All language subtitles for Gangs.of.London.S02E02.Episode.2.1080p.10bit.BluRay.AAC5.1.HEVC-Vyndros

(Foreboding music)

The Investors asked for order
and order is what I'm giving them.

Nobody sells guns in this city
except me.

(Koba) Somebody here
wants to start a war.

I will find you
and you will make amends.

(Groaning)

(Billy)
Just keep my brother safe.

If anyone hurts him,
I'll kill you, Elliot.

You have just bought your way
into a very dangerous world.

Where is Mama?

(Gunshot)

(Asif)
Ed, the Investors have made it clear.

Anyone who acts out of line
is to be dealt with.

(Elliot)
This is how we get out.

They'll find me.
You can't beat them.

No! No! No!

(Heavy breathing)

(Italian easy listening music)

(Water rippling)

(♪ "Addio Addio",
Domenico Modugno)

(Water splashing)

(Paint brush clinking)

(Music quietens)

No sound for the next... 2 hours.
Please.

Oh, it's like that, is it?

I don't know why she has to fight sleep.
Every nap time.

Little shit.

Yep.

Speaking of shit...

I'm gonna need you to pop to town later.
Pick up some more nappies?

(Song continues)

(Billy)
Oh, all right.

(Car door shuts)

(Serwa)
Hello, Billy.

I work for Marian Wallace.

I know who you are.

Look, er...
Elliot is back in London.

And your mother wants you back...

(Song fades out)

(Footsteps)

(Baby cooing)

(Jacqueline)
You were just gonna sneak out.

(Quiet suspenseful music)

Elliot's back.

- Shh...
- (Baby cooing)

And so you kill him?

I told him where Sean was.
I trusted him.

You know what going back
to that city will do to you.

But you've already decided.

I'll be in and out so fast you won't
even make a dent in those nappies.

And then when you come back.
Who will you be?

Billy.

(Melancholic music)

(Car door closing)

(Car accelerating away)

(Music builds)

(Thunder rumbling)

(Patter of rain)

(Short burst of eerie music)

(Quiet dramatic music)

(Phone vibrating)

(Miss Kane) I know last night
must have been difficult

but you need
to keep your head, Elliot.

Don 't forget,
Alex brought this on himself.

I want to see my dad.

That'll depend
on your performance today.

Meanwhile,
we'd like you to meet a friend.

He has a problem
you can help us with.

He's Georgian,
organised, thorough.

Maybe you can learn
a thing or two from him.

Do this for me
and I'll tell you where your father is.

(Men muttering)

(Man chattering in own language)

(Ed)
Alex, it's me again.

Presuming you're busy but...

Call me, please.

(Phone vibrating)

(Gate creaking open)

(Dramatic music)

(Music stops)

Elliot Carter. Chuck, chuck, chuck it.

(Laughter)

Don't mess with this guy.

He killed Sean fucking Wallace.
He doesn't give a fuck.

So... I heard you can help me.

I heard it was a special assignment.

What does that mean?

It means you need to say "please".

(Background chatter
from Georgian gangsters)

Someone shot my driver.

(Deep sigh)

Single shooter
bumped us from behind.

Did it in front of Mr Afridi.
Broad daylight.

Professional. Made a statement.

It's the wrong look for me.
You understand?

(Car speeds away)

Look, I have a busy day.

So... you're the cop.

How about you find out
who did this?

Please.

(Quiet suspenseful music)

(Rustling)

(Background chatter)

(Lennie)
Marian.

(Marian) Thank you.
Luan. Where have you been?

(Luan) We thought we had
a problem with the Algerians

but I dealt with it.

What problem?

Koba seized the guns.

But Basem kept our names
out of it.

(Marian) Maybe we should hold off
on the next shipment.

No. We owe the Algerians.
They protected us.

And Koba will go after them.

We need more guns now.

(Marian)
They'll be with you later today.

One of my men will be in touch.

(Clapping)

Amazing performance.

I truly believed I was watching
a man plotting to take me down.

Superb.

Don't you agree, Eddie?

Call me when you have
Marian's location.

How do I know
my wife isn't dead already?

(Eerie music)

(Dial tone)

(Mirlinda)

(Mirlinda)

(Groaning)

Oh!

Yeah.

(Sigh)

I was handling this.
We do not touch families.

That is not
how you gain respect.

Some people have to learn
the hard way, Eddie.

This is how to make people
fall in line.

If you're stupid enough
to have a family in this world,

then they are fair game.

(Door opening)

We have a problem.
Our new Somali friends.

Somebody just killed
three of them.

See you there, Eddie.

(Quiet dramatic music)

(Woman)
Mr Dumani, please.

(Ed) You let Koba take his wife?
I'm trying to understand

why you trust
a lying, two-faced mercenary

to solve your problems.

You haven't heard the news?

It's Alex.

