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1
00:00:06,322 --> 00:00:08,890
(male announcer)
IN NEW YORK CITY'S WAR ON CRIME,
2
00:00:08,892 --> 00:00:10,926
THE WORST CRIMINAL OFFENDERSARE PURSUED
3
00:00:10,928 --> 00:00:13,911
BY THE DETECTIVESOF THE MAJOR CASE SQUAD.
4
00:00:13,913 --> 00:00:15,913
THESE ARE THEIR STORIES.
5
00:00:17,015 --> 00:00:19,333
MILES STONE.
HE CAN DO IT. TOTALLY.
6
00:00:19,335 --> 00:00:20,552
HE'S HOT.
7
00:00:20,554 --> 00:00:22,520
THE GUY IS A CHICK MAGNET.
8
00:00:22,522 --> 00:00:23,654
I'LL TELL YA SOMETHING.
9
00:00:23,656 --> 00:00:25,323
WHEN THEY DIG HIM
OUT OF THERE,
10
00:00:25,325 --> 00:00:27,158
WE ARE GONNA PAR-TAY.
11
00:00:27,160 --> 00:00:29,460
I'M GONNA BE HAPPY
WITH HIS OVERFLOW.
12
00:00:29,462 --> 00:00:31,796
MILES STONE'S
THE NEXT HOUDINI
13
00:00:31,798 --> 00:00:34,132
WHEN HE ESCAPES,
I'LL BUY HIM A MARTINI
14
00:00:34,134 --> 00:00:36,234
MILES STONE LIES
SIX FEET UNDER
15
00:00:36,236 --> 00:00:39,737
HOW HE DOES IT
MAKES THIS COWBOY WONDER
16
00:00:39,739 --> 00:00:41,473
[cheers and applause]
17
00:00:41,475 --> 00:00:42,740
(Shaun Robinson) HARRY HOUDINI
18
00:00:42,742 --> 00:00:45,577
ONCE BURIED HIMSELF ALIVE
FOR 31 MINUTES.
19
00:00:45,579 --> 00:00:48,012
DAVID BLAINE A WEEK.
20
00:00:48,014 --> 00:00:52,217
MAGIC PHENOM MILES STONE
HAS BEEN BURIED ALIVE
21
00:00:52,219 --> 00:00:54,553
FOR 31 DAYS.
22
00:00:54,555 --> 00:00:56,287
AND TONIGHT IN THE SHADOW
23
00:00:56,289 --> 00:00:59,206
OF HARRY HOUDINI'S FINAL
RESTING PLACE,
24
00:00:59,208 --> 00:01:02,376
MILES STONE WILL ATTEMPT
TO RISE FROM THE GRAVE
25
00:01:02,378 --> 00:01:04,212
WHILE THE WORLD WATCHES.
26
00:01:04,214 --> 00:01:07,014
[cheers and applause]
27
00:01:13,438 --> 00:01:15,039
CUT TO THE CASKET.
28
00:01:29,222 --> 00:01:32,624
WE'RE ON, AMANDA.
29
00:01:32,626 --> 00:01:33,992
MIRANDA.
30
00:01:33,994 --> 00:01:36,511
AMANDA. MIRANDA.
31
00:01:36,513 --> 00:01:38,179
WHICHEVER.
32
00:01:43,836 --> 00:01:45,987
THIS IS WHAT MILES STONE
TOLD ACCESS HOLLYWOOD
33
00:01:45,989 --> 00:01:47,472
EXCLUSIVELY BEFORE EMBARKING
34
00:01:47,474 --> 00:01:51,376
ON HIS LATEST VISIONARY
CHALLENGE 31 DAYS AGO.
35
00:01:51,378 --> 00:01:53,378
I'VE GONE BEYOND TRICKS.
36
00:01:53,380 --> 00:01:57,349
I'M TAKING MY MIND AND MY BODY
TO THE ABSOLUTE LIMIT.
37
00:01:57,351 --> 00:02:00,051
MAGIC AS WE KNOW IT
IS DYING.
38
00:02:00,053 --> 00:02:03,188
AND I'M WILLING TO RISK
MY LIFE TO REVIVE IT.
39
00:02:03,190 --> 00:02:05,306
THE PUBLIC DOESN'T WANT
CHEAP TRICKS
40
00:02:05,308 --> 00:02:06,941
AND ILLUSIONS ANYMORE.
41
00:02:06,943 --> 00:02:09,110
IT WANTS REALITY.
42
00:02:09,112 --> 00:02:11,546
TRY GMNG THEM THAT
WITH A TOP HAT, A RABBIT,
43
00:02:11,548 --> 00:02:14,315
AND A DECK OF CARDS.
44
00:02:16,385 --> 00:02:19,520
THERE, SIR.
IS THAT YOUR CARD?
45
00:02:21,207 --> 00:02:24,042
[scattered applause]
46
00:02:24,044 --> 00:02:27,161
THANK YOU. THANK YOU.
47
00:02:27,163 --> 00:02:29,764
YOU ALL COME IN THE SAME CAB?
48
00:02:31,851 --> 00:02:33,685
KIDDING.
49
00:02:33,687 --> 00:02:37,489
NOW I'M GOING TO ATTEMPT
SOMETHING SO DANGEROUS
50
00:02:37,491 --> 00:02:39,591
IT'S BEEN BANNED
IN 39 STATES
51
00:02:39,593 --> 00:02:42,694
AND THE DISTRICT
OF COLUMBIA.
52
00:02:42,696 --> 00:02:47,482
ALL OF YOU FAINT OF HEART,
YOU'VE BEEN WARNED.
53
00:02:48,901 --> 00:02:53,454
CLEARLY, MIRANDA
HAS GROWN TOO BIG
54
00:02:53,456 --> 00:02:55,824
FOR HER SEQUINED BRITCHES.
55
00:02:55,826 --> 00:02:59,377
HIGH TIME I CUT HER DOWN A SIZE
56
00:02:59,379 --> 00:03:03,215
WITH THESE RAZOR SHARP,
57
00:03:03,217 --> 00:03:04,833
HAND FORGED,
58
00:03:04,835 --> 00:03:07,985
CARBON STEEL
SAMURAI SWORDS!
59
00:03:18,514 --> 00:03:19,648
[gasps and exclamations]
60
00:03:19,650 --> 00:03:20,432
SOMETHING'S WRONG.
61
00:03:20,434 --> 00:03:21,683
DIG HIM UP!
62
00:03:21,685 --> 00:03:23,151
MILES SAID
"UNDER NO CIRCUMSTANCES."
63
00:03:23,153 --> 00:03:25,487
KILL THE FEED!
GET MILES OUT OF THERE NOW!
64
00:03:25,489 --> 00:03:26,854
MOVE!
65
00:03:30,326 --> 00:03:33,745
DON'T WORRY, LADIES
AND GENTLEMEN.
66
00:03:33,747 --> 00:03:36,931
THIS WON'T HURT...
67
00:03:36,933 --> 00:03:38,199
MUCH.
68
00:03:38,201 --> 00:03:39,584
(Jacob) COME ON, DIG HIM UP!
69
00:03:39,586 --> 00:03:41,503
GET THESE CAMERAS
OUT OF HERE!
70
00:03:41,505 --> 00:03:43,387
COME ON!DIG HIM UP! MOVE!
71
00:03:51,179 --> 00:03:52,047
[grunts]
72
00:03:53,649 --> 00:03:54,549
[grunts]
73
00:04:04,226 --> 00:04:06,694
WHERE IS HE?
74
00:04:06,696 --> 00:04:08,212
WHERE'S MILES STONE?
75
00:04:18,139 --> 00:04:19,890
OH, MY LORD.
76
00:04:19,892 --> 00:04:21,526
OH, MY LORD.
OH, MY...
77
00:04:25,180 --> 00:04:26,614
MILES.
78
00:05:13,725 --> 00:05:16,443
(woman) THE GREAT CARMINE SAVED
HIS BEST TRICK FOR LAST.
79
00:05:16,445 --> 00:05:19,012
CARMINE CLOSES THE LID,DOES THE SWORDS,
80
00:05:19,014 --> 00:05:21,314
OPENS THE BOX, AND PRESTO.
81
00:05:21,316 --> 00:05:22,750
MILES STONE.
82
00:05:22,752 --> 00:05:24,885
AT 9:45,
HIS LOVELY ASSISTANT
83
00:05:24,887 --> 00:05:26,553
CLIMBED INTO THIS.
84
00:05:26,555 --> 00:05:29,406
THIS IS A, UH,
A-A-A BLADE BOX.
85
00:05:29,408 --> 00:05:30,774
IT'S... IT'S A-A CLASSIC.
86
00:05:30,776 --> 00:05:31,975
YOU KNOW,
OLD SCHOOL MAGICIANS,
87
00:05:31,977 --> 00:05:33,544
THEY ALL HAVE THIS
IN THEIR REPERTOIRE.
88
00:05:33,546 --> 00:05:35,512
MY UNCLE USED TO TAKE ME
TO TANNEN'S MAGIC SHOP.
89
00:05:35,514 --> 00:05:37,180
CARMINE
AND HIS ASSISTANT.
90
00:05:37,182 --> 00:05:38,816
HE'S IN HIS DRESSING ROOM.
91
00:05:38,818 --> 00:05:40,735
MIRANDA... NO LAST NAME...
92
00:05:40,737 --> 00:05:41,585
FLED THE SCENE.
93
00:05:41,587 --> 00:05:43,120
YOU GET STATEMENTS
FROM THE AUDIENCE?
94
00:05:43,122 --> 00:05:44,555
ALL SIX OF 'EM.
95
00:05:44,557 --> 00:05:46,189
THEY ONLY SAW
WHAT THEY WERE SUPPOSED TO SEE.
96
00:05:46,191 --> 00:05:48,675
RIGOR IS JUST
SETTING IN.
97
00:05:48,677 --> 00:05:50,177
THIS GUY'S EMACIATED.
98
00:05:50,179 --> 00:05:51,345
WELL, HE'S BEEN ON A DIET,
99
00:05:51,347 --> 00:05:52,613
LOCKED IN A CASKET
FOR A MONTH.
100
00:05:52,615 --> 00:05:53,780
EVEN SO,
101
00:05:53,782 --> 00:05:54,815
SEVEN STAB WOUNDS,
102
00:05:54,817 --> 00:05:57,618
THERE'D BE MORE BLOOD.
103
00:05:57,620 --> 00:05:59,420
MM.
WELL, THIS ISN'T
104
00:05:59,422 --> 00:06:01,672
A TYPICAL BLADE BOX.
105
00:06:01,674 --> 00:06:03,341
IT'S A, UH, MODIFIED
106
00:06:03,343 --> 00:06:04,324
MUMMY CABINET.
107
00:06:04,326 --> 00:06:06,460
SEE, WHAT... WHAT...
THERE SHOULD BE A MUMMY
108
00:06:06,462 --> 00:06:08,562
WHERE STONE IS NOW.
109
00:06:08,564 --> 00:06:10,965
THE SYSTEM
CLOSES THE DOOR.
110
00:06:10,967 --> 00:06:13,234
NOW I... I... INSIDE,
111
00:06:13,236 --> 00:06:14,334
THERE'S A...
112
00:06:14,336 --> 00:06:16,837
SPINNING CABINET HERE
LIKE THIS
113
00:06:16,839 --> 00:06:19,140
TO TRADE PLACES
114
00:06:19,142 --> 00:06:20,974
WITH THE MUMMY.
115
00:06:20,976 --> 00:06:22,276
AND SHE SHOULD SHOW UP
116
00:06:22,278 --> 00:06:23,610
IN THE BACK OF THE HOUSE.
117
00:06:27,298 --> 00:06:30,367
SO THIS EXPLAINS
HOW SHE GOT OUT
118
00:06:30,369 --> 00:06:33,971
AND HOW STONE GOT IN,
OR HOW SOMEONE PUT HIM IN.
119
00:06:33,973 --> 00:06:35,338
WHERE'D THE ASSISTANT GO?
120
00:06:35,340 --> 00:06:37,507
OH, BACKSTAGE,
THERE'S A FIRE EXIT.
121
00:06:37,509 --> 00:06:40,461
OH, YOU'RE RUINING
THE ILLUSION.
