All language subtitles for 210

af Afrikaans
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bn Bengali
bs Bosnian
bg Bulgarian
ca Catalan
ceb Cebuano
ny Chichewa
zh-CN Chinese (Simplified) Download
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English Download
eo Esperanto
et Estonian
tl Filipino
fi Finnish
fr French
fy Frisian
gl Galician
ka Georgian
de German
el Greek
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian Download
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
km Khmer
ko Korean Download
ku Kurdish (Kurmanji)
ky Kyrgyz
lo Lao
la Latin
lv Latvian
lt Lithuanian
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mn Mongolian
my Myanmar (Burmese)
ne Nepali
no Norwegian
ps Pashto
fa Persian
pl Polish
pt Portuguese
pa Punjabi
ro Romanian
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
st Sesotho
sn Shona
sd Sindhi
si Sinhala
sk Slovak
sl Slovenian
so Somali
es Spanish Download
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
te Telugu
th Thai
tr Turkish
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
or Odia (Oriya)
rw Kinyarwanda
tk Turkmen
tt Tatar
ug Uyghur
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:01:17,010 --> 00:01:19,512 UHH, I CAN'T STAND SUSAN NOONAN. 2 00:01:19,512 --> 00:01:21,013 SHE'S SUCH A GOSSIP. 3 00:01:21,014 --> 00:01:24,017 DON'T EVER TRUST HER WITH ANYTHING, DIANE. 4 00:01:24,017 --> 00:01:25,518 YOU KNOW WHAT SHE ONCE TOLD ME? 5 00:01:25,518 --> 00:01:27,019 AND DON'T EVER SAY ANYTHING TO ANYONE 6 00:01:27,020 --> 00:01:29,522 'CAUSE I PROMISED HER I WOULDN'T TELL. 7 00:01:29,522 --> 00:01:31,524 SHE TOLD ME THAT HER SISTER WAS BORN 8 00:01:31,524 --> 00:01:34,026 BEFORE HER PARENTS WERE ACTUALLY MARRIED. 9 00:01:34,027 --> 00:01:36,029 ISN'T THAT COOL? 10 00:01:36,029 --> 00:01:37,797 I HAD TO HELP YOUR MOM WITH THE GROCERIES. 11 00:01:37,797 --> 00:01:40,866 OH, YOU WANTED TO HELP HER 'CAUSE I HAD YOU BEAT. 12 00:01:40,867 --> 00:01:42,368 YEAH, RIGHT. 13 00:01:42,368 --> 00:01:45,871 COME ON. I HAD YOU BY 5 POINTS TILL THE BUZZER CAME ON. 14 00:01:45,872 --> 00:01:46,873 I GOT TO GO, DIANE. 15 00:01:46,873 --> 00:01:48,875 THE 'RENTS JUST CAME IN. 16 00:01:48,875 --> 00:01:50,877 NO WAY. TELL ME. 17 00:01:50,877 --> 00:01:52,712 WHAT DID YOU BUY ME? 18 00:01:52,712 --> 00:01:54,547 NOTHING. GET OUT OF THERE. 19 00:01:54,547 --> 00:01:56,515 DAD, I THINK YOU SHOULD PUT A LIGHT OUTSIDE 20 00:01:56,516 --> 00:01:58,351 SO WE CAN PLAY BASKETBALL AT NIGHT. 21 00:01:58,351 --> 00:02:00,653 YOU KNOW, YOU GOT A LIGHT ON YOUR DESK 22 00:02:00,653 --> 00:02:03,222 SO YOU CAN DO YOUR HOMEWORK. 23 00:02:03,223 --> 00:02:05,725 DON'T DO THAT IN THE HOUSE. 24 00:02:05,725 --> 00:02:07,793 DARLENE. 25 00:02:07,794 --> 00:02:09,228 DARLENE, SET THE TABLE. 26 00:02:09,229 --> 00:02:10,530 I'LL DO IT! 27 00:02:10,530 --> 00:02:12,598 GO AHEAD, MR. SUCK-UP. 28 00:02:12,599 --> 00:02:15,602 NOBODY BUYS YOUR GOODY-GOODY ACT. 29 00:02:15,602 --> 00:02:17,604 MOMMY BUYS IT. 30 00:02:19,172 --> 00:02:20,740 HEY, YOU KNOW WHAT, KID? 31 00:02:20,740 --> 00:02:22,274 IT COULD BE PRETTY CLOSE THERE FRIDAY NIGHT. 32 00:02:22,275 --> 00:02:25,344 NO WAY. JORDAN IS UNSTOPPABLE. 33 00:02:25,345 --> 00:02:26,846 I DON'T KNOW. THINGS GET PRETTY HAIRY 34 00:02:26,846 --> 00:02:28,347 WITH FAT LEVER AT POINT GUARD. 35 00:02:28,348 --> 00:02:30,116 OH, PLEASE. 36 00:02:30,116 --> 00:02:31,750 WHAT'S A POINT GUARD? FORGET IT. 37 00:02:31,751 --> 00:02:34,253 MOM, I CAN'T REACH THE PLATES. 38 00:02:34,254 --> 00:02:36,155 BIG GAME FRIDAY NIGHT, BABY. 39 00:02:36,156 --> 00:02:37,157 WHAT KIND OF GAME? 40 00:02:37,157 --> 00:02:39,225 BASKETBALL. HOOPS. B-BALL. 41 00:02:39,225 --> 00:02:42,728 PULSES RACE AS THE TOWERING CHICAGO BULLS 44 00:02:46,900 --> 00:02:48,401 PAY ME. 45 00:02:48,401 --> 00:02:51,103 MOM, I CAN'T REACH THE GLASSES. 46 00:02:51,104 --> 00:02:53,473 HOW CAN SOMEONE NOT APPRECIATE BASKETBALL? 47 00:02:53,473 --> 00:02:55,541 WELL, IT'S EASY. 48 00:02:55,542 --> 00:02:58,044 YOU JUST SLOUCH ON THE SOFA NEXT TO YOUR HUSBAND, 49 00:02:58,044 --> 00:02:59,545 YOU WATCH THESE GUYS RUN UP AND DOWN THE COURT 50 00:02:59,546 --> 00:03:01,047 A COUPLE HUNDRED TIMES, 51 00:03:01,047 --> 00:03:02,882 AND THEN IT BECOMES ALMOST HYPNOTIC. 