He jumped
from his building last night.

He was so young,

and I think he got into the trap

of believing
that he was too important.

All that pressure.

I tried to help him,

but he wouldn't listen.

Something must have snapped in him.

The Investors made sure
it didn't reach today's news.

I'm sorry, Ed.

If there is anything that I can do.

(Downbeat music)

(Blues rock music)

(Blues rock music fades)

(Footsteps on wooden floor)

Hello, Billy.

You look well.

How's Jacqueline?

And the baby?

I'd just rather know where he is.

You think taking London back
will fix this family?

It won't.

Then what are you doing here?

I'm the family fuck-up.

If I hadn't left my baby brother
on his own...

he'd still be alive.

I have to kill Elliot.

Now, either you tell me
where he is,

or I'll go to London
and find him myself.

Billy.

We just heard from Serwa.

Alex Dumani was killed
last night.

If you do this,
you take my men with you.

I can't lose another child.

(Blues rock music resumes)

This is yours, alright?

Then use it.

(Darragh)
Let's go.

(Blues rock music fades out)

(Muffled voices in the background)

(Quiet dramatic music)

(Koba)
Well, we know this isn't Luan's work.

(Koba breathing heavily)

Eddie, help me out here.

(Koba)
Fuck!

- (Shutter door clattering)
- (Shouting)

(Elliot)
Get out of my face.

- What's he doing here?
- He's with me. A short loan.

Is Shannon with you?

What?
No. No, I haven't seen her.

Good. You keep away from her.

Ah, yes.

He fucked your daughter.

Well, if you're not gonna fuck him up,
can we deal with this?

You think this is linked
with your dead driver?

(Koba)
It's a good game, no?

Pick off Koba's buddies
so he has no one else to play with.

We both know who's behind this.
Who'd like to fuck me right now?

It doesn't seem like Marian's style.

Then who?

Isn't that why he's here?

I'll make some calls.

See if we can get
to the CCTV out there.

(Dramatic music builds)

(Muffled voices)

(Falling can clattering)

(Muffled voices grow louder)

(Man)
Hey, big man. Bro!

- (Car window winding down)
- You checking up on me?

Can I see my dad now?

That's not such a good idea.

It is.

If you want me to keep my head.

He's at the Greenview House
Residential Home.

It ' s a nice place.

(Car window winding up)

(Car engine starting)

- (Car door shuts)
- (Dramatic music fades)

Elliot.

- Yeah, it's all right.
- (Woman) Okay.

It's not as bad as it looks.

(Chuckles)

(Charlie)
There was three of them.

Took off with my wallet.

(Elliot)
As long as you're all right.

Think I still caught one of them
with a right hook though.

- Boom.
- Oh yeah?

(Both chuckle)

(Sigh)

(1950s rock 'n' roll music playing)

I'm sorry, Dad.

Don't be silly.
It's not your fault.

And you've been busy working.

You must be doing well for yourself.

Your bosses ain't been scrimping
with this place.

Ah, Dad.

What's going on, son?

I'm gonna get us out of here.

Get you on that beach
in Jamaica... after all.

I'd better pack my shorts then.

(Laughter)

You're weeping.
Change that dressing, yeah?

Elliot...

(Sigh)

(Quiet suspenseful music)

(Clink of loose tile)

(Music builds)

(Clink of tea cup)

(Tape tearing)

(Clink)

(Phone dialling tone)

Yeah... I have something
you might be interested in.

(Baby crying)

Have you approved
the extra payments?

(Floriana) The main Bradbury account
is almost empty,

but there are others.
Rutherford is on top of it.

Good.
Then everything is under control.

(Baby crying)

Another gun shipment?

The Algerians.

They need to protect themselves

and we need allies
to take back London.

And Billy?
Was it wise to send him there?

He's not a soldier

but you've let him go
chasing after a killer.

Do you really think
he can handle it?

He's coming back.

I hope so.

(Exasperated groan)

(Phone vibrating)

(Koba)
Elliot, what do you have for me?

There's nothing on the CCTV,

but one of the locals saw
a red car drive off

so could be the same guy
that shot your driver.

(Koba)
Interesting...

- Good. Good.
- (Phone camera clicks)

- (Phone camera clicks)
- (Music stops)

This lad killed yer brother?

(Quiet suspenseful music)

You'll be wanting
to shoot the shot then.

Serwa's watching your man.
She'll lead us to him.

Then he's all yours, right?

Heads, I meet the Albanians.
Tails you do.

Happy hunting, boyos.

(Suspenseful music builds)

We have three dead Somalis now.
Three!

It's the same fucking guy
that shot my driver!

And Marian Wallace
is in cahoots with Luan.

That's interesting.

How so?

The bank accounts that Basem
transferred his money into

for the gun deal.

I had people looking into them.

They're called Bradbury Holdings.