122
00:06:40,463 --> 00:06:42,996
PLEASE CALL ME
AS SOON AS YOU CAN.
123
00:06:42,998 --> 00:06:46,366
SOMETHING WENT WRONG.
IT WAS AWFUL.
124
00:06:46,368 --> 00:06:49,637
I DIDN'T EVEN KNOW
HER LAST NAME.
125
00:06:49,639 --> 00:06:51,338
YOU ALWAYS
HIRE STRANGERS?
126
00:06:53,008 --> 00:06:55,609
LAST MONTH,
OUT OF THE BLUE,
127
00:06:55,611 --> 00:06:56,811
MY GIRL MERCEDES
128
00:06:56,813 --> 00:06:59,063
QUIT ON ME.
129
00:06:59,065 --> 00:07:00,280
BEEN WITH ME FOR YEARS.
130
00:07:00,282 --> 00:07:02,233
IN WALKS THIS NEW KID.
131
00:07:02,235 --> 00:07:04,017
COSTUME FITS.
132
00:07:04,019 --> 00:07:05,669
SHE HAS EXPERIENCE.
133
00:07:05,671 --> 00:07:06,854
I HIRED HER.
134
00:07:06,856 --> 00:07:08,655
WELL, HOW'D YOU FIND HER?
135
00:07:08,657 --> 00:07:10,107
CRAIGSLIST?
136
00:07:10,109 --> 00:07:11,909
WHO'S CRAIG?
137
00:07:11,911 --> 00:07:15,279
I PUT THE WORD OUT.
SHE FOUND ME.
138
00:07:17,332 --> 00:07:20,167
I DIDN'T MEAN
TO KILL MILES.
139
00:07:21,903 --> 00:07:25,072
WHEN THE SWORDS GO IN,
THAT BOX SHOULD BE EMPTY.
140
00:07:25,074 --> 00:07:30,261
SO SOMEONE WANTS US TO BELIEVE
YOU WANTED STONE DEAD.
141
00:07:30,263 --> 00:07:32,796
COME ON.
142
00:07:32,798 --> 00:07:36,366
HE USED TO SWEEP MY STAGE.
143
00:07:36,368 --> 00:07:39,703
I TAUGHT HIM
TWISTING ACES.
144
00:07:39,705 --> 00:07:41,705
I GAVE HIM HIS START.
145
00:07:41,707 --> 00:07:44,842
HE'S A STAR NOW.
146
00:07:44,844 --> 00:07:46,644
BESIDES, I'M PRACTICALLY
THE ONLY GUY IN THE BUSINESS
147
00:07:46,646 --> 00:07:47,645
WHO STILL LIKES HIM.
148
00:07:47,647 --> 00:07:49,680
HOW'S THAT?
149
00:07:49,682 --> 00:07:51,798
HE'S GOT NO RESPECT.
150
00:07:51,800 --> 00:07:55,602
MAKES HIMSELF OUT TO BE...
151
00:07:55,604 --> 00:07:57,871
BETTER THAN THE TRADITION.
152
00:07:57,873 --> 00:07:58,972
TRADITION.
153
00:07:58,974 --> 00:08:00,807
DOES THAT INCLUDE...
154
00:08:00,809 --> 00:08:03,911
GETTING DRUNK
BEFORE YOU GO ONSTAGE?
155
00:08:03,913 --> 00:08:05,713
I MEAN, NOT EVEN THAT ONION
156
00:08:05,715 --> 00:08:09,333
COULD KEEP THE SMELL
OF VODKA OFF YA.
157
00:08:09,335 --> 00:08:12,036
JUST ENOUGH TO LOOSEN UP
THE OLD CORDS.
158
00:08:19,210 --> 00:08:23,330
[cell phone rings]
159
00:08:28,303 --> 00:08:29,787
"THE GREAT CARMINE,
160
00:08:29,789 --> 00:08:31,588
"THE MAN WHO TAUGHT
DEAN HOLIDAY, MILES STONE
161
00:08:31,590 --> 00:08:32,823
EVERYTHING THEY KNOW."
162
00:08:32,825 --> 00:08:34,174
MM, THE GREAT CARMINE.
163
00:08:34,176 --> 00:08:35,458
LET HIM DRY OUT
IN HOLDING.
164
00:08:35,460 --> 00:08:39,113
WE GOT ANOTHER STOP
TO MAKE.
165
00:08:39,115 --> 00:08:42,416
THE GRAVE'S BEEN FILLED IN
BEFORE ANYONE CALLED THE COPS?
166
00:08:42,418 --> 00:08:43,950
PEOPLE THOUGHT STONE'S
VANISHING ACT
167
00:08:43,952 --> 00:08:45,385
WAS PART OF THE SHOW.
168
00:08:45,387 --> 00:08:46,920
BY THE TIME WE GOT HERE,
169
00:08:46,922 --> 00:08:48,905
THE CASKET WAS ALREADY LOADEDIN THE HEARSE.
170
00:08:51,909 --> 00:08:54,211
DOESN'T SMELL LIKE ANYONE'S
BEEN LMNG IN THIS THING
171
00:08:54,213 --> 00:08:55,245
FOR A MONTH.
172
00:08:57,882 --> 00:08:59,717
GOTTA BE A-A-A TRAP DOOR
SOMEWHERE.
173
00:08:59,719 --> 00:09:02,136
MM. WHEN MY PARTNER'S
DONE PLAYING,
174
00:09:02,138 --> 00:09:03,803
SEND THIS OVER
TO THE TRAP SPECIALIST
175
00:09:03,805 --> 00:09:05,439
AT THE GARAGE.
176
00:09:05,441 --> 00:09:06,640
[casket thuds] WHO'S IN CHARGE?
177
00:09:06,642 --> 00:09:10,778
GUY NAMED JACOB GREEN.
178
00:09:10,780 --> 00:09:13,263
OF COURSE HE WAS SUPPOSED
TO BE IN THE CASKET
179
00:09:13,265 --> 00:09:14,798
WHEN IT OPENED.
180
00:09:14,800 --> 00:09:16,567
I CAN'T EXPLAIN
HOW THIS HAPPENED.
181
00:09:16,569 --> 00:09:18,819
CAN'T OR WON'T?
182
00:09:18,821 --> 00:09:21,321
WELL, I-I THINK
MR. GREEN FEELS
183
00:09:21,323 --> 00:09:24,658
HE HAS TO PROTECT
MILES STONE'S SECRETS.
184
00:09:24,660 --> 00:09:28,595
YOU KNOW, I-I RESPECT THAT.
185
00:09:28,597 --> 00:09:31,431
BUT THIS IS
A MURDER INVESTIGATION.
186
00:09:31,433 --> 00:09:34,017
I ONLY KNOW
WHAT EVERYONE KNOWS.
187
00:09:34,019 --> 00:09:35,586
MILES WAS BURIED
IN THAT CASKET
188
00:09:35,588 --> 00:09:37,254
WITH NOTHING
BUT A BREATHING TUBE,
189
00:09:37,256 --> 00:09:39,590
A CATHETER,
AND AN IV FOR FLUIDS.
190
00:09:39,592 --> 00:09:42,009
AND A WEB CAM
STREAMING A LIVE FEED.
191
00:09:42,011 --> 00:09:44,077
LAST NIGHT WAS THE MOMENT
HE DREAMED OF.
192
00:09:44,079 --> 00:09:45,245
HE'D DONE IT.
193
00:09:45,247 --> 00:09:48,515
SOUNDS MORE LIKE SELF TORTURE
THAN A MAGIC TRICK.
194
00:09:48,517 --> 00:09:51,317
HE CALLED IT THE NEW MAGIC.
195
00:09:51,319 --> 00:09:53,904
TRAINED LIKE A TRIATHLETE.
MM.
196
00:09:53,906 --> 00:09:55,622
WHAT ABOUT THE RED ALERT?
197
00:09:55,624 --> 00:09:57,224
THE VITAL SIGNS CRASHING.
198
00:09:57,226 --> 00:09:59,693
THAT BIG RUSH
TO PRY HIM OUT.
199
00:09:59,695 --> 00:10:04,031
THAT WAS PREPLANNED
200
00:10:04,033 --> 00:10:05,399
FOR THE FINALE.
201
00:10:05,401 --> 00:10:07,001
MILES LIKED DRAMA.
202
00:10:07,003 --> 00:10:10,120
HOW DID HE KEEP TRACK
OF TIME UNDERGROUND?
203
00:10:10,122 --> 00:10:13,690
PURE MIND OVER MATTER.
204
00:10:13,692 --> 00:10:16,493
HE WAS A SUPERMAN.
205
00:10:16,495 --> 00:10:17,761
I STILL THINK WHEN I GET HOME
206
00:10:17,763 --> 00:10:22,299
I'LL FIND HIM IN MY KITCHEN
DRINKING MY LAST BEER.
207
00:10:25,937 --> 00:10:28,204
(woman) WHERE IS HE?
WHERE'S MILES STONE?
208
00:10:28,206 --> 00:10:31,742
(Ross) MAGICIANS ARE LIKE
DOCTORS AND PRIESTS NOW?
209
00:10:31,744 --> 00:10:32,976
JACOB GREEN THINKS
HE CAN CLAIM
210
00:10:32,978 --> 00:10:35,679
SOME KIND OF MAGICIAN'S
PRMLEGE?
211
00:10:35,681 --> 00:10:37,014
THAT'S THEIR CODE.
212
00:10:37,016 --> 00:10:41,151
YOU KNOW, YOU CAN'T TELL ANYONE
HOW A TRICK WORKS.
213
00:10:41,153 --> 00:10:43,887
AND CARMINE
ISN'T TALKING EITHER.
214
00:10:43,889 --> 00:10:46,523
WELL, HE'S STILL
SLEEPING IT OFF.
215
00:10:46,525 --> 00:10:48,324
ANYWAY, THAT TRICK
IS TOO SOPHISTICATED
216
00:10:48,326 --> 00:10:49,860
FOR AN OLD DRUNK.
217
00:10:49,862 --> 00:10:52,162
OKAY, HOW ABOUT
THE MISSING ASSISTANT?
218
00:10:52,164 --> 00:10:54,731
SHE WAS BACKSTAGE
PUTTING ON HER SEQUINS BY 9:00.
219
00:10:54,733 --> 00:10:56,566
MILES STONE HAD TO HAVE BEEN
ON HIS WAY
220
00:10:56,568 --> 00:10:57,868
TO CONEY ISLAND BY THEN.
221
00:10:57,870 --> 00:11:00,203
OUT OF HIS CASKET
AND INTO A BLADE BOX
222
00:11:00,205 --> 00:11:01,972
WITHOUT ANYONE SEEING
HOW IT WAS DONE.
223
00:11:05,176 --> 00:11:09,129
YOU HAVE A THEORY,
DETECTIVE?
224
00:11:09,131 --> 00:11:12,599
I-I'D TELL YA,
BUT, YOU KNOW...
225
00:11:12,601 --> 00:11:14,801
THE CODE.
226
00:11:14,803 --> 00:11:17,121
(woman) I'VE DONE
THOUSANDS OF AUTOPSIES.
227
00:11:17,123 --> 00:11:18,955
NEVER SEEN BOWELS THIS EMPTY.
228
00:11:18,957 --> 00:11:21,125
THAT AND HIS MUSCLE TONE,
229
00:11:21,127 --> 00:11:23,960
LOOKS LIKE HE'S BEEN
IN A BOX FOR A MONTH.
230
00:11:23,962 --> 00:11:26,397
WELL, HE WAS ON AN IV
FOR NOURISHMENT.
231
00:11:26,399 --> 00:11:30,067
BARE MINIMUM.
JUST ENOUGH TO KEEP HIM ALIVE.
232
00:11:30,069 --> 00:11:32,419
IS THAT WHY HE DIDN'T BLEED MUCH
WHEN HE WAS STABBED?
233
00:11:32,421 --> 00:11:34,071
NO. IF HIS HEART WAS PUMPING,
HE'DA GUSHED
234
00:11:34,073 --> 00:11:35,906
NO MATTER HOW EMACIATED
HE WAS.