52 00:03:02,882 --> 00:03:04,250 YOU GET REALLY BORED. 53 00:03:04,250 --> 00:03:06,752 YOU'RE SITTING THERE THINKING, "WAIT A MINUTE. 54 00:03:06,753 --> 00:03:09,622 I HAVE NO LIFE." 55 00:03:09,622 --> 00:03:10,689 THIS MESSAGE WAS NOT BROUGHT TO YOU 56 00:03:10,690 --> 00:03:12,725 BY THE NATIONAL BASKETBALL ASSOCIATION. 57 00:03:12,725 --> 00:03:15,227 I THINK I'M GOING OUT WITH JIMMY ON FRIDAY NIGHT. 58 00:03:15,228 --> 00:03:17,730 TALK ABOUT HAVING NO LIFE. 59 00:03:17,730 --> 00:03:21,233 YEAH, I BET YOU HAVE SOME REAL MAJOR PLANS. 60 00:03:21,234 --> 00:03:23,035 I'M WATCHING THE GAME WITH DAD. 61 00:03:23,036 --> 00:03:24,103 AH, THE SON I NEVER HAD. 62 00:03:24,103 --> 00:03:26,605 HEY, I'M WATCHING THE GAME, TOO! 63 00:03:26,606 --> 00:03:27,607 OK. 64 00:03:29,842 --> 00:03:32,177 HONEY, I INVITED A FEW OF THE FELLAS OVER FRIDAY NIGHT. 65 00:03:32,178 --> 00:03:34,213 YEAH, ARE YOU ASKING ME OR TELLING ME? 66 00:03:34,214 --> 00:03:36,015 OH, COME ON. IT'S AN OCCASION. 67 00:03:36,015 --> 00:03:37,082 WELL, LET'S BREAK OUT 68 00:03:37,083 --> 00:03:39,585 THE HARVEY'S BRISTOL CREAM, SHALL WE? 69 00:03:39,586 --> 00:03:41,354 WHAT TIME'S THE KICKOFF? 70 00:03:41,354 --> 00:03:44,223 TIP-OFF IS AT 7:00. 71 00:03:44,224 --> 00:03:45,792 WELL, YOU AIN'T GONNA WATCH IT ANYWAYS, DARLENE, 72 00:03:45,792 --> 00:03:46,793 UNTIL YOU DO YOUR HOMEWORK. 73 00:03:46,793 --> 00:03:49,295 REMEMBER, WE HAD THIS DISCUSSION? 74 00:03:49,295 --> 00:03:50,796 YEAH, BUT THIS IS A FRIDAY NIGHT. 75 00:03:50,797 --> 00:03:53,533 SINCE WHEN DO I HAVE TO DO MY HOMEWORK ON A FRIDAY NIGHT? 76 00:03:53,533 --> 00:03:55,735 SINCE I GOT YOUR LAST REPORT CARD. 77 00:03:55,735 --> 00:03:57,803 WELL, THE ONLY HOMEWORK I'M GONNA HAVE TO DO THIS WEEKEND 78 00:03:57,804 --> 00:04:00,106 IS TO WRITE A STUPID POEM FOR ENGLISH. 79 00:04:00,106 --> 00:04:01,207 WELL, YOU CAN WRITE A POEM. 80 00:04:01,207 --> 00:04:04,043 YEAH, BUT IT HAS TO BE STUPID. 81 00:04:04,043 --> 00:04:05,110 OH, KNOCK IT OFF, YOU GUYS. 82 00:04:05,111 --> 00:04:07,613 ANYWAYS, WRITING POETRY'S KIND OF FUN, YOU KNOW? 83 00:04:07,614 --> 00:04:10,350 YOU GET TO BE CREATIVE AND EXPRESSIVE. 84 00:04:10,350 --> 00:04:12,352 I DON'T WANT TO BE EXPRESSIVE. 85 00:04:12,352 --> 00:04:14,854 I COULDN'T CARE LESS ABOUT POETRY. 86 00:04:14,854 --> 00:04:16,355 I JUST WANT TO GRADUATE HIGH SCHOOL 87 00:04:16,356 --> 00:04:17,357 SO I CAN GET ON WITH MY LIFE 88 00:04:17,357 --> 00:04:21,394 SO I CAN GET A JOB AND GET OUT OF THIS HELLHOLE TOWN! 89 00:04:21,394 --> 00:04:23,462 BUT IF YOU COULD BE EXPRESSIVE, 90 00:04:23,463 --> 00:04:24,831 WHAT WOULD YOU SAY? 91 00:04:34,240 --> 00:04:37,243 HEY, HOW YOU DOING THERE, SYLVIA PLATH? 92 00:04:37,243 --> 00:04:38,744 WHO'S SYLVIA PLATH? 93 00:04:38,745 --> 00:04:41,247 OH, SHE WAS THIS BRILLIANT POET, 94 00:04:41,247 --> 00:04:44,750 FULL OF PASSION, ANGST, AND WHATEVER. 95 00:04:44,751 --> 00:04:48,254 SHE INSPIRED QUITE A FEW WOMEN. LIKE MOI. 96 00:04:48,254 --> 00:04:50,756 UH-OH. WHAT'S THAT? 97 00:04:50,757 --> 00:04:52,258 WELL, I WAS IN THE GARAGE, 98 00:04:52,258 --> 00:04:53,759 AND I WENT THROUGH THIS TRUNK, 99 00:04:53,760 --> 00:04:56,262 AND I FOUND ALL THESE POEMS I WROTE WHEN I WAS IN SCHOOL. 100 00:04:56,262 --> 00:04:57,763 I THOUGHT MAYBE IT'D HELP YOU. 101 00:04:57,764 --> 00:05:00,266 HELP? YOU SAVED ME. 102 00:05:00,266 --> 00:05:01,267 SO WHICH ONE SHOULD I COPY? 103 00:05:01,267 --> 00:05:02,768 HEY! 104 00:05:02,769 --> 00:05:03,770 OW. 105 00:05:05,271 --> 00:05:09,275 "THE SKY... DRIPS DOWN... 106 00:05:09,275 --> 00:05:11,277 LIKE DRAGON'S TEETH." 107 00:05:12,779 --> 00:05:15,782 "THE EARTH SIGHS... 108 00:05:15,782 --> 00:05:18,384 "BENDING TO MY TOUCH. 109 00:05:18,384 --> 00:05:21,453 I AM MELTING." 110 00:05:26,092 --> 00:05:28,761 YOU HAD TO BE THERE. 111 00:05:28,761 --> 00:05:31,463 WELL, I GUESS "THERE" MUST MEAN MARS. 112 00:05:31,464 --> 00:05:32,531 WELL, THERE'S OTHER POEMS IN THERE 113 00:05:32,532 --> 00:05:35,535 THAT AREN'T QUITE SO EARTHY. 