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1
00:00:01,085 --> 00:00:03,051
MILES: Previously
on Get Shorty...
2
00:00:03,119 --> 00:00:04,969
Sad excuse for a
half-assed writer.
3
00:00:05,873 --> 00:00:08,907
Let me handle it. Okay?
4
00:00:08,976 --> 00:00:12,277
I'll make sure he does what
you want. And I'm a little curious.
5
00:00:12,345 --> 00:00:13,444
About what?
6
00:00:13,513 --> 00:00:15,392
About how the
writing thing works.
7
00:00:15,416 --> 00:00:16,564
Help!
8
00:00:16,633 --> 00:00:18,166
(SCREAMING)
9
00:00:18,234 --> 00:00:19,918
You talk to Mexico?
10
00:00:19,987 --> 00:00:21,970
They wanna keep business smooth.
11
00:00:22,039 --> 00:00:23,905
But you got the
Feds watching you.
12
00:00:23,974 --> 00:00:25,207
So?
13
00:00:25,275 --> 00:00:27,709
I'll handle the territory
north of Indian Springs.
14
00:00:28,429 --> 00:00:30,828
It's best for everyone.
15
00:00:30,897 --> 00:00:34,299
Josias's men. They talk to you?
16
00:00:34,368 --> 00:00:36,346
They said shit. I didn't listen.
17
00:00:36,370 --> 00:00:38,170
(GUNSHOTS) AMARA:
It's good you told me.
18
00:00:38,239 --> 00:00:40,489
And now, you call him back.
19
00:00:42,259 --> 00:00:43,425
(LYLE BREATHING HEAVILY)
20
00:00:43,494 --> 00:00:44,494
You little bitch.
21
00:00:46,113 --> 00:00:47,279
LOUIS: No, no, no!
22
00:00:47,348 --> 00:00:49,381
(SCREAMING) No! What the fuck?
23
00:00:49,450 --> 00:00:51,600
(BREATHING HEAVILY) I
dreamed Amara was here.
24
00:00:51,668 --> 00:00:53,468
She wanted to see
the movie that we made.
25
00:00:53,537 --> 00:00:54,631
What do you mean?
26
00:00:54,655 --> 00:00:55,715
AMARA: I'm here, Ricky.
27
00:00:55,739 --> 00:00:56,899
And so far...
28
00:00:57,541 --> 00:00:58,740
I like it.
29
00:01:12,056 --> 00:01:14,355
(INDISTINCT CHATTER)
30
00:01:21,631 --> 00:01:24,632
DHAR: You look
rested. HUGHES: Do I?
31
00:01:24,702 --> 00:01:26,622
DHAR: Take it you were
asleep when this happened.
32
00:01:30,107 --> 00:01:32,473
Josias was second
from the right.
33
00:01:32,542 --> 00:01:35,543
Chatter suggested he was gonna
move on Amara De Escalones,
34
00:01:35,612 --> 00:01:37,913
so maybe this is her
getting to him first.
35
00:01:38,665 --> 00:01:40,499
Not our best day.
36
00:01:40,567 --> 00:01:42,100
DHAR: Yeah, better than his.
37
00:01:47,140 --> 00:01:50,074
KATIE: Mmm. Smells good.
38
00:01:50,143 --> 00:01:53,345
Got eggs, there's
sausage, tomato, juice.
39
00:01:53,414 --> 00:01:54,613
(CHUCKLES)
40
00:01:54,682 --> 00:01:56,849
Fresh coffee. Yes.
41
00:01:56,917 --> 00:01:59,284
I even sent Louis
out for pastries.
42
00:01:59,353 --> 00:02:02,120
Oh. Impressive
hosting. Good morning.
43
00:02:02,990 --> 00:02:04,556
I'm sure you agree.
44
00:02:04,625 --> 00:02:07,692
It's, um, it's better if Emma
doesn't know about last night.
45
00:02:08,929 --> 00:02:10,590
Did something happen last night?
46
00:02:10,614 --> 00:02:14,032
(SCOFFS) Well, you don't
remember. That's your loss.
47
00:02:14,101 --> 00:02:17,469
Oh, you mean the sex? Mmm.
48
00:02:17,538 --> 00:02:18,781
I mean, as a rule,
49
00:02:18,805 --> 00:02:21,072
I don't usually tell
Emma when we have sex.
50
00:02:21,142 --> 00:02:22,691
Do you do that?
51
00:02:22,760 --> 00:02:24,943
No. I mean, only
when it's really good.
52
00:02:25,012 --> 00:02:26,361
Oh.
53
00:02:26,430 --> 00:02:27,607
EMMA: Where's my hair thingy?
54
00:02:27,631 --> 00:02:28,764
I don't have 'em!
55
00:02:29,667 --> 00:02:31,600
We have no idea what we're doing
56
00:02:31,669 --> 00:02:33,535
and I don't wanna
confuse her. It's not fair.
57
00:02:34,387 --> 00:02:35,586
(EXHALES)
58
00:02:35,655 --> 00:02:36,935
It's not fair on anyone.
59
00:02:38,842 --> 00:02:40,241
EMMA: What are these?
60
00:02:40,310 --> 00:02:43,295
MILES: Hey. Uh, those are
actors that we're looking at.
61
00:02:43,364 --> 00:02:45,764
EMMA: So, who's gonna be my mom?
62
00:02:45,832 --> 00:02:47,310
(CHUCKLES) I'm being replaced?
63
00:02:47,334 --> 00:02:50,035
Right now, we're just
setting up auditions.
64
00:02:50,087 --> 00:02:51,653
So people come in and meet us,
65
00:02:51,722 --> 00:02:53,683
or they send in
videos of themselves
66
00:02:53,707 --> 00:02:56,758
doing the, you know,
scenes and what not.
67
00:02:56,827 --> 00:02:58,971
If you want, I can show you some
when you come into the office.
68
00:02:58,995 --> 00:03:00,044
Yeah, definitely.
69
00:03:00,113 --> 00:03:01,340
Also, you're gonna
meet the director,
70
00:03:01,364 --> 00:03:03,276
and the lovely lady
from Gravity Pictures.
71
00:03:03,300 --> 00:03:05,633
Ah. Well, we don't
want to get in the way.
72
00:03:05,702 --> 00:03:07,302
I'm executive producer.
73
00:03:07,371 --> 00:03:08,865
If anyone says they
have a problem with it,
74
00:03:08,889 --> 00:03:10,171
I can have them water boarded.
75
00:03:10,257 --> 00:03:13,475
(CHUCKLES) We'll swing by
Charlene's and get dressed first.
76
00:03:13,543 --> 00:03:14,910
(CELL PHONE RINGING)
77
00:03:14,979 --> 00:03:16,790
Oh, this girl was
good. Hi, hold on.
78
00:03:16,814 --> 00:03:18,024
EMMA: She's good? MILES: Yes...
79
00:03:18,048 --> 00:03:19,181
Morning.
80
00:03:21,751 --> 00:03:25,087
It's fine. We're just
having breakfast.
81
00:03:25,155 --> 00:03:26,699
JEFFREY: Are you
getting beach weather?
82
00:03:26,723 --> 00:03:29,640
(SIGHS) It's cloudy in the mornings
here. They call it a marine layer.
83
00:03:29,710 --> 00:03:31,076
(CHUCKLES) Right.
84
00:03:31,144 --> 00:03:32,955
When I lived in San Diego
with my brother, we were...
85
00:03:32,979 --> 00:03:35,581
Jeff, I... I slept
with Miles last night.
86
00:03:39,719 --> 00:03:40,919
Really?
87
00:03:41,855 --> 00:03:44,189
(STAMMERS) Was it an accident?
88
00:03:44,258 --> 00:03:46,657
KATIE: Accident?
Yeah, were you sober?
89
00:03:46,726 --> 00:03:49,027
Well, uh, sober enough.
90
00:03:49,096 --> 00:03:50,662
Then you made a decision.
91
00:03:50,731 --> 00:03:53,451
Well, I mean, I wouldn't
call it a decision. We just...
92
00:03:53,917 --> 00:03:55,416
(SIGHS) I'm sorry.
93
00:03:56,886 --> 00:03:59,253
You're sorry, like, it
won't happen again?
94
00:03:59,323 --> 00:04:00,955
Yes.
95
00:04:01,024 --> 00:04:04,209
No, I mean... (STAMMERS)
You know I got to,
96
00:04:04,277 --> 00:04:05,443
I got to figure that out.
97
00:04:08,165 --> 00:04:10,085
(SIGHS) That would
be good to know.
98
00:04:11,168 --> 00:04:12,834
Jesus.
99
00:04:12,903 --> 00:04:15,737
You know, I shot three under
par for the first time in a month.
100
00:04:15,806 --> 00:04:18,740
I leave the course, this is
the first phone call that I make.
101
00:04:18,808 --> 00:04:22,711
(HORN HONKING) Go
around, you fucking idiot!
102
00:04:22,779 --> 00:04:25,447
Go around! MAN: Get
off the phone, douchebag.
103
00:04:25,515 --> 00:04:27,226
KATIE: Look, I'm
sorry that it happened,
104
00:04:27,250 --> 00:04:28,812
and I'm sorry to
spring it on you like this.
105
00:04:28,836 --> 00:04:30,429
I just... I didn't want to lie.
106
00:04:30,453 --> 00:04:31,931
You know what? I
think It's for the best.
107
00:04:31,955 --> 00:04:33,087
Why?
108
00:04:33,156 --> 00:04:36,725
Um, I didn't want to
say this, but I just...
109
00:04:36,793 --> 00:04:39,828
I feel like there's something
toxic about this situation.
110
00:04:39,897 --> 00:04:41,329
Our situation.
111
00:04:41,398 --> 00:04:43,130
And it's affecting
me, personally.
112
00:04:43,199 --> 00:04:45,044
(STAMMERS) But if
this is what gets you off...
113
00:04:45,068 --> 00:04:46,785
To rekindle a
toxic relationship...
114
00:04:46,853 --> 00:04:49,321
Look, I'll be back Tuesday,
we can talk about all this.
115
00:04:49,390 --> 00:04:51,589
Tuesday. (SIGHS)
116
00:04:51,658 --> 00:04:53,758
Nah, you know what? Fuck this.
117
00:04:53,827 --> 00:04:54,827
(LINE DISCONNECTS)
118
00:04:55,679 --> 00:04:56,811
Hello?
119
00:05:00,301 --> 00:05:01,844
MAN: Jerry, cappuccino's ready.
120
00:05:01,868 --> 00:05:03,628
Espresso shot as well, huh?
121
00:05:07,841 --> 00:05:09,921
Oh, thank you. Yeah.
122
00:05:11,144 --> 00:05:13,879
WOMAN: Large
Americano and decaf coffee.
123
00:05:23,056 --> 00:05:24,456
WOMAN: Caramel latte.
124
00:05:28,779 --> 00:05:29,811
(MUSIC PLAYING)
125
00:05:29,880 --> 00:05:31,629
YAGO: We can't sit
around here in LA.
126
00:05:31,699 --> 00:05:33,097
When are we back in Nevada?
127
00:05:33,167 --> 00:05:34,932
ED: Too much heat.
