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1
00:00:06,000 --> 00:00:08,241
[eerie theme music playing]
2
00:00:53,758 --> 00:00:55,275
[rattling chains]
3
00:01:03,068 --> 00:01:04,034
[straining]
4
00:01:07,034 --> 00:01:08,551
[struggling]
5
00:01:09,724 --> 00:01:11,862
[breathing heavily]
6
00:01:12,827 --> 00:01:15,068
[whimpers]
7
00:01:24,931 --> 00:01:28,689
[stifled screaming]
8
00:01:38,103 --> 00:01:40,241
[in distorted voice]
Good afternoon,
my twisted friends.
9
00:01:40,275 --> 00:01:42,689
We have quite the show
for you today.
10
00:01:42,724 --> 00:01:45,241
Is it going to be
the fire of Ashes,
11
00:01:45,275 --> 00:01:48,310
or will it be
the chainsaw with Buzz?
12
00:01:48,344 --> 00:01:52,724
Or do you want to see
the magic of The Magician?
13
00:01:56,344 --> 00:01:57,517
There we are.
14
00:01:57,551 --> 00:02:00,137
[chuckling] Who's it
going to be?
15
00:02:00,172 --> 00:02:01,620
Who's it going to be?
16
00:02:01,655 --> 00:02:02,896
Come on, my darlings.
17
00:02:02,931 --> 00:02:04,724
If you want to have a say
in who gets to play,
18
00:02:04,758 --> 00:02:06,862
then get your tips in.
19
00:02:06,896 --> 00:02:08,620
Don't be so cheap.
20
00:02:08,655 --> 00:02:10,379
Majesty's watching.
21
00:02:11,586 --> 00:02:13,724
-Time's almost up, my friends.
-[struggling]
22
00:02:14,137 --> 00:02:16,448
Five, four,
23
00:02:16,482 --> 00:02:20,413
-three, two, and one.
-[straining]
24
00:02:20,448 --> 00:02:22,103
[stifled screams]
25
00:02:23,310 --> 00:02:24,586
Great choice.
26
00:02:24,620 --> 00:02:27,448
If you like what you see,
leave Your Majesty a tip.
27
00:02:34,137 --> 00:02:36,655
[panting]
28
00:02:39,551 --> 00:02:41,620
[distorted music playing]
29
00:02:41,655 --> 00:02:43,482
♪ Magician in the box ♪
30
00:02:43,517 --> 00:02:45,448
♪ He likes to play all day ♪
31
00:02:45,482 --> 00:02:47,206
♪ Magician in the box ♪
32
00:02:47,241 --> 00:02:49,413
♪ He'd like to come today ♪
33
00:02:49,448 --> 00:02:51,965
♪ Magician in the box ♪
34
00:02:52,000 --> 00:02:53,965
♪ He wants to play today ♪
35
00:02:54,000 --> 00:02:55,758
♪ Magician in the box ♪
36
00:02:55,793 --> 00:02:57,724
♪ Oh what a dreamy day ♪
37
00:02:57,758 --> 00:03:00,379
[struggling]
38
00:03:00,413 --> 00:03:02,793
[stifled screams]
39
00:03:05,241 --> 00:03:07,448
[shuddering]
40
00:03:11,482 --> 00:03:13,000
[man shouts]
41
00:03:13,034 --> 00:03:16,034
[muffled] No, no, no, no...
42
00:03:19,517 --> 00:03:22,241
[stifled screaming]
43
00:03:22,275 --> 00:03:23,862
[yelping]
44
00:03:23,896 --> 00:03:24,965
[muted]
45
00:03:25,000 --> 00:03:27,689
[gasping] Stop! Stop!
What is this?
46
00:03:27,724 --> 00:03:29,344
No, don't do it!
47
00:03:29,379 --> 00:03:31,655
[wailing] God, no!
48
00:03:31,689 --> 00:03:33,034
No! No!
49
00:03:33,068 --> 00:03:36,000
[struggling]
50
00:03:36,034 --> 00:03:38,862
[shrieking]
51
00:03:40,275 --> 00:03:42,965
[wailing]
52
00:03:43,000 --> 00:03:44,965
[screaming]
53
00:03:47,965 --> 00:03:49,206
[gagging]
54
00:04:13,620 --> 00:04:14,620
[in normal voice] It's over.
55
00:04:15,620 --> 00:04:16,758
Believable, right?
56
00:04:17,620 --> 00:04:19,724
[chuckles] I told you
I'd bring it.
57
00:04:20,413 --> 00:04:22,103
[sighs] Whew!
58
00:04:23,275 --> 00:04:24,517
[sighs]
59
00:04:24,551 --> 00:04:26,827
[shudders] Whoo!
60
00:04:26,862 --> 00:04:29,586
[sighs] Well,
that was a, uh...
61
00:04:30,620 --> 00:04:33,379
...a super freaky experience,
but, uh...
62
00:04:34,896 --> 00:04:36,551
...it was kinda
awesome. [chuckles]
63
00:04:37,482 --> 00:04:39,241
This is, this is clever.
Did you make this?
64
00:04:39,758 --> 00:04:40,586
Did you make this?
65
00:04:41,689 --> 00:04:42,724
Can I keep this?
66
00:04:42,758 --> 00:04:44,172
No.
67
00:04:44,206 --> 00:04:46,206
-[man] Oh.
-You were very convincing.
68
00:04:46,241 --> 00:04:48,344
But this is where
our arrangement ends.
69
00:04:48,379 --> 00:04:49,413
-Yeah, no, sure, no.
-[cocks gun]
70
00:04:49,448 --> 00:04:50,379
Hey, whoa...
71
00:04:50,413 --> 00:04:51,620
See, we know where you live,
72
00:04:51,655 --> 00:04:53,034
-Mr. 22 Brook Street.
-[man breathes heavily]
73
00:04:53,068 --> 00:04:54,103
We know where you work,
74
00:04:54,137 --> 00:04:55,758
and we know where
your kids go to school.
75
00:04:58,206 --> 00:04:59,275
Now disappear.
76
00:05:00,413 --> 00:05:02,517
-Understand?
-I understand.
I understand.
77
00:05:02,965 --> 00:05:03,965
That's a wrap.
78
00:05:43,827 --> 00:05:45,000
So, how'd we do?
79
00:05:46,517 --> 00:05:49,000
Mmm, numbers are still down.
80
00:05:51,103 --> 00:05:53,137
You know, I was thinking,
we should be brainstorming.
81
00:05:54,896 --> 00:05:57,931
We need to come up
with some new ideas,
new characters.
82
00:06:00,827 --> 00:06:01,827
What about...
