Original subtitles

[ENGLISH] [SOME SPANISH TOO]

Pepe! That's me!

Ahora, muchachos. Venganse todos para ca abajo.

Y no se metan espajando. Todos juntos que les voy hablar.

Es algo muy importante.

Quieto burrito, quieto hombre.

Porque no avisas, hombre. Quieto, quieto, quieto.

Todos para abajo y que no me falte ninguno.

Donde esta Guillemon? Donde esta Pancho?

Gracias.

Ah, Senor Rodriguez. I knew, of course, that Don Juan was

a great stud horse, but I had no idea he was so talented.

Muchas gracias, senora.

Speaking of talent, Greer, when are you going to make a picture for me?

Oh, Eddie, that's a lovely idea.

But you know, today I'm not Greer Garcen, the actress.

I'm just Mrs. Budy Fogelson, private citizen.

Something tells me we may be competing for the same horse.

He'll make a wonderful present for my husband.

Well, I hated to spoil the colonel,

but I've got Don Juan earmarked for my stable.

Senor Rodriguez. Does Don Juan have any

special characteristics that I should know about?

You both have to ask my foreman, Pepe.

He raised him from the cot.

Hello, you old coot. What are you doing so far away from home?

What does an old coot usually do?

I can answer that, but there's a lady present. Hi, Greer.

- Hi, Ted. Good to see you again. - Good to see you.

You know, it's a lucky thing I bumped into you.

- Lucky for whom? - I've got a great proposition.

I'm going to let you in on the ground floor.

Well, don't strain yourself.

Let's not be difficult. This is a very nice little package.

Last time we met, you had a nice little package too.

Look, this is not only my idea, but I wrote the whole thing myself.

The title is right is fouling me Up. You know.

Good for you. Other directors do it. Why not you?

Whole picture laid right in Mexico. All Mexican cast one American girl.

- Mexico's been down. - Not my way.

Well, I've tried it your way and I don't like it.

What's more, I don't like being button holed outside the office.

Right now I'm interested in only one thing.

That magnificent hunk of horse flesh I'm buying.

Well, you know, it's too bad you lost your vision and no horse yet.

Hope you're not too sorry when I sell it somewhere else.

- Cross my heart. - Bye, Greg.

- Give my lover to Budy. - Bye, Dave. Thanks.

Pepe get out the ring. You'll be killed.

Pepe!

Ay, mamacita! Ay, quico.

Go on, Pepe. Get out that ring!

Quieto! Quieto!

Well, I tell you something, sir.

My grandfather was a very famous Mexican matador, you know that?

And he gave me this. You know what is this?

- No, what is that? - It's a brave bull's ear.

- What? - Brave bull's ear.

Oh, an ear. Bull's ear. Oh, I see.

Always bring me good luck. Always.

Excuse me. That hocus pocus of yours better work, Pancho.

There's a greedy bunch out there just waiting to get their hot hands on your boy.

Maybe they buy another horse.

Stop grieving. Lover Boy they want.

He's got a big reputation. When you got that, you're in demand.

When you louse it up, you're through. Washed up.

You can believe me because I know.

Well, so long, pal. Ah, Pepe. Huh?

- Pepe. - Good luck, Pepe.

So long, Pancho.

Forgive me, my son. I must ruin your reputation.

Look sick. Look sick. Look sick.

Pepe. I am Mrs. Fogleson. I am very much

interested in your horse, Don Juan. Pepe.

And Senor Rodriguez said that you could tell me all about him.

- Will you? - I'm very happy to tell you.

Muchas gracias.

Does he have any little peculiarities?

Peculiarities? What is this?

Any unusual habits? You know.

He bites? Well, only people he doesn't like.

No. Does hit.

- He does? - Yes.

Oh, he's such a beauty.

Don Juan? He looks a bit tired, doesn't he?

He needs another shot of tequila.

- Tequila? - Yes.

You mean you give this horse stimulants?

He's no stimulant. He have much pain.

To forget pain, he need tequila all day, all night?

Yes. He just drink and drink and drink.

Oh, he does? You mean to tell me he's an alcoholic?

Oh, no, senora. Don Juan is not alcoholic.

Don Juan is just a drunk.

Poor creature. Why haven't they put him out of his misery?

That's what I thought. But who would buy that horse?

Well, you got a point there.

Muchas gracias, Pepe.

And this is for your alcoholic friend.

All right. Buster to the next court's on me.

- Hasta la vista, Pepe. - Hasta la vista, senora.

Thank you very much.

Oh, Don Juan. My dear son. We are happy.

Mrs. Fogelson. Not beat, not beat.

Somebody's coming. Be sick again. Don Juan be sick.

Come on, come on, come on, come on. Don Juan, my son. Come on.

- What's the matter with Don Juan? - Nothing, senor.

He always lie down when he have dizzy spells.

- Dizzy spells? - Yes, sir.

Does he get them often?

No, only when he gets too near the lady horse.

What? I don't get it.

A great sire like Don Juan.

Where did he get the big reputation?

Well, you know, sir, the reputation is very important, sir.

Well, I'm glad I saw the great lover in this boudoir.

My mares are looking forward to something with a little more zip.

Don't Juan have plenty zip.

- Oh, yes, I can see that. - Excuse me, sir, but it's time for pill.

- Pill? - Yes, sir.

What, you mean he's sick too?

It's nothing. All he do is...

Oh, please, don't. I'm a hypochondriac.

- Do you want a pill? - No, thanks. I got my own.

- Because it's very good for you too. - Never mind.

One step ahead of the glue factory.

I hope he don't died before save,

But as far as I am concerned, he's dead already.

Thanks for the tip. I'll pass it along.

No one puts anything over on me.

Certainly not.

Maybe he's wrong.

Come on.

Ladies and gentlemen, the auction will start in ten minutes.

- All handlers kindly bring... - Get my beatbag.

Hurry up. Get my beatbag.

"Pronto!"

My grandfather, please, don't let me alone.

Thank you. My son. Don't be afraid. Don't be afraid my son.

Trust your father. Trust your father.

My son. My son. Hear me, limp. Please, limp.

Like your father. Look. Look at me. Look at me.

Limp. You have to limp.

Limp. Limp like me. Walk sick.

Walk sick. My son. Good. My son.

"A que se le permite". Come on.

My friends, we now come to the last animal in the sale.

Our most magnificent stallion, Don Juan.

Ladies and gentlemen, what am I being for this unusual specimen.

Remember, my friends, Don Juan was sired from many notable offspring.

Senor Casanova, Romeo boy. Don Casanova.

Senor Romeo and many others.

- I personally gather... - What's the sonny, looks sick.

He does?

It was all right ten minutes ago. What happened?

Ten minutes ago? But you know, the sickness come on very fast.

Yeah, didn't it?

My friend? Why do you hesitate?

Speak out. Speak out.

This is the horse you've been waiting for.

What am I fee?

Three thousand three hundred, one peso

77 centavos and two American Soback.

- Cash! - Pepe.

Is there any higher bid?

Going once,

Going twice,

4,000.

Four thousand.

Do you think Ted knows that Don Juan's an alcoholic?

They should be very happy together.

4,000 once, 4,000 twice.

4000 for the third and last time.

Sold to the gentleman on the fence.

Sorry, Pablo, I need that horse more than you do.

Le condenado. Estas viendo lo que estas pasando y se rie.

- Pepe? - Yes.

- You deceived me. - I know.

I did something wrong.

So I come this. I lost everything.

My son, my master. Everything.

Your son?

Yes, Don Juan.

Oh, Don Juan.

I raised him from a baby when his mother break her leg.

I nursed him through the influenza.

And it's a secret. Don't tell anybody.

But I introduced him to his first sweetheart.

I do. And now when he's sold my heart is broke.

No Pepe, don't, you're making me cry.

Listen, how would you like to come to the

United States to New Mexico and work at our ranch?

We've got lots of wonderful horses then.

No, it's no use. I am one horseman.

You're right. I must go find one.

Work too hard and make lot of money to buy back my son.

Well, yes, I think you're right, Pepe.

You do belong together. A father's place is with his son.

You're right.

Please, can you tell me where I find the men who put fleece and my low?

- You'll find him in Hollywood. - Hollywood?

Hollywood, USA. Look, I'll write it down for you. Here.

- This is his name. - Thank you.

I have to find...

Ted Holt. And that's the studio seat in Hollywood.

And on this side that's my address in Hollywood

in case you need any help when you get there.

Thank you.

Pepe, let me give you a little good luck piece.

I have a good luck piece. I have a good luck piece.

- Here. - Here?

Brave bull.

- Oh, yes. - Look at that.

Oh, yes, I'm sure that's most effective.

It is. Now, I trust you again.

I trust you again. Forgive me, grandfather.

Forgive me. Please, forgive me.

Well, who knows?

But now listen, Pepe, tomorrow I'll send the

tickets and all the other papers here to you at the Hacienda, see?

- Manana. - And then you'll be in your way.

On my way.

This is my picture.

Don't looks like me because everyone in

my family looks like my mother but me.

- Where are you born? - In the "hacienda".

In the very small bed. Because I was very small too.

I like your uniform. He's very pretty.

Why are you going to California?

- To be with my son. - He works there.

I don't call it work. It's more like a play.

- Do you want some? - No. Onion.

