All language subtitles for Face.Off.S03E07.HDTV.x264-CRiMSON-eng

Previously on Face Off...

The artists created
disproportioned characters

for the video game Dishonored.

Derek's towering thug
earned him a win,

and Tommy was sent home.

Now, six artists remain,

and tonight...

Today's challenge
could potentially change

someone's life.
[Gasps]

- They face a monstrous twist.
- Oh, my God!

- Each of you will work with an
emerging artist. - I knew it!

All: Oh-ho-ho.
[Laughter]

I can't believe
who comes through the door.

Time, everyone.
That's it!

I'm screwed on this challenge.

My costume is iffy.

It's falling apart.

We are of massively differing
opinions this week.

I don't know what to say,
I love it.

I'm not a fan today, honey.

Could be in huge trouble.

In the end, only one
will win the opportunity

to be a guest lecturer

at Make Up Forever's academies

in New York and Paris,

a new 2012 Toyota Prius V,

and $100,000.

And for the first time
ever, America,

your voice will be heard
in selecting the winner.

Only one will win Face Off.

[Dramatic music]

Sync and corrections by n17t01
www.addic7ed.com

I came to win.

I've been saved twice,
and the rest of the time

I've been on top,
but I haven't been

on the very top,

so, I just want that sense
of accomplishment

that comes with doing
a good job.

So we head
for the next challenge,

and we head to Olvera Street.

As we get closer,
we all recognize instantly...

Yay.
[Gasps]

[Chuckles] Patrick's there.

Welcome to Olvera Street,
a historic landmark

and Mexican
cultural marketplace

located in the oldest part
of downtown Los Angeles.

Before we get
into today's challenge,

please welcome back
a very familiar face

and the judge
of today's foundation challenge,

Patrick Tatopoulos.
[Applause]

Patrick is back,
and I'm happy to see him

because I really admire him
as a conceptual designer.

Good to see you guys.

I'm very, very excited
to be back.

Welcome back.
As we know, you've been

hard at work on the set
of the new 300 film,

Rise Of An Empire,

so thank you for flying
all the way from Bulgaria

to be here today.

Well, I'm a little jet-lagged
but I'm really, really happy

to see you again, guys.

All right,
let's get down to business

because today's challenge
could potentially change

someone's life...

But there is just one thing.

You guys
will not be competing today.

They will.
[Gasps]

Who's they?

- They're back! They're back!
- Oh, my God.

[Screams] Oh, my God.

[Cheers and applause] Yay.

All of a sudden, we realized

that everybody else is back.

- Yay!
- Hi, guys!

Oh, my God.

And I see my brother,
and I was, like, super excited.

Welcome back, guys.
It's good to see you.

You ready for a shot
at redemption?

- Yes!
- We're ready to go!

Good, because the winner of
today's foundation challenge

will rejoin the cast
and earn another chance

at winning our grand prize.

- Oh, my God! Yes!
- Wow. [Applause]

I do wanna get back
on this show as bad as possible.

It is great
to see everybody again,

but I have a little bit
of mixed emotion

about it, really.
You know, some have missed

two, three, four challenges,
so, I'm not really sure

how I feel about that
at this point.

Olvera Street is home

to many Mexican
cultural festivals,

but none is bigger
or more popular

than the Dia de los Muertos,
or Day of Dead,

a celebration of the lives
of those who have passed on.

So your foundation challenge
today

is to create an original
day of the dead-themed makeup.

So Patrick, in your opinion,

what makes a great
Day of the Dead makeup?

Well, you know,
although the tradition

depicts skeletons
and things like that.

I'm looking for someone
who's gonna push

a little further.
That's super important.

I'm ready for this.

I've never been more ready,

and if I make it,
I'm going to the end.

Today, your makeups
must include items and wardrobe

sourced from in and around
the area.

Good luck, guys,
because your time starts now.

- Woo! [Applause]
- Good luck, guys!

- Thank you!
- Go.

I'm looking around.

I do get my eyes on a suit,
a mariachi suit with a hat.

