:03,413 --> 01:03:07,275 THE 50TH DAYTIME EMMY AWARDS IS SPONSORED BY SECRET. 798 01:03:07,310 --> 01:03:09,827 SECRET WORKS! 799 01:03:16,241 --> 01:03:19,241 Announcer: PLEASE WELCOME AMERICAN JOURNALIST, REVERED 800 01:03:19,275 --> 01:03:25,241 NEWS ANCHOR, AND MULTIPLE EMMY AWARD WINNER, CONNIE CHUNG. 801 01:03:25,275 --> 01:03:31,275 CAN YOU IMAGINE HOW GRATEFUL 802 01:03:34,689 --> 01:03:38,931 I AM TO BE INTRODUCING IN MEMORIAM. 803 01:03:38,965 --> 01:03:43,896 YOU FIGURE IT OUT. WE ARE HERE TONIGHT TO HONOR 804 01:03:43,931 --> 01:03:46,034 BARBARA WALTERS. SHE REVOLUTIONIZED THE FACE OF 805 01:03:46,068 --> 01:03:49,000 DAYTIME TELEVISION WITH HER GROUNDBREAKING SHOW 806 01:03:49,034 --> 01:03:54,034 "THE VIEW." BUT BARBARA WAS THE CREATOR 807 01:03:54,068 --> 01:03:57,413 AND THE PRODUCER AND THE STAR, AND THE ENGINE. 808 01:03:57,448 --> 01:04:02,689 AND THIS WAS ON TOP OF HER PIONEERING CAREER IN NEWS 809 01:04:02,724 --> 01:04:05,896 AND INTERVIEWS. SHE WAS THE ICON WHO PAVED 810 01:04:05,931 --> 01:04:10,344 THE WAY FOR ALL WOMEN IN TELEVISION NEWS, ESPECIALLY ME. 811 01:04:10,379 --> 01:04:16,275 SHE MOM'D ME. NONE OF THE MEN WOULD EVER ADMIT 812 01:04:16,310 --> 01:04:18,551 IT, SHE TAUGHT THEM A THING OR TWO. 813 01:04:18,586 --> 01:04:24,586 I CAN'T FATHOM SHE'S GONE. WE REMEMBER HER AND ALL THE 814 01:04:24,620 --> 01:04:29,137 OTHERS WHO PASSED, FOR THEIR CONTRIBUTIONS TO TELEVISION. 815 01:04:29,172 --> 01:04:31,482 HERE IS MY PERSONAL FAVORITE JENNIFER NETTLES WITH 816 01:04:31,517 --> 01:04:37,517 "LIFE IS SWEET." JENNIFER. 817 01:04:48,344 --> 01:04:53,206 ♪ I'M NOT ONE TO BACK DOWN ♪ BUT I KNOW WHAT IT'S LIKE 818 01:04:53,241 --> 01:04:59,068 ♪ TO FALL ♪ GOTTA LOT OF GET UP 819 01:04:59,103 --> 01:05:01,689 ♪ AND FIGHT NOW ♪ BUT I HIT MY KNEES 820 01:05:01,724 --> 01:05:06,517 ♪ WHEN I GOT THAT CALL ♪ DO YOU KNOW WHAT IT'S LIKE 821 01:05:06,551 --> 01:05:08,310 ♪ TO LOOK YOUR DEMONS ♪ IN THE EYE 822 01:05:08,344 --> 01:05:14,344 ♪ DO YOU KNOW WHAT IT'S LIKE ♪ TO TELL YOUR BEAUTIFUL WIFE 823 01:05:14,448 --> 01:05:18,379 ♪ THAT THE MAN SHE LOVES ♪ THE FABRIC OF HER LIFE 824 01:05:18,413 --> 01:05:24,413 ♪ IS BREAKIN' DOWN ♪ BUT I DON'T ASK WHY 825 01:05:24,482 --> 01:05:29,862 ♪ ME I JUST SAY WHY ♪ NOT TAKE ALL THAT 826 01:05:29,896 --> 01:05:34,241 ♪ I'VE BEEN GIVIN' ♪ TURN IT INTO LIVIN' 827 01:05:34,275 --> 01:05:40,103 ♪ FOR SOMEBODY ELSE ♪ 'CAUSE I KNOW THAT I 828 01:05:40,137 --> 01:05:46,137 ♪ AM LOVED AND I CAN SAY ♪ IT'S ENOUGH TO TRY MY BEST 829 01:05:47,068 --> 01:05:50,448 ♪ TO LEARN TO GIVE LOVE ♪ IN RETURN 830 01:05:50,482 --> 01:05:56,482 ♪ TO EVERYONE WE MEET ♪ YEAH, I SAY LIFE IS SWEET 831 01:06:05,482 --> 01:06:07,724 ♪ TO EVERYONE WE MEET ♪ YEAH, I SAY LIFE IS SWEET 832 01:06:07,758 --> 01:06:11,517 ♪ THERE'S A RIGHT ♪ AND A WRONG WAY 833 01:06:11,551 --> 01:06:16,172 ♪ THERE'S A COST ♪ FOR EVERY