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1
00:01:51,161 --> 00:01:52,894
WELL, THEN.
2
00:01:52,962 --> 00:01:54,796
AHEM. NOW...
3
00:01:54,864 --> 00:01:57,599
I'LL BEGIN AT THE BEGINNING.
4
00:01:57,668 --> 00:02:00,635
A FINE, SOFT DAY IN
THE SPRING IT WAS
5
00:02:00,704 --> 00:02:03,137
WHEN THE TRAIN PULLED
INTO CASTLETOWN,
6
00:02:03,207 --> 00:02:04,957
THREE HOURS LATE AS USUAL,
7
00:02:05,025 --> 00:02:06,959
AND HIMSELF GOT OFF.
8
00:02:07,027 --> 00:02:08,660
HE DIDN'T HAVE THE LOOK
9
00:02:08,729 --> 00:02:11,162
OF AN AMERICAN
TOURIST AT ALL ABOUT HIM.
10
00:02:11,231 --> 00:02:13,164
NOT A CAMERA ON HIM.
11
00:02:13,233 --> 00:02:14,644
WHAT WAS WORSE,
NOT EVEN A FISHING ROD.
12
00:02:14,668 --> 00:02:17,302
CASTLETOWN!
13
00:02:24,361 --> 00:02:26,228
CASTLETOWN.
14
00:02:26,296 --> 00:02:28,341
COULD YOU TELL ME
THE WAY TO INISFREE?
15
00:02:28,365 --> 00:02:31,799
INISFREE? 5 MILES AND
MAYBE A HALF MORE.
16
00:02:31,869 --> 00:02:34,069
DO YOU SEE THAT ROAD THERE?
17
00:02:34,137 --> 00:02:36,671
YEAH. DON'T THAT ONE.
18
00:02:36,740 --> 00:02:38,673
IT WILL DO YOU NO GOOD.
19
00:02:38,742 --> 00:02:40,008
THE BEST ROAD...
20
00:02:40,077 --> 00:02:41,676
IT'S INISFREE YOU WANT?
21
00:02:41,745 --> 00:02:43,178
BE SAVING YOUR BREATH.
22
00:02:43,247 --> 00:02:44,679
LET ME DIRECT THE GENTLEMAN.
23
00:02:44,748 --> 00:02:47,182
HAPPEN YOU KNOW THE
WAY TO NOCCANORE?
24
00:02:47,251 --> 00:02:49,184
IF HE KNEW THE WAY TO NOCCANORE,
25
00:02:49,253 --> 00:02:51,753
WOULD HE ASK THE
WAY TO INISFREE?
26
00:02:51,821 --> 00:02:54,689
MANY KNOWS NOCCANORE
THAT DOESN'T KNOW INISFREE.
27
00:02:54,758 --> 00:02:58,193
IF YOU STUDIED YOUR COUNTRY'S
HISTORY, YOU'D ADMIT IT.
28
00:02:58,262 --> 00:03:00,340
DON'T SEND THE POOR
MAN TO NOCCANORE.
29
00:03:00,364 --> 00:03:02,342
THE FISHING'S FINISHED
THERE ENTIRELY.
30
00:03:02,366 --> 00:03:03,664
TELL ME, YANK,
31
00:03:03,733 --> 00:03:05,211
WHAT IS IT YOU'RE AFTER...
32
00:03:05,235 --> 00:03:06,701
TROUT OR SALMON?
33
00:03:06,770 --> 00:03:08,703
ALL I WANT IS TO
GET TO INISFREE.
34
00:03:08,772 --> 00:03:09,849
NOW YOU'RE TALKING SENSE.
35
00:03:09,873 --> 00:03:11,751
THE BEST FISHING IN THE COUNTRY.
36
00:03:11,775 --> 00:03:14,042
TRUE FOR YOU, MR. COSTELLO.
37
00:03:14,111 --> 00:03:17,357
TROUT AS LONG AS
YOUR ARM. AND SALMON!
38
00:03:17,381 --> 00:03:20,260
MY LAST ONE, I EXPECTED
JONAH TO POP OUT.
39
00:03:20,284 --> 00:03:23,263
AH, INISFREE. I'D BRING
YOU THERE MESELF,
40
00:03:23,287 --> 00:03:25,464
ONLY I'VE GOT TO
DRIVE THE TRAIN.
41
00:03:25,488 --> 00:03:27,967
WAS I TELLING YOU
ABOUT THAT TROUT
42
00:03:27,991 --> 00:03:29,269
I GOT TWO SUNDAYS AGO?
43
00:03:29,293 --> 00:03:31,226
YOU DID. AT INISFREE?
44
00:03:31,295 --> 00:03:32,605
NOT AT ALL, NOT AT ALL.
45
00:03:32,629 --> 00:03:34,673
AT BALLYGAR, AT THE
OTHER END OF THE COUNTRY.
46
00:03:34,697 --> 00:03:36,731
ME SISTER'S THIRD YOUNG ONE
47
00:03:36,800 --> 00:03:38,733
IS LIVING AT INISFREE,
48
00:03:38,802 --> 00:03:42,737
AND SHE'D BE ONLY TOO
HAPPY TO SHOW YOU THE ROAD.
49
00:03:42,806 --> 00:03:43,738
OH, FINE.
50
00:03:43,807 --> 00:03:45,240
IF... IF SHE WAS HERE.
51
00:03:45,309 --> 00:03:47,742
IT'S INISFREE THE
MAN WANTS TO GO TO.
52
00:03:47,811 --> 00:03:51,746
DO YOU SEE THAT SIGN POST
WITH THE LONG ARM POINTING?
53
00:03:51,815 --> 00:03:54,249
YOU KNOW IT'S BEEN TURNED ABOUT.
54
00:03:54,318 --> 00:03:56,251
I KNOW ALL ABOUT THAT.
55
00:03:56,320 --> 00:03:58,753
YOU KNOW IT'S BEEN TURNED ABOUT.
56
00:03:58,822 --> 00:04:00,422
I WAS COMING TO THAT.
57
00:04:00,490 --> 00:04:02,390
I KNOW ALL ABOUT THAT.
58
00:04:06,330 --> 00:04:08,763
INISFREE, THIS WAY.
59
00:04:33,123 --> 00:04:37,492
I WONDER NOW WHY A
MAN WOULD GO TO INISFREE.
60
00:05:02,402 --> 00:05:03,835
6' 6".
61
00:05:03,903 --> 00:05:05,337
4 1/2.
62
00:05:23,923 --> 00:05:25,857
CINCINNATI.
63
00:05:25,925 --> 00:05:27,359
NOPE. PITTSBURGH.
64
00:05:27,427 --> 00:05:28,860
YEAH, PITTSBURGH, YES.
65
00:05:46,162 --> 00:05:50,097
DON'T YOU REMEMBER IT,
SEANEEN, AND HOW IT WAS?
66
00:05:50,184 --> 00:05:53,151
THE ROAD LED UP PAST THE CHAPEL,
67
00:05:53,220 --> 00:05:55,720
AND IT WOUND AND IT WOUND,
68
00:05:55,788 --> 00:05:57,722
AND THERE WAS THE FIELD
69
00:05:57,790 --> 00:06:00,224
WHERE DAN TOBIN'S
BULL CHASED YOU.
70
00:06:01,795 --> 00:06:04,295
IT WAS A LOVELY
LITTLE HOUSE, SEANEEN.
71
00:06:04,364 --> 00:06:05,881
AND THE ROSES!
72
00:06:05,949 --> 00:06:08,316
OH, YOUR FATHER USED
TO TEASE ME ABOUT THEM,
73
00:06:08,385 --> 00:06:11,820
BUT HE WAS THAT
PROUD OF THEM, TOO.
74
00:06:14,291 --> 00:06:18,192
AH, THAT'S NOTHING BUT
A WEE HUMBLE COTTAGE.
75
00:06:35,312 --> 00:06:38,291
THAT LITTLE PLACE ACROSS THE
BROOK, THAT HUMBLE COTTAGE,
76
00:06:38,315 --> 00:06:39,748
WHO OWNS IT NOW?
77
00:06:39,817 --> 00:06:42,751
THE WIDOW TILLANE. NOT
THAT SHE LIVES THERE.
78
00:06:42,820 --> 00:06:45,019
THINK SHE'D SELL IT? I DOUBT IT.
79
00:06:45,088 --> 00:06:48,256
DON'T BET ON IT,
'CAUSE I'M BUYING IT.
80
00:06:48,325 --> 00:06:50,759
NOW, WHY WOULD A
YANKEE FROM PITTSBURGH
81
00:06:50,828 --> 00:06:52,260
WANT TO BUY IT?
82
00:06:52,329 --> 00:06:53,762
I'LL TELL YOU WHY,
83
00:06:53,831 --> 00:06:55,263
MICHAELEEN OGE FLYNN...
84
00:06:55,332 --> 00:06:56,810
YOUNG, SMALL MICHAEL FLYNN
85
00:06:56,834 --> 00:06:59,267
WHO WIPED MY NOSE
WHEN I WAS A KID...
86
00:06:59,336 --> 00:07:00,814
BECAUSE I'M SEAN THORNTON
87
00:07:00,838 --> 00:07:04,272
AND I WAS BORN IN THAT
LITTLE COTTAGE OVER THERE,
88
00:07:04,341 --> 00:07:05,774
AND I'VE COME HOME,
89
00:07:05,843 --> 00:07:08,276
AND HOME I'M GOING TO STAY.
90
00:07:08,345 --> 00:07:11,324
NOW, DOES THAT ANSWER YOUR
QUESTIONS ONCE AND FOR ALL,
91
00:07:11,348 --> 00:07:12,781
YOU NOSY LITTLE MAN?
92
00:07:12,850 --> 00:07:14,783
SEANEEN THORNTON!
93
00:07:17,855 --> 00:07:19,287
AND LOOK AT YOU NOW.
94
00:07:19,356 --> 00:07:20,655
SAINTS PRESERVE US,
95
00:07:20,724 --> 00:07:23,658
WHAT DO THEY FEED YOU
IRISHMEN IN PITTSBURGH?
96
00:07:23,727 --> 00:07:24,838
STEEL, MICHAEL OGE,
97
00:07:24,862 --> 00:07:26,339
STEEL AND PIG IRON FURNACES
98
00:07:26,363 --> 00:07:29,297
SO HOT A MAN FORGETS
HIS FEAR OF HELL.
99
00:07:29,366 --> 00:07:32,326
WHEN YOU'RE HARD
ENOUGH... TOUGH ENOUGH,
100
00:07:32,369 --> 00:07:34,302
OTHER THINGS.
101
00:07:35,372 --> 00:07:37,305
OTHER THINGS, MICHAELEEN.
102
00:07:55,475 --> 00:07:57,909
NOW THEN, HERE COMES MYSELF.
103
00:07:57,978 --> 00:08:00,145
THAT'S ME THERE, WALKING,
104
00:08:00,213 --> 00:08:03,148
THAT TALL,
SAINTLY-LOOKING MAN...
105
00:08:03,216 --> 00:08:06,151
PETER LONERGAN, PARISH PRIEST.
106
00:08:06,219 --> 00:08:07,385
WHOA.
107
00:08:07,454 --> 00:08:08,886
GOOD DAY, FATHER.
108
00:08:08,956 --> 00:08:11,156
SEAN, THIS IS FATHER LONERGAN.
109
00:08:12,509 --> 00:08:14,943
FATHER, WOULD YOU BELIEVE IT,
110
00:08:15,011 --> 00:08:17,929
THIS IS SEAN THORNTON,
BORN RIGHT HERE IN INISFREE,
111
00:08:17,997 --> 00:08:19,664
HOME FROM AMERICA?
112
00:08:19,716 --> 00:08:21,148
HELLO, FATHER.
113
00:08:21,218 --> 00:08:22,717
AH, YES.
114
00:08:22,785 --> 00:08:25,670
I KNEW YOUR PEOPLE, SEAN.
115
00:08:25,739 --> 00:08:27,171
YOUR GRANDFATHER.
116
00:08:27,240 --> 00:08:28,718
HE DIED IN AUSTRALIA...
117
00:08:28,742 --> 00:08:31,175
IN A PENAL COLONY.
118
00:08:31,244 --> 00:08:34,346
YOUR FATHER, HE
WAS A GOOD MAN, TOO.
119
00:08:35,415 --> 00:08:37,182
BAD ACCIDENT, THAT.
120
00:08:37,250 --> 00:08:39,184
YOUR MOTHER?
121
00:08:39,252 --> 00:08:40,185
SHE'S DEAD.
122
00:08:40,253 --> 00:08:42,387
AMERICA, WHEN I WAS 12.
123
00:08:42,456 --> 00:08:46,091
I'LL REMEMBER HER IN THE
MASS TOMORROW, SEAN.
124
00:08:46,142 --> 00:08:48,610
YOU'LL BE THERE, 7:00?
125
00:08:48,678 --> 00:08:49,777
SURE, I WILL.
126
00:08:49,863 --> 00:08:51,195
GOOD.
127
00:08:51,264 --> 00:08:54,699
SEAN, I'D LIKE TO HAVE A
WORD WITH MICHAELEEN HERE.
128
00:08:54,768 --> 00:08:56,245
OH, SURE THING, FATHER.
129
00:08:56,269 --> 00:08:58,703
IT WILL ONLY TAKE A
MINUTE. A MATTER...
130
00:08:58,772 --> 00:09:01,012
TAKE YOUR TIME.
I'LL BE UP AHEAD.
131
00:10:03,320 --> 00:10:04,752
SEAN!
132
00:10:13,346 --> 00:10:15,780
HEY, IS THAT REAL?
133
00:10:15,849 --> 00:10:17,281
SHE COULDN'T BE.
134
00:10:17,350 --> 00:10:19,283
AH, NONSENSE, MAN.
135
00:10:19,352 --> 00:10:23,287
IT'S ONLY A MIRAGE BROUGHT
ON BY YOUR TERRIBLE THIRST.
136
00:10:23,356 --> 00:10:24,789
COME UP, NAPOLEON.
137
00:11:19,679 --> 00:11:22,347
OVER HERE WE PRONOUNCE IT
138
00:11:22,415 --> 00:11:24,015
CO HAN.
139
00:12:33,687 --> 00:12:35,119
GOOD MORNING.
140
00:12:55,708 --> 00:12:58,926
NONE OF THAT, NOW. NONE OF THAT.
141
00:12:58,994 --> 00:13:01,929
IT'S A BOLD, SINFUL MAN
YOU ARE, SEAN THORNTON.
142
00:13:01,997 --> 00:13:05,433
AND WHO TAUGHT YOU TO BE PLAYING
PATTY FINGERS IN THE HOLY WATER?
143
00:13:05,501 --> 00:13:07,479
BEING POLITE IS ALL.
144
00:13:07,503 --> 00:13:08,936
POLITE, IS IT?
145
00:13:09,004 --> 00:13:11,939
IT'S A PRIVILEGE RESERVED
FOR COURTING COUPLES
146
00:13:12,007 --> 00:13:13,941
AFTER THE BANNS HAS BEEN READ.
147
00:13:14,009 --> 00:13:16,961
AND MARY KATE DANAHER
DIPPING HER FINGERS IN
148
00:13:17,029 --> 00:13:18,496
AS NEAT AS YOU PLEASE.
149
00:13:18,565 --> 00:13:21,005
WHAT DID YOU SAY HER NAME WAS?
150
00:13:21,050 --> 00:13:22,683
MARY KATE DANAHER.
151
00:13:22,752 --> 00:13:25,686
AND DON'T BE GETTING ANY
NOTIONS INTO YOUR HEAD.
152
00:13:25,755 --> 00:13:26,687
MARY KATE.
153
00:13:26,756 --> 00:13:28,188
FORGET IT, SEAN.
154
00:13:28,257 --> 00:13:30,691
PUT IT OUT OF
YOUR MIND ENTIRELY.
155
00:13:30,760 --> 00:13:32,237
WHY, WHAT'S THE MATTER?
156
00:13:32,261 --> 00:13:34,239
SHE ISN'T MARRIED OR ANYTHING?
157
00:13:34,263 --> 00:13:35,663
MARRIED? THAT ONE?
158
00:13:35,732 --> 00:13:36,732
NOT LIKELY,
159
00:13:36,799 --> 00:13:39,233
AND HER WITH HER
FRECKLES AND HER TEMPER.
160
00:13:39,301 --> 00:13:42,737
OH, THAT RED HEAD
OF HERS IS NO LIE.
161
00:13:42,805 --> 00:13:45,239
STILL, A MAN MIGHT
PUT UP WITH THAT,
162
00:13:45,308 --> 00:13:47,708
BUT NOT WITH A
LACK OF A FORTUNE.
163
00:13:58,254 --> 00:14:00,487
THE WEALTHIEST WOMAN IN INISFREE
164
00:14:00,556 --> 00:14:01,989
WAS THE WIDOW TILLANE.
165
00:14:02,058 --> 00:14:04,992
SHE HAD NEITHER CHICK
NOR CHILD, POOR SOUL,
166
00:14:05,061 --> 00:14:08,996
BUT SHE WAS WELL-RESPECTED
AND GOOD TO THE POOR.
167
00:14:10,300 --> 00:14:12,278
SO YOU WERE BORN THERE?
168
00:14:12,302 --> 00:14:13,234
YES, MA'AM.
169
00:14:13,303 --> 00:14:15,569
ALL THE THORNTONS
WERE BORN THERE,
170
00:14:15,638 --> 00:14:17,116
SEVEN GENERATIONS OF THEM.
171
00:14:17,140 --> 00:14:18,284
I SEE.
172
00:14:18,308 --> 00:14:20,786
AND WHAT IS YOUR
THOUGHT, MR. THORNTON?
173
00:14:20,810 --> 00:14:23,289
ARE YOU PLANNING TO
TURN WHITE O' MORNIN'
174
00:14:23,313 --> 00:14:24,790
INTO A NATIONAL SHRINE?
175
00:14:24,814 --> 00:14:27,793
WHAT? PERHAPS
CHARGE TUPPENCE A VISIT
176
00:14:27,817 --> 00:14:30,296
FOR A TOUR THROUGH
THE LITTLE COTTAGE
177
00:14:30,320 --> 00:14:32,298
WHERE ALL THE
THORNTONS WERE BORN?
178
00:14:32,322 --> 00:14:35,522
ARE YOU A MAN OF SUCH
EMINENCE? NOT EXACTLY.
179
00:14:35,591 --> 00:14:38,625
MY OWN FAMILY
HAS BEEN IN IRELAND
180
00:14:38,694 --> 00:14:41,762
SINCE THE NORMANS CAME,
SOME HUNDREDS OF YEARS AGO,
181
00:14:41,831 --> 00:14:44,698
BUT WE'VE SEEN NO
REASON TO ESTABLISH
182
00:14:44,767 --> 00:14:46,767
MONUMENTS OR MEMORIALS.
183
00:14:46,836 --> 00:14:48,269
LOOK, MRS. TILLANE,
184
00:14:48,338 --> 00:14:51,772
I'M NOT TALKING ABOUT
MEMORIALS OR MONUMENTS.
185
00:14:51,841 --> 00:14:54,275
IT'S JUST THAT EVER
SINCE I WAS A KID
186
00:14:54,344 --> 00:14:56,777
LIVING IN THE SHACK
NEAR THE SLAG HEAPS,
187
00:14:56,846 --> 00:14:59,280
MY MOTHER'S TOLD
ME ABOUT INISFREE
188
00:14:59,349 --> 00:15:00,681
AND WHITE O' MORN.
189
00:15:00,750 --> 00:15:04,285
INISFREE HAS BECOME ANOTHER
WORD FOR HEAVEN TO ME.
190
00:15:04,354 --> 00:15:06,287
WHEN I QUIT THE R...
191
00:15:06,356 --> 00:15:08,422
WHEN I DECIDED TO COME HERE,
192
00:15:08,491 --> 00:15:10,211
IT WAS WITH ONE THOUGHT IN MIND.
193
00:15:10,260 --> 00:15:12,994
INISFREE IS FAR FROM HEAVEN.
194
00:15:13,062 --> 00:15:17,164
MA'AM, MR. "RED" WILL DANAHER
WISHES TO BE ANNOUNCED...
195
00:15:17,233 --> 00:15:19,600
I MEAN, SQUIRE DANAHER.
196
00:15:19,668 --> 00:15:21,302
WIPE YOUR MUDDY BOOTS.
197
00:15:27,877 --> 00:15:29,310
MRS. TILLANE...
198
00:15:29,379 --> 00:15:31,023
MR. THORNTON, FROM AMERICA.
199
00:15:31,047 --> 00:15:32,980
AH! BOO!
200
00:15:34,050 --> 00:15:36,650
IT'S HIM I'M HERE
ABOUT, MRS. TILLANE.
201
00:15:36,719 --> 00:15:39,387
IS IT TRUE? IS WHAT TRUE?
202
00:15:39,455 --> 00:15:40,621
THAT BEHIND ME BACK
203
00:15:40,689 --> 00:15:42,623
HE'S TRYING TO
STEAL WHITE O' MORN
204
00:15:42,691 --> 00:15:44,125
FROM UNDER ME NOSE?
205
00:15:44,193 --> 00:15:47,373
AND WHAT CONCERN OF
YOURS IS THIS, WILL DANAHER?
206
00:15:47,397 --> 00:15:50,131
CONCERN? CONCERN ENOUGH.
207
00:15:50,199 --> 00:15:54,302
HAVEN'T I MADE YOU A GOOD,
FAIR OFFER FOR THAT LAND?
208
00:15:54,370 --> 00:15:56,804
AND MINE, LYING
RIGHT NEXT TO YOURS.
209
00:15:56,872 --> 00:15:58,850
YOU MAY KEEP YOUR OFFERS.
210
00:15:58,874 --> 00:16:00,641
OH, SO IT'S TRUE.
211
00:16:00,709 --> 00:16:03,377
YOU'VE SOLD IT! NO, I HAVE NOT.
212
00:16:07,216 --> 00:16:10,151
I KNEW IT WAS A DIRTY LIE
213
00:16:10,219 --> 00:16:12,653
THE VERY MINUTE I HEARD IT.