I think that would bring
my makeup together.

I'm trying to figure out
how I can stay

with the tradition
but make it different.

I saw shoes somewhere.
Shoes, shoes.

I'm trying to wrap my head
around this idea.

What else can I do
that's day of the dead

that's not the typical
sugar skull

that everyone thinks?

I'm thinking mariachi guy.
The first thing I'm gonna do

is I'm gonna draw out the shapes
that I want

and then go into the color.

I wanna make sure
that it's colorful and festive.

I put a prosthetic skull nose
on her face,

but I'm still not sure
about all the detailed parts.

I definitely don't wanna do
just face painting

kind of a makeup,
so I grab items

that I can glue onto her
and make it a 3D look.

I grab a prosthetic,

and it's
this generic vampire brown,

and I'm like,
"okay, well, it's still

kind of day of the dead-y."

All right, guys,
you got 30 minutes left.

My heart's racing for them.
[Laughs]

That's it! Time's up.

Woo!

Wow.

This is, like, super
high stress right now.

It's like this is my chance
to get back onto Face Off.

- Hi guys.
- Hello, Nicole.

Tell us about your concept.

His dad was in a mariachi band,

and so now
he's celebrating his dad.

- This is really cool.
- Thank you.

It's very joyful.
It's very beautiful.

Patrick loves what I just did,

and I just feel really, really
confident right now.

He has very strong features,

so I wanted to highlight him
and contour him

and bring a little bit
of that out.

I got to tell you,
I was a little worried

until you put the costume
and everything together.

I say,
"where is she going?"

So you actually kind of put it
back together

in a good place at the end.

Love it.
All right, CC,

thank you very much.
Good work.

I went more
of a stylized route.

I did lay down this prosthetic.

There's some great stuff
in here.

I like people
that don't get stuck

with the expected,
so I give you a point for that.

I wanted to keep it
from being a-- just a face paint,

so I wanted to go 3D kind
of a thing to it.

Your shading
is really impressive

because even from here,
I feel this dimension.

It came out really lovely.

I did a skull face,
but I wanted to do,

you know, the jewels and glitter
to kind of make it

a little prettier.

You got into a good direction

because you actually used a lot
of color on the face,

but I almost wish you'd--
you'd pursue it even further.

All right, Patrick,
how'd they do overall?

You guys did great.
I was very impressed today.

Great work.

And who created
your favorite looks?

Nicole, for original
and very well-executed design,

and Eric
for the very incredible shading.

- I think you really scored.
- Thanks.

All right, well, there
is a lot on the line today,

so who is the winner
of today's foundation challenge?

I'm already feeling like I won.

I'm pretty sure I got this.

[Exhales] I can't breathe.

And I'm freaking out.
Like, my heart is pounding.

Please be me.

The winner is...

Nicole.

Oh, my God.
[Screams and applause]

[Laughs]
I'm back! [Giggles]

Oh, my God.

My heart drops.
It definitely sucks

to have to go back home
for a second time.

I really thought I had this.

You both did an amazing job.

It was very difficult for me
to pick.

The reason you won, Nicole,
is because you pulled enough out

of the tradition, yet you never
compromised the design.

Thank you so much.

Nicole, congratulations.

You get to rejoin the cast
of Face Off.

Go ahead and get over there.

[Overlapping chatter]
- Come on--come on over here.

Come on.
[Laughs]

You guys, you all did
great work.

[Applause] Thanks, guys.

- Thank you.
- Bye. I love you!

- Good luck.
- See you guys!

I will see you all tomorrow

for your next
spotlight challenge.

All: - Bye.
- Bye, guys.

Oh, my God.
You guys!

We walk into the lab
before our spotlight challenge,

and we see picture frames
on the wall.

They're covered,
so we have no idea

what we're gonna have to do.

In Hollywood,
makeup effects artists

work with all types of clients.

Sometimes,
it's an established director

or a producer.

Other times,
it's an inspiring visionary.

Today, each of you will work
with an emerging artist

and bring their works to life.

