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Zulu
(ominous music)
(doors opening)
(ominous music)
(doors opening and closing)
(ominous music)
Mr. Harman.
(ominous music)
I'd like to say how excited everyone is
that you've decided to take this initial step.
And that I am instructed to assure you
that we are prepared to proceed at your pace.
Any concerns that you might have regarding your security
will be addressed promptly.
After we have dealt with any reservations you may have,
perhaps we could--
I asked for Darius.
Yes, well, he is extraordinarily busy at the moment,
as I'm sure you can imagine.
But I have the authority to act as his direct emissary.
However, we cannot proceed any further
until I see the evidence.
Mr. Harman, we do have an understanding?
Mr. Harman, may I see it?
That's a little personal, don't you think?
So you want your proof?
The Orchard is extremely anxious to see the artifact.
I bet they are.
What a find, eh?
(match striking)
The ultimate Rosetta stone.
The key, where is it?
You're looking at it, lame brain.
I'm afraid I don't understand.
That's the first interesting thing you said.
Mr. Harman. I am the artifact.
I am the Rosetta stone.
I am not here to listen to your reels and riddles,
Mr. Harman, I am here to reach an agreement.
The only thing I'll agree to
is a conversation with Darius.
And you're not Darius.
This meeting is finished.
(ominous music)
So it is.
(ominous music)
(door closing)
(dramatic music)
(gunshots ringing)
(dramatic music)
(ship exploding)
(dramatic music)
(spaceship whirring)
No luck, he was gone.
I knew it was too good to be true.
Harman was supposed to be there.
Oh, like a sitting duck?
It never works that way, we should have known better.
Given my information of him, Rudolpho seemed so sure.
It's so stupid, how many of these alleged sightings
of Harman are we gonna have to follow up?
I'm getting tired of chasing ghosts.
Well his enthusiasm's not surprising
given a bounty of that size.
Yeah, and if I know him, he's already spent it, twice.
Yeah.
Is there something up with you?
No, I'm good, no.
CARVAGGIO: You have a message from Rudolpho.
Speak of the devil.
Dante, let me know right away when you bag Harman.
The creditors are breathing down my neck here.
They're talking bad stuff, Dante, repossession.
I mean, they've got debtor's prison here.
We are not living in an advanced civilization, you know?
When I tell him you've got Harman,
with a big bounty like that coming, I can hold 'em off.
So get on it.
I'd like to blast him with my particle beam.
An unidentified vessel is approaching the Tulip.
What?
PERCY: Dante, a ship just left the surface,
ignored traffic control, and headed right into deep space.
CARVAGGIO: Captain.
Percy, hang on a moment.
Carvaggio, are you two talking about the same vessel?
No, Captain, this one is definitely heading
in our direction.
Display that vessel.
Oh, damn, I think I know who that is.
On our way.
Son of a...
(dramatic music)
(door opening)
PERCY: Dante.
Hey, where the hell did Luc go?
Uh, how would I know?
Dante? Yes?
CARVAGGIO: She's heading towards her quarters.
What?
CARVAGGIO: The unidentified vessel
is attempting to contact us.
Well let's see what the hell he has to say.
Arielo. Never mind.
Oh, Dante, this is a special, special day.
I've been waiting for this for a long time.
Do you remember my brother, Dante?
Well he's still rotting in prison where you dropped him off,
and I am here to repay the favor.
I'm going to repossess that piece of trash
that you fire under.
I'm gonna haul it in, and drop you off somewhere.
Maybe right here in orbit,
just with the shirt on your back.
You repo scum-sucking pig.
Oh, yeah, I forgot.
Bounty hunters are higher up on the food chain.
Car, turn him off.
Do we have any contact torpedoes?
Nothing functional.
We were scheduled to replenish weapon stores
at our last maintenance stop.
We couldn't afford to buy anything.
What about the particle beam?
Perce, have you finished installing the particle beam?
Percy?
CARVAGGIO: You didn't get permission
to launch a probe, Percy.
Shut up or I'll reprogram you.
CARVAGGIO: Oops, I think I just did it myself.
Maybe that's for Luc, huh?
CARVAGGIO: Or maybe an infinite loop.
ARIELO: You're in a big pack of trouble, Montana.
CARVAGGIO: Or maybe an infinite loop.
Car, what are you doing?
Or maybe an infinite loop. Car!
Please, please make it legal for me.
If you refuse our boarding rights,
I've got the right to fire on you.
Maybe you haven't noticed my particle beam.