- It's a very good. - No, thanks.

- Does he go to school? - Does what?

Does he go to school? "Escuela", school.

Escuela? Why? He had to go to the school?

- Maybe he could learn English. - Learn English?

Tell me, what is the difference between English and Spanish?

For example, if you don't speak English and somebody don't speak Spanish...

Forget my question.

This his mother with him?

No. She broke a leg, and I shot her.

Broke leg and you shoot... You shot your wife?

No, my son's mother. I'm not married.

Then your son is illegitimate.

- What? - Illegitimate.

Illegitimate? No. He's a stallion.

- Stallion? - Yeah.

- His son's a horse. - I mean, a horse. He's very strong.

Sure should be.

You look very unhappy. You have some trouble in your home?

No, my trouble is here.

While you stay here? Let's go to your home and you don't have any trouble.

- Can I do something for you? - Yeah.

Eat lunch across the border.

Okay.

In case you change your mind. It really is very good.

Bye.

Who's that character?

His son is...

Well, he's the father of the...

You wouldn't understand that.

I like to see "senor' Holt.

- Ted Holt? - Yes.

- He just went in. - He make a picture?

No, he's having a haircut.

He hasn't made a picture here in years.

It's very important to me to see him, sir.

- What about? - He stole my son.

- Stole your son? - Yes.

Look, you gotta wait over there. Go on.

Okay.

Stole his son.

Through for the day. Miss Gabor?

Yes. I'm going home and I'm reading this wonderful book.

It's all about men. About the interesting men.

Get her. Big movie star.

You are movie star, "senorita"?

Me. I would be cut dead in this racket.

Ever hear Susie Murphy? See my picture up there?

Don't look. You never will.

Hey, you're new here, aren't you?

- Yes, I came today. - Welcome to Smogville.

- What do you think? - Well, I think you need new shoes.

Can the wisecrack fix it?

- It's a pretty big hole. - So plug it.

Plug it.

Why you don't like to be in movies?

Because I've had this rat race. My mother was an extra.

Extra? What is extra?

It's the lowest rung on the movie ladder.

She started as an extra and worked her way to a stand in.

My old man was a prop man and ended up a night watchman.

Some progress.

I come from a long line of failures.

It's not nice way to talk of parents.

What do you mean? I love my parents.

They gave up everything.

Starved themselves to give me lessons. Me!

Oh, boy, they had blind spots as big as saucers about this business.

But I got my eyes wide open.

Why a very nice young girl like you talk so tough?

Because I am tough, Buster.

I don't think so, Buster.

What? It's plug it.

- Okay. What's the bite? - Bite?

- The tariff? - What do you mean?

- How much do I owe you? - How much you have to pay me?

- It's nothing, is free. - Who do you think you're kidding?

You're wrong, lady. It was pleasure to fix it.

Okay.

That's the way you get your kicks.

I work at Kelly's Alley on Sunset.

Drop over some night and I'll buy you a belt.

A belt?

As a matter of fact, I think you need one.

- So long. - So long.

She needs new shoes, but most of all, she need a friend.

She's very pretty.

Hey, buddy, what was that crack you made about Mr. Holt stealing your son?

I know he's been in trouble before, but kidnapping?

I think maybe you call it "horse napping".

What kind of napping?

Ah, leaving already, Mr. Crosby?

Yeah, I gotta go down and record some of my old favorites.

Hope I can still remember.

I have some messages for you. I'll get them.

Okay.

And every time it rains, it rains Pennies from Heaven

Don't you know each cloud contains Pennies from Heaven?

You'll find your fortune falling... all over town

Who's this character leaning on my buggy with his breeches hanging down?

Must be an autograph under her.

Let's fall in love why shouldn't we fall?

Come in, have it.

Our hearts were made of it let's take a chance.

Why be afraid of it?

It was the first time I ever signed a tortilla.

There you are. Let's close our eyes

- and make our own... - What you put ink on my lunch?

We should take home. Why be afraid of it.

- On your lunch? - Yes.

- Where are you from, son? - My country is...

South of the border. Down Mexico way.

- How you know? - One of my top favorites.

That's where I fell in love while stars above came out to play.

I see you got another call here from Bob Hope. He calls anymore.

Tell him I got a bit for him in my next picture.

He's going to play the part of my father.

And now when I wander my thoughts ever stray

south of the border, down Mexico way

Down Mexico way

Linda. Linda. Linda. Thanks, pal. Happy tortilla.

Thank you. Listen, you work here?

Yeah.

Can you tell me where I find my son?

- Your son? - Yes.

I'm still trying to catch up to mine.

Listen, just to eat around the signature, will you?

- Yeah. - Save the rest for your son.

Okay. Adios. You seem very good, brother.

I don't want to tell you again. You'll have to wait across the street.

What is the difference if I waiting here and...

It's okay, General. Don't be exciting.

En la frontera.

de Mexico fue

Y en la frontera.

You did it. Why'd you do that, little boy?

Because I'm a mischievous little boy. I'm Dennis a menace.

I'm Pepe.

- I fool you, didn't I? - You fool me, condenado juerito.

- Bye! - Bye!

Tut! Tut! Tut!

And a grown man. Give me that.

That little thing.

I'm... I'm so sorry. You take this.

Say, what are you, juvenile delinquent?

No, I'm a Mexican.

Down to the border the Mexican way

A bad day, ain't? I was attacked from the rear.

My car stopped out on the street.

- Will you help me get it rolling? - Surely, Mr. Colbert.

- Blue Tbird. - What bird?

The Tbird blue. Where is it?

Maybe it fly back to nest.

There it is. The blue car in the last row.

- Nest? - Oh, it's a car.

- Yeah! - A blue one.

It's a nice color. I like very much.

Oh, well, that's very nice and thank you.

But could you hurry because I've got a dentist appointment.

You know how dentists are. I'm late.

I know a doctor Lopez. He is a very good doctor.

He take out my son's tooth when he bite on a stone in the hay.

A stone in the hay.

Would you please hurry up and get the car?

Yes...

Tenga calma no sea precipitosa, chula.

Ahorita le trago su carro, senorita.

Thanks ever so. He's a nut.

All the pain. Has got to be a better way of making a living than this.

I don't know how they stand.

Thank you.

Eh, what happened to the pretty girl?

- Oh, pretty girl? That's me. - You?

Are you kidding? I don't believe you.

You are a bad man who tried to steal the lady�s car.

I tell you, this is my car. Please, please.

Okay. Okay.

Well, I'm not going to look. Is that flat?

No, only the bottom.

- Yeah, there it is. The jag. - Jag?

The yellow jaguar.

Oh, you wrong. The jaguar is not yellow.

The Jaguar is a very fierce animal.

I don't mean kind of Jaguar. I mean this kind.

Then away we go. That one. The yellow jaguar.

- The Jaguar is car too? - It's a car. My girl's car.

There.

The car you use when you dress like girl?

No, I mean the car that I use when I

dress like a man and I take out the girl.

- How does the girl dress? - Well, what is the difference...

Please get the car. Hurry, please.

Sure, sure, sir, lady. I mean... I mean...

- Ahy esta su porcaria. - Hurry up.

Will you hurry, because the dentist won't wait.

Hey Jack! Thank goodness I caught you.

- Billy needs one more shot. - No, he doesn't.

- I can't help it. - I'm on the way to the dentist.

I've got a hole...

Here's your car, senor...

I mean, lady...

I don't know what you are.

I'm sorry but I'm have to change my planes.

I should take back.

There goes my dental appointment. There goes my teeth.

- There goes your car. - There goes my girl's car.

There goes my girl.

A quico. A que empurron, hombre.

- Mr. Holt? - Pancho?

- You remember me? - How did you find me?

A very nice lady told me.

Oh, boy, am I glad to see you.

I don't think you like to see me after double cross.

That was no double cross. That was a double double cross.

When you told me Don Juan was no good, you told me the truth.

Please. You insult my son.

Look, your son is a dud. You show him a classy philly, he turns his head.

He looks back to Mexico for his father.

He's very lonesome.

Who made love when the heart is breaking?

With me it's different.

Well, I don't know about you, senor, but I know about my son.

All right, let's get these bumpers apart and we'll test out your theory.

It's the servants day off. In fact, they've been off all year.

Fan mail from the bill collectors.

There's a juger martinis in the deep freeze.

I'm on the wagon myself, but by the time it thaws, I'll probably be off.

Muchas gracias, senor. But I don't drink.

Except on my birthday. My brother's birthday.

Fiesta days, labor Day and Sundays.

And a very special occasion. I don't do much.

Excuse me, please. Where is my son?

Oh, he's around here someplace.

Usually sleeps in the billiard room on the pool table.

You don't have a stable?

No, I never had a horse for a house guest before.

My son. Here you father. Here I am.

My son. Is wonderful to see you again.

It's wonderful... What happened? You lose weight?

He eats better than I do, but he won't eat.

My son. Mr. Holt, you are a dude.

But that is not true. He's wrong.

You know something, my son?

Your lady friend from Mexico send their love.

And I bring for you something surprise for you, my son.

A care from the Didale of Strawberry Row.

Remember her?

Yes, you remember her. She missed you very much.

Very much.

You know, when he sees father, he is okay. He is happy.

And I thought I had seen everything.

Your father get job here, work too hard and I buy you from Mr. Holt.