114 00:05:35,535 --> 00:05:36,536 WHY'D YOU WRITE THESE? 115 00:05:36,536 --> 00:05:38,037 BECAUSE I WANTED TO. 116 00:05:38,037 --> 00:05:41,540 WELL, I CAN'T WRITE ABOUT THIS KIND OF STUFF. 117 00:05:41,541 --> 00:05:43,042 WHAT DO YOU MEAN? 118 00:05:44,544 --> 00:05:46,045 "WRITE A POEM 119 00:05:46,045 --> 00:05:49,048 "ABOUT SOMETHING THAT GIVES YOU A HAPPY FEELING. 120 00:05:49,048 --> 00:05:50,049 "FOR EXAMPLE-- 121 00:05:50,049 --> 00:05:56,055 A TREE, A RAINBOW, YOUR--HEH HEH--FAMILY." 122 00:05:56,055 --> 00:05:58,290 YOU CAN WRITE ABOUT WHATEVER YOU WANT. 123 00:05:58,291 --> 00:06:03,129 YEAH, AS LONG AS IT GIVES ME "A HAPPY FEELING." 124 00:06:03,129 --> 00:06:05,197 OH, COME OFF IT, DARLENE. 125 00:06:05,198 --> 00:06:06,699 JUST 'CAUSE YOUR TEACHER'S A LITTLE WET 126 00:06:06,699 --> 00:06:09,201 DOESN'T MEAN THAT ALL POETRY STINKS. 127 00:06:09,202 --> 00:06:11,204 ANYWAY, POETRY'S REALLY COOL. 128 00:06:11,204 --> 00:06:12,205 I LOVED TO WRITE IT 129 00:06:12,205 --> 00:06:13,673 WHEN I WAS IN SCHOOL. 130 00:06:13,673 --> 00:06:16,008 WELL, YEAH, BUT YOU WERE A NERD. 131 00:06:16,008 --> 00:06:18,510 I WAS NOT A NERD. 132 00:06:18,511 --> 00:06:21,514 DAD SAID YOU WERE A NERD IN SCHOOL. 133 00:06:21,514 --> 00:06:25,017 WELL, CONSIDER THE SOURCE. 134 00:06:25,017 --> 00:06:26,518 ANYWAY, WHAT DO YOU THINK ABOUT THESE PEOPLE 135 00:06:26,519 --> 00:06:29,021 LIKE, YOU KNOW, EDIE BRICKELL OR CHRISSIE HYNDE 136 00:06:29,021 --> 00:06:30,489 OR RICKIE LEE JONES? 137 00:06:30,490 --> 00:06:31,991 YOU THINK THEY'RE NERDS? 138 00:06:31,991 --> 00:06:34,193 I GET THE POINT. 139 00:06:34,193 --> 00:06:36,862 SO, WHAT WOULD MAKE YOU HAPPY? 140 00:06:36,863 --> 00:06:39,932 I DON'T KNOW. A TREE! 141 00:06:46,439 --> 00:06:47,940 OK, DEEJ. 142 00:06:47,940 --> 00:06:48,941 YOU CALL US WHEN YOU'RE READY, 143 00:06:48,941 --> 00:06:50,442 AND WE'LL COME AND PICK YOU UP. OK, BYE. 144 00:06:50,443 --> 00:06:52,445 YEAH, GOOD LUCK. 145 00:06:52,445 --> 00:06:54,647 WHERE'S HE AT, AT JANET'S? 146 00:06:54,647 --> 00:06:57,716 YEAH. JANET'S MOM INVITED HIM TO STAY FOR DINNER. 147 00:06:57,717 --> 00:06:59,218 SAYS HE'S GOING TO MARRY JANET. 148 00:06:59,218 --> 00:07:01,119 SHE PROPOSED TO HIM. 149 00:07:01,120 --> 00:07:02,688 CAN YOU BLAME HER? 150 00:07:02,688 --> 00:07:04,456 HE'S GOT HIS DADDY'S CHARM. 151 00:07:04,457 --> 00:07:05,524 YEAH, AND EVERYTHING ELSE. 152 00:07:08,528 --> 00:07:10,530 AH, WELL, YOU TELL YOURSELF 153 00:07:10,530 --> 00:07:12,031 WHATEVER YOU WANT, DAN. 154 00:07:13,032 --> 00:07:14,767 IS DARLENE OUT THERE? 155 00:07:14,767 --> 00:07:16,935 SHE'S DOING HER HOMEWORK. 156 00:07:16,936 --> 00:07:18,003 IT'S A THEORY. 157 00:07:19,472 --> 00:07:21,040 YOU KNOW, I JUST DON'T GET IT. 158 00:07:21,040 --> 00:07:23,542 WRITING IS SOMETHING THAT DARLENE COULD BE REALLY, REALLY GOOD AT. 159 00:07:23,543 --> 00:07:25,545 I MEAN, SHE'S EXPRESSIVE, 160 00:07:25,545 --> 00:07:29,549 YOU KNOW, SHE'S CREATIVE, SHE HAS PENCILS. 161 00:07:29,549 --> 00:07:31,817 [TELEPHONE RINGS] 162 00:07:32,819 --> 00:07:33,820 HELLO. 163 00:07:33,820 --> 00:07:36,322 HEY, JOEY. IT'S JOEY L. 164 00:07:36,322 --> 00:07:37,823 JOEY, WHAT'S THE WORD? 165 00:07:37,824 --> 00:07:39,325 ARE YOU COMING OVER HERE 166 00:07:39,325 --> 00:07:41,827 TO WATCH THE GAME TOMORROW NIGHT? 167 00:07:41,828 --> 00:07:43,329 HEY, JUST TELL YOUR WIFE-- 168 00:07:43,329 --> 00:07:44,330 ONE SECOND. 169 00:07:44,330 --> 00:07:47,333 LET ME TAKE THIS IN THE HALL. 170 00:07:47,333 --> 00:07:50,336 SO WHERE'S YOU AND WHAT'S-HIS-FACE GOING ON FRIDAY? 171 00:07:50,336 --> 00:07:51,537 OUT. 172 00:07:51,537 --> 00:07:54,106 OH, WELL, YOU'LL HAVE A REAL GOOD TIME. 173 00:07:54,106 --> 00:07:56,675 YOUR DADDY AND I USED TO GO THERE ALL THE TIME. 174 00:07:56,676 --> 00:07:58,744 ARE YOU GONNA STAY HERE WITH DAD AND WATCH THE GAME? 175 00:07:58,744 --> 00:08:00,245 UH-UH. AUNT JACKIE'S COMING OVER. 176 00:08:00,246 --> 00:08:01,981 WHAT ARE YOU GUYS GONNA DO? 177 00:08:01,981 --> 00:08:05,050 DRINK BEER AND SHOOT AT MAILBOXES. 