What, you mean that probe bolted to your hull?
I'm not picking up images on that thing.
That's because we shielded the capacitor.
(laughing) You've got duct tape on your capacitator.
Load contact torpedo.
CARVAGGIO: Or maybe an infinite loop.
Car. Loop, loop.
Hang on, Arielo, let's talk about this.
Maybe we can work something out, huh?
Luc?
Percy?
Carvaggio, where are they?
Or maybe an infinite loop.
Loop, loop.
Oh, great. Loop, loop.
I couldn't find Harman, and I know Dante won't give up.
But we're being detained at the moment,
so move in closer, you might be able to help.
What do you want, Arielo.
Hand me over Harman.
How, how do you...
My sources are good.
I keep my ear to the ground.
Your agents already put in a claim for the bounty on him.
Doubtful, he jumped the gun, man.
He's a greedy son of a bitch.
We don't even have Harman yet.
Sure, sure.
You see, the bounty in Harman might make me forget
what I want to do to you.
Hey, give me a minute to think about it.
It's now or never, Dante. Five minutes!
No. Where have you been?
CARVAGGIO: Or maybe an infinite loop.
Sorry. Loop, loop, loop.
We just lost a probe.
CARVAGGIO: Or maybe an infinite loop.
Are you trying to hit me with a torpedo, Dante?
Do you want--
Take it easy, it was just a probe.
I had to do something, we had a situation.
ARIELO: Open torpedo tube hatch and prepare to fire.
Nice of you to join us.
Another vessel's coming in.
What?
CARVAGGIO: Or maybe an infinite loop,
loop, loop, loop.
What are you trying to do, Dante?
Are those friends of yours?
How'd you guess?
Luc, get me information on that second ship.
Percy, what are you doing?
Homing in on the signal. Why?
So we can track Harman. What?
God. Loop, loop.
What now?
Damn, it's the Mars Federation Cruiser Special Forces.
Exciting.
CARVAGGIO: Loop, loop, loop.
What is up with him? Loop.
Somebody shut him off, please.
Loop. I can't, he's stuck.
I'll fix him later. Oh, that's great.
CARVAGGIO: Loop, loop.
This is Commander Cline, Mars Federation Special Forces.
We understand you have a Martin Harman in your custody.
We have a warrant for his arrest under Federation authority.
You'll turn him over to us immediately.
What is it with this Harman guy?
COMMANDER CLINE: We're sending a shuttle
to pick up the prisoner.
We don't have him.
COMMANDER CLINE: We have notification you filed
a claim for the bounty.
My agent must have been misinformed.
We do not have him.
COMMANDER CLINE: Then you won't mind
if we board and search your ship.
Argh. Loop, loop, loop.
Luc, where are you going?
CARVAGGIO: Or maybe an infinite loop.
COMMANDER CLINE: We'll tell them they can repossess
the ship after we've searched it.
No! Perce?
I'm losing the signal.
Percy, where are you going?
Percy?
CARVAGGIO: Loop, loop, loop.
Oh, great.
Do I have your attention, Captain?
Your ship is hereby impounded.
Stand down and be boarded.
Dante, it's Rudolpho. Loop, loop, loop.
RUDOLPHO: I've got 12 hours here, Dante, 12 hours.
That's what they've given me,
then they're hauling my butt to debtor's prison.
CARVAGGIO: Loop, loop.
RUDOLPHO: I'm too pretty for prison.
CARVAGGIO: Loop, loop.
RUDOLPHO: Do you hear me, Dante?
Do you understand?
CARVAGGIO: Loop, loop.
RUDOLPHO: It's an emergency.
CARVAGGIO: Or maybe an infinite loop, loop.
You can't impound that vessel.
I've got a court order to repossess it.
Under Federation law, a criminal warrant supercedes--
Well we'll see what a judge says.
If you get in my way, you'll see what a laser cannon says.
Or maybe an infinite loop, loop, loop, loop.
The situation is critical.
They board and search us it'll take hours.
We'll never get Harman.
They have superior fire power, Scott.
Really, I didn't notice.
You'll just have to find a way to distract them, won't you?
(suspenseful music)
COMMANDER CLINE: Unidentified vessel,
reverse course or be fired on.
What the hell is he doing?
CARVAGGIO: Loop, loop.
Oh, this doesn't look good.
COMMANDER CLINE: We've lost, malfunction, mayday.
A crew member, how nice.
CARVAGGIO: Loop, loop, loop.
If you would get to your station I'd appreciate it.
Aye, aye.