235
00:11:35,908 --> 00:11:37,741
SO WHAT KILLED HIM?
236
00:11:37,743 --> 00:11:39,209
HEART ATTACK.
237
00:11:39,211 --> 00:11:40,277
AN ARRHYTHMIA
BROUGHT ON
238
00:11:40,279 --> 00:11:42,179
BY PROLONGED,
ACUTE MALNUTRITION.
239
00:11:42,181 --> 00:11:44,048
HE STARVED HIMSELF
TO DEATH.
240
00:11:45,934 --> 00:11:47,885
(Goren) THEN WHY WASN'T HE
241
00:11:47,887 --> 00:11:49,853
IN THE CASKET
WHEN THEY OPENED IT?
242
00:11:51,655 --> 00:11:54,991
CARMINE WILL BE RELIEVED
TO HEAR THAT THE GUY HE STABBED
243
00:11:54,993 --> 00:11:56,392
WAS ALREADY DEAD.
244
00:11:56,394 --> 00:11:57,393
[door opens]
245
00:11:59,931 --> 00:12:01,965
OFFICER,
WHERE'S THE OLD MAN?
246
00:12:01,967 --> 00:12:03,867
HE'S BEEN IN HERE ALL...
247
00:12:03,869 --> 00:12:06,369
I DON'T UNDERS...
248
00:12:06,371 --> 00:12:08,105
HE COULDN'T HAVE JUST...
249
00:12:08,107 --> 00:12:09,873
DISAPPEARED.
250
00:12:14,079 --> 00:12:16,046
WELL, HE IS THE,
YOU KNOW, GREAT CARMINE.
251
00:12:16,048 --> 00:12:18,682
YEAH, I GUESS
WE UNDERESTIMATED HIM.
252
00:12:21,518 --> 00:12:23,184
TELL US WHAT HAPPENED,
OFFICER JONES.
253
00:12:23,186 --> 00:12:25,453
THE OLD MAN ASKED
FOR SOME COFFEE.
254
00:12:25,455 --> 00:12:26,622
SO YOU BROUGHT HIM A CUP.
255
00:12:26,624 --> 00:12:28,624
HANDED IT TO HIMTHROUGH THE BARS.
256
00:12:28,626 --> 00:12:31,393
WAS HIS, UH, HAND STEADY?
257
00:12:31,395 --> 00:12:33,094
HE HAD THE DTs.
258
00:12:33,096 --> 00:12:34,630
SPILLED COFFEE
ALL OVER HIMSELF AND ME.
259
00:12:34,632 --> 00:12:36,264
SO IT WAS, LIKE, SHAKY? SURE.
260
00:12:36,266 --> 00:12:37,416
THAT'S WHAT I WAS SAYING.
261
00:12:37,418 --> 00:12:38,917
HEY!
THAT'S MY FAULT.
262
00:12:38,919 --> 00:12:40,252
THAT'S MY FAULT.
I'M VERY SORRY.
263
00:12:40,254 --> 00:12:41,253
HERE.
I GOT IT.
264
00:12:41,255 --> 00:12:43,188
NO, LET ME...
LET ME JUST HELP YOU OUT.
265
00:12:43,190 --> 00:12:45,056
YOU WANT TO DO IT?
FINE.
266
00:12:45,058 --> 00:12:46,925
IT'S... I'M... I'M SORRY.
267
00:12:46,927 --> 00:12:48,159
AND THEN YOU HELP HIM,
268
00:12:48,161 --> 00:12:50,429
YOU KNOW, HELPED HIM
WIPE IT UP, I GUESS.
269
00:12:50,431 --> 00:12:51,980
YEAH.
270
00:12:57,353 --> 00:12:59,755
HERE.
271
00:12:59,757 --> 00:13:02,023
YOU KNOW, IT'S THE CLASSIC
MISDIRECT, RIGHT?
272
00:13:02,025 --> 00:13:03,958
THAT'S WHY MAGICIANS
HAVE PRETTY GIRLS WITH THEM
273
00:13:03,960 --> 00:13:07,896
BECAUSE YOU'RE LOOKIN'
AT THE GIRL INSTEAD OF...
274
00:13:07,898 --> 00:13:09,197
(Ross)
SPEAKING OF PRETTY GIRLS,
275
00:13:09,199 --> 00:13:10,581
WHEN YOU FIND CARMINE,
276
00:13:10,583 --> 00:13:12,651
SEE WHAT HE KNOWS
ABOUT HIS MYSTERIOUS ASSISTANT.
277
00:13:12,653 --> 00:13:17,472
AND OFFICER JONES,
278
00:13:17,474 --> 00:13:20,308
YOU AND I AREN'T DONE YET.
279
00:13:20,310 --> 00:13:24,213
CLOTHES. CARDS.
HANDKERCHIEFS.
280
00:13:24,215 --> 00:13:26,881
EVERYTHING A MAGICIAN
MIGHT NEED.
281
00:13:26,883 --> 00:13:28,783
LOOKS LIKE CARMINE
WAS GETTING READY
282
00:13:28,785 --> 00:13:31,486
TO TAKE HIS ACT
ON THE ROAD.
283
00:13:38,160 --> 00:13:39,528
[laughs]
284
00:13:39,530 --> 00:13:40,929
THIS IS A-A-A DOLLHOUSE.
285
00:13:40,931 --> 00:13:41,930
A-A ILLUSION.
286
00:13:41,932 --> 00:13:43,265
I WANTED ONE OF THESE
WHEN I WAS A KID.
287
00:13:43,267 --> 00:13:45,567
LOOK AT THIS.
288
00:13:46,953 --> 00:13:48,353
[cane snaps]
289
00:13:48,355 --> 00:13:51,389
[cane smacks sides]
290
00:14:08,891 --> 00:14:11,159
CAN'T TAKE ME BACK
TO JAIL AGAIN.
291
00:14:11,161 --> 00:14:12,861
I SWEAR,
I DIDN'T KILL MILES.
292
00:14:12,863 --> 00:14:14,929
YEAH, W... W... WE KNOW.
293
00:14:14,931 --> 00:14:18,133
SO I'M FREE TO GO.
294
00:14:18,135 --> 00:14:21,637
I-I GOTTA GIG IN ELKO.
295
00:14:21,639 --> 00:14:22,871
NEED TO CATCH A BUS.
296
00:14:22,873 --> 00:14:23,955
NOT UNTIL YOU TELL US
297
00:14:23,957 --> 00:14:26,324
HOW HIS BODY GOT
INTO YOUR BLADE BOX.
298
00:14:26,326 --> 00:14:28,026
I GOT NO IDEA.
299
00:14:28,028 --> 00:14:29,360
YOUR ASSISTANT
MIGHT KNOW.
300
00:14:29,362 --> 00:14:32,614
OH, THAT'S RIGHT.
YOU DON'T KNOW WHO SHE IS.
301
00:14:32,616 --> 00:14:34,533
SHE WORKED
FOR DEAN HOLIDAY.
302
00:14:34,535 --> 00:14:36,401
THAT WAS GOOD ENOUGH
FOR ME.
303
00:14:36,403 --> 00:14:39,655
DID YOU CALL HOLIDAY,
YOU KNOW, CHECK IT OUT?
304
00:14:39,657 --> 00:14:41,890
WHY? SHE KNEW HIS ACT.
305
00:14:41,892 --> 00:14:43,892
INSIDE STUFF.
306
00:14:43,894 --> 00:14:45,744
I'DA KNOWN IF SHE WASN'T
ON THE SQUARE.
307
00:14:45,746 --> 00:14:48,196
NO LAST NAME.
NO PHONE NUMBER.
308
00:14:48,198 --> 00:14:49,464
YOU DID PAY HER, RIGHT?
309
00:14:49,466 --> 00:14:52,684
UNDER THE TABLE,
SAME AS ME.
310
00:14:52,686 --> 00:14:53,852
WE GOOD?
311
00:14:53,854 --> 00:14:55,253
SORRY.
312
00:14:55,255 --> 00:14:57,105
WE HAVE TO CHARGE YOU
FOR YOUR GREAT ESCAPE.
313
00:14:59,408 --> 00:15:02,510
UH, WELL, MAYBE THERE'S
314
00:15:02,512 --> 00:15:03,912
A LITTLE SOMETHING MORE
315
00:15:03,914 --> 00:15:06,064
I CAN, UH,
316
00:15:06,066 --> 00:15:08,450
GIVE YOU TO, UH,
317
00:15:08,452 --> 00:15:10,117
IDENTIFY HER.
318
00:15:12,137 --> 00:15:15,941
A MAN HAS NEEDS.
319
00:15:15,943 --> 00:15:18,993
YOU KNOW THIS WOMAN?
GOES BY THE NAME OF MIRANDA.
320
00:15:18,995 --> 00:15:20,962
SHE WAS CARMINE'S
ASSISTANT.
321
00:15:20,964 --> 00:15:23,097
CARMINE'S STILL
A PEEPING TOM.
322
00:15:23,099 --> 00:15:24,932
HOLE IN DRESSING ROOM WALL?
323
00:15:24,934 --> 00:15:27,502
UH, NO. TEDDY BEAR
NANNY CAM.
324
00:15:27,504 --> 00:15:29,937
HMM. OLD BOY'S KEEPING UP
WITH THE TIMES.
325
00:15:29,939 --> 00:15:31,573
AND WHAT ABOUT
HIS ASSISTANT?
326
00:15:31,575 --> 00:15:34,592
MUST BE NEW.
327
00:15:34,594 --> 00:15:35,744
SHE WASN'T WITH HIM LAST YEAR
328
00:15:35,746 --> 00:15:37,044
WHEN HE CAME BACKSTAGE.
329
00:15:37,046 --> 00:15:38,279
(woman over P.A. system)MR. HOLIDAY, TWO MINUTES.
330
00:15:38,281 --> 00:15:39,881
OH, BUT CARMINE SAID
HE HIRED HER
331
00:15:39,883 --> 00:15:41,065
BECAUSE SHE WORKED
WITH YOU.
332
00:15:41,067 --> 00:15:42,650
KNEW YOUR ACT.
333
00:15:42,652 --> 00:15:44,568
PROBABLY GOT IT OFF
THE INTERNET.
334
00:15:44,570 --> 00:15:45,870
YOU'D BE AMAZED
HOW MANY WEB SITES
335
00:15:45,872 --> 00:15:47,055
ARE DEVOTED TO ME.
336
00:15:47,057 --> 00:15:50,291
OH, I CAN'T WAIT
TO CHECK THEM OUT.
337
00:15:50,293 --> 00:15:51,993
WELL, WHY NOT JUST STAY
FOR MY MIDNIGHT SHOW?
338
00:15:51,995 --> 00:15:53,961
ATLANTIC CITY IS HOPPIN'
AFTER DARK.
339
00:15:53,963 --> 00:15:55,964
SOME OTHER TIME, MAYBE.
340
00:15:55,966 --> 00:15:58,967
THIS GIRL.
SHE DUPED CARMINE.
341
00:15:58,969 --> 00:16:00,736
HE MAY NOT BE AS SHARPAS HE USED TO BE.
342
00:16:00,738 --> 00:16:02,553
ALTHOUGH, I DID HEAR
HE ESCAPED RECENTLY
343
00:16:02,555 --> 00:16:04,722
FROM ONE POLICE PLAZA.
344
00:16:04,724 --> 00:16:07,725
IS HE REALLY A SUSPECT?
345
00:16:07,727 --> 00:16:09,727
YOU THINK
HE'S BEYOND THAT?
346
00:16:09,729 --> 00:16:12,364
CARMINE'S OLD SCHOOL.
CATSKILLS.
347
00:16:12,366 --> 00:16:15,700
SULLIVAN SHOW. STONE'S ILLUSIONS
ARE WAY TOO ADVANCED FOR HIM.
348
00:16:15,702 --> 00:16:18,703
M.E. TOLD US, UM,
349
00:16:18,705 --> 00:16:20,505
STONE REALLY WAS
BURIED ALIVE.
350
00:16:20,507 --> 00:16:21,672
NO TRICK.
351
00:16:21,674 --> 00:16:22,840
BELIEVE ME, DETECTIVE.