First, let me introduce you.

Come on out!

[Gasps]
Oh-ho-ho. Wow.

I can't believe
who comes through the door.

Coming up...

I don't know if I can get
these eyes to work.

I gotta make another one.
Fuck.

I might just pull this off.

There's almost nothing
I like about this.

I'm worried
I'm going home tonight.

Today, each of you will work
with an emerging art artist

and bring their works to life.

That's really cool.

First, let me introduce you.

Come on out!

[Gasps]
Oh-ho-ho. [Laughs]

We look over,
and then we look down,

and there's, like, all these
little baby kids that come out.

[Chuckles] Hi, guys!

- Hi!
- This is gonna be awesome.

Oh, this is gonna be cool.

Children, if you would please
show us your work.

Oh, cool.

There's some really
interesting pictures up there.

There's like a green thing
which has multiple eyes,

one that looks like a spider.

Then there's one that's got
every color in the rainbow.

So, we've partnered with

City Hearts --
kids say yes to the arts,

which has offered free classes

to kids in Los Angeles
for over 27 years.

- Wow.
- Each one

of these budding young talents
has created

their own unique monster sketch.

So your spotlight challenge
this week

is to turn one
of those sketches

into a bona fide
movie monster makeup.

- Wow. Cool.
- That's beautiful.

Now, just like
in the real world,

you don't pick the client.

They get to pick you.

Oh, wow.
[Laughter]

I'm so excited.
This is such

a wonderful opportunity to work
with these little baby nuggets

and make something of theirs
come true.

Bridget, you get to pick first.

Reed, you're next.

- Hi.
- Jonathan.

- Hi.
- Lola, you're next.

Hi.
[Giggles] I like your hair.

- Thanks.
- Nolberto.

What's up, man?

Ty-yana...

And Sofia.

So you have 30 minutes
to consult with your clients

on the final design.

Have fun, everybody.

All right, you can sit up here.

My client's name is Lola,
and she is just fabulous.

There is no time to waste,

so we immediately get started
on our design.

You want one big eye
and one little eye for sure?

Well, I like a big eye,
but the small eye

- I kind of did on accident.
- Uh-huh.

I'm really trying to work
with the direction

that she wants to go
while also bringing

my aesthetic to her vision.

What about, like, a tooth,
like, right there?

So, one tooth, one eye,
a bunch of different nostrils.

I love that.
I love one tooth.

He's good at seeing.
He can see like this way,

this way,
and this eye that sees straight,

and instead
of our eyes blinking,

they end up blinking
to the side like that.

Oh, okay,
so he blinks to the sides. Okay.

Do you have a name for him?

Sweetie?
I kinda like that.

She has this vision in her head,
but she doesn't know

the technical aspect
of everything.

So I have to guide her
through the process.

But he can still have
this shape, that doll shape.

- Yeah.
- Yeah? Okay.

My concept is an alien
from another planet,

and he eats people.

So, why is this one bigger
than all of the others?

'Cause it's the only one
that's actually purple.

Bridget tells me
that this is a half-vampire,

half-dragon, and it's a baby.

He can have a fluffy tail
like that, okay?

Hopefully, I can get it
all done in time.

So this was a regular alien
girl from the planet Luna,

and then, one day,
she turned into this.

Sofia has a lot of creativity,

and it's fantastic,
and it is non-stop.

Like-- there was like lots
of eyes on its face.

When she's in her sleep,
they blink.

- Long legs...
- Mm-hmm.

Like a snake's.
That's the front of her face

but then it's like wo-o-oo.

It has octo-unicorn tentacles.
All the dots are eyes.

I don't remember half of it.
I have to refer to my notes.

All right, kids.

Time is up.
Come on over.

I'll see you soon.

Good luck,
and I will see you tomorrow.

Once we choose our models,
I automatically get my stuff

and start sculpting.

So I'm really aware
of how bad my arm is

and how much I can push myself
on what's gonna be

a big sculpt to begin with.