214
00:16:12,721 --> 00:16:14,155
SURE, I SAID TO HIM,
215
00:16:14,223 --> 00:16:16,657
"PACKY McFARLANE, YOU'LL
NEVER MAKE ME BELIEVE
216
00:16:16,725 --> 00:16:19,393
"THAT SARAH TILLANE
WILL SELL WHITE O' MORN.
217
00:16:19,462 --> 00:16:21,895
"IT WOULD BE LIKE
BUILDING A FENCE
218
00:16:21,965 --> 00:16:23,508
"BETWEEN YOUR LAND AND MINE.
219
00:16:23,532 --> 00:16:26,167
AND FOR A STRANGER
TO MOVE IN," SAYS I.
220
00:16:26,235 --> 00:16:28,902
"AND WHAT WOULD
SHE BE DOING THAT FOR?
221
00:16:28,972 --> 00:16:32,239
"AND US SO CLOSE TO AN
UNDERSTANDING, YOU MIGHT SAY."
222
00:16:32,308 --> 00:16:34,442
YOU TOLD HIM ALL THAT?
223
00:16:34,510 --> 00:16:35,676
THAT I DID.
224
00:16:35,744 --> 00:16:37,222
AT THE PUB, I SUPPOSE,
225
00:16:37,246 --> 00:16:39,224
IN FRONT OF THOSE BIG EARS
226
00:16:39,248 --> 00:16:40,725
WITH PINTS IN THEIR FISTS
227
00:16:40,749 --> 00:16:42,727
AND PIPES IN THEIR MOUTHS.
228
00:16:42,751 --> 00:16:45,230
YOU MAY HAVE THE
LAND, MR. THORNTON,
229
00:16:45,254 --> 00:16:46,520
FOR £600.
230
00:16:46,589 --> 00:16:48,990
DONE! NO, YOU CAN'T!
231
00:16:49,058 --> 00:16:50,191
610.
232
00:16:50,259 --> 00:16:53,238
AS I REMEMBER, MRS.
TILLANE, YOU SAID £700.
233
00:16:53,262 --> 00:16:55,696
SEE HERE, LITTLE MAN!
234
00:16:55,764 --> 00:16:57,031
710!
235
00:16:57,100 --> 00:16:59,178
HOW ABOUT AN EVEN 1,000?
236
00:16:59,202 --> 00:17:01,202
1,000 AND... AND...
237
00:17:01,270 --> 00:17:02,603
AND...
238
00:17:02,671 --> 00:17:05,606
AND I'LL BE SAYING GOOD
DAY TO YOU, MRS. TILLANE,
239
00:17:05,674 --> 00:17:07,708
AND ALL HERE BUT ONE.
240
00:17:07,776 --> 00:17:10,711
AND I'VE GOT YOU
DOWN IN MY BOOK.
241
00:17:12,498 --> 00:17:15,215
MY DAD REMEMBERS HIS DAD WELL...
242
00:17:15,284 --> 00:17:16,216
MIKE THORNTON.
243
00:17:16,285 --> 00:17:18,897
HE HAD SHOULDERS
ON HIM LIKE AN OX.
244
00:17:18,921 --> 00:17:21,154
I SAW HIM MESELF THIS MORNING...
245
00:17:21,223 --> 00:17:22,656
A TALL, HANDSOME MAN...
246
00:17:22,725 --> 00:17:25,125
AS I WAS PASSING THE CHAPEL.
247
00:17:25,194 --> 00:17:29,129
IF YOU PASS THE PUB
AS FAST AS THE CHAPEL,
248
00:17:29,198 --> 00:17:31,632
YOU'D BE BETTER OFF,
YOU LITTLE SQUINT.
249
00:17:49,051 --> 00:17:50,484
JUST LOOK AT THEM,
250
00:17:50,553 --> 00:17:53,487
EATING ME OUT OF HOUSE AND HOME!
251
00:17:53,556 --> 00:17:55,489
GET BACK TO THE FIELDS!
252
00:17:55,558 --> 00:17:58,492
ALL OF YOU! THERE'S
WORK TO BE DONE!
253
00:18:06,235 --> 00:18:10,170
ISN'T IT A BIT EARLY IN
THE DAY FOR THE BOTTLE,
254
00:18:10,239 --> 00:18:11,672
EVEN FOR YOU?
255
00:18:11,741 --> 00:18:13,674
FEENEY, GET YOUR BOOK OUT.
256
00:18:16,746 --> 00:18:20,113
SET DOWN THE NAME
OF ONE SEAN THORNTON.
257
00:18:21,250 --> 00:18:23,729
OH! LOOK AT ME CLEAN FLOOR!
258
00:18:23,753 --> 00:18:25,185
YOU DIRTY THING!
259
00:18:25,254 --> 00:18:26,687
OH, SHUT YOUR GOB!
260
00:18:26,756 --> 00:18:28,734
I'LL SHUT YOU, ME LITTLE MAN!
261
00:18:28,758 --> 00:18:30,235
HERE, CLEAN IT YOURSELF,
262
00:18:30,259 --> 00:18:32,237
OR THERE WON'T BE ANY DINNER
263
00:18:32,261 --> 00:18:34,239
IN THIS HOUSE TONIGHT!
264
00:18:34,263 --> 00:18:36,196
THERE NOW, ISN'T THAT GRAND?
265
00:18:36,265 --> 00:18:37,698
ISN'T IT GRAND NOW?
266
00:18:37,767 --> 00:18:39,983
LOOK, YOU MUSN'T MIND
HIMSELF THIS DAY, MARY KATE.
267
00:18:40,052 --> 00:18:42,720
THAT'S ALL THE WORK
YOU'RE GOOD FOR,
268
00:18:42,789 --> 00:18:44,589
YOU LITTLE TATTLETALE.
269
00:18:45,558 --> 00:18:48,676
FEENEY, HAVE YOU WRITTEN
THE NAME I GIVE YOU?
270
00:18:48,744 --> 00:18:49,755
I HAVE.
271
00:18:49,779 --> 00:18:52,713
WELL THEN, STRIKE
A LINE THROUGH IT.
272
00:18:52,782 --> 00:18:54,014
DEATH FOR HIM.
273
00:18:54,083 --> 00:18:55,182
SEAN THORNTON.
274
00:18:55,250 --> 00:19:00,671
SO... HE BOUGHT WHITE
O' MORN IN SPITE OF YOU.
275
00:19:04,793 --> 00:19:06,953
GOOD FOR WIDOW TILLANE!
276
00:19:07,913 --> 00:19:10,747
PAY NO ATTENTION TO HER
AT ALL, SQUIRE DANAHER.
277
00:19:10,816 --> 00:19:12,249
TAKE NO NOTICE OF HER.
278
00:19:12,318 --> 00:19:14,251
YOU DO AND THERE WILL BE
279
00:19:14,320 --> 00:19:16,265
A FINE WAKE IN
THIS HOUSE TONIGHT.
280
00:19:16,289 --> 00:19:19,756
AFTER ALL, HE'S GOT MORE RIGHT
TO THAT LAND THAN YOU HAVE.
281
00:19:27,833 --> 00:19:30,734
HE'LL REGRET IT
TO HIS DYING DAY,
282
00:19:30,803 --> 00:19:33,204
IF EVER HE LIVES THAT LONG.
283
00:19:35,324 --> 00:19:37,258
THINK IT WILL BE ALL RIGHT
284
00:19:37,326 --> 00:19:39,260
IF I LEAVE MY BAGS HERE?
285
00:19:39,328 --> 00:19:41,262
I IMAGINE THEY'LL
BE SAFE ENOUGH.
286
00:19:41,330 --> 00:19:44,265
IF YOU SEE A LITTLE GUY
NAMED MICHAELEEN FLYNN,
287
00:19:44,333 --> 00:19:47,268
WILL YOU TELL HIM I'M
WAITING IN THE BAR?
288
00:19:47,336 --> 00:19:48,769
IT WOULD BE A PLEASURE,
289
00:19:48,837 --> 00:19:51,438
ESPECIALLY FOR
MICHAELEEN FLYNN. THANKS.
290
00:19:51,507 --> 00:19:54,627
IS THERE ANYTHING ELSE
YOU'D LIKE NOW, YANK?
291
00:19:55,344 --> 00:19:57,278
IF I THINK OF ANYTHING,
292
00:19:57,346 --> 00:19:59,280
I'LL... I'LL LET YOU KNOW.
293
00:20:09,209 --> 00:20:10,641
GOOD EVENING.
294
00:20:14,880 --> 00:20:16,314
PLEASANT NIGHT.
295
00:20:19,385 --> 00:20:22,320
I'LL TRY ONE OF
THOSE BLACK BEERS.
296
00:20:22,388 --> 00:20:24,822
AH, THE PORTER. YES, SIR.
297
00:20:28,895 --> 00:20:30,828
SIR, WILL YOU JOIN ME?
298
00:20:30,897 --> 00:20:34,431
IN FACT, I'D LIKE TO
BUY EVERYBODY A DRINK.
299
00:20:34,500 --> 00:20:38,936
I DO NOT BELIEVE I HEARD
YOUR NAME, TALL MAN.
300
00:20:38,988 --> 00:20:41,655
THORNTON. SEAN THORNTON.
301
00:20:43,392 --> 00:20:46,093
AND, UH, YOUR FATHER'S NAME?
302
00:20:46,161 --> 00:20:48,346
MIKE. MICHAEL THORNTON.
303
00:20:48,414 --> 00:20:50,348
HE USED TO LIVE HERE.
304
00:20:50,416 --> 00:20:51,849
WHITE O' MORNIN'.
305
00:20:51,917 --> 00:20:53,895
I JUST BOUGHT THE PLACE BACK.
306
00:20:53,919 --> 00:20:55,853
THAT'S WHY I'M HERE.
307
00:20:55,921 --> 00:21:01,359
THEN YOUR GRANDFATHER
WOULD BE OLD SEAN THORNTON.
308
00:21:01,427 --> 00:21:04,362
RIGHT. BLESS HIS MEMORY.
309
00:21:04,430 --> 00:21:07,365
SO IT'S HIMSELF
YOU'RE NAMED AFTER.
310
00:21:07,433 --> 00:21:09,867
WELL NOW, THAT BEING THE CASE,
311
00:21:09,935 --> 00:21:11,869
IT IS A PLEASANT EVENING,
312
00:21:11,937 --> 00:21:14,805
AND WE WILL HAVE A DRINK!
313
00:21:16,442 --> 00:21:21,078
♪ THERE WAS A
WILD COLONIAL BOY ♪
314
00:21:21,147 --> 00:21:26,384
♪ JACK DUGGAN WAS HIS NAME ♪
315
00:21:26,452 --> 00:21:31,389
♪ HE WAS BORN AND
BRED IN IRELAND ♪
316
00:21:31,457 --> 00:21:35,959
♪ IN A TOWN CALLED
CASTLEMANE... ♪
317
00:21:36,028 --> 00:21:38,295
OH, GOOD EVENING, FATHER.
318
00:21:38,363 --> 00:21:40,341
IS THE REST OF THE
COMMITTEE HERE?
319
00:21:40,365 --> 00:21:41,298
THEY'RE WAITING.
320
00:21:41,366 --> 00:21:42,844
I'M SORRY WE'RE LATE.
321
00:21:42,868 --> 00:21:45,302
THE FISHING WAS BAD? FISHING?
322
00:21:45,370 --> 00:21:47,805
FINE LOT OF TIME
WE HAVE FOR THAT.
323
00:21:47,873 --> 00:21:50,574
OH, MICHAELEEN.
COMMANDANT FORBES.
324
00:21:50,642 --> 00:21:53,210
YOU CAN FORGET
ABOUT THE COMMANDANT.
325
00:21:53,278 --> 00:21:55,240
WE'RE AT PEACE NOW, MAN.
326
00:21:55,264 --> 00:21:57,798
TRUE, BUT I HAVEN'T
GIVEN UP HOPE.
327
00:21:57,867 --> 00:22:01,301
YOUR YANKEE FRIEND
IS WAITING IN THE BAR.
328
00:22:01,370 --> 00:22:02,848
OH, IS HE HERE ALREADY?
329
00:22:02,872 --> 00:22:05,339
WAIT A MINUTE, MICHAELEEN.
WHO IS HE, ANYWAY?
330
00:22:05,407 --> 00:22:08,408
WELL, HE'S A NICE,
QUIET, PEACE-LOVING MAN
331
00:22:08,478 --> 00:22:11,311
COME HOME TO IRELAND
TO FORGET HIS TROUBLES.
332
00:22:11,380 --> 00:22:12,312
TROUBLES?
333
00:22:12,381 --> 00:22:13,814
SURE, YES, YES.
334
00:22:13,883 --> 00:22:16,361
HE'S A MILLIONAIRE,
LIKE ALL THE YANKS,
335
00:22:16,385 --> 00:22:18,363
BUT ECCENTRIC,
OH, YES, ECCENTRIC.
336
00:22:18,387 --> 00:22:20,321
WAIT TILL I SHOW YOU.
337
00:22:20,389 --> 00:22:22,823
WELL, WHAT IS IT?
338
00:22:22,891 --> 00:22:24,869
IT'S A BAG TO SLEEP IN.
339
00:22:24,893 --> 00:22:26,871
A SLEEPING BAG, HE CALLS IT.
340
00:22:26,895 --> 00:22:28,873
DID YOU EVER HEAR THE LIKE?
341
00:22:28,897 --> 00:22:31,376
A SLEEPING BAG... I'LL
SHOW YOU HOW IT OPERATES.
342
00:22:31,400 --> 00:22:32,833
WHERE DOES IT OPEN?
343
00:22:32,901 --> 00:22:34,713
HURRY. I'VE GOT AN
IMPORTANT APPOINTMENT.
344
00:22:34,737 --> 00:22:36,537
THEN OPEN IT UP, MAN.
345
00:22:36,606 --> 00:22:41,375
♪ AT THE EARLY AGE OF 16 YEARS ♪
346
00:22:41,444 --> 00:22:45,546
♪ HE LEFT HIS NATIVE HOME ♪
347
00:22:45,615 --> 00:22:50,651
♪ AND TO AUSTRALIA'S
SUNNY SHORES ♪
348
00:22:50,719 --> 00:22:55,356
♪ HE WAS INCLINED TO ROAM ♪
349
00:22:55,424 --> 00:23:00,027
♪ HE ROBBED THE
WEALTHY SQUIREEN ♪
350
00:23:00,095 --> 00:23:04,765
♪ ALL ARMS HE DID DESTROY ♪
351
00:23:04,833 --> 00:23:09,537
♪ A TERROR TO AUSTRALIA WAS ♪
352
00:23:09,605 --> 00:23:15,342
♪ THIS WILD COLONIAL BOY ♪♪
353
00:23:15,411 --> 00:23:17,344
SEAN THORNTON,
354
00:23:17,413 --> 00:23:21,682
THE MEN OF INISFREE
BID YOU WELCOME HOME.
355
00:23:21,750 --> 00:23:23,050
THANK YOU.
356
00:23:23,118 --> 00:23:24,885
HA HA HA.
357
00:23:24,953 --> 00:23:28,889
"AND THE MEN OF INISFREE
BID YOU WELCOME HOME."
358
00:23:28,957 --> 00:23:31,392
WHAT'S WRONG WITH THAT
LITTLE SPEECH, FEENEY?
359
00:23:31,460 --> 00:23:33,394
YOU'D BE KNOWING WHAT, SQUIRE.
360
00:23:40,969 --> 00:23:42,903
I'M A MAN FROM INISFREE...
361
00:23:42,971 --> 00:23:44,438
AND THE BEST MAN,
362
00:23:44,507 --> 00:23:47,608
AND I BID NO WELCOME
TO ANY MAN FOOL ENOUGH
363
00:23:47,677 --> 00:23:50,611
TO PAY £1,000 FOR A BIT OF LAND
364
00:23:50,680 --> 00:23:52,279
THAT ISN'T WORTH 200.
365
00:23:52,348 --> 00:23:53,892
TRUE FOR YOU, SQUIRE.
366
00:23:53,916 --> 00:23:58,285
DIDN'T I HEAR OF
SOMEONE NAMED DANAHER
367
00:23:58,354 --> 00:24:00,287
BIDDING TO 810? HUH?
368
00:24:02,858 --> 00:24:04,291
GET YOUR BOOK OUT.
369
00:24:04,360 --> 00:24:06,293
PUT HIS NAME DOWN.
370
00:24:06,362 --> 00:24:08,229
DERMOT FAHEY.
371
00:24:08,297 --> 00:24:10,297
F-A-H-Y.
372
00:24:10,366 --> 00:24:12,299
NO "E," SQUIREEN DANAHER.
373
00:24:12,368 --> 00:24:14,301
IF YOU WERE HALF
THE MAN YOU THINK,
374
00:24:14,370 --> 00:24:16,803
YOU WOULDN'T BEGRUDGE
A THORNTON HIS BIRTHPLACE.
375
00:24:16,872 --> 00:24:18,839
AND THAT'S MY OPINION.
376
00:24:18,907 --> 00:24:20,352
HE'S NEVER WORKED THAT LAND.
377
00:24:20,376 --> 00:24:21,875
IT'S THORNTON LAND.
378
00:24:21,944 --> 00:24:24,311
YOU'VE TOO MUCH
OF YOUR OWN AS IT IS.
379
00:24:24,380 --> 00:24:25,812
QUIET, IF YOU PLEASE.
380
00:24:25,881 --> 00:24:26,813
PARLIAMENTARY PROCEDURE.
381
00:24:26,882 --> 00:24:29,316
SQUIRE DANAHER HAS THE FLOOR.
382
00:24:29,385 --> 00:24:32,319
IF I HAD THE FLOOR...
383
00:24:33,389 --> 00:24:35,822
I'D HIT THAT BIG APE WITH IT.
384
00:24:35,891 --> 00:24:36,990
HOLD ON.
385
00:24:37,059 --> 00:24:38,870
I DON'T BLAME MR. DANAHER
386
00:24:38,894 --> 00:24:40,372
FOR GETTING ON HIS EAR.
387
00:24:40,396 --> 00:24:41,828
WHO'S ON HIS EAR?
388
00:24:41,897 --> 00:24:43,330
YOU AND 10 DOLTINS
389
00:24:43,399 --> 00:24:45,332
COULDN'T PUT THE
DANAHER ON HIS EAR.
390
00:24:45,401 --> 00:24:46,745
IT'S A WAY OF SPEAKING...
391
00:24:46,769 --> 00:24:47,901
MIND YOUR WAYS, THEN.
392
00:24:47,970 --> 00:24:50,504
THE POINT IS, IT'S ALREADY DONE.
393
00:24:50,573 --> 00:24:52,317
I OWN THE PROPERTY NOW.
394
00:24:52,341 --> 00:24:53,619
AS LONG AS WE'RE NEIGHBORS...
395
00:24:53,643 --> 00:24:55,842
NEIGHBORS? HO HO.
396
00:24:55,911 --> 00:24:57,344
NEIGHBORS.
397
00:24:57,413 --> 00:24:58,445
NEVER!
398
00:24:58,514 --> 00:25:01,348
AND IF I SO MUCH AS CATCH YOU
399
00:25:01,417 --> 00:25:04,351
PUTTING A WET FOOT
ON MY PROPERTY, I'LL... I...
400
00:25:04,420 --> 00:25:07,921
OH, ANOTHER THING... YOU KEEP
AWAY FROM MY SISTER MARY KATE.
401
00:25:07,990 --> 00:25:10,424
SHE'S NOT FOR THE LIKES OF YOU.
402
00:25:10,493 --> 00:25:11,725
WHERE I COME FROM,
403
00:25:11,794 --> 00:25:14,273
WE DON'T DISCUSS OUR
WOMENFOLK IN SALOONS.
404
00:25:14,297 --> 00:25:16,137
YOU MAKE A HABIT OF IT.
405
00:25:16,165 --> 00:25:18,310
THIS MORNING IT
WAS WIDOW TILLANE.
406
00:25:18,334 --> 00:25:20,367
WHAT'S THAT? THAT'S TRUE.
407
00:25:20,436 --> 00:25:22,869
IT'S ASHAMED YOU SHOULD BE.
408
00:25:22,938 --> 00:25:24,838
I'M NOT ACCUSING MARY KATE...
409
00:25:24,907 --> 00:25:26,206
IT'S HIM!
410
00:25:26,275 --> 00:25:29,710
THIS VERY MORN, LET
HIM DENY IT IF HE CAN,
411
00:25:29,779 --> 00:25:31,712
AT THE BACK OF THE CHAPEL,
412
00:25:31,781 --> 00:25:34,214
HE TOOK LIBERTIES
HE SHOULDN'T HAVE.
413
00:25:34,283 --> 00:25:36,283
I SAID GOOD MORNING TO HER.
414
00:25:36,352 --> 00:25:38,752
BUT IT WAS GOOD NIGHT
YOU HAD ON YOUR MIND.
415
00:25:38,821 --> 00:25:40,754
THAT'S A LIE.
416
00:25:42,858 --> 00:25:44,692
THAT'S A WHAT?
417
00:25:44,760 --> 00:25:46,460
I SAID THAT'S A LIE.
418
00:25:46,529 --> 00:25:50,331
THAT'S A WORD I
TAKE FROM NO MAN!
419
00:25:50,399 --> 00:25:52,566
PUT UP YOUR FISTS!
420
00:25:52,635 --> 00:25:54,613
I'M NOT GOING TO FIGHT YOU.
421
00:25:54,637 --> 00:25:56,570
I'M GOING TO FIGHT YOU!
422
00:25:56,639 --> 00:25:58,071
HA HA HA HA!
423
00:25:58,140 --> 00:25:59,406
THANK YOU.
424
00:26:02,077 --> 00:26:03,344
TAKE IT EASY, DANAHER.
425
00:26:03,412 --> 00:26:05,390
WHAT'S THE MATTER WITH YOU?
426
00:26:05,414 --> 00:26:06,847
AW, HE'S DRUNK.
427
00:26:06,915 --> 00:26:09,350
FEENEY, TAKE HIM
HOME. COME, SQUIRE.
428
00:26:09,418 --> 00:26:11,896
DON'T SOIL YOUR
KNUCKLES ON THE MAN.
429
00:26:11,920 --> 00:26:13,354
WHAT DO YOU SAY?