352
00:16:22,842 --> 00:16:24,842
YOU ASK ANY TRUE MAGICIAN,
353
00:16:24,844 --> 00:16:29,147
THERE IS ALWAYS A TRICK.
354
00:16:29,149 --> 00:16:32,650
TOOK ME AWHILE TO FIGURE
THIS ONE OUT.
355
00:16:32,652 --> 00:16:35,252
ELECTROMAGNETIC STRIPS
HIDDEN IN THE HEAD PANEL
356
00:16:35,254 --> 00:16:37,321
AND EDGES OF THE CASKET.
357
00:16:37,323 --> 00:16:38,690
AS LONG AS THE JUICE
IS RUNNIN',
358
00:16:38,692 --> 00:16:41,777
THE MAGNETIC SEAL
WON'T BUDGE.
359
00:16:41,779 --> 00:16:43,294
WHERE'D THE CURRENT
COME FROM?
360
00:16:43,296 --> 00:16:45,030
CARBON BATTERY
361
00:16:45,032 --> 00:16:47,015
LIKE THIS STRIP.
362
00:16:47,017 --> 00:16:48,617
HIDDEN IN THE BASE
OF THE CASKET.
363
00:16:48,619 --> 00:16:50,669
LOOKS LIKE ORDINARY
BLACK TAPE.
364
00:16:50,671 --> 00:16:52,303
MM-HMM.
365
00:16:52,305 --> 00:16:56,007
SO HOW DID HE TURN IT OFF
TO OPEN THE TRAP?
366
00:16:56,009 --> 00:17:00,044
WITH A REMOTE
LIKE THIS ONE.
367
00:17:00,046 --> 00:17:02,848
NO LOCKS OR LATCHES.
368
00:17:02,850 --> 00:17:04,883
INGENIOUS.
369
00:17:04,885 --> 00:17:06,218
WELL,
INGENIOUS AS IT IS,
370
00:17:06,220 --> 00:17:08,586
STONE WAS STILL BURIED
SIX FEET UNDER.
371
00:17:08,588 --> 00:17:10,187
IT MAY BE A CLEVER WAY OUT.
372
00:17:10,189 --> 00:17:13,408
BUT OUT TO WHERE?
373
00:17:43,906 --> 00:17:46,441
HERE'S WHERE YOUR CEMETERY
TUNNEL ENDS.
374
00:17:46,443 --> 00:17:49,678
MAYBE 50 YARDS
FROM THE GRAVE.
375
00:17:49,680 --> 00:17:52,480
WELL, STONE WOULD HAVE HAD
TO CRAWL
376
00:17:52,482 --> 00:17:54,949
TO... TO GET HERE.
377
00:17:54,951 --> 00:17:58,986
BUT FROM HERE ON,
HE COULD'VE GONE ANYWHERE.
378
00:17:58,988 --> 00:18:03,591
WELL, THE SHAPE HE WAS IN,
HE COULDN'T HAVE GONE FAR.
379
00:18:10,733 --> 00:18:12,466
OH, IT'S CEMETERY DIRT.
380
00:18:12,468 --> 00:18:13,568
MM.
381
00:18:17,339 --> 00:18:19,774
LOT OF TRACKS.
TRACKS THAT WAY.
382
00:18:23,429 --> 00:18:25,380
(woman) THIS ISN'T ABOUT MILES.
383
00:18:25,382 --> 00:18:28,083
IT'S ABOUT YOU TOO.YOUR FUTURE. YOUR CAREER.
384
00:18:28,085 --> 00:18:29,351
MY CAREER?
385
00:18:29,353 --> 00:18:31,552
I'M FREAKING OUT HERE.
WHAT IF THEY FIND IT?
386
00:18:31,554 --> 00:18:35,056
THEY WON'T. WE'RE THE ONLY ONESWHO KNOW WHERE IT IS.
387
00:18:35,058 --> 00:18:39,227
TERESA, YOU SWEAR
YOU NEVER TOLD ANYONE?
388
00:18:39,229 --> 00:18:42,063
HOW CAN YOU EVEN
ASK ME THAT?
389
00:18:48,086 --> 00:18:50,087
EAMES.
390
00:18:52,724 --> 00:18:53,891
WHERE COULD THAT GO?
391
00:19:09,141 --> 00:19:11,760
WELL, EASY IN, EASY OUT.
392
00:19:13,596 --> 00:19:15,130
(Eames) AN OPEN CASKET.
393
00:19:15,132 --> 00:19:20,902
MATCHES THE ONEIN THE CEMETERY.
394
00:19:20,904 --> 00:19:23,521
AND A WEB CAM.
395
00:19:23,523 --> 00:19:26,191
MILES STONE DIDN'T SPEND
31 DAYS IN THAT CEMETERY.
396
00:19:26,193 --> 00:19:28,226
HE SPENT IT IN HERE.
397
00:19:35,000 --> 00:19:37,235
WHY'D YOU BRING ME HERE?
WHAT IS THIS?
398
00:19:37,237 --> 00:19:39,670
YOU KNOW WHAT IT IS.
399
00:19:39,672 --> 00:19:42,407
THIS IS WHERE THE REAL WEB CAM
WAS SET UP.
400
00:19:42,409 --> 00:19:44,609
SO HIS FANS COULD WATCH HIM
SUFFER
401
00:19:44,611 --> 00:19:47,112
FOR HIS VISION
DAY AND NIGHT.
402
00:19:47,114 --> 00:19:49,831
RIGHT HERE.
403
00:19:53,903 --> 00:19:56,254
AND WHEN HE NEEDED
A BREAK,
404
00:19:56,256 --> 00:19:57,989
YOU SWITCHED TO THE PRE-RECORDED
VIDEO LOOP.
405
00:19:57,991 --> 00:19:59,507
IT WAS A SHAM.
406
00:19:59,509 --> 00:20:01,309
I DON'T KNOW ANYTHING
ABOUT THIS.
407
00:20:01,311 --> 00:20:02,744
(Goren) YOU DON'T?
408
00:20:02,746 --> 00:20:04,312
BUT IT WAS
409
00:20:04,314 --> 00:20:07,014
YOUR DESIGN.
410
00:20:07,016 --> 00:20:08,717
THE TUNNEL
411
00:20:08,719 --> 00:20:10,969
AND THE ELECTROMAGNETIC TRAPS
412
00:20:10,971 --> 00:20:15,039
I MEAN, STONE COULDN'T HAVE COME
UP WITH THIS ON HIS OWN.
413
00:20:15,041 --> 00:20:17,476
HE DIDN'T HAVE
A HIGH SCHOOL EDUCATION.
414
00:20:17,478 --> 00:20:19,277
BUT YOU,
CALTECH AT 16.
415
00:20:19,279 --> 00:20:21,063
STRAIGHT "A" S
IN ENGINEERING.
416
00:20:21,065 --> 00:20:23,315
I'M TELLING YOU,
I WAS NEVER HERE.
417
00:20:23,317 --> 00:20:25,150
WE'RE GONNA FIND YOUR
FINGERPRINTS ON THIS CASKET
418
00:20:25,152 --> 00:20:26,951
AND YOUR DNA
ALL OVER THIS ROOM.
419
00:20:30,039 --> 00:20:32,641
OH.
420
00:20:32,643 --> 00:20:35,544
LOOK, I WAS JUST TRYING
TO PROTECT HIM.
421
00:20:35,546 --> 00:20:38,380
FROM WHAT?
HIMSELF.
422
00:20:38,382 --> 00:20:39,331
MILES STARTED TO BELIEVE
HIS OWN HYPE.
423
00:20:39,333 --> 00:20:41,700
HE WANTED TO BE BURIED
FOR REAL.
424
00:20:41,702 --> 00:20:44,369
I TOLD HIM I COULD MAKE IT
LOOK AND FEEL REAL
425
00:20:44,371 --> 00:20:45,537
WITH A LOT LESS RISK.
426
00:20:45,539 --> 00:20:47,104
WELL, I GUESS
YOU WERE WRONG.
427
00:20:47,106 --> 00:20:49,090
I HAD NOTHING
TO DO WITH HIS DEATH.
428
00:20:50,560 --> 00:20:52,010
YOU KNOW
I WAS AT THE CEMETERY.
429
00:20:52,012 --> 00:20:53,445
I WAS ON TV.
YOU HAD AN ACCOMPLICE.
430
00:20:53,447 --> 00:20:55,347
WHO ELSE KNEW
ABOUT THIS PLACE?
431
00:20:55,349 --> 00:20:56,781
NO ONE.
432
00:20:56,783 --> 00:20:57,849
I HAD THE ONLY KEY.
433
00:20:59,268 --> 00:21:00,185
(Goren) OH.
434
00:21:00,187 --> 00:21:01,352
WELL, THEN, I GUESS
435
00:21:01,354 --> 00:21:03,488
YOU'RE THE LAST ONE
TO SEE HIM ALIVE.
436
00:21:03,490 --> 00:21:05,840
BECAUSE I WAS KEEPING HIM
ALIVE.
437
00:21:05,842 --> 00:21:08,844
I CHANGED HIS IV BAGS,
I MADE SURE HE GOT EXERCISE,
438
00:21:08,846 --> 00:21:09,845
I PUT SALVE ON HIS SORES.
439
00:21:09,847 --> 00:21:10,979
OH, WE GET IT.
440
00:21:10,981 --> 00:21:12,547
YOU WERE A REGULAR
FLORENCE NIGHTINGALE.
441
00:21:12,549 --> 00:21:14,082
YOU KNOW
WHO THIS WOMAN IS?
442
00:21:14,084 --> 00:21:16,517
SHE GOES BY THE NAME
OF MIRANDA.
443
00:21:16,519 --> 00:21:17,585
SHE WAS CARMINE'S
ASSISTANT.
444
00:21:17,587 --> 00:21:19,320
I DON'T KNOW HER.
SORRY.
445
00:21:19,322 --> 00:21:21,255
CAN I GO NOW?
446
00:21:21,257 --> 00:21:23,057
NOPE.
447
00:21:23,059 --> 00:21:24,692
WE'VE HAD ENOUGH
VANISHING ACTS LATELY.
448
00:21:24,694 --> 00:21:26,561
OFFICERS.
449
00:21:26,563 --> 00:21:27,829
YOU'RE ARRESTING ME?
450
00:21:27,831 --> 00:21:30,699
YUP. THAT'S WHAT HAPPENS
WHEN YOU LIE TO THE POLICE.
451
00:21:33,152 --> 00:21:37,472
SO, JACOB SAYS
THAT HE CHANGED
452
00:21:37,474 --> 00:21:39,707
STONE'S IV BAGS.
453
00:21:39,709 --> 00:21:41,409
STONE HAD A CENTRAL LINE
INSERTED.
454
00:21:41,411 --> 00:21:45,313
THAT'S SOMETHING THAT...
THAT DOCTORS DO.
455
00:21:45,315 --> 00:21:49,100
THESE GLOVES,
THEY SEEM SMALL FOR A MAN.
456
00:21:49,102 --> 00:21:51,620
OUR MISSING ASSISTANT
457
00:21:51,622 --> 00:21:52,920
FIT INTO MERCEDES' COSTUMES.
458
00:21:52,922 --> 00:21:53,855
I BET SHE FIT
INTO THESE.
459
00:21:57,893 --> 00:21:59,427
SERIAL NUMBER.
MM.
460
00:21:59,429 --> 00:22:00,628
THIS STUFF'S NOT MAIL ORDER.
461
00:22:00,630 --> 00:22:03,364
SHE MIGHT HAVE HAD
ACCESS TO A HOSPITAL.
462
00:22:03,366 --> 00:22:05,633
WELL, I MISSED IT
THE FIRST TIME.
463
00:22:05,635 --> 00:22:09,504
COLOR ME CHAGRINED.
464
00:22:09,506 --> 00:22:11,039
POTASSIUM CHLORIDE?
465
00:22:11,041 --> 00:22:12,573
YEAH, TRIGGERS
A HEART ATTACK.
466
00:22:12,575 --> 00:22:15,593
THERE WERE TRACES OF IT
IN THE IV BAGS
467
00:22:15,595 --> 00:22:17,712
AND AT THE INSERTION POINT
OF THE CENTRAL LINE.