I've done a couple
of big head makeups before

and I am a little concerned
about showing another one,

but this is Sofia's design,
and it is my goal

to bring that to life.

Immediately,
I start sculpting the head,

and I think I ended up using
about three bags of clay.

Reed wanted his monster
to have blinkin' eyes,

so I decided to go
with a cable control

over animatronic head.

I know I have
to have an underskull

to mount all my mechanics on
and to build off of,

so I decided to go
with a back end form piece.

When I'm finished with this,
the under skull

is gonna hold all the mechanics,
and then the skin

will fit on top of that.

The description for my guy
is an ex-human, cave-dwelling,

bat-like, alien demon creature.

So I sculpt this thing out,
like, pretty quick.

It's like boom, done,
ready to go.

I'm just gonna start molding.

You make a mold
by covering everything in stone.

Once your mold has hardened,
you pour your film in there

which becomes the prosthetic.

Roy, can you see how
much time is left?

31 minutes.

[Saw buzzing]

My advice to you
is to speed up.

At this point,
my wrist is killing me.

All right.
It's time, everybody.

I can't move any faster.

There's a lot to do tomorrow.

I really like it.

Why did I have to make
such a big piece?

And I've got a really busy day
ahead of me.

I've also got all
those mechanics to figure out,

eyeballs to make.

There is just a lot
to get done today.

Hey, everybody.

Hey, guys.

Brought Neville with me,
and we're gonna take a look

at what you're doing.

I'm debating
whether to like gouge

all of this extra foam out
and then try

to stick that in there.

You should be able
to just use this, though,

as a surface.
It's pretty good.

And if you just do
the epoxy next,

that should-- should do it.

This is a tickle monster,
and he was very specific

that he wanted the eyes
to blink.

Be cautious
about your mechanisms.

You've got three eyes
that one person is controlling.

I'm also thinking about having
just the one control

- for all three eyes.
- Oh, okay.

It's gonna have wings.

He wanted them to be fur,
but I'm thinking of latex.

Somehow, that little tiny beak
just turns it into a parakeet

versus a massive bird
of prey hybrid.

You're gonna want
a bigger statement there

- like you have.
- My girl is Lola,

and she wanted one eye
and a big head

and a bunch of nostrils.

The whole nostril thing
is great.

I might caution you
to have the nose

not look like a human nose.

She's very specific
that this creature

breathes through the mouth
but eats through her nose.

- Wow.
- Lordy.

It's a little reminiscent
of some of your past work.

You know what?
The child

with the big head creature
picked me.

I didn't pick the child
with the big head.

I think
there's a couple things here

that if you have the time
to maybe address,

I would strongly encourage you
to change your sculpt.

What are your thoughts now
at this stage?

I feel very positive.

They're crazy ideas.

All right, so let's start
with Laura.

I think she's doing
a great job.

I think her biggest challenge
is gonna be that eyeball.

Right.
Let's move on to Roy.

He's so ambitious.

He's having blinks
because he wants

to communicate
the life behind it.

Yeah, he really
thinks it through.

He's a smart guy.

So what do you think
about Alana?

I did not like the nose
then having other noses.

- Yeah.
- Do something

to disguise the nose.

I don't know
if she's gonna have time.

Okay, and then Rod.

Rod concerns me because
the guy's so talented...

- I know.
- But is he being

creatively challenging
to himself?

And I would say
that this makeup,

- it's not a creative answer.
- No.

Hope he listens
to what you said.

Okay, everybody,
we're heading out.

- Good luck.
- Bye.

Neville seems to think
I should change my design,

and it's just making me be
a little bit more aware

of how to spend my time.

I could have gone and done
something completely different,

but I really wanna honor
what she has drawn

and not force an agenda
on a nine-year-old.

Neville points out
that they don't wanna see

another big head makeup.

I mean, I could have gone
and done something

completely different,
but this is her design,

so I'm doing it.

Hopefully, the judges can see

that this is the right thing
to do.

So, I have to make some sort
of a round costume

and then paint
that giant headpiece.