83
00:06:03,275 --> 00:06:04,379
What about a clown?
84
00:06:06,068 --> 00:06:09,758
Uh, there's extra in here.
85
00:06:09,793 --> 00:06:12,655
-Just my way
of saying thank you.
-You don't...
86
00:06:14,241 --> 00:06:15,137
Thank you.
87
00:06:16,896 --> 00:06:18,896
Look, Max...
88
00:06:18,931 --> 00:06:20,931
There's not a lot of people
that can do what you do,
89
00:06:21,758 --> 00:06:24,000
and it's been working, but...
90
00:06:25,034 --> 00:06:27,310
Man, we gotta find a way
to make our audience grow.
91
00:06:28,034 --> 00:06:29,000
I got some ideas.
92
00:06:29,896 --> 00:06:31,517
Brainstorm while
I'm cleaning up.
93
00:06:32,827 --> 00:06:33,689
Do you want help?
94
00:06:33,724 --> 00:06:36,379
No. No. Go home.
95
00:06:40,413 --> 00:06:41,586
-[exhales]
-Okay.
96
00:06:45,379 --> 00:06:46,379
Night.
97
00:07:02,758 --> 00:07:04,896
-[dog whines softly]
-All right.
98
00:07:04,931 --> 00:07:06,586
Let's go make it safe.
99
00:07:18,379 --> 00:07:19,206
[dog cries]
100
00:07:54,793 --> 00:07:55,965
[barks]
101
00:07:56,000 --> 00:07:58,241
Shh, Hulky, I've gotta
get this right.
102
00:07:59,137 --> 00:08:00,172
[cries]
103
00:08:05,034 --> 00:08:05,862
Here we go.
104
00:08:15,724 --> 00:08:16,965
What do you think, Hulky?
105
00:08:17,724 --> 00:08:18,724
Should we cash some in?
106
00:08:23,965 --> 00:08:24,965
[whispers] Yeah.
107
00:08:25,827 --> 00:08:26,896
I'll just seal it.
108
00:08:39,034 --> 00:08:40,103
Can I help you?
109
00:08:40,137 --> 00:08:41,344
I need to see Jackie.
110
00:08:42,724 --> 00:08:43,896
There's no Jackie here.
111
00:08:44,793 --> 00:08:46,965
Go get my daughter now,
you idiot.
112
00:08:48,724 --> 00:08:50,206
Listen, bitch.
113
00:08:50,241 --> 00:08:51,517
There's no Jackie here.
114
00:08:56,310 --> 00:08:58,896
Ever wonder
what 50,000 volts
feels like?
115
00:08:59,862 --> 00:09:00,758
Pretty please.
116
00:09:02,137 --> 00:09:03,448
Go get Jackie now.
117
00:09:04,862 --> 00:09:05,689
Jack.
118
00:09:12,448 --> 00:09:13,965
What [muted] do you want?
119
00:09:14,586 --> 00:09:15,689
I wanna help you.
120
00:09:16,241 --> 00:09:17,586
It's a bit late now.
121
00:09:17,620 --> 00:09:20,517
I'm working on something
that could change your life.
122
00:09:21,379 --> 00:09:23,103
Can we go somewhere
private and talk?
123
00:09:28,034 --> 00:09:30,000
I have nothing more
to say to you.
124
00:09:32,896 --> 00:09:35,758
Will you at least take this,
for protection?
125
00:09:35,793 --> 00:09:39,241
The only thing that I need
protection from is you.
126
00:09:53,482 --> 00:09:54,793
[Max] All right, guys!
127
00:09:54,827 --> 00:09:57,206
It's five minutes.
Let's, uh, let's wrap it up.
128
00:09:57,241 --> 00:09:59,206
I'm locking up. You guys good?
129
00:09:59,241 --> 00:10:00,586
All right, uh...
130
00:10:00,620 --> 00:10:02,793
Ladies, have a good night.
131
00:10:03,310 --> 00:10:04,275
See you tomorrow.
132
00:10:06,620 --> 00:10:07,758
-Good night.
-Good night.
133
00:10:10,620 --> 00:10:11,448
Good night.
134
00:10:12,137 --> 00:10:14,310
See ya. Hey, you.
135
00:10:14,344 --> 00:10:16,103
Great work today, really.
136
00:10:16,137 --> 00:10:17,103
Really loved it.
137
00:10:18,896 --> 00:10:20,758
Aw, come on, guys.
138
00:10:20,793 --> 00:10:21,896
[groans] All right, okay.
139
00:10:21,931 --> 00:10:23,724
Two minutes, all right?
Then we gotta head out.
140
00:10:28,793 --> 00:10:29,758
Hey, Margot.
141
00:10:29,793 --> 00:10:31,379
Just, uh, two minutes.
I'm just locking up.
142
00:10:32,103 --> 00:10:32,931
Two.
143
00:10:42,965 --> 00:10:44,034
[exhales]
144
00:10:45,655 --> 00:10:48,379
[sighing]
145
00:10:51,551 --> 00:10:52,379
[sighs]
146
00:10:54,965 --> 00:10:56,034
Everybody gone?
147
00:10:56,068 --> 00:10:57,275
Yeah.
148
00:10:57,310 --> 00:10:58,655
[lock clicks]
149
00:10:58,689 --> 00:11:00,655
So, I've been
thinking about it,
150
00:11:00,689 --> 00:11:04,241
and I have a theory
why we're losing our audience.
151
00:11:04,275 --> 00:11:08,206
I think we need to change
the types of victims
that we cast.
152
00:11:08,241 --> 00:11:10,275
I know you've been
against it in the past,
153
00:11:10,310 --> 00:11:13,000
but I think we need
to try a woman.
154
00:11:13,034 --> 00:11:14,275
I brought you some options.
155
00:11:14,310 --> 00:11:16,827
Now, they're all great,
all of them believable.
156
00:11:16,862 --> 00:11:18,724
But, Amber, here...
157
00:11:19,517 --> 00:11:20,793
I think she'd be a great fit.
158
00:11:20,827 --> 00:11:22,275
[knocking at door]
159
00:11:33,482 --> 00:11:35,000
[knocking quickens]
160
00:11:35,965 --> 00:11:37,551
I thought you said
everyone was gone.
161
00:11:38,310 --> 00:11:39,344
Yeah, I did.
162
00:11:41,206 --> 00:11:42,448
Who's there?
163
00:11:44,206 --> 00:11:45,000
[door crashes open]
164
00:11:45,620 --> 00:11:46,448
Good evening.
165
00:11:48,206 --> 00:11:50,206
Oh, please, take a seat.
