All language subtitles for Through.The.Shadow.2015.NORDiC.720p.WEB-DL.H264.AAC2.0-DAWGS-en

THROUGH THE SHADOW

Dr Afonso, the teacher from the monastery
has just arrived.

Ask her to wait a while, Aparecida.
And offer her something to drink.

Because today it gets hot.

Come on, your gay. Come on.

-So miss is a teacher.
-Yes, senhor.

-What's your name?
-Laura.

Laura. Is it you
Monastery recommends, Miss?

Yes.

- Do you suffer from the heat, Laura?
-Slightly.

The last few days have been hot.

So tight and dark clothes
does not fit the heat.

It has hardly been a year
then my mother passed away.

Oh, I'm sorry.
Feel like at home.

-You need something more?
-You want something, dear Laura?

-No thanks.
- Thanks, Aparecida.

With your permission.

Yes, that is life. It flies forward.

It is important to take advantage of it.

As long as I live.

- But Miss ...
I ...

I took the teacher's degree at 19. Then
I taught in religious schools.

I have also given private lessons
in French.

French! Oh là là.

I've been to France often
but I can't talk at all.

I'm looking for a governor
to the siblings.

They need a steady hand.

They lost their parents
in the sinking of Maria I.

They were very young. Now they need
discipline and guidance.

I'm always on the move,
especially now with the coffee crisis.

Can I call you Laura?
Your nose, look there. Finally.

You have a beautiful smile, Laura.

They are at the family home.
That's where you're going, if you thank you.

A cargo? I have never
lived in the country, Dr Afonso.

- Ship the titles.
-I don't know if I can adapt.

It is not isolated.
The whole area is very beautiful.

And then, when you met Elisa ...
She's a little angel.

She lives there alone
with the housekeeper dona Geraldina.

-Alone? But...
- Her brother lives in dormitory.

He's just there under the law.
You two will surely agree.

Elisa needs a mother figure.

Feel safe.

The poor man has never had a teacher
with such impressive qualifications.

You're speaking French. Laura ...

Accept
as a personal service to me. Reach?

And to get you, Laura ...
I mean as governor of course.

I am prepared to double the salary.

I appreciate that,
but it's not the money ...

Yes, it's not the money
who decides your decision.

I know, but think. You will
to have access to the best.

Everything you deserve.
And it will renew your soul.

- An environmental change might make me good.
-Härligt.

But then you have to interrupt your sorrow.
There it is considerably warmer.

I can keep you updated.

-No, don't come to the question.
-It's too much responsibility.

Not at all.

You decide in the house.
You have complete authority.

I don't want to be disturbed.

Do we agree?

Thanks. I'm really grateful.
You will not regret it.

Aparecida! You stroked the shirt
as I asked for?

Aparecida!

-No, don't understand.
-Sure, senhora.

Look is for.

The coffee smell makes me coffee.

The coffee smell makes me want to drink
a small cup of coffee.

All this smoke
is from the coffee fields that burn.

It is a time of abundance.

Is this Dr Afonso's estate?

You need a man
to take care of this.

A man.

Have you worked for Dr Afonso for a long time?

Have you worked for Dr Afonso for a long time?

You stay nice.

-I'm leaving here.
-Daddy's gardener

Don't cut my hair

My mother combed me

My stepmother buried me

Dad's gardener

- Don't cut my hair
-What beautiful flowers!

Did you know I am your new teacher?

I thought you got lost in the forest.

If I knew that the goods were so
beautifully I had not been sleepless.

-Dona Geraldina.
- Everybody calls me Dina.

Pleasant, the teacher.

That's it, Dina.
Dr Afonso just spoke to you.

We do the best we can
and God allows us. This way.

- Where's Elisa?
- She's very shy.

Do you know
that she picked flowers for you?

She said they were for the new teacher.
She longed for you.

Give me them and we'll take care of them.
- Nazare, put them in a vase.

Nazare is Argemiro's daughter.
The man who drove you here.