468
00:22:17,714 --> 00:22:21,099
BUT IT'S HARD TO DETECT.
469
00:22:21,101 --> 00:22:23,134
IMPOSSIBLE,
ONCE IT'S IN THE BODY.
470
00:22:23,136 --> 00:22:25,803
PERFECT CHOICE
FOR AN ANGEL OF MERCY.
471
00:22:25,805 --> 00:22:28,824
WE TRACED THE IV BAGS
BACK TO THIS HOSPITAL.
472
00:22:28,826 --> 00:22:30,217
THIS IS A MUNICIPAL HOSPITAL.
473
00:22:30,218 --> 00:22:32,920
THINGS DISAPPEAR.
474
00:22:32,922 --> 00:22:33,887
AND THESE ARE ALL
THE FEMALE PHYSICIANS?
475
00:22:33,889 --> 00:22:34,922
MM-HMM.
476
00:22:34,924 --> 00:22:36,757
WHAT ABOUT THE NURSES?
477
00:22:36,759 --> 00:22:37,741
OH, YOU HAVE TO BE
AT LEAST A RESIDENT
478
00:22:37,743 --> 00:22:39,809
TO INSERT A CENTRAL LINE.
479
00:22:39,811 --> 00:22:40,810
WHAT A NURSE IS AUTHORIZED
TO DO
480
00:22:40,812 --> 00:22:41,945
AND WHAT A NURSE
IS CAPABLE OF
481
00:22:41,947 --> 00:22:43,046
ARE TWO DIFFERENT THINGS.
482
00:22:43,048 --> 00:22:46,883
WE HAVE OVER 800 NURSES
ON STAFF HERE.
483
00:22:46,885 --> 00:22:48,852
DO YOU WANT PHOTOS
OF EACH ONE?
484
00:22:50,588 --> 00:22:53,023
YEAH, START WITH THE UNITS
THAT SPECIALIZE
485
00:22:53,025 --> 00:22:55,592
IN LONG-TERM IV CARE.
486
00:23:04,552 --> 00:23:06,219
[knock at door]
487
00:23:08,539 --> 00:23:10,791
(Teresa)
IT SOUNDS LAME, I KNOW,
488
00:23:10,793 --> 00:23:14,877
BUT I JOINED THE SIDESHOW
TO GET JACOB'S ATTENTION.
489
00:23:14,879 --> 00:23:17,480
IT'S LIKE HE WAS ENGAGED
TO MILES, INSTEAD OF TO ME,
490
00:23:17,482 --> 00:23:18,915
THE AMOUNT OF TIME
THEY SPENT TOGETHER.
491
00:23:18,917 --> 00:23:20,883
OH, YOU AND JACOB
ARE ENGAGED?
492
00:23:20,885 --> 00:23:23,286
THEN HOW COME
493
00:23:23,288 --> 00:23:26,373
WHEN WE SHOWED HIM
YOUR PICTURE,
494
00:23:26,375 --> 00:23:28,975
HE SAID
HE DIDN'T KNOW YOU?
495
00:23:32,363 --> 00:23:35,048
PROBABLY WEIRDED OUT.
496
00:23:35,050 --> 00:23:38,134
HE HAD NO IDEA
I WAS WORKING FOR CARMINE.
497
00:23:38,136 --> 00:23:40,136
OH, WHY'D YOU KEEP THAT
A SECRET?
498
00:23:42,173 --> 00:23:44,174
I WAS GOING TO BRING JACOB
TO THE SHOW
499
00:23:44,176 --> 00:23:45,676
AND SURPRISE HIM
FOR HIS BIRTHDAY.
500
00:23:49,213 --> 00:23:52,749
AND HOW DID YOU HEAR
ABOUT THE JOB?
501
00:23:52,751 --> 00:23:56,853
WAS THAT, UM, CARMINE'S AD
OR HIS POST ON CRAIGSLIST?
502
00:23:59,357 --> 00:24:00,457
CRAIGSLIST.
503
00:24:00,459 --> 00:24:01,808
THAT'S IT.
504
00:24:01,810 --> 00:24:05,178
MM, WHY'D YOU DISAPPEAR
THE NIGHT CARMINE STABBED STONE?
505
00:24:07,115 --> 00:24:10,300
I PANICKED.
506
00:24:10,302 --> 00:24:12,786
SOMETHING WENT WRONG
WITH THE TRICK.
507
00:24:12,788 --> 00:24:14,938
I JUST FREAKED OUT
AND RAN.
508
00:24:14,940 --> 00:24:17,991
OH.
509
00:24:17,993 --> 00:24:19,092
I JUST...
510
00:24:19,094 --> 00:24:21,594
I, YOU KNOW,I HAVE ONE MORE QUESTION.
511
00:24:21,596 --> 00:24:27,200
SO WHEN WAS THE LAST TIME
YOU WERE AT THE SAFE ROOM?
512
00:24:27,202 --> 00:24:29,102
BECAUSE WE FOUND
513
00:24:29,104 --> 00:24:31,137
YOUR PRINTS ON THESE.
514
00:24:31,139 --> 00:24:34,074
I WAS JUST THERE
ONCE.
515
00:24:34,076 --> 00:24:35,842
I SWEAR.
516
00:24:35,844 --> 00:24:38,962
ALL I DID
WAS INSERT THE LINE.
517
00:24:38,964 --> 00:24:42,950
WE FOUND POTASSIUM CHLORIDE
518
00:24:42,952 --> 00:24:45,101
AT THE INSERTION POINT
519
00:24:45,103 --> 00:24:49,138
AND ON THE IV BAGS.
520
00:24:49,140 --> 00:24:51,641
DO YOU HAVE
A PROFESSIONAL OPINION
521
00:24:51,643 --> 00:24:53,276
ABOUT HOW THEY GOT THERE?
522
00:24:59,216 --> 00:25:02,001
DO I NEED A LAWYER?
523
00:25:04,505 --> 00:25:06,506
CARMINE DIDN'T POST
ON CRAIGSLIST.
524
00:25:06,508 --> 00:25:08,642
NO, BUT TERESA DID GET HER JOB
IN TIME
525
00:25:08,644 --> 00:25:10,476
FOR STONE'S GRAND FINALE.
526
00:25:10,478 --> 00:25:12,579
WE LEFT CALLS
FOR HIS OLD ASSISTANT.
527
00:25:12,581 --> 00:25:15,048
IT'S TIME TO PAY HER
A VISIT.
528
00:25:15,050 --> 00:25:16,482
SHE DIDN'T CALL YOU BACK
529
00:25:16,484 --> 00:25:18,885
BECAUSE MERCEDES DIDN'T TAKE
HER CELL PHONE WITH HER.
530
00:25:18,887 --> 00:25:19,886
WITH HER WHERE?
531
00:25:19,888 --> 00:25:22,022
MY SISTER WON A CONTEST.
532
00:25:22,024 --> 00:25:23,523
A CRUISE
AROUND THE WORLD.
533
00:25:23,525 --> 00:25:25,859
WOW.
SHE REALLY HIT THE JACKPOT.
534
00:25:25,861 --> 00:25:27,493
AH, IT WAS
A DREAM COME TRUE.
535
00:25:27,495 --> 00:25:29,029
SHE ALWAYS WANTED
TO TRAVEL.
536
00:25:29,031 --> 00:25:30,664
YOU KNOW
WHERE SHE IS NOW?
537
00:25:30,666 --> 00:25:35,602
UM, WELL, THE LAST POSTCARD
I GOT WAS A WEEK AGO.
538
00:25:38,472 --> 00:25:40,206
OH, CASABLANCA.
539
00:25:40,208 --> 00:25:42,809
YOU KNOW WHO SPONSORED
THIS CONTEST?
540
00:25:42,811 --> 00:25:44,978
SHE DIDN'T EVEN REMEMBER
ENTERING.
541
00:25:44,980 --> 00:25:49,182
BUT SOMETIMES FATE WORKS
IN MYSTERIOUS WAYS.
542
00:25:49,184 --> 00:25:50,284
DOESN'T IT?
543
00:25:50,286 --> 00:25:52,102
THANK YOU.
544
00:25:54,739 --> 00:25:57,007
HER LIFELONG DREAM.
545
00:25:57,009 --> 00:25:58,241
SOMEONE MADE IT HAPPEN.
546
00:25:58,243 --> 00:26:01,745
MM, JUST LIKE MAGIC.
547
00:26:01,747 --> 00:26:04,998
I'M GETTING
SOMETHING ELSE.
548
00:26:05,000 --> 00:26:07,884
COLLEGE.
549
00:26:07,886 --> 00:26:10,320
FRESHMAN YEAR.
550
00:26:10,322 --> 00:26:12,973
A TATTOO PARLOR.
551
00:26:12,975 --> 00:26:16,993
BUT YOU CHICKENED OUT.
552
00:26:16,995 --> 00:26:18,745
MY FOLKS
WOULD HAVE KILLED ME.
553
00:26:18,747 --> 00:26:20,247
[laughter]
554
00:26:20,249 --> 00:26:22,448
YOU NEVER GOT
THAT TATTOO.
555
00:26:22,450 --> 00:26:23,716
RIGHT?
556
00:26:23,718 --> 00:26:26,519
THERE'S NO WAY
I COULD KNOW
557
00:26:26,521 --> 00:26:28,405
WHAT IT WAS.
558
00:26:28,407 --> 00:26:30,907
WELL, SHELLY, TELL ME.
559
00:26:30,909 --> 00:26:33,843
DOES THIS TAKE YOU BACK?
560
00:26:33,845 --> 00:26:35,078
NO WAY.
561
00:26:35,080 --> 00:26:36,330
THAT'S THE TATTOO
562
00:26:36,332 --> 00:26:37,614
I WANTED.
563
00:26:37,616 --> 00:26:39,883
BUT YOU'RE FORGETTING SOMETHING,
RIGHT?
564
00:26:39,885 --> 00:26:41,585
THE NAME
565
00:26:41,587 --> 00:26:46,540
OF AN OLD FLAME?
566
00:26:46,542 --> 00:26:48,241
OH, MY GOSH.
567
00:26:48,243 --> 00:26:49,575
THAT'S MY COLLEGE SWEETHEART.
568
00:26:49,577 --> 00:26:51,345
[cheers and applause]
569
00:26:51,347 --> 00:26:53,480
HOW DID YOU DO THAT?
570
00:26:53,482 --> 00:26:56,466
WELL, I WOULD TELL YOU,
BUT...
571
00:26:58,319 --> 00:27:00,420
I'D HAVE TO KILL YOU.
572
00:27:00,422 --> 00:27:01,954
[laughter]
573
00:27:01,956 --> 00:27:04,324
[cheers and applause]
574
00:27:17,504 --> 00:27:19,172
[whispering and laughter]
575
00:27:20,052 --> 00:27:21,552
DETECTIVES.
576
00:27:21,554 --> 00:27:23,320
WE CAUGHT
THE END OF YOUR SHOW.
577
00:27:23,322 --> 00:27:24,489
YOUR STAGE MANAGER
578
00:27:24,491 --> 00:27:26,407
LET US IN.
579
00:27:26,409 --> 00:27:29,210
SHELLY, WHY DON'T YOU
AND YOUR FRIENDS GO DOWN
580
00:27:29,212 --> 00:27:31,195
AND HAVE A DRINK
ON ME,
581
00:27:31,197 --> 00:27:33,080
AND WE'LL DO THAT PHOTOGRAPH
A LITTLE LATER, ALL RIGHT?
582
00:27:33,082 --> 00:27:35,349
OKAY.
583
00:27:39,238 --> 00:27:41,421
YOU SHOULD HAVE CALLED.
584
00:27:41,423 --> 00:27:43,423
I WOULD HAVE COMPED YOU.
585
00:27:43,425 --> 00:27:44,542
HOW'D YOU LIKE MY ACT?
586
00:27:44,544 --> 00:27:46,928
IT WAS MAGICAL.
587
00:27:46,930 --> 00:27:48,329
[laughs]
588
00:27:48,331 --> 00:27:49,964
(Goren) EAMES.
589
00:27:49,966 --> 00:27:51,265
LOOK, IT'S OUR FRIEND,
ADELE.