166
00:11:51,379 --> 00:11:52,551
[breath trembling]
167
00:11:53,448 --> 00:11:54,275
Sit down.
168
00:11:59,724 --> 00:12:00,620
[whispers] Sit.
169
00:12:04,793 --> 00:12:07,241
It's such an honor
to finally meet you...
170
00:12:10,103 --> 00:12:11,068
...Majesty.
171
00:12:14,206 --> 00:12:15,689
Oh, I'm a big fan.
172
00:12:16,931 --> 00:12:19,896
All that Bitcoin
I put into your pocket...
173
00:12:19,931 --> 00:12:22,068
Well, now, I want it back.
174
00:12:25,448 --> 00:12:27,068
What the hell
are you talking about?
175
00:12:28,413 --> 00:12:30,068
This whole operation
is [muted].
176
00:12:31,137 --> 00:12:33,724
Now, what would happen
177
00:12:33,758 --> 00:12:36,275
if your loyal viewers
found out?
178
00:12:40,620 --> 00:12:41,689
I want my money back...
179
00:12:43,758 --> 00:12:45,206
...with interest.
180
00:12:46,931 --> 00:12:48,068
[inhales] So...
181
00:12:49,034 --> 00:12:51,896
How much of that
beautiful Bitcoin
182
00:12:51,931 --> 00:12:54,586
has this freakshow
earned so far?
183
00:13:00,310 --> 00:13:01,758
[breath trembling]
184
00:13:01,793 --> 00:13:02,862
[mimicking Max]
185
00:13:04,172 --> 00:13:05,000
Uh...
186
00:13:06,137 --> 00:13:07,172
[Alex] Hmm?
187
00:13:07,206 --> 00:13:08,310
[chuckles softly]
188
00:13:09,172 --> 00:13:10,482
-[gunshot]
-[groans]
189
00:13:10,517 --> 00:13:13,344
[yelps and groans]
190
00:13:13,379 --> 00:13:15,793
-[grunting]
-How much, pendejo?
191
00:13:15,827 --> 00:13:16,896
I don't know.
192
00:13:16,931 --> 00:13:18,586
[panting]
193
00:13:18,620 --> 00:13:19,758
I'm just a hired hand.
194
00:13:19,793 --> 00:13:21,655
I don't, I don't know
about the business. Please...
195
00:13:21,689 --> 00:13:24,000
Oh, so, you're the boss?
196
00:13:24,862 --> 00:13:25,965
What the hell
do I need you for?
197
00:13:27,758 --> 00:13:29,344
-No, no! [grunts]
-[gunshots]
198
00:13:33,000 --> 00:13:33,931
[sighs]
199
00:13:36,965 --> 00:13:37,793
So...
200
00:13:39,137 --> 00:13:39,965
...boss.
201
00:13:43,206 --> 00:13:44,172
What's it gonna be?
202
00:13:46,758 --> 00:13:48,758
If you kill me,
you get [muted].
203
00:13:49,482 --> 00:13:50,862
[clicks tongue] True.
204
00:13:52,965 --> 00:13:55,827
But, what if I killed
your daughter, instead?
205
00:13:57,931 --> 00:14:00,862
-[sobs]
-Uh-uh-uh-uh.
206
00:14:00,896 --> 00:14:03,310
I just want the Bitcoin.
207
00:14:03,344 --> 00:14:07,000
Now be a good mommy,
and little Jackie gets
to live another day.
208
00:14:07,034 --> 00:14:09,000
Prove to me she's not hurt.
209
00:14:20,172 --> 00:14:22,482
[crowd cheering]
210
00:14:22,517 --> 00:14:24,344
[cell phone vibrating]
211
00:14:29,000 --> 00:14:30,034
Yeah?
212
00:14:30,068 --> 00:14:31,379
[Alex on phone] Let me
see the girl.
213
00:14:31,413 --> 00:14:32,724
[soft whimpering]
214
00:14:37,379 --> 00:14:38,206
Okay.
215
00:14:39,551 --> 00:14:42,000
[Jackie shuddering]
216
00:14:43,413 --> 00:14:44,586
[crying]
217
00:14:46,586 --> 00:14:47,586
[gasps]
218
00:14:56,724 --> 00:14:57,896
It's not here.
219
00:14:58,931 --> 00:15:00,310
It's at home.
220
00:15:01,724 --> 00:15:02,551
Shall we?
221
00:15:03,068 --> 00:15:04,034
[Alex sighs]
222
00:15:05,241 --> 00:15:06,068
Come on.
223
00:15:31,000 --> 00:15:32,137
[Margot whispers] It's okay.
224
00:15:40,586 --> 00:15:42,310
It's okay. It's okay.
225
00:15:42,344 --> 00:15:43,482
-[dog whines]
-Stay.
226
00:16:08,931 --> 00:16:10,931
[Alex] Now this is a wallet.
227
00:16:11,827 --> 00:16:13,310
Your recovery phrase, please.
228
00:16:26,103 --> 00:16:27,379
They are behind the picture.
229
00:16:39,517 --> 00:16:40,517
[glass shatters]
230
00:16:53,724 --> 00:16:55,275
[Alex] Give me the passcode.
231
00:16:55,310 --> 00:16:56,310
Hey!
232
00:17:00,793 --> 00:17:01,793
Margot.
233
00:17:03,379 --> 00:17:05,103
Open the door.
234
00:17:06,413 --> 00:17:07,620
You're gonna let
your daughter die
235
00:17:07,655 --> 00:17:10,068
because of some
stupid Bitcoin?
236
00:17:10,103 --> 00:17:11,931
-[dog whines]
-I will do it.
237
00:17:16,896 --> 00:17:17,896
I'm doing it.
238
00:17:20,551 --> 00:17:21,448
[lock clicks]
239
00:17:25,379 --> 00:17:27,793
[clicking]
240
00:17:52,103 --> 00:17:53,137
[dog whimpers softly]
241
00:18:03,310 --> 00:18:05,000
-[dog barks]
-[gasps]
242
00:18:05,793 --> 00:18:07,655
[barking]
243
00:18:07,689 --> 00:18:09,103
[whispers] Listen.
244
00:18:09,137 --> 00:18:10,655
[cries] Don't hurt
my daughter.
245
00:18:10,689 --> 00:18:12,482
Give me the [muted]
code, Margot.
246
00:18:12,517 --> 00:18:13,862
[dog barking]
247
00:18:13,896 --> 00:18:16,862
-Give me the [muted]
code, Margot!
-[dog barking]
248
00:18:16,896 --> 00:18:19,172
-I'm gonna shoot
the [muted] dog.