I think it'll evoke
a certain monster-ness

that my client is looking for.

What do-- what do you think
about these horns?

Like this way, or like this?

There is all kinds
of different stuff

going on in the shop.
Some of us

are going more cartoon-y.

There's fun fur, and there's
these big giant heads.

It's crazy.

It has almost
like a demonic--

Yeah, well, that's
what I'm going for.

I keep thinking,
like, should I have gone

in, like,
the Monsters, Inc. way?

But I'm like "no."
I don't want cartoon-y.

I don't want cute.
I want scary.

I'm gonna keep going
on my path.

You're amazing.

Thanks.
I still have to do the wings.

- The wings?
- Yeah.

Dude, don't waste
your time doing that.

You can do
that fucking tomorrow.

- I know.
- Do the wings now.

I know.
I'm worried about the wings,

I've never made any kind
of costume before.

I don't know how to sew
or anything,

so I'm just gonna wing it.

I'm making a cookie
for the monster.

He's also gonna have all kinds
of icing and cake toppings

and things drooling out.

He's a bit messy.

I love this cookie.

Thanks.
I'm really happy

with how it looks.
It started out

as a four-inch
square foam piece.

I think it's really fun.

It's almost the end of the day,

and I don't have my hands
and feet done at all.

I definitely don't have time
to experiment.

This is a one shot deal.

- It worked.
- Yay.

Now I gotta make another one.

I love your whole life.

Does it look like red velvet
with frosting?

Yes, it does.

He's awesome.

It still
ain't working right yet.

- They won't blink?
- They will.

It just takes too much pressure
to do it.

My eyes
are not moving properly.

They're real stiff
because what I didn't account

for is that whenever
I put the foam

on the underskull,
it created more tension,

so I'm kind of really strained
to get my eyes to move.

The whole eye mechanism
is what really has me worried

because this is really a basic,
very simple sculpt and makeup.

Time, everyone.
That's it.

Let's all go home.

The reason I wanted
to do all the movement in it

is to give it that wow factor,

so if I can't get those eyes
to blink properly

in the four hours
that I have tomorrow,

then I'm screwed
on this challenge.

Okay.

So today is application day.

We have four hours
for application

and then one hour
in last looks.

This thing is stuck.

Peel slowly.

Good morning.
Hey!

You are in for lots
of stuff today.

You're gonna
have a very easy morning.

[Chuckles]

Okay.

You're gonna apply everything
last hour?

Yeah, but I'm gonna get him
in a fair amount

of costume before we go.

My plan is to make sure
that everything

is completely painted before
I get anything glued down.

I decided
before I even start painting

to fix my eye mechanisms,
try to get 'em working better...

[Saw whirs]

And I rearrange and actually
reconstruct my device.

Shit...

I'm running behind schedule,
and I still

have tentacles, four horns,
spine.

I'm like really freaking out
at this point

because I really have to win,

especially since I was
already sent home.

Extend them a little bit.

It is really hard to get
this wing design down on him,

and I want it to look
like a flying squirrel,

but I'm not liking
how it's turning out.

Open.

[Laughs]

Now I'm starting to color you
with a base coat.

I'm gonna use the color scheme
that Sofia laid out for me,

but I'm gonna do it
in multiple techniques.

I'm doing airbrushing,

I'm doing spatter techniques,
and I'm doing hand painting.

I truly am feeling like

this is what I set out
to create.

All right, you can let go, hon.

One minute.

So, at the end of the day,
I go, "oh, no."

It finally hits me.

All right, that's it!
Time's up!

Brushes down.

I have to apply
my entire makeup, fix my edges,

and get all that
on in one hour.

If I have any problems,
I could be in huge trouble

because there's not enough time
to fix anything.

- Coming up...
- The costume is iffy.

I'm worried about it
falling apart on stage.

We are of massively differing
opinions this week.

You did your same old
paint job on it.

I just hope that nothing's
falling off at this point.

We have one hour
of last looks at the stage.