I'm sorry, Pepe, but Don Juan is not for sale.

I got some big dates for him.

I'm figuring him supporting me now that he's back in action.

I should have let you think he's a bomb.

But I have harm my son enough.

Goodbye, Don Juan.

Be good. Be good.

And forgive me.

Mr. Holt. If the sun is very strong, be sure he wore this hat.

Pepe. Pepe, you can't leave. He'll lapse back into his coma.

You mean I stay work for you and I stay here with my son?

Well, I wouldn't insult you by offering money but I

can give you bed board and all the martinis you don't drink.

Mr. Holt you are a very kind man.

Susie! Susie Murphy!

Heft come by for that belt.

Two cafe espresso and a chocolate surprise.

- Surprise Is it's vanilla? - You are the waitress?

Among other things.

- Showtime, Susie. Pop it up. - Okay, boss.

- You are the boss. - Yes, I am the boss. What about?

Hurry up, here a couple of lives.

- Time for the floor show. - The floor show? What is that?

Just one of my odd jobs. If I don't dance, I don't eat.

Target there and watch the rumble.

Listen all you, people

Listen, though it's hard

I'm going to give you a word of advice.

I ain't going to say it twice.

Because it's definitely not nice.

Okay? Okay.

But all I got to say is

stay in your own backyard.

Now, put your drinks on the table

While I spin you a fable

to straight my point.

It once was a girl with traveling eyes.

Fell out of love with a hundred guys.

Once was a guy who swore he'd get her.

Swore on the very day he met her

She was a gas. She was a groove,

but she had to be on the move

The more she strained, the more he tried

To hold her order and keep her tight

Would not let her get out of sight

Watched her day and watched her night

And that's how it went, all right, all right

That's how it went, all right, all right

That's how it went, all right, all right

That's how it went, all right

She didn't want to stick to the letter. She had eyes for anything better.

Any old place where the grass was greener

Any old place where the air was cleaner

she got bored and he got meaner

Watched her day and night that's how it went all right, all right.

That's how it went all right. All right.

That's how it went all right. All right.

That's how it went

all right.

Then came a guy across the street,

head of a gang with a different beat.

Then came a day when he looked over.

Man in a minute, something drove her.

She had to go. She had to get.

But her lover said no, not yet.

She tried to run.

She saw the night.

He lost his head and don't you know?

She lost her life.

He brought her down. Just like a paper kite.

Watched her dress turn red from white

That's how it went, all right, all right

That's how it went, all right, all right

That's how it went, all right, all right

That's how it went,

all right

Hey, where do you think you're going?

You want to kill Her. No?

What you doing? It's my number.

Put me down! Put me down!

And that's how it went all wrong, wrong.

And that's how it went all wrong, wrong.

And that's how it went all wrong, all wrong.

And that's how it went...

all wrong

I'm so sorry. Because of me you lost the job.

Forget it. It was a crummy joint anyway.

- You forgive me? - Sure, I forgive you.

You know, it was the nicest thing anyone ever did for me.

When I saw the knife, I thought your life was in danger.

- It is. - What?

I may starve to death.

My meals went with that job.

You dance very good, Susie.

Maybe you get the job dancing in movie.

Listen, buster, I told you before, the movie bit is not for me.

Besides, who wants a hoofer?

Now, if I were a belly dancer, that's something else.

All they dig today are legs and bosoms.

- You don't have. - Sure I have.

But they want him king size.

It's a big mistake.

In my country we have a saying a small pad get hot quick.

Why'd you have to mention food?

If you come home with me, I fix for you, Susie.

- Where do you live? - Beverly Hills.

- Beverly Hills? - Yes.

- You work there? - No, but my son work.

I keep him company on the pool table,

so he can make money for my boss.

Say that again.

- My son... - No, don't bother.

I think you better take me to the bus.

What about you empty stomach?

I just lost my appetite.

Listen, it's a fine house.

Mr. Holt lived there alone with no relatives.

- Mr. Holt? - Yes.

- Is that Ted Holt, the director? - I think he's director.

Maybe I could force a little something down.

Maybe, buster.

I have a surprise. I bring you a girl.

It's very generous of you. Might pick my own girls.

Listen, Susie is a very good dancer and

I think maybe she can dance in your picture.

- You think or Susie think? - I think.

Susie does not want to be Lousy Rocket.

So this is Susie who doesn't want to be in pictures.

Takes a pretty smart operator to talk her way

into a strange ice box in the middle of the night.

You're wrong, Mr. Holt. He talked me into it.

Where did you two unlikely characters stumble across each other?

- She's shining pilot at the studio. - Where?

- I fixed her heel. At the studio? - What's wrong with that?

I wouldn't know. I've been shining my own shoes lately.

Very funny. You're a real comedian, aren't you?

Mother always said you were a scream on the set.

Don't tell me I dated your mother.

Don't flatter yourself.

She worked extra on one of your pictures.

- An extra? - What's wrong with being an extra?

Nothing, if you don't mind sitting around in your keyster all day.

Some people don't have any choice.

Everybody has a choice.

The trouble with most people is they don't take the right one.

Honey, don't get sore at me just because your mother had no talent.

My mother never had a chance.

In this business you make your own chance.

Luck. There's only opportunities, so backwards.

Who are you trying to kid?

In this racket It's who you know. And what do you do for?

Oh, I get it. Somebody made a pass at you,

so now the whole business stinks.

Honey, a guy can make a pass at you when

he comes to your door to sell you a vacuum cleaner.

So what? Shut the door. Don't make a federal case out of it.

When it comes to passes, brother, you should know.

You can bet I'm an authority.

You're so mad I beat you there.

- Why? - I'll tell you why.

Because I know what Susie's after, and she knows it.

So you want to be in pictures. But let's take a look at you now.

What makes you think the public is going to

plunk down good money to look at a mess like you?

The public wants glamour, charm, talent.

You look like something fell off the back end of a motorcycle.

- Mr. Holt. Why you talk so mean? - Because she's got it coming, that's why.

Taking advantage of a nice little guy like Pepe.

Busting in here in the middle of the night.

Pretending to despise the thing that you really like the most.

If there's anything I hate, it's a hypocrite.

You should talk. You had your chance.

You blew it.

You were on top and you lost it up.

Well, for your information, Mr. Holt.

I'd rather be a beat up nobody than a drunken has been like you.

Susie, please.

You may hear cry.

Well, it's a good sign. I didn't think she could do it.

Susie, get excited. She said a bad thing.

No, Pepe. Every word she said was true.

Go after and tell her I'm sorry.

I'll take a look and see what you can do.

Thanks, boss.

Well, Susie is not king size, but I think she is very good.

Susie, where you go?

Susie? He gives you job. Why you don't try?

- I can't. - But why?

Because I'm afraid. Afraid!

Don't be afraid, Susie. Listen to me.

If you look like bump outside, you feel like bump inside.

When the feeling is wash, curried, with ribbon and tail

she hold head high, she prance.

It's true. I know. In my heart's eye I can see it.

Your hair is soft and lovely.

You wear a dress floating like a cloud.

On your feet there are slippers.

Small, golden with no hole to plug.

You really see me this way?

Yes, Susie. In my ear is music.

Soft music for you to dance.

It's funny. I hear it too.

Lonely. She roamed through the city

The buildings seemed barren and brown

She was lost in the light of the distance

In a faraway part of town

Far away Far Away

Might just as well be a sorrow way

Over there where she long to be

When would she go? What would she see?

Slowly she walked and she wonder

The river reflected her brown

She was certain that someone was waiting

In a far away part of town

Far away Far away

How many strangers there are away

Over there, where she longed to run

How would she know

who was the one?

The far away heart

The far away heart

In the far away

part of town

That was Judy Garland recording "Of the faraway part of town".

This is KFWB Color Channel 98, Los Angeles

and along with Judy KFWB is signing off the air.

And we'll return tomorrow morning.

Mr. Holt. I'm so sorry. I forgot to turn off the radio.

Mr. Holt, do you like?

I like.

She might do okay in this business.

Without that chip on her shoulder. She had just a little touch of magic.

- Then you give her a job? - I might.

Well, let's go inside, thaw out a brace of martinis.

It's a little late for martinis.

If you don't mind, I think I'll take a rain check.

Oh, it's never late for martinis.

But it is a little late for you to be traveling back to Burbank alone.

Alone? I'm all right. It's a company I worry about.

Why don't you stay here?

We have plenty of empty bedrooms, don't we, Pepe?

Nice bedroom right next to Mr. Holt.

Sure, and we'll talk about the job in the morning.

Thanks, but I can't sleep anywhere but my own little pad.

You mean, can't or won't?

Both.

Now, if you have no objection, Mr. Holt.

I think I'll start my trek to Burbank.

- Mr. Holt is a very nice man. - Is he?

- He gave you a job? - He said he might.

- He offered you bed too. - That was more definite.

Hi, Sexpot, when you and I got a tie the knot?

Flattery will get you no place, Mr. Holt, especially without an appointment.

I got something better than appointments. She'll see I've got a horse.

Oh, a horse. Oh, that's different.

You tell your leader that I'm here to

talk about the greatest stud in the business.

Excuse me, sir. Mr. Ted Holt is here.

Says he wants to talk to you about the greatest stud in the business.

I already have.

Not one named Don Juan. You haven't?