-[cries] Put the gun down.
249
00:18:19,206 --> 00:18:21,137
Give me the [muted]
code, Margot!
250
00:18:21,172 --> 00:18:22,827
-[taser fires]
-[electricity crackling]
251
00:18:22,862 --> 00:18:25,000
[dog barking]
252
00:18:31,517 --> 00:18:32,620
-[Margot shrieks]
-[dog barks]
253
00:18:46,827 --> 00:18:48,379
[panting]
254
00:18:48,413 --> 00:18:50,655
[in distorted voice] Time's
almost up, my friends.
255
00:18:50,689 --> 00:18:52,275
30 seconds left.
256
00:18:52,896 --> 00:18:55,000
Highest tip wins.
257
00:18:55,034 --> 00:18:56,965
Choose your weapon.
258
00:18:57,000 --> 00:18:59,103
Which one is it going to be?
259
00:18:59,137 --> 00:19:00,793
Time's starting to run out.
260
00:19:00,827 --> 00:19:03,000
-[Alex struggling]
-Majesty wants to play.
261
00:19:03,896 --> 00:19:05,172
[stifled scream]
262
00:19:05,206 --> 00:19:07,655
-[Alex straining]
-Oh, we have a winner.
263
00:19:07,689 --> 00:19:09,068
[wailing]
264
00:19:09,103 --> 00:19:11,206
Great choice.
265
00:19:12,206 --> 00:19:14,172
[struggling]
266
00:19:23,793 --> 00:19:26,034
[Alex cries]
267
00:19:29,689 --> 00:19:32,068
[exclaiming in horror]
268
00:19:33,068 --> 00:19:35,862
[stifled screaming]
269
00:19:35,896 --> 00:19:37,068
[muffled] Margot, no!
270
00:19:37,103 --> 00:19:38,965
No, no, no!
271
00:19:42,413 --> 00:19:44,413
[wailing]
272
00:19:46,137 --> 00:19:47,896
[panting]
273
00:19:59,206 --> 00:20:00,068
[screams]
274
00:20:05,068 --> 00:20:07,172
[gasping and coughing]
275
00:20:07,206 --> 00:20:08,448
Margot, don't do it.
276
00:20:08,482 --> 00:20:11,793
You're not a killer,
Margot. [yelping]
277
00:20:11,827 --> 00:20:13,931
-[in normal voice]
Who the [muted] are you?
-[straining] Margot...
278
00:20:13,965 --> 00:20:16,241
It was your partner!
279
00:20:16,275 --> 00:20:17,724
His idea, not mine.
280
00:20:17,758 --> 00:20:18,931
It was not my idea!
281
00:20:18,965 --> 00:20:20,344
[cries] It was Max's.
282
00:20:20,379 --> 00:20:22,413
It was his stupid
[muted] idea.
283
00:20:22,448 --> 00:20:25,000
[screams]
284
00:20:25,034 --> 00:20:27,413
Go look in your office.
He's not there!
285
00:20:27,448 --> 00:20:29,241
Go see for yourself.
He's not dead!
286
00:20:31,379 --> 00:20:32,344
[coughs and gags]
287
00:20:32,379 --> 00:20:34,000
Margot, please.
288
00:20:34,034 --> 00:20:36,206
[muffled screaming]
289
00:20:39,517 --> 00:20:41,103
[gasps] Oh.
290
00:20:41,137 --> 00:20:44,068
You... [breathing heavily]
291
00:20:46,862 --> 00:20:47,931
A squib.
292
00:20:58,517 --> 00:21:01,000
[Alex grunting]
293
00:21:08,206 --> 00:21:10,965
Oh. No, no, no, no.
294
00:21:11,000 --> 00:21:13,896
No, no. Please.
Please don't. No!
295
00:21:13,931 --> 00:21:15,965
Please don't. Please.
296
00:21:16,000 --> 00:21:19,655
[Margot] Where, exactly,
is my daughter?
297
00:21:19,689 --> 00:21:21,965
She's at Prestige
Dry Cleaners.
298
00:21:22,000 --> 00:21:24,482
It's a dry cleaner's shop
at King and Pine.
299
00:21:24,517 --> 00:21:26,482
She's safe. She's there.
300
00:21:26,517 --> 00:21:28,103
[Margot] How many
people are there?
301
00:21:28,137 --> 00:21:30,793
-[Alex] Just one--
-[Margot] How many
people are there?
302
00:21:30,827 --> 00:21:32,344
Just-- Just two people.
303
00:21:32,379 --> 00:21:34,827
Just two people.
Your partner and my guy.
304
00:21:34,862 --> 00:21:36,103
Max and my guy.
305
00:21:36,137 --> 00:21:37,862
Look, please, you don't
have to do this. Please don't.
306
00:21:37,896 --> 00:21:40,172
Please don't.
We're not killers, Margot.
307
00:21:40,206 --> 00:21:42,103
Don't do this, please.
It's just two guys.
308
00:21:42,137 --> 00:21:43,724
-[Margot] Awe... Ah!
-[Alex] She's safe.
She's safe, no--
309
00:21:43,758 --> 00:21:46,448
[screaming in pain]
310
00:21:55,137 --> 00:21:57,931
[Alex continues groaning]
311
00:22:04,689 --> 00:22:06,172
[chat notifications beeping]
312
00:22:12,000 --> 00:22:12,827
[gags]
313
00:22:22,586 --> 00:22:24,068
[notifications continue]
314
00:22:50,379 --> 00:22:51,586
Oh, my God.
315
00:23:03,379 --> 00:23:05,000
[knocking on door]
316
00:23:10,758 --> 00:23:12,551
[knocking continues]
317
00:23:23,896 --> 00:23:24,896
Where's Alex?
318
00:23:28,000 --> 00:23:29,172
Well, have you heard from him?
319
00:23:30,827 --> 00:23:31,931
[sighs]
320
00:23:47,482 --> 00:23:48,655
[sighs]
321
00:23:54,103 --> 00:23:56,517
We should have
heard from him by now.
322
00:23:56,551 --> 00:23:59,517
-You message him?
-Just chill the [muted]
out, man.
323
00:24:00,172 --> 00:24:01,724
All right?
324
00:24:01,758 --> 00:24:03,793
Your energy is, like,
weirding me out.
325
00:24:04,965 --> 00:24:06,620
Just, eat something.
326
00:24:06,655 --> 00:24:10,206
Could you just try
to contact him, please?
327
00:24:10,241 --> 00:24:11,103
[groans]
328
00:24:13,482 --> 00:24:15,103
It's...