128
00:05:35,001 --> 00:05:37,980
YAGO: Josias had business from
Indian Springs all the way to fucking Reno.
129
00:05:38,004 --> 00:05:39,771
(CHUCKLES)
130
00:05:39,839 --> 00:05:41,406
I fucking played him.
131
00:05:41,475 --> 00:05:42,907
(CELL PHONE RINGING)
132
00:05:46,880 --> 00:05:48,720
ED: Yeah? CLIPPER: We're set up.
133
00:05:49,883 --> 00:05:51,316
How is he?
134
00:05:51,385 --> 00:05:53,568
CLIPPER: Been better.
LYLE: Hey. Hey, who's that?
135
00:05:53,637 --> 00:05:55,415
CLIPPER: Had the
doctor give him antibiotic.
136
00:05:55,439 --> 00:05:57,071
LYLE: Hey, man. Please.
137
00:05:57,141 --> 00:05:58,717
Don't know how long
he's gonna last though.
138
00:05:58,741 --> 00:06:00,508
Tell 'em I work with you.
139
00:06:00,577 --> 00:06:04,111
I just... I need to
get to a hospital.
140
00:06:04,180 --> 00:06:06,459
Look, I promise I can help
you out with whatever you need.
141
00:06:06,483 --> 00:06:08,165
ED: At least he's talking.
142
00:06:08,234 --> 00:06:10,212
CLIPPER: Yeah, he's either
passed out, or won't shut up.
143
00:06:10,236 --> 00:06:12,615
ED: Amara says do whatever
you have to do to keep him alive,
144
00:06:12,639 --> 00:06:14,759
at least until he tells us
what we need to know.
145
00:06:16,693 --> 00:06:18,893
They're ready. Mmm.
146
00:06:21,898 --> 00:06:25,333
Like you said, everything
north of Indian Springs is ours.
147
00:06:25,401 --> 00:06:27,396
Damn right. ED: But we
don't know who was kicking up.
148
00:06:27,420 --> 00:06:30,522
So we got Josias' boy, Lyle,
here in a safe house in LA.
149
00:06:30,590 --> 00:06:32,871
He's the only one left that
knows Josias' operation.
150
00:06:33,927 --> 00:06:34,927
YAGO: Okay.
151
00:06:35,929 --> 00:06:37,645
ED: She wants you to go over,
152
00:06:37,714 --> 00:06:40,360
get all the names and payoff
amounts out of Lyle while he's still alive.
153
00:06:40,384 --> 00:06:43,051
Shouldn't I be in Nevada,
running shit from the ground?
154
00:06:43,720 --> 00:06:45,453
Run it from LA.
155
00:06:45,522 --> 00:06:47,803
Whatever you find out,
just tell the guys back home.
156
00:06:49,976 --> 00:06:53,256
You're basically the command
center for the whole expansion.
157
00:06:56,767 --> 00:06:59,501
I mean, yeah.
158
00:06:59,569 --> 00:07:00,649
If that's what you want.
159
00:07:02,856 --> 00:07:04,136
Such a good boy.
160
00:07:06,209 --> 00:07:08,070
RECEPTIONIST: No, I'm
gonna need you to get back to me.
161
00:07:08,094 --> 00:07:09,374
Bear claw?
162
00:07:10,564 --> 00:07:13,998
I got bear claws. Come
on. Bear claw? They're good.
163
00:07:14,067 --> 00:07:19,271
Now we gonna push in as debris
and bodies keep flying past camera.
164
00:07:19,339 --> 00:07:21,684
And I'm gonna tilt up like
this and slowly come back.
165
00:07:21,708 --> 00:07:24,643
Yes. Daly. D-A-L-Y.
166
00:07:24,711 --> 00:07:27,457
Yeah, I'm calling about an
actress that she represents,
167
00:07:27,481 --> 00:07:28,946
uh, Becca Morgan.
168
00:07:29,015 --> 00:07:32,851
Bear claw? Yeah, I can hold.
169
00:07:32,919 --> 00:07:36,538
I don't know if it's just the coffee
shop on Tujunga, or if it's all of LA.
170
00:07:36,606 --> 00:07:38,639
But everyone in there...
171
00:07:38,708 --> 00:07:41,509
Every... Everyone, I mean,
everyone is writing a screenplay.
172
00:07:41,578 --> 00:07:45,213
So, I mean, do writers just
work in coffee shops or...
173
00:07:45,281 --> 00:07:46,759
Is everyone in
LA a fuckin' writer?
174
00:07:46,783 --> 00:07:48,063
Hey.
175
00:07:49,002 --> 00:07:50,668
She is? That's great.
176
00:07:50,737 --> 00:07:53,082
I mean, of course she
is, it's a beautiful role.
177
00:07:53,106 --> 00:07:54,934
I can get her a meeting,
but she'll have to be quick.
178
00:07:54,958 --> 00:07:57,198
There's an awful
lot of interest.
179
00:07:58,144 --> 00:08:01,496
Okay, well, let me find the
time and I'll call you back later.
180
00:08:01,564 --> 00:08:03,276
Did you hear that? Hmm?
181
00:08:03,300 --> 00:08:06,312
That is textbook. Sell the
sizzle and not the steak.
182
00:08:06,336 --> 00:08:08,052
Well, my sizzle got sold.
183
00:08:09,940 --> 00:08:12,606
Where is Hafdis?
184
00:08:12,675 --> 00:08:14,254
He was just there...
What do you got?
185
00:08:14,278 --> 00:08:15,710
GLADYS: On a scout.
186
00:08:15,779 --> 00:08:18,546
Rick. Becca Morgan, she's
interested in the role of Margaret.
187
00:08:18,615 --> 00:08:19,815
Okay, well, well, who's that?
188
00:08:20,834 --> 00:08:22,534
Could you get April
Quinn on the line?
189
00:08:22,602 --> 00:08:26,003
Also, can I get one of those headset things
for my phone, like that lady has, there?
190
00:08:26,072 --> 00:08:29,240
Becca Morgan, she was a
breakout role in Flashing Lights.
191
00:08:29,309 --> 00:08:30,709
RICK: Which is?
192
00:08:30,777 --> 00:08:33,156
A film out of New Zealand,
winning loads of awards.
193
00:08:33,180 --> 00:08:35,140
According to who? Her agent.
194
00:08:35,164 --> 00:08:37,182
Ah. Now, see. You
gotta watch out.
195
00:08:37,250 --> 00:08:38,628
That's what the
agents do. They talk...
196
00:08:38,652 --> 00:08:39,784
GLADYS: I have April.
197
00:08:39,853 --> 00:08:41,186
Oh, all right. Put
her on speaker.
198
00:08:44,141 --> 00:08:46,485
Hello, Miss Quinn. APRIL:
This about Becca Morgan?
199
00:08:46,509 --> 00:08:48,237
You heard. Unbelievable.
200
00:08:48,261 --> 00:08:50,095
Kisbye, now Morgan.
201
00:08:50,163 --> 00:08:53,309
I don't know what they see in this project
or why they'd want to work with you.
202
00:08:53,333 --> 00:08:54,613
But it's a good cast.
203
00:08:54,651 --> 00:08:55,967
Brandon likes her?
204
00:08:56,035 --> 00:08:57,680
APRIL: He saw Flashing
Lights at Telluride.
205
00:08:57,704 --> 00:09:00,338
He's been killing himself
trying to put her in something.
206
00:09:00,407 --> 00:09:02,590
Yeah, she was great
in that. We love her.
207
00:09:02,659 --> 00:09:04,486
Becca wants to come
in and discuss the role.
208
00:09:04,510 --> 00:09:06,306
I was thinking we could
use that big white room
209
00:09:06,330 --> 00:09:09,764
that you brought us to, the
one with the... With the trees.
210
00:09:09,833 --> 00:09:11,482
Make sure Hafdis can come.
211
00:09:11,552 --> 00:09:14,146
Yeah. And, uh, Julian Pynter.
She's gonna want to meet the writer.
212
00:09:14,170 --> 00:09:16,270
APRIL: No, he quit. What?
213
00:09:16,339 --> 00:09:19,391
APRIL: Yeah. Stopped
returning calls, really weird.
214
00:09:19,459 --> 00:09:21,860
But don't bring Louis
Darnell. He's a train wreck.
215
00:09:23,030 --> 00:09:24,629
Yeah, no problem.
216
00:09:24,698 --> 00:09:26,242
How's 1:00 p.m.? How's it look?
217
00:09:26,266 --> 00:09:27,915
Yeah, should be good.
218
00:09:27,984 --> 00:09:30,429
Line producer interview is at 10:00
and the investor comes in a noon.
219
00:09:30,453 --> 00:09:32,734
What investor?
Amara De Escalones.
220
00:09:35,992 --> 00:09:37,925
Amara's coming where? Here.
221
00:09:39,229 --> 00:09:40,494
To this office?
222
00:09:40,581 --> 00:09:41,991
Yeah, yeah, yeah.
She called last night.
223
00:09:42,015 --> 00:09:44,855
Said she's coming by this
afternoon. I thought you knew that.
224
00:09:46,853 --> 00:09:48,019
Hello?
225
00:09:49,539 --> 00:09:50,972
Uh, 1:00 p.m., great.
226
00:09:51,041 --> 00:09:53,541
APRIL: All righty, then.
Brandon's gonna be ecstatic.
227
00:09:53,610 --> 00:09:56,010
Could we step into your office?
228
00:10:02,753 --> 00:10:05,319
She called me. I
didn't call her, so...
229
00:10:06,723 --> 00:10:09,424
Talked about the
project, that's all.
230
00:10:09,493 --> 00:10:13,061
Our project. It's not like I
said, "Hey, come to LA."
231
00:10:13,146 --> 00:10:15,897
Why didn't we hear
about it till now?
232
00:10:15,982 --> 00:10:18,142
I didn't know
myself till last night.
233
00:10:22,355 --> 00:10:24,389
Get a hold of Ed, find
out why they're here.
234
00:10:24,457 --> 00:10:26,874
Oh, shit. I better tell
Katie not to come.
235
00:10:26,943 --> 00:10:28,187
LOUIS: What are
you gonna tell her?
236
00:10:28,211 --> 00:10:30,211
MILES: I don't know. I'll
text her something vague.
237
00:10:32,081 --> 00:10:34,477
All right. I know, I know the
rough stuff happened in Nevada.
238
00:10:34,501 --> 00:10:36,821
The stuff with your
face. And okay, that's...
239
00:10:37,070 --> 00:10:38,736
It's unacceptable.
240
00:10:38,805 --> 00:10:41,684
But she's not gonna try that
stuff outside the casino, right?
241
00:10:41,708 --> 00:10:44,442
It's... This is
what investors do.
242
00:10:44,511 --> 00:10:46,727
They want the glitz
and the glamour.
243
00:10:46,796 --> 00:10:48,791
She picks up a
souvenir, she goes home.
244
00:10:48,815 --> 00:10:50,935
You don't want her
picking up souvenirs.
245
00:10:52,819 --> 00:10:54,099
What does that mean?
246
00:10:55,155 --> 00:10:56,654
Ed's not answering.