Have Mr. Holt come in.

I'll read the script and call you tomorrow, Eddie.

Hi, Donna.

- Ted. Oh, it's so good to see you. - Good to see you too.

I'm watching your television show. I like it. How's the family?

- Which one? My own or my TV family? - Oh, both.

They're both fine.

From what I heard and what I see.

Is that a new script you're going to direct for Eddie?

- I hope so. - Oh, I hope so too.

- Keep your fingers crossed, will you? - I will. I'll do better than that.

The family and I'll say a good luck prayer for you.

Which family?

Both of them.

Pretty smart deal you pulled in Mexico.

Rodriguez got me. The whole thing was a frame.

That's right. Lover boy is better than ever.

No, the way I hear it, part of the frame came true.

My spies tell me Don Juan is still getting dizzy spells.

That was before his father arrived.

- Father? - Pepe.

Oh, now you remember Pepe. Little Mexican handler.

Oh, yes, Pepe.

He treated me to quite an Academy Awards performance.

Well, since he arrived,

Don Juan's performance is just as brilliant.

All right, what'll cost me?

This.

I won't put up a dime in anything you're connected with.

Why not?

Now, don't make it tough on yourself, old.

You know damn well why.

Oh, come on. I haven't had anything stronger than Dr. Pepper in months.

You've climbed on the wagon before.

Oh, come on. You're a big talent in this business.

Actor, producer. You know a good thing when you see it.

Do yourself a favor. Just read it.

Okay, I'll read it. But if I spark, someone else will have to direct.

Oh, no. This is my baby.

Nobody touches this but daddy o.

Well, this may come as a shock to you, Daddy o, but I like you.

If it was up to me, I'd take a chance on your talent.

But fortunately, my associates won't permit me to be so altruistic.

Look, Eddie.

I mean...

I don't think you quite understand.

Look, I have got to do this. Hear me? I've got to.

- I'm sorry. I'm getting hokey. - Forget it, Holt. I wish you luck.

Thanks.

You know, money's pretty tight these days.

Unless you've got a sure thing and you're not.

- Well, don't spoil me. - You spoil things for yourself.

If you change your mind, come back.

I won't change my mind. I won't be back.

Care to make a bet?

I got news for you. I gave up gambling too.

You feel like giving up women, better call your psychiatrist.

Happy little smog maker, you.

Hey, boss, here we are.

You like to swim?

Well, if it isn't little Miss Hollywood hater herself.

You're up bright and early. What's on your mind?

Job. Mr. Holt.

You said we'd talk about it this morning,

- or don't you remember? - Should have stayed all night.

Oh, should I?

Listen, Don Juan get you what you want, boss?

Yep, everything turned out just great.

You talked to that man about Susie?

Well, no, I didn't get around to Susie.

No, I didn't think you would.

I told you he was handing me a snow job.

Now, listen, nobody tells Ted Holt what

to do once he makes up his mind.

I'm putting you under personal contract.

- What's this personal bit? - Nothing. You're not my type.

We'll talk about your salary later, but here's a little advance.

You look like you could use it.

Thanks.

You know, my landlady locked me out of that closet she calls a room.

- Spend the weekend here. - This is where I came in.

Relax, Red Riding Hood. The wolf is going to Las Vegas.

Courtesy of Don Juan.

Thank Lover Boy for the dough, will you?

Your son is more than a horse, Pepe.

He's a fairy godfather.

He's given me this.

And a wonderful friend.

Don Juan like you very much, You see?

Oh, he Don Juan. Don Juan, where are you?

It's time for your siesta.

You like swim? It's very refreshment.

Ahora, hombre. Vengase, hijo.

Now what to take siesta.

Un momento. Un momento.

Just a minute.

Sleep, my son. I answered the door. Sleep.

Un momento. Senor?

- Pepe. - Mr. Robinson.

- I'm glad to see you again. - I'm glad to see you...

What's Don Juan doing on the table?

He take a siesta.

Now don't you tell me.

Don't you start any tricks like that with me again.

No. Is it true, he is sleep.

What do you mean? On the billiard table.

- Why? - Because he's green like the grass.

Why doesn't he sleep on the grass?

Because the grass is brown, the water is shut off.

I see. Figures.

We don't have nothing in this house, except bills.

Mr. Holt is not here. He's going to Las Vegas.

Yes, I know, I know. Pepe, I came here to see you.

- What a specimen. - Me?

No, no, your son.

I should never have let you talk me out of it.

That's what I get for listening to words instead of instinct.

- I tell you something. - Yeah?

He's little tired because this morning he had a big date.

- Well, that explains. - Shh!

Now, Pepe, come here. I want to talk to you.

What does Mr. Holt pay you?

Mr. Holt don't pay me nothing.

As I thought as much.

You come with me and I'll double your salary.

What?

No, no, I mean the one you got in Mexico.

I want you to work for me.

Why, senor, I do bad thing for you.

- I lie about Don Juan. - Yes, you did, Pepe.

But I can understand it. Maybe that is the reason.

Don Juan meant more to you than your job.

I like that. My horses could use a little devotion.

- Don Juan needs me. - Yes. And I need Don Juan.

But for the present, I'll have to settle for his father.

Mr. Holt needs me too.

You mean you won't leave him?

Loyalty is a rare commodity in today's market.

I hope he appreciates it.

Mr. Holt is a very fine man. You too, Mr. Robinson.

Thank you.

He say you'll give it to him a lot of money to make a picture.

- He did, eh? - Yes.

Well, don't let him kid you. I wouldn't waste a nickel on him.

That's why he went down to Las Vegas.

Tried to raise a bankroll from those money boys.

They'll laugh in his face.

He'll lose whatever money he has and come staggering

home with nothing in his pocket but a hangover.

Is what you think?

Look, Pepe, I know this man inside out.

He's a lovable, talented, good for nothing bum.

- Mr. Robinson. You don't like Mr. Holt. - No, you're wrong.

I just can't stand waste the talent. And he's the biggest spent I know.

- Well, goodbye, Pepe. - Adios, Mr. Robinson.

Adios.

Oh, by this way.

Whenever he throws you out, you can always come to me.

- I appreciate a little loyalty. - Thank you, Mr. Robinson.

Goodbye.

Mr. Holt is a bum?

Hey. Wake up! You're here!

Wake up!

- Good luck, sucker. - Gracias, Mr. Sucker.

Adios jovencito.

You're not going to believe this, but I made a nine the hard way.

- How'd you do that? - Three threes?

Are you kidding?

Excuse me, sir. Do you see my boss?

- Who? Pancho Villa? - What do you mean, Pancho Villa? Sonso.

I'm looking for my boss, Mr. Holt.

- Ted Holt? - Si?

- Have you seen Ted? - No, I haven't.

Haven't seen Ted tonight. He may be in a little later.

Why don't you sit and watch the show? I think you'll enjoy it very much.

Gracias.

Hey, you got a live one there?

Yeah, I think so. He's got a piggy bank with him.

My life's a swinging thing.

From dust to dawn

It's ring a ding ding ding

Right next to Frankie boy

You'll find oldino ibaz Levino

on Dino vino lou de gully

Uh, maggola safar let my spleen here a minute there.

Hooray!

Hooray!

Hep, hep, hep, horray!

For Holly...

Hooray for Hollywood.

I'm kidding. I was.

It's better I can taste the troubles does on me.

Boss, why you throughout out all martins?

Pepe. How'd you get here?

By...

I bring to you good luck, boss.

- I think maybe you need it. - Get away from me. That stinking air.

Besides, It's too late.

They turn me down flat. I blew down one, though.

How much money you need?

Tell me. 250,000 cash. Give me a million of credit.

I thought lettuce happen to have it on you.

I have my pig bang full to belly button. It's yours.

With this stinky bull's ear You win. Believe me.

- I couldn't take your money. - What do you mean you can't?

You think my money is not good or you want to insult me?

Are you kidding? I love you.

If you were a dame, I'd marry you.

Well, very nice from you, but I prefer to be your partner.

Do you play for me? Play for me.

- Okay, partner, put it there. - That's all right.

We'll take this over the cashier.

We'll swap up for some good old American lettuce.

- Vamos a ganar, jefe. - Same for you.

What happened? Boss?

Are you all right?

I don't think so.

Oh! You drink too much.

You can't play tonight.

Anyway. I do.

I play for you now, Partner.

I play for you.

We win and everything is alright.

I trust you.

To luck me. Little for you.

Too much for me.

We win and everything is all right.

Partner, I see you later.

For you. That for you.

I like to change this money for American lettuce.

Hey, Frankie, you've been around.

What's the score on turning 35 pesos into lettuce?

I don't know much about lettuce, but I'll give you a rundown of tomatoes.

Let's see, 35 pesos. That's just about two and a half pesos shy of $3.

Here you are, my good man.

As a gesture of international goodwill, here's the $3.

I'm one of the owners here.

You are the owner here.

You don't look like owner.

You crave a little action here.

I like the wind, but fast.

Well, you'll find a tandem machine over

there that'll pay off eight grand in one foul swoop.

I don't need eight grand, just 250.

I'd like your moderation.

You put a buck in each machine to see what happens.

Thank you, sir. I mean, my honor.

- Not, here and here. - Thank you.

That's all right.

No.

You mean if I pull handle and the one come out?