Fire main engines, full power.
CARVAGGIO: Loop, loop, loop, loop, loop.
Nothing.
Percy, you hear me?
Yeah, I gotta fix antenna.
DANTE: Forget the antenna,
give me the engines, Percy, the engines.
I'm on it.
Oh, yeah, sure, no problem.
Ew. Percy, any luck?
I don't need luck, I need a new ship.
Percy, fire main engines now.
CARVAGGIO: Loop, loop, loop.
COMMANDER CLINE: Pull back, pull back.
You fire and our reactors will blow.
CARVAGGIO: Loop, loop, loop, loop, loop, loop.
Okay, what was the sequence?
White, blue, red, no.
White, blue, red. Percy, now.
(electricity crackling)
Ah.
Oh, that worked nicely.
CARVAGGIO: Loop, loop, loop, loop.
That gets more juice than we needed.
Okay, Percy, slow us down.
Sure, no problem, I'm down here fixing everything
with duct tape.
I hope you guys are comfy up there.
At this rate we'll end up warping Pluto.
CARVAGGIO: Or maybe an infinite loop, loop.
If we run these things full out they're gonna burn up.
CARVAGGIO: Loop, loop, loop, loop.
Anyone following us? Wait.
CARVAGGIO: Or maybe an infinite loop,
loop, loop, loop, loop.
(Carvaggio shutting down)
Yep, I'm a genius.
Well, did anything blow up?
I don't think so.
(groaning)
(machines beeping)
I got it.
What the hell are you talking about?
Harman's ion trail, I got it.
How did you do that, Perce?
Well why you guys were detained, I saw the ship leave,
so I took it upon myself to launch a probe
to follow his ion trail,
which is now relaying to us this most beautiful signal.
And if that weren't genius enough,
I also programmed the navigational system to follow it.
Good. Good?
It's amazing.
Yes, that is truly amazing, as are you, Percy.
And it has been a great pleasure
working with you on this ship.
However, I would be eternally grateful
if you would run a full diagnostic on the main engines
and propulsion unit right now.
Full diagnostic coming right up.
(door opening and closing)
(machines beeping)
You left the bridge in quite a hurry, Luc.
During a conflict you disappeared.
How do you explain that?
I had to check, I mean,
I had to see if I knew anyone on that ship.
So you left the bridge?
Well there was so much commotion out here
that I had to hail them from my quarters
just to make myself heard.
And I thought that if there was anyone on that ship
who could be a contact for us, that they would help us out.
And besides, I didn't want Arielo to overhear
in case we had the chance to surprise him.
And did you have a contact on that ship?
No.
I don't ask about your personal life,
because that's not my business,
but if any of your mysterious, secret friends
have anything to do with anything about this ship
or its work, that is my business,
and I want that information.
Understood.
And don't you ever leave this bridge again
without my permission.
Yes, sir.
Good morning. Hey, Car's working?
CARVAGGIO: Or maybe an infinite loop.
Great. I'm joking, Captain.
I'm now perfectly fit and fine,
thanks to the work of your lovely niece.
And Carvaggio's been doing research for us.
He accessed the library at Mars Orbital One,
we have more info on Harman.
But we've only just scratched the surface.
We thought he was bad,
but he is way worse than we thought.
He was an Intelligence Officer for Mars Special Forces.
Remember all those reports about corruption
within the forces?
Well apparently Harman was right in the middle of it.
Drug deals, weapons.
I think that they're trying to kill him to keep him quiet.
Running correlations on the data we have,
I would set a high probability that he also had connections
to several Radar factions.
Well that would make sense.
There were allegations that he was
selling weapons to the Radars.
He had his fingers in everything,
playing both sides of the fence.
CARVAGGIO: He was also connected
to the drug cartel on the Ganymede colony.
Corrupt officials in the Mars Federation.
God damn it.
CARVAGGIO: The Earth Moon Counsel,
and many of the other colonies.
He's a very busy guy.
CARVAGGIO: He was likely involved
in illegal weapons manufacturing on earth,
and in several secret societies
in the asteroid mining colonies.
Well that would explain the high bounty.
He was orchestrating everything from within.
And then something happened, a power struggle, maybe.
Now he's on the run, reneging on deals left and right.
And everybody wants him.
But who has the lock on him?
Percy Montana?
The ion trail is very thick through here.
He's gotta be somewhere around this asteroid.
Let's not get too close.
Asteroids have weird gravitational fields.
A lot of ships have wrecked out here.
Taking it nice and slow.