247
00:10:58,091 --> 00:10:59,457
(LOUIS SIGHS)
248
00:10:59,525 --> 00:11:01,337
You're not gonna be available
to meet Becca Morgan today.
249
00:11:01,361 --> 00:11:03,111
Why's that?
250
00:11:03,180 --> 00:11:05,641
You're gonna be too busy showing
Amara the beautiful sights of Los Angeles.
251
00:11:05,665 --> 00:11:07,265
Like, uh, the Chinese
Mann Theatre.
252
00:11:07,334 --> 00:11:09,634
MILES: The Hollywood sign.
LOUIS: Or the wax museum.
253
00:11:09,703 --> 00:11:13,303
Whatever it takes to get her fill,
so she can drive back to Pahrump.
254
00:11:14,123 --> 00:11:16,203
I don't know why this is on me.
255
00:11:17,493 --> 00:11:20,645
But fine, I'll deal with her.
256
00:11:25,502 --> 00:11:28,369
Just want to point
out, she's your investor.
257
00:11:31,658 --> 00:11:34,792
Should we use the round
table for the appetizers?
258
00:11:34,844 --> 00:11:36,611
No, I know, we'll set
out stuff for the bar.
259
00:11:36,680 --> 00:11:37,812
Yes, ma'am.
260
00:11:39,816 --> 00:11:41,215
Hey! Morning.
261
00:11:41,284 --> 00:11:42,545
I thought you were
in the guest house
262
00:11:42,569 --> 00:11:44,435
but then Jenna said
no one's in there.
263
00:11:44,504 --> 00:11:47,288
Oh, we stayed at my dad's. Okay.
264
00:11:47,357 --> 00:11:49,018
We're going to visit
Miles at the studio.
265
00:11:49,042 --> 00:11:51,320
But I will be back to help
you get ready for the party.
266
00:11:51,344 --> 00:11:54,304
All right. Get
changed, we'll go. Yes!
267
00:11:55,765 --> 00:11:58,132
You slept at his place. Yeah.
268
00:11:58,835 --> 00:11:59,867
Just sleep?
269
00:12:01,855 --> 00:12:02,855
Not just sleep.
270
00:12:04,841 --> 00:12:07,074
What's the deal?
(SIGHS) I don't know.
271
00:12:07,143 --> 00:12:09,010
He just... (SIGHS)
272
00:12:09,078 --> 00:12:10,678
He just makes it so easy.
273
00:12:13,033 --> 00:12:15,733
It's like an addiction.
I don't know.
274
00:12:15,802 --> 00:12:18,519
Want to invite him
tonight? No, no, bad idea.
275
00:12:18,588 --> 00:12:19,588
You sure?
276
00:12:21,257 --> 00:12:24,359
Look. It's Indian Springs.
277
00:12:24,427 --> 00:12:26,010
CHARLENE: (SIGHS) I saw that.
278
00:12:26,079 --> 00:12:28,379
No offense, but I
do not miss Nevada.
279
00:12:34,921 --> 00:12:36,120
How long they been on us?
280
00:12:38,941 --> 00:12:42,260
Since the hotel. Could
be Feds, or LAPD.
281
00:12:43,546 --> 00:12:45,746
Let 'em follow. Fuck 'em.
282
00:12:47,250 --> 00:12:48,416
Thank you.
283
00:12:52,622 --> 00:12:54,121
Here you are now.
284
00:12:54,190 --> 00:12:56,986
You want to take a left, and then
the next right past the water tower.
285
00:12:57,010 --> 00:12:59,490
Appreciate it. CLANCY: Yeah.
286
00:13:06,102 --> 00:13:07,182
Morning, Mr. Palmer.
287
00:13:13,409 --> 00:13:15,610
CLANCY: Licenses, and
who you're here to see?
288
00:13:15,679 --> 00:13:18,863
Special Agents Ware
and Carmadelle, FBI.
289
00:13:18,915 --> 00:13:21,566
Okay but, uh, you
have a drive-on pass?
290
00:13:21,635 --> 00:13:23,629
We're running an
active investigation.
291
00:13:23,653 --> 00:13:26,766
CLANCY: Sir, in order for me to let you
on, you're gonna need a drive-on pass.
292
00:13:26,790 --> 00:13:28,256
We don't have time for that.
293
00:13:28,325 --> 00:13:30,302
CLANCY: Well, I'm authorized
to let you on with a warrant,
294
00:13:30,326 --> 00:13:32,805
or if you're coordinating with the
police department on the studio lot.
295
00:13:32,829 --> 00:13:36,430
Otherwise, you're gonna want to
make a U-turn and use that exit.
296
00:13:43,723 --> 00:13:45,155
This is the safe house?
297
00:13:45,624 --> 00:13:46,904
Yeah.
298
00:13:47,960 --> 00:13:50,895
And why does it smell
like this? Fuckin' reeks.
299
00:13:54,984 --> 00:13:56,968
(SIGHS) Hey, buddy?
300
00:13:57,037 --> 00:13:58,957
Heard you're not
feeling too good. Hmm?
301
00:14:03,542 --> 00:14:04,542
Sleeping Beauty?
302
00:14:06,362 --> 00:14:07,442
He's out, man.
303
00:14:08,615 --> 00:14:09,681
So how we gonna do this?
304
00:14:11,017 --> 00:14:13,497
Get epinephrine. Okay.
Well, whatever you gotta do.
305
00:14:18,491 --> 00:14:20,191
(PHONE DIALING)
306
00:14:22,662 --> 00:14:24,339
BLIZ: (OVER PHONE)
Yo. What's up, dog?
307
00:14:24,363 --> 00:14:27,042
Hey, yo. It's, like, the wild,
wild west up in this shit.
308
00:14:27,066 --> 00:14:29,483
I mean, we ride
in and we just take.
309
00:14:29,552 --> 00:14:30,617
YAGO: Really?
310
00:14:30,686 --> 00:14:32,597
I mean, niggas be
handing it over, man.
311
00:14:32,621 --> 00:14:35,806
Cash, candy and pussy.
312
00:14:35,875 --> 00:14:39,310
Yo, took down a stash house
Josias had in Beatty? (CHUCKLES)
313
00:14:39,379 --> 00:14:42,297
Walked out with some
serious powder, yo.
314
00:14:42,365 --> 00:14:44,131
I'm... I'm saying a fuckin' key.
315
00:14:44,200 --> 00:14:47,120
Yo, you tell anyone? Ah.
Keeping it for you and me, man.
316
00:14:47,904 --> 00:14:49,036
Okay.
317
00:14:49,105 --> 00:14:51,216
How's Hollywood?
You living it up?
318
00:14:51,240 --> 00:14:53,791
Yeah. I'm in charge
of the expansion.
319
00:14:53,860 --> 00:14:56,877
Uh, it's a lot of
responsibility.
320
00:14:56,946 --> 00:14:58,624
BLIZ: Yeah, I know. Ed told me.
321
00:14:58,648 --> 00:15:00,642
Uh, you got any
questions for our friend?
322
00:15:00,666 --> 00:15:02,032
Oh, yeah, yeah. Hold up.
323
00:15:05,855 --> 00:15:08,189
Yo, ask him what Josias
was getting out the dope house
324
00:15:08,257 --> 00:15:09,524
from Beatty Avenue C.
325
00:15:12,445 --> 00:15:14,445
(GROANS) Oh, shit. Oh, shit.
326
00:15:14,514 --> 00:15:15,580
(LAUGHS)
327
00:15:16,583 --> 00:15:17,623
(SIGHS)
328
00:15:17,684 --> 00:15:19,228
I need to get to
a hospital, man.
329
00:15:19,252 --> 00:15:20,396
Please. I need a doctor.
330
00:15:20,420 --> 00:15:22,520
Dope house in
Beatty on Avenue C.
331
00:15:22,589 --> 00:15:23,589
What are they kicking up?
332
00:15:24,207 --> 00:15:25,490
Twenty-five.
333
00:15:25,558 --> 00:15:26,935
He says they're kicking up 25.
334
00:15:26,959 --> 00:15:29,443
BLIZ: Find out who Josias
was working with in Ely.
335
00:15:29,512 --> 00:15:30,911
You get me to a hospital, man.
336
00:15:30,980 --> 00:15:32,891
I swear to God I'll help
you out with all this shit.
337
00:15:32,915 --> 00:15:34,782
Who you working with
in Ely? What's his name?
338
00:15:34,851 --> 00:15:36,545
LYLE: My boys there hook you up.
339
00:15:36,569 --> 00:15:37,689
YAGO: Who's your man in Ely?
340
00:15:38,988 --> 00:15:40,054
Hey.
341
00:15:40,990 --> 00:15:42,056
Hey!
342
00:15:43,792 --> 00:15:45,859
(SCREAMING)
343
00:15:52,552 --> 00:15:54,185
Tell me he didn't
just fucking die.
344
00:15:55,788 --> 00:15:57,839
Still breathing.
345
00:15:57,907 --> 00:16:01,175
Keep pushing on his wound like
that and he'll keep passing out.
346
00:16:01,244 --> 00:16:02,764
Well, then, give
him another injection.
347
00:16:03,613 --> 00:16:04,774
Don't know if he can take it.
348
00:16:04,798 --> 00:16:06,597
Don't tell me what he'll take.
349
00:16:06,666 --> 00:16:09,706
Just shoot this bitch up and let's
get this fucking show on the road.
350
00:16:28,304 --> 00:16:29,437
(ELEVATOR BELL DINGS)
351
00:16:32,608 --> 00:16:34,308
(INDISTINCT CHATTER)
352
00:16:40,116 --> 00:16:42,761
Amara. Rick just told us you
were coming, what a lovely surprise.
353
00:16:42,785 --> 00:16:43,850
Welcome to Hollywood.
354
00:16:43,919 --> 00:16:45,086
Hmm. This all you guys?
355
00:16:45,154 --> 00:16:46,554
All us, yeah.
356
00:16:46,622 --> 00:16:50,157
Hmm. It's just an office...
357
00:16:50,226 --> 00:16:51,692
RICK: Oh. Hey, there.
358
00:16:51,760 --> 00:16:53,860
Hi. Oh, sorry I couldn't
go out last night.
359
00:16:53,929 --> 00:16:55,095
Where's my movie?
360
00:16:55,164 --> 00:16:56,775
Oh, we haven't
started filming yet.
361
00:16:56,799 --> 00:16:59,177
This is what they
call a "pre-production."
362
00:16:59,201 --> 00:17:00,921
Hmm. Pre-production?
363
00:17:02,221 --> 00:17:03,348
Let me give you a tour.
364
00:17:03,372 --> 00:17:05,606
This here is the bullpen.
365
00:17:05,675 --> 00:17:10,711
And that's the, uh, supervisor's
desk. And back there is, uh...
366
00:17:10,780 --> 00:17:12,157
That's accounting. Accounting.
367
00:17:12,181 --> 00:17:14,326
Yeah. Not flashy, but,
you know, important.
368
00:17:14,350 --> 00:17:15,683
Set design, right here.
369
00:17:15,752 --> 00:17:19,031
It's hard to get a sense from
the little drawings but it'll...
370
00:17:19,055 --> 00:17:20,499
This is where
the director works.