Oh! It has happened? Yes.

Yes, one second.

No me vayas a fallar cuando necesitamos.

Voodoo?

No, I don't with my bull ear, I do everything.

Andale chiquita.

- I do. - Hey, Big Jack.

Pancho Villa just hit a double header.

Oh, boy. That's another eight. The big ones.

Forget it. Just start cutting out the eight grand.

- Amigo. - Que traes, que traes?

You must have made a killing. How about a little game of Cards?

Que clase de juego? No entiendo yo...

Very simple. Very simple.

All you do, all you do, lift the card.

Ah nomas com quien dise. Corta las cartas ya.

No, it's very simple.

No, it's very simple. I know what you mean.

- Try. - Try.

- Que estas diciendo, chato? - First the little money.

- Litle money... - Little money put hat.

Just a minute, you got your cut.

Ya gane. Ya gane.

Cut the card.

- Ahora si�. - Just a minute.

- The winner. - Pues ya gane.

- Se le duena. - I win.

- Gane, verdad? - Just a second.

- Just a second. - No me hagas trampa.

Este se aca. Ya meteste aqui.

Ya viste aqui. Don't fool me.

You sure you never played this game before?

No, nunca. Da primera vez.

All right.

Uno vente a vitalo.

Lift the card.

Entras, entras chato. Entras canon.

Esta dando cochinho con la narices, viejo.

Ahora si�.

Perdite no? Ay es tu.

Ya se le dice. Porque se pongas a jugar asi�.

I see you later.

Just a minute.

Usted no tienes nadie. Ya te perdiste todo.

No seas tonto. A que te pondes comigo, hombre.

Que es eso?

What do you pick? Head of tails?

- Head of tails? - Head of tails?

Head of tails?

Pick what do you want, head or tails?

You want heads?

All right.

Ay, chiquito.

See you later.

How humiliating stupid.

Would you care for a sandwich?

- Can I have one? - Certainly.

Thank you.

A little... Thank you.

Would you like a little action?

I like to be in action all the time, my dear friend.

Good. I'll just keep it in practice.

This used to be my old racket back in Steubenville.

- You know the territory. - As know who?

I'll forget it. I'll be a little blackjack.

- What Jack? - No, Jack, I hope.

Your partner, too.

Yeah. I have a small piece which is fast. Getting small.

- I know. - All right. Shall I hit you?

Why? My dear friend, I did something

wrong or you don't like me? What happened?

You don't understand. I'm going to hit you.

What do you mean, I don't understand? I understand you.

But you mean I hit you.

Viejo, no. Yo no creo que seas tan sonso que nomas me de asi nomas.

If you hit me, I hit you. My dear friend.

Yeah, you're all right. Why didn't I meet you before?

- Hey, Dino. - What?

Your friend's number hit.

Shall he pick it up, or would you like to ride?

I love to ride, don't you?

No, but I'm glad you do. Let it go.

- Hey, you got a blackjack. - It's a lie.

It's no lie. I'm a lousy dealer.

- Hey, Dino. - Yes?

Your friend won again.

- Still like the ride? - Always.

Let it go. You know, you've got a lot of guts.

And half of the cotton pick and joint.

- Let's try a change of scenery. - Let's try.

You know something?

You are very nice to me. What can I do for you? Tell me.

Lose.

- Excellent - Excuses, would you please?

There we go. The house limit is raised for my friend here.

Refreshments? Compliments of the Sand.

- Well, thank you. - Lay it on a line now.

Oh, no! My friend, no.

$500. Go.

- I beg your pardon? - It's chicken.

The very idea.

Say, the square cubes. Now see with the round numbers.

Put them in your hand. Throw.

- What? - Just throw.

Just... I know what you mean. Just throw.

Throw.

- I do good? - You sure did.

You just contributed to the community of the chest.

Let's get out of here.

Son of the gun.

I do.

- How are we doing? - Pancho Villa is murdering us.

You know how much money I win right now?

250 G's and 6 bucks.

I think it's enough. I'm a very tired.

You're not going to quit now.

There goes the last of my piece.

You keep Six bucks, then I take the rest.

- I'll get you a check. - No check, my friend.

Money "al contado". You know what I mean "al contado"?

You mean folding? I mean biting.

You are very nice man.

You help me very much. I love you.

He loves you. Whose side are you on?

- I give you a tip. - You know who that is?

Sure I know who is. The man who lost the money.

So I am no good partner, but I'm very nice man. He loved me.

"Ole".

250 grant and I slept sure.

Now we go home and tell Susie. She have job for sure.

- It's not wonderful? - Yeah, sure.

You know something? You're a very good person, boss.

Now cut out that boss. We're partners.

Milk of humankind has soured me. Years ago.

I even tried to sell Don Juan. The guy wouldn't go for it.

What? The Don Juan is still yours, don't you?

Don Juan is still ours. We're partners, remember?

- I only own half. - Of which half?

All aboard, please. Good morning, Miss Hopper.

Good morning.

- We are ready. - Look, when we get back to Hollywood.

Yes?

Anyone asks you anything, you tell them you're my producer, okay?

- Okay. I am your producer. - Right.

- What is producer? - Well, a producer is a man...

Well, you see, in the picture business, there has to be one man.

Yes, yes.

There always is one man in every picture. See?

I got a better idea. Just keep your mouth shut. I think that'll work.

Susie Murphy. What a name for a marquee.

- She will be big success, partner. - Will she.

Yes.

Around a swimming pool in the moonlight.

But carrying a whole picture? I must look nuts.

What I need is a star like Marilyn or Shirley or an Audrey.

Or Kim or a Debbie Reynolds. That's what I need. A Debbie Reynolds.

You have Susie.

Why don't you just get out of here and leave me alone?

It's okay, boss. It's okay.

I put the Mexican Martinez back and just...

Go on to bed. You're always getting my hair.

Hair of dog that bites you is betting.

Partner. If you notice, the cork is still in the bottle. I got it licked.

But you got a pair of pants that don't fall down.

I tried to do before, but I don't feel comfortable, partner.

Well, anyway, I try.

Hey, Gabe. You ought to be ashamed of yourself?

Taking it out on a nice little guy like Pepe.

You're yelling because you're scared. That's your trouble.

Tequila!

Debbie?

Pepe?

Tequila!

Debbie!

- Hello Debbie. - Yohoo, Debbie.

Que paso?

Que paso?!

Tequila!

Okay, you going at my signal, all right?

I've fine.

Now, ladies and gentlemen, I'll give you a highlight for your vacation.

Please be my guest and see how the movies are made.

Just move down, take any seat at any table.

When you get there, sit back, relax and enjoy the show.

And if you'll do me just one favor, please be very quiet.

Thank you very much. Muchas gracias.

Good morning, Ted.

I like the dress. All right.

You know where you're supposed to be?

Balcony. Let's go.

- Hello, Partner. - Hello, Pepe.

- Good morning, Pepe. - Good morning, Susie.

Excuse me, I'm very busy. I'm a producer.

All right, Carlos, get those musicians in

position where they belong with the rest of them.

Hey, Gloria. Come on.

Agarrate para que no sepas la siesta.

Permitame verte en este angulo aca.

All right, let's get that standing here. Carlos.

Por favor.

I've held good.

Muevase por favor Yo soy "the standing",

Then, take a sit.

- Trae la cinta. - Get the divers.

...quiede bien ahogado.

A ver, los chavalitos acerquense, muchachos.

Now, you tell them that. We're only going to do this once.

I'm paying them 4000 pesos. I want it right the first time.

Right, sir. Bien, muchachos...

Let me talk to them.

Partner! they do it for 5000.

There's thousand more than I'm paying for them.

- Let me talk to. - Come over here.

Why don't you go and visit Don Juan?

He have a date with the Dapper Gray.

- Senor Holt? - Already. Yeah.

- I don't see nothing, partner. - I don't see nothing either, partner.

Something wrong with the...

Come here. I want to tell you something.

I got a surprise for you. You like it.

- I do? Hey, that surprise. - You'll like this?

Yes.

You've seen the actor's marks, have you?

- Yeah. - All right.

This is the producer's line. You stay on this side of the line, see?

Don't step over, huh?

You stay on this side of the line and don't move.

Don't move?

All right, let's go, everybody. Come on, let's jump a little bit here.

We're running behind a schedule.

I only got one day to shoot this thing.

All right, get that makeup. Fix that girl's hair, will you, please?

And get those musicians in you. Come on, somebody help me out here.

Now, when I wave my arm like this, that's it. Then you dive.

All right, Carlos, let's get him quiet. Let's get him back.

Yes, mister Holt.

Deprendela.

Un poquito mas.

Ahi esta bien. Inclinelo un poquito mas.

Muy bien.

All right. Rolling!

Had it! Great.

I look like a Producer?

You look wonderful. Pepe.

Secondhand.

- Maurice chevalier. - Who is he?

Great artist, Pepe. Probably the world's foremost authority on love.

And all this time I thought you held that title.

He's European theater, of course.

He doesn't know, but he is going to be in my picture.

You mean in our picture.

Our picture.

My left shoes on my right foot.

My right shoes on my left.

Oh, listen to me, Mimi.

Of reason I bereft the buttons of my trousers

are buttoned to my vest.

Oh, listen to me, Mimi. There's passion in my breast.