430
00:26:13,422 --> 00:26:14,355
NEVER.
431
00:26:14,423 --> 00:26:15,856
TAKE THE MAN'S HAND,
432
00:26:15,924 --> 00:26:19,360
OR I'LL READ YOUR NAME IN
THE MASS ON SUNDAY. TAKE IT.
433
00:26:19,428 --> 00:26:22,629
I'LL JOIN THE CHURCH OF IRELAND
FIRST. AS IF THEY'D HAVE YOU.
434
00:26:22,698 --> 00:26:26,367
SHAKE HANDS WITH HIM. GO ON.
435
00:26:26,435 --> 00:26:28,675
SHAKE HANDS. SHAKE HANDS.
436
00:26:34,844 --> 00:26:37,277
IT'S A GOOD GRIP
YOU HAVE, DANAHER.
437
00:26:37,346 --> 00:26:40,280
I ALWAYS HATED A FLABBY
HANDSHAKE MYSELF.
438
00:26:44,720 --> 00:26:46,319
COME ON.
439
00:26:49,358 --> 00:26:51,191
FATHER PAUL.
440
00:26:52,361 --> 00:26:53,839
MICHAELEEN, INTRODUCE ME
441
00:26:53,863 --> 00:26:56,842
TO THIS QUIET,
PEACE-LOVING MAN OF YOURS.
442
00:26:56,866 --> 00:26:58,799
I HAVE A STRANGE NOTION
443
00:26:58,868 --> 00:27:00,801
WE'RE GOING TO BE FRIENDS, YANK.
444
00:27:00,870 --> 00:27:02,302
GIVE ME A MINUTE
445
00:27:02,371 --> 00:27:05,350
JUST LET SOME BLOOD
RUN BACK INTO THIS THING.
446
00:27:05,374 --> 00:27:06,640
SEAN THORNTON...
447
00:27:06,709 --> 00:27:09,710
HIS GRANDFATHER... OH,
A GRAND MAN HE WAS...
448
00:27:09,779 --> 00:27:11,278
WAS HUNG IN AUSTRALIA.
449
00:27:11,346 --> 00:27:13,280
OOH, I COULD TELL YOU
450
00:27:13,348 --> 00:27:15,282
BLOOD-CURDLING
STORIES ABOUT HIM,
451
00:27:15,350 --> 00:27:17,284
BUT ME THROAT'S GONE DRY.
452
00:27:17,352 --> 00:27:19,787
AH, GO ON UP THERE.
453
00:27:20,890 --> 00:27:22,355
♪ HE WAS BORN ♪
454
00:27:22,424 --> 00:27:23,657
♪ AND BRED ♪
455
00:27:23,725 --> 00:27:26,126
♪ IN IRELAND ♪
456
00:27:26,195 --> 00:27:30,764
♪ IN A TOWN CALLED CASTLEMANE ♪
457
00:27:30,833 --> 00:27:32,166
♪ HE WAS ♪
458
00:27:32,234 --> 00:27:35,836
♪ HIS FATHER'S ONLY SON ♪
459
00:27:35,905 --> 00:27:40,674
♪ HIS MOTHER'S PRIDE AND JOY ♪
460
00:27:40,742 --> 00:27:43,143
♪ AND DEARLY DID ♪
461
00:27:43,212 --> 00:27:45,946
♪ HIS PARENTS LOVE ♪
462
00:27:46,015 --> 00:27:50,567
♪ THIS WILD COLONIAL BOY ♪♪
463
00:28:38,066 --> 00:28:42,102
ARE YOU SURE YOU WON'T
CHANGE YOUR MIND, SEAN,
464
00:28:42,170 --> 00:28:44,621
AND COME ALONG HOME WITH ME?
465
00:28:44,689 --> 00:28:46,123
DON'T WORRY ABOUT IT.
466
00:28:46,191 --> 00:28:48,524
GOT MY SLEEPING BAG, HAVEN'T I?
467
00:28:48,593 --> 00:28:51,027
WELL, IT'S A NICE SOFT NIGHT,
468
00:28:51,096 --> 00:28:54,898
SO I THINK I'LL GO AND
JOIN ME COMRADES
469
00:28:54,967 --> 00:28:57,467
AND TALK A LITTLE TREASON.
470
00:28:57,535 --> 00:28:58,969
GOOD NIGHT, SEAN.
471
00:28:59,037 --> 00:29:01,116
GOOD NIGHT, MICHAELEEN.
472
00:29:01,140 --> 00:29:03,073
GOD BLESS YOU.
473
00:30:31,396 --> 00:30:34,297
YEEE-OH!
474
00:30:35,801 --> 00:30:37,200
AAH!
475
00:31:01,426 --> 00:31:03,359
IT'S A BOLD ONE YOU ARE.
476
00:31:03,428 --> 00:31:06,388
AND WHO GAVE YOU
LEAVE TO BE KISSING ME?
477
00:31:06,431 --> 00:31:07,864
SO YOU CAN TALK.
478
00:31:07,933 --> 00:31:10,366
YES, I CAN, I WILL, AND I DO.
479
00:31:10,435 --> 00:31:13,403
AND IT'S MORE THAN TALK YOU'LL
BE GETTING IF YOU STEP CLOSER!
480
00:31:13,471 --> 00:31:16,773
DON'T WORRY. YOU GOT A
WALLOP. YOU'LL GET OVER IT.
481
00:31:16,842 --> 00:31:21,044
SOME THINGS A MAN
DOESN'T GET OVER SO EASY.
482
00:31:21,113 --> 00:31:23,379
LIKE WHAT, SUPPOSING?
483
00:31:23,448 --> 00:31:25,882
LIKE THE SIGHT OF A GIRL
484
00:31:25,951 --> 00:31:27,428
COMING THROUGH THE FIELDS
485
00:31:27,452 --> 00:31:29,886
WITH THE SUN ON HER HAIR,
486
00:31:29,955 --> 00:31:31,387
KNEELING IN CHURCH
487
00:31:31,456 --> 00:31:33,890
WITH A FACE LIKE A SAINT.
488
00:31:33,959 --> 00:31:35,391
A SAINT INDEED.
489
00:31:35,460 --> 00:31:37,894
AND NOW COMING TO A MAN'S HOUSE
490
00:31:37,963 --> 00:31:39,896
TO CLEAN IT FOR HIM.
491
00:31:39,965 --> 00:31:41,898
BUT THAT WAS JUST MY WAY
492
00:31:41,967 --> 00:31:43,900
OF BEING A GOOD CHRISTIAN ACT.
493
00:31:43,969 --> 00:31:46,903
I KNOW IT WAS,
MARY KATE DANAHER,
494
00:31:46,972 --> 00:31:49,405
AND IT WAS NICE OF YOU.
495
00:31:50,809 --> 00:31:52,242
NOT AT ALL.
496
00:33:06,017 --> 00:33:07,517
HELLO.
497
00:33:07,569 --> 00:33:09,902
GOOD MORNING, MR. THORNTON.
498
00:33:09,971 --> 00:33:12,405
HOW ARE YOU, FA... UH, DR...
499
00:33:12,474 --> 00:33:13,906
NO, NO. MISTER.
500
00:33:13,975 --> 00:33:15,470
AND ON FORMAL OCCASIONS,
501
00:33:15,494 --> 00:33:16,971
THE REVEREND MR. PLAYFAIR.
502
00:33:16,995 --> 00:33:19,195
AND THIS IS MRS. PLAYFAIR.
503
00:33:19,264 --> 00:33:21,597
WELL, MR. THORNTON.
504
00:33:21,666 --> 00:33:23,766
YOU ARE A WONDER.
505
00:33:23,836 --> 00:33:27,838
IT LOOKS THE WAY ALL
IRISH COTTAGES SHOULD
506
00:33:27,906 --> 00:33:29,840
AND SO SELDOM DO.
507
00:33:29,908 --> 00:33:32,041
AND ONLY AN AMERICAN
508
00:33:32,110 --> 00:33:35,011
WOULD HAVE THOUGHT
OF EMERALD GREEN.
509
00:33:35,080 --> 00:33:36,862
RED IS MORE DURABLE.
510
00:33:36,931 --> 00:33:40,266
AND THE ROSES... HOW NICE.
511
00:33:40,335 --> 00:33:43,386
YOU'LL NEEDS LOTS AND
LOTS OF HORSE MANURE...
512
00:33:43,455 --> 00:33:46,556
FERTILIZER, I MEAN.
HORSE IS THE BEST.
513
00:33:46,608 --> 00:33:49,041
OH, I BROUGHT YOU A PLANT.
514
00:33:49,111 --> 00:33:50,276
YOU KNOW,
515
00:33:50,345 --> 00:33:53,012
"A PRIMROSE BY
A RIVER'S BRINK..."
516
00:33:53,081 --> 00:33:54,514
BRIM, NOT BRINK.
517
00:33:54,583 --> 00:33:56,627
THE NEXT LINE ENDS IN "HYMN."
518
00:33:56,651 --> 00:33:59,919
POETS ARE SO SILLY, AREN'T THEY?
519
00:33:59,988 --> 00:34:02,833
OH, I HOPE YOU'RE NOT
ONE, MR. THORNTON.
520
00:34:02,857 --> 00:34:04,290
OH, NO, MA'AM. I...
521
00:34:04,359 --> 00:34:06,292
THORNTON.
522
00:34:06,361 --> 00:34:08,995
THERE'S A FAMILIAR RING TO IT.
523
00:34:11,099 --> 00:34:13,299
RING TO IT.
524
00:34:13,368 --> 00:34:14,867
THORNTON.
525
00:34:16,037 --> 00:34:17,303
COMMON NAME.
526
00:34:17,372 --> 00:34:20,306
THANK YOU FOR THE
PLANT, MRS. PLAYFAIR.
527
00:34:20,375 --> 00:34:23,409
THIS IS DA... DARN...
AWFULLY NICE OF YOU.
528
00:34:24,546 --> 00:34:26,579
OH?
529
00:34:41,413 --> 00:34:43,346
IT'S A BED.
530
00:34:43,415 --> 00:34:45,281
EXCUSE ME.
531
00:34:47,519 --> 00:34:48,730
MORNING.
532
00:34:48,754 --> 00:34:51,855
THAT'S A FINE BIG BED
YOU HAVE, MR. THORNTON.
533
00:34:51,924 --> 00:34:53,857
BIGGEST ONE I COULD FIND.
534
00:35:07,422 --> 00:35:10,857
IS THAT A BED OR A...
OR A PARADE GROUND?
535
00:35:10,926 --> 00:35:13,860
A MAN WOULD HAVE
TO BE A SPRINTER
536
00:35:13,929 --> 00:35:16,329
TO CATCH HIS WIFE
IN A BED LIKE THAT.
537
00:35:23,738 --> 00:35:25,104
WHOA.
538
00:35:31,947 --> 00:35:33,213
WHOO!
539
00:35:48,163 --> 00:35:49,729
WELL...
540
00:35:51,466 --> 00:35:52,966
MR. FLYNN.
541
00:35:53,034 --> 00:35:55,969
AND WHAT ARE YOU
ALL DRESSED UP FOR,
542
00:35:56,037 --> 00:35:57,303
MICHAELEEN OGE?
543
00:36:00,475 --> 00:36:01,741
"I HAVE..."
544
00:36:07,482 --> 00:36:09,282
"I HAVE COME..."
545
00:36:09,351 --> 00:36:11,450
OH, I CAN SEE THAT.
546
00:36:11,519 --> 00:36:14,087
BUT FROM WHOSE PUB WAS IT?
547
00:36:14,172 --> 00:36:15,605
PUB? PUB?
548
00:36:15,674 --> 00:36:18,307
YOU'VE A TONGUE LIKE AN ADDER.
549
00:36:18,376 --> 00:36:21,878
I'VE A GOOD MIND TO GO
ABOUT ME OWN BUSINESS
550
00:36:21,947 --> 00:36:23,380
AND TELL THORN SHORNTON
551
00:36:23,448 --> 00:36:25,882
HE'S WELL OFF WITHOUT YOU.
552
00:36:25,950 --> 00:36:27,583
WAIT A MINUTE.
553
00:36:28,820 --> 00:36:30,186
WHAT WAS THAT?
554
00:36:30,255 --> 00:36:32,171
WELL, WILL YOU LISTEN THEN
555
00:36:32,240 --> 00:36:34,140
AND NOT BE INTERRUPTING
THE SHUAGRAUN.
556
00:36:34,208 --> 00:36:36,108
THE MATCHMAKER.
557
00:36:38,580 --> 00:36:41,931
"I HAVE COME...
558
00:36:42,000 --> 00:36:43,900
"AT THE REQUEST...
559
00:36:43,952 --> 00:36:46,085
OF TAUN SHORNTON..."
560
00:36:46,154 --> 00:36:47,420
SEAN THORNTON.
561
00:36:47,488 --> 00:36:49,022
SHUT UP.
562
00:36:50,491 --> 00:36:55,061
"BACHELOR AND PARTY
OF THE FIRST PART..."
563
00:36:57,049 --> 00:36:59,282
"TO ASK IF YOU, UH..."
564
00:36:59,351 --> 00:37:02,485
STRICTLY INFORMALLY MIND YOU...
565
00:37:02,554 --> 00:37:03,920
EH...
566
00:37:03,972 --> 00:37:08,908
"MARY KATE DANAHER, SPINSTER...
567
00:37:08,977 --> 00:37:12,562
AND PARTY TO THE SECOND PART..."
568
00:37:15,367 --> 00:37:16,899
WELL?
569
00:37:16,952 --> 00:37:18,985
GO ON. YOU WERE SAYING?
570
00:37:19,054 --> 00:37:22,088
GOSH, ME... ME MOUTH
IS LIKE A DRY CRUST,
571
00:37:22,157 --> 00:37:24,790
AND THE SUN IS
THAT HOT ON ME PATE.
572
00:37:24,859 --> 00:37:25,975
I...
573
00:37:26,044 --> 00:37:28,478
WOULD YOU BE STEPPING
INTO THE PARLOR?
574
00:37:28,546 --> 00:37:31,481
THE HOUSE MAY
BELONG TO MY BROTHER,
575
00:37:31,549 --> 00:37:34,351
BUT WHAT'S IN THE
PARLOR BELONGS TO ME.
576
00:37:34,419 --> 00:37:35,986
I WILL, THEN.
577
00:37:36,054 --> 00:37:38,321
AND I HOPE THERE'S
A BOTTLE THERE,
578
00:37:38,390 --> 00:37:40,056
WHOEVER IT BELONGS TO.
579
00:37:40,108 --> 00:37:41,708
IT COULD BE.
580
00:37:50,919 --> 00:37:53,620
YOU'VE A FINE STEADY HAND.
581
00:38:08,069 --> 00:38:10,302
TO A GOOD BARGAINING.
582
00:38:16,111 --> 00:38:17,543
TO RESUME.
583
00:38:17,612 --> 00:38:21,047
THE PARTY OF THE
FIRST PART... THAT'S HIM.
584
00:38:21,116 --> 00:38:23,315
HAS INSTRUCTED ME TO INQUIRE
585
00:38:23,384 --> 00:38:26,853
BEFORE ENTERING INTO
FORMAL NEGOTIATIONS
586
00:38:26,921 --> 00:38:30,857
WHETHER THE PARTY TO
THE SECOND PART... THAT'S ME.
587
00:38:30,925 --> 00:38:33,893
THINKS KINDLY OF
THE GENERAL IDEA,
588
00:38:33,962 --> 00:38:36,495
OR IN HIS OWN WORDS, UH...
589
00:38:36,564 --> 00:38:38,865
AMERICAN, UH, YEAH, YEAH, YES.
590
00:38:38,933 --> 00:38:41,500
HE WANTS TO KNOW
IF YOU GO FOR IT.
591
00:38:41,569 --> 00:38:43,002
GO FOR IT?
592
00:38:43,071 --> 00:38:46,505
AND IF YOU DO, I'LL
SPEAK TO YOUR BROTHER.
593
00:38:46,574 --> 00:38:48,552
OH. THAT WON'T BE EASY.
594
00:38:48,576 --> 00:38:50,509
AS WELL I KNOW IT.
595
00:38:50,578 --> 00:38:53,512
HE'D AS SOON PUT
HIS FIST IN ME TEETH
596
00:38:53,581 --> 00:38:56,515
AS BID ME THE TIME OF THE DAY.
597
00:38:56,584 --> 00:38:58,517
WHAT DID SEAN... I MEAN,
598
00:38:58,586 --> 00:39:00,564
THE PARTY OF THE FIRST PART
599
00:39:00,588 --> 00:39:02,066
SAY ABOUT ME FORTUNE?
600
00:39:02,090 --> 00:39:04,456
HE SAYS HE DOESN'T GIVE IT...
601
00:39:05,860 --> 00:39:09,395
HE SAYS IT'S A MATTER OF
COMPLETE INDIFFERENCE TO HIM.
602
00:39:09,463 --> 00:39:10,396
HE DID?
603
00:39:10,464 --> 00:39:12,398
HE SAYS HE DOESN'T GIVE A...
604
00:39:12,466 --> 00:39:14,901
HE SAYS IT'S ALL ONE TO HIM
605
00:39:14,969 --> 00:39:17,904
IF YOU COME IN THE
CLOTHES ON YOUR BACK
606
00:39:17,972 --> 00:39:19,906
OR WITHOUT THEM,
FOR THAT MATTER.
607
00:39:19,974 --> 00:39:21,808
OH.
608
00:39:24,579 --> 00:39:26,512
OH, HE DID, DID HE?
609
00:39:26,581 --> 00:39:29,515
WELL. A FINE OPINION
HE MUST HAVE OF ME
610
00:39:29,584 --> 00:39:32,018
IF HE THINKS I'D GO TO ANY MAN
611
00:39:32,087 --> 00:39:33,564
WITHOUT A PROPER FORTUNE.
612
00:39:33,588 --> 00:39:36,567
THIS YOU MAY TELL YOUR
MISTER PARTY OF THE FIRST PART...
613
00:39:36,591 --> 00:39:40,927
THAT WHEN I WED, WHATEVER'S
MY OWN GOES WITH ME.
614
00:39:40,995 --> 00:39:43,262
GET UP, LITTLE MAN.
615
00:39:51,039 --> 00:39:52,733
ALL THIS FURNITURE'S MINE,
616
00:39:52,757 --> 00:39:55,191
AND I HAVE THAT CHINA AND LINEN
617
00:39:55,260 --> 00:39:57,994
AND £50 IN GOLD
MY FATHER LEFT ME
618
00:39:58,062 --> 00:40:00,040
AND MY MOTHER'S
RINGS AND BROOCHES
619
00:40:00,064 --> 00:40:02,042
AND MY GRANDMOTHER'S
WEDDING VEIL
620
00:40:02,066 --> 00:40:04,484
AND HER SILVER COMBS
AND BUCKLES AND...
621
00:40:04,552 --> 00:40:06,986
£30 ODD IN NOTES AND SILVER
622
00:40:07,054 --> 00:40:10,222
I'VE EARNED THIS PAST
15 YEARS. THAT'S ALL.
623
00:40:10,291 --> 00:40:13,359
HEH HEH. YOU'RE A
WELL-PROPERTIED WOMAN.
624
00:40:13,428 --> 00:40:17,162
I WOULDN'T MIND
MARRYING YOU MESELF.
625
00:40:20,117 --> 00:40:23,135
WHERE... WHERE DID
YOU LEAVE THE BOTTLE?
626
00:40:26,241 --> 00:40:29,236
AND I'D HAVE YOU TELL
HIM THAT I'M NO PAUPER
627
00:40:29,260 --> 00:40:32,127
TO BE GOING TO HIM IN MY SHIFT.
628
00:40:43,375 --> 00:40:46,141
♪ THE YON MAY MOON ♪
629
00:40:46,210 --> 00:40:48,944
♪ IS BEAMING LOVE ♪
630
00:40:49,013 --> 00:40:51,146
♪ THE GLOW WORM'S LAMP ♪
631
00:40:51,215 --> 00:40:54,784
♪ IS GLEAMING LOVE ♪
632
00:40:54,853 --> 00:40:56,619
♪ HOW SWEET ♪
633
00:40:56,688 --> 00:40:58,521
♪ TO ROVE ♪
634
00:40:58,590 --> 00:41:01,957
♪ THROUGH MAURNA'S GROVE ♪
635
00:41:02,026 --> 00:41:04,761
♪ WHILE THE ♪
636
00:41:04,829 --> 00:41:06,662
♪ DROWSY WORLD ♪
637
00:41:06,731 --> 00:41:08,931
♪ IS DREAMING LOVE ♪
638
00:41:09,000 --> 00:41:10,978
DO YOU KNOW "THE
PEELER AND THE GOAT"?
639
00:41:11,002 --> 00:41:12,435
I DO NOT.
640
00:41:12,504 --> 00:41:13,936
NEITHER DO I.
641
00:41:14,005 --> 00:41:16,939
COULD YOU USE A LITTLE
WATER IN YOUR WHISKEY?
642
00:41:17,008 --> 00:41:19,942
WHEN I DRINK WHISKEY,
I DRINK WHISKEY.
643
00:41:20,011 --> 00:41:22,945
WHEN I DRINK
WATER, I DRINK WATER.
644
00:41:23,014 --> 00:41:25,114
BUT BACK TO BUSINESS NOW.
645
00:41:25,182 --> 00:41:28,161
WELL, WHAT ANSWER
WILL I GIVE SEAN THORNTON,
646
00:41:28,185 --> 00:41:30,753
MARY KATE DANAHER?
647
00:41:30,822 --> 00:41:33,956
WELL, YOU CAN TELL
HIM FROM ME THAT...
648
00:41:37,829 --> 00:41:39,762
THAT I GO FOR IT.
649
00:41:40,832 --> 00:41:41,898
♪ IS ♪
650
00:41:41,966 --> 00:41:46,869
♪ TO STEAL A FEW
HOURS FROM THE NIGHT ♪
651
00:41:46,938 --> 00:41:50,706
♪ MY DEAR ♪♪
652
00:42:05,190 --> 00:42:06,622
HOW DO I LOOK?
653
00:42:06,691 --> 00:42:07,790
YOU LOOK FINE.