GOAL 834 01:06:16,206 --> 01:06:19,517 ♪ BUT THERE'S A LIGHT ♪ DOWN THE HALLWAY 835 01:06:19,551 --> 01:06:23,896 ♪ AND IN THAT ROOM SLEEPS ♪ THE MOST PRECIOUS SOULS 836 01:06:23,931 --> 01:06:26,137 ♪ DO YOU KNOW WHAT IT'S LIKE ♪ TO WATCH YOUR 837 01:06:26,172 --> 01:06:30,068 ♪ SLEEPIN' CHILD ♪ FEEL HER HEART 838 01:06:30,103 --> 01:06:33,103 ♪ BENEATH YOUR HAND ♪ LIKE A HUMMINGBIRD WILD 839 01:06:33,137 --> 01:06:34,551 ♪ AND YOU'LL DO ♪ ALL THAT YOU CAN 840 01:06:34,586 --> 01:06:40,586 ♪ TO GO THE EXTRA MILE ♪ TO WATCH HER GROW 841 01:06:42,586 --> 01:06:45,517 ♪ THERE ARE MONSTERS ♪ THAT HIDE 842 01:06:45,551 --> 01:06:51,551 ♪ IN THE DARKNESS TO SCARE US ♪ ALONE 843 01:06:51,689 --> 01:06:54,275 ♪ BUT WE FOLLOW THE LIGHT ♪ AND WE'RE BLESSED 844 01:06:54,310 --> 01:07:00,310 ♪ WHEN WE FIND OUR WAY HOME ♪ TAKE ALL THAT 845 01:07:09,310 --> 01:07:10,493 ♪ WHEN WE FIND OUR WAY HOME ♪ TAKE ALL THAT 846 01:07:10,517 --> 01:07:12,448 ♪ WE'VE BEEN GIVIN' ♪ AND TURN IT INTO LIVIN' 847 01:07:12,482 --> 01:07:18,482 ♪ FOR SOMEBODY ELSE ♪ 'CAUSE I KNOW I AM LOVED 848 01:07:24,482 --> 01:07:28,206 ♪ AND I CAN SAY ♪ IT'S ENOUGH TO TRY MY BEST 849 01:07:28,241 --> 01:07:30,482 ♪ TO LEARN TO GIVE LOVE ♪ IN RETURN 850 01:07:30,517 --> 01:07:36,517 ♪ TO EVERYONE WE MEET ♪ YEAH, I SAY LIFE IS SWEET 851 01:07:42,931 --> 01:07:48,931 ♪ LIFE IS SWEET [APPLAUSE] 852 01:07:57,862 --> 01:07:58,931 ♪ LIFE IS SWEET [APPLAUSE] 853 01:08:09,172 --> 01:08:12,586 THE 50TH ANNUAL DAYTIME EMMY AWARDS WILL CONTINUE. 854 01:08:12,620 --> 01:08:16,620 THIS IS CBS. 855 01:08:25,586 --> 01:08:31,586 YOU CHANGED FOR THE AFTER PARTY? Nischelle: HERE WE GO. 856 01:08:34,310 --> 01:08:38,448 HE DOES THIS TO ME EVERY SINGLE NIGHT ON "ENTERTAINMENT 857 01:08:38,482 --> 01:08:40,792 TONIGHT." EVEN THE BEST OF TIMES 858 01:08:40,827 --> 01:08:42,044 CAN HAVE A BITTER-SWEET COMPONENT TO THEM. 859 01:08:42,068 --> 01:08:48,068 Kevin: LIKE GRADUATION DAY. YOU GET SO HYPED. 860 01:08:48,827 --> 01:08:53,068 THE DAY COMES, THEN HE REALIZED HE MAY NEVER 861 01:08:53,103 --> 01:08:56,344 SEE HER BEST FRIENDS AGAIN. Nischelle: THAT'S EXACTLY HOW 862 01:08:56,379 --> 01:08:58,044 WE FEEL ABOUT TWO OF DAYTIME TELEVISION'S MOST BELOVED 863 01:08:58,068 --> 01:09:04,033 AND ICONIC TALK SHOWS. Kevin: WE ARE GRATEFUL FOR 864 01:09:04,068 --> 01:09:06,310 THE YEARS OF HEARTFELT ENTERTAINMENT THE SHOWS ON THEIR 865 01:09:06,344 --> 01:09:09,654 HOSTS HAVE GIVEN US. Nischelle: WE ARE. 866 01:09:09,689 --> 01:09:10,700 YET HONESTLY, A LITTLE BIT SAD THAT THEY'RE 867 01:09:10,724 --> 01:09:12,044 LEAVING US. BUT AS THE SAYING GOES... 868 01:09:12,068 --> 01:09:14,171 Kevin: ALL GOOD THINGS MUST COME TO AN END. 869 01:09:14,206 --> 01:09:16,654 SO LET'S SEND BOTH OF THES SHOWS AND THEIR BELOVED HOSTS 870 01:09:16,689 --> 01:09:22,689 OFF IN STYLE. WE LAUNCHED DR. PHIL TO HELP 871 01:09:22,758 --> 01:09:26,206 CHANGE THE LIVES OF OUR GUESTS ON STAGE AS WELL AS VIEWERS AT 872 01:09:26,241 --> 01:09:28,862 HOME. I LOVE FIRSTS. 