Mimi, you funny little good for nothing

Mimi am I the guy?

Mimi you sunny little honey of a Mimi

I'm a Mimi in high

Mimi you've got me sad and dreamy

you could free me if you'd see me, Mimi

You know I'd like to have a little son of a Mimi by on by.

Mimi you've got me sad and dreamy

you could free me if you'd see me, Mimi

You know I'd like to have a little son of a Mimi by on by.

When I was a young man, courting the girl.

I played me a waiting game.

If you may refused me with tossing curls

I let the old earth take a couple of word

While I plied her with tears in place of pearls.

And as time came around she came my way

As time came around she came

But it's a long, long while,

from May to December

And the desk grow short

when you reach September

And the autumn weather

turns the leafes to flame

I haven't got time

for the waiting game

And the destiny to gold

as they grow few

September

November

And these few golden days

I share with you

And these few golden days

I share with you

September

November

And these few vintage years

I share with you

And these few vintage years

I share with you

Gracias ladies and gentlemen.

It was a great honor to be here for such a worthy cause.

In the audience tonight, I see an old friend from

Hollywood who is directing a picture in your city.

Ladies and gentlemen, Mr. Ted Holt.

This is like shooting barracuda in a barrel.

Out of season.

When I ask you for this, bringing them.

Ladies and gentlemen,

I'd like to donate $2,500 to Mr. Chevalier's

favorite Mexican charity.

If he'll sing that same song once again.

- You're most generous. - Is it a deal?

Naturally.

And all you wonderful people are

invited to appear with Mr. Chevalier

when he sings that song in my picture

tomorrow afternoon here at 03:00.

"Cachorro".

I know what that meant. I'd resent it.

It has four legs, a jolly tail and it lives in a style.

Anything else you want, Mr. Holt?

Not unless you'd care to dance, Mr. Chevalier.

Not so fast, mister.

Since you've interrupted my act,

I think you should help me to finish.

Oh, no. Besides, I don't even know your song.

Oh, that's ridiculous. You know, Mimi.

- No. - See, you know him.

See, I know him, but I don't know Mimi.

You know him, but you don't know you.

You do not understand, mon tigron.

Mimi is the name of a pretty girl, like Fifi or Chichi.

- Si. Si. - Repeat after me.

- Do, re, mi. - Do, re, mi.

- Good, now. Do, do... - Do, do.

- Re, re. - Re, re.

- (speaking french) - (speaking spanish)

- Do, do... - Do, do.

- Re, re. - Re, re.

- Mi, mi. - Mi, mi.

- Bravo. You've got it. - You got it.

- I got it. What I got? - Mimi.

Mimi?

Do, do, re, re, mi, mi.

Do, do, re, re, mi, mi.

- Mimi. - Mimi.

Si.

You funny little good for nothing, Mimi.

Si! Si! Si!

Am I the guy?

Si. Do, do, re, re, Mimi.

- Mimi. - Mimi.

You sunny little honey lover, Mimi.

Oui, oui, oui.

- Am I the guy? - No, no, no.

- No, not you. You but Mimi. - Mimi.

Si!

- You got me sad and dreamy. - Mimi.

- You could bring me. - Mimi.

- If you see me - Mimi.

You know I'd like to have a little Do. Do, re, mi.

Do, re, Mimi.

By and by!

Una vez mas, si�?

Todos, verent, Mimi.

Should made me sick.

Men make me sick. With no effort, I could hate them all.

You mean you hate Pepe?

You? Of course not.

I never even think of you as a man.

What I mean is you're so kind and considerate,

like all men should be.

I couldn't hate you, Pepe. I love you.

If rover boy comes back, which I doubt,

thank him for a wonderful evening.

She said she love me.

- Hey. Excuse me, Mr. Mimi. - Mimi?

I mean, Mr. Chevalier.

- Can I ask you something? - Certainly.

- Sit down, please. - Yes.

What is it?

I know you are a great authority in love.

I'm a Frenchman.

I don't want to bother you, but that question is very important to me.

If a woman tell you she loves you, how you know it's true?

Quoi qu'il en chose, c'est tres difficile. Je dirais...

- You don't. - I don't?

You don't that if you're doing that, well.

- What's the difference? - Well, it's a big difference to me.

- You mean you love her too? - And how.

Ever since I fixed hold in sure, tonight,

when she kissed. I... I...

Ay hijito que duro es esto, hermano.

- She's here? - No, she leave.

- Not the contortionist? - Oh, no. Are you kidding?

The one who was sitting right there.

Don't tell anybody, please.

Oh! She's beautiful.

She's beautiful.

Does she know how you feel about her?

It's secret.

- I bet. - Yeah?

I see. I see.

Vous avez, Pepe. E tant la difference...

- Oui, oui. - Fa ca de me...

I mean there are many different ways of love, you see?

Yes.

There is the love of a friend for a friend for a friend.

For a friend, you're right.

The love of a mother for a baby.

- A mother for a baby... - Of a daughter for a father.

- Father for his son. - Right.

I am a father of one horse.

Oh, congratulations.

Now, You know, Pepe, it is not enough.

- It's not? - When a woman says she loves you.

- No? - No.

- Women say so many things. - Yes.

You must wait. You must wait until bells ring out.

- Until bell ring out? - Yes. Yes.

Until she says it with her arm around your neck.

Until she swears with tears in her eyes.

Until she swears that she loves you and you alone

because you are different from any other man.

And when that happen, I can be sure?

As sure as a man can be about a woman.

Gracias, viejito.

Palabras que tu eres un real hermano.

Thank you very much. I will remember you.

- You made me so happy. - Avec a plaisir.

And also, Pepe, never put all your eggs in the same basket.

- Even if it's a very pretty basket. - I know.

- Right. - Right.

- Not all the eggs. - Right.

- Au revoir, Pepe. - Au revoir, monsieur.

- Good luck. - Au revoir, monsieur.

And thank you very much.

I never put even if it's pretty basket...

Au revoir, monsieur. Gracias viejito.

All right, cut. Quarter last.

Cortalo, por favor. Ya fuera!

- Que les parecio, muchachas? - Muy bien.

Very good, Carlos. Very good.

Susie is very good too. Why you don't tell her?

Well, I want your opinion. I'll ask for it.

Let's see.

You don't have to ask for my opinion, partner.

I give it to you anyway.

Yes, I know it, and I am getting sick of it.

Now, will you just keep your mouth shut

about everything or is that impossible?

Quit the last one roll on

before we match the last one, let's move over here.

De ca para alla, muchachos. Move the camera.

Set up, Carlos.

Your excuse, Ms. Murphy. I'll send for you when I want you.

Let's use a three. No, put the four into.

Pepe! Pepe, wait!

Wait, Pepe.

- Cual es su nombre? - Pepe.

Pepe?

Who has the face as funny as Pepe?

Who has the smile as sunny as Pepe?

Who's the comical little clown

there with the trousers falling down?

Skipping hippity-hop, like a busy bee.

I ask you

Who has the heart happiest Pepe?

Who has a strut as snappy as Pepe?

Who's the fellow that rings the bell?

I know him well. I'll even spell it for you.

- P-E-P-E. - P-E-P-E.

- What does it spell? - What does it spell?

- Pepe. - Pepe.

- What does it mean? - What does it mean?

What does Pepe mean?

What does Pepe mean?

Well?

Proud and happy with his burro by his side!

Who has a face as funny as Pepe?

He's no higher than a turkey,

but his smile is 2ft long.

Who has a smile as sunny as Pepe?

And he always makes a habit

out of helping one and all.

About as sweet a honey is Pepe.

He's no bigger than a rabbit,

but his heart is 10ft tall.

No bigger than a bunny is Pepe.

No bigger than a bunny is Pepe!

About as sweet as honey is Pepe.

About as sweet as honey is he

Who has the face as funny as Pepe?

Funny as Pepe.

Who has a smile as sunny as Pepe?

Funny as Pepe.

Who's the pixie in baggy clothes? There with the cute mustachios.

Skipping hipty-hop What a sight to see!

Funny, sunny

Who has a heart as happy a Pepe?

Happy as Pepe?

Who has a strut as snappy as Pepe?

Snappy as Pepe?

The fella that rings the bell. I know him well.

I'll even spell it for P-E-P-E.

P-E-P-E.

- Pepe! - Pepe, that's me!

P-E-P-E. Pepe!

That's me.

Who has the face as funny as Pepe?

Who has the smile as sunny as Pepe?

Who's the pixie in baggy clothes?

There with the cute mustachios

- Skippin'hippity hop... - It's like to see.

Who has the heart happiest Pepe?

Who has the strawest snappiest Pepe?

Who's the fellow that rings the bell?

You know him well,

- I'll even spell it for - P-E-P-E.

P-E-P-E.

Pepe!

Pepe! That's me!

That's me!

That's me!

- Pepe! - That's me!

That's me!

That's me! That's me!

Pepe! That's me!

That's me!

Pepe.

I'm going to give you one more chance, Pepe.

- Another chance. - Right.

- I'm a producer. - You're a producer.

Janet Leigh and Tony Curtis are down here for the film festival.

Yes.

I'd like to get them to do a spot in my picture.

I want you to go to the florist.

I want you to get a box of white violets.

- White violets? - Right.

- Janet loves white violet. - Yes?

I want you to take them to bungalow ten.