- May God give me happiness with you here.
-It's probably his wish, Laura.

So there, now you look to feel better.

But you should still rest a little.

No, Dina.

I'm way too excited.

Look what Elisa's good.
She drew herself and the teacher.

So gloomy. Is her drawings
always so gloomy?

If you only knew
all the girl has been through.

Here is Elisa's room.
We leave her alone.

Here is Antônios room.
Do you see how tidy it is?

When he comes, he smokes everything.

-Is it that bad?
-He is very restless.

But deep down, he is an angel.
No, not that room, Laura.

There we have
the old governor's possessions.

-Why didn't she bring them with them?
-A beautiful day they pick it up.

It is located there transport clear.

- I'll show you your room, senhora.
-Senhorita, Dina.

It is the best room in the house. Light
and airy and you have a nice view.

Is it Dr Afonso's room when he's here?

No, he has another room. This
the room belonged to the children's parents.

It was so he liked everyone.
Beautiful, charming.

-Who are you talking about?
-About him.

-Husägaren?
-Who else?

Feel like at home. I cook the food
and serves when senhoran wants.

Sorry, senhorita. Excuse me.

There is Elisa, so sweet.

After the food you can show
all your toys?

Elisa!
- Don't get upset, Laura.

It gets better. She is shy.

She doesn't even want to be alone
in their own room.

Nazare! Be Tiago
to have more fuel.

-Shall We Dance?
-Where has she slept?

Because she did not dare to sleep alone
she had to sleep with me.

-Tiago!
-Thanks.

Put it there.

Thanks.

From today she sleeps
in his room, as it should be.

I'm in the room next door
if it's something.

Yes, senhora.

Tiago! Tiago ...

-Listen you, we have a new boss.
-It's better with oil lamp.

The governor will like it.

Tonight you sleep in your little bed.

But Dina sings you to sleep.

Don't worry, Dina.
I will take care of it.

Sleep well, my girl.

Do you want me to sing
or tell a story?

Tell a story.

Once upon a time there was a fairy who loved
to play others a poop.

One day she encountered
a sad and stinky skunk.

It was a skunk
who often let go.

He bargained for every step he took.
So the scoundrel said,

Dear Fairy, I'm tired of being one
smelly skunk. I'm sorry...

- Have you written clearly?
-Yes.

Great. You have no spelling mistakes
and your writing style is fine.

Enchanted is a verb in preteritum.

And in the future?

Can you write a sentence
with the verb in futurum?

- Can I write that?
-Of course.

Antônio will come.

- Do you miss your brother a lot?
-Antônio will come.

Who are the people
on this nice drawing?

A man, a woman, one to man
and one to woman hiding.

And who is the beautiful girl?

Isabel, my old teacher.

Now that we are friends
should we keep each other company.

Elisa! Take something hot with you.
It can get cold.

Did you stay in a dormitory, like Antônio?

No, first I lived with my mother.

When she died
I moved to a monastery.

Was it a big house like this?

Yes, it was great
but different from this one.

- Did the other one be there?
-Yes, a lot of young ladies.

Why did you choose the teaching profession?

Honestly, I wanted to become a pianist
but I had no piano at home.

Do you have a boyfriend?

No.

- Can you wheel?
-Hjula? No, how do you do that?

You have to practice. I'm practicing.

-Be careful.
- Did you enjoy it?

-Yes, do it again.
-Okay.

It would be good if he saw me here.
If he could see her.

- It would be great.
- Did you talk to me?

-No, I was just thinking aloud.
-What are you afraid of?

I? I'm afraid too much.

But especially
not to be good enough.

But it's a good fear.
It makes you effort.

When I grow up I will also be
teacher. I will make an effort.

My old teacher was good.

- She shouldn't have done that.
-What did she do?

She was sad. She walked
alone on the property.

At the lake. She stayed there.

Until she disappeared.

But no one disappears so, beloved friend.

She went without saying hi then.
It was just that.

But now I'm here and I'm going
Nowhere. My beloved friend.