371
00:17:20,523 --> 00:17:21,989
Right in there. (COUGHS)
372
00:17:22,058 --> 00:17:24,224
That's Miles, that's
me in the corner.
373
00:17:25,194 --> 00:17:27,094
This is you?
374
00:17:27,163 --> 00:17:29,163
Uh, yeah. Not much
to see in there, really.
375
00:17:30,683 --> 00:17:31,803
Do I have a room?
376
00:17:33,285 --> 00:17:35,385
Not currently. No.
377
00:17:35,454 --> 00:17:37,099
Can, uh, get you
something to drink?
378
00:17:37,123 --> 00:17:39,523
Uh, bottle of water? Snacks?
379
00:17:39,592 --> 00:17:43,005
ED: What kind? Oh. (STAMMERS) We
got cheese sticks and granola, power...
380
00:17:43,029 --> 00:17:44,495
Why don't you
show Ed the kitchen?
381
00:17:44,564 --> 00:17:46,341
Yeah. Oh, yeah. Take
whatever you want.
382
00:17:46,365 --> 00:17:47,645
LOUIS: You got to see this.
383
00:17:50,236 --> 00:17:53,436
MILES: (CLEARS THROAT)
Can I ask what brings you to LA?
384
00:17:54,040 --> 00:17:55,639
I'm here to see my movie.
385
00:17:57,210 --> 00:17:59,860
Okay, great. And how
long are you in town?
386
00:18:02,732 --> 00:18:03,732
Don't know.
387
00:18:06,953 --> 00:18:09,532
Well, I hope you have, uh, time
to see the city while you're here.
388
00:18:09,556 --> 00:18:11,867
The Walk of Fame
and, uh, tar pits.
389
00:18:11,891 --> 00:18:13,458
Walk of Fame?
390
00:18:13,526 --> 00:18:16,772
Oh, yeah. It's this great
sidewalk with loads of names on it.
391
00:18:16,796 --> 00:18:18,240
(CELL PHONE RINGING) Big stars.
392
00:18:18,264 --> 00:18:20,064
And stars on it.
393
00:18:20,132 --> 00:18:22,132
Oh, I have to take
this. Excuse me.
394
00:18:24,236 --> 00:18:25,581
Hey, sweetheart.
Did you get my text?
395
00:18:25,605 --> 00:18:27,255
KATIE: Don't think so.
396
00:18:27,340 --> 00:18:30,402
I said don't come yet. There's,
uh, been a change of plan.
397
00:18:30,426 --> 00:18:33,194
KATIE: Well, we're
here. MILES: Where?
398
00:18:33,263 --> 00:18:34,573
We parked and we're headed over.
399
00:18:34,597 --> 00:18:38,799
On, um, "Cary Grant Avenue."
400
00:18:38,868 --> 00:18:41,051
Could you just stay there
and I'll come meet you?
401
00:18:41,120 --> 00:18:43,437
Well, why don't we...
402
00:18:43,505 --> 00:18:46,268
TOUR GUIDE: If you look at the left here,
they're setting up for a shot right now.
403
00:18:46,292 --> 00:18:48,532
(KATIE AND EMMA
CHUCKLE) Deluxe studio tour.
404
00:18:48,595 --> 00:18:50,339
Exclusive access for VIP's only.
405
00:18:50,363 --> 00:18:52,896
Ah! You got your
own cart? Uh-huh.
406
00:18:52,965 --> 00:18:54,165
Can I drive?
407
00:18:54,234 --> 00:18:56,479
You cannot. Grab ahold
of something, ladies.
408
00:18:56,503 --> 00:18:58,236
We're pulling out, giddy up!
409
00:18:58,304 --> 00:19:00,588
EMMA: Oh, no. (CHUCKLES)
410
00:19:00,656 --> 00:19:03,023
Pretty fun. (LAUGHS)
Yeah. (CHUCKLES)
411
00:19:03,092 --> 00:19:06,426
'Course your mother's no stranger
to riding around in golf carts.
412
00:19:06,495 --> 00:19:09,340
But they're little more enjoyable
on a studio lot though, right?
413
00:19:09,364 --> 00:19:12,343
Ah, that's the spot there where Paul
Newman locked himself out of his car...
414
00:19:12,367 --> 00:19:16,169
EMMA: (CHUCKLES) So
these are all fake houses?
415
00:19:16,239 --> 00:19:18,817
KATIE: Where's your office? MILES:
Oh, we're not gonna make it there today.
416
00:19:18,841 --> 00:19:20,307
EMMA: Wait, why not?
417
00:19:20,393 --> 00:19:22,538
MILES: Uh, had some meetings
come up with business affairs.
418
00:19:22,562 --> 00:19:24,261
You know, like the suits.
419
00:19:24,330 --> 00:19:26,210
Can't really bring
a family there.
420
00:19:27,333 --> 00:19:29,093
You can see the
office another day.
421
00:19:30,002 --> 00:19:32,670
Ah. And here is
the real studio tour.
422
00:19:32,738 --> 00:19:33,788
Tickets are inside.
423
00:19:34,807 --> 00:19:36,106
You're ditching us?
424
00:19:36,175 --> 00:19:37,908
Uh...
425
00:19:37,977 --> 00:19:41,629
But tonight I'm gonna bring
you to a classic LA hangout.
426
00:19:41,714 --> 00:19:43,214
But we have the party tonight.
427
00:19:43,282 --> 00:19:45,561
It's Charlene's husband's
birthday. I told you last week.
428
00:19:45,585 --> 00:19:48,902
Ah. You can go. Mom?
429
00:19:48,972 --> 00:19:51,639
Charlene invited you. I just
didn't know if you'd want to.
430
00:19:51,707 --> 00:19:53,290
I'd love to see Charlene.
431
00:19:53,359 --> 00:19:56,143
And to meet these LA
friends you keep talking about.
432
00:19:56,229 --> 00:19:58,349
Okay. So I'll see you later.
433
00:19:59,181 --> 00:20:00,358
Enjoy. EMMA: I will.
434
00:20:00,382 --> 00:20:01,649
All right. (CLEARS THROAT)
435
00:20:01,718 --> 00:20:03,996
I'd reschedule the
fuckin' meeting if I could...
436
00:20:04,020 --> 00:20:05,452
No, I get it.
437
00:20:05,521 --> 00:20:07,221
Hey, hold on.
438
00:20:07,289 --> 00:20:10,908
Could you meet me tonight
before the party? Just you.
439
00:20:10,977 --> 00:20:13,537
Well, I'm... I'm helping
Charlene. Five minutes.
440
00:20:14,881 --> 00:20:16,931
For what?
441
00:20:16,999 --> 00:20:19,159
I'll text you the
address. It's a surprise.
442
00:20:22,722 --> 00:20:25,806
Well, thank you
for the VIP tour.
443
00:20:25,874 --> 00:20:28,437
TOUR GUIDE: All right folks,
welcome to the Gravity Studio's tour!
444
00:20:28,461 --> 00:20:31,562
(SIGHS) It ain't pretty.
445
00:20:34,900 --> 00:20:37,167
Let's hear it.
446
00:20:37,237 --> 00:20:41,138
Ed said that they took out
Josias Ramos and his crew.
447
00:20:41,207 --> 00:20:43,190
His crew. How many men?
448
00:20:43,776 --> 00:20:44,808
Dozen.
449
00:20:46,545 --> 00:20:48,044
Holy shit.
450
00:20:48,113 --> 00:20:50,797
So, Amara split Nevada
before it went down.
451
00:20:50,866 --> 00:20:53,500
She decided this is as
good a place to go as any.
452
00:20:53,569 --> 00:20:55,850
And then Yago
came up to join her.
453
00:20:56,288 --> 00:20:57,888
So she'll have Feds watching.
454
00:20:57,957 --> 00:20:59,990
Safe bet.
455
00:21:00,043 --> 00:21:01,963
Which means they'll
be watching us too.
456
00:21:02,178 --> 00:21:04,528
Holy shit.
457
00:21:04,597 --> 00:21:06,642
Everything was peachy and
she brings the circus to town.
458
00:21:06,666 --> 00:21:08,626
Be careful, she
might hear us. Just...
459
00:21:14,189 --> 00:21:16,109
The fuck? What?
460
00:21:16,526 --> 00:21:18,008
Nothing, just...
461
00:21:18,077 --> 00:21:21,078
This memo. It says I
missed a call from your agent.
462
00:21:21,614 --> 00:21:22,863
(CHUCKLES)
463
00:21:22,932 --> 00:21:24,212
He might have called.
464
00:21:26,002 --> 00:21:27,785
Your agent? Yeah.
465
00:21:27,853 --> 00:21:28,936
You have an agent.
466
00:21:30,406 --> 00:21:32,740
Matt Solo. Yeah, I
met him at church.
467
00:21:32,808 --> 00:21:34,728
Did you? Mmm-hmm.
468
00:21:35,478 --> 00:21:37,795
Why's he calling me?
469
00:21:37,863 --> 00:21:41,515
I'm not totally sure, but could be to
discuss my fee for the screenplay.
470
00:21:41,584 --> 00:21:44,251
Your fee... That
you didn't write.
471
00:21:44,870 --> 00:21:45,950
We know that.
472
00:21:46,789 --> 00:21:47,854
Just to be clear.
473
00:21:47,924 --> 00:21:49,857
We may be implicated
in a mass murder
474
00:21:49,925 --> 00:21:52,393
and you're trying to gouge
me for fuckin' script money?
475
00:21:52,461 --> 00:21:54,539
He said that the
studio would pay for it.
476
00:21:54,563 --> 00:21:56,403
Oh, shit. Oh, they're leaving.
477
00:21:58,417 --> 00:22:01,168
So, Rick's taking you
to see the sights, is he?
478
00:22:01,237 --> 00:22:03,481
Yeah. Can't go wrong with
the Walk of Fame, right?
479
00:22:03,505 --> 00:22:05,650
MILES: No. It's a sidewalk
with names. (CHUCKLES)
480
00:22:05,674 --> 00:22:06,774
I wish we could come.
481
00:22:06,843 --> 00:22:08,123
Uh, send some pictures.
482
00:22:09,178 --> 00:22:11,145
Hmm. Let's go.
483
00:22:12,648 --> 00:22:14,927
Good luck with that actress,
huh? Crossed fingers.
484
00:22:14,951 --> 00:22:17,467
Who? What actress?
485
00:22:17,536 --> 00:22:19,447
RICK: No. I've never
even heard of her.
486
00:22:19,471 --> 00:22:22,039
(STAMMERS) I'm not even
going. I'm gonna let Miles handle it.
487
00:22:23,042 --> 00:22:24,375
You meet here?
488
00:22:24,443 --> 00:22:26,977
Oh, no, no. Way
over at the studio.
489
00:22:27,046 --> 00:22:29,279
We've got so many actor
meetings coming up, don't we?
490
00:22:29,349 --> 00:22:31,610
I mean, if down the line you want
to sit in on one, that would be...
491
00:22:31,634 --> 00:22:32,699
I come to this one.
492
00:22:35,354 --> 00:22:36,487
There's really no need.
493
00:22:37,890 --> 00:22:41,492
You don't want me
to go? But you go.