873 01:09:28,895 --> 01:09:34,136 THIS IS THE FIRST SHOW. WHEN YOU CHOOSE TO BEHAVE. 874 01:09:34,171 --> 01:09:39,586 THERE'S A CONSEQUENCE. COME ON NOW. 875 01:09:39,620 --> 01:09:45,586 DOING SOMETHING AT SOMEONE'S EXPENSE, IT'S AT OUR EXPENSE 876 01:09:45,620 --> 01:09:46,517 TOO. THE STRONGEST PEOPLE I'VE 877 01:09:46,551 --> 01:09:50,792 EVER MET. SHE HAS A RIGHT TO SAY WHAT 878 01:09:50,827 --> 01:09:54,896 SHE WANTS. THIS IS MY MIDLIFE CRISIS. 879 01:09:54,931 --> 01:09:58,551 YOU HAVEN'T USED DRUGS SINCE HE WALKED OFF THE STAGE. 880 01:09:58,586 --> 01:10:04,586 WE HAVE MADE IT POSSIBLE TO BE 11 MILLION. 881 01:10:08,482 --> 01:10:12,827 YOU NEVER SAY OKAY, THE DISEASE WINS. 882 01:10:12,862 --> 01:10:15,379 I QUIT. I GIVE UP. 883 01:10:15,413 --> 01:10:17,217 I MADE A COMMITMENT TO POINT YOU IN THE RIGHT DIRECTION TELL YOU 884 01:10:17,241 --> 01:10:23,241 LIKE IT IS. WHAT AN AMAZING PLACE TO BE. 885 01:10:23,620 --> 01:10:26,241 Announcer: AND NOW, FROM "DAYS OF OUR LIVES," 886 01:10:26,275 --> 01:10:32,275 PLEASE WELCOME MARY BETH EVANS AND DRAKE HOGESTYN. 887 01:10:34,379 --> 01:10:39,137 THIS IS EXCITING, ISN'T IT? THE DAYTIME TALK SHOW HOST 888 01:10:39,172 --> 01:10:45,034 IS A VERY UNIQUE POSITION. YOU NEED TO BE VERY BRIGHT AND 889 01:10:45,068 --> 01:10:46,389 WELL-INFORMED. AND THEY MUST ALSO SHARE 890 01:10:46,413 --> 01:10:50,482 INFORMATION WITH THEIR AUDIENCE WITH STYLE, WITH GRACE, 891 01:10:50,517 --> 01:10:52,206 AND WITH A TRUE SENSE OF COMRADERY. 892 01:10:52,241 --> 01:10:54,931 A GOOD DAYTIME TALK SHOW HOST FEELS LIKE AN OLD FRIEND 893 01:10:54,965 --> 01:10:59,241 WHO'S DROPPED BY TO BRIGHTEN YOUR DAY. 894 01:10:59,275 --> 01:11:02,517 AND LUCKY FOR US, THESE NOMINEES HAVE 895 01:11:02,551 --> 01:11:03,631 BRIGHTENED ALL OUR DAYS FOR YEARS. 896 01:11:03,655 --> 01:11:05,551 HERE ARE THE NOMINEES FOR OUTSTANDING DAYTIME 897 01:11:05,586 --> 01:11:11,275 TALK SERIES HOST. DREW BARRYMORE, 898 01:11:11,310 --> 01:11:17,310 KELLY CLARKSON, TAMRON HALL, 899 01:11:19,827 --> 01:11:22,655 KELLY RIPA RYAN SEACREST, 900 01:11:22,689 --> 01:11:28,689 SHERRI SHEPHERD. AND THE OSCAR GOES TO... 901 01:11:32,586 --> 01:11:34,551 OSCAR? WRONG PLACE. 902 01:11:34,586 --> 01:11:37,931 YOU'RE AT THE WRONG PLACE. START AGAIN. 903 01:11:37,965 --> 01:11:42,517 THEY DIDN'T HAVE IT UP THERE. HERE IT IS. 904 01:11:42,551 --> 01:11:48,551 AND THE EMMY GOES TO... HOLD ON, HOLD ON. 905 01:11:51,000 --> 01:11:57,000 KELLY CLARKSON. KELLY CLARKSON COULD NOT BE HERE 906 01:12:05,344 --> 01:12:08,620 TONIGHT. THE ACADEMY ACCEPTS THIS AWARD 907 01:12:08,655 --> 01:12:13,275 ON HER BEHALF. Announcer: PLEASE WELCOME 908 01:12:13,310 --> 01:12:19,310 FROM "GENERAL HOSPITAL," REBECCA HERBST. 