Elisa!

Where's the doll?

She drowned.

-What did you say?
- She drowned. Did not you understand?

Have you heard?

- Is anyone fixing the ceiling?
- It doesn't have to be fixed.

Well, I saw a man there.

I ask Tiago to look for it.

You have received a letter.
I think it's from Dr Afonso.

Excuse me, dear Laura. Is everything okay?

-With me?
-With everything. Something new?

Can you read? I look bad.
My glasses are too weak.

"We regret that we must inform
is that Antônio Medeiros "-

- "becomes relegated
because of bad behavior. "

"We ask that you as soon as possible
arranging transport ... "

Related, they mean
that he must not be left?

- Has he ever been wrong here?
-Just boy stroke, dona Laura.

I can't say he never
done something stupid but ...

He's just a kid.

You have cleared more beans
than Dina.

Here you have several.

Do not you think
that it's a bit dark, Nazare?

Tiago, pour in a little oil then the engine
get started! Put on speed!

I'm in the process of.

Know someone who had broken my
porcelain figurine and hid it in the box?

It was certainly the wind, Laura said.

I collected the pieces
to try to fix it.

No, it wasn't the wind.

It was me.
I had broken the porcelain figure.

I bumped into it and it fell
on the floor. But it was not diligent.

What did you do in my room?

-I like that room.
-You can sleep there whenever you want.

Nazare, take Elisa to her room.
It is high time for you to sleep.

Your coming
and say good night later, Elisha.

Dina always seems to hide something.

Lucky that Elisa said the truth.
I liked her attitude. Strong.

I'll get her to trust me.

I'll succeed
before Antônio returns.

Oh, Laura ...
Can I call you Laura?

You have a beautiful smile, Laura.

Stay in your place, boy.

Antônio!

Antônio!

What are you waiting for? Don't you see that he
need help? Get water for him.

Drink this.

Good afternoon, senhora.
I'll leave the boy here.

Good afternoon.

Look who's coming there.

ELISA!
-Antônio!

-I missed you.
-Me too.

- So you are our new teacher.
-And you're Antônio.

-Pleasantly.
-I'm called Laura.

Then the guy is handed over.
I travel further.

-We see you again, Antônio.
-Don't hope if God wants.

He does.

Well then.

Hands off! You don't touch anything here.
Here I decide. Is that clear?

If you scare the horse, it shines.

Oh my God. Do you want to sit back there?

- Come and sit with me.
- No, I'm staying here.

Then you get to sit still.

-Your!
-What good you are with Dina again.

What a smoke! Tell them to stop.

It's not possible.
The government has ordered it.

Ordered? Who decides here?
Is everything that I left it?

-It's like, little Antônio.
- Don't call me little, just Antônio!

So ... Another bit.

I knew
that I would get chicken sting, Dina.

I didn't even have to guess.

You just did it
for Antônio came.

Do you know what it is, Elisha?

Prestige. Do you know what it is?

Yes I do.

Excuse.

-Where is it? Here.
-Is that it?

-Here.
-Okay.

Three four...

Do you stop?

-Do not stop. Play more.
-Not now.

Didn't you play for Elisa?
Play something for me.

No, I don't play well, Antônio.

We are going up now and reading a little
about Odysseus's life. Come on.

We'll see why it took him so
many years to return from the war.

It is you who decides.

This blue here is the Atlantic.
Do you see this dot? It is us.

- The dot.
-That?

Inside that point, there are some
the earth that belongs to me.

- Did you know, Laura?
-As you belong?

Yes, the goods belonged to my father,
now it's mine. Just mine.

And Elisa's ... It's ours.

I also own
a piece of the earth, Laura.

I'll take care of the goods better than mine
Father. Not at all like Uncle Afonso.

Can we talk about Homer now?

It is the same.

We'll talk about Homer ...

This. Here.

Odysseus travels home from the war.
- Listen, Antônio!

I am talking to you.

Listen.

What are you doing?

I am playing.
I like to play with you.