494
00:22:41,561 --> 00:22:44,511
(CHUCKLES) I
have to. It's my job.
495
00:22:46,048 --> 00:22:47,931
Your job is what I say it is.
496
00:22:50,536 --> 00:22:51,685
The more the merrier.
497
00:22:53,622 --> 00:22:54,654
Good idea.
498
00:23:03,649 --> 00:23:06,717
Ed called. Amara
wants me in Nevada.
499
00:23:06,785 --> 00:23:09,703
No, there's no way you're going
down there and I'm staying here.
500
00:23:09,772 --> 00:23:12,472
We were supposed to get
an update two hours ago.
501
00:23:12,541 --> 00:23:14,891
My ass hurts from
sitting in this fucking chair.
502
00:23:14,960 --> 00:23:16,594
It'll come by.
503
00:23:16,662 --> 00:23:18,640
All right, he said to keep an
eye on Lyle. Just don't let him die.
504
00:23:18,664 --> 00:23:19,708
Ed can go fuck himself.
505
00:23:19,732 --> 00:23:21,526
Change the IV
out every six hours.
506
00:23:21,550 --> 00:23:24,112
If the epi stops workin', give
Ed a call, he'll get a doctor.
507
00:23:24,136 --> 00:23:27,136
Fuck! All right, microwave
there. Soup and tortillas.
508
00:23:27,690 --> 00:23:29,339
Yeah, yeah, that's great.
509
00:23:29,408 --> 00:23:32,376
Thank you. It's like
Nevada fuckin' correctional.
510
00:23:51,564 --> 00:23:52,929
(BLOWS RASPBERRY)
511
00:23:56,736 --> 00:23:58,016
(BREATHING HEAVILY)
512
00:24:11,734 --> 00:24:12,900
Yo.
513
00:24:16,655 --> 00:24:17,655
Hey.
514
00:24:19,241 --> 00:24:21,308
Hey. Wake the fuck up.
515
00:24:21,377 --> 00:24:22,421
(LYLE GROANS)
516
00:24:22,445 --> 00:24:23,510
(SIGHS)
517
00:24:23,579 --> 00:24:24,778
(LYLE GROANS)
518
00:24:29,301 --> 00:24:30,301
Fuck!
519
00:24:32,338 --> 00:24:34,838
I take this tiny movie
out of New Zealand,
520
00:24:34,907 --> 00:24:37,424
I mean, it paid nothing,
but I liked the script.
521
00:24:37,493 --> 00:24:39,404
Next thing I know,
it's winning awards
522
00:24:39,428 --> 00:24:42,874
and I'm having a meeting with Hafdis
Snaebjornsson about an amazing new project.
523
00:24:42,898 --> 00:24:45,661
(APRIL CHUCKLES) Well,
we're just lucky to have you here.
524
00:24:45,685 --> 00:24:46,900
Mmm-hmm. Right.
525
00:24:46,969 --> 00:24:49,953
I watched your film
on a flight to Reykjavik.
526
00:24:50,022 --> 00:24:52,973
Your performance
was absolutely stunning.
527
00:24:53,842 --> 00:24:56,927
It was haunting in its honesty.
528
00:24:56,979 --> 00:24:59,129
Mmm. I thought so.
529
00:24:59,198 --> 00:25:01,297
That's very kind. APRIL: Mmm.
530
00:25:01,366 --> 00:25:03,278
And congratulations
on the reviews.
531
00:25:03,302 --> 00:25:06,636
Thank you. What
happened to your face?
532
00:25:08,490 --> 00:25:10,223
Slipped on a squash court.
533
00:25:10,292 --> 00:25:12,042
BECCA: Oh. Hmm.
534
00:25:12,811 --> 00:25:14,711
What's the movie called?
535
00:25:14,780 --> 00:25:16,547
That I did? Flashing Lights.
536
00:25:17,483 --> 00:25:18,882
Eh, I didn't see.
537
00:25:20,403 --> 00:25:22,303
He say you play prostitute.
538
00:25:22,371 --> 00:25:23,487
Yeah.
539
00:25:28,661 --> 00:25:30,321
You lived in New Zealand, right?
540
00:25:30,345 --> 00:25:34,114
Right. Still catch myself driving on the
left side, now and then. (CHUCKLES)
541
00:25:34,182 --> 00:25:36,549
(ALL CHUCKLE)
542
00:25:36,619 --> 00:25:39,681
BECCA: I learned so much, living
there. About New Zealand, but also...
543
00:25:39,705 --> 00:25:40,987
She don't look like Margaret.
544
00:25:42,508 --> 00:25:43,548
(GULPS)
545
00:25:43,609 --> 00:25:45,969
AMARA: You wanna
play Margaret, right?
546
00:25:46,411 --> 00:25:47,744
But you don't look right.
547
00:25:51,516 --> 00:25:54,317
And that's what's so
amazing about actors, innit?
548
00:25:54,386 --> 00:25:56,247
How they can transform
themselves. RICK: Yeah...
549
00:25:56,271 --> 00:25:58,255
Mmm-hmm. (GASPS)
Sorry, I should go.
550
00:25:58,324 --> 00:26:02,159
I'm, um, I'm meeting friends of mine tonight,
who own an organic winery in New Zealand.
551
00:26:02,227 --> 00:26:05,190
You should come, if you want
and we can talk about the movie?
552
00:26:05,214 --> 00:26:07,558
Sounds nice. BECCA:
My agent has my number.
553
00:26:07,582 --> 00:26:10,942
(CHUCKLES) Oh, um, does this
mean you're gonna take the role?
554
00:26:11,220 --> 00:26:13,320
I'm definitely interested.
555
00:26:13,389 --> 00:26:15,183
So exciting! BECCA:
Lovely to meet you all.
556
00:26:15,207 --> 00:26:16,473
RICK: Yeah, you too.
557
00:26:16,542 --> 00:26:18,358
Becca, I'll see you
out. BECCA: Okay.
558
00:26:18,427 --> 00:26:20,394
HAFDIS: Okay. Cheers.
559
00:26:23,449 --> 00:26:24,481
HAFDIS: Thank you.
560
00:26:26,419 --> 00:26:28,613
Mmm-hmm. Sounds
like we got our Margaret.
561
00:26:28,637 --> 00:26:30,232
RICK: Yeah. APRIL:
It's a huge get.
562
00:26:30,256 --> 00:26:32,084
Brandon will be over
the moon when he hears.
563
00:26:32,108 --> 00:26:34,241
Oh, yeah. This'll be good.
We find someone else.
564
00:26:37,763 --> 00:26:39,196
I think she's perfect.
565
00:26:40,248 --> 00:26:43,016
No. She, she has
the dignity I envisioned
566
00:26:43,085 --> 00:26:46,202
and the quality of someone
who knows suffering.
567
00:26:46,272 --> 00:26:47,738
No, no, no. Someone else.
568
00:26:52,228 --> 00:26:53,743
Amara, right?
569
00:26:53,813 --> 00:26:56,858
I told Rick I was happy to
have you join for this meeting.
570
00:26:56,882 --> 00:26:59,077
But this studio also
has a stake in this film.
571
00:26:59,101 --> 00:27:01,234
A very large stake.
572
00:27:01,320 --> 00:27:03,280
So this just really
isn't your call.
573
00:27:05,825 --> 00:27:06,990
(EXHALES)
574
00:27:10,579 --> 00:27:11,912
I just tell you what I see.
575
00:27:12,898 --> 00:27:14,131
And we appreciate that.
576
00:27:21,774 --> 00:27:23,502
I came here in a golf cart. Ah.
577
00:27:23,526 --> 00:27:25,336
Anyone needs a ride? Oh.
578
00:27:25,360 --> 00:27:26,860
We need to talk. Yeah.
579
00:27:26,929 --> 00:27:28,209
RICK: Yeah.
580
00:27:31,166 --> 00:27:34,034
Tonight we go to dinner.
Where we gonna go?
581
00:27:34,102 --> 00:27:37,103
Oh. You know what? I
can't do dinner tonight.
582
00:27:37,172 --> 00:27:40,273
I've got too much work
on of a productorial nature.
583
00:27:40,342 --> 00:27:42,810
Maybe Rick will take
you to the Bel-Air Lounge.
584
00:27:43,646 --> 00:27:44,806
You're gonna love this place.
585
00:27:44,847 --> 00:27:47,614
Got loads of Hollywood
history and celebrities.
586
00:27:48,551 --> 00:27:50,651
Yeah, okay. (CHUCKLES)
587
00:27:52,337 --> 00:27:53,653
But you're too busy?
588
00:27:54,172 --> 00:27:55,288
I'm afraid so.
589
00:27:55,357 --> 00:27:58,508
'Cause you're a
movie producer. I see.
590
00:28:06,935 --> 00:28:08,930
What makes you
think they were Feds?
591
00:28:08,954 --> 00:28:11,354
ED: What do you mean?
592
00:28:11,423 --> 00:28:14,569
Well, you said they were in
the car behind you at the gate.
593
00:28:14,593 --> 00:28:16,809
Don't know if they were Feds.
594
00:28:16,878 --> 00:28:19,159
Just know that
they were tailing us.
595
00:29:07,712 --> 00:29:12,115
Emma asked where I was going
and I said, "Your dad won't tell me."
596
00:29:12,184 --> 00:29:15,869
She wanted to come and I said she
couldn't, even though I don't why...
597
00:29:18,274 --> 00:29:20,907
Is your hair
different? Balayage.
598
00:29:21,877 --> 00:29:23,043
What now?
599
00:29:23,111 --> 00:29:25,528
It's fancy highlights. I
had it done at Charlene's.
600
00:29:25,597 --> 00:29:27,330
Don't ask what it cost.
601
00:29:27,399 --> 00:29:29,916
It looks beautiful.
Thank you. (SIGHS)
602
00:29:32,554 --> 00:29:34,835
You wanna, maybe
tell me why we're here?
603
00:29:36,609 --> 00:29:37,657
You like this place?
604
00:29:39,060 --> 00:29:40,260
Who lives here?
605
00:29:40,896 --> 00:29:41,995
You, maybe.
606
00:29:44,016 --> 00:29:46,132
I didn't buy it, I
just... I rented it.
607
00:29:46,201 --> 00:29:48,152
But if you come to
LA we could stay here.
608
00:29:49,121 --> 00:29:50,420
Miles.
609
00:29:50,489 --> 00:29:52,922
I had to give 'em three
months in advance.
610
00:29:52,991 --> 00:29:54,491
But don't let that
influence you.
611
00:29:56,162 --> 00:29:57,561
Come on, have a look inside.
612
00:30:01,567 --> 00:30:02,666
Okay.
613
00:30:05,304 --> 00:30:09,139
"Beautiful period home with
charming original features."
614
00:30:09,841 --> 00:30:11,524
Bit like myself.
615
00:30:11,593 --> 00:30:15,295
"Ebony floors, subway
tiles in the master bath."
616
00:30:16,331 --> 00:30:17,564
It's got three bed,
617
00:30:19,033 --> 00:30:20,951
in case Emma insists
on living with us.
618
00:30:21,019 --> 00:30:22,185
What if I say no?