590
00:27:51,267 --> 00:27:56,103
WITH THE GREAT CARMINE
AND HER SISTER MERCEDES.
591
00:27:56,105 --> 00:27:57,705
ONLY MET HER THE ONE TIME.
592
00:27:57,707 --> 00:27:59,507
DON'T REMEMBER THE NAME.
593
00:27:59,509 --> 00:28:01,108
(Goren)SHE WAS CARMINE'S ASSISTANT.
594
00:28:01,110 --> 00:28:05,847
UNTIL SHE WON
AN AROUND-THE-WORLD CRUISE.
595
00:28:05,849 --> 00:28:08,248
ONLY WE CHECKED
WITH THE CRUISE LINE.
596
00:28:08,250 --> 00:28:09,884
SHE DIDN'T WIN
ANY CONTEST.
597
00:28:09,886 --> 00:28:12,937
TURNS OUT SOMEONE HEREIN ATLANTIC CITY
598
00:28:12,939 --> 00:28:15,139
WIRED CASH TO BUY HER A TICKET.
599
00:28:15,141 --> 00:28:17,508
A LOT OF HIGH ROLLERS
IN THIS TOWN.
600
00:28:17,510 --> 00:28:18,659
(Goren) YEAH.
601
00:28:18,661 --> 00:28:20,912
WELL, SOMEHOW,
ONE OF THEM KNEW
602
00:28:20,914 --> 00:28:22,680
THAT HER DREAM
WAS TO SEE THE WORLD.
603
00:28:22,682 --> 00:28:25,633
YOU KNOW,
LIKE HE READ HER MIND,
604
00:28:25,635 --> 00:28:27,285
MUCH LIKE YOU JUST DID ONSTAGE.
605
00:28:27,287 --> 00:28:29,420
YOU KNOW,
ONSTAGE WITH THAT GIRL.
606
00:28:29,422 --> 00:28:31,955
OH, YOU THINK THAT'S
WHAT I WAS DOING TONIGHT?
607
00:28:31,957 --> 00:28:33,174
WHAT WOULD YOU CALL IT?
608
00:28:33,176 --> 00:28:34,425
[clears throat]
609
00:28:34,427 --> 00:28:36,327
HOLD ON.
610
00:28:36,329 --> 00:28:41,632
I-I THINK I'M GETTING
SOMETHING HERE.
611
00:28:41,634 --> 00:28:43,634
I THINK
612
00:28:43,636 --> 00:28:46,237
THERE ARE
SOME UNRESOLVED ISSUES
613
00:28:46,239 --> 00:28:50,073
WITH A MAN
IN YOUR LIFE.
614
00:28:50,075 --> 00:28:51,526
SOME TRUST ISSUES.
615
00:28:51,528 --> 00:28:55,813
HE'S BETRAYED YOU,
HASN'T HE?
616
00:28:55,815 --> 00:28:58,065
KEPT A SECRET FROM YOU.
617
00:28:58,067 --> 00:28:59,617
NOT FOR THE FIRST TIME.
618
00:28:59,619 --> 00:29:04,372
POOR THING.
619
00:29:04,374 --> 00:29:05,740
HOW'S MY AIM?
PRETTY CLOSE?
620
00:29:05,742 --> 00:29:08,576
WELL, GOOD CHANCE GUESSES,
621
00:29:08,578 --> 00:29:10,795
THEY USUALLY ARE.
622
00:29:10,797 --> 00:29:12,680
ANYWAY, THAT'S THE TRICK
OF A COLD READ.
623
00:29:12,682 --> 00:29:14,815
PSYCHICS, CHARLATANS
USE IT ALL THE TIME,
624
00:29:14,817 --> 00:29:16,584
YOU KNOW,
TO CON THEIR CLIENTS.
625
00:29:16,586 --> 00:29:17,784
(Eames) OR AN AUDIENCE.
626
00:29:17,786 --> 00:29:21,722
WELL, SO DO CRIMINAL PROFILERS.
627
00:29:21,724 --> 00:29:24,091
BIGGEST FRAUDS OF ALL.
628
00:29:24,093 --> 00:29:26,593
WHAT'S THE NAME
OF THAT SHRINK
629
00:29:26,595 --> 00:29:29,814
WHO HELPED CATCH
THE MAD BOMBER BACK IN THE '50s?
630
00:29:29,816 --> 00:29:30,847
JAMES BRUSSELS.
631
00:29:30,849 --> 00:29:32,115
RIGHT, NOW HE SAID
632
00:29:32,117 --> 00:29:34,051
THAT THE BOMBER
WOULD BE GERMAN,
633
00:29:34,053 --> 00:29:36,753
A LONER WITH A FACIAL SCAR...
634
00:29:36,755 --> 00:29:38,589
(Goren)YEAH, METICULOUSLY DRESSED
635
00:29:38,591 --> 00:29:40,041
IN A DOUBLE-BREASTED SUIT.
636
00:29:40,043 --> 00:29:42,443
RIGHT, AND...
637
00:29:42,445 --> 00:29:45,112
WHEN HE WAS ARRESTED,
HE WAS WEARING JUST THAT.
638
00:29:45,114 --> 00:29:46,414
BUT HE WASN'T GERMAN.
639
00:29:46,416 --> 00:29:49,083
RIGHT, AND HE HAD NO SCAR,
BUT...
640
00:29:49,085 --> 00:29:51,285
BRUSSELS DIDN'T GET ITALL RIGHT,
641
00:29:51,287 --> 00:29:54,088
BUT HE DID GET ENOUGH RIGHT
TO STOP A MADMAN.
642
00:29:54,090 --> 00:29:55,122
OH, COME ON.
643
00:29:55,124 --> 00:29:58,459
BRUSSELS WAS WAY OFF
HIS READ.
644
00:29:58,461 --> 00:30:00,127
HE'S JUST ANOTHER CARNY
TENT HUSTLER
645
00:30:00,129 --> 00:30:01,762
WHO GOT OVER.
646
00:30:01,764 --> 00:30:02,563
OH, I'M SORRY.
647
00:30:02,565 --> 00:30:04,298
YOU CONSIDER HIM TO BE
THE FATHER
648
00:30:04,300 --> 00:30:05,265
OF CRIMINAL PROFILING,DON'T YOU?
649
00:30:05,267 --> 00:30:07,067
[scoffs]
THIS GUY... YEAH, AND YOU,
650
00:30:07,069 --> 00:30:09,903
YOU LEAVE YOUR EYES OPEN
651
00:30:09,905 --> 00:30:12,072
WHEN YOU DO A READ.
652
00:30:12,074 --> 00:30:13,140
I MEAN,
653
00:30:13,142 --> 00:30:14,124
THAT'S YOUR TELL...
654
00:30:14,126 --> 00:30:15,159
THERE'S TWO KIND OF PSYCHICS:
655
00:30:15,161 --> 00:30:16,944
THE KIND THAT SHUT THEIR EYES,
656
00:30:16,946 --> 00:30:18,412
WHO TRULY BELIEVE
THAT THEY HAVE A GIFT,
657
00:30:18,414 --> 00:30:20,314
AND THEN THE ONES THAT LEAVE
THEIR EYES OPEN LIKE YOU,
658
00:30:20,316 --> 00:30:23,383
WHO KNOW
THAT THEY'RE A CON.
659
00:30:23,385 --> 00:30:26,420
WELL, I TOLD YOU,
THERE'S ALWAYS A TRICK.
660
00:30:26,422 --> 00:30:29,123
I ADMIT
I'M A FRAUD.
661
00:30:29,125 --> 00:30:31,491
HOW ABOUT YOU?
662
00:30:33,829 --> 00:30:36,664
ACTUALLY, WE WERE WONDERING
IF YOU WERE A MURDERER.
663
00:30:36,666 --> 00:30:39,233
NOW THERE YOU GO.
664
00:30:39,235 --> 00:30:41,702
THAT IS A GOOD CHANCE GUESS.
665
00:30:43,121 --> 00:30:44,088
BUT YOU MISSED.
666
00:30:46,191 --> 00:30:48,192
WANNA TRY ANOTHER?
667
00:30:48,194 --> 00:30:50,561
(Goren) WE KNOW THAT MERCEDES
668
00:30:50,563 --> 00:30:52,846
WENT BACKSTAGE
AFTER HOLIDAY'S SHOW.
669
00:30:52,848 --> 00:30:54,615
WHERE HE READ
HER MIND.
670
00:30:54,617 --> 00:30:56,517
I BELIEVE YOU,
BUT DO WE HAVE ANY PROOF
671
00:30:56,519 --> 00:30:57,784
HOLIDAY PAID
FOR HER CRUISE TICKET?
672
00:30:57,786 --> 00:30:59,503
NO TRACE
IN HIS FINANCIALS,
673
00:30:59,505 --> 00:31:00,604
BUT IT WOULDN'T BE HARD
FOR HIM TO HIDE
674
00:31:00,606 --> 00:31:02,005
100,000 IN CASH.
675
00:31:02,007 --> 00:31:03,240
HE MAKES THAT MUCH MONEY?
676
00:31:03,242 --> 00:31:04,408
YUP.
677
00:31:04,410 --> 00:31:06,243
NOTHING COMPARED TO STONE.
678
00:31:06,245 --> 00:31:08,446
THIS IS STONE'S LATEST DEAL
WITH NBC.
679
00:31:08,448 --> 00:31:10,347
NINE MILLION
OVER THREE YEARS.
680
00:31:10,349 --> 00:31:12,015
MM-HMM,
HOLIDAY HAD A SIMILAR DEAL,
681
00:31:12,017 --> 00:31:13,784
BUT THEY DROPPED HIM
WHEN THEY SIGNED STONE.
682
00:31:13,786 --> 00:31:16,320
SO WHERE WAS HE
THE NIGHT STONE DIED?
683
00:31:16,322 --> 00:31:19,890
AT THE CASINO
FOR HIS MIDNIGHT SHOW.
684
00:31:19,892 --> 00:31:21,725
ACCORDING TO HIS KEYCARD,
685
00:31:21,727 --> 00:31:24,178
HE WAS IN HIS ROOM
ALL EVENING.
686
00:31:24,180 --> 00:31:26,080
GUY MADE
THE SPACE NEEDLE DISAPPEAR.
687
00:31:26,082 --> 00:31:27,681
I'M SURE HE CAN MAKE IT
LOOK LIKE HE WAS IN HIS ROOM
688
00:31:27,683 --> 00:31:31,185
WHEN HE WASN'T.
689
00:31:33,055 --> 00:31:34,989
TERESA'S LAWYER'S HERE.
690
00:31:34,991 --> 00:31:37,658
MAYBE SHE'S READY
TO DEAL.
691
00:31:37,660 --> 00:31:40,327
A FEW WEEKS AGO,
I WAS WALKING HOME FROM WORK
692
00:31:40,329 --> 00:31:42,479
AND I HEAR SOMEONE CALL
MY NAME.
693
00:31:42,481 --> 00:31:44,282
DEAN HOLIDAY,
IN A LIMO.
694
00:31:44,284 --> 00:31:47,400
HE JUST HAPPENED
TO BE CRUISING BY THE HOSPITAL?
695
00:31:47,402 --> 00:31:49,569
WHAT'D HE WANT?
696
00:31:49,571 --> 00:31:51,605
WE JUST TALKED.
697
00:31:51,607 --> 00:31:53,991
ABOUT THE CEMETERY STUNT?
698
00:31:53,993 --> 00:31:55,959
HE COULDN'T GET OVER IT.
699
00:31:55,961 --> 00:31:59,497
HE KEPT SAYING
HOW BRILLIANT JACOB WAS.
700
00:31:59,499 --> 00:32:03,501
HOW MILES WAS JUST THE FACE,
BUT JACOB HAD THE REAL TALENT.
701
00:32:03,503 --> 00:32:06,069
HE ASK YOU
HOW THE TRICK WORKED?
702
00:32:06,071 --> 00:32:07,438
I DIDN'T TELL HIM.
703
00:32:07,440 --> 00:32:08,639
I SWEAR.
704
00:32:08,641 --> 00:32:10,957
HE TALKED
LIKE HE ALREADY KNEW.
705
00:32:10,959 --> 00:32:13,777
HE SAID,
"THERE HAS TO BE A TUNNEL."