You just have to take it off
when we say.

-You can't take it off.
-Cut properly, otherwise I see.

- So there.
-Get up.

We count on ten.

One two three four five...

... six, seven, eight, nine, ten!

-Where am I?
-Where.

-Where am I?
-Where?

-No, there is none.
-Here? Here?

Here I am.

-I will find you.
- You'll never find me.

You are good at hiding.

-Where am I?
-Where.

Elisa! I will find you.

-We are really close to you.
-Not at all.

You won't find me.

Antonio?

Antonio?

ELISA?
-I'm here.

-Laura!
-You won't find me.

-Where am I?
-Come and take me.

-Where am I?
-Antônio?

ELISA?
-Where am I?

Who bands for your eyes?
It is best to be vigilant.

It's dangerous here.

Argemiro!

Don't cut my hair

My mother combed me

My stepmother buried me

Dona Laura?

Your?

Wake up, Laura! Calm down.

-Good morning.
-Good morning.

-What about some mythology?
-It's well Minotauros?

- Can you already have that story?
-Yes, this is one of my favorites.

But Elisa feels guaranteed
not to it, so tell it.

- Have you heard it, Elisha?
-No.

Minotauros lived in the maze.

Not at all. It was Minos, his father,
who hid him in the maze.

Do you know why?
He was ashamed of his son ...

... who had a bull's head
and a human body. Buh!

- Isn't that the story going?
-Yes, who told you that?

I do not remember.

- Can I leave the room for a moment?
-Yes.

That's right, tell Elisa how
Theseus managed to kill Minotauros.

And find out of the maze.

Tiago! Tiago! Tiago!

-Tiago! Tiago!
-I'm coming!

Have you filled up with fuel?
You must not forget. It's your job.

Here.

Wait. I prefer the glass play.

-What is it for play?
- Leave that, Elisa.

I put it away.

-How do you play?
-It is easy.

We turn the glass and put our finger
here. But one must not press.

You must not move or move it.
Just put your finger on top.

You have to put them out in a circle.
It should not be straight. A circle.

-Okay.
-J, K ...

- Is that all we should do?
-We are waiting for that to happen.

-Vadå?
-The glass moves on.

- Will the glass move?
- It can write. Do you want to see?

Who's there? Who's there?

B ...

... E ...

N ... ...

... T ...

-...O
-Bento.

Who is Bento?

C ...

... U ...

...IN...

... D ...

... A ...

... D ...

-Cuidad ...
-...O

Be careful.

J ...

... U ...

... L ...

...IN...

-... A. Juliet.

Who moved on the glass?

Do you know someone named so?

It was my mother's name.

-Was that you?
- No, it wasn't me.

No.

-We have finished playing for today.
- It's bedtime.

Come in.

Did the glassware scare you?

No, I'm not afraid of stupidity.

-Nonsense?
-Good night.

Who are you?

-Did you see?
-Who? Your?

No no. The man at the window.

- No, I didn't see anyone.
- Didn't you see?

-No, Laura!
-Your! Your!

Oh, my God, what's the matter?
You are dung watch and pale as a ghost!

There was someone out there. I saw him.
He was injured.

- What kind of man?
-Same man I saw on the roof.

Was the man on the roof also damaged?

I'm sure he was.

He was tall, strong.
He had a long rock.

It sounds like Bento.

It's the name in the glass game.
Who is Bento?

It was the old man here.
Dr Afonso's right hand.

What does he do in the house?
We'll call the police.

It's not necessary. There is no one here.

I saw him in the house.

You can't have seen Bento.
He died last year.

He fell off the horse
and hit his head against a stone.

How's that, Dr. Afonso? Afonso.

I did my best. God
is my witness that I tried ...

... complete my mission.

But it won't go.

No. You apologize.

I don't have enough courage
to do it.

The responsibility is too great.

I'm thankful.

No...

Excuse me.
How's that, Dr. Afonso?

No. This will not go at all.

Tiago! Help!

- Oh, be careful.
-Quiet.