619
00:30:24,023 --> 00:30:25,905
It's fine.
620
00:30:25,974 --> 00:30:28,525
I'll have to burn the place
to the ground. But it's fine.
621
00:30:31,897 --> 00:30:33,177
It's a beautiful house.
622
00:30:34,583 --> 00:30:36,383
(SIGHS) It's perfect.
623
00:30:36,452 --> 00:30:38,836
But I, uh, I need a few
days to think about it.
624
00:30:39,738 --> 00:30:40,871
Sure.
625
00:30:42,074 --> 00:30:44,157
(CHUCKLES) Come
on. Let's go party.
626
00:30:49,364 --> 00:30:50,430
(SLURPING)
627
00:30:53,201 --> 00:30:54,201
Hey.
628
00:31:03,077 --> 00:31:04,355
You left him alone?
629
00:31:04,379 --> 00:31:06,313
I had to get some real food.
630
00:31:06,381 --> 00:31:08,615
I said if you needed
anything, to call me.
631
00:31:08,684 --> 00:31:10,517
It's not like he's
going anywhere.
632
00:31:11,886 --> 00:31:13,166
You got the key?
633
00:31:14,756 --> 00:31:15,989
(SIGHS)
634
00:31:30,672 --> 00:31:31,921
He keeps passing out.
635
00:31:42,217 --> 00:31:43,297
He's dead.
636
00:31:45,070 --> 00:31:46,103
No shit?
637
00:31:56,515 --> 00:31:59,917
What? I walked two blocks
so I can get a sub, okay?
638
00:31:59,985 --> 00:32:01,385
I was starving.
639
00:32:01,453 --> 00:32:02,519
I gotta call Amara.
640
00:32:02,587 --> 00:32:05,015
You know what? Call Amara.
641
00:32:05,039 --> 00:32:08,792
Tell her I was sitting here all day in this
fucking garage that reeks of this puta.
642
00:32:08,860 --> 00:32:10,571
She said I would
run the expansion.
643
00:32:10,595 --> 00:32:12,329
Not sit waiting all day,
644
00:32:12,381 --> 00:32:14,681
like some fuckin' secretary
for some phone calls.
645
00:32:16,518 --> 00:32:19,063
And you know what? And
tell her that if it wasn't for me,
646
00:32:19,087 --> 00:32:21,488
she wouldn't even have
had this new territory.
647
00:32:21,557 --> 00:32:23,877
You don't want
me to tell her that.
648
00:32:25,894 --> 00:32:27,561
You know what?
649
00:32:27,629 --> 00:32:31,130
Get somebody else to clean this
shit, 'cause I'm fucking out of here.
650
00:32:36,238 --> 00:32:39,272
KATIE: (CHUCKLES) Oh, Bruce.
Miles. This is Charlene's husband.
651
00:32:39,341 --> 00:32:40,634
MILES: Oh, hey.
BRUCE: Hello, Miles.
652
00:32:40,658 --> 00:32:42,642
You look dapper and manly.
653
00:32:42,711 --> 00:32:45,078
Thank you, same. Well,
I was fishing for that.
654
00:32:45,146 --> 00:32:47,280
(ALL CHUCKLING)
Beautiful house, by the way.
655
00:32:47,348 --> 00:32:49,032
Oh, thank you.
656
00:32:49,084 --> 00:32:51,324
Dad, Charlene said we could
go upstairs and watch TV.
657
00:32:51,353 --> 00:32:53,297
Why would you do that when
there's a party down here?
658
00:32:53,321 --> 00:32:56,523
The Voice finale is on and you
have to vote in real time. So...
659
00:32:56,591 --> 00:32:58,958
Oh, The Voice finale is on
and you have to vote in real...
660
00:32:59,027 --> 00:33:00,707
That's bloody brilliant,
that. Okay, go on.
661
00:33:00,762 --> 00:33:02,446
(ALL CHUCKLING)
662
00:33:02,514 --> 00:33:05,243
I was gonna go to the bar, can I
fetch you a glass of your own booze?
663
00:33:05,267 --> 00:33:06,966
Oh, I'm fine.
Thank you. All right.
664
00:33:08,737 --> 00:33:11,037
So, what does your husband do?
665
00:33:11,106 --> 00:33:13,484
Uh, he's a, uh, a
movie producer.
666
00:33:13,508 --> 00:33:15,041
Really?
667
00:33:15,110 --> 00:33:18,678
Yeah. He's making a film at
Gravity Pictures with Max Kisbye.
668
00:33:18,747 --> 00:33:22,148
No kidding. I love Kisbye.
(CHUCKLES) Yeah.
669
00:33:24,152 --> 00:33:27,164
RICK: So, what happens then is,
uh, there's a table read, and that's...
670
00:33:27,188 --> 00:33:28,588
The studio comes to that.
671
00:33:28,657 --> 00:33:32,459
And if that goes well, which
there's no reason it shouldn't, uh...
672
00:33:33,027 --> 00:33:34,027
Then, um...
673
00:33:34,696 --> 00:33:35,762
What?
674
00:33:38,784 --> 00:33:40,433
Call Miles.
675
00:33:40,519 --> 00:33:43,703
Me and Sammy can...
I want Miles to do it.
676
00:33:49,228 --> 00:33:51,161
I'm fine if you want your, uh...
677
00:33:51,230 --> 00:33:54,965
Your guys to come and eat
with us rather than wait in the car.
678
00:33:55,850 --> 00:33:57,784
No. It's good, you and me.
679
00:33:57,852 --> 00:33:59,132
We get to know each other.
680
00:33:59,871 --> 00:34:02,805
Yeah. Yeah, it's great.
681
00:34:04,409 --> 00:34:08,044
There's a new chef here.
I'm not familiar with the menu.
682
00:34:14,119 --> 00:34:16,119
(SIGHS) Oh, hi.
683
00:34:16,188 --> 00:34:18,121
(CHUCKLES) Hi.
684
00:34:18,557 --> 00:34:19,597
I'm Katie.
685
00:34:20,926 --> 00:34:23,160
That's weird. I married a Katie.
686
00:34:23,228 --> 00:34:25,144
Lovely girl.
687
00:34:25,213 --> 00:34:27,380
She's got highlights.
688
00:34:27,449 --> 00:34:28,764
Did she pay a lot for them?
689
00:34:28,833 --> 00:34:31,301
Oh. With Katie, no
expense is spared.
690
00:34:31,370 --> 00:34:33,130
(CHUCKLES) (CELL PHONE RINGING)
691
00:34:34,373 --> 00:34:36,139
You like Charlene's friends?
692
00:34:36,208 --> 00:34:39,887
I mean, I like them, but maybe
you think they're stuck up.
693
00:34:39,911 --> 00:34:43,313
(SIGHS) I hung out with some
unsavory people in Nevada.
694
00:34:43,382 --> 00:34:44,948
My bar is pretty low.
695
00:34:50,271 --> 00:34:53,506
Imagine living in this house.
696
00:34:53,575 --> 00:34:56,475
We'd have parties like this, if
we lived in LA. (CHUCKLES)
697
00:34:56,545 --> 00:34:59,946
Hire a bartender.
Pull out the tiki torches.
698
00:35:00,015 --> 00:35:02,882
Tiki torches. Is
that the secret?
699
00:35:02,951 --> 00:35:06,230
It's basically all you
need. (CHUCKLES)
700
00:35:06,254 --> 00:35:09,155
(GASPS) Have you seen
their screening room?
701
00:35:09,223 --> 00:35:12,583
Ah, you've seen one private
screen room, you've seen them all.
702
00:35:13,227 --> 00:35:14,393
KATIE: Come here.
703
00:35:15,463 --> 00:35:16,930
(MUSIC PLAYING ON SCREEN)
704
00:35:22,303 --> 00:35:23,503
Yeah, okay.
705
00:35:24,472 --> 00:35:25,872
Right?
706
00:35:25,941 --> 00:35:28,908
I mean, a popcorn machine
is a bit tacky. (CHUCKLES)
707
00:35:28,977 --> 00:35:31,611
I think in our screening
room, we'd have couches.
708
00:35:32,681 --> 00:35:35,281
With a rising curtain.
709
00:35:35,349 --> 00:35:38,350
And none of this digital shit.
We'll have a real projector up there.
710
00:35:38,419 --> 00:35:40,086
With a full time projectionist.
711
00:35:41,322 --> 00:35:42,722
Larry.
712
00:35:42,791 --> 00:35:44,769
Larry, the projection guy. Hmm.
713
00:35:44,793 --> 00:35:48,393
He has a little cot in his
room for late night showings.
714
00:35:56,604 --> 00:36:01,608
I've done a lot of, uh, lot of fun,
spooky movies that people enjoy.
715
00:36:01,676 --> 00:36:03,075
But The Admiral's Mistress,
716
00:36:03,144 --> 00:36:05,662
people are actually gonna
see this in the theater.
717
00:36:06,931 --> 00:36:09,732
That's good. Yeah,
this could be a great film.
718
00:36:09,801 --> 00:36:13,219
Really. And that, that scares
the shit out of me, you know?
719
00:36:13,287 --> 00:36:15,405
But we're gonna...
We're gonna go for it.
720
00:36:16,108 --> 00:36:17,590
'Cause you gotta aim high.
721
00:36:17,659 --> 00:36:20,660
If you want that
arrow to... To go high.
722
00:36:21,730 --> 00:36:23,029
Right? (CHUCKLES)
723
00:36:24,098 --> 00:36:26,583
Ooh! It's a good
thing I'm not driving.
724
00:36:26,635 --> 00:36:29,301
Okay, uh, we'll take the
check, please. Thank you.
725
00:36:30,038 --> 00:36:31,220
Have another.
726
00:36:31,289 --> 00:36:33,622
No, no. I'm cutting myself off.
727
00:36:33,691 --> 00:36:35,491
I sound like Peter O'Toole here.
728
00:36:35,560 --> 00:36:37,861
Have a drink, then
come to my hotel.
729
00:36:40,232 --> 00:36:41,664
Oh, uh...
730
00:36:43,301 --> 00:36:46,002
I... I think I better get home.
731
00:36:46,071 --> 00:36:47,971
You know, but this has been fun.
732
00:36:48,039 --> 00:36:50,006
Really. You don't
take me serious.
733
00:36:50,992 --> 00:36:52,809
I... No. Of course
I do. Of course.
734
00:36:52,878 --> 00:36:54,672
You're a very important
part of this whole thing.
735
00:36:54,696 --> 00:36:57,797
I live in Nevada. Come to LA.
736
00:36:57,866 --> 00:37:01,150
You think, "She
don't understand."
737
00:37:01,219 --> 00:37:04,187
But when I look at
people, I see who they are.
738
00:37:04,256 --> 00:37:06,873
That's a good quality to
have in this town, right?
739
00:37:07,726 --> 00:37:10,326
I see you. Uh-oh.
740
00:37:11,463 --> 00:37:12,996
You want people to like you.
741
00:37:14,199 --> 00:37:15,565
But you're all alone.
742
00:37:17,852 --> 00:37:20,092
Maybe you have a
girlfriend, but it don't matter.
743
00:37:20,588 --> 00:37:21,888
'Cause you're alone.