Finn used them to hide 1.5 billion
of the Investors' money.

Marian Wallace is using it
to fund her gun-running.

How the fuck
did she get hold of it?

She must've tracked down
his Albanian mistress.

I have the name of the lawyer
who's a proxy on the account.

- I'll deal with him.
- No.

You will get everyone back in line.

Make sure Basem understands
it's time for him to repay his debt.

I will deal with this lawyer.

Mr Rutherford. Please, please.

(Gentle piano music playing)

Hm. Mm...

I told you.

So, you're looking
to open an account?

No. But I was hoping that
you would help me with another one.

Bradbury Holdings.

It's holding stolen money
belonging to my friends.

I don't ask where it comes from.

So you lure me here
under false pretences,

slap down a bit of beef and expect
me to fuck my own reputation?

Mr Rutherford,
I can't convince you to reconsider?

Even the whole fucking cow
wouldn't be enough.

(Laughter)

In that case,
let's enjoy the food.

Mm-hm.

(Muffled chatter of diners)

Oh, here come the suits.

This the hard pitch now, is it?

(Groaning)

Yes.

(Muffled groans)

(Piano music continues)

- (Thud)
- (Muffled anguished cries)

The shell company.

You're going to tell me
everything that you know

and transfer the ownership to us.

(Rutherford)
Ah! Yes! Yes!

Excellent.

(Groaning)

- (Thud)
- (Muffled anguished cries)

(Piano music builds)

(Piano music fades)

(Darragh)
Good afternoon, fellas.

(Van door slams)

(Darragh)
Heard you're after some more guns?

(Suspenseful music)

(Killian) She says that's him
up ahead. You ready, lad?

(Killian)
Go. Get out and follow.

(Suspenseful music)

(Baby crying)

(Muffled voices)

(Woman exclaims)

(Killian)
Where is he?

(Church bells ringing)

(Upbeat Algerian music playing)

(Doorbell chimes)

(Koba humming)

Faz, right?

So what?
You're here to take my wife too?

She's been dead six years.

- Whoa!
- Hey, hey... Come on.

- (Hakim) What's going on?
- We're cool, we're cool.

I have a way for you
to make amends with Mr Afridi.

From now on you will work
exclusively with me.

All your drugs biz
will go through us.

Quick and reliable delivery.
Top-notch customer service.

- (Door slamming shut)
- (Quiet dramatic music)

Tell me what happened? Now!

Fuck!

Faz, you've not been right.
I saw you argue with Hakim.

Now this guy shows
and you're shitting yourself.

(Koba)
We will give you protection

and in return I expect
your full support.

You have the ear of the streets.

Tell them
what a great friend I am. Hm?

(Discordant music)

You will hate me.

Hate you?
I could never hate you.

You can tell me anything.
Come on, Faz, what is it?

(Koba)
Ciao for now, okay!

(Whispers) Hakim...

See, Uncle, it's not a bad deal.

(Hakim)
This could be good for us, no?

(Clicking)

Should've hit the cunt
when you had the chance.

Now, Darragh hasn't checked in.
This is a fucking shit-show!

(Clicking continues)

Are you simple, lad?

(Car door slams)

- Where you going?
- To piss!

- (Church bells ringing)
- (Thud)

(Loud bang of door)

Just the three?

There are more outside.

Necessary precautions.

What, now Big Boy's not here
to slap me about,

all of sudden
you're scared of me?

What do you want, Elliot?

I've got data you can use
against the Investors.

It's yours if you help get me
and my dad to safety.

(Quiet dramatic music)

Why should I trust you?

What's changed since we last spoke?

I'm sick and tired...
of killing for those people.

I watched Alex Dumani die last night
and they've got my dad hostage.

I have what you need.

I'm closer to them than
you will ever be.

And I'm offering you the chance
to take the easy route and do a deal.

I'll need to see this data. Verify.

You need
to get me and my dad out first.

Then I ask it again.

Why should I trust you?

Check these bank accounts.
"Verify".

You'll find they're all connected
to organised crime.

You hold up your end of the bargain,
I'll give you the chip with the rest.

- I'll be in touch.
- Yeah. Well, chop chop.

Someone's out there shooting
people, if you hadn't heard.

- (Dramatic music)
- (Passing traffic)

(Man)
Watch it!

Fucking look at yourself.

(Distorted voices
in the background)

What can I do?

Nothing.

(Gunshots)

(Male voice on computer game)
Head shot. Head shot.

Victory.

Woo! (Laughter)

Whoa, Mum.
How'd you get so fire?

(Chuckles)

(Knocking)

I'll go get that.

(Dramatic music)

How can my baby brother
be taken just like that?

Alex chose his path.

So you're just gonna let them
get away with it? Do nothing?

Vengeance only brings chaos.

Chaos only costs more lives.
And I do not want to lose both of you.

So what's the plan then?