It's go time
from the second I'm in there.

I have
to apply my entire makeup.

If I have any problems,
I would potentially

have a piece
without any makeup on.

Hands, her arms.

Go like this
[Breathes through teeth]

Let's find these arms.

I'm really being hyper-cautious
because I know

that they're gonna pick up
and poke and lift

every little detail.

I'm gonna push here
for just a second, okay?

- Mm-hmm.
- Ready?

I'm surprised
at how quickly I get

everything glued down,
and I still need to do

my last touches
with the sprinkles

and the slime, and gluing down
the big chocolate chunk.

Ten minutes, everyone.

That's ten minutes.

Lift up your arms.

That's time, everybody.

Oh, I love it!

Welcome to the Face Off
reveal stage.

Tonight, one of you
will be eliminated.

First, say hello
to your judges.

Owner of Optic Nerve Makeup
Effects Studio, Glenn Hetrick.

- Good evening.
- Three-time Oscar-winning

- makeup artist, Ve Neill.
- Hi, everybody.

Creature and concept designer
Neville Page.

- Hello.
- Hey, there...

So guys, this week,
your spotlight challenge

was to create
an original movie monster

based on your client's artwork.

Your clients happen to be kids

from City Hearts --
Say Yes to the Arts program.

Let's see
what you've come up with.

I love my monster.

I'm very happy with him.

He's a little doofy,
which is exactly what we wanted.

I'm really feeling
like I have one

of the stronger looks,
but I'm hoping that the judges

are not looking for some mascot
boogity thing,

'cause that's
not what I've done here.

To be back here on the stage
just feels really, really good.

It's also very nerve-racking,
but I think I gave the client

what he wanted,
so I'm proud of it.

I like my paint job.

The chest piece looks awesome,
but the costume is iffy.

I'm worried about it
falling apart on stage.

I think I'm gonna make
Bridget happy.

I got everything done
that I promised that I would,

and I just hope she loves it
as much as I do.

I can see
that in a kids' movie,

something that hopped out
of the closet and tickled you

until you cheer up.
[Chuckles]

I'm pleased with how things
are looking.

It's what I set out to do.

I could only hope Sofia
likes it.

Judges, why don't you
take a closer look?

Red velvet cupcakes.
Nice.

Oh, look at that
filthy muck in the teeth.

May I?

Oh, man!
[Laughs]

Yeah.

The paint job is so random.

Instead of accentuating
the structure,

- it's confusing it.
- Yeah, that's camouflaging it.

I wish she would've done
some coloring on the teeth.

There's some fun choices here.

Yeah, yeah.

Can you turn around for us?

This is a lot of work.

- Yeah.
- Yeah.

This little back piece.

Oh, God.
I'm worried.

I didn't just come back
to just have,

like, one more shot
and then go home.

We wanna know what you think
of tonight's transformations.

Tell us on Twitter
using hash tag #FaceOff.

I don't like the horns.

Glenn starts hitting the horns,

and I'm like, "oh, God."

I just hope that nothing's
falling off at this point.

I'm worried.
I don't wanna go home.

This whole thing's off.
You see that?

I can't guess
what they're saying,

but it doesn't look good.

Oh, boy.

I think this
is a really good choice

using all these iridescent color
on there.

Okay, do your blink?

Yeah... I kind of see
that it failed, though.

Oh, yeah.

Can you turn around
so we can see the back?

It needs texture
desperately, I think.

- That's confusing.
- It is.

Thanks.

Well, the judges
have scored your creations.

Let's find out
what they thought.

Nicole...

Sarah...

You are both safe
and can head back

- to the makeup room.
- Good job, guys.

Thank you, guys.

So the rest of you
were the best

and the worst looks
of the week.

The judges would like to speak
with each of you

to learn more about your work.

Alana, please step up.

I'll tell you guys right now,

we are
of massively differing opinions

this week
on all of your creations,

more so than we
have ever been before,

so Alana, could you begin
by explaining the concept?

Really, there isn't much
of a backstory to this character

but we definitely agreed
on things aesthetically.