178 00:08:05,051 --> 00:08:06,352 COOL. 179 00:08:06,352 --> 00:08:09,154 GREAT. I'LL RESERVE THE BLUE CHAIR FOR YOU. 180 00:08:09,155 --> 00:08:10,156 HA HA HA HA HA! 181 00:08:10,156 --> 00:08:12,158 [DOORBELL RINGS] I'LL GET IT. 182 00:08:12,158 --> 00:08:15,161 ALL RIGHT. BREAK IT TO ME GENTLY. 183 00:08:15,161 --> 00:08:17,396 HOW MANY? FIVE, SIX TOPS. 184 00:08:17,396 --> 00:08:19,464 NOW YOU UNDERSTAND I'M NOT TALKING ABOUT THEIR I.Q.s. 185 00:08:19,465 --> 00:08:22,468 I'M TALKING ABOUT THE NUMBER OF YOUR NASTY FRIENDS 186 00:08:22,468 --> 00:08:24,736 THAT ARE GONNA BE IN MY LIVING ROOM ON FRIDAY. 187 00:08:24,737 --> 00:08:26,805 HONEY, IT'S JUST A COUPLE OF FRIENDS. 188 00:08:26,806 --> 00:08:28,207 WE'LL BE CIVILIZED, I PROMISE. 189 00:08:28,207 --> 00:08:29,374 CIVILIZED? YEAH. 190 00:08:29,375 --> 00:08:31,176 THIS TIME WE'LL COOK THE WOOLLY MAMMOTH 191 00:08:31,177 --> 00:08:32,578 BEFORE WE EAT IT. 192 00:08:32,578 --> 00:08:33,946 HELLO, HELLO, HELLO. 193 00:08:33,946 --> 00:08:35,447 HI, CRYSTAL. 194 00:08:35,448 --> 00:08:38,918 I FINALLY GOT THAT EYE SHADOW YOU ORDERED-- 195 00:08:38,918 --> 00:08:41,287 VIOLET ICE. 196 00:08:41,287 --> 00:08:46,025 OH, SO THAT'S WHERE YOU AND JIMMY ARE GOING-- TO VEGAS. 197 00:08:46,025 --> 00:08:47,393 I'LL BE RIGHT BACK. 198 00:08:47,393 --> 00:08:49,395 I GOT SOMETHING FOR YOU, TOO, DAN. 199 00:08:49,395 --> 00:08:51,897 NOW, CRYSTAL, YOU KNOW I RARELY WEAR EYE SHADOW ANYMORE. 200 00:08:51,898 --> 00:08:53,900 BOYS ON THE JOB SITE 201 00:08:53,900 --> 00:08:56,402 GIVE ME SUCH GUFF ABOUT IT. 202 00:08:56,402 --> 00:08:57,403 NOW STOP. 203 00:08:57,403 --> 00:08:58,904 HERE YOU GO. 204 00:08:58,905 --> 00:09:01,407 OOH, STALLION. 205 00:09:02,875 --> 00:09:03,942 HE DON'T NEED THAT, CRYSTAL. 206 00:09:03,943 --> 00:09:05,444 HE ALREADY SMELLS LIKE A HORSE. 207 00:09:05,444 --> 00:09:06,912 DON'T YOU, HONEY? 208 00:09:06,913 --> 00:09:07,980 [WHINNYING] 209 00:09:09,448 --> 00:09:11,683 WHAT DID YOU BRING ME? 210 00:09:11,684 --> 00:09:13,252 OH, BATH BEADS, 211 00:09:13,252 --> 00:09:15,320 MADE WITH REAL MILK. 212 00:09:15,321 --> 00:09:17,389 WELL, GREAT. THEN WHEN I'M SOAKING AND I GET HUNGRY, 213 00:09:17,390 --> 00:09:18,824 I'LL JUST ADD SOME CHEERIOS. 214 00:09:21,227 --> 00:09:24,230 ROSEANNE, I GOT SOMETHING I WANT TO READ YOU. 215 00:09:24,230 --> 00:09:26,732 IT'S A POEM THAT LONNIE WROTE FOR SCHOOL. 216 00:09:26,732 --> 00:09:29,735 I JUST THOUGHT YOU'D GET A KICK OUT OF IT. 217 00:09:29,735 --> 00:09:30,736 "MY MOM. 218 00:09:30,736 --> 00:09:32,137 "BY LONNIE ANDERSON. 219 00:09:32,138 --> 00:09:35,508 "MY MOM THINKS ABOUT ME FIRST AND HERSELF LAST. 220 00:09:35,508 --> 00:09:38,811 "WHEN I'M GETTING DRESSED, SHE MAKES ME BREAKFAST. 221 00:09:38,811 --> 00:09:41,146 "SHE PUTS ME ON THE BUS AND COMBS MY HAIR, 222 00:09:41,147 --> 00:09:43,415 "AND WHEN I'M AT SCHOOL, SHE ISN'T THERE. 223 00:09:43,416 --> 00:09:45,384 "BUT SHE'S AT HOME WHEN I GET BACK. 224 00:09:45,384 --> 00:09:48,387 "FOR MAKING DINNER SHE HAS A KNACK. 225 00:09:48,387 --> 00:09:49,888 "IT'S NICE WHEN SHE PUTS ME IN BED 226 00:09:49,889 --> 00:09:52,892 BECAUSE IT'S LATE AND I'M TIRE-ED." 227 00:09:57,063 --> 00:09:58,364 "I LOVE MY MOM, 228 00:09:58,364 --> 00:10:00,866 "AND I'M GLAD THAT SHE'S MY MOM 229 00:10:00,866 --> 00:10:02,868 AND NOT SOMEBODY ELSE OR SOMETHING." 230 00:10:07,173 --> 00:10:10,176 ISN'T THAT THE SWEETEST THING YOU EVER HEARD? 231 00:10:10,176 --> 00:10:11,510 I THINK IT'S GREAT. 232 00:10:11,510 --> 00:10:14,980 OH, IT'S TERRIBLE, BUT IT'S JUST SO SWEET, ISN'T IT? 233 00:10:14,981 --> 00:10:16,615 IT'S ADORABLE. 234 00:10:16,616 --> 00:10:17,683 HERE YOU GO, CRYSTAL. 235 00:10:17,683 --> 00:10:18,684 3.50, RIGHT? 236 00:10:18,684 --> 00:10:20,185 THANK YOU, HONEY. 237 00:10:22,688 --> 00:10:25,190 SO, WHERE'S YOUR LITTLE POETIC GENIUS? 238 00:10:25,191 --> 00:10:27,126 WHAT ARE YOU TALKING ABOUT? 239 00:10:27,126 --> 00:10:29,094 WHY, DARLENE, SILLY. DIDN'T YOU HEAR YET? 240 00:10:29,095 --> 00:10:30,596 HEAR WHAT? 241 00:10:30,596 --> 00:10:33,031 WELL, MAYBE I OUGHT TO LET DARLENE TELL YOU. 242 00:10:33,032 --> 00:10:34,533 COME ON, CRYSTAL. 