654
00:42:27,928 --> 00:42:29,862
HEY, WHAT DO I SAY?
655
00:42:29,930 --> 00:42:31,864
NOTHING. I'LL DO
ALL THE TALKING.
656
00:42:31,932 --> 00:42:34,911
AND I'M SUPPOSED TO
STAND HERE LIKE A DUMMY?
657
00:42:34,935 --> 00:42:37,035
SHH. NOW.
658
00:42:42,777 --> 00:42:46,044
WILL, THERE'S... THERE'S
SOMEONE COMING TO CALL.
659
00:42:46,113 --> 00:42:47,546
WHO?
660
00:42:47,615 --> 00:42:49,314
IT'S, UH...
661
00:42:49,384 --> 00:42:51,884
WELL, IT'S... IT'S
MICHAELEEN OGE FLYNN,
662
00:42:51,952 --> 00:42:55,220
AND, UH, THERE'S A
GENTLEMAN WITH HIM.
663
00:42:55,289 --> 00:42:57,189
UH...
664
00:42:57,258 --> 00:42:58,524
HERE, WILL.
665
00:42:58,593 --> 00:43:01,394
PUT ON YOUR COAT.
666
00:43:01,462 --> 00:43:04,441
WILL DANAHER, THEY'RE
COMING TO THE FRONT DOOR!
667
00:43:04,465 --> 00:43:08,401
SINCE WHEN IS THE BACK
DOOR BEEN NOT GOOD ENOUGH?
668
00:43:16,477 --> 00:43:18,411
GOD BLESS ALL IN THIS HOUSE.
669
00:43:18,479 --> 00:43:19,745
GOOD EVENING.
670
00:43:19,814 --> 00:43:23,749
MISS DANAHER, WE WOULD LIKE
A WORD WITH YOUR BROTHER.
671
00:43:23,818 --> 00:43:26,419
COME ON IN, SO...
672
00:43:26,487 --> 00:43:28,253
AND WELCOME.
673
00:43:28,322 --> 00:43:30,556
EASY NOW.
674
00:43:35,747 --> 00:43:36,946
AHEM.
675
00:43:37,015 --> 00:43:40,115
MR. SEAN THORNTON, BACHELOR,
676
00:43:40,184 --> 00:43:43,753
MEET MISS MARY KATE
DANAHER, UH, SPINSTER.
677
00:43:44,856 --> 00:43:47,001
MISS DANAHER, MEET MR. THORNTON
678
00:43:47,025 --> 00:43:51,293
FROM PITTSBURGH,
MASSACHUSETTS, USA.
679
00:43:51,362 --> 00:43:53,563
GOOD EVENING, MISS DANAHER.
680
00:43:53,631 --> 00:43:55,464
THIS...
681
00:43:55,533 --> 00:43:56,465
AHEM.
682
00:43:56,534 --> 00:43:58,968
THIS WAY, PLEASE.
683
00:44:07,294 --> 00:44:09,227
UM... THIS IS MY BROTHER, MR...
684
00:44:09,296 --> 00:44:11,730
LEAVE THE ROOM. BUT, UH...
685
00:44:11,799 --> 00:44:14,967
I SAID LEAVE THE
ROOM. YES, WILL.
686
00:44:15,035 --> 00:44:16,469
SIT DOWN, SIT DOWN.
687
00:44:16,537 --> 00:44:18,471
THAT'S WHAT CHAIRS ARE FOR.
688
00:44:18,539 --> 00:44:21,474
IF YOU'VE COME FOR
SUPPER, YOU'RE LATE.
689
00:44:21,542 --> 00:44:23,219
A GRACIOUS INVITATION
690
00:44:23,243 --> 00:44:24,677
BUT THANK YOU, NO.
691
00:44:24,745 --> 00:44:26,957
I DON'T SUPPOSE THERE'S
A DROP OF ANYTHING WET
692
00:44:26,981 --> 00:44:28,413
IN THE HOUSE, EH?
693
00:44:28,483 --> 00:44:30,082
HELP YOURSELF TO THE BUTTERMILK.
694
00:44:30,150 --> 00:44:32,485
BUTTERMILK. SHHEE!
695
00:44:32,553 --> 00:44:34,030
THE BORGIAS WOULD DO BETTER.
696
00:44:34,054 --> 00:44:36,533
WE'LL, UH, COME,
WITH YOUR PERMISSION,
697
00:44:36,557 --> 00:44:39,892
TO THE OBJECT
OF THIS, UH, VISIT.
698
00:44:39,961 --> 00:44:41,939
YOU'VE, UH, NOTICED, I PRESUME,
699
00:44:41,963 --> 00:44:47,299
THAT I'M, UH, WEARING
MY OFFICIAL BLACK COAT.
700
00:44:47,368 --> 00:44:50,503
I HAVE. FOR YOUR
DEAD FRIEND HERE?
701
00:44:50,571 --> 00:44:52,805
I'LL NEED NO SHUAGRAUN
702
00:44:52,874 --> 00:44:54,239
TO ARRANGE ANY MARRIAGES FOR ME.
703
00:44:54,308 --> 00:44:56,436
YOU'VE BEEN MAKING FINE PROGRESS
704
00:44:56,460 --> 00:44:58,438
WITH THE WIDOW TILLANE, THEN,
705
00:44:58,462 --> 00:45:00,274
IN THE LAST 10 YEARS, HUH?
706
00:45:00,298 --> 00:45:02,064
OH. THAT'S WHY YOU'RE HERE.
707
00:45:02,133 --> 00:45:05,801
NO. I'VE COME TO TALK
ABOUT MARY KATE AND HIM.
708
00:45:05,870 --> 00:45:08,537
GET OUT. IF HE WAS
THE LAST MAN ON EARTH,
709
00:45:08,606 --> 00:45:09,939
I'D STILL SAY NO.
710
00:45:10,008 --> 00:45:12,190
NOW, JUST A MINUTE.
711
00:45:12,277 --> 00:45:15,317
IF IT'S A QUESTION OF
THE GIRL'S FORTUNE...
712
00:45:15,380 --> 00:45:17,846
FORTUNE. IF IT WAS
BUT A SHILLING PIECE
713
00:45:17,915 --> 00:45:20,916
HE WANTED WITH
HER, I'D STILL SAY NO.
714
00:45:20,985 --> 00:45:22,918
MICHAELEEN, THIS
IS DOING NO GOOD.
715
00:45:22,987 --> 00:45:24,920
I'LL EXPLAIN IT TO HER MYSELF.
716
00:45:24,989 --> 00:45:26,922
HEY, YANK. I'LL COUNT 3.
717
00:45:26,991 --> 00:45:29,925
IF YOU'RE NOT OUT
OF HERE BY THEN,
718
00:45:29,994 --> 00:45:31,972
I'LL LOOSE THE DOGS ON YOU.
719
00:45:31,996 --> 00:45:35,431
IF YOU SAY 3, YOU'LL NEVER
HEAR THE MAN COUNT TEN.
720
00:45:47,512 --> 00:45:49,779
WELL, MARY KATE, HE...
721
00:45:49,847 --> 00:45:51,079
WE TRIED.
722
00:45:51,148 --> 00:45:54,082
WE'LL SEE HIM AGAIN
SOME OTHER TIME.
723
00:45:56,153 --> 00:45:58,704
I THANK YOU ANYWAY,
SEAN THORNTON,
724
00:45:58,772 --> 00:46:00,272
FOR THE ASKING.
725
00:46:00,341 --> 00:46:03,342
YOU DON'T THINK THIS
CHANGES ANYTHING?
726
00:46:03,411 --> 00:46:06,545
IT'S WHAT YOU SAY
THAT COUNTS, NOT HIM.
727
00:46:06,614 --> 00:46:09,548
NOW, SEAN, YOU'VE GONE
TOO FAR. THAT'S ENOUGH.
728
00:46:09,617 --> 00:46:11,049
SAY, WHAT IS THIS?
729
00:46:11,118 --> 00:46:13,519
WE'RE GOING TO GET
MARRIED. AREN'T WE?
730
00:46:23,631 --> 00:46:25,063
I DON'T GET IT.
731
00:46:25,132 --> 00:46:27,566
THIS IS IRELAND,
SEAN, NOT AMERICA.
732
00:46:27,635 --> 00:46:29,067
WITHOUT HER BROTHER'S CONSENT,
733
00:46:29,136 --> 00:46:30,836
SHE COULDN'T AND WOULDN'T.
734
00:46:30,904 --> 00:46:33,772
I'M SORRY FOR BOTH OF YOU.
735
00:47:00,934 --> 00:47:02,901
HYAH! HYAH!
736
00:47:02,970 --> 00:47:04,770
HYAH, HYAH!
737
00:47:07,241 --> 00:47:09,875
AH, THOSE WERE THE BAD DAYS...
738
00:47:09,943 --> 00:47:11,377
SEAN WITH A FACE
739
00:47:11,445 --> 00:47:14,546
AS DARK AS THE
BLACK HUNTER HE RODE.
740
00:47:14,615 --> 00:47:16,192
A FINE ILL-TEMPERED
PAIR THEY WERE.
741
00:47:16,216 --> 00:47:17,561
TWAS ONLY A MATTER OF TIME
742
00:47:17,585 --> 00:47:19,162
BEFORE ONE OR THE
OTHER BROKE HIS NECK.
743
00:47:19,186 --> 00:47:21,587
WE KNEW THINGS
COULDN'T GO ON THIS WAY.
744
00:47:28,495 --> 00:47:29,778
EASY, SEAN!
745
00:47:29,847 --> 00:47:31,713
OH, MUSHA, MUSHA.
746
00:47:41,575 --> 00:47:44,242
HELLO, MARY KATE...
747
00:47:44,311 --> 00:47:45,610
DANAHER.
748
00:47:45,680 --> 00:47:47,780
GOOD MORNING...
749
00:47:47,848 --> 00:47:49,948
SEAN THORNTON.
750
00:47:58,659 --> 00:48:01,226
SO WE FORMED A
LITTLE CONSPIRACY...
751
00:48:01,295 --> 00:48:03,729
THE REVEREND
MR. AND MRS. PLAYFAIR,
752
00:48:03,798 --> 00:48:06,665
MICHAELEEN OGE, AND...
SAINTS FORGIVE US...
753
00:48:06,734 --> 00:48:07,999
MYSELF.
754
00:48:08,068 --> 00:48:11,002
AND ON THE DAY OF
THE INISFREE RACES,
755
00:48:11,071 --> 00:48:14,239
WE SPRUNG THE TRAP
ON "RED" WILL DANAHER.
756
00:48:49,744 --> 00:48:51,810
REMEMBER WHAT I TOLD YOU...
757
00:48:51,879 --> 00:48:54,312
MAKE YOUR SPEED
WHEN YOU HIT THE WATER.
758
00:48:54,381 --> 00:48:55,313
YES, FATHER.
759
00:48:55,382 --> 00:48:57,816
AND YOU RIDE
CAREFULLY, NOW, SON.
760
00:48:57,885 --> 00:48:59,317
YES, MUM.
761
00:48:59,387 --> 00:49:01,487
THORNTON. NO SILKS.
762
00:49:01,555 --> 00:49:03,032
YOUR COLORS, THORNTON.
763
00:49:03,056 --> 00:49:04,189
THANK YOU.
764
00:49:23,343 --> 00:49:25,255
GOOD LUCK. GOOD LUCK.
765
00:49:25,279 --> 00:49:26,712
THANK YOU.
766
00:49:34,588 --> 00:49:35,954
LADIES...
767
00:49:36,023 --> 00:49:37,722
GENTLEMEN...
768
00:49:37,792 --> 00:49:39,691
YOUR ATTENTION, PLEASE.
769
00:49:39,760 --> 00:49:42,727
WILL ALL THE LOVELY LADIES
770
00:49:42,797 --> 00:49:45,030
WHO ARE PUTTING UP THEIR BONNETS
771
00:49:45,099 --> 00:49:47,499
FOR THE INISFREE CUP,
772
00:49:47,567 --> 00:49:50,235
PLEASE PLACE THEIR BONNETS
773
00:49:50,304 --> 00:49:52,271
ON THE FINISHING LINE?
774
00:49:52,339 --> 00:49:53,806
LADIES...
775
00:49:53,874 --> 00:49:56,341
YOUR BONNETS, PLEASE.
776
00:49:56,410 --> 00:50:00,012
WILL YOU NOT BE PUTTING
UP YOUR BONNET, MARY KATE?
777
00:50:00,080 --> 00:50:02,514
INDEED I WILL NOT. NO?
778
00:50:02,582 --> 00:50:04,216
NO.
779
00:50:13,160 --> 00:50:16,428
OK, MICHAELEEN.
THE WIDOW'S BONNET.
780
00:50:16,497 --> 00:50:19,631
WILL ALL THE GENTLEMEN RIDERS
781
00:50:19,700 --> 00:50:23,101
PLEASE GO TO THE STARTING LINE?
782
00:50:23,170 --> 00:50:26,071
ALL RIDERS, PLEASE.
783
00:50:27,425 --> 00:50:29,891
I'M GIVING 20-TO-1 ON THE YANK!
784
00:50:29,960 --> 00:50:34,330
20-TO-1...
785
00:50:34,398 --> 00:50:37,533
I'M GIVING 30-TO-1 ON DAN...
786
00:50:37,601 --> 00:50:39,535
40-TO-1 ON DANAHER! 40...
787
00:50:39,603 --> 00:50:40,536
FLYNN!
788
00:50:40,604 --> 00:50:42,582
IF YOU'VE BEEN DOING
ANY MATCHMAKING
789
00:50:42,606 --> 00:50:44,584
BETWEEN THORNTON AND ME WIDOW,
790
00:50:44,608 --> 00:50:46,586
I'LL PUT YOU IN ME BOOK.
791
00:50:46,610 --> 00:50:48,544
AH, SO YOU'VE HEARD, HUH?
792
00:50:48,612 --> 00:50:49,756
FATHER LONERGAN,
793
00:50:49,780 --> 00:50:52,258
WHAT SORT OF A
SCOUNDREL IS THIS YANK?
794
00:50:52,282 --> 00:50:54,093
ONE MINUTE 'TIS ME SISTER,
795
00:50:54,117 --> 00:50:55,595
AND THE NEXT IT'S HERSELF.
796
00:50:55,619 --> 00:50:57,553
WELL, BLAME NO ONE BUT YOURSELF.
797
00:50:57,621 --> 00:50:59,555
IF YOU'D RETAINED
ME AS MATCHMAKER,
798
00:50:59,623 --> 00:51:00,723
YOU AND THE WIDOW
799
00:51:00,791 --> 00:51:02,569
WOULD HAVE BEEN
MARRIED LONG SINCE.
800
00:51:02,593 --> 00:51:03,625
TRUE, WILL.
801
00:51:03,694 --> 00:51:05,994
MIND YOU, I'M NOT
SAYING IT'S TOO LATE YET.
802
00:51:06,063 --> 00:51:06,995
WHAT DO YOU MEAN?
803
00:51:07,064 --> 00:51:09,398
WHY DO YOU SUPPOSE
THE WIDOW TILLANE
804
00:51:09,467 --> 00:51:11,567
HAS STOOD YOU OFF SO LONG, HUH?
805
00:51:11,635 --> 00:51:14,570
YOU'RE A FINE-LOOKING
MAN, AREN'T YOU? I AM.
806
00:51:14,638 --> 00:51:16,104
A RICH, PROPERTIED MAN!
807
00:51:16,173 --> 00:51:17,517
AND WELL SHE KNOWS IT.
808
00:51:17,541 --> 00:51:20,576
FATHER, WILL I TELL HIM?
809
00:51:20,644 --> 00:51:22,578
GO AHEAD, MICHAELEEN.
810
00:51:22,646 --> 00:51:24,580
WHAT WOMAN WOULD
COME INTO THE HOUSE
811
00:51:24,648 --> 00:51:26,248
WITH ANOTHER WOMAN IN IT?
812
00:51:26,316 --> 00:51:27,794
IF YOU GOT RID OF MARY KATE,
813
00:51:27,818 --> 00:51:30,886
THE WIDOW WOULD
HAVE BEEN IN LIKE A SHOT.
814
00:51:30,954 --> 00:51:31,854
NO.
815
00:51:31,922 --> 00:51:32,922
YES.
816
00:51:32,956 --> 00:51:35,391
YOU HAD YOUR CHANCE,
AND YOU FLUBBED IT.
817
00:51:35,459 --> 00:51:38,894
YOU REFUSED SEAN THORNTON,
AND HE RENEGED ON YOU.
818
00:51:38,962 --> 00:51:40,896
NOW I DOUBT IF HE'D
TAKE YOUR SISTER
819
00:51:40,964 --> 00:51:43,899
IF YOU PUT £1,000 ON HER.
820
00:51:45,035 --> 00:51:46,268
FATHER LONERGAN...
821
00:51:46,336 --> 00:51:49,905
WELL, I CAN'T SAY IT'S TRUE,
AND I WON'T SAY IT'S NOT,
822
00:51:49,973 --> 00:51:51,306
BUT THERE'S BEEN TALK.
823
00:51:51,375 --> 00:51:53,409
OH, A LOT OF TALK.
824
00:51:53,477 --> 00:51:55,744
A LOT OF TALK, HUH?
825
00:51:55,813 --> 00:52:00,248
TWO WOMEN IN THE HOUSE
AND ONE OF THEM A REDHEAD.
826
00:52:01,485 --> 00:52:02,918
TWO WOMEN.
827
00:52:09,976 --> 00:52:13,412
THREE OUR FATHERS
AND THREE HAIL MARYS.
828
00:52:19,753 --> 00:52:22,754
MORNING, MARY KATE.
MORNING, CHILDREN.
829
00:52:41,342 --> 00:52:42,675
DON'T SIT THERE GAWKING!
830
00:52:42,743 --> 00:52:44,276
YOU'RE PUTTING UP YOUR BONNET.
831
00:52:44,345 --> 00:52:46,490
I'LL DO NO SUCH SHAMELESS THING.
832
00:52:46,514 --> 00:52:48,947
YOU WILL! I WILL NOT!
833
00:53:15,542 --> 00:53:18,477
NO BONNET, MARY
KATE? WHAT A PITY.
834
00:53:49,576 --> 00:53:52,010
BETTING WILL NOW STOP,
835
00:53:52,079 --> 00:53:56,749
AND THE SALE OF ALL INTOXICATING
AND ALCOHOLIC DRINKS WILL CEASE.
836
00:53:56,817 --> 00:53:58,117
I MEAN THAT, NOW.
837
00:54:02,156 --> 00:54:03,688
OH, AND, SERGEANT-MAJOR...
838
00:54:03,757 --> 00:54:06,041
IN YOUR GOOD TIME, PLEASE.
839
00:54:23,927 --> 00:54:26,127
THE YANK'S HOLDING BACK.
840
00:55:17,481 --> 00:55:19,114
FOUL! GUPPY!
841
00:55:37,818 --> 00:55:40,619
WILL YOU LOOK AT
THAT CRAZY DANAHER?
842
00:55:40,688 --> 00:55:42,666
WOULDN'T IT BE WONDERFUL NOW
843
00:55:42,690 --> 00:55:45,624
IF HE BROKE HIS BLASTED NECK?
844
00:55:45,693 --> 00:55:48,610
MAYBE HE WILL, NOW, GOD WILLING.
845
00:56:04,294 --> 00:56:06,561
WILL, WILL! COME ON!
846
00:56:20,060 --> 00:56:22,660
FOUL! FATHER PAUL!
847
00:56:22,729 --> 00:56:24,662
I DIDN'T SEE IT!
848
00:56:33,807 --> 00:56:36,675
COME ON, SEAN! SEAN!
849
00:56:36,744 --> 00:56:38,677
I MEAN PAUL, FATHER PAUL!
850
00:57:02,769 --> 00:57:03,701
THORNTON!
851
00:57:03,770 --> 00:57:05,587
HE TOOK YOUR BONNET, SARAH.
852
00:57:31,465 --> 00:57:34,732
FINE RACE. YOU
RODE LIKE A TROOPER.
853
00:57:34,801 --> 00:57:35,733
TROOPER...
854
00:57:35,802 --> 00:57:37,735
TROOPER THORN, OF COURSE.
855
00:57:37,804 --> 00:57:39,737
I KNEW I'D SEEN YOU
SOMEWHERE BEFORE.
856
00:57:39,806 --> 00:57:42,785
NOW THAT YOU KNOW, I WISH
YOU'D KEEP IT UNDER YOUR HAT.
857
00:57:42,809 --> 00:57:44,242
I MEAN, FORGET IT.
858
00:57:44,311 --> 00:57:47,245
I UNDERSTAND. IT
WILL BE OUR SECRET.
859
00:57:47,314 --> 00:57:48,394
THANKS.
860
00:57:55,322 --> 00:57:57,603
YOUR BONNET, MRS. TILLANE.
861
00:57:58,492 --> 00:58:00,258
THE CUP FOR THE WINNER.
862
00:58:00,327 --> 00:58:01,527
OH, THANK YOU.
863
00:58:14,341 --> 00:58:16,274
FLYNN. HMM?
864
00:58:16,343 --> 00:58:18,321
DOES YOUR OFFER STILL STAND?
865
00:58:18,345 --> 00:58:20,778
WELL, NOW, UH,
THAT... THAT DEPENDS.
866
00:58:20,847 --> 00:58:24,282
YOU... YOU, UH, MENTIONED, UH...
867
00:58:24,351 --> 00:58:25,450
£500.
868
00:58:25,519 --> 00:58:28,120
£350 AND NOT ANOTHER PENNY.
869
00:58:28,188 --> 00:58:30,622
WELL, I'LL SPEAK TO ME PRINCIPAL
870
00:58:30,690 --> 00:58:32,824
OF THE FIRST PART.
871
00:59:00,421 --> 00:59:02,287
GOOD MORNING. GOOD MORNING.
872
00:59:02,356 --> 00:59:03,788
COME ON, COME ON.
873
00:59:15,368 --> 00:59:16,718
WELL, NOW,
874
00:59:16,787 --> 00:59:20,188
THE BANNS HAVING BEEN READ
875
00:59:20,256 --> 00:59:22,356
AND NO MAN OBJECTING...