Percy, how's the particle beam charged up?
I managed to get enough to dent his ship.
Great.
Judging by its trail, he's in a very small ship,
probably unarmed.
Probably isn't very reassuring.
Target on the ship.
PERCY: Sorry, he was too fast.
He's way too maneuverable for us in this close.
If he is armed, we're gonna be in trouble.
Target his ship.
(computer beeping)
Sorry. Damn it.
What do you want to bet next time he pops up
he takes a shot at us?
We better pull back, full reverse thrusters, please.
LUC: Full thrust with maneuvering rockets.
CARVAGGIO: We've been hit.
Thank you, Carvaggio.
You programmed me to say that.
Did that son of a bitch fire at us?
No, that was an asteroid, I think.
Nothing like a decisive answer, Car.
We've lost environmental controls on decks 3B, 4B, and 7E.
What?
It's okay, I already sealed them off.
We don't use them anyway.
Show me the damage.
Hey, guys, that asteroid knot must have done something
to our particle gun capacitor, it's charging normally.
As in we can charge it right up?
As in I think so.
What's the capacity on that?
Specs say 50 gigawatts.
(laughing)
50 gigawatts?
Good work, Percy.
Thank you, but I didn't do anything this time.
She's worth every penny.
Worth every penny?
We got it for free, I don't know what he's--
All right, all right, listen up, people.
From now on, we are going to operate like a real crew.
No more leaving the bridge without my permission.
Everyone will act on my orders only.
You got that?
You have his ion trail?
Uh, yeah.
I am going to check on my big gun.
Um, I'll be right, uh, back.
Carvaggio, she left without permission.
Make a note of that, please.
I suggest that you follow just out of sensor range,
that way we'll be able to keep up a two-way communication,
and you'll be able to move in at the right moment.
Scott, you were advised to use extreme caution
in dealing with Harman.
I want more information.
We've been following him a long time.
When he was with the Special Forces,
he was involved in many covert activities.
Some we knew about, some we didn't.
And what's their interest in him now?
Several years ago, Harman was directly involved
in a highly classified research operation.
We have reliable reports that they uncovered artifacts,
proof of an alien presence.
What sort of proof?
We are not certain, but whatever it was,
it had a profound impact on Harman's life.
Prior to his involvement in that research,
he was a brilliant operator, had a stellar career.
And afterwards, he became reckless, unstable,
as evidenced by the information you have on his recent past.
We suspect that Harman knows more
about the Divinity Cluster, and its purpose, than any of us.
We have to get our hands on him.
And now that he has fallen from grace,
he's far more accessible.
Well that's debatable, given that we still don't have him.
We'll have him soon enough.
I have complete faith in you.
Good for you.
(door opening)
(sighing)
Yes, sir, not a bad ship.
Little eccentric, maybe.
A little cranky, definitely.
Not a bad one.
CARVAGGIO: Carvaggio here, Captain.
We need to assemble our fine crew on the bridge.
Mr. Arielo is back.
Oh, shit, I'm on my way.
(door opening and closing)
CARVAGGIO: Incoming transmission.
Open it up, Car.
ARIELO: That piece of trash of yours
leads a very thick ion trail, Dante.
Capacitor.
I don't know what you're doing over there,
but I'm not giving you a second chance to pull a fast one.
You either hand over Harman, or your ship,
or I'm taking you out.
You realize we're outside Federation space.
You have no jurisdiction here.
There is no jurisdiction out here.
It's the law of the jungle.
Then you must be the rotting vegetation.
You're two seconds away from being a corpse.
Yeah, yeah.
Load and arm torpedoes.
Sweep your electromagnetic sensors over my ship.
(laughing)
You're a lousy poker player, Dante.
How would you like to see what 50 gigawatts
discharged in two milliseconds looks like?
I'll take everything in the ship.
Hold up.
LUC: Hmm, looks like someone's fleeing.
God, I love that particle beam.
I love my particle beam.
Harman's got to be near here.
He's hiding behind that one.
He's gonna try the same thing.
Do you mind sharing your plan with me?
Just keep going.
CARVAGGIO: Deja vu, that's all I have to say.
Is the particle beam still charged up, Perce?
Yes, it is, why are you asking?
We're gonna take it out.
Take what out?
That asteroid. Oh.
Yes, what do you think, a couple of gigawatts dead center
oughta do the job?
Yes, that will do it.
(gun firing)
(asteroid exploding)
Oh, that was so cool.
And I'm so glad he didn't choose to flee,
because I just don't have the patience for another chase.