It was just a shit.
You get well fast.

Why did you do that?
You could have hurt yourself properly.

-Because I can.
-I know you can.

But don't do it, please.

When I am evil I am really evil.
And then I can do it again.

Yes, but you can't do it again.
Look how it ended.

When do I return to school?

I promise you will go to school.
But it will be a much better school.

I'll find a school that fits.
Were you happy in your school?

- I'm happy wherever I am.
-Why did you become relegated?

I said things
which I should not have said.

But I need
go back to school.

I can't even half
of what I have to know.

But one thing I know. I need
more life around, peers.

-Doesn't Elisa count?
- You compare me to a little girl.

No, I don't compare at all.

And Uncle Afonso?
Is he thinking the same as you?

How do you know what I'm thinking?

Obviously I don't know.
You tell nothing.

I think your uncle
does not care.

Yes I know.

But I care. I care.

Rest now so you tickle yourself.
We are just happy when we feel good.

You're not happy. You don't feel good here.
You were going to go.

I felt weak, but it is over.
I came back.

Why? Because I was here?

-I will take care of you.
- I knew you needed me.

What do you mean?

What are you doing?

Has Antônio ever talked about Bento?

What would it be, dear Laura?
They joined in. Be ready to go.

I didn't like that Bento. He
looked like the devil when he drank.

He steered the goods
with the lord's blessing.

- Didn't the former governor do anything?
-Dona Laura ...

She gave no respect
and ended up under his power as well.

So the kids saw?

Tiago.

-You need something?
- Did you know Bento?

Yes, he helped me here on the estate.

But he had a dark interior.
He was evil.

Dangerous. I was considering
to shoot him.

Thankfully he died before. If he
had lived had we had a hard time.

With your permission.

Antônio! Come here, I want to show
you something. Come back, Antônio.

What do you want?

Wait, Antônio!

Wait for me, Antônio.

Come on, Antônio, wait.

They know more than you think.
They are not so innocent.

Quiet now, Laura.
You see visions that no one else sees.

Do you know what I think? You have not
accustomed to the goods and animals

-and all the sounds we have here.
And the kids are so.

No, Dina. No.
They live in another world.

They do not belong to you or me.
They belong to him and her.

-What do you mean? Bento and Isabel?
-Yes.

They hang in the hocks of the kids
continuously. They are getting closer.

The only thing they want
is to put the children in danger.

- Don't say so, for God's sake.
-If we don't manage to stop them.

Dona Laura ... The one who should do something
is their uncle?

Yes. I tried to write,
but what should i say?

That the goods are poisoned,
that the kids are crazy?

Poisoned? What...?

Crazy?

So you think that
is it me crazy?

You do not believe me.

Listen, dear Laura.
Above all, I believe in God.

I think you are very nervous.

With permission ...

-... ... T N ... O.
-Bento.

Stay a while with her, Nazare.
I'm coming soon.

I saw her again, Nazare.
The woman at the lake.

With short cut hair. Here, in the house.

Before she disappeared
was dona Isabel also like this.

- She became dumb when senhor Bento died.
- She was crazy.

Enough about misery, Nazare.

Rest for a while,
so we are no longer talking about it. So yes.

I'm coming.
I'm coming! But yeah.

-What happened, Laura?
- Did you take the letter that lay here?

I would never venture
to something like that. What's the letter?

The letter I wrote to Dr Afonso
where I tell you everything.

- So you wrote.
-Yes, I asked him to come.

But he never comes, dear Laura.
-Yes, this time he comes.

They want to drive me to madness though
they should not succeed. They shouldn't.

I have to find the letter as soon as possible
and ask Argemiro to send it.

Well, you are.

-Why do you make up?
- To be beautiful. I try.

-Where's the letter, Elisa?
-Vadå?

-Where's the letter?
-What are you talking about?

-Who gave you the game box?
-I do not remember. I believe you.

Do you think? It was not.

Why don't you ask her?
Where is she now?

Who then? Isabel? Isabel?