You and Danny need to come home.

Where it's safe.

- Let me protect you.
- You couldn't protect your own son!

You couldn't keep me out of jail!
So why should I believe you now?

(Crying) So, no.

(Calmly) No.

- I'll protect Danny and me.
- Shannon...

And I don't wanna hear from you

except when you tell me
we're gonna bury him.

(Footsteps descending stairs)

(Subdued music)

(Crying)

(Front door opens)

(♪ "Hummingbird", Low Roar)

♪ Tentative captain

♪ Don 't keep
your eyes on the ground...

(Glass smashing)

♪ Heaven's been offered

♪ Leaving this Earth's
such a beautiful sound...

I don't want you to die.

(Plug socket clunking off wall)

♪ I'm safe when I feel
I don 't feel it's not around

♪ So I'm leaving tomorrow...

(Crying) I don't want you to die.

- (Car lock beep)
- (Tamaz whistling)

♪ Hesitant captain...

(Tamaz) We have to go check
on the Algerian.

♪ It's too late to turn back around

♪ The party, it's waiting...

(Phone vibrating)

♪ Leaving this Earth's
such a beautiful sound...

(Basem) Please can I have
three of this one...? Thank you.

♪ And I fear when I fear,
I don't fear it's not around...

(Afrim)
(Groaning) Tell me where she is!

♪ So I'm leaving tomorrow

Tell me where she is!

(Darragh)
Fuck you...

♪ Don't cry for me,
I'm the talk of the town

(Luan)
Just tell me where she is?

♪ And don 't worry, Mother...

(Phone vibrating)

(Killian) Marian, Darragh's missing
and so's yer son.

What do you want me to do?

♪ I blow kisses to you
while the sun's going down

♪ Tell Dad I'm all right
and I'll see him around

♪ Maybe tomorrow

(♪ Instrumental break)

(Phone dialling)

(Jacqueline)
Have you done it then?

Billy?

Billy?

How's the shit machine?

This afternoon
she got into your paints.

She did a nice little mural
on the lounge wall.

Think she wants to paint,
like her uncle.

♪ Leaving this Earth's
such a beautiful sound ♪

(Baby crying)

Come home.

Come home, Billy.

Billy?

I've given you Marian's location.
Now give me my wife.

(Fizzing)

(Belt buckle rattling)

(Heavy breathing)

(Sobbing)

(Song fades)

Alexa, dim the lights.

(Moaning)

(Quiet dramatic music)

(Rap music playing quietly)

I need to speak to Basem.
Basem, is he here?

(Muffled shouting and chatter)

(Basem)

Ah...

(Laughter)

(Gunshot)

- (Blood squirting)
- (High-pitched ringing)

(Sombre music)

(Male voice)
I'm sorry.

(Car engine starts
and speeds off)

(Distant screaming)

(Crying)

Please help me!

(Muffled) Fuck!

(Muffled) You okay?
Eh? Come with me.

We're going to lead you out,
all right? Ready?

(Crying)

(Crying)

- What's your name?
- Saba.

It's all right. It's all right.
I'm Elliot, okay?

Hey, hey. I promise you.
I promise, I'm not gonna hurt you.

Come on. Come over here.
You're gonna be all right, okay?

(Approaching footsteps)

(Discordant music)

- Billy, you don't have to do this.
- (Shouting) Yes, I do!

(Frantic muffled voices
in the background)

(Music intensifies)

(Elliot)
Wait!

(Gunshot)

(Gunfire)

(Groaning)

All right. Just stay here.
I'm coming right back, okay?

- (Crying) No!
- I'm coming right back.

(Commotion)

(Shouting)

(Gunfire)

(Screaming)

(Yelling in Georgian)

(Quietly) Go!

(Gunfire)

(Indistinct frantic speech)

- (Doors creaking open)
- (Heavy patter of rain)

- (Billy) Go! Go! Go!
- (Banging on car bonnet)

What the fuck's going on?

(Billy)
Just fucking drive!

- (Gunfire)
- (Glass smashing)

Jesus Christ!

(Dramatic music)

(Killian) Don't worry, lad.
We'll get you out.

(Elliot)
Get down! Get down!

(Glass smashing)

(Gunfire)

(Car accelerating)

- (Water splashing)
- (Loud crash)

(Heavy patter of rain)

(Quiet suspenseful music)

(Glass cracking)

(Splashing)

(Gasping)

(Water bubbling)

(Gunfire)

- (Sirens)
- This the guy who hit Basem?

- Yeah. Yeah. Maybe?
- Maybe?

(Whistles)

(Indistinct speech)

(Water bubbling)

Fuck.

(Groaning)

(Gentle dramatic music)

(Water rippling)

(Splashing)

(Gasping)

(Gasping)

It's me.

(Crying)

(Sobbing)

(Car speeds away)

(Music builds)

(Music fades)