I actually really liked
this makeup this week,

and I love the way
that everything fits

under the top hat very naturally
when the hat comes on and off.

It doesn't feel like the hat

is just sort of plopped on top
of the makeup.

I see a lot of forethought
in the overall design here.

I have to disagree with Glenn.

You did your same old paint job
on it,

which is so uninteresting.

The tooth looks like a cigarette
from here.

I'm not a fan today, honey.
Sorry.

The nose
doesn't quite work visually,

and I think it's mainly
because the third set

of nostrils going up
look like they are eyeholes

versus noseholes,
but the paint job

is what is killing you.

This is where you really gotta
pay some attention.

- Alana, please step back.
- Thank you.

Rod, step forward.

Rod, how do you think you did
working with your young protege?

It is a big head character,

but this is what the client
really was looking for.

I actually liked
the whole design of this.

I love the costume.
I love the colors on the face,

and I find it
very enchanting up close.

I think you did a great job.

Thank you.

I'm at the opposite end
of the spectrum.

There's almost nothing I like
about this.

I think that the sculpt
is feeling too much

like the other sculpts
you've done.

That's one thing
that you need to work on

is all the faces
seem to be of the same family.

I implore you to start thinking

about trying to do things
that are thin or wispy

or hyper-realistic.

I don't think
you're a terrible sculptor.

I just think that you
continue to rely

upon this particular style.

I'm just really unhappy
with what I see here.

Rod, if you'd please step back.

Laura, step forward.

Tell us about the inspiration.

She described to me a dragon

vampire baby that throws rocks
at people when they come up,

so I attempted
to give everything

that I possibly could
to make the client happy.

I think you did a fabulous job

because you addressed
everything.

The palette works for me.

It stands out,
which really helps.

I think he's very cute.
[Laughs]

I-- it's so much fun
to see all this color

and I think he's very sweet,
so congratulations.

- I like him.
- Thank you.

Laura, could you please
step back?

You did a good job.
[Laughter]

Roy, you're up.

It looks
like you spent a lot of time

trying to mech those eyes out,
and they're not working for you

- really well, are they?
- Whenever I applied

the foam skin to it, it created
tension on the hinges.

I still wanted to try my best
to give the client

what he asked for.

You have a lot
of discordant colors and shapes,

and I'm confused
about how it's supposed

to all work together.

Okay, I don't know what
the hell he's talking about,

but I love
all the crazy colors.

I love the face in the hand.
I love the mouth.

I even like the side mouth
over here.

Thank you.

Your sculpt
looked dangerously horrific

and morbid,
and somehow with these colors,

it's a happy-- I don't know
what to say, I love it.

- I really do.
- Thank you guys very much.

Roy, thank you.
You can step back.

Derek, if you'll please
step forward.

Okay, Derek.

Tell us about your concept
for your creature.

Uh, my client told me
he's an alien

from another planet
that's come to Earth

and he eats people.

I'm kind of disappointed
in this

because your sculpt
is not the quality

that you normally do.

There's no texture in this.

The bat wings, I'm not sure
that you made the best use

- of that dental dam.
- It was pretty challenging.

I definitely stepped out
of my box with costuming, and--

There's a lot of stuff
where I think,

"Eh, it's just--
it's not quite finished.

It's not polished enough."

I think any director
lighting this in EDP

would say that we need
a little bit of texture

to make that surface
have a little bit of life.

I think you made a lot
of great decisions.

There's things here
that could be more detailed,

but overall, I'm pretty happy

with the design of the thing.

I have
to really applaud the decision

to separate that nose out,

that you didn't just go with
this traditional beat.

It's a really cool idea.

Cool. Thank you.

Derek, thank you very much.
You can step back.

All right, well, the judges have
heard what you have to say.

Could you please head back
to the makeup room

while they make their decisions.

All right, guys.
It seems like there was a lot

of debate about tonight.

Why don't we start with Laura?

I really like Laura's monster.