876
00:59:25,261 --> 00:59:28,196
I'M PERMITTING THIS MAN
TO COURT ME SISTER...
877
00:59:34,438 --> 00:59:37,189
BUT UNDER THE USUAL CONDITIONS.
878
00:59:39,927 --> 00:59:41,560
MR. FLYNN.
879
00:59:43,464 --> 00:59:46,364
DO YOU ASSUME THE
FULL RESPONSIBILITY?
880
00:59:46,433 --> 00:59:47,866
I DO, I DO.
881
00:59:47,935 --> 00:59:49,367
AND FROM NOW ON,
882
00:59:49,436 --> 00:59:52,370
THEY'LL DO THE
WALKING AND THE TALKING
883
00:59:52,439 --> 00:59:53,972
UNDER ME OWN EYES.
884
00:59:54,040 --> 00:59:56,808
WELL, THEN, LET THE
COURTING COMMENCE.
885
00:59:58,211 --> 01:00:00,645
HERE, NONE OF THAT
NOW. NONE OF THAT.
886
01:00:00,714 --> 01:00:03,815
HANDS TO YOURSELF, ON
YOUR OWN SIDE OF THE ROAD.
887
01:00:03,884 --> 01:00:06,485
GET ON THE OTHER
SIDE OF THE CART.
888
01:00:06,553 --> 01:00:08,152
UP YOU GO.
889
01:00:08,221 --> 01:00:09,320
THANK YOU.
890
01:00:17,197 --> 01:00:18,963
COME ON.
891
01:00:57,938 --> 01:00:59,203
I DON'T GET THIS.
892
01:00:59,272 --> 01:01:01,540
WHY DO WE HAVE
TO HAVE YOU ALONG?
893
01:01:01,608 --> 01:01:03,041
BACK IN THE STATES,
894
01:01:03,109 --> 01:01:05,043
I'D DRIVE UP, HONK THE HORN,
895
01:01:05,111 --> 01:01:06,589
THE GAL WOULD COME RUNNING...
896
01:01:06,613 --> 01:01:07,546
COME A-RUNNING?
897
01:01:07,614 --> 01:01:09,592
I'M NO WOMAN TO BE HONKED AT
898
01:01:09,616 --> 01:01:11,093
AND COME A-RUNNING.
899
01:01:11,117 --> 01:01:13,051
AMERICA, HUH. PROHIBITION, HUH.
900
01:01:19,827 --> 01:01:21,893
DO YOU SEE THAT OVER THERE?
901
01:01:23,464 --> 01:01:27,248
THAT'S THE ANCESTRAL
HOME OF THE ANCIENT FLYNNS.
902
01:01:27,317 --> 01:01:31,252
IT WAS TAKEN FROM US
BY... BY... BY THE DRUIDS.
903
01:01:32,655 --> 01:01:34,422
COME UP, THERE.
904
01:01:40,831 --> 01:01:42,463
WHOA.
905
01:01:42,532 --> 01:01:46,234
WELL, YOU'RE THE QUIETEST
COUPLE I EVER COURTED.
906
01:01:46,302 --> 01:01:48,937
WE'LL GET NOWHERE AT THIS RATE.
907
01:01:49,005 --> 01:01:50,438
OFF WITH YOU.
908
01:01:50,506 --> 01:01:53,441
WHY DON'T YOU DO A
HEALTHY MILE OR SO
909
01:01:53,509 --> 01:01:56,277
JUST TO GET USED TO
WALKING CORRECTLY TOGETHER?
910
01:01:59,515 --> 01:02:02,617
NOW, NOW, SHE'S A
FINE, HEALTHY GIRL.
911
01:02:02,685 --> 01:02:05,620
NO PATTY FINGERS, IF YOU PLEASE.
912
01:02:43,727 --> 01:02:45,326
NICE DAY.
913
01:02:45,395 --> 01:02:47,995
IT IS THAT, MR. THORNTON.
914
01:02:48,064 --> 01:02:50,832
THAT'S A PRETTY
BONNET YOU HAVE ON.
915
01:02:50,901 --> 01:02:53,880
BONNET? DON'T YOU BE
TALKING TO ME ABOUT BONNETS
916
01:02:53,904 --> 01:02:56,549
AFTER LEAVING MINE
STUCK UP THERE LIKE A...
917
01:02:56,573 --> 01:02:58,339
EASY NOW. EASY NOW!
918
01:02:58,408 --> 01:03:00,775
IS THIS A COURTING
OR A DONNYBROOK?
919
01:03:00,844 --> 01:03:04,445
HAVE THE GOOD MANNERS NOT TO
HIT THE MAN UNTIL HE'S YOUR HUSBAND
920
01:03:04,514 --> 01:03:06,281
AND ENTITLED TO HIT YOU BACK.
921
01:03:12,155 --> 01:03:13,587
I AM SORRY.
922
01:03:15,091 --> 01:03:17,025
I HAVE A FEARFUL TEMPER.
923
01:03:17,093 --> 01:03:20,028
YOU MIGHT AS WELL
KNOW ABOUT IT NOW
924
01:03:20,096 --> 01:03:23,031
INSTEAD OF FINDING
OUT ABOUT IT LATER.
925
01:03:23,099 --> 01:03:25,533
WE DANAHERS ARE
A FIGHTING PEOPLE.
926
01:03:25,601 --> 01:03:29,037
I CAN THINK OF A LOT
OF THINGS I'D RATHER DO
927
01:03:29,105 --> 01:03:31,706
TO ONE OF THE
DANAHERS... MISS DANAHER.
928
01:03:31,774 --> 01:03:34,042
SHH, MR. THORNTON.
929
01:03:34,110 --> 01:03:37,045
WHAT WILL MR. FLYNN BE THINKING?
930
01:04:02,756 --> 01:04:05,189
CAN YOU RIDE A BIKE?
931
01:04:05,259 --> 01:04:08,009
WELL, WHAT ARE WE WAITING FOR?
932
01:04:12,015 --> 01:04:13,715
MARY KATE DANAHER!
933
01:04:13,767 --> 01:04:15,066
SEAN!
934
01:04:18,154 --> 01:04:19,420
UH, UH...
935
01:04:19,489 --> 01:04:21,089
COME ON!
936
01:04:22,175 --> 01:04:23,842
COME BACK HERE!
937
01:04:23,910 --> 01:04:25,343
COME BACK HERE AT ONCE,
938
01:04:25,411 --> 01:04:27,862
YOU SHAMELESS
HUSSY, YOU! COME BACK!
939
01:04:29,332 --> 01:04:31,266
AAH! HA HA!
940
01:04:33,103 --> 01:04:34,802
COME BACK HERE!
941
01:04:34,871 --> 01:04:36,582
COME BACK HERE,
YOU SHAMELESS HUSSY!
942
01:04:36,606 --> 01:04:38,584
COME BACK HERE
WHEN I ORDER YOU TO!
943
01:04:38,608 --> 01:04:39,707
COME BACK!
944
01:04:47,918 --> 01:04:50,680
B'GAD, I THINK YOU HAVE
MORE SENSE THAN I...
945
01:04:50,704 --> 01:04:52,303
I HAVE MESELF.
946
01:04:55,075 --> 01:04:56,675
WHOA THERE, FILLY.
947
01:07:12,729 --> 01:07:15,162
IF ANYBODY HAD TOLD
ME SIX MONTHS AGO
948
01:07:15,231 --> 01:07:18,165
THAT TODAY I'D BE IN A
GRAVEYARD IN INISFREE
949
01:07:18,234 --> 01:07:22,169
WITH A GIRL LIKE YOU
THAT I'M JUST ABOUT TO KISS,
950
01:07:22,238 --> 01:07:23,504
I'D HAVE TOLD THEM...
951
01:07:23,573 --> 01:07:25,551
THE KISSING'S A
LONG WAY OFF YET.
952
01:07:25,575 --> 01:07:27,052
WE JUST STARTED THE COURTING.
953
01:07:27,076 --> 01:07:29,555
NEXT MONTH, WE'D START
THE WALKING OUT TOGETHER.
954
01:07:29,579 --> 01:07:31,557
THEN THERE'S THE
THRASHING PARTIES, AND...
955
01:07:31,581 --> 01:07:33,681
NOPE.
956
01:07:33,750 --> 01:07:37,184
WELL, MAYBE WE WON'T
HAVE TO WAIT THAT MONTH...
957
01:07:37,253 --> 01:07:38,352
YEP.
958
01:07:38,421 --> 01:07:40,566
OR FOR THE THRASHING PARTIES...
959
01:07:40,590 --> 01:07:42,189
NOPE.
960
01:07:44,093 --> 01:07:46,071
OR FOR THE WALKING OUT TOGETHER.
961
01:07:46,095 --> 01:07:47,695
NO.
962
01:07:49,098 --> 01:07:52,077
THEN SO MUCH THE WORSE
FOR YOU, SEAN THORNTON,
963
01:07:52,101 --> 01:07:55,061
FOR I FEEL THE SAME
WAY ABOUT IT MYSELF.
964
01:09:59,062 --> 01:10:00,828
AND SO THEY WERE MARRIED
965
01:10:00,897 --> 01:10:04,666
IN THE SAME LITTLE CHAPEL
I GAVE THEM THEIR BAPTISM.
966
01:10:04,734 --> 01:10:08,302
LATER, THERE WAS A NICE
QUIET LITTLE CELEBRATION.
967
01:10:11,841 --> 01:10:14,842
♪ OH, AS I WENT
OUT ONE MORNIN' ♪
968
01:10:14,911 --> 01:10:16,878
♪ IT BEIN' THE MONTH OF MAY ♪
969
01:10:16,946 --> 01:10:18,913
♪ A FARMER AND HIS DAUGHTER ♪
970
01:10:18,982 --> 01:10:20,815
♪ I SPIED UPON ME WAY ♪
971
01:10:20,884 --> 01:10:23,051
♪ AND THE GIRL SAT
DOWN QUITE CALMLY ♪
972
01:10:23,119 --> 01:10:24,697
♪ TO THE MILKIN' OF HER COW ♪
973
01:10:24,721 --> 01:10:27,088
♪ SAYIN' I WILL AND I
MUST GET MARRIED ♪
974
01:10:27,157 --> 01:10:28,957
♪ FOR THE HUMOR IS ON ME NOW ♪
975
01:10:28,992 --> 01:10:30,736
♪ OH, THE HUMOR IS ON ME NOW ♪
976
01:10:30,760 --> 01:10:32,660
♪ FOR THE HUMOR IS ON ME NOW ♪
977
01:10:32,729 --> 01:10:35,063
♪ SAYIN' I WILL AND I
MUST GET MARRIED ♪
978
01:10:35,131 --> 01:10:36,931
♪ FOR THE HUMOR IS ON ME NOW ♪
979
01:10:37,767 --> 01:10:41,135
♪ SO AT LAST THE
DAUGHTER MARRIED ♪
980
01:10:41,204 --> 01:10:43,304
♪ SHE MARRIED WELL-TO-DO ♪
981
01:10:43,372 --> 01:10:45,339
♪ AND LOVED HER
DARLIN' HUSBAND ♪
982
01:10:45,408 --> 01:10:47,408
♪ FOR A MONTH, A YEAR OR TWO ♪
983
01:10:47,476 --> 01:10:49,577
♪ BUT SEAN WAS ALL A TYRANT ♪
984
01:10:49,645 --> 01:10:51,023
♪ AND SHE QUICKLY RUED HER VOW ♪
985
01:10:51,047 --> 01:10:53,647
♪ SAYIN' I'M SORRY I
EVER GOT MARRIED ♪
986
01:10:53,716 --> 01:10:55,636
♪ FOR THE HUMOR IS OFF ME NOW ♪
987
01:10:55,685 --> 01:10:57,605
♪ OH, THE HUMOR IS OFF ME NOW ♪
988
01:10:57,653 --> 01:10:59,687
♪ OH, THE HUMOR IS OFF ME NOW ♪
989
01:10:59,755 --> 01:11:01,995
♪ SAYIN' I'M SORRY I
EVER GOT MARRIED ♪
990
01:11:02,024 --> 01:11:04,225
♪ FOR THE HUMOR IS OFF ME NOW ♪♪
991
01:11:04,294 --> 01:11:08,229
HA HA HA! HA HA HA!
992
01:11:08,297 --> 01:11:11,432
To a successful conspiracy.
993
01:11:21,361 --> 01:11:22,361
A TOAST.
994
01:11:22,428 --> 01:11:23,861
TO THE BRIDE AND GROOM.
995
01:11:23,929 --> 01:11:26,364
UH, ONE MOMENT. ONE MOMENT.
996
01:11:26,432 --> 01:11:29,411
AS SHUAGRAUN, I SAY
THERE'LL BE NO TOASTS
997
01:11:29,435 --> 01:11:32,370
UNTIL WE'VE SEEN
THE BRIDE'S FORTUNE.
998
01:11:32,438 --> 01:11:33,871
THE BRIDE'S FORTUNE.
999
01:11:33,939 --> 01:11:35,873
YOU'LL SEE IT. NEVER FEAR.
1000
01:11:35,941 --> 01:11:38,876
WE'LL SEE IT NOW, IF YOU PLEASE.
1001
01:11:38,944 --> 01:11:41,923
NOW, THEN, THE PROPRIETIES
MUST BE OBSERVED.
1002
01:11:41,947 --> 01:11:43,592
UH... FATHER LONERGAN.
1003
01:11:43,616 --> 01:11:45,215
FEENEY.
1004
01:11:51,123 --> 01:11:53,991
£350 GOLD,
1005
01:11:54,060 --> 01:11:58,329
A CARTFUL OF FURNISHINGS,
LINEN, AND PEWTER
1006
01:11:58,398 --> 01:12:01,999
GOES WITH THE SISTER
OF WILL DANAHER.
1007
01:12:07,206 --> 01:12:09,806
THEN... A TOAST.
1008
01:12:09,875 --> 01:12:11,953
MAY THEIR DAYS BE LONG
1009
01:12:11,977 --> 01:12:13,955
AND FULL OF HAPPINESS,
1010
01:12:13,979 --> 01:12:16,208
MAY THEIR CHILDREN BE MANY
1011
01:12:16,232 --> 01:12:18,599
AND FULL OF HEALTH,
1012
01:12:18,668 --> 01:12:21,702
AND MAY THEY LIVE IN PEACE
1013
01:12:21,771 --> 01:12:23,337
AND FREEDOM.
1014
01:12:30,095 --> 01:12:31,212
AHEM.
1015
01:12:31,281 --> 01:12:33,947
REVEREND FATHERS,
LADIES, AND GENTLEMEN,
1016
01:12:34,016 --> 01:12:35,616
ATTENTION. ATTENTION, PLEASE.
1017
01:12:35,685 --> 01:12:38,619
UH, SQUIRE... SQUIRE
DANAHER HAS THE FLOOR.
1018
01:12:38,688 --> 01:12:42,456
IN OTHER WORDS, HE'S... HE'S GOT
SOMETHING TO SAY TO YOUSE ALL.
1019
01:12:42,525 --> 01:12:43,624
THANK YOU.
1020
01:12:43,693 --> 01:12:46,505
I'VE GOT A LITTLE
ANNOUNCEMENT TO MAKE.
1021
01:12:46,529 --> 01:12:48,796
OH, COHAN, FILL UP THE GLASSES.
1022
01:12:48,864 --> 01:12:50,464
GO ON, ALL OF THEM.
1023
01:12:57,707 --> 01:12:58,707
AHEM.
1024
01:13:01,043 --> 01:13:02,043
AHEM.
1025
01:13:04,947 --> 01:13:06,480
AHEM.
1026
01:13:06,549 --> 01:13:11,852
UH, TODAY I'VE GIVEN
MY SISTER IN MARRIAGE...
1027
01:13:13,122 --> 01:13:15,223
MY ONLY SISTER,
1028
01:13:15,291 --> 01:13:19,560
AND NOW SHE'S GONE FROM
THE HOUSE OF DANAHER.
1029
01:13:20,730 --> 01:13:23,297
BUT WHAT'S IN A HOUSE
WITHOUT A WOMAN?
1030
01:13:23,366 --> 01:13:24,443
THAT'S TRUE.
1031
01:13:24,467 --> 01:13:27,401
RIGHT. WHAT'S A HOUSE
WITHOUT A WOMAN IN IT?
1032
01:13:27,470 --> 01:13:30,404
YEAH. WHAT'S A HOUSE
WITHOUT A WOMAN IN IT?
1033
01:13:30,473 --> 01:13:33,907
WHERE WOULD ANY MAN
OF US BE WITHOUT A WOMAN?
1034
01:13:33,976 --> 01:13:36,910
WHY, EVEN FATHER
LONERGAN HAD A MOTHER.
1035
01:13:36,979 --> 01:13:38,457
WHAT DO YOU EXPECT?
1036
01:13:38,481 --> 01:13:40,414
YEAH. WHAT DO YOU EXPECT?
1037
01:13:40,483 --> 01:13:42,416
WHAT DO YOU EXPECT? HUH?
1038
01:13:42,485 --> 01:13:44,017
SO... AHEM.
1039
01:13:44,086 --> 01:13:46,019
SO, UH...
1040
01:13:46,088 --> 01:13:48,188
SO WITHOUT FURTHER ELOQUENCE...
1041
01:13:48,258 --> 01:13:50,569
WITHOUT FURTHER ELOQUENCE...
1042
01:13:50,593 --> 01:13:53,193
SO WITHOUT FURTHER ELOQUENCE,
1043
01:13:53,263 --> 01:13:55,696
I WILL GIVE YOU A TOAST...
1044
01:13:55,765 --> 01:13:57,565
TO MYSELF,
1045
01:13:57,634 --> 01:13:59,900
WHO IS SOON TO BE WED.
1046
01:14:07,943 --> 01:14:09,543
ALL SHE HAS TO DO
1047
01:14:09,612 --> 01:14:11,379
IS TO SAY THAT LITTLE WORD.
1048
01:14:12,615 --> 01:14:14,882
WHEN'S THE HAPPY
DAY, SARAH, DARLING?
1049
01:14:14,950 --> 01:14:18,619
HAVE... HAVE YOU LOST THE
LITTLE SENSE YOU WERE BORN WITH?
1050
01:14:18,688 --> 01:14:20,154
HAPPY DAY, INDEED!
1051
01:14:20,222 --> 01:14:21,533
BUT, SARAH, DARLING...
1052
01:14:21,557 --> 01:14:23,056
AND DON'T DARLING ME, CLOD!
1053
01:14:23,125 --> 01:14:26,560
WHO GAVE YOU THE RIGHT TO
MAKE SUCH AN ANNOUNCEMENT?
1054
01:14:31,834 --> 01:14:33,267
BUT, SARAH...
1055
01:14:33,336 --> 01:14:35,770
BUT THEY ALL... THEY ALL SAID...
1056
01:14:36,706 --> 01:14:39,573
WHY, THE REVEREND MR. PLAYFAIR
1057
01:14:39,642 --> 01:14:41,074
AND, UH, MRS. REVEREND.
1058
01:14:41,143 --> 01:14:42,576
FATHER LONERGAN.
1059
01:14:42,645 --> 01:14:44,612
UH, LITTLE FLYNN.
1060
01:14:44,681 --> 01:14:47,331
MICHAELEEN, DIDN'T
YOU TELL ME ALL I HAD...
1061
01:14:47,400 --> 01:14:49,244
WELL, NOW, I DID AND I DIDN'T.
1062
01:14:49,268 --> 01:14:51,335
OH, OH, YOU LIED, DIDN'T YOU?
1063
01:14:51,404 --> 01:14:52,836
YOU LIED, DIDN'T YOU?
1064
01:14:55,140 --> 01:14:56,773
YOU ALL LIED!
1065
01:14:56,859 --> 01:14:59,293
IT'S BAD ENOUGH FOR YOU PEOPLE,
1066
01:14:59,362 --> 01:15:00,861
BUT MY OWN PRIEST!
1067
01:15:07,437 --> 01:15:09,870
YOU GOT HER BY
FRAUD AND FALSITY.
1068
01:15:09,939 --> 01:15:11,872
YOU PUT THEM UP TO THIS!
1069
01:15:11,941 --> 01:15:15,209
I DON'T KNOW WHAT YOU'RE
TALKING ABOUT. DON'T DENY IT!
1070
01:15:15,277 --> 01:15:17,423
WILL, FOR HEAVEN'S
SAKE. YOU'RE CRAZY.
1071
01:15:17,447 --> 01:15:18,879
CRAZY, AM I?
1072
01:15:18,948 --> 01:15:22,216
THIS IS SOMETHING YOU
WON'T GET NOW OR EVER!
1073
01:15:23,453 --> 01:15:26,081
NOW GET OUT OF HERE, ALL OF YOU!
1074
01:15:26,105 --> 01:15:27,583
THE REVEREND SIRS,
1075
01:15:27,607 --> 01:15:30,373
LADIES, AND GENTLEMEN, GET OUT!
1076
01:15:30,442 --> 01:15:32,876
MARY KATE, COME
ON. LET'S GO HOME.
1077
01:15:32,945 --> 01:15:34,544
NO, NOT WITHOUT MY FORTUNE.
1078
01:15:34,614 --> 01:15:37,047
IT'S MINE, MINE AND MY
MOTHER'S BEFORE ME,
1079
01:15:37,116 --> 01:15:38,381
AND I'M NOT GOING...
1080
01:15:41,721 --> 01:15:42,721
AAH!
1081
01:17:01,551 --> 01:17:04,318
STEADY, TROOPER. STEADY.
1082
01:17:21,070 --> 01:17:23,003
LET'S GO HOME.
1083
01:17:42,909 --> 01:17:45,842
EVER SINCE I WAS A LITTLE GIRL,
1084
01:17:45,912 --> 01:17:49,513
I'VE DREAMED OF HAVING
MY OWN THINGS ABOUT ME...
1085
01:17:49,581 --> 01:17:51,348
MY SPINET...
1086
01:17:52,919 --> 01:17:54,184
OVER THERE
1087
01:17:54,253 --> 01:17:56,353
AND A TABLE HERE AND...
1088
01:17:58,424 --> 01:18:01,358
AND MY OWN CHAIRS TO REST UPON
1089
01:18:01,427 --> 01:18:02,859
AND...