706
00:32:13,779 --> 00:32:15,278
I SAID,
"I DON'T KNOW."
707
00:32:15,280 --> 00:32:18,766
AND HE SAID,
"I THOUGHT SO."
708
00:32:18,768 --> 00:32:20,734
WELL, HE WAS READING YOU.
709
00:32:20,736 --> 00:32:21,835
YOUR REACTIONS.
710
00:32:25,090 --> 00:32:26,457
I DIDN'T MEAN
TO GIVE IT AWAY.
711
00:32:26,459 --> 00:32:28,826
YOU PROUD OF JACOB?
712
00:32:30,828 --> 00:32:33,980
HE DOESN'T KNOW
HOW GOOD HE IS.
713
00:32:33,982 --> 00:32:36,283
AND AFTER YOU TOLD
HOLIDAY THAT,
714
00:32:36,285 --> 00:32:40,571
DID HE OFFER
TO MAKE JACOB A STAR?
715
00:32:42,641 --> 00:32:43,874
HE SAID
HE COULD HELP.
716
00:32:43,876 --> 00:32:45,676
IN EXCHANGE
717
00:32:45,678 --> 00:32:49,513
FOR PUTTING POTASSIUM CHLORIDE
IN STONE'S IV?
718
00:32:49,515 --> 00:32:52,949
NO.
NO, I SWEAR.
719
00:32:55,253 --> 00:32:56,353
ALL HE SAID WAS
720
00:32:56,355 --> 00:32:59,322
THAT HIS FRIEND CARMINE NEEDED
AN ASSISTANT
721
00:32:59,324 --> 00:33:01,408
FOR A FEW WEEKS.
722
00:33:01,410 --> 00:33:03,393
THAT'S ALL HE WANTED?
723
00:33:09,083 --> 00:33:10,701
JACOB CANNOT KNOW.
724
00:33:10,703 --> 00:33:12,686
OKAY?
725
00:33:12,688 --> 00:33:14,955
THREE NIGHTS,
I SLEPT ON THE COUCH,
726
00:33:14,957 --> 00:33:18,876
WORRIED THAT HE WOULD SMELL
HOLIDAY'S COLOGNE ON ME.
727
00:33:18,878 --> 00:33:21,562
I'VE TOLD YOU
EVERYTHING I KNOW.
728
00:33:21,564 --> 00:33:25,098
JUST PLEASE
DON'T TELL JACOB.
729
00:33:25,100 --> 00:33:27,267
SHE TOLD HOLIDAY
ABOUT THE SAFE ROOM?
730
00:33:27,269 --> 00:33:28,886
NO WAY.
731
00:33:28,888 --> 00:33:29,903
SHE WOULD NEVER BETRAY ME.
732
00:33:29,905 --> 00:33:31,038
NO?
733
00:33:31,040 --> 00:33:31,955
THEN WHY WAS SHE WORKING
FOR CARMINE
734
00:33:31,957 --> 00:33:32,956
WITHOUT TELLING YOU?
735
00:33:32,958 --> 00:33:35,426
I DON'T KNOW.
736
00:33:35,428 --> 00:33:37,812
WANNA GUESS
WHO GOT HER THE JOB?
737
00:33:37,814 --> 00:33:41,265
TERESA WOULD NEVER HURT MILES
OR ME.
738
00:33:42,934 --> 00:33:46,971
JACOB, ONLY YOU AND TERESA
KNEW ABOUT THE SAFE ROOM.
739
00:33:46,973 --> 00:33:49,974
AND YOU THINK THAT SHE WOULD
NEVER TELL HOLIDAY.
740
00:33:54,646 --> 00:33:58,048
THEN HOW DID STONE'S BODY
END UP IN CONEY ISLAND?
741
00:34:09,411 --> 00:34:11,194
JACOB.
742
00:34:14,048 --> 00:34:17,150
JACOB, PLEASE.
743
00:34:17,152 --> 00:34:20,387
SAY SOMETHING.
744
00:34:30,599 --> 00:34:32,866
WELL, I DON'T THINK
HE'S GONNA FORGIVE HER,
745
00:34:32,868 --> 00:34:35,502
BUT HE WOULDN'T TURN
ON HER.
746
00:34:35,504 --> 00:34:37,170
YOU'RE BUYING
THEIR LITTLE SOAP OPERA?
747
00:34:37,172 --> 00:34:38,839
I THINK THEY MIGHT HAVE HELPED
KILL STONE.
748
00:34:38,841 --> 00:34:40,674
I JUST DON'T THINK
THAT THEY KNEW.
749
00:34:43,712 --> 00:34:46,012
[footsteps]
750
00:34:46,014 --> 00:34:50,284
THIS IS THE LAST LOOP
THAT STONE PRE-RECORDED.
751
00:34:50,286 --> 00:34:52,018
IT WAS SWITCHED ON
752
00:34:52,020 --> 00:34:53,153
WITH AN HOUR TO GO.
753
00:34:53,155 --> 00:34:55,105
IT GIVES HIM TIMETO GET FROM THE SAFE ROOM
754
00:34:55,107 --> 00:34:56,606
TO THE UNDERGROUND CASKET.
755
00:34:56,608 --> 00:34:58,442
MM-HMM.
LOOK AT HIS BREATHING.
756
00:34:58,444 --> 00:35:01,745
(Eames) HE'S BARELY BREATHING.
757
00:35:01,747 --> 00:35:03,514
THIS ONE...
758
00:35:03,516 --> 00:35:05,532
IT'S AN HOUR EARLIER.
759
00:35:05,534 --> 00:35:08,652
THE LIVE FEED
FROM THE SAFE ROOM.
760
00:35:08,654 --> 00:35:12,122
HE'S NOT BREATHING
AT ALL.
761
00:35:14,225 --> 00:35:17,561
OH, PLEASE.
PLEASE, I'VE DONE NOTHING.
762
00:35:17,563 --> 00:35:19,396
AH!
DON'T!
763
00:35:19,398 --> 00:35:21,064
[grunt]
764
00:35:21,066 --> 00:35:22,749
[applause]
765
00:35:22,751 --> 00:35:25,686
THAT'S...
766
00:35:25,688 --> 00:35:26,820
THAT WAS GREAT.
767
00:35:26,822 --> 00:35:29,089
[laughing] REALLY.
768
00:35:29,091 --> 00:35:30,390
OH, DEAN, GO AHEAD.
769
00:35:30,392 --> 00:35:32,892
I'M SORRY.
YOU CAN DO YOUR BOW THING.
770
00:35:33,828 --> 00:35:34,928
I USED TO HAVE
ONE OF THESE WHEN I WAS A KID.
771
00:35:34,930 --> 00:35:36,163
I DID, REALLY.
HONESTLY.
772
00:35:36,165 --> 00:35:38,098
MINE WAS 11 FOOT.
773
00:35:38,100 --> 00:35:39,699
BUT, YOU KNOW,
A LITTLE DIFFERENT THAN THIS.
774
00:35:39,701 --> 00:35:41,151
MINE WAS A DOUBLE BLADE.
775
00:35:41,153 --> 00:35:43,987
THIS IS, A, UM, ER,
A BODY SWITCH, RIGHT?
776
00:35:43,989 --> 00:35:46,240
SOMETHING LIKE THAT.
YEAH.
777
00:35:46,242 --> 00:35:47,540
YOU CAN TAKE OFF.
778
00:35:47,542 --> 00:35:48,642
THIS IS REALLY COOL, THOUGH.IT REALLY IS.
779
00:35:48,644 --> 00:35:50,194
YOU KNOW, I MEAN,
IT'S ALL PRETTY SIMPLE.
780
00:35:50,196 --> 00:35:52,896
YOU KNOW.
IT'S ALL JUST FAKE LEGS,
781
00:35:52,898 --> 00:35:54,130
TRAPDOORS...
782
00:35:54,132 --> 00:35:55,899
PLEASE DON'T TOUCH THAT.
783
00:35:55,901 --> 00:35:56,917
[laughing]
784
00:35:56,919 --> 00:35:58,652
I MEAN, IT ALL JUST SEEMS
SO OBVIOUS
785
00:35:58,654 --> 00:36:01,588
WHEN YOU FINALLY KNOW
WHAT THE SECRET IS.
786
00:36:01,590 --> 00:36:02,656
IT'S JUST, LIKE,
RIGHT IN FRONT OF YOUR FACE
787
00:36:02,658 --> 00:36:05,025
THE WHOLE TIME.
788
00:36:05,027 --> 00:36:07,894
YEAH, IT'S MISDIRECTION.
789
00:36:09,230 --> 00:36:10,164
YEAH, MISDIRECTION.
790
00:36:10,166 --> 00:36:12,599
YEAH, WE ARRESTED
STONE'S KILLERS.
791
00:36:12,601 --> 00:36:15,302
JACOB GREEN
792
00:36:15,304 --> 00:36:16,370
AND HIS FIANCEE.
793
00:36:16,372 --> 00:36:20,274
SHE'S A, UH, BURN UNIT NURSE.
794
00:36:20,276 --> 00:36:21,508
UH, TERESA.
795
00:36:21,510 --> 00:36:23,110
REALLY?
796
00:36:23,112 --> 00:36:26,062
I-I-I KNOW
HOW THIS TRICK WORKS.
797
00:36:26,064 --> 00:36:27,431
DID THEY CONFESS?
798
00:36:27,433 --> 00:36:31,452
NO, BUT THEY POISONED HIM
THROUGH HIS IV.
799
00:36:31,454 --> 00:36:32,586
THEIR PRINTS WEREALL OVER THE SAFE ROOM.
800
00:36:32,588 --> 00:36:33,920
PLEASE, ONE TIME.
801
00:36:33,922 --> 00:36:36,490
OH, THAT'S HOW THEY DID IT.
802
00:36:36,492 --> 00:36:39,659
THE BURIED ALIVE GAG,
I MEAN.
803
00:36:39,661 --> 00:36:41,695
A SAFE ROOM.
804
00:36:41,697 --> 00:36:42,929
WELL, KILLING HIM
WAS THE EASY PART.
805
00:36:42,931 --> 00:36:44,564
HE WAS A SITTING DUCK.
806
00:36:44,566 --> 00:36:46,650
(Goren) BUT THE THEATRICS,
807
00:36:46,652 --> 00:36:49,403
THE SPECTACULAR...
I KNOW HOW TO DO THIS.
808
00:36:49,405 --> 00:36:50,737
I CAN... WATCH.
809
00:36:52,307 --> 00:36:55,041
YOU KNOW, THE THING WE CAN'T
FIGURE OUT IS HOW
810
00:36:55,043 --> 00:36:57,428
JACOB PULLED OFF THE SWITCH.
811
00:36:57,430 --> 00:36:58,662
[gasps]
812
00:36:58,664 --> 00:36:59,830
ISN'T THAT GREAT?
LOOK.
813
00:36:59,832 --> 00:37:01,265
[Goren laughs]
814
00:37:01,267 --> 00:37:03,867
SORRY.
815
00:37:03,869 --> 00:37:07,004
WELL, DIDN'T YOU SAY
HIS FIANCEE WAS INVOLVED?
816
00:37:07,006 --> 00:37:10,507
OH, SHE WAS ONSTAGE
WITH CARMINE
817
00:37:10,509 --> 00:37:12,259
WHEN STONE'S BODYMUST HAVE BEEN MOVED,
818
00:37:12,261 --> 00:37:14,627
AND JACOB WAS
AT THE GRAVESITE.
819
00:37:14,629 --> 00:37:15,896
THIS.
THANKS.
820
00:37:15,898 --> 00:37:18,698
SO, ALL HE NEEDED
WAS A STAGEHAND
821
00:37:18,700 --> 00:37:20,901
TO MOVE THE BODY
FROM THE SAFE ROOM
822
00:37:20,903 --> 00:37:22,102
TO CONEY ISLAND.
823
00:37:22,104 --> 00:37:23,536
BUT NOT JUST ANYONE.
824
00:37:23,538 --> 00:37:25,772
I MEAN, YOU CAN'T GIVE
AN OUTSIDER THE ACE TO PALM.