Do you, ladies?
Nope.
Deploy the beetles, please.
Deployed.
DANTE: Technology at work, it's a thing of beauty.
We've got him.
We got him.
DANTE: That's what I like to see, team work,
a well-oiled machine.
CARVAGGIO: It won't last.
Oh ye of little faith, Carvaggio.
Face it, our luck has changed.
The Gods are shining on us.
Let's enjoy it.
To shuttle bay?
The bridge is yours.
I think he's possessed.
I don't want the bridge.
I hate the bridge.
(ship whirring)
Yep, I can smell the bounty already.
Just think, Rudolpho will stop squawking,
get some repairs done, auxiliary weaponry.
Harman's vessel will be docking momentarily.
Why, thank you, Percy.
(door opening)
(suspenseful music)
Come on out of there, Harman.
Shit.
Percy, Harman's onboard.
Barricade yourself in the bridge.
(dramatic music)
Yeah, yeah, yeah.
(dramatic music)
Yeah.
(door opening)
(dramatic music)
(door opening)
(thudding) (groaning)
Looking for me?
Yes, I was looking for you.
Don't think I want to be taking that one.
It's been in 100 fire fights.
You're probably right.
I'll be going.
You've got balls, young lady.
Don't call me young lady.
What should I call you?
I can think of a few things I could call you.
(door opening)
(suspenseful music)
Stop where you are.
My God, they've got Percy.
Harman, let her go.
I don't think so.
Whatever you want, name it, just let her go.
I need to set up a meeting with someone
in a neutral location.
I believe that an office is the most neutral location
available at the moment.
Bring her out where I can see her, and then we'll talk.
Come on, man, she's just a kid.
I like this kid.
Yeah, so do I,
that's why I don't want to see her get hurt.
Harman, is this about the cluster?
Well, well, get me Darius.
Who's Darius?
He's the only one who can help me.
Do you know what he's talking about?
I can get you Darius.
You work for him?
I know him very well.
Oh, the plot thickens.
Look, just bring her out.
You and I can contact Darius.
What makes you think you can get to him?
I can prove it, I can contact him, I swear.
Go ahead.
Just contact him right away.
Did you see that? See what?
He's gone.
Are you all right?
Yeah, I'm fine.
Car, where'd he go?
CARVAGGIO: Corridor Nine E, heading aft.
He's following the main conduit.
That's a dead-end now, isn't it?
He's gonna end up on the lookout.
Poof.
Percy, I need you on the bridge.
Stay there.
(suspenseful music)
(match striking)
(exhaling sharply)
Come on in.
The view is beautiful.
Put those things down.
I'm not interested in being your enemy.
I know you want the bounty,
and the chances are you'll get it when all is said and done.
I just want to talk to Darius.
You will, I promise.
No one's talking to anyone.
Not until I know what's going on.
(electricity sparking)
Stay put.
I didn't kill him.
He'll be all right.
Let's go.
CARVAGGIO: I'm detecting a vessel within sensor range.
Who is it?
I can't get identification.
But the ion trail signature would indicate
that it's our mystery friends once again.
Dante, come in.
Dante?
Where is he, Car?
CARVAGGIO: On the lookout, alone, it seems.
Where is Luc?
She appears to be heading to her quarters with our guest.
Hmm.
(door opening and closing)
It has to be done from my quarters.
What has to be done from your quarters?
This is one plucky kid.
What the hell's going on, Luc?
I have to help Harman, you have to trust me.
I don't trust anybody.
I don't have time to explain.
(gun cocking)
I'll shoot you.
Come on.
Mm-hmm, kiss your privacy goodbye.
Darius is apprised of the situation,
and understands its urgency.
You are instructed to bring Harman to this vessel,
and we will take him to Darius at once.
Oh, right, and I'm supposed to believe that?
It's your only chance to talk to Darius.
I can't trust anyone except Darius.
You can trust me.
Why?
I'm Darius' daughter.
You'll have to get him directly to my father,
and guarantee his safety in the interim.
Of course.
And you listen to me, Charles, any deviation,
and I do mean any deviation, and there will be hell to pay,
I can guarantee you that.
Nicely done, no nonsense, just like your father.
Dante, are you all right?
Yeah, I'm all right, I'm all right.
You sure? Yeah.
Where's Luc and Harman?
They went to her quarters, I think.
She's up to something.
You're right.
Car, where is she?
CARVAGGIO: Luc and our guest are on the shuttle
heading to the other ship.