1090
01:18:06,765 --> 01:18:10,534
A DRESSER OVER
THERE IN THAT CORNER
1091
01:18:10,602 --> 01:18:12,869
AND...
1092
01:18:12,939 --> 01:18:16,540
AND MY OWN CHINA AND
PEWTER SHINING ABOUT ME.
1093
01:18:19,478 --> 01:18:21,511
AND NOW...
1094
01:18:21,581 --> 01:18:25,749
I DIDN'T KNOW YOU FELT
THAT WAY ABOUT IT, BUT...
1095
01:18:25,818 --> 01:18:28,586
SEEMS LIKE A LOT
OF FUSS AND GRIEF
1096
01:18:28,654 --> 01:18:31,104
OVER A LITTLE
FURNITURE AND STUFF.
1097
01:18:53,696 --> 01:18:56,796
IT IS A PRETTY
COTTAGE, ISN'T IT?
1098
01:18:56,865 --> 01:18:59,132
YEAH.
1099
01:18:59,201 --> 01:19:00,967
I THINK SO.
1100
01:19:02,037 --> 01:19:03,803
DON'T TOUCH ME.
1101
01:19:03,872 --> 01:19:05,305
YOU HAVE NO RIGHT.
1102
01:19:05,374 --> 01:19:08,308
WHAT DO YOU MEAN, NO RIGHT?
1103
01:19:08,377 --> 01:19:10,310
I'LL WEAR YOUR RING,
1104
01:19:10,379 --> 01:19:12,312
I'LL COOK, AND I'LL WASH,
1105
01:19:12,381 --> 01:19:15,815
AND I'LL KEEP THE
LAND, BUT THAT IS ALL.
1106
01:19:15,884 --> 01:19:18,818
UNTIL I'VE GOT MY
DOWRY SAFE ABOUT ME,
1107
01:19:18,887 --> 01:19:20,320
I'M NO MARRIED WOMAN.
1108
01:19:20,389 --> 01:19:22,822
I'M THE SERVANT I
HAVE ALWAYS BEEN,
1109
01:19:22,891 --> 01:19:24,824
WITHOUT ANYTHING OF MY OWN!
1110
01:19:24,893 --> 01:19:26,037
THAT'S RIDICULOUS.
1111
01:19:26,061 --> 01:19:28,161
YOU'RE MY WIFE AND FORT...
1112
01:19:29,965 --> 01:19:31,431
WHAT IS THIS?
1113
01:19:31,500 --> 01:19:33,833
HAVEN'T I BEEN
TRYING TO TELL YOU?
1114
01:19:33,902 --> 01:19:35,380
UNTIL YOU HAVE MY DOWRY,
1115
01:19:35,404 --> 01:19:37,837
YOU HAVEN'T GOT ANY BIT OF ME.
1116
01:19:37,906 --> 01:19:38,838
ME, MYSELF!
1117
01:19:38,907 --> 01:19:40,385
I'LL STILL BE DREAMING
1118
01:19:40,409 --> 01:19:42,842
AMONGST THE THINGS
THAT ARE MY OWN
1119
01:19:42,911 --> 01:19:45,679
AS IF I HAD NEVER MET YOU.
1120
01:19:47,082 --> 01:19:51,351
THERE'S 300 YEARS
OF HAPPY DREAMING
1121
01:19:51,420 --> 01:19:53,853
IN THOSE THINGS OF MINE, AND...
1122
01:19:53,922 --> 01:19:55,855
I WANT THEM.
1123
01:19:55,924 --> 01:19:57,524
I WANT MY DREAM.
1124
01:19:57,593 --> 01:20:00,026
I'LL HAVE IT, AND I KNOW IT!
1125
01:20:01,096 --> 01:20:04,030
I'LL SAY NO OTHER WORD TO YOU.
1126
01:20:04,099 --> 01:20:06,533
ALL RIGHT, YOU'LL
HAVE YOUR DOWRY
1127
01:20:06,602 --> 01:20:10,036
OR DOT OR FORTUNE OR
WHATEVER YOU CALL IT.
1128
01:20:11,106 --> 01:20:13,607
WELL, GET IT, THEN.
1129
01:20:43,973 --> 01:20:47,407
THERE'LL BE NO LOCKS OR
BOLTS BETWEEN US, MARY KATE,
1130
01:20:47,476 --> 01:20:50,511
EXCEPT THOSE IN YOUR OWN
MERCENARY LITTLE HEART.
1131
01:21:46,802 --> 01:21:48,352
SEAN...
1132
01:21:48,421 --> 01:21:50,421
HOW'D YOU SLEEP?
1133
01:21:51,524 --> 01:21:53,457
DON'T... DON'T BE
SHAMING ME, PLEASE,
1134
01:21:53,526 --> 01:21:55,459
IN FRONT OF YOUR FRIENDS.
1135
01:21:55,528 --> 01:21:56,528
WHAT?
1136
01:21:57,530 --> 01:21:59,463
OH. OK.
1137
01:22:01,801 --> 01:22:05,502
♪ IT WAS THERE THAT I
LEARNED ALL ME COURTIN' ♪
1138
01:22:05,588 --> 01:22:10,023
♪ MANY LESSONS I
TOOK IN THE ART ♪
1139
01:22:10,092 --> 01:22:13,860
♪ TILL CUPID, THE
BLACKGUARD, WHILE SPORTIN' ♪
1140
01:22:13,929 --> 01:22:16,362
♪ AN ARROW DROVE
STRAIGHT THROUGH ME ♪
1141
01:22:16,431 --> 01:22:19,700
♪ MUSH, MUSH, MUSH, TURALIADDY ♪
1142
01:22:19,768 --> 01:22:23,570
♪ ME, MUSH, MUSH,
MUSH, TURALI-AY ♪
1143
01:22:23,639 --> 01:22:27,007
♪ SO I LATHERED HIM
WITH ME SHILLELAGH ♪
1144
01:22:27,076 --> 01:22:28,675
♪ FOR ♪
1145
01:22:28,743 --> 01:22:31,345
♪ HE TROD ON THE TAIL OF ME ♪
1146
01:22:31,413 --> 01:22:34,848
♪ MUSH, MUSH, MUSH, TURALIADDY ♪
1147
01:22:34,916 --> 01:22:38,418
♪ I JUST LIKE THE
DINGLE FOR GOLD ♪
1148
01:22:38,487 --> 01:22:41,288
♪ I LATHERED HIM
WITH ME SHILLELAGH ♪
1149
01:22:41,357 --> 01:22:43,390
♪ FOR ♪
1150
01:22:43,459 --> 01:22:48,295
♪ FOR HE TROD ON
THE TAIL OF ME COAT ♪♪
1151
01:22:53,102 --> 01:22:55,080
HELLO, THE HOUSE!
1152
01:22:55,104 --> 01:22:57,170
ANYONE UP?
1153
01:22:59,407 --> 01:23:00,874
GOOD MORNING.
1154
01:23:00,943 --> 01:23:02,442
GOOD MORNING.
1155
01:23:06,314 --> 01:23:07,714
I, UH, I SUPPOSE
1156
01:23:07,783 --> 01:23:10,383
IT IS A BIT EARLY TO BE CALLING.
1157
01:23:10,452 --> 01:23:13,386
WELL, AFTER YOU LEFT
LAST NIGHT, MARY KATE,
1158
01:23:13,455 --> 01:23:17,223
A COUPLE OF US PERSUADED
DANAHER TO CHANGE HIS MIND.
1159
01:23:17,292 --> 01:23:19,559
IT'S, UH, WHAT MIGHT BE CALLED
1160
01:23:19,628 --> 01:23:22,062
A SORT OF BELATED
WEDDING PRESENT.
1161
01:23:25,333 --> 01:23:27,300
MY THINGS.
1162
01:23:27,369 --> 01:23:29,402
MY FURNITURE!
1163
01:23:31,140 --> 01:23:33,573
WE'D HAVE BROUGHT THEM
OVER LAST NIGHT, SEAN,
1164
01:23:33,642 --> 01:23:35,408
BUT DUE TO THE CIRCUMSTANCES,
1165
01:23:35,477 --> 01:23:37,978
WE THOUGHT YOU'D BE
NEEDING YOUR SLEEP. THANKS.
1166
01:23:38,047 --> 01:23:38,912
OH!
1167
01:23:38,981 --> 01:23:40,580
HERE. HERE.
1168
01:23:40,649 --> 01:23:43,083
OH. EASY. EASY NOW.
1169
01:23:43,152 --> 01:23:45,085
GOD BLESS ALL HERE.
1170
01:23:45,154 --> 01:23:46,586
THAT'S RIGHT.
1171
01:23:46,655 --> 01:23:48,588
OH, BE CAREFUL.
1172
01:23:48,657 --> 01:23:50,817
OVER THERE BY THE WALL.
1173
01:23:53,162 --> 01:23:54,594
NO, NO, NO.
1174
01:23:54,663 --> 01:23:55,929
NOW TURN IT AROUND
1175
01:23:55,981 --> 01:23:58,916
SO THAT THE LIGHT
SHINES ON THE MUSIC.
1176
01:24:02,455 --> 01:24:04,315
THAT'S GRAND. THAT'S GRAND.
1177
01:24:04,339 --> 01:24:05,439
WHERE...
1178
01:24:05,507 --> 01:24:07,441
WHERE DO YOU WANT THIS?
1179
01:24:11,346 --> 01:24:13,280
MIGHTY HANDY.
1180
01:24:13,348 --> 01:24:15,782
IT... IT WAS MY MOTHER'S
1181
01:24:15,850 --> 01:24:18,370
AND MY MOTHER'S MOTHER'S BEFORE.
1182
01:24:20,155 --> 01:24:22,289
WHERE DO I PUT IT?
1183
01:24:22,357 --> 01:24:24,001
WHERE DO YOU SUPPOSE?
1184
01:24:24,025 --> 01:24:25,692
WHERE DO YOU SUPPOSE?
1185
01:24:30,349 --> 01:24:32,282
WE'RE SORRY ABOUT THE DOWRY.
1186
01:24:32,351 --> 01:24:35,330
COULDN'T MAKE HIM
CHANGE HIS MIND ABOUT IT.
1187
01:24:35,354 --> 01:24:37,833
NOT EVEN FATHER
LONERGAN COULD DO IT.
1188
01:24:37,857 --> 01:24:39,289
LET HIM KEEP IT.
1189
01:24:39,358 --> 01:24:40,790
KEEP MY FORTUNE?
1190
01:24:40,860 --> 01:24:42,792
YOU'VE GOT YOUR
TABLES AND CHAIRS.
1191
01:24:42,862 --> 01:24:45,896
WHO CARES ABOUT
HIS MONEY? MY MONEY!
1192
01:24:45,965 --> 01:24:50,300
LET HIM HAVE IT IF IT MEANS
THAT MUCH TO HIM. GANGWAY!
1193
01:24:53,438 --> 01:24:55,805
WHAT MANNER OF
MAN IS IT I'VE MARRIED?
1194
01:24:55,875 --> 01:24:58,909
A BETTER ONE, I THINK,
THAN YOU KNOW, MARY KATE.
1195
01:25:15,895 --> 01:25:17,827
IMPETUOUS.
1196
01:25:17,897 --> 01:25:19,930
HOMERIC!
1197
01:25:25,804 --> 01:25:31,742
♪ OH, INISFREE, MY IRELAND ♪
1198
01:25:31,810 --> 01:25:35,546
♪ I'M RETURNING ♪
1199
01:25:35,614 --> 01:25:43,614
♪ FROM WASTED YEARS
ACROSS THE WINTRY SEA ♪
1200
01:25:46,291 --> 01:25:51,494
♪ AND WHEN I COME BACK ♪
1201
01:25:51,564 --> 01:25:59,235
♪ TO MY OWN DEAR IRELAND ♪
1202
01:25:59,304 --> 01:26:07,304
♪ I'LL REST A WHILE BESIDE YOU ♪
1203
01:26:08,647 --> 01:26:14,785
♪ GRADH MOCHROIDHE ♪♪
1204
01:27:01,000 --> 01:27:02,932
NOW I KNOW WHY YOU HAVE
1205
01:27:03,002 --> 01:27:05,935
SO MANY ROCK WALLS
IN THIS COUNTRY.
1206
01:27:08,507 --> 01:27:11,941
ROSES? ARE YOU PLANTING ROSES?
1207
01:27:12,011 --> 01:27:14,611
YEAH. FINE FARMER YOU ARE.
1208
01:27:14,679 --> 01:27:17,314
NOT A TURNIP OR CABBAGE
OR POTATO ON THE PLACE.
1209
01:27:17,383 --> 01:27:18,659
OR CHILDREN.
1210
01:27:29,261 --> 01:27:30,960
SORRY.
1211
01:27:35,767 --> 01:27:37,200
WELL, I... I SUPPOSE
1212
01:27:37,269 --> 01:27:41,971
THEY WILL MAKE A VERY FINE
DISPLAY AROUND THE COTTAGE.
1213
01:27:42,041 --> 01:27:44,941
IT IS A PRETTY
COTTAGE, ISN'T IT?
1214
01:27:45,010 --> 01:27:46,476
I THINK SO.
1215
01:28:00,092 --> 01:28:02,225
WELL, LET'S SEE NOW.
1216
01:28:02,294 --> 01:28:05,228
WE'LL NEED A PLOW
AND A CULTIVATOR
1217
01:28:05,297 --> 01:28:06,829
AND SEED FOR PLANTING.
1218
01:28:06,898 --> 01:28:08,998
ABOUT THE HORSE FOR THE PLOWING,
1219
01:28:09,068 --> 01:28:11,334
WE COULD SELL YOUR BLACK HUNTER.
1220
01:28:11,403 --> 01:28:14,171
I'LL BUY ANOTHER
HORSE FOR THE PLOWING.
1221
01:28:14,239 --> 01:28:16,173
OR WHY NOT A TRACTOR?
1222
01:28:16,241 --> 01:28:18,175
A TRACTOR... NASTY,
SMELLY THINGS,
1223
01:28:18,243 --> 01:28:21,010
AND, BESIDES, THEY'RE
AN AWFUL PRICE.
1224
01:28:21,080 --> 01:28:23,846
WITH A HORSE, YOU
GET OTHER ADVANTAGES.
1225
01:28:23,915 --> 01:28:27,517
YEAH, FOR THE ROSES.
1226
01:28:27,586 --> 01:28:29,852
OH, ROSES AGAIN.
1227
01:28:31,590 --> 01:28:33,223
YOU...
1228
01:28:37,096 --> 01:28:39,529
WE COULD DO OUR
SHOPPING IN CASTLETOWN,
1229
01:28:39,598 --> 01:28:42,532
AND IF WE PUT A
GOOD FOOT UNDER US,
1230
01:28:42,601 --> 01:28:44,934
WE COULD BE THERE
AND BACK BY SUPPERTIME.
1231
01:28:45,003 --> 01:28:47,537
5 MILES? WELL, THAT'S JUST A...
1232
01:28:47,606 --> 01:28:50,039
GOOD STRETCH OF THE LEGS, RIGHT?
1233
01:28:51,610 --> 01:28:53,042
ALL RIGHT.
1234
01:28:53,112 --> 01:28:55,545
GET ON YOUR WALKING SHOES.
1235
01:29:00,285 --> 01:29:02,385
I'LL BE A MINUTE.
1236
01:29:04,823 --> 01:29:05,955
OH!
1237
01:29:28,663 --> 01:29:31,765
SO, YOU'RE NOT A WOMAN
TO BE HONKED AT, HUH?
1238
01:29:31,817 --> 01:29:34,751
WHY, IT'S BEAUTIFUL.
DID YOU EVER SEE...
1239
01:29:34,820 --> 01:29:37,120
IT LOOKS LIKE IT COULD FLY.
1240
01:29:37,189 --> 01:29:40,457
IT'S ONLY ONE HORSEPOWER,
BUT IT'S ALL YOURS.
1241
01:29:40,542 --> 01:29:41,607
MINE?
1242
01:29:41,676 --> 01:29:43,943
SURE. THINK YOU CAN DRIVE IT?
1243
01:29:44,012 --> 01:29:45,811
HOLD ON TO YOUR HAT.
1244
01:30:51,946 --> 01:30:54,748
YOU TAKE CARE OF THIS, FEENEY.
1245
01:31:00,088 --> 01:31:02,355
NOW, THEN, LET'S
HAVE ANOTHER PINT,
1246
01:31:02,424 --> 01:31:05,692
AND I'M BUYING
THIS ONE. HIGH TIME.
1247
01:31:05,761 --> 01:31:06,860
WHAT'S THAT?
1248
01:31:06,928 --> 01:31:08,862
I SAID, THAT'S FINE, SQUIRE.
1249
01:31:08,930 --> 01:31:10,363
FINE, FINE.
1250
01:31:10,432 --> 01:31:13,833
HERE'S GOOD HEALTH TO YOU ALL.
1251
01:31:13,902 --> 01:31:17,871
LOOK. HE'S SOLD THE
CROSSBREDS. THE WHAT?
1252
01:31:17,939 --> 01:31:20,373
THE SHEEP HE'S BEEN PLANNING ON.
1253
01:31:20,442 --> 01:31:22,876
HURRY. NOW'S A
GOOD TIME TO ASK HIM.
1254
01:31:22,944 --> 01:31:24,377
GO ON, GO ON.
1255
01:31:24,446 --> 01:31:27,380
ASK HIM WHAT? ABOUT MY MONEY.
1256
01:31:27,449 --> 01:31:29,883
HE CAN'T SAY HE
HASN'T GOT IT NOW.
1257
01:31:29,951 --> 01:31:32,218
CAN'T YOU GET IT
THROUGH YOUR HEAD
1258
01:31:32,287 --> 01:31:34,554
THAT I DIDN'T MARRY
YOU FOR YOUR FORTUNE?
1259
01:31:34,623 --> 01:31:36,890
I DON'T GIVE A... HANG
ABOUT THE MONEY.
1260
01:31:36,958 --> 01:31:39,392
BUT HE DOES. THAT'S THE POINT.
1261
01:31:39,461 --> 01:31:42,061
WILL YOU ASK HIM? NO.
1262
01:31:42,130 --> 01:31:45,064
WHY SHAME OURSELVES? SHAME?
1263
01:31:45,133 --> 01:31:48,067
THE SHAME'S ON YOU, NOT ON ME.
1264
01:31:48,136 --> 01:31:51,070
ON ME, TOO, IF I'VE
MARRIED A COWARD.
1265
01:31:51,139 --> 01:31:52,906
IS THAT WHAT YOU THINK?
1266
01:31:52,974 --> 01:31:55,909
WHAT ELSE? YOU LET HIM
ROB YOU OF MY MONEY.
1267
01:31:55,977 --> 01:31:58,912
MONEY... I'M SICK
OF THE TALK OF IT.
1268
01:31:58,980 --> 01:32:01,915
IS THAT ALL YOU DANAHERS
THINK ABOUT, MONEY?
1269
01:33:35,560 --> 01:33:37,827
FATHER... QUIET.
1270
01:33:37,896 --> 01:33:40,174
SEE HIM OUT THERE
BEHIND THAT ROCK?
1271
01:33:40,198 --> 01:33:42,014
HE'S THE KING OF ALL SALMON.
1272
01:33:42,083 --> 01:33:44,561
I'VE GOT TO TALK TO YOU, FATHER.
1273
01:33:44,585 --> 01:33:48,520
I'VE BEEN TRYING TO GET
THIS ONE FOR 10 YEARS.
1274
01:33:48,589 --> 01:33:51,190
IT'S ABOUT MY
HUSBAND AND MYSELF!
1275
01:33:53,527 --> 01:33:56,195
FATHER, I... I...
1276
01:33:59,600 --> 01:34:02,034
YOU SEE...
1277
01:34:02,103 --> 01:34:03,535
FATHER, COULD I...
1278
01:34:03,604 --> 01:34:06,205
COULD I TELL YOU IN THE IRISH?
1279
01:34:06,274 --> 01:34:08,540
AH, SURE, SURE, SURE.
1280
01:34:08,609 --> 01:34:09,876
OH.
1281
01:34:31,299 --> 01:34:33,565
SLEEPING BAG, FATHER,
1282
01:34:33,634 --> 01:34:35,768
WITH...
1283
01:34:35,837 --> 01:34:37,837
WITH BUTTONS.
1284
01:34:49,150 --> 01:34:54,420
WOMAN, IRELAND MAY BE A
POOR COUNTRY, GOD HELP US,
1285
01:34:54,488 --> 01:34:58,925
BUT HERE A MARRIED MAN
SLEEPS IN A BED AND NOT A BAG,
1286
01:34:58,993 --> 01:35:01,093
AND I'LL TELL YOU A THING OR...
1287
01:35:01,162 --> 01:35:03,696
HO! THERE HE IS!
STRIKE HIM NOW, FATHER!
1288
01:35:03,748 --> 01:35:07,584
THAT'S THE ONE I'VE BEEN
WAITING FOR FOR 10 LONG YEARS!
1289
01:35:07,652 --> 01:35:09,085
KEEP HIS HEAD UP!
1290
01:35:09,153 --> 01:35:11,087
KEEP HIS HEAD UP, FATHER!
1291
01:35:11,155 --> 01:35:12,689
GET A TIGHT LINE.
1292
01:35:12,757 --> 01:35:14,190
I'VE GOT HIM!
1293
01:35:14,259 --> 01:35:15,625
I'VE GOT HIM!
1294
01:35:15,694 --> 01:35:17,126
I GOT HIM!
1295
01:35:17,195 --> 01:35:19,362
A TIGHT LINE IT IS.
1296
01:35:19,431 --> 01:35:21,797
KEEP HIS HEAD UP!
KEEP HIS HEAD UP!
1297
01:35:21,866 --> 01:35:25,301
HIS HEAD IS UP! WILL
YOU GET THE GAFF?
1298
01:35:25,370 --> 01:35:28,304
FOR 10 YEARS,
I'VE... 10 YEARS I'VE...
1299
01:35:28,373 --> 01:35:31,107
GET THE GAFF,
WOMAN! GET THE GAFF!
1300
01:35:31,175 --> 01:35:33,309
OH, YOU GOT HIM, FATHER!