- Bungalow Ten? - Right.

You deliver them to Janet Leigh personally.

When close my card.

I'll drop around after shooting. We'll talk about the picture.

- You like the brush? - No, thanks. I'm a lunch hour.

My son, go for swim. But don't go too far out.

Take your hat.

Go swimming. Go swimming.

Make a practice your Australian crawl.

Pepe!

Remember white violets. Deliver them personally.

Remember? I remember. Bungalow ten. Personality.

Miss Janet Leigh.

Bueno. Oh, hi, darling. Yes, I can hear you just fine.

Why are you still in Mexico City?

Janet? Things took just a little bit longer than I expected.

There'll be a Senor Sanchez.

Sanchez? Yes, he's the chairman of the censorship board.

He'll be coming by to have cocktails with us.

- What for? - Motion picture passion.

- Passion? - Passion?

Yes, I think it's going to be the

American entry in a Mexican film festival.

Oh, honey, that's marvelous.

Now you'll be a good sport and cement good relations.

You take care of him until I get there.

Okay? Will you be here in time for the party?

Janet? The plane's leaving now and if I can make it,

I'll be there in about an hour. I'm all dressed. Everything's set.

Okay, goodbye.

Excuse me, sir. You know where is the bungalow ten?

- It is on top of the hill. - Top of the hill?

Top of the hill. You just followed that jeep.

Oh, thank you, sir. I have a flowers. Yes, follow the jeep.

Right.

Hey, hombre.

Bungalow ten, joven.

Hijole!

Turista! The bungalow ten.

Hey, hombre, ya palo le tantito. No hay respeto con turista.

Que no vas de Bungalow ten?

Bungalow ten.

Delivery personality.

Hello? Nobody in home?

Hi?

Hi?

It's very good.

She's not very neat.

Delivery personally.

What are you doing here?

I bring you flowers.

What ride has a delivery boy to come into my bathroom?

I am not delivery boy.

I bring the violets to you, but I am not a delivery boy.

I think you like to talk about picture.

Oh, picture? Senor.

I am not delivery boy.

Senor, senor.

- Senor. - Yes?

- Please forgive me. - Excuse me. It's my fault.

No, it's my fault. I wasn't expecting you so soon.

Yes.

Why don't you wait in the living room and I'll join you in a few minutes.

Thank you. In the living room?

- Yes, right over there. - What for?

- Well, you can't wait here. - I don't mind.

Well, that's very sweet of you,

but right in the living room

and help yourself to some

champagne and bit of caviar.

Thank you very much. Champagne and cavi...

Caviar? What is caviar?

- Fish eggs. - Fish eggs?

Huevos de pescado. Fuchi, que porqueria.

I beg your pardon?

I mean, in my country, when we clean the fish, we throw inside away.

- No, really? - Yes.

Now, what do you know?

In my country, we prefer to keep

the caviar and throw the fish away.

- In your country? - Yes. Isn't that strange?

- It's strange, but it this. - Yes.

- I wait for you in the living room. - The living room.

- Thank you. - The living room...

- is the next of this room, - Right next to that room.

- And I'll be there in a minute. - I see you later.

Yes. Excuse me. Sorry.

Your flowers.

Oh, no! Thank you. Thank you.

- Hurry up, please. - Yes. See you in a minute.

As delicious.

It's delicious.

I hope I didn't keep you waiting too long.

- A quico! - Something wrong?

Why you wear so many diamonds, you don't be afraid somebody steal you.

These aren't diamonds. Just bugle beads.

- Bugle beans? - Bugle beads.

- Beads. - Beads. There we are.

Yes.

- Now, should we have some champagne? - I have some already.

Yes, there you have. Well, let's have some more.

Thank you. Don't sit there. He's wet. Excuse me. It's too late.

- Well, we'll try again. - You feel better now?

- That's very... - Good.

There we are. I know the purpose of your visits.

And my husband called me from Mexico City.

Oh, he must have a loud voice.

- I see you have a sense of humor. - Salute.

- Oh, cheers. - Cheers. What is that?

Cheers. In my country we say cheers.

- In my country we say salute. - Well.

And when the people is very happy in a special occasion, we drink like that.

Crusadita, un crusadita.

- Now, salute. - Sure.

This drink is very funny. Make me tickles in my nose.

In your nose? The first time I had it in me too, with a tickles.

Well, I'm aware that you must be a very busy man.

So, should we talk about what's on your mind?

Fish eggs?

Passion.

Passion?

You can speak freely with me, senor.

I really want to know how you feel about it.

- I don't. - You don't?

Oh, I was hoping that you liked it.

Well, I don't against it.

Oh, well, that's good. Would you please?

- Please what? - Light my cigarette.

- For sure. Really? Pleasure. - Thank you.

It's a really pleasure.

I don't smoke, but this is good.

I'm glad you like it.

Thank you very much.

Now, does that mean you're going to show us?

- Passion? - Yes.

Here?

Right now?

There's that sense of humor again.

No, I mean the usual way. With a search license in a big theater.

Lots of people, you know.

- You do this in your country? - Of course, don't you?

In front of all those people?

After all, senor, I'm an artist.

Well, after all, I have a son who is also an artist.

- Your son's an actor? - It's a horse.

You're speaking figuratively. Of course.

- I am. - Just how big is your son?

Well, let me see. He's about twice as big as me.

- Really? - Really.

- Well, how old is he? - He's four, going on five.

- No wonder. - Good heavens, what do you feed him?

- Oats. - Oats?

Oats.

I must remember that when I go home.

Why, you don't need that. You are big enough.

- And very pretty too. - Thank you.

- With nice withers. - Thank you.

And very fancy fat lock.

Oh, what sweet.

Como te tras para el?

- There we are. - You put music, eh?

- Yes. You like music? - I love music.

Well, good. Shall we dance?

I'd rather show passion. Passion.

Oh, that's marvelous. Oh, I can't wait to tell my husband.

He will not mind?

Mind? Are you kidding? He'll be delighted.

- Delighted? - Oh, yes. Let's celebrate and dance.

- Celebrate. Your right. - You can come right up over here.

Yes, of course.

Well, yeah. I think maybe it's better up here, don't you?

Yeah, I think so.

You dance vey well.

Very good.

- Very good. - I'm glad you like it.

"Oye" the diamond is very cold.

- Bugle beads. - Your bugles are cold too.

I'm very comfortable. Very comfortable.

- Hi. - Oh, he's asleep.

- Who's asleep? - Senor "who's",

chairman of the censorship board.

Janet, this is not Senor Sanchez. Senor Sanchez is six foot two.

Yes?

What's this fella doing in your... doing in my arms?

- I was doing what you told me to do. - Doing what?

Talking him into showing passion.

Janet, I tell you, this is not Senor Sanchez.

- Well, then who is he? - Well, how should I know?

Shh!

Well, if you don't know, I don't know.

First time I saw him was in the bathtub.

- What bathtub? - Mine.

Out here. Will you cut in?

- He was in it. - No, I was.

Would you start from scratch, please?

Now, look, he came into my bathroom.

Yes?

He took one look at me, ran right into the bedroom.

Oh, no, not again. Here we go.

Right on?

I see him came in the bathroom, took a look, ran into the bedroom.

Then what happened?

Look. And I asked him to come in the living room.

Wait until I put some clothes on, of course.

The bedroom, the bathroom, then the living room.

What's he doing here in the first place?

I don't know. He just brought me some white violet.

Oh, then you do know?

No, I don't know him. I never saw him before in my whole life.

And I must say he paid me some rather nice compliments.

You never told me I had fancy fetlocks and pretty withers.

Janet, fetlocks and pretty withers are parts of a horse.

- A horse? - A horse.

A horse?

- What do we do with him? - Pepe?

- Hi, Ted. - Hi, Janet, hi Tony.

Who's he?

Well, I sent him over with some flowers for you, Janet, see.

- I down here making a picture. - Who's the producer?

I thought you to do be in the picture.

- Hello, partner. - Who's going to be the producer?

I'm the producer? It's true, partner?

Yeah. Well, not actually the producer.

Will you see what happens? Tell you what really happened.

I'm very happy tonight. Let's go dance.

Let's go dance.

Oh, not again!

That's the producer.

There, feel better?

- I have very bad overhang. - Hangover.

- And you've really got one. - I feel lousy.

Not half lousy enough. And stop coddling him.

Let him suffer the lush.

Now I've heard everything.

How many hangovers have you had?

Never should have let you taught me to bring him down here in the first place.

- So, now it's my fault? - No, is my...

No. They'd turned down anything Mr. Holt was connected with.

Look, Miss Murphy, I'm trying to make a picture.

And it's not getting any easier between your

constant needling and this moron's bungling.

Moron? I am Catholic.

Well, you better say your beads because I'm flying to Hollywood tonight.

Weekend with one of your girlfriends?

No. I'm going to try and dig up enough money to finish this picture.

- You mean money. - We've run out ahead of schedule.

And while I'm gone, I suggest you stop fussing

around with him like a mother hen and work on your part.

You're supposed to be an actress, not Florence Nightingale.

You could have put a lot more feeling into that love scene.

Just so happens I know you can do it better.

Got a very good memory, Miss Murphy. It's important in director.

He have many trouble.

I am worth.

Pepe, don't say that. You're the best thing about him.