If you're just looking at it,

the profile, a child's monster,

boom, I go right to Laura's.

Yup, it immediately fits
the bill

of what a kid's cartoon monster
would be.

All right, let's move
on to Roy.

I loved all the little tricks
that he did.

I mean, I loved
the multiple-layered hand.

That was really cute.
Then he's got

this other little crazy face
instead of just having

a nothing hand.

I understand
he can make stuff move

and he can fabricate things
quickly,

but I don't need
to see it every week.

But even a failed attempt
at a little bit of a blink

gave me a sense that there
is some character in there.

Okay, let's move on to Alana.

Her paint jobs are horrific.

She cripples herself
with her paint jobs.

Had she done something
to obfuscate the eyes

within the nostrils
so it's not so apparent

that the eyeballs
are right there--

The fact
that she let the nose remain

in the normal position
was not her best choice.

Okay, let's move on to Rod.

It's the same thing every week.

He could
have put the mouth sideways.

We could have done
a million interesting things.

Instead, he just went back
to big fat baby head,

and then put an extra mouth
on it.

All right, let's move on
to Derek.

The fur work was what it was.

Derek's was a great sketch,

but the end result to me
was not camera-ready.

I'd say this
is the hardest decision...

- Yeah.
- That we've had thus far.

Okay, let's bring 'em back out.

Glenn, why don't you tell us
about the top looks tonight?

Roy, we continue
to be impressed

by how much you
take on every week,

and we really feel
like your final character

resembled the original sketch,

and Laura,
you made a complete character

and you also were very diligent
in keeping elements

from the original sketch
in your design.

All right, who is the winner
of this challenge?

Our winner tonight is...

All right, Glenn,
who is the winner

of this challenge?

Our winner tonight is...

Laura.

[Applause] [Laughter]

You got it.

We felt that you best embraced
the childlike aspect

of this challenge...
[Laughs]

And we were really happy
to see you go way outside

of your comfort zone.
[Exhales]

- Congratulations.
- Thank you.

Really? [Laughs]
What? No.

Really? No.

This is
a good feeling. [Laughs]

Laura, congratulations.

As the winner of this challenge,
Royal & Langnickel

will make a donation
of art supplies

to City Hearts in your honor.

Oh, my God.

I'm just ecstatic
that they're donating

to the arts and to kids.

My heart
is just soaring right now.

Laura, congratulations again.

- Thank you.
- You can head back

to the makeup room.
Thank you.

[Applause]

Roy, you are also safe.

Head back to the makeup room.

- Good luck, guys.
- Thanks.

Unfortunately, that means
the three of you

are on the bottom this week,

and one of you
will be eliminated.

Please step forward.

Glenn, tell us
about the bottom looks.

Rod, we had
a love-hate relationship

with your work tonight.

We were really at odds
about some of your decisions.

Alana, we appreciate the fact
that you attempted to do

something more realistic
with your design,

but the paint job
was just so poorly executed

that it was truly detrimental
to your work.

Derek, you had a good idea
and an interesting paint scheme,

but your sculpture was
completely devoid of texture.

All right, Glenn, so who
is going home tonight?

The person
going home tonight is...

Rod.

We felt that your makeup
was really disconnected.

It didn't make a lot of sense.

Plus, we feel
like we keep seeing

the same things from you.

I've had a blast.

Thank you, thank you,
thank you.

Rod, I am so sorry,
but you have been eliminated.

The rest of you
are safe this week

and can head back
to the makeup room.

It's good.

Rod, you rock.

I have loved so many
of your characters.

I even loved your guy tonight,
so...

- Yeah.
- Go take care of your arm.

Rod, it truly has been
great having you here with us.

Please head back
to the makeup room

and pack up your kit.

- Thank you again.
- Thank you.

- Good luck. [Applause]
- Good luck.

I'm going home.
[Cries]

This has definitely
changed my outlook and view

on what's possible,

and the fact
that these challenges

have pushed me
as far as they have--

it's been just a great ride.

Sync and corrections by n17t01
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