744
00:37:23,708 --> 00:37:25,074
And you're so sad.
745
00:37:28,980 --> 00:37:31,047
This is getting
heavy. (CHUCKLES)
746
00:37:31,116 --> 00:37:33,596
Some people don't
treat you good, eh?
747
00:37:34,169 --> 00:37:36,385
But you're better than
those fuckin' people.
748
00:37:38,924 --> 00:37:41,164
And you don't gotta feel alone,
749
00:37:42,094 --> 00:37:45,595
'cause Ricky, you
get any lady you want.
750
00:37:48,550 --> 00:37:49,716
Thank you.
751
00:37:51,903 --> 00:37:53,302
All you need is love.
752
00:37:55,540 --> 00:37:58,107
Someone to show you
what kinda man you are.
753
00:38:00,845 --> 00:38:02,125
And sweetheart...
754
00:38:03,315 --> 00:38:05,114
You never had nothing like me.
755
00:38:08,853 --> 00:38:10,270
WAITER: Can I get
you anything else?
756
00:38:13,674 --> 00:38:15,007
Get me another one of these.
757
00:38:18,963 --> 00:38:21,380
(BOTH MOANING)
758
00:38:21,449 --> 00:38:23,166
(BOTH BREATHING HEAVILY)
759
00:38:23,851 --> 00:38:25,118
(MOANING)
760
00:38:39,334 --> 00:38:42,012
You know, I'm actually starting to think
the popcorn machine is a nice touch.
761
00:38:42,036 --> 00:38:43,269
(LAUGHS)
762
00:38:43,338 --> 00:38:44,637
(BOTH SIGH)
763
00:38:48,477 --> 00:38:49,942
Yeah. (LAUGHING)
764
00:38:50,645 --> 00:38:51,945
Oh...
765
00:38:56,952 --> 00:38:59,192
If you don't mind me
asking. Have you been, uh...
766
00:39:00,688 --> 00:39:03,008
You been keeping
in touch with Jeffrey?
767
00:39:03,658 --> 00:39:05,624
I told him I slept with you.
768
00:39:07,262 --> 00:39:08,542
How'd he feel about that?
769
00:39:10,882 --> 00:39:12,482
Me and Jeffrey are done.
770
00:39:14,386 --> 00:39:15,466
Oh.
771
00:39:16,621 --> 00:39:18,020
(CELL PHONE RINGING)
772
00:39:20,075 --> 00:39:22,375
Ah, shit. Yeah, hold on.
773
00:39:22,443 --> 00:39:24,610
Uh, Rick needs to talk
to me about an actor.
774
00:39:25,881 --> 00:39:27,280
I'll be upstairs.
775
00:39:29,151 --> 00:39:30,316
Yeah.
776
00:39:34,039 --> 00:39:36,856
Yeah? ED: Dishwasher broke down.
777
00:39:36,925 --> 00:39:40,009
Need you to take it
out. Get a handyman.
778
00:39:40,077 --> 00:39:41,194
She wants you.
779
00:39:44,115 --> 00:39:45,275
It's too risky.
780
00:39:46,634 --> 00:39:49,552
I don't know what to tell
you, man. She wants you.
781
00:39:52,757 --> 00:39:55,717
Well, it doesn't sound like I
have much of a choice, does it?
782
00:39:55,743 --> 00:39:58,428
Call from the other line.
I'll get you the address.
783
00:39:58,496 --> 00:39:59,496
MILES: Mmm-hmm.
784
00:40:19,117 --> 00:40:20,566
Drain's over there.
785
00:40:29,511 --> 00:40:30,643
(SIGHS)
786
00:40:30,712 --> 00:40:32,272
Ready? Ready.
787
00:40:37,552 --> 00:40:39,763
I could have
handled this better.
788
00:40:39,787 --> 00:40:42,027
(SIGHS) What do you mean?
789
00:40:42,057 --> 00:40:45,925
I tried to talk Amara outta not
meeting with that actress, right?
790
00:40:45,994 --> 00:40:48,478
All I managed to do was
fuckin' piss her off. Gloves?
791
00:40:48,546 --> 00:40:49,546
Here.
792
00:40:50,815 --> 00:40:53,055
And then she
wanted to have dinner.
793
00:40:53,084 --> 00:40:55,250
But I give her to Rick.
794
00:40:55,319 --> 00:40:57,519
Like I was too
fuckin' good for her.
795
00:40:58,890 --> 00:41:03,860
Well, you can beat
yourself up, but, the truth is,
796
00:41:03,928 --> 00:41:08,998
we could win fucking Oscars and
she'd still have us doing these shit jobs.
797
00:41:09,634 --> 00:41:10,766
(SIGHS)
798
00:41:14,005 --> 00:41:15,104
(SIGHS)
799
00:41:19,777 --> 00:41:21,911
Is she going back
to Nevada this week?
800
00:41:21,980 --> 00:41:23,479
We can only hope.
801
00:41:36,594 --> 00:41:38,427
(MUSIC PLAYS ON STEREO)
802
00:41:38,496 --> 00:41:40,796
Look, I'm sorry I sic'd
that agent on you.
803
00:41:40,865 --> 00:41:42,898
You got bigger
shit to worry about.
804
00:41:42,967 --> 00:41:45,012
I'm impressed you got an agent.
805
00:41:45,036 --> 00:41:46,502
I didn't think he'd call.
806
00:41:47,305 --> 00:41:48,571
But here's an idea.
807
00:41:48,640 --> 00:41:52,608
Look, you get the studio
to pay me for my script...
808
00:41:52,677 --> 00:41:54,155
No, no. No! Hear me out now.
809
00:41:54,179 --> 00:41:55,645
Yeah.
810
00:41:55,713 --> 00:41:59,915
You pay me and I take care of
additional re-writes at no extra cost.
811
00:41:59,984 --> 00:42:01,328
Oh, that's a great idea. Yeah.
812
00:42:01,352 --> 00:42:03,792
Except, you can't
spell your own name.
813
00:42:04,556 --> 00:42:07,823
No, but I'll find
someone who can.
814
00:42:07,892 --> 00:42:09,458
I don't follow.
815
00:42:09,527 --> 00:42:12,595
(COUGHS) LA is so
full of desperate writers
816
00:42:12,664 --> 00:42:14,664
that you can't find a
seat in a coffee shop.
817
00:42:14,732 --> 00:42:18,568
I mean, I could so easily, just
pay someone to help me out.
818
00:42:18,636 --> 00:42:20,716
Is that what this...
This is about money?
819
00:42:22,807 --> 00:42:26,342
Look, I go to the production
office every day and I...
820
00:42:26,411 --> 00:42:28,644
I don't really have a job.
821
00:42:28,713 --> 00:42:30,224
You're an associate
producer, Lou.
822
00:42:30,248 --> 00:42:32,014
Everybody knows that's bullshit.
823
00:42:34,919 --> 00:42:36,151
(SIREN WAILS)
824
00:42:36,221 --> 00:42:38,020
Oh, fuck!
825
00:42:38,923 --> 00:42:40,022
Fuck.
826
00:42:40,091 --> 00:42:41,091
(MUSIC STOPS)
827
00:42:41,892 --> 00:42:42,892
Ah.
828
00:42:46,464 --> 00:42:48,197
You think they were watching us?
829
00:42:51,202 --> 00:42:53,703
It's a black and white, the
Feds would be unmarked.
830
00:42:55,707 --> 00:42:57,540
Roll up your sleeve. What?
831
00:42:57,609 --> 00:43:00,270
There's blood on your
fuckin' sleeve. Oh, shit.
832
00:43:00,294 --> 00:43:02,228
(INDISTINCT RADIO CHATTER)
833
00:43:08,219 --> 00:43:09,284
License and registration.
834
00:43:12,857 --> 00:43:14,568
POLICE OFFICER:
No right turn back there.
835
00:43:14,592 --> 00:43:16,726
Oh. I didn't realize.
836
00:43:21,582 --> 00:43:24,617
How much you had to
drink tonight? Nothing.
837
00:43:29,424 --> 00:43:31,190
You live in Nevada?
838
00:43:31,259 --> 00:43:32,925
Live here. Working here now.
839
00:43:34,345 --> 00:43:36,829
POLICE OFFICER: Doing
what? Producing a movie.
840
00:43:36,898 --> 00:43:39,849
POLICE OFFICER: Oh
yeah? Where? Gravity Pictures.
841
00:43:39,918 --> 00:43:42,735
Are you a fan of Max
Kisbye, by any chance?
842
00:43:42,804 --> 00:43:45,071
Who? Here's the registration.
843
00:43:47,875 --> 00:43:49,675
Sit tight, I'll be right back.
844
00:43:59,771 --> 00:44:01,971
We're all right. Uh-huh.
845
00:44:32,320 --> 00:44:33,360
Amara.
846
00:44:35,022 --> 00:44:36,022
Oh...
847
00:44:37,391 --> 00:44:38,657
Ricky.
848
00:44:38,726 --> 00:44:41,007
Yeah. I didn't want to
leave without saying, uh...
849
00:44:43,882 --> 00:44:45,682
That was nice. I know.
850
00:44:48,369 --> 00:44:51,304
Okay, well, I'm
gonna head out. Uh...
851
00:44:51,372 --> 00:44:53,222
I get us breakfast.
852
00:44:53,291 --> 00:44:55,731
No, no, no. I mean,
I would love to,
853
00:44:55,760 --> 00:44:59,062
but, uh, I should really
run by and you got a lot...
854
00:44:59,130 --> 00:45:01,196
What you wanna eat? (SIGHS)
855
00:45:04,218 --> 00:45:05,534
Maybe pancakes.
856
00:45:09,523 --> 00:45:10,823
(SIGHS)
857
00:45:11,759 --> 00:45:13,375
Hafdis, wakey-wakey.
858
00:45:13,444 --> 00:45:14,843
(GRUNTS) Huh?
859
00:45:14,912 --> 00:45:16,673
So, is Becca Morgan
doing our movie?
860
00:45:16,697 --> 00:45:17,963
I don't know.
861
00:45:18,032 --> 00:45:19,593
I thought you had
drinks with her last night?
862
00:45:19,617 --> 00:45:22,251
Yeah. We had a flight of
wines from New Zealand.
863
00:45:22,320 --> 00:45:27,490
Marlborough, Gisborne, Hawke's
Bay and Nelson, Northland, Otago.
864
00:45:27,542 --> 00:45:30,626
But I'm a bit vague on
what happened after Otago.
865
00:45:31,312 --> 00:45:32,912
Okay.
866
00:45:32,980 --> 00:45:35,558
Gladys, can you call Miss Morgan's
agent, find out if she's doing our movie.
867
00:45:35,582 --> 00:45:36,582
GLADYS: Mmm-hmm.
868
00:45:38,419 --> 00:45:40,230
I'm gonna get some
more coffee. Want some?
869
00:45:40,254 --> 00:45:41,716
AMARA: Hmm. RICK: Yeah.
870
00:45:41,740 --> 00:45:42,999
I'll get you some.
Two sugars, right?
871
00:45:43,023 --> 00:45:44,463
AMARA: Yeah. (CHUCKLES)
872
00:45:45,860 --> 00:45:47,780
MILES: Morning. Oh, hey.