329
00:24:15,137 --> 00:24:16,896
You know, if we don't
get that wallet
330
00:24:16,931 --> 00:24:18,620
that all this
is for nothing, right?
331
00:24:18,655 --> 00:24:20,206
-You get that?
-Just chill.
332
00:24:20,241 --> 00:24:22,206
All right? I'm texting him.
333
00:24:25,620 --> 00:24:27,379
Hey, guys. It's Crypto Steve
bringing you guys
334
00:24:27,413 --> 00:24:29,413
the latest
cryptocurrency tutorials.
335
00:24:29,448 --> 00:24:31,068
In the last tutorial,
I showed you how
336
00:24:31,103 --> 00:24:32,724
you can connect your
cryptocurrency wallet
337
00:24:32,758 --> 00:24:34,103
to any computer.
338
00:24:34,137 --> 00:24:36,137
In this tutorial, I'm going to
show you how you can
339
00:24:36,172 --> 00:24:39,103
send and receive Bitcoin
using your own
cryptocurrency wallet.
340
00:24:39,137 --> 00:24:41,827
Let's get started. You can
transfer your Bitcoin...
341
00:24:41,862 --> 00:24:43,896
-Look.
-[Crypto Steve] ...any
computer or smart phone...
342
00:24:43,931 --> 00:24:47,310
He's on his way.
Chill the [muted] out.
343
00:24:47,344 --> 00:24:50,482
-[Crypto Steve
continues indistinctly]
-[Jackie whimpering]
344
00:24:54,586 --> 00:24:56,413
[Crypto Steve] ...your Bitcoin
is safe from hackers.
345
00:24:56,448 --> 00:24:58,068
If you have another device,
346
00:24:58,103 --> 00:25:00,620
you're more at risk
for being hacked...
347
00:25:00,655 --> 00:25:01,862
[fist slams]
348
00:25:01,896 --> 00:25:04,275
[Jackie's whimpering
continues]
349
00:25:06,413 --> 00:25:08,034
[Crypto Steve] After you've
copied your receiving address
350
00:25:08,068 --> 00:25:09,482
from your hardware
wallet interface,
351
00:25:09,517 --> 00:25:11,344
you go back into
your CoinSpace account
352
00:25:11,379 --> 00:25:13,068
and past into
the receiving window.
353
00:25:13,103 --> 00:25:16,620
When you click "send"
the Bitcoin will transfer
into your hardware wallet.
354
00:25:16,655 --> 00:25:19,862
But be careful not to copy
the wrong cryptocurrency.
355
00:25:19,896 --> 00:25:22,689
If you accidently send
the wrong cryptocurrency
356
00:25:22,724 --> 00:25:24,379
to your hardware wallet
receiving address,
357
00:25:24,413 --> 00:25:27,517
you can lose the total amount
of that transaction for good.
358
00:25:55,172 --> 00:25:56,137
Alex?
359
00:26:02,758 --> 00:26:05,586
[taser buzzing]
360
00:26:18,103 --> 00:26:18,931
[knife slices]
361
00:26:26,448 --> 00:26:27,724
Loach?
362
00:26:27,758 --> 00:26:30,551
[Jackie whimpers]
363
00:26:30,586 --> 00:26:31,551
Loach?
364
00:26:46,931 --> 00:26:48,551
[lights buzzing]
365
00:26:51,689 --> 00:26:54,034
[Max breathing heavily]
366
00:27:10,862 --> 00:27:12,827
[frantic breaths continue]
367
00:27:19,931 --> 00:27:22,068
[Jackie whimpers in fear]
368
00:27:27,137 --> 00:27:29,241
[whimpers grow more frantic]
369
00:27:33,862 --> 00:27:35,275
Shhh.
370
00:27:35,310 --> 00:27:37,344
[Max breathing heavily]
371
00:27:40,655 --> 00:27:41,793
[Max exclaims]
372
00:27:44,517 --> 00:27:45,689
[breathing frantically]
373
00:27:52,517 --> 00:27:53,793
[Jackie whimpering]
374
00:27:56,275 --> 00:27:58,068
-[muffled screaming
in protest]
-I'll kill her!
375
00:27:58,931 --> 00:28:02,000
I swear to [muted] I'll do it!
376
00:28:02,034 --> 00:28:04,344
-[muffled screaming]
-Shut up.
377
00:28:04,379 --> 00:28:06,827
[muffled screaming continues]
378
00:28:13,862 --> 00:28:15,862
[screaming stops]
379
00:28:15,896 --> 00:28:19,034
[taser buzzing]
380
00:28:19,068 --> 00:28:21,413
[Alex groans]
381
00:28:21,448 --> 00:28:24,689
[breathing rapidly]
382
00:28:30,379 --> 00:28:32,620
[breathing slows]
383
00:28:32,655 --> 00:28:36,206
[knife slices]
384
00:28:41,206 --> 00:28:42,137
[grunts]
385
00:28:46,931 --> 00:28:48,517
[groans]
386
00:28:48,551 --> 00:28:51,517
-[taser buzzes]
-[Max groans in pain]
387
00:29:01,172 --> 00:29:02,793
[moans]
388
00:29:07,758 --> 00:29:09,655
[muffled grunts]
389
00:29:10,965 --> 00:29:12,310
How are you feeling, Max?
390
00:29:12,344 --> 00:29:17,655
-[grunts]
-See, I'm feeling inspired.
391
00:29:17,689 --> 00:29:22,310
I've decided to take the show
in a whole new direction.
392
00:29:22,344 --> 00:29:27,275
-A more authentic direction.
-[exasperated groan]
393
00:29:27,310 --> 00:29:28,931
[muffled yell]
394
00:29:29,586 --> 00:29:31,655
See, your good buddy here,
395
00:29:31,689 --> 00:29:35,482
well, he was
our highest earner.
396
00:29:35,517 --> 00:29:38,413
-Ever.
-[whimpering]
397
00:29:38,448 --> 00:29:41,448
And our viewers
are coming back.
398
00:29:41,482 --> 00:29:43,137
[Max sniffles]
399
00:29:46,517 --> 00:29:47,965
Why do you think that is?
400
00:29:48,931 --> 00:29:51,206
[stutters] We were never
gonna hurt Jackie.
401
00:29:52,103 --> 00:29:53,758
I swear it wasn't real.
402
00:29:53,793 --> 00:29:55,275
You have to believe me.
403
00:29:55,310 --> 00:29:57,137
-Okay? It was--
-[muffled screams]
404
00:29:57,172 --> 00:29:59,206
That was a mistake.
405
00:30:00,793 --> 00:30:07,379
I have zero interest in ever
hearing your voice again.