909 01:12:27,586 --> 01:12:31,793 SO MANY FORMATIVE MEMORIES BEGIN WITH WATCHING A DAYTIME 910 01:12:31,827 --> 01:12:36,758 DRAMA WITH GRANDMA ON AN ANALOG RABBIT EAR TV OR PERHAPS 911 01:12:36,793 --> 01:12:39,896 CATCHING A GLIMPSE OF A SAUCY STORY LINE AS A TREAT ON A SICK 912 01:12:39,931 --> 01:12:44,103 DAY HOME FROM SCHOOL. NOW THOSE CHILDREN HAVE 913 01:12:44,137 --> 01:12:47,413 INTRODUCED THE SAME PROGRAMMING TO THEIR CHILDREN, 914 01:12:47,448 --> 01:12:51,275 GRANDCHILDREN, EVEN THEIR GREAT-GRANDCHILDREN. 915 01:12:51,310 --> 01:12:54,827 DAYTIME DRAMAS ARE MULTIGENERATIONAL ENTERTAINMENT. 916 01:12:54,862 --> 01:12:59,068 FOR 60 YEARS THE ICONIC "GENERAL HOSPITAL" HAS 917 01:12:59,103 --> 01:13:04,965 ENTERTAINED MILLIONS OF VIEWERS WITH ITS BRAND OF INTENSE 918 01:13:05,000 --> 01:13:11,000 STORYTELLING. FROM LOVE TO HATE TO ANGER, 919 01:13:12,000 --> 01:13:14,620 THE RESIDENCE OF PORT CHARLES HAVE BEEN THERE FOR SIX DECADES. 920 01:13:14,655 --> 01:13:19,413 LET'S TAKE A LOOK AT THE MEMORABLE MOMENTS. 921 01:13:19,448 --> 01:13:23,896 TO "GH." 60 YEARS. 922 01:13:23,931 --> 01:13:29,931 YOU KNOW YOU MUST BE SPECIAL. ♪ 923 01:13:38,862 --> 01:13:43,344 YOU KNOW YOU MUST BE SPECIAL. ♪ 924 01:13:51,034 --> 01:13:57,034 DON'T TOUCH ME! PLEASE SAY THAT YOU LOVE ME 925 01:13:58,137 --> 01:14:01,034 AND YOU WANT TO MARRY ME. I LOVE YOU VERY MUCH. 926 01:14:01,068 --> 01:14:07,068 YOU KNOW WHAT TO DO. IS HE THE REASON WHY WE BROKE 927 01:14:10,068 --> 01:14:11,103 UP? I'M SORRY. 928 01:14:11,137 --> 01:14:16,137 WANT YOU TO KNOW IT'S ALWAYS FAMILY FIRST. 929 01:14:38,000 --> 01:14:39,941 Announcer: THERE'S MUCH MORE FUN AND EXCITEMENT WHEN WE 930 01:14:39,965 --> 01:14:42,724 RETURN, AS WE FIND OUT WHO WILL TAKE HOME THE LEAD ACTING 931 01:14:42,758 --> 01:14:46,896 STATUETTES. ON THE 50TH ANNUAL 932 01:14:46,931 --> 01:14:48,275 DAYTIME EMMY AWARDS. STAY TUNED. 933 01:14:48,310 --> 01:14:50,310 THIS IS CBS! 934 01:14:54,551 --> 01:14:57,758 THE 50TH ANNUAL DAYTIME EMMY AWARDS WILL CONTINUE. 935 01:14:57,793 --> 01:15:00,206 THIS IS CBS. 936 01:15:06,310 --> 01:15:07,458 Announcer: WELCOME BACK TO THE 50TH ANNUAL DAYTIME EMMY 937 01:15:07,482 --> 01:15:09,655 AWARDS. PRESENTING THE AWARD FOR 938 01:15:09,689 --> 01:15:13,896 OUTSTANDING LEAD ACTOR IN A DAYTIME DRAMA SERIES, 939 01:15:13,931 --> 01:15:18,068 PLEASE WELCOME 2022 OUTSTANDING LEAD PERFORMANCE IN A DAYTIME 940 01:15:18,103 --> 01:15:22,793 DRAMA SERIES ACTRESS EMMY WINNER MISHAEL MORGAN 941 01:15:22,827 --> 01:15:27,827 JOINED BY THE 1998 WINNER, CYNTHIA WATROS. 942 01:15:29,206 --> 01:15:35,206 WOW, THIS IS SO EXCITING. SO EXCITING. 943 01:15:48,137 --> 01:15:52,206 AS AN ACTOR, YOU'VE JOINED AN ELITE AND EXCLUSIVE CLUB, 944 01:15:52,241 --> 01:15:56,620 WHOSE PERFORMANCES ARE NOT JUST GOOD, BUT CONSISTENTLY GREAT. 