873
00:45:48,496 --> 00:45:50,191
How long is she staying in town?
874
00:45:50,215 --> 00:45:51,763
(SIGHS) Amara?
875
00:45:51,832 --> 00:45:54,628
Who the fuck else would I be
talking about? (CHUCKLES) Right.
876
00:45:54,652 --> 00:45:59,104
Uh, I... I don't know if she's
decided for sure yet, I don't know.
877
00:45:59,173 --> 00:46:00,740
What did she say?
878
00:46:00,808 --> 00:46:04,710
She said she wants to stick
around till we're done shooting.
879
00:46:04,796 --> 00:46:06,712
Done shooting? Yeah.
880
00:46:06,781 --> 00:46:08,397
Becca Morgan is confirmed!
881
00:46:08,466 --> 00:46:09,715
That's great.
882
00:46:09,783 --> 00:46:12,568
That's great news, right? Yeah.
883
00:46:12,637 --> 00:46:14,904
All right. Let me, uh,
I'm gonna get some...
884
00:46:17,925 --> 00:46:21,760
So she's gonna, what? Get a
place here? I don't know. I don't know.
885
00:46:21,829 --> 00:46:24,146
I mean, that's
worse than Pahrump.
886
00:46:24,215 --> 00:46:26,293
I mean, at least then she wasn't
breathing down our necks...
887
00:46:26,317 --> 00:46:28,167
I mean, neither of us,
in our wildest dreams,
888
00:46:28,236 --> 00:46:30,252
thought that fucking
woman was coming to LA.
889
00:46:31,239 --> 00:46:32,771
Hi.
890
00:46:32,840 --> 00:46:34,674
Thought I'd surprise you.
891
00:46:34,742 --> 00:46:35,953
If I'm interrupting...
892
00:46:35,977 --> 00:46:37,910
No, no, no. Now's good.
893
00:46:38,580 --> 00:46:40,746
Come in. What is that?
894
00:46:42,550 --> 00:46:43,616
Tiki torch.
895
00:46:46,320 --> 00:46:49,221
I'll be back in a few. No,
don't leave on my account.
896
00:46:49,290 --> 00:46:50,689
Yes. Better if you leave.
897
00:46:56,931 --> 00:46:58,363
(SIGHS)
898
00:46:58,433 --> 00:47:00,199
It's been six months.
899
00:47:00,267 --> 00:47:03,413
Telling myself that, for Emma's
sake we had to move on.
900
00:47:03,437 --> 00:47:06,956
Because I couldn't imagine how
our situation was ever gonna change.
901
00:47:08,192 --> 00:47:09,958
Then I came out here.
902
00:47:10,028 --> 00:47:12,361
And I see this life you're
making for yourself,
903
00:47:13,964 --> 00:47:15,244
it's amazing.
904
00:47:16,784 --> 00:47:20,252
And I find myself thinking...
Katie, uh, we should talk.
905
00:47:21,071 --> 00:47:22,351
What do you mean?
906
00:47:23,641 --> 00:47:24,823
Let me close the door.
907
00:47:29,613 --> 00:47:32,509
'Sup, son? Makin' the
scene, living the dream?
908
00:47:32,533 --> 00:47:34,567
Yo, you need to get out here.
909
00:47:34,636 --> 00:47:36,996
You would really
like this. Seriously?
910
00:47:37,388 --> 00:47:38,821
Why not?
911
00:47:38,890 --> 00:47:40,656
Boy, I'd love to get up there.
912
00:47:40,725 --> 00:47:42,536
I mean, I got cousins in Reseda.
913
00:47:42,560 --> 00:47:44,121
I used to get there as a kid...
914
00:47:44,145 --> 00:47:45,994
Hey, you still got that flake?
915
00:47:46,063 --> 00:47:47,841
You should bring
that shit with you.
916
00:47:47,865 --> 00:47:49,848
We'll get a little
business going.
917
00:47:49,917 --> 00:47:52,584
Think Amara's
gonna roll with that?
918
00:47:52,654 --> 00:47:55,020
This shit is between
you and me, right?
919
00:47:55,089 --> 00:47:56,533
A little business on the side,
920
00:47:56,557 --> 00:47:58,597
Amara doesn't have
to hear about that.
921
00:47:59,393 --> 00:48:02,995
I mean, if that's how
you want to play it.
922
00:48:03,081 --> 00:48:04,991
Well, then get
your ass out here.
923
00:48:05,015 --> 00:48:08,055
Bring that fuckin' flake and
let's do Hollywood in style.
924
00:48:11,505 --> 00:48:13,272
Well, at least now I get it.
925
00:48:13,341 --> 00:48:15,901
How it's possible you could
suddenly be making a movie.
926
00:48:17,194 --> 00:48:18,474
(SIGHS)
927
00:48:18,846 --> 00:48:20,479
If Amara is behind it...
928
00:48:20,548 --> 00:48:22,781
Not behind it,
just paying for it.
929
00:48:24,335 --> 00:48:26,969
So the movie comes out she'll
let you go on with your life?
930
00:48:27,037 --> 00:48:28,037
That's the plan.
931
00:48:29,607 --> 00:48:30,887
What did she actually say?
932
00:48:34,495 --> 00:48:36,862
You haven't talked
about it. No, we have.
933
00:48:36,931 --> 00:48:38,880
She's just invested
in one movie.
934
00:48:38,949 --> 00:48:41,900
She agreed that I could
live here and honestly,
935
00:48:41,969 --> 00:48:45,771
I didn't know she was gonna stay
in LA until five bloody minutes ago.
936
00:48:45,839 --> 00:48:48,040
Is she here, in the office? Yes.
937
00:48:55,900 --> 00:48:57,444
Oh, Katie... I
should go get Emma.
938
00:48:57,468 --> 00:48:59,712
We're driving back
right after lunch.
939
00:48:59,736 --> 00:49:01,656
Back to Nevada. Mmm.
940
00:49:01,889 --> 00:49:03,655
So is that it, then?
941
00:49:03,724 --> 00:49:05,924
'Cause if we're done,
can you just tell me?
942
00:49:05,993 --> 00:49:07,410
Put me out of my fuckin' misery.
943
00:49:08,446 --> 00:49:10,846
I'll call you. Oh, okay.
944
00:49:10,915 --> 00:49:12,795
I don't mean it
like that, I mean...
945
00:49:14,402 --> 00:49:15,568
I'll call you.
946
00:49:30,584 --> 00:49:32,117
What's that?
947
00:49:32,186 --> 00:49:35,254
I tried to balance coffee
and a stack of binders...
948
00:49:35,322 --> 00:49:37,757
And see? It's almost gone.
949
00:49:37,825 --> 00:49:39,425
(CHUCKLES) That's handy.
950
00:49:39,894 --> 00:49:41,093
Is that ketchup?
951
00:49:42,563 --> 00:49:43,803
Yeah, yeah.
952
00:49:44,465 --> 00:49:46,382
Hold still. Uh...
953
00:49:51,389 --> 00:49:54,390
You, uh, smell, um, nice.
954
00:50:02,450 --> 00:50:06,585
Well, there. I can still
see it, but it's better.
955
00:50:09,674 --> 00:50:10,806
Okay.
956
00:50:15,546 --> 00:50:16,546
Thank you.
957
00:50:20,484 --> 00:50:21,950
(INAUDIBLE)
958
00:50:23,954 --> 00:50:25,538
(INDISTINCT CHATTER)
959
00:50:44,341 --> 00:50:45,991
AGENT WARE: Mr. Snaebjornsson.
960
00:50:46,059 --> 00:50:47,993
HAFDIS: This is ridiculous.
961
00:50:48,061 --> 00:50:49,628
Well, tell me what I've done.
962
00:50:49,697 --> 00:50:51,808
If you can't tell me,
you gotta let me go...
963
00:50:51,832 --> 00:50:53,309
Calm down. Sir,
where's your car?
964
00:50:53,333 --> 00:50:56,146
My what? Can you tell
me where your car is?
965
00:50:56,170 --> 00:50:58,070
HAFDIS: My...
966
00:50:58,139 --> 00:51:00,183
DETECTIVE FADDEN: If I told you it was
in the swimming pool of the Wilshire Hotel,
967
00:51:00,207 --> 00:51:01,690
would you be surprised?
968
00:51:02,527 --> 00:51:04,643
Somewhat surprised, yeah.
969
00:51:04,712 --> 00:51:06,189
DETECTIVE FADDEN:
You're going downtown.
970
00:51:06,213 --> 00:51:07,493
All's good.
971
00:51:36,878 --> 00:51:38,693
♪ Do dee wap do
972
00:51:38,762 --> 00:51:41,279
♪ What am I to do?
973
00:51:44,051 --> 00:51:46,017
♪ Do dee wap do
974
00:51:46,086 --> 00:51:48,804
♪ I love no one but you
975
00:51:51,458 --> 00:51:56,261
♪ Please, little girl Tell
me what you're gonna do
976
00:51:58,882 --> 00:52:00,532
♪ Do dee wap do
977
00:52:00,601 --> 00:52:03,485
♪ Call me Mr. Blue
978
00:52:06,106 --> 00:52:07,990
♪ Do dee wap do
979
00:52:08,058 --> 00:52:09,891
♪ Do dee wap do
980
00:52:09,960 --> 00:52:13,362
♪ Do dee wap Do
dee wap Do dee wap do
981
00:52:13,431 --> 00:52:15,297
♪ Do dee wap do
982
00:52:15,366 --> 00:52:16,915
♪ Do dee wap do
983
00:52:16,984 --> 00:52:20,919
♪ Do dee wap do,
baby Do be, do be, do be
984
00:52:20,987 --> 00:52:22,554
♪ Do dee wap do
985
00:52:22,623 --> 00:52:25,341
♪ You're my heart's desire
986
00:52:28,012 --> 00:52:32,498
♪ One little kiss
to set my soul on fire
987
00:53:04,348 --> 00:53:06,114
♪ Do dee wap do
988
00:53:06,183 --> 00:53:07,766
♪ Do dee wap do
989
00:53:07,835 --> 00:53:11,353
♪ Do dee wap Do
dee wap Do dee wap do
990
00:53:11,422 --> 00:53:13,272
♪ Do dee wap do
991
00:53:13,340 --> 00:53:15,056
♪ Do dee wap do
992
00:53:15,125 --> 00:53:18,910
♪ Do dee wap do,
baby Do be, do be, do be
993
00:53:18,979 --> 00:53:20,629
♪ Do dee wap do
994
00:53:20,697 --> 00:53:23,232
♪ You're my heart's desire
995
00:53:25,836 --> 00:53:30,338
♪ One little kiss
to set my soul on fire
996
00:53:47,908 --> 00:53:49,558
♪ Do dee wap do
997
00:53:49,627 --> 00:53:52,061
♪ You're my heart's desire
998
00:53:54,915 --> 00:54:00,368
♪ One little kiss
to set my soul on fire
999
00:54:00,438 --> 00:54:04,156
♪ To set my soul on fire
1000
00:54:04,225 --> 00:54:06,040
♪ To set my soul on... ♪
74093
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