406
00:30:08,517 --> 00:30:11,862
I want you to help me
create something special
407
00:30:11,896 --> 00:30:13,793
for our viewers.
408
00:30:13,827 --> 00:30:17,241
No tricks. No [muted].
409
00:30:18,758 --> 00:30:20,793
Just you and me, Maxie.
410
00:30:22,965 --> 00:30:24,517
Just you and me.
411
00:30:24,551 --> 00:30:26,620
[Max whimpers]
412
00:30:28,551 --> 00:30:29,551
Now...
413
00:30:31,241 --> 00:30:36,448
Let's get the cameras rolling
and make some movie magic.
414
00:30:36,482 --> 00:30:39,413
[muffled screaming]
415
00:30:44,241 --> 00:30:46,206
-[stabbing]
-[Max screams]
416
00:30:49,344 --> 00:30:50,724
[squelching]
417
00:30:53,310 --> 00:30:55,310
[Max continues
groaning in pain]
418
00:30:55,344 --> 00:30:57,931
-[snipping]
-[Max exclaims]
419
00:31:00,241 --> 00:31:01,896
[heavy stabbing]
420
00:31:03,344 --> 00:31:06,379
[stabbing and
screaming continues]
421
00:31:09,206 --> 00:31:10,482
[slicing]
422
00:31:19,379 --> 00:31:20,862
[panting heavily]
423
00:31:36,379 --> 00:31:39,137
[high-pitched ringing]
424
00:31:49,965 --> 00:31:51,724
[exhales softly]
425
00:32:10,965 --> 00:32:13,448
[door squeaks open]
426
00:32:51,793 --> 00:32:54,586
[phone ringing]
427
00:33:00,482 --> 00:33:03,275
[Margot on the phone]
Jackie? Don't hang up.
428
00:33:05,172 --> 00:33:06,655
I'm proud of you.
429
00:33:08,344 --> 00:33:11,000
I've left something for you
in the house.
430
00:33:12,137 --> 00:33:14,517
It's in the wall vent.
Under the stairs.
431
00:33:16,517 --> 00:33:20,000
Go... [sighs] live the life
I couldn't give you.
432
00:33:20,862 --> 00:33:23,137
We both deserve
a second chance.
433
00:33:25,103 --> 00:33:26,068
[line disconnects]
434
00:34:09,620 --> 00:34:11,379
Hey, everyone. I'm Eli Roth
435
00:34:11,413 --> 00:34:12,896
and you just watched
The Red Room.
436
00:34:12,931 --> 00:34:16,137
I'm here with
our director and writer,
437
00:34:16,172 --> 00:34:18,000
-Justin Harding. Welcome.
-Thank you.
438
00:34:18,034 --> 00:34:21,586
So, Justin, we worked together
on The Haunted Museum
439
00:34:21,620 --> 00:34:24,000
and I'm a big fan
of your directing.
440
00:34:24,034 --> 00:34:25,896
I thought you did some
awesome, scary episodes.
441
00:34:25,931 --> 00:34:28,000
Had you heard
the story of the red room?
442
00:34:28,034 --> 00:34:31,862
And what was it about
this particular story
that got you excited?
443
00:34:31,896 --> 00:34:34,517
I have heard of read rooms.
444
00:34:34,551 --> 00:34:37,137
They actually made
a film a few years ago
called Making Monsters
445
00:34:37,172 --> 00:34:38,655
which was about
a red room killer.
446
00:34:38,689 --> 00:34:40,310
So I always thought
it was fascinating that
447
00:34:40,344 --> 00:34:41,965
if you're in the business of,
448
00:34:42,000 --> 00:34:43,413
you know,
operating a red room,
449
00:34:43,448 --> 00:34:45,103
you are kind of a producer.
450
00:34:45,137 --> 00:34:48,137
You're dealing with lights,
cameras, lenses, editing or,
you know, live streaming.
451
00:34:48,172 --> 00:34:50,034
'Cause a red room
is essentially a live stream
452
00:34:50,068 --> 00:34:51,344
on the dark web
where you can...
453
00:34:51,379 --> 00:34:54,931
Viewers interact via Bitcoin
to influence what happens.
454
00:34:54,965 --> 00:34:56,310
And I just thought,
"Oh, man, that's interesting.
455
00:34:56,344 --> 00:34:58,724
That, you know, the people
that would be involved in that
456
00:34:58,758 --> 00:35:00,586
have to be producers."
457
00:35:10,965 --> 00:35:12,793
[Margot] It's over.
458
00:35:12,827 --> 00:35:15,620
Believable, right? [chuckles]
459
00:35:15,655 --> 00:35:19,137
You already kind of had
a fascination with this
particular subject.
460
00:35:19,172 --> 00:35:21,586
It's a very dark subject
and, um,
461
00:35:21,620 --> 00:35:23,068
the more research I did,
the more I realized
462
00:35:23,103 --> 00:35:25,206
it's a great subject
for a horror film.
463
00:35:25,241 --> 00:35:26,586
'Cause it is
a great urban legend.
464
00:35:26,620 --> 00:35:29,275
There are so many classic
urban legends that we've
loved for decades
465
00:35:29,310 --> 00:35:30,896
and then the internet
comes along
466
00:35:30,931 --> 00:35:32,551
and ruins
a lot of urban legends
467
00:35:32,586 --> 00:35:35,000
-'cause you can
just figure out--
-Yeah, snopes.com
468
00:35:35,034 --> 00:35:37,068
-just debunked what was real
and what wasn't.
-Yeah.
469
00:35:37,103 --> 00:35:38,896
The idea that
there could be this,
470
00:35:38,931 --> 00:35:41,241
sort of faceless audience
behind a computer screen
471
00:35:41,275 --> 00:35:44,034
dismantling you, destroying
you and your life, you know?
472
00:35:44,068 --> 00:35:46,413
It's a great metaphor for,
you know, what can happen
473
00:35:46,448 --> 00:35:48,310
when we have, uh,
access to the internet
474
00:35:48,344 --> 00:35:49,241
and can do what we want
475
00:35:49,275 --> 00:35:51,103
and can access
anything we desire.
476
00:35:51,137 --> 00:35:53,068
It shines a light
on the darkest,
477
00:35:53,103 --> 00:35:54,827
you know,
aspects of human nature.
478
00:36:00,275 --> 00:36:03,103
[Alex grunting]
479
00:36:08,517 --> 00:36:11,551
Yeah, I was always fascinated
by what people will do
480
00:36:11,586 --> 00:36:13,689
when they know they're
not gonna get caught.