825
00:37:25,774 --> 00:37:27,674
I MEAN, IT HAD TO BEANOTHER MAGICIAN,
826
00:37:27,676 --> 00:37:29,576
SOMEONE AS GOOD AS STONE.
827
00:37:29,578 --> 00:37:32,362
LOOK, YOU KNOW,
FOR AWHILE,
828
00:37:32,364 --> 00:37:34,247
I THOUGHT IT WAS YOU.
829
00:37:34,249 --> 00:37:36,416
YOU KNOW,'CAUSE YOU FIT THE PROFILE.
830
00:37:36,418 --> 00:37:38,785
FOR WHATEVER IT'S WORTH,
AND ACCORDING TO YOU,
831
00:37:38,787 --> 00:37:40,103
NOT MUCH, BUT...
[scoffs]
832
00:37:40,105 --> 00:37:41,705
STILL, IT'S ALWAYS FLATTERING
833
00:37:41,707 --> 00:37:43,924
WHEN PEOPLE THINK
YOU'RE SMARTER THAN YOU ARE.
834
00:37:43,926 --> 00:37:45,059
OR MORE VAIN.
835
00:37:45,061 --> 00:37:48,095
DIDN'T YOU USED TO HAVE
A NETWORK DEAL
836
00:37:48,097 --> 00:37:51,165
BEFORE THEY DROPPED YOU
IN FAVOR OF STONE?
837
00:37:51,167 --> 00:37:54,901
HOW MANY MILLIONS OF PEOPLE
SAW HIM ON TV THAT NIGHT?
838
00:37:54,903 --> 00:37:56,136
(Goren) 15.
839
00:37:56,138 --> 00:37:59,139
PERFECT OPPORTUNITY
TO SHOW MILLIONS OF PEOPLE
840
00:37:59,141 --> 00:38:01,475
THAT STONE WASN'T
THE REAL DEAL.
841
00:38:01,477 --> 00:38:03,643
WELL, ALL DUE RESPECT,
HE WASN'T.
842
00:38:03,645 --> 00:38:04,895
(Goren) NOT LIKE YOU.
843
00:38:04,897 --> 00:38:06,797
I MEAN, I THOUGHT
THAT YOU KILLED HIM
844
00:38:06,799 --> 00:38:07,981
BECAUSE HE ECLIPSED YOU.
845
00:38:07,983 --> 00:38:09,499
[scoffs]
846
00:38:09,501 --> 00:38:10,734
THAT'S A PATHETIC PORTRAIT.
847
00:38:10,736 --> 00:38:12,903
(Goren)AND IT'S WAY TOO SIMPLE.
848
00:38:12,905 --> 00:38:16,990
I REALIZED WHEN I WAS WATCHING
STONE'S WEB CAM FEED
849
00:38:16,992 --> 00:38:18,958
THAT FOR ALMOST AN HOUR,
850
00:38:18,960 --> 00:38:21,628
HIS CHEST STOPPED MOVING.
851
00:38:21,630 --> 00:38:22,996
MM, HIS FANS WERE WATCHING
A DEAD MAN
852
00:38:22,998 --> 00:38:24,131
AND DIDN'T EVEN KNOW IT.
853
00:38:24,133 --> 00:38:26,133
(Goren)THE KILLER WAS BRAZEN ENOUGH
854
00:38:26,135 --> 00:38:28,034
TO KILL STONE IN FRONT
OF MILLIONS OF WITNESSES.
855
00:38:28,036 --> 00:38:30,236
IT TOOK REAL PASSION.
856
00:38:30,238 --> 00:38:33,657
THAT'S WHEN WE KNEW
IT COULDN'T HAVE BEEN YOU.
857
00:38:33,659 --> 00:38:36,743
YOU HAVE SOME ANGER,
DON'T YOU, DETECTIVE?
858
00:38:36,745 --> 00:38:37,894
IS IT THE BETRAYAL?
859
00:38:37,896 --> 00:38:39,513
WELL, WHAT ABOUT YOURS?
860
00:38:39,515 --> 00:38:41,648
YOU KNOW,
861
00:38:41,650 --> 00:38:43,617
YOUR BETRAYAL
862
00:38:43,619 --> 00:38:45,185
OF YOUR ART.
863
00:38:45,187 --> 00:38:47,954
WE SAW YOUR SHOW,
864
00:38:47,956 --> 00:38:50,890
AND YOU KNOW...
865
00:38:50,892 --> 00:38:52,125
YOU'RE PHONING IT IN.
866
00:38:52,127 --> 00:38:54,361
TEN YEARS AGO,
867
00:38:54,363 --> 00:38:55,796
YOU WOULD HAVE HAD
THE AUDACITY,
868
00:38:55,798 --> 00:38:56,797
BUT NOW, NO CHANCE.
869
00:38:56,799 --> 00:39:00,533
WHAT ABOUT YOU,
DETECTIVE?
870
00:39:00,535 --> 00:39:02,468
LOST A STEP OR TWO
OVER THE YEARS,
871
00:39:02,470 --> 00:39:04,070
OR DO YOU STILL THINK YOU CAN
PULL OFF THE BIG SOLVE
872
00:39:04,072 --> 00:39:05,455
WHEN YOU NEED TO?
873
00:39:05,457 --> 00:39:07,274
(Eames)OH, BUT HE SOLVED THIS ONE.
874
00:39:07,276 --> 00:39:11,244
JACOB WAS THE JEALOUS,
UNSUNG GENIUS
875
00:39:11,246 --> 00:39:12,763
WHO PULLED OFF
THE GREATEST TRICK
876
00:39:12,765 --> 00:39:16,116
OF ALL TIME, LIVE,WHILE THE NATION WAS WATCHING.
877
00:39:16,118 --> 00:39:17,284
I THOUGHT YOU SAID
878
00:39:17,286 --> 00:39:18,885
YOU STILL DIDN'T KNOW
HOW HE DID IT.
879
00:39:18,887 --> 00:39:21,487
NO, WE DON'T,
BUT HE'LL PROBABLY END UP
880
00:39:21,489 --> 00:39:22,588
PLEADING OUT.
881
00:39:22,590 --> 00:39:23,824
YOU WANNA KNOW
THE IRONY OF THE THING?
882
00:39:23,826 --> 00:39:25,491
IF YOU INSIST.
883
00:39:25,493 --> 00:39:26,693
THAT JACOB ENGINEERED
884
00:39:26,695 --> 00:39:27,994
THE WHOLE TRICK
JUST TO SHOW THE WORLD
885
00:39:27,996 --> 00:39:30,430
THAT STONE WASN'T
WHAT THEY THOUGHT HE WAS.
886
00:39:30,432 --> 00:39:32,732
YEAH,
AND SINCE HE WON'T CONFESS,
887
00:39:32,734 --> 00:39:35,185
STONE'S DEATH
IS STILL A MYSTERY.
888
00:39:35,187 --> 00:39:36,536
RIGHT, HE'LL PROBABLY
END UP BEING
889
00:39:36,538 --> 00:39:39,990
A BIGGER LEGEND THAN,
I DON'T KNOW, LIKE, HOUDINI.
890
00:39:39,992 --> 00:39:42,493
(Eames) AND JACOB,
THE ONLY PERSON
891
00:39:42,495 --> 00:39:44,027
WHO KNOWS THE SECRET,
892
00:39:44,029 --> 00:39:46,329
WON'T REVEAL IT.
893
00:39:49,216 --> 00:39:50,584
[laughs]
894
00:39:52,887 --> 00:39:57,674
JACOB IS NOT A GENIUS;
HE'S A GEEK.
895
00:39:57,676 --> 00:39:59,159
THE TUNNEL,
THE SAFE ROOM,
896
00:39:59,161 --> 00:40:01,027
THEY'RE ALL VERY WORKMAN-LIKE,
897
00:40:01,029 --> 00:40:02,762
BUT NO VISION.
898
00:40:02,764 --> 00:40:04,714
NO, NOT LIKE STONE,
899
00:40:04,716 --> 00:40:06,850
WHO, I THINK, YOU KNOW,
HE TRANSCENDS MAGIC.
900
00:40:06,852 --> 00:40:08,735
MM-HMM.
901
00:40:08,737 --> 00:40:11,038
STONE WAS AN OVERPAID,
OVERINDULGED LITTLE PUNK.
902
00:40:13,458 --> 00:40:16,142
BUT HE HAD NERVE,
YOU GOTTA GIVE HIM THAT.
903
00:40:16,144 --> 00:40:17,577
NERVE?
904
00:40:17,579 --> 00:40:21,131
[scoffs]
905
00:40:21,133 --> 00:40:22,866
THE ONLY NERVE THAT HE HAD
WAS TO THINK
906
00:40:22,868 --> 00:40:25,368
THAT IT ALL BEGAN AND ENDED
WITH HIM.
907
00:40:25,370 --> 00:40:28,371
YOU KNOW, THERE IS A HISTORY
TO WHAT WE DO.
908
00:40:28,373 --> 00:40:29,472
THERE IS A CODE.
909
00:40:29,474 --> 00:40:31,374
THAT KIND OF DISRESPECT...
910
00:40:31,376 --> 00:40:33,443
AND HE NEEDED
TO BE TAUGHT A LESSON.
911
00:40:33,445 --> 00:40:34,544
YEAH, YEAH,
HE DID.
912
00:40:34,546 --> 00:40:36,213
(Eames)YOU HAD THE PERFECT CRIME:
913
00:40:36,215 --> 00:40:37,681
SLIP INTO STONE'S SAFE HOUSE,
914
00:40:37,683 --> 00:40:40,650
INJECT THE POTASSIUM CHLORIDE,SLIP OUT.
915
00:40:40,652 --> 00:40:42,835
YOU EVEN HAD
TWO PERFECT PATSIES
916
00:40:42,837 --> 00:40:44,137
TO TAKE THE FALL.
917
00:40:44,139 --> 00:40:49,042
BUT YOU'RE TOO MUCH
OF A SHOWMAN FOR THAT.
918
00:40:51,346 --> 00:40:54,848
YOU TOOK STONE'S BODY
TO CONEY ISLAND YOURSELF,
919
00:40:54,850 --> 00:40:56,883
PLANTED HIMON CARMINE'S STAGE...
920
00:40:59,487 --> 00:41:01,521
COME ON, DEAN.
921
00:41:01,523 --> 00:41:02,689
WHAT'S THE BIGGER CRIME?
922
00:41:02,691 --> 00:41:04,324
THAT YOU KILLED MILES STONE,
923
00:41:04,326 --> 00:41:06,510
OR THAT NO ONE
WILL EVER KNOW?
924
00:41:06,512 --> 00:41:09,596
I MEAN,YOU NEED TO TAKE HIM DOWN.
925
00:41:09,598 --> 00:41:11,665
THERE'S ONLY ONE WAY.
926
00:41:16,421 --> 00:41:19,522
YOU KNOW, STONE IS AS MUCH
TO BLAME AS I AM.
927
00:41:25,263 --> 00:41:26,963
IF HE HADN'T STARVED HIMSELF,
928
00:41:26,965 --> 00:41:28,999
IF HE HADN'T MADE IT
LOOK SO REAL...
929
00:41:31,869 --> 00:41:34,504
HE MIGHT HAVE HAD THE STRENGTH
TO PUT UP A FIGHT.
930
00:41:38,009 --> 00:41:39,642
[laughs]
931
00:41:39,644 --> 00:41:43,296
HE MADE IT EASY
FOR ME.
932
00:41:45,350 --> 00:41:47,851
DEAN HOLIDAY, YOU'RE
UNDER ARREST FOR THE MURDER
933
00:41:47,853 --> 00:41:50,637
OF MILES STONE.
934
00:41:54,158 --> 00:41:56,193
NO, I DON'T THINK SO.
935
00:41:56,195 --> 00:41:58,428
[laughs]
936
00:41:58,430 --> 00:42:00,397
IS ALL THIS RESTRAINT
REALLY NECESSARY?
937
00:42:00,399 --> 00:42:02,148
WE LEARN OUR LESSONS TOO.
938
00:42:05,236 --> 00:42:08,739
GLAD SOME PEOPLE STILL KNOW
THE MEANING OF RESPECT.
939
00:42:08,789 --> 00:42:13,339
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