What other ship?
The same one that went out of control
when Arielo and the Mars guys showed up.
Luc's friends.
Get to the bridge.
I always liked Darius, you know?
A bit of a hard ass, actually.
I never heard someone else describe him quite like that.
It's funny, he never told me he had family.
I'm all he has.
Then he's lucky to have what he does.
Did you work for him?
No, I was Special Intelligence, Mars Fed.
But I often found myself working on the same projects
as The Orchard, usually for different reasons.
But we shared sources, access to the same information.
How much do you know about the Divinity Cluster?
I understand its significance.
Well, at least you got that bit right.
Let's just say that whoever you hold near and dear,
hold them very near.
What the hell is going on, Car?
I don't know what she's doing,
but I am going to find out.
Display shuttle.
CARVAGGIO: Shuttle communications are offline.
DANTE: Oh, great.
Did you ever hear about the archeological dig on earth,
The Evening Star?
The one in the sector that used to be called Africa?
Your father headed up that operation.
As a matter of fact, it was the first time we met.
Yeah, my father spoke about it briefly once,
when he first introduced me to all this cluster business.
Supposedly there was some evidence of some alien presence.
It was barely anything.
Tiny bits of some kind of decayed alloy.
Then one day, one of the researchers found this thing.
A disc, no bigger than this.
Charred, bizarre symbols etched all around it.
You could barely read them.
Even if you could, it wasn't any sort of writing
you'd ever get on earth.
I became obsessed with it.
I had to know what it meant,
what secrets it held, but nothing.
It just sat mute.
Then, one night, it just popped open.
And something inside, liquid.
It was singing to me.
Touch, touch.
I dipped my finger into it,
and I felt it surge inside,
and then, in a blink, I knew.
I knew everything.
And all I could think was to run away.
From who?
From the ones who put the Divinity Cluster in our DNA.
It's in me, it's in you, it's in all of us.
But I'm the only one who knows the secret.
I am the key to the accelerating process.
I am the blueprint to the final stage of evolution.
A cluster about to explode in all of us.
Orchard is dreaming if they think they can control it.
No, they don't want to control it,
they just want to get more information,
to learn from it, study it.
My father believes that it could change things
for the better.
Darius has that much right.
It will change forever.
It's the end of everything as we know it.
I am the destroyer of worlds.
Can you charge up the particle beam just in case?
You blew the entire wad on the asteroid,
the circuits are all fried.
DANTE: What do you think she's up to?
CARVAGGIO: I believe she's docking
with the mystery ship, Captain.
PERCY: We don't have a hope in hell against that.
She's in trouble.
She did get herself into it.
Let's see if she can get herself out.
CARVAGGIO: The ship has fired its main engines.
PERCY: Look at that.
CARVAGGIO: The shuttle is returning to The Tulip.
Is she onboard?
CARVAGGIO: Apparently, Captain.
She is piloting the shuttle.
(mysterious music)
(door opening)
I won't have crew on my ship I can't trust.
Our lives are dependent on that trust.
Fine, but you should know that Rudolpho has received
double the bounty.
Confirm it with him if you don't believe me.
So?
I said they paid double the bounty,
that's all you care about, isn't it?
They?
They?
Everything's a mystery with you, Luc.
CARVAGGIO: Captain, my scanners reveal
a huge surge of electromagnetic energy
coming from the mysterious vessel.
Get us out of here, Car, top of the curve.
(vessel exploding)
Are we okay?
CARVAGGIO: No damage sustained.
Shit.
What happened, Car?
Core meltdown?
CARVAGGIO: Insufficient data.
Harman?
I've had enough.
Where did she go, Car?
CARVAGGIO: She's gone to her quarters.
MACHINE: You have a secure communication waiting,
delivered at 10.29.56.
Four minutes ago.
Thank you for bringing Harman to us.
I've contacted Darius.
I'm sure he will be pleased.
We're running a DNA scan, and some other tests.
(gunshot ringing)
Hello, Luc.
Such a bad, bad habit.
I've known a few bad habits in my time.
I was a fool.
There is no warning Darius, or anyone else, now.
They're all willfully deaf to what I have to say.
So I'll take what I know with me.
Buy some time for the rest of you.
Remember what I said about what is near and dear to you.
MACHINE: Transmission interrupted.
Message terminated.
What are we gonna do?
Nothing yet.
Trust me.
(dramatic music)
(door opening and closing)
Don't sit down.
Who is Darius?
He's my father.
I want you off my ship.
(upbeat music)
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