243 00:10:34,533 --> 00:10:37,102 DARLENE'S POEM GOT PICKED BEST IN HER CLASS. 244 00:10:37,103 --> 00:10:39,105 SHE'S GONNA READ IT FOR THE SCHOOL TOMORROW NIGHT. 245 00:10:39,105 --> 00:10:40,106 IT'S CULTURE NIGHT. 246 00:10:40,106 --> 00:10:41,073 YOU'RE KIDDING. 247 00:10:41,073 --> 00:10:43,508 HOW COME DARLENE DIDN'T SAY ANYTHING? 248 00:10:43,509 --> 00:10:46,011 I HOPE I DIDN'T SPOIL THE SURPRISE. 249 00:10:46,012 --> 00:10:49,415 DARLENE, WILL YOU COME DOWN HERE FOR A MINUTE? 250 00:10:49,415 --> 00:10:51,984 SWEETIE! 251 00:10:51,984 --> 00:10:54,486 WELL, SHE FINALLY DOES GOOD IN SCHOOL, 252 00:10:54,487 --> 00:10:55,988 AND SHE DOESN'T EVEN TELL US ABOUT IT. 253 00:10:55,988 --> 00:10:58,323 PROBABLY STILL IN SHOCK. 254 00:10:58,324 --> 00:10:59,692 WHAT? 255 00:10:59,692 --> 00:11:03,262 LOOK. LOOK, IT'S THE FAMOUS PERSON AS A YOUNG CHILD. 256 00:11:03,262 --> 00:11:05,697 HOW COME YOU DIDN'T TELL US? 257 00:11:05,698 --> 00:11:08,333 CRYSTAL, YOU HAVE A BIG MOUTH. 258 00:11:08,334 --> 00:11:09,401 DARLENE. DARLENE. 259 00:11:09,402 --> 00:11:10,403 DARLENE. DARLENE. 260 00:11:10,403 --> 00:11:11,404 DARLENE. DARLENE. 261 00:11:11,404 --> 00:11:13,806 DARLENE. DARLENE. 262 00:11:13,806 --> 00:11:15,240 THIS IS EXACTLY THE REASON 263 00:11:15,241 --> 00:11:17,343 I'M NOT GOING TO CULTURE NIGHT. 264 00:11:17,343 --> 00:11:19,878 WHAT, ARE YOU ASHAMED OF YOUR TALENT? 265 00:11:19,879 --> 00:11:21,947 NO. I'M ASHAMED OF MY PARENTS. 266 00:11:23,382 --> 00:11:24,783 WELL, SO IS EVERYBODY. 267 00:11:24,784 --> 00:11:27,219 IT'S SUPPOSED TO BE LIKE THAT. 268 00:11:27,219 --> 00:11:29,221 MOM, I'M NOT GOING. YOU GOTTA SAY I'M SICK. 269 00:11:29,221 --> 00:11:30,655 BUT WHY WOULDN'T YOU WANT TO GO? 270 00:11:30,656 --> 00:11:32,157 I MEAN, THIS IS YOUR SHOT, 271 00:11:32,158 --> 00:11:34,793 THIS IS LIKE WINNING THE BIG GAME. 272 00:11:34,794 --> 00:11:36,362 MOM, YOU CAN'T MAKE ME GO. 273 00:11:36,362 --> 00:11:38,364 AND IF YOU TRY AND MAKE ME READ MY POEM 274 00:11:38,364 --> 00:11:39,865 IN FRONT OF THE GEEKOID MASSES, 275 00:11:39,865 --> 00:11:41,366 YOU'LL HAVE TO THROW A NET AROUND ME 276 00:11:41,367 --> 00:11:45,371 AND DRAG ME OUT OF THE HOUSE LIKE A DEAD SEAL. 277 00:11:45,371 --> 00:11:47,272 WHERE ARE YOU GOING? 278 00:11:47,273 --> 00:11:48,340 TO GET THE NET. 279 00:11:53,846 --> 00:11:57,349 YOU KNOW, I THINK YOU'RE JUST BEING PIGHEADED ABOUT THIS. 280 00:11:57,349 --> 00:12:00,352 WELL, I THINK YOU'RE BEING PIGHEADED ABOUT IT, ROSEANNE. 281 00:12:00,352 --> 00:12:01,853 YOU KNOW, YOU'RE STARTING TO SOUND LIKE MY DAD. 282 00:12:01,854 --> 00:12:03,355 "WORK SMART, DANNY, NOT HARD. 283 00:12:03,355 --> 00:12:05,357 BE A SALESMAN." 284 00:12:05,357 --> 00:12:06,358 I'M NOT--I'M NOT GONNA DO IT. 285 00:12:06,358 --> 00:12:07,359 I'M NOT GONNA PUSH OUR KIDS LIKE THAT. 286 00:12:07,359 --> 00:12:08,860 WELL, I DON'T WANT TO, EITHER. 287 00:12:08,861 --> 00:12:10,362 THEN WHAT'S THE BIG DEAL 288 00:12:10,362 --> 00:12:12,797 ABOUT MAKING DARLENE READ THIS STUPID POEM? 289 00:12:12,798 --> 00:12:17,235 IT IS CALLED POSITIVE REINFORCEMENT, DAN. 290 00:12:17,236 --> 00:12:19,738 YOU KNOW, JUST ONCE, IF MY PARENTS WOULD'VE EVER TOLD ME, 291 00:12:19,739 --> 00:12:21,240 "HEY, ROSEANNE, YOU'RE GOOD AT THAT," 292 00:12:21,240 --> 00:12:24,243 I MIGHT BE STANDING IN FRONT OF YOU RIGHT NOW 293 00:12:24,243 --> 00:12:27,246 MOPPING A BIGGER, MORE LUXURIOUS KITCHEN. 294 00:12:31,183 --> 00:12:33,685 IT'S WET! 295 00:12:33,686 --> 00:12:35,154 GO USE THE PHONE IN MY ROOM. 296 00:12:35,154 --> 00:12:36,688 I'M TALKING TO YOUR DAD. 297 00:12:36,689 --> 00:12:37,556 I DON'T NEED TO USE THE PHONE. 298 00:12:37,556 --> 00:12:40,592 OH, LET ME GET THAT ON TAPE. 299 00:12:40,593 --> 00:12:42,161 YOU KNOW, I REALLY DON'T THINK 300 00:12:42,161 --> 00:12:43,662 YOU SHOULD MAKE DARLENE GO TO CULTURE NIGHT. 301 00:12:43,662 --> 00:12:45,230 OH, YEAH? AND WHY IS THAT? 302 00:12:45,231 --> 00:12:46,298 BECAUSE IT'S TOTALLY GEEKY. 303 00:12:46,298 --> 00:12:48,300 I MEAN, YOU KNOW WHAT IT'S LIKE. 304 00:12:48,300 --> 00:12:49,801 THERE'S PAINTINGS, THE SCHOOL BAND, 305 00:12:49,802 --> 00:12:51,303 READINGS, AND STUFF. 