481
00:36:13,724 --> 00:36:15,482
When they're certain
that no one's gonna see it
482
00:36:15,517 --> 00:36:17,482
and that they can
get away with it anonymously.
483
00:36:17,517 --> 00:36:20,689
People just go right
to some animal state.
484
00:36:20,724 --> 00:36:23,034
-No, no--
-[screams in pain]
485
00:36:26,896 --> 00:36:28,655
It's also interesting because
486
00:36:28,689 --> 00:36:29,965
there's an obvious road
to go down
487
00:36:30,000 --> 00:36:31,448
if you're gonna tell a story
about a red room
488
00:36:31,482 --> 00:36:33,310
which is to go into, you know,
489
00:36:33,344 --> 00:36:35,000
to really make
something super gory
490
00:36:35,034 --> 00:36:37,137
and go down that torture-porn
path which is great,
491
00:36:37,172 --> 00:36:39,689
but I also thought it'd be
really interesting to do
something different.
492
00:36:39,724 --> 00:36:42,103
You know? Um, just something
that subverts expectations.
493
00:36:42,137 --> 00:36:44,000
Yeah, well that's the trick
with the red room.
494
00:36:44,034 --> 00:36:45,793
Because there's
different ones.
495
00:36:45,827 --> 00:36:49,103
-There's one legend which is
just a pop-up ad...
-Yeah.
496
00:36:49,137 --> 00:36:50,689
...just saying "What is in
the red room? What is in--"
497
00:36:50,724 --> 00:36:52,620
And once you get the pop-up
add, it's like The Ring.
498
00:36:52,655 --> 00:36:54,310
Like, it takes over
your computer,
499
00:36:54,344 --> 00:36:56,034
then starts showing you
the victims,
500
00:36:56,068 --> 00:36:57,965
and then you become
one of the victims
501
00:36:58,000 --> 00:37:00,793
in the next pop-up add
that someone gets.
502
00:37:00,827 --> 00:37:03,448
Or there's the person
paying with Bitcoin
503
00:37:03,482 --> 00:37:05,413
-to torture another person.
-Yes.
504
00:37:05,448 --> 00:37:07,448
But then it feels like
stuff that we have
505
00:37:07,482 --> 00:37:10,344
seen before and that kind of
both of us have done.
506
00:37:10,379 --> 00:37:13,206
So, one of the things I loved
about it was your approach
507
00:37:13,241 --> 00:37:15,689
and the story
and throwing in the daughter
508
00:37:15,724 --> 00:37:19,620
and these people
that are sort of doing it
for entertainment
509
00:37:19,655 --> 00:37:21,689
and that it's fake
and then it turns real.
510
00:37:21,724 --> 00:37:24,068
How did you find a way
into this story that was
511
00:37:24,103 --> 00:37:26,275
new and fresh and excited you
as a director?
512
00:37:26,310 --> 00:37:29,103
You know, I researched, uh,
you know, for a long time
513
00:37:29,137 --> 00:37:30,137
and what I discovered was
514
00:37:30,172 --> 00:37:32,000
a lot of the red rooms
that had been encountered
515
00:37:32,034 --> 00:37:34,724
proved to be, um, scams.
516
00:37:34,758 --> 00:37:35,896
The people that were involved
517
00:37:35,931 --> 00:37:37,862
were just ripping off
the viewers for their Bitcoin.
518
00:37:37,896 --> 00:37:38,931
And you can
actually go online,
519
00:37:38,965 --> 00:37:40,517
you can see
because of the blockchain
520
00:37:40,551 --> 00:37:43,103
you can see how much Bitcoin
had been transferred into
these red room sites.
521
00:37:43,137 --> 00:37:45,172
And I just thought, "Wow,
what kind of characters
522
00:37:45,206 --> 00:37:47,689
would be involved in creating
a red room like that?
523
00:37:47,724 --> 00:37:49,344
And who would
these people be?"
524
00:37:49,379 --> 00:37:51,241
And I just though, like,
"That's a great, sort of,
525
00:37:51,275 --> 00:37:53,586
launching-off point
for something that's
character driven."
526
00:37:53,620 --> 00:37:55,206
Like, who are these people?
And then to develop
527
00:37:55,241 --> 00:37:58,551
a story about characters
who have an actual motivation
that we can relate to,
528
00:37:58,586 --> 00:38:02,241
to put us into their shoes
and to understand why this
red room exists for them,
529
00:38:02,275 --> 00:38:03,689
was the inspiration
for the episode.
530
00:38:05,965 --> 00:38:06,827
Here we go.
531
00:38:16,034 --> 00:38:20,000
What do you think, Hulky?
Should we cash some in?
532
00:38:25,000 --> 00:38:27,862
Yeah. Not just yet.
533
00:38:30,034 --> 00:38:31,931
In all your research
for red rooms,
534
00:38:31,965 --> 00:38:34,689
did you ever find any evidence
there are real ones?
535
00:38:34,724 --> 00:38:37,482
You do hear... Yeah,
but that's what makes it
a great urban legend.
536
00:38:37,517 --> 00:38:39,310
'Cause yes, you hear on,
you can read on,
537
00:38:39,344 --> 00:38:41,241
you know, Reddit forms people
who have encountered them.
538
00:38:41,275 --> 00:38:43,137
First-hand encounters.
It's on a Reddit form.
539
00:38:43,172 --> 00:38:44,275
That's, that's how
I found Hostel.
540
00:38:44,310 --> 00:38:49,689
There was a link to a page of
"Oh, you can pay $10,000
541
00:38:49,724 --> 00:38:51,482
and go into a room and put
a bullet in someone's head
542
00:38:51,517 --> 00:38:52,827
to know what that feels like."
543
00:38:52,862 --> 00:38:55,000
And the discussion was,
is that real?
544
00:38:55,034 --> 00:38:58,344
There have been cases,
like, actual, proven cases.
545
00:38:58,379 --> 00:38:59,551
But not the live stream.
546
00:38:59,586 --> 00:39:02,034
The live stream is where
it really becomes
an urban legend.
547
00:39:02,068 --> 00:39:03,896
One thing I love
about your directing
548
00:39:03,931 --> 00:39:06,551
is that it's very clean
and very specific.
549
00:39:06,586 --> 00:39:09,413
And you're really
meticulous with your shots.
550
00:39:09,448 --> 00:39:11,551
Do you shot list?
Do you plan it out?
551
00:39:11,586 --> 00:39:12,724
Show up and wing it?
552
00:39:12,758 --> 00:39:15,482
What's your approach
to doing a scary movie?