1301
01:35:33,377 --> 01:35:36,479
KEEP HIS HEAD UP, YOU FOOL!
1302
01:35:36,547 --> 01:35:38,314
GET THE GAFF!
1303
01:35:40,034 --> 01:35:41,868
GET THE GAFF, WOMAN!
1304
01:35:41,936 --> 01:35:43,836
AH, THE...
1305
01:35:43,905 --> 01:35:46,205
GOD HELP US!
1306
01:35:46,258 --> 01:35:48,190
OHH...
1307
01:35:51,946 --> 01:35:53,880
SLEEPING BAGS, IS IT?
1308
01:36:39,193 --> 01:36:44,063
♪ IF YOU EVER GO
ACROSS THE SEA ♪
1309
01:36:44,132 --> 01:36:47,066
♪ TO IRELAND ♪
1310
01:36:47,135 --> 01:36:55,135
♪ THEN MAYBE AT THE
CLOSIN' OF YOUR DAY ♪
1311
01:36:55,377 --> 01:36:59,412
♪ YOU WILL SIT AND
WATCH THE MOON ♪
1312
01:36:59,481 --> 01:37:05,685
♪ RISE OVER CLADDAGH ♪
1313
01:37:05,754 --> 01:37:10,456
♪ AND SEE THE SUN GO DOWN ♪
1314
01:37:10,525 --> 01:37:16,729
♪ ON GALWAY BAY ♪
1315
01:37:17,932 --> 01:37:21,267
♪ FOR THE BREEZES BLOWIN' ♪
1316
01:37:21,336 --> 01:37:27,473
♪ ACROSS THE SEA
FROM IRELAND... ♪♪
1317
01:37:28,910 --> 01:37:32,011
OH, YOU'RE JUST IN TIME
TO STAND ME A DRINK.
1318
01:37:32,080 --> 01:37:33,512
JOIN US, SEAN.
1319
01:37:33,582 --> 01:37:35,514
AH, YOU WILL HAVE A DRINK, SEAN?
1320
01:37:35,584 --> 01:37:37,183
NO, THANKS.
1321
01:37:40,338 --> 01:37:43,206
I WANT TO TALK TO
YOU... IN PRIVATE.
1322
01:37:46,077 --> 01:37:50,346
IF THERE'S ANYTHING YOU
GOT TO SAY TO ME, SAY IT HERE.
1323
01:37:50,414 --> 01:37:51,981
I'D RATHER TALK IN PRIVATE.
1324
01:37:52,050 --> 01:37:54,350
WHAT'S THE MATTER?
YOU'RE AMONG FRIENDS.
1325
01:37:54,418 --> 01:37:56,853
THEY FOUGHT FOR
YOU ONCE, DIDN'T THEY?
1326
01:37:56,921 --> 01:37:59,088
MAYBE THEY'LL
FIGHT FOR YOU AGAIN.
1327
01:37:59,157 --> 01:38:02,291
I'M NOT ASKING ANYBODY
TO DO MY FIGHTING.
1328
01:38:02,360 --> 01:38:03,792
OH, HA HA!
1329
01:38:03,862 --> 01:38:05,940
WILLING TO DO YOUR OWN?
1330
01:38:05,964 --> 01:38:08,464
YOU KNOW WHAT I CAME FOR.
1331
01:38:08,532 --> 01:38:12,869
I JUST WANT TO HEAR YOU
ASK FOR IT. ASK FOR IT, YANK.
1332
01:38:12,937 --> 01:38:15,682
YOU'LL BE CHEWING
YOUR TEETH FOR A WEEK.
1333
01:38:15,706 --> 01:38:18,785
YOU'VE GOT 20 POUNDS
ON HIM, DANAHER.
1334
01:38:18,809 --> 01:38:20,877
AND SO I HAVE.
1335
01:38:20,945 --> 01:38:22,378
HOW WOULD IT BE
1336
01:38:22,446 --> 01:38:25,381
IF I PUT ONE FIST IN ME POCKET?
1337
01:38:25,449 --> 01:38:27,850
RIGHT OR LEFT? YOU CHOOSE.
1338
01:38:27,919 --> 01:38:30,052
THAT'S FAIR ENOUGH, ISN'T IT?
1339
01:38:33,391 --> 01:38:35,591
HA HA HA!
1340
01:38:35,659 --> 01:38:38,139
THE FIGHTING THORNTONS!
1341
01:39:05,207 --> 01:39:08,842
IT WAS MR. THORNTON. I
BROUGHT HIM IN. COME IN.
1342
01:39:08,910 --> 01:39:11,322
HAVE YOU TIDDLED
YOUR LAST WINK? I HAVE.
1343
01:39:11,346 --> 01:39:14,113
NO CHEATING? I HAVE NOT.
1344
01:39:14,182 --> 01:39:16,615
DO YOU PLAY TIDDLYWINKS?
1345
01:39:16,684 --> 01:39:18,117
NO. I, UH...
1346
01:39:18,186 --> 01:39:21,120
MAYBE I SHOULDN'T
HAVE BUTTED IN LIKE THIS.
1347
01:39:21,189 --> 01:39:22,288
NONSENSE.
1348
01:39:22,357 --> 01:39:24,623
HOW'S YOUR LOVELY BRIDE?
1349
01:39:24,692 --> 01:39:25,959
FINE.
1350
01:39:26,027 --> 01:39:28,294
ELIZABETH, SAY GOOD
NIGHT TO MR. THORNTON.
1351
01:39:28,363 --> 01:39:30,341
BUT HE'S ONLY JUST COME.
1352
01:39:30,365 --> 01:39:32,966
OH. OH, VERY WELL.
1353
01:39:33,034 --> 01:39:35,679
GOOD NIGHT,
MR. THORNTON. GOOD NIGHT.
1354
01:39:35,703 --> 01:39:37,181
GOOD NIGHT, CYRIL.
1355
01:39:37,205 --> 01:39:38,637
GOOD NIGHT, ELIZABETH.
1356
01:39:38,706 --> 01:39:40,506
PLEASANT DREAMS.
1357
01:39:42,710 --> 01:39:44,510
ARE YOU SURE THERE'S NOTHING...
1358
01:39:44,545 --> 01:39:46,179
GOOD NIGHT, ELIZABETH!
1359
01:39:46,248 --> 01:39:48,648
YOU'RE THE ONLY
ONE I CAN LEVEL WITH.
1360
01:39:48,716 --> 01:39:50,676
I GOT TO TALK TO SOMEBODY,
1361
01:39:50,718 --> 01:39:52,485
OR I'LL BLOW MY TOP.
1362
01:39:52,553 --> 01:39:53,987
DANAHER, OF COURSE.
1363
01:39:54,055 --> 01:39:57,201
YEAH. WELL, SINCE YOU
KNOW WHO I AM OR... WAS,
1364
01:39:57,225 --> 01:40:00,159
YOU KNOW WHY I DON'T
WANT TO FIGHT HIM.
1365
01:40:00,228 --> 01:40:03,162
YES. I WAS READING ABOUT
IT AGAIN THIS EVENING.
1366
01:40:03,231 --> 01:40:05,164
SOME MEN COLLECT BUTTERFLIES.
1367
01:40:05,233 --> 01:40:07,466
SOME STAMPS.
1368
01:40:07,535 --> 01:40:09,468
MY HOBBY'S ALWAYS BEEN SPORTS,
1369
01:40:09,537 --> 01:40:10,669
SPORTING EVENTS.
1370
01:40:10,738 --> 01:40:12,171
THERE IT IS.
1371
01:40:23,234 --> 01:40:25,168
IT'S A VERY
UNDERSTANDABLE REACTION.
1372
01:40:25,236 --> 01:40:28,672
STILL, THE PAPERS ALL
SAY IT WAS AN ACCIDENT,
1373
01:40:28,740 --> 01:40:31,174
JUST ONE OF THOSE THINGS.
1374
01:40:31,242 --> 01:40:34,455
MAYBE IT'S JUST ONE OF THOSE
THINGS IN THE SCRAPBOOK,
1375
01:40:34,479 --> 01:40:37,847
BUT WHEN YOU CARRY
IT AROUND IN HERE...
1376
01:40:39,417 --> 01:40:42,185
TONY GARDELLO WAS A GOOD EGG.
1377
01:40:42,253 --> 01:40:45,689
NICE LITTLE WIFE AND HOME,
1378
01:40:45,757 --> 01:40:48,024
A COUPLE OF KIDS,
1379
01:40:48,093 --> 01:40:49,192
CLEAN FIGHTER.
1380
01:40:49,260 --> 01:40:52,195
BUT I DIDN'T GO IN
THERE TO OUTBOX HIM.
1381
01:40:52,263 --> 01:40:53,697
I WENT IN THERE
1382
01:40:53,765 --> 01:40:55,576
TO BEAT HIS BRAINS OUT,
1383
01:40:55,600 --> 01:40:57,701
TO DRIVE HIM INTO THE CANVAS,
1384
01:40:57,769 --> 01:40:59,202
TO MURDER HIM.
1385
01:40:59,270 --> 01:41:00,704
THAT'S WHAT I DID.
1386
01:41:00,772 --> 01:41:01,871
FOR WHAT?
1387
01:41:01,940 --> 01:41:03,707
PURSE?
1388
01:41:03,775 --> 01:41:06,710
A PIECE OF THE GATE?
1389
01:41:06,778 --> 01:41:08,377
LOUSY MONEY.
1390
01:41:08,446 --> 01:41:11,881
AND NOW MONEY IS BEHIND
YOUR TROUBLE WITH DANAHER.
1391
01:41:11,950 --> 01:41:14,929
THEY THINK I'M
AFRAID TO FIGHT HIM,
1392
01:41:14,953 --> 01:41:17,264
ALL THE FRIENDS I'VE MADE HERE,
1393
01:41:17,288 --> 01:41:18,722
EVEN MY WIFE.
1394
01:41:18,790 --> 01:41:21,224
WELL, AREN'T YOU IN A WAY?
1395
01:41:21,292 --> 01:41:23,727
DID YOU EVER KILL A MAN?
1396
01:41:23,795 --> 01:41:25,561
WELL, I HAVE,
1397
01:41:25,630 --> 01:41:30,066
AND ALL THIS TALK
ABOUT HER BIG FORTUNE...
1398
01:41:30,135 --> 01:41:32,135
IT'S NOT THAT IMPORTANT.
1399
01:41:34,072 --> 01:41:36,740
PERHAPS IT IS TO HER.
1400
01:41:36,808 --> 01:41:40,243
IT... IT MUST BE STRANGE
TO YOU FROM AMERICA,
1401
01:41:40,311 --> 01:41:43,246
BUT IT'S AN OLD,
OLD CUSTOM HERE,
1402
01:41:43,314 --> 01:41:46,249
AND, BELIEVE ME,
IT'S A GOOD CUSTOM.
1403
01:41:46,317 --> 01:41:50,253
THE FORTUNE MEANS MORE
TO HER THAN JUST THE MONEY.
1404
01:41:50,321 --> 01:41:52,255
NOT TO ME, IT ISN'T,
1405
01:41:52,323 --> 01:41:53,801
NOT WORTH FIGHTING FOR.
1406
01:41:53,825 --> 01:41:56,760
IS YOUR WIFE'S LOVE
WORTH FIGHTING FOR?
1407
01:41:56,828 --> 01:42:00,263
I DON'T KNOW. I DON'T KNOW.
1408
01:42:00,331 --> 01:42:01,765
ALL I KNOW
1409
01:42:01,833 --> 01:42:04,768
IS THAT I CAN'T
FIGHT OR WON'T FIGHT
1410
01:42:04,836 --> 01:42:06,870
UNLESS I'M MAD ENOUGH TO KILL,
1411
01:42:06,938 --> 01:42:09,372
AND IF THAT MEANS LOSING HER...
1412
01:42:09,440 --> 01:42:10,874
I DON'T KNOW.
1413
01:42:10,942 --> 01:42:13,342
MAYBE SHE DOESN'T
LOVE ME ENOUGH.
1414
01:42:13,411 --> 01:42:15,089
IT'S A DIFFICULT SITUATION,
1415
01:42:15,113 --> 01:42:18,047
BUT I THINK YOU'LL
FIND THE RIGHT ANSWER
1416
01:42:18,116 --> 01:42:19,548
IN GOD'S GOOD TIME.
1417
01:42:19,617 --> 01:42:21,595
AND WHEN THAT TIME COMES,
1418
01:42:21,619 --> 01:42:24,053
I HOPE I'LL STILL BE HERE.
1419
01:42:24,122 --> 01:42:26,555
YOU'RE NOT FIGURING
ON LEAVING, ARE YOU?
1420
01:42:26,624 --> 01:42:28,057
MMM, IT'S A POSSIBILITY.
1421
01:42:28,126 --> 01:42:31,060
YOU SEE, MY BISHOP
IS COMING TOMORROW
1422
01:42:31,129 --> 01:42:32,561
ON HIS ANNUAL VISIT.
1423
01:42:32,630 --> 01:42:35,064
I'VE GOT SUCH A
SMALL CONGREGATION,
1424
01:42:35,133 --> 01:42:38,067
JUST TWO OR THREE
PEOPLE AT THE SERVICE,
1425
01:42:38,136 --> 01:42:39,568
HE MAY TRANSFER ME.
1426
01:42:39,637 --> 01:42:43,372
THE PLACE WOULDN'T BE THE
SAME WITHOUT YOU, PADRE.
1427
01:42:43,441 --> 01:42:47,576
ELIZABETH AND I
JUST LOVE THIS PLACE.
1428
01:42:47,645 --> 01:42:49,913
WE WERE BORN
HERE, TOO, YOU KNOW.
1429
01:42:49,981 --> 01:42:51,941
THE BISHOP'S A GOOD EGG.
1430
01:42:51,983 --> 01:42:54,417
MAYBE IT WILL BE ALL RIGHT.
1431
01:42:54,485 --> 01:42:55,885
OH, BY THE WAY,
1432
01:42:55,954 --> 01:42:58,922
DON'T UNDERESTIMATE DANAHER.
1433
01:42:58,990 --> 01:43:00,423
HE MAY BE CLUMSY
1434
01:43:00,491 --> 01:43:02,926
BUT HE'S GOT A TREMENDOUS RIGHT
1435
01:43:02,994 --> 01:43:05,139
AND A JAW OF GRANITE.
1436
01:43:05,163 --> 01:43:08,597
I DID A LITTLE BIT OF
BOXING IN MY TIME.
1437
01:43:08,666 --> 01:43:10,066
OH-HO?
1438
01:43:19,010 --> 01:43:22,290
YOU WON'T BE
LAUGHING NOW, WILL YOU?
1439
01:43:24,182 --> 01:43:25,748
IT WAS AT TRINITY.
1440
01:43:27,018 --> 01:43:29,502
"LIGHTWEIGHT CHAMPION.
1441
01:43:29,571 --> 01:43:30,636
19..."
1442
01:43:30,705 --> 01:43:32,683
OH, THE YEAR DOESN'T MATTER.
1443
01:43:32,707 --> 01:43:34,827
IT WAS LONG, LONG AGO.
1444
01:43:37,378 --> 01:43:38,478
ALL RIGHT.
1445
01:43:40,214 --> 01:43:41,647
BY THE WAY,
1446
01:43:41,716 --> 01:43:44,650
WOULD YOU JOIN
ME IN A GLASS OF...
1447
01:43:47,722 --> 01:43:51,724
NO. YOU'LL BE IN
TRAINING NOW, OF COURSE.
1448
01:45:01,779 --> 01:45:03,712
DID YOU HAVE ANY SUPPER?
1449
01:45:03,781 --> 01:45:05,581
NO.
1450
01:45:05,650 --> 01:45:08,184
I'M NOT HUNGRY.
1451
01:45:08,253 --> 01:45:11,054
THE DRINK SOMETIMES
DOES THAT TO A MAN.
1452
01:45:11,122 --> 01:45:13,556
I HAVEN'T HAD ANYTHING TO DRINK.
1453
01:45:13,624 --> 01:45:15,558
IF YOU WANT TO KNOW,
1454
01:45:15,626 --> 01:45:18,995
I WAS... TALKING TO THE VICAR...
1455
01:45:19,064 --> 01:45:22,465
MR. PLAYFAIR.
1456
01:45:22,533 --> 01:45:24,467
THAT'S STRANGE.
1457
01:45:30,808 --> 01:45:34,243
I HAD A LONG TALK
WITH FATHER LONERGAN.
1458
01:46:35,806 --> 01:46:36,872
AHH.
1459
01:46:36,941 --> 01:46:40,143
WOMAN OF THE HOUSE,
WHERE'S ME TEA?
1460
01:46:43,665 --> 01:46:45,230
MARY KATE!
1461
01:46:45,299 --> 01:46:46,944
SAVE YOUR BREATH, BOY.
1462
01:46:46,968 --> 01:46:48,400
SAVE YOUR BREATH.
1463
01:46:48,469 --> 01:46:51,704
SHE'S GONE FROM YOU,
AND SMALL WONDER.
1464
01:46:51,773 --> 01:46:53,139
WHAT ARE YOU TALKING ABOUT?
1465
01:46:53,207 --> 01:46:54,640
WHERE IS SHE?
1466
01:46:54,709 --> 01:46:56,976
SHE CAME TAPPING AT ME DOOR.
1467
01:46:57,045 --> 01:46:59,857
"WILL YOU DRIVE ME TO
THE TRAIN?" SAYS SHE.
1468
01:46:59,881 --> 01:47:00,980
WHY?
1469
01:47:01,049 --> 01:47:03,482
ME VERY QUESTION. "WHY?" SAYS I.
1470
01:47:03,551 --> 01:47:05,818
"BECAUSE I LOVE HIM," SAYS SHE.
1471
01:47:05,887 --> 01:47:07,720
"I LOVE HIM TOO MUCH
1472
01:47:07,789 --> 01:47:11,657
TO GO ON LIVING WITH
A MAN I'M ASHAMED OF."
1473
01:47:11,726 --> 01:47:13,059
WHAT TIME WAS THIS?
1474
01:47:13,111 --> 01:47:16,579
OH, IN TIME FOR
THE DUBLIN TRAIN.
1475
01:47:29,194 --> 01:47:31,794
SADDLE UP MY HORSE,
WILL YOU, PLEASE?
1476
01:47:31,862 --> 01:47:34,297
SADDLE HIS HORSE.
1477
01:47:36,801 --> 01:47:38,167
I'LL HAVE NO PART
1478
01:47:38,236 --> 01:47:41,170
IN HELPING YOU TO PUT
MORE SHAME ON HER.
1479
01:47:41,239 --> 01:47:44,006
HEH. SADDLE HIS HORSE.
1480
01:47:47,745 --> 01:47:49,678
♪ DUM-TA DUM-TA DUM-TA ♪
1481
01:47:49,747 --> 01:47:51,880
♪ DUM-TA DUM-TA
DIDDLE-DIDDLE DUM-TA ♪
1482
01:47:51,949 --> 01:47:53,282
♪ DUM-TA DUM-TA DEE ♪
1483
01:47:53,351 --> 01:47:55,632
♪ DIDDLE-DIDDLE-LIDDLE
DIDDLE DUM-TA-TA ♪♪
1484
01:48:20,127 --> 01:48:21,727
WELL, WE'RE OFF.
1485
01:48:21,795 --> 01:48:24,230
AND MIGHT I SUGGEST,
MR. COSTELLO,
1486
01:48:24,298 --> 01:48:27,110
THE TRAIN ALREADY
BEING 4 1/2 HOURS LATE...
1487
01:48:27,134 --> 01:48:29,801
NOW, IS IT MY FAULT, MR. BAILEY,
1488
01:48:29,854 --> 01:48:32,722
THAT THERE'S A HURLING
MATCH AT BALLYGAR
1489
01:48:32,790 --> 01:48:34,890
AND THAT THE CHAMPIONS
OF ALL IRELAND...
1490
01:48:34,959 --> 01:48:39,228
IF YOU KNEW YOUR COUNTRY'S
HISTORY AS WELL AS YOU CLAIM,
1491
01:48:39,296 --> 01:48:41,063
YOU'D KNOW THE MAYO HURLERS
1492
01:48:41,131 --> 01:48:45,067
HAVEN'T BEEN BEATEN WEST OF
THE SHANNON FOR THE LAST 22 YEARS.
1493
01:48:45,135 --> 01:48:46,447
TRUE, MR. MALONEY.
1494
01:48:46,471 --> 01:48:48,631
THAT'S A LIE, COSTELLO!
1495
01:49:55,773 --> 01:49:58,908
IF THIS MEANS WHAT
I HOPE IT MEANS...
1496
01:49:58,977 --> 01:50:00,810
DANAHER VICEY-VERSUS THE YANK.
1497
01:50:00,878 --> 01:50:03,079
THERE'LL BE WIGS ON
THE GREEN THIS DAY.
1498
01:50:06,718 --> 01:50:08,150
OH!
1499
01:50:11,889 --> 01:50:12,889
MORNING.
1500
01:50:22,233 --> 01:50:23,966
GOOD DAY TO YOU, SIRS.
1501
01:50:37,431 --> 01:50:40,032
FIVE MINUTES, DID YOU SAY?
1502
01:50:40,101 --> 01:50:41,101
RIGHT!
1503
01:50:42,603 --> 01:50:44,369
HE'S WALKING HER BACK...
1504
01:50:44,438 --> 01:50:46,538
THE WHOLE, LONG WAY.
1505
01:50:46,607 --> 01:50:48,752
IT'S HOMERIC, THAT'S WHAT IT IS.
1506
01:50:48,776 --> 01:50:50,209
POST A LOOKOUT.
1507
01:50:50,277 --> 01:50:51,877
THEY MAY GO HOME FIRST.
1508
01:50:51,946 --> 01:50:53,256
PAT, WHERE'S YOUR PARABELLUM?
1509
01:50:53,280 --> 01:50:54,713
IN THE SAME PLACE.
1510
01:50:54,782 --> 01:50:56,215
EXCUSE ME, GENERAL.
1511
01:50:56,283 --> 01:50:59,051
ONE IF BY LAND, TWO IF BY SEA.