Don't make excuses for him, Pepe. He isn't worth it.

You stand up for him no matter what he does, and it's wrong.

- But I love you for it. - You do?

Of course I do. How could I help it?

There's only one Pepe.

You're different from any man in the whole wide world.

You think I'm different?

Yes.

You must wait until bells ring out.

- Till she says it? - With her arm around your neck.

Until she swears with tears in her eyes.

Until she swears that she loves you and you alone.

Because you are different from any other man.

My son.

She tell me she love me.

You are about to have mother. Are you happy?

Pepe!

Pepe!

- Can we have a little talk? - Sure, partner.

You must go to rest, my son. No more swimming today. Let's go.

Don Juan. Keep out of the sun.

Right.

- You got the money, partner? - Yeah, I got the money.

It's wonderful. That is wonderful news.

Yeah, I'm a great guy.

Listen, partner, I have a secret to tell you, as a big secret.

Nobody know but me.

Partner, I got a secret to tell you too.

I'm afraid you're not going to like it.

- Oh, don't say that. - Everything...

I sold Don Juan.

Oh, it's not possible. You mean your half?

No, the whole works. Who buys half a horse?

Well, I had to. I couldn't help it.

I had to have the money. There just was no other way out, Pepe.

Don't just stand there, say something.

Call me a louse or a heel, but just say something, will you?

You are not a louse, Mr. Holt.

You are just a businessman.

- Yeah! - That's all.

When do they take my son away?

Now look, Pepe. Don Juan is not your son.

He's a horse, that's all. Just a horse.

Just a horse. Just a horse.

When do they take him?

Well, Mr. Robinson's going to pick him up next week.

I am glad it's Mr. Robinson. He is a very good man.

Yeah, he's a regular prince.

He would be kind to my son.

I mean, with my horse. His horse.

Excuse me, please. I have to go to tell the news to Don Juan.

I don't know how. It will not be easy.

Pepe?

Yes?

Tell your son I'm very sorry.

I will miss him very much.

But I will not be lonely. I have Susie.

- Susie? - Yes.

- Our Susie. Susie Murphy? - Yes.

We'll be married together. Today I go to

Mexico City to find a big church and make the arrangement.

- For you and Susie? - Yes, it's true.

When you are gone, she told me how much she loves me.

That is the secret.

Boy, that's some secret.

Well, congratulations.

I knew you'd be happy.

Excuse me, sir, do you have rings?

We have rings, yes.

Excuse me again. I would like to see one.

- What kind? - Round.

Now, look, what I mean is engagement, friendship, college.

I want a ring which promised marriage.

Engagement.

How much would you like to pay?

I don't like to pay nothing. But I guess it is not free.

No, not here. What's your ceiling?

What?

I mean, how much can you spend?

Oh, spend? My pig bank is full to Adam's apple.

Not really. I...

Would you please have your cashier total the bank.

And show the gentleman your engagement rings.

Yes, madam.

Be careful, please. Muchas gracias, senorita.

It's all right.

What would you like? Gold, silver, platinum?

Part whom?

- Gold? - Just gold.

- How many carates? - Carrots?

I am buying for girl, not horse.

Show them the tray, please.

- But they are all pretty. - How about a birthstone?

- When's your birthday? - April.

- Diamond? - Yes, it would be.

But, If I were your girl,

I'd pick this one.

- You think it's the best ring? - Definitely.

Then I take. Susie must�s happy best.

- You'll being married in church. - What else?

Yes, that's the nicest way.

With a veil and all the trimming, isn't?

No veil. No veil. I don't wish to hide her face.

Because she is the most beautiful girl in the world.

You are very pretty too.

Thank you.

I'm afraid you have to select a less expensive ring.

You are 2000 pesos short.

It looks so pretty.

Yes.

"Let him have it"

Oh, I think I misread the tag.

Oh, yes. This is the right price after all.

It's the right price?

Got bad eyesight.

You need more carrot, my friend.

Then you keep the money and I take my pick.

I save for the baby.

And thank you very much. Muchas gracias.

You are very kind. You are so sweet.

I never forget you. Help Pepe very much.

You're welcome, Pepe.

And you tell your Susie for me.

I think she's getting a wonderful guy.

Thank you very much. I tell her... who you are?

My name's Kim Novak.

I try to remember. Miss Kim Novak.

Goodbye. Miss Kim Novak.

Well, there it is.

That's it.

Nothing to worry about. Picture is great and so is the girl.

- Just like I said. - Just like who said?

Okay, so I was wrong.

This will clean up for us.

You're back in stride again, Daddy-o, better than ever.

And you called it right? Yes. Susie is a star.

You would have been a fool to let me take her out of the picture.

I must have been crazy to even suggest.

Suggested? You had my tail in a ringer.

- As what you said? - What?

Rid of that girl and that one dime. See?

- And that's the way you said it. - Now, wait a minute. Wait a minute.

But you too.

How else do you think you got Don Juan?

Don Juan? Is that why you sold him?

Because of me?

What are you doing up there?

All this time I've been fighting you,

making trouble, acting like a witch.

Well, he usually gets sweet on his leading ladies but it never lasts to the 6th treal.

I knew he was hooked.

Why didn't you listen to Mr. Robinson?

Why didn't you kick me out?

I'll tell you why.

Because I believed in you.

I believed in myself.

Then you're not hooked.

You just did it to show him.

Sure, he is hooked. Reeled in and on the griddle.

You know something? You talk too much.

But he's telling you the truth.

Then why don't you?

Miss Murphy, when a man has said I love you as many times as Holt didn't mean it.

Pretty hard to say it when he does.

Especially in front of an audience.

I think I feel like a cigar.

- Te gusta? - Si, senor.

- Mr. Robinson. - Pepe.

Mr. Robinson, I know you comfort on Juan.

Yes, among other things.

I saw the picture. I'm quite excited about it.

- How you like Susie? - Susie was wonderful.

It's good news to me.

- I have a secret to tell you. - Yes?

Susie and I to be married. I buy a ring.

- You and Susie? - Yes, Mr. Robinson.

You can see.

Well, that's very nice.

It's the best.

- Susie told you she'd marry you? - Not yet. But she tells she loved me.

- She did, eh? - Yes.

Well, look, Pepe, there are many different kinds of love.

You're right. You're right, Mr. Robinson.

Mr. Chevalier tell me the same thing.

- Well, he should know. - Sure.

Now, you see, a person can love many people.

- Yes. - Now, you love Susie.

You love Don Juan. You love your mother.

- Mr. Holt too. - That's right.

But it takes a very special kind of love to make a marriage.

That is the kind I have for Susie.

Well, I don't think that Susie has that kind of love for you.

- You don't? - No. Pepe.

Susie feels that kind of love for Mr. Holt and he for her.

Oh, it's not possible. Are you kidding?

- No. - Always they fight.

Sometimes you only fight with those you love best.

- What do you mean? - Well, I'll let you in on a secret.

My wife and I, we fight all the time.

You mean your wife and you?

That's right. And I with her.

- And you love her? - Yes, very much.

- You would not fool me? - No, Pepe, I wouldn't fool you.

I make a big mistake.

I asked San Antony, please. Por favor, bring Mr. Holt and Susie together.

He answered me too soon and too good.

And too good.

Oh, Pepe?

The Bible says: "The Lord knows best".

And I'm sure that your friend St. Anthony is a good friend of the Lord.

After all, they are happy.

I'm happy too.

Please, Mr. Robinson,

give this ring to Susie and say...

it's a wedding gift from Pepe.

- I'll tell her. - Thank you.

Pepe.

Come back to the States with me.

Stay with your son.

He's no longer my son.

He's yours.

I stay here in my own country where I belong.

Adios, Mr. Robinson.

Adios.

Please. When Don Juan to be old,

ready for pasture.

Don't send him alone.

Let him take a Strawberry Row with him.

He don't like to be alone.

I know him very well.

Thank you, Mr. Robinson.

Well, can we ditch the love stuff and talk business?

We've got to find Pepe first. Something we have to tell him.

That won't be necessary. He already knows I told him.

You? Where is he?

He just left me.

He asked me to give you this wedding present.

Oh, Pepe.

Oh Pepe, what have I done to you?

What have we both done to him?

- How do he take it? - He's got plenty of character.

- That's all he's got. - What do you mean, that's all?

Pepe owns a half interest of his half in my picture.

What do you mean, your picture?

- Ted? - Wait a minute.

- What do you mean... - Ted? We've got to get Don Juan back.

You're so right. Are you listening to me? This is my turn.

- It is still my picture. - Now you listen to me.

Don Juan happens to be my son.

Now, nobody tells me what to do with my son.

What I do with him when I do it and if I do it is strictly my own business.

Hello!

The story have a happy ending.

Mr. Robinson get pictures. Susie, get Mr. Holt.

And I get my son.

He made grandfather. Don Juan Jr. Twin chestnut.

Strawberry Roam.

Don Juan. Don Juan. It's no secret. It's no secret.

You have to tell me. Don Juan. Talk to me. Yes?

Now I know. That's all right.

Well, in that�s frame that is different.

Go on, my son.

Who has the face as funny as Pepe?

Who has the smile as sunny as Pepe?

Who's the fellow that rings the bell?

I'll even spell it for P-E-P-E.

Pepe, that's me!

Subtitles: Kilo

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