553
00:39:15,517 --> 00:39:18,551
I'm obsessed with the idea
of fixing it in prep.
554
00:39:18,586 --> 00:39:20,241
I don't like
fixing it in post.
555
00:39:20,275 --> 00:39:21,172
I do my own editing.
556
00:39:21,206 --> 00:39:22,344
I sometimes do my own
visual effects.
557
00:39:22,379 --> 00:39:23,482
I'm heavy in post-production.
558
00:39:23,517 --> 00:39:25,586
I don't like being in
post-production fixing stuff.
559
00:39:25,620 --> 00:39:26,896
I like to capture it
in camera.
560
00:39:26,931 --> 00:39:28,758
I'll come to set
hyper-prepared.
561
00:39:28,793 --> 00:39:31,551
I shot list, but I storyboard
every single shot, typically.
562
00:39:31,586 --> 00:39:33,689
Sometimes I'll previs
full sequences.
563
00:39:33,724 --> 00:39:35,000
I'll just,
I'll build animatics.
564
00:39:35,034 --> 00:39:38,137
First of all, I wish
every director was
as prepared as you.
565
00:39:38,172 --> 00:39:40,000
-Myself included.
-[laughs softly]
566
00:39:40,034 --> 00:39:42,482
Let's talk about
some of the kill stuff.
567
00:39:42,517 --> 00:39:44,137
How close to it was
what you had in your head?
568
00:39:44,172 --> 00:39:46,241
And how gory
did you want to go with it?
569
00:39:46,275 --> 00:39:47,344
-Or not.
-Um...
570
00:39:47,379 --> 00:39:49,793
I wanted to deliver on
the promise of this red room
571
00:39:49,827 --> 00:39:51,241
and on the promise
of the genre.
572
00:39:51,275 --> 00:39:52,862
So, I definitely wanted
to go with gore,
573
00:39:52,896 --> 00:39:54,379
but to do it in a way
that's just a little bit,
574
00:39:54,413 --> 00:39:56,517
you know, in a way
that's producible and
575
00:39:56,551 --> 00:39:58,896
with that in a way that
we can do on budget
and on schedule
576
00:39:58,931 --> 00:40:01,000
that's also, you know,
cinematic and creative.
577
00:40:01,034 --> 00:40:02,000
[man] No, no, don't!
578
00:40:03,379 --> 00:40:05,551
Oh, God. No, no, no!
579
00:40:08,896 --> 00:40:10,758
[screaming in pain]
580
00:40:13,551 --> 00:40:15,068
I think the final kill
581
00:40:15,103 --> 00:40:17,413
is a good example of,
of how I like to do it.
582
00:40:17,448 --> 00:40:20,034
Because all the actual
stabbing and killing
583
00:40:20,068 --> 00:40:21,586
that happens is off-camera.
584
00:40:21,620 --> 00:40:23,689
That final kill,
there's a shot where we
585
00:40:23,724 --> 00:40:26,379
come across the tools,
all the tools on the table.
586
00:40:26,413 --> 00:40:29,068
And you can just see her
grabbing them and you hear
her stabbing them.
587
00:40:29,103 --> 00:40:31,241
And you know it's,
whatever's happening,
you know it's awful
588
00:40:31,275 --> 00:40:33,586
and your imagination's
building up and then
there's a reveal
589
00:40:33,620 --> 00:40:35,655
and you can see him at the end
with all the items in him.
590
00:40:35,689 --> 00:40:37,206
I call it
the human pincushion.
591
00:40:37,241 --> 00:40:41,172
The trick is, people go,
"Oh, Alienand Jaws
don't show the monster."
592
00:40:41,206 --> 00:40:43,413
And then people are like,
"They didn't show anything."
593
00:40:43,448 --> 00:40:45,551
And then if you show too much,
it becomes silly.
594
00:40:45,586 --> 00:40:47,310
-Balance.
-So it's really
finding this balance of
595
00:40:47,344 --> 00:40:50,172
when you know the audience
really wants it,
596
00:40:50,206 --> 00:40:51,551
not giving it to them,
597
00:40:51,586 --> 00:40:53,862
but then giving it to them
in a way they didn't expect.
598
00:40:53,896 --> 00:40:55,413
Yeah. You know,
it's more about the suspense
599
00:40:55,448 --> 00:40:57,172
than the gore to some degree.
600
00:40:57,206 --> 00:40:59,862
Oh, I love the idea of just
sustaining it.
601
00:40:59,896 --> 00:41:01,689
-Sustaining it, sustaining it.
And then the reveal.
-[Roth] Yeah.
602
00:41:01,724 --> 00:41:04,551
-[Max screaming]
-[stabbing]
603
00:41:09,275 --> 00:41:10,275
[slice]
604
00:41:17,448 --> 00:41:19,034
[Max breathing heavily]
605
00:41:23,103 --> 00:41:25,758
Yeah, we found in Hostel,
the moment of the guy
606
00:41:25,793 --> 00:41:27,724
trying to figure out
which tool to pick
607
00:41:27,758 --> 00:41:31,931
was way scarier than any
of the actual cutting itself.
608
00:41:31,965 --> 00:41:34,793
So, I was like, "Oh, man,
I wish I had shot more of
609
00:41:34,827 --> 00:41:38,137
-the guy like 'This one? No.
What about this? Mmm.'"
-[Harding] Yeah.
610
00:41:38,172 --> 00:41:40,206
Like, that's where
the audience is squirming.
611
00:41:40,241 --> 00:41:41,448
[Harding] 'Cause it's
building suspense
612
00:41:41,482 --> 00:41:43,586
and you're just
waiting for the, for the bang.
613
00:41:43,620 --> 00:41:44,827
Thank you, Justin.
614
00:41:44,862 --> 00:41:46,758
Where can anyone go to
find more of your work?
615
00:41:46,793 --> 00:41:49,206
Or more, or to follow you?
Or to look at your stuff?
616
00:41:49,241 --> 00:41:51,379
You can go to
justinhardingfilmmaker.com.
617
00:41:51,413 --> 00:41:52,931
I've got all
my short films on there.
618
00:41:52,965 --> 00:41:54,482
Um, I have a feature film
called Making Monsters
619
00:41:54,517 --> 00:41:57,103
that you can rent
on all platforms.
620
00:41:57,137 --> 00:41:58,172
Well, I'm sure a lot
of people will be
621
00:41:58,206 --> 00:41:59,965
checking out your work,
just from these episodes.
622
00:42:00,000 --> 00:42:02,034
Thank you so much
for doing it. It's a pleasure.
623
00:42:02,068 --> 00:42:03,344
-Thank you.
-Awesome.
43978
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