Reach? Where is she now?

Look in the mirror, Elisha. In the mirror.

Why don't you recognize that you see
her too? Then you get rid of her.

That horrible and sad woman.
Look at her. Look, Elisha.

- Look then, Elisha.
-I don't want to look. I will not.

I don't want to see anything.
Let me go, Laura. I'm afraid.

- Release the girl. - Come here.
- She sees her. You have to look, Dina.

- I didn't see anything. I never saw anything.
- You saw her.

I didn't see her!
Out of my room! Out!

-I don't want to see you again! Go out!
- Please, dear Laura.

Calm, my bitch. Yours will protect you.

I have to drive them out of here!

-Old, dona Laura.
- Was she married?

The dress belonged to her mother. She
saved it to their own wedding.

Everything that has belonged to them should go out.
Now with that!

Out, Isabel! Out, Bento!

Out! Out!

Out! Out!

Go away.

Crikey. You probably won't see this.
Wait, Elisha!

Leave it there!

-Dona Laura.
ELISA! Elisa!

Dad's gardener

Stop singing that song, Elisha.
Stop! It's so sad!

My mom comb ...

-Your nasty woman, madman, whore!
-It's enough now, Laura.

Yes! Before she gets completely obsessed
of that woman. It is enough.

She must leave the goods
as soon as possible and you go with.

Are you going to take her from her home?
She has always been happy here.

-Dr Afonso would never accept it.
- She must go. - Beloved, Elisa.

-Quiet. Come with me, Elisha.
-Madman. You are one in the bundle.

-A slut! A lunatic.
- Come on with Dina now.

-I hate you. I hate you!
-It is enough.

It is enough. Come on with Dina.

It's me, Dina.

-It's against my will, but I'm leaving.
- Do you have any doubts?

You want to help the children,
but you cannot separate right from wrong.

No, it's not.

It is the opposite.

In addition, I have the authority
to make the decision.

So many profanities like the girl said.
Where did she get them all from?

-It doesn't seem like she's talking.
-You heard it yourself.

That's proof of what I said.

Yes, I really have to take it
far from here.

So you believe in me. You go.

We will succeed in saving the children.
We will succeed.

Don't be upset.
You are here with you.

Then we'll go.

Don't you see the lights flicker? Why bath
you not pouring more oil on them?

Isn't it you who decides?
Why don't you ask for it yourself?

Afons ... Senhor Francisco!
We need more oil!

Candles flickering, senhor Francisco!

At last we are alone.

Why did you send Elisa away?
Was it to be alone with me?

That too. But also because it
this place was not good for her.

Just for her? Why
didn't you send me away too?

Because we have a lot to talk about.

Did you take my letter to your uncle?

-Yes.
-Why did you do it?

- I wanted to see what you wrote about me.
- Did you open the letter?

Yes.

And there was nothing.
What did you do with the letter?

I burned it.

- Was that what you did in school?
-In school?

- Did you take other people's things?
-Do you ask me if I stole?

Therefore, you cannot return.
I know everything.

-All?
- You know I can help you?

-I haven't stolen anything.
-What did you do?

I've already said that. I said
things. That I should not say.

- What were you saying?
-Mean things.

Very nasty things.

- Can we talk about your friend?
-Who then? I have no friends.

- Are you afraid he'll get angry with you?
-I don't know what you're talking about.

You have such a close friend that he sometimes
seems to be within you.

He's a bad friend.

I ignore what you did in
school. It wasn't you, he was.

Recognize, Antônio!
Recognize that he is leaving your site.

Recognize that he is hurting you.

Should I admit a lie?
I see no man. What a man?

You know! Say Bento!
Say it so we can get him out.

Say it, my child. Say it, please.

I'm not your child. I am a man.

No no. You are a child.
You're not Bento.

You're called Antônio.

Do you know what you need? A real man!

-Yeah, you're getting mad.
-I am not scared of you!

Help! Help! Away!

Bento ...

I came to pick you up.

Translation: Angel Hammer