945 01:15:56,655 --> 01:16:00,310 RIGHT? EVERYONE IN THIS CATEGORY 946 01:16:00,344 --> 01:16:04,034 HAS BEEN PREVIOUSLY NOMINATED, FOUR HAVE WON. 947 01:16:04,068 --> 01:16:09,000 TALK ABOUT CONSISTENCY. MAYBE WE CAN RENAME THIS 948 01:16:09,034 --> 01:16:12,931 CATEGORY. I LIKE THAT. 949 01:16:12,965 --> 01:16:16,034 I'M THINKING THE "AWARD FOR 950 01:16:16,068 --> 01:16:20,000 CONSISTENT GREATNESS"? YOU KNOW WHAT? 951 01:16:20,034 --> 01:16:21,896 LET'S DO IT. LET'S DO IT. 952 01:16:21,931 --> 01:16:24,862 HERE ARE THE NOMINEES FOR OUTSTANDING LEAD ACTOR 953 01:16:24,896 --> 01:16:29,206 PERFORMANCE IN A DAYTIME DRAMA SERIES, OR AS MISHAEL AND I 954 01:16:29,241 --> 01:16:31,965 WANT TO REFER IT TO THE AWARD FOR CONSISTENT 955 01:16:32,000 --> 01:16:38,000 GREATNESS. MAURICE BENARD, 956 01:16:39,068 --> 01:16:43,310 PETER BERGMAN, BILLY FLYNN, 957 01:16:43,344 --> 01:16:49,344 THORSTEN KAYE, JASON THOMPSON. 958 01:16:52,965 --> 01:16:58,965 OKAY. AND THE EMMY GOES TO... 959 01:17:06,103 --> 01:17:11,344 THE NAILS. THORSTEN KAYE. 960 01:17:11,379 --> 01:17:17,379 "THE BOLD AND THE BEAUTIFUL." 961 01:17:30,965 --> 01:17:33,827 THANK YOU. HELLO I'M NOT A THORSTEN KAYE. 962 01:17:33,862 --> 01:17:36,044 I AM BRAD BELL EXCEPTING FOR THORSTEN KAYE WHO COULDN'T BE 963 01:17:36,068 --> 01:17:41,379 HERE TONIGHT. TO WRITE FOR THIS MAN IS SUCH A 964 01:17:41,413 --> 01:17:44,344 JOY. HE IS THE COMPLETE ORIGINAL AND 965 01:17:44,379 --> 01:17:49,379 A GREAT GUY AND THORSTEN, YOU WON! 966 01:17:55,068 --> 01:17:56,803 Announcer: PLEASE WELCOME LAST YEAR'S LEAD ACTOR EMMY 967 01:17:56,827 --> 01:18:00,758 WINNER JOHN McCOOK AND THREE-TIME LEAD ACTOR 968 01:18:00,793 --> 01:18:06,793 EMMY WINNER, PETER BERGMAN. THORSTEN WOULD HAVE THANKED 969 01:18:14,172 --> 01:18:16,413 ME BECAUSE I HELPED HIM THROUGH EVERYTHING. 970 01:18:16,448 --> 01:18:20,482 EARLIER THIS EVENING THE LIFETIME ACHIEVEMENT AWARD WAS 971 01:18:20,517 --> 01:18:25,068 GIVEN TO ONE OF DAYTIME TELEVISION'S ICONS, ONE OF THE 972 01:18:25,103 --> 01:18:26,389 MOST MEMORABLE ACTRESSES EVER. ABSOLUTELY. 973 01:18:26,413 --> 01:18:31,448 NOW THE WINNER OF THIS ESTEEMED CATEGORY WILL GET TO JOIN HER 974 01:18:31,482 --> 01:18:35,586 RANKS. WHAT SAY WE MAKE OUR 975 01:18:35,620 --> 01:18:38,482 PRESENTATION AND NOT CHANGE THE NAMES OF PEOPLE BEFORE US. 976 01:18:38,517 --> 01:18:44,000 THAT'S A GOOD IDEA. WE COULDN'T HAVE COME UP WITH 977 01:18:44,034 --> 01:18:47,586 ANYTHING BETTER THAN ANYWAY. JOHN AND I PROUDLY PRESENT 978 01:18:47,620 --> 01:18:48,665 THE NOMINEES FOR OUTSTANDING LEAD ACTRES PERFORMANCE 979 01:18:48,689 --> 01:18:53,862 IN A DAYTIME DRAMA SERIES. SHARON CASE, 980 01:18:53,896 --> 01:18:58,241 MELISSA CLAIRE EGAN, FINOLA HUGHES, 981 01:18:58,275 --> 01:19:04,275 MICHELLE STAFFORD, JACQUELINE MACINNES WOOD. 982 01:19:11,068 --> 01:19:12,206 ALL RIGHT, 983 01:19:12,241 --> 01:19:18,241 THE EMMY GOES TO... I'LL LET YOU READ THIS. 984 01:19:24,241 --> 01:19:27,206 JACQUELINE MACINNES WOOD. 985 01:19:27,241 --> 01:19:33,241 "THE BOLD AND THE BEAUTIFUL." JACK LANE'S THIRD WIN... 986 01:19:39,344 --> 01:19:45,172 JACQUELINE. OH, MY GOSH, WOW. 987 01:19:45,206 --> 01:19:47,206 I'VE GOT IT. THANK YOU. 988 01:19:47,241 --> 01:19:49,551 AWESOME. OH, MY GOD. 989 01:19:49,586 --> 01:19:54,551 THANK YOU. THANK YOU SO MUCH, SO MUCH. 990 01:19:54,586 --> 01:19:56,148 CONGRATULATIONS TO THE DAYTIME EMMYS ON THEIR 50TH. 991 01:19:56,172 --> 01:20:01,344 THIS IS SPECTACULAR. THANK YOU. 992 01:20:01,379 --> 01:20:05,034 I WANT TO THANK, SHOW MY APPRECIATION TO MY FELLOW 993 01:20:05,068 --> 01:20:10,137 NOMINEES, I HAD SO MUCH FUN WITH YOU THE OTHER DAY, GIRLS LUNCH, 994 01:20:10,172 --> 01:20:15,275 YOU ARE WONDERFUL AND I'M HONORED TO BE IN YOUR PRESENCE. 995 01:20:15,310 --> 01:20:17,655 THANK YOU TO CBS AND "THE BOLD AND THE BEAUTIFUL." 996 01:20:17,689 --> 01:20:19,724 BRADLEY BELL. YOU LEGEND, YOU. 997 01:20:19,758 --> 01:20:23,931 YOU REALLY ARE THE BEST BOSS. I'M SO GRATEFUL FOR THIS RIDE 998 01:20:23,965 --> 01:20:28,103 AND THANK YOU FOR ALLOWING US TO REALLY EXIST IN THOSE SCENES AND 999 01:20:28,137 --> 01:20:31,482 ARE VERY FAST-PACED SHOW, AS YOU GUYS KNOW. 1000 01:20:31,517 --> 01:20:37,517 I SHARE THIS WITH KIMBERLY BROWN, I ADORE YOU. 1001 01:20:43,172 --> 01:20:47,931 TANNER, THANK YOU FOR NAVIGATING THESE SCENES WITH ME. 1002 01:20:47,965 --> 01:20:50,896 THORSTEN KAYE, CONGRATULATIONS. YOU FUELED MY CREATIVITY. 1003 01:20:50,931 --> 01:20:55,448 I ADORE ALL OF YOU. WRITERS, DIRECTORS, PRODUCERS, 1004 01:20:55,482 --> 01:20:59,379 PROPS, STAGE MANAGER, EVERYONE. ALL THE ACTORS. 1005 01:20:59,413 --> 01:21:04,862 ONE OF THE HARDEST WORKING WOMEN I KNOW, EVA BASLER, LOVE YOU. 1006 01:21:04,896 --> 01:21:07,827 TO MY HUSBAND, MY CHILDREN, I LOVE YOU. 1007 01:21:07,862 --> 01:21:13,862 SO VERY HONORED. THANK YOU. 1008 01:21:15,896 --> 01:21:18,896 ♪ THE ENERGY IN THIS ROOM IS 1009 01:21:18,931 --> 01:21:23,482 INCREDIBLE, WOULDN'T YOU SAY? I WOULD SAY MAGICAL. 1010 01:21:23,517 --> 01:21:27,517 Nischelle: LADIES AND GENTLEMEN, FROM "THE YOUNG AND 1011 01:21:27,551 --> 01:21:31,517 THE RESTLESS." GIVE HER A ROUND OF APPLAUSE. 1012 01:21:31,551 --> 01:21:34,517 YOU'VE A GREAT MEMORY MOMENT FOR US. 1013 01:21:34,551 --> 01:21:40,551 THIS IS A WHILE NOW, 1985. THEY ANNOUNCED MY NAME AND I'M 1014 01:21:42,896 --> 01:21:45,586 YOUNG AND INEXPERIENCED. I FREAKED OUT AND I RUSH UP ON 1015 01:21:45,620 --> 01:21:49,172 THE STAGE. IT WAS LIKE THIS, LONG STAIRS. 1016 01:21:49,206 --> 01:21:53,241 I WALKED RIGHT OUT OF MY SHOE. SO YOU PANIC AND YOU THINK, 1017 01:21:53,275 --> 01:21:57,827 SHOULD I PICK IT UP? KICK IT OFF THE STAGE? 