306 00:12:51,303 --> 00:12:53,071 OH, YOU MEAN, LIKE ART? 307 00:12:53,072 --> 00:12:55,140 YEAH. BUT STRICTLY THE BOW TIE SET. 308 00:12:55,141 --> 00:12:57,143 I MEAN, EVERYONE'S GONNA THINK DARLENE'S A BIG SUCK-UP 309 00:12:57,143 --> 00:12:58,244 IF SHE GOES. 310 00:12:58,244 --> 00:12:59,311 WHY, THANK YOU, MISS CONNER. 311 00:12:59,311 --> 00:13:00,812 NO FURTHER QUESTIONS. 312 00:13:00,813 --> 00:13:04,950 YOU CAN TELL YOUR CLIENT SHE CAN GET HERSELF A NEW ATTORNEY. 313 00:13:04,950 --> 00:13:06,351 SO YOU'RE GONNA MAKE HER GO? 314 00:13:06,352 --> 00:13:08,420 NOBODY'S MAKING ANYBODY DO ANYTHING. 315 00:13:08,420 --> 00:13:09,487 GREAT. I'LL TELL HER. 316 00:13:09,488 --> 00:13:10,989 BECKY, MIND YOUR OWN BUSINESS. 317 00:13:10,990 --> 00:13:14,994 IF YOU REALLY WANT TO HELP AROUND HERE, JUST STAY OUT OF IT. 318 00:13:14,994 --> 00:13:16,495 FINE. IF YOU DON'T CARE ABOUT YOUR KIDS, 319 00:13:16,495 --> 00:13:18,497 I GUESS THERE'S NOTHING I CAN DO. 320 00:13:18,497 --> 00:13:19,998 SHE DIDN'T BUY IT, DARLENE. 321 00:13:19,999 --> 00:13:22,835 YOU WERE TERRIBLE. 322 00:13:22,835 --> 00:13:24,403 I'M JUST GETTING FED UP. 323 00:13:24,403 --> 00:13:26,405 WE OWE IT TO DARLENE TO MAKE HER DO THIS, 324 00:13:26,405 --> 00:13:27,839 AND SHE'S DOING IT. 325 00:13:27,840 --> 00:13:30,275 THAT'S FUNNY 'CAUSE I THOUGHT DARLENE HAD 2 PARENTS, 326 00:13:30,276 --> 00:13:33,279 AND THIS WAS A DECISION THAT BOTH OF THEM SHOULD BE INVOLVED IN. 327 00:13:33,279 --> 00:13:35,347 WELL, LOOK, OK, WE OBVIOUSLY DISAGREE, 328 00:13:35,347 --> 00:13:37,349 AND WE HAVE TO COME TO SOME KIND OF A DECISION. 329 00:13:37,349 --> 00:13:40,518 AND ONE OF US IS GONNA BE WRONG. 330 00:13:40,519 --> 00:13:43,588 NOW YOU JUST GIVE ME THE CHANCE TO BE WRONG THIS TIME. 331 00:13:45,591 --> 00:13:47,092 LOOK, NO MATTER WHAT WE DO, 332 00:13:47,092 --> 00:13:48,526 WE'RE GOING TO SCREW OUR KIDS UP. 333 00:13:50,663 --> 00:13:52,231 YOU LET ME MESS UP DARLENE, 334 00:13:52,231 --> 00:13:54,233 AND YOU CAN HAVE BECKY. 335 00:13:57,036 --> 00:13:58,537 WHAT ABOUT D.J.? 336 00:13:58,537 --> 00:14:00,105 WE'LL FLIP FOR IT. 337 00:14:18,824 --> 00:14:19,891 YOU KNOW, THIS WHOLE THING 338 00:14:19,892 --> 00:14:21,894 IS MISS MILLER'S FAULT. 339 00:14:21,894 --> 00:14:23,896 IF I'D KNOWN ANYONE ELSE WAS GONNA SEE THIS POEM, 340 00:14:23,896 --> 00:14:25,898 I NEVER WOULD'VE WRITTEN IT. 341 00:14:25,898 --> 00:14:26,899 I HAVEN'T SEEN IT. 342 00:14:26,899 --> 00:14:28,400 YOU'RE NOT GONNA. 343 00:14:28,400 --> 00:14:31,970 NO, BUT I AM GOING TO HEAR IT BEING READ. 344 00:14:31,971 --> 00:14:34,974 LIVE...AND ON STAGE. 345 00:14:34,974 --> 00:14:37,042 PLEASE, MOM, I'M BEGGING YOU. 346 00:14:37,042 --> 00:14:40,045 I'LL CLEAN WHATEVER YOU WANT ME TO CLEAN. 347 00:14:40,045 --> 00:14:42,547 I JUST REALLY, REALLY, REALLY, REALLY, REALLY, 348 00:14:42,548 --> 00:14:43,549 REALLY, REALLY, REALLY, REALLY, REALLY, 349 00:14:43,549 --> 00:14:45,350 REALLY DON'T WANT TO DO THIS. 350 00:14:45,351 --> 00:14:47,286 REALLY? 351 00:14:47,286 --> 00:14:49,354 COME ON, MOM. 352 00:14:49,355 --> 00:14:52,858 I WROTE THE POEM, OK? I DID MY ASSIGNMENT. 353 00:14:52,858 --> 00:14:55,393 WHY CAN'T WE JUST LEAVE IT AT THAT? 354 00:14:55,394 --> 00:14:57,462 WHAT ARE YOU SO AFRAID OF? 355 00:14:57,463 --> 00:14:59,465 I'M NOT AFRAID OF ANYTHING. 356 00:14:59,465 --> 00:15:02,468 WELL, YOU JUST GIVE ME ONE GOOD REASON, 357 00:15:02,468 --> 00:15:03,469 YOU GIVE ME THE TRUTH, 358 00:15:03,469 --> 00:15:05,604 AND MAYBE I WON'T MAKE YOU DO IT. 359 00:15:05,604 --> 00:15:07,172 THE TRUTH? 360 00:15:07,172 --> 00:15:11,709 YEAH. YOU KNOW, THE OPPOSITE OF WHAT YOU USUALLY TELL ME. 361 00:15:11,710 --> 00:15:15,280 THE TRUTH IS... 362 00:15:15,281 --> 00:15:18,284 MY POEM SUCKS. 363 00:15:18,284 --> 00:15:22,454 I WROTE IT IN, LIKE, 10 MINUTES. 364 00:15:22,454 --> 00:15:24,956 I JUST BLABBED IT OUT ON A PIECE OF PAPER. 365 00:15:26,926 --> 00:15:28,928 IT'S A JOKE. 366 00:15:30,229 --> 00:15:32,231 MISS MILLER DOESN'T THINK SO. 367 00:15:32,231 --> 00:15:33,799 WELL, MISS MILLER'S AN IDIOT. 