1512
01:50:59,120 --> 01:51:01,386
IF IT'S DANAHER'S,
I'LL FIRE THE LOT,
1513
01:51:01,455 --> 01:51:02,821
HORSE, HOOF, AND ASHES.
1514
01:51:02,890 --> 01:51:04,890
WHAT A DAY FOR INISFREE!
1515
01:51:04,959 --> 01:51:06,892
I CAN SAY ONLY ONE THING...
1516
01:51:06,961 --> 01:51:09,895
GENTLEMEN, THE DRINKS
ARE ON THE HOUSE!
1517
01:51:12,466 --> 01:51:14,332
WELL, THEY ARE.
1518
01:51:44,782 --> 01:51:47,917
HEY, MA'AM, DARLIN'!
1519
01:51:47,985 --> 01:51:49,851
HERE'S YOUR SHOE!
1520
01:51:51,655 --> 01:51:52,655
OH!
1521
01:51:53,724 --> 01:51:54,724
WHY, YOU...
1522
01:51:59,830 --> 01:52:02,597
IT'S ONLY 5 MILES.
1523
01:52:02,666 --> 01:52:05,434
JUST A GOOD STRETCH OF THE LEGS.
1524
01:52:08,172 --> 01:52:09,955
PARDON ME, MA'AM,
1525
01:52:10,023 --> 01:52:11,290
YOU'VE LOST YOUR SHOE.
1526
01:52:11,358 --> 01:52:13,125
THANK YOU VERY KINDLY, SIR.
1527
01:52:27,541 --> 01:52:28,807
OH!
1528
01:52:37,718 --> 01:52:39,818
MISTER... MISTER...
1529
01:52:39,887 --> 01:52:42,320
SIR, SIR, HERE'S A GOOD STICK
1530
01:52:42,389 --> 01:52:44,656
TO BEAT THE LOVELY LADY.
1531
01:52:45,960 --> 01:52:47,258
THANKS.
1532
01:53:47,939 --> 01:53:52,374
I THINK YOUR IN-LAWS
ARE COMING TO VISIT YOU,
1533
01:53:52,443 --> 01:53:54,143
SQUIRE, DARLIN'.
1534
01:54:29,380 --> 01:54:34,717
DANAHER, YOU OWE
ME £350. LET'S HAVE IT.
1535
01:54:44,895 --> 01:54:47,295
SO THE I.R.A.'s
IN THIS, TOO, EH?
1536
01:54:47,365 --> 01:54:49,931
IF IT WERE, "RED" WILL DANAHER,
1537
01:54:50,000 --> 01:54:53,369
NOT A SCORCHED STONE OF YOUR
FINE HOUSE WOULD BE STANDING.
1538
01:54:53,437 --> 01:54:55,557
A BEAUTIFUL SENTIMENT.
1539
01:54:59,677 --> 01:55:02,210
I'LL PAY YOU... NEVER.
1540
01:55:02,279 --> 01:55:04,580
THAT BREAKS ALL BARGAINS.
1541
01:55:06,400 --> 01:55:08,933
YOU CAN TAKE YOUR SISTER BACK.
1542
01:55:09,002 --> 01:55:10,935
IT'S YOUR CUSTOM, NOT MINE.
1543
01:55:11,004 --> 01:55:12,604
NO FORTUNE, NO MARRIAGE.
1544
01:55:12,673 --> 01:55:14,506
WE CALL IT QUITS.
1545
01:55:20,080 --> 01:55:22,113
YOU'D DO THIS TO ME,
1546
01:55:22,182 --> 01:55:23,982
YOUR OWN WIFE?
1547
01:55:24,050 --> 01:55:25,284
AFTER... AFTER...
1548
01:55:25,352 --> 01:55:27,018
IT'S DONE.
1549
01:55:35,095 --> 01:55:37,128
THERE'S YOUR DIRTY MONEY.
1550
01:55:37,197 --> 01:55:38,630
TAKE IT!
1551
01:55:38,699 --> 01:55:40,632
COUNT IT, YOU SPAWN...
1552
01:55:40,701 --> 01:55:41,800
AND LOOK,
1553
01:55:41,868 --> 01:55:44,369
IF EVER I SEE YOUR FACE AGAIN,
1554
01:55:44,438 --> 01:55:46,305
I'LL PUSH THAT THROUGH IT.
1555
01:56:04,224 --> 01:56:05,384
WATCH IT!
1556
01:56:09,730 --> 01:56:11,690
I'LL BE GOING ON HOME NOW.
1557
01:56:11,732 --> 01:56:14,399
I'LL HAVE THE SUPPER
READY FOR YOU.
1558
01:56:38,826 --> 01:56:41,359
THAT WAS A DIRTY BLOW, SEAN.
1559
01:56:41,428 --> 01:56:43,194
HERE, HERE, GET BACK!
1560
01:56:52,606 --> 01:56:55,566
ALL RIGHT, "RED" WILL,
YOU ASKED FOR IT.
1561
01:57:08,022 --> 01:57:10,389
3-TO-1 I'M GIVING ON DANAHER!
1562
01:57:10,457 --> 01:57:11,723
3-TO-1 ON DAN...
1563
01:57:11,792 --> 01:57:13,058
I'LL TAKE THAT.
1564
01:57:13,127 --> 01:57:14,459
£10 ON THORNTON.
1565
01:57:14,528 --> 01:57:17,396
DONE. ANYONE ELSE
FAVOR ME FRIEND THE YANK?
1566
01:57:40,020 --> 01:57:42,337
AAH!
1567
01:58:10,451 --> 01:58:13,084
GENTLEMEN, IF YOU PLEASE,
1568
01:58:13,137 --> 01:58:15,003
THIS IS A PRIVATE FIGHT.
1569
01:58:15,071 --> 01:58:17,005
THE MARQUIS OF QUEENSBERRY RULES
1570
01:58:17,073 --> 01:58:19,691
WILL BE OBSERVED
ON ALL OCCASIONS.
1571
01:58:19,760 --> 01:58:23,106
THE MARQUIS OF QUEENSBERRY
RULES, MIND YOU, SQUIRE.
1572
01:58:23,130 --> 01:58:24,779
OK WITH ME, MICHAELEEN.
1573
01:58:29,720 --> 01:58:31,153
THANKS.
1574
01:58:31,238 --> 01:58:35,207
NONBELLIGERENTS WILL
KINDLY REMAIN IN NEUTRAL.
1575
01:58:35,275 --> 01:58:38,210
NOW, SHAKE HANDS
AND COME OUT FIGHTING.
1576
01:58:38,278 --> 01:58:39,444
I THANK YOU.
1577
01:58:39,512 --> 01:58:40,946
YOU HEAR THAT, EVERYBODY?
1578
01:58:41,014 --> 01:58:43,148
THE MARQUIS OF
QUEENSBERRY RULES.
1579
01:58:43,217 --> 01:58:44,149
MARQUIS OF QUEENS...
1580
01:58:44,218 --> 01:58:46,218
MARQUIS OF QUEENSBERRY RU...
1581
01:58:50,624 --> 01:58:53,992
COME ON, GET UP.
MARQUIS OF QUEENSBERRY...
1582
01:58:54,044 --> 01:58:56,378
I HOPE THORNTON
BEATS HIM SENSELESS.
1583
01:58:56,446 --> 01:58:58,592
MR. THORNTON'S A
MARRIED MAN, SARAH.
1584
01:58:58,616 --> 01:58:59,948
WHO CARES ABOUT HIM?
1585
01:59:00,017 --> 01:59:02,450
IT'S THAT BELLOWING
BULLY CONCERNS ME...
1586
01:59:02,520 --> 01:59:04,820
"I'M THE BEST MAN IN INISFREE,"
1587
01:59:04,889 --> 01:59:07,055
AS THOUGH I DIDN'T KNOW THAT.
1588
01:59:10,093 --> 01:59:11,894
CALL UP BALLINROBE.
1589
01:59:11,962 --> 01:59:14,897
GET REINFORCEMENTS DOWN
HERE. THERE'S A RIOT HERE.
1590
01:59:14,965 --> 01:59:16,932
BALLINROBE! BALLINROBE!
1591
01:59:30,347 --> 01:59:33,048
5-TO-1 ON THE BIG CHAP, SNUFFY.
1592
01:59:33,116 --> 01:59:34,276
GIVING OR TAKING?
1593
01:59:34,318 --> 01:59:36,585
GIVING. TAKEN.
1594
01:59:49,532 --> 01:59:50,966
YOU'VE HAD ENOUGH?
1595
01:59:51,034 --> 01:59:52,801
NO.
1596
01:59:57,007 --> 01:59:59,540
WELL, GIVE A MAN A HAND, THEN.
1597
02:00:08,134 --> 02:00:10,452
YES, INSPECTOR. THANK YOU, SIR.
1598
02:00:10,520 --> 02:00:13,922
WHAT DID HE SAY? PUT
£5 ON DANAHER'S NOSE.
1599
02:00:13,991 --> 02:00:16,457
ANOTHER 10 ON THORNTON.
1600
02:00:16,526 --> 02:00:19,460
10 ON THORNTON. 10 ON THORNTON.
1601
02:00:19,529 --> 02:00:21,129
£10 ON DANAHER.
1602
02:00:21,198 --> 02:00:22,463
£10 ON DANAHER.
1603
02:00:22,532 --> 02:00:25,466
£2 ON MR. DANAHER,
MR. FLYNN, PLEASE.
1604
02:00:25,535 --> 02:00:26,467
£2?
1605
02:00:26,536 --> 02:00:28,036
£2 ON DANAHER.
1606
02:00:28,105 --> 02:00:29,749
"AND OF A HUNDRED BATTLES,
1607
02:00:29,773 --> 02:00:32,140
"AYE, AND A THOUSAND BESIDES,
1608
02:00:32,209 --> 02:00:34,687
"STOOD ALONE ON
THE VICTORIOUS FIELD,
1609
02:00:34,711 --> 02:00:36,044
"HIS BUCKLER BENT,
1610
02:00:36,113 --> 02:00:38,858
"HIS BROKEN SWORD
CLUTCHED IN HIS MIGHTY HAND,
1611
02:00:38,882 --> 02:00:40,815
"THE BLOOD OF A THOUSAND WOUNDS
1612
02:00:40,884 --> 02:00:42,645
"OOZING FROM HIS OPEN VEINS
1613
02:00:42,669 --> 02:00:47,406
DRIPPED ON THE
BODIES OF THE SLAIN."
1614
02:01:11,748 --> 02:01:12,914
FATHER!
1615
02:01:12,982 --> 02:01:14,733
FATHER LONERGAN!
1616
02:01:14,802 --> 02:01:15,812
SHH, SHH, SHH.
1617
02:01:15,836 --> 02:01:17,936
IT'S... IT'S A BIG FIGHT.
1618
02:01:18,005 --> 02:01:20,271
THERE'S FIGHT IN THIS FISH HERE.
1619
02:01:20,340 --> 02:01:21,539
I'D HAVE STOPPED IT...
1620
02:01:21,608 --> 02:01:24,009
YOU DO THAT, LAD.
IT'S YOUR DUTY.
1621
02:01:24,078 --> 02:01:26,611
BUT IT'S DANAHER
AND SEAN THORNTON.
1622
02:01:26,680 --> 02:01:28,580
WHO? DANAHER AND...
1623
02:01:28,648 --> 02:01:32,168
SEAN THORNTON? WELL, WHY
THE DEVIL DIDN'T YOU TELL ME?
1624
02:01:48,168 --> 02:01:50,835
FATHER, SHOULDN'T WE
PUT A STOP TO IT NOW?
1625
02:01:50,904 --> 02:01:53,972
AH, WE SHOULD,
LAD. YES, WE SHOULD.
1626
02:01:54,040 --> 02:01:56,108
IT'S OUR DUTY.
1627
02:02:03,566 --> 02:02:07,402
GET UP, OR ARE YOU
A LAZY MAN? COME ON!
1628
02:02:13,043 --> 02:02:14,476
HOW'S THE BETTING GOING?
1629
02:02:14,544 --> 02:02:15,977
EVEN MONEY, SEAN,
1630
02:02:16,046 --> 02:02:17,479
BUT DON'T RUIN ME.
1631
02:02:19,049 --> 02:02:23,385
DANAHER, YOU'RE A GOOD
FIGHTIN' MAN, I'LL SAY THAT FOR YOU.
1632
02:02:23,453 --> 02:02:25,653
WELL, IF IT COMES TO THAT,
1633
02:02:25,722 --> 02:02:28,123
IT'S BEEN A PLEASURE
BEATING YOU.
1634
02:02:28,191 --> 02:02:29,191
UHH!
1635
02:02:35,081 --> 02:02:36,214
THANKS.
1636
02:02:38,351 --> 02:02:40,685
WILL YOU TAKE ANOTHER
20 ON THORNTON?
1637
02:02:40,754 --> 02:02:42,714
NO, NO. THE BOOK'S CLOSED.
1638
02:02:43,757 --> 02:02:46,424
A POUND ON THORNTON
AGAINST THE SQUIRE.
1639
02:02:46,493 --> 02:02:48,559
GO AWAY, YOU TRAITOR, YOU.
1640
02:02:50,264 --> 02:02:53,031
HOW ABOUT A DRINK
BEFORE YOU KILL YOURSELF?
1641
02:02:53,100 --> 02:02:54,365
IT'S ON THE HOUSE.
1642
02:02:54,434 --> 02:02:55,767
THAT'S A GOOD IDEA.
1643
02:02:55,836 --> 02:02:59,396
BALLYGLOON FOLKS ARE COMING
BY BUS... THOUSANDS OF THEM.
1644
02:02:59,439 --> 02:03:00,772
THAT'S A GOOD IDEA.
1645
02:03:00,841 --> 02:03:02,207
NOT THAT I'M TIRED.
1646
02:03:02,276 --> 02:03:04,209
I'M FRESH AS A DAISY.
1647
02:03:04,278 --> 02:03:06,972
MORE LIKE A BLACK-EYED
SUSAN. LET'S GO.
1648
02:03:06,996 --> 02:03:09,381
IS THAT A PUBLIC HOUSE?
1649
02:03:09,450 --> 02:03:10,866
YES, YOUR LORDSHIP.
1650
02:03:10,934 --> 02:03:12,316
ARE THEY GOING IN?
1651
02:03:12,385 --> 02:03:13,719
YES, YOUR LORDSHIP.
1652
02:03:13,787 --> 02:03:15,931
DOES THAT MEAN THE FIGHT'S OVER?
1653
02:03:15,955 --> 02:03:19,725
NO. THAT'S JUST THE
END OF ROUND ONE.
1654
02:03:19,793 --> 02:03:21,242
STAND BACK, STAND BACK.
1655
02:03:21,311 --> 02:03:23,178
KEEP AWAY. KEEP AWAY.
1656
02:03:30,170 --> 02:03:31,603
NOW, LET ME SEE.
1657
02:03:31,672 --> 02:03:32,737
WHISKEY?
1658
02:03:32,806 --> 02:03:34,739
NAH, GETS YOUR BLOOD UP.
1659
02:03:34,808 --> 02:03:36,619
PORTER'S THE VERY THING.
1660
02:03:36,643 --> 02:03:39,483
AHH... IT'S PEACEFUL AND
QUIET IN HERE, ISN'T IT?
1661
02:03:39,513 --> 02:03:40,445
YEAH.
1662
02:03:40,514 --> 02:03:42,013
YOU KNOW...
1663
02:03:45,185 --> 02:03:46,951
THIS HAS BEEN A FIGHT
1664
02:03:47,020 --> 02:03:49,287
I'D COME A LONG WAY TO SEE.
1665
02:03:49,356 --> 02:03:52,290
HOPE YOU CAN STICK
AROUND FOR THE FINISH.
1666
02:03:52,359 --> 02:03:54,392
DON'T WORRY ABOUT THAT!
1667
02:03:57,864 --> 02:03:59,130
YOU KNOW, YANK,
1668
02:03:59,199 --> 02:04:01,633
I'VE TAKEN QUITE A
LIKINGS TO YOUSE.
1669
02:04:01,702 --> 02:04:04,636
I'M GETTING REAL
FOND OF YOU, TOO.
1670
02:04:04,705 --> 02:04:06,638
YOUR WIDOW, ME SISTER...
1671
02:04:06,707 --> 02:04:09,474
SHE COULD HAVE DONE A LOT WORSE.
1672
02:04:09,543 --> 02:04:11,521
TRUE, TRUE. POOR WOMAN.
1673
02:04:11,545 --> 02:04:13,478
THANKS. FILL THEM UP AGAIN.
1674
02:04:13,547 --> 02:04:15,814
AH, YOU'LL BUY ME NO DRINKS.
1675
02:04:15,882 --> 02:04:17,694
DRINKS ARE ON THE HOUSE.
1676
02:04:17,718 --> 02:04:19,818
I'M NOT TAKING YOURS,
YOU LITTLE SQUINT!
1677
02:04:19,886 --> 02:04:21,653
I'M BUYING THE DRINKS.
1678
02:04:21,722 --> 02:04:24,389
BUY ME A DRINK AT YOUR WAKE...
1679
02:04:24,458 --> 02:04:25,824
AND NOT BEFORE.
1680
02:04:28,228 --> 02:04:29,494
I'M BUYING!
1681
02:04:34,317 --> 02:04:35,350
BAR TOWEL.
1682
02:04:40,223 --> 02:04:41,389
WHAT TIME IS IT?
1683
02:04:41,458 --> 02:04:42,790
HALF PAST 5:00, SIR.
1684
02:04:50,134 --> 02:04:52,167
GLORY BE TO...
1685
02:05:01,545 --> 02:05:05,096
I... I HOPE YOU WON'T
BE VEXED WITH ME, CYRIL,
1686
02:05:05,165 --> 02:05:07,832
BUT I'VE LOST £3
TO MRS. TILLANE.
1687
02:05:07,901 --> 02:05:10,702
I KNOW I SHOULDN'T
HAVE BET, BUT...
1688
02:05:10,770 --> 02:05:12,370
THERE YOU ARE, SNUFFY.
1689
02:05:12,439 --> 02:05:13,538
£15.
1690
02:05:16,142 --> 02:05:18,543
HELLO THERE, ELIZABETH.
1691
02:05:18,612 --> 02:05:20,078
YOUR LORDSHIP.
1692
02:05:20,146 --> 02:05:22,225
AND WHAT HAVE YOU
BEEN DOING ALL DAY?
1693
02:05:22,249 --> 02:05:23,881
IF YOU'LL EXCUSE ME,
1694
02:05:23,950 --> 02:05:28,220
I'LL... I'LL GET
YOUR TEA, SNUFFY.
1695
02:05:30,790 --> 02:05:34,959
♪ THERE WAS A
WILD COLONIAL BOY ♪
1696
02:05:35,028 --> 02:05:38,296
♪ JACK DUGGAN WAS HIS NAME ♪
1697
02:05:38,365 --> 02:05:42,500
♪ HE WAS BORN AND
BRED IN IRELAND ♪
1698
02:05:42,569 --> 02:05:46,737
♪ IN A PLACE CALLED CASTLEMANE ♪
1699
02:05:46,806 --> 02:05:50,741
♪ HE WAS HIS FATHER'S ONLY SON ♪
1700
02:05:50,810 --> 02:05:54,412
♪ HIS MOTHER'S PRIDE AND JOY ♪
1701
02:05:54,480 --> 02:05:58,749
♪ AND DEARLY DID
HIS PARENTS LOVE ♪
1702
02:05:58,818 --> 02:06:03,754
♪ THIS WILD COLONIAL BO-O-OY ♪♪
1703
02:06:03,823 --> 02:06:06,257
HA HA HA HA HA!
1704
02:06:14,500 --> 02:06:16,267
WOMAN OF THE HOUSE,
1705
02:06:16,336 --> 02:06:19,770
I HAVE BROUGHT THE
BROTHER HOME TO SUPPER.
1706
02:06:19,839 --> 02:06:21,940
HE IS KINDLY WELCOME.
1707
02:06:23,843 --> 02:06:25,776
GOD BLESS ALL IN THIS HOUSE.
1708
02:06:25,845 --> 02:06:28,379
WIPE YOUR FEET.
THANK YOU, MA'AM.
1709
02:06:28,448 --> 02:06:29,780
SIT DOWN, SIT DOWN.
1710
02:06:29,849 --> 02:06:31,782
THAT'S WHAT CHAIRS ARE FOR.
1711
02:06:36,856 --> 02:06:38,289
HURRY IT UP.
1712
02:06:46,466 --> 02:06:48,799
WELL, THEN, SO PEACE AND QUIET
1713
02:06:48,868 --> 02:06:50,801
CAME ONCE AGAIN TO INISFREE,
1714
02:06:50,870 --> 02:06:52,320
AND WE WERE UP...
1715
02:06:52,389 --> 02:06:55,457
GOOD HEAVENS. WHAT'S
THAT WOMAN UP TO NOW?
1716
02:06:55,525 --> 02:06:57,058
MAKE WAY. MAKE WAY!
1717
02:06:57,127 --> 02:07:00,144
SHE'LL BE RUNNING YOU
DOWN WITH THAT JUGGERNAUT!
1718
02:07:08,888 --> 02:07:12,323
NOW, WHEN THE REVEREND
MR. PLAYFAIR COMES DOWN,
1719
02:07:12,392 --> 02:07:15,059
I WANT YOUSE ALL TO
CHEER LIKE PROTESTANTS.
1720
02:07:15,127 --> 02:07:16,847
NOW, SPREAD OUT, SPREAD OUT.
1721
02:07:29,392 --> 02:07:30,325
HIP, HIP...
1722
02:07:30,393 --> 02:07:32,093
HOORAY! HOORAY!
1723
02:07:32,161 --> 02:07:33,401
HIP, HIP...
1724
02:07:33,429 --> 02:07:34,949
HOORAY! HOORAY!
1725
02:07:46,142 --> 02:07:47,175
WHOA.
1726
02:07:50,913 --> 02:07:53,381
NO PATTY FINGERS, IF YOU PLEASE.
1727
02:07:53,450 --> 02:07:55,116
THE PROPRIETIES...
1728
02:07:55,185 --> 02:07:57,235
AT ALL TIMES.
1729
02:07:58,772 --> 02:08:00,705
HOLD ONTO YOUR HATS.
118145
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