1018 01:21:57,862 --> 01:22:00,931 KEEP GOING? I GRABBED MY SHOE, POINTED AT 1019 01:22:00,965 --> 01:22:03,275 HER, TOOK THIS BEAUTIFUL STATUE OF MY OTHER HAND. 1020 01:22:03,310 --> 01:22:07,758 I HAD A STRAPLESS PUMP. MY FRIENDS WERE SO NICE ABOUT 1021 01:22:07,793 --> 01:22:11,344 IT. THEY SAID 1022 01:22:11,379 --> 01:22:17,068 "YOU WERE A SHOE-IN." Nischelle: THAT'S AN 1023 01:22:17,103 --> 01:22:20,931 INCREDIBLE STORY. REAL-LIFE CINDERELLA MOMENT. 1024 01:22:20,965 --> 01:22:25,206 YOU TOOK YOUR SLIPPER AND NOBODY ELSE HAD TO GET IT FOR YOU. 1025 01:22:25,241 --> 01:22:29,862 I LOVE THAT, BETH. THANK YOU SO MUCH. 1026 01:22:29,896 --> 01:22:35,896 YOU'VE GOT ON BOTH SHOES? THEY ARE FLAT AND THEY ARE O 1027 01:22:36,689 --> 01:22:37,827 ON. WHEN WE RETURN, 1028 01:22:37,862 --> 01:22:38,724 WE FIND OUT WHO TAKES HOME THE COVETED GOLDEN STATUETTE 1029 01:22:38,758 --> 01:22:44,758 FOR OUTSTANDING DAYTIME DRAMA SERIES. 1030 01:22:55,793 --> 01:22:59,793 Announcer: AMERICAN ACTRESS, COMEDIAN, AUTHOR, BROADCASTER, 1031 01:22:59,827 --> 01:23:02,448 PODCASTER, AND HOST OF THE DAILY SYNDICATED DAYTIME 1032 01:23:02,482 --> 01:23:08,482 TALK SHOW "SHERRI," PLEASE WELCOME SHERRI SHEPHERD. 1033 01:23:09,068 --> 01:23:15,068 HI, EVERYONE. 1034 01:23:16,517 --> 01:23:22,172 I CANNOT TELL YOU HOW PROUD I AM TO BE HERE AT THIS MOMENT, 1035 01:23:22,206 --> 01:23:27,793 TAKING PART IN SUCH A WONDERFUL NIGHT OF CELEBRATING THE PAST, 1036 01:23:27,827 --> 01:23:30,551 THE PRESENT, AND THE FUTURE OF DAYTIME TELEVISION. 1037 01:23:30,586 --> 01:23:32,631 AND TO BE HERE AT THE 50TH ANNIVERSARY OF THE DAYTIME 1038 01:23:32,655 --> 01:23:37,000 EMMYS MAKES IT EVEN MORE SPECIAL FOR ME. 1039 01:23:37,034 --> 01:23:39,586 I GOTTA TELL YOU. THEY SAY BLACK DON'T CRACK. 1040 01:23:39,620 --> 01:23:45,620 BUT IF YOU ASK ME, THE DAYTIME EMMYS SURE LOOKS GOOD FOR 50. 1041 01:23:50,862 --> 01:23:52,896 NOW, THEY GOT ME. 1042 01:23:52,931 --> 01:23:55,310 I WAS GONNA CHANGE COSTUMES FOR MY INTERPRETIVE 1043 01:23:55,344 --> 01:23:58,310 DANCE NUMBER... WHICH MEANS I'M GONNA BE 1044 01:23:58,344 --> 01:24:04,344 AT THE AFTER-PARTY... WABBLE? 1045 01:24:07,931 --> 01:24:12,896 OH, IT'S GONNA BE FIRE. IT'S TIME FOR THE OUTSTANDING 1046 01:24:12,931 --> 01:24:16,551 DAYTIME DRAMA SERIES AWARD. THIS IS THE BIGGIE, FOLKS. 1047 01:24:16,586 --> 01:24:21,448 THE CATEGORY THAT RECOGNIZES EVERY ASPECT OF A SUCCESSFUL, 1048 01:24:21,482 --> 01:24:26,206 POPULAR DAYTIME DRAMA SERIES. HONORING THOSE WHO HAVE GIVEN 1049 01:24:26,241 --> 01:24:29,827 THEIR BLOOD, THEIR SWEAT, AND TEARS, 1050 01:24:29,862 --> 01:24:33,344 IN MOST CASES QUITE LITERALLY, TO MAKE THE DAYTIME TELEVISION 1051 01:24:33,379 --> 01:24:36,965 DRAMA A MAINSTAY OF AMERICAN TELEVISION CULTURE. 1052 01:24:37,000 --> 01:24:42,724 ARE WE READY? 