368 00:15:33,799 --> 00:15:35,300 THE ONLY REASON SHE PICKED MY POEM 369 00:15:35,301 --> 00:15:37,469 IS 'CAUSE SHE THOUGHT IT WOULD ENCOURAGE ME. 370 00:15:37,469 --> 00:15:39,537 YOU KNOW, I'M REALLY SURPRISED AT YOU, DARLENE. 371 00:15:39,538 --> 00:15:42,107 WHAT'S EVERYBODY GONNA THINK IF YOU DON'T SHOW UP? 372 00:15:42,107 --> 00:15:43,842 WHO CARES WHAT EVERYBODY THINKS? 373 00:15:43,842 --> 00:15:44,909 WELL, IF YOU DON'T CARE WHAT EVERYBODY THINKS, 374 00:15:44,910 --> 00:15:46,244 THEN WHAT ARE YOU SO AFRAID OF? 375 00:15:49,648 --> 00:15:51,716 DAN, COME HERE QUICK! 376 00:15:51,717 --> 00:15:55,120 DARLENE'S SPEECHLESS! YOU GOT TO SEE THIS! 377 00:15:58,457 --> 00:16:00,792 YOU KNOW WHAT I THINK? 378 00:16:00,793 --> 00:16:02,628 WHAT? 379 00:16:04,897 --> 00:16:05,898 I THINK... 380 00:16:08,901 --> 00:16:10,903 I THINK YOU'RE AFRAID 381 00:16:10,903 --> 00:16:12,738 THAT YOUR POEM REALLY IS GOOD. 382 00:16:14,073 --> 00:16:15,074 I THINK YOU'RE AFRAID 383 00:16:15,074 --> 00:16:17,076 TO LET EVERYBODY SEE THAT YOU'VE GOT A BRAIN 384 00:16:17,076 --> 00:16:19,511 BECAUSE THEN THEY'LL EXPECT YOU TO USE IT. 385 00:16:19,511 --> 00:16:21,779 YEAH. RIGHT. 386 00:16:21,780 --> 00:16:23,348 I'M SO SURPRISED AT YOU. 387 00:16:23,349 --> 00:16:24,350 I MEAN, YOUR WHOLE LIFE 388 00:16:24,350 --> 00:16:25,851 YOU'RE RUNNING AROUND TO TAKE ALL THE CREDIT 389 00:16:25,851 --> 00:16:26,852 FOR EVERYTHING YOU'VE DONE WRONG, 390 00:16:26,852 --> 00:16:28,854 AND NOW SOMETHING REALLY GREAT HAPPENS. 391 00:16:28,854 --> 00:16:29,855 DON'T YOU WANT TO ENJOY IT? 392 00:16:29,855 --> 00:16:32,123 DON'T YOU WANT TO GET UP THERE AND TAKE YOUR BOW? 393 00:16:34,393 --> 00:16:35,927 NO. 394 00:16:35,928 --> 00:16:36,995 WELL, FINE. 395 00:16:36,996 --> 00:16:39,264 YOU DO WHAT YOU WANT. 396 00:16:39,264 --> 00:16:41,332 I JUST THOUGHT I'D GET A LITTLE JOY OUT OF IT, YOU KNOW? 397 00:16:41,333 --> 00:16:42,834 A FEW GOOSEBUMPS. 398 00:16:42,835 --> 00:16:43,836 I'D BE PROUD OF YOU... 399 00:16:43,836 --> 00:16:45,838 BUT I DON'T WANT YOU TO DO IT 400 00:16:45,838 --> 00:16:48,407 JUST BECAUSE YOU THINK YOU OWE IT TO ME. 401 00:16:48,407 --> 00:16:50,008 OK, I WONT. 402 00:16:50,009 --> 00:16:51,577 BUT YOU ARE DOING IT. 403 00:16:51,577 --> 00:16:52,578 WHY? 404 00:16:52,578 --> 00:16:55,380 BECAUSE I'M YOUR MOTHER, AND I SAID SO. 405 00:16:55,381 --> 00:16:56,448 OH, THAT'S FAIR. 406 00:16:56,448 --> 00:16:57,949 WHAT IF I FREAK OUT? 407 00:16:57,950 --> 00:17:00,786 WHAT IF I FAINT AND CRACK MY HEAD OPEN ON STAGE? 408 00:17:00,786 --> 00:17:02,854 WELL, THEN EVERYBODY WILL BE ABLE TO SEE 409 00:17:02,855 --> 00:17:03,789 THAT YOU'VE GOT A BRAIN. 410 00:17:10,763 --> 00:17:12,264 [ORCHESTRA PLAYING] 411 00:17:17,936 --> 00:17:21,105 I HOPE WE GET BACK IN TIME TO WATCH THE END OF THE GAME. 412 00:17:21,106 --> 00:17:24,509 OH, I'M SURE YOUR DADDY WILL GIVE US HIS FAMOUS HIGHLIGHTS SPEECH. 413 00:17:24,510 --> 00:17:26,845 OH, NO. 414 00:17:26,845 --> 00:17:27,912 OH, HI, DARLENE! 415 00:17:29,415 --> 00:17:31,417 HI, MARTIN. HOW YOU DOING? 416 00:17:31,417 --> 00:17:32,918 WELL, I'LL TELL YOU, DARLENE, 417 00:17:32,918 --> 00:17:34,920 I'M NOT REALLY INTO THIS HIGH-PRESSURE, 418 00:17:34,920 --> 00:17:36,421 HIGH-VISIBILITY STUFF. 419 00:17:36,422 --> 00:17:38,590 I'M REALLY MORE OF A RECLUSE. 420 00:17:38,590 --> 00:17:40,959 YOU WANT TO GET SOME PUNCH? YEAH. 421 00:17:40,959 --> 00:17:42,827 GO AHEAD. 422 00:17:54,840 --> 00:17:55,841 HI. 423 00:17:55,841 --> 00:17:56,842 HEY, I MADE IT. 424 00:17:56,842 --> 00:17:59,845 OH, ROSEANNE, THIS PLACE STILL SCARES ME. 425 00:17:59,845 --> 00:18:01,346 WE BETTER TAKE OUR SEATS 426 00:18:01,346 --> 00:18:04,349 OR ELSE THEY'LL MAKE US STAY AFTER. 427 00:18:04,349 --> 00:18:05,350 WHERE'S DAN? 428 00:18:05,350 --> 00:18:07,352 HE'S BOYCOTTING ON PRINCIPLE. 429 00:18:07,352 --> 00:18:09,354 SO HE'S HOME WATCHING THE GAME? 430 00:18:09,354 --> 00:18:10,855 AMONG OTHER THINGS. 431 00:18:14,326 --> 00:18:15,393 WHAT A BUNCH OF NERDS. 432 00:18:17,863 --> 00:18:18,864 JOKE! 433 00:18:22,701 --> 00:18:25,537 YOU THINK I DID THE RIGHT THING, DON'T YOU? 434 00:18:25,537 --> 00:18:27,605 YEAH. 435 00:18:27,606 --> 00:18:28,607 SURE. 436 00:18:30,109 --> 00:18:33,112 YEAH. I--I THINK THAT SHE'LL PROBABLY 437 00:18:33,112 --> 00:18:35,114 DESPISE YOU RIGHT NOW, 438 00:18:35,114 --> 00:18:39,118 BUT I--YOU... DID WHAT YOU HAD TO DO. 439 00:18:39,118 --> 00:18:40,619 AND... 440 00:18:40,619 --> 00:18:43,989 BESIDES, SHE STILL LOVES HER AUNT JACKIE. 441 00:18:49,061 --> 00:18:51,063 AWAY... 442 00:18:51,063 --> 00:18:52,898 AWAY... 443 00:18:52,898 --> 00:18:54,466 WHY... 444 00:18:54,466 --> 00:18:55,967 DO YOU STAY? 445 00:18:58,604 --> 00:19:00,906 FLY AWAY, BIRD. 446 00:19:02,207 --> 00:19:03,708 IT LOOKS AT ME. 447 00:19:05,244 --> 00:19:07,746 AND...STILL IT HOPS... 448 00:19:08,747 --> 00:19:10,715 AND HOPS... 449 00:19:12,184 --> 00:19:13,785 AND... 450 00:19:13,785 --> 00:19:14,852 HOPS. 451 00:19:16,355 --> 00:19:17,856 FLY AWAY. 452 00:19:18,857 --> 00:19:20,925 YOU GOT A GUN ON YOU? 453 00:19:24,763 --> 00:19:28,333 IT SPREADS ITS WINGS... 454 00:19:28,333 --> 00:19:29,834 AND FLIES AWAY. 455 00:19:31,336 --> 00:19:32,337 AWAY... 456 00:19:35,340 --> 00:19:37,842 IT DOES NOT... 457 00:19:37,843 --> 00:19:39,344 LOOK BACK. 458 00:19:42,214 --> 00:19:43,615 THAT'S IT. 459 00:19:49,321 --> 00:19:52,157 CAN YOU IMAGINE THAT KID'S HOME LIFE? 460 00:19:54,426 --> 00:19:56,494 GET A LOAD OF THAT-- 461 00:19:56,495 --> 00:19:58,997 EMBARRASSING YOUR KID IN FRONT OF THE WHOLE SCHOOL. 462 00:19:58,997 --> 00:20:01,566 MOM DID THAT TO ME. DRILL TEAM TRYOUTS IN THE EIGHTH GRADE. 463 00:20:01,567 --> 00:20:04,069 SHE SAT UP IN THE BLEACHERS WEEPING 464 00:20:04,069 --> 00:20:08,073 AND PULLING THOSE STIFF, USED KLEENEX OUT OF HER BAG. 465 00:20:10,576 --> 00:20:12,578 DO YOU GOT, LIKE, A MINT OR SOMETHING? 466 00:20:12,578 --> 00:20:14,580 MY STOMACH'S JUST KIND OF, YOU KNOW... 467 00:20:14,580 --> 00:20:17,583 OH, ROSEANNE, YOU'RE NERVOUS. 468 00:20:17,583 --> 00:20:22,087 OH, THAT'S SO CUTE. OOH, OOH, OOH. 469 00:20:23,589 --> 00:20:24,590 SHUT UP. 470 00:20:27,893 --> 00:20:30,695 THANK YOU SO MUCH FOR THAT FINE RENDITION. 471 00:20:30,696 --> 00:20:34,266 AND NOW, FROM MISS MILLER'S SEVENTH GRADE CLASS, 472 00:20:34,266 --> 00:20:36,868 DARLENE CONNER WILL READ HER POEM. 473 00:20:46,445 --> 00:20:48,947 TO WHOM IT CONCERNS. 474 00:20:48,947 --> 00:20:50,949 BY DARLENE CONNER. 475 00:20:53,452 --> 00:20:55,454 TO WHOM IT CONCERNS-- 476 00:20:55,454 --> 00:20:57,956 DARLENE'S WORK WILL BE LATE. 477 00:20:57,956 --> 00:20:59,958 IT FELL ON HER PANCAKES 478 00:20:59,958 --> 00:21:01,125 AND STUCK TO HER PLATE. 479 00:21:03,195 --> 00:21:05,497 TO WHOM IT CONCERNS-- 480 00:21:05,497 --> 00:21:08,433 MY MOM MADE ME WRITE THIS. 481 00:21:08,433 --> 00:21:10,435 AND I'M JUST A KID, 482 00:21:10,435 --> 00:21:12,937 SO HOW COULD I FIGHT THIS? 483 00:21:12,938 --> 00:21:15,440 TO WHOM IT CONCERNS-- 484 00:21:15,440 --> 00:21:18,443 I LOST MY ASSIGNMENT. 485 00:21:18,443 --> 00:21:20,945 MAYBE I'LL GET LUCKY. 486 00:21:20,946 --> 00:21:23,214 SOLITARY CONFINEMENT. 487 00:21:24,983 --> 00:21:27,986 TO WHOM IT CONCERNS-- 488 00:21:27,986 --> 00:21:30,188 DARLENE'S GREAT WITH A BALL, 489 00:21:30,188 --> 00:21:32,256 BUT GUYS DON'T WATCH TOMBOYS 490 00:21:32,257 --> 00:21:34,892 WHEN THEY'RE CRUISING THE HALL. 491 00:21:34,893 --> 00:21:37,262 TO WHOM IT CONCERNS-- 492 00:21:37,262 --> 00:21:39,831 I JUST TURNED 13. 493 00:21:39,831 --> 00:21:41,833 TOO SHORT TO BE QUARTERBACK, 494 00:21:41,833 --> 00:21:43,668 TOO PLAIN TO BE QUEEN. 495 00:21:45,470 --> 00:21:47,972 TO WHOM IT CONCERNS... 496 00:21:49,474 --> 00:21:51,409 I AM NOT MADE OF STEEL. 497 00:21:51,410 --> 00:21:53,478 WHEN I GET BLIND-SIDED, 498 00:21:53,478 --> 00:21:55,813 MY PAIN IS QUITE REAL. 499 00:21:57,149 --> 00:21:59,885 I DON'T MEAN TO SQUAWK, 500 00:21:59,885 --> 00:22:02,454 BUT IT REALLY BURNS. 501 00:22:02,454 --> 00:22:05,457 I JUST THOUGHT I'D MENTION IT 502 00:22:05,457 --> 00:22:06,424 TO WHOM IT CONCERNS. 503 00:22:29,614 --> 00:22:31,649 [ORCHESTRA PLAYING] 504 00:22:31,650 --> 00:22:34,653 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org-- 34845

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.