1053 01:24:42,758 --> 01:24:48,586 THE NOMINEES FOR OUTSTANDING DAYTIME DRAMA SERIES ARE... 1054 01:24:48,620 --> 01:24:52,620 "THE BAY," "THE BOLD AND THE BEAUTIFUL," 1055 01:24:52,655 --> 01:24:57,068 "DAYS OF OUR LIVES," "GENERAL HOSPITAL," 1056 01:24:57,103 --> 01:25:03,103 "THE YOUNG AND THE RESTLESS." AND THE EMMY GOES TO... 1057 01:25:16,965 --> 01:25:22,034 "GENERAL HOSPITAL." ABC! 1058 01:25:22,068 --> 01:25:25,137 ACCEPTING THE EMMY, EXECUTIVE PRODUCER FRANK 1059 01:25:25,172 --> 01:25:31,172 VALENTINI. I'M COMING. 1060 01:25:39,586 --> 01:25:45,413 I'M COMING. IT'S OKAY, IT'S OKAY. 1061 01:25:45,448 --> 01:25:51,448 I'VE GOT YOU. OH, OH. 1062 01:25:56,068 --> 01:26:00,896 THERE IS A LOT OF US. WE'VE HAD A REALLY INCREDIBLE 1063 01:26:00,931 --> 01:26:04,689 WEEK. WE JUST FINISHED DOING OUR PRIME 1064 01:26:04,724 --> 01:26:08,517 TIME SPECIAL WHICH AIRS JAN JANUARY 4TH. 1065 01:26:08,551 --> 01:26:09,562 A SHAMELESS PLUG. THANK YOU TO OUR INCREDIBLE 1066 01:26:09,586 --> 01:26:12,724 WRITERS, EVERYONE AT THE NETWORK AT ABC. 1067 01:26:12,758 --> 01:26:17,206 DANA, CRAG, NATHAN. THANK YOU SO MUCH. 1068 01:26:17,241 --> 01:26:22,379 TOM, LISA. WHOM I FORGETTING? 1069 01:26:22,413 --> 01:26:27,310 THE CAST, THE CREW. PROPS, THE WRITERS, THE ACTORS. 1070 01:26:27,344 --> 01:26:32,379 I'M SORRY. THIS IS REALLY A SPECIAL NIGHT 1071 01:26:32,413 --> 01:26:36,103 AND I FEEL REALLY APPRECIATIVE AND A LITTLE BIT ANXIOUS. 1072 01:26:36,137 --> 01:26:38,344 THANK YOU SO MUCH, EVERYBODY, FOR EVERYTHING. 1073 01:26:38,379 --> 01:26:43,103 AND ALSO A SPECIAL SHOUT OUT TO OUR FRIEND EVA BASLER. 1074 01:26:43,137 --> 01:26:48,103 WE LOVE YOU. WE LIKE TO DEDICATE THIS TO 1075 01:26:48,137 --> 01:26:52,206 SONYA EDDY AND TO NICO GARLAND. WE LOVE YOU. 1076 01:26:52,241 --> 01:26:58,241 THANK YOU SO MUCH. Kevin: WELL, FOLKS, THAT'S IT 1077 01:27:07,241 --> 01:27:08,172 THANK YOU SO MUCH. Kevin: WELL, FOLKS, THAT'S IT 1078 01:27:08,206 --> 01:27:09,493 FOR THE 50TH ANNUAL DAYTIME EMMY AWARDS. 1079 01:27:09,517 --> 01:27:12,896 Nischelle: KEVIN AND I ARE TRULY HONORED TO HAVE BEEN YOUR 1080 01:27:12,931 --> 01:27:15,379 HOSTS. SO CONGRATULATIONS TO ALL OF 1081 01:27:15,413 --> 01:27:17,965 TONIGHT'S NOMINEES AND RECIPIENTS. 1082 01:27:18,000 --> 01:27:22,034 AND REMEMBER... IT'S BETTER IN THE DAYTIME! 1083 01:27:22,068 --> 01:27:27,344 Kevin: GOOD NIGHT, EVERYONE. AND ALSO HAPPY HOLIDAYS! 1084 01:27:27,379 --> 01:27:31,379 LET'S GO PARTY! 1085 01:27:59,586 --> 01:28:02,172 IN ALL CATEGORIES THE DAYTIME EMMYS AWARDS ARE JUDGED BY 1086 01:28:02,206 --> 01:28:03,700 MEMBERS OF THE NATIONAL ACADEMY OF TELEVISION ARTS AND SCIENCES 1087 01:28:03,724 --> 01:28:08,413 INC. OR OTHER EXPERIENCED TELEVISION PROFESSIONALS. 1088 01:28:08,448 --> 01:28:11,034 VOTING IS CONDUCTED SECURELY ONLINE VIA PANELS OF INDUSTRY 1089 01:28:11,068 --> 01:28:14,275 PEERS. THE RESULTS OF THE SECRET VOTING 1090 01:28:14,310 --> 01:28:17,034 ARE KNOWN ONLY TO THE INDEPENDENT ACCOUNTING FIRM 1091 01:28:17,068 --> 01:28:21,137 UNTIL THE BROADCAST. 92770

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